169 lines
9.2 KiB
Plaintext
169 lines
9.2 KiB
Plaintext
///////////////////////////////////////////////
|
||
GETTING INTO A R-RATED MOVIE IF YOU'RE UNDER 17
|
||
///////////////////////////////////////////////
|
||
|
||
|
||
Intro: In 1968 the MPPA, headed by Jack Valenti started the Code And Rating
|
||
Administration which would rate pictures on sex, violence, swears, nudity and
|
||
intensity. In 1970 any picture depicting sex, whether it was pornography or not
|
||
got an X rating. That has changed. Also the PG rating until 1971 was called
|
||
'M.' There used to a PG rating and then there was a PG 'tag' but then they
|
||
combined the two so that PG and PG tag were just 'some material may not be
|
||
suitable...' Also until recently less than half the theatres really followed the
|
||
rating and didn't let anyone under seventeen. The other theatres didn't really
|
||
care or didn't follow the suggestion. That's what the ratings really are -
|
||
suggestions or guidlines for theatres owners. Now, most theatres, especially
|
||
chain, follow the R-rating. Some do not. Other theatres do some do some of the
|
||
time. In 1970 you would walk into an X rated movie such as CLOCKWORK ORANGE and
|
||
notcause a fuss. Theatre policies have seem to have gotten more strict.
|
||
|
||
But still 40-50% of all movies since 1968 have been rated R. No one really
|
||
knows what an R picture might contain, which is a major draw back. They should
|
||
change ratings to inform parents who have little kids. They ratings should be
|
||
more explicit because I don't know why the fuck a picture gets an R - all I know
|
||
is that it's an R. But let's not discuss that. The best way to protest against
|
||
the rating system if you are under 17 is to beat it.So all you guys who feel big
|
||
and are 17 or older, well, i guess you can press the space bar or you can help
|
||
out us "under 17ers" by reading chapter 2.
|
||
|
||
1] THE OLDEST TRICK IN THE BOOK
|
||
|
||
Of course, if you go to the Old Mill, Sunnyvale 6, etc where they have two or
|
||
more theatres, it's very easy to walk into any picture you want once you have
|
||
gotten a ticket. First of all do not walk in an empty theatres if you are
|
||
sneaking in. Ushers sometimes come in. Buy a ticket for a movie which starts
|
||
the same time as the R-Rated thing you're going into. Then 2 minutes before, in
|
||
a full theatre, discreetly leave and just walk in and sit next to an adult for
|
||
extra protection near the front if possible.
|
||
|
||
- Some movie theatres are easier to switch theatres than others. Find the one
|
||
you like most and take advantage. The UA 6 is hard because the theatres are in
|
||
a circle.
|
||
|
||
- Try to avoid night showings At some theatres there are more ushers. You'll
|
||
just have to find scout the place first and see if it looks cool. If you go to
|
||
a theatre complex, you won't have that many problems with ushers. Matinees on
|
||
the weekends are better. Weekdays maninees are great because almost no one is
|
||
in the theatre so most of the people working there don't pay attention. You
|
||
have to mainly judge the situation and take advantage anytime you can.
|
||
|
||
- If you want, go to a favorite theatres of your choice that you hang around
|
||
and each movie you go to, save your ticket stubs [if they don't do those little
|
||
printouts.] Save up a few ticket stubs with the little numbers on it and figure
|
||
out the program schedule for that day.
|
||
|
||
2] The Ticket Collecting
|
||
|
||
Say you have ticket stubs with the #'s 1,4,and 6 which you got from past
|
||
movies at the theatre. Say the program schedule changed and RAMBO is playing in
|
||
the theatres which produces ticket stub #6. Now you have the correct stub if
|
||
you get any trouble! Sometimes if you go behind the box-office at a six-thater
|
||
complex there is a machine for each ticket # and a sign saying the movie. So
|
||
the ticket seller goes to that box so he gives the right ticket. So if you can
|
||
figure out which movies produce what # ticket you've got it made.
|
||
|
||
- Remember - the worst they can do is give you your money back if they decide
|
||
to throw you out, but they will most certainly not do that unless you are rowdy.
|
||
They will just make you go back where you came from. Say you have an adult
|
||
waiting in there - then if you have the right stub go sit next to an adult.
|
||
It's all a matter of keeping cool.
|
||
|
||
One time I just walked into Breakfast club and half the theatre was people who
|
||
snuck in and did the same thing. It was pretty funny.
|
||
|
||
|
||
3] THE "BUY A TUB OF POPCORN" technique
|
||
|
||
This technique is a good one and it works almost risk-free. Find and adult
|
||
who is seeing the same movie who looks around 20-30 and is cool. Ask them if
|
||
they will get you into the movie and "be your parent" and you will buy them a
|
||
tub of popcorn. Sometimes you can offer other things, or sometimes they will do
|
||
it for free because they might have tried to get into movies when they were
|
||
under 17 too and will have sympathy. If worse comes to worse and you go to some
|
||
theatres like the fine arts where the managers are bithces and they ask if its
|
||
your REAL parents, say that your parents went of to TANZANIA and that the guy
|
||
that's taking you in is your legal guardian for 1 month while your parents are
|
||
gone. Also if your 13 and you are SEAN ALVES, have the guy that's taking you in
|
||
say that you are 11 so you only have to pay 2.50...
|
||
|
||
|
||
4] The forged I.d
|
||
|
||
At non-AMC, UA or chain owned theatres sometimes ticket-sellers are more
|
||
relaxed. At the AQUARIUS in Palo Alto they don't care how old you are...at the
|
||
PALO ALTO SQUARE it used to be I could go to R-rated stuff but then they changed
|
||
their policy. It's not gonna hurt if you try, so go for it and you might luck
|
||
out. Many theatres which are 'revival houses' don't give a shit what the movie
|
||
is so you could also try there. If they do ask for I.D. however, tell them you
|
||
don't drive. Bitch and make up some excuse like your parents didn't want you to
|
||
get your license until you were 17, or you were in an accident. Remember: A
|
||
14,15,or 16 year old can look old enough if at night. So, since you are 16, and
|
||
you have a drivers license don't show them that, because it says your sixteen!
|
||
Show them something else which you made on your own. Anything that tells your
|
||
birthdate but hike it up a few years. I use a hospital card for I.D. You could
|
||
probably think of millions of way to make it look like a legimate I.D.
|
||
Remember: they can't do anything to you - just play it cool and make up some
|
||
excuse why you didn't drive "A FRIEND DROVE ME" "I HAVE AN EYE HANDICAP" "MY CAR
|
||
BUSTED" etc etc. The ticket sellers don't want to stand around all day arguing
|
||
with you, you say your right, they say your wrong. They'll probably give in.
|
||
|
||
|
||
5] A last resort - the bitch routine
|
||
|
||
If you look 17, and think you can pass it, you have to have a good wit, good
|
||
improvisational skills and be able to make a scene. You must convince, the
|
||
other people in line and the ticket seller that you are old enough. Here is one
|
||
of our trusty "R-rated busters" bitching his way through yet another flick.
|
||
|
||
MOVIEGOER: 1 to RAMBO
|
||
TICKETSELLER: I.D. please
|
||
MG: Why do I need I.D.
|
||
TS [mechaniclly]: it's rated r - no one underseventeen admited unless
|
||
accomanied by an adult or guardian.
|
||
MG [looking pissed]: I don't have any I.D. I didn't drive.
|
||
TS: I'm sorry.
|
||
MG [turning around to get other peoples approval]: Well I'm sorry. Look,
|
||
just believe me, I'm seveteen. I DIDNT THINK THIS WOULD HAPPEN! [talking
|
||
fast] I usually don't have problems with this theatre...
|
||
TS: Don't you have a drivers lisense?
|
||
|
||
[other people in line are getting pissed]
|
||
|
||
MG: [fast] LOOK! MY CAR BROKE DOWN YESTERDAY AND A FRIEND GAVE ME A RIDE IN
|
||
HIS CAR! I DIDN'T BRING MY LICENSE BECAUSE THIS THEATRE USUALLY DOESN'T
|
||
GIVE ME A BAD TIME! DAMMIT! THIS IS REALLY PISSING ME OFF! LET ME SEE THE
|
||
MANAGER.
|
||
|
||
[someone from the crowd trys to save your ass "LET 'im in!"]
|
||
|
||
TS: OKAYOKAY...just....just...don't you have any other I.D.?
|
||
MG [innocently] : Only my word of honor
|
||
|
||
Ticketseller presses the button and a ticket appears
|
||
|
||
REMEMBER - this is only a last resort. There are much better ways. I
|
||
recommend sneaking in at cineplex's and the popcorn tub routine at theatres
|
||
where there is only one show. The bitch routine may work and it may not. If
|
||
you can get a forged I.D., look old enough, and make up a good reason for not
|
||
having a drivers lisence that's the ultimate - you might even pass off for
|
||
X-rated movies but that's another story.
|
||
|
||
|
||
CONCLUSION
|
||
|
||
So remember - being under 17 doesn't mean you'll never get to see REVENGE OF
|
||
THE NINJA or PORKY'S IV - protest the r-rating! What the hell do we need
|
||
R-ratings for? Who really knows if in the movie they're just saying 'fuck' one
|
||
to many times or the movie should have been X-rated!? Who knows? Excerise your
|
||
constitutional right to freedom of speech So, take advantage of your creativity.
|
||
Sneak into an R-rated movie. Buy a beer from the 7-11. With good improvisation
|
||
and the right attitude, you could be older than you think!!
|
||
|
||
|
||
WRITTEN BY: MR MULLINS
|
||
AUGUST 1, 1985
|
||
------------------------------------------------------------
|
||
CALL THE HAUNTED HOUSE AE 1200bd. PW=BLATZ (415) 858-2840
|
||
------------------------------------------------------------
|
||
Call The Works BBS - 1600+ Textfiles! - [914]/238-8195 - 300/1200 - Always Open
|
||
|