630 lines
39 KiB
Plaintext
630 lines
39 KiB
Plaintext
LIST
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FILE ON
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MARGIN IS 76
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STATUS: ENTER ONLY
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NUMBER OF LINES: 623
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1 If you are in need of help, you need but ask....
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2 ********************* REMOVED: 13 APR 84 *******************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privatly owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privatly owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ************************************************************
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19
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20 && && &&
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21 The Poet awoke with a start. This alone was enough to put him through
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22 spasms of agony, as his head had somehow swollen several sizes overnight.
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23 Looking around,he found himself in a strange place. Hmmmm, the last he
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24 recalled, he'd been having a grand time with some new-found friends at...
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25 the Inn? No... somehow he'd gotten to somewhere else, he recalled. It
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26 hadn't seemed too important at the time, but his dislocation took on more
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27 serious implications in the cold, wet light of morning. Wet? Yes,
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28 apparently he'd spent the night outdoors sleeping in the rain. Now, where
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29 was he... at that moment a native passed by dressed in some sort of
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30 ritual costume or uniform. From the way he was running he was late for
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31 something, so rather than delay him the poet steeled himself against the
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32 pain and tried to run along with him.
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33 "Excuse (unh) me, but could (puff,puff) you tell me where I (gasp) am?"
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34 "What are you, an idiot? Joggers don't carry spare change, so beat it!"
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35 Ah... This "Joggers" must be some sort of religious group... "I don't
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36 need any spare change (Wheeze). I just woke up here and (grunt) don't
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37 know where I am. Could you (unnhh) please tell me?"
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38 "In the South Park Blocks. You people are disgusting, why can't you
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39 stay up north on Burnside where you belong?"
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40 The "Jogger" put on a sudden burst of speed, leaving the oxygen-starved
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41 Poet behind. Oh, well. Looking at the cloud layer overhead he found a
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42 lighter spot that must be the sun; from this he guessed that this
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43 direction must be north, where "Burnside" lay. Turning to face it, he
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44 began walking...hopefully the hurried fellow knew enough that the Poet
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45 might find some of his friends from the Inn on this "Burnside". He hoped
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46 that it wasn't more than a day's walk away...
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47 && The Mad Actor &&
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48 up 30
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49 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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50 I stepped outside and began to take my morning walk to get my
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51 breakfast, and I realized that something was amiss. The ground was quite
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52 hard. Pavement? Wait, this cant be the reality I was in when I went to
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53 bed. Must be that crazy piper again. Hmmm.... No bolo's, can't be
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54 that far of a time lapse. I decided to follow the blacktop strip in
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55 front of me and try to figure out where I was, and where I could get
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56 breakfast
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57 Fast Fred
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58 BSAL (ret)
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59 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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60
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61 OscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscar
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62 The rain had been pouring down for weeks now, and still it
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63 did not letup. The small patch of ground I had taken refuge on
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64 had become a island in a boiling sea of mud and water.
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65 My luck has seemed to run out on me this time, for even as I
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66 watch the last bit of ground gives way to the ever encroaching
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67 water.
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68 My equipment, my tent, everything I carried with me is long
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69 since gone, damaged or carried off by the raging water.
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70 Clinging to the last remaining tree still standing, I know
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71 that the end is near as the waters slowly but inescapeably
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72 continue to raise. Soon the water will rise to cover my head, and
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73 my failed mission will be at an end. Wet and chilled I cling to
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74 the tree, yet for some reason I am not afraid, perhaps because I
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75 know that it wouldn't make any difference if I were.
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76 The water has risen to my chin now, it won't be too much
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77 longer. My only regret is not finding the object of by search
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78 the one called PAM. But, it is too late for regrets now. As the
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79 water rises over my head, and the darkness enfolds me I do not
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80 even notice that the last tree that was standing that I was now
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81 clinging to was a Rowan tree.
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82 Sometime later a man appears beneath the Rowan tree outside
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83 the Inn, his hands clasped about it in a death grip. The body is
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84 naked and soaked from the pouring rain and covered with mud. he
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85 does not move, perhaps he is dead? The rain continues to pour
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86 down on the man, little rivlets running down thru his thick brown
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87 hair and across his cheek, while his steel gray eyes stare out at
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88 nothing. A dark cloak fluters down from out of the Rowan tree to
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89 cover his still body, and the rain continues to pour down........
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90 OscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscar
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91
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92 TAKE A LOOK AT THE NEW IMSAI BBS AT
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93 760-xxxx
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94 7-11 DAILY.
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95 760-xxxx
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96 LYLE DIXSON-SYSOP
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97 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXTO:THE MAN IN GRAY
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98 I GOT ON TO THE NERD,AND ALL THE MESSAGES ARE GONE.
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99 I TRIED TO LEAVE A MESSAGE TO YOU BUT I COULD NOT SAVE IT.
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100 AND WHEN I CALLED IT DIDNT HAVE THE O
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101 ND WAS IN THE PROCESS OF FILING A MESSAGE.
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102 I GOT ON WITHOUT IT EVEN ASKING FOR MY PASSWORD.
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103
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104 WHATS THE MATTER??????????
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105
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106 PHERIC F.
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107
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108 @!#$@#%$!#()%^$#(^)#%$^()%$^&($%&($%)&*)*$#)*%^#)$^()%^*@%$)*^%*^)%$^*@^
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109 Reality...what a concept...especially when said reality is an unknown
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110 quantity floating in a vacuum known simply as... "Portland"
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111 :: voyeur :: nice message...very effective use of reality shifts,
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112 considering we were sitting so close to the area of main exposure to the
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113 piper, I would guess our trans-reality shifting was due to his pipes.
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114 Certainly our location at the PC & S had to also have some affect on our
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115 situation, given its non-stable reality within its four walls already...
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116 Where or where will the pipes take us. Let us all hope our destination
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117 is more interesting than the last two disks have been eh?
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118 Aaron...boy sometimes you can be so short with your associates! Oh...before
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119 I forget, you are suuposed to return MIG's property ASAP. He (really does
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120 wear all grey) wants his stuff back, and since you have been avoiding him,
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121 I decided to take action and put a hold on your check from M.F.& E. until
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122 the property has been returned... Remember that famous quote from the
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123 famous sysop who has admitted so much in the past couple of weeks...
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124 "I don't threaten...I act!" yiiii yii yiiii!!! Watch out for the MCP!
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125 @%#$%$#%$#%#@%325 L'homme sans parity #@$@#$#@$)#@*$)#@*$@#*$#@)$*#@$@#$@@
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126 PS...I was a pleasure to meet MIG, TMA, Piper, voyeur, apprentice, bard,
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127 leonard, traveller, et all... (that should be It not I of course)
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128 #@!#*!@($*@!#($%@#%(&!$#(^%$#)%^*$)%*$)%*$@)%*)@%*$)%*#$^&$)(%^$)%($)%*$)
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129
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130 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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131 I'm only sorry I didn't arive sooner to meet everyone.
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132 MIG:the nerd got as far as my password, then stopped. Is mike playing
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133 games with me?
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134 Fast Fred BSAL(ret)
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135 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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136 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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137 It must have been that bass drone reed. It didn't sound right --
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138 I had to pull the drone and restress the reed, and it was double-toning.
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139 Now here I am -- I must admit that the tavern was quite nice -- brick walls
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140 a pool table, warm, out of the rain. I really don't like this reality.
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141 Too many loud machines, people with the look of quiet desperation in their
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142 eyes, pavement, pavement everywhere. The stone beneath my feet is not
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143 pleasurable to walk upon, the river that I saw was walled off from all
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144 possibility of contact. Strangely dressed persons come out of doorways,
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145 the whole ambience is that of self-involvement. Where are my companions?
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146 I do not have the skills to long survive in an urban atmosphere -- if I
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147 don't come across them soon, I'm heading for the hills.
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148 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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149 && && &&
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150 The Poet had been wandering, quite lost, for most of the day. No stranger
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151 to cities, he nevertheless was having problems with this one. It lacked the
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152 friendly charm of the more low-tech urban settings he prefered, yet without
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153 the cleanliness and efficiency of his brother's haunts in 45th century
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154 Noram. Still, the place was not without its charms... one young lady
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155 offered him a friendly chat about "Signtolgy", apparently some sort of
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156 religious organization (these people seemed to have a lot of those). Knowing
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157 from experience in the Inn that the proper response was to start a friendly
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158 argument he did so, but for some reason she took offense and left in a huff.
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159 So, having long since forgotten his original purpose (as Poets are wont to
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160 do) he contented himself with wandering about, gazing with fascination
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161 through the broad windows put forward by the trusting merchants to display
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162 their wares. As the day wore into evening, he found himself at the doors
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163 of a corner drinking-place wishing he had some coin of this realm with
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164 which to buy some refreshment. As he gazed enviously through the window at
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165 the patrons enjoying themselves within he heard a familiar sound. Could it
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166 be...? He burst through the door into the conversation-stopping drone of a
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167 very familiar music. It was!
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168 "PIPER! I'M SO GL" the pipes stopped, but the Poet continued shouting "AD
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169 TO SEE YOU!"
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170 && The Mad Actor &&
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171 -------------------
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172 New BBS: Nite-Time BBS 10pm to 8 am. 635-xxxx. On PCJR. Try it out!
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173 -------------------
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174 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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175 I stood there, frozen in panic at the sight of the large beast approaching
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176 so rapidly, until the Bard reached forward, grasped my clothing, and jerked
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177 me out of the way. While I leaned, weak-kneed, against the wall, Bard
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178 proceeded to remind me of some of the hazards of a high-tech urban
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179 environment. I had enjoyed the tales told in the Inn, but never did I
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180 imagine what these things were Really like.
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181 Deciding I needed a drink after the terrible ordeal, I re-entered the
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182 tavern. Avoiding the unfriendly barkeep, I returned to my table, fell
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183 into my chair, and took a large swig of my ale.
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184 After my nerves had settled down a bit, I looked around. What had
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185 become of the Bard?
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186 :::::::::::::::::::O O:::::::::voyeur:::::::::::O O:::::::::::::::::::
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187 P.S. Thanks, MIKEY. It's good to have it back.
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188 P.P.S. As the ONLY time I go downtown is to attend the PorSFiS meetings
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189 every other Saturday, I may have some difficulty accurately portraying
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190 the environment and inhabitants of said metropolis. Well, shift imagination
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191 into overdrive.
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192 :::::::::::::::::::::::::::::::::::::::::::::::
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193 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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194 The air was saturated. The piper took shelter under an overhanging building
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195 and waited for the downpour to moderate. He wanted -- oh how he wanted!!--
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196 to leave this reality, but could not bring himself to abandon his compainions.
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197 Oh well, perhaps just a tune to lift his spirits -- and maybe ---
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198 He lifted the pipes to his shoulder, oblivious to the people hurrying by.
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199 Taking a deep breath, he inflated the pipes, set the drones humming and
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200 began fingering the chanter. With his dancing fingers, he wove the feeling
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201 of the cool mists winding through secret glens high in the misty hills. He
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202 played the droplets of mist condensing out of the air onto the leaves, dropping
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203 down and joining their fellows, first a trickle, then a brook, a stream, a
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204 mighty river. A tinkle of coins caught his attention. The pavement before
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205 him had several coins. He had gathered quite a crowd. He swung into a
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206 strathspey -- the lively beat swinging out through the crowd -- there --
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207 a lady was breaking into a dance. It was not an uncommon occurance -- he
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208 tried to reach with the notes and cause her steps to bounce -- to lift her
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209 with the music. Noticing that she was tiring, the piper took the next phrase
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210 rather slowly and snapped off the sound of the pipes. A shower of coins
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211 hit the pavement and he bent to collect them. He straightened up and became
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212 aware of her level gaze. It was a cold and heartless town, he was sure --
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213 but with a native guide --
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214 -----
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215 Later that evening, the piper was playing in a small tavern. He had just
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216 finished a set of tunes when he heard the shout --
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217 "-AD TO SEE YOU!" A familiar voice --
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218 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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219
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220 hello
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221 /ex
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222 end
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223 help
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224 OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
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225 I WAS JUST WALKING THROUGH DOWNTOWN, LOOKING AT THE WINDOWS AND CHECKING
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226 OUT THE PEOPLE WHEN I HEARD THE SOUND OF PIPES PLAYING. THIS GUY, DRESSED IN
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227 A KILT WAS UNDER THE OVERHANG OF THE PARKING STRUCTURE, PLAYING AWAY. HIS
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228 EYES WERE CLOSED, AND HE DIDN'T SEEM TO CARE ABOUT THE OCCASIONAL COIN THAT
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229 PEOPLE THREW HIM. THEN HE OPENED HIS EYES AND LOOKED AT ME AND STARTED PLAYING
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230 AND THE MUSIC MADE ME DANCE. HE PICKED UP THE COINS AFTERWARD, BUT I COULDN'T
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231 LEAVE. I TALKED WITH HIM AND TOOK HIM BACK HOME WITH ME. I COULD TELL THAT
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232 THE CARS AND CITY BOTHERED HIM. I ASKED HIM WHERE HE WAS FROM AND HE SAID
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233 SOME WEIRD PLACE CALLED INNISFALL-- I NEVER HEARD OF IT. HE TOLD ME ABOUT IT
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234 AND I TOLD HIM I REALLY WANTED TO GO THERE. WE TALKED ABOUT A LOT OF THINGS
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235 FOR A LONG TIME. I FED HIM DINNER AND TOOK HIM DOWN TO A TAVERN I LIKED. HE
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236 PLAYED HIS PIPES AND I DANCED A LITTLE. THEN AS HE STOPPED THIS WEIRD GUY
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237 CAME YELLING UP. I HELD ONTO HIS ARM BUT HE SEEMED GLAD TO SEE THE WIERD GUY
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238 SO I JUST KEPT CLOSE.
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239 OOOOOOOOOOOOOOOOOOOOO LURINE OOOOOOGOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO_OO
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240
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241 (((((((((((((((((((( - BANDERSNATCH - ))))))))))))))))))))))
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242
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243 Beware the Bandersnatch
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244
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245 ***********************************************************
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246 ???????????????????????????????????????????????????????????????????????????????
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247 """HAY MAN,WANNA BUY SOME GOOD DRUGS???"
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248 the one dressed in gray wondered about what "drugs" were,people kept offering
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249 to sell him some.perhaps they were native food of some kind? deciding to try it
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250 he put on his best gravely voice and yelled"yes,I do want some drugs"
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251 this seemed to cause some consternation amongst the crowd,they all moved away,
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252 strange,maybe "drugs" were only ment for women?
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253 "hey dude,not so loud" oh good,I found a "drug" salesman.
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254 "whatcha need? acid,good dope,hash,oil,even got some good crank!"
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255 ah,something nurishing perhaps?
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256 "nurishing? oh well,I guess hash is nurishing enough,here I gotta gram,you got
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257 15 bucks" oh,money,local money,he he,perhaps you could tell me where I can have
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258 this changed? the ssalesmans eyes lit up in an uncharicteristic look"gold,sure,
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259 thats good here!!" oh fine,how many do you need? "1 will b fine,just fine,here
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260 have it all" and he thrust a rather largeish bag of "hash" into my hands and qu
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261 ickly left.extreamly pecular taste,now to find the local tavern.....
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262
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263
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264 Nerd users:well s**t,the problem is thus,we have plenty of disk space,but our
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265 directory file can only hold 128 entrys,Michael was at Reed for a few days and
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266 things went overboard(literaly)
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267 should be up as of 12:00 on monday.
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268 Aaron,yes it was!
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269 person w/o parity(I always forget how to spell it):thanks,hope to see you again
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270 same reality,same place,1209600 seconds hence.
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271 The Man in Gray
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272 p.s. Fast Fred(I think it was you,not sure):michael NEVER does that to anyone.
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273 we get them into "chat" mode and it's more fun!
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274 ???????????????????????????????????????????????????????????????????????????????
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275 "Right.... Of all the LOUSY lines to wind up on", said the bard as he
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276 consulted a odd-looking box, "Europo-American Subsector, 20th century C.E....
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277 OH NO! Not the Reagan line! ARRGH!"
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278 Voyeur gave him a puzzled look, "What does all that mean?"@
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279 "It means we don't want to hang around very long, most of this group
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280 of timelines get REAL ugly in a few years." He thought for awhile. "OK, let's
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281 see what we can put together in the way of gear and funds."
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282 It wasn't until then that he realized that most of the group had left.
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283 "Great, just WONDERFUL! I turn my back for a minute and everbody takes off.
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284 Now we're gonna have to track them down before something happens to them."
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285 "Aside from the 'cars' and 'buses', what do they have to worry about?" someone
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286 asked. "I mean, this place DOES look civilized- well sort of..."
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287 "Tell me my friend, what do you suppose would happen to an OBVIOUS
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288 foriegner, apparently alone and NOT a noble or the like if he tried wandering
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289 around the thieves' quarter of one of the eastern cities?" He paused, "And then
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290 of course, there's the fact that ONE gold piece is about a MONTH's wages here!
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291 NOW do you see why I'm so worried?"
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292 The bard thought to himself, "No way am I even going to TRY to explain
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293 vagrancy & lack of ID!"
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294 After some discussion bard decided that they'd better leave. No point
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295 in attracting too much attention. (Though the way some of them were dressed...)
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296 After a brief search for a gold dealer (you try finding one that's
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297 open on Saturday!) to change some money, they were off.
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298 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~8
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299 Traveller: let me know if you are with me or already wandered off. I hope
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300 you still have the gear from the raid on Freddie's lot. (this msg is being
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301 sent out on the frequency of your com unit, if you are wandering around).
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302 Please let me know who is with me, all I have for sure is voyeur!
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303 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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304 A Quarter Million Sunsets Worth of Lonely (words & music:Thomas G. Digby)
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305 I'm a stranger and all alone,
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306 An orphan out of time,
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307 Wand'ring in a world I know was never meant for me
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308 And I'm a quarter million sunsets worth of lonely.
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309
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310 To tomorrow I belong,
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311 Full seven hundred years --
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312 Farther from today than when Columbus sailed the sea --
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313 And I'm a quarter million sunsets worth of lonely.
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314
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315 I had meant to spend a while
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316 Exploring yesterday.
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317 Then I found my time machine was stranded on your shore.
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318 And I'm a quarter million sunsets worth of lonely.
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319
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320 I'm reminded of some lines
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321 By poets yet unborn,
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322 Written in a language that someday will come to be,
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323 And I'm a quarter million sunsets worth of lonely.
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324 ~~~~~~~~~~~~~~~~~8
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325 It seemed appropriate...
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326 piper: If I may make a suggestion, I would expect that the most likely
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327 DOWNTOWN establishment for you to be at is the Elephant & Castle.
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328 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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329 Hey Mikey, It looks like we may be moving, could I interest you in MY 2311?
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330 ___________________________________________Leonard_____________________________
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331 MY, THIS DISK SURE FILLED UP IN A HURRY!
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332 OH MIKEY, SYSOP SERVICES ARE CALLED FOR AGAIN!
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333 The Ninja's computational skills are disperately needed. The rest of
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334 the comptetition will then get a true lesson on wwho really programs
|
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335 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)
|
||
336 As I walk out the door I pause to get my bearings. Hmmmm. 20th Century
|
||
337 United States. Well it doesn't look quite like home but last time I was
|
||
338 on this timeline it was close enough that I didn't have any trouble.
|
||
339 The Piper and some other familair emanations are coming from towards the
|
||
340 river, perhaps I will find somplace to sell a couple of my diamonds on the
|
||
341 way. Pausing to check that anything suspicious lookig was out of sight I
|
||
342 set off down the street.
|
||
343
|
||
344 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)The Traveller(<>)(<>)(<>)(<>)
|
||
345 The Ninja, dressed in his black garb, let in to a partial smile as
|
||
346 he entered from a long absence. Empty! A cry blaming it on George Slime LTF
|
||
347 *******************************************************************************
|
||
348 MEN, RATHER THAN A STEREOTYPED POWERHOUSE, HAVE EVOLVED INTO FRAGILE CREATURES.
|
||
349 THEY NEED COMPANIONSHIP AND CARING CONCERN FROM WOMEN IN ORDER TO KEEP THEIR
|
||
350 PSYCHOLOGICAL LIVES INTACT, TO MAINTAIN DRIVE ENERGIES, AND TO FEEL NEEDED
|
||
351 AND ACCEPTED. FEELING DISPARAGED, THEY HAVE TAKEN REFUGE BEHIND VARIOUS
|
||
352 BULWARKS. THEY HAVE EXTINGUISHED EROS AND DECIDED TO FIGHT WOMEN WITH THEIR
|
||
353 OWN METHODS. THEY SHY AWAY FROM LONG-TERM INVOLVEMENTS, FULLY AWARE OF
|
||
354 EMOTIONAL AND FINANCIAL LOSSES IN THE EVENT OF MARRIAGE AND DIVORCE. THEY
|
||
355 CUT THEIR LOSSES, DO NOT MARRY, ABANDON FATHERHOOD - THEIR 'FAMILY JEWELS'
|
||
356 ARE SAFE. GERD H. FENCHEL
|
||
357 *********************** CISTOP MIKEY *************************************
|
||
358 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
359 #Bard -- I have no idea what this place is called. I'll wait here.#
|
||
360 The piper was sitting in the back corner of the tavern at a table with
|
||
361 the mad actor. His pipes were cradled in his left arm while his right held
|
||
362 a small pitcher of very weak and pale ale. A young lady leaned on him and was
|
||
363 watching the proceedings quietly.
|
||
364 The piper poured the pale fluid into a glass and spoke.
|
||
365 "It's a strange place here. I really don't know what happened to get us
|
||
366 to this reality, but I don't seem to have much strength for shifing us out
|
||
367 with the pipes." He drank a deep daught from the glass.
|
||
368 "I suspect the fact that the bass drone is going out could cause the problem.
|
||
369 I'll put a new reed in, but it will take several hours of steady playing o
|
||
370 break in the reed. It will take even longer to get it very controllable."
|
||
371 Reaching into his sporran, the piper pulled out a slim yellow cylinder a
|
||
372 about 5 inches long and 1/2 inch in diameter. It was a piece of cane, topped
|
||
373 with a blob of red sealing wax, a tounge cut in one side, the lower end
|
||
374 wrapped in hemp cord. The piper placed this in his mouth and blew. A loud
|
||
375 quaaark resulted. The piper combed a hair from his beard and slid it up
|
||
376 under the tounge of the reed, tried again and said, "It's not the best reed
|
||
377 I've ever tried, but it looks like it'll have to do."
|
||
378 He slid the drone out of the pipes, put in the new reed and reassembled the
|
||
379 pipes. Standing up, he moved nearer the door. As long as he was going to
|
||
380 have to break in the reed, the xsound might help attract the rest of the party.
|
||
381 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
382 The apprentice was in a mild state of shock. Unlike the others
|
||
383 who merely assumed that all the flashing lights and rushing vehicles were magic
|
||
384 (except for the few who were familar with high technology worlds), the
|
||
385 apprentice had to face this assualt on his senses without either of
|
||
386 these cructches. He was totally unfamiliar with any technological item more
|
||
387 complex than hand tools or an astrolabe. And worst of all, though he kept
|
||
388 trying to find the magic animating these devices, he could find none!
|
||
389 "No magic..., no magic... but there HAS to be some..."
|
||
390 Finally, he extended his perception to the limit.....
|
||
391 Was there something there? Off to the east, and perhaps a bit north?
|
||
392 There WAS some magic here! Small flickers scattered here and there,
|
||
393 and one MASSIVE source far off. It must be INCREDIBLY powerful for him to be
|
||
394 able to sense it from this distance!
|
||
395 He reached out once more... stones... megaliths... Of course! It was
|
||
396 a henge, like those back home...
|
||
397 At the thought of home, he felt a massive resonance from the henge.
|
||
398 It might be a way home! But it felt as if it were at least a score and a half
|
||
399 leagues distant. Well, first he had to find the others..
|
||
400 At least now he was used to this world....
|
||
401 ..................................the apprentice...............................
|
||
402 To: All
|
||
403 I am considering submitting our current adventure to Pulsar
|
||
404 (the PorSFiS newsletter). Does anyone have any objections?
|
||
405 Bard and I wish to beg thy pardon for the rather lengthy business
|
||
406 portion of the meeting. It was the most business conducted in the last
|
||
407 six months!
|
||
408 ...............................................................................
|
||
409 ***************************************************************
|
||
410
|
||
411 This is Gary and I'm in need of some help; since thing appr
|
||
412 rather slow it seemed a good time to ask.
|
||
413
|
||
414 I've mentioned before that I'm a mental health professional. The
|
||
415 problem is that there have generally been about a hundred and
|
||
416 fifty applications for every mental health position that opens.
|
||
417 I've been unemployed now since nearly a year ag
|
||
418 completed the "Nuts To You" series. It's getting real old.
|
||
419
|
||
420 I'm interested in developing some marketalble computer
|
||
421 related skills so I can broaden my job search. I know many
|
||
422 of you know a great deal about what's happening with computers
|
||
423 in the area. I'm hoping you'll have some advice to offer.
|
||
424
|
||
425 I'm very interested in learning how to do research on the
|
||
426 big databases like Dialog, Orbit, MIST, etc. I've been reading
|
||
427 about them but have no hands-on experience.
|
||
428
|
||
429 My questions. What is the job situation for telecomputing in
|
||
430 Portland? How much training does it require? Who offers
|
||
431 best training? Is there a local telecomputing users group and
|
||
432 how to I get in touch with them?
|
||
433 The other area I'm looking into is technical writing. I don't
|
||
434 have formal training in this area but over the years I've
|
||
435 developed an easy to read style. With the obvious need for
|
||
436 easy to understand computer information I figure this skill
|
||
437 must be marketable.
|
||
438 My questons? Who hires unproven techical writers? Would formal
|
||
439 training help in getting a job? What training? Where? What is
|
||
440 the best way to break into the field?
|
||
441 I've always been impressed with the intelligence, knowledge,
|
||
442 and sophistication of most of the patrons of the Inn. I figure
|
||
443 if ever there was a place I could get an intelligent answer to
|
||
444 my questions this is it. I'm looking forward to your responses.
|
||
445 Gary Olson
|
||
446 **************************************************************
|
||
447 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
448 I was rapidly growing tired of this reality. At least before, I was
|
||
449 able to keep track of the others. And me with no coin of the realm, that
|
||
450 surely dosent happen very often.... Wait, a few coin's here and there.
|
||
451 Nothing from around here, but maybe something a collector would want.
|
||
452 No, Nothing of interest. Hmmm, at least not to an expert. I figured
|
||
453 it was about time to put my salesmanship talents to work.
|
||
454 @@@@@@@@@@@@@
|
||
455 Within hours I had sold several small coins, an extra set of boots, and
|
||
456 something called a Ross Island Bridge. Now I could spend time looking for
|
||
457 whoever else might have entered this time shift.
|
||
458 soon it was starting to get dark, and I needed a place to eat, not to
|
||
459 mention a place to sleep. Wait, I hear something up in the distance, could
|
||
460 it be pipes? Not knowing many many pipers in my time, I decided to follow
|
||
461 the sound.
|
||
462 What's that up ahead, a tavern? I chuckled to myself. I should have
|
||
463 known. Entering, I waved to the barkeep for something to make me
|
||
464 forget my aching feet. I looked over. Not only was the piper here, but
|
||
465 the actor as well. I walked over, bowed formally, and sat.
|
||
466 Fast Fred
|
||
467 BSAL
|
||
468 (now is that bolo's or bridges?)
|
||
469 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
470 THE SPINNER HAD BEEN OF NO HELP. HE PRATTLED ABOUT THIS AND THAT BUT WHEN
|
||
471 I HAD PRESSED HIM FOR HELP OR INFORMATION ON MY WHEREABOUTS HE REMAINED
|
||
472 SHUT MOUTHED AND STIFF LIPPED. I MADE SURE WHEN I LEFT HE HAD FAT LIP.
|
||
473 THE ONLY THING LEFT TO DO WAS HIT THE ROAD AND LOOK FOR A TRANSUNIVERSAL
|
||
474 REALITY OFFICE. IT LOOKED LIKE A LONG REALITY SHIFT. THE ONLY CLUE THAT
|
||
475 I GLEANED FROM THE SPINNER HAD BEEN THAT THE "INN" AND THE FOLK WHO WERE
|
||
476 FREQUENTLY SEEN THERE MIGHT BE OF HELP. UNFORTUNATELY, IT APPEARED THAT
|
||
477 IN THIS, I WAS ALSO ON MY OWN. THEY HAD BEEN THERE BUT HAD SHIFTED REALITY
|
||
478 BUT A SHORT TIME PRIOR TO MY ARRIVAL. I NOTICED A POLE SET INTO THE SIDE
|
||
479 OF THE ROAD, SIGNS POINTING THIS WAY AND THAT. ONE SAID REALITY 1980'S.
|
||
480 WELL, I THOUGHT, TAKE A CHANCE! YOU CAN GET LOST BUT YOU CAN'T GO HOME.
|
||
481 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
482 Apprentice: 'tis alright with me if you wish to amuse the PorSFiS members
|
||
483 with our latest (mis)adventure, but if you do, I still have the
|
||
484 intact version of my first entry here on disk. I think it readseasier.
|
||
485 :::::::::::::::::::::::O O::::::::voyeur:::::::::O O:::::::::::::::::
|
||
486 I return to the Inn, but it's empty! All except for a small voice
|
||
487 in the corner warning me of George MathKneeBiter SlimeHopper. This all
|
||
488 sounds vaguely familar.
|
||
489 "Show yourself, comrade! My aborigines are camped only a few hours
|
||
490 from here. Together we can rescue the patrons and conquer George!
|
||
491 The Ninja (Back home again)
|
||
492 ???????????????????????????????????????????????????????????????????????????????
|
||
493 etherality...
|
||
494 pipes of in the distance-lurch forward to`source.
|
||
495 enter bar(sepelphant and houses,or was that`"elephant and castle?)
|
||
496 turning,the man in gray said "pardon sir,mayhaps you could play some more? tha
|
||
497 t echo is fun"`he then passed out on the ground.
|
||
498 The Man h in Gray
|
||
499 ??????????????????????????>??????????????????ykin86//????//?//?????????????????
|
||
500 yes,the modem`is haiing problemss peopl|ew
|
||
501 -------------------------------- (<>) --------------------------------------
|
||
502
|
||
503 As I drive out of the car lot I check out the handleing of the small car.
|
||
504 Reality travel has its benefits, somthing picked up for practically nothing
|
||
505 in one reality can be extremly valuble in another. A couple of my diamonds
|
||
506 had gotten me a car and a few hundred dollars of cash. There are a few places
|
||
507 in this culture where things can be sold or bought without questions.
|
||
508 As I drive towards the Tavern near the river I come apon a rather bewildered
|
||
509 looking Apprentice walking along the sidewalk (not completely by chance).
|
||
510 I have a rather difficult time explaining cars to him...
|
||
511
|
||
512 -----------------------(<>)The Traveller(<>)--------------------------------
|
||
513 ((((((( There's nobody out there - Bandersnatch ))))))))
|
||
514
|
||
515 *********************************************** HAWT***** **************`******
|
||
516 WOTS THIS,MIGADS.A FICTION BASED BILLBOARD.I THINK,PARDON ME MY OPINION BUT
|
||
517 THIS SYSTEM SHOULD BE DECLARED EITHER A BBS,OR A PUBLISHER'S "STAR SEARCH"
|
||
518 IN ANY CASE PLEASE KEEP UP THE FORMER QUALITY OF THE SYSTEM.
|
||
519 I HAVE SELECTED FIVE,OR SIX SYSTEMS IN THIS AREA THAT ARE OF
|
||
520 HIGH QUALITY AND THOSE ARE THE ONES THAT I KEEP CALLING.
|
||
521 WHEN I FIRST FOUND BACKWATER THERE WAS A GOOD DEBATE GOING ON ABOUT GUN CONTROL
|
||
522 BUT NOW IT HAS DEGENERATED TO SCIENCE FICTION,AND SOME GUY FROM 5216AD FALLING
|
||
523 INTO OUR TIME.
|
||
524 LOOK,EITHER WQY THE SYSTEM GOES IT WILL BE A SATASFACTORY SYSTEM.
|
||
525 THINK ABOUT IT.
|
||
526
|
||
527
|
||
528 To the Above: Stick around a while, we alternate (it keeps it from getting
|
||
529 boring).
|
||
530 I would be both pleased & flattered to see the current tale in the Pulsar.
|
||
531 Is there any way I could get a copy w/out joining?
|
||
532 && TMA &&
|
||
533 && && &&
|
||
534 The Poet was enjoying this reality more and more. At first he assumed that
|
||
535 such an "advanced" culture would not take his cash, but when he cautiously
|
||
536 approached the barman with a coin it was accepted with astonishing greed.
|
||
537 Apparently gold was a rather rarer commodity here than in Innisfall. Now,
|
||
538 with only two coins gone from his purse, he found himself with a bar tab
|
||
539 paid for some time in advance and the in the company of an attractive (if
|
||
540 rather overly top-heavy) young lady. I could get used to this, he thought
|
||
541 to himself, even if the ale is so thin I have to drink twice as much of it.
|
||
542 A contented smile played across his lips and his toe tapped to the Piper's
|
||
543 tune as he surveyed the room from above his fourteen empty glasses.
|
||
544 && The Mad Actor &&
|
||
545 **********************************************************************:
|
||
546 <<< POP! >>> The Innkeeper suddenly appears in front of the errant group
|
||
547 of travelers. Well! There you are! have any of you seen PAM around here?
|
||
548 She seems to be a bit overdue in her return from her latest trip. Tsk tsk..
|
||
549 Well, if any of you do see her, chase her back home to the Inn would you?
|
||
550 <<< POP! >>> As suddenly as the Innkeeper appeared, he disappeared.
|
||
551 ***************************: CISTOP MIKEY ******************************:
|
||
552 ***************************************************************************
|
||
553 Hello Mike Galassi, just wanted to ask how long it takes to acquire a password
|
||
554 for Nerd. Thanx, wendell
|
||
555 *********************################################************************
|
||
556 I THIINK I WILL STICK AROUND AFTER A WHILE THIS COLLLECTION OF TALES BECOMES
|
||
557 WELCOME,HENCEFORTH MIGHTN'T I BEG A LITTLE MORE FOR MY PAARCHED MIND.QUITE GOOD.
|
||
558 GOOD DAY. P.J. HATHORNE
|
||
559 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
560 The piper looked around at the growing group. "We are almost back together--
|
||
561 just a few left to go!" He walked over to the door of the tavern and stood
|
||
562 outside on the sidewalk. "Now if I can just keep from being arrested --"
|
||
563 he raised his pipes and sent the most carrying tunes he knew out into the
|
||
564 evening air. If they only heard them...
|
||
565 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
566 ..........................................................................
|
||
567 to gary--
|
||
568 i can give you some information on technical writing in the local area
|
||
569 as i are one. call whispering pines (682-xxxx) and post a message there.
|
||
570 i'll return a message under my real name.
|
||
571 .....................................................................n.......
|
||
572 ***************************************************************
|
||
573 HEY ALL OF
|
||
574 YOU COMPUTER
|
||
575 BOZO'S. WHY
|
||
576 DON'T YOU GIVE
|
||
577 YOUR HEAR TO
|
||
578 SOMETHING WITH
|
||
579 SOME MEANING?
|
||
580 DO YOU LIVE
|
||
581 YOUR LIVES IN
|
||
582 FEAR OF WHAT
|
||
583 WILL COME AFTER
|
||
584 WHAT YOU CALL
|
||
585 THE END? DO YOU
|
||
586 WANT TO KNOW?
|
||
587 ARE YOU AFRAID OF EVIL? ARE YOU UNSURE ABOUT THE
|
||
588 POWERS YOU DON'T POSSESS? ARE YOU UNSUCCESFUL? DO
|
||
589 YOU WANT SUCCES? CAN YOU ACHIEVE IT HERE? ARE YOU
|
||
590 HIDING? I BET YOU ARE. WHERE DID YOU SEE YOURSELF
|
||
591 LAST? WAS IT IN
|
||
592 THE MIRROR? THE
|
||
593 WINDOW TO THE
|
||
594 WORLD OF ILLUSION?
|
||
595 ARE YOU DEAD??
|
||
596 *****************************************SATAN'S.ROCKER*************************
|
||
597 ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?
|
||
598 WHO'S THE INTELLECTUAL ABOVE?........................SORRY, I REMOTELY FEEL
|
||
599 THAT MY COMMENT WAS RUDE..........REMOTELY.............................VERY.
|
||
600 ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!DEBORAH?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?
|
||
601 VERRRY REMOTLY..... MIKEY
|
||
602 ***************************************************
|
||
603 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
604 yes, yes.... I miss Pam too, CISTOP... though I might never express such
|
||
605 on DA, whose to see if I beg her return on the lowly bottom of DB?
|
||
606
|
||
607 So, i will place the ultimate temptaion on DB...(no! not the "ultimate
|
||
608 temptation"! anything but the.....) yes! here it is ! watch out PAM!
|
||
609 there are a whole 15 lines of text left on DB! 15 LINES! WASTED!
|
||
610 and DA is just about to roll over..... tsk, tsk, tsk......
|
||
611 Aaron
|
||
612 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
613 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
614 piper: mundania too much for you? are you out in the Xanthian suburbs?
|
||
615 Aloha? Troutdale? ???......well, if you brave the elements and make it to
|
||
616 the next PorSfiS, look me up....
|
||
617 RONNIE: gee.... (almost) funny...
|
||
618 Aaron
|
||
619 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
620 {
|
||
621 Gary: tank u, tank u, tank u. And anow, a word from oura sponsor..
|
||
622 }
|
||
623 <><> sorry... upload to wrong disk.. delete at will last 2 mssgs..<><>
|
||
|
||
> |