630 lines
39 KiB
Plaintext
630 lines
39 KiB
Plaintext
|
LIST
|
|||
|
FILE ON
|
|||
|
MARGIN IS 76
|
|||
|
STATUS: ENTER ONLY
|
|||
|
NUMBER OF LINES: 623
|
|||
|
1 If you are in need of help, you need but ask....
|
|||
|
2 ********************* REMOVED: 13 APR 84 *******************
|
|||
|
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
|||
|
4 ************************************************************
|
|||
|
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
|||
|
6 PLACED ON THIS SYSTEM.
|
|||
|
7 BWMS was created as an electronic bill board. BWMS is a privatly owned
|
|||
|
8 and operated system which is currently open for use by the general public.
|
|||
|
9 No restrictions are placed on the use of the system. As the system is
|
|||
|
10 privatly owned, I retain the right to remove any and all messages which
|
|||
|
11 I may find offensive. Because of the limited size of the system, it will be
|
|||
|
12 periodically purged of messages. (only 629 lines of data can be saved)
|
|||
|
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
|||
|
14 ENTER mode. The message is automatically stored. If after entering the
|
|||
|
15 message you find you made a mistake, use the replace command to replace
|
|||
|
16 the line. To exit from the system, type 'OFF' then hang up.
|
|||
|
17 Type 'HELP' to see other commands that are available on the system.
|
|||
|
18 ************************************************************
|
|||
|
19
|
|||
|
20 && && &&
|
|||
|
21 The Poet awoke with a start. This alone was enough to put him through
|
|||
|
22 spasms of agony, as his head had somehow swollen several sizes overnight.
|
|||
|
23 Looking around,he found himself in a strange place. Hmmmm, the last he
|
|||
|
24 recalled, he'd been having a grand time with some new-found friends at...
|
|||
|
25 the Inn? No... somehow he'd gotten to somewhere else, he recalled. It
|
|||
|
26 hadn't seemed too important at the time, but his dislocation took on more
|
|||
|
27 serious implications in the cold, wet light of morning. Wet? Yes,
|
|||
|
28 apparently he'd spent the night outdoors sleeping in the rain. Now, where
|
|||
|
29 was he... at that moment a native passed by dressed in some sort of
|
|||
|
30 ritual costume or uniform. From the way he was running he was late for
|
|||
|
31 something, so rather than delay him the poet steeled himself against the
|
|||
|
32 pain and tried to run along with him.
|
|||
|
33 "Excuse (unh) me, but could (puff,puff) you tell me where I (gasp) am?"
|
|||
|
34 "What are you, an idiot? Joggers don't carry spare change, so beat it!"
|
|||
|
35 Ah... This "Joggers" must be some sort of religious group... "I don't
|
|||
|
36 need any spare change (Wheeze). I just woke up here and (grunt) don't
|
|||
|
37 know where I am. Could you (unnhh) please tell me?"
|
|||
|
38 "In the South Park Blocks. You people are disgusting, why can't you
|
|||
|
39 stay up north on Burnside where you belong?"
|
|||
|
40 The "Jogger" put on a sudden burst of speed, leaving the oxygen-starved
|
|||
|
41 Poet behind. Oh, well. Looking at the cloud layer overhead he found a
|
|||
|
42 lighter spot that must be the sun; from this he guessed that this
|
|||
|
43 direction must be north, where "Burnside" lay. Turning to face it, he
|
|||
|
44 began walking...hopefully the hurried fellow knew enough that the Poet
|
|||
|
45 might find some of his friends from the Inn on this "Burnside". He hoped
|
|||
|
46 that it wasn't more than a day's walk away...
|
|||
|
47 && The Mad Actor &&
|
|||
|
48 up 30
|
|||
|
49 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
50 I stepped outside and began to take my morning walk to get my
|
|||
|
51 breakfast, and I realized that something was amiss. The ground was quite
|
|||
|
52 hard. Pavement? Wait, this cant be the reality I was in when I went to
|
|||
|
53 bed. Must be that crazy piper again. Hmmm.... No bolo's, can't be
|
|||
|
54 that far of a time lapse. I decided to follow the blacktop strip in
|
|||
|
55 front of me and try to figure out where I was, and where I could get
|
|||
|
56 breakfast
|
|||
|
57 Fast Fred
|
|||
|
58 BSAL (ret)
|
|||
|
59 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
60
|
|||
|
61 OscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscar
|
|||
|
62 The rain had been pouring down for weeks now, and still it
|
|||
|
63 did not letup. The small patch of ground I had taken refuge on
|
|||
|
64 had become a island in a boiling sea of mud and water.
|
|||
|
65 My luck has seemed to run out on me this time, for even as I
|
|||
|
66 watch the last bit of ground gives way to the ever encroaching
|
|||
|
67 water.
|
|||
|
68 My equipment, my tent, everything I carried with me is long
|
|||
|
69 since gone, damaged or carried off by the raging water.
|
|||
|
70 Clinging to the last remaining tree still standing, I know
|
|||
|
71 that the end is near as the waters slowly but inescapeably
|
|||
|
72 continue to raise. Soon the water will rise to cover my head, and
|
|||
|
73 my failed mission will be at an end. Wet and chilled I cling to
|
|||
|
74 the tree, yet for some reason I am not afraid, perhaps because I
|
|||
|
75 know that it wouldn't make any difference if I were.
|
|||
|
76 The water has risen to my chin now, it won't be too much
|
|||
|
77 longer. My only regret is not finding the object of by search
|
|||
|
78 the one called PAM. But, it is too late for regrets now. As the
|
|||
|
79 water rises over my head, and the darkness enfolds me I do not
|
|||
|
80 even notice that the last tree that was standing that I was now
|
|||
|
81 clinging to was a Rowan tree.
|
|||
|
82 Sometime later a man appears beneath the Rowan tree outside
|
|||
|
83 the Inn, his hands clasped about it in a death grip. The body is
|
|||
|
84 naked and soaked from the pouring rain and covered with mud. he
|
|||
|
85 does not move, perhaps he is dead? The rain continues to pour
|
|||
|
86 down on the man, little rivlets running down thru his thick brown
|
|||
|
87 hair and across his cheek, while his steel gray eyes stare out at
|
|||
|
88 nothing. A dark cloak fluters down from out of the Rowan tree to
|
|||
|
89 cover his still body, and the rain continues to pour down........
|
|||
|
90 OscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscarOscar
|
|||
|
91
|
|||
|
92 TAKE A LOOK AT THE NEW IMSAI BBS AT
|
|||
|
93 760-xxxx
|
|||
|
94 7-11 DAILY.
|
|||
|
95 760-xxxx
|
|||
|
96 LYLE DIXSON-SYSOP
|
|||
|
97 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXTO:THE MAN IN GRAY
|
|||
|
98 I GOT ON TO THE NERD,AND ALL THE MESSAGES ARE GONE.
|
|||
|
99 I TRIED TO LEAVE A MESSAGE TO YOU BUT I COULD NOT SAVE IT.
|
|||
|
100 AND WHEN I CALLED IT DIDNT HAVE THE O
|
|||
|
101 ND WAS IN THE PROCESS OF FILING A MESSAGE.
|
|||
|
102 I GOT ON WITHOUT IT EVEN ASKING FOR MY PASSWORD.
|
|||
|
103
|
|||
|
104 WHATS THE MATTER??????????
|
|||
|
105
|
|||
|
106 PHERIC F.
|
|||
|
107
|
|||
|
108 @!#$@#%$!#()%^$#(^)#%$^()%$^&($%&($%)&*)*$#)*%^#)$^()%^*@%$)*^%*^)%$^*@^
|
|||
|
109 Reality...what a concept...especially when said reality is an unknown
|
|||
|
110 quantity floating in a vacuum known simply as... "Portland"
|
|||
|
111 :: voyeur :: nice message...very effective use of reality shifts,
|
|||
|
112 considering we were sitting so close to the area of main exposure to the
|
|||
|
113 piper, I would guess our trans-reality shifting was due to his pipes.
|
|||
|
114 Certainly our location at the PC & S had to also have some affect on our
|
|||
|
115 situation, given its non-stable reality within its four walls already...
|
|||
|
116 Where or where will the pipes take us. Let us all hope our destination
|
|||
|
117 is more interesting than the last two disks have been eh?
|
|||
|
118 Aaron...boy sometimes you can be so short with your associates! Oh...before
|
|||
|
119 I forget, you are suuposed to return MIG's property ASAP. He (really does
|
|||
|
120 wear all grey) wants his stuff back, and since you have been avoiding him,
|
|||
|
121 I decided to take action and put a hold on your check from M.F.& E. until
|
|||
|
122 the property has been returned... Remember that famous quote from the
|
|||
|
123 famous sysop who has admitted so much in the past couple of weeks...
|
|||
|
124 "I don't threaten...I act!" yiiii yii yiiii!!! Watch out for the MCP!
|
|||
|
125 @%#$%$#%$#%#@%325 L'homme sans parity #@$@#$#@$)#@*$)#@*$@#*$#@)$*#@$@#$@@
|
|||
|
126 PS...I was a pleasure to meet MIG, TMA, Piper, voyeur, apprentice, bard,
|
|||
|
127 leonard, traveller, et all... (that should be It not I of course)
|
|||
|
128 #@!#*!@($*@!#($%@#%(&!$#(^%$#)%^*$)%*$)%*$@)%*)@%*$)%*#$^&$)(%^$)%($)%*$)
|
|||
|
129
|
|||
|
130 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
131 I'm only sorry I didn't arive sooner to meet everyone.
|
|||
|
132 MIG:the nerd got as far as my password, then stopped. Is mike playing
|
|||
|
133 games with me?
|
|||
|
134 Fast Fred BSAL(ret)
|
|||
|
135 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
136 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
137 It must have been that bass drone reed. It didn't sound right --
|
|||
|
138 I had to pull the drone and restress the reed, and it was double-toning.
|
|||
|
139 Now here I am -- I must admit that the tavern was quite nice -- brick walls
|
|||
|
140 a pool table, warm, out of the rain. I really don't like this reality.
|
|||
|
141 Too many loud machines, people with the look of quiet desperation in their
|
|||
|
142 eyes, pavement, pavement everywhere. The stone beneath my feet is not
|
|||
|
143 pleasurable to walk upon, the river that I saw was walled off from all
|
|||
|
144 possibility of contact. Strangely dressed persons come out of doorways,
|
|||
|
145 the whole ambience is that of self-involvement. Where are my companions?
|
|||
|
146 I do not have the skills to long survive in an urban atmosphere -- if I
|
|||
|
147 don't come across them soon, I'm heading for the hills.
|
|||
|
148 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
149 && && &&
|
|||
|
150 The Poet had been wandering, quite lost, for most of the day. No stranger
|
|||
|
151 to cities, he nevertheless was having problems with this one. It lacked the
|
|||
|
152 friendly charm of the more low-tech urban settings he prefered, yet without
|
|||
|
153 the cleanliness and efficiency of his brother's haunts in 45th century
|
|||
|
154 Noram. Still, the place was not without its charms... one young lady
|
|||
|
155 offered him a friendly chat about "Signtolgy", apparently some sort of
|
|||
|
156 religious organization (these people seemed to have a lot of those). Knowing
|
|||
|
157 from experience in the Inn that the proper response was to start a friendly
|
|||
|
158 argument he did so, but for some reason she took offense and left in a huff.
|
|||
|
159 So, having long since forgotten his original purpose (as Poets are wont to
|
|||
|
160 do) he contented himself with wandering about, gazing with fascination
|
|||
|
161 through the broad windows put forward by the trusting merchants to display
|
|||
|
162 their wares. As the day wore into evening, he found himself at the doors
|
|||
|
163 of a corner drinking-place wishing he had some coin of this realm with
|
|||
|
164 which to buy some refreshment. As he gazed enviously through the window at
|
|||
|
165 the patrons enjoying themselves within he heard a familiar sound. Could it
|
|||
|
166 be...? He burst through the door into the conversation-stopping drone of a
|
|||
|
167 very familiar music. It was!
|
|||
|
168 "PIPER! I'M SO GL" the pipes stopped, but the Poet continued shouting "AD
|
|||
|
169 TO SEE YOU!"
|
|||
|
170 && The Mad Actor &&
|
|||
|
171 -------------------
|
|||
|
172 New BBS: Nite-Time BBS 10pm to 8 am. 635-xxxx. On PCJR. Try it out!
|
|||
|
173 -------------------
|
|||
|
174 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
175 I stood there, frozen in panic at the sight of the large beast approaching
|
|||
|
176 so rapidly, until the Bard reached forward, grasped my clothing, and jerked
|
|||
|
177 me out of the way. While I leaned, weak-kneed, against the wall, Bard
|
|||
|
178 proceeded to remind me of some of the hazards of a high-tech urban
|
|||
|
179 environment. I had enjoyed the tales told in the Inn, but never did I
|
|||
|
180 imagine what these things were Really like.
|
|||
|
181 Deciding I needed a drink after the terrible ordeal, I re-entered the
|
|||
|
182 tavern. Avoiding the unfriendly barkeep, I returned to my table, fell
|
|||
|
183 into my chair, and took a large swig of my ale.
|
|||
|
184 After my nerves had settled down a bit, I looked around. What had
|
|||
|
185 become of the Bard?
|
|||
|
186 :::::::::::::::::::O O:::::::::voyeur:::::::::::O O:::::::::::::::::::
|
|||
|
187 P.S. Thanks, MIKEY. It's good to have it back.
|
|||
|
188 P.P.S. As the ONLY time I go downtown is to attend the PorSFiS meetings
|
|||
|
189 every other Saturday, I may have some difficulty accurately portraying
|
|||
|
190 the environment and inhabitants of said metropolis. Well, shift imagination
|
|||
|
191 into overdrive.
|
|||
|
192 :::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
193 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
194 The air was saturated. The piper took shelter under an overhanging building
|
|||
|
195 and waited for the downpour to moderate. He wanted -- oh how he wanted!!--
|
|||
|
196 to leave this reality, but could not bring himself to abandon his compainions.
|
|||
|
197 Oh well, perhaps just a tune to lift his spirits -- and maybe ---
|
|||
|
198 He lifted the pipes to his shoulder, oblivious to the people hurrying by.
|
|||
|
199 Taking a deep breath, he inflated the pipes, set the drones humming and
|
|||
|
200 began fingering the chanter. With his dancing fingers, he wove the feeling
|
|||
|
201 of the cool mists winding through secret glens high in the misty hills. He
|
|||
|
202 played the droplets of mist condensing out of the air onto the leaves, dropping
|
|||
|
203 down and joining their fellows, first a trickle, then a brook, a stream, a
|
|||
|
204 mighty river. A tinkle of coins caught his attention. The pavement before
|
|||
|
205 him had several coins. He had gathered quite a crowd. He swung into a
|
|||
|
206 strathspey -- the lively beat swinging out through the crowd -- there --
|
|||
|
207 a lady was breaking into a dance. It was not an uncommon occurance -- he
|
|||
|
208 tried to reach with the notes and cause her steps to bounce -- to lift her
|
|||
|
209 with the music. Noticing that she was tiring, the piper took the next phrase
|
|||
|
210 rather slowly and snapped off the sound of the pipes. A shower of coins
|
|||
|
211 hit the pavement and he bent to collect them. He straightened up and became
|
|||
|
212 aware of her level gaze. It was a cold and heartless town, he was sure --
|
|||
|
213 but with a native guide --
|
|||
|
214 -----
|
|||
|
215 Later that evening, the piper was playing in a small tavern. He had just
|
|||
|
216 finished a set of tunes when he heard the shout --
|
|||
|
217 "-AD TO SEE YOU!" A familiar voice --
|
|||
|
218 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
219
|
|||
|
220 hello
|
|||
|
221 /ex
|
|||
|
222 end
|
|||
|
223 help
|
|||
|
224 OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
|||
|
225 I WAS JUST WALKING THROUGH DOWNTOWN, LOOKING AT THE WINDOWS AND CHECKING
|
|||
|
226 OUT THE PEOPLE WHEN I HEARD THE SOUND OF PIPES PLAYING. THIS GUY, DRESSED IN
|
|||
|
227 A KILT WAS UNDER THE OVERHANG OF THE PARKING STRUCTURE, PLAYING AWAY. HIS
|
|||
|
228 EYES WERE CLOSED, AND HE DIDN'T SEEM TO CARE ABOUT THE OCCASIONAL COIN THAT
|
|||
|
229 PEOPLE THREW HIM. THEN HE OPENED HIS EYES AND LOOKED AT ME AND STARTED PLAYING
|
|||
|
230 AND THE MUSIC MADE ME DANCE. HE PICKED UP THE COINS AFTERWARD, BUT I COULDN'T
|
|||
|
231 LEAVE. I TALKED WITH HIM AND TOOK HIM BACK HOME WITH ME. I COULD TELL THAT
|
|||
|
232 THE CARS AND CITY BOTHERED HIM. I ASKED HIM WHERE HE WAS FROM AND HE SAID
|
|||
|
233 SOME WEIRD PLACE CALLED INNISFALL-- I NEVER HEARD OF IT. HE TOLD ME ABOUT IT
|
|||
|
234 AND I TOLD HIM I REALLY WANTED TO GO THERE. WE TALKED ABOUT A LOT OF THINGS
|
|||
|
235 FOR A LONG TIME. I FED HIM DINNER AND TOOK HIM DOWN TO A TAVERN I LIKED. HE
|
|||
|
236 PLAYED HIS PIPES AND I DANCED A LITTLE. THEN AS HE STOPPED THIS WEIRD GUY
|
|||
|
237 CAME YELLING UP. I HELD ONTO HIS ARM BUT HE SEEMED GLAD TO SEE THE WIERD GUY
|
|||
|
238 SO I JUST KEPT CLOSE.
|
|||
|
239 OOOOOOOOOOOOOOOOOOOOO LURINE OOOOOOGOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO_OO
|
|||
|
240
|
|||
|
241 (((((((((((((((((((( - BANDERSNATCH - ))))))))))))))))))))))
|
|||
|
242
|
|||
|
243 Beware the Bandersnatch
|
|||
|
244
|
|||
|
245 ***********************************************************
|
|||
|
246 ???????????????????????????????????????????????????????????????????????????????
|
|||
|
247 """HAY MAN,WANNA BUY SOME GOOD DRUGS???"
|
|||
|
248 the one dressed in gray wondered about what "drugs" were,people kept offering
|
|||
|
249 to sell him some.perhaps they were native food of some kind? deciding to try it
|
|||
|
250 he put on his best gravely voice and yelled"yes,I do want some drugs"
|
|||
|
251 this seemed to cause some consternation amongst the crowd,they all moved away,
|
|||
|
252 strange,maybe "drugs" were only ment for women?
|
|||
|
253 "hey dude,not so loud" oh good,I found a "drug" salesman.
|
|||
|
254 "whatcha need? acid,good dope,hash,oil,even got some good crank!"
|
|||
|
255 ah,something nurishing perhaps?
|
|||
|
256 "nurishing? oh well,I guess hash is nurishing enough,here I gotta gram,you got
|
|||
|
257 15 bucks" oh,money,local money,he he,perhaps you could tell me where I can have
|
|||
|
258 this changed? the ssalesmans eyes lit up in an uncharicteristic look"gold,sure,
|
|||
|
259 thats good here!!" oh fine,how many do you need? "1 will b fine,just fine,here
|
|||
|
260 have it all" and he thrust a rather largeish bag of "hash" into my hands and qu
|
|||
|
261 ickly left.extreamly pecular taste,now to find the local tavern.....
|
|||
|
262
|
|||
|
263
|
|||
|
264 Nerd users:well s**t,the problem is thus,we have plenty of disk space,but our
|
|||
|
265 directory file can only hold 128 entrys,Michael was at Reed for a few days and
|
|||
|
266 things went overboard(literaly)
|
|||
|
267 should be up as of 12:00 on monday.
|
|||
|
268 Aaron,yes it was!
|
|||
|
269 person w/o parity(I always forget how to spell it):thanks,hope to see you again
|
|||
|
270 same reality,same place,1209600 seconds hence.
|
|||
|
271 The Man in Gray
|
|||
|
272 p.s. Fast Fred(I think it was you,not sure):michael NEVER does that to anyone.
|
|||
|
273 we get them into "chat" mode and it's more fun!
|
|||
|
274 ???????????????????????????????????????????????????????????????????????????????
|
|||
|
275 "Right.... Of all the LOUSY lines to wind up on", said the bard as he
|
|||
|
276 consulted a odd-looking box, "Europo-American Subsector, 20th century C.E....
|
|||
|
277 OH NO! Not the Reagan line! ARRGH!"
|
|||
|
278 Voyeur gave him a puzzled look, "What does all that mean?"@
|
|||
|
279 "It means we don't want to hang around very long, most of this group
|
|||
|
280 of timelines get REAL ugly in a few years." He thought for awhile. "OK, let's
|
|||
|
281 see what we can put together in the way of gear and funds."
|
|||
|
282 It wasn't until then that he realized that most of the group had left.
|
|||
|
283 "Great, just WONDERFUL! I turn my back for a minute and everbody takes off.
|
|||
|
284 Now we're gonna have to track them down before something happens to them."
|
|||
|
285 "Aside from the 'cars' and 'buses', what do they have to worry about?" someone
|
|||
|
286 asked. "I mean, this place DOES look civilized- well sort of..."
|
|||
|
287 "Tell me my friend, what do you suppose would happen to an OBVIOUS
|
|||
|
288 foriegner, apparently alone and NOT a noble or the like if he tried wandering
|
|||
|
289 around the thieves' quarter of one of the eastern cities?" He paused, "And then
|
|||
|
290 of course, there's the fact that ONE gold piece is about a MONTH's wages here!
|
|||
|
291 NOW do you see why I'm so worried?"
|
|||
|
292 The bard thought to himself, "No way am I even going to TRY to explain
|
|||
|
293 vagrancy & lack of ID!"
|
|||
|
294 After some discussion bard decided that they'd better leave. No point
|
|||
|
295 in attracting too much attention. (Though the way some of them were dressed...)
|
|||
|
296 After a brief search for a gold dealer (you try finding one that's
|
|||
|
297 open on Saturday!) to change some money, they were off.
|
|||
|
298 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~8
|
|||
|
299 Traveller: let me know if you are with me or already wandered off. I hope
|
|||
|
300 you still have the gear from the raid on Freddie's lot. (this msg is being
|
|||
|
301 sent out on the frequency of your com unit, if you are wandering around).
|
|||
|
302 Please let me know who is with me, all I have for sure is voyeur!
|
|||
|
303 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
304 A Quarter Million Sunsets Worth of Lonely (words & music:Thomas G. Digby)
|
|||
|
305 I'm a stranger and all alone,
|
|||
|
306 An orphan out of time,
|
|||
|
307 Wand'ring in a world I know was never meant for me
|
|||
|
308 And I'm a quarter million sunsets worth of lonely.
|
|||
|
309
|
|||
|
310 To tomorrow I belong,
|
|||
|
311 Full seven hundred years --
|
|||
|
312 Farther from today than when Columbus sailed the sea --
|
|||
|
313 And I'm a quarter million sunsets worth of lonely.
|
|||
|
314
|
|||
|
315 I had meant to spend a while
|
|||
|
316 Exploring yesterday.
|
|||
|
317 Then I found my time machine was stranded on your shore.
|
|||
|
318 And I'm a quarter million sunsets worth of lonely.
|
|||
|
319
|
|||
|
320 I'm reminded of some lines
|
|||
|
321 By poets yet unborn,
|
|||
|
322 Written in a language that someday will come to be,
|
|||
|
323 And I'm a quarter million sunsets worth of lonely.
|
|||
|
324 ~~~~~~~~~~~~~~~~~8
|
|||
|
325 It seemed appropriate...
|
|||
|
326 piper: If I may make a suggestion, I would expect that the most likely
|
|||
|
327 DOWNTOWN establishment for you to be at is the Elephant & Castle.
|
|||
|
328 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
329 Hey Mikey, It looks like we may be moving, could I interest you in MY 2311?
|
|||
|
330 ___________________________________________Leonard_____________________________
|
|||
|
331 MY, THIS DISK SURE FILLED UP IN A HURRY!
|
|||
|
332 OH MIKEY, SYSOP SERVICES ARE CALLED FOR AGAIN!
|
|||
|
333 The Ninja's computational skills are disperately needed. The rest of
|
|||
|
334 the comptetition will then get a true lesson on wwho really programs
|
|||
|
335 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)
|
|||
|
336 As I walk out the door I pause to get my bearings. Hmmmm. 20th Century
|
|||
|
337 United States. Well it doesn't look quite like home but last time I was
|
|||
|
338 on this timeline it was close enough that I didn't have any trouble.
|
|||
|
339 The Piper and some other familair emanations are coming from towards the
|
|||
|
340 river, perhaps I will find somplace to sell a couple of my diamonds on the
|
|||
|
341 way. Pausing to check that anything suspicious lookig was out of sight I
|
|||
|
342 set off down the street.
|
|||
|
343
|
|||
|
344 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)The Traveller(<>)(<>)(<>)(<>)
|
|||
|
345 The Ninja, dressed in his black garb, let in to a partial smile as
|
|||
|
346 he entered from a long absence. Empty! A cry blaming it on George Slime LTF
|
|||
|
347 *******************************************************************************
|
|||
|
348 MEN, RATHER THAN A STEREOTYPED POWERHOUSE, HAVE EVOLVED INTO FRAGILE CREATURES.
|
|||
|
349 THEY NEED COMPANIONSHIP AND CARING CONCERN FROM WOMEN IN ORDER TO KEEP THEIR
|
|||
|
350 PSYCHOLOGICAL LIVES INTACT, TO MAINTAIN DRIVE ENERGIES, AND TO FEEL NEEDED
|
|||
|
351 AND ACCEPTED. FEELING DISPARAGED, THEY HAVE TAKEN REFUGE BEHIND VARIOUS
|
|||
|
352 BULWARKS. THEY HAVE EXTINGUISHED EROS AND DECIDED TO FIGHT WOMEN WITH THEIR
|
|||
|
353 OWN METHODS. THEY SHY AWAY FROM LONG-TERM INVOLVEMENTS, FULLY AWARE OF
|
|||
|
354 EMOTIONAL AND FINANCIAL LOSSES IN THE EVENT OF MARRIAGE AND DIVORCE. THEY
|
|||
|
355 CUT THEIR LOSSES, DO NOT MARRY, ABANDON FATHERHOOD - THEIR 'FAMILY JEWELS'
|
|||
|
356 ARE SAFE. GERD H. FENCHEL
|
|||
|
357 *********************** CISTOP MIKEY *************************************
|
|||
|
358 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
359 #Bard -- I have no idea what this place is called. I'll wait here.#
|
|||
|
360 The piper was sitting in the back corner of the tavern at a table with
|
|||
|
361 the mad actor. His pipes were cradled in his left arm while his right held
|
|||
|
362 a small pitcher of very weak and pale ale. A young lady leaned on him and was
|
|||
|
363 watching the proceedings quietly.
|
|||
|
364 The piper poured the pale fluid into a glass and spoke.
|
|||
|
365 "It's a strange place here. I really don't know what happened to get us
|
|||
|
366 to this reality, but I don't seem to have much strength for shifing us out
|
|||
|
367 with the pipes." He drank a deep daught from the glass.
|
|||
|
368 "I suspect the fact that the bass drone is going out could cause the problem.
|
|||
|
369 I'll put a new reed in, but it will take several hours of steady playing o
|
|||
|
370 break in the reed. It will take even longer to get it very controllable."
|
|||
|
371 Reaching into his sporran, the piper pulled out a slim yellow cylinder a
|
|||
|
372 about 5 inches long and 1/2 inch in diameter. It was a piece of cane, topped
|
|||
|
373 with a blob of red sealing wax, a tounge cut in one side, the lower end
|
|||
|
374 wrapped in hemp cord. The piper placed this in his mouth and blew. A loud
|
|||
|
375 quaaark resulted. The piper combed a hair from his beard and slid it up
|
|||
|
376 under the tounge of the reed, tried again and said, "It's not the best reed
|
|||
|
377 I've ever tried, but it looks like it'll have to do."
|
|||
|
378 He slid the drone out of the pipes, put in the new reed and reassembled the
|
|||
|
379 pipes. Standing up, he moved nearer the door. As long as he was going to
|
|||
|
380 have to break in the reed, the xsound might help attract the rest of the party.
|
|||
|
381 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
382 The apprentice was in a mild state of shock. Unlike the others
|
|||
|
383 who merely assumed that all the flashing lights and rushing vehicles were magic
|
|||
|
384 (except for the few who were familar with high technology worlds), the
|
|||
|
385 apprentice had to face this assualt on his senses without either of
|
|||
|
386 these cructches. He was totally unfamiliar with any technological item more
|
|||
|
387 complex than hand tools or an astrolabe. And worst of all, though he kept
|
|||
|
388 trying to find the magic animating these devices, he could find none!
|
|||
|
389 "No magic..., no magic... but there HAS to be some..."
|
|||
|
390 Finally, he extended his perception to the limit.....
|
|||
|
391 Was there something there? Off to the east, and perhaps a bit north?
|
|||
|
392 There WAS some magic here! Small flickers scattered here and there,
|
|||
|
393 and one MASSIVE source far off. It must be INCREDIBLY powerful for him to be
|
|||
|
394 able to sense it from this distance!
|
|||
|
395 He reached out once more... stones... megaliths... Of course! It was
|
|||
|
396 a henge, like those back home...
|
|||
|
397 At the thought of home, he felt a massive resonance from the henge.
|
|||
|
398 It might be a way home! But it felt as if it were at least a score and a half
|
|||
|
399 leagues distant. Well, first he had to find the others..
|
|||
|
400 At least now he was used to this world....
|
|||
|
401 ..................................the apprentice...............................
|
|||
|
402 To: All
|
|||
|
403 I am considering submitting our current adventure to Pulsar
|
|||
|
404 (the PorSFiS newsletter). Does anyone have any objections?
|
|||
|
405 Bard and I wish to beg thy pardon for the rather lengthy business
|
|||
|
406 portion of the meeting. It was the most business conducted in the last
|
|||
|
407 six months!
|
|||
|
408 ...............................................................................
|
|||
|
409 ***************************************************************
|
|||
|
410
|
|||
|
411 This is Gary and I'm in need of some help; since thing appr
|
|||
|
412 rather slow it seemed a good time to ask.
|
|||
|
413
|
|||
|
414 I've mentioned before that I'm a mental health professional. The
|
|||
|
415 problem is that there have generally been about a hundred and
|
|||
|
416 fifty applications for every mental health position that opens.
|
|||
|
417 I've been unemployed now since nearly a year ag
|
|||
|
418 completed the "Nuts To You" series. It's getting real old.
|
|||
|
419
|
|||
|
420 I'm interested in developing some marketalble computer
|
|||
|
421 related skills so I can broaden my job search. I know many
|
|||
|
422 of you know a great deal about what's happening with computers
|
|||
|
423 in the area. I'm hoping you'll have some advice to offer.
|
|||
|
424
|
|||
|
425 I'm very interested in learning how to do research on the
|
|||
|
426 big databases like Dialog, Orbit, MIST, etc. I've been reading
|
|||
|
427 about them but have no hands-on experience.
|
|||
|
428
|
|||
|
429 My questions. What is the job situation for telecomputing in
|
|||
|
430 Portland? How much training does it require? Who offers
|
|||
|
431 best training? Is there a local telecomputing users group and
|
|||
|
432 how to I get in touch with them?
|
|||
|
433 The other area I'm looking into is technical writing. I don't
|
|||
|
434 have formal training in this area but over the years I've
|
|||
|
435 developed an easy to read style. With the obvious need for
|
|||
|
436 easy to understand computer information I figure this skill
|
|||
|
437 must be marketable.
|
|||
|
438 My questons? Who hires unproven techical writers? Would formal
|
|||
|
439 training help in getting a job? What training? Where? What is
|
|||
|
440 the best way to break into the field?
|
|||
|
441 I've always been impressed with the intelligence, knowledge,
|
|||
|
442 and sophistication of most of the patrons of the Inn. I figure
|
|||
|
443 if ever there was a place I could get an intelligent answer to
|
|||
|
444 my questions this is it. I'm looking forward to your responses.
|
|||
|
445 Gary Olson
|
|||
|
446 **************************************************************
|
|||
|
447 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
448 I was rapidly growing tired of this reality. At least before, I was
|
|||
|
449 able to keep track of the others. And me with no coin of the realm, that
|
|||
|
450 surely dosent happen very often.... Wait, a few coin's here and there.
|
|||
|
451 Nothing from around here, but maybe something a collector would want.
|
|||
|
452 No, Nothing of interest. Hmmm, at least not to an expert. I figured
|
|||
|
453 it was about time to put my salesmanship talents to work.
|
|||
|
454 @@@@@@@@@@@@@
|
|||
|
455 Within hours I had sold several small coins, an extra set of boots, and
|
|||
|
456 something called a Ross Island Bridge. Now I could spend time looking for
|
|||
|
457 whoever else might have entered this time shift.
|
|||
|
458 soon it was starting to get dark, and I needed a place to eat, not to
|
|||
|
459 mention a place to sleep. Wait, I hear something up in the distance, could
|
|||
|
460 it be pipes? Not knowing many many pipers in my time, I decided to follow
|
|||
|
461 the sound.
|
|||
|
462 What's that up ahead, a tavern? I chuckled to myself. I should have
|
|||
|
463 known. Entering, I waved to the barkeep for something to make me
|
|||
|
464 forget my aching feet. I looked over. Not only was the piper here, but
|
|||
|
465 the actor as well. I walked over, bowed formally, and sat.
|
|||
|
466 Fast Fred
|
|||
|
467 BSAL
|
|||
|
468 (now is that bolo's or bridges?)
|
|||
|
469 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
470 THE SPINNER HAD BEEN OF NO HELP. HE PRATTLED ABOUT THIS AND THAT BUT WHEN
|
|||
|
471 I HAD PRESSED HIM FOR HELP OR INFORMATION ON MY WHEREABOUTS HE REMAINED
|
|||
|
472 SHUT MOUTHED AND STIFF LIPPED. I MADE SURE WHEN I LEFT HE HAD FAT LIP.
|
|||
|
473 THE ONLY THING LEFT TO DO WAS HIT THE ROAD AND LOOK FOR A TRANSUNIVERSAL
|
|||
|
474 REALITY OFFICE. IT LOOKED LIKE A LONG REALITY SHIFT. THE ONLY CLUE THAT
|
|||
|
475 I GLEANED FROM THE SPINNER HAD BEEN THAT THE "INN" AND THE FOLK WHO WERE
|
|||
|
476 FREQUENTLY SEEN THERE MIGHT BE OF HELP. UNFORTUNATELY, IT APPEARED THAT
|
|||
|
477 IN THIS, I WAS ALSO ON MY OWN. THEY HAD BEEN THERE BUT HAD SHIFTED REALITY
|
|||
|
478 BUT A SHORT TIME PRIOR TO MY ARRIVAL. I NOTICED A POLE SET INTO THE SIDE
|
|||
|
479 OF THE ROAD, SIGNS POINTING THIS WAY AND THAT. ONE SAID REALITY 1980'S.
|
|||
|
480 WELL, I THOUGHT, TAKE A CHANCE! YOU CAN GET LOST BUT YOU CAN'T GO HOME.
|
|||
|
481 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
482 Apprentice: 'tis alright with me if you wish to amuse the PorSFiS members
|
|||
|
483 with our latest (mis)adventure, but if you do, I still have the
|
|||
|
484 intact version of my first entry here on disk. I think it readseasier.
|
|||
|
485 :::::::::::::::::::::::O O::::::::voyeur:::::::::O O:::::::::::::::::
|
|||
|
486 I return to the Inn, but it's empty! All except for a small voice
|
|||
|
487 in the corner warning me of George MathKneeBiter SlimeHopper. This all
|
|||
|
488 sounds vaguely familar.
|
|||
|
489 "Show yourself, comrade! My aborigines are camped only a few hours
|
|||
|
490 from here. Together we can rescue the patrons and conquer George!
|
|||
|
491 The Ninja (Back home again)
|
|||
|
492 ???????????????????????????????????????????????????????????????????????????????
|
|||
|
493 etherality...
|
|||
|
494 pipes of in the distance-lurch forward to`source.
|
|||
|
495 enter bar(sepelphant and houses,or was that`"elephant and castle?)
|
|||
|
496 turning,the man in gray said "pardon sir,mayhaps you could play some more? tha
|
|||
|
497 t echo is fun"`he then passed out on the ground.
|
|||
|
498 The Man h in Gray
|
|||
|
499 ??????????????????????????>??????????????????ykin86//????//?//?????????????????
|
|||
|
500 yes,the modem`is haiing problemss peopl|ew
|
|||
|
501 -------------------------------- (<>) --------------------------------------
|
|||
|
502
|
|||
|
503 As I drive out of the car lot I check out the handleing of the small car.
|
|||
|
504 Reality travel has its benefits, somthing picked up for practically nothing
|
|||
|
505 in one reality can be extremly valuble in another. A couple of my diamonds
|
|||
|
506 had gotten me a car and a few hundred dollars of cash. There are a few places
|
|||
|
507 in this culture where things can be sold or bought without questions.
|
|||
|
508 As I drive towards the Tavern near the river I come apon a rather bewildered
|
|||
|
509 looking Apprentice walking along the sidewalk (not completely by chance).
|
|||
|
510 I have a rather difficult time explaining cars to him...
|
|||
|
511
|
|||
|
512 -----------------------(<>)The Traveller(<>)--------------------------------
|
|||
|
513 ((((((( There's nobody out there - Bandersnatch ))))))))
|
|||
|
514
|
|||
|
515 *********************************************** HAWT***** **************`******
|
|||
|
516 WOTS THIS,MIGADS.A FICTION BASED BILLBOARD.I THINK,PARDON ME MY OPINION BUT
|
|||
|
517 THIS SYSTEM SHOULD BE DECLARED EITHER A BBS,OR A PUBLISHER'S "STAR SEARCH"
|
|||
|
518 IN ANY CASE PLEASE KEEP UP THE FORMER QUALITY OF THE SYSTEM.
|
|||
|
519 I HAVE SELECTED FIVE,OR SIX SYSTEMS IN THIS AREA THAT ARE OF
|
|||
|
520 HIGH QUALITY AND THOSE ARE THE ONES THAT I KEEP CALLING.
|
|||
|
521 WHEN I FIRST FOUND BACKWATER THERE WAS A GOOD DEBATE GOING ON ABOUT GUN CONTROL
|
|||
|
522 BUT NOW IT HAS DEGENERATED TO SCIENCE FICTION,AND SOME GUY FROM 5216AD FALLING
|
|||
|
523 INTO OUR TIME.
|
|||
|
524 LOOK,EITHER WQY THE SYSTEM GOES IT WILL BE A SATASFACTORY SYSTEM.
|
|||
|
525 THINK ABOUT IT.
|
|||
|
526
|
|||
|
527
|
|||
|
528 To the Above: Stick around a while, we alternate (it keeps it from getting
|
|||
|
529 boring).
|
|||
|
530 I would be both pleased & flattered to see the current tale in the Pulsar.
|
|||
|
531 Is there any way I could get a copy w/out joining?
|
|||
|
532 && TMA &&
|
|||
|
533 && && &&
|
|||
|
534 The Poet was enjoying this reality more and more. At first he assumed that
|
|||
|
535 such an "advanced" culture would not take his cash, but when he cautiously
|
|||
|
536 approached the barman with a coin it was accepted with astonishing greed.
|
|||
|
537 Apparently gold was a rather rarer commodity here than in Innisfall. Now,
|
|||
|
538 with only two coins gone from his purse, he found himself with a bar tab
|
|||
|
539 paid for some time in advance and the in the company of an attractive (if
|
|||
|
540 rather overly top-heavy) young lady. I could get used to this, he thought
|
|||
|
541 to himself, even if the ale is so thin I have to drink twice as much of it.
|
|||
|
542 A contented smile played across his lips and his toe tapped to the Piper's
|
|||
|
543 tune as he surveyed the room from above his fourteen empty glasses.
|
|||
|
544 && The Mad Actor &&
|
|||
|
545 **********************************************************************:
|
|||
|
546 <<< POP! >>> The Innkeeper suddenly appears in front of the errant group
|
|||
|
547 of travelers. Well! There you are! have any of you seen PAM around here?
|
|||
|
548 She seems to be a bit overdue in her return from her latest trip. Tsk tsk..
|
|||
|
549 Well, if any of you do see her, chase her back home to the Inn would you?
|
|||
|
550 <<< POP! >>> As suddenly as the Innkeeper appeared, he disappeared.
|
|||
|
551 ***************************: CISTOP MIKEY ******************************:
|
|||
|
552 ***************************************************************************
|
|||
|
553 Hello Mike Galassi, just wanted to ask how long it takes to acquire a password
|
|||
|
554 for Nerd. Thanx, wendell
|
|||
|
555 *********************################################************************
|
|||
|
556 I THIINK I WILL STICK AROUND AFTER A WHILE THIS COLLLECTION OF TALES BECOMES
|
|||
|
557 WELCOME,HENCEFORTH MIGHTN'T I BEG A LITTLE MORE FOR MY PAARCHED MIND.QUITE GOOD.
|
|||
|
558 GOOD DAY. P.J. HATHORNE
|
|||
|
559 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
560 The piper looked around at the growing group. "We are almost back together--
|
|||
|
561 just a few left to go!" He walked over to the door of the tavern and stood
|
|||
|
562 outside on the sidewalk. "Now if I can just keep from being arrested --"
|
|||
|
563 he raised his pipes and sent the most carrying tunes he knew out into the
|
|||
|
564 evening air. If they only heard them...
|
|||
|
565 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
566 ..........................................................................
|
|||
|
567 to gary--
|
|||
|
568 i can give you some information on technical writing in the local area
|
|||
|
569 as i are one. call whispering pines (682-xxxx) and post a message there.
|
|||
|
570 i'll return a message under my real name.
|
|||
|
571 .....................................................................n.......
|
|||
|
572 ***************************************************************
|
|||
|
573 HEY ALL OF
|
|||
|
574 YOU COMPUTER
|
|||
|
575 BOZO'S. WHY
|
|||
|
576 DON'T YOU GIVE
|
|||
|
577 YOUR HEAR TO
|
|||
|
578 SOMETHING WITH
|
|||
|
579 SOME MEANING?
|
|||
|
580 DO YOU LIVE
|
|||
|
581 YOUR LIVES IN
|
|||
|
582 FEAR OF WHAT
|
|||
|
583 WILL COME AFTER
|
|||
|
584 WHAT YOU CALL
|
|||
|
585 THE END? DO YOU
|
|||
|
586 WANT TO KNOW?
|
|||
|
587 ARE YOU AFRAID OF EVIL? ARE YOU UNSURE ABOUT THE
|
|||
|
588 POWERS YOU DON'T POSSESS? ARE YOU UNSUCCESFUL? DO
|
|||
|
589 YOU WANT SUCCES? CAN YOU ACHIEVE IT HERE? ARE YOU
|
|||
|
590 HIDING? I BET YOU ARE. WHERE DID YOU SEE YOURSELF
|
|||
|
591 LAST? WAS IT IN
|
|||
|
592 THE MIRROR? THE
|
|||
|
593 WINDOW TO THE
|
|||
|
594 WORLD OF ILLUSION?
|
|||
|
595 ARE YOU DEAD??
|
|||
|
596 *****************************************SATAN'S.ROCKER*************************
|
|||
|
597 ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?
|
|||
|
598 WHO'S THE INTELLECTUAL ABOVE?........................SORRY, I REMOTELY FEEL
|
|||
|
599 THAT MY COMMENT WAS RUDE..........REMOTELY.............................VERY.
|
|||
|
600 ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!DEBORAH?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?
|
|||
|
601 VERRRY REMOTLY..... MIKEY
|
|||
|
602 ***************************************************
|
|||
|
603 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
604 yes, yes.... I miss Pam too, CISTOP... though I might never express such
|
|||
|
605 on DA, whose to see if I beg her return on the lowly bottom of DB?
|
|||
|
606
|
|||
|
607 So, i will place the ultimate temptaion on DB...(no! not the "ultimate
|
|||
|
608 temptation"! anything but the.....) yes! here it is ! watch out PAM!
|
|||
|
609 there are a whole 15 lines of text left on DB! 15 LINES! WASTED!
|
|||
|
610 and DA is just about to roll over..... tsk, tsk, tsk......
|
|||
|
611 Aaron
|
|||
|
612 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
613 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
614 piper: mundania too much for you? are you out in the Xanthian suburbs?
|
|||
|
615 Aloha? Troutdale? ???......well, if you brave the elements and make it to
|
|||
|
616 the next PorSfiS, look me up....
|
|||
|
617 RONNIE: gee.... (almost) funny...
|
|||
|
618 Aaron
|
|||
|
619 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
620 {
|
|||
|
621 Gary: tank u, tank u, tank u. And anow, a word from oura sponsor..
|
|||
|
622 }
|
|||
|
623 <><> sorry... upload to wrong disk.. delete at will last 2 mssgs..<><>
|
|||
|
|
|||
|
>
|