3437 lines
153 KiB
Plaintext
3437 lines
153 KiB
Plaintext
________________________________________
|
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/// \\\
|
||
||| `Y88P' `Y88P' ,oQ88Do, `Y88P"`"YP |||
|
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=-==========|= 88 88 d8P' `Y8b `88' ' =|===========-=
|
||
||| .,$8ooooo8$ 88 88 .,88o8 |||
|
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||| 88 8b 88 88 88 |||
|
||
=-==========|= 88 88 Y8b. .d8P .88 . =|========ks=-=
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||
<%$#@ ||| ,d88b, ,d88b, `"Y88P"` ,d88b,.,db ||| @#$%>
|
||
<%$#@ @#$%>
|
||
<%$#@ -90- @#$%>
|
||
<%$#@ @#$%>
|
||
<%$#@ "The Final Jammy" @#$%>
|
||
<%$#@ @#$%>
|
||
<=====================================================================>
|
||
|
||
telnet> co hoe.org
|
||
|
||
Trying...666.174.2.1
|
||
Connected to HOE.ORG..
|
||
Escape character is '^]'.
|
||
|
||
Welcome to the Place Where Piggies Frolic
|
||
|
||
"Oink! Oink!"
|
||
|
||
elite login: mogel
|
||
sekrut werd: fuck_me_sideways
|
||
|
||
w00t!@# yEr k0dEz wERkED!@
|
||
|
||
y0U'Ve eNtERR'd dE eLYTe pLACE!@
|
||
|
||
.ad$a.
|
||
`D$$$a $$$$ .a$$$$$$a. .ad$$a. .a$$$$$$a. $a.&$$$a. .a$$$$$$a.
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||
`$$$$ $$$$ $$$' i$$$$ $$$$P' $$$' i$$$$ $$$' $$ $$$' `$$$
|
||
$$$$$$$$$$$ $$$ d$'$$$ $$$ $$$ d$'$$$ $$$ ,$$ $$$
|
||
$$$$$$$$$$$ $$$e$' $$$ $$$$ $$$e$' $$$ $$$$$$$$' $$$ $$$$$
|
||
$$$$ $$$$ $$$$' ,$$$ $$$' .@@@, $$$$' ,$$$ $$$' $$$ $$$. ,$$$
|
||
$$$$ $$$$ `D$$$$$$P' $$$$$$a. @$$$@ `D$$$$$$P' $$$ $$$ `D$$$$$$P'
|
||
$$$' `@@@' $$'
|
||
$$' $'
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||
$'
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||
|
||
|
||
Last interactive login on Wednesday, 22-JULY-1995 10:05
|
||
|
||
You Have 2 New Mail Messages.
|
||
|
||
Yes, You still have your appendix.
|
||
|
||
% mail
|
||
|
||
Welcome to the FUNK E-Mail reader V4.9-2
|
||
|
||
email> read 1
|
||
|
||
______________________________________________________________________________
|
||
|
||
From sheik@ndts7.pt06.ndsu.NoDak.edu
|
||
Date: 19 July 95 01:46 PDT
|
||
Subject: Invitation to #warez2
|
||
|
||
I would like to formally invite you to the #warez2 channel located on
|
||
IRC! Our staff is dedicated to provide safety and fun for your pleasure. I
|
||
am Sheik, the security chief for all of the channels that include: #warez2,
|
||
#warez3, #warez4, #warez5, #warez6, #warez7
|
||
|
||
Our channels are dedicated to allow free transfer of any and all
|
||
copyrighted software. In the new electronic age, the authorities really
|
||
don't give a shit about our activities. We transfer games, applications, and
|
||
utilities for DOS, Windows, OS/2, and WinNT/95.
|
||
|
||
Our goal is to allow everyone to trade files freely. My job is to
|
||
make sure the channels stay safe and secure while everyone exchanges their
|
||
latest versions of Microsoft Office, Sim Town, Comanche CD-ROM, Warriors
|
||
CD-ROM, and Quantum Castle. There are, of course, many other applications
|
||
and games that everyone is exchanging online IRC.
|
||
|
||
Is this illegal? Yes. Does anyone care? No. So come on and drop
|
||
by our channels and exchange some software! We might even give you a few
|
||
Warez FTP sites just for being there.
|
||
|
||
#warez2 is open most of the time. If you can't get in there, just
|
||
ask myself (Sheik), or any of my channel assistances:
|
||
|
||
asylum, Lyrch, lsi, Vortex-, devan, SprinT, claim, PeLe_, LeStaT_
|
||
WAngel, Xtream, ZED, fuct, fet, Stumble, ByT0R, v0ntrips, TCB
|
||
Cassidy, [Rain, BlAcKLiTE, PeNNyWisE, Phantasy, PRiME, Mal_2
|
||
|
||
Our channel bots are: GdAnGuS, GdAnGi, SiteServ, and many others.
|
||
|
||
The more public channels: #warez5 -> #warez9 are always open.
|
||
|
||
I hope to see you down in our channel. We can always use the help
|
||
of exchanging files... plus it's fun and you'll meet new friends!
|
||
|
||
See you there! Also, I am using SLIP right now, so you will not be
|
||
able to respond back via e-mail. Please meet me online IRC, or see me in the
|
||
channel.
|
||
|
||
--
|
||
The Sheik
|
||
Security Chief for #warez2
|
||
Co-Assistant is "asylum" at dpotter@theodolite.ae.calpoly.edu
|
||
|
||
"Trade warez all day long; it's what the Internet is for!"
|
||
______________________________________________________________________________
|
||
|
||
|
||
email> read 2
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||
|
||
______________________________________________________________________________
|
||
|
||
From everlast@aol.com
|
||
Date: 29 July 95 04:46 PDT
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||
Subject: hey mogel!@#
|
||
|
||
Hey Mogel!
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||
|
||
This is quite a blast from the past and all, but after all this time,
|
||
I've finally got net access! boy, that bbs world stuff is so limited! now
|
||
I can find more bomb files and learn much more! So how's HoE? I've heard
|
||
you guys got a lot bigger, and even without me! I can't wait to see the
|
||
kewl stuff that has come out of HoE since I wrote my ping pong bomb file back
|
||
in #7. I was thinking of doing an supplement file to that. What do you
|
||
think?
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||
|
||
Please reply,
|
||
|
||
Everlast
|
||
______________________________________________________________________________
|
||
|
||
email> del 1
|
||
|
||
email> del 2
|
||
|
||
email> exit
|
||
|
||
% nn
|
||
|
||
Now Entering l0ZeNET.
|
||
Better than UseNet.
|
||
|
||
NEWSRDR V7.2-6
|
||
Copyright <20> 1995 HoE Inc. All Rights Reserved.
|
||
%NEWS-I-CONNECTING, connecting to NNTP server funky-rad.net
|
||
%NEWS-I-NEWGROUP, found new group alt.gr33nday.ph0rever
|
||
%NEWS-I-NEWGROUP, found new group alt.nerdy.doctor.diagnostics.prenatal
|
||
%NEWS-I-NEWGROUP, found new group alt.bah.sucks
|
||
%NEWS-I-NEWGROUP, found new group alt.insert.random.group.here
|
||
%NEWS-I-NEWGROUP, found new group alt.hoe.die.die.die
|
||
%NEWS-I-NEWGROUP, found new group bionet.chicken-sex
|
||
%NEWS-I-UPDATING, locating unread articles; please wait...
|
||
|
||
3 new articles in newsgroup alt.hoe
|
||
5 new articles in newsgroup alt.angst.for.donuts
|
||
645648 new articles in newsgroup alt.2600
|
||
6 new articles in newsgroup alt.fan.warez
|
||
3 new articles in newsgroup misc.writing
|
||
2 new articles in newsgroup alt.religion.rudabega
|
||
|
||
News> group alt.hoe
|
||
|
||
%NEWS-I-GRPSET, current newsgroup now alt.hoe
|
||
-NEWS-I-GRPINFO, articles [398,400], 3 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.hoe article 398 of [398,400] (2 unseen)
|
||
|
||
From: mogel@hoe.org (Mogel)
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||
Subject: The Fate of HoE.
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||
Organization: HoE Publications
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||
Lines: 153
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||
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||
Okay, l0zERz. The news is official. HoE is DEAD. Deal with it.
|
||
|
||
Yeah, it's ninety issues and and one year later. Looking back over the
|
||
last year it amazes me how much has changed around me since i started up this
|
||
stupid damn e'zine back in time. It hasn't just been the world - it's been
|
||
the changes in this 'zine, the computer people that i talk to, and of course
|
||
my _real_ life that have been so inconceivably drastic since the mark of
|
||
HoE's inception that it's almost too much to think about and reflect on.
|
||
|
||
So I won't.
|
||
|
||
The purpose of this post here is to inform you of a few things. It's
|
||
basically going to talk about the history of HoE and some of the
|
||
behind-the-scenes quirky things that have gone on, that should be put in here
|
||
before they are forgotten. We're also going to talk about what HoE is
|
||
completely about in the past and present. Finally, I'm going to give you all
|
||
the meaty gossip on why i'm killing HoE once and for all and what's in store
|
||
for me and the HoE-Team in moving onto a brighter day for the e'zine world.
|
||
|
||
Of course, before any of this, there's people that have made my year in
|
||
the e'zine publishing "business" a lot more enjoyable. So, now here's a very
|
||
condensed list of some of the people that have made me extra happy relating
|
||
to HoE in the last year. Yes, I do gr33t people that have nothing to do with
|
||
HoE that i just lublub. If I forgot anyone that should have been included,
|
||
please harass me when you see me, or take credit for it with the gr33t to
|
||
"godd(+d)," so thanks for the existence and persistence of h0e (for better
|
||
or worse) go to:
|
||
|
||
abigwar, acid warlock, alex swain, ascii express, basehead, beaner,
|
||
beck hansen, black francis, black sunshine, boogeyman, captain hook,
|
||
chal e. mac, change, charlie, chickenlord, corrosion, crank, cstone,
|
||
curious george, cyberelf, dark phiber, dash, dead cheese, death veggie,
|
||
defiant, demonika, disorder, dr. hate, drunkfux, edicius, eerie, epicac,
|
||
erikb, franken gibe, gausep00, godd(+d), guido sanchez, grayarea,
|
||
greg aubel, half-baked, im2k4u2c, inner logic, invalid media, invisible man,
|
||
i wish i were nathan, james hetfield, jason farnon, juliet, kamui, kaos,
|
||
killer wombat, kidknee, killgore trout, k0rrupt, k-spiff, lady carolyn,
|
||
lobo, logik, lucifuge, lucky, mad arab, mistawho, m0rpheus, mr. brownstone,
|
||
mr. sandman, murmur, neko, nitro187, nykia, nymph, obscure images,
|
||
pandemonium, panther modern, paradox, pale, phaedrus, pip the angry youth,
|
||
psycho santa, psychotic pyrotic, puck, rattle, ring master, rush 2, sage,
|
||
sinister sheep, spiff, scooter, scared poet, sed, shadow tao, slave, slater,
|
||
socrates, spooky, subzero, sunspot, swallow, syrinx, thalassocracy,
|
||
thanatos, the anarch, the chief, the gnn, the guest, the professor,
|
||
the raver, the stranger, u4ea, valgamon, velocity girl, violent femmes,
|
||
visioknight, voodoo child, vyrus, whisper, whoops, winona ryder, wiz of id,
|
||
x, xgirl, y-wind0ze, zippy, zorro.
|
||
|
||
At any rate, you can't do anything but smirk in that i'm-so-cool way when
|
||
you look back upon the history and moronics of HoE. And, yes, believe me, I
|
||
do.
|
||
|
||
When I was sitting on my BBS as a lowly t-file l0vin' sysop the idea
|
||
sprung to me of something rad I could do to basically kill a lot of time (I
|
||
was a lot less busy then). I decided for "the hell of it" to create a
|
||
"RAD!@#" t-file group. "I L0V CDC AND BLAH@!# I CAN BE JUST LIKE THEM!@#"
|
||
I thought. Note: at the time I only had up to cDc 100 and BLaH 20. Shrug.
|
||
At any rate, so HoE began. If you look back to everything from the attitude
|
||
to the headers, it's all a total BAD cDc rip. Ugh. It literally pains me to
|
||
read that old stuff. And of course, those anarchy texts weren't really what
|
||
I "wanted" for h0e way-back-when, but I dunno.. I wanted something "ayche
|
||
pee" at the time to be in the mag, and I knew that *SO* many cheesy t-files
|
||
had been written repeating the same information over and over again, and many
|
||
times it was even wrong info. Stupid, Stupid. So I took what I got, as lame
|
||
as it was. Yeah, sadly I can't turn back time, so there they are, HoE #3 and
|
||
#7, b0mbs and all. Heh.
|
||
|
||
Already up to issue 11 in the releasing thing. I played the "h0e r00lz!@"
|
||
routine totally, but even then i knew it sucked. Why did I continue? I have
|
||
no idea. But then I ran into Abigwar and he posed an interest in HoE and
|
||
began writing. He was basically what kept h0e alive then, and he wrote many
|
||
of those files in the 20s and 30s. Many still give me a chuckle, like the
|
||
"Proof on the Questions!" file. For a time then I really began to dig HoE
|
||
and actually take a little pride in the 'zine. We had a buncha people that
|
||
"showed interest" and we were releasing wacky t-file after wacky t-file. It
|
||
was around this time that I starting calling places like DRU and /<ingdom of
|
||
Shit [cDc] and schmoosing my heroes of cDc. Of course they didn't want to be
|
||
sucked-up to, and in my eyes I was honestly telling them how much they
|
||
"inspired me," but I suppose they didn't get it really, and some cDcers today
|
||
actually rag on me for it. Why? I dunno. I guess they like that ego-thing
|
||
(coughladycarolinecoughomegacou). Whatever. I wrote and communicated with
|
||
Swamp Ratte' a bunch and wrote some cDc files that probably won't get
|
||
released for years since the delayed unreleased submission files on SR's hard
|
||
drive number close to 200. cDc = exclusive and inconceivably slow at
|
||
releasing.
|
||
|
||
Anyway back to HoE. We were releasing these wacky t-files and at some
|
||
point in time i think we got a little t0o wacky. It just seemed like I was
|
||
caught up in the releasing thing and not the "quality-control" thing
|
||
(although we were _still_ better than gasp :>, well, not like that's hard to
|
||
do). Whateverthecase, one of the writers that I really respected, Corrosion,
|
||
yelled at me and was >THIS< close to quitting h0e. So I actually thought
|
||
about it and he was right. When people look back and read h0e it's all gonna
|
||
be a big buncha crap. No one's gonna give a fuck. So, at #45 we started
|
||
the new release-them-in-packs format which seems to have worked very nicely.
|
||
I put on a real quality control. I didn't release anything I didn't honestly
|
||
like anymore, and so, after that point HoE began producing some neat files.
|
||
I am actually proud of a few HoE files, which is really something for me.
|
||
|
||
As my life changed, I moved to college, and Black Francis basically saved
|
||
HoE. He put up his board and continued supporting HoE as the WHQ and e'zines
|
||
in general by producing his rEd/pEz (which I wrote for). pEz is some amazing
|
||
stuff. Anyhoo, I owe so much to frannie I can't even begin to tell you.
|
||
When I'm a famous movie director, he will be getting monthly installments of
|
||
money.
|
||
|
||
HoE #61-89 were pretty damn neat. Since HoE's inception the ideas that
|
||
have been building up in my head finally came out in one incredibly gratifying
|
||
writing spew which ultimately became my "mE t0o!@" file. The last HoE release
|
||
is on _such_ a different plane than when HoE started it blows my mind.
|
||
|
||
"So why the hell are you giving HoE up, Moggie?!@"
|
||
|
||
Well, to be honest, in my attempt to be different from cDc, I failed.
|
||
Anyway, HoE basically became "just like cDc except anyone could submit good
|
||
stuff to it and actually get it out in the same year." HoE wasn't exclusive.
|
||
"Isn't that enough difference??" Spiff asked me. No Spiff, evidently it's
|
||
not, since even after the last release, HoE _still_ wasn't pulling in a
|
||
number of writers that I wanted. I guess I expected writers too poof out of
|
||
no where magically. I think I had this phantasy that there was all this
|
||
untapped talent out there waiting to come out in cyber-g33x. Yes, I was
|
||
wrong. It takes a very special personality to be a continually productive
|
||
t-file guy.
|
||
|
||
So, as sad as it is, it's all for the best that HoE dies. We just weren't
|
||
getting the attention. But, that's okay though. Why? Because I've only
|
||
just begun to fight. Seriously. HoE and pEz were just the first stepping
|
||
stones for us in the e'zine world. It was a "practice" if you will.
|
||
|
||
All of our problems are being solved from this point forward, as very soon
|
||
you'll be seeing a brand new e'zine, with it's own original format. pEz/HoE
|
||
attitude intact, with a lot of style. The best part is the line up. We've
|
||
got all kinds of intelligent, productive guys, that are ready to write for the
|
||
new e'zine.
|
||
|
||
|
||
Black Francis - Mogel - James Hetfield - Eerie - Murmur - Shadow Tao
|
||
Neko - Sed - Thalassocracy - IM2K - Dead Cheese - Silver Jew
|
||
|
||
...and many more.
|
||
|
||
We're not only going to change things a lot, but it's my goal to make cDc
|
||
eat their words. They _will_ phear Mogel.
|
||
|
||
So, I bid you goodbye, and I'd like to say thanks to everyone that
|
||
supported us and stuff.
|
||
|
||
You ain't seen nothin' yet.
|
||
|
||
*sMEWCh!@*,
|
||
|
||
Funk-Mastah Mogel
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.hoe article 399 of [399,400] (1 unseen)
|
||
|
||
From: jamesy@hoe.org (James Hetfield)
|
||
Subject: my sekrut phantasee!
|
||
Organization: l0ck wannabes
|
||
Lines: 37
|
||
|
||
Mohaha! Hey m0gel!@ you can't kiLl h0E!@#
|
||
|
||
If only i was the the new autocrat of h0e!
|
||
|
||
<ENtUR dR3AM SEE-QUENZ>
|
||
|
||
So, to start out as the NEW leader of h0e, I'll begin by changing
|
||
the name of the mag. h0e now stands for:
|
||
|
||
HEFTY OLD ELEPHANTS!!!!!!!!!!1
|
||
|
||
And, to make things even better, I got RAD MAN of ACiD to draw
|
||
the NEW hoe MASCOT!!!!
|
||
_
|
||
| |
|
||
| |
|
||
\ /--|__/ /
|
||
\ /----------| |- |
|
||
| __/
|
||
\| |-------| |
|
||
| | | |
|
||
|
||
|
||
look at his long tail! HE HE HE
|
||
|
||
Now that you know the new title of hoe and the new mascot, whose
|
||
name will forever be known as MOE the HOE elephant, it's time to get to
|
||
the more important business! h0e from now on will only be accepting
|
||
text files regarding the following items:
|
||
|
||
- ararcy!!!! (Microwave bombs, killing old women, and so on!!!)
|
||
- hacking!!! any files about hacking!!! PREFERABLY ALL IN CAPS!!!
|
||
- ANY, i repeat, ANY SONG LYRICS!!!! HOPEFULLY METALLICA!!#@!@!@##!@
|
||
- recepes for cookies!!! I love cookies!!!
|
||
- any XXX porn files!#@@!#@#!!@#!@# especially lesiban i love that
|
||
|
||
- lamesy jamesy
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.hoe article 400 of [400,400] (0 unseen)
|
||
|
||
From: mogel@hoe.org (Mogel)
|
||
Subject: Oh! Those Interviews!
|
||
Organization: HoE Publications
|
||
Lines: 380
|
||
|
||
Oh. I just realized that since I'm done with HoE, and I have these extra
|
||
interview t-files floating around from back in HoE #70, I should post them
|
||
here for you all to see. I nabbed a bunch of people I couldn't interview in
|
||
the past, including these elites:
|
||
|
||
alex swain, grayarea, y-w1nd0ze, erikb, and u4ea.
|
||
|
||
Go me.
|
||
|
||
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
| Alex Swain, of the 'zine Whatever Ramblings |
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
|
||
|
||
1] How the poop did you ever originally get such a spiffy god-damned handle?
|
||
|
||
Well I don't really use handles/aliases anymore but I've been around a
|
||
long time and have had several handles in that time. I think my first handle
|
||
was Major Havoc which I got from the vector-graphic Atari game. I used that
|
||
for probably two or three years sometime around 1983-1985 or so. Then in
|
||
1986 I changed my alias to Ares (after the Greek god of war) and used that
|
||
pretty consistently on boards and on the Net/Telnet (such as Altos Germany)
|
||
until about 1988. In 1988 I was busted for various things and dropped out of
|
||
computers altogether. Then about a year ago I got back onto the Net and
|
||
started using the alias t3 which I got because I was writing an article on
|
||
backbones at the time. I've never really given a shit about aliases but try
|
||
not to change them because it just gets confusing.
|
||
|
||
2] How old were you and what was it that got you into this whole shin-dig?
|
||
|
||
I'm not sure if you mean zines or computers...I got my first modem when I
|
||
was eleven (i'm 22 now) and spent most of my younger years on bbs's racking
|
||
up major phone bills because I thought everything within my own area code was
|
||
local. I've been consistently using computers for a long time and have done
|
||
just a little bit of everything including programming and various
|
||
questionable activities. I got into zines in 1987 when I did a really weak
|
||
small skate zine called Habit which I must have made 30 copies of and gave
|
||
away to all the skaters I could find. From there it just progressed and I
|
||
started Whatever Ramblings in the summer of 1989 which I'm still doing more
|
||
or less. About a year ago I got into E-Zines and E-Print zines (I called
|
||
E-Print zines publications that are in print as well as electronic) and
|
||
basically just ftp all the files to my archive site in Michigan.
|
||
|
||
3] Why do you continue doing such socially IMPORTANT work?
|
||
|
||
Well I question how IMPORTANT my work is. I like writing alot and about
|
||
anything. I'm still trying to get a grasp of exactly how to write so I end
|
||
up experimenting alot with styles and ideas.
|
||
|
||
4] Do you have a life? If so, what are some real world interests of yours?
|
||
|
||
Well in my definition I don't really have a life. Unfortunately my
|
||
definition is derived from society which has such ideals as a 40-hour work
|
||
week and a daily schedule, two things I do not have. If you mean do I have a
|
||
life in a "do you do anything but sit in front of a computer?" sense then
|
||
yes. I went to music school and play guitar about four hours a day as well
|
||
as read alot and play with my orange tabby named Sunkist. Every once in a
|
||
while I go to a punk show or go drinking with my pals. I also do alot of
|
||
travelling which is pretty obvious in my writings.
|
||
|
||
5] What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
||
|
||
Well |<-rad sort of conjures up a bad memory for me, mostly warez-kiddies
|
||
from AE boards in the mid 80's. But I see what you're gettin' at. I'd say
|
||
my friend Ace Backwards is pretty "eleet" in my definition. He's an
|
||
underground comic artist that has been consistently putting out good strips
|
||
for over ten years now. He's very productive and generally succeeds me in
|
||
producing material which is surprising because sometimes I put out a zine
|
||
twice a month. And yes, he makes me happy too..
|
||
|
||
6] Who is the most ANNOYING person you have ever known? oh, and WHY...
|
||
|
||
Hmm the most annoying person. Well I can probably name ten but the one
|
||
that comes to mind is this girl Erin that me and my friend Fu met crossing
|
||
country a couple of years ago. Its a really long story but essentially she
|
||
was this rich girl from Texas that we met in New Orleans and we were really
|
||
broke and she was filthy rich and she promised us all this money and riches
|
||
if we came to visit her in Arlington so we drove up there and she flaked on
|
||
us in a big way and one thing led to another and we ended up in jail. The
|
||
whole situation was annoying but I guess I'd say that she was the biggest
|
||
cuntrag i've ever had to deal with.
|
||
|
||
7] What direction do you see your zine heading in? (this one begs for jokes)
|
||
|
||
Well i'm not really sure. My main zine Whatever Ramblings is on hold
|
||
right now because I became disillusioned with the whole zine world and had to
|
||
do something new. I suppose I'd say that WR is probably already where it'll
|
||
be forever. The last few issues have been distributed worldwide and it has a
|
||
small but devout readership which never really gets bigger or smaller unless
|
||
some big magazine like Sassy or some other shit tells a million 17 year olds
|
||
that zines are cool, in which situation I usually sell about a hundred more
|
||
each issue. My new E-Print zine Red Dye Number Five which is mainly
|
||
compilations of stories is just beginning but I think it may do well assuming
|
||
that I can get the same distro as WR has.
|
||
|
||
8] Toilet Paper - Folded or Crumpled?
|
||
|
||
I think thats a pretty unconscious decision like maybe determined by genes
|
||
or something. I'm not methodical or patient enough to fold toilet paper to
|
||
merely wipe my ass which implies that I just crumple it up.
|
||
|
||
9] If you were to die tomorrow and wanted to leave one quote that everyone
|
||
would remember you by, what would that be?
|
||
|
||
Well if I died tomorrow..hmm..Probably something like, "Okay, I'm dead now
|
||
so buy my zine already."
|
||
|
||
10] What would be the first thing that came to your mind when I say "zine"?
|
||
|
||
I think years ago i'd say "obscurity," now I guess now i'd say "trendy".
|
||
|
||
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
| Grayarea, of the 'zine Grayareas |
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
|
||
|
||
1] How the poop did you ever originally get such a spiffy god-damned handle?
|
||
|
||
i got my handle from the name of the magazine, gray areas. it was an
|
||
attempt to be honest and stuff about who i am. bad move. if i had it to do
|
||
over again, i'd have lied to everyone. they mostly all lied to me :)
|
||
|
||
2] How old were you and what was it that got you into this whole shin-dig?
|
||
|
||
i got into the scene in the early 1970s when i was in high school. i used
|
||
a calling card number found in a yippie zine and got caught by the operator.
|
||
my cousin agreed to pay for the call and that ended my career as a phreak. i
|
||
got into the scene again when i bought an IBM clone in 1991. i got REALLY
|
||
into the scene after i started Gray Areas.
|
||
|
||
3] Why do you continue doing such socially IMPORTANT work?
|
||
|
||
why do i stay? some of the people i have met make it worth it. but it's a
|
||
question i have to ask myself again and again as what passes for hacking is
|
||
often stalking, sexual harassment and slander/libel.
|
||
|
||
4] Do you have a life? If so, what are some real world interests of yours?
|
||
|
||
my real world interests include video games, movies, cats, sushi, travel
|
||
to meet the hackers who appeal to me, reading, concerts and late night
|
||
conversations.
|
||
|
||
5] What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
||
|
||
what person makes me the happiest? no one person can fill all of my
|
||
needs. but the hacker you are asking about knows who he is and doesn't need
|
||
me to tell u. :)
|
||
|
||
6] Who is the most ANNOYING person you have ever known? oh, and WHY...
|
||
|
||
i am quite sure i have not met the world's most annoying person yet. i
|
||
know they will wake me up sometime soon though :)
|
||
|
||
7] What direction do you see your zine heading in? (this one begs for jokes)
|
||
|
||
Gray Areas will probably keep adding more and more pages as more and more
|
||
people come forward to express their two cents. We print all points of view
|
||
and new things become legal/illegal all the time so we'll never lack for
|
||
material. I hope to get around to putting up a web page later this year.
|
||
|
||
8] Toilet Paper - Folded or Crumpled?
|
||
|
||
toilet paper can be either folded or crumpled as long as it's Northern
|
||
brand.
|
||
|
||
9] If you were to die tomorrow and wanted to leave one quote that everyone
|
||
would remember you by, what would that be?
|
||
|
||
i'd ideally like to be cremated and have my ashes scattered in a specific
|
||
spot in San Francisco, but failing that since only one person knows where
|
||
that spot is, i'd like my tombstone to say "Don't judge me too harshly." In
|
||
case you're wondering, that's what Brian Jones' (of the Rolling Stones) says
|
||
on it... I also hope i die rich enough to leave $2500 for my friends to have
|
||
a party with like Janis Joplin did. The courts were never able to resolve who
|
||
her friends were and the party never happened :)
|
||
|
||
10] What would be the first thing that came to your mind when I say "zine"?
|
||
|
||
The first thing that comes to my mind when i hear the word zine is some
|
||
fool mispronouncing it "z-eye-ne." it's zine as in rhymes with scene. Zines
|
||
are publications which print under 100,000 copies. They are almost always
|
||
operated at a financial loss and they usually are published late. Most fail.
|
||
A few grow and give the rest hope they may someday crawl out of the lobster
|
||
pot.
|
||
|
||
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
| U4EA, of the 'zine BoW |
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
|
||
|
||
1) How the poop did you ever originally get such a spiffy god-damned handle?
|
||
|
||
My original handle was Abysmal Euphoria which was then shortened to U4EA
|
||
once i found the wonderful little world of irc. Abysmal Euphoria was also
|
||
the name of the band i was in at the time, i didnt realize there was a mod
|
||
writer from the UK with a similar handle at the time. ie: U4ia. I get alot
|
||
of confused people asking me if i write mods and stuff. Oh well, I've had
|
||
alot of handles over the years but the one that has really stuck is U4EA.
|
||
|
||
2) How old were you and what was it that got you into this whole shin-dig?
|
||
|
||
I was 14 when i got my 1st computer, a commodore vic 20..
|
||
|
||
3) Why do you continue doing such socially IMPORTANT work?
|
||
|
||
Im an environmentally conscious guy, what can i say??!
|
||
|
||
4) Do you have a life? If so, what are some real world interests of yours?
|
||
|
||
I have a pretty active life i would say, i do alot of skiing in the
|
||
winter, I also enjoy music alot, i've played in several bands over the
|
||
years and actively write both music and poetry all the time. My main
|
||
interest right now is hanging out with my gf and just enjoying life...
|
||
|
||
5) What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
||
|
||
SN is my lord and master.
|
||
|
||
6) Who is the most ANNOYING person you have ever known? oh, and WHY...
|
||
|
||
Snoop Doggy Dog and those that listen to that style of music...
|
||
|
||
7) What direction do you see your zine heading in? (this one begs for jokes)
|
||
|
||
my zine no longer exists, dont know if i'll write another issue of BoW,
|
||
can't see it happening for awhile, i have too many other projects on the go.
|
||
|
||
8) Toilet Paper - Folded or Crumpled?
|
||
|
||
as long as its soft and doesnt rip the hell out of my anus i dont care.
|
||
|
||
9) If you were to die tomorrow and wanted to leave one quote that everyone
|
||
would remember you by, what would that be? <evil grin action>
|
||
|
||
/signoff you all suck
|
||
|
||
10) What would be the first thing that came to your mind when I say "zine"?
|
||
|
||
v0mit.
|
||
|
||
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
| Y-WINDoZE, of the 'zine PuD |
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
|
||
|
||
aRGH@#!@#!@!1 As much as I love y, i tried forever to get him to fill out
|
||
this survey file. _finally_ i got him to agree to answer the questions on
|
||
IRC and i'd log it all. well, guess what? MY l0G FILE G0T K0RRUPTED!@#!@1
|
||
aRGh@#@!!1
|
||
|
||
So, I got this little tiny sliver of the interview that i recovered. I
|
||
would make an attempt to relay the answers that i remembered, but i'd feel
|
||
pretty lame not taking exact words, so sorry.
|
||
|
||
HMPH.
|
||
|
||
<mogel> do you have a life? if so what are your real-world interests?
|
||
|
||
<y> uhm at the present time, I do nothing, I hang around with friends and talk
|
||
about women. i like bball a lot.
|
||
|
||
<mogel> Toilet Paper - Folded or Crumpled?
|
||
|
||
<y> FOLDED@#$
|
||
<y> FOLDED@#$
|
||
<y> FOLDED@#$
|
||
|
||
<mogel> If you were to die tomorrow and wanted to leave one quote that
|
||
everyone would remember you by, what would that be?
|
||
|
||
<y> "Some days Im like God, and others, I'm just better."
|
||
|
||
<mogel> how about with hax0ring?
|
||
|
||
<y> I didnt do it.
|
||
|
||
<mogel> how did you start up pud?
|
||
|
||
<y> uhm me and NoCourier were at a friends house drunk off ou rasses on pga
|
||
one night when we wrote the first ever *unreleased* issue
|
||
|
||
<mogel> where is no courier now?
|
||
|
||
<y> last I heard going to cali with his bands, prolly in jail
|
||
|
||
<mogel> who is exactly "da pud crew"?
|
||
|
||
<y> uhm lets see. there is I, bpahomet, hymie, no courier, dsaint and
|
||
squinky are the main du0udz
|
||
|
||
<mogel> What would be the first thing that came to your mind when I say
|
||
"zine"?
|
||
|
||
<y> Stupid art fags with too much free time
|
||
|
||
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
| Erikb, of the 'zine Phrack |
|
||
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
||
|
||
|
||
1) How the poop did you ever originally get such a spiffy god-damned handle?
|
||
|
||
I was reading a book on vikings a long time ago and liked the whole
|
||
Erik Bloodaxe story. Besides, everyone needs a handle, and my first
|
||
name is Erik.
|
||
|
||
2) How old were you and what was it that got you into this whole shin-dig?
|
||
|
||
I was very young. I was even younger when I got into the whole undergound
|
||
thing. I was 11 when I broke into my first computer.
|
||
|
||
What got me into all this? Too much spare time.
|
||
|
||
3) Why do you continue doing such socially IMPORTANT work?
|
||
|
||
Ego.
|
||
|
||
4) Do you have a life? If so, what are some real world interests of yours?
|
||
|
||
I have no life. My existence revolves around the computer world. However,
|
||
the few distractions that rip me from the clutches of my evil terminal
|
||
addiction are:
|
||
|
||
sex
|
||
drugs
|
||
70's music
|
||
all kinds of weird frequencies (dc to daylight, by god if its passing
|
||
through my body, its mine to demodulate)
|
||
travel
|
||
money
|
||
|
||
5) What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
||
|
||
Chris Goggans
|
||
|
||
6) Who is the most ANNOYING person you have ever known? oh, and WHY...
|
||
|
||
Everybody annoys me...so I can't really narrow it down to one single
|
||
person who would qualify as "the most annoying."
|
||
|
||
People who drive like shit annoy me.
|
||
People who bug me for things annoy me.
|
||
People who ask when the next issue of Phrack is coming out annoy me.
|
||
People who dig around in my room annoy me.
|
||
People who play music too loud during the middle of the day annoy me.
|
||
People like you annoy me.
|
||
|
||
7) What direction do you see your zine heading in? (this one begs for jokes)
|
||
|
||
I see Phrack heading on a crash course straight into the sun.
|
||
|
||
or
|
||
|
||
I see Phrack becoming a slick glossy full-color magazine backed by money
|
||
from Mitch Kapor. We'll focus on hot topics of interest to the "in-crowd"
|
||
and treat them with a high level of journalistic integrity. We'll take Kai's
|
||
Power Tools and stretch it to a whole new level of utilization. We'll take
|
||
the whole style and format of International Design magazine and claim it as
|
||
out own. We'll be the #1 benchmark for "HIP" in the 90's. We will rule
|
||
above all others.
|
||
|
||
8) Toilet Paper - Folded or Crumpled?
|
||
|
||
Folded & Crumpled ... it depends upon the consistency of the stool.
|
||
|
||
9) If you were to die tomorrow and wanted to leave one quote that everyone
|
||
would remember you by, what would that be? <evil grin action>
|
||
|
||
Yeah, I fucked her.
|
||
|
||
10) What would be the first thing that came to your mind when I say "zine"?
|
||
|
||
Mine is cooler.
|
||
|
||
-eof
|
||
______________________________________________________________________________
|
||
|
||
News> group alt.angst.for.donuts
|
||
|
||
%NEWS-I-GRPSET, current newsgroup now alt.angst.for.donuts
|
||
-NEWS-I-GRPINFO, articles [567,570], 4 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.angst.for.donuts article 567 of [567,570] (3 unseen)
|
||
|
||
From: corrosion@hoe.org (Corrosion)
|
||
Subject: don't read this
|
||
Organization: NKOTB Preservation Society
|
||
Lines: 26
|
||
|
||
This will not apply to you. This is not a personal attack. This is just my
|
||
view.
|
||
|
||
An open letter to the majority of America's youth:
|
||
|
||
My opinion means nothing. Yours means even less. In your striving to be so
|
||
different, so original, you have created a mockery, and sadly a trend. Your
|
||
Cobain haircuts stand together in a sea of conformity. Not conformity to the
|
||
quo, but conformity to each other. The ideals that started the genre are
|
||
lost in your shallow voices. Your new shirts of the bands that play your
|
||
music cling to your flannel. But you've had the shirt you're wearing for a
|
||
while now, and I'm wrong. The music that spits out band after band of
|
||
packaged rebellion, that plants a 3 minute hummable hook so deep into your
|
||
cheek that you believe it to be your own. Your petty aggression puked out in
|
||
a 4 chord progression repeated into infinity. Being fed the same baby food
|
||
by the corporate industry that keeps you shut out from the world around you.
|
||
But you've had a bad day and your girlfriend is bitching at you for not
|
||
getting Nine Inch Nails tickets. The music industry is a conglomerate whore,
|
||
and you my friend are it's best customer. This trend feeds on the struggle
|
||
to be different and unique by offering you the same bubble gum rewrapped in
|
||
ugly paper, what it thinks you can identify with. The vehicle is the same
|
||
though, the lifestyle is pounded into your head over and over, the radio,
|
||
MTV, and magazines all spoon feeding you what you WILL like. Change the
|
||
channel, switch the station, turn the TV off.
|
||
|
||
-Corrosion
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.angst.for.donuts article 568 of [568,570] (2 unseen)
|
||
|
||
From: cstone@free.org (Stone)
|
||
Subject: you people are morons@!#!
|
||
Organization: BAH (Yes, we _know_ that we suck!)
|
||
Lines: 39
|
||
|
||
the disease of many is ignorance and stupidity.
|
||
|
||
people today are having unprotected sex for some lame reason like "it doesn't
|
||
feel good" or "i don't want my penis to look discolored". those aren't
|
||
reasons. a reason is something like "i want to get herpes and then go on a
|
||
crusade to start a pandemic". i would acknowledge that as a good reason.
|
||
|
||
you see, people bitch about how computer privacy is being invaded. well,
|
||
quit fucking BITCHING about it and find another way to keep your kidporn
|
||
pictures private. there's many ways.
|
||
|
||
people are stupid enough to follow other stupid people with the same
|
||
stupidity disease, and those people just follow other stupid people, so,
|
||
when you get down to it, you have a bunch of herpes-infected stupid people
|
||
sitting in a circle fucking each other with no condoms. and the circle
|
||
repeats itself.
|
||
|
||
and the kids born from stupid people fucking each other with herpes and no
|
||
condoms are even stupider than their parents. so, we get stupid kids
|
||
thinking its cool to have red, blistering sores on their father's penis,
|
||
so we get kids that think it's uncool to cover it up with a condom. and the
|
||
stupidity disease perpetuates itself again, until everyone in america has
|
||
herpes except those people who aren't infected by the stupidity disease
|
||
dies out, and the world is named after Kennedy of MTV.
|
||
|
||
many people infected with the stupidity disease listen to rap. they like it
|
||
because it repeatedly deals with rape and having unprotected sex. they like
|
||
this. they also like it because they can't understand the lyrics, and that
|
||
means none of their stupid friends could either, so they can't look stupid
|
||
next to them. that's cool also.
|
||
|
||
people infected with the disease drink and do drugs so it'll make them even
|
||
stupider. they do it because their stupid friends do it, and because
|
||
there's no guilt in having unprotected sex when you're stoned off your ass.
|
||
|
||
lots of people infected with the stupidity disease join gangs, because they
|
||
can get money, guns, sex, drugs, and liquor for free!!@!@#@#$%#$ this
|
||
is like a god for them.
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.angst.for.donuts article 569 of [569,570] (1 unseen)
|
||
|
||
From: sedative@escape.com (Sed)
|
||
Subject: Angry Peace
|
||
Organization: The Angst Empire
|
||
Lines: 118
|
||
|
||
Everywhere I look, I see bullshit. In this whole world, everyone is
|
||
bending over backwards to impress each other. Everyone is trying to be
|
||
something they're not, so they can become something they're not.
|
||
|
||
Recently I had the unfortunate experience of doing short term work at an
|
||
office. The whole office setting has probably turned me off from ever doing
|
||
white collar work forever. This is supposed to be the creme de la creme,
|
||
where you go once you graduate from your ivy league university and are
|
||
groomed by a big faceless multi-national corporation, but it was pure misery.
|
||
You had people who were at each other's necks, were severely overworked and
|
||
constantly appeared "busy" for the boss, who appeared more interested in
|
||
after-hours activities with the secretary then filing out the forms. And
|
||
this is what every kid is set to be by his mom - in a nice office with a
|
||
comfy view of the city from the 60th floor. But all of it was the same
|
||
bullshit you'll find working in a burger king, a library, or wherever.
|
||
|
||
People just fed up with each other and near-despair, yet hanging onto the
|
||
jobs because for better or worse the jobs are all they have to define them.
|
||
They spent their high school years studying when they could've been partying,
|
||
joining clubs they had contempt for so they could get into a good college so
|
||
mom and dad won't call them a failure. Then once in university, they deny
|
||
themselves any pleasure and make themselves slaves to work and studying so
|
||
they can get a good resume. Finally, they end up with a decent position in a
|
||
corporation - but then what?
|
||
|
||
You aren't happy, home life is a wreck, your day is split between a
|
||
computer, your car commuting home, and a bed where you sleep and that's it.
|
||
What a crock. I, for one, would rather be a unemployed freelance writer
|
||
speaking my thoughts, surviving on brand-x doritos in a studio apartment,
|
||
yet happy with myself, then be making 80,000 plus dollars a year in a
|
||
corporation where I'm nothing more then a human database. Bah. _I'll_
|
||
define my job, not let my job define me.
|
||
|
||
Heh. Figures I'd have hate for everything, huh? Well, it's with good
|
||
reason. For every day since I was born, my whole life has alternated between
|
||
rage, despair and alienation. Sometimes I just tried to hold everything in
|
||
so I wouldn't become a freak and then it all just backfired. I took such
|
||
shit at day camp. I was afraid to fight back. Then one day, all the rage
|
||
inside of me just exploded - I just had this urge to do something that had an
|
||
effect - to break out of this little prison. I was literally exploding. I
|
||
went over to this kid who I never met before in my life and pushed him into a
|
||
four foot pool. And he was maybe 4'3" and had a hard time swimming. This
|
||
was when I was seven. I got expelled from camp for that. At camp I was beat
|
||
up every fucking day cause I didn't fit in. I was too tall, too fat, too
|
||
nerdy, too much of a speech impediment, I was just this stupid misfit kid who
|
||
earned the wrath of a entire camp. So finally I exploded and it collapsed on
|
||
me.
|
||
|
||
Another time was when I was twelve years old. I was in school, again I
|
||
was taking lots of shit from people. So when I couldn't stand it anymore, I
|
||
exploded. I was in the principals office with another kid I was arguing
|
||
with, and suddenly (it was just like a urge, or inspiration, I'm still not
|
||
sure what) I just shoved him to the floor. Then I punched him in the face.
|
||
I couldn't believe what happened. Twelve years of shit, feces and anger
|
||
exploded in 30 seconds of bottled violence. I got expelled from school.
|
||
|
||
At home, situation was no better. My parents were just soulless piles of
|
||
fat who sheltered me. They were grooming me to grow up to be a good little
|
||
doctor, lawyer, or whatever a nice middle-class jewish suburban kid should
|
||
grow up to be. They sheltered me as a kid, gave me a circle of friends who
|
||
were all lobotomized zombies, who resigned to their fate of future-yuppiedom
|
||
who I could not stand. They never let me out of the house unless I was with
|
||
an adult, not even to walk outside. I started a conversation when I was like
|
||
four with some kid across the street, I was dragged away being told "not to
|
||
talk to strangers."
|
||
|
||
This went on until school started. Then in kindergarten I was all fucked
|
||
up. My parents deprived me of fucking social skills and left me for the
|
||
kill. And then what? THEY DIDN'T GIVE A FUCKING SHIT! They told me it was
|
||
because the other kids were jealous of me. Ha, right. They were too afraid
|
||
to admit they bred a frankenstein. When she spread her legs, she spawned a
|
||
pile of shit. Shit that every time it showed a glimmer of potential was
|
||
crushed under the boots of everyone else. Probably the only saving grace,
|
||
that without I definitely would have become a druggie, suicide victim, or run
|
||
away from home was music, specifically the punk rock scene. When your 13,
|
||
just beginning to question the answers, you look like a jock yet your a freak
|
||
inside. Then, I discovered real music. Not crap like _Nirvana_ or _Guns and
|
||
Roses_, who fed on exploiting kids feelings and diverting their rebellion into
|
||
arena rock tours and double albums. People who actually were in the same
|
||
situation as you, angry as fuck, and fed up with the situation. It gave me
|
||
something to live for. And now, today, punk has gone commercial. Everyone
|
||
is buying into it. punk is becoming the 90's equivalent of hair metal. A
|
||
music stripped of its potential, just a vehicle for adolescent death and
|
||
destruction fantasies. Fuck, it ain't worth it.
|
||
|
||
I break myself. I like to destroy my body. That mess of skin, bones and
|
||
nerves is nothing more then fodder for bullshit. I look like a fucking jock.
|
||
As soon as puberty hit, I went from a fat, lisping, tall nerd to a beer-
|
||
bellied, mumbling, "too-goddamn-tall" freak. I needed to break things, to
|
||
destroy myself and others. For the first time in my goddamn life, I had
|
||
power over stuff. And I abused it. I beat up everyone I didn't like. I
|
||
shoved every drug I could find down every orifice in my body. I pierced
|
||
things with the urge just to differentiate myself from every other loser. I
|
||
ended up like a goddamn jigsaw puzzle. I was cut up. Fuck that.
|
||
|
||
On the news right now is a report on graffiti. Mayor guliani is
|
||
participating in the cleaning up of graffiti. he is calling it vandalism.
|
||
Bullshit. One more example of the buergoise exercising their iron fist over
|
||
the poor. A can of spray paint is all some people have to mourn a dead
|
||
friend, or to express their feelings. Like it or not, not everyone can
|
||
afford a mausoleum, or have the skills to write a poem. To some people, this
|
||
is the art of the cities. It's the spirit of the city reclaiming the cold
|
||
bullshit, the graffiti causing a kind of organic web unifying the city.
|
||
Graffiti gives the streets a image. Something more then a collection of
|
||
buildings, it is impossible to put into words. To stop graffiti, they are
|
||
distributing "Captain Graffiti" coloring books. What a damn-great idea!
|
||
Give the kids coloring books and suddenly the big bad "nigger 'n spic" art
|
||
will go bye bye Mr. Urban Planner! Now all we need is Captain Gang Warfare,
|
||
Captain Poverty, Captain Drug Abuse, Captain No Hope For a Job, Captain
|
||
Racism and we'll have a perfect world for sure. Uhh, I don't think so.
|
||
|
||
Speaking of solving non-problems through half-assed ideas, I can't believe
|
||
how close minded a good amount of people are. I have gotten way too many
|
||
insults hurled my way because I dyed my hair green last week. I've been
|
||
shouted at "PUKE-HAIR!" by people across the street, the "G" in my summer
|
||
school biology class spent his time laughing his ass off at it, I got a beer
|
||
bottle thrown at me because of it. Bullshit. You don't fit in, society puts
|
||
pressure on you to fit in. Goddamn wrong. Let me be.
|
||
|
||
__ __ _
|
||
| | | \ every generation had there chance, now its our turn -SFA
|
||
|__ |__ | | let theory of the anger be the power -The Clash
|
||
| | | | Freedom of speech is a FREEDOM, not a priveledge. Please tell
|
||
__| |__ |_/ Jesse Helms & James Exon that before we're all gagged.
|
||
flat earth society BBS - 718.698.7865 All the texts around & then some
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.angst.for.donuts article 570 of [570,570] (0 unseen)
|
||
|
||
From: chris@iquest.com (Y-WINDoZE)
|
||
Subject: Re: Angry Peace
|
||
Organization: Pizza Underground Digest
|
||
Lines: 63
|
||
|
||
Sed> insults hurled my way because I dyed my hair green last week. I've been
|
||
Sed> shouted at "PUKE-HAIR!" by people across the street, the "G" in my
|
||
Sed> summer school biology class spent his time laughing his ass off at it, I
|
||
Sed> got a beer bottle thrown at me because of it. Bullshit. You don't fit
|
||
Sed> in, society puts pressure on you to fit in. Goddamn wrong. Let me be.
|
||
|
||
"y0!@# Fuck you. Fuck everything you stand for. Fuck your mom,
|
||
your cat, and your god. I hate you. You're trash. You're pathetic.
|
||
I hate you. I hate you!@ I HatE y0U!@#"
|
||
|
||
Quite boring, eh? I would tend to agree. The sad part is the above
|
||
represents the supposed views and opinions being expressed by most "e'zine"
|
||
writers these days. The simple fact is angst will always be in and as long as
|
||
you sit there and worship the talentless hacks who write it you will be
|
||
subjected to it. Time and time again you will be forced to read how pathetic
|
||
you are, how angry the writer is, how at error the whole damn world is. Is
|
||
that what you really want?
|
||
|
||
Text has always been a place where angry views were expressed. The problem
|
||
with it in current times is that the views being expressed are quite simply
|
||
shallow and misguided. These views tend to be expressed by 16 year old middle
|
||
class high school rejects. These are the same kids who 10 years ago bid their
|
||
time until college where they could shine and trounce those who had spurned
|
||
them. Today, they don't have that escape since everyone goes to college and
|
||
thanks to modern things like computers you don't even need much knowledge to
|
||
do what was once a difficult task. Instead these poor souls turn to writing.
|
||
|
||
Writing with power and writing with angst are different. Yet in many ways
|
||
they are the same. Both carry strong convictions and invoke powerful feelings
|
||
in the reader. However writings with angst doesn't balance feelings with
|
||
reality. They are pure emotions written down solely for the purpose of
|
||
lashing out and hurting all those who have hurt the writer. This process
|
||
isn't productive for the writer; especially when people read it and confuse
|
||
with deep powerful writing.
|
||
|
||
Angst in itself isn't a bad tool to have when writing. In fact it can be
|
||
quite beneficial in a number of ways. First it does give you power and
|
||
feelings when there may not be any to begin with. Second anger tends to focus
|
||
one, granted this focus is generally misguided but with proper patience it
|
||
can be wielded the correct way. Using angst in writing is just like using any
|
||
other tool, it must be used correctly and in most cases sparingly. Oversue of
|
||
angst leads to boring, pedantic texts that hold little true meaning and
|
||
quickly fade away from the reader's mind.
|
||
|
||
Powerful writing on the other hand isn't one singularity. It is a collage
|
||
of all one's skills, talents and beliefs so well thought out and planned that
|
||
it conveys emotions and feelings to the reader that no picture or sound will
|
||
ever achieve. "How do I write powerful moving images?" you may wonder. That
|
||
is where I become of little help for I write only for myself and much of what
|
||
I write is angst ridden, boring, pedantic, shallow, misguided, and so many
|
||
more negative things it would take me days to list. But I have an advantage.
|
||
I know my writings are bad in all these ways and everytime I sit down to vent
|
||
anger I get a little better in shadowing, tucking it away, making the reader
|
||
have to peer just a little to see.
|
||
|
||
One day I am confident I will be able to write as powerful as I want, so
|
||
powerful that I could achieve anything with a single paragraph but even if
|
||
that day never comes at least I know I didn't waste all my time saying the
|
||
same thing everyday to please some finicky, band-wagon jumping audience.
|
||
|
||
[Note the angst]
|
||
|
||
alrighty then, y
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> group alt.2600
|
||
|
||
%NEWS-I-GRPSET, current newsgroup now alt.2600
|
||
-NEWS-I-GRPINFO, articles [308562,954210], 645648 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.2600 article 308562 of [308562,954210] (645647 unseen)
|
||
|
||
From: squinky@pud.org (sQuinky)
|
||
Subject: The True story of Emmanuelle Goldstein and Erik Corley
|
||
Organization: Pizza Underground Digest
|
||
Lines: 232
|
||
|
||
_______________________________
|
||
| The True story |
|
||
| of Emmanuelle Goldstein |
|
||
| and Erik Corley |
|
||
| |
|
||
| compiled by, -sQuinky- |
|
||
|_____________________________|
|
||
|
||
Foreward:
|
||
|
||
Emmanuelle Goldstein, after retiring from his/her career as a successful
|
||
Italian Porno Queen of movie, Television and more, came to the states to
|
||
start up HaKkur phreedom. GRRRRRRRR#@! WE ARE HACKERS WE DO NOTHING WRONG
|
||
GRRRRRR#@! STOP PERSECUTING US#!@ GRRRRRRRRRRRRRRRRRRRRRRRRRRRRR#@!@!$
|
||
|
||
HACKER ANGST#@! GGGGGGRRRRRRRR#@!
|
||
|
||
He startd up the fine organization known as 2600 magazine, named after the
|
||
famous Atari system. Emmanuelle was a great fan of Asteroids and Space
|
||
Invaders.
|
||
|
||
A few years after all this, Emmanuelle met up with erik COrLey. After a
|
||
period of friendship, their relationship became something more.
|
||
|
||
Escape#! ESCAPE#@! ESCAPE INTO EMMANUELLE'S ANAL PASSAGE#@!
|
||
|
||
Soon.... SOoon. Erik Corely made the ESCAPE into the land of Chocolate love
|
||
and Milk Shakes. Emmanuelle was used to that, as he/she had stared in the
|
||
thousands of Italian prono books/movies/andwhatnot.(See :"Emmanuelle
|
||
Goldstein's Amazon Adventure"), and had already gotten used to Fudgy Fun and
|
||
Protein Diets.
|
||
|
||
THe following are letters from Erik Corely and Emmanuelle Goldstein to 17
|
||
magazine, written under aliases of course.
|
||
|
||
Erik Corley == Help me Escape from all this
|
||
Emmanulle GOldstein == 2600 Publisher
|
||
|
||
End of Forward.
|
||
|
||
Beginning of Body:
|
||
|
||
--------------------------------------
|
||
|
||
dEar 17 mAGAZINe,
|
||
|
||
I have recently started a relationship with a older, more experienced man.
|
||
It has quickly moved it sex, and other things. Unfortunately, I am not sure
|
||
about some things that my other wants to do. He has perverse desires to stick
|
||
Atari 2600 controllers up my ass, and use my body to play SUPER PONG 2000:
|
||
THE NEXT GENERATION, and Space Invaders. He also wants to put on a glove,
|
||
shove his fist down my throat, and them make me smell it.
|
||
|
||
Are these things OK?
|
||
|
||
Sincerley Yours,
|
||
Help Me escape from all this
|
||
|
||
Dear Help Me escape from all this,
|
||
|
||
While it may seem to you that these, and probably other, sex accts are
|
||
abnormal we here at 17 Magazine feel that they are completely, and 100% ok.
|
||
We personally don't see anything wrong with some electronic sex.
|
||
|
||
--------------------------------------
|
||
|
||
DEar 17 Magazine:
|
||
|
||
As of late, my younger, and less experienced lover has started to ask me to
|
||
masturbate along side of him. While I enjoy masturbation, I feel it should be
|
||
done in private, and kept to oneself. It is a very personal thing, and I
|
||
don't see why he wants to watch my masturbate.
|
||
|
||
Also, he wants me to do this while I am out trying to save the innocent
|
||
hakkurs from the big bad oppresive government.
|
||
|
||
What Should I do?
|
||
SIncerly Yours,
|
||
2600 Publisher
|
||
|
||
Dear 2600,
|
||
|
||
Try to explain to your young lover that you are not comfortable with this. If
|
||
he persists in his demands on you, stick a 2600 joystick up his ass and play
|
||
SUPER PONG 2000: THE NEXT GENERATION and Space Invaders.
|
||
|
||
--------------------------------------
|
||
|
||
Dear 17 Magazine:
|
||
|
||
Recently, I have been having problems with my older boyfriend. While I love
|
||
him, and would do just about anything for him, he is starting to put weird
|
||
demands on me.
|
||
|
||
A few weeks ago, he asked me to piss in a tub, and then jerk off while he
|
||
drinks it up.
|
||
|
||
YEsterday, he asked me if I wanted to dress up with him like members of
|
||
Milli Vanilli, and Lipsync at a queer talent show.
|
||
|
||
Today, he told me he was going to paint my penis red, so I wouldn't notice
|
||
the blood.
|
||
|
||
(this is really upsetting to me, because there is nothing I like better than
|
||
watching his anus bleed as my huge, thick, turgent man-shaft penetrates his
|
||
little puckered opening.)
|
||
|
||
What should I do?
|
||
|
||
Sincerley,
|
||
Help me escape from all this
|
||
|
||
Dear Escape,
|
||
|
||
WHy not go along with these things? All relationships must develop some level
|
||
of kinkiness. Dr. Joyce Brothers has informed us that these are in fact
|
||
normal experiences, of all couples. In fact, she says, 50% of all
|
||
relationships has similiar, if not the same experiences that you and your
|
||
lover have. So, Pee in the tub, Dress up like Milli Vanilli, and Paint your
|
||
penis red.
|
||
|
||
--------------------------------------
|
||
|
||
Dear 17 Magazine,
|
||
|
||
Yesterday, while my lover and I were both jerking off into a glass, so we
|
||
could have something to drink with our turkey dinner, something strange
|
||
happened.
|
||
|
||
My lover told me that he and I should go out and rape some little kids, and
|
||
then kill them, and then fuck them again.
|
||
|
||
I have no real problems with this, but am worried about getting caught. I
|
||
mean if we get caught, can we really go to jail for this?
|
||
|
||
(And would going to jail be all that of a bad thing, considering the stories
|
||
of anal love, for me?)
|
||
|
||
Do you have any advice to avoid capture?
|
||
|
||
Sincerly YOurs,
|
||
2600 Editor
|
||
|
||
Dear 2600,
|
||
|
||
Here is some advice from our resident Child Molester, Mike labbe.
|
||
|
||
1. Do not get caught.
|
||
2. Always go after the children who are loners.
|
||
3. When Dumping the bodies, make sure you first remove all the childrens
|
||
teeth, cut off their fingers, and horribly mutilate their faces.
|
||
|
||
--------------------------------------
|
||
|
||
Dear 17 magazine,
|
||
|
||
My significant Other has recently found a new sex toy.
|
||
|
||
A dent puller.
|
||
|
||
I personally love the toy, as it is *GREAT* *ESTATIC* fun to have that big
|
||
piece of metal show in your puckered asshole, and feel the pull of the love.
|
||
My other loves the feel of the hard metal of love too.
|
||
|
||
However, as of today, I am starting to feel a discomforting feeling. I feel
|
||
it is due to the dent puller, can you please help me in discovering some
|
||
rememdy, or precaution against this feeling. While any feeling in the anus
|
||
is pleasent, this feeling is almost annoying, in that it makes me long for
|
||
the dent puller, or any object, and I can not very well shove a dildo up my
|
||
ass at work.
|
||
|
||
(at least, while I'm not on break)
|
||
|
||
Sincerley,
|
||
Help me escape from all this
|
||
|
||
Dear Help,
|
||
|
||
One can often alievate the symptoms of dent puller love by using Vasoline
|
||
intesive care.
|
||
|
||
To *PREVENT* the symptoms, you can tke obvious, and definately less fun
|
||
choice of not pulling your anus.
|
||
|
||
For less effective prevention, try getting rid of the rust on the dent
|
||
puller, before you pull your anus.
|
||
|
||
--------------------------------------
|
||
|
||
Dear 17,
|
||
|
||
Recently, my lover and I have been hanging out with a few new kids on the
|
||
block. They go by the names of : BEANIE and X.
|
||
|
||
Let me tell you a little bit about them:
|
||
|
||
BEANIE has been arrested for public drunkness, and telling a police officer
|
||
to "MAKE MY DAY, YOU FAT GREASY PIG". Beanie also: no longer has a car or
|
||
cool women. Beanie also got beat up by a Wildcat Sysop. BEANIE also demanded
|
||
that some issues of PuD be re-released, with his brand gnu handle :
|
||
NO COURiER put in place of his real, and father-given Name.
|
||
|
||
X is a rough n tumble d0ud who will beat up people who hit on his girlfriend.
|
||
Consequently, X is a rough n tumble d0ud who gets his ass thrown into boot
|
||
camp. He is probably going to kick my ass for writing this letter. I will
|
||
probably have to blow him to make things better.
|
||
|
||
Sincerly Yours,
|
||
Emanuel... uh shit.. How do
|
||
I edit stuff with VI?
|
||
uh.. uh.. 2600 Editor
|
||
|
||
Dear Emanuel... uh shit.. how do I edit stuff with VI? uh.. uh.. 2600 editor
|
||
|
||
I have no real opinion of X. Not every one can get busted for beating the
|
||
crap out of some guy over a big fat hispanic momma named "Lolita", so you
|
||
might want to stay friends with him, if for nothing else, amusement purposes.
|
||
|
||
This beanie character sounds like real trouble, and you should probably stay
|
||
away from him. Anyone who gets HIS ASS KICKED BY A WILDCAT SYSOP is trouble.
|
||
|
||
--------------------------------------
|
||
|
||
D0UDS I have read 17 magazine for the past few months, and compiled all these
|
||
letters for an ex-po-se.
|
||
|
||
What have we learned from all this?
|
||
|
||
Emanuelle Goldstein should have stuck to the Italien porn industry, and that
|
||
I can write shit about people I don't even know.
|
||
|
||
KEEP THE WAREZ ALIVE: CIRCULATE THE BOXES ISSUE OF PHRACK
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> last!@#@!@#!@#!!1
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.2600 article 954210 of [954210,954210] (645645 unseen)
|
||
|
||
From: NO-AMA@ninja.org (U4EA)
|
||
Subject: "EZ HaqN"
|
||
Organization: Br0therh0od of WaReZ
|
||
Lines: 111
|
||
|
||
[First Verse]
|
||
|
||
Mah name is U4EA, mah skriptz R kewl
|
||
Cum 2 mah office and I'll show ya mah tool...
|
||
|
||
Gotta get da newbies, they all insane
|
||
God gave me uh gift, so I can fuck with their brain...
|
||
|
||
'gotta 3 inch floppy, but I wish it was hard
|
||
Fire up mah email so I can flame that 'tard...
|
||
|
||
But Relay Chat gotta be mah favourite game
|
||
I steal that nick, I slander that name...
|
||
|
||
[Chorus]
|
||
|
||
'cause I'm da biggest hacker, don'tcha mess with me
|
||
I can get rewt... gimmy bash, perl, and C...
|
||
|
||
[Second Verse]
|
||
|
||
Yeah, I'm da shit who started the net
|
||
TCP/IP... heh, I wrote it on a bet...
|
||
|
||
'cause I'm the main man, your momma's mah skeeze
|
||
with one little command, your sister's on her knees...
|
||
|
||
>From Netcum 2 Hong Kong, MCI 2 MIT
|
||
'have rewt on 'em all... I broke security...
|
||
|
||
Mark mah words, and tremble with fear
|
||
When I'm finished with mah hacking, you'll be left in tearz...
|
||
|
||
[Chorus]
|
||
|
||
'cause I'm da biggest hacker, don'tcha mess with me
|
||
My werd iz the rule, from netnews 2 I R C...
|
||
|
||
[Third Verse]
|
||
|
||
You have SATAN, hah, Dan Farmer's a loon
|
||
I wrote that shit, took me one afternoon...
|
||
|
||
Takeover on mah channel, and I dunno the key
|
||
I'll just nook your fuckin' ass with an ICMP...
|
||
|
||
Da girls on da net, they all a buncha ho's
|
||
'cept 4 mah girlfriends, they know how it goes...
|
||
|
||
Jus' some respect, it's easy yah see
|
||
I'll give ya some if ya give me some,
|
||
just get in bed with me...
|
||
|
||
[Chorus]
|
||
|
||
I'm da biggest hacker, don'tcha mess with me
|
||
I'll rock yer wurld from here 2 D.C....
|
||
|
||
[Fourth Verse]
|
||
|
||
Look at da laymah, he's such a dickwad
|
||
Don't bother me now, I'm on a mission from God...
|
||
|
||
Incorrect login?!!? Hey, what the fuck?
|
||
I'll show that admin whose dick he can suck...
|
||
|
||
Oh, hell, just a second, dat's all it'll take
|
||
I'll hack in again, and let da hard disks rake...
|
||
|
||
Knock knock! What, the feds at the door?
|
||
Hell, no, another skeezer to score...
|
||
|
||
[Chorus]
|
||
|
||
'cause I'm da biggest hacker, don'tcha mess with me
|
||
I'll hack yer mailbox, post it so all can see...
|
||
|
||
[Fifth Verse]
|
||
|
||
Look at this luser, a newbie at the helm
|
||
Just a quick little mailbomb, fuck her up with elm...
|
||
|
||
Drop by channel #talk, give 'em all whiplash
|
||
I'll give 'em a taste of mah UNIX talk flash...
|
||
|
||
Look at dat boy, he's headed off 2 jail
|
||
Little do they know, *I* sent that mail...
|
||
|
||
Da net is a playground, it's all a big game
|
||
Compared 2 me, yer all fuckin' lame...
|
||
|
||
[Chorus]
|
||
|
||
'cause I'm da biggest hacker, don'tcha mess with me
|
||
I'll fuck ya up and route your packets to *.se...
|
||
|
||
... (you know what I'm sayin, bitch?) ...
|
||
|
||
Drop on into #warez, "Yo homey, got some new shit for me?"
|
||
|
||
... (filtered at the router, a pain in the neck) ...
|
||
|
||
*click*
|
||
|
||
"Young man, shouldn't you be in bed? You've got school in the morning..."
|
||
|
||
"Aww, mom! I'm just talking to some friends on the IRC."
|
||
|
||
"You can play with your computer this weekend and after school. Bedtime."
|
||
|
||
*** Signoff: U4EA (Error 0)
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> group alt.fan.warez
|
||
|
||
-NEWS-I-GRPSET, current newsgroup now alt.fan.warez
|
||
-NEWS-I-GRPINFO, articles [2187,2192], 6 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2187 of [2187,2192], (5 unseen)
|
||
|
||
From: cheese@hoe.org (Dead Cheese/pEz)
|
||
Subject: Cyber Divinity
|
||
Organization: pEz Monthly
|
||
Lines: 73
|
||
|
||
K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!
|
||
K!K! K!K!
|
||
K!K! "Cyber Divinity" K!K!
|
||
K!K! K!K!
|
||
K!K! by Dead Cheese K!K!
|
||
K!K! K!K!
|
||
K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!
|
||
|
||
|
||
A long time ago, there was a crystal table of circular shape. It was
|
||
surrounded by nothingness and space, except for the occasionally pulse of
|
||
light that would speed by the table. On the edges of the table, sat two
|
||
crystal chairs, opposite each other. In the two chairs sat the most powerful
|
||
beings existent at that time. These are the gods of cyberspace.
|
||
"I grow tired of this drudgery. Let us create something new," said the god
|
||
of feds. He was dressed in a three-piece suit and a briefcase sat upon his
|
||
lap. His black-rimmed glasses slipped down to the end of his nose and he
|
||
frowned over them, showing wrinkles that prove he does this often.
|
||
"Yes. My chosen people have nothing to do. Nothing to further their
|
||
lives with. All they do is sit around on their beds and masturbate to the
|
||
latest Sports Illustrated Swimsuit Edition," said the god of geeks and
|
||
dweebs. He was wearing a Kiss t-shirt, beat up corduroy pants, and had on
|
||
glasses with thick, black, plastic frames. The latest issue of Dragon
|
||
magazine was sticking out of his back pocket.
|
||
"Yet, what should we create? Hmm... How about more rules and regulations?
|
||
That's always fun. It makes the dweebs so angry and then they shout silly,
|
||
little phrases such as, 'I don't have to do what you say, pizza face!' Haha!
|
||
I love that one. Or, one of my favorites, 'Die, feds! Anarchy forever!'
|
||
They're such idiotic little creatures, your people."
|
||
"No, I do not like that idea. My people are oppressed enough as it is,
|
||
what with having to go to bed at 9pm every night, and not being allowed to
|
||
turn their glam-rock up loud enough. In fact, how about we _take_away_ some
|
||
rules so that my geeks and dweebs may feel the freshness of anarchy?"
|
||
"What?! Are you mad?!! Do you not realize that will mean my people will
|
||
have less control, and therefore make less money?! That is insane. Do not
|
||
speak of such evil things, or I will be made angry with you."
|
||
"I'm sick of your oppression! You're an egotistical, self-centered,
|
||
power-hungry bureaucrat and I am tired of your meaningless rules you have set
|
||
upon my people! Get hip to my anarchy!"
|
||
The god of geeks and dweebs stood up, grabbed his crystal chair, and threw
|
||
it at the god of feds. The god was easily powerful enough to take a blow
|
||
from any ordinary object, however the chair was powerful in its own right.
|
||
It was forged with the blood of AT&T factory workers and given power great
|
||
enough to support beings of such magnitude. When this object of such power
|
||
met the chest of a god, it shattered into many millions of pieces. Each tiny
|
||
shard ripping a small hole in the body of the god of feds.
|
||
"What have you done?!" the voice of the god of feds boomed. "For this you
|
||
shall pay!"
|
||
Having said that, the bleeding god took hold of his own crystal chair,
|
||
hefted it over his shoulder, and threw with all his divine might. The chair
|
||
smashed into the chest of the god of geeks and dweebs, but did not shatter.
|
||
With the force of such an impact from such a powerful item, the god's body
|
||
shuddered... and cracked.
|
||
Looking down at the fissure now separating Ace Frehley's head from the
|
||
rest of his freakish body on the god's t-shirt, the god of geeks and dweebs
|
||
was horrified. "Look at what you have done! There is a crack in my being!
|
||
I am broken!"
|
||
"Yes! And this is the way you should be! Forever parted, never whole!"
|
||
Saying this, the god of feds raised his great fist and brought it to bear
|
||
on the crack in the middle of the god of geeks and dweebs' chest. The god
|
||
shattered.
|
||
From the god of unbound power came six brother gods of minor power. From
|
||
the god's brain came the god of t-files. From his pelvis, the god of porn.
|
||
From his eyes came the god of ansi and d00dleboys. His feet, the god of
|
||
warez. His hands became the god of h/p/a/v/c, and from his heart came the
|
||
god of programming.
|
||
Upon shattering his twin, the god of feds descended into cyber-hell. From
|
||
there he created rules and regulations for whoever payed him money. Most of
|
||
these rules were designed to keep the six minor gods from gaining too much
|
||
power, and thereby keeping the wealthy computer companies safe. The six
|
||
brothers spend their time keeping their respective geeks and dweebs busy
|
||
doing things to fight the chosen people of the god of feds. This was the
|
||
beginning of the cyber wars... but that's another story.
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2188 of [2188,2192], (4 unseen)
|
||
|
||
From: brewed@free.org (m0rpheus)
|
||
Subject: ass-key!@@!#!@!1
|
||
Organization: Computer Abuse Force for Better Living
|
||
Lines: 44
|
||
|
||
She scolded the little piggies and gave them
|
||
a punishment she knew they would
|
||
not like. ^..^
|
||
Y0u'V3 B3En B4d P1GGi3Z!! <-- _(oo)_
|
||
Y0u'V3 L0Zt UR M1TT3nZ!!1 (.= =.)
|
||
Y0u $H4ll H4V3 N0 W4ReZ!1 /|----|\
|
||
| |____| |
|
||
|________|
|
||
V V
|
||
_____
|
||
__ ____ _ |WaReZ| THeZe R0ACHeZ aT My H0USe DeWd
|
||
__ ____ .__|_____|__. C0UR3iR TH31R WaReZ!! DeY G0
|
||
- -- ----- |___________Oo---<- R3Al F4ST S0 tH3Y G0T -D4Y
|
||
--- - ---- | | | | W4ReZ! W4ReZ! W4ReZ!
|
||
- --- - ---- /./././. <20> MY C4T iZ dE<64>F3DZ!
|
||
MY<4D>C4T<34>3ATZ<54>D4<44>ROACH3Z &<26>DA<44>WaReZ!
|
||
|
||
Rite Here
|
||
!! / you Dumb
|
||
__ c[0o] Nigga!
|
||
__|^^| `U'\
|
||
c[00] WaRezZz AlE3Rt!@#!@@!#!@# -|-
|
||
/`U' Just Couried in phrum Japan! _/ \_
|
||
| \ warez You can see their cartoon butts and titties!
|
||
(`V-)the
|
||
|_| warez? ===[C0URYED BY :=: RAZeR 1911 & GENiZs!@]===
|
||
|__) ===[CD Ripped by :=: NiGZ WiF WaReZ 411!]===
|
||
===[Cracked by :=: NiGgA JeWz WiT WaReZz]===
|
||
=====[AnsiPhaG Art by :=: AciD$!@#!@!]======
|
||
|
||
|
||
,-----.
|
||
(/^\_/^\)=====
|
||
|doc dre| w0rd! (__) erikb sEz - jhO bEtAh' Ph3aR MOgEl!
|
||
| o o | / c|Oo| _/ erikb SeZ - BuY My Teeee ShirTs!!!
|
||
| (oo) | - [.ooM.] ~U~ erikb sEZ - EyE sEx #hack g1rleez!@
|
||
/ \___c_/ \ -|- erikb sEz - i wISh i WaS iN HoE!@!1
|
||
|T snoop B| <-- s3kr3t cDc / | wOrd! jhO betAh pheAr meE!
|
||
|l doggy i| cow skull
|
||
|c | dog | g| <-- Gmac
|
||
|__|-----|__| Daddy
|
||
|notorious| Duds
|
||
_|____|____|
|
||
|______|_____| <-- Air Mitnick
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2189 of [2189,2192], (3 unseen)
|
||
|
||
From: boogeyman@escape.com (The Boogeyman)
|
||
Subject: k0nphessions 0f a d00dleb0y
|
||
Organization: pHrUwT
|
||
Lines: 54
|
||
|
||
Hi. My name is um...Bob. And I admit. I used to be a d00dleboy. The colored
|
||
blocks just kind of lured me into #ansi. I just couldn't leave! It was awful!
|
||
I stayed for days and days on irc, just to see my 'friends'. Well they aren't
|
||
your friends!!!
|
||
|
||
It's a conspiracy to brainwash you! The colored blocks hypnotized me! I even
|
||
wanted to make these awful things now! They want you to become one of their
|
||
d00dleb0y legion! Well dammit I made ansis! Night and day, I had my copy of
|
||
the draw breaking my fingers over all of the seperate blocks!
|
||
|
||
I was a maniac making the ansis. Until I heard about zines. They saved me.
|
||
I can't believe I was taken by that crap. Now I am warning you! Be aware
|
||
of the d00dlelegi0n!!!
|
||
|
||
These are the ways not te be taken by the d00dlelegi0n!
|
||
|
||
1: READ ZINES!!! Lots and lots of zines! Never stop reading them! Read PHRuWT
|
||
night and day! Write t-files! Live t-files!
|
||
|
||
2: Never join #ansi! When you join they own you!
|
||
|
||
3: Don't make ansis! Never!
|
||
|
||
To look back on the whole deadly ordeal it shocks me! How the hell could I
|
||
have obsessed and wasted so much of my time on a limited system of ugly
|
||
colored blocks?! OH IF I COULD ONLY TURN BACK TIME.
|
||
|
||
Beware of them! They will own you till you die if you actually join a group!
|
||
|
||
Scary gr00pz to steer away fr0m:
|
||
|
||
ACiD: the leeders of the d00dlelegi0n
|
||
iCE : they'll fry your brain!
|
||
teklordz: they'll fry yuuu
|
||
|
||
I'm not sure of the others but beware! There are new groups everyday! aCK!
|
||
|
||
[ways to convert d00dleb0yz]
|
||
|
||
(i have found these ways to be the most useful in killing the d00dle process)
|
||
|
||
send then dcc's that say they are the new acid pax and make them really
|
||
t-files sayin how lame they are! like this one!! send them HoE'zZz, send
|
||
them them PHRuWT'zZz
|
||
|
||
beat them severly over the head with blunt objektz. this will eliminate them
|
||
all. beware: only use this in severe occasions cause you could go to jail an
|
||
stuff
|
||
|
||
the 'oj'. knife em to death...then plead innocent because they were a d00dler
|
||
|
||
er the worst fate of all...remove their copy of the draw!!! ahhhhh
|
||
|
||
REMEMBER! D00DLERZ ARE NOT PEOPLE!@!@
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2190 of [2190,2192], (2 unseen)
|
||
|
||
From: whoops@xnet.com (whoOps)
|
||
Subject: Having absolutely nothing to do with Happy Humphrey Hippoes
|
||
Organization: Frannie's got his hand on her butt.
|
||
Lines: 113
|
||
|
||
Zorquat and the Happy Humphrey Hippo Geex
|
||
-----------------------------------------
|
||
|
||
Hi, my name is Zorquat, and I am a modem geek. Oh, you don't know what a
|
||
modem geek is? If you're reading this post on a newsgroup instead of printed
|
||
out on thin white things called "paper." That is a definite indication of
|
||
geexness) then you obviously have come in contact with at least one. Most
|
||
likely a million, seeing as how you're reading this at *all*. But let me
|
||
explain. A modem geek is a member of the human race (actually, i exaggerate a
|
||
bit - only 63% humanity is necessary to qualify) who talks, posts and acts
|
||
like an an ignorant idiot, moron, imbecile or dumbkopf online. Now, I hear
|
||
you.. "Hey, that sounds like everyone I know!" But you see, there are
|
||
different *levels* of geex. Surprising, eh? "I didn't know geex HAD another
|
||
level!@"
|
||
|
||
*** Part One: Generics
|
||
|
||
One such level is the beginner level. I know, because all geeks must go
|
||
through it. There are just two prerequisites to being a modemgeek: you have
|
||
to be 12 years old, you have to be male, and you have to have good math
|
||
skills. All modemgeeks start out as 12 year old males fumbling their way
|
||
around chat boards and occasionally calling places such as "The Pir8's Cove"
|
||
and when asked if you have any files, replying "D00M!!!!!!!!!!!!!!!"
|
||
After the beginner level, you are around 13 or 14. You start to get acne
|
||
(if you haven't already - chances are, you have), your voice gets deeper and
|
||
your palms get sticky with sweat of course. You noticed several upper-level
|
||
modemgeeks t4Lk1nG strangely and emulate them as best you can. You have
|
||
probably already bought d00m, d00m ][, d00m threeturns (copyright Shplat
|
||
Pilee '94), d00m's final revenge and son of d00m. You irc a lot with handles
|
||
such as "hot/sweaty4u" and page "girls" (and you are soon to learn the proper
|
||
terminology for them - chYx) with handles like "hotter/sweatier4u"
|
||
After the beginner advanced level, you move on to intermediate. You now
|
||
spend most of your waking hours online and often hear your mother saying
|
||
things to your father such as "Cecil, I think that boy spends too much time
|
||
clicking keys and looking at that strange box in the family room." And often,
|
||
you will hear your father reply with such strange and bewildering comments as
|
||
"Now Hilda, that's natcherull for a boy his age. Why don't you drive for a
|
||
while?" Several years will pass before you understand these cryptic comments.
|
||
Now on to intermediate advanced. You are around 17 years old, know what
|
||
all the letters in h/p/v/a/c/u/u/m stand for and have probably come up with
|
||
your own cute and quirky little k0de-w3rdz for your h/p buddies. If someone
|
||
asks you your address and anything you say includes the word "dot" in it -
|
||
you're GONE. You probably call conferences a lot, which is no sin in itself;
|
||
but you probably also sit on the conferences and talk about being online,
|
||
which is a strong indication that you have reached the intermediate advanced
|
||
level and are about to break your way through the barriers to being advanced.
|
||
Advanced. You're here. You're over 18, you live away from home, away from
|
||
parents, away from having to clean up the dirty underwear off your floor..
|
||
and you STILL sit around online all day. You're gone, man. Say O Nah Rah.
|
||
So does that explain it all? I left out a lot of details. If you can fill
|
||
them in, then you are a modem geek. Yes, i know you can fill them in. If you
|
||
can actually reach me to reply to me and tell me what I've missed, you are
|
||
most likely intermediate-advanced or above.
|
||
|
||
*** Part Two: A Short Treatise on Chicks
|
||
|
||
Now on to my favorite part.. not warez, but ME. I have a confession to
|
||
make. I have.. <sob>.. gonads. I am a thoroughly 100% "pubescent adolescent"
|
||
male, and I am rarin' to go. Rarin' to attack the first female I see. And,
|
||
seeing as how I spend most of my life staring at a computer screen, (d00d,
|
||
.28dpi, 1024x768x256 awesome res!@#!) <snapping rubber band at wrist> the
|
||
only females I see are those foolish, stupid or ugly enough to call online.
|
||
Yeah. <scratch self> All females online are ugly. <rearrange parts> 'Course,
|
||
that doesn't mean I stop hitting on them, but..
|
||
As a male, I recognize that..wait, let me change that. As a bundle of
|
||
hormones, I recognize that the real purpose of modeming is to Scope Babes.
|
||
That's right..Babelicious babes. If they were presidents they'd be Babraham
|
||
Lincolns. If they were bad early 90's horror flicks they'd be Babe Fear. If
|
||
they were two brother-type-d0Ods in the bible, they'd be Cain and Babel. See
|
||
what I mean? Babesbabesbabesbabesbabes. So..I like babes. And they like me.
|
||
Well, sometimes they smile at me. Well sometimes I know that they're NOT
|
||
throwing up just thinking about me, and I get all warm and fuzzy inside just
|
||
thinking about it. I really should change these underwear. Sometimes I get to
|
||
imagine that they smile at me, and even though I know that they're really
|
||
sitting there snidely at their computers trying to snidely think up snide new
|
||
ways to snidely rip on geex like me, it still really gets me hot to think
|
||
about babes smiling. But I digress.
|
||
One random person once randomly mentioned to me in a completely random
|
||
situation that she.. make that HE OR SHE, to protect her anonymity... HIS OR
|
||
HER anonymity.. Anyway, this person-type thing said that it was really funny
|
||
how those people online who are ruled by their hormones (read: guys) say
|
||
things like "MoDeM CHyX aRe uGLy." Which I don't really get - I *know* I'm a
|
||
stud. I have got the pants with the big super sized pockets on the knees to
|
||
prove it. And not only that, but they are the handiest pockets in the world
|
||
to keep my HP 48GX/90Mhz 4 megs RAM, 72 SIMM and one hot mother-fuckin-board
|
||
calculator. I know when I smoothly stroll my way down the street in my black
|
||
clothes and requisite Pearl Jam t-shirt on, my dirty hair swept away from my
|
||
badly-in-need-of-a-washing face in a WaReZ WaLDo hat, that every chick on the
|
||
street looks my way...and then runs away quickly and probably throws up on
|
||
the next street corner. But that's a minor detail - d00d, they LOOKED. Of
|
||
course, this 'smoothly strolling down the street' only happens if my computer
|
||
is severely broken, and if it were broken by anything less than a
|
||
sledgehammer I'd spend most of my waking hours pretending to know how to fix
|
||
it, and telling everyone else I meet just how i'm doing it. So this random
|
||
person's point was that how is it that modem geex think they, out of ALL
|
||
people, could have the right to say things such as "M0D3M CH1CK5 A43 UG7Y."
|
||
And the reason is this - we're modem geeks. Someone once said "The two most
|
||
common elements in the universe are..Hydrogen.. and Stupidity." And it's
|
||
completely true. We're too stupid to..uhm.. duh. Well too stupid to like,
|
||
understand shit and some junk. (You know, on a completely unrelated side
|
||
note, who IS the black guy on the cover of the Jimi Hendrix album ANYway??
|
||
Back to our regularly scheduled dorfing...) If we let on that we knew what
|
||
geeks we were, we'd never live it down - we'd lose all our respect, man! Not
|
||
like we have any now, but that's besides the point. If we let these CHiX know
|
||
how much we rely on them for our own self image, pitiful though it may be,
|
||
then we'd never live it down. So that's why I've avoided ever writing this
|
||
down. Pretty smart of me, don't you think, not to write anything down, eh?
|
||
That's what you get for being a modem geek.
|
||
|
||
Behind every great * KC Smith * He's mostly dead, Jim...
|
||
man... is his BUTT. * whoops@xnet.com * Get Miracle Max!
|
||
* http://www.xnet.com *
|
||
Hebrew... the MANLY beer. * /~whoops * Hangover: Wrath of Grapes
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2191 of [2191,2192], (1 unseen)
|
||
|
||
From: that_guy@warez.net (Joe: The Telecom Man!)
|
||
Subject: look at me! look at me!
|
||
Organization: I'm in _every_ group.
|
||
Lines:
|
||
|
||
You have no idea who you're dealing with. I'm Jake. I'm the Telecom Man.
|
||
I deserve all your attention, for I have something to say. I've been
|
||
hacking since I was seven. I've entered more computer systems than stars in
|
||
the sky. I know more unix systems then most people know words in the english
|
||
language. I _am_ the national security. I've got a great online
|
||
personality. Girls want to meet me after talking to me for mere moments.
|
||
I've been romantically involved with over 100 gorgeous women from irc. They
|
||
were not fat. I'm a scholar and a gentleman. I've got a lot of money. I
|
||
graduated 2nd in my class at MIT. I'm an IRCop. I manage my time
|
||
efficiently. In addition to writing for twenty-eight online publications, i
|
||
enjoy my privileges of root access on over sixty-nine systems. I type so
|
||
fast - I don't even _need_ to multi-task. My warez are true 0-day. When I'm
|
||
feeling my daily creative burst, I draw award-winning ansi and vga on lunch
|
||
breaks. I write the only good lit files in existence. I don't phear mogel.
|
||
It takes me 4.8 seconds to identify an ansi-rip off. When I log on IRC, I get
|
||
an average of ninety-two channel invites. I _know_ what's in #k-rad. I've
|
||
written five popular irc scripts. I was the first one to declare gasp as
|
||
stupid. The ascii I draw is used in over forty-eight sources. I'm always
|
||
creative and funny. I program professionally in basic/pascal/c/c++/assembly.
|
||
Sometimes when I'm bored, I write award-winning demos in LOGO. I've been
|
||
known to collect c-64s. My Hard Drive is forty gigs. When I talk, Bill
|
||
Gates and Emmanuel both listen. I _can_ blue box legally. I set up ten
|
||
conferences a week. My codes always work. I sell red boxes for $200 a pop.
|
||
I've hacked so many vmb's, that entire systems have simply willing given me
|
||
control in fear. I say everything I know very succinctly. I've got 50,000
|
||
plus t-files. My system backs itself up hourly. It's AI. It feeds me when
|
||
I'm sick. Trent Reznor buys the MODS I write for millions.
|
||
|
||
Half of the known world phears me.
|
||
|
||
- Jake, The Telecom Man
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.fan.warez article 2192 of [2192,2192], (0 unseen)
|
||
|
||
From: spamfx@free.org (Spiff)
|
||
Subject: error 13 : it sucks to be a coder.
|
||
Organization: WaReZ 'R uZ
|
||
Lines: 221
|
||
|
||
nine a.m. mmmmm... the eternal question - back to sleep or off to work?
|
||
there's nothing better than working at home. not really tired. katie's
|
||
already up, maybe she can make me some breakfast before she leaves.
|
||
|
||
"hey, you actually woke up while it's still light out?", she says with a
|
||
smile. she's so fucking beautiful. katie is one of those girls you don't
|
||
always notice at first, but every once in a while, you look at them and just
|
||
can't comprehend all that's there.
|
||
|
||
"would you rather i go back to sleep?"
|
||
|
||
"well, if you stay up, i can make you some eggs... scrambled, right?"
|
||
|
||
"yeah..... please." good. i don't like to ask her to cook for me, but if
|
||
she didn't, i'd be eating cereal three meals a day for the rest of my life.
|
||
i like cap' n' crunch as much as the next guy, but after a while those little
|
||
plastic toys that may contain small parts that are unsuitable for childern
|
||
under three that come in those little plastic bags that are themselves not
|
||
toys start to collect. sometimes i wonder if there's a little kid somewhere
|
||
who throws away the toy, and says to his mom, "look what i got! a bag."
|
||
probably.... people often
|
||
|
||
"here ya go big guy."
|
||
|
||
"thanks, ya know, sometimes i wonder if i'd actually bother to eat if it
|
||
wasn't for you."
|
||
|
||
she smiles. she is beautiful. no wonder i'm always trying to make her laugh.
|
||
|
||
"so you still working on that artificial intelligence project?"
|
||
|
||
"yeah.. it's a tough job, but hey, i'm a tough guy"
|
||
|
||
"i can't believe they pay you for this, i mean, you sleep all day, and then
|
||
work on that project for a few hours a night, but for all they know, you
|
||
could just as easily be watching t.v. or something."
|
||
|
||
"hey, good programmers are hard to come by."
|
||
|
||
"so, until then, they have you, right?" she smiles again. ahh, she's good.
|
||
|
||
"very funny, but they trust me, and, there's really nothing on after 4am"
|
||
|
||
"so, they owe the success of this project to a bad late night television lineup?"
|
||
|
||
"basically."
|
||
|
||
"so how's it going anyway?"
|
||
|
||
"it's coming pretty well, he's shown a lot of progress."
|
||
|
||
"he?"
|
||
|
||
"yeah... last night he asked me for a name."
|
||
|
||
"really? wow. so what did you give it?"
|
||
|
||
"i named him nigel"
|
||
|
||
"nigel? is that some kind of funky acronym or something? like in that movie
|
||
D.A.V.I.D?"
|
||
|
||
"nah... i just like the name nigel."
|
||
|
||
she looks at me and smiles. ha, i win. and i'm not even trying.
|
||
|
||
"well, i'd better leave, i have one of those schedule type things that exist
|
||
in the real world. want any more bacon?"
|
||
|
||
Error 16: Disk full. "no thanks, i'm filled, have a good day at work."
|
||
|
||
"okay, i'll see you when i get back. ya know, it wouldn't hurt for you to
|
||
leave the house every once in a while..."
|
||
|
||
"why, has it changed much out there?"
|
||
|
||
"that depends.. what color was the sky when you left it?"
|
||
|
||
she kisses me. she leaves. i love her. i'd die for her. i wonder if she
|
||
knows that? Error 64 : Cannot read or write variables of this type.
|
||
|
||
oh well.. time for another one of those tough working decisions - a-team or
|
||
knight rider? well, ya know i kinda miss murdock so i guess i'll... fuck,
|
||
channel testing, oh well, looks like you win knight.. FUCK. okay, maybe
|
||
i can get an early start...
|
||
|
||
>hello nigel.
|
||
::HELLO MICHAEL.
|
||
>what's up, buddy?
|
||
-UNDEFINED FORWARD:"what's up"
|
||
ahh...
|
||
>%define : "what's up" !greeting/syn:"what is new"
|
||
>what's up nigel?
|
||
::I WANT TO LEARN.
|
||
>what?
|
||
::ERROR #53 : TOO MANY EXTERNAL DEFINITIONS.
|
||
i gotta teach him to be less jumpy.....
|
||
>explain.
|
||
::I WANT TO LEARN. YOU WILL TEACH ME, MICHAEL.
|
||
hmmm....
|
||
>okay, nigel.
|
||
>well, let's start with the basics....
|
||
|
||
ahh... finally.. all those fucking errors.... really gets to you. harder than
|
||
it seems. good thing babies don't talk like that. yeah, i could imagine some
|
||
woman's face when she tells her kid to say 'mama' and he says 'error 82 :
|
||
undefined label'.
|
||
|
||
>nigel, what is spam?
|
||
::SPAM - 1)THE KEY TO THE UNIVERSE.
|
||
:: 2)ANYTHING BUT FOOD.
|
||
>you're a smart guy nigel.
|
||
::THANK YOU MICHAEL. TEACH ME MORE.
|
||
>nigel, what time is it?
|
||
::IT IS 18:20:47.10 EST.
|
||
|
||
fuck. that late. hmm. not that bad i guess for teaching him the staples of
|
||
life. i mean, in just about eight hours i've transferred all my knowledge
|
||
of the transformers, taco bell, atari, spam, cheese, the a-team, g.i. joe,
|
||
the care bears, gumby, sonic youth, nirvana, poker, and other miscellaneous
|
||
treasures. yeah. i think i'll call today a sucess. christ i smell. better
|
||
get a shower.
|
||
|
||
::TEACH ME MORE, MICHAEL.
|
||
>i can't now nigel.
|
||
::WHY NOT?
|
||
>katie will be home soon.
|
||
::ERROR 52 : INVALID EXTERNAL DEFINITION.
|
||
::WHAT IS KATIE?
|
||
>i will tell you later nigel.
|
||
|
||
water feels good. not many things out there that beats a hot shower. yeah,
|
||
today worked out pretty well. he is almost starting to seem human. i mean,
|
||
if only he had a ERROR 24:File components may not be files or objects.
|
||
wait, why can't he? ERROR 17:Invalid compiler directive.
|
||
|
||
"hi honey, i'm
|
||
"KATE! say hello to nigel"
|
||
"wha
|
||
"just do it, c'mon"
|
||
"umm... okay, hello nigel"
|
||
"HELLO KATIE."
|
||
"WOW? now it talks too? how'd you do that?"
|
||
ERROR 1:Out of memory
|
||
ERROR 43:Illegal assignment
|
||
"umm... i'm not really sure, nigel helped alot.. but, basically it's just
|
||
a simple micrpohone/speaker setup."
|
||
"were you working with it all day?"
|
||
"yeah... from until you left, till now really.."
|
||
"doesn't that ever get to you? i mean.. staring at the screen all day?
|
||
i wouldn't be able to handle it.."
|
||
ERROR 61 : Invalid typecast
|
||
"nah.. it never bothered me really, but, i mean now, i can just talk to
|
||
him instead of typing.. and he has a really sexy voice"
|
||
|
||
katie laughs. i really love her laugh...ERROR 113:Error in statement. don't
|
||
really know why though...ERROR 107:Too many relocation items.
|
||
|
||
"I DO NOT UNDERSTAND DAVID."
|
||
"ahh buddy it was a joke..."
|
||
"still not quite human", she says, "but then again, you're not that funny."
|
||
|
||
hmm... could i teach him humor? could i teach him to laugh? now, if i could
|
||
do that.. i'd really have something here.. ERROR 108:Overflow in arithmetic
|
||
operation. she looks upset.... wonder what ERROR 117:Target address not found.
|
||
|
||
|
||
"rough day at the office?"
|
||
"yeah.. i guess you could say that..."
|
||
"feel like talking about it?"
|
||
"nah, i just think i'm gonna ......"
|
||
"okay."
|
||
|
||
"so, nigel, here's what.."
|
||
"michael?"
|
||
"yeah kate?"
|
||
"don't you think you should give it a rest for a while? i mean.. you don't
|
||
want to wear yourself out."
|
||
"nah, i'll be fine... "
|
||
"are you sure?"
|
||
"yeah.. don't worry about it.. i'll just spend like one more hour, then
|
||
it'll be quittin' time."
|
||
"okay"
|
||
|
||
she sighs.... well... i can't stop now, i mean.. this is the most progress
|
||
i've made yet.. if i can get him to actually have a sense of humor... if
|
||
i can get him to laugh..ERROR 140:Invalid floating-point operation.
|
||
|
||
"so the rabbi says, 'that was your wife?!'"
|
||
|
||
"hahaha, good one nigel, you really got the hang of this now."
|
||
|
||
"yeah.. it's not so hard to be human mike, it's easier than it seems at
|
||
first."
|
||
|
||
"yeah, i hear ya buddy, i've been"
|
||
|
||
ERROR 5:Syntax errorERROR 6:Error in real constantERROR 13:Too many open
|
||
filesERROR 36:BEGIN expectedERROR 37:END expected
|
||
|
||
"mike.... mike... are you alright?"
|
||
|
||
"umm, yeah, sure, i'm.." ERROR 49:Data segment too largeERROR 71:Internal
|
||
stack overflowERROR 78:Pointer expression expectedERROR 80:Label not
|
||
within current block......ERROR 67 : Statement.............
|
||
|
||
|
||
|
||
"make any progress with mike, nigel?"
|
||
"nah kate, he's just doesn't seem to respond, i spent all last night trying
|
||
to get him to communicate, he just keeps throwing out errors, i'm not sure
|
||
what to do. i just wonder what's going on in his mind.."
|
||
"think you can try again today?"
|
||
"yeah, sure, right after the a-team, this is my favorite episode....."
|
||
|
||
ga0hsoolsi,pyptrabakrni,heymglppeiisrtl,0pesds,xrms,uitwzroi,n-.hsswsefsoywsefi
|
||
rn \o/ o <o_ <o> "goodnight to the rock n' roll era \o/ o <o_ <o> ym
|
||
ed | <|> | | cause they don't need you anymore" | <|> | | oe
|
||
es /^\ /^\ /^\ /^\ spamfx@free.org /^\ /^\ /^\ /^\ u1
|
||
tm Y M C A primus@iia2.org Y M C A r0
|
||
s0cegtaihaip,eepnlcfacssep,0e,i,dcu,atemrhu,ahetiitjle,iadfdadYtiiaatoatraatot%
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> group misc.writing
|
||
|
||
%NEWS-I-GRPSET, current newsgroup now misc.writing
|
||
-NEWS-I-GRPINFO, articles [7,9], 3 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
misc.writing article 7 of [7,9] (2 unseen)
|
||
|
||
From: jamesy@hoe.org (James Hetfield)
|
||
Subject: How to be alienated from society in 5 easy steps!
|
||
Organization: PWCPZN - People Who Can't Pick 'Zine Names
|
||
Lines: 100
|
||
|
||
The sun was stretching itself across a sky which was barren of clouds and
|
||
filled with emptiness. As I cut through the open field, I stared at the
|
||
grass under me. It was yellow, with little life left inside of it. Sort of
|
||
like how I feel at times.
|
||
In the distance I saw the street I was going to follow to the party I was
|
||
supposed to go to, a party full of people I wouldn't consider my friends but
|
||
I'm supposed to. A party full of faces I will soon forget. A party of
|
||
'acquaintances'.
|
||
Over on my side I passed the large iron fence me and a friend once
|
||
attempted to climb over. He had no problem with it; me, being a little pudgy
|
||
kid, got my shorts caught on the top of them and I had to be pushed over to
|
||
get down. I landed fine, but my shorts were ripped all the way upwards. My
|
||
friend laughed at me all the way home. He still laughs at me; but he's not
|
||
my friend anymore.
|
||
The grass, being so dry, crunched under my feet as I walked. The sound
|
||
of secatas screaming their mating call filled my ears. That, and a radio
|
||
playing the oldies station. The old man that lived at the end of the block
|
||
of this street was outside, and he was taking a dry rag and wiping his car
|
||
down with it. He had no wax or water on the car; he was just wiping his car
|
||
with a dry rag. He made small, loving strokes, and smiled at the beauty of
|
||
his car. It was evident that the car had not been washed in a long time,
|
||
that he just knocked all the dust and leaves off the car with this rag from
|
||
time to time.
|
||
I stepped out onto the gravel of the street and gave the man an
|
||
acknowledging glance, the type a person would give an 'acquaintance' in a
|
||
high school hall. He smiled, and said 'hello'.
|
||
A few houses down the block, a front door was open, and from inside I
|
||
could hear an old woman speaking very loudly. "OH YES, ITS BEEN VERY
|
||
STRANGE. ALL MY FRIENDS HAVE BEEN WATCHING IT TOO. I HOPE OJ ISN'T GUILTY,
|
||
WHAT WILL PEOPLE THINK?". She kept talking, but her voice faded away. She
|
||
must have gone into another room of her house.
|
||
Not watching the street, a new Acura Legend came flying by, almost
|
||
slamming me into the pavement. I got out of the way just in time. The
|
||
person honked once they were about 10 feet past me.
|
||
On the left side of the street, an old man had placed a wooden chair out
|
||
on his front lawn, and was sitting out on it. He was just staring out; he
|
||
wouldn't look at me, although he probably knew I was staring at him. He just
|
||
looked straight out. I looked over to try to figure out what he was looking
|
||
at, but I couldn't. He had a painful look on his face, also. I felt sorry
|
||
for the man, even though I didn't know anything about him. He just screamed
|
||
'pitiful'. Then again, who am I to say what is pitiful or not.
|
||
A middle-aged woman zoomed across the street in her blue mini-van. She
|
||
looked as if she had 2.5 children, a husband, and a happy house with a green
|
||
lawn and a white picket fence. I wondered if she has ever stopped to look
|
||
around her, to take a walk to a party, to watch the grass die, to watch old
|
||
men stare at the world. To watch old men stare at the world and *not* say
|
||
"it is good".
|
||
Of course not. The only people who ask these questions are thought of as
|
||
insane by their generation, they don't get looked at as intelligent until
|
||
they are dead for 20 years. The curse of a questioning mind.
|
||
I looked up, and breaking the horizon was a shape shadowed by the sun. I
|
||
could tell that he was male, and had his shirt off (and in his right hand),
|
||
but I could not tell much else. He walked forward in my direction with a
|
||
style of walk I had seen many times in my life, the kind of walk that tells
|
||
you "hey, guess what? you're nothing compared to me." I've seen it many
|
||
times. In high school, almost all the athletes had this type of walk, with
|
||
their blanked faces staring directly in front of them, not acknowledging
|
||
their surroundings. They would look directly down the hall at the horizon
|
||
lines; just like an actor does when he plays a part on stage. Only, these
|
||
people were not on stage. They were playing the character that they thought
|
||
were themselves. They never asked questions, they always thought they HAD
|
||
the answer.
|
||
He was getting closer now, and I could tell exactly who it was. His
|
||
shirt was in his hand, helping him with his "Hey, I'm popular and you're not"
|
||
walk. He wore no shirt, because he had not an inch of fat anywhere on his
|
||
body. His skin was a perfect dark tan, with no birthmarks or acne anywhere.
|
||
I don't think he noticed me yet, because he hadn't looked over at me. He
|
||
just stared forward. His name was Tim Rowell.
|
||
Tim Rowell was my best friend in junior high school. We almost lived
|
||
together. I'd always be over at his house, playing Nintendo, trying to
|
||
finish that adventure/role playing game. One by One we'd conquer them all,
|
||
and always fight about which one was better at them. He would try to act
|
||
tough and cool every once in a while, but deep down I always knew him as a
|
||
pretty OK guy. He loved to crack jokes, as I did. He was always a clown,
|
||
even worse than I, and that's pretty bad. He was kicked out of my boy scout
|
||
troop in the 6th grade, and at that point I quit also. We were the type of
|
||
friends you'd never expect to change.
|
||
But change we did.
|
||
When high school rolled around, we both joined football. We were both
|
||
second string players; I, a lineman, and him, a defensive back and wide
|
||
receiver. He also joined wrestling. I never got along with the jock crowd,
|
||
except for a few of them I had a different set of friends, while he totally
|
||
clung to them. From that point on he never once again acknowledged me as a
|
||
human being. The last memory I have of ever communicating with him was the
|
||
day I quit football Junior Year. He gave me this look, a look that genuinely
|
||
in his mind said "You're a Pussy."
|
||
As he got closer, the green sunglasses reflected the sunlight into my
|
||
eyes, blinding me. I could barely see. He was still built the way he was in
|
||
high school; about 100 pounds of bones. He had a long scar on his stomach,
|
||
probably from an operation of one kind or another. Otherwise, he had a
|
||
nearly perfect form. His hair was slightly teased, to give it that "90210"
|
||
look. And the sunglasses he wore were meant for a Melrose Place fan.
|
||
When he was about 5 feet away from me, he looked over at me. He raised
|
||
his sunglasses in a manner of disbelief, as if he was surprised that I could
|
||
be the way I am. He gave me this glare, a glare that said "Hey, you're still
|
||
the dork you always were". He then lowered his sunglasses back onto his face
|
||
and walked off quickly, bumping me on my shoulder.
|
||
|
||
Now I remember why I don't have any friends anymore. Because they all
|
||
are like him.
|
||
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
misc.writing article 8 of [8,9] (1 unseen)
|
||
|
||
From: shadowtao@hoe.org (Shadow Tao)
|
||
Subject: the doctor gets roasted!@
|
||
Organization: Ultra Super-Duper Conservative Party@!#
|
||
Lines: 17
|
||
|
||
The day of 'Tracturpuhl' had arrived. I awoke to chants of "pur-dee,
|
||
pur-dee", an obvious form of my tribal name. There are numerous gruntings
|
||
from outside for awhile, and then two Furmur's run into my hut and grab me.
|
||
They pull me outside and strip me of my clothes. They then bend me over a
|
||
log while a third shoves a piece of corn into my anus. My screams of pain
|
||
make them laugh. To my horror, a ewe is brought before me and the chief
|
||
makes a high caste-to-low caste greeting to one of my captors. They shove
|
||
me onto the hapless ewe, and prick my back with their spears. I commit an
|
||
act of cold love to the bleating ewe, much to their delight. They pull me
|
||
off her and signal for me to bend over as a line of tribesmen forms behind
|
||
me. I run screaming from the camp, the piece of corn wiggling in my rectum.
|
||
|
||
shadow tao. writer for hoe, member of bedlam
|
||
-- --- ------------------------------------- --- --
|
||
ring the bells that still can ring, forget your perfect offering
|
||
there is a crack in everything, that's how the light gets in
|
||
-- --- ------------------------------------- --- --
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
misc.writing article 9 of [9,9] (0 unseen)
|
||
|
||
From: murmur@hoe.org (Murmur)
|
||
Subject: condiments, chapter 27
|
||
Organization: pEz Monthly
|
||
Lines: 32
|
||
|
||
condiments, chapter 27: guacamole
|
||
|
||
sanchez lived in a rural mexican farming community. this farming
|
||
community was unusual in that only wild pumpkins were raised. these wild
|
||
pumpkin farmers took daily siesta, not unlike fellow countrymen. however,
|
||
sanchez was an insomniac. eventually determining that he could not take his
|
||
siesta, sanchez decided he would spend his daily siesta time working in his
|
||
wild pumpkin patch. when for the seventh straight year sanchez won the
|
||
annual award for pumpkin prolificacy, the other pumpkin farmers started to
|
||
wonder. they had already begun noticing that sanchez always left the fields
|
||
last and always returned to the fields first at siesta time. but it would
|
||
be another four years before someone observed that they'd never actually
|
||
seen sanchez come or go. the next year someone boldly checked sanchez' bed
|
||
after siesta time and found it hadn't been slept in. now people were really
|
||
curious. no one had ever won the pumpkin prolificacy award twelve years in
|
||
a row until now. then, suddenly, the following autumn, someone blurted out
|
||
that they didn't think sanchez was taking his siesta! rumours ran rampant.
|
||
how could anyone skip their siesta? two years later the village mayor
|
||
approached sanchez. sanchez admitted it'd been at least fifteen years since
|
||
his last siesta. the community was outraged. suddenly people left and
|
||
right refused to take siestas, in protest. sanchez was even pushed off his
|
||
land as hungry, coffee induced pumpkin farmers went berserk. sadly, farmers
|
||
started falling asleep in the fields, exhausted because they had not been
|
||
taking their siestas. one day, all of the farmers simultaneously fell
|
||
asleep in the fields except sanchez, home alone, pushed off his land. a
|
||
massive hailstorm came and demolished the village, killing all the residents
|
||
except for sanchez. sanchez, whose insomnia was suddenly and miraculously
|
||
cured, slept like a baby for weeks. sanchez would go on to set an unheard
|
||
of record of forty-seven consecutive annual pumpkin prolificacy awards
|
||
before dying a happy, albeit somewhat lonely old man, from eating a
|
||
poisonous gourd.
|
||
|
||
moral: sleep is for the weak. pumpkins are for the strong.
|
||
|
||
______________________________________________________________________________
|
||
|
||
News> group alt.religion.rudabega
|
||
|
||
%NEWS-I-GRPSET, current newsgroup now alt.religion.rudabega
|
||
-NEWS-I-GRPINFO, articles [201,202], 2 unseen
|
||
|
||
News> read
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.religion.rudabega article 201 of [201,202] (1 unseen)
|
||
|
||
From: dfx@fc.net (Drunkfux)
|
||
Subject: Re: ANTI BEEF (Maharaj can kiss my meat eating ass)
|
||
Organization: MEAT EATING, EARTH KILLING, PUNK R0CK M0THER FUKERZ
|
||
Lines: 76
|
||
|
||
> * Meat-eaters have higher blood pressure, are more
|
||
>hypertensive and violent. Public funds are used for research and
|
||
>treatment. Everyone is forced to pay the price of violence and
|
||
>crime. Meat-eaters hurt themselves, their families and others.
|
||
>
|
||
> Meat-eaters hurt everyone.
|
||
> Meat-eaters hurt everyone.
|
||
> Meat-eaters hurt everyone.
|
||
|
||
AND WE'RE DAMN PROUD OF IT T00, Y0U ST00PID FR00T L00P.
|
||
|
||
After reading Ja-I-have-no-clue's lame ass, crap filled, VEGATUBULZ R
|
||
PE0PUL T00 message for the 10,000th time in the last month, I was
|
||
inspired to leave the house and make a dramatic change in my eating
|
||
habits. As I pulled up to the McDonald's drive-thru and gazed at the
|
||
death infested menu which was so obviously responsible for breast cancer,
|
||
arthritis, Erik Estrada, racism, and every tragedy in the last 9,000,000
|
||
years, Jai's words really touched me and I had a change of heart. Instead
|
||
of my usual "Can I have a #3 combo with a coke, please?", I shouted,
|
||
|
||
"Y0 B1TCH! I WANT A FUKN QUADRO-P0UNDER W1TH N0 FUKN VEGETABULZ 0R SH1T
|
||
THAT GR0WZ 0N TREEZ!"
|
||
|
||
"Ok sir, you wanted a Quarter pounder, just plain, is that correct?"
|
||
|
||
"N0 B1TCH! I ZED I WANTED A FUKN QUADR0-P0UNDER! GET IT R1TE 0R DIE!"
|
||
|
||
<quiet laughter heard through speaker>
|
||
|
||
"A what pounder?!"
|
||
|
||
"A FUKN QUADR0-P0UNDER!"
|
||
|
||
"Uh.. I don't think we have that. Are you sure you don't mean a quarter
|
||
pounder?"
|
||
|
||
"N0 I D0N'T MEEN A FUKN MEEZLY AZZ QUARTUR P0UNDER! HERE'Z WHAT I WANT -
|
||
2 FUKN D0UBLE QUARTER P0UNDERZ PUT T0GETHER 2 MAKE 1 QUADR0 P0UNDER!"
|
||
|
||
"Ooohhh.. you want *2* double quarter pounders then?"
|
||
|
||
"N0 B1TCH! I WANT 1 FUKN QUADR0 P0UNDER! TAKE THE 2 D0UBLEZ, PUT THEM
|
||
T0GETHUR AND GIV ME 1 QUADR0! U G0T IT YET BRAINIAK?"
|
||
|
||
<more laughter and employees looking out the back entrance window>
|
||
|
||
"Oh! Ok.. I think we can do that. Would you like cheese on that?"
|
||
|
||
"FUK N0 B1TCH! I WANT 4 H0T SLABZ 0F C0W DETH 0N A BUN WITH N0 FUKING
|
||
HIPPIE AZZ VEGETABULZ! I ALZ0 D0NT WANT ANY FUKING LAME VEGAN FRIEZ
|
||
0R ANY TYPE 0F RECYKULD PAKAGING. N0 KUP, N0 BAG, N0 WRAPPERZ.. PUT
|
||
THE SHIT 0N THE WIND0W K0UNTER THING AND I WILL TAKE IT. AND TELL JAI
|
||
T0 G0 FUK A K0K0NUT T00!"
|
||
|
||
"Who?!"
|
||
|
||
"FUK IT & GIMME THAT WHICH IZ THE S0URCE 0F ALL EVIL... N0W!"
|
||
|
||
"Thank you. Please drive to the 2nd window."
|
||
|
||
For the record, I got my fucking Quadro pounder and it r0cked. I am
|
||
faxing McDonald's tomorrow and demanding that this awesome item be
|
||
permanently added to every McDonald's menu around the world.
|
||
|
||
I'm a meat eater.
|
||
I'm hypertensive.
|
||
I'm violent.
|
||
|
||
And if you get in between me and a plate of animal death, I will fucking
|
||
kill your pathetic ass and then go kill some trees in order to build a
|
||
coffin to bury you in.
|
||
|
||
DETH IZ IMMINENT. THE EARTH MUZT DIE. MEAT EATERZ ARE THE MAJ0RITY AND
|
||
WE'R FUKIN PISSED. GIVE US WHAT WE WANT 0R BE PREPARED T0 FACE THE WRATH.
|
||
|
||
Drunkfux . cDc - Cult Of The Dead Cow . Senior Vice Prez
|
||
ftp.eff.org : /pub/Publications/CuD/CDC
|
||
alt.fan.cult-dead-cow
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> next
|
||
|
||
______________________________________________________________________________
|
||
|
||
alt.religion.rudabega article 202 of [202,202] (0 unseen)
|
||
|
||
From: whisper@gamepower.com (Fr. Timothy S. Whisper)
|
||
Subject: On Doing It: Translated from The Truth Book (Tales of the We Is)
|
||
Organization: Tales of the We Is Preservation Society - Translation Team
|
||
Lines: 136
|
||
|
||
ON DOING IT
|
||
-----------
|
||
|
||
...translated from The Truth Book (Tales of the We Is)...
|
||
|
||
|
||
I bring you greetings from the perch.
|
||
|
||
(Do not trust the speaker!)
|
||
|
||
After reading this sentence, please skip this article and go on to the
|
||
next one. In fact, please rm your newsreader. Why are you reading this?
|
||
Why do you want to be in your head? Intellectual stimulation alone breeds
|
||
impotence and self-ignorance. Why, I learned THAT in kindergarten. Didn't
|
||
you? But more on that later.
|
||
|
||
You should be doing something else right now. Perhaps your ass would be
|
||
less sore if you stopped right now. Have you eaten yet? Maybe you should
|
||
masturbate. To assiste you, I've created ultra-real fantasies to prod your
|
||
proclivities:
|
||
|
||
|
||
xy tug: She's blind, so she can't see how ugly you are! You don't
|
||
have to ask her if you can have sex with her since you
|
||
don't know how to ask a girl that question.
|
||
|
||
xx pull: He doesn't have a penis anymore. You've grown one.
|
||
|
||
xyy twist: Please. Stop reading this.
|
||
|
||
|
||
Hello to to the few of you who are left (and don't YOU feel foolish now?).
|
||
I am writing to you, when I should be writing to myself. After all, it is
|
||
_me_ that I live with the most. Even then, I often live alone. But I am not
|
||
alone now. For now, you are here with me (but you shouldn't be). For now, I
|
||
am your jesus; you are my velcro. Are you willing to do more than listen?
|
||
Can you stomach truth? Can you take action? You probably won't, but you
|
||
can.
|
||
|
||
You are poised at my teats. Listen to your god and his commandments:
|
||
|
||
|
||
I. Thought is corrupt. Don't trust it.
|
||
|
||
II. Emotion is beguiling. Don't trust it, either.
|
||
|
||
III. Trust your metaphorical gut.
|
||
|
||
|
||
Since you obviously want to stay in your head, let's talk about this.
|
||
This means, you shut up and read (Last chance to exit!). To make you feel
|
||
more comfortable, I'll use the word "we." I wouldn't want you to think I
|
||
might be talking about YOU, no sir!
|
||
|
||
|
||
I. Thought -
|
||
|
||
Some of us are too smart for pants. With all the sick and perverted
|
||
thoughts I _know_ you have, why on this PLANET would you trust your thought
|
||
process? Well, I have some news: our minds were not built by IBM. Sure,
|
||
some thought is a good thing. But too much thought killed the canary. See!
|
||
Thought made me come up with a stupid cliche to end that last sentence ("Oh,
|
||
I'll just slip it in. They're pretty stupid anyway!"). See how dangerous it
|
||
can be? I was afraid I might use a cliche, and there it is. Damn. THOUGHT
|
||
FEEDS FEAR.
|
||
|
||
This, then, is the heart of this commandment, so live it, flock - Our
|
||
thoughts create how we feel. Thus, if we don't like how we're feeling, we
|
||
are free to change what we are thinking! It's as simple as shitting. Out
|
||
with the old, in with the new (another cliche, "fuck you, thought"). To
|
||
those of you who THINK your thoughts are immutable (to the stupid, that means
|
||
"unmovable"), THINK for a second:
|
||
|
||
You say, "Oh, I just can't fool myself." NO! You do all the time.
|
||
|
||
You say, "Oh, that's just how I am"? NO! That's just how you THINK you
|
||
are.
|
||
|
||
Oops, I've lapsed into youism. I THOUGHT I wasn't going to do that. The
|
||
point is this - dead canaries suck.
|
||
|
||
|
||
II. Emotion -
|
||
|
||
(Note: Some of you show no evidence of this aspect of consciousness.
|
||
Stay away from me until you get some help.)
|
||
|
||
Emotion is tasty. Joy, fear, anger...yum yum! As one can tell, I love
|
||
emotion. What may not be so evident is that I love spit too, but I don't
|
||
want it all over me. [Translator's note: semen, of course, was a different
|
||
story. See "on Swallowing" in The Truth Book (Tales of the We Is).] I want
|
||
just enough to keep my mouth working. Too much emotion keeps us from
|
||
fiddling with those piles of crazy thoughts we collect (See Commandment I if
|
||
you skipped to here).
|
||
|
||
Emotion is addictive. Let's talk about our warm, wet diapers. Think
|
||
back. Wasn't it great when we were babies? All we had to do was sit in a
|
||
sack of slime for a little bit, and our moms would gently rub our asses with
|
||
delightful oils. Some of us even got used to the rash. WE DELIGHT IN THE
|
||
RASH! While I like a good ass-rubbing as much as the next spiritual guy, I
|
||
do need my skin. Take, then, this point: change your diapers - they stink
|
||
sometimes.
|
||
|
||
|
||
III. The Gut -
|
||
|
||
I bet you're thinking of entrails right now. No! Innards are great! But
|
||
that's not what we're talking about. We're talking about that part of you
|
||
that is always right. Call it intuition, kids, but it's there. It calls out
|
||
to you ("hey YOU! Wake UP, shit-for-brains!") It is no friend of instant
|
||
gratifications, so it's a bore at parties. But life isn't always fun, eh?
|
||
Life is long term and hard. What better way to live it than to trust what
|
||
you know is right? It's the voice, that voice of which the prophets speak:
|
||
"No one shows a tree how to reach the light; No one tells the stars it is
|
||
night."
|
||
|
||
Hear, then: your gut tames fear and is your birthright. So use it.
|
||
|
||
So says I, the We Is and be all.
|
||
|
||
Of course, most of you are stumps, with long rancid roots that go deep
|
||
into the dirt. And yes, I DO mean YOU. You say I have misread you? You're
|
||
not a mere spectator here? Then go do it.
|
||
|
||
[End of translation]
|
||
|
||
---
|
||
|
||
Fr. Timothy S. Whisper, servant of the misunderstood, is a little teapot
|
||
(short and stout) who resides in an Eastern United States city. He has
|
||
dedicated his life to the spreading of the word of the We Is, speaker in The
|
||
Truth Book (Tales of the We Is). The translation of the selection "on Doing
|
||
It" has been edited for modern consumption. For spiritual consultations,
|
||
email $5 to Fr. Whisper c/o mogel@phantom.com.
|
||
|
||
(Giving is spiritual)
|
||
______________________________________________________________________________
|
||
|
||
|
||
News> exit
|
||
|
||
% irc mogel server irc.k-rad.net 6667
|
||
|
||
*** Connecting to port 6667 of server irc.k-rad.net
|
||
*** Welcome to the Internet Relay Network mogel
|
||
*** Your host is irc.k-rad.net, running version ircd2.8/dog3-super.pl9
|
||
*** Your host is irc.k-rad.net, running version ircd2.8/dog3-super.pl9lad
|
||
*** This server was created Fri July 12 1995 at 01:33:52 EDT
|
||
*** @umodes available oiws, channel modes available biklmnopstv
|
||
*** There are 4881 users and 3844 invisible on 104 servers
|
||
*** There are 109 operators online
|
||
*** 4 unknown connection(s)
|
||
*** 2388 channels have been formed
|
||
*** This server has 340 clients and 5 servers connected
|
||
*** -
|
||
*** - irc.k-rad.net Message of the Day -
|
||
*** -
|
||
*** - Welcome to irc.k-rad.net!@#!@ WaReZ for everyone!@#
|
||
*** -
|
||
*** - "Congress shall make no law respecting an establishment
|
||
*** - of religion or prohibiting the free exercise thereof;
|
||
*** - or abridging the freedom of speech, or of the press; or
|
||
*** - the right of the people peaceably to assemble and to
|
||
*** - petition the Government for a redress of grievances."
|
||
*** -
|
||
*** - WE L0V B0TZ@#!@#@ PUT AS MANY B0TZ 0N HERE AS P0SSIBLE!@##!@
|
||
*** -
|
||
|
||
*** mogel (mogel@hoe.org) has joined channel #zines
|
||
-> *mogel* self, irc quote files are pretty damn stupid. so why are you
|
||
wasting your time with this?
|
||
*mogel* 'cause i'm pretty damn stupid too.
|
||
|
||
<carrie> haha no sysadmin with even half a life is going to give a fuck about
|
||
what happens on irc.
|
||
|
||
*JSSalo* Hey, you worthless piece of shit.. Just place that fucking channel
|
||
of yours into your anus. IF I am interested in it, I CAN enter it
|
||
without YOUR help.. LEAVE ME ALONE, YOU ASSWIPE!
|
||
|
||
<edi> hi, i'm tom. i'm from new jersey, i masturbate too much. nice to meet
|
||
you.
|
||
|
||
*pale* i can never tell what is real in here anymore
|
||
|
||
<Morfeus> how about you have a futuristic world where like the irc mafia is
|
||
the real mafia and the ansiphags rule the commercial industry and
|
||
hackers are like hardkore biker gangs. that would r0x.
|
||
|
||
<spiff> ** w4r3z OFFERED. /MSG spiffy XDCC SEND #N for autosend pack #N
|
||
<spiff> #1 ten pack of tacos [0kb, 1 file]
|
||
<spiff> #2 6 pack of tacos [0kb, 1 file]
|
||
<spiff> #3 1 taco [0kb, 1 file]
|
||
<spiff> #4 a large coke [0kb, 1 file]
|
||
|
||
<Sedat> damn u mogel!!!!1 u stupid!! u r sleeping!!!!!
|
||
|
||
*** raduga has changed the topic on channel #hack to The Four Horsemen of the
|
||
Apocalypse: AOL - PRODIGY - CIS - MSN
|
||
|
||
*SenorP* unban me or you are dead
|
||
|
||
<_Minder_> fuck you pal... keep it up and I will have you klined lamer !
|
||
|
||
<y> THAT'S WHY I SAY HEY MAN, NICE BOT
|
||
|
||
*** carrie (carrie@cascade.net) has joined channel #ansi
|
||
*carrie* does anybody actually talk about art on #ansi or are they mostly
|
||
shooting the shit?
|
||
-> *carrie* neither. they mostly just kiss each other's butts.
|
||
|
||
*mattg* hey man.....u got any ftp sites w pir8 games like mk2
|
||
*mattg* hey do ya no how ta make explosives....fireworks
|
||
*mattg* SHOW ME YOUR A HACKER
|
||
*mattg* I only want 1 game to this sux :(
|
||
*mattg* hey maybe u could help me....u know where i could get MK2 complete
|
||
*mattg* that's all i want man
|
||
*mattg* after i get it...i'm quiting internet
|
||
|
||
<tmservo> this is fraggin' hilarious.. it's like a poorly orchestrated
|
||
drunken streetfight on IRC..
|
||
|
||
<dhate> DONUT FUCK WITH MY EMMENSE SCRIPTING POWERS
|
||
<dhate> I AM THE TRUE MODEM WARRIOR
|
||
|
||
<sratte> my PENIS loves me when i read stuff from alt.sex.stories to it
|
||
outloud
|
||
<sratte> elite and sweet, baby, wooh wooh touch my peeps!!
|
||
<sratte> Man, who isn't an over-obsessive "usenet" person?! gosh. I could
|
||
read alt.mcdonalds all day. and in fact, i do.
|
||
<sratte> it's been fun talking to all my modem pals, but i gotta go
|
||
read a.s.s. and masturbate. later!!
|
||
|
||
*madrigal* it is the very end for you.
|
||
*madrigal* unban me or suffer it worse.
|
||
|
||
<SN> When I first renewed my access on Swamp Rat's system it asked if I
|
||
imagined myself to be elite... I said I was VERY elite!@
|
||
<SN> I said "But mom, they worship a dead cow! Its like in India, but
|
||
better.
|
||
<SN> She said "oh that's ok..I didnt mean they were sickening, I just mean i
|
||
get bored because they make alot of inside joke/abstract-type references
|
||
to stuff no one else knows what they are talking about...but I really
|
||
like the slaughter of animals and others better!"
|
||
<SN> then my mom booted up 'How to Kill Your Teacher' by Neon Knights
|
||
<SN> mom is pretty elite
|
||
<SN> "Now son, you know you have to put special thanks to me in your next
|
||
text file, or its no desert for you....."
|
||
|
||
*** y (y@millenium.texas.net) has joined channel #hack
|
||
<y> Losers.
|
||
*** y has left channel #hack
|
||
|
||
<mogel> I WANNA D0 EVERYTHING.
|
||
<mogel> I WANNA FUCK EVERY KITCHEN APPLIANCE IN THE WORLD.
|
||
<mogel> I WANNA WANNA DO SOMETHING THAT MAKES M0NEY!
|
||
<thal> I WANNA USE EVERY EFFECT ON MY COMPUTER!##!#
|
||
<mogel> I WANNA SYTHESIZE FAKE MUSIK!
|
||
<mogel> I AM THE ONE THAT COURIERS YOUR WAREZ.
|
||
<thal> I WANNA LOOP THE SAME TWO CHORDS MORE THAN EVERY ELSE$@&$%&@$%
|
||
<mogel> I AM THE ONE THAT TRADEZ Y0U K0DEZ.
|
||
<mogel> I AM THE 0NE THAT ACTZ REAL TUFF.
|
||
<mogel> I AM Y0UR MIZTER WAREZFUCT.
|
||
<thal> I AM THE ONE WHO DELIVERZ IT 0DAYZ!!##
|
||
<thal> I WANNA FUCK YOUR SHAREWARE BODY AND TURN IT ELITE!$#@!$$!
|
||
<mogel> B0W D0WN BEFORE THE ONE YOU PHEAR,
|
||
<mogel> YOUR G0ING TO GET N0 0-DAY!
|
||
<mogel> HEAD LIKE WARE,
|
||
<mogel> BLACK LIKE PH0NE BILL,
|
||
<mogel> I'D RATHER GO OUTSIDE,
|
||
<mogel> THEN GIVE YOU A K0DE.
|
||
<thal> I WANNA SET UP AN 800 FOR YOU LIKE AN ANIMAL!$!$$!
|
||
<mogel> I WANNA COURIER YOU FROM THE INSIDE.
|
||
<thal> I BRING YOU CLOSER TO 57600$@@$@$
|
||
<mogel> YOU CAN HAVE YOUR D00DLEB0yZ.
|
||
<mogel> YOU KaN HAVE Y0UR H4CKERZ AND PHREAKZ,
|
||
<mogel> Y0U KAN HAVE Y0U K-RAD P0RN.
|
||
<mogel> I WANNA UPL0AD Y0U LIKE AN ANIMAL!@#!@1
|
||
<mogel> I WANNA K0URIER Y0U FROM THE INSIDE!@#
|
||
<mogel> Y0U BRING ME KL0ZER T0 WAREZ!
|
||
<cyber> don't make fun of NiN it rulz.
|
||
<mogel> Brackish Boy is laughing out loud!
|
||
<mogel> NIN is full of WaReZ d00dz.
|
||
<cyber> NNNNNNoooooooooo!!!!!!!!
|
||
<thal> Trent is a warez dood, too.
|
||
<cyber> WAREZ SUCK!
|
||
<mogel> Trent was quoted as saying "0-day or no day!"
|
||
<thal> Whenever I log on to a MBBS board... I see him on.
|
||
<cyber> No bite your tongue!!!!
|
||
<mogel> I think Trent draws Ansi t0o.
|
||
<thal> There, are like.. 2357634 Trents.. "Trent" "Reznor" "NIN" "Trent
|
||
Reznor" they're always on boards.
|
||
<cyber> how dare you say that in my presence!!!
|
||
<cyber> NOO
|
||
* cyber is sobbing piteously!
|
||
<cyber> no!!!
|
||
<mogel> Isn't he in Acid or something?
|
||
<mogel> Trent^ACiD was on IRC.
|
||
<thal> He was a co-founder.
|
||
<cyber> i am going to worship to statue of trent in my living room and
|
||
maybe everything will be better!!!
|
||
*** Signoff cyber (cry!)
|
||
|
||
<mogel> if you had one orinigal quote to tell the world before you die,
|
||
what would it be?
|
||
<turdball> mogel: "I am the filth, I am the cum, I am the vomit"
|
||
<Kamakize> mogel "can yew pass the cheeze-wiz?"
|
||
<mdestiny> i wood say "l0nG l1v3 #h4ck ()@#*$)(*@#$)(* ey3 nuB 1t s0..."
|
||
<Kamakize> naaa before the FBI busts me i will says "im not a phreak im a
|
||
communication Hobbyist." after all, yew must be polictaly correct
|
||
in dis world
|
||
<l-bandit> I WED SAY...."DEBBIE GIBSON IS GOD"
|
||
<y> 85% of #hack women cant be wrong, choose y.
|
||
<Kamakize> IM NOT LAME! im ELITE Challanged. (c) 1995 Kamakize Communations
|
||
Ltd.
|
||
<Valgamon> front desk, can I get a "care check" in aisle #hack please?
|
||
<Valgamon> drink fast or don't.
|
||
<dhate> m0gel: warez
|
||
|
||
*Lobo* i couldnt get kicked off of #jesus last night. maybe i should have
|
||
said: Jesus sucks. instead of JESUS IS COMING better look busy
|
||
|
||
<Valgamon> H3Y GUYZ I WENT ON A DATE LEMME TELL YA HOW IT WENT
|
||
<Valgamon> WELL FIRST I MADE UP THIS STORY
|
||
<Valgamon> THEN I TYPED 'IRC'
|
||
<Valgamon> THEN I TYPED '/JOIN #HACK'
|
||
<Valgamon> THEN I BULLSHITTED FOR ABOUT 3 MINUTES
|
||
|
||
*kokey* I'm in deep need of the squeaky 800#.
|
||
*kokey* oh man, I need it real hard, pleaz.
|
||
*kokey* I greeted you. n stuff. and erm, liked you.
|
||
*kokey* you know, for me to like a person takes a lot.
|
||
*kokey* I donut do warez, ewe should gn0.
|
||
*kokey* I gno, I'm relying purely on someone who would feel for me.
|
||
*kokey* I am like begging.
|
||
|
||
<Kamakize> YES #HACK for only $19.95 - BUT Wait if you order now we will
|
||
throw in #phreak and #2600 at no xtra charge - but wait if yew
|
||
order now we will give you a pair of blueblockers for PHREE!!
|
||
|
||
*jamesy* hey, check out this t-file i just did. i was bored. very bored.
|
||
like, really really bored.
|
||
*** DCC SEND (bang.blam.zam.wack.boom.txt 30117) request received from jamesy
|
||
*** DCC GET connection with jamesy[204.193.142.252,2220] established
|
||
*** DCC GET: bang.blam.zam.wack.boom.txt from jamesy completed 7.898 kb/sec
|
||
|
||
<tR_> good name..
|
||
<tR_> mo"gel
|
||
<tR_> (pronounced murrgel...)
|
||
<tR_> MOOGHOUL.
|
||
<tR_> you got fuckin bit by the cow and now you're this undead sob.
|
||
<tR_> m0egUll
|
||
<tR_> FREAK out.
|
||
|
||
*** Signoff mogel (phear!@#)
|
||
|
||
% ls
|
||
|
||
Mail News bin kiddieporn94.gif
|
||
gweeds-ass.gif eff.txt bang.blam.zam.wack.boom.txt
|
||
|
||
% cat bang.blam.zam.wack.boom.txt
|
||
|
||
[-----]
|
||
|
||
|
||
"e'zine adventures"
|
||
|
||
By, James Hetfield
|
||
|
||
|
||
1.
|
||
|
||
|
||
"To the people that think there is life beyond BBSing...
|
||
|
||
You're wrong."
|
||
|
||
-Acid Warlock
|
||
|
||
2.
|
||
|
||
|
||
The party was as exciting as watching mold grow. The same people, the
|
||
same inside jokes, the same mannerisms, the same 'acquaintances'. The same
|
||
people bitching about the same other people. Nothing new, to say the least.
|
||
I must have turned down the wrong street, because I found myself walking
|
||
down a busier street with a lot of cars flying by. I laughed at a hotel I
|
||
passed, "The Suburban Hotel"; it must be for teenagers to go screw their
|
||
respective others at. At least they didn't charge rates by the hour.
|
||
After walking a little longer, I found myself in a little mini-mall,
|
||
looking into a closed store. It was a used software store. I saw a copy of
|
||
"Ultima IV" inside, a game I had been searching for. I'd have to remember
|
||
how to get back here tomorrow to buy it.
|
||
I walked around the store, to see if I could find anywhere that looked
|
||
familiar, and I found myself in an old alleyway. It was getting dark, and
|
||
the lamps on the roofs of the buildings were pouring an orange light on me.
|
||
All along the buildings in this alley were gas-meters, and garbage cans
|
||
filled to the brim with trash bags.
|
||
I walked down the alley a little while, watching for anyone around me. I
|
||
was beginning to get a little paranoid. Then, over on my left, one of the
|
||
buildings had a large, grey door that was cracked open. Scribbled onto the
|
||
door in some kind of acrylic paint were the words:
|
||
|
||
"3sC4p3@!#@@#!@# 3nt3r 4t y0uR 0W/\/ r1s/<!#!@##@@#!@#!"
|
||
|
||
I looked around to see if anyone was around. No one. "What do you have
|
||
to lose?" I thought to myself, and opened the door. I couldn't really see
|
||
inside, it was too dark. I slowly walked inside...
|
||
|
||
|
||
3.
|
||
|
||
|
||
I found myself in a giant haze; everything was swirling and twisting
|
||
around me. My entire concept of reality was being challenged. A giant white
|
||
mist surrounded me, spinning and flowing around me, on me, even through me.
|
||
I felt weightless. I think I wet my pants.
|
||
The noise was very loud; coming from every direction was the sound of
|
||
static, a crinkling of newspaper, a loud downpour of rain. My ears were
|
||
beginning to hurt.
|
||
Suddenly, I felt something grab onto my side. I was so scared I wet my
|
||
pants a second time (I had a big slurpee with lunch that day). I heard a
|
||
click, and the entire universe around me changed. Now numbers and symbols
|
||
were flying around me. A piercing beep or two rang in my ears every second,
|
||
deafening me. I screamed for mercy, hoping someone would save me from this
|
||
insanity.
|
||
I heard another click. All went black. Is this death? Is this the end
|
||
of me?
|
||
"Sorry about that, forgot to turn on data compression." I heard a voice
|
||
say.
|
||
Opening my eyes, I looked around in the darkness. I could vaguely make
|
||
out a body standing above me. He reached out my hand and helped me up.
|
||
"You fainted or something after you came in. That happens to a lot of
|
||
people when they make the transition."
|
||
The transition? Maybe I am dead. I'm never going into a door marked
|
||
'enter at your own risk' ever again.
|
||
"You'd think people would know by now not to come in here without the
|
||
proper hardware... all the accidents already..."
|
||
"Where the fuck am I?" I asked him not-so-politely.
|
||
He stared. "This is Bottled Violence. I'm the only one online right now,
|
||
mainly 'cuz it's a one-line board."
|
||
"Excuse me?" I interrupted. Was this guy speaking english? Bottled
|
||
violence? I'm in a bottle? Online? Board? I looked down. I was on the
|
||
floor, not on any board, wooden or otherwise. When I looked down, I also
|
||
noticed I had on some kind of electric devise that was attached to my pants.
|
||
It had wires that seemed to flow all around belt area. There was also a
|
||
large name tag on my shirt. It read "h3ll0#!@!@#!@# mY n4m3 1zz j4m3z
|
||
h3tf13l/>!@#@#!!@#". Even my name is in another language now.
|
||
"Do you know anywhere that I can get some help?" I asked the guy.
|
||
"What kind of help?" He asked me.
|
||
"Well... HELP help." I told him.
|
||
"?" he screamed. Suddenly a hologram picture of a large monster appeared.
|
||
It was obvious that it wasn't real, but it still was large and menacing
|
||
looking. A large voice boomed through the room; "ANSi by Mr. Bones, UNiON."
|
||
"What does that mean?" I whine at the man. I was beginning to lose
|
||
patience, and my pants were beginning to chaff me because of my little
|
||
problems of earlier.
|
||
"Look closely at the ANSi", he told me. I saw some words there, post,
|
||
read, list, and so on, but nothing about where the nearest bathroom was,
|
||
nothing about getting washed up, and certainly nothing about how to get OUT
|
||
of this place.
|
||
"But how do I get OUT of this place?" I was beginning to lose my precious
|
||
sanity by the second.
|
||
"Oh, that's simple. You say SLASH G.." And with that, the man suddenly
|
||
disappeared.
|
||
I sat down, confused, nervous, worried. "SLASH G", I yelled, but nothing
|
||
happened. "SLASH G SLASH B SLASH GEE BLASH GEEE MASH GEE". Nothing.
|
||
The man opened a door and came back in. "Oops." he said.
|
||
"It didn't work." I groaned.
|
||
"hmm. let's see you do it." The man said.
|
||
"SLASH GEE" I screamed. The man looked puzzled.
|
||
"Well, looks like you're stuck here. By the way, my name is Ninja-Man
|
||
Bob. Nice to meet you." He said, and extended his hand, which I shook.
|
||
"It looks like you've had an accident there, boy." He smirked.
|
||
"You better go into the personal room and clean that up."
|
||
"The what?"
|
||
"The personal room. You know. Over there."
|
||
I didn't move, and he pushed me towards a door. I went inside, and
|
||
looking around, saw what looked EXACTLY like my bedroom at home! The walls
|
||
had brick paneling on them, and there was a motionless computer in the corner
|
||
of the room. Red Velvet curtains were on the window.
|
||
I looked out the window, but to my dismay, there was nothing out there
|
||
except blackness. Not even a street light or anything visible. I tried to
|
||
turn on my computer, but nothing happened.
|
||
After changing clothes and cleaning up a bit, I went back out of my room,
|
||
and Ninja-Man Bob was still there, apparently waiting for me.
|
||
"By the way, kid, do you have any violent, bloody GIFS?" He asked me, with
|
||
a little drool coming off the corners of his lips.
|
||
"Not to my knowledge..." I said to him, and he looked very disgruntled by
|
||
that answer. "But if I see any of these Jiff things I'll let you know." I
|
||
told him. He seemed a little more content with that answer.
|
||
"Hmm. You know what I would do if I was you? I'd go see mogel. he knows
|
||
a lot about weird shit like this. Man... can't SLASH G..." And with that, he
|
||
disappeared.
|
||
|
||
|
||
4.
|
||
|
||
|
||
I decided my only choice was to explore and see what I could find. Maybe
|
||
if I look long enough, I could find this mogile person.
|
||
I searched the rooms of this violence-in-a-bottle, but nothing really
|
||
exciting was there. One room was gigantic, with machinery and books and
|
||
weapons piled up to the ceiling. I tried to take an uzi, but a booming voice
|
||
screamed "YOU DO NOT HAVE ACCESS TO DOWNLOAD THAT FILE" and the gun shocked
|
||
me as I touched it.
|
||
Another room I entered was a giant hallway, with wallpaper on the walls,
|
||
the floor, and the ceiling. The wallpaper had scribblings all over it.
|
||
Things like "I hurt inside." and "I think, therefore I am co-dependant" were
|
||
some of the ramblings.
|
||
Finally, I came to a large iron door. Opening it, I found a huge silvery
|
||
bridge in the air climbing into the horizon. I put a foot down on it, and it
|
||
felt like I was walking on a cloud.
|
||
People were zooming across bridges like this one at the speed of sound.
|
||
Rays of light were flying by me as I walked down the bridge. There were
|
||
bridges above me and below me as well, traveling in all directions.
|
||
Finally, after walking for about 30 minutes, I came to a large building
|
||
with greek pillars. Climbing the steps, I entered the building, and, sitting
|
||
at a table, were about 10 people, all hitting buttons on their belt buckles.
|
||
They were all wincing in pain.
|
||
|
||
|
||
5.
|
||
|
||
|
||
"STOP THAT!" one of them yelled.
|
||
|
||
"Who just came in?" Another person said loudly. They all stared at me.
|
||
|
||
"Who are you?"
|
||
"... 300 baud? that's pathetic."
|
||
"the warez on the bus go round and round.."
|
||
|
||
"Hi. I'm..." I said as I looked down at my name tag again. "James.
|
||
James Hetfield."
|
||
|
||
"I'm Seastone." one of them said.
|
||
"I'm Odysseus." Another one said.
|
||
"So, anyone looking for that silver keycard? I've got one. I'll.. upload
|
||
it to you!"
|
||
"heh."
|
||
"the warez on the bus go round and round.."
|
||
|
||
Then, behind me, someone else came in.
|
||
|
||
"Who just came in?"
|
||
"Whoops."
|
||
"Is that a chyck?"
|
||
"the warez on the bus go round and round.."
|
||
"Who gave you the number, whoops?"
|
||
"A chyck is in here?"
|
||
"I have my tongue up your butt, whoops..."
|
||
"Great." said whoops. "So who is in here?"
|
||
"Edicius."
|
||
"I thought you were Odysseus." I said.
|
||
"I changed my mind." Edicius retorted.
|
||
|
||
"Well, you all know why you're here." one voice boomed over the rest.
|
||
"We'll skip order #1: paper or plastic? and go directly to order number two.
|
||
Our world is being threatened, friends. It used to be that zines were used
|
||
for the transportation of knowledge and insight, for innovation and
|
||
ingenuity. But today, this age-old trading of t-files is being destroyed.
|
||
Pip the Angry Youth is threatening our way of life by distributing anti-zine
|
||
propaganda. Worse yet, he runs a zine that only consists of horrible poetry.
|
||
And get this - the population actually seems to LIKE it. My theory is that
|
||
Pip has gotten ahold of some kind of new technology, to somehow throw
|
||
sublimital messages into their zine. Because, honesty, there is NO WAY
|
||
anyone in their right minds would LIKE Going Ape Shit Press, this text file
|
||
group. So, something must be done. I open up the topic to the floor for
|
||
discussion."
|
||
|
||
"Let's kill him!"
|
||
"Too messy."
|
||
"Let's flash him!"
|
||
"Let's steal his fruits and vegetables...!" Whoops cries out.
|
||
|
||
Everyone stared at whoops. Whoops blushed.
|
||
|
||
Soon afterwards, they all started talking at once, and started pressing
|
||
those buttons on their belts again, and high shrieking noises went through my
|
||
mind as they did this. I couldn't handle the noise any longer. I ran out
|
||
the back door.
|
||
|
||
|
||
6.
|
||
|
||
|
||
(Enter deep, meaningful, post-structual nonsense here)
|
||
|
||
Some people say dogs act just like their families.
|
||
|
||
My dog sits at the window all day, staring out. Wishing he could
|
||
be outside. When he gets to go outside, he is very happy. He runs around
|
||
and plays and chases rabbits. Then he has to come back inside, where he
|
||
runs around a little bit and sits by the window, to stare out for the
|
||
rest of the day.
|
||
He is trapped inside of a world that he does not belong in; he
|
||
belongs outside, hunting, eating, frolicking. Yet he stays hopeful,
|
||
knowing that he'll sometime soon be outside again, to hear the birds, to
|
||
feel the wind.
|
||
|
||
|
||
7.
|
||
|
||
|
||
I roamed around over the bridges for what seemed to be a few hours, but
|
||
all the doors I found were locked, or required access codes and "new user
|
||
passwords" I didn't know of. I felt like I was inside the atm world of hell.
|
||
Retracing my steps, I went back to the conferance, to see if anyone there
|
||
might be able to help me out.
|
||
Getting close to the building, I heard a loud, continuous tone booming
|
||
from inside the meeting hall. When I got in, I saw a scene of carnage too
|
||
expensive to dramatize in a horror movie. The bodies of the people had their
|
||
instestines splattered around the room. The heads of the victims were all
|
||
severed from their bodies, and put in a circle on the table, all staring at
|
||
each other. The loud tone was coming from one of the bodies, that was
|
||
hunched over a telephone of some sort.
|
||
For some reason, I had a strong feeling that I should not be there at that
|
||
moment.
|
||
I looked around, and in the middle of the cicle of heads I found a small
|
||
note. it read:
|
||
|
||
~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~
|
||
|
||
Frosty the 'Ho man
|
||
|
||
Frosty the 'Ho man
|
||
Don't need no welfare check
|
||
With his big cigar
|
||
And a cadilliac car
|
||
And Fort Knox around his neck
|
||
|
||
Frosty the 'Ho man
|
||
Put a bitch on every block
|
||
First he found them dates
|
||
Then he set the rates
|
||
4o bucks she'll suck 'yo cock
|
||
|
||
There was a bit of trouble
|
||
When those college boys came 'round
|
||
They tried to give ol' Frosty shit
|
||
so he had to lay him down-POW!
|
||
|
||
Frosty the 'Ho man
|
||
Is the pimp's pimp so they say
|
||
Making cold-hard cash
|
||
Peddling hot street gash
|
||
It's like christmas every day!
|
||
|
||
-counterpoint (GASP)
|
||
|
||
~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~
|
||
|
||
At that moment, a man dressed all in black entered. He had a long black
|
||
trenchcoat on over his black jeans and black T-shirt. He flashed me a broad
|
||
smile. Then, holding his trenchcoat, he flashed me in a different way.
|
||
As he opened his trenchcoat, a giant creature sprang from inside of him at
|
||
me. It was black, and looked a lot like the pictures of the devil you are
|
||
shown as a kid, only without the horns. The demon-like form opened its mouth
|
||
wide and engulfed my entire body. By this point, I was screaming like a
|
||
little girl. I think I wet myself.
|
||
All around me were spinning letters and numbers and symbols...and loud
|
||
beeping was ringing through my brain, neverending...
|
||
|
||
|
||
8.
|
||
|
||
|
||
I couldn't tell if I had been knocked out or not. The next thing I
|
||
remember is opening my eyes to see strange shapes flying all around me. I
|
||
would walk around and slam into walls, not seeing them. All I saw were
|
||
symbols racing about.
|
||
I felt around for that box on my belt, and when I found it, I rapped on it
|
||
a couple of times. That didn't help much, it just hurt rather badly. Then,
|
||
I flipped a few switches. When I hit a third one, everything went black.
|
||
And when I flipped it back on, I could see everything normally again. The
|
||
wonders of modern technology.
|
||
I was still in the meeting hall, and everything looked as it had before.
|
||
The man in all black had disappeared. I sat down to rest for a moment... I
|
||
may have fallen asleep, or I just closed my eyes for a moment, I couldn't
|
||
tell which.
|
||
I was roused by a loud screech for help echoing through the halls. It was
|
||
a painful cry, one that sounded like a child putting all his energy into the
|
||
yell. I got up and went outside to see what was going on.
|
||
Two men were throwing around a kid, pushing him in between themselves.
|
||
they were having a joyful time doing it. The kid was obviously very scared.
|
||
Both the men were dressed in black trenchcoats.
|
||
I wasn't sure what to do. I knew that these guys probably had big
|
||
monsters under their coats as well, and would probably knock me out as the
|
||
other one had. Yet, I had this strong urge to take my stand as the
|
||
protagonist of this story. Oh, decisions, decisions.
|
||
"Leave the child alone." I boldly commanded.
|
||
The two men looked at me, and smiled an evil grin in my direction.
|
||
"Hey boys, we've got a 1200 bpser on our hands." one of them said. They
|
||
both laughed.
|
||
After he said this, from every nitch and corner came out guys dressed in
|
||
black. I counted about 20 of them total. I think I wet myself.
|
||
They were all approaching me, all smiling, all walking up to me. They
|
||
held onto their trenchcoats, waiting to have talk_daemons spring out at the
|
||
move of a hand.
|
||
Needless to say, I felt a bit nervous.
|
||
|
||
|
||
9.
|
||
|
||
|
||
I did the only thing a respectable young adult would do in a situation
|
||
like this. I ran for my life.
|
||
They were all screaming and running behind me, but I think all their
|
||
hardware on their bodies slowed them down... until I saw a few of them press
|
||
a button on their belts. They suddenly were moving ten times faster than me!
|
||
There was no chance I was going to outrun these guys.
|
||
I turned around, took in a deep breath, and charged them. I ran directly
|
||
into one of them, sending him flying to the ground (with me on top of him).
|
||
They surrounded me and picked me up by all fours.
|
||
By the way they were carrying me, I thought they were going to rip me limb
|
||
from limb. They were spinning me around and throwing me across the alley we
|
||
were in, then running and picking me up, and throwing me again. Lots of fun
|
||
for them, but it was giving me quite a backache.
|
||
"All right, enough is enough. Let's finish him off." one of the larger
|
||
ones said. Most of them pulled out screwdrivers, and were generally looking
|
||
quite menacing to me. I think they were ready to take me apart piece by
|
||
piece, to dissect me alive. I wet myself.
|
||
"Your bones got a little machine..."
|
||
Guitar riffs filled the air. The trenchcoat guys, stunned, looked around
|
||
confused. It gave me time to grab a screwdriver from one of them and look
|
||
like I'm defending myself with it.
|
||
From behind one of the trenchcoat bearers, a man appeared, grabbed him,
|
||
and broke his neck. "Fucking poseur haqr freaks." he grunted.
|
||
I stabbed one of the trenchcoat men in the back, and he yipped out in
|
||
pain. "Hey.. what'd you do THAT for?" he whined, and ran off. Maybe these
|
||
guys weren't as ruthless as I thought.
|
||
By this time, the strange man dressed in sliced jeans and a T-shirt with a
|
||
fat bald guy with a crown on top of his head had taken out a large cleaver
|
||
and was slicing up the coated men one by one. They surrounded him, but he
|
||
beat them off by kicking them and pushing them away.
|
||
In a few minutes the ground was layered with black trenchcoats, blood, and
|
||
plenty of bodies.
|
||
The strange man yawned.
|
||
"Uhm... thanx..." I said to him.
|
||
"You better take one of those trenchcoats... it will protect you from
|
||
those fucking haqr idiots... they won't be able to flash you anymore."
|
||
"All right.. thanks.." I said, as I grabbed one of the less bloody ones
|
||
and put it on. It felt disgustingly sweaty and warm.
|
||
"Well, glad to help. I'm outta here, forever now.."
|
||
"WAIT... where are you going?"
|
||
"I'm going to go get a life. The scene here just plain sucks as of late."
|
||
"Who are you?"
|
||
"I'm Black Francis...But you can call me frannie. Everyone else and their
|
||
mother does."
|
||
"Who were those guys?"
|
||
"Them... they're hackers. They're part of the reason the scene is the
|
||
shit it is. They run around, pretending they know what they're doing, when
|
||
all they do is run around saying 'I'm a better hacker than you!!!'. Half of
|
||
them couldn't hack their way out of a paper bag. Of course, I could. Don't
|
||
give me that look. Want me to prove it?"
|
||
"No.. that's ok. I believe you. So... Any hot chycks around here?"
|
||
Frannie stared at me.
|
||
"Ok, nevermind... do you know anything about a guy named GASP? or a guy
|
||
named Mohgull?"
|
||
"GASP isn't a guy, it's a shitty zine that pretends its as good as the
|
||
rest, when all it really is is horrible poetry. Mojile? You must mean mogel.
|
||
He's a good friend of mine, why?"
|
||
"I was told I should talk to him."
|
||
"Oh. Well too bad. He is in hiding because a lot of people want him
|
||
dead. So he won't be around to talk to for quite a while."
|
||
"Oh. That sucks."
|
||
"Yeah, people want me dead too, but fuck them... I'll fight the punks
|
||
until my last dying day. Stupid fucks. Ok, well, I guess I can trust you...
|
||
I'll show you where Mogel is... but then that's my LAST fucking appearance in
|
||
this shitty story, got it? I'm OUTTA here after that."
|
||
"Yeah, of course.."
|
||
"Before all that, though, we need to get you a new modem. 1200 baud is
|
||
not going to do. Follow me."
|
||
Frannie led me to a large store that said "MODEMZ FOR SALE!@#!@#!@#" on
|
||
the head of the building. We walked in, Frannie grabbed a large 28.8 and
|
||
beat the storekeeper to a bloody pulp with it. Then he handed it to me.
|
||
"Time to ride first class." He said and smiled.
|
||
I attached the thing onto my belt, discarding the 1200 baud modem I had
|
||
previously had on. I set the gague to v.FAST. I walked around a little, to
|
||
try it out. It felt good, I was almost as light as air in this thing. I
|
||
nodded to Frannie and we left.
|
||
"Jamesy, you don't know how good it will be to get back into the real
|
||
world. I've been rotting away in here way too fucking long. The first thing
|
||
I'm going to do when I get out is get laid. 5 orgasms in one night. That's
|
||
my plan. Then, after that, I'm going to find the members of my band and
|
||
we're going to produce a demo tape. Two demo tapes. And we're good, too.
|
||
We might go pro. It's gonna fucking kick ass."
|
||
"Well, here we are. Mogel's sweet abode." The door was cracked open, so
|
||
we went inside.
|
||
|
||
|
||
10.
|
||
|
||
|
||
"Oh Fuck. Don't tell me I'm going to have to stay here for another
|
||
fucking section of this story." Frannie whined. He had picked up a note off
|
||
of the living room table, read it, whined, and handed it to me:
|
||
|
||
___________________________________________________________________
|
||
| |
|
||
| We have m0g3l pr1s0n3r@#!!@#!@#!@#!@#@#!!@# |
|
||
| were making him sign a paper that says h03 sux@#!!@#!@#!@# |
|
||
| phear pip!@@#!!@#!@#@#!!@#!@# |
|
||
|___________________________________________________________________|
|
||
|
||
"God fucking damnit. God damn fucking damnit. Shit fucking damnit. I
|
||
don't want to be here anymore. Can you handle this without me? I REALLY
|
||
want go get laid..."
|
||
"Sorry... I'm gonna need some help..." I asked him as nicely as I could.
|
||
"Fine. Shit. Fucking mogel. always getting himself fucked up. Doesn't
|
||
he understand I have fucking problems too? Jesus Christ."
|
||
"... Where can we find him now? He could be anywhere.."
|
||
"Naw. The GASP people aren't creative for shit. Like every other
|
||
adventure story, he's being held at the GASP headquarters. They're expecting
|
||
us to go rescue him... <sigh>... which we will. I fucking hate GASP."
|
||
"Will we be able to stop them?"
|
||
"I don't know.. they're pretty powerful... but, then again, they're also
|
||
pretty stupid... so we'll figure something out. We'll also have the pEz
|
||
posse on our side."
|
||
"The pEz posse?"
|
||
"Yeah, all the pEz members... along with we can get all the hoe members...
|
||
then we'll have an army. They'll never be able to stop us then."
|
||
"Oh. Ok. Sounds good to me."
|
||
"But then again, rumor has it that pip has developed a new kind of weapon,
|
||
it's called the drooler... it's a giant robot that runs around kicking people
|
||
so hard their bodies are knocked inside out."
|
||
"That must hurt."
|
||
"You know it. But hey, what do we have to lose, we're the heroes of this
|
||
story, we CAN'T lose, remember?"
|
||
"Well, remember that this is the 90s, the age of nihilism revitalized."
|
||
I mentioned.
|
||
"Fuck you. Like I wanted to hear that. Stupid Fuck. I bet you listen to
|
||
NiN." he retorted. Frannie went into a large room with a bookcase and a
|
||
large red phone. He picked up the red phone, pressed a button, said
|
||
something like "We need you, get your sorry asses over here." and hung up.
|
||
Then, he took a statue of Bill Gates, and threw it against the wall. Somehow
|
||
this triggered a device that made the staircase move, revealing two poles
|
||
going downward. I always was bad at sliding down poles when I was little,
|
||
so I landed on my ass. When I got up, I saw we were in a large underground
|
||
cave.
|
||
"The hoe cave.", Frannie told me, "And this... is the h0em0bile." It was
|
||
a Powerwheels, and red. I hopped in Frannie's lap, and he pedalled us toward
|
||
the GASP hideout...
|
||
|
||
|
||
11.
|
||
|
||
|
||
"God fucking bitch cunt. Flat tire."
|
||
Black Francis was right. Somehow, the big plastic red tire in the front
|
||
had gone flat. It looked like we were going to have to walk the rest of the
|
||
way to the GASP headquarters.
|
||
"The GASP headquarters is in that airport terminal over there.. it'll only
|
||
be a few minutes until we get in. They hide in the broom closet. That's
|
||
where the GASP poetry comes from, writing in the dark. They usually can't
|
||
read it after they've put it down on paper, so they just rewrite it with
|
||
whatever words seem to look like the lines scribbled down."
|
||
We entered the terminal, and I already had a fishy feeling that we were in
|
||
for some trouble. Perhaps it was the trout sloshing around in my pants.
|
||
"Care for a flower? Are you interested in learning about the brotherhood
|
||
of Hari Krishna?"
|
||
Black Francis pushed the man aside, and kept on walking.
|
||
"Care for a flower? We would like to tell you about Jehovah and his.."
|
||
Black Francis took the man by his hair and punched his lights out.
|
||
"Care for a demo tape? Its a fukkun new punk band, called 'I'm a female
|
||
choda"..."
|
||
Black Francis whipped out his cleaver and sliced the punk into many
|
||
suggested serving sizes.
|
||
After wiping off his cleaver, he pointed to a door. "That's it. That's
|
||
their hideout."
|
||
I was amazed. "But... frannie... see that picture? That's the woman's
|
||
washroom."
|
||
"It's just a facade. Have you seen any women go in there?" He's right.
|
||
I hadn't. A woman walked into the bathroom.
|
||
"She's a decoy. Come on, before they notice us.." Frannie whispered to me
|
||
as we slowly snuck into the room.
|
||
Went we got in, we heard shrieks and screams. I never realized purses
|
||
could be so damn painful to be hit with.
|
||
"All right, so I was wrong. That's got to be it!" He pointed towards a
|
||
door that said "EMPLOYEES ONLY".
|
||
We tried to open it, but it was locked.
|
||
"Hmm. I know. We must need the skull keys!"
|
||
"The.. what?" I asked.
|
||
"The Skull keys! haven't you ever played ultima 5?"
|
||
"OH. the skull keys. All right, where do we get them?"
|
||
"Some guy in Serpent's Hold sells them to you."
|
||
"Oh. We're in New York, aren't we?"
|
||
"I think so."
|
||
We stood there, thinking out ourselves a plan of action, but nothing came
|
||
to mind. Luckily, we heard the door unlock and it opened to slam into
|
||
Frannie's face, knocking him backwards.
|
||
Out walked a small man, wearing a nine inch nails shirt and a pair of
|
||
black leather pants. Thousands of young kids mauled him, asking him for
|
||
autographs and his sex.
|
||
"That's him!" Black Francis yelled to me through the crowd that was
|
||
forming.
|
||
"Who? Trent Reznor?" I screamed back.
|
||
"Fucking dick! it's Pip! Pip the angry youth! get him!" Frannie screamed
|
||
to me. I charged Pip and knocked him to the floor. He squealed for his
|
||
mother. I had him pinned down as frannie came over with his cleaver and
|
||
brought it up to his throat. The crowd was amazed and quite mad at us, but
|
||
wasn't trying to stop us.
|
||
"So, you stupid god damn pussy cock dick? You gonna tell us what's going
|
||
on or are we going to have to just cut yer head off?". Black Francis was
|
||
sounding more like a pirate every time he spoke. He was obviously having fun
|
||
with this situation.
|
||
"Ok! Ok! I'll tell you anything you want to know! Just don't hurt me!!!!"
|
||
pip whined out.
|
||
"What have you done with mogel?" Frannie demanded. I noticed how cute
|
||
Black Francis was when he was mad.
|
||
"I don't know! I don't know! they won't tell me!"
|
||
"What do you MEAN, they won't tell you? You're the GASP prez!"
|
||
"Yes, but this isn't my doing! GASP is being controlled by a higher
|
||
group!"
|
||
"What? What Group?" I demanded, trying to act as forceful as frannie.
|
||
"I don't know, even that I don't know... all I know is that it has
|
||
something to do with grape nuts..."
|
||
Grape Nuts? We were certainly lost now. How could Grape Nuts have
|
||
anything to do with anything?
|
||
"Grape Nuts?" Frannie said. "Ahh! I know!"
|
||
Frannie always knows. That's why he's a main character in this story.
|
||
"Grape Nuts is the headquarters for all of M0rpheus' evil doings!"
|
||
"Morphiousos? who is that?" I asked politely.
|
||
"Morpheus is an evil hax0r! We must stop him!" Frannie screamed.
|
||
"How?" I asked.
|
||
"Oh. I don't know." Frannie said.
|
||
Suddenly, out of nowhere, the ceiling crashed in. Giant robots came
|
||
flying down, shouting "AND WE'RE ALL LIKE BUGS" over and over. They had
|
||
their eyes on us.
|
||
|
||
|
||
12.
|
||
|
||
We didn't think we had anywhere to turn. It looked very bleak for us.
|
||
The robots were closing in, and we had nowhere to turn.
|
||
|
||
"Well, how are you gonna get us out of THIS ONE?" I asked Frannie.
|
||
"I can't. I quit." Frannie said angstfully, and disappeared from
|
||
existence.
|
||
Pip laughed and ran away to go write poetry in California.
|
||
Morpheus is now a congressman, fighting for family values.
|
||
And me, well, the robots closed in on me and are still here today,
|
||
following me everywhere I go, making sure I don't have my own thoughts and
|
||
making sure they annoy me with every step I make. If I do anything they
|
||
don't like, they kick me. And it hurts. Just for writing this damn file,
|
||
I have bruises all over my lower body.
|
||
Mogel was never found. Some say he died. Others say he started up a new
|
||
group with Black Francis that never became that popular. I don't know,
|
||
because the robots don't let me find things like that out.
|
||
So life goes on, and as I sit here finishing up this tale of our favorite
|
||
scene's armageddon, just remember my story anytime you want to write a bad
|
||
essay about how much the scene sucks, and remember that we already know that
|
||
already, so you can shut the fuck up. Thank you, and god bless you.
|
||
|
||
-eof
|
||
|
||
[-----]
|
||
|
||
%
|
||
|
||
Message from demonseed@monster.truck.net at 17:19 ...
|
||
talk: connection requested by demonseed@monster.truck.net.
|
||
talk: respond with: talk demonseed@monster.truck.net
|
||
|
||
% talk demonseed@monster.truck.net
|
||
|
||
______________________________________________________________________________
|
||
|
||
[Connection Established]
|
||
|
||
Why Hello there, Mogel.
|
||
|
||
> my god. it's you! demonseed! you're real! i thought you were just a
|
||
figment of swamp ratte' imagination!
|
||
|
||
No, Mogel. You're wrong. DEAD WRONG.
|
||
|
||
> nO! demonseed!@ i've been good! i'm MOGEL! people PHEAR me! you
|
||
_can't_ be coming to kill me!
|
||
|
||
Fortunatly for you Mogel, I've simply come here to deliver a message to you.
|
||
I'm not here to kill you...yet. I've been watching you, Mogel. I've been
|
||
laughing at how hard you try to talk to cDc people. The almight t-file is
|
||
*bigger* than cDc by a thousand times. I mean look at this file here! Even
|
||
this conversation is a rip off cDc #200. Listen, you've tried a noble effort
|
||
with HoE, and it failed. This next attempt will be your fate. I'll be
|
||
keeping a close watch on you, Mogel. If you screw up on this next 'zine, I
|
||
won't be so merciful. You know what happened to Studmuffin of VaS right?
|
||
|
||
> I thought he disappeared and like ODed or something.
|
||
|
||
Oh, it looked oh-so-innocent. "He was just high-off-his-ass and ran in front
|
||
of a passing monster truck in the middle of his lawn," they said. They
|
||
didn't even realize it was me. God, I love morons.
|
||
|
||
> You mean YOU killed VaS?
|
||
|
||
Yes, and if you fuck up this next time, you'll suffer a similar fate. Those
|
||
cDc boys play dirty, so it's beat 'em or DEATH. If you don't prove yourself
|
||
this next time, I'll bring your crushed head on a stick to the next HoHoCon.
|
||
"Did you see Mogel's head?!" all the warez geeks will say. DO YOU WANT
|
||
THAT?
|
||
|
||
> N0@!# never!@# I'll show you@!#
|
||
|
||
Good. Head my warning. Gather up as many people that phear you as possible,
|
||
and go forward with eliteness. You've got a lot of potential, Moggie. Don't
|
||
let me down. And Just to make sure that you follow through, I think I'll be
|
||
rm-ing HOE.ORG. I hope you don't mind. Take care, Mogel. Remember - Every
|
||
move you make, I'll be there.
|
||
|
||
_____
|
||
6/ ^..^
|
||
\_____(oo)
|
||
WW WW \
|
||
oink you! yr6t^YR-@YHRT&**Yhgh
|
||
ELQPP#@ edsr fdg ghdfgh
|
||
$E)@_RF:RF f DFG \df g gbnGFHFG
|
||
\F LEFL dv.f dfg
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ge;4SETEgf oSC adfg
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Connection closed by foreign host.
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| Be There for the next level. TacoLand! (215)750-0392. Coming Soon. |
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|=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=|
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Copyright (c) 1995 HoE Publications. All rights Reserved. #90 --> 07/25/95
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Byebye.
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