3437 lines
153 KiB
Plaintext
3437 lines
153 KiB
Plaintext
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________________________________________
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/// \\\
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||| `Y88P' `Y88P' ,oQ88Do, `Y88P"`"YP |||
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=-==========|= 88 88 d8P' `Y8b `88' ' =|===========-=
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||| .,$8ooooo8$ 88 88 .,88o8 |||
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||| 88 8b 88 88 88 |||
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=-==========|= 88 88 Y8b. .d8P .88 . =|========ks=-=
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<%$#@ ||| ,d88b, ,d88b, `"Y88P"` ,d88b,.,db ||| @#$%>
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<%$#@ @#$%>
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<%$#@ -90- @#$%>
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<%$#@ @#$%>
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<%$#@ "The Final Jammy" @#$%>
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<%$#@ @#$%>
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<=====================================================================>
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telnet> co hoe.org
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Trying...666.174.2.1
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Connected to HOE.ORG..
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Escape character is '^]'.
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Welcome to the Place Where Piggies Frolic
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"Oink! Oink!"
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elite login: mogel
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sekrut werd: fuck_me_sideways
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w00t!@# yEr k0dEz wERkED!@
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y0U'Ve eNtERR'd dE eLYTe pLACE!@
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.ad$a.
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`D$$$a $$$$ .a$$$$$$a. .ad$$a. .a$$$$$$a. $a.&$$$a. .a$$$$$$a.
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`$$$$ $$$$ $$$' i$$$$ $$$$P' $$$' i$$$$ $$$' $$ $$$' `$$$
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$$$$$$$$$$$ $$$ d$'$$$ $$$ $$$ d$'$$$ $$$ ,$$ $$$
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$$$$$$$$$$$ $$$e$' $$$ $$$$ $$$e$' $$$ $$$$$$$$' $$$ $$$$$
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$$$$ $$$$ $$$$' ,$$$ $$$' .@@@, $$$$' ,$$$ $$$' $$$ $$$. ,$$$
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$$$$ $$$$ `D$$$$$$P' $$$$$$a. @$$$@ `D$$$$$$P' $$$ $$$ `D$$$$$$P'
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$$$' `@@@' $$'
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$$' $'
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$'
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Last interactive login on Wednesday, 22-JULY-1995 10:05
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You Have 2 New Mail Messages.
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Yes, You still have your appendix.
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% mail
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Welcome to the FUNK E-Mail reader V4.9-2
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email> read 1
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______________________________________________________________________________
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From sheik@ndts7.pt06.ndsu.NoDak.edu
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Date: 19 July 95 01:46 PDT
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Subject: Invitation to #warez2
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I would like to formally invite you to the #warez2 channel located on
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IRC! Our staff is dedicated to provide safety and fun for your pleasure. I
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am Sheik, the security chief for all of the channels that include: #warez2,
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#warez3, #warez4, #warez5, #warez6, #warez7
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Our channels are dedicated to allow free transfer of any and all
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copyrighted software. In the new electronic age, the authorities really
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don't give a shit about our activities. We transfer games, applications, and
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utilities for DOS, Windows, OS/2, and WinNT/95.
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Our goal is to allow everyone to trade files freely. My job is to
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make sure the channels stay safe and secure while everyone exchanges their
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latest versions of Microsoft Office, Sim Town, Comanche CD-ROM, Warriors
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CD-ROM, and Quantum Castle. There are, of course, many other applications
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and games that everyone is exchanging online IRC.
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Is this illegal? Yes. Does anyone care? No. So come on and drop
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by our channels and exchange some software! We might even give you a few
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Warez FTP sites just for being there.
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#warez2 is open most of the time. If you can't get in there, just
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ask myself (Sheik), or any of my channel assistances:
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asylum, Lyrch, lsi, Vortex-, devan, SprinT, claim, PeLe_, LeStaT_
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WAngel, Xtream, ZED, fuct, fet, Stumble, ByT0R, v0ntrips, TCB
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Cassidy, [Rain, BlAcKLiTE, PeNNyWisE, Phantasy, PRiME, Mal_2
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Our channel bots are: GdAnGuS, GdAnGi, SiteServ, and many others.
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The more public channels: #warez5 -> #warez9 are always open.
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I hope to see you down in our channel. We can always use the help
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of exchanging files... plus it's fun and you'll meet new friends!
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See you there! Also, I am using SLIP right now, so you will not be
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able to respond back via e-mail. Please meet me online IRC, or see me in the
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channel.
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--
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The Sheik
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Security Chief for #warez2
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Co-Assistant is "asylum" at dpotter@theodolite.ae.calpoly.edu
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"Trade warez all day long; it's what the Internet is for!"
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______________________________________________________________________________
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email> read 2
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______________________________________________________________________________
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From everlast@aol.com
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Date: 29 July 95 04:46 PDT
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Subject: hey mogel!@#
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Hey Mogel!
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This is quite a blast from the past and all, but after all this time,
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I've finally got net access! boy, that bbs world stuff is so limited! now
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I can find more bomb files and learn much more! So how's HoE? I've heard
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you guys got a lot bigger, and even without me! I can't wait to see the
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kewl stuff that has come out of HoE since I wrote my ping pong bomb file back
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in #7. I was thinking of doing an supplement file to that. What do you
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think?
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Please reply,
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Everlast
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______________________________________________________________________________
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email> del 1
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email> del 2
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email> exit
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% nn
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Now Entering l0ZeNET.
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Better than UseNet.
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NEWSRDR V7.2-6
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Copyright <20> 1995 HoE Inc. All Rights Reserved.
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%NEWS-I-CONNECTING, connecting to NNTP server funky-rad.net
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%NEWS-I-NEWGROUP, found new group alt.gr33nday.ph0rever
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%NEWS-I-NEWGROUP, found new group alt.nerdy.doctor.diagnostics.prenatal
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%NEWS-I-NEWGROUP, found new group alt.bah.sucks
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%NEWS-I-NEWGROUP, found new group alt.insert.random.group.here
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%NEWS-I-NEWGROUP, found new group alt.hoe.die.die.die
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%NEWS-I-NEWGROUP, found new group bionet.chicken-sex
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%NEWS-I-UPDATING, locating unread articles; please wait...
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3 new articles in newsgroup alt.hoe
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5 new articles in newsgroup alt.angst.for.donuts
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645648 new articles in newsgroup alt.2600
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6 new articles in newsgroup alt.fan.warez
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3 new articles in newsgroup misc.writing
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2 new articles in newsgroup alt.religion.rudabega
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News> group alt.hoe
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%NEWS-I-GRPSET, current newsgroup now alt.hoe
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-NEWS-I-GRPINFO, articles [398,400], 3 unseen
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News> read
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______________________________________________________________________________
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alt.hoe article 398 of [398,400] (2 unseen)
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From: mogel@hoe.org (Mogel)
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Subject: The Fate of HoE.
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Organization: HoE Publications
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Lines: 153
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Okay, l0zERz. The news is official. HoE is DEAD. Deal with it.
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Yeah, it's ninety issues and and one year later. Looking back over the
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last year it amazes me how much has changed around me since i started up this
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stupid damn e'zine back in time. It hasn't just been the world - it's been
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the changes in this 'zine, the computer people that i talk to, and of course
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my _real_ life that have been so inconceivably drastic since the mark of
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HoE's inception that it's almost too much to think about and reflect on.
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So I won't.
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The purpose of this post here is to inform you of a few things. It's
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basically going to talk about the history of HoE and some of the
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behind-the-scenes quirky things that have gone on, that should be put in here
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before they are forgotten. We're also going to talk about what HoE is
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completely about in the past and present. Finally, I'm going to give you all
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the meaty gossip on why i'm killing HoE once and for all and what's in store
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for me and the HoE-Team in moving onto a brighter day for the e'zine world.
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Of course, before any of this, there's people that have made my year in
|
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the e'zine publishing "business" a lot more enjoyable. So, now here's a very
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condensed list of some of the people that have made me extra happy relating
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to HoE in the last year. Yes, I do gr33t people that have nothing to do with
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HoE that i just lublub. If I forgot anyone that should have been included,
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please harass me when you see me, or take credit for it with the gr33t to
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"godd(+d)," so thanks for the existence and persistence of h0e (for better
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or worse) go to:
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abigwar, acid warlock, alex swain, ascii express, basehead, beaner,
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beck hansen, black francis, black sunshine, boogeyman, captain hook,
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chal e. mac, change, charlie, chickenlord, corrosion, crank, cstone,
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curious george, cyberelf, dark phiber, dash, dead cheese, death veggie,
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defiant, demonika, disorder, dr. hate, drunkfux, edicius, eerie, epicac,
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erikb, franken gibe, gausep00, godd(+d), guido sanchez, grayarea,
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greg aubel, half-baked, im2k4u2c, inner logic, invalid media, invisible man,
|
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i wish i were nathan, james hetfield, jason farnon, juliet, kamui, kaos,
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killer wombat, kidknee, killgore trout, k0rrupt, k-spiff, lady carolyn,
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lobo, logik, lucifuge, lucky, mad arab, mistawho, m0rpheus, mr. brownstone,
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mr. sandman, murmur, neko, nitro187, nykia, nymph, obscure images,
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pandemonium, panther modern, paradox, pale, phaedrus, pip the angry youth,
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psycho santa, psychotic pyrotic, puck, rattle, ring master, rush 2, sage,
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sinister sheep, spiff, scooter, scared poet, sed, shadow tao, slave, slater,
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socrates, spooky, subzero, sunspot, swallow, syrinx, thalassocracy,
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thanatos, the anarch, the chief, the gnn, the guest, the professor,
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the raver, the stranger, u4ea, valgamon, velocity girl, violent femmes,
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visioknight, voodoo child, vyrus, whisper, whoops, winona ryder, wiz of id,
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x, xgirl, y-wind0ze, zippy, zorro.
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At any rate, you can't do anything but smirk in that i'm-so-cool way when
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you look back upon the history and moronics of HoE. And, yes, believe me, I
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do.
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When I was sitting on my BBS as a lowly t-file l0vin' sysop the idea
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sprung to me of something rad I could do to basically kill a lot of time (I
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was a lot less busy then). I decided for "the hell of it" to create a
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"RAD!@#" t-file group. "I L0V CDC AND BLAH@!# I CAN BE JUST LIKE THEM!@#"
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I thought. Note: at the time I only had up to cDc 100 and BLaH 20. Shrug.
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At any rate, so HoE began. If you look back to everything from the attitude
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to the headers, it's all a total BAD cDc rip. Ugh. It literally pains me to
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read that old stuff. And of course, those anarchy texts weren't really what
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I "wanted" for h0e way-back-when, but I dunno.. I wanted something "ayche
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pee" at the time to be in the mag, and I knew that *SO* many cheesy t-files
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had been written repeating the same information over and over again, and many
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times it was even wrong info. Stupid, Stupid. So I took what I got, as lame
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as it was. Yeah, sadly I can't turn back time, so there they are, HoE #3 and
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#7, b0mbs and all. Heh.
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Already up to issue 11 in the releasing thing. I played the "h0e r00lz!@"
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routine totally, but even then i knew it sucked. Why did I continue? I have
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no idea. But then I ran into Abigwar and he posed an interest in HoE and
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began writing. He was basically what kept h0e alive then, and he wrote many
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of those files in the 20s and 30s. Many still give me a chuckle, like the
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"Proof on the Questions!" file. For a time then I really began to dig HoE
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and actually take a little pride in the 'zine. We had a buncha people that
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"showed interest" and we were releasing wacky t-file after wacky t-file. It
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was around this time that I starting calling places like DRU and /<ingdom of
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Shit [cDc] and schmoosing my heroes of cDc. Of course they didn't want to be
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sucked-up to, and in my eyes I was honestly telling them how much they
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"inspired me," but I suppose they didn't get it really, and some cDcers today
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actually rag on me for it. Why? I dunno. I guess they like that ego-thing
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(coughladycarolinecoughomegacou). Whatever. I wrote and communicated with
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Swamp Ratte' a bunch and wrote some cDc files that probably won't get
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released for years since the delayed unreleased submission files on SR's hard
|
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drive number close to 200. cDc = exclusive and inconceivably slow at
|
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releasing.
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Anyway back to HoE. We were releasing these wacky t-files and at some
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point in time i think we got a little t0o wacky. It just seemed like I was
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caught up in the releasing thing and not the "quality-control" thing
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(although we were _still_ better than gasp :>, well, not like that's hard to
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do). Whateverthecase, one of the writers that I really respected, Corrosion,
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yelled at me and was >THIS< close to quitting h0e. So I actually thought
|
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about it and he was right. When people look back and read h0e it's all gonna
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be a big buncha crap. No one's gonna give a fuck. So, at #45 we started
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the new release-them-in-packs format which seems to have worked very nicely.
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I put on a real quality control. I didn't release anything I didn't honestly
|
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like anymore, and so, after that point HoE began producing some neat files.
|
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I am actually proud of a few HoE files, which is really something for me.
|
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As my life changed, I moved to college, and Black Francis basically saved
|
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HoE. He put up his board and continued supporting HoE as the WHQ and e'zines
|
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in general by producing his rEd/pEz (which I wrote for). pEz is some amazing
|
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stuff. Anyhoo, I owe so much to frannie I can't even begin to tell you.
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When I'm a famous movie director, he will be getting monthly installments of
|
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money.
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HoE #61-89 were pretty damn neat. Since HoE's inception the ideas that
|
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have been building up in my head finally came out in one incredibly gratifying
|
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writing spew which ultimately became my "mE t0o!@" file. The last HoE release
|
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is on _such_ a different plane than when HoE started it blows my mind.
|
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"So why the hell are you giving HoE up, Moggie?!@"
|
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Well, to be honest, in my attempt to be different from cDc, I failed.
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Anyway, HoE basically became "just like cDc except anyone could submit good
|
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stuff to it and actually get it out in the same year." HoE wasn't exclusive.
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|
"Isn't that enough difference??" Spiff asked me. No Spiff, evidently it's
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not, since even after the last release, HoE _still_ wasn't pulling in a
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number of writers that I wanted. I guess I expected writers too poof out of
|
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no where magically. I think I had this phantasy that there was all this
|
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untapped talent out there waiting to come out in cyber-g33x. Yes, I was
|
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wrong. It takes a very special personality to be a continually productive
|
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t-file guy.
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So, as sad as it is, it's all for the best that HoE dies. We just weren't
|
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getting the attention. But, that's okay though. Why? Because I've only
|
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just begun to fight. Seriously. HoE and pEz were just the first stepping
|
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stones for us in the e'zine world. It was a "practice" if you will.
|
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All of our problems are being solved from this point forward, as very soon
|
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you'll be seeing a brand new e'zine, with it's own original format. pEz/HoE
|
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attitude intact, with a lot of style. The best part is the line up. We've
|
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got all kinds of intelligent, productive guys, that are ready to write for the
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new e'zine.
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Black Francis - Mogel - James Hetfield - Eerie - Murmur - Shadow Tao
|
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Neko - Sed - Thalassocracy - IM2K - Dead Cheese - Silver Jew
|
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...and many more.
|
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We're not only going to change things a lot, but it's my goal to make cDc
|
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eat their words. They _will_ phear Mogel.
|
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So, I bid you goodbye, and I'd like to say thanks to everyone that
|
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supported us and stuff.
|
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You ain't seen nothin' yet.
|
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*sMEWCh!@*,
|
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Funk-Mastah Mogel
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______________________________________________________________________________
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|
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News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.hoe article 399 of [399,400] (1 unseen)
|
|||
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|
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|
From: jamesy@hoe.org (James Hetfield)
|
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Subject: my sekrut phantasee!
|
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|
Organization: l0ck wannabes
|
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|
Lines: 37
|
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|
|
|||
|
Mohaha! Hey m0gel!@ you can't kiLl h0E!@#
|
|||
|
|
|||
|
If only i was the the new autocrat of h0e!
|
|||
|
|
|||
|
<ENtUR dR3AM SEE-QUENZ>
|
|||
|
|
|||
|
So, to start out as the NEW leader of h0e, I'll begin by changing
|
|||
|
the name of the mag. h0e now stands for:
|
|||
|
|
|||
|
HEFTY OLD ELEPHANTS!!!!!!!!!!1
|
|||
|
|
|||
|
And, to make things even better, I got RAD MAN of ACiD to draw
|
|||
|
the NEW hoe MASCOT!!!!
|
|||
|
_
|
|||
|
| |
|
|||
|
| |
|
|||
|
\ /--|__/ /
|
|||
|
\ /----------| |- |
|
|||
|
| __/
|
|||
|
\| |-------| |
|
|||
|
| | | |
|
|||
|
|
|||
|
|
|||
|
look at his long tail! HE HE HE
|
|||
|
|
|||
|
Now that you know the new title of hoe and the new mascot, whose
|
|||
|
name will forever be known as MOE the HOE elephant, it's time to get to
|
|||
|
the more important business! h0e from now on will only be accepting
|
|||
|
text files regarding the following items:
|
|||
|
|
|||
|
- ararcy!!!! (Microwave bombs, killing old women, and so on!!!)
|
|||
|
- hacking!!! any files about hacking!!! PREFERABLY ALL IN CAPS!!!
|
|||
|
- ANY, i repeat, ANY SONG LYRICS!!!! HOPEFULLY METALLICA!!#@!@!@##!@
|
|||
|
- recepes for cookies!!! I love cookies!!!
|
|||
|
- any XXX porn files!#@@!#@#!!@#!@# especially lesiban i love that
|
|||
|
|
|||
|
- lamesy jamesy
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.hoe article 400 of [400,400] (0 unseen)
|
|||
|
|
|||
|
From: mogel@hoe.org (Mogel)
|
|||
|
Subject: Oh! Those Interviews!
|
|||
|
Organization: HoE Publications
|
|||
|
Lines: 380
|
|||
|
|
|||
|
Oh. I just realized that since I'm done with HoE, and I have these extra
|
|||
|
interview t-files floating around from back in HoE #70, I should post them
|
|||
|
here for you all to see. I nabbed a bunch of people I couldn't interview in
|
|||
|
the past, including these elites:
|
|||
|
|
|||
|
alex swain, grayarea, y-w1nd0ze, erikb, and u4ea.
|
|||
|
|
|||
|
Go me.
|
|||
|
|
|||
|
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
| Alex Swain, of the 'zine Whatever Ramblings |
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
|
|||
|
|
|||
|
1] How the poop did you ever originally get such a spiffy god-damned handle?
|
|||
|
|
|||
|
Well I don't really use handles/aliases anymore but I've been around a
|
|||
|
long time and have had several handles in that time. I think my first handle
|
|||
|
was Major Havoc which I got from the vector-graphic Atari game. I used that
|
|||
|
for probably two or three years sometime around 1983-1985 or so. Then in
|
|||
|
1986 I changed my alias to Ares (after the Greek god of war) and used that
|
|||
|
pretty consistently on boards and on the Net/Telnet (such as Altos Germany)
|
|||
|
until about 1988. In 1988 I was busted for various things and dropped out of
|
|||
|
computers altogether. Then about a year ago I got back onto the Net and
|
|||
|
started using the alias t3 which I got because I was writing an article on
|
|||
|
backbones at the time. I've never really given a shit about aliases but try
|
|||
|
not to change them because it just gets confusing.
|
|||
|
|
|||
|
2] How old were you and what was it that got you into this whole shin-dig?
|
|||
|
|
|||
|
I'm not sure if you mean zines or computers...I got my first modem when I
|
|||
|
was eleven (i'm 22 now) and spent most of my younger years on bbs's racking
|
|||
|
up major phone bills because I thought everything within my own area code was
|
|||
|
local. I've been consistently using computers for a long time and have done
|
|||
|
just a little bit of everything including programming and various
|
|||
|
questionable activities. I got into zines in 1987 when I did a really weak
|
|||
|
small skate zine called Habit which I must have made 30 copies of and gave
|
|||
|
away to all the skaters I could find. From there it just progressed and I
|
|||
|
started Whatever Ramblings in the summer of 1989 which I'm still doing more
|
|||
|
or less. About a year ago I got into E-Zines and E-Print zines (I called
|
|||
|
E-Print zines publications that are in print as well as electronic) and
|
|||
|
basically just ftp all the files to my archive site in Michigan.
|
|||
|
|
|||
|
3] Why do you continue doing such socially IMPORTANT work?
|
|||
|
|
|||
|
Well I question how IMPORTANT my work is. I like writing alot and about
|
|||
|
anything. I'm still trying to get a grasp of exactly how to write so I end
|
|||
|
up experimenting alot with styles and ideas.
|
|||
|
|
|||
|
4] Do you have a life? If so, what are some real world interests of yours?
|
|||
|
|
|||
|
Well in my definition I don't really have a life. Unfortunately my
|
|||
|
definition is derived from society which has such ideals as a 40-hour work
|
|||
|
week and a daily schedule, two things I do not have. If you mean do I have a
|
|||
|
life in a "do you do anything but sit in front of a computer?" sense then
|
|||
|
yes. I went to music school and play guitar about four hours a day as well
|
|||
|
as read alot and play with my orange tabby named Sunkist. Every once in a
|
|||
|
while I go to a punk show or go drinking with my pals. I also do alot of
|
|||
|
travelling which is pretty obvious in my writings.
|
|||
|
|
|||
|
5] What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
|||
|
|
|||
|
Well |<-rad sort of conjures up a bad memory for me, mostly warez-kiddies
|
|||
|
from AE boards in the mid 80's. But I see what you're gettin' at. I'd say
|
|||
|
my friend Ace Backwards is pretty "eleet" in my definition. He's an
|
|||
|
underground comic artist that has been consistently putting out good strips
|
|||
|
for over ten years now. He's very productive and generally succeeds me in
|
|||
|
producing material which is surprising because sometimes I put out a zine
|
|||
|
twice a month. And yes, he makes me happy too..
|
|||
|
|
|||
|
6] Who is the most ANNOYING person you have ever known? oh, and WHY...
|
|||
|
|
|||
|
Hmm the most annoying person. Well I can probably name ten but the one
|
|||
|
that comes to mind is this girl Erin that me and my friend Fu met crossing
|
|||
|
country a couple of years ago. Its a really long story but essentially she
|
|||
|
was this rich girl from Texas that we met in New Orleans and we were really
|
|||
|
broke and she was filthy rich and she promised us all this money and riches
|
|||
|
if we came to visit her in Arlington so we drove up there and she flaked on
|
|||
|
us in a big way and one thing led to another and we ended up in jail. The
|
|||
|
whole situation was annoying but I guess I'd say that she was the biggest
|
|||
|
cuntrag i've ever had to deal with.
|
|||
|
|
|||
|
7] What direction do you see your zine heading in? (this one begs for jokes)
|
|||
|
|
|||
|
Well i'm not really sure. My main zine Whatever Ramblings is on hold
|
|||
|
right now because I became disillusioned with the whole zine world and had to
|
|||
|
do something new. I suppose I'd say that WR is probably already where it'll
|
|||
|
be forever. The last few issues have been distributed worldwide and it has a
|
|||
|
small but devout readership which never really gets bigger or smaller unless
|
|||
|
some big magazine like Sassy or some other shit tells a million 17 year olds
|
|||
|
that zines are cool, in which situation I usually sell about a hundred more
|
|||
|
each issue. My new E-Print zine Red Dye Number Five which is mainly
|
|||
|
compilations of stories is just beginning but I think it may do well assuming
|
|||
|
that I can get the same distro as WR has.
|
|||
|
|
|||
|
8] Toilet Paper - Folded or Crumpled?
|
|||
|
|
|||
|
I think thats a pretty unconscious decision like maybe determined by genes
|
|||
|
or something. I'm not methodical or patient enough to fold toilet paper to
|
|||
|
merely wipe my ass which implies that I just crumple it up.
|
|||
|
|
|||
|
9] If you were to die tomorrow and wanted to leave one quote that everyone
|
|||
|
would remember you by, what would that be?
|
|||
|
|
|||
|
Well if I died tomorrow..hmm..Probably something like, "Okay, I'm dead now
|
|||
|
so buy my zine already."
|
|||
|
|
|||
|
10] What would be the first thing that came to your mind when I say "zine"?
|
|||
|
|
|||
|
I think years ago i'd say "obscurity," now I guess now i'd say "trendy".
|
|||
|
|
|||
|
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
| Grayarea, of the 'zine Grayareas |
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
|
|||
|
|
|||
|
1] How the poop did you ever originally get such a spiffy god-damned handle?
|
|||
|
|
|||
|
i got my handle from the name of the magazine, gray areas. it was an
|
|||
|
attempt to be honest and stuff about who i am. bad move. if i had it to do
|
|||
|
over again, i'd have lied to everyone. they mostly all lied to me :)
|
|||
|
|
|||
|
2] How old were you and what was it that got you into this whole shin-dig?
|
|||
|
|
|||
|
i got into the scene in the early 1970s when i was in high school. i used
|
|||
|
a calling card number found in a yippie zine and got caught by the operator.
|
|||
|
my cousin agreed to pay for the call and that ended my career as a phreak. i
|
|||
|
got into the scene again when i bought an IBM clone in 1991. i got REALLY
|
|||
|
into the scene after i started Gray Areas.
|
|||
|
|
|||
|
3] Why do you continue doing such socially IMPORTANT work?
|
|||
|
|
|||
|
why do i stay? some of the people i have met make it worth it. but it's a
|
|||
|
question i have to ask myself again and again as what passes for hacking is
|
|||
|
often stalking, sexual harassment and slander/libel.
|
|||
|
|
|||
|
4] Do you have a life? If so, what are some real world interests of yours?
|
|||
|
|
|||
|
my real world interests include video games, movies, cats, sushi, travel
|
|||
|
to meet the hackers who appeal to me, reading, concerts and late night
|
|||
|
conversations.
|
|||
|
|
|||
|
5] What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
|||
|
|
|||
|
what person makes me the happiest? no one person can fill all of my
|
|||
|
needs. but the hacker you are asking about knows who he is and doesn't need
|
|||
|
me to tell u. :)
|
|||
|
|
|||
|
6] Who is the most ANNOYING person you have ever known? oh, and WHY...
|
|||
|
|
|||
|
i am quite sure i have not met the world's most annoying person yet. i
|
|||
|
know they will wake me up sometime soon though :)
|
|||
|
|
|||
|
7] What direction do you see your zine heading in? (this one begs for jokes)
|
|||
|
|
|||
|
Gray Areas will probably keep adding more and more pages as more and more
|
|||
|
people come forward to express their two cents. We print all points of view
|
|||
|
and new things become legal/illegal all the time so we'll never lack for
|
|||
|
material. I hope to get around to putting up a web page later this year.
|
|||
|
|
|||
|
8] Toilet Paper - Folded or Crumpled?
|
|||
|
|
|||
|
toilet paper can be either folded or crumpled as long as it's Northern
|
|||
|
brand.
|
|||
|
|
|||
|
9] If you were to die tomorrow and wanted to leave one quote that everyone
|
|||
|
would remember you by, what would that be?
|
|||
|
|
|||
|
i'd ideally like to be cremated and have my ashes scattered in a specific
|
|||
|
spot in San Francisco, but failing that since only one person knows where
|
|||
|
that spot is, i'd like my tombstone to say "Don't judge me too harshly." In
|
|||
|
case you're wondering, that's what Brian Jones' (of the Rolling Stones) says
|
|||
|
on it... I also hope i die rich enough to leave $2500 for my friends to have
|
|||
|
a party with like Janis Joplin did. The courts were never able to resolve who
|
|||
|
her friends were and the party never happened :)
|
|||
|
|
|||
|
10] What would be the first thing that came to your mind when I say "zine"?
|
|||
|
|
|||
|
The first thing that comes to my mind when i hear the word zine is some
|
|||
|
fool mispronouncing it "z-eye-ne." it's zine as in rhymes with scene. Zines
|
|||
|
are publications which print under 100,000 copies. They are almost always
|
|||
|
operated at a financial loss and they usually are published late. Most fail.
|
|||
|
A few grow and give the rest hope they may someday crawl out of the lobster
|
|||
|
pot.
|
|||
|
|
|||
|
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
| U4EA, of the 'zine BoW |
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
|
|||
|
|
|||
|
1) How the poop did you ever originally get such a spiffy god-damned handle?
|
|||
|
|
|||
|
My original handle was Abysmal Euphoria which was then shortened to U4EA
|
|||
|
once i found the wonderful little world of irc. Abysmal Euphoria was also
|
|||
|
the name of the band i was in at the time, i didnt realize there was a mod
|
|||
|
writer from the UK with a similar handle at the time. ie: U4ia. I get alot
|
|||
|
of confused people asking me if i write mods and stuff. Oh well, I've had
|
|||
|
alot of handles over the years but the one that has really stuck is U4EA.
|
|||
|
|
|||
|
2) How old were you and what was it that got you into this whole shin-dig?
|
|||
|
|
|||
|
I was 14 when i got my 1st computer, a commodore vic 20..
|
|||
|
|
|||
|
3) Why do you continue doing such socially IMPORTANT work?
|
|||
|
|
|||
|
Im an environmentally conscious guy, what can i say??!
|
|||
|
|
|||
|
4) Do you have a life? If so, what are some real world interests of yours?
|
|||
|
|
|||
|
I have a pretty active life i would say, i do alot of skiing in the
|
|||
|
winter, I also enjoy music alot, i've played in several bands over the
|
|||
|
years and actively write both music and poetry all the time. My main
|
|||
|
interest right now is hanging out with my gf and just enjoying life...
|
|||
|
|
|||
|
5) What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
|||
|
|
|||
|
SN is my lord and master.
|
|||
|
|
|||
|
6) Who is the most ANNOYING person you have ever known? oh, and WHY...
|
|||
|
|
|||
|
Snoop Doggy Dog and those that listen to that style of music...
|
|||
|
|
|||
|
7) What direction do you see your zine heading in? (this one begs for jokes)
|
|||
|
|
|||
|
my zine no longer exists, dont know if i'll write another issue of BoW,
|
|||
|
can't see it happening for awhile, i have too many other projects on the go.
|
|||
|
|
|||
|
8) Toilet Paper - Folded or Crumpled?
|
|||
|
|
|||
|
as long as its soft and doesnt rip the hell out of my anus i dont care.
|
|||
|
|
|||
|
9) If you were to die tomorrow and wanted to leave one quote that everyone
|
|||
|
would remember you by, what would that be? <evil grin action>
|
|||
|
|
|||
|
/signoff you all suck
|
|||
|
|
|||
|
10) What would be the first thing that came to your mind when I say "zine"?
|
|||
|
|
|||
|
v0mit.
|
|||
|
|
|||
|
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
| Y-WINDoZE, of the 'zine PuD |
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
|
|||
|
|
|||
|
aRGH@#!@#!@!1 As much as I love y, i tried forever to get him to fill out
|
|||
|
this survey file. _finally_ i got him to agree to answer the questions on
|
|||
|
IRC and i'd log it all. well, guess what? MY l0G FILE G0T K0RRUPTED!@#!@1
|
|||
|
aRGh@#@!!1
|
|||
|
|
|||
|
So, I got this little tiny sliver of the interview that i recovered. I
|
|||
|
would make an attempt to relay the answers that i remembered, but i'd feel
|
|||
|
pretty lame not taking exact words, so sorry.
|
|||
|
|
|||
|
HMPH.
|
|||
|
|
|||
|
<mogel> do you have a life? if so what are your real-world interests?
|
|||
|
|
|||
|
<y> uhm at the present time, I do nothing, I hang around with friends and talk
|
|||
|
about women. i like bball a lot.
|
|||
|
|
|||
|
<mogel> Toilet Paper - Folded or Crumpled?
|
|||
|
|
|||
|
<y> FOLDED@#$
|
|||
|
<y> FOLDED@#$
|
|||
|
<y> FOLDED@#$
|
|||
|
|
|||
|
<mogel> If you were to die tomorrow and wanted to leave one quote that
|
|||
|
everyone would remember you by, what would that be?
|
|||
|
|
|||
|
<y> "Some days Im like God, and others, I'm just better."
|
|||
|
|
|||
|
<mogel> how about with hax0ring?
|
|||
|
|
|||
|
<y> I didnt do it.
|
|||
|
|
|||
|
<mogel> how did you start up pud?
|
|||
|
|
|||
|
<y> uhm me and NoCourier were at a friends house drunk off ou rasses on pga
|
|||
|
one night when we wrote the first ever *unreleased* issue
|
|||
|
|
|||
|
<mogel> where is no courier now?
|
|||
|
|
|||
|
<y> last I heard going to cali with his bands, prolly in jail
|
|||
|
|
|||
|
<mogel> who is exactly "da pud crew"?
|
|||
|
|
|||
|
<y> uhm lets see. there is I, bpahomet, hymie, no courier, dsaint and
|
|||
|
squinky are the main du0udz
|
|||
|
|
|||
|
<mogel> What would be the first thing that came to your mind when I say
|
|||
|
"zine"?
|
|||
|
|
|||
|
<y> Stupid art fags with too much free time
|
|||
|
|
|||
|
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
| Erikb, of the 'zine Phrack |
|
|||
|
=---=---=---=---=---=---=---=---=---=----=---=---=---=---=---=---=---=---=---=
|
|||
|
|
|||
|
|
|||
|
1) How the poop did you ever originally get such a spiffy god-damned handle?
|
|||
|
|
|||
|
I was reading a book on vikings a long time ago and liked the whole
|
|||
|
Erik Bloodaxe story. Besides, everyone needs a handle, and my first
|
|||
|
name is Erik.
|
|||
|
|
|||
|
2) How old were you and what was it that got you into this whole shin-dig?
|
|||
|
|
|||
|
I was very young. I was even younger when I got into the whole undergound
|
|||
|
thing. I was 11 when I broke into my first computer.
|
|||
|
|
|||
|
What got me into all this? Too much spare time.
|
|||
|
|
|||
|
3) Why do you continue doing such socially IMPORTANT work?
|
|||
|
|
|||
|
Ego.
|
|||
|
|
|||
|
4) Do you have a life? If so, what are some real world interests of yours?
|
|||
|
|
|||
|
I have no life. My existence revolves around the computer world. However,
|
|||
|
the few distractions that rip me from the clutches of my evil terminal
|
|||
|
addiction are:
|
|||
|
|
|||
|
sex
|
|||
|
drugs
|
|||
|
70's music
|
|||
|
all kinds of weird frequencies (dc to daylight, by god if its passing
|
|||
|
through my body, its mine to demodulate)
|
|||
|
travel
|
|||
|
money
|
|||
|
|
|||
|
5) What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
|
|||
|
|
|||
|
Chris Goggans
|
|||
|
|
|||
|
6) Who is the most ANNOYING person you have ever known? oh, and WHY...
|
|||
|
|
|||
|
Everybody annoys me...so I can't really narrow it down to one single
|
|||
|
person who would qualify as "the most annoying."
|
|||
|
|
|||
|
People who drive like shit annoy me.
|
|||
|
People who bug me for things annoy me.
|
|||
|
People who ask when the next issue of Phrack is coming out annoy me.
|
|||
|
People who dig around in my room annoy me.
|
|||
|
People who play music too loud during the middle of the day annoy me.
|
|||
|
People like you annoy me.
|
|||
|
|
|||
|
7) What direction do you see your zine heading in? (this one begs for jokes)
|
|||
|
|
|||
|
I see Phrack heading on a crash course straight into the sun.
|
|||
|
|
|||
|
or
|
|||
|
|
|||
|
I see Phrack becoming a slick glossy full-color magazine backed by money
|
|||
|
from Mitch Kapor. We'll focus on hot topics of interest to the "in-crowd"
|
|||
|
and treat them with a high level of journalistic integrity. We'll take Kai's
|
|||
|
Power Tools and stretch it to a whole new level of utilization. We'll take
|
|||
|
the whole style and format of International Design magazine and claim it as
|
|||
|
out own. We'll be the #1 benchmark for "HIP" in the 90's. We will rule
|
|||
|
above all others.
|
|||
|
|
|||
|
8) Toilet Paper - Folded or Crumpled?
|
|||
|
|
|||
|
Folded & Crumpled ... it depends upon the consistency of the stool.
|
|||
|
|
|||
|
9) If you were to die tomorrow and wanted to leave one quote that everyone
|
|||
|
would remember you by, what would that be? <evil grin action>
|
|||
|
|
|||
|
Yeah, I fucked her.
|
|||
|
|
|||
|
10) What would be the first thing that came to your mind when I say "zine"?
|
|||
|
|
|||
|
Mine is cooler.
|
|||
|
|
|||
|
-eof
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
News> group alt.angst.for.donuts
|
|||
|
|
|||
|
%NEWS-I-GRPSET, current newsgroup now alt.angst.for.donuts
|
|||
|
-NEWS-I-GRPINFO, articles [567,570], 4 unseen
|
|||
|
|
|||
|
News> read
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.angst.for.donuts article 567 of [567,570] (3 unseen)
|
|||
|
|
|||
|
From: corrosion@hoe.org (Corrosion)
|
|||
|
Subject: don't read this
|
|||
|
Organization: NKOTB Preservation Society
|
|||
|
Lines: 26
|
|||
|
|
|||
|
This will not apply to you. This is not a personal attack. This is just my
|
|||
|
view.
|
|||
|
|
|||
|
An open letter to the majority of America's youth:
|
|||
|
|
|||
|
My opinion means nothing. Yours means even less. In your striving to be so
|
|||
|
different, so original, you have created a mockery, and sadly a trend. Your
|
|||
|
Cobain haircuts stand together in a sea of conformity. Not conformity to the
|
|||
|
quo, but conformity to each other. The ideals that started the genre are
|
|||
|
lost in your shallow voices. Your new shirts of the bands that play your
|
|||
|
music cling to your flannel. But you've had the shirt you're wearing for a
|
|||
|
while now, and I'm wrong. The music that spits out band after band of
|
|||
|
packaged rebellion, that plants a 3 minute hummable hook so deep into your
|
|||
|
cheek that you believe it to be your own. Your petty aggression puked out in
|
|||
|
a 4 chord progression repeated into infinity. Being fed the same baby food
|
|||
|
by the corporate industry that keeps you shut out from the world around you.
|
|||
|
But you've had a bad day and your girlfriend is bitching at you for not
|
|||
|
getting Nine Inch Nails tickets. The music industry is a conglomerate whore,
|
|||
|
and you my friend are it's best customer. This trend feeds on the struggle
|
|||
|
to be different and unique by offering you the same bubble gum rewrapped in
|
|||
|
ugly paper, what it thinks you can identify with. The vehicle is the same
|
|||
|
though, the lifestyle is pounded into your head over and over, the radio,
|
|||
|
MTV, and magazines all spoon feeding you what you WILL like. Change the
|
|||
|
channel, switch the station, turn the TV off.
|
|||
|
|
|||
|
-Corrosion
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.angst.for.donuts article 568 of [568,570] (2 unseen)
|
|||
|
|
|||
|
From: cstone@free.org (Stone)
|
|||
|
Subject: you people are morons@!#!
|
|||
|
Organization: BAH (Yes, we _know_ that we suck!)
|
|||
|
Lines: 39
|
|||
|
|
|||
|
the disease of many is ignorance and stupidity.
|
|||
|
|
|||
|
people today are having unprotected sex for some lame reason like "it doesn't
|
|||
|
feel good" or "i don't want my penis to look discolored". those aren't
|
|||
|
reasons. a reason is something like "i want to get herpes and then go on a
|
|||
|
crusade to start a pandemic". i would acknowledge that as a good reason.
|
|||
|
|
|||
|
you see, people bitch about how computer privacy is being invaded. well,
|
|||
|
quit fucking BITCHING about it and find another way to keep your kidporn
|
|||
|
pictures private. there's many ways.
|
|||
|
|
|||
|
people are stupid enough to follow other stupid people with the same
|
|||
|
stupidity disease, and those people just follow other stupid people, so,
|
|||
|
when you get down to it, you have a bunch of herpes-infected stupid people
|
|||
|
sitting in a circle fucking each other with no condoms. and the circle
|
|||
|
repeats itself.
|
|||
|
|
|||
|
and the kids born from stupid people fucking each other with herpes and no
|
|||
|
condoms are even stupider than their parents. so, we get stupid kids
|
|||
|
thinking its cool to have red, blistering sores on their father's penis,
|
|||
|
so we get kids that think it's uncool to cover it up with a condom. and the
|
|||
|
stupidity disease perpetuates itself again, until everyone in america has
|
|||
|
herpes except those people who aren't infected by the stupidity disease
|
|||
|
dies out, and the world is named after Kennedy of MTV.
|
|||
|
|
|||
|
many people infected with the stupidity disease listen to rap. they like it
|
|||
|
because it repeatedly deals with rape and having unprotected sex. they like
|
|||
|
this. they also like it because they can't understand the lyrics, and that
|
|||
|
means none of their stupid friends could either, so they can't look stupid
|
|||
|
next to them. that's cool also.
|
|||
|
|
|||
|
people infected with the disease drink and do drugs so it'll make them even
|
|||
|
stupider. they do it because their stupid friends do it, and because
|
|||
|
there's no guilt in having unprotected sex when you're stoned off your ass.
|
|||
|
|
|||
|
lots of people infected with the stupidity disease join gangs, because they
|
|||
|
can get money, guns, sex, drugs, and liquor for free!!@!@#@#$%#$ this
|
|||
|
is like a god for them.
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.angst.for.donuts article 569 of [569,570] (1 unseen)
|
|||
|
|
|||
|
From: sedative@escape.com (Sed)
|
|||
|
Subject: Angry Peace
|
|||
|
Organization: The Angst Empire
|
|||
|
Lines: 118
|
|||
|
|
|||
|
Everywhere I look, I see bullshit. In this whole world, everyone is
|
|||
|
bending over backwards to impress each other. Everyone is trying to be
|
|||
|
something they're not, so they can become something they're not.
|
|||
|
|
|||
|
Recently I had the unfortunate experience of doing short term work at an
|
|||
|
office. The whole office setting has probably turned me off from ever doing
|
|||
|
white collar work forever. This is supposed to be the creme de la creme,
|
|||
|
where you go once you graduate from your ivy league university and are
|
|||
|
groomed by a big faceless multi-national corporation, but it was pure misery.
|
|||
|
You had people who were at each other's necks, were severely overworked and
|
|||
|
constantly appeared "busy" for the boss, who appeared more interested in
|
|||
|
after-hours activities with the secretary then filing out the forms. And
|
|||
|
this is what every kid is set to be by his mom - in a nice office with a
|
|||
|
comfy view of the city from the 60th floor. But all of it was the same
|
|||
|
bullshit you'll find working in a burger king, a library, or wherever.
|
|||
|
|
|||
|
People just fed up with each other and near-despair, yet hanging onto the
|
|||
|
jobs because for better or worse the jobs are all they have to define them.
|
|||
|
They spent their high school years studying when they could've been partying,
|
|||
|
joining clubs they had contempt for so they could get into a good college so
|
|||
|
mom and dad won't call them a failure. Then once in university, they deny
|
|||
|
themselves any pleasure and make themselves slaves to work and studying so
|
|||
|
they can get a good resume. Finally, they end up with a decent position in a
|
|||
|
corporation - but then what?
|
|||
|
|
|||
|
You aren't happy, home life is a wreck, your day is split between a
|
|||
|
computer, your car commuting home, and a bed where you sleep and that's it.
|
|||
|
What a crock. I, for one, would rather be a unemployed freelance writer
|
|||
|
speaking my thoughts, surviving on brand-x doritos in a studio apartment,
|
|||
|
yet happy with myself, then be making 80,000 plus dollars a year in a
|
|||
|
corporation where I'm nothing more then a human database. Bah. _I'll_
|
|||
|
define my job, not let my job define me.
|
|||
|
|
|||
|
Heh. Figures I'd have hate for everything, huh? Well, it's with good
|
|||
|
reason. For every day since I was born, my whole life has alternated between
|
|||
|
rage, despair and alienation. Sometimes I just tried to hold everything in
|
|||
|
so I wouldn't become a freak and then it all just backfired. I took such
|
|||
|
shit at day camp. I was afraid to fight back. Then one day, all the rage
|
|||
|
inside of me just exploded - I just had this urge to do something that had an
|
|||
|
effect - to break out of this little prison. I was literally exploding. I
|
|||
|
went over to this kid who I never met before in my life and pushed him into a
|
|||
|
four foot pool. And he was maybe 4'3" and had a hard time swimming. This
|
|||
|
was when I was seven. I got expelled from camp for that. At camp I was beat
|
|||
|
up every fucking day cause I didn't fit in. I was too tall, too fat, too
|
|||
|
nerdy, too much of a speech impediment, I was just this stupid misfit kid who
|
|||
|
earned the wrath of a entire camp. So finally I exploded and it collapsed on
|
|||
|
me.
|
|||
|
|
|||
|
Another time was when I was twelve years old. I was in school, again I
|
|||
|
was taking lots of shit from people. So when I couldn't stand it anymore, I
|
|||
|
exploded. I was in the principals office with another kid I was arguing
|
|||
|
with, and suddenly (it was just like a urge, or inspiration, I'm still not
|
|||
|
sure what) I just shoved him to the floor. Then I punched him in the face.
|
|||
|
I couldn't believe what happened. Twelve years of shit, feces and anger
|
|||
|
exploded in 30 seconds of bottled violence. I got expelled from school.
|
|||
|
|
|||
|
At home, situation was no better. My parents were just soulless piles of
|
|||
|
fat who sheltered me. They were grooming me to grow up to be a good little
|
|||
|
doctor, lawyer, or whatever a nice middle-class jewish suburban kid should
|
|||
|
grow up to be. They sheltered me as a kid, gave me a circle of friends who
|
|||
|
were all lobotomized zombies, who resigned to their fate of future-yuppiedom
|
|||
|
who I could not stand. They never let me out of the house unless I was with
|
|||
|
an adult, not even to walk outside. I started a conversation when I was like
|
|||
|
four with some kid across the street, I was dragged away being told "not to
|
|||
|
talk to strangers."
|
|||
|
|
|||
|
This went on until school started. Then in kindergarten I was all fucked
|
|||
|
up. My parents deprived me of fucking social skills and left me for the
|
|||
|
kill. And then what? THEY DIDN'T GIVE A FUCKING SHIT! They told me it was
|
|||
|
because the other kids were jealous of me. Ha, right. They were too afraid
|
|||
|
to admit they bred a frankenstein. When she spread her legs, she spawned a
|
|||
|
pile of shit. Shit that every time it showed a glimmer of potential was
|
|||
|
crushed under the boots of everyone else. Probably the only saving grace,
|
|||
|
that without I definitely would have become a druggie, suicide victim, or run
|
|||
|
away from home was music, specifically the punk rock scene. When your 13,
|
|||
|
just beginning to question the answers, you look like a jock yet your a freak
|
|||
|
inside. Then, I discovered real music. Not crap like _Nirvana_ or _Guns and
|
|||
|
Roses_, who fed on exploiting kids feelings and diverting their rebellion into
|
|||
|
arena rock tours and double albums. People who actually were in the same
|
|||
|
situation as you, angry as fuck, and fed up with the situation. It gave me
|
|||
|
something to live for. And now, today, punk has gone commercial. Everyone
|
|||
|
is buying into it. punk is becoming the 90's equivalent of hair metal. A
|
|||
|
music stripped of its potential, just a vehicle for adolescent death and
|
|||
|
destruction fantasies. Fuck, it ain't worth it.
|
|||
|
|
|||
|
I break myself. I like to destroy my body. That mess of skin, bones and
|
|||
|
nerves is nothing more then fodder for bullshit. I look like a fucking jock.
|
|||
|
As soon as puberty hit, I went from a fat, lisping, tall nerd to a beer-
|
|||
|
bellied, mumbling, "too-goddamn-tall" freak. I needed to break things, to
|
|||
|
destroy myself and others. For the first time in my goddamn life, I had
|
|||
|
power over stuff. And I abused it. I beat up everyone I didn't like. I
|
|||
|
shoved every drug I could find down every orifice in my body. I pierced
|
|||
|
things with the urge just to differentiate myself from every other loser. I
|
|||
|
ended up like a goddamn jigsaw puzzle. I was cut up. Fuck that.
|
|||
|
|
|||
|
On the news right now is a report on graffiti. Mayor guliani is
|
|||
|
participating in the cleaning up of graffiti. he is calling it vandalism.
|
|||
|
Bullshit. One more example of the buergoise exercising their iron fist over
|
|||
|
the poor. A can of spray paint is all some people have to mourn a dead
|
|||
|
friend, or to express their feelings. Like it or not, not everyone can
|
|||
|
afford a mausoleum, or have the skills to write a poem. To some people, this
|
|||
|
is the art of the cities. It's the spirit of the city reclaiming the cold
|
|||
|
bullshit, the graffiti causing a kind of organic web unifying the city.
|
|||
|
Graffiti gives the streets a image. Something more then a collection of
|
|||
|
buildings, it is impossible to put into words. To stop graffiti, they are
|
|||
|
distributing "Captain Graffiti" coloring books. What a damn-great idea!
|
|||
|
Give the kids coloring books and suddenly the big bad "nigger 'n spic" art
|
|||
|
will go bye bye Mr. Urban Planner! Now all we need is Captain Gang Warfare,
|
|||
|
Captain Poverty, Captain Drug Abuse, Captain No Hope For a Job, Captain
|
|||
|
Racism and we'll have a perfect world for sure. Uhh, I don't think so.
|
|||
|
|
|||
|
Speaking of solving non-problems through half-assed ideas, I can't believe
|
|||
|
how close minded a good amount of people are. I have gotten way too many
|
|||
|
insults hurled my way because I dyed my hair green last week. I've been
|
|||
|
shouted at "PUKE-HAIR!" by people across the street, the "G" in my summer
|
|||
|
school biology class spent his time laughing his ass off at it, I got a beer
|
|||
|
bottle thrown at me because of it. Bullshit. You don't fit in, society puts
|
|||
|
pressure on you to fit in. Goddamn wrong. Let me be.
|
|||
|
|
|||
|
__ __ _
|
|||
|
| | | \ every generation had there chance, now its our turn -SFA
|
|||
|
|__ |__ | | let theory of the anger be the power -The Clash
|
|||
|
| | | | Freedom of speech is a FREEDOM, not a priveledge. Please tell
|
|||
|
__| |__ |_/ Jesse Helms & James Exon that before we're all gagged.
|
|||
|
flat earth society BBS - 718.698.7865 All the texts around & then some
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.angst.for.donuts article 570 of [570,570] (0 unseen)
|
|||
|
|
|||
|
From: chris@iquest.com (Y-WINDoZE)
|
|||
|
Subject: Re: Angry Peace
|
|||
|
Organization: Pizza Underground Digest
|
|||
|
Lines: 63
|
|||
|
|
|||
|
Sed> insults hurled my way because I dyed my hair green last week. I've been
|
|||
|
Sed> shouted at "PUKE-HAIR!" by people across the street, the "G" in my
|
|||
|
Sed> summer school biology class spent his time laughing his ass off at it, I
|
|||
|
Sed> got a beer bottle thrown at me because of it. Bullshit. You don't fit
|
|||
|
Sed> in, society puts pressure on you to fit in. Goddamn wrong. Let me be.
|
|||
|
|
|||
|
"y0!@# Fuck you. Fuck everything you stand for. Fuck your mom,
|
|||
|
your cat, and your god. I hate you. You're trash. You're pathetic.
|
|||
|
I hate you. I hate you!@ I HatE y0U!@#"
|
|||
|
|
|||
|
Quite boring, eh? I would tend to agree. The sad part is the above
|
|||
|
represents the supposed views and opinions being expressed by most "e'zine"
|
|||
|
writers these days. The simple fact is angst will always be in and as long as
|
|||
|
you sit there and worship the talentless hacks who write it you will be
|
|||
|
subjected to it. Time and time again you will be forced to read how pathetic
|
|||
|
you are, how angry the writer is, how at error the whole damn world is. Is
|
|||
|
that what you really want?
|
|||
|
|
|||
|
Text has always been a place where angry views were expressed. The problem
|
|||
|
with it in current times is that the views being expressed are quite simply
|
|||
|
shallow and misguided. These views tend to be expressed by 16 year old middle
|
|||
|
class high school rejects. These are the same kids who 10 years ago bid their
|
|||
|
time until college where they could shine and trounce those who had spurned
|
|||
|
them. Today, they don't have that escape since everyone goes to college and
|
|||
|
thanks to modern things like computers you don't even need much knowledge to
|
|||
|
do what was once a difficult task. Instead these poor souls turn to writing.
|
|||
|
|
|||
|
Writing with power and writing with angst are different. Yet in many ways
|
|||
|
they are the same. Both carry strong convictions and invoke powerful feelings
|
|||
|
in the reader. However writings with angst doesn't balance feelings with
|
|||
|
reality. They are pure emotions written down solely for the purpose of
|
|||
|
lashing out and hurting all those who have hurt the writer. This process
|
|||
|
isn't productive for the writer; especially when people read it and confuse
|
|||
|
with deep powerful writing.
|
|||
|
|
|||
|
Angst in itself isn't a bad tool to have when writing. In fact it can be
|
|||
|
quite beneficial in a number of ways. First it does give you power and
|
|||
|
feelings when there may not be any to begin with. Second anger tends to focus
|
|||
|
one, granted this focus is generally misguided but with proper patience it
|
|||
|
can be wielded the correct way. Using angst in writing is just like using any
|
|||
|
other tool, it must be used correctly and in most cases sparingly. Oversue of
|
|||
|
angst leads to boring, pedantic texts that hold little true meaning and
|
|||
|
quickly fade away from the reader's mind.
|
|||
|
|
|||
|
Powerful writing on the other hand isn't one singularity. It is a collage
|
|||
|
of all one's skills, talents and beliefs so well thought out and planned that
|
|||
|
it conveys emotions and feelings to the reader that no picture or sound will
|
|||
|
ever achieve. "How do I write powerful moving images?" you may wonder. That
|
|||
|
is where I become of little help for I write only for myself and much of what
|
|||
|
I write is angst ridden, boring, pedantic, shallow, misguided, and so many
|
|||
|
more negative things it would take me days to list. But I have an advantage.
|
|||
|
I know my writings are bad in all these ways and everytime I sit down to vent
|
|||
|
anger I get a little better in shadowing, tucking it away, making the reader
|
|||
|
have to peer just a little to see.
|
|||
|
|
|||
|
One day I am confident I will be able to write as powerful as I want, so
|
|||
|
powerful that I could achieve anything with a single paragraph but even if
|
|||
|
that day never comes at least I know I didn't waste all my time saying the
|
|||
|
same thing everyday to please some finicky, band-wagon jumping audience.
|
|||
|
|
|||
|
[Note the angst]
|
|||
|
|
|||
|
alrighty then, y
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> group alt.2600
|
|||
|
|
|||
|
%NEWS-I-GRPSET, current newsgroup now alt.2600
|
|||
|
-NEWS-I-GRPINFO, articles [308562,954210], 645648 unseen
|
|||
|
|
|||
|
News> read
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.2600 article 308562 of [308562,954210] (645647 unseen)
|
|||
|
|
|||
|
From: squinky@pud.org (sQuinky)
|
|||
|
Subject: The True story of Emmanuelle Goldstein and Erik Corley
|
|||
|
Organization: Pizza Underground Digest
|
|||
|
Lines: 232
|
|||
|
|
|||
|
_______________________________
|
|||
|
| The True story |
|
|||
|
| of Emmanuelle Goldstein |
|
|||
|
| and Erik Corley |
|
|||
|
| |
|
|||
|
| compiled by, -sQuinky- |
|
|||
|
|_____________________________|
|
|||
|
|
|||
|
Foreward:
|
|||
|
|
|||
|
Emmanuelle Goldstein, after retiring from his/her career as a successful
|
|||
|
Italian Porno Queen of movie, Television and more, came to the states to
|
|||
|
start up HaKkur phreedom. GRRRRRRRR#@! WE ARE HACKERS WE DO NOTHING WRONG
|
|||
|
GRRRRRR#@! STOP PERSECUTING US#!@ GRRRRRRRRRRRRRRRRRRRRRRRRRRRRR#@!@!$
|
|||
|
|
|||
|
HACKER ANGST#@! GGGGGGRRRRRRRR#@!
|
|||
|
|
|||
|
He startd up the fine organization known as 2600 magazine, named after the
|
|||
|
famous Atari system. Emmanuelle was a great fan of Asteroids and Space
|
|||
|
Invaders.
|
|||
|
|
|||
|
A few years after all this, Emmanuelle met up with erik COrLey. After a
|
|||
|
period of friendship, their relationship became something more.
|
|||
|
|
|||
|
Escape#! ESCAPE#@! ESCAPE INTO EMMANUELLE'S ANAL PASSAGE#@!
|
|||
|
|
|||
|
Soon.... SOoon. Erik Corely made the ESCAPE into the land of Chocolate love
|
|||
|
and Milk Shakes. Emmanuelle was used to that, as he/she had stared in the
|
|||
|
thousands of Italian prono books/movies/andwhatnot.(See :"Emmanuelle
|
|||
|
Goldstein's Amazon Adventure"), and had already gotten used to Fudgy Fun and
|
|||
|
Protein Diets.
|
|||
|
|
|||
|
THe following are letters from Erik Corely and Emmanuelle Goldstein to 17
|
|||
|
magazine, written under aliases of course.
|
|||
|
|
|||
|
Erik Corley == Help me Escape from all this
|
|||
|
Emmanulle GOldstein == 2600 Publisher
|
|||
|
|
|||
|
End of Forward.
|
|||
|
|
|||
|
Beginning of Body:
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
dEar 17 mAGAZINe,
|
|||
|
|
|||
|
I have recently started a relationship with a older, more experienced man.
|
|||
|
It has quickly moved it sex, and other things. Unfortunately, I am not sure
|
|||
|
about some things that my other wants to do. He has perverse desires to stick
|
|||
|
Atari 2600 controllers up my ass, and use my body to play SUPER PONG 2000:
|
|||
|
THE NEXT GENERATION, and Space Invaders. He also wants to put on a glove,
|
|||
|
shove his fist down my throat, and them make me smell it.
|
|||
|
|
|||
|
Are these things OK?
|
|||
|
|
|||
|
Sincerley Yours,
|
|||
|
Help Me escape from all this
|
|||
|
|
|||
|
Dear Help Me escape from all this,
|
|||
|
|
|||
|
While it may seem to you that these, and probably other, sex accts are
|
|||
|
abnormal we here at 17 Magazine feel that they are completely, and 100% ok.
|
|||
|
We personally don't see anything wrong with some electronic sex.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
DEar 17 Magazine:
|
|||
|
|
|||
|
As of late, my younger, and less experienced lover has started to ask me to
|
|||
|
masturbate along side of him. While I enjoy masturbation, I feel it should be
|
|||
|
done in private, and kept to oneself. It is a very personal thing, and I
|
|||
|
don't see why he wants to watch my masturbate.
|
|||
|
|
|||
|
Also, he wants me to do this while I am out trying to save the innocent
|
|||
|
hakkurs from the big bad oppresive government.
|
|||
|
|
|||
|
What Should I do?
|
|||
|
SIncerly Yours,
|
|||
|
2600 Publisher
|
|||
|
|
|||
|
Dear 2600,
|
|||
|
|
|||
|
Try to explain to your young lover that you are not comfortable with this. If
|
|||
|
he persists in his demands on you, stick a 2600 joystick up his ass and play
|
|||
|
SUPER PONG 2000: THE NEXT GENERATION and Space Invaders.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
Dear 17 Magazine:
|
|||
|
|
|||
|
Recently, I have been having problems with my older boyfriend. While I love
|
|||
|
him, and would do just about anything for him, he is starting to put weird
|
|||
|
demands on me.
|
|||
|
|
|||
|
A few weeks ago, he asked me to piss in a tub, and then jerk off while he
|
|||
|
drinks it up.
|
|||
|
|
|||
|
YEsterday, he asked me if I wanted to dress up with him like members of
|
|||
|
Milli Vanilli, and Lipsync at a queer talent show.
|
|||
|
|
|||
|
Today, he told me he was going to paint my penis red, so I wouldn't notice
|
|||
|
the blood.
|
|||
|
|
|||
|
(this is really upsetting to me, because there is nothing I like better than
|
|||
|
watching his anus bleed as my huge, thick, turgent man-shaft penetrates his
|
|||
|
little puckered opening.)
|
|||
|
|
|||
|
What should I do?
|
|||
|
|
|||
|
Sincerley,
|
|||
|
Help me escape from all this
|
|||
|
|
|||
|
Dear Escape,
|
|||
|
|
|||
|
WHy not go along with these things? All relationships must develop some level
|
|||
|
of kinkiness. Dr. Joyce Brothers has informed us that these are in fact
|
|||
|
normal experiences, of all couples. In fact, she says, 50% of all
|
|||
|
relationships has similiar, if not the same experiences that you and your
|
|||
|
lover have. So, Pee in the tub, Dress up like Milli Vanilli, and Paint your
|
|||
|
penis red.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
Dear 17 Magazine,
|
|||
|
|
|||
|
Yesterday, while my lover and I were both jerking off into a glass, so we
|
|||
|
could have something to drink with our turkey dinner, something strange
|
|||
|
happened.
|
|||
|
|
|||
|
My lover told me that he and I should go out and rape some little kids, and
|
|||
|
then kill them, and then fuck them again.
|
|||
|
|
|||
|
I have no real problems with this, but am worried about getting caught. I
|
|||
|
mean if we get caught, can we really go to jail for this?
|
|||
|
|
|||
|
(And would going to jail be all that of a bad thing, considering the stories
|
|||
|
of anal love, for me?)
|
|||
|
|
|||
|
Do you have any advice to avoid capture?
|
|||
|
|
|||
|
Sincerly YOurs,
|
|||
|
2600 Editor
|
|||
|
|
|||
|
Dear 2600,
|
|||
|
|
|||
|
Here is some advice from our resident Child Molester, Mike labbe.
|
|||
|
|
|||
|
1. Do not get caught.
|
|||
|
2. Always go after the children who are loners.
|
|||
|
3. When Dumping the bodies, make sure you first remove all the childrens
|
|||
|
teeth, cut off their fingers, and horribly mutilate their faces.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
Dear 17 magazine,
|
|||
|
|
|||
|
My significant Other has recently found a new sex toy.
|
|||
|
|
|||
|
A dent puller.
|
|||
|
|
|||
|
I personally love the toy, as it is *GREAT* *ESTATIC* fun to have that big
|
|||
|
piece of metal show in your puckered asshole, and feel the pull of the love.
|
|||
|
My other loves the feel of the hard metal of love too.
|
|||
|
|
|||
|
However, as of today, I am starting to feel a discomforting feeling. I feel
|
|||
|
it is due to the dent puller, can you please help me in discovering some
|
|||
|
rememdy, or precaution against this feeling. While any feeling in the anus
|
|||
|
is pleasent, this feeling is almost annoying, in that it makes me long for
|
|||
|
the dent puller, or any object, and I can not very well shove a dildo up my
|
|||
|
ass at work.
|
|||
|
|
|||
|
(at least, while I'm not on break)
|
|||
|
|
|||
|
Sincerley,
|
|||
|
Help me escape from all this
|
|||
|
|
|||
|
Dear Help,
|
|||
|
|
|||
|
One can often alievate the symptoms of dent puller love by using Vasoline
|
|||
|
intesive care.
|
|||
|
|
|||
|
To *PREVENT* the symptoms, you can tke obvious, and definately less fun
|
|||
|
choice of not pulling your anus.
|
|||
|
|
|||
|
For less effective prevention, try getting rid of the rust on the dent
|
|||
|
puller, before you pull your anus.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
Dear 17,
|
|||
|
|
|||
|
Recently, my lover and I have been hanging out with a few new kids on the
|
|||
|
block. They go by the names of : BEANIE and X.
|
|||
|
|
|||
|
Let me tell you a little bit about them:
|
|||
|
|
|||
|
BEANIE has been arrested for public drunkness, and telling a police officer
|
|||
|
to "MAKE MY DAY, YOU FAT GREASY PIG". Beanie also: no longer has a car or
|
|||
|
cool women. Beanie also got beat up by a Wildcat Sysop. BEANIE also demanded
|
|||
|
that some issues of PuD be re-released, with his brand gnu handle :
|
|||
|
NO COURiER put in place of his real, and father-given Name.
|
|||
|
|
|||
|
X is a rough n tumble d0ud who will beat up people who hit on his girlfriend.
|
|||
|
Consequently, X is a rough n tumble d0ud who gets his ass thrown into boot
|
|||
|
camp. He is probably going to kick my ass for writing this letter. I will
|
|||
|
probably have to blow him to make things better.
|
|||
|
|
|||
|
Sincerly Yours,
|
|||
|
Emanuel... uh shit.. How do
|
|||
|
I edit stuff with VI?
|
|||
|
uh.. uh.. 2600 Editor
|
|||
|
|
|||
|
Dear Emanuel... uh shit.. how do I edit stuff with VI? uh.. uh.. 2600 editor
|
|||
|
|
|||
|
I have no real opinion of X. Not every one can get busted for beating the
|
|||
|
crap out of some guy over a big fat hispanic momma named "Lolita", so you
|
|||
|
might want to stay friends with him, if for nothing else, amusement purposes.
|
|||
|
|
|||
|
This beanie character sounds like real trouble, and you should probably stay
|
|||
|
away from him. Anyone who gets HIS ASS KICKED BY A WILDCAT SYSOP is trouble.
|
|||
|
|
|||
|
--------------------------------------
|
|||
|
|
|||
|
D0UDS I have read 17 magazine for the past few months, and compiled all these
|
|||
|
letters for an ex-po-se.
|
|||
|
|
|||
|
What have we learned from all this?
|
|||
|
|
|||
|
Emanuelle Goldstein should have stuck to the Italien porn industry, and that
|
|||
|
I can write shit about people I don't even know.
|
|||
|
|
|||
|
KEEP THE WAREZ ALIVE: CIRCULATE THE BOXES ISSUE OF PHRACK
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> last!@#@!@#!@#!!1
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.2600 article 954210 of [954210,954210] (645645 unseen)
|
|||
|
|
|||
|
From: NO-AMA@ninja.org (U4EA)
|
|||
|
Subject: "EZ HaqN"
|
|||
|
Organization: Br0therh0od of WaReZ
|
|||
|
Lines: 111
|
|||
|
|
|||
|
[First Verse]
|
|||
|
|
|||
|
Mah name is U4EA, mah skriptz R kewl
|
|||
|
Cum 2 mah office and I'll show ya mah tool...
|
|||
|
|
|||
|
Gotta get da newbies, they all insane
|
|||
|
God gave me uh gift, so I can fuck with their brain...
|
|||
|
|
|||
|
'gotta 3 inch floppy, but I wish it was hard
|
|||
|
Fire up mah email so I can flame that 'tard...
|
|||
|
|
|||
|
But Relay Chat gotta be mah favourite game
|
|||
|
I steal that nick, I slander that name...
|
|||
|
|
|||
|
[Chorus]
|
|||
|
|
|||
|
'cause I'm da biggest hacker, don'tcha mess with me
|
|||
|
I can get rewt... gimmy bash, perl, and C...
|
|||
|
|
|||
|
[Second Verse]
|
|||
|
|
|||
|
Yeah, I'm da shit who started the net
|
|||
|
TCP/IP... heh, I wrote it on a bet...
|
|||
|
|
|||
|
'cause I'm the main man, your momma's mah skeeze
|
|||
|
with one little command, your sister's on her knees...
|
|||
|
|
|||
|
>From Netcum 2 Hong Kong, MCI 2 MIT
|
|||
|
'have rewt on 'em all... I broke security...
|
|||
|
|
|||
|
Mark mah words, and tremble with fear
|
|||
|
When I'm finished with mah hacking, you'll be left in tearz...
|
|||
|
|
|||
|
[Chorus]
|
|||
|
|
|||
|
'cause I'm da biggest hacker, don'tcha mess with me
|
|||
|
My werd iz the rule, from netnews 2 I R C...
|
|||
|
|
|||
|
[Third Verse]
|
|||
|
|
|||
|
You have SATAN, hah, Dan Farmer's a loon
|
|||
|
I wrote that shit, took me one afternoon...
|
|||
|
|
|||
|
Takeover on mah channel, and I dunno the key
|
|||
|
I'll just nook your fuckin' ass with an ICMP...
|
|||
|
|
|||
|
Da girls on da net, they all a buncha ho's
|
|||
|
'cept 4 mah girlfriends, they know how it goes...
|
|||
|
|
|||
|
Jus' some respect, it's easy yah see
|
|||
|
I'll give ya some if ya give me some,
|
|||
|
just get in bed with me...
|
|||
|
|
|||
|
[Chorus]
|
|||
|
|
|||
|
I'm da biggest hacker, don'tcha mess with me
|
|||
|
I'll rock yer wurld from here 2 D.C....
|
|||
|
|
|||
|
[Fourth Verse]
|
|||
|
|
|||
|
Look at da laymah, he's such a dickwad
|
|||
|
Don't bother me now, I'm on a mission from God...
|
|||
|
|
|||
|
Incorrect login?!!? Hey, what the fuck?
|
|||
|
I'll show that admin whose dick he can suck...
|
|||
|
|
|||
|
Oh, hell, just a second, dat's all it'll take
|
|||
|
I'll hack in again, and let da hard disks rake...
|
|||
|
|
|||
|
Knock knock! What, the feds at the door?
|
|||
|
Hell, no, another skeezer to score...
|
|||
|
|
|||
|
[Chorus]
|
|||
|
|
|||
|
'cause I'm da biggest hacker, don'tcha mess with me
|
|||
|
I'll hack yer mailbox, post it so all can see...
|
|||
|
|
|||
|
[Fifth Verse]
|
|||
|
|
|||
|
Look at this luser, a newbie at the helm
|
|||
|
Just a quick little mailbomb, fuck her up with elm...
|
|||
|
|
|||
|
Drop by channel #talk, give 'em all whiplash
|
|||
|
I'll give 'em a taste of mah UNIX talk flash...
|
|||
|
|
|||
|
Look at dat boy, he's headed off 2 jail
|
|||
|
Little do they know, *I* sent that mail...
|
|||
|
|
|||
|
Da net is a playground, it's all a big game
|
|||
|
Compared 2 me, yer all fuckin' lame...
|
|||
|
|
|||
|
[Chorus]
|
|||
|
|
|||
|
'cause I'm da biggest hacker, don'tcha mess with me
|
|||
|
I'll fuck ya up and route your packets to *.se...
|
|||
|
|
|||
|
... (you know what I'm sayin, bitch?) ...
|
|||
|
|
|||
|
Drop on into #warez, "Yo homey, got some new shit for me?"
|
|||
|
|
|||
|
... (filtered at the router, a pain in the neck) ...
|
|||
|
|
|||
|
*click*
|
|||
|
|
|||
|
"Young man, shouldn't you be in bed? You've got school in the morning..."
|
|||
|
|
|||
|
"Aww, mom! I'm just talking to some friends on the IRC."
|
|||
|
|
|||
|
"You can play with your computer this weekend and after school. Bedtime."
|
|||
|
|
|||
|
*** Signoff: U4EA (Error 0)
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> group alt.fan.warez
|
|||
|
|
|||
|
-NEWS-I-GRPSET, current newsgroup now alt.fan.warez
|
|||
|
-NEWS-I-GRPINFO, articles [2187,2192], 6 unseen
|
|||
|
|
|||
|
News> read
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2187 of [2187,2192], (5 unseen)
|
|||
|
|
|||
|
From: cheese@hoe.org (Dead Cheese/pEz)
|
|||
|
Subject: Cyber Divinity
|
|||
|
Organization: pEz Monthly
|
|||
|
Lines: 73
|
|||
|
|
|||
|
K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!
|
|||
|
K!K! K!K!
|
|||
|
K!K! "Cyber Divinity" K!K!
|
|||
|
K!K! K!K!
|
|||
|
K!K! by Dead Cheese K!K!
|
|||
|
K!K! K!K!
|
|||
|
K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!K!
|
|||
|
|
|||
|
|
|||
|
A long time ago, there was a crystal table of circular shape. It was
|
|||
|
surrounded by nothingness and space, except for the occasionally pulse of
|
|||
|
light that would speed by the table. On the edges of the table, sat two
|
|||
|
crystal chairs, opposite each other. In the two chairs sat the most powerful
|
|||
|
beings existent at that time. These are the gods of cyberspace.
|
|||
|
"I grow tired of this drudgery. Let us create something new," said the god
|
|||
|
of feds. He was dressed in a three-piece suit and a briefcase sat upon his
|
|||
|
lap. His black-rimmed glasses slipped down to the end of his nose and he
|
|||
|
frowned over them, showing wrinkles that prove he does this often.
|
|||
|
"Yes. My chosen people have nothing to do. Nothing to further their
|
|||
|
lives with. All they do is sit around on their beds and masturbate to the
|
|||
|
latest Sports Illustrated Swimsuit Edition," said the god of geeks and
|
|||
|
dweebs. He was wearing a Kiss t-shirt, beat up corduroy pants, and had on
|
|||
|
glasses with thick, black, plastic frames. The latest issue of Dragon
|
|||
|
magazine was sticking out of his back pocket.
|
|||
|
"Yet, what should we create? Hmm... How about more rules and regulations?
|
|||
|
That's always fun. It makes the dweebs so angry and then they shout silly,
|
|||
|
little phrases such as, 'I don't have to do what you say, pizza face!' Haha!
|
|||
|
I love that one. Or, one of my favorites, 'Die, feds! Anarchy forever!'
|
|||
|
They're such idiotic little creatures, your people."
|
|||
|
"No, I do not like that idea. My people are oppressed enough as it is,
|
|||
|
what with having to go to bed at 9pm every night, and not being allowed to
|
|||
|
turn their glam-rock up loud enough. In fact, how about we _take_away_ some
|
|||
|
rules so that my geeks and dweebs may feel the freshness of anarchy?"
|
|||
|
"What?! Are you mad?!! Do you not realize that will mean my people will
|
|||
|
have less control, and therefore make less money?! That is insane. Do not
|
|||
|
speak of such evil things, or I will be made angry with you."
|
|||
|
"I'm sick of your oppression! You're an egotistical, self-centered,
|
|||
|
power-hungry bureaucrat and I am tired of your meaningless rules you have set
|
|||
|
upon my people! Get hip to my anarchy!"
|
|||
|
The god of geeks and dweebs stood up, grabbed his crystal chair, and threw
|
|||
|
it at the god of feds. The god was easily powerful enough to take a blow
|
|||
|
from any ordinary object, however the chair was powerful in its own right.
|
|||
|
It was forged with the blood of AT&T factory workers and given power great
|
|||
|
enough to support beings of such magnitude. When this object of such power
|
|||
|
met the chest of a god, it shattered into many millions of pieces. Each tiny
|
|||
|
shard ripping a small hole in the body of the god of feds.
|
|||
|
"What have you done?!" the voice of the god of feds boomed. "For this you
|
|||
|
shall pay!"
|
|||
|
Having said that, the bleeding god took hold of his own crystal chair,
|
|||
|
hefted it over his shoulder, and threw with all his divine might. The chair
|
|||
|
smashed into the chest of the god of geeks and dweebs, but did not shatter.
|
|||
|
With the force of such an impact from such a powerful item, the god's body
|
|||
|
shuddered... and cracked.
|
|||
|
Looking down at the fissure now separating Ace Frehley's head from the
|
|||
|
rest of his freakish body on the god's t-shirt, the god of geeks and dweebs
|
|||
|
was horrified. "Look at what you have done! There is a crack in my being!
|
|||
|
I am broken!"
|
|||
|
"Yes! And this is the way you should be! Forever parted, never whole!"
|
|||
|
Saying this, the god of feds raised his great fist and brought it to bear
|
|||
|
on the crack in the middle of the god of geeks and dweebs' chest. The god
|
|||
|
shattered.
|
|||
|
From the god of unbound power came six brother gods of minor power. From
|
|||
|
the god's brain came the god of t-files. From his pelvis, the god of porn.
|
|||
|
From his eyes came the god of ansi and d00dleboys. His feet, the god of
|
|||
|
warez. His hands became the god of h/p/a/v/c, and from his heart came the
|
|||
|
god of programming.
|
|||
|
Upon shattering his twin, the god of feds descended into cyber-hell. From
|
|||
|
there he created rules and regulations for whoever payed him money. Most of
|
|||
|
these rules were designed to keep the six minor gods from gaining too much
|
|||
|
power, and thereby keeping the wealthy computer companies safe. The six
|
|||
|
brothers spend their time keeping their respective geeks and dweebs busy
|
|||
|
doing things to fight the chosen people of the god of feds. This was the
|
|||
|
beginning of the cyber wars... but that's another story.
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2188 of [2188,2192], (4 unseen)
|
|||
|
|
|||
|
From: brewed@free.org (m0rpheus)
|
|||
|
Subject: ass-key!@@!#!@!1
|
|||
|
Organization: Computer Abuse Force for Better Living
|
|||
|
Lines: 44
|
|||
|
|
|||
|
She scolded the little piggies and gave them
|
|||
|
a punishment she knew they would
|
|||
|
not like. ^..^
|
|||
|
Y0u'V3 B3En B4d P1GGi3Z!! <-- _(oo)_
|
|||
|
Y0u'V3 L0Zt UR M1TT3nZ!!1 (.= =.)
|
|||
|
Y0u $H4ll H4V3 N0 W4ReZ!1 /|----|\
|
|||
|
| |____| |
|
|||
|
|________|
|
|||
|
V V
|
|||
|
_____
|
|||
|
__ ____ _ |WaReZ| THeZe R0ACHeZ aT My H0USe DeWd
|
|||
|
__ ____ .__|_____|__. C0UR3iR TH31R WaReZ!! DeY G0
|
|||
|
- -- ----- |___________Oo---<- R3Al F4ST S0 tH3Y G0T -D4Y
|
|||
|
--- - ---- | | | | W4ReZ! W4ReZ! W4ReZ!
|
|||
|
- --- - ---- /./././. <20> MY C4T iZ dE<64>F3DZ!
|
|||
|
MY<4D>C4T<34>3ATZ<54>D4<44>ROACH3Z &<26>DA<44>WaReZ!
|
|||
|
|
|||
|
Rite Here
|
|||
|
!! / you Dumb
|
|||
|
__ c[0o] Nigga!
|
|||
|
__|^^| `U'\
|
|||
|
c[00] WaRezZz AlE3Rt!@#!@@!#!@# -|-
|
|||
|
/`U' Just Couried in phrum Japan! _/ \_
|
|||
|
| \ warez You can see their cartoon butts and titties!
|
|||
|
(`V-)the
|
|||
|
|_| warez? ===[C0URYED BY :=: RAZeR 1911 & GENiZs!@]===
|
|||
|
|__) ===[CD Ripped by :=: NiGZ WiF WaReZ 411!]===
|
|||
|
===[Cracked by :=: NiGgA JeWz WiT WaReZz]===
|
|||
|
=====[AnsiPhaG Art by :=: AciD$!@#!@!]======
|
|||
|
|
|||
|
|
|||
|
,-----.
|
|||
|
(/^\_/^\)=====
|
|||
|
|doc dre| w0rd! (__) erikb sEz - jhO bEtAh' Ph3aR MOgEl!
|
|||
|
| o o | / c|Oo| _/ erikb SeZ - BuY My Teeee ShirTs!!!
|
|||
|
| (oo) | - [.ooM.] ~U~ erikb sEZ - EyE sEx #hack g1rleez!@
|
|||
|
/ \___c_/ \ -|- erikb sEz - i wISh i WaS iN HoE!@!1
|
|||
|
|T snoop B| <-- s3kr3t cDc / | wOrd! jhO betAh pheAr meE!
|
|||
|
|l doggy i| cow skull
|
|||
|
|c | dog | g| <-- Gmac
|
|||
|
|__|-----|__| Daddy
|
|||
|
|notorious| Duds
|
|||
|
_|____|____|
|
|||
|
|______|_____| <-- Air Mitnick
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2189 of [2189,2192], (3 unseen)
|
|||
|
|
|||
|
From: boogeyman@escape.com (The Boogeyman)
|
|||
|
Subject: k0nphessions 0f a d00dleb0y
|
|||
|
Organization: pHrUwT
|
|||
|
Lines: 54
|
|||
|
|
|||
|
Hi. My name is um...Bob. And I admit. I used to be a d00dleboy. The colored
|
|||
|
blocks just kind of lured me into #ansi. I just couldn't leave! It was awful!
|
|||
|
I stayed for days and days on irc, just to see my 'friends'. Well they aren't
|
|||
|
your friends!!!
|
|||
|
|
|||
|
It's a conspiracy to brainwash you! The colored blocks hypnotized me! I even
|
|||
|
wanted to make these awful things now! They want you to become one of their
|
|||
|
d00dleb0y legion! Well dammit I made ansis! Night and day, I had my copy of
|
|||
|
the draw breaking my fingers over all of the seperate blocks!
|
|||
|
|
|||
|
I was a maniac making the ansis. Until I heard about zines. They saved me.
|
|||
|
I can't believe I was taken by that crap. Now I am warning you! Be aware
|
|||
|
of the d00dlelegi0n!!!
|
|||
|
|
|||
|
These are the ways not te be taken by the d00dlelegi0n!
|
|||
|
|
|||
|
1: READ ZINES!!! Lots and lots of zines! Never stop reading them! Read PHRuWT
|
|||
|
night and day! Write t-files! Live t-files!
|
|||
|
|
|||
|
2: Never join #ansi! When you join they own you!
|
|||
|
|
|||
|
3: Don't make ansis! Never!
|
|||
|
|
|||
|
To look back on the whole deadly ordeal it shocks me! How the hell could I
|
|||
|
have obsessed and wasted so much of my time on a limited system of ugly
|
|||
|
colored blocks?! OH IF I COULD ONLY TURN BACK TIME.
|
|||
|
|
|||
|
Beware of them! They will own you till you die if you actually join a group!
|
|||
|
|
|||
|
Scary gr00pz to steer away fr0m:
|
|||
|
|
|||
|
ACiD: the leeders of the d00dlelegi0n
|
|||
|
iCE : they'll fry your brain!
|
|||
|
teklordz: they'll fry yuuu
|
|||
|
|
|||
|
I'm not sure of the others but beware! There are new groups everyday! aCK!
|
|||
|
|
|||
|
[ways to convert d00dleb0yz]
|
|||
|
|
|||
|
(i have found these ways to be the most useful in killing the d00dle process)
|
|||
|
|
|||
|
send then dcc's that say they are the new acid pax and make them really
|
|||
|
t-files sayin how lame they are! like this one!! send them HoE'zZz, send
|
|||
|
them them PHRuWT'zZz
|
|||
|
|
|||
|
beat them severly over the head with blunt objektz. this will eliminate them
|
|||
|
all. beware: only use this in severe occasions cause you could go to jail an
|
|||
|
stuff
|
|||
|
|
|||
|
the 'oj'. knife em to death...then plead innocent because they were a d00dler
|
|||
|
|
|||
|
er the worst fate of all...remove their copy of the draw!!! ahhhhh
|
|||
|
|
|||
|
REMEMBER! D00DLERZ ARE NOT PEOPLE!@!@
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2190 of [2190,2192], (2 unseen)
|
|||
|
|
|||
|
From: whoops@xnet.com (whoOps)
|
|||
|
Subject: Having absolutely nothing to do with Happy Humphrey Hippoes
|
|||
|
Organization: Frannie's got his hand on her butt.
|
|||
|
Lines: 113
|
|||
|
|
|||
|
Zorquat and the Happy Humphrey Hippo Geex
|
|||
|
-----------------------------------------
|
|||
|
|
|||
|
Hi, my name is Zorquat, and I am a modem geek. Oh, you don't know what a
|
|||
|
modem geek is? If you're reading this post on a newsgroup instead of printed
|
|||
|
out on thin white things called "paper." That is a definite indication of
|
|||
|
geexness) then you obviously have come in contact with at least one. Most
|
|||
|
likely a million, seeing as how you're reading this at *all*. But let me
|
|||
|
explain. A modem geek is a member of the human race (actually, i exaggerate a
|
|||
|
bit - only 63% humanity is necessary to qualify) who talks, posts and acts
|
|||
|
like an an ignorant idiot, moron, imbecile or dumbkopf online. Now, I hear
|
|||
|
you.. "Hey, that sounds like everyone I know!" But you see, there are
|
|||
|
different *levels* of geex. Surprising, eh? "I didn't know geex HAD another
|
|||
|
level!@"
|
|||
|
|
|||
|
*** Part One: Generics
|
|||
|
|
|||
|
One such level is the beginner level. I know, because all geeks must go
|
|||
|
through it. There are just two prerequisites to being a modemgeek: you have
|
|||
|
to be 12 years old, you have to be male, and you have to have good math
|
|||
|
skills. All modemgeeks start out as 12 year old males fumbling their way
|
|||
|
around chat boards and occasionally calling places such as "The Pir8's Cove"
|
|||
|
and when asked if you have any files, replying "D00M!!!!!!!!!!!!!!!"
|
|||
|
After the beginner level, you are around 13 or 14. You start to get acne
|
|||
|
(if you haven't already - chances are, you have), your voice gets deeper and
|
|||
|
your palms get sticky with sweat of course. You noticed several upper-level
|
|||
|
modemgeeks t4Lk1nG strangely and emulate them as best you can. You have
|
|||
|
probably already bought d00m, d00m ][, d00m threeturns (copyright Shplat
|
|||
|
Pilee '94), d00m's final revenge and son of d00m. You irc a lot with handles
|
|||
|
such as "hot/sweaty4u" and page "girls" (and you are soon to learn the proper
|
|||
|
terminology for them - chYx) with handles like "hotter/sweatier4u"
|
|||
|
After the beginner advanced level, you move on to intermediate. You now
|
|||
|
spend most of your waking hours online and often hear your mother saying
|
|||
|
things to your father such as "Cecil, I think that boy spends too much time
|
|||
|
clicking keys and looking at that strange box in the family room." And often,
|
|||
|
you will hear your father reply with such strange and bewildering comments as
|
|||
|
"Now Hilda, that's natcherull for a boy his age. Why don't you drive for a
|
|||
|
while?" Several years will pass before you understand these cryptic comments.
|
|||
|
Now on to intermediate advanced. You are around 17 years old, know what
|
|||
|
all the letters in h/p/v/a/c/u/u/m stand for and have probably come up with
|
|||
|
your own cute and quirky little k0de-w3rdz for your h/p buddies. If someone
|
|||
|
asks you your address and anything you say includes the word "dot" in it -
|
|||
|
you're GONE. You probably call conferences a lot, which is no sin in itself;
|
|||
|
but you probably also sit on the conferences and talk about being online,
|
|||
|
which is a strong indication that you have reached the intermediate advanced
|
|||
|
level and are about to break your way through the barriers to being advanced.
|
|||
|
Advanced. You're here. You're over 18, you live away from home, away from
|
|||
|
parents, away from having to clean up the dirty underwear off your floor..
|
|||
|
and you STILL sit around online all day. You're gone, man. Say O Nah Rah.
|
|||
|
So does that explain it all? I left out a lot of details. If you can fill
|
|||
|
them in, then you are a modem geek. Yes, i know you can fill them in. If you
|
|||
|
can actually reach me to reply to me and tell me what I've missed, you are
|
|||
|
most likely intermediate-advanced or above.
|
|||
|
|
|||
|
*** Part Two: A Short Treatise on Chicks
|
|||
|
|
|||
|
Now on to my favorite part.. not warez, but ME. I have a confession to
|
|||
|
make. I have.. <sob>.. gonads. I am a thoroughly 100% "pubescent adolescent"
|
|||
|
male, and I am rarin' to go. Rarin' to attack the first female I see. And,
|
|||
|
seeing as how I spend most of my life staring at a computer screen, (d00d,
|
|||
|
.28dpi, 1024x768x256 awesome res!@#!) <snapping rubber band at wrist> the
|
|||
|
only females I see are those foolish, stupid or ugly enough to call online.
|
|||
|
Yeah. <scratch self> All females online are ugly. <rearrange parts> 'Course,
|
|||
|
that doesn't mean I stop hitting on them, but..
|
|||
|
As a male, I recognize that..wait, let me change that. As a bundle of
|
|||
|
hormones, I recognize that the real purpose of modeming is to Scope Babes.
|
|||
|
That's right..Babelicious babes. If they were presidents they'd be Babraham
|
|||
|
Lincolns. If they were bad early 90's horror flicks they'd be Babe Fear. If
|
|||
|
they were two brother-type-d0Ods in the bible, they'd be Cain and Babel. See
|
|||
|
what I mean? Babesbabesbabesbabesbabes. So..I like babes. And they like me.
|
|||
|
Well, sometimes they smile at me. Well sometimes I know that they're NOT
|
|||
|
throwing up just thinking about me, and I get all warm and fuzzy inside just
|
|||
|
thinking about it. I really should change these underwear. Sometimes I get to
|
|||
|
imagine that they smile at me, and even though I know that they're really
|
|||
|
sitting there snidely at their computers trying to snidely think up snide new
|
|||
|
ways to snidely rip on geex like me, it still really gets me hot to think
|
|||
|
about babes smiling. But I digress.
|
|||
|
One random person once randomly mentioned to me in a completely random
|
|||
|
situation that she.. make that HE OR SHE, to protect her anonymity... HIS OR
|
|||
|
HER anonymity.. Anyway, this person-type thing said that it was really funny
|
|||
|
how those people online who are ruled by their hormones (read: guys) say
|
|||
|
things like "MoDeM CHyX aRe uGLy." Which I don't really get - I *know* I'm a
|
|||
|
stud. I have got the pants with the big super sized pockets on the knees to
|
|||
|
prove it. And not only that, but they are the handiest pockets in the world
|
|||
|
to keep my HP 48GX/90Mhz 4 megs RAM, 72 SIMM and one hot mother-fuckin-board
|
|||
|
calculator. I know when I smoothly stroll my way down the street in my black
|
|||
|
clothes and requisite Pearl Jam t-shirt on, my dirty hair swept away from my
|
|||
|
badly-in-need-of-a-washing face in a WaReZ WaLDo hat, that every chick on the
|
|||
|
street looks my way...and then runs away quickly and probably throws up on
|
|||
|
the next street corner. But that's a minor detail - d00d, they LOOKED. Of
|
|||
|
course, this 'smoothly strolling down the street' only happens if my computer
|
|||
|
is severely broken, and if it were broken by anything less than a
|
|||
|
sledgehammer I'd spend most of my waking hours pretending to know how to fix
|
|||
|
it, and telling everyone else I meet just how i'm doing it. So this random
|
|||
|
person's point was that how is it that modem geex think they, out of ALL
|
|||
|
people, could have the right to say things such as "M0D3M CH1CK5 A43 UG7Y."
|
|||
|
And the reason is this - we're modem geeks. Someone once said "The two most
|
|||
|
common elements in the universe are..Hydrogen.. and Stupidity." And it's
|
|||
|
completely true. We're too stupid to..uhm.. duh. Well too stupid to like,
|
|||
|
understand shit and some junk. (You know, on a completely unrelated side
|
|||
|
note, who IS the black guy on the cover of the Jimi Hendrix album ANYway??
|
|||
|
Back to our regularly scheduled dorfing...) If we let on that we knew what
|
|||
|
geeks we were, we'd never live it down - we'd lose all our respect, man! Not
|
|||
|
like we have any now, but that's besides the point. If we let these CHiX know
|
|||
|
how much we rely on them for our own self image, pitiful though it may be,
|
|||
|
then we'd never live it down. So that's why I've avoided ever writing this
|
|||
|
down. Pretty smart of me, don't you think, not to write anything down, eh?
|
|||
|
That's what you get for being a modem geek.
|
|||
|
|
|||
|
Behind every great * KC Smith * He's mostly dead, Jim...
|
|||
|
man... is his BUTT. * whoops@xnet.com * Get Miracle Max!
|
|||
|
* http://www.xnet.com *
|
|||
|
Hebrew... the MANLY beer. * /~whoops * Hangover: Wrath of Grapes
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2191 of [2191,2192], (1 unseen)
|
|||
|
|
|||
|
From: that_guy@warez.net (Joe: The Telecom Man!)
|
|||
|
Subject: look at me! look at me!
|
|||
|
Organization: I'm in _every_ group.
|
|||
|
Lines:
|
|||
|
|
|||
|
You have no idea who you're dealing with. I'm Jake. I'm the Telecom Man.
|
|||
|
I deserve all your attention, for I have something to say. I've been
|
|||
|
hacking since I was seven. I've entered more computer systems than stars in
|
|||
|
the sky. I know more unix systems then most people know words in the english
|
|||
|
language. I _am_ the national security. I've got a great online
|
|||
|
personality. Girls want to meet me after talking to me for mere moments.
|
|||
|
I've been romantically involved with over 100 gorgeous women from irc. They
|
|||
|
were not fat. I'm a scholar and a gentleman. I've got a lot of money. I
|
|||
|
graduated 2nd in my class at MIT. I'm an IRCop. I manage my time
|
|||
|
efficiently. In addition to writing for twenty-eight online publications, i
|
|||
|
enjoy my privileges of root access on over sixty-nine systems. I type so
|
|||
|
fast - I don't even _need_ to multi-task. My warez are true 0-day. When I'm
|
|||
|
feeling my daily creative burst, I draw award-winning ansi and vga on lunch
|
|||
|
breaks. I write the only good lit files in existence. I don't phear mogel.
|
|||
|
It takes me 4.8 seconds to identify an ansi-rip off. When I log on IRC, I get
|
|||
|
an average of ninety-two channel invites. I _know_ what's in #k-rad. I've
|
|||
|
written five popular irc scripts. I was the first one to declare gasp as
|
|||
|
stupid. The ascii I draw is used in over forty-eight sources. I'm always
|
|||
|
creative and funny. I program professionally in basic/pascal/c/c++/assembly.
|
|||
|
Sometimes when I'm bored, I write award-winning demos in LOGO. I've been
|
|||
|
known to collect c-64s. My Hard Drive is forty gigs. When I talk, Bill
|
|||
|
Gates and Emmanuel both listen. I _can_ blue box legally. I set up ten
|
|||
|
conferences a week. My codes always work. I sell red boxes for $200 a pop.
|
|||
|
I've hacked so many vmb's, that entire systems have simply willing given me
|
|||
|
control in fear. I say everything I know very succinctly. I've got 50,000
|
|||
|
plus t-files. My system backs itself up hourly. It's AI. It feeds me when
|
|||
|
I'm sick. Trent Reznor buys the MODS I write for millions.
|
|||
|
|
|||
|
Half of the known world phears me.
|
|||
|
|
|||
|
- Jake, The Telecom Man
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.fan.warez article 2192 of [2192,2192], (0 unseen)
|
|||
|
|
|||
|
From: spamfx@free.org (Spiff)
|
|||
|
Subject: error 13 : it sucks to be a coder.
|
|||
|
Organization: WaReZ 'R uZ
|
|||
|
Lines: 221
|
|||
|
|
|||
|
nine a.m. mmmmm... the eternal question - back to sleep or off to work?
|
|||
|
there's nothing better than working at home. not really tired. katie's
|
|||
|
already up, maybe she can make me some breakfast before she leaves.
|
|||
|
|
|||
|
"hey, you actually woke up while it's still light out?", she says with a
|
|||
|
smile. she's so fucking beautiful. katie is one of those girls you don't
|
|||
|
always notice at first, but every once in a while, you look at them and just
|
|||
|
can't comprehend all that's there.
|
|||
|
|
|||
|
"would you rather i go back to sleep?"
|
|||
|
|
|||
|
"well, if you stay up, i can make you some eggs... scrambled, right?"
|
|||
|
|
|||
|
"yeah..... please." good. i don't like to ask her to cook for me, but if
|
|||
|
she didn't, i'd be eating cereal three meals a day for the rest of my life.
|
|||
|
i like cap' n' crunch as much as the next guy, but after a while those little
|
|||
|
plastic toys that may contain small parts that are unsuitable for childern
|
|||
|
under three that come in those little plastic bags that are themselves not
|
|||
|
toys start to collect. sometimes i wonder if there's a little kid somewhere
|
|||
|
who throws away the toy, and says to his mom, "look what i got! a bag."
|
|||
|
probably.... people often
|
|||
|
|
|||
|
"here ya go big guy."
|
|||
|
|
|||
|
"thanks, ya know, sometimes i wonder if i'd actually bother to eat if it
|
|||
|
wasn't for you."
|
|||
|
|
|||
|
she smiles. she is beautiful. no wonder i'm always trying to make her laugh.
|
|||
|
|
|||
|
"so you still working on that artificial intelligence project?"
|
|||
|
|
|||
|
"yeah.. it's a tough job, but hey, i'm a tough guy"
|
|||
|
|
|||
|
"i can't believe they pay you for this, i mean, you sleep all day, and then
|
|||
|
work on that project for a few hours a night, but for all they know, you
|
|||
|
could just as easily be watching t.v. or something."
|
|||
|
|
|||
|
"hey, good programmers are hard to come by."
|
|||
|
|
|||
|
"so, until then, they have you, right?" she smiles again. ahh, she's good.
|
|||
|
|
|||
|
"very funny, but they trust me, and, there's really nothing on after 4am"
|
|||
|
|
|||
|
"so, they owe the success of this project to a bad late night television lineup?"
|
|||
|
|
|||
|
"basically."
|
|||
|
|
|||
|
"so how's it going anyway?"
|
|||
|
|
|||
|
"it's coming pretty well, he's shown a lot of progress."
|
|||
|
|
|||
|
"he?"
|
|||
|
|
|||
|
"yeah... last night he asked me for a name."
|
|||
|
|
|||
|
"really? wow. so what did you give it?"
|
|||
|
|
|||
|
"i named him nigel"
|
|||
|
|
|||
|
"nigel? is that some kind of funky acronym or something? like in that movie
|
|||
|
D.A.V.I.D?"
|
|||
|
|
|||
|
"nah... i just like the name nigel."
|
|||
|
|
|||
|
she looks at me and smiles. ha, i win. and i'm not even trying.
|
|||
|
|
|||
|
"well, i'd better leave, i have one of those schedule type things that exist
|
|||
|
in the real world. want any more bacon?"
|
|||
|
|
|||
|
Error 16: Disk full. "no thanks, i'm filled, have a good day at work."
|
|||
|
|
|||
|
"okay, i'll see you when i get back. ya know, it wouldn't hurt for you to
|
|||
|
leave the house every once in a while..."
|
|||
|
|
|||
|
"why, has it changed much out there?"
|
|||
|
|
|||
|
"that depends.. what color was the sky when you left it?"
|
|||
|
|
|||
|
she kisses me. she leaves. i love her. i'd die for her. i wonder if she
|
|||
|
knows that? Error 64 : Cannot read or write variables of this type.
|
|||
|
|
|||
|
oh well.. time for another one of those tough working decisions - a-team or
|
|||
|
knight rider? well, ya know i kinda miss murdock so i guess i'll... fuck,
|
|||
|
channel testing, oh well, looks like you win knight.. FUCK. okay, maybe
|
|||
|
i can get an early start...
|
|||
|
|
|||
|
>hello nigel.
|
|||
|
::HELLO MICHAEL.
|
|||
|
>what's up, buddy?
|
|||
|
-UNDEFINED FORWARD:"what's up"
|
|||
|
ahh...
|
|||
|
>%define : "what's up" !greeting/syn:"what is new"
|
|||
|
>what's up nigel?
|
|||
|
::I WANT TO LEARN.
|
|||
|
>what?
|
|||
|
::ERROR #53 : TOO MANY EXTERNAL DEFINITIONS.
|
|||
|
i gotta teach him to be less jumpy.....
|
|||
|
>explain.
|
|||
|
::I WANT TO LEARN. YOU WILL TEACH ME, MICHAEL.
|
|||
|
hmmm....
|
|||
|
>okay, nigel.
|
|||
|
>well, let's start with the basics....
|
|||
|
|
|||
|
ahh... finally.. all those fucking errors.... really gets to you. harder than
|
|||
|
it seems. good thing babies don't talk like that. yeah, i could imagine some
|
|||
|
woman's face when she tells her kid to say 'mama' and he says 'error 82 :
|
|||
|
undefined label'.
|
|||
|
|
|||
|
>nigel, what is spam?
|
|||
|
::SPAM - 1)THE KEY TO THE UNIVERSE.
|
|||
|
:: 2)ANYTHING BUT FOOD.
|
|||
|
>you're a smart guy nigel.
|
|||
|
::THANK YOU MICHAEL. TEACH ME MORE.
|
|||
|
>nigel, what time is it?
|
|||
|
::IT IS 18:20:47.10 EST.
|
|||
|
|
|||
|
fuck. that late. hmm. not that bad i guess for teaching him the staples of
|
|||
|
life. i mean, in just about eight hours i've transferred all my knowledge
|
|||
|
of the transformers, taco bell, atari, spam, cheese, the a-team, g.i. joe,
|
|||
|
the care bears, gumby, sonic youth, nirvana, poker, and other miscellaneous
|
|||
|
treasures. yeah. i think i'll call today a sucess. christ i smell. better
|
|||
|
get a shower.
|
|||
|
|
|||
|
::TEACH ME MORE, MICHAEL.
|
|||
|
>i can't now nigel.
|
|||
|
::WHY NOT?
|
|||
|
>katie will be home soon.
|
|||
|
::ERROR 52 : INVALID EXTERNAL DEFINITION.
|
|||
|
::WHAT IS KATIE?
|
|||
|
>i will tell you later nigel.
|
|||
|
|
|||
|
water feels good. not many things out there that beats a hot shower. yeah,
|
|||
|
today worked out pretty well. he is almost starting to seem human. i mean,
|
|||
|
if only he had a ERROR 24:File components may not be files or objects.
|
|||
|
wait, why can't he? ERROR 17:Invalid compiler directive.
|
|||
|
|
|||
|
"hi honey, i'm
|
|||
|
"KATE! say hello to nigel"
|
|||
|
"wha
|
|||
|
"just do it, c'mon"
|
|||
|
"umm... okay, hello nigel"
|
|||
|
"HELLO KATIE."
|
|||
|
"WOW? now it talks too? how'd you do that?"
|
|||
|
ERROR 1:Out of memory
|
|||
|
ERROR 43:Illegal assignment
|
|||
|
"umm... i'm not really sure, nigel helped alot.. but, basically it's just
|
|||
|
a simple micrpohone/speaker setup."
|
|||
|
"were you working with it all day?"
|
|||
|
"yeah... from until you left, till now really.."
|
|||
|
"doesn't that ever get to you? i mean.. staring at the screen all day?
|
|||
|
i wouldn't be able to handle it.."
|
|||
|
ERROR 61 : Invalid typecast
|
|||
|
"nah.. it never bothered me really, but, i mean now, i can just talk to
|
|||
|
him instead of typing.. and he has a really sexy voice"
|
|||
|
|
|||
|
katie laughs. i really love her laugh...ERROR 113:Error in statement. don't
|
|||
|
really know why though...ERROR 107:Too many relocation items.
|
|||
|
|
|||
|
"I DO NOT UNDERSTAND DAVID."
|
|||
|
"ahh buddy it was a joke..."
|
|||
|
"still not quite human", she says, "but then again, you're not that funny."
|
|||
|
|
|||
|
hmm... could i teach him humor? could i teach him to laugh? now, if i could
|
|||
|
do that.. i'd really have something here.. ERROR 108:Overflow in arithmetic
|
|||
|
operation. she looks upset.... wonder what ERROR 117:Target address not found.
|
|||
|
|
|||
|
|
|||
|
"rough day at the office?"
|
|||
|
"yeah.. i guess you could say that..."
|
|||
|
"feel like talking about it?"
|
|||
|
"nah, i just think i'm gonna ......"
|
|||
|
"okay."
|
|||
|
|
|||
|
"so, nigel, here's what.."
|
|||
|
"michael?"
|
|||
|
"yeah kate?"
|
|||
|
"don't you think you should give it a rest for a while? i mean.. you don't
|
|||
|
want to wear yourself out."
|
|||
|
"nah, i'll be fine... "
|
|||
|
"are you sure?"
|
|||
|
"yeah.. don't worry about it.. i'll just spend like one more hour, then
|
|||
|
it'll be quittin' time."
|
|||
|
"okay"
|
|||
|
|
|||
|
she sighs.... well... i can't stop now, i mean.. this is the most progress
|
|||
|
i've made yet.. if i can get him to actually have a sense of humor... if
|
|||
|
i can get him to laugh..ERROR 140:Invalid floating-point operation.
|
|||
|
|
|||
|
"so the rabbi says, 'that was your wife?!'"
|
|||
|
|
|||
|
"hahaha, good one nigel, you really got the hang of this now."
|
|||
|
|
|||
|
"yeah.. it's not so hard to be human mike, it's easier than it seems at
|
|||
|
first."
|
|||
|
|
|||
|
"yeah, i hear ya buddy, i've been"
|
|||
|
|
|||
|
ERROR 5:Syntax errorERROR 6:Error in real constantERROR 13:Too many open
|
|||
|
filesERROR 36:BEGIN expectedERROR 37:END expected
|
|||
|
|
|||
|
"mike.... mike... are you alright?"
|
|||
|
|
|||
|
"umm, yeah, sure, i'm.." ERROR 49:Data segment too largeERROR 71:Internal
|
|||
|
stack overflowERROR 78:Pointer expression expectedERROR 80:Label not
|
|||
|
within current block......ERROR 67 : Statement.............
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"make any progress with mike, nigel?"
|
|||
|
"nah kate, he's just doesn't seem to respond, i spent all last night trying
|
|||
|
to get him to communicate, he just keeps throwing out errors, i'm not sure
|
|||
|
what to do. i just wonder what's going on in his mind.."
|
|||
|
"think you can try again today?"
|
|||
|
"yeah, sure, right after the a-team, this is my favorite episode....."
|
|||
|
|
|||
|
ga0hsoolsi,pyptrabakrni,heymglppeiisrtl,0pesds,xrms,uitwzroi,n-.hsswsefsoywsefi
|
|||
|
rn \o/ o <o_ <o> "goodnight to the rock n' roll era \o/ o <o_ <o> ym
|
|||
|
ed | <|> | | cause they don't need you anymore" | <|> | | oe
|
|||
|
es /^\ /^\ /^\ /^\ spamfx@free.org /^\ /^\ /^\ /^\ u1
|
|||
|
tm Y M C A primus@iia2.org Y M C A r0
|
|||
|
s0cegtaihaip,eepnlcfacssep,0e,i,dcu,atemrhu,ahetiitjle,iadfdadYtiiaatoatraatot%
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> group misc.writing
|
|||
|
|
|||
|
%NEWS-I-GRPSET, current newsgroup now misc.writing
|
|||
|
-NEWS-I-GRPINFO, articles [7,9], 3 unseen
|
|||
|
|
|||
|
News> read
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
misc.writing article 7 of [7,9] (2 unseen)
|
|||
|
|
|||
|
From: jamesy@hoe.org (James Hetfield)
|
|||
|
Subject: How to be alienated from society in 5 easy steps!
|
|||
|
Organization: PWCPZN - People Who Can't Pick 'Zine Names
|
|||
|
Lines: 100
|
|||
|
|
|||
|
The sun was stretching itself across a sky which was barren of clouds and
|
|||
|
filled with emptiness. As I cut through the open field, I stared at the
|
|||
|
grass under me. It was yellow, with little life left inside of it. Sort of
|
|||
|
like how I feel at times.
|
|||
|
In the distance I saw the street I was going to follow to the party I was
|
|||
|
supposed to go to, a party full of people I wouldn't consider my friends but
|
|||
|
I'm supposed to. A party full of faces I will soon forget. A party of
|
|||
|
'acquaintances'.
|
|||
|
Over on my side I passed the large iron fence me and a friend once
|
|||
|
attempted to climb over. He had no problem with it; me, being a little pudgy
|
|||
|
kid, got my shorts caught on the top of them and I had to be pushed over to
|
|||
|
get down. I landed fine, but my shorts were ripped all the way upwards. My
|
|||
|
friend laughed at me all the way home. He still laughs at me; but he's not
|
|||
|
my friend anymore.
|
|||
|
The grass, being so dry, crunched under my feet as I walked. The sound
|
|||
|
of secatas screaming their mating call filled my ears. That, and a radio
|
|||
|
playing the oldies station. The old man that lived at the end of the block
|
|||
|
of this street was outside, and he was taking a dry rag and wiping his car
|
|||
|
down with it. He had no wax or water on the car; he was just wiping his car
|
|||
|
with a dry rag. He made small, loving strokes, and smiled at the beauty of
|
|||
|
his car. It was evident that the car had not been washed in a long time,
|
|||
|
that he just knocked all the dust and leaves off the car with this rag from
|
|||
|
time to time.
|
|||
|
I stepped out onto the gravel of the street and gave the man an
|
|||
|
acknowledging glance, the type a person would give an 'acquaintance' in a
|
|||
|
high school hall. He smiled, and said 'hello'.
|
|||
|
A few houses down the block, a front door was open, and from inside I
|
|||
|
could hear an old woman speaking very loudly. "OH YES, ITS BEEN VERY
|
|||
|
STRANGE. ALL MY FRIENDS HAVE BEEN WATCHING IT TOO. I HOPE OJ ISN'T GUILTY,
|
|||
|
WHAT WILL PEOPLE THINK?". She kept talking, but her voice faded away. She
|
|||
|
must have gone into another room of her house.
|
|||
|
Not watching the street, a new Acura Legend came flying by, almost
|
|||
|
slamming me into the pavement. I got out of the way just in time. The
|
|||
|
person honked once they were about 10 feet past me.
|
|||
|
On the left side of the street, an old man had placed a wooden chair out
|
|||
|
on his front lawn, and was sitting out on it. He was just staring out; he
|
|||
|
wouldn't look at me, although he probably knew I was staring at him. He just
|
|||
|
looked straight out. I looked over to try to figure out what he was looking
|
|||
|
at, but I couldn't. He had a painful look on his face, also. I felt sorry
|
|||
|
for the man, even though I didn't know anything about him. He just screamed
|
|||
|
'pitiful'. Then again, who am I to say what is pitiful or not.
|
|||
|
A middle-aged woman zoomed across the street in her blue mini-van. She
|
|||
|
looked as if she had 2.5 children, a husband, and a happy house with a green
|
|||
|
lawn and a white picket fence. I wondered if she has ever stopped to look
|
|||
|
around her, to take a walk to a party, to watch the grass die, to watch old
|
|||
|
men stare at the world. To watch old men stare at the world and *not* say
|
|||
|
"it is good".
|
|||
|
Of course not. The only people who ask these questions are thought of as
|
|||
|
insane by their generation, they don't get looked at as intelligent until
|
|||
|
they are dead for 20 years. The curse of a questioning mind.
|
|||
|
I looked up, and breaking the horizon was a shape shadowed by the sun. I
|
|||
|
could tell that he was male, and had his shirt off (and in his right hand),
|
|||
|
but I could not tell much else. He walked forward in my direction with a
|
|||
|
style of walk I had seen many times in my life, the kind of walk that tells
|
|||
|
you "hey, guess what? you're nothing compared to me." I've seen it many
|
|||
|
times. In high school, almost all the athletes had this type of walk, with
|
|||
|
their blanked faces staring directly in front of them, not acknowledging
|
|||
|
their surroundings. They would look directly down the hall at the horizon
|
|||
|
lines; just like an actor does when he plays a part on stage. Only, these
|
|||
|
people were not on stage. They were playing the character that they thought
|
|||
|
were themselves. They never asked questions, they always thought they HAD
|
|||
|
the answer.
|
|||
|
He was getting closer now, and I could tell exactly who it was. His
|
|||
|
shirt was in his hand, helping him with his "Hey, I'm popular and you're not"
|
|||
|
walk. He wore no shirt, because he had not an inch of fat anywhere on his
|
|||
|
body. His skin was a perfect dark tan, with no birthmarks or acne anywhere.
|
|||
|
I don't think he noticed me yet, because he hadn't looked over at me. He
|
|||
|
just stared forward. His name was Tim Rowell.
|
|||
|
Tim Rowell was my best friend in junior high school. We almost lived
|
|||
|
together. I'd always be over at his house, playing Nintendo, trying to
|
|||
|
finish that adventure/role playing game. One by One we'd conquer them all,
|
|||
|
and always fight about which one was better at them. He would try to act
|
|||
|
tough and cool every once in a while, but deep down I always knew him as a
|
|||
|
pretty OK guy. He loved to crack jokes, as I did. He was always a clown,
|
|||
|
even worse than I, and that's pretty bad. He was kicked out of my boy scout
|
|||
|
troop in the 6th grade, and at that point I quit also. We were the type of
|
|||
|
friends you'd never expect to change.
|
|||
|
But change we did.
|
|||
|
When high school rolled around, we both joined football. We were both
|
|||
|
second string players; I, a lineman, and him, a defensive back and wide
|
|||
|
receiver. He also joined wrestling. I never got along with the jock crowd,
|
|||
|
except for a few of them I had a different set of friends, while he totally
|
|||
|
clung to them. From that point on he never once again acknowledged me as a
|
|||
|
human being. The last memory I have of ever communicating with him was the
|
|||
|
day I quit football Junior Year. He gave me this look, a look that genuinely
|
|||
|
in his mind said "You're a Pussy."
|
|||
|
As he got closer, the green sunglasses reflected the sunlight into my
|
|||
|
eyes, blinding me. I could barely see. He was still built the way he was in
|
|||
|
high school; about 100 pounds of bones. He had a long scar on his stomach,
|
|||
|
probably from an operation of one kind or another. Otherwise, he had a
|
|||
|
nearly perfect form. His hair was slightly teased, to give it that "90210"
|
|||
|
look. And the sunglasses he wore were meant for a Melrose Place fan.
|
|||
|
When he was about 5 feet away from me, he looked over at me. He raised
|
|||
|
his sunglasses in a manner of disbelief, as if he was surprised that I could
|
|||
|
be the way I am. He gave me this glare, a glare that said "Hey, you're still
|
|||
|
the dork you always were". He then lowered his sunglasses back onto his face
|
|||
|
and walked off quickly, bumping me on my shoulder.
|
|||
|
|
|||
|
Now I remember why I don't have any friends anymore. Because they all
|
|||
|
are like him.
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
misc.writing article 8 of [8,9] (1 unseen)
|
|||
|
|
|||
|
From: shadowtao@hoe.org (Shadow Tao)
|
|||
|
Subject: the doctor gets roasted!@
|
|||
|
Organization: Ultra Super-Duper Conservative Party@!#
|
|||
|
Lines: 17
|
|||
|
|
|||
|
The day of 'Tracturpuhl' had arrived. I awoke to chants of "pur-dee,
|
|||
|
pur-dee", an obvious form of my tribal name. There are numerous gruntings
|
|||
|
from outside for awhile, and then two Furmur's run into my hut and grab me.
|
|||
|
They pull me outside and strip me of my clothes. They then bend me over a
|
|||
|
log while a third shoves a piece of corn into my anus. My screams of pain
|
|||
|
make them laugh. To my horror, a ewe is brought before me and the chief
|
|||
|
makes a high caste-to-low caste greeting to one of my captors. They shove
|
|||
|
me onto the hapless ewe, and prick my back with their spears. I commit an
|
|||
|
act of cold love to the bleating ewe, much to their delight. They pull me
|
|||
|
off her and signal for me to bend over as a line of tribesmen forms behind
|
|||
|
me. I run screaming from the camp, the piece of corn wiggling in my rectum.
|
|||
|
|
|||
|
shadow tao. writer for hoe, member of bedlam
|
|||
|
-- --- ------------------------------------- --- --
|
|||
|
ring the bells that still can ring, forget your perfect offering
|
|||
|
there is a crack in everything, that's how the light gets in
|
|||
|
-- --- ------------------------------------- --- --
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
misc.writing article 9 of [9,9] (0 unseen)
|
|||
|
|
|||
|
From: murmur@hoe.org (Murmur)
|
|||
|
Subject: condiments, chapter 27
|
|||
|
Organization: pEz Monthly
|
|||
|
Lines: 32
|
|||
|
|
|||
|
condiments, chapter 27: guacamole
|
|||
|
|
|||
|
sanchez lived in a rural mexican farming community. this farming
|
|||
|
community was unusual in that only wild pumpkins were raised. these wild
|
|||
|
pumpkin farmers took daily siesta, not unlike fellow countrymen. however,
|
|||
|
sanchez was an insomniac. eventually determining that he could not take his
|
|||
|
siesta, sanchez decided he would spend his daily siesta time working in his
|
|||
|
wild pumpkin patch. when for the seventh straight year sanchez won the
|
|||
|
annual award for pumpkin prolificacy, the other pumpkin farmers started to
|
|||
|
wonder. they had already begun noticing that sanchez always left the fields
|
|||
|
last and always returned to the fields first at siesta time. but it would
|
|||
|
be another four years before someone observed that they'd never actually
|
|||
|
seen sanchez come or go. the next year someone boldly checked sanchez' bed
|
|||
|
after siesta time and found it hadn't been slept in. now people were really
|
|||
|
curious. no one had ever won the pumpkin prolificacy award twelve years in
|
|||
|
a row until now. then, suddenly, the following autumn, someone blurted out
|
|||
|
that they didn't think sanchez was taking his siesta! rumours ran rampant.
|
|||
|
how could anyone skip their siesta? two years later the village mayor
|
|||
|
approached sanchez. sanchez admitted it'd been at least fifteen years since
|
|||
|
his last siesta. the community was outraged. suddenly people left and
|
|||
|
right refused to take siestas, in protest. sanchez was even pushed off his
|
|||
|
land as hungry, coffee induced pumpkin farmers went berserk. sadly, farmers
|
|||
|
started falling asleep in the fields, exhausted because they had not been
|
|||
|
taking their siestas. one day, all of the farmers simultaneously fell
|
|||
|
asleep in the fields except sanchez, home alone, pushed off his land. a
|
|||
|
massive hailstorm came and demolished the village, killing all the residents
|
|||
|
except for sanchez. sanchez, whose insomnia was suddenly and miraculously
|
|||
|
cured, slept like a baby for weeks. sanchez would go on to set an unheard
|
|||
|
of record of forty-seven consecutive annual pumpkin prolificacy awards
|
|||
|
before dying a happy, albeit somewhat lonely old man, from eating a
|
|||
|
poisonous gourd.
|
|||
|
|
|||
|
moral: sleep is for the weak. pumpkins are for the strong.
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
News> group alt.religion.rudabega
|
|||
|
|
|||
|
%NEWS-I-GRPSET, current newsgroup now alt.religion.rudabega
|
|||
|
-NEWS-I-GRPINFO, articles [201,202], 2 unseen
|
|||
|
|
|||
|
News> read
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.religion.rudabega article 201 of [201,202] (1 unseen)
|
|||
|
|
|||
|
From: dfx@fc.net (Drunkfux)
|
|||
|
Subject: Re: ANTI BEEF (Maharaj can kiss my meat eating ass)
|
|||
|
Organization: MEAT EATING, EARTH KILLING, PUNK R0CK M0THER FUKERZ
|
|||
|
Lines: 76
|
|||
|
|
|||
|
> * Meat-eaters have higher blood pressure, are more
|
|||
|
>hypertensive and violent. Public funds are used for research and
|
|||
|
>treatment. Everyone is forced to pay the price of violence and
|
|||
|
>crime. Meat-eaters hurt themselves, their families and others.
|
|||
|
>
|
|||
|
> Meat-eaters hurt everyone.
|
|||
|
> Meat-eaters hurt everyone.
|
|||
|
> Meat-eaters hurt everyone.
|
|||
|
|
|||
|
AND WE'RE DAMN PROUD OF IT T00, Y0U ST00PID FR00T L00P.
|
|||
|
|
|||
|
After reading Ja-I-have-no-clue's lame ass, crap filled, VEGATUBULZ R
|
|||
|
PE0PUL T00 message for the 10,000th time in the last month, I was
|
|||
|
inspired to leave the house and make a dramatic change in my eating
|
|||
|
habits. As I pulled up to the McDonald's drive-thru and gazed at the
|
|||
|
death infested menu which was so obviously responsible for breast cancer,
|
|||
|
arthritis, Erik Estrada, racism, and every tragedy in the last 9,000,000
|
|||
|
years, Jai's words really touched me and I had a change of heart. Instead
|
|||
|
of my usual "Can I have a #3 combo with a coke, please?", I shouted,
|
|||
|
|
|||
|
"Y0 B1TCH! I WANT A FUKN QUADRO-P0UNDER W1TH N0 FUKN VEGETABULZ 0R SH1T
|
|||
|
THAT GR0WZ 0N TREEZ!"
|
|||
|
|
|||
|
"Ok sir, you wanted a Quarter pounder, just plain, is that correct?"
|
|||
|
|
|||
|
"N0 B1TCH! I ZED I WANTED A FUKN QUADR0-P0UNDER! GET IT R1TE 0R DIE!"
|
|||
|
|
|||
|
<quiet laughter heard through speaker>
|
|||
|
|
|||
|
"A what pounder?!"
|
|||
|
|
|||
|
"A FUKN QUADR0-P0UNDER!"
|
|||
|
|
|||
|
"Uh.. I don't think we have that. Are you sure you don't mean a quarter
|
|||
|
pounder?"
|
|||
|
|
|||
|
"N0 I D0N'T MEEN A FUKN MEEZLY AZZ QUARTUR P0UNDER! HERE'Z WHAT I WANT -
|
|||
|
2 FUKN D0UBLE QUARTER P0UNDERZ PUT T0GETHER 2 MAKE 1 QUADR0 P0UNDER!"
|
|||
|
|
|||
|
"Ooohhh.. you want *2* double quarter pounders then?"
|
|||
|
|
|||
|
"N0 B1TCH! I WANT 1 FUKN QUADR0 P0UNDER! TAKE THE 2 D0UBLEZ, PUT THEM
|
|||
|
T0GETHUR AND GIV ME 1 QUADR0! U G0T IT YET BRAINIAK?"
|
|||
|
|
|||
|
<more laughter and employees looking out the back entrance window>
|
|||
|
|
|||
|
"Oh! Ok.. I think we can do that. Would you like cheese on that?"
|
|||
|
|
|||
|
"FUK N0 B1TCH! I WANT 4 H0T SLABZ 0F C0W DETH 0N A BUN WITH N0 FUKING
|
|||
|
HIPPIE AZZ VEGETABULZ! I ALZ0 D0NT WANT ANY FUKING LAME VEGAN FRIEZ
|
|||
|
0R ANY TYPE 0F RECYKULD PAKAGING. N0 KUP, N0 BAG, N0 WRAPPERZ.. PUT
|
|||
|
THE SHIT 0N THE WIND0W K0UNTER THING AND I WILL TAKE IT. AND TELL JAI
|
|||
|
T0 G0 FUK A K0K0NUT T00!"
|
|||
|
|
|||
|
"Who?!"
|
|||
|
|
|||
|
"FUK IT & GIMME THAT WHICH IZ THE S0URCE 0F ALL EVIL... N0W!"
|
|||
|
|
|||
|
"Thank you. Please drive to the 2nd window."
|
|||
|
|
|||
|
For the record, I got my fucking Quadro pounder and it r0cked. I am
|
|||
|
faxing McDonald's tomorrow and demanding that this awesome item be
|
|||
|
permanently added to every McDonald's menu around the world.
|
|||
|
|
|||
|
I'm a meat eater.
|
|||
|
I'm hypertensive.
|
|||
|
I'm violent.
|
|||
|
|
|||
|
And if you get in between me and a plate of animal death, I will fucking
|
|||
|
kill your pathetic ass and then go kill some trees in order to build a
|
|||
|
coffin to bury you in.
|
|||
|
|
|||
|
DETH IZ IMMINENT. THE EARTH MUZT DIE. MEAT EATERZ ARE THE MAJ0RITY AND
|
|||
|
WE'R FUKIN PISSED. GIVE US WHAT WE WANT 0R BE PREPARED T0 FACE THE WRATH.
|
|||
|
|
|||
|
Drunkfux . cDc - Cult Of The Dead Cow . Senior Vice Prez
|
|||
|
ftp.eff.org : /pub/Publications/CuD/CDC
|
|||
|
alt.fan.cult-dead-cow
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> next
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
alt.religion.rudabega article 202 of [202,202] (0 unseen)
|
|||
|
|
|||
|
From: whisper@gamepower.com (Fr. Timothy S. Whisper)
|
|||
|
Subject: On Doing It: Translated from The Truth Book (Tales of the We Is)
|
|||
|
Organization: Tales of the We Is Preservation Society - Translation Team
|
|||
|
Lines: 136
|
|||
|
|
|||
|
ON DOING IT
|
|||
|
-----------
|
|||
|
|
|||
|
...translated from The Truth Book (Tales of the We Is)...
|
|||
|
|
|||
|
|
|||
|
I bring you greetings from the perch.
|
|||
|
|
|||
|
(Do not trust the speaker!)
|
|||
|
|
|||
|
After reading this sentence, please skip this article and go on to the
|
|||
|
next one. In fact, please rm your newsreader. Why are you reading this?
|
|||
|
Why do you want to be in your head? Intellectual stimulation alone breeds
|
|||
|
impotence and self-ignorance. Why, I learned THAT in kindergarten. Didn't
|
|||
|
you? But more on that later.
|
|||
|
|
|||
|
You should be doing something else right now. Perhaps your ass would be
|
|||
|
less sore if you stopped right now. Have you eaten yet? Maybe you should
|
|||
|
masturbate. To assiste you, I've created ultra-real fantasies to prod your
|
|||
|
proclivities:
|
|||
|
|
|||
|
|
|||
|
xy tug: She's blind, so she can't see how ugly you are! You don't
|
|||
|
have to ask her if you can have sex with her since you
|
|||
|
don't know how to ask a girl that question.
|
|||
|
|
|||
|
xx pull: He doesn't have a penis anymore. You've grown one.
|
|||
|
|
|||
|
xyy twist: Please. Stop reading this.
|
|||
|
|
|||
|
|
|||
|
Hello to to the few of you who are left (and don't YOU feel foolish now?).
|
|||
|
I am writing to you, when I should be writing to myself. After all, it is
|
|||
|
_me_ that I live with the most. Even then, I often live alone. But I am not
|
|||
|
alone now. For now, you are here with me (but you shouldn't be). For now, I
|
|||
|
am your jesus; you are my velcro. Are you willing to do more than listen?
|
|||
|
Can you stomach truth? Can you take action? You probably won't, but you
|
|||
|
can.
|
|||
|
|
|||
|
You are poised at my teats. Listen to your god and his commandments:
|
|||
|
|
|||
|
|
|||
|
I. Thought is corrupt. Don't trust it.
|
|||
|
|
|||
|
II. Emotion is beguiling. Don't trust it, either.
|
|||
|
|
|||
|
III. Trust your metaphorical gut.
|
|||
|
|
|||
|
|
|||
|
Since you obviously want to stay in your head, let's talk about this.
|
|||
|
This means, you shut up and read (Last chance to exit!). To make you feel
|
|||
|
more comfortable, I'll use the word "we." I wouldn't want you to think I
|
|||
|
might be talking about YOU, no sir!
|
|||
|
|
|||
|
|
|||
|
I. Thought -
|
|||
|
|
|||
|
Some of us are too smart for pants. With all the sick and perverted
|
|||
|
thoughts I _know_ you have, why on this PLANET would you trust your thought
|
|||
|
process? Well, I have some news: our minds were not built by IBM. Sure,
|
|||
|
some thought is a good thing. But too much thought killed the canary. See!
|
|||
|
Thought made me come up with a stupid cliche to end that last sentence ("Oh,
|
|||
|
I'll just slip it in. They're pretty stupid anyway!"). See how dangerous it
|
|||
|
can be? I was afraid I might use a cliche, and there it is. Damn. THOUGHT
|
|||
|
FEEDS FEAR.
|
|||
|
|
|||
|
This, then, is the heart of this commandment, so live it, flock - Our
|
|||
|
thoughts create how we feel. Thus, if we don't like how we're feeling, we
|
|||
|
are free to change what we are thinking! It's as simple as shitting. Out
|
|||
|
with the old, in with the new (another cliche, "fuck you, thought"). To
|
|||
|
those of you who THINK your thoughts are immutable (to the stupid, that means
|
|||
|
"unmovable"), THINK for a second:
|
|||
|
|
|||
|
You say, "Oh, I just can't fool myself." NO! You do all the time.
|
|||
|
|
|||
|
You say, "Oh, that's just how I am"? NO! That's just how you THINK you
|
|||
|
are.
|
|||
|
|
|||
|
Oops, I've lapsed into youism. I THOUGHT I wasn't going to do that. The
|
|||
|
point is this - dead canaries suck.
|
|||
|
|
|||
|
|
|||
|
II. Emotion -
|
|||
|
|
|||
|
(Note: Some of you show no evidence of this aspect of consciousness.
|
|||
|
Stay away from me until you get some help.)
|
|||
|
|
|||
|
Emotion is tasty. Joy, fear, anger...yum yum! As one can tell, I love
|
|||
|
emotion. What may not be so evident is that I love spit too, but I don't
|
|||
|
want it all over me. [Translator's note: semen, of course, was a different
|
|||
|
story. See "on Swallowing" in The Truth Book (Tales of the We Is).] I want
|
|||
|
just enough to keep my mouth working. Too much emotion keeps us from
|
|||
|
fiddling with those piles of crazy thoughts we collect (See Commandment I if
|
|||
|
you skipped to here).
|
|||
|
|
|||
|
Emotion is addictive. Let's talk about our warm, wet diapers. Think
|
|||
|
back. Wasn't it great when we were babies? All we had to do was sit in a
|
|||
|
sack of slime for a little bit, and our moms would gently rub our asses with
|
|||
|
delightful oils. Some of us even got used to the rash. WE DELIGHT IN THE
|
|||
|
RASH! While I like a good ass-rubbing as much as the next spiritual guy, I
|
|||
|
do need my skin. Take, then, this point: change your diapers - they stink
|
|||
|
sometimes.
|
|||
|
|
|||
|
|
|||
|
III. The Gut -
|
|||
|
|
|||
|
I bet you're thinking of entrails right now. No! Innards are great! But
|
|||
|
that's not what we're talking about. We're talking about that part of you
|
|||
|
that is always right. Call it intuition, kids, but it's there. It calls out
|
|||
|
to you ("hey YOU! Wake UP, shit-for-brains!") It is no friend of instant
|
|||
|
gratifications, so it's a bore at parties. But life isn't always fun, eh?
|
|||
|
Life is long term and hard. What better way to live it than to trust what
|
|||
|
you know is right? It's the voice, that voice of which the prophets speak:
|
|||
|
"No one shows a tree how to reach the light; No one tells the stars it is
|
|||
|
night."
|
|||
|
|
|||
|
Hear, then: your gut tames fear and is your birthright. So use it.
|
|||
|
|
|||
|
So says I, the We Is and be all.
|
|||
|
|
|||
|
Of course, most of you are stumps, with long rancid roots that go deep
|
|||
|
into the dirt. And yes, I DO mean YOU. You say I have misread you? You're
|
|||
|
not a mere spectator here? Then go do it.
|
|||
|
|
|||
|
[End of translation]
|
|||
|
|
|||
|
---
|
|||
|
|
|||
|
Fr. Timothy S. Whisper, servant of the misunderstood, is a little teapot
|
|||
|
(short and stout) who resides in an Eastern United States city. He has
|
|||
|
dedicated his life to the spreading of the word of the We Is, speaker in The
|
|||
|
Truth Book (Tales of the We Is). The translation of the selection "on Doing
|
|||
|
It" has been edited for modern consumption. For spiritual consultations,
|
|||
|
email $5 to Fr. Whisper c/o mogel@phantom.com.
|
|||
|
|
|||
|
(Giving is spiritual)
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
|
|||
|
News> exit
|
|||
|
|
|||
|
% irc mogel server irc.k-rad.net 6667
|
|||
|
|
|||
|
*** Connecting to port 6667 of server irc.k-rad.net
|
|||
|
*** Welcome to the Internet Relay Network mogel
|
|||
|
*** Your host is irc.k-rad.net, running version ircd2.8/dog3-super.pl9
|
|||
|
*** Your host is irc.k-rad.net, running version ircd2.8/dog3-super.pl9lad
|
|||
|
*** This server was created Fri July 12 1995 at 01:33:52 EDT
|
|||
|
*** @umodes available oiws, channel modes available biklmnopstv
|
|||
|
*** There are 4881 users and 3844 invisible on 104 servers
|
|||
|
*** There are 109 operators online
|
|||
|
*** 4 unknown connection(s)
|
|||
|
*** 2388 channels have been formed
|
|||
|
*** This server has 340 clients and 5 servers connected
|
|||
|
*** -
|
|||
|
*** - irc.k-rad.net Message of the Day -
|
|||
|
*** -
|
|||
|
*** - Welcome to irc.k-rad.net!@#!@ WaReZ for everyone!@#
|
|||
|
*** -
|
|||
|
*** - "Congress shall make no law respecting an establishment
|
|||
|
*** - of religion or prohibiting the free exercise thereof;
|
|||
|
*** - or abridging the freedom of speech, or of the press; or
|
|||
|
*** - the right of the people peaceably to assemble and to
|
|||
|
*** - petition the Government for a redress of grievances."
|
|||
|
*** -
|
|||
|
*** - WE L0V B0TZ@#!@#@ PUT AS MANY B0TZ 0N HERE AS P0SSIBLE!@##!@
|
|||
|
*** -
|
|||
|
|
|||
|
*** mogel (mogel@hoe.org) has joined channel #zines
|
|||
|
-> *mogel* self, irc quote files are pretty damn stupid. so why are you
|
|||
|
wasting your time with this?
|
|||
|
*mogel* 'cause i'm pretty damn stupid too.
|
|||
|
|
|||
|
<carrie> haha no sysadmin with even half a life is going to give a fuck about
|
|||
|
what happens on irc.
|
|||
|
|
|||
|
*JSSalo* Hey, you worthless piece of shit.. Just place that fucking channel
|
|||
|
of yours into your anus. IF I am interested in it, I CAN enter it
|
|||
|
without YOUR help.. LEAVE ME ALONE, YOU ASSWIPE!
|
|||
|
|
|||
|
<edi> hi, i'm tom. i'm from new jersey, i masturbate too much. nice to meet
|
|||
|
you.
|
|||
|
|
|||
|
*pale* i can never tell what is real in here anymore
|
|||
|
|
|||
|
<Morfeus> how about you have a futuristic world where like the irc mafia is
|
|||
|
the real mafia and the ansiphags rule the commercial industry and
|
|||
|
hackers are like hardkore biker gangs. that would r0x.
|
|||
|
|
|||
|
<spiff> ** w4r3z OFFERED. /MSG spiffy XDCC SEND #N for autosend pack #N
|
|||
|
<spiff> #1 ten pack of tacos [0kb, 1 file]
|
|||
|
<spiff> #2 6 pack of tacos [0kb, 1 file]
|
|||
|
<spiff> #3 1 taco [0kb, 1 file]
|
|||
|
<spiff> #4 a large coke [0kb, 1 file]
|
|||
|
|
|||
|
<Sedat> damn u mogel!!!!1 u stupid!! u r sleeping!!!!!
|
|||
|
|
|||
|
*** raduga has changed the topic on channel #hack to The Four Horsemen of the
|
|||
|
Apocalypse: AOL - PRODIGY - CIS - MSN
|
|||
|
|
|||
|
*SenorP* unban me or you are dead
|
|||
|
|
|||
|
<_Minder_> fuck you pal... keep it up and I will have you klined lamer !
|
|||
|
|
|||
|
<y> THAT'S WHY I SAY HEY MAN, NICE BOT
|
|||
|
|
|||
|
*** carrie (carrie@cascade.net) has joined channel #ansi
|
|||
|
*carrie* does anybody actually talk about art on #ansi or are they mostly
|
|||
|
shooting the shit?
|
|||
|
-> *carrie* neither. they mostly just kiss each other's butts.
|
|||
|
|
|||
|
*mattg* hey man.....u got any ftp sites w pir8 games like mk2
|
|||
|
*mattg* hey do ya no how ta make explosives....fireworks
|
|||
|
*mattg* SHOW ME YOUR A HACKER
|
|||
|
*mattg* I only want 1 game to this sux :(
|
|||
|
*mattg* hey maybe u could help me....u know where i could get MK2 complete
|
|||
|
*mattg* that's all i want man
|
|||
|
*mattg* after i get it...i'm quiting internet
|
|||
|
|
|||
|
<tmservo> this is fraggin' hilarious.. it's like a poorly orchestrated
|
|||
|
drunken streetfight on IRC..
|
|||
|
|
|||
|
<dhate> DONUT FUCK WITH MY EMMENSE SCRIPTING POWERS
|
|||
|
<dhate> I AM THE TRUE MODEM WARRIOR
|
|||
|
|
|||
|
<sratte> my PENIS loves me when i read stuff from alt.sex.stories to it
|
|||
|
outloud
|
|||
|
<sratte> elite and sweet, baby, wooh wooh touch my peeps!!
|
|||
|
<sratte> Man, who isn't an over-obsessive "usenet" person?! gosh. I could
|
|||
|
read alt.mcdonalds all day. and in fact, i do.
|
|||
|
<sratte> it's been fun talking to all my modem pals, but i gotta go
|
|||
|
read a.s.s. and masturbate. later!!
|
|||
|
|
|||
|
*madrigal* it is the very end for you.
|
|||
|
*madrigal* unban me or suffer it worse.
|
|||
|
|
|||
|
<SN> When I first renewed my access on Swamp Rat's system it asked if I
|
|||
|
imagined myself to be elite... I said I was VERY elite!@
|
|||
|
<SN> I said "But mom, they worship a dead cow! Its like in India, but
|
|||
|
better.
|
|||
|
<SN> She said "oh that's ok..I didnt mean they were sickening, I just mean i
|
|||
|
get bored because they make alot of inside joke/abstract-type references
|
|||
|
to stuff no one else knows what they are talking about...but I really
|
|||
|
like the slaughter of animals and others better!"
|
|||
|
<SN> then my mom booted up 'How to Kill Your Teacher' by Neon Knights
|
|||
|
<SN> mom is pretty elite
|
|||
|
<SN> "Now son, you know you have to put special thanks to me in your next
|
|||
|
text file, or its no desert for you....."
|
|||
|
|
|||
|
*** y (y@millenium.texas.net) has joined channel #hack
|
|||
|
<y> Losers.
|
|||
|
*** y has left channel #hack
|
|||
|
|
|||
|
<mogel> I WANNA D0 EVERYTHING.
|
|||
|
<mogel> I WANNA FUCK EVERY KITCHEN APPLIANCE IN THE WORLD.
|
|||
|
<mogel> I WANNA WANNA DO SOMETHING THAT MAKES M0NEY!
|
|||
|
<thal> I WANNA USE EVERY EFFECT ON MY COMPUTER!##!#
|
|||
|
<mogel> I WANNA SYTHESIZE FAKE MUSIK!
|
|||
|
<mogel> I AM THE ONE THAT COURIERS YOUR WAREZ.
|
|||
|
<thal> I WANNA LOOP THE SAME TWO CHORDS MORE THAN EVERY ELSE$@&$%&@$%
|
|||
|
<mogel> I AM THE ONE THAT TRADEZ Y0U K0DEZ.
|
|||
|
<mogel> I AM THE 0NE THAT ACTZ REAL TUFF.
|
|||
|
<mogel> I AM Y0UR MIZTER WAREZFUCT.
|
|||
|
<thal> I AM THE ONE WHO DELIVERZ IT 0DAYZ!!##
|
|||
|
<thal> I WANNA FUCK YOUR SHAREWARE BODY AND TURN IT ELITE!$#@!$$!
|
|||
|
<mogel> B0W D0WN BEFORE THE ONE YOU PHEAR,
|
|||
|
<mogel> YOUR G0ING TO GET N0 0-DAY!
|
|||
|
<mogel> HEAD LIKE WARE,
|
|||
|
<mogel> BLACK LIKE PH0NE BILL,
|
|||
|
<mogel> I'D RATHER GO OUTSIDE,
|
|||
|
<mogel> THEN GIVE YOU A K0DE.
|
|||
|
<thal> I WANNA SET UP AN 800 FOR YOU LIKE AN ANIMAL!$!$$!
|
|||
|
<mogel> I WANNA COURIER YOU FROM THE INSIDE.
|
|||
|
<thal> I BRING YOU CLOSER TO 57600$@@$@$
|
|||
|
<mogel> YOU CAN HAVE YOUR D00DLEB0yZ.
|
|||
|
<mogel> YOU KaN HAVE Y0UR H4CKERZ AND PHREAKZ,
|
|||
|
<mogel> Y0U KAN HAVE Y0U K-RAD P0RN.
|
|||
|
<mogel> I WANNA UPL0AD Y0U LIKE AN ANIMAL!@#!@1
|
|||
|
<mogel> I WANNA K0URIER Y0U FROM THE INSIDE!@#
|
|||
|
<mogel> Y0U BRING ME KL0ZER T0 WAREZ!
|
|||
|
<cyber> don't make fun of NiN it rulz.
|
|||
|
<mogel> Brackish Boy is laughing out loud!
|
|||
|
<mogel> NIN is full of WaReZ d00dz.
|
|||
|
<cyber> NNNNNNoooooooooo!!!!!!!!
|
|||
|
<thal> Trent is a warez dood, too.
|
|||
|
<cyber> WAREZ SUCK!
|
|||
|
<mogel> Trent was quoted as saying "0-day or no day!"
|
|||
|
<thal> Whenever I log on to a MBBS board... I see him on.
|
|||
|
<cyber> No bite your tongue!!!!
|
|||
|
<mogel> I think Trent draws Ansi t0o.
|
|||
|
<thal> There, are like.. 2357634 Trents.. "Trent" "Reznor" "NIN" "Trent
|
|||
|
Reznor" they're always on boards.
|
|||
|
<cyber> how dare you say that in my presence!!!
|
|||
|
<cyber> NOO
|
|||
|
* cyber is sobbing piteously!
|
|||
|
<cyber> no!!!
|
|||
|
<mogel> Isn't he in Acid or something?
|
|||
|
<mogel> Trent^ACiD was on IRC.
|
|||
|
<thal> He was a co-founder.
|
|||
|
<cyber> i am going to worship to statue of trent in my living room and
|
|||
|
maybe everything will be better!!!
|
|||
|
*** Signoff cyber (cry!)
|
|||
|
|
|||
|
<mogel> if you had one orinigal quote to tell the world before you die,
|
|||
|
what would it be?
|
|||
|
<turdball> mogel: "I am the filth, I am the cum, I am the vomit"
|
|||
|
<Kamakize> mogel "can yew pass the cheeze-wiz?"
|
|||
|
<mdestiny> i wood say "l0nG l1v3 #h4ck ()@#*$)(*@#$)(* ey3 nuB 1t s0..."
|
|||
|
<Kamakize> naaa before the FBI busts me i will says "im not a phreak im a
|
|||
|
communication Hobbyist." after all, yew must be polictaly correct
|
|||
|
in dis world
|
|||
|
<l-bandit> I WED SAY...."DEBBIE GIBSON IS GOD"
|
|||
|
<y> 85% of #hack women cant be wrong, choose y.
|
|||
|
<Kamakize> IM NOT LAME! im ELITE Challanged. (c) 1995 Kamakize Communations
|
|||
|
Ltd.
|
|||
|
<Valgamon> front desk, can I get a "care check" in aisle #hack please?
|
|||
|
<Valgamon> drink fast or don't.
|
|||
|
<dhate> m0gel: warez
|
|||
|
|
|||
|
*Lobo* i couldnt get kicked off of #jesus last night. maybe i should have
|
|||
|
said: Jesus sucks. instead of JESUS IS COMING better look busy
|
|||
|
|
|||
|
<Valgamon> H3Y GUYZ I WENT ON A DATE LEMME TELL YA HOW IT WENT
|
|||
|
<Valgamon> WELL FIRST I MADE UP THIS STORY
|
|||
|
<Valgamon> THEN I TYPED 'IRC'
|
|||
|
<Valgamon> THEN I TYPED '/JOIN #HACK'
|
|||
|
<Valgamon> THEN I BULLSHITTED FOR ABOUT 3 MINUTES
|
|||
|
|
|||
|
*kokey* I'm in deep need of the squeaky 800#.
|
|||
|
*kokey* oh man, I need it real hard, pleaz.
|
|||
|
*kokey* I greeted you. n stuff. and erm, liked you.
|
|||
|
*kokey* you know, for me to like a person takes a lot.
|
|||
|
*kokey* I donut do warez, ewe should gn0.
|
|||
|
*kokey* I gno, I'm relying purely on someone who would feel for me.
|
|||
|
*kokey* I am like begging.
|
|||
|
|
|||
|
<Kamakize> YES #HACK for only $19.95 - BUT Wait if you order now we will
|
|||
|
throw in #phreak and #2600 at no xtra charge - but wait if yew
|
|||
|
order now we will give you a pair of blueblockers for PHREE!!
|
|||
|
|
|||
|
*jamesy* hey, check out this t-file i just did. i was bored. very bored.
|
|||
|
like, really really bored.
|
|||
|
*** DCC SEND (bang.blam.zam.wack.boom.txt 30117) request received from jamesy
|
|||
|
*** DCC GET connection with jamesy[204.193.142.252,2220] established
|
|||
|
*** DCC GET: bang.blam.zam.wack.boom.txt from jamesy completed 7.898 kb/sec
|
|||
|
|
|||
|
<tR_> good name..
|
|||
|
<tR_> mo"gel
|
|||
|
<tR_> (pronounced murrgel...)
|
|||
|
<tR_> MOOGHOUL.
|
|||
|
<tR_> you got fuckin bit by the cow and now you're this undead sob.
|
|||
|
<tR_> m0egUll
|
|||
|
<tR_> FREAK out.
|
|||
|
|
|||
|
*** Signoff mogel (phear!@#)
|
|||
|
|
|||
|
% ls
|
|||
|
|
|||
|
Mail News bin kiddieporn94.gif
|
|||
|
gweeds-ass.gif eff.txt bang.blam.zam.wack.boom.txt
|
|||
|
|
|||
|
% cat bang.blam.zam.wack.boom.txt
|
|||
|
|
|||
|
[-----]
|
|||
|
|
|||
|
|
|||
|
"e'zine adventures"
|
|||
|
|
|||
|
By, James Hetfield
|
|||
|
|
|||
|
|
|||
|
1.
|
|||
|
|
|||
|
|
|||
|
"To the people that think there is life beyond BBSing...
|
|||
|
|
|||
|
You're wrong."
|
|||
|
|
|||
|
-Acid Warlock
|
|||
|
|
|||
|
2.
|
|||
|
|
|||
|
|
|||
|
The party was as exciting as watching mold grow. The same people, the
|
|||
|
same inside jokes, the same mannerisms, the same 'acquaintances'. The same
|
|||
|
people bitching about the same other people. Nothing new, to say the least.
|
|||
|
I must have turned down the wrong street, because I found myself walking
|
|||
|
down a busier street with a lot of cars flying by. I laughed at a hotel I
|
|||
|
passed, "The Suburban Hotel"; it must be for teenagers to go screw their
|
|||
|
respective others at. At least they didn't charge rates by the hour.
|
|||
|
After walking a little longer, I found myself in a little mini-mall,
|
|||
|
looking into a closed store. It was a used software store. I saw a copy of
|
|||
|
"Ultima IV" inside, a game I had been searching for. I'd have to remember
|
|||
|
how to get back here tomorrow to buy it.
|
|||
|
I walked around the store, to see if I could find anywhere that looked
|
|||
|
familiar, and I found myself in an old alleyway. It was getting dark, and
|
|||
|
the lamps on the roofs of the buildings were pouring an orange light on me.
|
|||
|
All along the buildings in this alley were gas-meters, and garbage cans
|
|||
|
filled to the brim with trash bags.
|
|||
|
I walked down the alley a little while, watching for anyone around me. I
|
|||
|
was beginning to get a little paranoid. Then, over on my left, one of the
|
|||
|
buildings had a large, grey door that was cracked open. Scribbled onto the
|
|||
|
door in some kind of acrylic paint were the words:
|
|||
|
|
|||
|
"3sC4p3@!#@@#!@# 3nt3r 4t y0uR 0W/\/ r1s/<!#!@##@@#!@#!"
|
|||
|
|
|||
|
I looked around to see if anyone was around. No one. "What do you have
|
|||
|
to lose?" I thought to myself, and opened the door. I couldn't really see
|
|||
|
inside, it was too dark. I slowly walked inside...
|
|||
|
|
|||
|
|
|||
|
3.
|
|||
|
|
|||
|
|
|||
|
I found myself in a giant haze; everything was swirling and twisting
|
|||
|
around me. My entire concept of reality was being challenged. A giant white
|
|||
|
mist surrounded me, spinning and flowing around me, on me, even through me.
|
|||
|
I felt weightless. I think I wet my pants.
|
|||
|
The noise was very loud; coming from every direction was the sound of
|
|||
|
static, a crinkling of newspaper, a loud downpour of rain. My ears were
|
|||
|
beginning to hurt.
|
|||
|
Suddenly, I felt something grab onto my side. I was so scared I wet my
|
|||
|
pants a second time (I had a big slurpee with lunch that day). I heard a
|
|||
|
click, and the entire universe around me changed. Now numbers and symbols
|
|||
|
were flying around me. A piercing beep or two rang in my ears every second,
|
|||
|
deafening me. I screamed for mercy, hoping someone would save me from this
|
|||
|
insanity.
|
|||
|
I heard another click. All went black. Is this death? Is this the end
|
|||
|
of me?
|
|||
|
"Sorry about that, forgot to turn on data compression." I heard a voice
|
|||
|
say.
|
|||
|
Opening my eyes, I looked around in the darkness. I could vaguely make
|
|||
|
out a body standing above me. He reached out my hand and helped me up.
|
|||
|
"You fainted or something after you came in. That happens to a lot of
|
|||
|
people when they make the transition."
|
|||
|
The transition? Maybe I am dead. I'm never going into a door marked
|
|||
|
'enter at your own risk' ever again.
|
|||
|
"You'd think people would know by now not to come in here without the
|
|||
|
proper hardware... all the accidents already..."
|
|||
|
"Where the fuck am I?" I asked him not-so-politely.
|
|||
|
He stared. "This is Bottled Violence. I'm the only one online right now,
|
|||
|
mainly 'cuz it's a one-line board."
|
|||
|
"Excuse me?" I interrupted. Was this guy speaking english? Bottled
|
|||
|
violence? I'm in a bottle? Online? Board? I looked down. I was on the
|
|||
|
floor, not on any board, wooden or otherwise. When I looked down, I also
|
|||
|
noticed I had on some kind of electric devise that was attached to my pants.
|
|||
|
It had wires that seemed to flow all around belt area. There was also a
|
|||
|
large name tag on my shirt. It read "h3ll0#!@!@#!@# mY n4m3 1zz j4m3z
|
|||
|
h3tf13l/>!@#@#!!@#". Even my name is in another language now.
|
|||
|
"Do you know anywhere that I can get some help?" I asked the guy.
|
|||
|
"What kind of help?" He asked me.
|
|||
|
"Well... HELP help." I told him.
|
|||
|
"?" he screamed. Suddenly a hologram picture of a large monster appeared.
|
|||
|
It was obvious that it wasn't real, but it still was large and menacing
|
|||
|
looking. A large voice boomed through the room; "ANSi by Mr. Bones, UNiON."
|
|||
|
"What does that mean?" I whine at the man. I was beginning to lose
|
|||
|
patience, and my pants were beginning to chaff me because of my little
|
|||
|
problems of earlier.
|
|||
|
"Look closely at the ANSi", he told me. I saw some words there, post,
|
|||
|
read, list, and so on, but nothing about where the nearest bathroom was,
|
|||
|
nothing about getting washed up, and certainly nothing about how to get OUT
|
|||
|
of this place.
|
|||
|
"But how do I get OUT of this place?" I was beginning to lose my precious
|
|||
|
sanity by the second.
|
|||
|
"Oh, that's simple. You say SLASH G.." And with that, the man suddenly
|
|||
|
disappeared.
|
|||
|
I sat down, confused, nervous, worried. "SLASH G", I yelled, but nothing
|
|||
|
happened. "SLASH G SLASH B SLASH GEE BLASH GEEE MASH GEE". Nothing.
|
|||
|
The man opened a door and came back in. "Oops." he said.
|
|||
|
"It didn't work." I groaned.
|
|||
|
"hmm. let's see you do it." The man said.
|
|||
|
"SLASH GEE" I screamed. The man looked puzzled.
|
|||
|
"Well, looks like you're stuck here. By the way, my name is Ninja-Man
|
|||
|
Bob. Nice to meet you." He said, and extended his hand, which I shook.
|
|||
|
"It looks like you've had an accident there, boy." He smirked.
|
|||
|
"You better go into the personal room and clean that up."
|
|||
|
"The what?"
|
|||
|
"The personal room. You know. Over there."
|
|||
|
I didn't move, and he pushed me towards a door. I went inside, and
|
|||
|
looking around, saw what looked EXACTLY like my bedroom at home! The walls
|
|||
|
had brick paneling on them, and there was a motionless computer in the corner
|
|||
|
of the room. Red Velvet curtains were on the window.
|
|||
|
I looked out the window, but to my dismay, there was nothing out there
|
|||
|
except blackness. Not even a street light or anything visible. I tried to
|
|||
|
turn on my computer, but nothing happened.
|
|||
|
After changing clothes and cleaning up a bit, I went back out of my room,
|
|||
|
and Ninja-Man Bob was still there, apparently waiting for me.
|
|||
|
"By the way, kid, do you have any violent, bloody GIFS?" He asked me, with
|
|||
|
a little drool coming off the corners of his lips.
|
|||
|
"Not to my knowledge..." I said to him, and he looked very disgruntled by
|
|||
|
that answer. "But if I see any of these Jiff things I'll let you know." I
|
|||
|
told him. He seemed a little more content with that answer.
|
|||
|
"Hmm. You know what I would do if I was you? I'd go see mogel. he knows
|
|||
|
a lot about weird shit like this. Man... can't SLASH G..." And with that, he
|
|||
|
disappeared.
|
|||
|
|
|||
|
|
|||
|
4.
|
|||
|
|
|||
|
|
|||
|
I decided my only choice was to explore and see what I could find. Maybe
|
|||
|
if I look long enough, I could find this mogile person.
|
|||
|
I searched the rooms of this violence-in-a-bottle, but nothing really
|
|||
|
exciting was there. One room was gigantic, with machinery and books and
|
|||
|
weapons piled up to the ceiling. I tried to take an uzi, but a booming voice
|
|||
|
screamed "YOU DO NOT HAVE ACCESS TO DOWNLOAD THAT FILE" and the gun shocked
|
|||
|
me as I touched it.
|
|||
|
Another room I entered was a giant hallway, with wallpaper on the walls,
|
|||
|
the floor, and the ceiling. The wallpaper had scribblings all over it.
|
|||
|
Things like "I hurt inside." and "I think, therefore I am co-dependant" were
|
|||
|
some of the ramblings.
|
|||
|
Finally, I came to a large iron door. Opening it, I found a huge silvery
|
|||
|
bridge in the air climbing into the horizon. I put a foot down on it, and it
|
|||
|
felt like I was walking on a cloud.
|
|||
|
People were zooming across bridges like this one at the speed of sound.
|
|||
|
Rays of light were flying by me as I walked down the bridge. There were
|
|||
|
bridges above me and below me as well, traveling in all directions.
|
|||
|
Finally, after walking for about 30 minutes, I came to a large building
|
|||
|
with greek pillars. Climbing the steps, I entered the building, and, sitting
|
|||
|
at a table, were about 10 people, all hitting buttons on their belt buckles.
|
|||
|
They were all wincing in pain.
|
|||
|
|
|||
|
|
|||
|
5.
|
|||
|
|
|||
|
|
|||
|
"STOP THAT!" one of them yelled.
|
|||
|
|
|||
|
"Who just came in?" Another person said loudly. They all stared at me.
|
|||
|
|
|||
|
"Who are you?"
|
|||
|
"... 300 baud? that's pathetic."
|
|||
|
"the warez on the bus go round and round.."
|
|||
|
|
|||
|
"Hi. I'm..." I said as I looked down at my name tag again. "James.
|
|||
|
James Hetfield."
|
|||
|
|
|||
|
"I'm Seastone." one of them said.
|
|||
|
"I'm Odysseus." Another one said.
|
|||
|
"So, anyone looking for that silver keycard? I've got one. I'll.. upload
|
|||
|
it to you!"
|
|||
|
"heh."
|
|||
|
"the warez on the bus go round and round.."
|
|||
|
|
|||
|
Then, behind me, someone else came in.
|
|||
|
|
|||
|
"Who just came in?"
|
|||
|
"Whoops."
|
|||
|
"Is that a chyck?"
|
|||
|
"the warez on the bus go round and round.."
|
|||
|
"Who gave you the number, whoops?"
|
|||
|
"A chyck is in here?"
|
|||
|
"I have my tongue up your butt, whoops..."
|
|||
|
"Great." said whoops. "So who is in here?"
|
|||
|
"Edicius."
|
|||
|
"I thought you were Odysseus." I said.
|
|||
|
"I changed my mind." Edicius retorted.
|
|||
|
|
|||
|
"Well, you all know why you're here." one voice boomed over the rest.
|
|||
|
"We'll skip order #1: paper or plastic? and go directly to order number two.
|
|||
|
Our world is being threatened, friends. It used to be that zines were used
|
|||
|
for the transportation of knowledge and insight, for innovation and
|
|||
|
ingenuity. But today, this age-old trading of t-files is being destroyed.
|
|||
|
Pip the Angry Youth is threatening our way of life by distributing anti-zine
|
|||
|
propaganda. Worse yet, he runs a zine that only consists of horrible poetry.
|
|||
|
And get this - the population actually seems to LIKE it. My theory is that
|
|||
|
Pip has gotten ahold of some kind of new technology, to somehow throw
|
|||
|
sublimital messages into their zine. Because, honesty, there is NO WAY
|
|||
|
anyone in their right minds would LIKE Going Ape Shit Press, this text file
|
|||
|
group. So, something must be done. I open up the topic to the floor for
|
|||
|
discussion."
|
|||
|
|
|||
|
"Let's kill him!"
|
|||
|
"Too messy."
|
|||
|
"Let's flash him!"
|
|||
|
"Let's steal his fruits and vegetables...!" Whoops cries out.
|
|||
|
|
|||
|
Everyone stared at whoops. Whoops blushed.
|
|||
|
|
|||
|
Soon afterwards, they all started talking at once, and started pressing
|
|||
|
those buttons on their belts again, and high shrieking noises went through my
|
|||
|
mind as they did this. I couldn't handle the noise any longer. I ran out
|
|||
|
the back door.
|
|||
|
|
|||
|
|
|||
|
6.
|
|||
|
|
|||
|
|
|||
|
(Enter deep, meaningful, post-structual nonsense here)
|
|||
|
|
|||
|
Some people say dogs act just like their families.
|
|||
|
|
|||
|
My dog sits at the window all day, staring out. Wishing he could
|
|||
|
be outside. When he gets to go outside, he is very happy. He runs around
|
|||
|
and plays and chases rabbits. Then he has to come back inside, where he
|
|||
|
runs around a little bit and sits by the window, to stare out for the
|
|||
|
rest of the day.
|
|||
|
He is trapped inside of a world that he does not belong in; he
|
|||
|
belongs outside, hunting, eating, frolicking. Yet he stays hopeful,
|
|||
|
knowing that he'll sometime soon be outside again, to hear the birds, to
|
|||
|
feel the wind.
|
|||
|
|
|||
|
|
|||
|
7.
|
|||
|
|
|||
|
|
|||
|
I roamed around over the bridges for what seemed to be a few hours, but
|
|||
|
all the doors I found were locked, or required access codes and "new user
|
|||
|
passwords" I didn't know of. I felt like I was inside the atm world of hell.
|
|||
|
Retracing my steps, I went back to the conferance, to see if anyone there
|
|||
|
might be able to help me out.
|
|||
|
Getting close to the building, I heard a loud, continuous tone booming
|
|||
|
from inside the meeting hall. When I got in, I saw a scene of carnage too
|
|||
|
expensive to dramatize in a horror movie. The bodies of the people had their
|
|||
|
instestines splattered around the room. The heads of the victims were all
|
|||
|
severed from their bodies, and put in a circle on the table, all staring at
|
|||
|
each other. The loud tone was coming from one of the bodies, that was
|
|||
|
hunched over a telephone of some sort.
|
|||
|
For some reason, I had a strong feeling that I should not be there at that
|
|||
|
moment.
|
|||
|
I looked around, and in the middle of the cicle of heads I found a small
|
|||
|
note. it read:
|
|||
|
|
|||
|
~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~
|
|||
|
|
|||
|
Frosty the 'Ho man
|
|||
|
|
|||
|
Frosty the 'Ho man
|
|||
|
Don't need no welfare check
|
|||
|
With his big cigar
|
|||
|
And a cadilliac car
|
|||
|
And Fort Knox around his neck
|
|||
|
|
|||
|
Frosty the 'Ho man
|
|||
|
Put a bitch on every block
|
|||
|
First he found them dates
|
|||
|
Then he set the rates
|
|||
|
4o bucks she'll suck 'yo cock
|
|||
|
|
|||
|
There was a bit of trouble
|
|||
|
When those college boys came 'round
|
|||
|
They tried to give ol' Frosty shit
|
|||
|
so he had to lay him down-POW!
|
|||
|
|
|||
|
Frosty the 'Ho man
|
|||
|
Is the pimp's pimp so they say
|
|||
|
Making cold-hard cash
|
|||
|
Peddling hot street gash
|
|||
|
It's like christmas every day!
|
|||
|
|
|||
|
-counterpoint (GASP)
|
|||
|
|
|||
|
~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~
|
|||
|
|
|||
|
At that moment, a man dressed all in black entered. He had a long black
|
|||
|
trenchcoat on over his black jeans and black T-shirt. He flashed me a broad
|
|||
|
smile. Then, holding his trenchcoat, he flashed me in a different way.
|
|||
|
As he opened his trenchcoat, a giant creature sprang from inside of him at
|
|||
|
me. It was black, and looked a lot like the pictures of the devil you are
|
|||
|
shown as a kid, only without the horns. The demon-like form opened its mouth
|
|||
|
wide and engulfed my entire body. By this point, I was screaming like a
|
|||
|
little girl. I think I wet myself.
|
|||
|
All around me were spinning letters and numbers and symbols...and loud
|
|||
|
beeping was ringing through my brain, neverending...
|
|||
|
|
|||
|
|
|||
|
8.
|
|||
|
|
|||
|
|
|||
|
I couldn't tell if I had been knocked out or not. The next thing I
|
|||
|
remember is opening my eyes to see strange shapes flying all around me. I
|
|||
|
would walk around and slam into walls, not seeing them. All I saw were
|
|||
|
symbols racing about.
|
|||
|
I felt around for that box on my belt, and when I found it, I rapped on it
|
|||
|
a couple of times. That didn't help much, it just hurt rather badly. Then,
|
|||
|
I flipped a few switches. When I hit a third one, everything went black.
|
|||
|
And when I flipped it back on, I could see everything normally again. The
|
|||
|
wonders of modern technology.
|
|||
|
I was still in the meeting hall, and everything looked as it had before.
|
|||
|
The man in all black had disappeared. I sat down to rest for a moment... I
|
|||
|
may have fallen asleep, or I just closed my eyes for a moment, I couldn't
|
|||
|
tell which.
|
|||
|
I was roused by a loud screech for help echoing through the halls. It was
|
|||
|
a painful cry, one that sounded like a child putting all his energy into the
|
|||
|
yell. I got up and went outside to see what was going on.
|
|||
|
Two men were throwing around a kid, pushing him in between themselves.
|
|||
|
they were having a joyful time doing it. The kid was obviously very scared.
|
|||
|
Both the men were dressed in black trenchcoats.
|
|||
|
I wasn't sure what to do. I knew that these guys probably had big
|
|||
|
monsters under their coats as well, and would probably knock me out as the
|
|||
|
other one had. Yet, I had this strong urge to take my stand as the
|
|||
|
protagonist of this story. Oh, decisions, decisions.
|
|||
|
"Leave the child alone." I boldly commanded.
|
|||
|
The two men looked at me, and smiled an evil grin in my direction.
|
|||
|
"Hey boys, we've got a 1200 bpser on our hands." one of them said. They
|
|||
|
both laughed.
|
|||
|
After he said this, from every nitch and corner came out guys dressed in
|
|||
|
black. I counted about 20 of them total. I think I wet myself.
|
|||
|
They were all approaching me, all smiling, all walking up to me. They
|
|||
|
held onto their trenchcoats, waiting to have talk_daemons spring out at the
|
|||
|
move of a hand.
|
|||
|
Needless to say, I felt a bit nervous.
|
|||
|
|
|||
|
|
|||
|
9.
|
|||
|
|
|||
|
|
|||
|
I did the only thing a respectable young adult would do in a situation
|
|||
|
like this. I ran for my life.
|
|||
|
They were all screaming and running behind me, but I think all their
|
|||
|
hardware on their bodies slowed them down... until I saw a few of them press
|
|||
|
a button on their belts. They suddenly were moving ten times faster than me!
|
|||
|
There was no chance I was going to outrun these guys.
|
|||
|
I turned around, took in a deep breath, and charged them. I ran directly
|
|||
|
into one of them, sending him flying to the ground (with me on top of him).
|
|||
|
They surrounded me and picked me up by all fours.
|
|||
|
By the way they were carrying me, I thought they were going to rip me limb
|
|||
|
from limb. They were spinning me around and throwing me across the alley we
|
|||
|
were in, then running and picking me up, and throwing me again. Lots of fun
|
|||
|
for them, but it was giving me quite a backache.
|
|||
|
"All right, enough is enough. Let's finish him off." one of the larger
|
|||
|
ones said. Most of them pulled out screwdrivers, and were generally looking
|
|||
|
quite menacing to me. I think they were ready to take me apart piece by
|
|||
|
piece, to dissect me alive. I wet myself.
|
|||
|
"Your bones got a little machine..."
|
|||
|
Guitar riffs filled the air. The trenchcoat guys, stunned, looked around
|
|||
|
confused. It gave me time to grab a screwdriver from one of them and look
|
|||
|
like I'm defending myself with it.
|
|||
|
From behind one of the trenchcoat bearers, a man appeared, grabbed him,
|
|||
|
and broke his neck. "Fucking poseur haqr freaks." he grunted.
|
|||
|
I stabbed one of the trenchcoat men in the back, and he yipped out in
|
|||
|
pain. "Hey.. what'd you do THAT for?" he whined, and ran off. Maybe these
|
|||
|
guys weren't as ruthless as I thought.
|
|||
|
By this time, the strange man dressed in sliced jeans and a T-shirt with a
|
|||
|
fat bald guy with a crown on top of his head had taken out a large cleaver
|
|||
|
and was slicing up the coated men one by one. They surrounded him, but he
|
|||
|
beat them off by kicking them and pushing them away.
|
|||
|
In a few minutes the ground was layered with black trenchcoats, blood, and
|
|||
|
plenty of bodies.
|
|||
|
The strange man yawned.
|
|||
|
"Uhm... thanx..." I said to him.
|
|||
|
"You better take one of those trenchcoats... it will protect you from
|
|||
|
those fucking haqr idiots... they won't be able to flash you anymore."
|
|||
|
"All right.. thanks.." I said, as I grabbed one of the less bloody ones
|
|||
|
and put it on. It felt disgustingly sweaty and warm.
|
|||
|
"Well, glad to help. I'm outta here, forever now.."
|
|||
|
"WAIT... where are you going?"
|
|||
|
"I'm going to go get a life. The scene here just plain sucks as of late."
|
|||
|
"Who are you?"
|
|||
|
"I'm Black Francis...But you can call me frannie. Everyone else and their
|
|||
|
mother does."
|
|||
|
"Who were those guys?"
|
|||
|
"Them... they're hackers. They're part of the reason the scene is the
|
|||
|
shit it is. They run around, pretending they know what they're doing, when
|
|||
|
all they do is run around saying 'I'm a better hacker than you!!!'. Half of
|
|||
|
them couldn't hack their way out of a paper bag. Of course, I could. Don't
|
|||
|
give me that look. Want me to prove it?"
|
|||
|
"No.. that's ok. I believe you. So... Any hot chycks around here?"
|
|||
|
Frannie stared at me.
|
|||
|
"Ok, nevermind... do you know anything about a guy named GASP? or a guy
|
|||
|
named Mohgull?"
|
|||
|
"GASP isn't a guy, it's a shitty zine that pretends its as good as the
|
|||
|
rest, when all it really is is horrible poetry. Mojile? You must mean mogel.
|
|||
|
He's a good friend of mine, why?"
|
|||
|
"I was told I should talk to him."
|
|||
|
"Oh. Well too bad. He is in hiding because a lot of people want him
|
|||
|
dead. So he won't be around to talk to for quite a while."
|
|||
|
"Oh. That sucks."
|
|||
|
"Yeah, people want me dead too, but fuck them... I'll fight the punks
|
|||
|
until my last dying day. Stupid fucks. Ok, well, I guess I can trust you...
|
|||
|
I'll show you where Mogel is... but then that's my LAST fucking appearance in
|
|||
|
this shitty story, got it? I'm OUTTA here after that."
|
|||
|
"Yeah, of course.."
|
|||
|
"Before all that, though, we need to get you a new modem. 1200 baud is
|
|||
|
not going to do. Follow me."
|
|||
|
Frannie led me to a large store that said "MODEMZ FOR SALE!@#!@#!@#" on
|
|||
|
the head of the building. We walked in, Frannie grabbed a large 28.8 and
|
|||
|
beat the storekeeper to a bloody pulp with it. Then he handed it to me.
|
|||
|
"Time to ride first class." He said and smiled.
|
|||
|
I attached the thing onto my belt, discarding the 1200 baud modem I had
|
|||
|
previously had on. I set the gague to v.FAST. I walked around a little, to
|
|||
|
try it out. It felt good, I was almost as light as air in this thing. I
|
|||
|
nodded to Frannie and we left.
|
|||
|
"Jamesy, you don't know how good it will be to get back into the real
|
|||
|
world. I've been rotting away in here way too fucking long. The first thing
|
|||
|
I'm going to do when I get out is get laid. 5 orgasms in one night. That's
|
|||
|
my plan. Then, after that, I'm going to find the members of my band and
|
|||
|
we're going to produce a demo tape. Two demo tapes. And we're good, too.
|
|||
|
We might go pro. It's gonna fucking kick ass."
|
|||
|
"Well, here we are. Mogel's sweet abode." The door was cracked open, so
|
|||
|
we went inside.
|
|||
|
|
|||
|
|
|||
|
10.
|
|||
|
|
|||
|
|
|||
|
"Oh Fuck. Don't tell me I'm going to have to stay here for another
|
|||
|
fucking section of this story." Frannie whined. He had picked up a note off
|
|||
|
of the living room table, read it, whined, and handed it to me:
|
|||
|
|
|||
|
___________________________________________________________________
|
|||
|
| |
|
|||
|
| We have m0g3l pr1s0n3r@#!!@#!@#!@#!@#@#!!@# |
|
|||
|
| were making him sign a paper that says h03 sux@#!!@#!@#!@# |
|
|||
|
| phear pip!@@#!!@#!@#@#!!@#!@# |
|
|||
|
|___________________________________________________________________|
|
|||
|
|
|||
|
"God fucking damnit. God damn fucking damnit. Shit fucking damnit. I
|
|||
|
don't want to be here anymore. Can you handle this without me? I REALLY
|
|||
|
want go get laid..."
|
|||
|
"Sorry... I'm gonna need some help..." I asked him as nicely as I could.
|
|||
|
"Fine. Shit. Fucking mogel. always getting himself fucked up. Doesn't
|
|||
|
he understand I have fucking problems too? Jesus Christ."
|
|||
|
"... Where can we find him now? He could be anywhere.."
|
|||
|
"Naw. The GASP people aren't creative for shit. Like every other
|
|||
|
adventure story, he's being held at the GASP headquarters. They're expecting
|
|||
|
us to go rescue him... <sigh>... which we will. I fucking hate GASP."
|
|||
|
"Will we be able to stop them?"
|
|||
|
"I don't know.. they're pretty powerful... but, then again, they're also
|
|||
|
pretty stupid... so we'll figure something out. We'll also have the pEz
|
|||
|
posse on our side."
|
|||
|
"The pEz posse?"
|
|||
|
"Yeah, all the pEz members... along with we can get all the hoe members...
|
|||
|
then we'll have an army. They'll never be able to stop us then."
|
|||
|
"Oh. Ok. Sounds good to me."
|
|||
|
"But then again, rumor has it that pip has developed a new kind of weapon,
|
|||
|
it's called the drooler... it's a giant robot that runs around kicking people
|
|||
|
so hard their bodies are knocked inside out."
|
|||
|
"That must hurt."
|
|||
|
"You know it. But hey, what do we have to lose, we're the heroes of this
|
|||
|
story, we CAN'T lose, remember?"
|
|||
|
"Well, remember that this is the 90s, the age of nihilism revitalized."
|
|||
|
I mentioned.
|
|||
|
"Fuck you. Like I wanted to hear that. Stupid Fuck. I bet you listen to
|
|||
|
NiN." he retorted. Frannie went into a large room with a bookcase and a
|
|||
|
large red phone. He picked up the red phone, pressed a button, said
|
|||
|
something like "We need you, get your sorry asses over here." and hung up.
|
|||
|
Then, he took a statue of Bill Gates, and threw it against the wall. Somehow
|
|||
|
this triggered a device that made the staircase move, revealing two poles
|
|||
|
going downward. I always was bad at sliding down poles when I was little,
|
|||
|
so I landed on my ass. When I got up, I saw we were in a large underground
|
|||
|
cave.
|
|||
|
"The hoe cave.", Frannie told me, "And this... is the h0em0bile." It was
|
|||
|
a Powerwheels, and red. I hopped in Frannie's lap, and he pedalled us toward
|
|||
|
the GASP hideout...
|
|||
|
|
|||
|
|
|||
|
11.
|
|||
|
|
|||
|
|
|||
|
"God fucking bitch cunt. Flat tire."
|
|||
|
Black Francis was right. Somehow, the big plastic red tire in the front
|
|||
|
had gone flat. It looked like we were going to have to walk the rest of the
|
|||
|
way to the GASP headquarters.
|
|||
|
"The GASP headquarters is in that airport terminal over there.. it'll only
|
|||
|
be a few minutes until we get in. They hide in the broom closet. That's
|
|||
|
where the GASP poetry comes from, writing in the dark. They usually can't
|
|||
|
read it after they've put it down on paper, so they just rewrite it with
|
|||
|
whatever words seem to look like the lines scribbled down."
|
|||
|
We entered the terminal, and I already had a fishy feeling that we were in
|
|||
|
for some trouble. Perhaps it was the trout sloshing around in my pants.
|
|||
|
"Care for a flower? Are you interested in learning about the brotherhood
|
|||
|
of Hari Krishna?"
|
|||
|
Black Francis pushed the man aside, and kept on walking.
|
|||
|
"Care for a flower? We would like to tell you about Jehovah and his.."
|
|||
|
Black Francis took the man by his hair and punched his lights out.
|
|||
|
"Care for a demo tape? Its a fukkun new punk band, called 'I'm a female
|
|||
|
choda"..."
|
|||
|
Black Francis whipped out his cleaver and sliced the punk into many
|
|||
|
suggested serving sizes.
|
|||
|
After wiping off his cleaver, he pointed to a door. "That's it. That's
|
|||
|
their hideout."
|
|||
|
I was amazed. "But... frannie... see that picture? That's the woman's
|
|||
|
washroom."
|
|||
|
"It's just a facade. Have you seen any women go in there?" He's right.
|
|||
|
I hadn't. A woman walked into the bathroom.
|
|||
|
"She's a decoy. Come on, before they notice us.." Frannie whispered to me
|
|||
|
as we slowly snuck into the room.
|
|||
|
Went we got in, we heard shrieks and screams. I never realized purses
|
|||
|
could be so damn painful to be hit with.
|
|||
|
"All right, so I was wrong. That's got to be it!" He pointed towards a
|
|||
|
door that said "EMPLOYEES ONLY".
|
|||
|
We tried to open it, but it was locked.
|
|||
|
"Hmm. I know. We must need the skull keys!"
|
|||
|
"The.. what?" I asked.
|
|||
|
"The Skull keys! haven't you ever played ultima 5?"
|
|||
|
"OH. the skull keys. All right, where do we get them?"
|
|||
|
"Some guy in Serpent's Hold sells them to you."
|
|||
|
"Oh. We're in New York, aren't we?"
|
|||
|
"I think so."
|
|||
|
We stood there, thinking out ourselves a plan of action, but nothing came
|
|||
|
to mind. Luckily, we heard the door unlock and it opened to slam into
|
|||
|
Frannie's face, knocking him backwards.
|
|||
|
Out walked a small man, wearing a nine inch nails shirt and a pair of
|
|||
|
black leather pants. Thousands of young kids mauled him, asking him for
|
|||
|
autographs and his sex.
|
|||
|
"That's him!" Black Francis yelled to me through the crowd that was
|
|||
|
forming.
|
|||
|
"Who? Trent Reznor?" I screamed back.
|
|||
|
"Fucking dick! it's Pip! Pip the angry youth! get him!" Frannie screamed
|
|||
|
to me. I charged Pip and knocked him to the floor. He squealed for his
|
|||
|
mother. I had him pinned down as frannie came over with his cleaver and
|
|||
|
brought it up to his throat. The crowd was amazed and quite mad at us, but
|
|||
|
wasn't trying to stop us.
|
|||
|
"So, you stupid god damn pussy cock dick? You gonna tell us what's going
|
|||
|
on or are we going to have to just cut yer head off?". Black Francis was
|
|||
|
sounding more like a pirate every time he spoke. He was obviously having fun
|
|||
|
with this situation.
|
|||
|
"Ok! Ok! I'll tell you anything you want to know! Just don't hurt me!!!!"
|
|||
|
pip whined out.
|
|||
|
"What have you done with mogel?" Frannie demanded. I noticed how cute
|
|||
|
Black Francis was when he was mad.
|
|||
|
"I don't know! I don't know! they won't tell me!"
|
|||
|
"What do you MEAN, they won't tell you? You're the GASP prez!"
|
|||
|
"Yes, but this isn't my doing! GASP is being controlled by a higher
|
|||
|
group!"
|
|||
|
"What? What Group?" I demanded, trying to act as forceful as frannie.
|
|||
|
"I don't know, even that I don't know... all I know is that it has
|
|||
|
something to do with grape nuts..."
|
|||
|
Grape Nuts? We were certainly lost now. How could Grape Nuts have
|
|||
|
anything to do with anything?
|
|||
|
"Grape Nuts?" Frannie said. "Ahh! I know!"
|
|||
|
Frannie always knows. That's why he's a main character in this story.
|
|||
|
"Grape Nuts is the headquarters for all of M0rpheus' evil doings!"
|
|||
|
"Morphiousos? who is that?" I asked politely.
|
|||
|
"Morpheus is an evil hax0r! We must stop him!" Frannie screamed.
|
|||
|
"How?" I asked.
|
|||
|
"Oh. I don't know." Frannie said.
|
|||
|
Suddenly, out of nowhere, the ceiling crashed in. Giant robots came
|
|||
|
flying down, shouting "AND WE'RE ALL LIKE BUGS" over and over. They had
|
|||
|
their eyes on us.
|
|||
|
|
|||
|
|
|||
|
12.
|
|||
|
|
|||
|
We didn't think we had anywhere to turn. It looked very bleak for us.
|
|||
|
The robots were closing in, and we had nowhere to turn.
|
|||
|
|
|||
|
"Well, how are you gonna get us out of THIS ONE?" I asked Frannie.
|
|||
|
"I can't. I quit." Frannie said angstfully, and disappeared from
|
|||
|
existence.
|
|||
|
Pip laughed and ran away to go write poetry in California.
|
|||
|
Morpheus is now a congressman, fighting for family values.
|
|||
|
And me, well, the robots closed in on me and are still here today,
|
|||
|
following me everywhere I go, making sure I don't have my own thoughts and
|
|||
|
making sure they annoy me with every step I make. If I do anything they
|
|||
|
don't like, they kick me. And it hurts. Just for writing this damn file,
|
|||
|
I have bruises all over my lower body.
|
|||
|
Mogel was never found. Some say he died. Others say he started up a new
|
|||
|
group with Black Francis that never became that popular. I don't know,
|
|||
|
because the robots don't let me find things like that out.
|
|||
|
So life goes on, and as I sit here finishing up this tale of our favorite
|
|||
|
scene's armageddon, just remember my story anytime you want to write a bad
|
|||
|
essay about how much the scene sucks, and remember that we already know that
|
|||
|
already, so you can shut the fuck up. Thank you, and god bless you.
|
|||
|
|
|||
|
-eof
|
|||
|
|
|||
|
[-----]
|
|||
|
|
|||
|
%
|
|||
|
|
|||
|
Message from demonseed@monster.truck.net at 17:19 ...
|
|||
|
talk: connection requested by demonseed@monster.truck.net.
|
|||
|
talk: respond with: talk demonseed@monster.truck.net
|
|||
|
|
|||
|
% talk demonseed@monster.truck.net
|
|||
|
|
|||
|
______________________________________________________________________________
|
|||
|
|
|||
|
[Connection Established]
|
|||
|
|
|||
|
Why Hello there, Mogel.
|
|||
|
|
|||
|
> my god. it's you! demonseed! you're real! i thought you were just a
|
|||
|
figment of swamp ratte' imagination!
|
|||
|
|
|||
|
No, Mogel. You're wrong. DEAD WRONG.
|
|||
|
|
|||
|
> nO! demonseed!@ i've been good! i'm MOGEL! people PHEAR me! you
|
|||
|
_can't_ be coming to kill me!
|
|||
|
|
|||
|
Fortunatly for you Mogel, I've simply come here to deliver a message to you.
|
|||
|
I'm not here to kill you...yet. I've been watching you, Mogel. I've been
|
|||
|
laughing at how hard you try to talk to cDc people. The almight t-file is
|
|||
|
*bigger* than cDc by a thousand times. I mean look at this file here! Even
|
|||
|
this conversation is a rip off cDc #200. Listen, you've tried a noble effort
|
|||
|
with HoE, and it failed. This next attempt will be your fate. I'll be
|
|||
|
keeping a close watch on you, Mogel. If you screw up on this next 'zine, I
|
|||
|
won't be so merciful. You know what happened to Studmuffin of VaS right?
|
|||
|
|
|||
|
> I thought he disappeared and like ODed or something.
|
|||
|
|
|||
|
Oh, it looked oh-so-innocent. "He was just high-off-his-ass and ran in front
|
|||
|
of a passing monster truck in the middle of his lawn," they said. They
|
|||
|
didn't even realize it was me. God, I love morons.
|
|||
|
|
|||
|
> You mean YOU killed VaS?
|
|||
|
|
|||
|
Yes, and if you fuck up this next time, you'll suffer a similar fate. Those
|
|||
|
cDc boys play dirty, so it's beat 'em or DEATH. If you don't prove yourself
|
|||
|
this next time, I'll bring your crushed head on a stick to the next HoHoCon.
|
|||
|
"Did you see Mogel's head?!" all the warez geeks will say. DO YOU WANT
|
|||
|
THAT?
|
|||
|
|
|||
|
> N0@!# never!@# I'll show you@!#
|
|||
|
|
|||
|
Good. Head my warning. Gather up as many people that phear you as possible,
|
|||
|
and go forward with eliteness. You've got a lot of potential, Moggie. Don't
|
|||
|
let me down. And Just to make sure that you follow through, I think I'll be
|
|||
|
rm-ing HOE.ORG. I hope you don't mind. Take care, Mogel. Remember - Every
|
|||
|
move you make, I'll be there.
|
|||
|
|
|||
|
_____
|
|||
|
6/ ^..^
|
|||
|
\_____(oo)
|
|||
|
WW WW \
|
|||
|
oink you! yr6t^YR-@YHRT&**Yhgh
|
|||
|
ELQPP#@ edsr fdg ghdfgh
|
|||
|
$E)@_RF:RF f DFG \df g gbnGFHFG
|
|||
|
\F LEFL dv.f dfg
|
|||
|
ge;4SETEgf oSC adfg
|
|||
|
|
|||
|
Connection closed by foreign host.
|
|||
|
|
|||
|
|=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=|
|
|||
|
| Be There for the next level. TacoLand! (215)750-0392. Coming Soon. |
|
|||
|
|=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=|
|
|||
|
Copyright (c) 1995 HoE Publications. All rights Reserved. #90 --> 07/25/95
|
|||
|
Byebye.
|