476 lines
25 KiB
Plaintext
476 lines
25 KiB
Plaintext
BLAST.famy
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volume 1 ish 7
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October 1994
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( $ P E C I A L $ELLING out in the ninetie$ i$$ue )
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$$$$$$$$$$ $$$ $$$$$$$$$$$
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$$$ $$$ $$$ $ $$$$$$$$$$$$ $$$$$$$$$$$
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$$$ $$$ $$$ $$ $$ $$ $$$
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$$$ $$$ $$$ $$ $$ $$$ $$$
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$$$$$$$$$ $$$ $$$$$$$$$$$$ $$$$ $$$
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$$$ $$$ $$$ $$$ $$$ $$$$$$$$$$$ $$$
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$$$ $$$ $$$ $$$ $$$ $$$$ $$$
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$$$ $$$ $$$$$$$$$$$ $$$ $$$ $$$$ $$$ $$$
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$$$$$$$$$$$$ $$$$$$$$$$$ $$$ $$$ $$$$$$$$$$$$$ $$$
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F _ A _ M _ Y
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A Private World E-zine.
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Publisher = P. W. Casual, C.E.O, PWE; C.O.B, PWC pwcasual@io.org
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Editor-in-chief = markjr@io.org
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+---------------------------+
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| "when a nation falls, he |
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| who claims he is king, |
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| becomes king." |
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| -Carolyn Schmidt |
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+---------------------------+
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--------------------------================--------------------------
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||||||||||||||||||||||||| c o n t e n t s |||||||||||||||||||||||||
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===========================---------------==========================
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PRIVATE WORLD SELLS OUT!!! special editorial by P.W. Casual
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state of the shmooze by markjr
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FEEDBACK: darren "access denied" nowakowski drops a poigniant line...
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SELLING OUT? get a clue, by (Adam----->)
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!*@# REVIEWS: Adam West, Hakim Bey, Bugjuice, Magnapop
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BLAST.famy INFILTRATED??? abnormal subscription requests coming in...
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FOR INFORMATIONAL PURPOSES ONLY: corrupt.sekurity.com bbs
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COOL ZINE: Cutthroat
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----------------------------=======================--------------------------
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||||||||||||||||||||||||||| c o n t r i b u t o r s |||||||||||||||||||||||||
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=============================----------------------==========================
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pwcasual@io.org
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st554@rosie.uh.edu (Adam----->)
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!*@# magazine reviewers: john f. butland, chris barany,
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neil exall
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PRIVATE WORLD SELLS OUT!!! Label band resides at the Online Shmooze!!
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special editorial by p.w.casual:
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Well, in our esteemed client's words,
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"Music For All It's Worth".
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[EOF]
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markjr's state of the shmooze address:
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--------------------------------------
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This month we created "Salvador Dreamland", on the Online Shmooze.
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They are a Vancouver-based power-trio, recently signed to Warner Music
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Canada. In addition to this we also have something for Moist in
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the pipe. We'll be running their Canadian tour dates on the
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Online Shmooze, and the plan is to have a sound bite of voice
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audio from the group available for download. Balancing things
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out on the indie side, we've got a few more coming in soon.
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I just found out about it tonite so I won't name names yet.
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BLAST.famy is now transmitting to 10 countries: Canada, the US,
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the UK, Germany, Belgium, Finland, Russia, South Africa, Australia,
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and New Zealand, not to mention the military-industrial complex
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(see later article). We're so proud of ourselves we've decided
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to do a print issue of BLAST.famy, featuring the best of BLAST,
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and graphics by Joe Deagnon (Paranoid Tales of Neurosis) and
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Sonny Moone Shyne (Forest City Snootful) on a quarterly basis.
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Look for the first ish in Jan 95.
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<<< Explicative Deleted >>> (feedback)
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To: markjr@io.org
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Subject: No subject in particular
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Message-Id: <94Jul$.11380$edt.144253@explorer.dgp.toronto.edu>
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Date: Wed, $ Jul 1994 11:37:52 -0400
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Well Mark my Apple design project is finally finished and so I have a few
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minutes on my hands to respond to mail.
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Thanks for the Blasts. They are quiet entertaining. I'm going to print them up
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and show them to Laura tonight since the telecom Facists at U of T are not
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allowing us mere undergrads to phone in from home. Unless of course we are
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trying to do our homework in some pitifully nepotistic computer language
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like Turing.
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So I was looking forward to hearing your CD last week but I guess that you
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didn't get a chance to bring it by before going to London.
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Next time that you have some free time we'll have to give it a spin.
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Getting back to Blast for a minute, I like the analysis of our political
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structures. I think that you are correct when you say that our government is
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obsolete. They wield political power during 5 year sessions, a term autocracy,
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-- or autocracy for a 5 year term if you prefer -- with the chief objective
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being to win for another session. I recently talked to Denis Mills, a Toronto
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MP
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for a riding somewhere near little Greece I think. He wants to be a cyber
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punk in the worst possible poserish sense of that term.
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He helped write the Feds
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Canadian Information highway handbook, a truely nasuating government of
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Canada
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publication full of weird nonsensical phrases like "the goal is to set up
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a gigabit testbit." What the hell is a gigabit testbit anyway?
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In any case, I asked him how much the government spends on holding a federal
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election. Thats not the cost of running candidates or other party expenses.
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Just the cost to the taxpayer for enumeration, printing ballots, etc.
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Well it comes to around 12 million dollars. I suggested to him that for 12
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million you could set up a computer system whereby everyone in the country
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could vote on any issue, anytime they wanted to, using their phone or comp.
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This system need only be set up once and the cost of maintanence would be
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minimal compared to the cost of running an election every four or five years.
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Mr government cyber guy suddenly turned technophobe. Denis just kept ranting
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about how there was an appropriate place for technology and how elections
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were not one of those places. Yup, direct democracy is a long way away as
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long as any current government has anything to say about it.
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So keep in touch and send more mail if you get the chance.
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By for now
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Darrin Nowakowski
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$$$ Selling Out? g e t a c l u e $$$
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From: st554@rosie.uh.edu (Adam----->)
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Newsgroups: alt.punk
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Subject: Selling Out? Get a clue.
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Date: 12 Sep 1994 11:40 CDT
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Organization: University of Houston
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Lines: 30
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Distribution: world
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How many of you people are in a band? Not many I bet. If you were
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then you would understand how hard it is to make it when you play a show that
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you have perpared for weeks, then you get 60 bucks for the whole fucking night.
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If you are lucky and in a three piece band you get $20 bucks. That doesn't
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even cover sticks or strings. So after doing this for years you get popular.
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You get a little more. You go on tour and make $1000 if you are lucky(I might
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be wrong I have never been touring) Either way $1000 for two months. 24hrs a
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day. 7 days a week. Ok so now you are really popular and some shithead from
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Atlantic or Warner Bros. offers you a lot of money. Do you do it? I mean are
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you really willing to give up your $4.25 an hour to get beucoup money? Yeah
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band members work for shit wages cause who is going to give you a good paying
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job if you are going to be gone for months at a time, but now you have an
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opportunity to get out of the shithole. So now they are supposed to "not sell
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out" in order to keep the "punk scene" going. So a bunch of college kids can
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have fun while they study and prepare for "real life"(I wonder how many punks
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will no longer be punks after they work for IBM or whatever)
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So what do you do about it. After all the big corporations are
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screwing you out of your money (do you really think it takes $14 dollars to
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make a CD, Ive heard that the cost of printing a CD is under $3). What you
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do
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is bootleg. Bootleg like a mother fucker. Thats all you have to do.
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Greenday
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will still get their money. So will BR. Shit all those empty-v-er will still
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buy that shit. So now go get the new BR a box of blank tapes and copy them.
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Go to you favorite punk show and sell that shit for $2, or give them away.
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Or
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get three friends and share the cost of buying the tape and make copies for
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yourselves.
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Oh yeah, before I forget. Will you all stop posting shit about BR
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selling out. Even if I agreed with you, that shit is getting old(real old).
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And by the way, the new BR does suck. Not because the sold out but because it
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in no way compares to the early shit(and yeah i like recipe for hate)
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--------------------------------------------------------------------------
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(editor's-note: I DIDN'T WRITE IT!!!)
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!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
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E X C L A I M M A G A Z I N E R E V I E W S
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!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
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More of this month's !*@# is available electronically:
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via WWW: http://www.io.org/~pwcasual/exclaim.html
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email: exclaim@io.org
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for all of it:
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S[nM]ail: Exclaim Magazine
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7b pleasant blvd., #966, toronto, ont, canada, m4t 1k2
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(print subscriptions $20 CDN/yr 12 issues, tabloid fmt)
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Adam West
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Brunswick Hotel
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(Sabre Toque)
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Adam West (a group, not the side of smoked pork from the old Batman
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TV series) play guitar-based pop songs. Yeah, I know, Big Deal. But
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wait, they play that rarest of variations of the old two guitars,
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bass and drums deal - intelligent pop songs. They occasionally
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sound a bit like Squeeze, but while those old Brits always managed
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to appeal to the head, they were always lacking in the heart (and
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hips) department, and that's where Adam West makes the leap from
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the merely good and clever into the wonderfully entertaining.
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Usually, I don't pay attention to the words that much - they're
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more of a bonus if they're clever - but the music had better be
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good. And it is on Brunswick Hotel. Lots of hooks and sometimes
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ringing, almost chopping guitars. The bonus is that those smart
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licks are matched by smart lyrics most of the time. "Ribbons" is a
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slam at those who sanctimoniously wear those red ribbons all over
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TV, but as the song says, there's "too much fabric and not enough
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material." They can turn a phrase as good as Costello in "What I
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Like" - "What I like most about you/is the back of your head as you
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leave the room/and you never leave too soon." Occasionally they
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pick too easy a target, like on "Entertainment Tonight," where they
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slag Mary Hart for "getting too rich by destroying your culture."
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Mary would eviscerate John and Leeza, both, to have that kind of
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influence. "The Great Lakes" is a powerful, personal tale about
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somebody's grandfather; the combination of the personal and the
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historical that few, other than The Band, could pull off; and its
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seven minutes pass too quickly. Unfortunately, they try to pull the
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trick off again a few songs later (including the seven-minute
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length) with "Coal" and fail. They manage a goofy and good-natured
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look at poverty in "Lower Income" and manage to avoid
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self-righteousness and maintain dignity: "I'd rather sing for my
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supper than suck ass for minimum wage." Musical whores take a
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pounding in "The Kids Aren't All Right." Ya gotta love a line like
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"[Y]ou gotta bigger martyr complex than Jesus Christ did/and
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someone's gonna nail your ass up." The lone cover on the CD is also
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the weakest cut. Their version of Kate bush's "Running Up That
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Hill" is just too slow and deliberate. It should've been fast, loud
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and sloppy - an anti-epic.
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-John F. Butland
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Hakim Bey
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T.A.Z.
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(Axiom)
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Sitting like a detached cyber-Buddha somewhere between the
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"established events" of the past and universes of the "virtual
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future" is Hakim Bey, author of the handbook for poetic terrorism,
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The Temporary Autonomous Zone. His current release, a meld with
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musical terrorist Bill Laswell, seems an inevitable project for the
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Axiom workshop. With its blurred connecting points and unification
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of seemingly unrelated conventions, it serves as a textbook
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reference and spoken counterpart to the creative muse behind the
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label's purely musical chunks of autonomous and, by virtue of their
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"immarketability," marginal grenades of artistic liberation. Here,
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Bey is as comfortable dropping names like Proudhon or Marx as he is
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an anonymous, fellow modern terrorist known as "P.M." Similarly, he
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unveils an ominous plot behind the distribution of propagandist
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television shows like Hill Street Blues while diving into other,
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less mediated and more "ancient" outposts, such as the 19th Century
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Chinese Tong, where one spends free time. The result is like a muse
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needle out of control, making inherent connections in things both
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marginal and mediated - a swirling, surreal vertigo of information
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and methods for "escape." Woven with the kind of airy tones and
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hallucinatory rhythms that Laswell has been playing with lately,
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Bey's voice calms and prepares the listener for an age where
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missing information and the icons of late capitalist high-tech
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correspond with an increasing alienation of this "X-generation"'s
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most primitive needs. Most of all, Bey doesn't come across as a
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cheesy, overzealous, visionary bard, but presents us with ideas
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point-blank, allowing us to be choosy in aiming our own forms of
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poetic terrorism against those forces that attempt to suppress and
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homogenize humility and free thought.
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-Chris Barany
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Bugjuice
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!Que Va!
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(Ringing Ear Records)
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The latest self-proclaimed contenders in the indie rawk sweepstakes,
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Bugjuice, hail from Newmarket, New Hampshire and profess an
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appreciation for all things Sebadoh, Dinosaur Jr. and Pavement. All
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16 songs sort of crawl along in the same vague, general direction,
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and when it ends, your stomach will still be empty. They play well
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together, and the recording quality is decent, but they never seem to get
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anywhere. The make me think of afternoon television.
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-Neil Exall
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Magnapop
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Hot Boxing
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(Priority Records)
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Hot Boxing starts out with "Slowly Slowly," a bouncy little ditty
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reminiscent of a noisy version of "99 Red Balloons." But don't
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worry, Magnapop are more than just a Nena for the 90s. they've
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released a slew of well-received singles and EPs and such, and this
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is their first real LP. It's produced by Bob Mould, and he brings
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a lighter then normal touch, for him at least, to the record.
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There's lots of chunky guitars and solid, driving rhythms, but less
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white noise than the Du. There's less thrash, and the hooks are
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more obvious, and it's almost as good as his old band. But enough
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of that, 'cause it's not a Bob Mould record, it's a Magnapop
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record. The band is tight; there are no extraneous solos or extra
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choruses. They get in and out and get the job done, kinda like a
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SWAT team. In a pleasant contrast to all this no-nonsense style,
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Linda Hopper's vocals are cool and semi-detached, almost
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ambivalent. It balance out the tension in the music nicely. Oh
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yeah, almost forgot: the last song is about rugburns.
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Works for me.
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-John F. Butland
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((((((((((((((((((( F O R Y O U R E Y E ' S O N L Y ))))))))))))))))
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b i z a r r e s u b r e q u e s t s c o m i n g i n
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The subreqs have been coming in at a steady clip of late.
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From 10 countries. Not bad at all for six issues. What has
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been helping I think, is our listing in John Leibovitz's
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(johnl@ora.com) E-Zine Listings, so hat's off and thank-you.
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What perplexes me however is a recent smattering of sub requests
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from gov't addresses from both my own government, and moreso from
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our good neighbours to the south. Who is davisc@sld1.gordon.army.mil,
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I wonder? Fingering that address (or any of them, for that matter),
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yields a "connection refused" error. A traceroute proves interesting:
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bonk% traceroute sld1.gordon.army.mil
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traceroute to sld1.gordon.army.mil (147.51.218.2), 30 hops max, 40 byte packets
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1 io.org (198.133.36.1) 2 ms 1 ms 1 ms
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2 wf.toronto.uunet.ca (142.77.27.1) 3 ms 3 ms 3 ms
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3 alternet-gw.toronto.uunet.ca (142.77.1.202) 4 ms 12 ms 4 ms
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4 Falls-Church1.VA.ALTER.NET (137.39.7.1) 478 ms 453 ms 495 ms
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5 Falls-Church4.VA.ALTER.NET (137.39.8.1) 392 ms 460 ms 433 ms
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6 Vienna1.VA.ALTER.NET (137.39.100.34) 421 ms 426 ms 403 ms
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7 en-0.ENSS136.t3.ANS.NET (192.41.177.253) 464 ms 404 ms 458 ms
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8 t3-0.cnss58.Washington-DC.t3.ans.net (140.222.58.1) 456 ms 553 ms *
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9 mf-0.cnss56.Washington-DC.t3.ans.net (140.222.56.222) 494 ms 552 ms 543 s
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10 * t3-0.enss145.t3.ans.net (140.222.145.1) 537 ms 434 ms
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11 FIX-EAST.DDN.MIL (192.80.214.251) 613 ms 485 ms 473 ms
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12 137.209.6.1 (137.209.6.1) 344 ms 297 ms 351 ms
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13 BELVOIR-IP-GW.DDN.MIL (137.209.61.2) 298 ms 361 ms 384 ms
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14 GUNTER1-GW.AF.MIL (137.209.59.2) 383 ms * 545 ms
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15 FTGORDON-GW1.ARMY.MIL (26.6.0.206) 2440 ms * 1491 ms
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16 147.51.6.2 (147.51.6.2) 1469 ms 1389 ms 1372 ms
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17 emh.sld.gordon.army.mil (147.51.218.2) 1089 ms * 853 ms
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...comparing that with birchmnt@gov.on.ca whom has also entered a
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sub request:
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bonk% traceroute gov.on.ca
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traceroute to gov.on.ca (192.75.156.244), 30 hops max, 40 byte packets
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1 io.org (198.133.36.1) 2 ms 1 ms 3 ms
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2 wf.toronto.uunet.ca (142.77.27.1) 3 ms 3 ms 3 ms
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3 alternet-gw.toronto.uunet.ca (142.77.1.202) 4 ms 4 ms 4 ms
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4 Falls-Church1.VA.ALTER.NET (137.39.7.1) 452 ms 436 ms 289 ms
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5 Falls-Church4.VA.ALTER.NET (137.39.8.1) 423 ms 407 ms 325 ms
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6 Vienna1.VA.ALTER.NET (137.39.100.34) 314 ms 308 ms 351 ms
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7 en-0.ENSS136.t3.ANS.NET (192.41.177.253) 415 ms 423 ms 518 ms
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8 t3-0.cnss58.Washington-DC.t3.ans.net (140.222.58.1) 468 ms 299 ms 327 ms
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9 mf-0.cnss56.Washington-DC.t3.ans.net (140.222.56.222) 293 ms 305 ms 298 s
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10 t3-0.cnss32.New-York.t3.ans.net (140.222.32.1) 377 ms 503 ms 440 ms
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11 t3-0.cnss48.Hartford.t3.ans.net (140.222.48.1) 556 ms 565 ms 431 ms
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12 t3-0.enss133.t3.ans.net (140.222.133.1) 422 ms 446 ms 514 ms
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13 * XPSP.ON.CANET.CA (192.35.82.20) 503 ms 548 ms
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14 psp.on.canet.ca (192.70.164.181) 525 ms 401 ms 291 ms
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15 exterior.onet.on.ca (192.68.55.102) 271 ms 386 ms 522 ms
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16 toronto1.onet.on.ca (130.185.5.11) 410 ms 506 ms *
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17 ontgvt.onet.on.ca (130.185.1.2) 469 ms 568 ms *
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18 199.246.118.1 (199.246.118.1) 528 ms 390 ms 516 ms
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19 govonca.gov.on.ca (192.75.156.244) 497 ms 507 ms 444 ms
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...hmmm. I know someone who is very suspicious about the fact that
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all roads seem to run thru FALLS CHURCH, VA, now I'm curious myself.
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Does anyone happen to know if there is a major juncture of backbones
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there or something? Is there a reason why Canadian gov't net traffic
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puts in a brief appearence in Washington, DC? Just wondering.
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...and thinking of the unthinkable, it's time for ...
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FOR INFORMATIONAL PURRRPOSES ONLY
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_______ _____________
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/ | ___ ________ _______ _____ ____ _____| |
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/ _ | \ \ \ | | \ _ _ |
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| / \| | | | | | | | | | | | | \|
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| | \ ___ / / / | | __ / | |
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| \ _ /| | \ \ | | | |
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\ | | | | | | | | | |
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__\ _______| |____|____|___|____|______ _| __| __|____|_____
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/ |_______ ___ ____ ___ ____ ______ / \ ____|__ | |
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| _ | | | | | | \ __ / | | |
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| \ \| ____| | | | | | |_|__ __| /
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\ \ | / | | / | | \ /
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|\_| | ____| \ | \ | | | |
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| | | | | | | | | | | |
|
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|________ /________|___|____|________|___|____|____|____| |_____|
|
||
|
||
corrupt.sekurity.com
|
||
|
||
|
||
iNTR0
|
||
~~~~~
|
||
Ever heard of the information highway? Yeah, me too, so many times that if
|
||
I ever hear some loser who can't tell twisted pair from Twisted Sister mention
|
||
it again, I'm going to run him down with my information Corvette! The media
|
||
and the politicians have made this the rallying cry of the techo-wannabe's who
|
||
are flooding the 'Nets with thier crys of "Information for the people!"
|
||
Hmmmm... haven't I seen that before? Isn't that what the true hackers have
|
||
been crying all along?
|
||
|
||
Well, the techno-wannabe's are in for a big shock. If they think that the
|
||
information highway is some electronic El Dorado and the Internet is its
|
||
foundation, then they better prepare themselves for the worst. The internet
|
||
was around a long time before they got their Macintosh Quadra 640 and bought
|
||
an issue of Wired. And during that time, the 'Nets grew from isolated
|
||
electronic villages into a raging data metropolis. The media and their
|
||
worshipers have it all wrong, you see. Calling the international data networks
|
||
a 'highway' is like calling Los Angeles the Santa Monica Freeway. The Internet
|
||
is not just some bundle of copper, but rather the worlds largest city where
|
||
thoughts fly around the world in seconds.
|
||
|
||
These newbies logging onto the net for the first time are not much different
|
||
than the farmhands who flocked to New York after World War II. They don't
|
||
have the first clue how sophisticated the established city dwellers are and
|
||
only have an inkling of what really takes place in its streets. I think
|
||
Bruce Sterling said it best when he wrote:
|
||
|
||
"Things happen there that have very serious consequences. This 'place' is not
|
||
'real', but it is serious, it is earnest... Some people became rich and famous
|
||
from thier efforts there. Some just played in it, as hobbyists.Others soberly
|
||
pondered it, and regulated it, and negotiated over it in international forums,
|
||
and sued one another about it, in gigantic, epic court battles that lasted for
|
||
years. And almost since the beginning, some people have committed crimes in
|
||
this place."
|
||
|
||
tH3 fAKtz
|
||
~~~~~~~~~
|
||
So if the Internet is a city of millions, than there are bound to more than
|
||
just shiny skyscapers and hallowed halls of learning. Every city has its
|
||
dark allies, its seedy bars, its whore houses, its head shops, its gambling
|
||
halls, its adult bookstores, and its pawnshops. And every city has its
|
||
self righteous police force who are just as likely to be found hanging out
|
||
in these places as they are to be busting them. This is the high standard
|
||
which Corrupt Sekurity BBS strives for!
|
||
|
||
This bbs serves as a meeting place for those who desire to exchange information
|
||
and meet people who are more interested in how the system works (and how it
|
||
can be abused) than in where to find the latest Cindy Crawford gif. This is
|
||
a place where the crooks, the creeps, and the outcasts can hang out in complete
|
||
anonymousity without ever having to leave their bedrooms. Here is the current
|
||
state of the bbs.
|
||
|
||
[At this point in time, the file I have is out of date for this period
|
||
on. For the most recent ver. of this file mail info@sekurity.com with
|
||
send info on the subject line. You can also ftp corrupt.sekurity.com.]
|
||
|
||
|
||
C_C OO L zIne:
|
||
=========
|
||
Cutthroat
|
||
P.O. Box 481654
|
||
Denver, CO.
|
||
80248
|
||
=========
|
||
|
||
My girlfriend got a copy of this from some guy in a band called
|
||
Mustang Lightning (sp?), out of Denver, Colorado.
|
||
An interesting assembly of photocopies mainly. A couple of those
|
||
rare newspaper articles that only pop into the papers for a fleeting
|
||
instant, and are gone forever (i.e "Family flees home in hurry after
|
||
clothes disintegrate" , "Bodies buried with trash, without coffins
|
||
in Tenn.") Would the following catch your eye in the morning rag?:
|
||
|
||
"A naked and angry woman was smacked in the head
|
||
with a sausage when drug agents burst into her
|
||
apartment and started throwing pieces of meat to
|
||
her attack dog."
|
||
|
||
Then again I would't bat an eye if I saw it in the Weekly Word News.
|
||
(It doesn't come as a surprise on the net either). Neat usage of
|
||
blatantly appropriated comic graphics, excerpts and collages.
|
||
|
||
|
||
============================================================================
|
||
W A N N A S U B S C R I B E T O T H I S E - Z I N E ? ? ? ?
|
||
--------)))) email pwcasual@io.org ...and say "Sign Me UP!" +++++++>>>>>>>>>
|
||
=============================================================================
|
||
|