476 lines
25 KiB
Plaintext
476 lines
25 KiB
Plaintext
![]() |
BLAST.famy
|
|||
|
volume 1 ish 7
|
|||
|
October 1994
|
|||
|
|
|||
|
( $ P E C I A L $ELLING out in the ninetie$ i$$ue )
|
|||
|
|
|||
|
$$$$$$$$$$ $$$ $$$$$$$$$$$
|
|||
|
$$$ $$$ $$$ $ $$$$$$$$$$$$ $$$$$$$$$$$
|
|||
|
$$$ $$$ $$$ $$ $$ $$ $$$
|
|||
|
$$$ $$$ $$$ $$ $$ $$$ $$$
|
|||
|
$$$$$$$$$ $$$ $$$$$$$$$$$$ $$$$ $$$
|
|||
|
$$$ $$$ $$$ $$$ $$$ $$$$$$$$$$$ $$$
|
|||
|
$$$ $$$ $$$ $$$ $$$ $$$$ $$$
|
|||
|
$$$ $$$ $$$$$$$$$$$ $$$ $$$ $$$$ $$$ $$$
|
|||
|
$$$$$$$$$$$$ $$$$$$$$$$$ $$$ $$$ $$$$$$$$$$$$$ $$$
|
|||
|
|
|||
|
F _ A _ M _ Y
|
|||
|
|
|||
|
|
|||
|
A Private World E-zine.
|
|||
|
Publisher = P. W. Casual, C.E.O, PWE; C.O.B, PWC pwcasual@io.org
|
|||
|
Editor-in-chief = markjr@io.org
|
|||
|
|
|||
|
+---------------------------+
|
|||
|
| "when a nation falls, he |
|
|||
|
| who claims he is king, |
|
|||
|
| becomes king." |
|
|||
|
| -Carolyn Schmidt |
|
|||
|
+---------------------------+
|
|||
|
|
|||
|
|
|||
|
--------------------------================--------------------------
|
|||
|
||||||||||||||||||||||||| c o n t e n t s |||||||||||||||||||||||||
|
|||
|
===========================---------------==========================
|
|||
|
|
|||
|
PRIVATE WORLD SELLS OUT!!! special editorial by P.W. Casual
|
|||
|
state of the shmooze by markjr
|
|||
|
FEEDBACK: darren "access denied" nowakowski drops a poigniant line...
|
|||
|
SELLING OUT? get a clue, by (Adam----->)
|
|||
|
!*@# REVIEWS: Adam West, Hakim Bey, Bugjuice, Magnapop
|
|||
|
BLAST.famy INFILTRATED??? abnormal subscription requests coming in...
|
|||
|
FOR INFORMATIONAL PURPOSES ONLY: corrupt.sekurity.com bbs
|
|||
|
COOL ZINE: Cutthroat
|
|||
|
|
|||
|
----------------------------=======================--------------------------
|
|||
|
||||||||||||||||||||||||||| c o n t r i b u t o r s |||||||||||||||||||||||||
|
|||
|
=============================----------------------==========================
|
|||
|
pwcasual@io.org
|
|||
|
st554@rosie.uh.edu (Adam----->)
|
|||
|
!*@# magazine reviewers: john f. butland, chris barany,
|
|||
|
neil exall
|
|||
|
|
|||
|
PRIVATE WORLD SELLS OUT!!! Label band resides at the Online Shmooze!!
|
|||
|
special editorial by p.w.casual:
|
|||
|
|
|||
|
Well, in our esteemed client's words,
|
|||
|
"Music For All It's Worth".
|
|||
|
[EOF]
|
|||
|
|
|||
|
markjr's state of the shmooze address:
|
|||
|
--------------------------------------
|
|||
|
This month we created "Salvador Dreamland", on the Online Shmooze.
|
|||
|
They are a Vancouver-based power-trio, recently signed to Warner Music
|
|||
|
Canada. In addition to this we also have something for Moist in
|
|||
|
the pipe. We'll be running their Canadian tour dates on the
|
|||
|
Online Shmooze, and the plan is to have a sound bite of voice
|
|||
|
audio from the group available for download. Balancing things
|
|||
|
out on the indie side, we've got a few more coming in soon.
|
|||
|
I just found out about it tonite so I won't name names yet.
|
|||
|
|
|||
|
BLAST.famy is now transmitting to 10 countries: Canada, the US,
|
|||
|
the UK, Germany, Belgium, Finland, Russia, South Africa, Australia,
|
|||
|
and New Zealand, not to mention the military-industrial complex
|
|||
|
(see later article). We're so proud of ourselves we've decided
|
|||
|
to do a print issue of BLAST.famy, featuring the best of BLAST,
|
|||
|
and graphics by Joe Deagnon (Paranoid Tales of Neurosis) and
|
|||
|
Sonny Moone Shyne (Forest City Snootful) on a quarterly basis.
|
|||
|
Look for the first ish in Jan 95.
|
|||
|
|
|||
|
<<< Explicative Deleted >>> (feedback)
|
|||
|
|
|||
|
To: markjr@io.org
|
|||
|
Subject: No subject in particular
|
|||
|
Message-Id: <94Jul$.11380$edt.144253@explorer.dgp.toronto.edu>
|
|||
|
Date: Wed, $ Jul 1994 11:37:52 -0400
|
|||
|
|
|||
|
|
|||
|
Well Mark my Apple design project is finally finished and so I have a few
|
|||
|
minutes on my hands to respond to mail.
|
|||
|
|
|||
|
Thanks for the Blasts. They are quiet entertaining. I'm going to print them up
|
|||
|
and show them to Laura tonight since the telecom Facists at U of T are not
|
|||
|
allowing us mere undergrads to phone in from home. Unless of course we are
|
|||
|
trying to do our homework in some pitifully nepotistic computer language
|
|||
|
like Turing.
|
|||
|
|
|||
|
So I was looking forward to hearing your CD last week but I guess that you
|
|||
|
didn't get a chance to bring it by before going to London.
|
|||
|
|
|||
|
Next time that you have some free time we'll have to give it a spin.
|
|||
|
|
|||
|
Getting back to Blast for a minute, I like the analysis of our political
|
|||
|
structures. I think that you are correct when you say that our government is
|
|||
|
obsolete. They wield political power during 5 year sessions, a term autocracy,
|
|||
|
-- or autocracy for a 5 year term if you prefer -- with the chief objective
|
|||
|
being to win for another session. I recently talked to Denis Mills, a Toronto
|
|||
|
MP
|
|||
|
for a riding somewhere near little Greece I think. He wants to be a cyber
|
|||
|
punk in the worst possible poserish sense of that term.
|
|||
|
He helped write the Feds
|
|||
|
Canadian Information highway handbook, a truely nasuating government of
|
|||
|
Canada
|
|||
|
publication full of weird nonsensical phrases like "the goal is to set up
|
|||
|
a gigabit testbit." What the hell is a gigabit testbit anyway?
|
|||
|
|
|||
|
In any case, I asked him how much the government spends on holding a federal
|
|||
|
election. Thats not the cost of running candidates or other party expenses.
|
|||
|
Just the cost to the taxpayer for enumeration, printing ballots, etc.
|
|||
|
Well it comes to around 12 million dollars. I suggested to him that for 12
|
|||
|
million you could set up a computer system whereby everyone in the country
|
|||
|
could vote on any issue, anytime they wanted to, using their phone or comp.
|
|||
|
This system need only be set up once and the cost of maintanence would be
|
|||
|
minimal compared to the cost of running an election every four or five years.
|
|||
|
|
|||
|
Mr government cyber guy suddenly turned technophobe. Denis just kept ranting
|
|||
|
about how there was an appropriate place for technology and how elections
|
|||
|
were not one of those places. Yup, direct democracy is a long way away as
|
|||
|
long as any current government has anything to say about it.
|
|||
|
|
|||
|
So keep in touch and send more mail if you get the chance.
|
|||
|
|
|||
|
By for now
|
|||
|
Darrin Nowakowski
|
|||
|
|
|||
|
$$$ Selling Out? g e t a c l u e $$$
|
|||
|
|
|||
|
From: st554@rosie.uh.edu (Adam----->)
|
|||
|
Newsgroups: alt.punk
|
|||
|
Subject: Selling Out? Get a clue.
|
|||
|
Date: 12 Sep 1994 11:40 CDT
|
|||
|
Organization: University of Houston
|
|||
|
Lines: 30
|
|||
|
Distribution: world
|
|||
|
|
|||
|
How many of you people are in a band? Not many I bet. If you were
|
|||
|
then you would understand how hard it is to make it when you play a show that
|
|||
|
you have perpared for weeks, then you get 60 bucks for the whole fucking night.
|
|||
|
If you are lucky and in a three piece band you get $20 bucks. That doesn't
|
|||
|
even cover sticks or strings. So after doing this for years you get popular.
|
|||
|
You get a little more. You go on tour and make $1000 if you are lucky(I might
|
|||
|
be wrong I have never been touring) Either way $1000 for two months. 24hrs a
|
|||
|
day. 7 days a week. Ok so now you are really popular and some shithead from
|
|||
|
Atlantic or Warner Bros. offers you a lot of money. Do you do it? I mean are
|
|||
|
you really willing to give up your $4.25 an hour to get beucoup money? Yeah
|
|||
|
band members work for shit wages cause who is going to give you a good paying
|
|||
|
job if you are going to be gone for months at a time, but now you have an
|
|||
|
opportunity to get out of the shithole. So now they are supposed to "not sell
|
|||
|
out" in order to keep the "punk scene" going. So a bunch of college kids can
|
|||
|
have fun while they study and prepare for "real life"(I wonder how many punks
|
|||
|
will no longer be punks after they work for IBM or whatever)
|
|||
|
So what do you do about it. After all the big corporations are
|
|||
|
screwing you out of your money (do you really think it takes $14 dollars to
|
|||
|
make a CD, Ive heard that the cost of printing a CD is under $3). What you
|
|||
|
do
|
|||
|
is bootleg. Bootleg like a mother fucker. Thats all you have to do.
|
|||
|
Greenday
|
|||
|
will still get their money. So will BR. Shit all those empty-v-er will still
|
|||
|
buy that shit. So now go get the new BR a box of blank tapes and copy them.
|
|||
|
Go to you favorite punk show and sell that shit for $2, or give them away.
|
|||
|
Or
|
|||
|
get three friends and share the cost of buying the tape and make copies for
|
|||
|
yourselves.
|
|||
|
Oh yeah, before I forget. Will you all stop posting shit about BR
|
|||
|
selling out. Even if I agreed with you, that shit is getting old(real old).
|
|||
|
And by the way, the new BR does suck. Not because the sold out but because it
|
|||
|
in no way compares to the early shit(and yeah i like recipe for hate)
|
|||
|
--------------------------------------------------------------------------
|
|||
|
(editor's-note: I DIDN'T WRITE IT!!!)
|
|||
|
|
|||
|
!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
|
|||
|
E X C L A I M M A G A Z I N E R E V I E W S
|
|||
|
!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
|
|||
|
|
|||
|
More of this month's !*@# is available electronically:
|
|||
|
via WWW: http://www.io.org/~pwcasual/exclaim.html
|
|||
|
email: exclaim@io.org
|
|||
|
|
|||
|
for all of it:
|
|||
|
S[nM]ail: Exclaim Magazine
|
|||
|
7b pleasant blvd., #966, toronto, ont, canada, m4t 1k2
|
|||
|
(print subscriptions $20 CDN/yr 12 issues, tabloid fmt)
|
|||
|
|
|||
|
Adam West
|
|||
|
Brunswick Hotel
|
|||
|
(Sabre Toque)
|
|||
|
Adam West (a group, not the side of smoked pork from the old Batman
|
|||
|
TV series) play guitar-based pop songs. Yeah, I know, Big Deal. But
|
|||
|
wait, they play that rarest of variations of the old two guitars,
|
|||
|
bass and drums deal - intelligent pop songs. They occasionally
|
|||
|
sound a bit like Squeeze, but while those old Brits always managed
|
|||
|
to appeal to the head, they were always lacking in the heart (and
|
|||
|
hips) department, and that's where Adam West makes the leap from
|
|||
|
the merely good and clever into the wonderfully entertaining.
|
|||
|
Usually, I don't pay attention to the words that much - they're
|
|||
|
more of a bonus if they're clever - but the music had better be
|
|||
|
good. And it is on Brunswick Hotel. Lots of hooks and sometimes
|
|||
|
ringing, almost chopping guitars. The bonus is that those smart
|
|||
|
licks are matched by smart lyrics most of the time. "Ribbons" is a
|
|||
|
slam at those who sanctimoniously wear those red ribbons all over
|
|||
|
TV, but as the song says, there's "too much fabric and not enough
|
|||
|
material." They can turn a phrase as good as Costello in "What I
|
|||
|
Like" - "What I like most about you/is the back of your head as you
|
|||
|
leave the room/and you never leave too soon." Occasionally they
|
|||
|
pick too easy a target, like on "Entertainment Tonight," where they
|
|||
|
slag Mary Hart for "getting too rich by destroying your culture."
|
|||
|
Mary would eviscerate John and Leeza, both, to have that kind of
|
|||
|
influence. "The Great Lakes" is a powerful, personal tale about
|
|||
|
somebody's grandfather; the combination of the personal and the
|
|||
|
historical that few, other than The Band, could pull off; and its
|
|||
|
seven minutes pass too quickly. Unfortunately, they try to pull the
|
|||
|
trick off again a few songs later (including the seven-minute
|
|||
|
length) with "Coal" and fail. They manage a goofy and good-natured
|
|||
|
look at poverty in "Lower Income" and manage to avoid
|
|||
|
self-righteousness and maintain dignity: "I'd rather sing for my
|
|||
|
supper than suck ass for minimum wage." Musical whores take a
|
|||
|
pounding in "The Kids Aren't All Right." Ya gotta love a line like
|
|||
|
"[Y]ou gotta bigger martyr complex than Jesus Christ did/and
|
|||
|
someone's gonna nail your ass up." The lone cover on the CD is also
|
|||
|
the weakest cut. Their version of Kate bush's "Running Up That
|
|||
|
Hill" is just too slow and deliberate. It should've been fast, loud
|
|||
|
and sloppy - an anti-epic.
|
|||
|
-John F. Butland
|
|||
|
|
|||
|
Hakim Bey
|
|||
|
T.A.Z.
|
|||
|
(Axiom)
|
|||
|
Sitting like a detached cyber-Buddha somewhere between the
|
|||
|
"established events" of the past and universes of the "virtual
|
|||
|
future" is Hakim Bey, author of the handbook for poetic terrorism,
|
|||
|
The Temporary Autonomous Zone. His current release, a meld with
|
|||
|
musical terrorist Bill Laswell, seems an inevitable project for the
|
|||
|
Axiom workshop. With its blurred connecting points and unification
|
|||
|
of seemingly unrelated conventions, it serves as a textbook
|
|||
|
reference and spoken counterpart to the creative muse behind the
|
|||
|
label's purely musical chunks of autonomous and, by virtue of their
|
|||
|
"immarketability," marginal grenades of artistic liberation. Here,
|
|||
|
Bey is as comfortable dropping names like Proudhon or Marx as he is
|
|||
|
an anonymous, fellow modern terrorist known as "P.M." Similarly, he
|
|||
|
unveils an ominous plot behind the distribution of propagandist
|
|||
|
television shows like Hill Street Blues while diving into other,
|
|||
|
less mediated and more "ancient" outposts, such as the 19th Century
|
|||
|
Chinese Tong, where one spends free time. The result is like a muse
|
|||
|
needle out of control, making inherent connections in things both
|
|||
|
marginal and mediated - a swirling, surreal vertigo of information
|
|||
|
and methods for "escape." Woven with the kind of airy tones and
|
|||
|
hallucinatory rhythms that Laswell has been playing with lately,
|
|||
|
Bey's voice calms and prepares the listener for an age where
|
|||
|
missing information and the icons of late capitalist high-tech
|
|||
|
correspond with an increasing alienation of this "X-generation"'s
|
|||
|
most primitive needs. Most of all, Bey doesn't come across as a
|
|||
|
cheesy, overzealous, visionary bard, but presents us with ideas
|
|||
|
point-blank, allowing us to be choosy in aiming our own forms of
|
|||
|
poetic terrorism against those forces that attempt to suppress and
|
|||
|
homogenize humility and free thought.
|
|||
|
-Chris Barany
|
|||
|
|
|||
|
Bugjuice
|
|||
|
!Que Va!
|
|||
|
(Ringing Ear Records)
|
|||
|
The latest self-proclaimed contenders in the indie rawk sweepstakes,
|
|||
|
Bugjuice, hail from Newmarket, New Hampshire and profess an
|
|||
|
appreciation for all things Sebadoh, Dinosaur Jr. and Pavement. All
|
|||
|
16 songs sort of crawl along in the same vague, general direction,
|
|||
|
and when it ends, your stomach will still be empty. They play well
|
|||
|
together, and the recording quality is decent, but they never seem to get
|
|||
|
anywhere. The make me think of afternoon television.
|
|||
|
-Neil Exall
|
|||
|
|
|||
|
Magnapop
|
|||
|
Hot Boxing
|
|||
|
(Priority Records)
|
|||
|
Hot Boxing starts out with "Slowly Slowly," a bouncy little ditty
|
|||
|
reminiscent of a noisy version of "99 Red Balloons." But don't
|
|||
|
worry, Magnapop are more than just a Nena for the 90s. they've
|
|||
|
released a slew of well-received singles and EPs and such, and this
|
|||
|
is their first real LP. It's produced by Bob Mould, and he brings
|
|||
|
a lighter then normal touch, for him at least, to the record.
|
|||
|
There's lots of chunky guitars and solid, driving rhythms, but less
|
|||
|
white noise than the Du. There's less thrash, and the hooks are
|
|||
|
more obvious, and it's almost as good as his old band. But enough
|
|||
|
of that, 'cause it's not a Bob Mould record, it's a Magnapop
|
|||
|
record. The band is tight; there are no extraneous solos or extra
|
|||
|
choruses. They get in and out and get the job done, kinda like a
|
|||
|
SWAT team. In a pleasant contrast to all this no-nonsense style,
|
|||
|
Linda Hopper's vocals are cool and semi-detached, almost
|
|||
|
ambivalent. It balance out the tension in the music nicely. Oh
|
|||
|
yeah, almost forgot: the last song is about rugburns.
|
|||
|
Works for me.
|
|||
|
-John F. Butland
|
|||
|
|
|||
|
|
|||
|
((((((((((((((((((( F O R Y O U R E Y E ' S O N L Y ))))))))))))))))
|
|||
|
b i z a r r e s u b r e q u e s t s c o m i n g i n
|
|||
|
|
|||
|
The subreqs have been coming in at a steady clip of late.
|
|||
|
From 10 countries. Not bad at all for six issues. What has
|
|||
|
been helping I think, is our listing in John Leibovitz's
|
|||
|
(johnl@ora.com) E-Zine Listings, so hat's off and thank-you.
|
|||
|
|
|||
|
What perplexes me however is a recent smattering of sub requests
|
|||
|
from gov't addresses from both my own government, and moreso from
|
|||
|
our good neighbours to the south. Who is davisc@sld1.gordon.army.mil,
|
|||
|
I wonder? Fingering that address (or any of them, for that matter),
|
|||
|
yields a "connection refused" error. A traceroute proves interesting:
|
|||
|
|
|||
|
bonk% traceroute sld1.gordon.army.mil
|
|||
|
traceroute to sld1.gordon.army.mil (147.51.218.2), 30 hops max, 40 byte packets
|
|||
|
1 io.org (198.133.36.1) 2 ms 1 ms 1 ms
|
|||
|
2 wf.toronto.uunet.ca (142.77.27.1) 3 ms 3 ms 3 ms
|
|||
|
3 alternet-gw.toronto.uunet.ca (142.77.1.202) 4 ms 12 ms 4 ms
|
|||
|
4 Falls-Church1.VA.ALTER.NET (137.39.7.1) 478 ms 453 ms 495 ms
|
|||
|
5 Falls-Church4.VA.ALTER.NET (137.39.8.1) 392 ms 460 ms 433 ms
|
|||
|
6 Vienna1.VA.ALTER.NET (137.39.100.34) 421 ms 426 ms 403 ms
|
|||
|
7 en-0.ENSS136.t3.ANS.NET (192.41.177.253) 464 ms 404 ms 458 ms
|
|||
|
8 t3-0.cnss58.Washington-DC.t3.ans.net (140.222.58.1) 456 ms 553 ms *
|
|||
|
9 mf-0.cnss56.Washington-DC.t3.ans.net (140.222.56.222) 494 ms 552 ms 543 s
|
|||
|
10 * t3-0.enss145.t3.ans.net (140.222.145.1) 537 ms 434 ms
|
|||
|
11 FIX-EAST.DDN.MIL (192.80.214.251) 613 ms 485 ms 473 ms
|
|||
|
12 137.209.6.1 (137.209.6.1) 344 ms 297 ms 351 ms
|
|||
|
13 BELVOIR-IP-GW.DDN.MIL (137.209.61.2) 298 ms 361 ms 384 ms
|
|||
|
14 GUNTER1-GW.AF.MIL (137.209.59.2) 383 ms * 545 ms
|
|||
|
15 FTGORDON-GW1.ARMY.MIL (26.6.0.206) 2440 ms * 1491 ms
|
|||
|
16 147.51.6.2 (147.51.6.2) 1469 ms 1389 ms 1372 ms
|
|||
|
17 emh.sld.gordon.army.mil (147.51.218.2) 1089 ms * 853 ms
|
|||
|
|
|||
|
...comparing that with birchmnt@gov.on.ca whom has also entered a
|
|||
|
sub request:
|
|||
|
|
|||
|
bonk% traceroute gov.on.ca
|
|||
|
traceroute to gov.on.ca (192.75.156.244), 30 hops max, 40 byte packets
|
|||
|
1 io.org (198.133.36.1) 2 ms 1 ms 3 ms
|
|||
|
2 wf.toronto.uunet.ca (142.77.27.1) 3 ms 3 ms 3 ms
|
|||
|
3 alternet-gw.toronto.uunet.ca (142.77.1.202) 4 ms 4 ms 4 ms
|
|||
|
4 Falls-Church1.VA.ALTER.NET (137.39.7.1) 452 ms 436 ms 289 ms
|
|||
|
5 Falls-Church4.VA.ALTER.NET (137.39.8.1) 423 ms 407 ms 325 ms
|
|||
|
6 Vienna1.VA.ALTER.NET (137.39.100.34) 314 ms 308 ms 351 ms
|
|||
|
7 en-0.ENSS136.t3.ANS.NET (192.41.177.253) 415 ms 423 ms 518 ms
|
|||
|
8 t3-0.cnss58.Washington-DC.t3.ans.net (140.222.58.1) 468 ms 299 ms 327 ms
|
|||
|
9 mf-0.cnss56.Washington-DC.t3.ans.net (140.222.56.222) 293 ms 305 ms 298 s
|
|||
|
10 t3-0.cnss32.New-York.t3.ans.net (140.222.32.1) 377 ms 503 ms 440 ms
|
|||
|
11 t3-0.cnss48.Hartford.t3.ans.net (140.222.48.1) 556 ms 565 ms 431 ms
|
|||
|
12 t3-0.enss133.t3.ans.net (140.222.133.1) 422 ms 446 ms 514 ms
|
|||
|
13 * XPSP.ON.CANET.CA (192.35.82.20) 503 ms 548 ms
|
|||
|
14 psp.on.canet.ca (192.70.164.181) 525 ms 401 ms 291 ms
|
|||
|
15 exterior.onet.on.ca (192.68.55.102) 271 ms 386 ms 522 ms
|
|||
|
16 toronto1.onet.on.ca (130.185.5.11) 410 ms 506 ms *
|
|||
|
17 ontgvt.onet.on.ca (130.185.1.2) 469 ms 568 ms *
|
|||
|
18 199.246.118.1 (199.246.118.1) 528 ms 390 ms 516 ms
|
|||
|
19 govonca.gov.on.ca (192.75.156.244) 497 ms 507 ms 444 ms
|
|||
|
|
|||
|
...hmmm. I know someone who is very suspicious about the fact that
|
|||
|
all roads seem to run thru FALLS CHURCH, VA, now I'm curious myself.
|
|||
|
Does anyone happen to know if there is a major juncture of backbones
|
|||
|
there or something? Is there a reason why Canadian gov't net traffic
|
|||
|
puts in a brief appearence in Washington, DC? Just wondering.
|
|||
|
|
|||
|
...and thinking of the unthinkable, it's time for ...
|
|||
|
FOR INFORMATIONAL PURRRPOSES ONLY
|
|||
|
|
|||
|
_______ _____________
|
|||
|
/ | ___ ________ _______ _____ ____ _____| |
|
|||
|
/ _ | \ \ \ | | \ _ _ |
|
|||
|
| / \| | | | | | | | | | | | | \|
|
|||
|
| | \ ___ / / / | | __ / | |
|
|||
|
| \ _ /| | \ \ | | | |
|
|||
|
\ | | | | | | | | | |
|
|||
|
__\ _______| |____|____|___|____|______ _| __| __|____|_____
|
|||
|
/ |_______ ___ ____ ___ ____ ______ / \ ____|__ | |
|
|||
|
| _ | | | | | | \ __ / | | |
|
|||
|
| \ \| ____| | | | | | |_|__ __| /
|
|||
|
\ \ | / | | / | | \ /
|
|||
|
|\_| | ____| \ | \ | | | |
|
|||
|
| | | | | | | | | | | |
|
|||
|
|________ /________|___|____|________|___|____|____|____| |_____|
|
|||
|
|
|||
|
corrupt.sekurity.com
|
|||
|
|
|||
|
|
|||
|
iNTR0
|
|||
|
~~~~~
|
|||
|
Ever heard of the information highway? Yeah, me too, so many times that if
|
|||
|
I ever hear some loser who can't tell twisted pair from Twisted Sister mention
|
|||
|
it again, I'm going to run him down with my information Corvette! The media
|
|||
|
and the politicians have made this the rallying cry of the techo-wannabe's who
|
|||
|
are flooding the 'Nets with thier crys of "Information for the people!"
|
|||
|
Hmmmm... haven't I seen that before? Isn't that what the true hackers have
|
|||
|
been crying all along?
|
|||
|
|
|||
|
Well, the techno-wannabe's are in for a big shock. If they think that the
|
|||
|
information highway is some electronic El Dorado and the Internet is its
|
|||
|
foundation, then they better prepare themselves for the worst. The internet
|
|||
|
was around a long time before they got their Macintosh Quadra 640 and bought
|
|||
|
an issue of Wired. And during that time, the 'Nets grew from isolated
|
|||
|
electronic villages into a raging data metropolis. The media and their
|
|||
|
worshipers have it all wrong, you see. Calling the international data networks
|
|||
|
a 'highway' is like calling Los Angeles the Santa Monica Freeway. The Internet
|
|||
|
is not just some bundle of copper, but rather the worlds largest city where
|
|||
|
thoughts fly around the world in seconds.
|
|||
|
|
|||
|
These newbies logging onto the net for the first time are not much different
|
|||
|
than the farmhands who flocked to New York after World War II. They don't
|
|||
|
have the first clue how sophisticated the established city dwellers are and
|
|||
|
only have an inkling of what really takes place in its streets. I think
|
|||
|
Bruce Sterling said it best when he wrote:
|
|||
|
|
|||
|
"Things happen there that have very serious consequences. This 'place' is not
|
|||
|
'real', but it is serious, it is earnest... Some people became rich and famous
|
|||
|
from thier efforts there. Some just played in it, as hobbyists.Others soberly
|
|||
|
pondered it, and regulated it, and negotiated over it in international forums,
|
|||
|
and sued one another about it, in gigantic, epic court battles that lasted for
|
|||
|
years. And almost since the beginning, some people have committed crimes in
|
|||
|
this place."
|
|||
|
|
|||
|
tH3 fAKtz
|
|||
|
~~~~~~~~~
|
|||
|
So if the Internet is a city of millions, than there are bound to more than
|
|||
|
just shiny skyscapers and hallowed halls of learning. Every city has its
|
|||
|
dark allies, its seedy bars, its whore houses, its head shops, its gambling
|
|||
|
halls, its adult bookstores, and its pawnshops. And every city has its
|
|||
|
self righteous police force who are just as likely to be found hanging out
|
|||
|
in these places as they are to be busting them. This is the high standard
|
|||
|
which Corrupt Sekurity BBS strives for!
|
|||
|
|
|||
|
This bbs serves as a meeting place for those who desire to exchange information
|
|||
|
and meet people who are more interested in how the system works (and how it
|
|||
|
can be abused) than in where to find the latest Cindy Crawford gif. This is
|
|||
|
a place where the crooks, the creeps, and the outcasts can hang out in complete
|
|||
|
anonymousity without ever having to leave their bedrooms. Here is the current
|
|||
|
state of the bbs.
|
|||
|
|
|||
|
[At this point in time, the file I have is out of date for this period
|
|||
|
on. For the most recent ver. of this file mail info@sekurity.com with
|
|||
|
send info on the subject line. You can also ftp corrupt.sekurity.com.]
|
|||
|
|
|||
|
|
|||
|
C_C OO L zIne:
|
|||
|
=========
|
|||
|
Cutthroat
|
|||
|
P.O. Box 481654
|
|||
|
Denver, CO.
|
|||
|
80248
|
|||
|
=========
|
|||
|
|
|||
|
My girlfriend got a copy of this from some guy in a band called
|
|||
|
Mustang Lightning (sp?), out of Denver, Colorado.
|
|||
|
An interesting assembly of photocopies mainly. A couple of those
|
|||
|
rare newspaper articles that only pop into the papers for a fleeting
|
|||
|
instant, and are gone forever (i.e "Family flees home in hurry after
|
|||
|
clothes disintegrate" , "Bodies buried with trash, without coffins
|
|||
|
in Tenn.") Would the following catch your eye in the morning rag?:
|
|||
|
|
|||
|
"A naked and angry woman was smacked in the head
|
|||
|
with a sausage when drug agents burst into her
|
|||
|
apartment and started throwing pieces of meat to
|
|||
|
her attack dog."
|
|||
|
|
|||
|
Then again I would't bat an eye if I saw it in the Weekly Word News.
|
|||
|
(It doesn't come as a surprise on the net either). Neat usage of
|
|||
|
blatantly appropriated comic graphics, excerpts and collages.
|
|||
|
|
|||
|
|
|||
|
============================================================================
|
|||
|
W A N N A S U B S C R I B E T O T H I S E - Z I N E ? ? ? ?
|
|||
|
--------)))) email pwcasual@io.org ...and say "Sign Me UP!" +++++++>>>>>>>>>
|
|||
|
=============================================================================
|
|||
|
|