1299 lines
52 KiB
Plaintext
1299 lines
52 KiB
Plaintext
Why are men luckier than cucumber?
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- A man don't fit in a food processor
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- A man only gets circumcise once (cucumber often gets multiple cuts)
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- A cumcumber doesn't have hands when it's desperate
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- A man can compact his to travel size
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- A man can say 'No, not you I won't'
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- A man can say 'No, not tonight we won't'
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- Teeth mark on a man will heal
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- A man is still whole after being eaten
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- A man can survive more than one woman
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- A man is no longer a green-horn after sex
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- There are no female cucumbers !
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*************************************************************************
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William Safire's Rules for Writers
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----------------------------------
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1. Remember to never split an infinitive.
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2. The passive voice should never be used.
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3. Do not put statements in the negative form.
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4. Verbs have to agree with their subjects.
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5. Proofread carefully to see if you words out.
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6. If you reread your work, you can find on rereading a great
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deal of repetition can be avoided by rereading and editting.
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7. A writer must not shift your point of view.
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||
8. And don't start a sentence with a conjunction.
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||
9. (Remember, too, a preposition is a terrible word to end a sentence with.)
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10. Don't overuse exclamation marks!!!!!!!
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11. Place pronouns as close as possible, especially in long sentences, as of 10
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or more words, to their antecedents.
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12. Writing carefully, dangling participles must be avoided.
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13. If any word is improper at the end of a sentence, a linked verb is.
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14. Take the bull by the hand and avoid mixing metaphors.
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15. Avoid trendy locutions that sound flaky.
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16. Everyone should be careful to use a singular pronoun with a singular nouns
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in their writing.
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17. Always pick on the correct idion.
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18. The adverb always follows the verb.
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19. Last but not least, avoid cliches like the plague; seek viable
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alternatives.
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-----------------------------------------------------------------------------
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The Chief Executive Officer determined that certain policies must be
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changed. So he decreed new rules.
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The workers saw the rules and said to the supervisor,
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"It is a crock of shit and it stinketh beyond tolerence."
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And the supervisor told the manager,
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"It is a container of manure (sp?) and the workers
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cannot tolerate it."
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And the manager told the director,
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"It is that which fertilizes, and its strength is
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very strong."
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And the director told the vice president,
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"It promotes growth and is extremely strong."
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And the vice president told the president,
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"It strongly promotes growth."
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And the president said,
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"It is good and we will do it!"
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________________________________________________________________________
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THE SHIT LIST
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Ghost Shit -- You know you've shit. There's shit on the toilet paper, but
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there's no shit in the toilet.
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Teflon Coated Shit -- Comes out so slick, clean, and easy that you don't even
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feel it. No traces of shit on the toilet paper. You have to look for
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the shit in the toilet to be sure you did it.
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Gooey Shit -- This has the consistency of hot tar. You wipe your ass 12 times
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and it still doesn't come clean. You end up putting toilet paper in
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you underwear so you don't stain it. This shit leaves permanent skid
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marks in the toilet.
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Second Thought Shit -- You're all done wiping you ass and you're about to stand
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up when you realize it...you've got to shit more.
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Pop A Vein In Your Forehead Shit -- This is the kind of shit that killed Elvis.
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It just doesn't want to come out until you're all sweaty, trembling,
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and purple from straining so hard.
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Richard Simmons Shit -- You shit so much, you lose 10 pounds.
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Right Now Shit -- You better be within 30 seconds a toilet. Usually it has
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it's head out before you get your pants down.
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Green Shit -- Comes the day after eating a big spinach salad.
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King Kong or Commode Choker Shit -- This shit is so big that you know it won't
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go down the toilet unless you break it into smaller chunks. A coat
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hanger works well. This kind of shit usually happens at someone else's
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house.
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Cork Shit -- (Also known as Floaters) Even after the third flush, it's still
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floating in there. My God! How do I get rid of it?! This shit also
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usually happens at someone else's house.
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Wet Cheeks Shit -- This shit hits the water sideways and makes a BIG splash
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that gets your ass all wet.
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Wish Shit -- You sit there all cramped up and fart a few times, but no shit.
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Cement Block Shit or Oh God! Shit -- You wish you'd gotten a spinal block
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before you shit.
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Snake Shit -- This shit is fairly soft and about as big around as your thumb
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and at least 3 feet long.
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Mexican Food Shit -- (Also Called Screamers) You'll know it's alright to eat
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again when your asshole stops burning.
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Beer Drunk Shit -- This happens the day after the night before. Normally your
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shit doesn't smell too bad, but this shit is BAD! Usually there's
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someone standing outside waiting to use the bathroom. This kind of
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shit also usually happens at someone else's house.
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-------------------------------------------------------------------------
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Ladys and Gentlemen:
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I stand before and sit behind you
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To tell you of something I know nothing about.
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Thier will be a meeting tommorrow morning, right after lunch
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To decide what color to whitewash the church.
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There will be plenty of seats, so sit on the floor.
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There will be plenty of food, so bring some more.
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|
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Somewhat similar:
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Ladels and Jellyspoons,
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||
I come before you to stand behind you
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||
To tell you something I know nothing about.
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||
Next Thursday, the day after Friday,
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There will be a Mothers Meeting for fathers only.
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Entrance is free, you pay at the door,
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||
There is plenty of seating, so you can sit on the floor.
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You know you live in a small town when :
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Even a 4 year old can tear the phone book.
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You turn on your oven, & the street lights dim.
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Everyone reads the newspaper to see if the reporter got it right.
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||
.... the water tower is made by Dixie Cup
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||
.... the "Welcome To" and "Thanks For Visiting" signs are mounted on the
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same pole
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.... everybodies phone number has only 1 digit
|
||
.... the only traffic light in town is at a cattle crossing
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||
.... this years United Way drive netted a record $1.75 in contributions
|
||
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------------------------------------------------------------------
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JOY RIDE
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(adapted from Sleigh Ride)
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Just hear those machines guns rattling, rat-tat-tattling too.
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Come on, it's lovely weather for a joy ride together with you.
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Outside the night is falling and thugs are calling "yoo-hoo".
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||
Come on, it's lovely weather for a joy ride together with you.
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Stick'em. Stick'em. Stick'em. Let's go.
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Hand over your dough.
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Get'em. Get'em. Get'em. Both hands!
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This shouldn't take long. We'll finish this song with blasts from my one
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piece band.
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My gun is quite a dooey, 'cause it's an uzi, you see.
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We smuggle drugs together, 'like killing fuzz and debtors for free.
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Let's take that road before us and shoot a tourist or two.
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Come on, it's lovely weather for a joy ride together with you.
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---------------------------------------------------------------------
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OK; here's the Sorority Girl joke list.
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1. Q: What do you say to a sorority girl that won't give in?
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A: "Have another beer."
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2. Q: Why does a sorority girl wear underwear?
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A: To keep her ankles warm.
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3. Q: What's the difference between a sorority girl and a Rolls Royce?
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A: Not everybody has been in a Rolls Royce.
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4. Q: What's the difference between a sorority girl and a toilet?
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A: A toilet doesn't follow you around after you use it.
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5. Q: What does a sorority girl put behind her ears to make her look more
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attractive?
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A: Her ankles.
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6. Q: What's the difference between a sorority girl and a bowling ball?
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A1: You can only put three fingers in a bowling ball.
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A2: You could eat a bowling ball if you had to.
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A3: You can't fit a sorority girl inside a bowling ball.
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A4: There is no difference. They're both round and have three holes
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to poke.
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7. Q: How are a bowling ball and a sorority girl alike?
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A: You can pick them up, stick your fingers in them, and throw them
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in the gutter and they'll always come back.
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8. Q: What is the difference between a sorority girls and hookers?
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A: Sorority girls cost less per score.
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9. Q: What is the difference between a sorority girl and an elephant?
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A: About 40 pounds.
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Q2: How do you equalize the two?
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A2: Feed the elephant.
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10. Q: What is the first thing a sorority girl does in the morning?
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A1: Introduces herself.
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A2: Walks home.
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11. Q: What's the difference between a sorority girl and the Titanic?
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A: Only 1500 went down on the Titanic.
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12. Q: How can you tell if a sorority girl has achieved orgasm?
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A: She drops her nail file.
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13. Q: What's a sorority girls favorite wine?
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A: "Daaaaaaady, I want to go to Mi-ammmmmmi."
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14. Q: What do you get when you cross a sorority girl with an ape?
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A: Don't know. There's only so much an ape can be forced to do.
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15. Q: Why is a sorority girl like a door knob?
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A: 'Cause everybody gets a turn.
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16. Q: How do you get a sorority girl in your bed?
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A: Grease her hips so she'll fit through the door, and throw a
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twinkie on the bed.
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17. Q: Did you hear about the new sorority girl doll?
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A: You put a ring on her finger and her hips expand.
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18. Q: What's the difference between sorority girls and garbage?
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A: Garbage gets taken out once a week.
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19. Q: What do you call a 100 sorority girls bathing on a beach in Cuba?
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A: Bay of Pigs.
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20. Q: What do you call a sorority girl hang-gliding festival?
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A: Multiple total eclipses.
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21. Q: What is a sorority girls mating call?
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A: "I'm sooooooo drunk, I'm sooooooo drunk."
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22. Q: What's the difference between a sorority girl and a dog?
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A: Driver's will swerve to miss the dog.
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23. Q: How many sorority girls does it take to change a light bulb?
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A1: 1, she holds on to it, and the world revolves around her.
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A2: 2, one to hold the Diet Pepsi, and one to call Daddy.
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A3: 6, one to screw it in, and five to make T-shirts.
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A4: 7, one to change it, and six to go out and buy more Diet Pepsi.
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A5: 65, one to change it, and 64 to sing and clap.
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24. Q: Why is a sorority girl like railroad tracks?
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A: 'Cause she's been laid all over the country.
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25. Q: What three words will a sorority girl never hear?
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A: "Attention K-mart shoppers."
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26. Q: Why does a sorority girl close her eyes during sex?
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A: So she can fantasize about shopping.
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27. Q: What is a sorority girls favorite position?
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A: Facing Bloomingdale's.
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|
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28. Q: What's the difference between sorority girls and Jell-o?
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A: Jell-o wiggles when you eat it.
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|
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29. Q: What do you call a sorority girl's waterbed?
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A1: Lake Placid.
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A2: The Dead Sea.
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|
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30. Q: How do you know when a sorority girl is a nymphomaniac?
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A: She'll make love the same day she had her hair done.
|
||
|
||
31. Q: What's a sorority girl's idea of natural childbirth?
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A: No make-up.
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|
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32. Q: How do you prevent a sorority girl from having sex?
|
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A: Marry her.
|
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|
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33. Q: What's the difference between a sorority girl and a broom closet?
|
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A: Only two men fit inside a broom closet at once.
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|
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34. Q: What's the difference between a sorority girl and a phone booth?
|
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A1: You need a quarter to use the phone.
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A2: Only one person can use the phone at once.
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|
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35. Q: What's the difference between a sorority and a circus?
|
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A: A circus is a cunning array of stunts.
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|
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36. Q: How is a sorority girl like a vacuum?
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A: They both suck.
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Q2: How are they different?
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A1: You can buy a new vacuum when you get sick of it.
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A2: You can buy a new vacuum when it no longer sucks.
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A3: When a vacuum cleaner is full of shit, it's easy to dump the old bag.
|
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A4: A vacuum cleaner can't suck a golf ball through a garden hose.
|
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A5: A vacuum cleaner can't suck start a Harley.
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|
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37. Q: How do you get four sorority girls on one chair?
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A1: Tell them there is a rich guy sitting in it.
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A2: Turn the chair over, and put one on each leg.
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38. Q: What's the difference between a sorority track team and a tribe of
|
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sly pygmies?
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A: The tribe of sly pygmies are a bunch of cunning runts.
|
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39. Q: What does the Bermuda Triangle and sorority girls have in common?
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A: They've both swallowed a lot of semen.
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40. Q: What does a sorority girl make for dinner?
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A: Reservations.
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|
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41. Q: Why does a sorority girl wear a gold diaphragm?
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A: So her boyfriend will think he's coming into money.
|
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42. Q: What did the sorority girl say when she knocked over the priceless
|
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Ming vase?
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A: "It's OK Daddy, I'm not hurt."
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|
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43. Q: What's the difference between a prostitute, a nymphomaniac, and a
|
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sorority girl?
|
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A: A prostitute says, "Are you done yet?", a nymphomaniac says, "You're
|
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done already?", and a sorority girl says, "Beige... I think I'll
|
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paint the ceiling beige."
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|
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44. Q: What's the difference between a sorority girl and a rooster?
|
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A: In the morning a rooster says, "Cock'll-doodl-doooo", while a
|
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sorority girl says, "Any-cock'll-doooo."
|
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45. Q: What do you call 24 sorority girls walking down the street?
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A: A case of Schlitz.
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|
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46. Q: What is foreplay for a sorority girl?
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A: Thirty minutes of begging.
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|
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47. Q: How does a sorority girl commit suicide?
|
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A: She gathers her clothes into a pile and jumps off.
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|
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Misc: 1. Tri-delts. I'm sure everyone else has.
|
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2. If your date won't; Tri-delts.
|
||
3. Once you've tried everything else; Tri-delts.
|
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|
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There once was a Jewish mother, whose son came home one day and announced
|
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to his mother that he was marrying a Christian and would become a Christian
|
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and no longer be a Jew.
|
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His Mom was horrified and went to see her friend.
|
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She told the friend, "My son is marrying a Chrstian and becoming a Christian
|
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and he will no longer be a Jew."
|
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She said, "Fancy that! That same thing happened to me."
|
||
So, they went to see their rabbi, who was in sobs when they went into his
|
||
office. They calmed him down enough to tell him what had happened in their
|
||
families. The rabbi said, "Fancy that. The same thing happened to me."
|
||
So they discussed what they could do, and they all agreed that all they could
|
||
do would be to pray to G-d.
|
||
So, they all told G-d their story.
|
||
And, half way through the story came a booming voice.
|
||
"Fancy that..."
|
||
|
||
Why did the chicken cross the road?
|
||
To show the possum it could be done!
|
||
|
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--------------
|
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COmplete NORM Sayings from CHEERS.
|
||
|
||
In chronological order:
|
||
|
||
No Help Wanted:
|
||
|
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Coach: Can I draw you a beer, Norm?
|
||
Norm: No, I know what they look like. Just pour me one.
|
||
|
||
Coach: How about a beer, Norm?
|
||
Norm: Hey I'm high on life, Coach. Of course, beer is my life.
|
||
|
||
Fortune and Men's Weights:
|
||
|
||
Coach: How's a beer sound, Norm?
|
||
Norm: I dunno. I usually finish them before they get a word in.
|
||
|
||
Coach: What's up, Norm?
|
||
Norm: Corners of my mouth, Coach.
|
||
|
||
Snow Job:
|
||
|
||
Coach: What's shaking, Norm?
|
||
Norm: All four cheeks and a couple of chins, Coach.
|
||
|
||
Coach: Beer, Normie?
|
||
Norm: Uh, Coach, I dunno, I had one this week.
|
||
Eh, why not, I'm still young.
|
||
|
||
Norman's Conquest:
|
||
|
||
[Norm comes in with an attractive woman.]
|
||
Coach: Normie, Normie, could this be Vera?
|
||
Norm: With a lot of expensive surgery, maybe.
|
||
|
||
I'll Be Seeing You (Part 2)
|
||
|
||
Coach: What's up, Normie?
|
||
Norm: The temperature under my collar, Coach.
|
||
|
||
Diane Meets Mom:
|
||
|
||
Coach: What would you say to a nice beer, Normie?
|
||
Norm: Going down?
|
||
|
||
[Norm returns from the hospital.]
|
||
Coach: What's up, Norm?
|
||
Norm: Everything that's supposed to be.
|
||
|
||
Peterson Crusoe:
|
||
|
||
[Norm comes in, depressed. He just stands by the door with a sullen face.]
|
||
Norm: [mutters] Afternoon, everybody.
|
||
All: Norm? (Norman?)
|
||
|
||
The Heart is a Lonely Snipehunter:
|
||
|
||
Sam: What's new, Normie?
|
||
Norm: Terrorists, Sam. They've taken over my stomach.
|
||
They're demanding beer.
|
||
|
||
King of the Hill:
|
||
|
||
Coach: What'll it be, Normie?
|
||
Norm: Just the usual, Coach. I'll have a froth of beer and a snorkel.
|
||
|
||
The Mail Goes to Jail:
|
||
|
||
Coach: What would you say to a beer, Normie?
|
||
Norm: Daddy wuvs you.
|
||
|
||
Behind Every Great Man:
|
||
|
||
Sam: What'd you like, Normie?
|
||
Norm: A reason to live. Gimme another beer.
|
||
|
||
Norm: Afternoon, everybody.
|
||
All: Norm!
|
||
Cliff: Afternoon, everybody.
|
||
All: [silence]
|
||
|
||
The Executive's Executioner:
|
||
|
||
Sam: What will you have, Norm?
|
||
Norm: Well, I'm in a gambling mood, Sammy. I'll take a glass of whatever
|
||
comes out of that tap.
|
||
Sam: Oh, looks like beer, Norm.
|
||
Norm: Call me Mister Lucky.
|
||
|
||
Birth, Death, Love and Rice:
|
||
|
||
Sam: What do you say, Norm?
|
||
Norm: Any cheap, tawdry thing that'll get me a beer.
|
||
|
||
Woody Goes Belly Up:
|
||
|
||
Sam: What do you say to a beer, Normie?
|
||
Norm: Hiya, sailor. New in town?
|
||
|
||
Diane's Nightmare:
|
||
|
||
Norm: [coming in from the rain] Evening, everybody.
|
||
All: Norm! (Norman!)
|
||
Sam: Still pouring, Norm?
|
||
Norm: That's funny, I was about to ask you the same thing.
|
||
|
||
I'll Gladly Pay You Tuesday:
|
||
|
||
Sam: What's the good word, Norm?
|
||
Norm: Plop, plop, fizz, fizz.
|
||
Sam: Oh no, not the Hungry Heifer...
|
||
Norm: Yeah, yeah, yeah...
|
||
Sam: One heartburn cocktail coming up.
|
||
|
||
Love Thy Neighbor:
|
||
|
||
Sam: Whaddya say, Norm?
|
||
Norm: Well, I never met a beer I didn't drink. And down it goes.
|
||
|
||
The Bar Stoolie:
|
||
|
||
Woody: What's your pleasure, Mr. Peterson?
|
||
Norm: Boxer shorts and loose shoes. But I'll settle for a beer.
|
||
|
||
The Triangle:
|
||
|
||
Woody: What can I do for you, Mr. Peterson?
|
||
Norm: Elope with my wife.
|
||
|
||
[Norm is angry.]
|
||
Woody: What can I get you, Mr. Peterson?
|
||
Norm: Clifford Clavin's head.
|
||
|
||
Take My Shirt... Please?
|
||
|
||
Woody: How's life, Mr. Peterson?
|
||
Norm: Oh, I'm waiting for the movie.
|
||
|
||
The Peterson Principle:
|
||
|
||
Sam: Hey, what's happening, Norm?
|
||
Norm: Well, it's a dog-eat-dog world, and I'm wearing Milk-Bone underwear.
|
||
|
||
Tan 'n Wash:
|
||
|
||
Paul: Hey Norm, how's the world been treating you?
|
||
Norm: Like a baby treats a diaper.
|
||
|
||
Norm: Hey, everybody.
|
||
All: [silence; everybody is mad at Norm for being rich]
|
||
Norm: [carries on both sides of the conversation himself]
|
||
Norm! (Norman.)
|
||
How are you feeling today, Mr. Peterson?
|
||
Rich and thirsty. Pour me a beer.
|
||
|
||
Home is the Sailor: [the bar is completely different, since Sam went
|
||
sailing around the world and sold the bar]
|
||
|
||
Norm: Hey, everybody.
|
||
Woody: Norm! [nobody else in the bar says anything]
|
||
Norm: That's it, I'm leaving.
|
||
|
||
Norm: [comes in, pretending to be Joe Average customer,
|
||
as part of operation Wayne Down the Dwain]
|
||
Customer: Norm!
|
||
Norm: [quietly] Not now!
|
||
|
||
Little Carla, Happy at Last, Part 2:
|
||
|
||
Woody: Would you like a beer, Mr. Peterson?
|
||
Norm: No, I'd like a dead cat in a glass.
|
||
|
||
A Kiss is Still a Kiss:
|
||
|
||
Sam: How's life treating you?
|
||
Norm: It's not, Sammy, but you can!
|
||
|
||
Let Sleeping Drakes Lie:
|
||
|
||
Woody: Can I pour you a draft, Mr. Peterson?
|
||
Norm: A little early, isn't it Woody?
|
||
Woody: For a beer?
|
||
Norm: No, for stupid questions.
|
||
|
||
Airport V:
|
||
|
||
Woody: What's the story, Mr. Peterson?
|
||
Norm: The Bobbsey twins go to the brewery.
|
||
Let's cut to the happy ending.
|
||
|
||
One Happy Chappy in a Snappy Serape, Part 2:
|
||
|
||
Pepe: [something in Spanish]
|
||
|
||
Bar Wars II: The Woodman Strikes Back:
|
||
|
||
Woody: Hey, Mr. Peterson, there's a cold one waiting for you.
|
||
Norm: I know, and if she calls, I'm not here.
|
||
|
||
Don't Paint Your Chickens:
|
||
|
||
Sam: Beer, Norm?
|
||
Norm: Have I gotten that predictable? Good.
|
||
|
||
Call Me, Irresponsible:
|
||
|
||
Woody: What's going on, Mr. Peterson?
|
||
Norm: A flashing sign in my gut that says, ``Insert beer here.''
|
||
|
||
Two Girls for Every Boyd:
|
||
|
||
Sam: What can I get you, Norm?
|
||
Norm: [scratching his beard] Got any flea powder?
|
||
Ah, just kidding. Gimme a beer; I think I'll just drown the little
|
||
suckers.
|
||
|
||
Feeble Attraction:
|
||
|
||
Woody: Hey, Mr. Peterson, Jack Frost nipping at your nose?
|
||
Norm: Yep, now let's get Joe Beer nipping at my liver, huh?
|
||
|
||
Bar Wars III: The Return of Tecumseh:
|
||
|
||
Sam: What are you up to Norm?
|
||
Norm: My ideal weight if I were eleven feet tall.
|
||
|
||
Loverboyd:
|
||
|
||
Woody: Nice cold beer coming up, Mr. Peterson.
|
||
Norm: You mean, `Nice cold beer going <down> Mr. Peterson.'
|
||
|
||
Sam: What do you know there, Norm?
|
||
Norm: How to sit. How to drink. Want to quiz me?
|
||
|
||
Veggie-Boyd:
|
||
|
||
Sam: What can I do for you, Norm?
|
||
Norm: Open up those beer taps and, oh, take the day off, Sam.
|
||
|
||
It's a Wonderful Wife:
|
||
|
||
Woody: What's going on, Mr. Peterson?
|
||
Norm: Another layer for the winter, Wood.
|
||
|
||
Not yet confirmed against videotape:
|
||
|
||
Article 30367 of rec.arts.tv:
|
||
~From: fam26639@uxa.cso.uiuc.edu (Gangster)
|
||
~Date: 21 Dec 90 18:16:30 GMT
|
||
|
||
"How's it going, Mr. Peterson?"
|
||
"Poor."
|
||
"I'm sorry to hear that."
|
||
"No, I mean pour."
|
||
|
||
"How's life treating you, Norm?"
|
||
"Like it caught me sleeping with its' wife."
|
||
|
||
"Women. Can't live with 'em, pass the beer nuts."
|
||
|
||
"What's going down, Normie?"
|
||
"My butt cheeks on that bar stool."
|
||
|
||
"How's life in the fast lane?"
|
||
"Dunno, can't get on the on-ramp."
|
||
|
||
"Pour you a beer, Mr. Peterson."
|
||
"Alright, but stop me at one.... make that one-thirty."
|
||
|
||
"What's the story, Norm?"
|
||
"Boy meets beer. Boy drinks beer. Boy meets another beer."
|
||
|
||
"How about a beer, Norm?"
|
||
"That's that amber sudsy stuff, right? I've heard good things about it!"
|
||
|
||
"What's going on, Mr. Peterson?"
|
||
"The question is what's going in Mr. Peterson. A beer please, Woody."
|
||
|
||
"What's up, Normie?"
|
||
"My nipples, it's freezing out there."
|
||
---------------
|
||
|
||
----
|
||
The Canonical List of Banjo Jokes
|
||
|
||
[No Banjo Pickin' Allowed Around Here]
|
||
|
||
preface
|
||
|
||
Below is the much talked about, Canonical List of Banjo
|
||
Jokes. Much talked about, but never revealed; until now.
|
||
This presentation is the result of the tireless efforts of
|
||
an international network of operatives who combed the earth
|
||
(and beyond) checking and cross-checking sources to make
|
||
sure that this time we had the real thing: the definitive
|
||
list of banjo jokes. Some withstood torture--and some paid
|
||
the ultimate price: death. So important was our work that
|
||
we persevered in spite of the obstacles.
|
||
|
||
Before proceeding I would like to add a few words of caution.
|
||
Banjo jokes are jokes about banjo players, their music,
|
||
their instrument, environmentalism, animal rights, human
|
||
sacrifice, and interplanetary grave robbing. These jokes
|
||
has never been told in their entirety because they are
|
||
dangerously funny: no one has ever lived to retell them in
|
||
their entirety. we had to taken great precautions to
|
||
safeguard our health while compiling this list: each
|
||
operative was responsible for a manageably sized module of
|
||
the jokes (one not to large as to overcome the individual
|
||
with so much mirth that would cause him/her to die laughing.)
|
||
As I typed these jokes, I was blindfolded: part of the
|
||
jokes were related in various, and obscure languages and
|
||
dialects, other parts written, and still other parts
|
||
transmitted in braille or Morse code.
|
||
|
||
Therefore, I caution you to do the following:
|
||
1. Under no circumstances should you read any part of these jokes if
|
||
you have a heart condition, stroke, or high blood pressure.
|
||
2. Form a team, and take turns reading sections of these jokes. If
|
||
you find yourself becoming dizzy, or beginning to lose consciousness,
|
||
stop immediately.
|
||
3. If you have taken recreational drugs within the last 24 hours these
|
||
jokes may cause serious health complications.
|
||
4. (3) is also true for certain prescription drugs.
|
||
5. Refrain from eating, drinking, or engaging in sexual
|
||
intercourse while reading these jokes.
|
||
6. If you have any questions, please consult a physician before
|
||
attempting to read these jokes.
|
||
|
||
Are you sure you want to read these jokes?
|
||
|
||
Is your will in order and your life insurance paid up? Is it really
|
||
worth the risks?
|
||
|
||
This is your last chance to exit before being exposed to
|
||
the Complete list of 101 Banjokes. These jokes will change
|
||
(or end) your life. I cannot give you any guarantees as to
|
||
how these jokes will affect you; it all depends upon your
|
||
physical and psychological state (which I cannot know.)
|
||
|
||
Once again, are you sure that you are ready to read the Canonical
|
||
List of Banjo Jokes?
|
||
|
||
This is you last chance!! I mean it! Stop now before it's too late!
|
||
|
||
God help you and may the force be with you...
|
||
|
||
|
||
Disclaimer: This book is a work of fiction. Names, characters,
|
||
places, and incidents are either the product of the author's
|
||
imagination or are used fictitiously. Any resemblance to actual
|
||
events or locals or persons, living or dead, is entirely coincidental.
|
||
|
||
|
||
Dedicated to the time and place that is the unique lifestyle of
|
||
the banjo player of the '90s in Southern California and the excitement
|
||
and freedom that it brings us--it's cheaper than therapy.
|
||
|
||
|
||
What's the difference between a banjo and a(n)...
|
||
Chain Saw:
|
||
( 1.) a chain saw has a dynamic range.
|
||
( 2.) you can turn a chain saw off.
|
||
( 3.) South American Macaw: one is loud, obnoxious, and noisy; and the other
|
||
is a bird.
|
||
( 4.) Harley Davidson Motorcycle: you can tune a Harley.
|
||
( 5.) Onion: no one cries when you cut up a banjo.
|
||
( 6.) Trampoline: you take your shoes off to jump on a trampoline.
|
||
( 7.) Uzi: an uzi only repeats forty times.
|
||
How many banjo players does it take to screw in a light bulb?
|
||
Five; one to screw it in and four to
|
||
( 8.) complain that it's electric.
|
||
( 9.) lament about how much they miss the old one.
|
||
(10.) complain that Earl wouldn't have done it thataway.
|
||
(11.) argue about what year it was made.
|
||
(12.) argue about how much it costs.
|
||
(13.) ask what tuning she's using.
|
||
(14.) stand around and watch.
|
||
(15.) 10: one to do it & the other 9 to stand around & say,
|
||
"I could have done it better."
|
||
(16.) none: but hum a few bars and I'll fake it.
|
||
How many bass players does it take to screw in a light bulb?
|
||
(17.) All of them are too layed back to bother to change it.
|
||
(18.) Six: One to change it and five to keep the banjo players
|
||
>from hogging the light.
|
||
(19.) How many light bulb joke tellers does it take to change a light bulb?
|
||
100: One to change it & 99 to make stupid jokes about it...
|
||
(20.) What did the banjo player get on his IQ (or SAT) test? drool...
|
||
(21.) How can you tell if the stage is level? If the banjo player
|
||
drools out of both sides of his mouth.
|
||
(22.) Why do some people take an instant aversion to banjo players?
|
||
it saves time in the long run.
|
||
(23.) What's the difference between a skunk run over on the road and a
|
||
banjo player run over on the road? You see skid marks in front of the skunk.
|
||
(24.) What's the difference between a run over skunk and a run over
|
||
banjo player? The skunk was on it's way to a gig.
|
||
(25.) How many banjo players does it take to eat an opossum?
|
||
two, one to eat it and one to watch for cars.
|
||
(26.) How can you tell the difference between all the banjo songs?
|
||
by their names...
|
||
(27.) What is the definition of perfect pitch?
|
||
Throwing a banjo into a toilet without hitting the seat.
|
||
(28.) What do you call a good musician at a banjo contest? a visitor.
|
||
What are flaming guitars good for?
|
||
(29.) Lighting banjos on fire.
|
||
(30.) Kindling.
|
||
(31.) Why are banjos better than guitars? they burn longer.
|
||
(32.) What's the best thing to play on a banjo? a flame-thrower.
|
||
(33.) What's the difference between a fiddle and a violin? Who
|
||
cares?!? Neither of them is a banjo!
|
||
(34.) What's the best thing to play on a guitar? Solitaire.
|
||
(35.) What do you call a guy that hangs around a bunch of musicians?
|
||
banjo player / joke teller.
|
||
(36.) How can you tell if there's a banjo player at your door?
|
||
The knocking speeds up and they don't know when to come in.
|
||
(37.) Why do bluegrass banjo pickers always die with their boots on?
|
||
So they won't stub their toes when they kick the bucket.
|
||
(38.) You're lost in the desert and you see Bugs Bunny, a cactus, and a good
|
||
banjo player. Who do you ask for directions? You might as well try the cactus,
|
||
the other two are figments of your imagination.
|
||
(39.) Santa Claus, the tooth fairy, a good banjo player, and an old drunk
|
||
are walking down the street together when they simultaneously spot a hundred
|
||
dollar bill. Who gets it? The old drunk, of course, the other three are
|
||
mythological creatures.
|
||
(40.) What is the banjo picker's favorite whine? Play Dueling Banjos...
|
||
(41.) Why are all those banjo jokes so darned simple?
|
||
That's so bass players can understand them too.
|
||
(42.) Where do banjo players play best? In traffic.
|
||
(43.) in a galaxy far, far away...
|
||
(44.) How do you keep a banjo player in suspense?...
|
||
(45.) What is the most important aspect of banjo joke telling?...timing...
|
||
(46.) How is playing the banjo a lot like throwing a javelin blindfolded?
|
||
you don't have to be very good to get people's attention.
|
||
(47.) What do you say to the banjo player in the 3 piece suit?
|
||
will the defendant please rise.
|
||
What do you get when you throw a banjo and an accordion off the Empire
|
||
State Building?
|
||
(48.) Who Cares...
|
||
(49.) Applause.
|
||
(50.) What do you call twenty-five banjos up to their necks in sand?
|
||
not enough sand.
|
||
(51.) What do you call one-hundred banjos at the bottom of the ocean?
|
||
a good start.
|
||
(52.) What will you never say about a banjo player?
|
||
that's the banjo player's Porsche.
|
||
(53.) How can you get a banjo player's eyes to sparkle?
|
||
shine a light in his ears...
|
||
(54.) You can tune a banjo but how do you tuna fish?
|
||
by adjusting it's scales...
|
||
(55.) Why do so many fishermen own banjos? They make great anchors!
|
||
(56.) Why did the Boy Scout take up the banjo? They make good paddles.
|
||
(57.) Why did the banjo player leave his capo on the dashboard?
|
||
so he could park in the handicap zone.
|
||
(58.) Why did the banjo player cross the road? It was the chicken's day off.
|
||
(59.) What is the difference between a banjo player and a prune?
|
||
Their color of course!
|
||
(60.) How can you tell a herd of banjo players from a bunch of grapes?
|
||
Jump up and down on them...If you get wine, you've got grapes!
|
||
(61.) I recently had surgery on my hand, and asked the doctor
|
||
if, after surgery, I would be able to play the banjo. He said, "I'm
|
||
doing surgery on your hand, not giving you a lobotomy."
|
||
(62.) "Doctor, doctor will I be able to play the banjo after the operation?"
|
||
"yes, of course..." "Great! I never could before..."
|
||
(63.) What's the best / fastest way to tune a banjo? with wirecutters.
|
||
(64.) Which one of the following does not belong: Herpes, Measles,
|
||
AIDS, Banjo Players? Measles--You can get rid of the Measles.
|
||
(65.) What should you do if you run over a banjo? back up...
|
||
(66.) When do banjo songs sound the best? when they're over.
|
||
(67.) Why do fiddlers pick on banjo players?
|
||
Because they can't pick on their fiddles.
|
||
(68.) Why does everyone pick on banjo players? Because it's so easy!!!
|
||
(69.) Well, maybe I should stop picking on banjo players...naaaaaah.
|
||
(70.) There's not much between you and a fool is there? Just a banjo...
|
||
(71.) Does this kinder, gentler era have room for another generation of
|
||
obnoxious banjo pickers telling dumb jokes and playing fast?
|
||
(72.) Listener: Can you read music?
|
||
Banjo player: not enough to hurt my playing.
|
||
(73.) A man walked into a bar with his alligator and asked the bartender,
|
||
"Do you serve banjo players here?"
|
||
"Sure do," replied the bartender. "Good," said the man.
|
||
"Give me a beer, and I'll have a banjo picker for my 'gator."
|
||
(74.) A banjo player walked into a bar...another banjo player
|
||
walked into the bar...you'd think the second banjo player would
|
||
have seen what happened to the first banjo player and ducked!
|
||
[under the bar.]
|
||
|
||
(75.) The Pope and a banjo player find themselves together before
|
||
the Pearly Gates. After a small quantum of time which was spent
|
||
discussing their respective professions, ol' Saint Peter shows up
|
||
to usher them to their new Heavenly station. After passing out
|
||
wings, harps, halos, and such, St. Pete decides to show them to
|
||
their new lodgings. Only a brief flight from the welcome, Pete
|
||
brings them down on the front lawn (cloud-encrusted, natch) of a
|
||
huge palatial estate with all sorts of lavish trappings. This, Pete
|
||
announces, is where the banjo player will be spending eternity,
|
||
(at least until the end of time...) "Hot Dang," the Pope says to
|
||
His-self, "If he's getting a place like this, I can hardly wait to
|
||
see my digs!" They take flight once again, and as Pete leads on,
|
||
the landscape below begins to appear more and more mundane until
|
||
they finally land on a street lined with Brownstone houses. Pete
|
||
indicates the third walkup on the left as the Pope's new domicile
|
||
and turns to leave, wishing the pontiff his best. The Pope, in a
|
||
mild state of astonishment, cries out "Hey Pete! What's the deal
|
||
here? You put that banjo player-feller in a beautiful estate
|
||
and I, spiritual leader of terra-firma, end up with this dive?
|
||
Pete looks at the pontiff amusedly and replies: "Look here
|
||
old fellow, this street is practically encrusted with
|
||
spiritual leaders from many times and religions. We're
|
||
putting you here with them so you guys can get your dogma
|
||
together. That other guy gets an estate, because he's the
|
||
first (non-)damned banjo player to make it up here!!"
|
||
|
||
(76.) Saint Peter, wanting the new arrivals to feel at home,
|
||
promised to spend some quality time with each one. He asked his
|
||
first arrival of the day, "Hi! What's your IQ?" "150," he said.
|
||
"Great," said Peter, as he showed the man in, "we should get together
|
||
tomorrow and discuss the theory of relativity for a while." He
|
||
asked the next person, "What's your IQ?" "120," she said. "Fine,
|
||
fine," said Peter, "I'd love to take some time with you Wednesday
|
||
to discuss current world politics." To the third person, he asked,
|
||
"What's your IQ?" "42," drawled the fellow. "Fantastic!" cried
|
||
Peter, "I've been looking for years for somebody who could help me
|
||
perform a banjo duet!"
|
||
|
||
(77.) A banjo player goes to his class reunion and meets up with
|
||
the smartest kid in his class, "Hi, how are you doing? What have
|
||
you been up to?" he says. "I'm doing experimental brain research
|
||
at the Salk Institute," replies the smart kid. Then, our hero sees
|
||
another classmate of his, who never was very smart. He walks over
|
||
to him and says, "Elroy! How are you doing? I've been meaning to
|
||
ask you, What type of picks do you use? Heard any good banjo jokes
|
||
lately..."
|
||
|
||
(78.) Strummin on his ole....
|
||
An old man was on his death bed and called his whole family together so
|
||
that he could bid them farewell and make his peace with the world.
|
||
After he said what he wanted to each in turn and he knew he was coming
|
||
very close to death he called for all to gather together.
|
||
"I have one thing I would like to confess before I go," he
|
||
said. They all drew closer. "It was me," cough, wheeze, "I
|
||
was the one," he said as they leaned down as close as they
|
||
could to hear what he could barely get out in a whisper.
|
||
Gasp, cough, "I was the one," cough, wheeze, "in the kitchen with Dinah..."
|
||
|
||
(79.) A man went to a brain store to get some brain for dinner.
|
||
He sees a sign remarking on the quality of brain offered at this
|
||
particular brain store. So he asks the butcher: "How much for fiddle
|
||
player brain?"
|
||
"2 dollars an ounce." "How much for mandolin player brain?"
|
||
"3 dollars an ounce." "How much for guitar player brain?"
|
||
"4 dollars an ounce." "How much for banjo player brain?"
|
||
"100 dollars an ounce."
|
||
"Why is banjo player brain so much more?"
|
||
"Do you know how many banjo players you need to kill
|
||
to get one ounce of brain?"
|
||
|
||
(80.) At a convention of biological scientists one researcher
|
||
remarks to another, "Did you know that in our lab we have switched
|
||
>from mice to banjo players for our experiments?" "Really?" the
|
||
other replied, "Why did you switch?" "Well, for three reasons.
|
||
First we found that banjo players are far more plentiful, second,
|
||
the lab assistants don't get so attached to them, and thirdly there
|
||
are some things even a rat won't do. However, sometimes it very
|
||
hard to extrapolate our test results to human beings."
|
||
|
||
(81.) For three years, the young banjo player had been taking
|
||
his brief vacations at this country inn. The last time he'd finally
|
||
managed an affair with the innkeeper's daughter. Looking forward
|
||
to an exciting few days, he dragged his suitcase up the stairs of
|
||
the inn, then stopped short. There sat his lover with an infant on
|
||
her lap!
|
||
"Helen, why didn't you write when you learned you were
|
||
pregnant?" he cried. "I would have rushed up here, we could
|
||
have gotten married, and the baby would have my name!"
|
||
"Well," she said, "when my folks found out about my condition,
|
||
we sat up all night talkin' and talkin' and decided it
|
||
would be better to have a bastard in the family than a
|
||
banjo player."
|
||
|
||
(82.) Banjo players spend half their lives tuning and
|
||
the other half playing out of tune.
|
||
(83.) Banjo pickers: we tune because we care...
|
||
(84.) I bought mine tuned.
|
||
(85.) Banjo players play requests by multiple choice not fill in the blank.
|
||
(86.) "You can pick your banjo and you can pick your nose but you can't
|
||
wipe your banjo on your pants."
|
||
(87.) "Anyone can play one of them things--all you need is three fingers
|
||
and a plastic head"
|
||
(88.) The sixth fret on a banjo is a lot like the thirteenth
|
||
floor on a building--you don't really need one.
|
||
(89.) Banjo players are a lot like sharks--they think they have to keep
|
||
playing or they'll sink...
|
||
(90.) "Banjos are to music as Spam is to food..."
|
||
(91.) "He can't hear you, he's playing his banjo--his brain is disconnected..."
|
||
(92.) Play Bluegrass Lite! One third Fewer Notes! Less Picking! Sounds Great!
|
||
(93.) Second verse same as the first
|
||
A little bit faster and a little bit worse
|
||
(94.) Banjo rap
|
||
Them Banjo Pickers by Mason Williams
|
||
|
||
How bout them banjo pickers ain't they fine
|
||
Same damn song for three or four times
|
||
|
||
Them banjo pickers all they know
|
||
Is Cumberland Gap and doe see doe
|
||
|
||
Them banjo pickers talking bout strings
|
||
Banjo pegs and other such things
|
||
|
||
Them banjo pickers them poker faced mugs
|
||
They never do smile they just play Scruggs
|
||
|
||
You want to be a banjo picker you don't need a ticket
|
||
Just get yourself a banjo rare back and pick it
|
||
|
||
(95.) The banjo is such a happy instrument--you can't play a sad
|
||
song on the banjo it always comes out so cheerful...
|
||
(96.) If you practice, tune, make a sound check, and sit down to play it's
|
||
folk music otherwise it's bluegrass.
|
||
(97.) Some people call it Cripple Creek--but they're wrong!
|
||
(98.) I used to play on tv but my mom said get off or I'd break it!
|
||
(99.) After you've played the banjo long enough people will pay you to play;
|
||
however, your neighbors will pay you to stop.
|
||
(100.) you can either laugh a little faster or
|
||
I can tell the jokes a little slower...
|
||
(101.) "The only thing worse than telling banjo jokes is laughing at them!"
|
||
|
||
|
||
Glossary
|
||
|
||
banjopourri: [French; banjo + of pourrir, to rot] a stew,
|
||
mixture, medley, miscellany, or anthology of banjos. Coined from potpourri.
|
||
|
||
stealth banjo player: doesn't have a clue as to how
|
||
the song goes--tries to hide behind other musicians.
|
||
|
||
symbolic bass: got volunteered to play bass in the band but doesn't want to
|
||
break a fingernail.
|
||
|
||
zombiegrass: picture a banjo picker standing straight faced under a large
|
||
cowboy hat.
|
||
|
||
|
||
Epilogue
|
||
|
||
I started collecting banjo jokes in August of 1990 while preparing
|
||
for the Julian Banjo, Fiddle, Guitar & Mandolin Contest. Summertime
|
||
is the perfect weather for jamming. The New Expression music store
|
||
had their annual camp out to start the summer off and by August,
|
||
I hit every bluegrass club meeting in greater San Diego County.
|
||
Then one night it happened, I was invited to a jam at a
|
||
friend's house so I grabbed my banjo and a strawberry pie,
|
||
called another banjo player and invited him to join us and
|
||
was off. Well, there were so many banjo players at the jam
|
||
that night that one of the bass players started with the
|
||
banjo jokes (some of which sound a lot like recycled lawyer jokes.)
|
||
I tried to forget them and failed so I started
|
||
writing them down but my attempts to regain my sanity were
|
||
in vain. At least with this I can practice getting the
|
||
jokes right or just call them off by number. My quest for
|
||
the perfect banjo joke had begun. The consequences of this
|
||
have far outreached any expectations I could have had at the time.
|
||
At every bluegrass club meeting, Julian, and
|
||
New Expression banjo workshop since I have eagerly interrogated
|
||
the other banjo players and bluegrassers for new jokes.
|
||
I asked the band at the pizza parlor before they went on
|
||
and they started telling jokes in between songs. By then
|
||
I knew all the answers and my name was becoming synonymous
|
||
with banjo jokes!
|
||
I posted my jokes to the folk music and
|
||
humor news groups of the Usenet electronic computer network
|
||
which is sent around the world via the National Science
|
||
Foundation Internet computer network and got a reply from
|
||
banjo pickers from as far away as England and Scotland.
|
||
These jokes go out to the members of the Slow-Jam and end
|
||
up in the North County Bluegrass & Folk Music Club newsletter
|
||
which goes out and ends up...this is great I get people
|
||
mailing me banjo jokes from all over the place.
|
||
I sent a copy of my joke collection to the Bluegrass Special and
|
||
the dj read some on the air for anyone who was awake on
|
||
Sunday night at 11:24 pm. It was finals week and it really
|
||
made my day to hear my name on the radio. People have
|
||
started to recognize me at bluegrass jams around town as
|
||
"the guy with all the dumb banjo jokes."
|
||
#1. Down in the bluegrass crossword puzzle in the June 1991 issue
|
||
of the San Diego Bluegrass Club newsletter says "Darrell Reich
|
||
always has a new one. (two words)" [nine letters.] #1.
|
||
Across is "That high lonesome sound...."
|
||
I usually start jamming with the joke of the week to warm up. One
|
||
of the nicest compliments I've gotten is when someone told me,
|
||
"Hey Darrell, I thought you just carried that thing [my
|
||
banjo] around and told jokes all day but you're actually
|
||
pretty good!" [at playing the banjo not telling jokes.] I
|
||
had just told all my jokes and then jumped in with Whiskey
|
||
Before Breakfast, the song I picked to play at Julian this year.
|
||
The critics [non-banjo players] say, "you would have
|
||
to be a banjo player to enjoy these jokes--I'm sure you
|
||
and the boys are still laughing..." and it's true fer sure!
|
||
So, this is it, my 101 banjo jokes, The Canonical List,
|
||
numbered and illustrated complete with preface, disclaimer,
|
||
dedication, glossary, epilogue, and appendices, perfect to
|
||
just stuff in your case so you'll never be without a comment
|
||
on stage or at a jam. Even by yourself--you'll always have
|
||
a reason to smile. Enjoy. Keep those cards and letters
|
||
coming! I've got one more year of college before I've got
|
||
to go and get a real job [the banjo player for Apple
|
||
Computers Inc.?!?] If I had to do it all over again, I'd
|
||
make the same mistake....
|
||
|
||
Darrell Reich
|
||
9154 Cadley Court
|
||
San Diego, California 92129-3348 USA
|
||
home phone: (619) 484-5978 work phone: (800) 446-6473
|
||
pager: (619) 529-4607 fax: (800) 843-8537
|
||
email: dreich@ucsd.edu
|
||
|
||
|
||
Appendix A: 1991 Season and Bag Limits on Banjo Players
|
||
|
||
1. Any persons with a valid hunting license may harvest
|
||
banjo players.
|
||
2. Taking of banjo players with traps
|
||
or deadfalls is permitted. The use of currency as bait is
|
||
prohibited.
|
||
3. Killing of banjo players with a vehicle
|
||
is prohibited. If accidentally struck, remove dead banjo
|
||
player to the roadside and proceed to the nearest car wash.
|
||
4. It is unlawful to chase, herd, or harvest banjo
|
||
players from snow machine, hay wagon, helicopter, or aircraft.
|
||
5. It shall be unlawful to shout "jam",
|
||
"bluegrass", or "free pizza" for the purpose of trapping
|
||
banjo players.
|
||
6. It shall be unlawful to hunt banjo
|
||
players within 100 meters of Jeep or Ford Dealerships.
|
||
7. It shall be unlawful to use drugs, cute girls, $100 bills,
|
||
or banjo PA system sales to attract banjo players.
|
||
8. It shall be unlawful to hunt banjo players within 200 meters
|
||
of acoustic music stores, bluegrass club meetings, parking
|
||
lot picking sessions, pizza parlours, or Radio Shack stores.
|
||
9. If a banjo player is appointed to a government
|
||
position of senior responsibility, it shall be a felony to
|
||
hunt, trap, or possess them.
|
||
10. Stuffed or mounted banjo players must have a state health department
|
||
inspection for AIDS, rabies, and hoof-and-mouth disease.
|
||
11. It shall be illegal for a hunter to disguise himself as a
|
||
reporter, drug dealer, female banjo player, pizza delivery
|
||
person, talent scout, girl scout, sheep, illegal provider
|
||
of copyrighted music, bookie, or tax accountant for the
|
||
purpose of hunting banjo players.
|
||
|
||
|
||
Bag Limits
|
||
|
||
yellow bellied sidewinder 2 reputable banjo players Extinct
|
||
two faced banjo players 1 banjo joke teller 2
|
||
back stabbing frailer 1 brown nose picker 1
|
||
big nosed singer 3 tab pirate 2
|
||
|
||
|
||
dr: 09.22.91 a ha ha
|
||
|
||
|
||
Appendix B: ten easy steps to better banjo playing...
|
||
|
||
The Doc Stock Banjo Method
|
||
or Any jerk can play the banjo
|
||
so why not you too?
|
||
|
||
by Jim Rosenstock
|
||
|
||
Lesson 1: Beat It!
|
||
|
||
The most common mistake of the beginning banjo player is to play
|
||
too gently. True, musical instruments require great care and
|
||
special handling, but banjos should not be confused with these.
|
||
There are three basic licks that are used in playing the banjo:
|
||
the hit (abbreviated h in tablature), the harder hit (H), and the
|
||
beat (B). Learn these three licks, and soon you'll be able to play
|
||
anything! Remember -- Hit 'em again, hit 'em again, harder, harder!
|
||
|
||
Lesson 2: Stage Presence
|
||
|
||
A dignified stage presence will do more
|
||
than anything else to create the impression that you are a serious,
|
||
professional musician. This is to be avoided at all costs--you have
|
||
a reputation to maintain, after all! While playing on stage, you
|
||
should: (1) slouch, (2) drool, (3) pick nose, (4) bump fiddler,
|
||
(5) cross eyes, (6) pour beer on self, and/or (7) stare off into
|
||
space. The more you can do at once, the better.
|
||
|
||
Lesson 3: Tuning your banjo
|
||
|
||
Musicians make a very big deal about "getting in tune."
|
||
Fortunately, you're a banjo player, and therefore need not
|
||
be so hung up. There are three basic ways to tune a banjo:
|
||
|
||
(1) With a tuning fork: Tap the fork on a hard surface. Listen to the
|
||
clear bell-like tone. Make sure none of your strings duplicate this tone.
|
||
(2) With an electric tuner: Tap the tuner on a hard
|
||
surface. Continue as with method (1).
|
||
(3) With a fiddle: Tap the fiddle on a hard surface. Continue as above.
|
||
|
||
Lesson 4: Tunes and Tablature
|
||
|
||
It's a well-kept secret that there are really only four tunes
|
||
in old-time music: the G Tune, the A Tune, the D Tune, and the C Tune.
|
||
It's an even better-kept secret that these four tunes sound
|
||
exactly the same. Tablature is a simplified form
|
||
of musical notation used by musicians to preserve music on paper.
|
||
Avoid all tablature--you will get nowhere as a banjo player by
|
||
imitating musicians.
|
||
|
||
Lesson 5: Drugs, FastFret(tm), pizza, strawberry pie, & Banjo Playing
|
||
|
||
Just say, "Why not?" [refer to page 1 and Appendix A]
|
||
|
||
Lesson 6: Playing with Musicians
|
||
|
||
Playing with musicians is always scary for the beginning
|
||
banjo player. You should not be intimidated,
|
||
though, because musicians like to have a banjo player or two around.
|
||
Even the most mediocre group of musicians will sound great by
|
||
contrast when a banjo player is added. So get in there and start jamming!
|
||
|
||
Lesson 7: Banjo Paraphernalia
|
||
|
||
A capo allows the banjo player, once out of tune
|
||
in one key, to quickly be out of tune in any other key.
|
||
|
||
A case protects your banjo from abuse,
|
||
except when it is being played. This is really unimportant, but
|
||
where else can you put all your cool bumper stickers?
|
||
|
||
A dog will follow a banjo player around and keep everyone uncertain as to
|
||
which is responsible for the odor.
|
||
|
||
Beer is the experienced banjo player's favorite liquid to spill on
|
||
the dance floor, dancers, and/or musicians. Sometimes
|
||
it is filtered through the kidneys first.
|
||
|
||
Lesson 8: Name That Tune
|
||
|
||
As mentioned previously,
|
||
there are only four tunes, and they all sound the same. It is
|
||
definitely uncool, however, to let on in public that you know this,
|
||
so here's a list of titles for The Tune: Turkey in the Straw, Bug
|
||
in the Taters, Paddy on the Turnpike, Fire on the Mountain, Billy
|
||
in the Lowground, Drugs in the Urine Sample, Christ on a Crutch,
|
||
Monkey in the Dog Cart, Logs in the Bedpan, Ducks in the Millpond,
|
||
Pigeon on a Gate Post, Water on the Knee.
|
||
|
||
Lesson 9: Three Myths Dispelled
|
||
|
||
Myth Number 1: It takes hard work and talent to play the banjo.
|
||
Fact: The only talent most banjo players have is
|
||
a talent for avoiding hard work.
|
||
|
||
Myth Number 2: You can make good money playing the banjo.
|
||
Fact: People will frequently pay you much better money to stop.
|
||
|
||
Myth Number 3: Your banjo will make you friends wherever you go.
|
||
Fact: This is only true if you never go anywhere.
|
||
|
||
Lesson 10: The Universal Banjo Tune
|
||
|
||
----H----B---h---B----------H-------B---B-H--------
|
||
--h---H--B---------B--------H---H---B-H-B---H------
|
||
---------B-----h-----B------H-B---------B-----H----
|
||
-----------h-----------h----------h----------------
|
||
------------------------------------------------B--
|
||
h=hit it! H=hit it harder! B=beat it!
|
||
|
||
This article was reprinted from the February 1990 issue of The Daily Clog,
|
||
Julie Mangin, editor. 12 issues for $8.00. 95 East Wayne Avenue, Apartment 312
|
||
Silver Spring MD 20901; (301) 495-0082.
|
||
|
||
Appendix C: Telling jokes by the numbers...
|
||
|
||
A tabloid reporter went to the annual banjo joke teller's
|
||
convention to report on it for her newspaper. Part of the
|
||
convention was a joke competition. The first comedian came
|
||
out and said, "Number 236." The crowd burst out laughing.
|
||
|
||
The next comedian walked on stage and said, "Number 1265."
|
||
A round of laughter gripped the audience. Some of the people
|
||
around the reporter even fell out of their chairs.
|
||
|
||
Another one came out and said, "Number 876." The chuckling lasted
|
||
for minutes. The confused reporter turned to the person
|
||
seated next to her and asked, "I don't get it. Why are they
|
||
just saying numbers?" The guy replied, "Well, we know all
|
||
the jokes by numbers, so all the competitors have to do is
|
||
give the number."
|
||
|
||
The next comedian came out and said,
|
||
"Number 834." Silence. Not even a guffaw... The reporter
|
||
asked, "What happened?" "Some people just don't know how
|
||
to tell a joke."
|
||
|
||
The next comedian came out and said,
|
||
"Number 1254." The audience erupted with raucous laughter.
|
||
More hysterics than any of the previous comedians. The
|
||
reporter asked, "What happened?" "That was a joke we had
|
||
never heard before."
|
||
|
||
|
||
pictures: the Far Side Cartoons...
|
||
wait, wait what's that sound, what's that sound...
|
||
Devil: Here's your room Mistro...
|
||
Docter, doctor, I've come all the way from Alabama with this thing
|
||
stuck on my knee...
|
||
|
||
Banjo Dinner Music Cartoon...
|
||
|
||
The Compulsive Lyre (Harp) "no, no I'm a banjo..."
|
||
|
||
The New Slow-Jam Logo a turtle playing the banjo wearing sunglasses.
|
||
|
||
"The Grandfather's Clock was too tall for the shelf so they remodeled
|
||
the den..."
|
||
|
||
Joke of the week: "Frets ain't nothing but speed bumps on a banjo..."
|
||
---------------------------------------------------------------------
|
||
|