1141 lines
68 KiB
Plaintext
1141 lines
68 KiB
Plaintext
![]() |
+-+ +-+ +-+
|
||
|
+-+--+-+--+-+ VOLUME NINE NUMBER THREE
|
||
|
| | ==========================================
|
||
|
+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
|
||
|
| ++ | F S F NN N E T
|
||
|
| ++ | FFF SSS FFF N N N EEE T
|
||
|
| | F S F N NN E T
|
||
|
|_________| F SSS F N N EEEEE T
|
||
|
/___________\ ==========================================
|
||
|
| | BITNET Fantasy-Science Fiction Fanzine
|
||
|
___|___________|___ X-Edited by 'Orny' Liscomb <CSDAVE@MAINE>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
CONTENTS
|
||
|
X-Editorial 'Orny' Liscomb
|
||
|
Waiting Here For You Steve Boyko
|
||
|
It Slid Ron Trenka
|
||
|
*The Edged Tool Jim Owens
|
||
|
Men Shall Have the Stars Carlo Samson
|
||
|
Wiring Jim Owens
|
||
|
|
||
|
Date: 121487 Dist: 521
|
||
|
An "*" indicates story is part of the Dargon Project
|
||
|
All original materials copyrighted by the author(s)
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
X-Editorial
|
||
|
Well, with the end of the semester and the approach of
|
||
|
Christmas things start getting hectic, and FSFnet is no exception.
|
||
|
We are rapidly approaching the deadline for submissions in the
|
||
|
FSFnet cyberpunk short story contest (as outlined in Vol09N1), and
|
||
|
hopefully we'll have one or two entries by the end of the month. I
|
||
|
am still negotiating to purchase the prizes, which will (hopefully)
|
||
|
be a book of Geiger artwork, and a poster print of Geiger artwork.
|
||
|
Those of you unfamiliar with the name might recall that he did the
|
||
|
preliminary artwork for the movie "Alien", among other works.
|
||
|
Due to the shutdown of the WISCVM gateway and the opening of a
|
||
|
local gateway at MIT, the YALEVM-CUNYVM link has been absolutely
|
||
|
saturated of late. This is the reason why some of you may have
|
||
|
received two copies of the last issue. It was originally sent on
|
||
|
11/23/87, but due to the large file queue it was purged and most
|
||
|
readers did not get their issues until I re-sent the issue last
|
||
|
weekend. Apologies to all for the confusion.
|
||
|
And speaking of confusion, what happens when you have a machine
|
||
|
which allows people to subscribe to FSFnet, but never sends out
|
||
|
issues? I recently discovered a list of people who had subscribed to
|
||
|
an FSFnet list on a LISTSERV which hadn't received an issue in
|
||
|
nearly two years! I hastened to request that the list be shut down,
|
||
|
and invited those users on the list to be added to the main
|
||
|
distribution list, which many have since done.
|
||
|
And that brings us to another topic, and that is this issue's
|
||
|
distribution. As you can see, we have broken the 500-reader barrier
|
||
|
with over 460 BITNET readers and over 50 internet subscribers! And,
|
||
|
of course, this doesn't include people who get issues from local
|
||
|
lists or newsgroups, servers, or other second-hand methods. I must
|
||
|
thank everyone who is spreading the word about FSFnet. And, as
|
||
|
always, a warm welcome to all our new readers. This issue is a
|
||
|
particular treat, and I hope you all enjoy it. We have a Dargon
|
||
|
story by Jim Owens, and several excellent short stories and poems
|
||
|
from BITNET authors. I'm sure that you will find it a pleasant
|
||
|
change from the standard fare.
|
||
|
And, finally, one last comment. For some time, I have found
|
||
|
myself in the most remarkable position of not having to ask for
|
||
|
submissions. However, with the distribution of this issue, I find
|
||
|
that we are again in need of material. If you are an amateur writer,
|
||
|
please feel free to send in original stories, articles or poetry. If
|
||
|
you are interested in writing stories for the Dargon Project, please
|
||
|
so notify me. And, of course, all readers are encouraged to write a
|
||
|
story for the cyberpunk SF short story contest. As mentioned in the
|
||
|
very first issue of FSFnet, it cannot function without the support
|
||
|
of its readership in the form of letting other people know about
|
||
|
FSFnet and making contributions. Please get in touch with me if you
|
||
|
would like to submit an article to FSFnet.
|
||
|
-'Orny' Liscomb <CSDAVE@MAINE>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
Waiting Here For You
|
||
|
|
||
|
When the call came I took heed,
|
||
|
To fight within this hour of need,
|
||
|
I said "My lady, I must go"
|
||
|
"To find and slay our deadly foe."
|
||
|
To which she said, "Take care, my dear,"
|
||
|
"Within my heart you're always near"
|
||
|
"I'll be waiting here for you,"
|
||
|
"I'll be waiting here for you."
|
||
|
|
||
|
My heart was heavy, my sight was dim,
|
||
|
Aboard the ship with men so grim,
|
||
|
To recover that which was our own,
|
||
|
Within my heart her love still shone;
|
||
|
As I watched men live and die,
|
||
|
I recalled our last goodbye:
|
||
|
"I'll be waiting here for you,"
|
||
|
"I'll be waiting here for you."
|
||
|
|
||
|
We knew our cause was just and right,
|
||
|
Our foes' hearts were black as night,
|
||
|
On and on the battles raged,
|
||
|
Our lives and more were being waged;
|
||
|
For months we fought for every hill,
|
||
|
And yet her words echoed still:
|
||
|
"I'll be waiting here for you,"
|
||
|
"I'll be waiting here for you."
|
||
|
|
||
|
While deep within our foes' domain,
|
||
|
A war did end our good king's reign,
|
||
|
Cities sacked and temples burned,
|
||
|
To death and ruin we returned;
|
||
|
We slew them all with sword and steel,
|
||
|
And deep within I knew for real:
|
||
|
"I am coming back for you,"
|
||
|
"I am coming back for you."
|
||
|
|
||
|
And after foes were all laid down,
|
||
|
I traveled back to my home town,
|
||
|
To find it burned down to the ground,
|
||
|
And my love nowhere to be found;
|
||
|
The people came and said, "Be brave,"
|
||
|
"Your lady she lies within her grave,"
|
||
|
"She waited here for you,"
|
||
|
"She waited here for you."
|
||
|
|
||
|
-Steve Boyko <9090920@UNB>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
It Slid
|
||
|
The car sat under the tree, its occupants basking in the silence
|
||
|
and the illusion of privacy.
|
||
|
The man clasped the breast of his shapely companion in a
|
||
|
passionate embrace. She responded with a moan as her hand slid
|
||
|
between his thighs. She knew that she should be home with her
|
||
|
betrothed, yet the passion of this stranger was more than her will
|
||
|
could resist.
|
||
|
The smell of sweat from the lover's bodies filled the interior
|
||
|
of the car as the two twisted and turned in an ancient dance that
|
||
|
man had performed since he fell from the branches of the Tree of Life.
|
||
|
|
||
|
In the darkness, a shadow stirred. It lifted It's hideous head
|
||
|
and paused, as if listening for something in that accursed darkness.
|
||
|
A faint voice drifted through the heavy air and It heard. It moved
|
||
|
It's hellish frame toward the voice and the voice grew stronger,
|
||
|
more demanding. Soon, a spot of dim, flickering light appeared in
|
||
|
that world of eternal night. It moved nearer and the voice boomed
|
||
|
inside It's horrid skull.
|
||
|
"Come, for it is I who beckon", the voice said. "I have a task
|
||
|
and a sacrifice for you."
|
||
|
And It slid through the gate.
|
||
|
|
||
|
"It was his fault", she thought, as the stranger's manliness
|
||
|
slid inside her. "If he paid more attention to me than those old
|
||
|
books I wouldn't need this."
|
||
|
Their bodies moved in a rhythm that followed an unheard tune.
|
||
|
Their moans grew louder as their senses became aware, every nerve
|
||
|
alive, sensitive to the slightest touch.
|
||
|
And It slid.
|
||
|
Her moans became screams of passion, then screams of fright as
|
||
|
It's horrible head came crashing through the windshield and fixed
|
||
|
It's toothy jaw over the head of her lover. Her screams, mingled
|
||
|
with the tossings of her lover's dying body, formed a morbid scene.
|
||
|
Then she was alone.
|
||
|
And It slid.
|
||
|
|
||
|
In a small room, surrounded by ancient tomes and scrolls, a man
|
||
|
leaned over a ball of crystal and watched.
|
||
|
A smile stole across his face as It left the car and moved into
|
||
|
the night. The face moved closer to the crystal and watched the
|
||
|
naked and hysterical form of his wife as she looked at the blood of
|
||
|
her lover smeared across her belly and chest, felt the warmth of his
|
||
|
blood on her face, tasted the saltiness of the blood on her lips.
|
||
|
The man looked past the wrecked car to where the blackness clung
|
||
|
to It's body, as It headed toward the gate It had been summoned from.
|
||
|
"She will learn", he said sadly.
|
||
|
And It slid......
|
||
|
-Ron Trenka <SAGAPO@SBCCVM>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
The Edged Tool
|
||
|
The Edged Tool: The Metal
|
||
|
The street was basically empty, unusual for any street in
|
||
|
Dargon. Most streets were usually filled with people, going about
|
||
|
their business. Some were almost impassable. This street, however,
|
||
|
had only one person on it.
|
||
|
Levy Barel walked crisply down the cobblestone. His staff made a
|
||
|
tap each time he set it down on the rock. He was whistling quietly .
|
||
|
He was on his way to the house of Cavendish, an old friend of his.
|
||
|
There he planned to eat supper, and, if the evening ran pleasantly
|
||
|
enough, possibly even spend the night.
|
||
|
He was passing one of Dargon's many alleys when the sound of
|
||
|
voices drew his attention. He looked sideways down the alley, and
|
||
|
what he saw stopped him in his tracks. In the alley were four men.
|
||
|
One, obviously a foreigner, had his back to a wall. The other three,
|
||
|
swords drawn, were facing him. The foreigner had his hand on one of
|
||
|
his two swords, but had not drawn.
|
||
|
Levy hesitated. From the looks of the three natives, he could
|
||
|
guess what was going on. Alone in a strange town, the foreigner was
|
||
|
an easy target. Levy could not conceive of the stranger as being in
|
||
|
the wrong. At the same time, cutthroats did not earn their title
|
||
|
through good deeds, and a second murder came easier than the first.
|
||
|
He put one foot forward, toward the confrontation, and then stopped,
|
||
|
uncertain.
|
||
|
"Help him."
|
||
|
Levy looked around. He saw no one else.
|
||
|
"Help him!"
|
||
|
Levy leaped forward. He ran full tilt towards the group.
|
||
|
"Hey! Hey!" Levy yelled as he ran. He had no sword, no armor,
|
||
|
only a small knife that was buried under his travelling clothes. He
|
||
|
wondered what he would do when he reached the thieves. "Hey!"
|
||
|
The four men turned and looked at Levy. Under any other
|
||
|
condition, the flapping cloak, awkwardly held staff, and bug-eyed
|
||
|
expression would have been hilarious. Instead, however, the three
|
||
|
ruffians took to their heels and fled.
|
||
|
Levy slowed down to a walk. He and the foreigner watched as the
|
||
|
thieves disappeared out the other end of the alley. Then they looked
|
||
|
at each other.
|
||
|
The stranger was shorter than Levy, and yet still had a good
|
||
|
presence to him. He was wearing a long tunic under a heavier
|
||
|
overcoat. Judging from the foreign make of the other's clothes, it
|
||
|
was obvious that he came from a land not much warmer than Dargon.
|
||
|
"Are you all right?" Levy asked.
|
||
|
"Yes. We did not hurt each other." The other looked to the far
|
||
|
end of the alley, where the cutthroats had fled. He then looked back
|
||
|
at Levy. "Thank you for helping me. I... appreciate it." The other
|
||
|
gave a short bow. He spoke as if he was still learning the language.
|
||
|
"It was...nothing." Levy thought back. Who's voice had
|
||
|
admonished him to aid the stranger? There had been no one else around.
|
||
|
"Who are you?" At the question Levy looked back at the other.
|
||
|
"My name is Levy Barel. Who are you?"
|
||
|
"My name is Ittosai Michiya. I..."
|
||
|
"Let us get out of this alley." Levy interrupted. "Please. Come
|
||
|
with me."
|
||
|
Ittosai paused. He was still not used to the west's strange
|
||
|
ways. Finally he relented and followed Levy. The two reached
|
||
|
Cavendish's house without further incident.
|
||
|
Cavendish welcomed Ittosai warmly. It didn't take Levy long to
|
||
|
realize that Cavendish not only knew Ittosai, but that Ittosai was
|
||
|
on his way to Cavendish's house when he had been attacked.
|
||
|
Over supper Levy learned many things. He learned that Ittosai
|
||
|
was on a self-imposed exile from his country, something Ittosai felt
|
||
|
some embarrassment over. He learned that Ittosai had only been in
|
||
|
Dargon a few months, and that Lord Dargon had commissioned Ittosai
|
||
|
and Cavendish to record all Ittosai could remember about Bichu, his
|
||
|
native land. Cavendish thought it wonderful that he could take a
|
||
|
break from his dull court records, and while Ittosai would not admit
|
||
|
it openly, Levy knew that it was an opportunity to get his feet
|
||
|
under himself in a strange land.
|
||
|
|
||
|
Levy spent that night at Cavendish's house, and, at the scribe's
|
||
|
insistence, the next night as well. Levy had contracted a room at a
|
||
|
local inn, but the innkeeper refunded some of the fee, and both
|
||
|
parties were satisfied. Ittosai had been living with Cavendish as
|
||
|
well, and Levy found himself in a strangely furnished room that he
|
||
|
knew he had once slept in, but that now looked like it was in
|
||
|
another country. It was neat, however, and so Levy didn't mind much.
|
||
|
The second morning Levy was packing his horse up for the trip
|
||
|
home. He had come to Dargon to buy gold and gems to make into the
|
||
|
golden articles he fashioned for a living. The stones were worth a
|
||
|
lot of money, and even though Levy's inheritance would be great,
|
||
|
Levy's father was not dead, and so Levy had worked long for the
|
||
|
money. He was tightening the last knot when Ittosai startled him
|
||
|
from behind.
|
||
|
"You are leaving now, yes?" Levy turned to see Ittosai dressed
|
||
|
in heavy traveling clothes.
|
||
|
"Yes. I have to get back to my village. Are you leaving also?"
|
||
|
Ittosai shrugged. "I have recorded enough for Lord Clifton
|
||
|
Dargon. He has rewarded me, and I... can now go." He held up a
|
||
|
bulging leather sack for Levy to see.
|
||
|
"Where are you headed?" Ittosai had told Levy that he knew no
|
||
|
one outside of Dargon.
|
||
|
"I know not. I was wondering... a companion, you would like?
|
||
|
Someone to travel with? I would be honored to go with you." Ittosai
|
||
|
was smiling confidently.
|
||
|
Levy smiled back. He had been dreading the lonely trip home, and
|
||
|
would be happy to have a partner. He told Ittosai so.
|
||
|
"Good! We can leave now then!" Ittosai ran around the corner of
|
||
|
the house, and returned a moment later leading a huge horse loaded
|
||
|
with twice as much baggage as Levy had ever carried in his life. "Is
|
||
|
that all yours?" Levy stared at the bundles.
|
||
|
"Yes. Most it came from Bichu, my home land. Don't worry, I know
|
||
|
to pack."
|
||
|
Levy nodded hesitantly, and then the two started off.
|
||
|
|
||
|
The Edged Tool: The Forging
|
||
|
Levy stooped near the fire. He stirred the broth carefully,
|
||
|
trying not to slosh any into the fire. The scent was good, and it
|
||
|
was bubbling fiercely. He and his travelling companion, Ittosai
|
||
|
Michiya, had stopped for the evening. They had stopped early,
|
||
|
several hours before dark, so that they could replenish their
|
||
|
depleted supply of water and meat. Ittosai set out to catch some
|
||
|
birds, and Levy had set up camp. When Ittosai didn't return soon,
|
||
|
Levy searched out a small creek and filled their water bottles. He
|
||
|
found Ittosai cleaning his catch when he returned.
|
||
|
As they cooked the fowl and ate them, along with generous
|
||
|
helpings of week-old stew, they discussed Ittosai's plans.
|
||
|
"...want to see much...as much... of your land as I can."
|
||
|
Ittosai paused to take a bite of stew. He had discovered that the
|
||
|
technique of using a wide spoon didn't differ as much from the
|
||
|
technique of the chopstick as he had originally thought. The stew,
|
||
|
on the other hand, was something he would need time to get used to.
|
||
|
"I think that's a good idea. I have seen much of it myself. It's
|
||
|
beautiful, for the most part. Some parts are wild and uninhabited.
|
||
|
Some parts are wild, and inhabited." Levy chuckled at his own humor.
|
||
|
Ittosai gave Levy a puzzled look. "Please...What do you say?"
|
||
|
"Some parts of Baranur have bands of men, thieves, murderers,
|
||
|
robbers. Others are cities, like Dargon, only in the warmer south.
|
||
|
They can be very rough. I am careful not to go where I know I might
|
||
|
get into trouble."
|
||
|
"No man will trouble me. I will...dee...defend? Defend my honor.
|
||
|
I will make my ancestors proud." He patted the swords at his side.
|
||
|
Levy looked at him. "You seem awful sure of yourself. It doesn't
|
||
|
pay to depend on yourself for too much. No matter who you are, there
|
||
|
is always someone or something you need to fear."
|
||
|
"I fear no one." Ittosai finished his supper, and stood up. He
|
||
|
dusted himself off and walked off to clean his bowl. Levy watched
|
||
|
him, then shook his head and finished his own meal.
|
||
|
|
||
|
The next morning they continued on their way. They had been
|
||
|
traveling for four days already, and that afternoon they came into a
|
||
|
small village, one just big enough to have an inn. There they bought
|
||
|
more food, and continued on. A few miles out of town they left the
|
||
|
main road. Levy explained that this path would take them south
|
||
|
toward his village. Ittosai continued with Levy, although he was no
|
||
|
longer as talkative as he had been before.
|
||
|
That afternoon they paused in a clearing in the woods. It was
|
||
|
one obviously used by travellers, and there was running water
|
||
|
nearby. Levy topped off the bottles while Ittosai busied himself
|
||
|
with a flute he was carving.
|
||
|
Levy returned after a few minutes. He was carrying the two
|
||
|
bottles on either end of his walking stick. He set the jugs down,
|
||
|
and threaded the stick out from the handles. He stood up, and saw a
|
||
|
man step out of the woods between Ittosai and himself. He called out
|
||
|
to Ittosai, but even as Ittosai stood up another man followed the
|
||
|
first out. Within a few seconds, the two found themselves surrounded
|
||
|
by a dozen armed men.
|
||
|
Ittosai watched the intruders approach. He rested his hand on
|
||
|
the hilt of the sword his uncle had given him. Perhaps this would be
|
||
|
its first real use. Five of the men formed a rough half-circle
|
||
|
around him. The rest surrounded Levy. They all carried drawn swords,
|
||
|
but the ones confronting Ittosai stopped just out of his reach.
|
||
|
Levy watched as Ittosai surveyed the situation. The five men
|
||
|
confronting Ittosai seemed content to stand their ground, as did the
|
||
|
ones Levy faced. Ittosai was not made of similar material however.
|
||
|
He had never been taught to take the defensive.
|
||
|
The first man never even moved his arms. Ittosai killed him on
|
||
|
the draw. The next man took a defensive stance, but failed to take
|
||
|
into account his foe's longer blade. The remaining three stepped
|
||
|
back, forcing Ittosai to pause to realign himself. He then once more
|
||
|
pressed the attack. He dropped the next with a belly cut, and
|
||
|
stepped into the fourth. Their swords struck once, and then Ittosai
|
||
|
whirled and cut down the fifth, who was trying to come in from the
|
||
|
side. He then turned once more to the fourth one, who was standing
|
||
|
with his sword outstretched. Ittosai saw the other's eyes flicker
|
||
|
for an instant, and stepped in with three quick blows, the last of
|
||
|
which cut almost all the way through his opponent's body.
|
||
|
Ittosai pulled his sword out quickly, but before he could
|
||
|
straighten up completely he felt a massive blow on the back. He fell
|
||
|
to the ground, something pinning his lower body down. He quickly
|
||
|
levered himself up with his right arm, and swung his sword up behind
|
||
|
him with his left. It connected, and Ittosai felt blood spraying the
|
||
|
back of his neck as the weight rolled off his backside. He tried to
|
||
|
get up, but discovered to his horror that his legs didn't want to
|
||
|
respond. He looked up at the rest of the people in the clearing.
|
||
|
They all just stood there, none moving. Ittosai reached behind
|
||
|
himself, and felt down his spine. In the small of his back, his
|
||
|
fingers encountered something hard. He grabbed it, and pulled. It
|
||
|
came out, and he suddenly felt very weak. With trembling muscles he
|
||
|
held the bloody knife up to his face. It fell from his weakening
|
||
|
fingers, and a moment later his right arm also gave way, dumping him
|
||
|
across one of his victims. As he watched, the others turned away, to
|
||
|
consider their other captive, Levy. Ittosai saw Levy, head bowed,
|
||
|
forehead resting on his hands, which were clasping the top of his
|
||
|
staff. Then the other men obscured Ittosai's view of Levy, and a
|
||
|
moment later Ittosai closed his eyes.
|
||
|
|
||
|
"Ittosai. Ittosai. Wake up. Ittosai."
|
||
|
Ittosai opened his eyes. Levy was staring down at him. When Levy
|
||
|
saw Ittosai's movement, he smiled, and extended his hand. Ittosai
|
||
|
grabbed it, and felt himself being pulled to his feet. He looked
|
||
|
around. He was standing on the edge of a mound of gore. Bleeding
|
||
|
bodies littered the clearing. Ittosai put his hand to his back, but
|
||
|
while he had no problem finding a small slit in his cloak, there was
|
||
|
no corresponding hole in his skin.
|
||
|
"When I saw that ruffian knock you down, I was worried. I
|
||
|
started praying that you would be all right. I guess you just got
|
||
|
the wind knocked out of you, though." Levy seemed unconcerned about
|
||
|
the carnage behind him.
|
||
|
"I... but...no..." Ittosai was severely confused. He looked at
|
||
|
his hand, felt at his back, and looked around once more. "What did
|
||
|
you do?"
|
||
|
"Me?" Levy was surprised. "I didn't do anything." He surveyed
|
||
|
the clearing smoothly, almost casually. "I'm not a fighter. I can't
|
||
|
give anyone life, so why should I take it? My god fights for me."
|
||
|
Ittosai stared; at Levy, standing there in true sincerity; at
|
||
|
the bodies littering the ground; at his hand, which no matter how
|
||
|
many times he put it to his remembered wound, would come away dry.
|
||
|
Ittosai numbly helped Levy drag the bodies into a large pile in
|
||
|
the center of the clearing. Levy considered the pile for a few
|
||
|
minutes, and then walked over to the fire. He grabbed a burning
|
||
|
branch, and with Ittosai's help proceeded to burn the bodies. Once
|
||
|
the fire was going properly, Levy and Ittosai packed up and hurried
|
||
|
away from the stench. All the while Ittosai was running the matter
|
||
|
over and over in his mind, and every time his hand would wander to
|
||
|
the small of his back.
|
||
|
They made camp well after dark. Levy once more dug out the stew
|
||
|
pot, and heated up its well churned contents. Ittosai declined his
|
||
|
offer of the pungent food, and watched as Levy ate it with obvious
|
||
|
relish. Finally he could take it no longer.
|
||
|
"Did I die?" Ittosai wasted no words of introduction.
|
||
|
"Huh?" Levy stopped in mid-bite.
|
||
|
"Did I die? Did I ..." Ittosai fought for a word. "Did the man
|
||
|
kill me?"
|
||
|
"You're here, aren't you?" Levy was looking confused now.
|
||
|
"He knife me!" Ittosai was loosing his mastery of the native
|
||
|
tongue as he grew more and more excited. "Here! He knife me!" He
|
||
|
turned and showed Levy the tear in his clothes. Levy examined the
|
||
|
blood-stained tear carefully, and the skin underneath.
|
||
|
"Maybe he did. Maybe you did die, or something. But you're alive
|
||
|
now. If you died, and are alive now, then my god didn't want you to
|
||
|
die. If you didn't die, well,..." Levy paused, looking for a good
|
||
|
answer. "...Well then he still doesn't want you to die. Maybe he
|
||
|
wants you." Levy looked thoughtful, then turned back silently to his
|
||
|
food.
|
||
|
Ittosai considered this. His religious teaching had not involved
|
||
|
the worship of any particularly large deities. The idea of a god
|
||
|
powerful enough to save a life was new to him. He silently left
|
||
|
Levy, and retired to the privacy of the shadows.
|
||
|
Levy watched him leave. He had not explained to Ittosai how he
|
||
|
had prayed for deliverance, and how when he opened his eyes all his
|
||
|
enemies were dead on the ground. Nor had he ever told Ittosai of the
|
||
|
voice he had heard back in Dargon, urging him to go to the aid of a
|
||
|
foreign stranger. He pondered his own words. They had come out
|
||
|
clumsily, but suddenly he saw a greater meaning in them. Of course,
|
||
|
in the dark, after such a frightening experience, it was easy to
|
||
|
assign meaning to meaningless things. Such speculation was best left
|
||
|
for the morning. Levy sensibly finished eating, and went to bed.
|
||
|
|
||
|
The next dawn found Ittosai returning from a small stream,
|
||
|
having finally washed off the previous day's dried gore. He once
|
||
|
more looked neat, his blades at his side. He stepped into the
|
||
|
clearing, and was shocked to see a man once more step into the
|
||
|
clearing with Levy and himself.
|
||
|
Ittosai's reaction was blindingly fast. His blade whistled as it
|
||
|
arced through the air. The stranger's reflexes were faster, however.
|
||
|
Ittosai's blade screamed harmlessly off a steel bar clamped to the
|
||
|
other's forearm. Before Ittosai could recover from the follow-though
|
||
|
the intruder had grabbed Ittosai with a grip like iron.
|
||
|
While the two struggled, Levy ran up to the pair. "No! No!
|
||
|
Ittosai! Stop! Captain Koren! Stop!"
|
||
|
At the sound of the name, Ittosai paused, as did his opponent.
|
||
|
Sure enough, when he really looked at the man, Ittosai recognized
|
||
|
the captain of Dargon's city guard. The two released each other.
|
||
|
"Many pardons, please. I did not know." Ittosai returned his
|
||
|
sword to its sheath and gave a short bow.
|
||
|
Captain Koren smiled as he stepped back and ran his fingers
|
||
|
through his hair.
|
||
|
"It's all right, my friend. After your little encounter
|
||
|
yesterday, I'm not surprised you're a little edgy."
|
||
|
Levy and Ittosai stopped at Koren's mention of the fight.
|
||
|
"How did you know we had an encounter yesterday?" Levy looked
|
||
|
suspiciously at Koren, who was grinning broadly.
|
||
|
"I was following that group. I caught up with them just after
|
||
|
you left. I followed your tracks from the pyre. Who else could it
|
||
|
have been?"
|
||
|
"Did the bodies all burn completely?" His secret discovered,
|
||
|
Levy was his usual businesslike self.
|
||
|
"I don't know. They were still burning when I left to follow
|
||
|
you. What a stench!"
|
||
|
"Why were you following them? Is Dargon so quiet you can track
|
||
|
down mere road toughs?"
|
||
|
Koren paused for a moment, then spoke. "You're a trusted fellow.
|
||
|
Lord Dargon has uncovered a plot against his life. These men were
|
||
|
somehow linked. We think they were waiting for his death, so that
|
||
|
they could come in and pillage the city. There are other groups to
|
||
|
the east as well. They all seem to somehow know that there is a plot
|
||
|
going on."
|
||
|
"Preying on the dead." Ittosai broke his silence. He was
|
||
|
secretly smarting that Koren had deflected his blow so easily, and
|
||
|
at the same time grateful that he had not killed the man. To add to
|
||
|
his turmoil, someone was trying to kill the man who, up until a week
|
||
|
ago, had been his lord and master. "What will you do now?"
|
||
|
Koren turned to Ittosai. "Actually, I think that depends on you.
|
||
|
I was thinking as I followed you. I'm alone on this mission, and I
|
||
|
know that you are loyal to Lord Dargon, Ittosai. If you can handle
|
||
|
fifteen armed cutthroats, alone, I think you might be a good person
|
||
|
to have with me. Lord Dargon set you free to go, didn't he?"
|
||
|
Ittosai nodded, willing at least temporarily to allow Koren to
|
||
|
believe him to be a greater fighter than he was.
|
||
|
"Ittosai was planning on seeing the lay of the land, Captain
|
||
|
Koren." Levy looked to Ittosai as he spoke. "I was thinking of
|
||
|
taking him to see my village. Of course, it's Ittosai's decision."
|
||
|
The two looked at Ittosai. He pondered for a moment. He could go
|
||
|
with Captain Koren, and help the man who had helped him when he
|
||
|
needed help, or he could go with Levy, who seemed to think that
|
||
|
there might perhaps be some purpose to Ittosai's wanderings. Ittosai
|
||
|
thought back to the things his father had taught him, of destiny, of
|
||
|
karma, of the world of the spirit. He looked up through the branches
|
||
|
at the rays of light streaming from the sun.
|
||
|
"I would be of little use to you, Captain Koren. I do not yet
|
||
|
speak your language that well, and I would be ... obvious? in a
|
||
|
crowd. I will go on with Levy."
|
||
|
|
||
|
The Edged Tool: The Honing
|
||
|
The sun was shining brightly when Levy stepped out from among
|
||
|
the trees, and looked down on his house, a small square set in the
|
||
|
midst of a golden field. He smiled broadly. No matter how
|
||
|
interesting, there was no place that could make him feel like that
|
||
|
tiny building made him feel.
|
||
|
A moment after Levy stepped into the light, another person also
|
||
|
stepped out. This person also looked out at the small house, but his
|
||
|
mood was far from happy. He was remembering the large, beautifully
|
||
|
decorated mansion he had grown up in. It was now many hundreds of
|
||
|
miles away, and Ittosai Michiya, as this man was called, was not
|
||
|
likely to see it ever again. Ittosai Michiya was an exile.
|
||
|
Levy and Ittosai crossed the remaining distance to Levy's house.
|
||
|
Once there they unpacked the horses and let them go. The two then
|
||
|
carried their baggage into the house. Ittosai looked around the dark
|
||
|
interior. The dim light seemed oppressive, as had much of the last
|
||
|
two days of their journey. To Levy, though, the dim light was the
|
||
|
quiet stillness of home. He promptly started to set the usual
|
||
|
household proceedings back in motion, lighting the fire, setting a
|
||
|
pot on to cook (the same pot of stew as during their journey), and
|
||
|
drawing water from the well. At first, Ittosai shunned to do what he
|
||
|
considered to be slave's tasks, but soon realized that he had left
|
||
|
his exalted status back home in Bichu, his homeland.
|
||
|
They hadn't been there long when there came a delighted shriek
|
||
|
from the doorway. Levy turned around just in time to catch a fair
|
||
|
haired young girl as she flung herself at him.
|
||
|
"Levy! You're home!" She gave him a bear hug, accompanied by
|
||
|
much happy squealing. Even Ittosai was forced to smile at such an
|
||
|
enthusiastic homecoming.
|
||
|
"You almost knocked me over there! Yes I'm home! Home at last!
|
||
|
How's everyone? Mother? Father? The farm? What's happening?" The joy
|
||
|
of seeing a familiar face shaped Levy's face into a big grin.
|
||
|
Ittosai noticed that there were two young men standing in the
|
||
|
door. They looked so much like the girl he realized they must be
|
||
|
related. He also saw in them a clear resemblance to Levy. Levy
|
||
|
noticed them also, as they stepped into the room.
|
||
|
"Kane! Kine! How're you doing?" They both stepped in to give
|
||
|
Levy a hug as well, although in a more restrained manner than their
|
||
|
sister. Levy turned to Ittosai, one hand around each brother and his
|
||
|
sister looking over his shoulder.
|
||
|
"Ittosai, I want you to meet part of my family. This is Kane,
|
||
|
Kine, and Kara, the triplets in our family. They're two after me, in
|
||
|
order of birth. Folks, I want you to meet Ittosai Michiya, my
|
||
|
travelling partner from across the sea."
|
||
|
"Hello. I'm Kane." Kane stepped forward, as did his brother.
|
||
|
"I'm Kine."
|
||
|
Kara came around from behind Levy and stepped right up to
|
||
|
Ittosai. Before he knew what was going on, she gave him a kiss, and
|
||
|
then leaped out the door. "Let's go tell everyone Levy's back!" The
|
||
|
four men watched her bound through the grass, then looked at each
|
||
|
other. Kane and Kine smiled at Ittosai's startled expression, and
|
||
|
then waved and followed their less restrained sister out. Levy
|
||
|
watched them go, then turned to look at Ittosai.
|
||
|
"Well? What do you think?"
|
||
|
Ittosai rubbed his cheek where Kara had met him. "I..interesting."
|
||
|
The two resumed unpacking, while Levy proceeded to tell Ittosai
|
||
|
all about his family, for about the fourth time. It wasn't long
|
||
|
before heavy footsteps could be heard outside.
|
||
|
"Levy!!" The call sounded like a bull getting ready to charge.
|
||
|
It was followed by a great bull of a man. He snatched Levy
|
||
|
completely off his feet in a hug, then held him up at arms length
|
||
|
for a better view. "You almost look like you've grown! I'd better
|
||
|
watch out, or you might get bigger than me!" From the size of the
|
||
|
man, Ittosai doubted it.
|
||
|
As he was lowered to the ground, Levy turned to Ittosai.
|
||
|
"Mattan, this is Ittosai, my travelling partner. He's from a country
|
||
|
called Bichu, across the sea." Mattan stepped up and clapped Ittosai
|
||
|
gently on the shoulder. "Wellmet, Ittoshi. Will you be staying long?"
|
||
|
Ittosai looked up at the behemoth before him. "I .. do not know."
|
||
|
Mattan turned and clapped his hand against Levy's shoulder,
|
||
|
almost knocking him down. "Ma's throwing a party for you. She's been
|
||
|
planning it almost since you left. At dark, at the house. O.K.?"
|
||
|
"Yes. I'll be there." Levy knew better than to turn down his
|
||
|
mother's party. Not only would he miss a great time, but he'd never
|
||
|
live to see the end of it.
|
||
|
"Good! Bring Ittoshi, he'll like it." With that, and a wave,
|
||
|
Mattan also walked off. Ittosai wondered briefly how often he would
|
||
|
hear his proud name so badly mangled, then turned once more to his
|
||
|
unpacking.
|
||
|
After unpacking Levy stepped outside and called the horses. Both
|
||
|
came running at his call. With Ittosai's help he loaded the gold and
|
||
|
gems he had bought in Dargon onto the horses, and then he and
|
||
|
Ittosai started towards the village proper. Once there they were
|
||
|
again met by many people happy to see Levy. Ittosai noticed,
|
||
|
however, that there wasn't as many happy faces along the streets as
|
||
|
Levy had said there would be. The two made their way to the smithy,
|
||
|
where Levy was apprenticed. The smith was a wide fellow, with a wide
|
||
|
face and an equally wide smile. Levy endured yet another bruising
|
||
|
embrace.
|
||
|
"Well, it's about time you got back! I've missed the extra arms!
|
||
|
We've got a lot of catching up to do before winter comes!"
|
||
|
"Yes, I can imagine." Levy looked around the shop. Everything
|
||
|
looked much like had seen it last, although there were the few
|
||
|
inevitable changes. He looked back to the smith. "I've heard they're
|
||
|
throwing me a party tonight. Were you invited?"
|
||
|
"But of course! You know your family! It's no fun unless
|
||
|
there're a few hundred people there!" Levy and the smith both
|
||
|
laughed at that, although the smith didn't laugh long. "Well, I'll
|
||
|
let you have the rest of the day to get caught up. I'll see you
|
||
|
after sunset." With that he turned back to his hearth.
|
||
|
|
||
|
Levy and Ittosai returned to Levy's house. They continued to get
|
||
|
Levy's house back in order, checking the fences, finding Levy's two
|
||
|
cows, and finally drawing more water. Ittosai tagged along, feeling
|
||
|
out of place. While drawing the water, Ittosai spelled Levy after a
|
||
|
bit, something for which both were grateful. He worked quietly for a
|
||
|
while, and then turned to his host.
|
||
|
"I wonder." Ittosai said that like a question. "Why is there no
|
||
|
woman in your house?"
|
||
|
Levy looked up from where he was sprawled in the grass. "I don't
|
||
|
know. I suppose it's not from lack of opportunity. I guess there's
|
||
|
just been too much else to do. I never had time to catch one, or to
|
||
|
chase one long enough for her to catch me." He grinned at that, and
|
||
|
Ittosai did too, after thinking about it for a moment.
|
||
|
Ittosai pulled up the bucket. He was about to dump it into the
|
||
|
basin, like he had the other bucketfuls, when he noticed that the
|
||
|
water was suddenly muddy.
|
||
|
"Levy."
|
||
|
"What is it?" He got up, and walked over to look into the
|
||
|
bucket. Frowning, he took it from Ittosai and dumped it onto the
|
||
|
grass. He then carefully dropped the bucket back down the well,
|
||
|
noting how long it took to fall. The frown on his face deepened when
|
||
|
he realized it had dropped basically all the way to the bottom. He
|
||
|
pulled it back up, and grimaced when he saw how muddy the water was.
|
||
|
"Looks like someone's used my well recently. It never gets this
|
||
|
low this time of year." He and Ittosai stared down into the black
|
||
|
hole for a moment, and then Levy shrugged, and turned away. The two
|
||
|
of them carted the water into the house, changed clothes, and
|
||
|
started off for Levy's parents' house.
|
||
|
|
||
|
By the time Levy and Ittosai arrived the party was already well
|
||
|
underway, as a well planned welcoming party should be. Levy spent
|
||
|
almost two hours introducing Ittosai to all his family, relatives,
|
||
|
neighbors, and general well wishers. Never had Ittosai been so
|
||
|
confused and bewildered in his life. Any social event he had ever
|
||
|
been to was dignified and restrained. This party was anything but
|
||
|
restrained. There was dancing, singing, wrestling, eating, drinking,
|
||
|
talking, and laughing, all at the same time. It wasn't long before
|
||
|
Ittosai found a nice quiet spot in the shadows where he could just
|
||
|
sit and watch.
|
||
|
Levy, on the other hand, couldn't have sat down even if he had
|
||
|
wanted to, and he didn't. After being away for almost three months,
|
||
|
and living in a strange and sometimes hostile city, he was glad to
|
||
|
get back to a place where he didn't have to watch his back, his
|
||
|
step, and his wallet all at the same time. He danced wildly with
|
||
|
every pretty girl, including his sisters, he wrestled with all the
|
||
|
young men, except Mattan (daring he might be, but he wasn't
|
||
|
suicidal), he ate and he drank and he even sang a song for the
|
||
|
crowd. He talked with everyone about everything, he greeted even the
|
||
|
people he didn't like, and it was only when the crickets went to
|
||
|
sleep and the people started to leave that he finally sat down to
|
||
|
catch his breath. It was only then that he realized that he didn't
|
||
|
know where Ittosai was. He looked around, then got up and started
|
||
|
searching. He finally found him, sitting on a bench talking with Eli
|
||
|
Barel, Levy's father and town Elder.
|
||
|
"... thought to try distilling it. We've always liked it the way
|
||
|
it was." Eli looked up as Levy approached. "Ah! Levy! I hope you
|
||
|
feel sufficiently welcome now, if you didn't before."
|
||
|
"I always feel welcome here, Father." Levy sat down next to his
|
||
|
father. "What were you talking about?"
|
||
|
"Ittosai here was telling me about what they drink in Bichu. He
|
||
|
says our beer is water compared to it." Eli smiled at the foreigner,
|
||
|
who was drinking some of that water out of a wooden mug.
|
||
|
"It is. But that's because here it flows like water, while in
|
||
|
Bichu it is rare stuff. Ittosai told me that Bichu is a crowded
|
||
|
country." Ittosai nodded in assent.
|
||
|
"Yes, it is true that here we don't go thirsty." Eli's face
|
||
|
darkened at that word. "Or at least we haven't yet. But that time
|
||
|
might soon come. Levy, there's something I want to show you. Come."
|
||
|
Levy and Ittosai followed Eli through the dark. They walked down
|
||
|
a well worn path as it led down a fairly steep slope. Suddenly the
|
||
|
dirt gave way to water worn rocks. Strangely enough, though, there
|
||
|
was no water flowing over them.
|
||
|
Levy stood on the dry riverbed, his hands on his hips.
|
||
|
"It's not right for the river to be dry at this time of the
|
||
|
year, is it?" Ittosai could hear concern in his voice.
|
||
|
"Nor is it right for wells like yours to have nothing but mud in
|
||
|
them. Ittosai told me what happened. So far our well still has
|
||
|
water, but further north wells are empty, and the drought moves
|
||
|
further south each day. The crops still need water, at least for a
|
||
|
few weeks yet, and if this keeps up we are going to be hungry and
|
||
|
thirsty this winter."
|
||
|
"Could you not send someone north? To find the problem?" Ittosai
|
||
|
tried to make out Eli's expression in the dark.
|
||
|
Eli's voice was flat as he answered. "I did. I sent two men
|
||
|
north, first Jorden, son of Jesh, then Eli, son of Tharah. Neither
|
||
|
have come back. They were to have been gone only three days. It'll
|
||
|
be two weeks tomorrow."
|
||
|
The night was quiet for a several minutes. Finally Levy spoke.
|
||
|
"Ittosai. Do you wish to stay, or do you want to go with me?"
|
||
|
|
||
|
The Edged Tool: The Use
|
||
|
Levy and Ittosai left at first light. They took with them their
|
||
|
horses and as much food and water as they could carry. Levy knew
|
||
|
that it could always be unpacked if necessary. They followed the
|
||
|
riverbed, walking right up its middle. At first Ittosai felt nervous
|
||
|
about this, having once seen a man carried away by flood waters, but
|
||
|
he soon realized that the river would not be dangerous unless there
|
||
|
was a heavy rain, and there had been none for weeks.
|
||
|
Soon they left all houses behind. They started to see some of
|
||
|
the effects of the lack of water. Weeds, which normally clotted the
|
||
|
shallows of the river in these uninhabited parts, now matted the
|
||
|
shoreline with their dry stalks. Occasionally, in the deep pockets
|
||
|
of the riverbed, the two travelers found flattened corpses of fish,
|
||
|
dried by the fall sun. Nightfall found the pair camping without a
|
||
|
fire, fearful that any spark might ignite the dry leaves that were
|
||
|
falling from the dying trees. The next day at dawn they continued
|
||
|
north. By noon they found themselves forced to travel single file,
|
||
|
as the river narrowed down to a stream, a brook, and then finally
|
||
|
gave way to what had been a marsh. Here Levy and Ittosai stopped for
|
||
|
the night, again without a fire.
|
||
|
The next day they started moving northwest, as that was the
|
||
|
direction that Levy thought looked the driest. His judgment seemed
|
||
|
good, as they were soon moving through what was rapidly becoming a
|
||
|
desert. Trees stood almost leafless, their foliage lying at their
|
||
|
feet, most of it still bearing traces of green. The only animals
|
||
|
they spotted were dead, the rest having left for better feeding. As
|
||
|
the two continued north, they approached some small hills. To their
|
||
|
surprise, when they reached these hills they found them to be green
|
||
|
and living. Strangest of all, the dividing line between the dead
|
||
|
land behind them and the green trees ahead of them was as thin as a
|
||
|
thread, running around the base of the hills.
|
||
|
Ittosai watched while Levy studied the area. After a few minutes
|
||
|
of walking around looking at things, Levy walked back to Ittosai.
|
||
|
"The answer to this whole problem must lie at the base of these
|
||
|
hills. There has to be a reason why these hills mark the boundary
|
||
|
between this desert and living ground. I'm going to walk around this
|
||
|
hill westward. I want you to walk around the hill eastward. We'll
|
||
|
meet on the other side. If you see anything unusual, remember where
|
||
|
it is, so you can show me. Understand?"
|
||
|
Ittosai nodded. Levy took his horse, and started west. Although
|
||
|
he didn't say it, Ittosai felt that somehow Levy was on the wrong
|
||
|
track. Levy seemed to be trying to find a reason why one area had
|
||
|
water and another didn't. To Ittosai, the question was not one of
|
||
|
differing characteristics, but of change. Why would an area that had
|
||
|
an abundance of water suddenly become practically a desert? To a
|
||
|
person of Ittosai's upbringing, a change of state could only be
|
||
|
brought about two ways, either by human or divine intervention.
|
||
|
Therefore Ittosai waited until Levy was out of sight, and started to
|
||
|
climb the wooded slope.
|
||
|
To Ittosai's way of thinking, he needed to see the whole problem
|
||
|
to understand it, and the only way to see an entire hill was from
|
||
|
the top. Ittosai climbed boldly, his eyes focused on the slope up
|
||
|
ahead. He made no effort to be quiet or inconspicuous. The slope
|
||
|
started out easy enough, but soon the way became steep, and Ittosai
|
||
|
was forced to tie his horse to a tree and leave it. Ittosai
|
||
|
continued upward, pausing occasionally to check his progress. It was
|
||
|
only when he was close to the top that he realized that he could
|
||
|
hear sounds from above, sounds that did not belong in a forest. He
|
||
|
slowed down, and started to try to be quiet. Like any warrior from
|
||
|
his country, he managed very well.
|
||
|
As he neared the top, he could see that there was a large
|
||
|
clearing at the crest of the hill. Only the tall trees prevented the
|
||
|
bald spot from being dramatically visible. Through the trees Ittosai
|
||
|
could see figures moving about. As he drew close to the open space,
|
||
|
he could see that the clearing was littered by large, stone ovens.
|
||
|
While he watched, men busily forged swords, knives, and spearheads
|
||
|
over bright fires. It wasn't until he had been watching for a few
|
||
|
minutes when he realized that the fires were not producing any smoke
|
||
|
at all. Not only that, but there was no wood or charcoal nearby to
|
||
|
fuel the fires.
|
||
|
While Ittosai crouched in the shadows, he became aware of a
|
||
|
commotion approaching. It soon resolved itself into a group of men
|
||
|
carrying buckets. Guarding them, and hustling them on their way were
|
||
|
two soldiers carrying spears. While Ittosai watched, they approached
|
||
|
the men working at the hearths. The men with the buckets relieved
|
||
|
the others, who were herded back the way the others came. It was
|
||
|
then that Ittosai noticed the guards watching the smiths. The
|
||
|
newcomers took their buckets, and poured water from them on the
|
||
|
fires. To Ittosai's shock, instead of the fires going out, they
|
||
|
burned hotter! It was then that he realized where all the water was
|
||
|
going. It was somehow being used to fuel these fires!
|
||
|
While Ittosai watched, another group of men approached. These
|
||
|
were led by two men. One was garbed in thick leather and metal
|
||
|
armor, and carried a long sword. The other wore nothing but a cloak
|
||
|
over his shoulders, despite the cool fall air. He had a detached
|
||
|
look to him, as if he were not actually part of the group, but was
|
||
|
merely walking in the same direction. The armored one, however, was
|
||
|
angrily remonstrating him. The group finally stopped halfway between
|
||
|
Ittosai and the nearest forge.
|
||
|
|
||
|
"Here, wizard. Make me one here." The military one pointed at
|
||
|
the ground firmly.
|
||
|
The wizard lost some of his detached look, and regarded the
|
||
|
other coldly. "Here? Another? You already have enough. Why do you
|
||
|
need another?"
|
||
|
The armored one's face grew red, and his expression showed rage.
|
||
|
"I'm not asking you if I need another, I'm telling you to make me
|
||
|
another, HERE!"
|
||
|
The wizard's expression grew suddenly stern. "You are telling
|
||
|
me? With a word I could wipe out this entire, pitiful band of yours,
|
||
|
and you're telling ME!?!"
|
||
|
The armored man was taken back a bit. "We need another spring,
|
||
|
so that we can fire more furnaces. Is that a good enough reason?"
|
||
|
There was a moment of silence. "I suppose so." The wizard took a
|
||
|
step towards Ittosai, and the group fell back. Ittosai gripped the
|
||
|
hilt of his sword. Somehow he could feel evil here. As he watched,
|
||
|
the wizard made a motion, and mumbled a word. Suddenly a fountain of
|
||
|
water burst out of the ground. With a shout, soldiers prodded slaves
|
||
|
with buckets forward. They started hauling the water away. The
|
||
|
armored man stepped up to the wizard and started to thank him,
|
||
|
albeit rather stiffly. After a few moments, however, the spring
|
||
|
faltered, and then stopped all together.
|
||
|
There was silence as the wizard stared at the spot of mud on the
|
||
|
ground. From all over the clearing there came cries and shouts. The
|
||
|
wizard made the motion again, and repeated the word, but only a
|
||
|
furtive bubbling rewarded him.
|
||
|
"What's wrong? Why'd it stop?" The warlord was angry, yet fearful.
|
||
|
The wizard looked around wildly. He waved his hands through the
|
||
|
air, as if feeling for something. "I don't know. It's almost as if
|
||
|
we've drained all the water we can from this area."
|
||
|
The soldier grabbed the wizard by the cloak. "If we don't have
|
||
|
water, we won't be able to make enough weapons to take the city when
|
||
|
Dargon dies!"
|
||
|
|
||
|
At the mention of the man who had helped him, Ittosai felt a
|
||
|
strong and sudden urge to act. He had no ideas, no plan of attack,
|
||
|
but the urge was just too strong to resist. He stepped into the
|
||
|
light, drawing his sword. All around there was an abrupt silence.
|
||
|
Suddenly Ittosai felt alone, and sickeningly directionless. The
|
||
|
urge that had pulled him from the shadows had left him, and now he
|
||
|
felt empty. Remembrances of the fight on the road came to his mind.
|
||
|
Unlike then, he now felt naked and unprotected. For the first time
|
||
|
in his life, Ittosai realized his own inadequacy. He was one man,
|
||
|
alone, with two hands clutching a thin piece of steel. Facing him
|
||
|
were over a hundred armed and armored men, desperate, and skilled in
|
||
|
battle, with an unknown power on their side. The wizard started to
|
||
|
wave his hands in a menacing fashion, and as he started to mutter
|
||
|
strange words, the war lord drew his long blade and stepped forward.
|
||
|
Ittosai started to make the standard attack, but fear paralyzed him.
|
||
|
The small of his back started itching where the rough had struck him
|
||
|
from behind, and Ittosai had to fight an urge to turn and run.
|
||
|
"Throw down your sword."
|
||
|
Ittosai felt a chill cover his body. The words had seemed to
|
||
|
come from inside his own head.
|
||
|
"Throw down your sword!" The words were more insistent.
|
||
|
Unbidden, Levy's words came back to Ittosai's mind: No matter
|
||
|
who you are, there is always someone or something you need to fear.
|
||
|
In a moments inspiration, Ittosai realized that, in the native
|
||
|
tongue, the word 'fear' could also mean 'respect'. All his life he
|
||
|
had been drilled in respect: respect for his elders, respect for his
|
||
|
betters, respect for his enemies. Now he realized that there was one
|
||
|
more being in the universe he needed to respect, and possibly
|
||
|
respect as he had never respected anyone before.
|
||
|
Instantly his terror vanished. He straightened his back, and
|
||
|
reversed his grip on his blade. Lifting his face skyward, he shouted
|
||
|
in his own tongue: "I give my blade to you!" With that he flung the
|
||
|
sword point first into the ground.
|
||
|
The moment the blade struck the ground shuddered. The tremor
|
||
|
soon grew into a quaking that made it hard to stand. Yells and
|
||
|
shouts could be heard over the awesome rumbling. Men were running in
|
||
|
two basic directions: the soldiers inwards, towards the center of
|
||
|
camp, and the slaves outward, for the safety of the woods. The small
|
||
|
group in front of Ittosai fell back.
|
||
|
"Take your sword up again."
|
||
|
Ittosai obeyed, and pulled the blade from the ground. The small
|
||
|
hole the sword had made suddenly grew into a fissure that raced
|
||
|
around the clearing, surrounding the army's camp. Its natural
|
||
|
cohesiveness gone with the ground water, the soil turned suddenly to
|
||
|
a dry fluid. With a horrible noise, everything inside the circle
|
||
|
made by the crack in the earth suddenly disappeared, swallowed by
|
||
|
the earth. Ittosai was knocked to one knee. Within moments, what had
|
||
|
been an army camp was suddenly a bare, brown, expanse.
|
||
|
When the shaking stopped, Ittosai stood. He still held his sword
|
||
|
in his hand. He dusted it off, and sheathed it. He then turned, and
|
||
|
walked down the hill.
|
||
|
At the bottom he met Levy, who was understandably shaken by the
|
||
|
tremor. He was even more shaken by what Ittosai told him. To make
|
||
|
matters worse, men started stumbling out of the woods. Within
|
||
|
moments there was a crowd of hundreds of freed slaves. To Levy's
|
||
|
surprise, among them were Jorden and Eli, the two men from the
|
||
|
village. Before they could finish telling Levy their story, however,
|
||
|
dark clouds covered the sky. The group hastily headed for one of the
|
||
|
other nearby hills, fearing mudslides if they remained near the
|
||
|
shaken mount. By the time they reached the far slopes the ground was
|
||
|
already almost too soupy to traverse.
|
||
|
It rained for two days. The third day the sun came out, and by
|
||
|
noon the men were sweating even with their shirts off. They started
|
||
|
back, making their way around the swamp. They reached the creek, and
|
||
|
found it full and muddy. The next day they were forced to walk
|
||
|
through the woods beside the swollen river, although by night the
|
||
|
water was no longer brown. By the time they reached the village the
|
||
|
river ran crystal clear, and they found children playing in the
|
||
|
flow. Elder Eli welcomed the freed slaves. The ones that had been
|
||
|
taken from their homes were given food and clothes, and seen off on
|
||
|
their way back, and the truly homeless were offered lands and a
|
||
|
place in the village. Levy was again greeted enthusiastically, and
|
||
|
this time Ittosai was not allowed to remain on the outskirts of the
|
||
|
celebration.
|
||
|
|
||
|
It was raining again several days later when Ittosai left Levy's
|
||
|
house for the last time. He checked to make sure he had packed
|
||
|
everything, and then carefully bowed to Levy and Elder Eli. Levy
|
||
|
then gave him a last embrace.
|
||
|
"You're welcome here forever, as are your children, and their
|
||
|
children." Eli had to shout a little to be heard over the rain.
|
||
|
"Thank you, Elder Eli." Ittosai turned to Levy. "I thank you,
|
||
|
Levy. I think now... I mean, now I know there is a meaning to my
|
||
|
wanderings.
|
||
|
"I've learned as much as you, Ittosai. Take care." They clasped
|
||
|
hands once more, and Ittosai turned his horse, and started to ride.
|
||
|
-Jim Owens
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
Men Shall Have the Stars
|
||
|
|
||
|
In the beginning Apollo achieved the moon
|
||
|
Next Viking landed on Mars;
|
||
|
And in the future, very soon
|
||
|
Men shall have the stars.
|
||
|
|
||
|
When the solar system is all explored
|
||
|
And men seek new adventure,
|
||
|
To the stars they shall all turn toward
|
||
|
And embark on this newest venture.
|
||
|
|
||
|
In ships that surpass the speed of light
|
||
|
They shall cross interstellar spaces,
|
||
|
And find new worlds at the end of their flight
|
||
|
And colonize alien places.
|
||
|
|
||
|
But when the Earth is dead and gone
|
||
|
Throughout the galaxy humans still roam;
|
||
|
And to the edge of the cosmos wander on
|
||
|
And call the stars their home.
|
||
|
|
||
|
-Carlo Samson <U09862@UICVM>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
Wiring
|
||
|
Bradley noticed something strange about the place the moment he
|
||
|
stepped off his ship. That wasn't unusual, however, for all new
|
||
|
planets are strange. He'd seen many new planets, and therefore took
|
||
|
the strangeness in stride.
|
||
|
Bradley strolled casually over to the depot, enjoying the warm
|
||
|
breeze and sunny sky. He walked into the obligatory rental office
|
||
|
and rented a small craft. While he waited he scornfully examined the
|
||
|
young man who was serving him, observing the neat uniform, the
|
||
|
cosmetic smile, the polished hair and face. Sucker, he thought. They
|
||
|
already got you trapped, just like they almost trapped me, wound up
|
||
|
in the lair of respectability. He almost considered offering the
|
||
|
young man a 'ride', but thought better of it. No telling what the
|
||
|
laws are like on this world, he told himself. No sense in getting
|
||
|
picked up for 'kidnapping'. Taking his keys, he strode out to get
|
||
|
his flitter.
|
||
|
He passed row after row of glistening craft, all neatly
|
||
|
arranged, all dreams of conformity. He slowed after a bit, and
|
||
|
started to check the numbers painted on the sides of the cars
|
||
|
against the number stamped on his keys. It was soon apparent that
|
||
|
his car was obviously the last one on the lot. Typical bureaucratic
|
||
|
screwup, he fumed. Making me walk all the way out here...
|
||
|
He got to the end, and there was his car. Totally unlike the
|
||
|
others he had passed, this one was old, rusty, decrepit, broken
|
||
|
down, in short, just the kind of car one would never expect to find
|
||
|
in the kind of a world he had seen so far. He looked at the key
|
||
|
ring. He was not surprised to see a small, sticky patch on the
|
||
|
backside of the tag, just the kind of spot left by a 'CONDEMNED'
|
||
|
sticker when it accidentally falls off. He considered returning the
|
||
|
rings for a new set, but rebelliously decided not too. He didn't
|
||
|
want to get too used to the idea of conformity.
|
||
|
Several minutes later he was cruising down the super highway,
|
||
|
relaxing and enjoying the ride. He had a day or two to spend here,
|
||
|
before he was supposed to rendezvous with a buyer at a nearby solar
|
||
|
system. I'll sightsee for a day, see what trouble I can get into,
|
||
|
spend the night, and be on my way, he told himself. Not that there
|
||
|
looks to be much trouble to get into around here, he chuckled to
|
||
|
himself. At least the car's reasonably functional, even if it is a
|
||
|
little dinged up. Any damage to the machine was mostly superficial.
|
||
|
It had no viewer, or even a radio, indeed it even lacked an
|
||
|
antennae, but it was comfortable, and required little effort to
|
||
|
drive. Bradley looked out the window while he reclined in the plush
|
||
|
seat, his right pinkie handling the wheel.
|
||
|
As he drove towards what appeared to be a big city, he examined
|
||
|
the other cars. Must be a holiday, he thought, lot's of people on
|
||
|
the road. Each car held from one to eight people, in what seemed to
|
||
|
be a rather normal distribution. He pondered this, reflecting on how
|
||
|
there were usually many more cars with only one occupant than there
|
||
|
were cars with multiple occupants. He made a quick (but
|
||
|
representative) survey, and found that just as many cars had eight
|
||
|
occupants as had one. Strangely enough, there were many cars that
|
||
|
had several adults packed in with two or three children, rather than
|
||
|
the usual father-mother-kids type of arrangement. Another thing he
|
||
|
noticed was that all the cars had these large whip antennas
|
||
|
protruding from the roofs. He tried to find one that didn't, but
|
||
|
even on that crowded expressway there wasn't a single one to be
|
||
|
found. He pondered on that little piece of information for a bit,
|
||
|
before his attention was distracted by the approaching city.
|
||
|
Bradley had been to many cities before, but none quite like this
|
||
|
one. All the buildings were clean and spare in their design, totally
|
||
|
unlike the mad mixes usually found in large cities. As he entered
|
||
|
the city, he also noticed that the closer the buildings were to the
|
||
|
center of the city, the taller they got, effectively giving the city
|
||
|
a rounded, domelike skyline. All nice and neat, just like a city
|
||
|
park, he thought. Perfectly planned, flawlessly executed, just like
|
||
|
a ballet. I'll bet they even die on time around here. Bradley
|
||
|
considered for a moment that there might just be some advantages to
|
||
|
an ordered life, and then snorted. Too dull, he told himself, no
|
||
|
life. It was in the middle of this thought that he glanced down from
|
||
|
the bridge he was driving on, and saw the wreck.
|
||
|
The car was completely totalled. Smoke and fumes poured out of
|
||
|
the engine compartment, and nothing moved inside. Bradley's heart
|
||
|
started thumping, and he fought to control it. He had seen death
|
||
|
before, just not recently. Get a grip, Bradley. People buy it all
|
||
|
the time. They'll even get you one of these days. Then, as he
|
||
|
watched, another car veered off a nearby road. It's movements were
|
||
|
purposeful and direct, not erratic, as it jumped a concrete bank and
|
||
|
slammed into the damaged car. It was followed by another, and then
|
||
|
by a large truck. Finally a sports car swerved off the bridge just
|
||
|
ahead of Bradley, vaulted the guardrail, and fell easily one hundred
|
||
|
feet to land exactly on top the smoldering pile. With it's impact,
|
||
|
the whole heap burst into flames.
|
||
|
Suddenly Bradley felt afraid. Not the kind of fear you have when
|
||
|
you realize you forgot to turn your taxes in, or when you realize
|
||
|
you left you wallet in your other coat, but the kind of fear that
|
||
|
forces all the breath from your lungs, and causes your testicles to
|
||
|
crawl up into the pit of your stomach. He looked around wildly. All
|
||
|
around him the people in the other cars sat, stonily ignoring the
|
||
|
accident, him, and the whole world in general. Bradley let out a moan.
|
||
|
"Something is definitely wrong here," he said, his voice
|
||
|
breaking. He searched wildly for an off-ramp. Finding one, he cut
|
||
|
across four lanes of traffic to reach it. He slid down it, and made
|
||
|
a left at the intersection at the bottom. He pulled into the first
|
||
|
driveway he saw, and up to the door of a large tower.
|
||
|
Leaving his car parked in the middle of a large curving
|
||
|
driveway, he rushed through a set of glass doors and into a large
|
||
|
lobby. There was only one person in the lobby, a woman standing
|
||
|
behind a desk, wearing a pink outfit with a tall hat. He rushed up
|
||
|
to her.
|
||
|
"Miss! Miss!" Bradley staggered up to clutch her desk. "You've
|
||
|
got to help! Please!"
|
||
|
"Yes? How can I help you?" The girl's smile didn't waver at the
|
||
|
sight of the wild-eyed man panting in front of her.
|
||
|
"There's been an accident! Cars, a couple of them! And a truck,
|
||
|
too. All mashed together! And burning!"
|
||
|
"Yes?" She continued to smile, as if Bradley were discussing the
|
||
|
weather.
|
||
|
"You gotta call the authorities, or something! It was terrible!
|
||
|
They just ran right into each other! I mean, one wrecked, and then
|
||
|
the others ran into it, just Bam! like some big crashup derby, like
|
||
|
they were just a bunch of..."
|
||
|
Bradley looked at her bland, smiling, face.
|
||
|
"Just like they were a bunch of toys." Bradley stared at her,
|
||
|
fear once more welling up in his gut. He thought back to the
|
||
|
freeway, to all the cars, moving neatly along, all with their...
|
||
|
Suddenly he leaned forward, and with a broad sweep of his arm,
|
||
|
knocked the receptionist's hat off. His arm also brushed her head,
|
||
|
mussing her hair, but still she beamed on. Bradley cautiously walked
|
||
|
around the desk, his eyes never leaving her. She watched him come.
|
||
|
He leaped forward, grabbing her by the arm and twisting her around.
|
||
|
There, plastered against the back of her neck, was a thin, flexible
|
||
|
steel wire. He grabbed it, and pulled. It came out easily, trailing
|
||
|
a thin cable, which was slick with blood. He stared at her in horror
|
||
|
as she turned, still smiling. He backed away from her, then turned
|
||
|
and ran.
|
||
|
He raced out of the lobby, and leaped into his car. Without
|
||
|
looking back he gunned the engine. It responded smoothly, hurling
|
||
|
him down the drive. As he approached the road, however, he slowed.
|
||
|
He looked back toward the tower. There was no one in sight. Bradley
|
||
|
sat, panting. Am I going nuts or something? he asked himself. People
|
||
|
don't have wires in them, no matter how much alike they look. They
|
||
|
may act like a bunch of robots, but that doesn't mean they are
|
||
|
robots. He considered. Maybe I'd better go back and check things
|
||
|
out. He turned back around to take the wheel, just in time to see a
|
||
|
man in gardener's clothes reaching for the door handle. Bradley
|
||
|
didn't need any more convincing. As the door opened, Bradley kicked
|
||
|
it with all his strength, sending the gardener flying. Bradley then
|
||
|
shut the door, locked it, and sent the flitter flying into traffic.
|
||
|
Almost immediately Bradley saw a sign directing him to the
|
||
|
freeway. When he turned down that road, however, he suddenly found
|
||
|
himself circling a large, round park, with a fountain in the center.
|
||
|
Everything was green and beautiful, with children running around
|
||
|
with balloons, and parents walking strollers. Then he saw that the
|
||
|
fountain pool was filled with a dozen or so men and women, in
|
||
|
business clothing, calmly swimming laps.
|
||
|
"That does it. I'm out of here." Bradley swung the car towards
|
||
|
the outside of the traffic circle, looking for an exit. It wasn't
|
||
|
until he had made two full revolutions that he realized that the
|
||
|
road that he had take into the circle had suddenly and totally
|
||
|
disappeared. If that weren't enough, though, he suddenly noticed a
|
||
|
commotion in the park. As he watched, all the swimmers stood up, and
|
||
|
began to walk towards him, spiralling outward towards the edge of
|
||
|
the park.
|
||
|
He made a quick search of the control panel. It was sparse,
|
||
|
but...there. He reached down and grabbed a large lever.
|
||
|
"You can't fool me! I've seen too many different vehicles not to
|
||
|
realize that this isn't just a ground car!" Bradley shouted to no
|
||
|
one visible.
|
||
|
Lifters in the stub wings whined as the flitter lifted off the
|
||
|
ground. It cleared the ground clutter easily, and Bradley turned the
|
||
|
flitter toward the landing area, accelerating as he went. He watched
|
||
|
anxiously as he flew, but there appeared to be no pursuit. Once at
|
||
|
the landing port, Bradley set the flitter down right beside his ship
|
||
|
and leaped out of the car before it even stopped. He franticly
|
||
|
activated the port lock, all the while closely watching the nearby
|
||
|
ground attendants as they repaired a nearby ship. The door was just
|
||
|
starting to open when they suddenly dropped what they were doing and
|
||
|
turned to face him. They took a step toward him...and then the port
|
||
|
was open, and he was inside, slamming it shut.
|
||
|
|
||
|
Once inside his own ship he finally felt safe, or at least
|
||
|
safer. Sensors showed no one else on board. For once the stench of
|
||
|
thousands of accumulated man-hours didn't annoy him. He leaped up to
|
||
|
the conn before the first blows started to fall on the side of the
|
||
|
hull. Bradley wasted no time with trying to raise the tower. He
|
||
|
activated the emergency flight mechanism, and strapped in.
|
||
|
The launch pinned him to his seat, but his overhead view unit
|
||
|
showed him the view below. As he rose above the plain, he saw long
|
||
|
lines of flitters streaming toward the spaceport. Try and catch me
|
||
|
now, suckers! he thought, the acceleration not permitting him to
|
||
|
actually talk. As the ship rose higher, Bradley could see the city
|
||
|
laid out below, then the plain it was built on, and finally hills
|
||
|
surrounding it. Shining objects, arranged regularly around the city
|
||
|
on the surrounding hills, caught his eye. Were they towers? Once
|
||
|
free from the clawing atmosphere, the ship started accelerating in
|
||
|
earnest, making its heated rush for the stars. Bradley's eyes
|
||
|
started to fog. Before he finally blacked out, however, he thought,
|
||
|
or perhaps hallucinated, that he saw, moving in the hills far below,
|
||
|
large shapes, carrying large boxes, each with a large rod, or
|
||
|
antennae, protruding from its end.
|
||
|
|
||
|
Little Orf got up from where he was hiding, behind the dirt
|
||
|
mound. Across the model city from him, Tad did the same.
|
||
|
"Aw, what'd you do that for? I wasn't gonna hurt him!" Orf
|
||
|
adopted that whine he always did when he was begging.
|
||
|
"Whaddya mean? I thought he was yours!" Tad's facial tentacles
|
||
|
showed surprise.
|
||
|
"It wasn't mine." Orf looked at Tad. Tad looked back at Orf.
|
||
|
Then they both looked up, at the small point of light fading into
|
||
|
the sky. Then they both turned and ran home.
|
||
|
-Jim Owens
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|