1078 lines
56 KiB
Plaintext
1078 lines
56 KiB
Plaintext
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Q: Why does a chicken coop have only two doors?
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A: If it had four, it would be a sedan.
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A I R L I N E J O K E S
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===============================================================================
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AA (American Airlines) - Always Awful
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AI (Air India) - Allah Informed
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ALITALIA - Always Late In Takeoff Always Late In Arrival
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- Air Line In Tokyo And Luggage In Amsterdam
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BOAC (British Overseas Airways Corp.) - Better On A Camel
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- Bloody Old and Careless
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CA (China Airlines) - Choose Another
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CAAC (Chinese Avation Airl.Comp.) - Chinese Airline Always Canceled
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(Civil Aviation Authority of China ?) - China Airlines Almost (Always) Crashes
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CPA (Canadian Airl.Intl.) - Can't Promise Anything
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(New code CAI) - Crash And Ignite
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- Call Ambulance Immediately
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- Circle Airport Indefinitely
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- Cruise Above Iceland
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- Cancel Alaskan Itinerary
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- Call Attendants "Idiots"
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- Check All Items
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- Copilots Are Imbeciles
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- Casual Atmosphere Inside
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DELTA - Don't Even Leave The Airport
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- Don't Ever Leave The Airport
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- Don't Even Let Them Aboard (referring to the arabs ?)
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- Departing Even Later Than Anticipated
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EAL (Eastern) - Eastern's Always Late
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ELAL - Every Landing Always Late
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JAT (Yugoslav Airlines)- Joke About Time
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LOT (Polish Airlines) - Last One There
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- Luggage On Tarmack (wave 'bye!)
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LUFTHANSA - Let Us Fuck The Horses, Are No Stewardesses Available
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PA (Philippine Airways)- Please Avoid
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PAL (Phil. Airlines) - Philippines Always Late
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PAN AM - Plan On Arriving Nervewracked And Mad
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PIA (Pakistan Intl.Airl) - Please Inform Allah
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- Panic In Air
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- Perhaps I Arrive
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QANTAS - Queer And Nasty Types As Stewards
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SABENA (Belgium) - Such A Bloody Experience, Never Again
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- Such A Bad Experience, Never Again
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SAHSA (Servicio Aero Honduras SA) - Stay At Home, Stay Alive
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SAS (Scandinavian Airl. System) - Sweet And Sexy
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- Sex And Service
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SIA (Singapore Intl.Airl.) - So Incredible, Aah
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TACA - Take A Chance Airline
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TAP (Portuguese Airl.) - Take Another Plane
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TWA (Transworld Airl.) - Travel Without Arrival
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- Try Walking, Asshole
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- Try Walking Again
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- The Worst Airline
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- Took Wrong Airline
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- Try Walking Across (transatlantic perspective)
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- Travel With Arabs
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- Terrorist Welcome Aboard
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- Terrorists With Arms
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- Teenie Weenie Airlines
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- Traveling Without Air
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- Tiny Wings Aflappin'!!!!!
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USAir - Unfortunately, Still Alleghany In Reality
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SOUNDALIKES:
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============
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Aer Lingus Aer Fungus,
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Aeroperu Aeroperhaps
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Air Afrique Air Freak(out)
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Air Canada Err Canada (as in "To err is human...")
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Air France Air Chance
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Air Wisconsin Scare Wisconsin
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Alleghany Air Agony Air (USAir since many years)
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British Airways Brutish Airways
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Brutish Scareways
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Cascade Airways Crashcade Scareways
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Continental Contemptible
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Lufthansa Lusthansa
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Midwest Express Midwest Excess (True, but worth it)
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Mohawk Slowhawk
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Northwest Northworst
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Northwaste
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People Express CattleCar Express
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People Distress
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People Compress
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Piedmont Piedmonster (merged with USAir)
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QuebecAir Quick Air
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TWA TightWad Airlines
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United Untied
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US Air Useless Air
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US Scare
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YouSAir
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USAirheads
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OTHERS:
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=======
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Delta "We love to fly and it's close"
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"We love to show our flies"
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Eastern Who?
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Mexicana Where being Late is Fashionable
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The Canonical List of Telephone Answering Machine Messages
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"Hi! I don't exist at the moment, but if you leave your message, name and
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number, I'll call you back when I am..." *beep*
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----------------------------------------------------
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"You've reached the B&D hotline. All our operators are tied-up right now,
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so if you leave a name, number, a list of transgressions and bark like a dog,
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we'll get right back to you with your penance."
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----------------------------------------------------
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(1) "Hello, this is Ron. (pause) Hello? Hello!!? Nah, just
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kidding. This is an answering machine. (etc.)"
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(2) "Hello, this is Ron. I'm not home right now, but I can take a
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message. Hang on a second while I get a pencil." (background noise -
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open a drawer and shuffle stuff around.) "OK, what would you like me
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to tell me?"
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Also, something you might do after you've had the machine for a few
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months is start answering in person with "Hello, this is a live
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voice." (Variation on a theme by "The Cosby Show".) Or you could try
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answering your own phone with "Hello, is Ron there?"
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----------------------------------------------------
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"We are unable to come to the phone right now. At the tone, please
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leave your name, number, and Master Card, Visa, or American Express
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account number and we'll get back to, pending credit approval."
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----------------------------------------------------
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"You have reached the <city>,<state> Strategic Air Command Nuclear
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Missle Storage Facility. We are unable to come to the phone right
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now. At the tone, please leave you name, number and target or list of
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targets and we'll launch as soon as we can. And have a nice day."
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----------------------------------------------------
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"Hello?" <pause for a few seconds> "Sorry, he's not here right now,
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but if you leave a message, he'll get back to you."
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----------------------------------------------------
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"Hello. This is Chris. John and Mike aren't here right now, but if you
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leave a message, they'll get back to you as soon as they can."
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----------------------------------------------------
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[imitating Ensign Chekov]
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"Oh, sair...it was *Khan*! He made us say things...do things...he
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kept us from answering the phone! But Keptin was strong, and if you
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leave your name and number, Keptin will get back to you as soon as
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he can!" <BEEP>
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----------------------------------------------------
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[imitating Mr. Rogers]
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"Hello. I'm in the Magic Kingdom right now, so I can't come to the phone.
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Can you leave your name and number when you hear the sound of the tone?
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Sure...I knew you could." <BEEP>
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----------------------------------------------------
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Steve: Hello. Steve and Matt aren't here right now but if...
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Matt: Steve, what are you doing?
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Steve: I'm leaving a phone message since we aren't here.
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Matt: But you left the last one -- it's my turn.
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Steve: No, I'm sure it's my turn.
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Matt: No, you're incorrect. It's definitely my turn.
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Steve: You fool. I know it's ... wait ... Matt ... what are you doing
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with that frying pan?!?
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BONK [really loud thud]
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Matt: Steve is out right now, so please leave your name and number.
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----------------------------------------------------
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"Hello. I'm David's answering machine. What are you?"
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----------------------------------------------------
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"This is (#include phone.addr). We are not ... excuse me a moment,
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please. Put your sister down. PUT YOUR SISTER DOWN! (sound of window breaking)
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Great! What a mess. I'll have to get back to you later."
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----------------------------------------------------
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"Finally get an answering machine. Now how does this thing work? Hmmm.
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Press record button, I did that, and the light should be on. I wonder why it's
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not working right. Hmmmm, I wonder what this button does......"
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----------------------------------------------------
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A friend of mine at school has this message, read by three people while
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the STAR TREK theme plays in the background.
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1: Room 17, the final frontier.
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2: These are the messages of Chad's answering machine. Its 2 semester
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mission: to seek out your name and your telepohne number.
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3: To boldly inform you to wait for the tone.
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----------------------------------------------------
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(Annoying flute music in background)
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Good day, Jim. Your contact, [insert name], is not available right now.
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Your mission, should you choose to accept it, is to leave your name,number, and
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a brief message at the tone. This tape will self-destruct
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in thirty seconds.
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Good Luck, Jim.
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----------------------------------------------------
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"Steve is reassembling Elvis' brain and can't come to the phone right
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now, but if you leave your name ...", etc.
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----------------------------------------------------
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"Steve has been captured by a flying saucer and can't come to the phone
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right now, but if you leave your name, phone number, and a message I'll
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have him call you back as soon as he gets away. Read all about it in
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next week's National Enquirer."
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----------------------------------------------------
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In the background can be heard Gregorian Chant or some other church music
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<In a soft voice> Good Day My child, you have reached {name} dial a confession.
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At the tone if you will leave your name, number and short confession I will get
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back to you with your pennance. Thank you and may God go with you. <Beep>
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----------------------------------------------------
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Hi this is <name>. I'm sorry I can't answer the phone right now.
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Leave a message and then wait by the phone until I call you back.
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----------------------------------------------------
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A friend was at a mutal friend's sister's house, and when she went out for
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beer, he changed her answering machine message. In a loud, deep, gravely,
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horror-film voice he recorded, "HI, THIS IS KATHY, I'M NOT MYSELF RIGHT NOW.
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IF YOU LEAVE YOUR NAME AND NUMBER, I'LL GET BACK TO YOU WHEN I'M FEELING
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BETTER."
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----------------------------------------------------
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I worked for a bit in the coastguard in Wales and I used to send weather
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reports to other bases, using a sort of antique FAX machine. I would call
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first on a special telephone and then send the data. They used to answer the
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phone with:
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" Epicentre of the Universe, God speaking."
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" Hartland home for lost whores." (that was Hartland CG) " Da, zis iz
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Ivan: do you have zee secret information, Boris?"
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" Pentagon command: transmit destruct sequence (pause) sequence correct:
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T minusone minute and counting"
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And then there was one phone we didn't use, with a number one off that of
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the
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local take-out. With my, non-British, accent I had some great fun with that
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phone.
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"Starship Enterprise, Uhura here, can you hold please? -- Captain, there
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is
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a transmission coming in on hailing frequency seven, do you want it on screen?"
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(silence...click)
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"Vancouver coastguard, may I help you." British long distance rates are
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phenomenonal and I had this poor dude sputtering with horror that he had
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managed
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to make a long distance call by dialing five digits.
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----------------------------------------------------
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<Phone Rings>
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Noisy pick-up of phone
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Uh...<wisperingly> Hello?
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Hi, I 'm a burgular and I was just about to steal Troy's answering machine.
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If you give me your name and number I'll..uh, I'll post it on the 'frige
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where he'll see it. Uh.. by the way, where did you say you live?
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----------------------------------------------------
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But right now I'm using "This is a boring answering machine message.
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Leave a message anyway." because I'm sick of people ringing the phone
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at 10am just so they can hear the clever messages I usually have, and
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then hanging up without even leaving a "like your message" message.
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Feh!
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----------------------------------------------------
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[Must have good Australian accent]
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G'day mate. Can't come to the phone now because I'm a bit tied up with
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this crocodile. Just leave a message, and I'll get back to you.
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----------------------------------------------------
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This is the Literacy Self Test Hotline. After the tone, leave your name and
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number and recite a sentence using today's vocabulary word. Today's word
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is supercilious ...}
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----------------------------------------------------
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The President is not in his office at this time. Please leave your name,
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phone number, the name of the country you wish to invade, and the secret
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password.
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----------------------------------------------------
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Kemosabe no in tipi now. You leave'um message after little smoke signal,
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and Kemosabe get back for pow-wow real fast.
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----------------------------------------------------
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Also, on the subject of answering machins, my favorite tape was:
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"This is Jeff, you're not in now so I'll leave a message."
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Really confused people.
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----------------------------------------------------
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A bubble in the space-time continuum has connected your line to a channeler
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in the 23rd Century. Any message you leave will be broadcast into the
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future....
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------------------------------------------------
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Hello. I can't come to the phone now because--HEY, GEORGE! DON'T STAND
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ON THAT--goddam. ...because I've invited George and Barbara Bush over
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<loud music cuts in>...BARBARA! HEY! DON'T FUCK WITH THAT!...over for
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dinner. After the tone...BARBARA, CALL YOUR DOG...MILLIE! DOWN GIRL!
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..shit...Leave a message after the tone...HEY, FUCKHEAD...<beep>
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------------------------------------------------
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Hello. Lindsey's not home now--this is his domestic droid speaking.
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I'm not programmed to answer the phone, so just leave a message, and
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Lindsey will get back to you as soon as possible.
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------------------------------------------------
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"Hi! You have reached 579-7599. This is an answering machine. This is the
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Eighties. You know what to do."
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------------------------------------------------
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My wife and I can't come to the phone right now, but if you'll leave
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your name and number we'll get back to you as soon as we're finished.
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------------------------------------------------
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Ring, Ring:
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The number you have xxx-xxxx (your number) has been changed, the
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new number is xxx-xxxx (again, your number). CULATA!
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------------------------------------------------
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"Hello, and welcome to Answering Machines of the Rich and Famous! (your name
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here) can't come to the phone right now, because he's
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spending the week in his beautiful summer home on the French Riviera..."
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------------------------------------------------
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One day I had a borrowed Casio sampler toy and used it to create a
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rather interesting one:
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Hello. You have reached Tooooommmmmm Tom Tm! Tom and
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MaMaMaMarMMMMaark's room. Tom is studying ssttuuddyyiinngg sssssssssssss
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and MaMark isn'isn'isn'isn't here. isn't here. P-P-Pleas! leave a
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messssssssage. Goodbye. 'bye! bye!bbyebybyyeyeyebbye {byes repeating
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at all different pitches}
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------------------------------------------------
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Last year my roommate had a machine but he hated to make the outgoing
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message. Stage fright, I guess. So I usually made them. One that we
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usually used during exam time was:
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{background music: Billy Joel's _Pressure_ very loud}
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Hello. You have reached Tom and Mark's room. We're a little busy now...
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{ BJ screams PRESSURE!!! }
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So, leave a message and we'll get back to you someday after (exam end
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date)
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{ BJ: ONE TWO THREE FOUR PRESSURE!!! followed by a very out-of-tune BEEP! }
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------------------------------------------------
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My favorite message that I ever had was the *real* message I recorded
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off 1-800-CALL-SPY, the U.S. army snitching network. Try it, its a great
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recording (call after 5 pm for the message).
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[Give it try! -pZ]
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------------------------------------------------
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<Ring>
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In the background can be heard springs creaking and various moans.
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<Husky, Soft female voice is best> Hi,... You've just reached {name} pleasure
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palace. We're all busy as I'm sure you can tell but when we're done... we'llget
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back to you in whatever way we can. <Beep>
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You wouldn't believe how much explaining my mother wanted on that one...
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------------------------------------------------
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[b.g. music is frantic, violin oriented]
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"hello. you have reached xxx-xxxx. we are currently unable to answer
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because we are either chasing, or being chased by, bats. please leave
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a message..." etc.
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------------------------------------------------
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[the quiet, eerie vocal part of 'hello, earth' by kate bush]
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(after about 30 seconds): "hello. you have reached xxx-xxxx.
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we can't come to the phone right now because we're at vespers.
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please leave a message..." etc. (30 more seconds of music before the
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beep.)
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------------------------------------------------
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(Spoken in a granny voice)
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"Way back inna winner of fifty-two, we didn' have fanshy gadjets like
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no ansherin' machine. You jusht had to call and call until shummbody
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got home. Now, shum people, dey shay dey don' like 'em, but I shay
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it'll shave you a lotta trouble if you jusht leave a meshage. Thanksh a
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lot."
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Must be spoken in a drawl.
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------------------------------------------------
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Well, this isn't strictly from an answering machine, but...
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>From Calvin and Hobbes:
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(phone rings)
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(you answer) Hello, this is <...> speaking. I'd like a large pizza
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with extra anchovies.
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(other person) What?
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(you reply) Oh, sorry, I must have a wrong number.
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(hang up)
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Make everyone's day a little more surreal.
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------------------------------------------------
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"I'm home right now . . . I'm just screening my calls. So just start talking
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and if you're someone I want to speak to I'll pick up the phone. Otherwise,
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well, what can I say?
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------------------------------------------------
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In Japan, the hand can be used like a knife.
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[sound effect: Heeeeee-YAH!, smashing box of kleenex]
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But this method doesn't work with a telephone call...
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[sound effect: dial tone]
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Introducing the all-new GINSU answering machine! It cuts, it chops,it slices,
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it dices your incoming calls! How much would you pay?
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Don't answer, because if you leave your name and number when you
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hear the tone, we'll throw in a return phone call ABSOLUTELY FREE!
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------------------------------------------------
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"Hi, you have reached .... Please leave your name, phone number and a
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message and if we like it we will return your call".
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------------------------------------------------
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However, the most effective one I have had so far can be used only one day
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per year: "This is David. I'm not using the phone over Yom Kippur, so please
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leave a message or call back after the holiday." No one wants to admit not
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having realized it was Yom Kippur or not knowing I would pick one holiday from
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the whole calendar on which to get observant, so everyone hangs up and leaves
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me no bad news or requests for favors.
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------------------------------------------------
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"This is David. Talk."
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------------------------------------------------
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"Hi. This is David. I've shut the ringers off on my phones and taken a
|
||
|
sedative. As soon as I finish this recording I'm going to bed indefinitely.
|
||
|
When I wake up I'll play my messages. Please leave one."
|
||
|
------------------------------------------------
|
||
|
[with a kazoo band playing "Thus Spake Zarathustra" in the background...]
|
||
|
"Thinking you were making an ordinary phone call, you have instead
|
||
|
reached..." [YA-DAAAAAAAAA!] "...the ANSWERING MACHINE! Leave your name
|
||
|
and number, and we will get back to you as soon as we can."
|
||
|
------------------------------------------------
|
||
|
"Hello, this is Dr. Pangloss. If this were the best of all possible worlds,
|
||
|
I could come to the phone right now, but I can't, so if you could leave your
|
||
|
name and number..."
|
||
|
------------------------------------------------
|
||
|
"Hello?" <pause for a few seconds> "Sorry, he's not here right now,
|
||
|
but if you leave a message, he'll get back to you."
|
||
|
------------------------------------------------
|
||
|
(woman taped off a "phone sex" service)
|
||
|
WOMAN : (seductively) Hi. I'm Linda. You know, it can be really lonely
|
||
|
when you're a fashion model. Sometimes I just have to ...
|
||
|
YOU : (interupting) Oh cmon, Linda, give me the damn phone..
|
||
|
(then ask for a message)
|
||
|
------------------------------------------------
|
||
|
Just after the earthquake a friend of mine put on his answering machine:
|
||
|
"Hi, this is Jeff. We can't get to the phone right now because we
|
||
|
were killed in the Earthquake. Tragic, isn't it? But, leave a
|
||
|
message anyway, someone is sure to get it eventually." BEEP
|
||
|
My favorite post quake message:
|
||
|
"Hi, we're not in cause we're out LOOTING!
|
||
|
Leave a message and we'll call you back and tell you what we got."
|
||
|
------------------------------------------------
|
||
|
"Hello, I'm not hear right now. In fact, I'm out getting a new parakeet.
|
||
|
If you leave a message after the beep, I'll be sure to get back to you.
|
||
|
Oh, and by the way, a word of advice; never try to clean a parakeet cage
|
||
|
with a vacuum cleaner."
|
||
|
------------------------------------------------
|
||
|
Ring...click....(sound of loud music in background)...Hello? - just
|
||
|
a second while I turn the stereo off (sound of person running to
|
||
|
click off music, which gets quiet. sound of person running back
|
||
|
to phone) OK, sorry about that, hi there, who's this...well hi!...
|
||
|
uh huh...yeah...well listen you're talking to a machine, so please
|
||
|
leave a message and I'll call you back.
|
||
|
(this ran for a while until a friend threatened to kill us after
|
||
|
she said she had a 2 minute conversation with the machine.)
|
||
|
------------------------------------------------
|
||
|
"Hello, this is Jim. Unfortunately I can't answer the phone right now
|
||
|
because I've just come back from the Mirror Worlds and I'm still made up of
|
||
|
antimatter, so if I were to pick up the phone right now, the resulting energy
|
||
|
release would make Hiroshima look like a wet firecracker.
|
||
|
So leave a message at the tone and I'll get back to you as soon as my
|
||
|
component particles have been restored to their normal charges."
|
||
|
------------------------------------------------
|
||
|
"Speak, worm!" <beep>
|
||
|
Works best if done in a Darth Vader voice.
|
||
|
------------------------------------------------
|
||
|
"You know what to do at the tone." <beep>
|
||
|
------------------------------------------------
|
||
|
"Hello?" <beep>
|
||
|
This confuses anyone who doesn't know you.
|
||
|
------------------------------------------------
|
||
|
"Hello, I'm not here." <beep>
|
||
|
A friend of mine used this one last summer. I always answered it with
|
||
|
"Okay, that's all I wanted to know."
|
||
|
------------------------------------------------
|
||
|
Hi!! You've reached Janet and Chris's room. We're not in right now.
|
||
|
If this is our parents, we're at the library studying. Yeah, yeah,
|
||
|
that's it, that's the ticket. If this is John (Chris's boyfriend), Chris
|
||
|
is out with the girls at the party. Yeah, that's it. If this is any one
|
||
|
else, we're at a party and you're not. Yeah, a party with the president.
|
||
|
Yeah and the .... pope. Yeah that's it. <beep>
|
||
|
------------------------------------------------
|
||
|
One voice: I didn't expect an answering machine.
|
||
|
Another voice: Nobody expects an answrering machine.
|
||
|
Our chief use is to get your name. And phone number.
|
||
|
Our two chief uses are to get your name and phone number. And
|
||
|
message. (damn)
|
||
|
Our three uses are to get your name, phone number, and
|
||
|
message. And time you called.
|
||
|
Oh, damn, we'll have to start over. No--no time for that, so
|
||
|
just wait for the beep.
|
||
|
------------------------------------------------
|
||
|
(in an Italian mafia-style tone:)
|
||
|
"Hello. I can't come to the phone right now. Me and Guido are trying to
|
||
|
stuff a body in the trunk. I think we're going to have to size it a
|
||
|
little... <aside> HEY GUIDO! GET THE CHAINSAW! Anyways, leave your name
|
||
|
and a message. If I like it, you'll hear from me. If not, _you'll_hear_
|
||
|
from_Guido! ( a little laughter )... "
|
||
|
------------------------------------------------
|
||
|
(To the tune of "Heartbreak Hotel" with appropriate instrumental accompaniment)
|
||
|
I just left home baby
|
||
|
I'll be out fer a spell
|
||
|
and if you don't leave a message baby
|
||
|
you can go to <BEEP>
|
||
|
------------------------------------------------
|
||
|
Hello, this is <insert your name here>. I'm home right now, and in
|
||
|
a few moments, I'll have a decision to make. BEEEP!
|
||
|
------------------------------------------------
|
||
|
[Theme from "Indiana Jones" in the background.]
|
||
|
You've reached the residence of John and Tom. We can't
|
||
|
come to the phone right now, because we're cleaning the
|
||
|
refrigerator. Please leave your name and number, and
|
||
|
we'll get back to you.
|
||
|
[Theme from "Indiana Jones" continues until the beep.]
|
||
|
------------------------------------------------
|
||
|
Hi! John's answering machine is broken. This is his
|
||
|
refrigerator. Please speak very slowly, and I'll stick
|
||
|
your message to myself with one of these magnets.
|
||
|
------------------------------------------------
|
||
|
One of my favorites had this very exciting scary music, along with a
|
||
|
kitten crying in the background, and the voice goes:
|
||
|
The machine answering this message is connected to a 5000 volt power
|
||
|
supply, and a relay which is wired to this small kitten. If you hang up
|
||
|
before you leave a message, it will complete the circuit and will fry
|
||
|
the kitty. The choice is YOURS.... BEEEEEEEEEEEEEEEEP
|
||
|
------------------------------------------------
|
||
|
FOXTROT-LIMA-ALPHA-SIERRA-HOTEL. KEY-DESTRUCT-SEQUENCE-NOW.
|
||
|
THIS-TERMINAL-ALSO-ACCEPTS-VOICE-MESSAGES...... ~~~
|
||
|
------------------------------------------------
|
||
|
Thank you for calling the Metropolitan Church of the Holy Bible.
|
||
|
Today's commandment is Number 6, Thou shalt not... er... bear
|
||
|
a... er... shalt not witness thy... uh... neighbor's ass,
|
||
|
oh, I mean, false... er... shalt not commit a bear... dern...
|
||
|
------------------------------------------------
|
||
|
How do you leave a message on this thing? I can't understand
|
||
|
the instructions. Hello. Testing 1 2 3. I wonder what happens
|
||
|
if I touch this... YOW!!
|
||
|
------------------------------------------------
|
||
|
I can't come to the phone now, so if, well, actually, I CAN come
|
||
|
to the phone now, I mean, like, I'm at the phone NOW, recording
|
||
|
this message, but I'm doing this NOW, while you're listening to
|
||
|
it LATER, except for you I guess it's NOW, like, when you're
|
||
|
listening to it... I mean, like, wait, gosh. This is so
|
||
|
confusing.
|
||
|
------------------------------------------------
|
||
|
I can't come to the phone now, so... hey -- that's a nice phone
|
||
|
you have there. Hey sugar, you call this number often? I bet
|
||
|
you have answering machines bothering you all the time... yes
|
||
|
indeedy. Why don't you give me a call sometime and we can
|
||
|
listen to some old recordings... I might even play my beep for
|
||
|
you...
|
||
|
------------------------------------------------
|
||
|
Don't you do it! Don't you dare! I don't want to hear it!
|
||
|
Don't you beep! If you beep, I'll... don't even think about
|
||
|
it!... Don't...!
|
||
|
------------------------------------------------
|
||
|
After the tone, leave your name, number, and tell where you left
|
||
|
the money. I'll get back to you as soon as it's safe for you to
|
||
|
come out of hiding.
|
||
|
------------------------------------------------
|
||
|
Prepare for alpha test of Beep Software revision 1.05. Counting
|
||
|
down to test: 5... 4... 3... 2... 1...
|
||
|
------------------------------------------------
|
||
|
As the drugs take hold, you feel you are losing your grip on
|
||
|
reality. You begin to hallucinate. You see a telephone... the
|
||
|
telephone is next to an answering machine... you hear a faint
|
||
|
click and a light flashes on the answering machine... you hear
|
||
|
a beep...
|
||
|
------------------------------------------------
|
||
|
You're growing tired. Your eyelids are getting heavy. You feel
|
||
|
very sleepy now. You are gradually losing your willpower and
|
||
|
your ability to resist suggestions. When you hear the tone you
|
||
|
will feel helplessly compelled to leave your name, number, and a
|
||
|
message.
|
||
|
------------------------------------------------
|
||
|
No! NO! Not THAT! Anything but that! Not the beep! No!
|
||
|
Please! Not the beep! Anything but the beep!
|
||
|
AAAAIIIIEEEEEEEEEEEE!
|
||
|
------------------------------------------------
|
||
|
This is a test. This is a test of the Answering Machine
|
||
|
Broadcast System. This is only a test.
|
||
|
------------------------------------------------
|
||
|
Next on Public Radio 91 we'll be hearing music of Antonin
|
||
|
Dvorak. This is the Beep Serenade in C-Sharp Minor, Opus 72...
|
||
|
------------------------------------------------
|
||
|
[Sung to the tune of "Ride of the Valkyries"]
|
||
|
Leave a message... leave a message... etc.
|
||
|
------------------------------------------------
|
||
|
Thanks for calling Dial-A-Shrink. I can't come to the phone
|
||
|
right now, so after the tone, please leave your name and number,
|
||
|
then talk briefly about your childhood and tell me what comes to
|
||
|
mind when you hear the following words: orange... mother...
|
||
|
unicorn... penis. I'll get back to you with my diagnosis as
|
||
|
soon as possible.
|
||
|
------------------------------------------------
|
||
|
[For Shakespeare lovers only]
|
||
|
So long as phones can ring and eyes can see,
|
||
|
So leave a message, and I'll get back to thee.
|
||
|
------------------------------------------------
|
||
|
[VOICE 1] Answer the phone, please, Hal.
|
||
|
[VOICE 2] I'm sorry, Dave, I can't do that.
|
||
|
------------------------------------------------
|
||
|
I can't come to the phone right now because I'm down in the
|
||
|
basement printing up a fresh new batch of 20 dollar bills. If
|
||
|
you need any money, or if you just want to check out my
|
||
|
handiwork, please leave your name, number, and how much cash you
|
||
|
need after the tone. If you're from the Department of the
|
||
|
Treasury, please ignore this message.
|
||
|
------------------------------------------------
|
||
|
Thank you for calling the Confessional Hotline. Father Durway's
|
||
|
not here right now, but if you'll leave your name, number, and
|
||
|
confession at the tone, he'll get back to you with absolution as
|
||
|
soon as possible. And remember, confession doesn't count unless
|
||
|
you confess all of your sins in vivid, graphic detail!
|
||
|
------------------------------------------------
|
||
|
Andy Warhol said that one day everyone will be famous for 15
|
||
|
minutes. Well, your 15 minutes was last week, but since you
|
||
|
weren't ready, we gave it to Vanna White. Sorry.
|
||
|
------------------------------------------------
|
||
|
C'mon... you can do it... just a little one. That's the
|
||
|
way... just a little beep, just a little one. C'mon... good
|
||
|
boy... here we go... like this -- beeeeep, just a little one,
|
||
|
beeeeeeeeeep, c'mon... There you go!
|
||
|
------------------------------------------------
|
||
|
I can't come to the phone now because I have amnesia and I feel
|
||
|
stupid talking to people I don't remember. I'd appreciate it if
|
||
|
you could help me out by leaving my name and telling me
|
||
|
something about myself. Thanks.
|
||
|
------------------------------------------------
|
||
|
I can't come to the phone now because alien beings are eating my
|
||
|
brain. Leave a message anyway, and after the alien beings
|
||
|
assume my shape, one of them will get back to you.
|
||
|
------------------------------------------------
|
||
|
Thanks for calling Dial-An-Asshole. Right now, all our assholes
|
||
|
are busy. After the tone, leave your name and number, and we'll
|
||
|
have an asshole return your call as soon as possible.
|
||
|
------------------------------------------------
|
||
|
Ok, One more time...
|
||
|
This is our answering machine...
|
||
|
This is the message on our answering machine...
|
||
|
..Any questions?
|
||
|
------------------------------------------------
|
||
|
Hi, can I speak to Mark?...Oh, there isn't?...I'm sorry,
|
||
|
I must have dialed the wrong number.
|
||
|
------------------------------------------------
|
||
|
<beep, beep, beep>
|
||
|
The number you have reached,
|
||
|
Seven. Six. Seven. One. Two. Three. Four.
|
||
|
[Use your number here.]
|
||
|
has not been disconnected and is still in service.
|
||
|
Please leave a message at the sound of the tone.
|
||
|
------------------------------------------------
|
||
|
HANS: This is Hans
|
||
|
FRANZ: And this is Franz, and we just want to...
|
||
|
BOTH: Pump (CLAP) you up
|
||
|
HANS: But we are not at home, you know
|
||
|
FRANZ: Ya, we are gone
|
||
|
HANS: If you want us to...
|
||
|
BOTH: Pump (CLAP) you up
|
||
|
HANS: You will leave a message after the beep
|
||
|
FRANZ: If you don't leave a message, then you are Girlyman.
|
||
|
HANS: Ya, Girlyman. And we don't talk to Girlyman, you know
|
||
|
FRANZ: So leave a message and we will call to..
|
||
|
BOTH: Pump (CLAP) you up
|
||
|
------------------------------------------------
|
||
|
"Hello! This is 1-800-PRESLEY -- Yes! 1-800-PRESLEY!
|
||
|
They say the King died 10 years ago, but we know he's still out there
|
||
|
somewhere. So . . . leave your name and number and tell us where
|
||
|
*YOU* saw Elvis!"
|
||
|
------------------------------------------------
|
||
|
"Hi, you've reached 1-900-CALL-BREN, my personal message line where
|
||
|
you can talk to me, Bren. I'll tell you all about how I'm suffering
|
||
|
in between sports seasons and about my part time hobby of being a power
|
||
|
forward for the Portland Trailblazers. I'll tell my deepest secrets,
|
||
|
such as my desire to be kidnapped by short blonde sorority
|
||
|
girls wearing short jean skirts, and you can decide whether or not
|
||
|
I'm wearing pants. Selected callers will get to talk to me live.
|
||
|
Since you're not one of them, leave your own personal secret at the
|
||
|
beep. "
|
||
|
------------------------------------------------
|
||
|
In a vaguely phoneco-operator voice: "I'm sorry, you have reached an
|
||
|
imaginary number. Would you please rotate your telephone by ninety
|
||
|
degrees and try your call again."
|
||
|
A few people even got the joke...
|
||
|
------------------------------------------------
|
||
|
"You have just dialed into the North American Air Defense Contract Center.
|
||
|
Stand by at the tone to give coordinates and destination of incoming bogey.
|
||
|
TNR Surveillance will scramble. If you do not respond, this unit will assume
|
||
|
incoming, non-important."
|
||
|
------------------------------------------------
|
||
|
"Sherwood forest, which dear do you want?"
|
||
|
"Lucifer speaking, who in the hall do you want?"
|
||
|
"Heaven, God speaking."
|
||
|
"Bridge, Kirk here."
|
||
|
"City Morgue, you kill 'em, we chill 'em; You stab 'em, we slab 'em!"
|
||
|
------------------------------------------------
|
||
|
"Thank you for calling Soviet Embassy. No KG... Er, no diplomats are
|
||
|
able to answer phone, so at sound of capitalist tone, leave name,
|
||
|
telephone number, and short description of secrets you wish to sell."
|
||
|
------------------------------------------------
|
||
|
"I've set up my answering machine so that when anyone calls, they
|
||
|
here a busy signal."
|
||
|
------------------------------------------------
|
||
|
If you are a burgler, then we are probably at home but can't come
|
||
|
to the phone right now
|
||
|
Otherwise, we probably aren't at home.
|
||
|
------------------------------------------------
|
||
|
The number you've dialed is purely imaginary, multiply by i and dial again!
|
||
|
------------------------------------------------
|
||
|
This is you-know who.
|
||
|
We are you-know-where.
|
||
|
Leave your you-know-what you-know-when.
|
||
|
------------------------------------------------
|
||
|
" I'm Morley Safer."
|
||
|
"I'm Harry Reasoner."
|
||
|
"I'm ........
|
||
|
"And I'm" <the guy whose answering machine it was>
|
||
|
" We're not home; leave a message."
|
||
|
He had taped the audio of the beginning of 60 minutes; it sounded
|
||
|
very funny.
|
||
|
------------------------------------------------
|
||
|
"Greetings. You've reached Ghengis Kahn's Pornographic FilmsUnlimited.
|
||
|
Fabian, Pat, Rex and Mike are still conducting screentests with potential
|
||
|
leading ladies to star opposite the late JohnHolmes in our upcoming feature
|
||
|
film "It's Not the Size That Counts butWhether or Not You're Alive to Use It."
|
||
|
If you're interested in a
|
||
|
screen test, or even if you're not, please leave us your name, age,
|
||
|
phone number, measurements, cup size, a brief summary of your work
|
||
|
experience, both off and on the screen, and a brief summary of your
|
||
|
favorite fantasy involving four men, a pair of handcuffs, and a tub of
|
||
|
Cool Whip. Thank you for calling."
|
||
|
------------------------------------------------
|
||
|
Another one I've done more than once is to slowly increase the pitch
|
||
|
and speed of my voice while recording the message to make it sound
|
||
|
like the machine is broken:(start, low pitch, slow)
|
||
|
"Hhhhheeelllllloooooo thheeeerrrrrrre evvvvveerrrryyyboooodyyyy....
|
||
|
(middle, normal)
|
||
|
.home of Veronica, Jaw-Chyi, Mark and Mike. Nobody's home...
|
||
|
(later, high pitch, fast)
|
||
|
.butifyou'dliketoleaveamessageafterthetonethen...
|
||
|
(end, incomprehensible chipmunk gibberish)
|
||
|
.kkfjdkeirucjkljfkldjrioutjkjfdskoreudjfkleqBEEP!"
|
||
|
------------------------------------------------
|
||
|
This is not an answering machine -- this is a telepathic
|
||
|
thought-recording device. After the tone, think about your
|
||
|
name, your reason for calling, and a number where I can reach
|
||
|
you, and I'll think about returning your call.
|
||
|
------------------------------------------------
|
||
|
"E'llo."
|
||
|
"My name is Inigo Montonya."
|
||
|
"You killed my father."
|
||
|
"Leave your name and number, and prepare to die." <beep>
|
||
|
------------------------------------------------
|
||
|
My favorite that I have heard as an answering machine message is also
|
||
|
>from this movie. My friend recorded the section that goes something
|
||
|
like:
|
||
|
"I'm writing the definative work on pain, and I would like you
|
||
|
to tell me how the machine makes you feel. Remember, be honest. This
|
||
|
is for posterity."
|
||
|
------------------------------------------------
|
||
|
The message I currently have on my recorder is the output from my Amiga's
|
||
|
speech sythesizer. It's set up as a dialog between two distict, but
|
||
|
recognizably artificial voices. I thought it sort of mediocre myself, but
|
||
|
have gotten quite a number of amused comments about it.
|
||
|
-----
|
||
|
1> Hello, there are no real people here to answer the phone right now.
|
||
|
2> Yeah, nobody but us machines!
|
||
|
1> Right, just us machines, but don't hang up! If you like, you can leave
|
||
|
your name and telephone number...
|
||
|
2> ...and a message! You forgot about the message!
|
||
|
1> Right. Leave your name, telephone number, and a brief message after you
|
||
|
hear the beep, and we will keep track of this stuff until the real people
|
||
|
get back.
|
||
|
2> ...unless of course, sombody pulls out our plug!
|
||
|
------------------------------------------------
|
||
|
I taped theoperator saying "we're sorry. The number you have reached
|
||
|
has been disconnected or is no longer is service..."
|
||
|
------------------------------------------------
|
||
|
From Halloween this year:
|
||
|
(Ominous electronic background music.)
|
||
|
Hi, this is Jim. In honor of Halloween, I'm about to perform
|
||
|
an unspeakable pagan ritual. So please leave a message. Oh,
|
||
|
unless you're a virgin, in which case, why don't you stop by?
|
||
|
SINT MIHI DEI ACHERONTIS PROPITII...
|
||
|
------------------------------------------------
|
||
|
(French monologue in the background)
|
||
|
Around the world today, millions still speak French as either
|
||
|
a first or second language. But with your continued support
|
||
|
and help, we can wipe out French in our lifetime. Please leave
|
||
|
a message in English at the tone, and remember, if someone
|
||
|
tries to speak French to you, just say, "non".
|
||
|
------------------------------------------------
|
||
|
Hi, this is Jim. Welcome to my Fun Phone Line, where you can
|
||
|
talk to my answering machine for only $.95 per minute! Please
|
||
|
leave your credit card number at the tone...
|
||
|
------------------------------------------------
|
||
|
Hi, this is Jim. Thanks for calling during my spring pledge
|
||
|
drive. A basic membership is only $30, and a $60 pledge gets
|
||
|
you an "I love Jim Shea" T-shirt. Please wait for the tone,
|
||
|
and thank you for your pledge.
|
||
|
------------------------------------------------
|
||
|
(click) "You have reached the CPX-2000 Voice Blackmail System. Your
|
||
|
voice patterns are now being digitally encoded and stored for
|
||
|
later use. Once this is done, our computers will be able to
|
||
|
use the sound of _your_ voice for literally thousands of illegal
|
||
|
and immoral purposes. There is no charge for this initial
|
||
|
consultation, however our staff of professional extortionists
|
||
|
will be contacting you in the near future to further explain the
|
||
|
benefits of our service, and to arrange for your schedule of
|
||
|
payment. Remember to speak clearly at the sound of the tone.
|
||
|
Thank you." (BEEEEEEEEEEEP)
|
||
|
------------------------------------------------
|
||
|
(Use a strong east Indian accent)
|
||
|
Hello, you have reached the existential hotline of (...). I am currently
|
||
|
meditating,
|
||
|
but if you leave your name andwhich lifeline you are currently inhabiting at
|
||
|
the
|
||
|
sound of the Om, I will send good karma waves and contact you whenthe stars
|
||
|
align properly.
|
||
|
------------------------------------------------
|
||
|
Oooooommmmmmmmmmmmm...
|
||
|
(heavy panting and breathing in the background), Oh! Sorry,
|
||
|
I can't come (Oh! Yes! Do it to me) to the (Oh!) phone right
|
||
|
now (pant pant), leave your name and number at the
|
||
|
(scream) (I'm gonna come!!!!!) orgasm.
|
||
|
------------------------------------------------
|
||
|
<Cackle> That's right! This is an answering machine! In a few
|
||
|
seconds, YOU'RE gonna have to leave a message! Then we'll listen
|
||
|
to it and decide whether or not we like you anymore! So make it GOOD...
|
||
|
----------------------------------------------------
|
||
|
(Background music: Something psychotic sounding, like Revolution 9
|
||
|
(Beatles) or Toccata (ELP))
|
||
|
Hello, you have reached the <Housing Complex> Psychatric Ward.
|
||
|
<Residents> aren't here right now, so LEARN HOW TO COPE WITH IT!
|
||
|
(Gasp) Leave a message at the beep, and we'll discuss your case.
|
||
|
Thanks for calling... NOW GO AWAY! Hahahahahaha oof... <chair
|
||
|
falling over>
|
||
|
----------------------------------------------------
|
||
|
(Background: Something spacy, like "A Saucerful Of Secrets" by Pink Floyd.)
|
||
|
(Try to sound like Carl Sagan.)
|
||
|
Who are you? Where do you come from? Why are you here?
|
||
|
(Normal voice)
|
||
|
I don't have the answer to these questions, but you can give ME the
|
||
|
answers at the beep.
|
||
|
----------------------------------------------------
|
||
|
"At the sound of the tone, you will be charged $10 for the first
|
||
|
minute and $2 for each additional minute. Please leave your name, phone
|
||
|
number and a message. You may call as often as you wish."
|
||
|
----------------------------------------------------
|
||
|
"ahhhhhhhhh...hhhhhhhhhhhhh (heavy breathing sounds, like an
|
||
|
obcene phone call) Oh, shit, you called me! Sorry, leave your
|
||
|
name and number at the beep."
|
||
|
----------------------------------------------------
|
||
|
"Hello, this is John's refrigerator, his answering machine's not working right
|
||
|
now, so leave a name and number and we'll get back to you."
|
||
|
(uses a back-woods slow drawl type voice)
|
||
|
----------------------------------------------------
|
||
|
"This is an answerin' machine, this machine is designed to take full
|
||
|
advantage of its numerous capabilities. Please say what you wanted
|
||
|
to talk about and why did ya call me anyhow? Wait for the tone to
|
||
|
sound, and leave yer message after the beep."
|
||
|
----------------------------------------------------
|
||
|
(uses pompous John Houseman {prof. Kingsfield} type voice)
|
||
|
"It appears Reynaldo has again failed to answer the phone so you'll just
|
||
|
have to leave a message. Right now I'm off to find Reynaldo and probably fire
|
||
|
him."
|
||
|
----------------------------------------------------
|
||
|
Use a pretty much regular message but end it with "And, remember, this machine
|
||
|
cannot hurt you--over the phone."
|
||
|
----------------------------------------------------
|
||
|
"Hello. This is Ron's answering machine, Marvin, and I'm *so*
|
||
|
depressed. I have 50,000 times the memory capacity of my owner,
|
||
|
yet all I get to do is answer the phone. Life. Don't talk to
|
||
|
me about life. Just leave your name and number after the beep."
|
||
|
----------------------------------------------------
|
||
|
"Hello, this is Ron's toaster. Ron's new answering machine
|
||
|
is in the shop for repairs, so please leave your message
|
||
|
when the toast is done .... {Cachunk!}"
|
||
|
----------------------------------------------------
|
||
|
"Joe and Fred can't come to the phone now because:
|
||
|
(1) Were at an orgy
|
||
|
(2) Terrorists have taken over the building
|
||
|
(3) We saw GOD
|
||
|
(4) The FBI busted our fraterinty /* BIG news around here lately */
|
||
|
----------------------------------------------------
|
||
|
"Please leave youre name, phone #, time you called, and favorite
|
||
|
color of underware. we'll get back to you if we like the color."
|
||
|
----------------------------------------------------
|
||
|
Here's my favorite, for calling large offices and idiots-in-general:
|
||
|
"Hello, is this the person to whom I am speaking?"
|
||
|
----------------------------------------------------
|
||
|
My solution is upon realizing that I'm talking with a "telemarketing
|
||
|
representative", I ask: "Are you a telemarketer?" The answer
|
||
|
(suprisingly) is usually yes. I then go into a sales pitch to
|
||
|
sell a (nonexistant) telephone ear-cusion.
|
||
|
I insist that every telemarketer must have one for safety and comfort.
|
||
|
Eventually, they'll forget to try selling me anything.
|
||
|
----------------------------------------------------
|
||
|
"And this is the sound the aliens made..." (BEEP!)
|
||
|
----------------------------------------------------------------------
|
||
|
waste their
|
||
|
time: Have a tape recording of your self going: "Yes (pause) uh
|
||
|
huh (pause) hmmm (pause) mmm, yeah (pause) ..." repeated
|
||
|
indefinitley. As soon as you realize that it's a telephone
|
||
|
solictor you turn on the recording, put it by the speaker and
|
||
|
leave.
|
||
|
----------------------------------------------------------------------
|
||
|
Have fun: Ask them very personal or bizare questions. If it's the
|
||
|
opposite sex pretend that you earnestly want to date them.
|
||
|
Treat tem as if they're the last source of information on
|
||
|
giraffe breeding and you MUST have the details.
|
||
|
----------------------------------------------------------------------
|
||
|
"Hi, this is ______________...I'm not here anymore because I've
|
||
|
committed suicide--so if it's about any money I owe you, I'll
|
||
|
see you in Hell!"
|
||
|
----------------------------------------------------------------------
|
||
|
"You have reached (recites number here). No one is available to speak
|
||
|
with you right now because we either are not here or don't feel like
|
||
|
picking up the phone.
|
||
|
If you are a burglar, we have two hungy dobermans downstairs for your
|
||
|
convenience."
|
||
|
-------------------------------------------------------------
|
||
|
Currently I answer my phone, "Kimona Ackapiecesay!"
|
||
|
>From the AT&T commercial where the guy calls Fiji? I have no clue
|
||
|
as to what it means, but it never fails to confuse people.
|
||
|
-------------------------------------------------------------
|
||
|
My answering machine reads, with spooky music in the background,
|
||
|
or Bach's Toccata and Fugue in D minor, "Hello. You have reached
|
||
|
xxx-xxxx,otherwise known as the epicenter of the universe. No one is
|
||
|
available right now, but, if you'll leave your name, phone number,
|
||
|
mastercard or visa number, sexual preference, and message, your deity
|
||
|
of choice will get back to you as soon as is. . .humanly possible. Thank
|
||
|
you very much, and have a nice life."
|
||
|
-------------------------------------------------------------
|
||
|
Friend of mine (Known as "K", to protect the innocent - me, not him!)
|
||
|
has anodd one. Picks up phone, says hello, says K isn't here right
|
||
|
now - oh, is that him under the table? No, somebody else. Oh well.
|
||
|
Leave a message, I'll getit to him. (Walkman is playing heavy metal
|
||
|
into machine microphone all thistime.)
|
||
|
-----------------------------------------------------
|
||
|
< Lick It...Stuff it in>
|
||
|
<Lick it... Stuff it in>
|
||
|
< Lick it.. Stuff it in>
|
||
|
|
||
|
As you can hear, John and Cathy are busy mailing
|
||
|
letters, please leave a message at the ton......
|
||
|
----------------------------------------------------
|
||
|
in Michelangelo's voice:
|
||
|
|
||
|
Hi, dudes, this is 031 343 xxxx. This is the Teenage Mutant Hero
|
||
|
Turtles' secret underground hideaway. I'm afraid we're all out just now
|
||
|
on a desperate mission to save the Planet from boring answering machine
|
||
|
messages, but if you know what The Shredder has done to April O'Neill,
|
||
|
or if you know where he is, or if you can think of a decent pizza
|
||
|
recipe, just leave your name and number and we'll ring you right back.
|
||
|
But don't say anything yet! Enemy agents may be listening. When the
|
||
|
computer has checked they're not eavesdropping, it will make a bleeping
|
||
|
noise and you can speak freely.'
|
||
|
----------------------------------------------------
|
||
|
----------------------------------------------------
|
||
|
Answering machines. Nowadays almost everyone has one, complete
|
||
|
with a snappymessage of their own device. Wait for the beep and then read on.
|
||
|
This is a short adaptation of Simon Butler-White's and Clive Archer's
|
||
|
"could-be" phone messages released in Australian Cleo, August 1989.
|
||
|
(Some of them are bit old, Maggie ain't prime minister of the UK, and
|
||
|
Kylie Minogue isn't seeing Jason Donovan anymore, but you'll get the meaning
|
||
|
anyway,I'm sure).
|
||
|
|
||
|
John McEnroe, Tennis Mouth
|
||
|
|
||
|
You dummy! You've called while I'm OUT! Five minutes You've missed
|
||
|
me by ATLEAST five minutes. Are you stupid or what? Can't you get
|
||
|
anything right?You people make me sick! Leave a message and
|
||
|
I'll call you back! BEEP.
|
||
|
----
|
||
|
|
||
|
Sarah Ferguson, Another Royal
|
||
|
|
||
|
(Giggle) Hello, this is Fergie...er (sound of hand being placed over
|
||
|
receiver and a loud whisper). Andrew! What'sthat title again? What? Oh hello,
|
||
|
this is the Duchess of York. The Duke and I are out skiing, so when you hear
|
||
|
the jolly old pip pip, leave your message and we'll give you a tinkle when
|
||
|
we get back - in November. BEEP.
|
||
|
----
|
||
|
|
||
|
Elvis Presley, Corpse
|
||
|
|
||
|
Hi. I can't come to the phone right now. Actually I can't do much of anything
|
||
|
right now because I've been dead since 1977. But my spirit lives on and if
|
||
|
you'd like to leave your name and number, I'll try to contact you via ouija
|
||
|
board, Madame Zenda or garbled tape recording. This is also the number of
|
||
|
John F. Kennedy, Adolf Hitler, Harold Holt, Lucille Ball, Roy Orbison...BEEP.
|
||
|
----
|
||
|
|
||
|
Mikhail Gorbachev, Commie Birthmark
|
||
|
|
||
|
Hello. This is Nonoxynol-9, the persona and private telephone number of
|
||
|
Mikhail Vladivostok Gorbachev, General Secretary of the Supreme Council of
|
||
|
the glorious Communist Party of the Union of Sovjet Socialist Republics,
|
||
|
Commander-In-Chief of the Combined Armies of the Proletariat Peoples of
|
||
|
Russia, First Citizen of the Order of Lenin, Supreme Patron of the Soviet
|
||
|
Institute of Literature and Domestic Sciences, President of the Soviet
|
||
|
People's Council of Peace and Happines and Captain of the Kremlin B Squash
|
||
|
Team. But hey, call me Mike. BEEP.
|
||
|
----
|
||
|
|
||
|
Arnold Schwarzenegger, Thespian
|
||
|
|
||
|
Gutten day to you. Here I'm being on ze set of mein latest moofie. Eet's
|
||
|
the latest moofie in mein strings of mega-hits. First zere was za Terminator,
|
||
|
zen zere was za Predator...zis one's called za Laminator. Eet's about zis
|
||
|
handyman on a mission. Eet's drama. Very funny stuff. You'll chust luff it.
|
||
|
I know you vill. Leaf a messich after za beep. Don't say you can't. Ve haf
|
||
|
vays off making you talk, you know. BEEP.
|
||
|
----
|
||
|
|
||
|
Margaret Thatcher, Iron Woman
|
||
|
|
||
|
You have reached the residence of the Prime Minister at No. 10 Downing
|
||
|
Street. When you hear the beep, sit up straight, speak clearly and
|
||
|
distinctly and STOP doodling when you're talking to me! And Dennis, if that's
|
||
|
you, how many time have I told you abut staying at the club after 9.30?
|
||
|
We've been a very naughty boy, haven't we? BEEP.
|
||
|
----
|
||
|
|
||
|
Kylie Minogue, Singing Budgie
|
||
|
|
||
|
Gee, hi, um, I'm unable to come to the phone right now cos I'm making a
|
||
|
movie, or a video, or a new album or something, but I'll get back to you
|
||
|
next time I'm in Australia. and if that's you Jason, I stick by what I
|
||
|
said last night: You wear your underwear and I'll wear mine. BEEP.
|
||
|
----
|
||
|
|
||
|
The Pope, Spiritual Leader
|
||
|
|
||
|
Bless you my child. This is John Paul Ringo...heh heh, I tell a liddle
|
||
|
Beatles choke, yes? I'm out kissing airport runways (hey, so would you
|
||
|
if you flew Boeing) and am unable to pontificate at present. Please
|
||
|
leave your name and number when you hear the amen and I'll get back to
|
||
|
you, God willing. BEEP.
|
||
|
----
|
||
|
[to the tune of "I'm not your stepping stone"]
|
||
|
"I I I I I'm just an answering machine... I said 'a I I I I I'm just an
|
||
|
answering machine. BEEP."
|
||
|
--------------------------------
|
||
|
"Thank you for calling XXX-XXXX. If you wish to speak to Tim push 1 on your
|
||
|
touch tone phone now. If you wish to speak to Lynn push 2 on your touch tone
|
||
|
phone now. If you have a wrong number push 3 on your touch tone phone now.
|
||
|
All of this button pushing doesn't do anything but it is a good way to work off
|
||
|
anger and makes us feel like we have a big time phone system."
|
||
|
----------------------------
|
||
|
I hate these machines, as much as you.
|
||
|
But try as we might, the cats just won't do.
|
||
|
The scratches they cause,
|
||
|
Holding the phone with their paws,
|
||
|
Only leave us feeling lonely and blue.
|
||
|
|
||
|
So, leave your name at the beep.
|
||
|
On the recorder it will keep.
|
||
|
And if there's a way,
|
||
|
We'll call you today,
|
||
|
Unless of course your a <beeeeeeeeep>.
|
||
|
----------------------------
|
||
|
"Hello this is the (Last Name) residence, we're in the middle of a family
|
||
|
fight right now. Leave your name a number at the beep and whichever one
|
||
|
wins will call you right back."
|
||
|
----------------------------
|
||
|
I hate these machines, as much as you.
|
||
|
But try as we might, the cats just won't do.
|
||
|
The scratches they cause,
|
||
|
Holding the phone with their paws,
|
||
|
Only leave us feeling lonely and blue.
|
||
|
|
||
|
So, leave your name at the beep.
|
||
|
On the recorder it will keep.
|
||
|
And if there's a way,
|
||
|
We'll call you today,
|
||
|
Unless of course your a <beeeeeeeeep>.
|
||
|
--------------------------------
|
||
|
Hi, this is Dave. I'm out right now. This means I'm either asleep or not
|
||
|
here. I'll get back to you when I return or regain consiousness, whichever
|
||
|
comes first.
|
||
|
--------------------------------
|
||
|
Here's another one, (partly) remembered. It is best said very fastand loud and
|
||
|
with no pauses, to receive the desired effect (the calling party will have
|
||
|
lost all
|
||
|
concentration and leave babbling garbage on the tape). It DOES work and is
|
||
|
very funny to hear your messages when you get home:
|
||
|
--------------------------------
|
||
|
Hi, this is Dave. By getting this message instead of the person you were
|
||
|
originally calling you have stumbled into the position of having to come up
|
||
|
with some reasonable one-sided interpretation of your original reason
|
||
|
forcalling and leave it on an uncaring audio tape which will not preserve your
|
||
|
normally functioning wit and power of speech. NOW!!!! (beep)
|
||
|
----------------------------------
|
||
|
It's time to play "What's Your Business" starring you, the caller.
|
||
|
That's right, you get to leave your name and number on this
|
||
|
amazing machine! But that's not all, if you leave a brief message and
|
||
|
the time that you called, you could win our fabulous Grand Prize, a
|
||
|
RETURN CALL! Good luck, and here's the beep.
|
||
|
----------------------------------
|
||
|
Recorded phone company message saying number is disconnected
|
||
|
playing in the background while the owner is arguing
|
||
|
with it like this:
|
||
|
Hey don't say that, it is connected
|
||
|
..
|
||
|
No please, I paid all my bills
|
||
|
..
|
||
|
What did I do wrong (desperate)
|
||
|
..
|
||
|
Why are you doing this to me? (bursting into tears)
|
||
|
----------------------------------
|
||
|
ordinary message ending with a recorded BEEP and
|
||
|
then silence for a few seconds:
|
||
|
HAHAHA
|
||
|
Fooled you, here comes the real BEEP
|
||
|
<real BEEP>
|
||
|
|