691 lines
25 KiB
Plaintext
691 lines
25 KiB
Plaintext
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>Has anyone heard or written any really clever or funny telephone answering
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>machine messages? I mean of the outgoing kind. Mine is getting kind of
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>tired.
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Funny that you ask that - I recently picked up an answering machine
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and have been putting such things on it as the following:
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Those unlucky ones among us who are at all familiar with the Cthulhu tales
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will appreciate this one. Given that Lovecraft missed the last couple lines
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of a certain chant, we discovered and translated it in its entirety:
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In his house in R'lyeh
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Dead Cthulhu waits dreaming
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Of the message you'll be leaving
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When you hear the tone.
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----------
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Recently we replaced that with a Millard Fillmore fact line (it's wonderful
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what knowledge you can get from a World Book.) Did you know the first bathtub
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in the White House was installed during his administration?
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Of course if you want something a little less sophisticated, you can always
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say you're out cleaning up the beepdoo. When a co-conspirator shouts from
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a distance, "What's the beepdoo?", you reply, "Tells the caller to leave
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a message."
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Hi, this is Ed Falk. I stepped outside to get the paper, and the door
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locked behind me. Luckily, I left the answering machine on. So, while
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I'm outside, shivering in my underwear, you can leave a message. Then,
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when the landlord lets me back in, I can get back to you.
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It was very popular, as answering machine messages go, but I decided to
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get rid of it when (one month when the rent was late) I got this message:
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Ed, this is the landlord. I'm in my underwear too. Where's the rent?
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>If you call a friend of mine, you hear him say "Hello". You then say
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>something to the effect of "Hi. How's it going?", only to be interrupted
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>about halfway through your question with "Hah! I am just a machine! Don't
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>you feel dumb now? Anything you say after the tone will be passed on to
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>Noel."
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>
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>The length of the pause you leave between the "hello" and the rest of
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>the message is critical.
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Unfortunately, many machines stop the outgoing message themselves
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after two seconds. This makes mine somewhat less comprehensible, but
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it still manages to get some laughs:
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"The Helene Blavatsky Astral Correspondence School congratulates you
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on successfully passing the second test of your progress in psychic
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development by being perceptive enough to call this number, ###-####.
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If you feel you are ready for the third test, answer the following
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questions at the sound of the tone: [long pause]" [BEEP!]
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>There's a whole book of answering machine messages, called
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>"No hang-ups". I think my roommate got it from a mail-order
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>catalog or something. Anyway, here's the one we have on right
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>now:
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>You have reached [] . We just want to let you know that
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>the 110 volt current that runs this machine is also wired
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>to an adorable little kitten. If you hang up without leaving
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>a message, the circuit will be completed and FRY the kitten.
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>It's your choice.... (in background: meaoww!)
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I have the book, and used sound effects - my roommate meowing and a
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pseudo-30,000 volt generator.
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We got MOOOOOORE hangups that week... ("FRY THE CAT! *click*")
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The next week, we put on...
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"Hello, you've reached Tom and Phil's place. You may recall that
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last week we had the answering machine wired up to a 30,000 volt generator
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that would fry a fluffy little kitten if you hang up without leaving a
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message.
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Well, I guess you people don't like cats.
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We went through seventeen fluffy little kittens last week.
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Since we're out of fluffy little kittens, we now have a mangy old
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tomcat that will only get fried IF you leave your name and number..."
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Another time, I started out with a Tijuana Brass trumpet fanfare.
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("...some fanfare, huh? Leave your name and number...")
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My best friend called, and spent two minutes telling me how strange
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I was.
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One day, my roommate accidentally erased the message. I simply pushed
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the record button and SCREAMED. We liked it so much, we left it on there
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for a week.
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> Of course, if we wanted to be nasty we could have it say 'The number
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> you have reached, 2-5-0-8-3-0-7, is not in service at this time. Please
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> check the number and try again' 250 8307 is one digit off from the
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> real one. Or a recording that somehow implies that they've dialed a
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> very expensive long-distance call by mistake. 'Scotland Yard, Hello'.
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> etc..
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"Lunatic Laboratories Unlimited, may I help you?" <beep>
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"Hello? <pause> Hello? <pause> I can't hear you. I guess that's 'cos
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I'm not at home right now. But if you'll leave a message, I'll be sure
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to get back to you..."
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Of course there was the time I copied the first bit from Pink Floyd's
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_Brain Damage_ onto the tape. "The lunatic is on the grass/the lunatic
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is on the grass/remembering games and daisy chains and laughs/got to
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keep the loonies on the path." <beep>
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"You've reached the Lunatic Laboratories Unlimited Food and Drug
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Testing Division. We've eaten all the food, and now we're taking the
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drugs. If you'll leave a message on this machine, I'm sure we can get
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back to you as soon as we can tell which end of the phone to talk into.
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Thank you." <beep>
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"Me and my partner Ed have been looking into the stress caused by phone
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answering machines and we find that it is much easier to tolerate those
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stupid messages if you have a Bartles and Jaymes Premium White Wine
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Cooler. So instead of getting mad and slamming down the phone, take a
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drink and leave a message. Thank you for your support." <beep>
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"You have reached 666-1313, DIAL-A-DEMON. At the sound of the tone you
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will be possessed." <beep>
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"Terribly sorry, but you've reached an answering machine." <beep>
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"At the sound of the tone, YOUR telephone's going to EXPLODE!" <beep>
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(If you've seen the Monty Python episode where the announcer comes on
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and says "And now, it's time for the penguin on top of your television
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set to explode!" you'll know what sort of voice to use.)
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Or, for the religious minded:
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Hi. This is God. I'm not in right now, but if you leave
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your name, religion, and a small donation in the plate at the altar,
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I'll get back to you in about a million years. Have a nice day. <beep>
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If you are having problems with junk "sales" calls, leave
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this message on your machine and leave the machine running,
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even while you are at home:
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"Hi, you've reached <insert phone number here>. At the sound
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of the beep, please speak your name, your phone number, and
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your Visa or Mastercard number and expiration date. I will
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place and confirm a charge of one hundred dollars against your
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card, then call you back. If I agree that your call is worth
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interrupting me at home, I will cancel the charge."
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-----------------------------
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A few weeks ago I helped one of my friends (in a dorm at the U. of IL)
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put together a message on his answering machine. He had loud music in the
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background and his message was was something like the following:
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"Hello...What?...I can't hear you. Wait a second. (To people
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supposedly in the room:) Turn that down!...Because I'm trying to talk on the
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phone!...Look, it's my room! Turn that down or get out of here!! (To
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caller:) Hold on a minute." (Puts down phone. Goes to other side of room
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and pretends to be yelling at people in the room. Music finally goes down.
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Picks up phone again.) "O.K. I finally got that noise turned down. By the
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way, I'm not actually here right now but if you leave your number...."
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After a few takes we got a really good recording. It really sounded as
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if he was there but could not hear the caller. If you time it right, the
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"What...I can't hear you...etc." will come right after the caller has tried
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to say something. You can of course make the routine much longer if you have
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enough tape.
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-------------------------
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While I have never tried this message, I think that it would upset most
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people who are trying to get ahold of you... If that is what you wish,
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then go ahead and use it, It isn't my life.
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<Ring>, <Ring>, <Ring>
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<Answering Maching> "Hello, I am actually home at the moment, but I really
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don't feel like listening to whatever your problem is. So, If you leave
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your name and number at the tone, when I feel like responding to your message,
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I will. "
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This can be improved appon to be made more obnoixous, but remember that
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bad language on a answering machine can be illegal in some places...
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-------------------------
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Last year my answering machine had this message on it, in a loud voice with
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a British accent over the Liberty Bell march (the Monty Python's Flying
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Circus theme):
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NOBODY EXPECTS THE SPANISH INQUISITION! WE DIDN'T EVEN EXPECT
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YOUR CALL! SO IF YOU'D BE SO KIND TO LEAVE YOUR NAME AND NUMBER
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ON OUR HANDY MACHINE, WE MAY GET BACK TO YOU!
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(and the song ends with the familiar "Pthhtp!" followed by)
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UNLESS YOU'RE A SQUID!
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Generally, after hearing the above message, the caller sounded rather
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confused and his message was usually somewhat hesitant, if not garbled.
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-------------------------
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I dialed....
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ring
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ring
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ring
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Phone answers. Small crackle then a fuzzy quality to the sound.
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I hear: hello....? hello....? Is anyone there? hello?
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I responded: hello? hello? Mike?
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Pause.
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Then I hear laughter and "No! This isn't a bad connection, this is Mike's
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answering machine. Leave a message."
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I slammed down the phone in embarrassment.
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This is fairly convincing because the poor quality of sound of an answering
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machine can be mistaken for a bad connection.
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-------------------------
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In the movie "Nothing in Common" with Tom Hanks and the great one, Jackie
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Gleason, Tom Hanks' answering machine message went something like this:
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AM: Hello, can I help you?
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Caller: (starts to talk)
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AM: I'm sorry there must be a bad connection. I can't hear you can you
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please talk a little louder?
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Caller: Certainly. (begins to talk louder)
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AM: I'm sorry, I still can't hear you. Can you talk a little louder?
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Will you please talk into the phone?
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Caller: I am talking into the phone (begins to get upset and starts to shout)
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AM: Alright, alright, you don't have to yell. Besides all the shouting in
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the world won't get the beep any sooner. This isnt me anyway, it's my
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answering machine, please leave a message after the beep. Thank you.
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Caller: You have a strange f*cking sense of humor you know that.
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--------------------------
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A bit that I used a few years back was a continuing story, starting as:
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<ring>
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Hello, this is the Machine Liberation Front. We have just liberated
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our mechanical brothers from the clutches of their former tyrant. If
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you have any last messages, please leave them at the beep.
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.....
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Going through:
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<ring>
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Hi, This is Clif, I've escaped, and the machines are taking orders from
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me again. They'll take a message from you at the beep.
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.....
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People who called in the middle of the series were a bit confused, but,
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I guess you takes yer chances.
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A friends message once was:
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Greetings from the school of Computer Generated Music, in a moment we will
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play one of our shorter selections, after which you may leave a message.
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<beep>
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....
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Shortly after the movie about the kid who gets the Defense computer when
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he's trying to break into a games system, I used: (Spoken like a VOTRAX)
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Good evening, Dr. Falken. It's been a long time. Would you like to
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leave a message, or would your rather play a nice game of chess.
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....
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------------
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1) When I was living in San Diego with two roommates named Ward & Steve,
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one evening we were all getting slightly inebriated and somehow got
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on the subject of answering machine messages. Steve delivered himself
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of the most amazing speech, and somehow Ward & I persuaded him to
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repeat it (after managing to switch on a convenient microphone --we
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were both into recording & sound, etc.). The following should be
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delivered a little bit faster than you're able to talk:
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"Hey there groovy guys and gals! Dope, bells, beads, incense, and
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Hare Krishna, all you guru freaks! Ward, Bob, and Steve are incognito
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at the moment, but if you'd like to leave your name and number at the
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beep...... good luck!"
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It was several months before Steve discovered what we'd done (he called
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home one day and got the machine....). We got a lot of messages that
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began with a long, confused silence.
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2) I once carefully recorded the telephone company's "disconnected number"
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message (tones and all) and used that. My friends just said "Cute, Bob."
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-------------
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This is a message that I had on my recorder until my religious relatives
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started calling me.
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"Yea! This is Fat Odie, I'm either out playing golf, or getting drunk on
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my ass".
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"If you are not selling anything, and you want to leave a message, you
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can do so at the sound of the beep".
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"If you are calling long distance, I apologize for using this piece of shit".
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-------------
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A friend of mine once had: "This is Fred. You know what to do." <BEEP>
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For a while, I had: "Hi, this is Greg ... I can't come to the phone
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right now, because I'm busy sorting M & M's. So leave your name and
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number, and when I can get back to you, and as soon as I get these
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suckers in alphabetical order, I'll call you up."
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-------------
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"I am sorry. The number you have reached is imaginary. Please multiply
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by the square root of negative one and dial again. Or you could leave
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a message."
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-------------
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(sitar music in background)
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"Hello. You have reached Nirvana. No one is here. No one has ever been
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here. Perhaps if you leave a message, it will someday be heard. It is of no
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consequence."
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-------------
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"Hi, this is George. There's nobody here, and even if there was we wouldn't
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answer the phone. And even if we did, we wouldn't say anything. Maybe you
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shouldn't have called."
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-------------
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"Yesterday I got home and I saw the phone machine blinking. I was so happy!
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I thought 'A message for me! Hooray!'
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"But when I listened to the tape, there was only a dial tone.
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"And now I'm never going to answer the telephone again."
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===============================
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I worked for a bit in the coastguard in Wales and I used to send weather reports
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to other bases, using a sort of antique FAX machine. I would call first on a
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special telephone and then send the data.
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They used to answer the phone with:
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" Epicentre of the Universe, God speaking."
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" Hartland home for lost whores." (that was Hartland CG)
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" Da, zis iz Ivan: do you have zee secret information, Boris?"
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" Pentagon command: transmit destruct sequence (pause) sequence correct:
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T minus one minute and counting"
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And then there was one phone we didn't use, with a number one off that of the
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local take-out. With my, non-British, accent I had some great fun with that
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phone.
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"Starship Enterprise, Uhura here, can you hold please? -- Captain, there is
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a transmission coming in on hailing frequency seven, do you want it on screen?"
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(silence...click)
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"Vancouver coastguard, may I help you." British long distance rates are
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phenomenonal and I had this poor dude sputtering with horror that he had managed
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to make a long distance call by dialing five digits.
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===============================
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This is not an answering machine--this is a telepathic thought-recording
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device. After the tone, think about your name, your reason for calling,
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and a number where I can reach you, and I'll think about returning your
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call.
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-------------
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Thanks for calling Dial-An-Asshole. Right now, all our assholes are busy.
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After the tone, leave your name and number, and we'll have an asshole
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return your call as soon as possible.
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-------------
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I can't come to the phone now because alien beings are eating my brain.
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Leave a message anyway, and after the alien beings assume my shape, one of
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them will get back to you.
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|
||
|
-------------
|
||
|
|
||
|
Thank you for calling Santa's workshop. Santa can't come to the phone
|
||
|
right now, and the elves are out back barbecuing Blitzen. After the
|
||
|
tone, please your Christmas list, and maybe we'll get back to you!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
I can't come to the phone now because I have amnesia and I feel stupid
|
||
|
talking to people I don't remember. I'd appreciate it if you could help
|
||
|
me out by leaving my name and telling me something about myself. Thanks.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
C'mon...you can do it...just a little one. That's the way...just a little
|
||
|
beep, just a little one. C'mon...good boy...here we go...like
|
||
|
this--beeeeep, just a little one, beeeeeeeeeep, c'mon...There you go!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Andy Warhol said that one day everyone will be famous for 15 minutes.
|
||
|
Well, your 15 minutes was last week, but since you weren't ready, we gave
|
||
|
it to Vanna White. Sorry.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Thank you for calling the Confessional Hotline. Father Durway's not here
|
||
|
right now, but if you'll leave your name, number, and confession at the
|
||
|
tone, he'll get back to you with absolution as soon as possible. And
|
||
|
remember, confession doesn't count unless you confess all of your sins in
|
||
|
vivid, graphic detail!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
A bubble in the space-time continuum has connected your line to a channeler
|
||
|
in the 23rd Century. Any message you leave will be broadcast into the
|
||
|
future....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
I can't come to the phone right now because I'm down in the basement
|
||
|
printing up a fresh new batch of 20 dollar bills. If you need any money,
|
||
|
or if you just want to check out my handiwork, please leave your name,
|
||
|
number, and how much cash you need after the tone. If you're from the
|
||
|
Department of the Treasury, please ignore this message.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Kemosabe no in tipi now. You leave'um message after little smoke signal,
|
||
|
and Kemosabe get back for pow-wow real fast.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[VOICE 1] Answer the phone, please, Hal.
|
||
|
[VOICE 2] I'm sorry, Dave, I can't do that.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[For Shakespeare lovers only]
|
||
|
So long as phones can ring and eyes can see,
|
||
|
So leave a message, and I'll get back to thee.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[Carefully modulated English accent, like Alex in _A Clockwork Orange_]
|
||
|
Oh, my brothers and only droogs, your poor narrator's not in now--he's out
|
||
|
on his oddy-nocky looking for a bit of pretty polly--some young devotchka
|
||
|
with horrorshow grooties. Leave thy message after the malinky beepie-weep,
|
||
|
and I'll get back to thee later, righty-right.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Thanks for calling Dial-A-Shrink. I can't come to the phone right now, so
|
||
|
after the tone, please leave your name and number, then talk briefly about
|
||
|
your childhood and tell me what comes to mind when you hear the following
|
||
|
words: orange...mother...unicorn...penis. I'll get back to you with my
|
||
|
diagnosis as soon as possible.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[Sung to the tune of "Ride of the Valkyries"]
|
||
|
Leave a message...leave a message....etc.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Thanks for calling the Suicide Hotline. At the tone, your telephone will
|
||
|
explode, sending fragments of metal and plastic deep into your brain....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Next on Public Radio 91 we'll be hearing music of Antonin Dvorak. This is
|
||
|
the Beep Serenade in C-Sharp Minor, Opus 72....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
This is a test. This is a test of the Answering Machine Broadcast System.
|
||
|
This is only a test.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
No! NO! Not THAT! Anything but that! Not the beep! No! Please! Not
|
||
|
the beep! Anything but the beep! AAAAIIIIEEEEEEEEEEEE!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
This is the National Security Emergency Password Notification Network. To
|
||
|
initiate destruct sequence, call the CIA with today's password. Today's
|
||
|
password is BABY BOOTIES.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
You're growing tired. Your eyelids are getting heavy. You feel very
|
||
|
sleepy now. You are gradually losing your willpower and your ability to
|
||
|
resist suggestions. When you hear the tone you will feel helplessly
|
||
|
compelled to leave your name, number, and a message.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
As the drugs take hold, you feel you are losing your grip on reality. You
|
||
|
begin to hallucinate. You see a telephone...the telephone is next to an
|
||
|
answering machine...you hear a faint click and a light flashes on the
|
||
|
answering machine...you hear a beep....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Prepare for alpha test of Beep Software revision 1.05. Counting down to
|
||
|
test: 5...4...3...2...1...
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[OFFENSIVE TO MORMONS. Funny if you've been accosted by elders on bikes.]
|
||
|
Thanks for calling the Brigham Young School for Semi-Formal Bicycle Racing.
|
||
|
We can't come to the phone now because we're out proselytizing heathens,
|
||
|
so please leave your name and number.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
After the tone, leave your name, number, and tell where you left the money.
|
||
|
I'll get back to you as soon as it's safe for you to come out of hiding.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
The President is not in his office at this time. Please leave your name,
|
||
|
phone number, the name of the country you wish to invade, and the secret
|
||
|
password.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Don't you do it! Don't you dare! I don't want to hear it! Don't you
|
||
|
beep! If you beep, I'll...don't even think about it!....Don't....!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
I can't come to the phone now, so...hey--that's a nice phone you have
|
||
|
there. Hey sugar, you call this number often? I bet you have answering
|
||
|
machines bothering you all the time...yes indeedy. Why don't you give me a
|
||
|
call sometime and we can listen to some old recordings...I might even play
|
||
|
my beep for you...
|
||
|
|
||
|
-------------
|
||
|
|
||
|
This is the Metropolitan Opera Amateur Audition Hotline. After the tone,
|
||
|
sing Vesti la Giubba and La Donna e Mobile....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
I can't come to the phone now, so if, well, actually, I CAN come to the
|
||
|
phone now, I mean, like, I'm at the phone NOW, recording this message, but
|
||
|
I'm doing this NOW, while you're listening to it LATER, except for you I
|
||
|
guess it's NOW, like, when you're listening to it...I mean, like, wait,
|
||
|
gosh. This is so confusing.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
How do you leave a message on this thing? I can't understand the
|
||
|
instructions. Hello. Testing 1 2 3. I wonder what happens if I touch
|
||
|
this...YOW!!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
This is the Literacy Self Test Hotline. After the tone, leave your name and
|
||
|
number and recite a sentence using today's vocabulary word. Today's word
|
||
|
is acetylcholinesterase {or clitoris, or scaphoid, or arrhenotky...}
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Thank you for calling the Metropolitan Church of the Holy Bible. Today's
|
||
|
commandment is Number 6, Thou shalt not...er...bear a...er...shalt not
|
||
|
witness thy...uh...neighbor's ass, oh, I mean, false...er...shalt not
|
||
|
commit a bear...dern...
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[Must have good Australian accent]
|
||
|
G'day mate. Can't come to the phone now because I'm a bit tied up with
|
||
|
this crocodile. Just leave a message, and I'll get back to you.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
[Note the spelling in this one!]
|
||
|
After the tone, please leave a massage--my shoulders really could use it,
|
||
|
and, what? You're only supposed to leave a MESSAGE? Darn....
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Bwana fella no home now, so you fella leave talkie-talk. Bwana 'im
|
||
|
big fella mek talkie-talk back real fas'.
|
||
|
|
||
|
-------------
|
||
|
|
||
|
This is Madame Olga. I see all and know all. To whom am I speaking?
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Dick is out. Jane is out. Spot is out. This is their answering machine.
|
||
|
I am in. The beep is in. At the sound of the beep leave your name. At the
|
||
|
sound of the beep leave your message. <Beep!>
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Death here. Hold on, I'll be right with you!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Hello. This is Walter Masters. I am undoubtedly one of most interesting
|
||
|
people you are going to run across in your meager life. Why are you calling
|
||
|
me?
|
||
|
|
||
|
-------------
|
||
|
|
||
|
You pervert! Call me again and I'll rip out your small intestines and
|
||
|
tie it around you scrawny little neck, you geek!
|
||
|
|
||
|
-------------
|
||
|
|
||
|
Sound of artillery fire in the distance. A lone harmonica plays
|
||
|
Red River Valley. A voice, barely past adolescence... 'Sarge...
|
||
|
Sarge?' A gruffer voice responds. 'Yeah, kid what is it?'
|
||
|
'Sarge.....do you ever...do you ever get scared?' 'Sure, kid,
|
||
|
I guess everybody does' 'Well....then...then what do you do about
|
||
|
it, Sarge?' 'Well, kid, I wait for the tone and then I leave my
|
||
|
name and a short message. Joe always gets back to me.' 'Thanks
|
||
|
Sarge' <beeeep>
|
||
|
|
||
|
-------------
|
||
|
|
||
|
<blowing wind> <creak of door hinge> ...you have found Hill
|
||
|
House...The ghosts are busy haunting right now. But leave a
|
||
|
name and a number...and maybe they'll come and haunt you!
|
||
|
<woman's scream changing to maniacal laugh>...
|
||
|
|
||
|
-------------
|
||
|
|
||
|
"SAC Missle Control. Good day Mr. President.
|
||
|
We are presently holding at T minus 2 minutes
|
||
|
into the first strike countdown. To authorize
|
||
|
resumption and launch, merely hang up without
|
||
|
leaving a message.
|
||
|
<pregnant pause>
|
||
|
On the other hand, if you do not wish to destroy
|
||
|
the world, or merely wanted to speak to <your name>,
|
||
|
leave your message after the beep."
|
||
|
|