205 lines
9.2 KiB
Plaintext
205 lines
9.2 KiB
Plaintext
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The problem with time-travel...
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The problem with time-travel, Alwyn mused as he
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sat gently rocking his great great grandfather, was that
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contrary to popular belief and in contradiction to most of
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the known laws of nature (at least the ones reported in the
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popular science pages of Sunday supplements), it was
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entirely feasible. The baby on his lap burped, and gently
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deposited a thin stream of warm milk up his sleeve. Sighing,
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Alwyn transferred him to the other arm, and began a delicate
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mopping-up operation with a mauve silk pocket-handkerchief.
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It had all started one fine spring morning, as
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many of such tales do. Alwyn had been working on his latest
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invention, a strange device that was supposed to cut down
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the time needed to cook a Christmas pudding by at least a
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half.
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Alwyn was one of those pencil-behind-each-ear
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absentminded professors who were always at a loss when it
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came to finding something to write a note to the milkman
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with. Yes, he had a long straggly white beard, which he was
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indeed fond of stroking. And the obligatory cat, a black
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one.
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His lab was full of strange bits of this and
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that, and pieces of the other, all strung together by miles
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of rainbow wire. Somewhere at the heart of the mess was half
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an old television with three of the valves ripped out. A
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number of radios, bits from long-defunct computers and the
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starter coils from an antiquated Robin Reliant that now sat
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gathering dust outside the potting shed mingled in a fond
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embrace sealed by blobs of solder and bits of Blutack. In
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one of the more remote corners of the lab, a small half-
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eaten cheese and pickle sandwich was wired up to the
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entrails of a toaster. What the mould colony rapidly estab-
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lishing a complex civilization on the sandwich felt about
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this, History does not say.
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At the focus of all this attention was a small
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open-sided box, more of a cage in actual fact, constructed
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of a criss-crossing assembly of copper rods. And inside the
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box, resplendent amidst the chaos on a gleaming white Wedge-
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wood plate, was a small black sticky Christmas pudding with
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a tired sprig of holly gamely trying to spread its leaves in
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a decorative way on its top.
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Alwyn made his way over to one side of the lab,
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where a huge switch of the pull-this-to-create-Frankenstein
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variety sprouted out of the side of a metal cabinet, resting
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innocuously in the OFF position.
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He switched it, as one usually does with
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switches...
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A crackle of electricity that spiked his hair and
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a nasty ozoney smell later, Alwyn picked himself up off the
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dusty floor and dashed over to the other side of the lab.
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The cage was still there, its bars glowing red-hot. But the
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plate and its contents had vanished.
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This was a slight set-back. Alwyn, even in his
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dazed state, could appreciate the fact that no cook, no
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matter how pressed for time, would be happy to vapourise
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their Christmas pudding in the name of Science. Not unless
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they were dieting, anyway.
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Sighing as he contemplated a lean supper, he went
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to turn off the machine. There was a sudden explosion of
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displaced air, and the merry shattering sound that only hor-
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ribly expensive china can make. Shards of Wedgewood flew
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around the lab, one just clipping his ear.
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Alwyn felt his ear gingerly. Despite hurting
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enough to make him feel faint, it had suffered only a minor
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scratch. Distractedly licking the blood from his fingers,
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his racing mind analyzing the metallic taste, he wandered
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over to the smoking remains of his gutted equipment.
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Inside the cage was a tiny pile of white dust,
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surmounted by a wrinkled, shrivelled brown holly leaf that
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had given up all pretence of being decorative. He reached
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out slowly to touch the leaf and withdrew his hand hastily,
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sucking his fingers. The leaf was so cold it had burnt him.
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As if to repay him for the terrible experience it had obvi-
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ously undergone, the leaf crumbled in a tiny tinkle of fal-
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ling crystals.
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The days and nights were punctuated by the loud
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sounds of furious inventing. His equipment melted down so
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often that he hardly bothered with clearing it up any more,
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merely bolting the next machine onto the smoking remains of
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its predecessor. At last, Alwyn reached two conclusions, one
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of them obvious, and the other revolutionary in the extreme.
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Firstly, whatever happened to be at the focus of
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his machine when it was switched on vanished. This was the
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easy observation, and was hardly likely to win him any Nobel
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prizes. Secondly, when the machine was turned off again, it
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reappeared. And lastly, he found out where they went, or
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more precisely when: back in time. (Now, smart readers will
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notice that makes three conclusions, but I just didn't want
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to spoil the surprise earlier. Not so astute readers, please
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count again...)
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Why? A good question that Alwyn asked himself
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repeatedly. The problem with questions, even the best, is
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that they demand answers, and this one was certainly
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clamouring for one. But in that respect at least, Alwyn was
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stumped: he knew what was happening, but not why it was hap-
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pening. But he didn't care too much, he was too busy missing
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meals, losing pencils and running the local supermarket out
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of Christmas puddings. And they didn't care, because it
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saved them having to put them away until the winter. So
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everyone was happy, as people should be in stories.
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Finally, after a week in which nothing had blown
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up, burnt down or emitted nasty smells, he decided to try
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the ultimate test: he would go back through time. This, he
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had already decided, was impossible. If he was to go back in
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time, it would set off all sorts of paradoxes... and para-
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doxes are impossible.
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Following such lines of reasoning, he stood in
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the middle of a cage, now much larger than the original, and
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flicked THE switch, fully confident that nothing would hap-
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pen... and fell gently half a foot onto the banks of a
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river.
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He looked blearily around, wondering if some
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strange trick of the light could make a small, dingy lab
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look like a wide, lively looking river. In the distance, two
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brown and white tricks of the light were happily chewing the
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cud and wondering if it would rain later.
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He watched the play of the sun on the water as it
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glinted happily off little ripples, casting dappled shadows
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onto the red and grey fish swimming happily up the river. He
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dipped his hand into the cool water and drew it out, wet.
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The idea was beginning to dawn on him that maybe
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this wasn't a trick of the light, but that it was all
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somehow real. Either that, or he was hallucinating after the
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lab had blown up around him, and he'd been hit on the head
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by some inclement piece of nondescript machinery. Seeing as
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he could never hope to notice the difference, anyway, he
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decided to treat everything as real...
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...Including the beautiful girl who had just
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emerged from behind a nearby willow tree, clad in a flowing
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white dress that offset her pale complexion and golden hair.
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"Hello, stranger," she said shyly, mirroring that
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classic line that has so oft been abused in cheap and tacky
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novels. "Where do you hie from?"
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"Hi! Er, hie?" Alwyn stuttered, somewhat put off
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at the sight of her. He wasn't used to things that didn't
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have bundles of wires disappearing into them.
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To cut a long, and potentially tedious story
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shorter, her name was Elaine, and through some mystical pro-
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cess entirely hidden to the writer, she had become smitten
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with the stranger, standing there in confusion dressed in
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those strange clothes. And later, as they lay together in
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the shadow of a tree, the earth did move for them most beau-
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tifully, as one might expect in such an implausible tale.
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Eighteen thirty six was the year he arrived in, a
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sunny June sixth morning. Eleven months later, Alwyn and la
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belle Elaine were gifted with the birth of a beautiful son.
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Alwyn had long since resigned himself to the fact that he
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couldn't go back, and his lovely bride had never asked where
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he was from, thus neatly avoiding any potentially awkward
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explanations. They gave to their son the name Peter Doning-
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ton. Peter, because that was a name they liked, and Doning-
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ton because that happened to be Alwyn's family name, even if
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I had neglected to mention it earlier.
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It was three weeks later when the rogue thought
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struck him, tormenting him. There was something he felt he
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really had to remember. Something about a Peter Donington.
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Then it hit him: his great great grandfather's name
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was/would be Peter! And so this brings us rather neatly back
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to the beginning of this tale, and explains paradoxically
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why the portrait of the aforementioned ancestor that hung in
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his parent's living room was the spitting image of Alwyn
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himself.
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But they both lived happily ever after anyway, so
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everything was alright.
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Copyright Edwin Hayward 14 May, 1992
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Address any comments, criticisms etc to:
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eph@ukc.ac.uk
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