722 lines
41 KiB
Plaintext
722 lines
41 KiB
Plaintext
:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
|
||
-----=====Earth's Dreamlands=====-----
|
||
(313)558-5024 {14.4} (313)558-5517
|
||
A BBS for text file junkies
|
||
RPGNet GM File Archive Site
|
||
.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.
|
||
|
||
The Musgrave Ritual
|
||
|
||
An anomaly which often struck me in the character of my friend
|
||
Sherlock Holmes was that, although in his methods of thought he
|
||
was the neatest and most methodical of mankind, and although
|
||
also he affected a certain quiet primness of dress, he was none
|
||
the less in his personal habits one of the most untidy men that
|
||
ever drove a fellow-lodger to distraction. Not that I am in the
|
||
least conventional in that respect myself. The rough-and-tumble
|
||
work in Afghanistan, coming on the top of natural Bohemianism
|
||
of disposition, has made me rather more lax than befits a medical
|
||
man. But with me there is a limit, and when I find a man who
|
||
keeps his cigars in the coal-scuttle, his tobacco in the toe end of
|
||
a Persian slipper, and his unanswered correspondence transfixed
|
||
by a jack-knife into the very centre of his wooden mantelpiece,
|
||
then I begin to give myself virtuous airs. I have always held,
|
||
too, that pistol practice should be distinctly an open-air pastime;
|
||
and when Holmes, in one of his queer humours, would sit in an
|
||
armchair with his hair-trigger and a hundred Boxer cartridges
|
||
and proceed to adorn the opposite wall with a patnotic V. R.
|
||
done in bullet-pocks, I felt strongly that neither the atmosphere
|
||
nor the appearance of our room was improved by it.
|
||
Our chambers were always full of chemicals and of criminal
|
||
relics which had a way of wandering into unlikely positions, and
|
||
of turning up in the butter-dish or in even less desirable places.
|
||
But his papers were my great crux. He had a horror of destroying
|
||
documents, especially those which were connected with his past
|
||
cases, and yet it was only once in every year or two that he
|
||
would muster energy to docket and arrange them; for, as I have
|
||
mentioned somewhere in these incoherent memoirs, tbe outbursts
|
||
of passionate energy when he performed the remarkable feats
|
||
with which his name is associated were followed by reactions of
|
||
lethargy during which he would lie about with his violin and his
|
||
books, hardly moving save from the sofa to the table. Thus
|
||
month after month his papers accumulated until every corner of
|
||
the room was stacked with bundles of manuscript which were on
|
||
no account to be burned, and which could not be put away save
|
||
by their owner. One winter's night, as we sat together by the
|
||
fire, I ventured to suggest to him that, as he had finished pasting
|
||
extracts into his commonplace book, he might employ the next
|
||
two hours in making our room a little more habitable. He could
|
||
not deny the justice of my request, so with a rather rueful face he
|
||
went off to his bedroom, from which he returned presently
|
||
pulling a large tin box behind him. This he placed in the middle
|
||
of the floor, and, squatting down upon a stool in front of it, he
|
||
threw back the lid. I could see that it was already a third full of
|
||
bundles of paper tied up with red tape into separate packages.
|
||
"There are cases enough here, Watson," said he, looking at
|
||
me with mischievous eyes. "I think that if you knew all that I
|
||
had in this box you would ask me to pull some out instead of
|
||
putting others in."
|
||
"These are the records of your early work, then?" I asked. "I
|
||
have often wished that I had notes of those cases."
|
||
"Yes, my boy, these were all done prematurely before my
|
||
biographer had come to glorify me." He lifted bundle after
|
||
bundle in a tender, caressing sort of way. "They are not all
|
||
successes, Watson," said he. "But there are some pretty little
|
||
problems among them. Here's the record of the Tarleton mur-
|
||
ders, and the case of Vamberry, the wine merchant, and the
|
||
adventure of the old Russian woman, and the singular affair of
|
||
the aluminum crutch, as well as a full account of Ricoletti of the
|
||
club-foot, and his abominable wife. And here -- ah. now. this
|
||
really is something a little recherche."
|
||
He dived his arm down to the bottom of the chest and brought
|
||
up a small wooden box with a sliding lid such as children's toys
|
||
are kept in. From within he produced a crumpled piece of paper,
|
||
an old-fashioned brass key, a peg of wood with a ball of string
|
||
attached to it, and three rusty old discs of metal.
|
||
"Well, my boy, what do you make of this lot?" he asked,
|
||
smiling at my expression.
|
||
"It is a curious collection."
|
||
"Very curious, and the story that hangs round it will strike
|
||
you as being more curious still."
|
||
"These relics have a history, then?"
|
||
"So much so that they are history."
|
||
"What do you mean by that?"
|
||
Sherlock Holmes picked them up one by one and laid them
|
||
along the edge of the table. Then he reseated himself in his chair
|
||
and looked them over with a gleam of satisfaction in his eyes.
|
||
"These," said he, "are all that I have left to remind me of the
|
||
adventure of the Musgrave Ritual."
|
||
I had heard him mention the case more than once, though I
|
||
had never been able to gather the details. "I should be so glad,"
|
||
said I, "if you would give me an account of it."
|
||
"And leave the litter as it is?" he cried mischievously. "Your
|
||
tidiness won't bear much strain, after all, Watson. But I should
|
||
be glad that you should add this case to your annals, for there are
|
||
points in it which make it quite unique in the criminal records of
|
||
this or, I believe, of any other country. A collection of my
|
||
trifling achievements would certainly be incomplete which con-
|
||
tained no account of this very singular business.
|
||
"You may remember how the affair of the Gloria Scott, and
|
||
my conversation with the unhappy man whose fate I told you of,
|
||
first turned my attention in the direction of the profession which
|
||
has become my life's work. You see me now when my name has
|
||
become known far and wide, and when I am generally recog-
|
||
nized both by the public and by the official force as being a final
|
||
court of appeal in doubtful cases. Even when you knew me first,
|
||
at the time of the affair which you have commemorated in 'A
|
||
Study in Scarlet,' I had already established a considerable, though
|
||
not a very lucrative, connection. You can hardly realize, then,
|
||
how difficult I found it at first, and how long I had to wait before
|
||
I succeeded in making any headway.
|
||
"When I first came up to London I had rooms in Montague
|
||
Street, just round the corner from the British Museum, and there
|
||
I waited, filling in my too abundant leisure time bv studying all
|
||
those branches of science which might make me more efficient.
|
||
Now and again cases came in my way, principally through the
|
||
introduction of old fellow-students, for during my last years at
|
||
the university there was a good deal of talk there about myself
|
||
and my methods. The third of these cases was that of the
|
||
Musgrave Ritual, and it is to the interest which was aroused by
|
||
that singular chain of events, and the large issues which proved
|
||
to be at stake, that I trace my first stride towards the position
|
||
which I now hold.
|
||
"Reginald Musgrave had been in the same college as myself,
|
||
and I had some slight acquaintance with him. He was not
|
||
generally popular among the undergraduates, though it always
|
||
seemed to me that what was set down as pride was really an
|
||
attempt to cover extreme natural diffidence. In appearance he
|
||
was a man of an exceedingly aristocratic type, thin, high-nosed,
|
||
and large-eyed, with languid and yet courtly manners. He was
|
||
indeed a scion of one of the very oldest families in the kingdom
|
||
though his branch was a cadet one which had separated from the
|
||
northern Musgraves some time in the sixteenth century and had
|
||
established itself in western Sussex, where the Manor House of
|
||
Hurlstone is perhaps the oldest inhabited building in the county.
|
||
Something of his birth-place seemed to cling to the man, and I
|
||
never looked at his pale, keen face or the poise of his head
|
||
without associating him with gray archways and mullioned win-
|
||
dows and all the venerable wreckage of a feudal keep. Once or
|
||
twice we drifted into talk, and I can remember that more than
|
||
once he expressed a keen interest in my methods of observation
|
||
and inference.
|
||
"For four years I had seen nothing of him until one morning
|
||
he walked into my room in Montague Street. He had changed
|
||
little, was dressed like a young man of fashion -- he was always a
|
||
bit of a dandy -- and preserved the same quiet, suave manner
|
||
which had formerly distinguished him.
|
||
" 'How has all gone with you, Musgrave?' I asked after we
|
||
had cordially shaken hands.
|
||
" 'You probably heard of my poor father's death,' said he;
|
||
'he was carried off about two years ago. Since then I have of
|
||
course had the Hurlstone estate to manage, and as I am member
|
||
for my district as well, my life has been a busy one. But I
|
||
understand, Holmes, that you are turning to practical ends those
|
||
powers with which you used to amaze us?'
|
||
" 'Yes,' said I, 'I have taken to living by my wits.'
|
||
" 'I am delighted to hear it, for your advice at present would
|
||
be exceedingly valuable to me. We have had some very strange
|
||
doings at Hurlstone, and the police have been able to throw no
|
||
light upon the matter. It is really the most extraordinary and
|
||
inexplicable business.'
|
||
"You can imagine with what eagerness I listened to him,
|
||
Watson, for the very chance for which I had been panting during
|
||
all those months of inaction seemed to have come within my
|
||
reach. In my inmost heart I believed that I could succeed where
|
||
others failed, and now I had the opportunity to test myself.
|
||
" 'Pray let me have the details,' I cried.
|
||
"Reginald Musgrave sat down opposite to me and lit the
|
||
cigarette which I had pushed towards him.
|
||
" 'You must know,' said he, 'that though I am a bachelor, I
|
||
have to keep up a considerable staff of servants at Hurlstone, for
|
||
it is a rambling old place and takes a good deal of looking after.
|
||
I preserve, too, and in the pheasant months I usually have a
|
||
house-party, so that it would not do to be short-handed. Al-
|
||
together there are eight maids, the cook, the butler, two foot-
|
||
men, and a boy. The garden and the stables of course have a
|
||
separate staff.
|
||
" 'Of these servants the one who had been longest in our
|
||
service was Brunton, the butler. He was a young schoolmaster
|
||
out of place when he was first taken up by my father, but he was
|
||
a man of great energy and character, and he soon became quite
|
||
invaluable in the household. He was a well-grown, handsome
|
||
man, with a splendid forehead, and though he has been with us
|
||
for twenty years he cannot be more than forty now. With his
|
||
personal advantages and his extraordinary gifts -- for he can speak
|
||
several languages and play nearly every musical instrument -- it
|
||
is wonderful that he should have been satisfied so long in such a
|
||
position, but I suppose that he was comfortable and lacked
|
||
energy to make any change. The butler of Hurlstone is always a
|
||
thing that is remembered by all who visit us.
|
||
" 'But this paragon has one fault. He is a bit of a Don Juan,
|
||
and you can imagine that for a man like him it is not a very
|
||
difficult part to play in a quiet country district. When he was
|
||
married it was all right, but since he has been a widower we
|
||
have had no end of trouble with him. A few months ago we were
|
||
in hopes that he was about to settle down again, for he became
|
||
engaged to Rachel Howells, our second housemaid; but he has
|
||
thrown her over since then and taken up with Janet Tregellis, the
|
||
daughter of the head game-keeper. Rachel -- who is a very good
|
||
girl, but of an excitable Welsh temperament -- had a sharp touch
|
||
of brain-fever and goes about the house now -- or did until
|
||
yesterday -- like a black-eyed shadow of her former self. That
|
||
was our first drama at Hurlstone; but a second one came to drive
|
||
it from our minds, and it was prefaced by the disgrace and
|
||
dismissal of butler Brunton.
|
||
" 'This was how it came about. I have said that the man was
|
||
intelligent, and this very intelligence has caused his ruin, for it
|
||
seems to have led to an insatiable curiosity about things which
|
||
did not in the least concern him. I had no idea of the lengths to
|
||
which this would carry him until the merest accident opened my
|
||
eyes to it.
|
||
" 'I have said that the house is a rambling one. One day last
|
||
week -- on Thursday night, to be more exact -- I found that I
|
||
could not sleep, having foolishly taken a cup of strong cafe' noir
|
||
after my dinner. After struggling against it until two in the
|
||
morning, I felt that it was quite hopeless, so I rose and lit the
|
||
candle with the intention af continuing a novel which I was
|
||
reading. The book, however, had been left in the billiard-room,
|
||
so I pulled on my dressing-gown and started off to get it.
|
||
" 'In order to reach the biilliard-room I had to descend a flight
|
||
of stairs and then to cross the head of a passage which led to the
|
||
library and the gun-room. You can imagine my surprise when, as
|
||
I looked down this corridor. I saw a glimmer of light coming
|
||
from the open door of the library. I had myself extinguished the
|
||
lamp and closed the door before coming to bed. Naturally my
|
||
first thought was of burglar. The corridors at Hurlstone have
|
||
their walls largely decorated with trophies of old weapons. From
|
||
one of these I picked a battle-axe, and then, leaving my candle
|
||
behind me, I crept on tiptoe down the passage and peeped in at
|
||
the open door.
|
||
" 'Brunton, the butler, was in the library. He was sitting
|
||
fully dressed, in an easy-chair, with a slip of paper which looked
|
||
like a map upon his knee, and his forehead sunk forward upon
|
||
his hand in deep thought. I stood dumb with astonishment,
|
||
watching him from the darkness. A small taper on the edge of
|
||
the table shed a feeble light which sufficed to show me that he
|
||
was fully dressed. Suddenly, as I looked, he rose from his chair,
|
||
and, walking over to a bureau at the side, he unlocked it and
|
||
drew out one of the drawers. From this he took a paper, and,
|
||
returning to his seat, he flattened it out beside the taper on the
|
||
edge of the table and began to study it with minute attention. My
|
||
indignation at this calm examination of our family documents
|
||
overcame me so far that I took a step forward, and Brunton,
|
||
looking up. saw me standing in the doorway. He sprang to his
|
||
feet, his face turned livid with fear, and he thrust into his breast
|
||
the chart-like paper which he had been originally studying.
|
||
" ' "So!" said I. "This is how you repay the trust which we
|
||
have reposed in you. You will leave my service to-morrow."
|
||
" 'He bowed with the look of a man who is utterly crushed
|
||
and slunk past me without a word. The taper was still on the
|
||
table, and by its light I glanced to see what the paper was which
|
||
Brunton had taken from the bureau. To my surprise it was
|
||
nothing of any importance at all, but simply a copy of the
|
||
questions and answers in the singular old observance called the
|
||
Musgrave Ritual. It is a sort of ceremony peculiar to our family,
|
||
which each Musgrave for centuries past has gone through on his
|
||
coming of age -- a thing of private interest, and perhaps of some
|
||
little importance to the archaeologist, like our own blazonings
|
||
and charges, but of no practical use whatever.'
|
||
" 'We had better come back to the paper afterwards,' said I.
|
||
" 'If you think it really necessary,' he answered with some
|
||
hesitation. 'To continue my statement, however: I relocked the
|
||
bureau, using the key which Brunton had left, and I had turned
|
||
to go when I was surprised to find that the butler had returned,
|
||
and was standing before me.
|
||
" ' "Mr. Musgrave, sir," he cried in a voice which was
|
||
hoarse with emotion, "I can't bear disgrace, sir. I've always
|
||
been proud above my station in life, and disgrace would kill me.
|
||
My blood will be on your head, sir -- it will, indeed -- if you
|
||
drive me to despair. If you cannot keep me after what has
|
||
passed, then for God's sake let me give you notice and leave in a
|
||
month, as if of my own free will. I could stand that, Mr.
|
||
Musgrave, but not to be cast out before all the folk that I know
|
||
so well."
|
||
" ' "You don't deserve much consideration, Brunton," I
|
||
answered. "Your conduct has been most infamous. However, as
|
||
you have been a long time in the family, I have no wish to bring
|
||
public disgrace upon you. A month, however. is too long. Take
|
||
yourself away in a week, and give what reason you like for
|
||
going."
|
||
" ' "Only a week, sir?" he cried in a despairing voice. "A
|
||
fortnight -- say at least a fortnight!"
|
||
" ' "A week," I repeated, "and you may consider yourself to
|
||
have been very leniently dealt with."
|
||
" 'He crept away, his face sunk upon his breast, like a broken
|
||
man, while I put out the light and returned to my room.
|
||
" 'For two days after this Brunton was most assiduous in his
|
||
attention to his duties. I made no allusion to what had passed and
|
||
waited with some curiosity to see how he would cover his
|
||
disgrace. On the third morning, however, he did not appear, as
|
||
was his custom, after breakfast to receive my instructions for the
|
||
day. As I left the dining-room I happened to meet Rachel
|
||
Howells, the maid. I have told you that she had only recently
|
||
recovered from an illness and was looking so wretchedly pale
|
||
and wan that I remonstrated with her for being at work.
|
||
" ' "You should be in bed," I said. "Come back to your
|
||
duties when you are stronger."
|
||
" 'She looked at me with so strange an expression that I
|
||
began to suspect that her brain was affected.
|
||
" ' "I am strong enough, Mr. Musgrave," said she.
|
||
" ' "We will see what the doctor says," I answered. "You
|
||
must stop work now, and when you go downstairs just say that I
|
||
wish to see Brunton."
|
||
" ' "The butler is gone," said she.
|
||
" ' "Gone! Gone where?"
|
||
" ' "He is gone. No one has seen him. He is not in his room.
|
||
Oh, yes, he is gone, he is gone!" She fell back against the wall
|
||
with shriek after shriek of laughter, while I, horrified at this
|
||
sudden hysterical attack, rushed to the bell to summon help. The
|
||
girl was taken to her room, still screaming and sobbing, while I
|
||
made inquiries about Brunton. There was no doubt about it that
|
||
he had disappeared. His bed had not been slept in, he had been
|
||
seen by no one since he had retired to his room the night before,
|
||
and yet it was difficult to see how he could have left the house,
|
||
as both windows and doors were found to be fastened in the
|
||
morning. His clothes, his watch, and even his money were in his
|
||
room, but the black suit which he usually wore was missing. His
|
||
slippers, too, were gone, but his boots were left behind. Where
|
||
then could butler Brunton have gone in the night, and what could
|
||
have become of him now?
|
||
" 'Of course we searched the house from cellar to garret, but
|
||
there was no trace of him. It is, as I have said, a labyrinth of an
|
||
old house, especially the original wing, which is now practically
|
||
uninhabited; but we ransacked every room and cellar without
|
||
discovering the least sign of the missing man. It was incredible
|
||
to me that he could have gone away leaving all his property
|
||
behind him, and yet where could he be? I called in the local
|
||
police, but without success. Rain had fallen on the night before.
|
||
and we examined the lawn and the paths all round the house, but
|
||
in vain. Matters were in this state, when a new development
|
||
quite drew our attention away from the original mystery.
|
||
" 'For two days Rachel Howells had been so ill, sometimes
|
||
delirious, sometimes hysterical, that a nurse had been employed
|
||
to sit up with her at night. On the third night after Brunton's
|
||
disappearance, the nurse, finding her patient sleeping nicely, had
|
||
dropped into a nap in the armchair, when she woke in the early
|
||
morning to find the bed empty, the window open, and no signs
|
||
of the invalid. I was instantly aroused, and, with the two foot-
|
||
men, started off at once in search of the missing girl. It was not
|
||
difficult to tell the direction which she had taken, for, starting
|
||
from under her window, we could follow her footmarks easily
|
||
across the lawn to the edge of the mere, where they vanished
|
||
close to the gravel path which leads out of the grounds. The lake
|
||
there is eight feet deep, and you can imagine our feelings when
|
||
we saw that the trail of the poor demented girl came to an end at
|
||
the edge of it.
|
||
" 'Of course, we had the drags at once and set to work to
|
||
recover the remains, but no trace of the body could we find. On
|
||
the other hand, we brought to the surface an object of a most
|
||
unexpected kind. It was a linen bag which contained within it a
|
||
mass of old rusted. and discoloured metal and several dull-
|
||
coloured pieces of pebble or glass. This strange find was all that
|
||
we could get from the mere, and, although we made every
|
||
possible search and inquiry yesterday, we know nothing of the
|
||
fate either of Rachel Howells or of Richard Brunton. The county
|
||
police are at their wit's end, and I have come up to you as a last
|
||
resource.'
|
||
"You can imagine, Watson, with what eagerness I listened to
|
||
this extraordinary sequence of events, and endeavoured to piece
|
||
them together, and to devise some common thread upon which
|
||
they might all hang. The butler was gone. The maid was gone.
|
||
The maid had loved the butler, but had afterwards had cause to
|
||
hate him. She was of Welsh blood, fiery and passionate. She had
|
||
been terribly excited immediately after his disappearance. She
|
||
had flung into the lake a bag containing some curious contents.
|
||
These were all factors which had to be taken into consideration,
|
||
and yet none of them got quite to the heart of the matter. What
|
||
was the starting-point of this chain of events? There lay the end
|
||
of this tangled line.
|
||
" 'I must see that paper, Musgrave,' said I, 'which this butler
|
||
of yours thought it worth his while to consult, even at the risk of
|
||
the loss of his place.'
|
||
" 'It is rather an absurd business, this ritual of ours,' he
|
||
answered. 'But it has at least the saving grace of antiquity to
|
||
excuse it. I have a copy of the questions and answers here if you
|
||
care to run your eye over them.'
|
||
"He handed me the very paper which I have here, Watson,
|
||
and this is the strange catechism to which each Musgrave had to
|
||
submit when he came to man's estate. I will read you the
|
||
questions and answers as they stand.
|
||
" 'Whose was it?'
|
||
" 'His who is gone.'
|
||
" 'Who shall have it?'
|
||
" 'He who will come.'
|
||
" 'Where was the sun?'
|
||
" 'Over the oak.'
|
||
" 'Where was the shadow?'
|
||
" 'Under the elm.'
|
||
" 'How was it stepped?'
|
||
" 'North by ten and by ten, east by five and by five, south by
|
||
two and by two, west by one and by one, and so under.'
|
||
" 'What shall we give for it?'
|
||
" 'All that is ours.'
|
||
" 'Why should we give it?'
|
||
" 'For the sake of the trust.'
|
||
" 'The original has no date, but is in the spelling of the
|
||
middle of the seventeenth century,' remarked Musgrave. 'I am
|
||
afraid, however, that it can be of little help to you in solving this
|
||
mystery.'
|
||
" 'At least,' said I, 'it gives us another mystery, and one
|
||
which is even more interesting than the first. It may be that the
|
||
solution of the one may prove to be the solution of the other.
|
||
You will excuse me, Musgrave, if I say that your butler appears
|
||
to me to have been a very clever man, and to have had a clearer
|
||
insight than ten generations of his masters.'
|
||
" 'I hardly follow you,' said Musgrave. 'The paper seems to
|
||
me to be of no practical importance.'
|
||
" 'But to me it seems immensely practical, and I fancy that
|
||
Brunton took the same view. He had probably seen it before that
|
||
night on which you caught him.'
|
||
" 'It is very possible. We took no pains to hide it.'
|
||
" 'He simply wished, I should imagine, to refresh his memory
|
||
upon that last occasion. He had, as I understand, some sort of
|
||
map or chart which he was comparing with the manuscript, and
|
||
which he thrust into his pocket when you appeared.'
|
||
" 'That is true. But what could he have to do with this old
|
||
family custom of ours, and what does this rigmarole mean?'
|
||
" 'I don't think that we should have much difficulty in deter-
|
||
mining that,' said I; 'with your permission we will take the first
|
||
train down to Sussex and go a little more deeply into the matter
|
||
upon the spot.
|
||
"The same afternoon saw us both at Hurlstone. Possibly you
|
||
have seen pictures and read descriptions of the famous old
|
||
building, so I will confine my account of it to saying that it is
|
||
built in the shape of an L. the long arm being the more modern
|
||
portion, and the shorter the ancient nucleus from which the other
|
||
has developed. Over the low, heavy-lintelled door, in the centre
|
||
of this old part, is chiselled the date, 1607, but experts are
|
||
agreed that the beams and stonework are really much older than
|
||
this. The enormously thick walls and tiny windows of this part
|
||
had in the last century driven the family into building the new
|
||
wing, and the old one was used now as a storehouse and a cellar,
|
||
when it was used at all. A splendid park with fine old timber
|
||
surrounds the house, and the lake, to which my client. had
|
||
referred, lay close to the avenue, about two hundred yards from
|
||
the building.
|
||
"I was already firmly convinced, Watson, that there were not
|
||
three separate mysteries here, but one only, and that if I could
|
||
read the Musgrave Ritual aright I should hold in my hand the
|
||
clue which would lead me to the truth concerning both the butler
|
||
Brunton and the maid Howells. To that then I turned all my
|
||
energies. Why should this servant be so anxious to master this
|
||
old formula? Evidently because he saw something in it which
|
||
had escaped all those generations of country squires, and from
|
||
which he expected some personal advantage. What was it then,
|
||
and how had it affected his fate?
|
||
"It was perfectly obvious to me, on reading the Ritual, that
|
||
the measurements must refer to some spot to which the rest of
|
||
the document alluded, and that if we could find that spot we
|
||
should be in a fair way towards finding what the secret was
|
||
which the old Musgraves had thought it necessary to embalm in
|
||
so curious a fashion. There were two guides given us to start
|
||
with, an oak and an elm. As to the oak there could be no
|
||
question at all. Right in front of the house, upon the left-hand
|
||
side of the drive, there stood a patriarch among oaks. one of the
|
||
most magnificent trees that I have ever seen.
|
||
" 'That was there when your Ritual was drawn up,' said I as
|
||
we drove past it.
|
||
" 'It was there at the Norman Conquest in all probability,' he
|
||
answered. 'It has a girth of twenty-three feet.'
|
||
"Here was one of my fixed points secured.
|
||
" 'Have you any old elms?' I asked.
|
||
" 'There used to be a very old one over yonder, but it was
|
||
struck by lightning ten years ago, and we cut down the stump.'
|
||
" 'You can see where it used to be?'
|
||
" 'Oh, yes.'
|
||
" 'There are no other elms?'
|
||
" 'No old ones, but plenty of beeches.'
|
||
" 'I should like to see where it grew.'
|
||
"We had driven up in a dog-cart, and my client led me away
|
||
at once, without our entering the house, to the scar on the lawn
|
||
where the elm had stood. It was nearly midway between the oak
|
||
and the house. My investigation seemed to be progressing.
|
||
" 'I suppose it is impossible to find out how high the elm
|
||
was?' I asked.
|
||
" 'I can give you it at once. It was sixty-four feet.'
|
||
" 'How do you come to know it?' I asked in surprise.
|
||
" 'When my old tutor used to give me an exercise in trigo-
|
||
nometry, it always took the shape of measuring heights. When I
|
||
was a lad I worked out every tree and building in the estate.'
|
||
"This was an unexpected piece of luck. My data were coming
|
||
more quickly than I could have reasonably hoped.
|
||
" 'Tell me,' I asked, 'did your butler ever ask you such a
|
||
question?'
|
||
"Reginald Musgrave looked at me in astonishment. 'Now that
|
||
you call it to my mind,' he answered, 'Brunton did ask me about
|
||
the height of the tree some months ago in connection with some
|
||
little argument with the groom.'
|
||
"This was excellent news, Watson, for it showed me that I
|
||
was on the right road. I looked up at the sun. It was low in the
|
||
heavens, and I calculated that in less than an hour it would lie
|
||
just above the topmost branches of the old oak. One condition
|
||
mentioned in the Ritual would then be fulfilled. And the shadow
|
||
of the elm must mean the farther end of the shadow, otherwise
|
||
the trunk would have been chosen as the guide. I had, then, to
|
||
find where the far end of the shadow would fall when the sun
|
||
was just clear of the oak."
|
||
"That must have been difficult, Holmes, when the elm was no
|
||
longer there."
|
||
"Well, at least I knew that if Brunton could do it, I could
|
||
also. Besides, there was no real difficulty. I went with Musgrave
|
||
to his study and whittled myself this peg, to which I tied this
|
||
long string with a knot at each yard. Then I took two lengths of a
|
||
fishing-rod, which came to just six feet, and I went back with
|
||
my client to where the elm had been. The sun was just grazing
|
||
the top of the oak. I fastened the rod on end, marked out the
|
||
direction of the shadow, and measured it. It was nine feet in
|
||
length.
|
||
"Of course the calculation now was a simple one. If a rod of
|
||
six feet threw a shadow of nine, a tree of sixty-four feet would
|
||
throw one of ninety-six, and the line of the one would of course
|
||
be the line of the other. I measured out the distance, which
|
||
brought me almost to the wall of the house, and I thrust a peg
|
||
into the spot. You can imagine my exultation, Watson, when
|
||
within two inches of my peg I saw a conical depression in the
|
||
ground. I knew that it was the mark made by Brunton in his
|
||
measurements, and that I was still upon his trail.
|
||
"From this starting-point I proceeded to step, having first
|
||
taken the cardinal points by my pocket-compass. Ten steps with
|
||
each foot took me along parallel with the wall of the house, and
|
||
again I marked my spot with a peg. Then I carefully paced off
|
||
five to the east and two to the south. It brought me to the very
|
||
threshold of the old door. Two steps to the west meant now that I
|
||
was to go two paces down the stone-flagged passage, and this
|
||
was the place indicated by the Ritual.
|
||
"Never have I felt such a cold chill of disappointment, Wat-
|
||
son. For a moment it seemed to me that there must be some
|
||
radical mistake in my calculations. The setting sun shone full
|
||
upon the passage floor, and I could see that the old, foot-worn
|
||
gray stones with which it was paved were firmly cemented
|
||
together, and had certainly not been moved for many a long
|
||
year. Brunton had not been at work here. I tapped upon the
|
||
floor, but it sounded the same all over, and there was no sign of
|
||
any crack or crevice. But, fortunately, Musgrave, who had
|
||
begun to appreciate the meaning of my proceedings, and who
|
||
was now as excited as myself, took out his manuscript to check
|
||
my calculations.
|
||
" 'And under,' he cried. 'You have omitted the "and under." '
|
||
"I had thought that it meant that we were to dig, but now, of
|
||
course, I saw at once that I was wrong. 'There is a cellar under
|
||
this then?' I cried.
|
||
" 'Yes, and as old as the house. Down here, through this
|
||
door.'
|
||
"We went down a winding stone stair, and my companion,
|
||
striking a match, lit a large lantern which stood on a barrel in the
|
||
corner. In an instant it was obvious that we had at last come
|
||
upon the true place, and that we had not been the only people to
|
||
visit the spot recently.
|
||
"It had been used for the storage of wood, but the billets,
|
||
which had evidently been littered over the floor, were now piled
|
||
at the sides, so as to leave a clear space in the middle. In this
|
||
space lay a large and heavy flagstone with a rusted iron ring in
|
||
the centre to which a thick shepherd's-check muffler was attached.
|
||
" 'By Jove!' cried my client. 'That's Brunton's muffler. I
|
||
have seen it on him and could swear to it. What has the villain
|
||
been doing here?'
|
||
"At my suggestion a couple of the county police were sum-
|
||
moned to be present, and I then endeavoured to raise the stone
|
||
by pulling on the cravat. I could only move it slightly, and it was
|
||
with the aid of one of the constables that I succeeded at last in
|
||
carrying it to one side. A black hole yawned beneath into which
|
||
we all peered, while Musgrave, kneeling at the side, pushed
|
||
down the lantern.
|
||
"A small chamber about seven feet deep and four feet square
|
||
lay open to us. At one side of this was a squat, brass-bound
|
||
wooden box, the lid of which was hinged upward, with this
|
||
curious old-fashioned key projecting from the lock. It was furred
|
||
outside by a thick layer of dust, and damp and worms had eaten
|
||
through the wood, so that a crop of livid fungi was growing on
|
||
the inside of it. Several discs of metal, old coins apparently,
|
||
such as I hold here, were scattered over the bottom of the box,
|
||
but it contained nothing else.
|
||
"At the moment, however, we had no thought for the old
|
||
chest, for our eyes were riveted upon that which crouched
|
||
beside it. It was the figure of a man, clad in a suit of black, who
|
||
squatted down upon his hams with his forehead sunk upon the
|
||
edge of the box and his two arms thrown out on each side of it.
|
||
The attitude had drawn all the stagnant blood to the face, and no
|
||
man could have recognized that distorted liver-coloured counte-
|
||
nance; but his height, his dress, and his hair were all sufficient
|
||
to show my client, when we had drawn the body up, that it was
|
||
indeed his missing butler. He had been dead some days, but
|
||
there was no wound or bruise upon his person to show how he
|
||
had met his dreadful end. When his body had been carried from
|
||
the cellar we found ourselves still confronted with a problem
|
||
which was almost as formidable as that with which we had
|
||
started.
|
||
"I confess that so far, Watson, I had been disappointed in my
|
||
investigation. I had reckoned upon solving the matter when once
|
||
I had found the place referred to in the Ritual; but now I was
|
||
there, and was apparently as far as ever from knowing what it
|
||
was which the family had concealed with such elaborate precau-
|
||
tions. It is true that I had thrown a light upon the fate of
|
||
Brunton, but now I had to ascertain how that fate had come upon
|
||
him, and what part had been played in the matter by the woman
|
||
who had disappeared. I sat down upon a keg in the corner and
|
||
thought the whole matter carefully over.
|
||
"You know my methods in such cases, Watson. I put myself
|
||
in the man's place, and, having first gauged his intelligence, I
|
||
try to imagine how I should myself have proceeded under the
|
||
same circumstances. In this case the matter was simplified by
|
||
Brunton's intelligence being quite first-rate, so that it was unnec-
|
||
essary to make any allowance for the personal equation, as the
|
||
astronomers have dubbed it. He knew that something valuable
|
||
was concealed. He had spotted the place. He found that the stone
|
||
which covered it was just too heavy for a man to move unaided.
|
||
What would he do next? He could not get help from outside,
|
||
even if he had someone whom he could trust, without the
|
||
unbarring of doors and considerable risk of detection. It was
|
||
better, if he could, to have his helpmate inside the house. But
|
||
whom could he ask? This girl had been devoted to him. A man
|
||
always finds it hard to realize that he may have finally lost a
|
||
woman's love, however badly he may have treated her. He
|
||
would try by a few attentions to make his peace with the girl
|
||
Howells, and then would engage her as his accomplice. Together
|
||
they would come at night to the cellar, and their united force
|
||
would suffice to raise the stone. So far I could follow their
|
||
actions as if I had actually seen them.
|
||
"But for two of them, and one a woman, it must have been
|
||
heavy work, the raising of that stone. A burly Sussex policeman
|
||
and I had found it no light job. What would they do to assist
|
||
them? Probably what I should have done myself. I rose and
|
||
examined carefully the different billets of wood which were
|
||
scattered round the floor. Almost at once I came upon what I
|
||
expected. One piece, about three feet in length, had a very
|
||
marked indentation at one end. while several were flattened at
|
||
the sides as if they had been compressed by some considerable
|
||
weight. Evidently, as they had dragged the stone up, they had
|
||
thrust thc chunks of wood into the chink until at last when the
|
||
opening was large enough to crawl through, they would hold it
|
||
open by a billet placed lengthwise, which might very well be-
|
||
come indented at the lower end, since the whole weight of the
|
||
stone would press it down on to the edge of this other slab. So
|
||
far I was still on safe ground.
|
||
"And now how was I to proceed to reconstruct this midnight
|
||
drama? Clearly, only one could fit into the hole, and that one
|
||
was Brunton. The girl must have waited above. Brunton then
|
||
unlocked the box, handed up the contents presumably -- since
|
||
they were not to be found -- and then -- and then what happened?
|
||
"What smouldering fire of vengeance had suddenly sprung
|
||
into flame in this passionate Celtic woman's soul when she saw
|
||
the man who had wronged her == wronged her, perhaps, far more
|
||
than we suspected -- in her power? Was it a chance that the wood
|
||
had slipped and that the stone had shut Brunton into what had
|
||
become his sepulchre? Had she only been guilty of silence as to
|
||
his fate? Or had some sudden blow from her hand dashed the
|
||
support away and sent the slab crashing down into its place? Be
|
||
that as it might, I seemed to see that woman's figure still
|
||
clutching at her treasure trove and flying wildly up the winding
|
||
stair, with her ears ringing perhaps with the muffled screams
|
||
from behind her and with the drumming of frenzied hands against
|
||
the slab of stone which was choking her faithless lover's life out.
|
||
"Here was the secret of her blanched face, her shaken nerves,
|
||
her peals of hysterical laughter on the next morning. But what
|
||
had been in the box? What had she done with that? Of course, it
|
||
must have been the old metal and pebbles which my client had
|
||
dragged from the mere. She had thrown them in there at the first
|
||
opportunity to remove the last trace of her crime.
|
||
"For twenty minutes I had sat motionless, thinking the matter
|
||
out. Musgrave still stood with a very pale face, swinging his
|
||
lantern and peering down into the hole.
|
||
" 'These are coins of Charles the First,' said he, holding out
|
||
the few which had been in the box; 'you see we were right in
|
||
fixing our date for the Ritual.'
|
||
" 'We may find something else of Charles the First,' I cried,
|
||
as the probable meaning of the first two questions of the Ritual
|
||
broke suddenly upon me. 'Let me see the contents of the bag
|
||
which you fished from the mere.'
|
||
"We ascended to his study, and he laid the debris before me. I
|
||
could understand his regarding it as of small importance when I
|
||
looked at it, for the metal was almost black and the stones
|
||
lustreless and dull. I rubbed one of them on my sleeve, however,
|
||
and it glowed afterwards like a spark in the dark hollow of my
|
||
hand. The metal work was in the form of a double ring, but it
|
||
had been bent and twisted out of its onginal shape.
|
||
" 'You must bear in mind,' said I, 'that the royal party made
|
||
head in England even after the death of the king, and that when
|
||
they at last fled they probably left many of their most precious
|
||
possessions buried behind them, with the intention of returning
|
||
for them in more peaceful times.'
|
||
" 'My ancestor, Sir Ralph Musgrave, was a prominent cava-
|
||
lier and the right-hand man of Charles the Second in his wander-
|
||
ings,' said my friend.
|
||
" 'Ah, indeed!' I answered. 'Well now, I think that really
|
||
should give us the last link that we wanted. I must congratulate
|
||
you on coming into the possession, though in rather a tragic
|
||
manner, of a relic which is of great intrinsic value, but of even
|
||
greater importance as a historical curiosity.'
|
||
" 'What is it, then?' he gasped in astonishment.
|
||
" 'It is nothing less than the ancient crown of the kings of
|
||
England.'
|
||
" 'The crown!'
|
||
" 'Precisely. Consider what the Ritual says. How does it run?
|
||
"Whose was it?" "His who is gone." That was after the
|
||
execution of Charles. Then, "Who shall have it?" "He who will
|
||
come." That was Charles the Second, whose advent was already
|
||
foreseen. There can, I think, be no doubt that this battered and
|
||
shapeless diadem once encircled the brows of the royal Stuarts.'
|
||
" 'And how came it in the pond?'
|
||
" 'Ah, that is a question that will take some time to answer.'
|
||
And with that I sketched out to him the whole long chain of
|
||
surmise and of proof which I had constructed. The twilight had
|
||
closed in and the moon was shining brightly in the sky before my
|
||
narrative was finished.
|
||
" 'And how was it then that Charles did not get his crown
|
||
when he returned?' asked Musgrave, pushing back the relic into
|
||
its linen bag.
|
||
" 'Ah, there you lay your finger upon the one point which we
|
||
shall probably never be able to clear up. It is likely that the
|
||
Musgrave who held the secret died in the interval, and by some
|
||
oversight left this guide to his descendant without explaining the
|
||
meaning of it. From that day to this it has been handed down
|
||
from father to son, until at last it came within reach of a man
|
||
who tore its secret out of it and lost his life in the venture.'
|
||
"And that's the story of the Musgrave Ritual, Watson. They
|
||
have the crown down at Hurlstone -- though they had some legal
|
||
bother and a considerable sum to pay before they were allowed
|
||
to retain it. I am sure that if you mentioned my name they would
|
||
be happy to show it to you. Of the woman nothing was ever
|
||
heard, and the probability is that she got away out of England
|
||
and carried herself and the memory of her crime to some land
|
||
beyond the seas."
|
||
|