1906 lines
113 KiB
Plaintext
1906 lines
113 KiB
Plaintext
From netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:22 1994
|
|
Path: netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 1/7
|
|
Date: 05 Dec 1994 01:20:11 GMT
|
|
Message-ID: <4103598046.2104509@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 74
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (1 of 7 parts)
|
|
|
|
Prologue
|
|
|
|
New York State, 50 miles west of Albany
|
|
October 17, 1994
|
|
10:02 p.m.
|
|
|
|
The strange light careened in front of the rain-streaked windshield, darting
|
|
back and forth, coming forward and then bolting away again teasingly just at
|
|
the edge of his vision. Mulder cursed under his breath, squinting through
|
|
the heavy downpour, trying to keep one eye on the winding road, keeping the
|
|
car away from the railings marking the Mohawk river valley beside him, and
|
|
the other eye tracking the peculiar light.
|
|
He was in deepest upstate New York, far away from the lights of the Big
|
|
Apple and in a hilly, somehow desolate region of the country. The towns he
|
|
had passed through were ancient, some of them having gone bust in the years
|
|
when the Erie Canal was the major transportation artery, others full of
|
|
historical plaques and markers, Colonial houses looking skeletal in the
|
|
autumn rain.
|
|
He had come here on the trail of what his sources at NICAP told him was a
|
|
week of unprecedented activity in an area hitherto devoid of sightings. The
|
|
folks at NICAP thought it was weird that such intense energy be expended in
|
|
an area without the usual targets, such as a military base or a nuclear power
|
|
facility, but Mulder knew better. He was carrying with him a classified
|
|
document bearing the location of a secret base just west of Albany codenamed
|
|
Arrowhead Peak.
|
|
He kept on hand on the steering wheel and turned on the interior light,
|
|
fumbling with a map that marked the base's location. Scully was still in
|
|
hospital in Washington, her memory gone. She kept mumbling something about
|
|
a secret base and five men, and could only whimper uselessly when pressed.
|
|
Her fine mind seemed to have disintegrated, and Mulder hurt more than he
|
|
believed was possible. He had vowed to find the parties responsible for her
|
|
abduction and obvious brain injury.
|
|
It had taken two nightmarish weeks of furtive investigation and running
|
|
around in circles to get this far. Mr X would not help him. A fool's
|
|
errand, he said. Let it go, he said. But Mulder couldn't let it go. And at
|
|
last, Mr X gave him the map. It was the only lead he had.
|
|
The maddening light that he had been following for the last five miles chose
|
|
at that instant to flare at the edge of the car's hood. Mulder threw an
|
|
instinctive arm to shield his eyes from the sudden explosion of light,
|
|
brighter than any sun. The car lurched forward and he had only time to brace
|
|
himself as the car left the rain-slicked pavement and plunged in the dark
|
|
valley below.
|
|
|
|
Part 1 of 7 ends
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
From netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:22 1994
|
|
Path: netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 2/7
|
|
Date: 05 Dec 1994 01:21:51 GMT
|
|
Message-ID: <4170706910.2104767@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 506
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (2 of 7 parts)
|
|
|
|
Chapter 1
|
|
|
|
The sun was gleaming weakly into the car through the wrecked windshield as
|
|
Mulder came to, raising his head to stare blearily out the window. He
|
|
gingerly felt his forehead which had been resting on the steering wheel and
|
|
his hand came away sticky with slowly congealing blood. He sat up as much as
|
|
he was able and saw that he had plunged a good five hundred feet hood first
|
|
into the river valley. He reached for his cell phone and checked it -- the
|
|
battery was dead. He tried opening the door, but could not force it open as
|
|
mud from the wet riverbank was blocking it and had to settle for opening the
|
|
window.
|
|
"Thank god for bottom of the line rentals," he muttered, his voice rusty
|
|
with disuse, thankful that the window still rolled down.
|
|
There came a soft giggle and he quickly turned his head to see a young boy
|
|
of perhaps seven staring at him, standing at the edge of the morning mist.
|
|
He was dark-haired and dark-eyed, dressed in a Power Rangers t-shirt and
|
|
jeans, his eyes huge and fathomless. His skin was the colour of cinnamon
|
|
toast; Mulder knew instantly that he must be Native American. This area had
|
|
once been the ancestral homeland of the Iroquois, a highly organized and
|
|
powerful grouping of tribes, and it was likely there were still the
|
|
descendents of these people in the area.
|
|
The boy seemed quite amused by Mulder's predicament and grinned, showing a
|
|
dark place where his upper baby teeth had been.
|
|
"Hey-yah, Mister," he said in a musical, sweet voice. "You look like you
|
|
could use a little help."
|
|
In spite of his headache, Mulder was charmed by the boy. "Just a little,"
|
|
he said. "Can you help me open the door?"
|
|
He came a little closer and inspected the driver's side door, then walked
|
|
slowly around the vehicle and came back to the window, closer this time. "I
|
|
think I should call for help," he said.
|
|
Mulder sighed and sat back in his seat, resigned to waiting longer. His
|
|
head throbbed. "Okay, I'll wait."
|
|
To his surprise, the boy threw back his head and cupped his hands over his
|
|
mouth. The sound of a bird, sweet and unidentifiable, issued forth. He
|
|
cocked his head to one side, listening; there came a short answering whistle
|
|
and out of the mist appeared a tall, lithe figure in seemingly no time at
|
|
all.
|
|
She was smiling serenely as she approached, her thick black hair drawn up in
|
|
a ponytail, emphasizing the sharp angles of the cheekbones that jutted from
|
|
her oval face. She wore a faded red and blue flannel shirt and black pants,
|
|
a large buckskin bag slung over one shoulder and banging against her curving
|
|
hip, her long legs ending in heavy hiking boots. Silver flashed at her
|
|
throat, her wrists, her ears, and on her long fingers. She was
|
|
golden-skinned, like warmed cinnamon, but mostly Mulder was struck by the
|
|
brilliance in her dark brown eyes, a kind of laughing intelligence that
|
|
viewed the world with great humour and a thirst for knowledge. The
|
|
interesting laugh lines around her doe-like eyes put her around Mulder's age.
|
|
"Akwatonteh, this man is stuck," said the boy by way of explanation.
|
|
"And so he is," she said neutrally. Her tone was a low musical alto and her
|
|
eyes sought out Mulder's. "What brings you to Mohawk country, Mr FBI?" she
|
|
asked conversationally, leaning into the door.
|
|
"Uh ... that's classified," he said lamely, abruptly overwhelmed by her
|
|
presence. He wondered if FBI was stamped across his forehead instead of the
|
|
obvious wound. "You don't want to see my ID?"
|
|
She grinned and shook her head, winking at him. He felt his head swim in
|
|
the depths of that smile, her teeth white and sharp. He could smell her, a
|
|
decidedly stimulating concoction of herbs, fresh wildflowers, and water
|
|
flowing over mossy rocks.
|
|
"It's always classified, isn't it, Mr FBI?" she said as she surveyed his
|
|
car. "Well-- this might take some doing. Tehonig, run and get the shovel
|
|
out of the Pathfinder." The boy turned and ran, scrambling up the embankment
|
|
with the nimble grace of some wild thing. She came closer and touched his
|
|
forehead. "Here -- you're hurt." From the depths of her bag she produced a
|
|
cool alcohol wipe and a tube of some kind of ointment and set to work, her
|
|
touch swift and gentle. The throbbing immediately decreased in the wake of
|
|
her ministrations.
|
|
"So what happened?" she asked. "Were you following the witch lights too
|
|
closely?"
|
|
He glanced sharply at her. "What?"
|
|
She looked long and searchingly at him. "Of course you were," she said
|
|
quietly. "It explains much."
|
|
He shivered involuntarily. This woman was eerily intuitive and her presence
|
|
was -- well, downright spooky. He decided to be careful with her. "Agent
|
|
Fox Mulder, FBI." He stuck his hand through the open window.
|
|
Her smile came swiftly again. "Agent Mulder," she said as she shook his
|
|
hand in her lean, firm grip. "Fox -- huh. You've an auspicious name among
|
|
my people -- to the Hodenosaunee, the fox is the trickster." She looked him
|
|
in the eye again, and Mulder found that all kinds of emotion, but especially
|
|
a growing lust, surged through him. "I'm Degonawadonti Van Leeuwan, but you
|
|
can call me Daisy. Degonawadonti is a bit of a mouthful for someone who
|
|
doesn't speak Mohawk."
|
|
She turned her head at the boy's noisy approach. He was singing as he slid
|
|
down the embankment, using the shovel like a vaulting pole. "Sinneheh!" she
|
|
called. "The deer hear you six miles away, Tehonig."
|
|
He stopped his tumultuous descent and slid noiselessly the rest of the way.
|
|
"Sorry, Akwatonteh."
|
|
She took the shovel from him, ruffling his head. "Go find the rest of my
|
|
herbs," she told him, taking the bag from her shoulder. "This won't take but
|
|
three minutes, and I still need some roots of foxglove and yellowdock."
|
|
He took the proffered bag. "Okay, Akwatonteh." He sprang away into the
|
|
mists behind the car.
|
|
"Is he your son?" asked Mulder as she set to work, her strong arms
|
|
effortlessly lifting the river dirt away.
|
|
She shook her head. "My sister's boy, and my pupil." She glanced sideways
|
|
at him, slyly. "He's the son of the West Wind, and gifted."
|
|
Mulder pondered this. His knowledge of the Iroquois was vague, but he knew
|
|
that teasing was a cultural habit among Native Americans, and that some
|
|
employed a metaphorical turn of phrase, especially to test non-Natives. He
|
|
watched as she made tremendous headway in clearing the dirt away from the car
|
|
door. In no time, she was pulling the door open, grunting softly as it
|
|
resisted her tug. He helped her by kicking from inside, and finally the door
|
|
grated open. She lent him a strong shoulder to brace against as he got out,
|
|
finding his legs turned to rubber from being cramped for so long.
|
|
She smiled at him as he stretched carefully. She was nearly as tall as he,
|
|
the top of her head brushing his brow. She reached behind him and pulled out
|
|
the map, his overnight bag and his briefcase. She lifted an eyebrow when she
|
|
turned and caught a glimpse of his shoulder holster.
|
|
Well, Agent Fox Mulder, my Pathfinder is atop the hill there. I'm on my way
|
|
home. Can I give you a lift? If you want, you can use the phone or the
|
|
computer at my house." Her offer was made over her shoulder as the boy
|
|
appeared out of the mists and she went to meet him.
|
|
"Sure," said Mulder. "I'd better call the rental company, check in with my
|
|
office."
|
|
The boy looked at the car. "Aren't you gonna call the police?" he asked.
|
|
"They always do that on cop shows."
|
|
His aunt laughed. "He is the police, Tehonig."
|
|
"Tehonig?" asked Mulder, twisting his tongue around the unfamiliar
|
|
syllables.
|
|
"Tehoniguhratheh," said Daisy. "It means Bright Mind." She glanced up at
|
|
the embankment. "This might be slow going. Here, put your arm around me;
|
|
I'll be your crutch."
|
|
"I think I'm okay --" he started.
|
|
"Don't be so macho," she scolded. "You've spent the better part of the
|
|
night cramped in one position, and you took quite a crack on the head. Don't
|
|
push yourself. Tehonig, take this stuff." She handed the boy Mulder's
|
|
things.
|
|
Tehonig took them, and as he clutched Mulder's possessions, he went suddenly
|
|
as still as stone. A strange, sleepy look overcame his face. "She missed
|
|
you," he said, and his voice was different, older and somehow sad. "She was
|
|
in a room with no window. There was only a chair to sit on, and a bed. They
|
|
made her eat food she didn't like. The only books she could read were the
|
|
ones they told her she could have, and they were all wrong. They wouldn't
|
|
let her outside or tell her where she was. They asked her questions about
|
|
you. She tried to lie, but they wouldn't let her. At night, sometimes she
|
|
would cry, and they would hurt her. She called your name, but you couldn't
|
|
hear her."
|
|
Mulder started anxiously, "What -- who --?!"
|
|
Daisy silenced him with a sharp glance. She touched the boy's shoulder and
|
|
whispered to him in a language that started low in the throat and was quiet,
|
|
like the wind in the forest.
|
|
"I don't know her name," said Tehonig. His eyes were still far away and
|
|
half-open.
|
|
"Her name is Scully," Mulder whispered. "Who did that to her" he demanded,
|
|
hearing a frantic tone creep into his voice, tried to quell it.
|
|
"Dana didn't know them," said the boy. "They wear black. They're old.
|
|
They smell like stale things and strange metallic smells, like diesel fuel
|
|
sitting around in a closed garage, like a rusty old car in a junkyard." He
|
|
came abruptly awake and blinked, looking about him in confusion. He looked
|
|
up at his aunt and started to cry.
|
|
She hugged him. "No, no -- it's okay, Tehonig. It's a spirit speaking
|
|
again, not you. We'll talk about it later."
|
|
Mulder looked at Daisy. "Spirit?" he asked in his best cop voice, the one
|
|
that demanded an answer.
|
|
Her glance was bemused, challenging him to believe. "Tehonig speaks to
|
|
spirits, and they to him. He has been gifted with the voice of the West
|
|
Wind." She hugged the boy again, then released him. He wiped his eyes and
|
|
looked down at the ground.
|
|
"You don't have to convince me," Mulder said, trying to get past her
|
|
defenses. He found himself strangely off-balance with this woman, that he
|
|
wanted her to like him and that it was a battle between them, with him having
|
|
to use every weapon of charm at his disposal. "At least, not this time."
|
|
She raised an eyebrow. "Interesting. A cop -- an FBI, at that -- with an
|
|
open mind. Come on then, Tasitsho, let's go."
|
|
"Tasitsho?" he asked.
|
|
"Fox, in Mohawk." She slung his arm around her shoulder in a way that
|
|
brooked no interference and they started up the embankment. She used the
|
|
shovel to help gain her footing. Tehonig took up the rear, holding Mulder's
|
|
things away from him as if he was scared of them and snuffling slightly.
|
|
She had been right -- without her to help him, it would have been nearly
|
|
impossible going if he were to try climbing back to road level by himself.
|
|
The bank was slippery with mud, and his leather-soled shoes kept slipping,
|
|
but her strong grip kept them upright and making progress.
|
|
At the top he saw a bright red Nissan Pathfinder parked about fifty yards
|
|
away. The road was narrow, with impossible curves -- no wonder he had had
|
|
the accident. She shrugged off his arm when he was slow to remove it, a
|
|
small, knowing smile on her face, striding away quickly on her long legs. He
|
|
flushed with embarassment. This woman was provocative and articulate, the
|
|
way he liked his women. And to top it off, she was eminently exotic, her
|
|
dark beauty and her strangely intuitive glances sparking off feelings he
|
|
would rather not deal with.
|
|
She unlocked the Pathfinder and got in. The engine zoomed to life and
|
|
Tehonig climed into the backseat as Mulder reached the passenger door. He
|
|
winced as he folded his stiff body into the seat. Tehonig reached forward
|
|
and deposited his briefcase and map gently into his lap.
|
|
"Do the spirits talk to you often, Tehonig?" he asked, genuinely curious.
|
|
Tehonig looked at his aunt, who nodded the briefest of nods, her eyes not
|
|
leaving the road as she pulled away. She shoved a cassette into the tape
|
|
player and clanging guitars loudly and abruptly filled the air. She lowered
|
|
the volume as Tehonig said quietly. "I guess so ... sometimes they speak to
|
|
other people like I'm not even here. Sometimes they just talk to me, and
|
|
sometimes I can see them. Just one at a time, though."
|
|
"How long has this been happening?" Mulder asked. He put one hand on the
|
|
dashboard as the Pathfinder careened around the curves in the road.
|
|
"Ever since I can remember," replied Tehonig with a fatalistic shrug. "I
|
|
don't go to school anymore because the spirits didn't want me to learn there.
|
|
They kept making fun of the lessons and the teachers and the other kids, so
|
|
my akwatonteh took me out and teaches me at her house instead."
|
|
Mulder glanced at Daisy. In profile, her nose was prominent and sharp, her
|
|
mouth full and red against her cinnamon-coloured skin. He looked away. No
|
|
doubt about it, he thought resignedly. He was falling dangerously in lust.
|
|
"You teach him?" he asked.
|
|
"Checking up on my qualifications as a home teacher, Mr FBI?" she teased.
|
|
She sobered. "I'm attempting to give Tehonig a more thorough education from
|
|
an early age than the one I managed to cobble together for myself. Right now
|
|
we're studying the work of Stephen Hawking, Idries Shah, Tesla, Charles
|
|
Dickens, Lao-tse-tsung, and Black Elk. Next month we hope to progress with
|
|
an overview of Newtonian algebra and an introduction to biochemistry."
|
|
"And you're like, eight years old?" he asked. The boy nodded proudly.
|
|
"His name isn't Tehoniguhratheh for nothing," said Daisy. She pulled then
|
|
into a shaded roadway that suddenly rose upward until it felt like they were
|
|
travelling on a 45-degree incline. Mulder clutched the armrest of his seat.
|
|
"The spirits help with the hard stuff," Tehonig volunteered.
|
|
Daisy glanced at Mulder as the Pathfinder pulled into a gloriously messy
|
|
yard, full of unraked leaves, a confusion of late blooming fall flowers and
|
|
at least four yapping dogs. The house was a small two-storey frame house,
|
|
weathered but happily sporting red enamelled trim around the windows and door
|
|
frames. A ramshackle porch ran the length of the house, rocking chairs
|
|
standing side by side huge pots of frost-frozen plants.
|
|
"I know what you're thinking," she said, her cool tone bemused. "You're
|
|
thinking we're weird even for a bunch of Indians." She put the Pathfinder in
|
|
park. "Don't worry, you wouldn't be the first. My parents think I'm totally
|
|
insane."
|
|
"I didn't think that for an instant," he answered. "I'm frankly quite
|
|
fascinated," he confessed, meeting her eyes again. Her gaze was cool and
|
|
deep, and he felt like he was drowning. He had to look away. She was making
|
|
him forget himself, his purpose, his entire being. He strangely thought of
|
|
Odysseus and Circe, put the thought out of his head.
|
|
"Tehonig, go put the dogs in the pen," she ordered. The boy jumped out of
|
|
the car and hit the ground running, the dogs falling over themselves in a
|
|
frenzy of joyous barking. He raced around the back of the house, the dogs
|
|
leaping behind him. Daisy smiled at Mulder. "Come on in, Mr FBI. Phone's
|
|
in the kitchen, and if you want to use the computer, that's in the study."
|
|
He followed as she strode up to the porch and swung open the door. It was
|
|
unlocked. "I guess you don't have to worry about thieves around here," he
|
|
observed.
|
|
Her smile over her shoulder dazzled him as she held open the door. "I've
|
|
spirits of my own, Tasitsho."
|
|
As he stepped inside, he felt a strange presence envelop him for the
|
|
briefest of embraces, then was gone before he could put a name to the
|
|
feeling. The door opened into a large kitchen, hardwood floors gleaming,
|
|
rag rugs strewn about the floor. A simple pine table dominated the room, its
|
|
surface laden with bunches of dried herbs and purple asters. Burnished
|
|
copper pots hung on one wall, and hanging from the ceiling were twisted ropes
|
|
of corn, some of the cobs displaying purple, red and blue kernels. Other
|
|
objects which could only be described as fetishes were draped on the walls,
|
|
from the ceiling, and from the handles of cupboards. A white cat rose and
|
|
stretched, its mouth yawning as it came to rub its body first against Daisy's
|
|
legs and then against Mulder's. The room smelled like vanilla and the
|
|
lingering traces of baked bread.
|
|
She was banging a cupboard door open and filling a tea kettle as he turned
|
|
to look at her, admiring her swift grace with an appreciative eye. Her hands
|
|
full, she pointed with her chin. "Phone's there," she said, and he followed
|
|
the direction to a little window seat that looked out into the yard, the
|
|
phone placed atop six month's worth of _National Geographic_. "I'm going to
|
|
make you some tea and something to eat -- you look like you need it."
|
|
He swayed then, realizing he hadn't eaten in at least eighteen hours.
|
|
"That would be great." He crossed to the seat on rubber legs and sat down
|
|
quickly, his stomach rumbling. He fumbled in his coat pocket for the rental
|
|
car keys and reached for the phone. A book lying beside the phone was turned
|
|
upside down, a very old copy of Chaucer that looked much read.
|
|
He wished he could call Scully, just to hear her voice, but knew that she
|
|
didn't remember him. As he gave the information to the rental car company,
|
|
he watched Daisy as she heated up something in a saucepan. He couldn't stop
|
|
looking at her and was starting to feel stupid about it, like he was some
|
|
kind of overeager schoolboy in the presence of his first girlfriend.
|
|
He stood and crossed to the table where she was clearing a place for him and
|
|
Tehonig to sit. The boy banged into the room, his exuberance making Mulder
|
|
feel tired. Tehonig smiled shyly at him and picked up the cat.
|
|
"The car company says I can have another car after five o'clock if I go into
|
|
Albany," he said. "So ... how far are we from Albany?"
|
|
"We're about fifty miles away, to the northwest of there," she replied,
|
|
setting bowls in front of him and Tehonig, who perched on the edge of a chair
|
|
opposite Mulder. "I'm taking Tehonig there later this evening, to see his
|
|
mother -- he always goes to see her on weekends. I can give you a lift
|
|
then, if you want."
|
|
"That would be great," he said, forcing more joviality into his voice than
|
|
he felt. To have only so recently met this woman and then to never see her
|
|
again ... he felt a disappointment surge through him.
|
|
She set a teapot down on the table. "But if you like, you can take a shower
|
|
and rest up a little before you go on. Tehonig and I have about two hours'
|
|
worth of lessons before he leaves."
|
|
Tehonig groaned. "I wanted to watch some videos before I go," he whined.
|
|
"Yours are so much cooler than Ma's. Aw come on, let's skip out this
|
|
afternoon ..."
|
|
"Eat your lunch," she said severely, and his whining instantly stopped.
|
|
Mulder sampled his soup and found it excellent -- it was some kind of corn
|
|
chowder, with beans, squash and tomatoes floating around in a thick broth.
|
|
His belly felt warm as he practically gulped the food down. Daisy poured him
|
|
tea and he thankfully swallowed that too, ignoring its unfamiliar herbal
|
|
taste.
|
|
"So, Mr FBI, is the reason you're here still classified?" she asked, taking
|
|
a seat to his left. He tried not to stare at the place where her shirt
|
|
opened as she sat, revealing a dark valley and the rounded curve of
|
|
cinnamon-skin beyond.
|
|
"Sort of," he managed. "Have you heard of something called Arrowhead Peak?"
|
|
Tehonig piped up, "I know where that is. That's were the big ugly witch
|
|
lights come from!"
|
|
"Excuse me?" said Mulder.
|
|
Daisy smiled. "He means that secret base up on the escarpment peak we call
|
|
the Big Nose," she said, popping some bread into her mouth.
|
|
"You know about that?"
|
|
She shrugged. "It's common knowledge, at least around here. Unmarked
|
|
trucks and cars go in there, day and night. At night there's a lot of weird
|
|
activity -- some things sound like helicopters, and others with some kind of
|
|
humming noise, like a jet, only softer. All I know is that they are
|
|
definitely dishonoring sacred ground -- my people held many ceremonies and
|
|
festivals there to please the Thunderers." She examined him closely. "You
|
|
can see part of the buildings from my bedroom window when the weather's
|
|
good."
|
|
"I'd like to look at it, if you don't mind," he said, scraping the spoon in
|
|
the bottom of the bowl to get the last drop.
|
|
"After your shower," she said sternly and smiled at him again.
|
|
"Can I ask a personal question?"
|
|
"Let me guess ... you're wondering what a single woman of thirty-one is
|
|
doing out here by herself with four dogs, a cat, and a nephew to keep her
|
|
company?" she said lightly. "You also are trying to figure me out, why I'm
|
|
not living on a reservation, and what exactly is it that I do to enable me to
|
|
support my lifestyle?"
|
|
"Something like that," he said. "How'd you know?"
|
|
"It's written in your eyes," said Tehonig. He giggled. "I thought FBI
|
|
agents had to be like spies."
|
|
"I'm sure Agent Mulder is good at it when he wants to be," said Daisy,
|
|
chuckling. In a teacher-like tone, she explained, "Right now he's too lately
|
|
been hurt and isn't thinking straight. That's why we can see it in his body
|
|
language." She raised her eyes to Mulder's.
|
|
"I'll give you the shortened version of the Daisy saga, then. My family
|
|
still lives at Grand River in Canada, but I was something of prodigy at a
|
|
young age, and was sent to a school in Vermont. I lived with my mother's
|
|
uncle and his wife and went to Bennington at 16. I switched to MIT at 19 and
|
|
got my degree in chemical engineering at 21. I was recruited to a company --
|
|
I won't say which one -- in 1984 that was under contract with the US Airforce
|
|
to develop a radar-deflecting material for jet fighters. I was specifically
|
|
working on the development of a mimetic polycarbon, which became the basis
|
|
for the Stealth bomber. The only problem was my supervisor thought he was
|
|
allowed to have sex with me as part of my contract with the company. One
|
|
night he tried to force the issue, and during the struggle, I killed him."
|
|
This was said in such a matter-of-fact tone that Mulder gaped at her.
|
|
Tehonig slurped his soup in the sudden silence.
|
|
"In order to avoid a big investigation and scandal, the company made it look
|
|
like an accident, and they paid me off five years' wages to make sure I never
|
|
went to the police or the press, and also that I wouldn't take the research I
|
|
had been working on to the public sector. They also kept me on retainer to
|
|
do free-lance for them every so often, which I sometimes still do, for a
|
|
hefty price.
|
|
"I was 23 when I was suddenly cut loose. All my life had been devoted to
|
|
science, to study, and to work, and here I was, a suddenly wealthy child
|
|
without a job to go to. I kinda went a little crazy," and here she suddenly
|
|
stared off in the distance, looking sad, "for about five years. I bummed
|
|
around and took every kind of drug and slept with every unsuitable man-- and
|
|
woman -- I could find. I left my money in the hands of a thoroughly capable
|
|
bank manager and made sure it grew over the years, but I woke up one morning
|
|
in some musician's crashpad with a heroin addiction and a telegram that my
|
|
grandmother had died.
|
|
"That did it. I went back home and sought the help of the elders' circle on
|
|
my reserve. I was extremely lucky that the experience didn't leave me with
|
|
anything worse than some emotional scarring. But I learned how to grow up,
|
|
and it was then that my real education began."
|
|
She smiled at Mulder. "So I guess I should tell you, Mr FBI, Tasitsho who
|
|
believes in things he can't see. I'm a wadayoneras, what your people would
|
|
call a witch."
|
|
He blinked to clear his head. "You mean like a Wiccan?" he asked.
|
|
"No, not like a Wiccan, though some of the practices are, strangely enough,
|
|
very similiar." Her voice was soft, like a caress, like the finest buckskin
|
|
wrapped around his naked skin. He leaned in further to her, like she was
|
|
some kind of magnet, an irresistible force. She shook her head and looked at
|
|
Tehonig. He stopped himself and straightened, forcing himself to
|
|
concentrate on her words and not on her.
|
|
"Your people called us shamen, or medicine people, but we are actually
|
|
beyond that. There is a long history among the Hodenosaunee, what we
|
|
Iroquois call ourselves, of men and women who practice the arts of
|
|
channelling different forms of energy and using that energy to transform
|
|
matter. It takes great discipline, skill and many years of practice to
|
|
become adept at the art. I came back to the ancestral homelands to learn
|
|
from the spirits that linger here still. I have secluded myself here, away
|
|
from my family, my clan, my people and the rest of the world in order to
|
|
learn from them." She looked at Tehonig. "And when we discovered what was
|
|
happening to my nephew, it was only natural that he come here to learn from
|
|
me."
|
|
She rose from the table, gathering up the dishes and looked suddenly
|
|
embarassed. "Forgive me for burdening you with this. It was not my
|
|
intention, but you ..." She flushed then, a deep bronze that brought heady
|
|
colour to her face. "Well, there is something about you that makes me feel
|
|
that you accept this, accept my truth." She went to the sink, setting the
|
|
dishes there and paused for a moment, squaring her shoulders. She turned
|
|
back to him and looked at him steadily.
|
|
Mulder rose and came to stand a couple of feet in front of her. "Thank you
|
|
for your story," he said, searching her eyes. "You've given me more than I
|
|
can repay, with your hospitality and your honesty. I hope we ... well, I
|
|
hope we can be ... I mean ..."
|
|
She grinned at him, the vitality that attracted him so coming alive in her
|
|
face. "Sure, we can be friends."
|
|
Her ability to read him was unnerving. It was like being under a
|
|
high-powered microscope, something he hadn't felt since his first days as
|
|
Scully's partner.
|
|
"And now, Mr FBI, you have to get cleaned up." She wrinkled her nose. "I
|
|
hate to be the one to point it out, but ..."
|
|
"I know, you don't have to tell me," he said ruefully. "Point me in the way
|
|
of your shower, madame, and I'll put myself to rights."
|
|
"This way. Tehonig, what did you do with Agent Mulder's things?" she asked
|
|
over her shoulder as she strode into the next room.
|
|
"They're on the porch, I'll get them." He leapt out of his seat and was
|
|
gone outside, the door slamming.
|
|
He glanced to his right as he followed her, seeing a room that was obviously
|
|
the study and Tehonig's classroom, dominated by book-lined ceiling-to-floor
|
|
shelves, a large table laden with art supplies, and a big Macintosh computer
|
|
sitting on a desk that overlooked a huge window. The short hallway opened up
|
|
into a comfortable living room, its walls painted a deep, rich red and the
|
|
floor strewn with Oriental rugs. The furniture was non-descript so not to
|
|
take away from the beautiful original artwork hanging on the walls, the
|
|
colours and images breathtaking.
|
|
Daisy saw the direction of his glance. "Those are Tehonig's," she said.
|
|
"Apparently one of his spirits is an artist."
|
|
A stairway hugged the far side of the room. Mulder glanced at a formidable
|
|
record and CD collection that stood beside a stereo and tv console and tried
|
|
not to stare at the attractive image of Daisy climbing the stairs in front of
|
|
him. She pointed him into a spare bedroom, a single bed shoved against the
|
|
wall beneath a window that commanded a breathtaking view of the river valley
|
|
miles below.
|
|
"You can change in here," she said. "There's spare towels in the bathroom
|
|
closet, which is right next door. Tehonig and I will be downstairs if you
|
|
need anything." Tehonig burst then into the room and set his overnight bag
|
|
on the floor.
|
|
"Here you go, Agent Mulder," he said shyly. Mulder smiled at him. The boy
|
|
really was charming, despite his obvious intelligence and the strangeness
|
|
that seemed to possess him.
|
|
"Okay, Tehonig, let's go. I want to cover that final chapter in Professor
|
|
Hawking's book before we go back to your mom's," Daisy said as she closed the
|
|
door behind them. Mulder could hear the boy's protests as they went back
|
|
downstairs.
|
|
He removed his clothing, shivering a little in the cool air of the room, and
|
|
ducked quickly into the shower. The hot water made him sleepier, and when he
|
|
came back out, he thought he would lay down for a little bit and think about
|
|
his next course of action.
|
|
He wondered what Scully's reaction to Daisy would be and wished that she
|
|
could be here to meet her. She'd probably think the poor woman was suffering
|
|
from some kind of delusion, and that Tehonig had a multiple personality
|
|
disorder ... She probably would be giving him those sidelong exasperated
|
|
glances when she sensed how attracted he was to Daisy ... He had never before
|
|
met such a wild and beautiful woman, she was smart, interesting and weird ...
|
|
He wondered what she thought of him, probably decided she didn't care for FBI
|
|
agents by the way she teased him ...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
From netnews.upenn.edu!news.cc.swarthmore.edu!psuvax1!news.pop.psu.edu!news.cac.psu.edu!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:23 1994
|
|
Path: netnews.upenn.edu!news.cc.swarthmore.edu!psuvax1!news.pop.psu.edu!news.cac.psu.edu!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 3/7
|
|
Date: 05 Dec 1994 01:29:02 GMT
|
|
Message-ID: <4237815774.2173228@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 539
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (3 of 7 parts)
|
|
|
|
Chapter 2
|
|
|
|
Daisy gave up on the idea of making Tehonig finish his lessons and set him
|
|
up in the living room with the Star Wars trilogy on video. "Pay attention to
|
|
the archetypal myths present in the subtext," she ordered before leaving the
|
|
room.
|
|
Tehonig only sighed and lost himself in the galaxy far, far away. Daisy
|
|
wandered back upstairs and glanced in at the spare bedroom. Mulder was
|
|
sprawled across the bedspread, a tangle of long limbs and wet towels. Daisy
|
|
smiled and gently closed the door.
|
|
He was an enigma, this strange FBI agent, she mused, going into her bedroom
|
|
to stare at her image in the mirror. He was also very good-looking, to the
|
|
point of distraction. She decided she especially liked his sleepy-lidded
|
|
eyes and his low-pitched voice, the way his mouth looked like it needed to be
|
|
kissed. She also liked the fact that he was taller than her. That was
|
|
definitely a rarity in her experience.
|
|
She shook herself firmly. "You've been alone far too long, Degonawadonti,"
|
|
she told herself. She pulled her hair out of the ponytail and shook it out,
|
|
making a face at her image. "What a mess I am. I can't believe I let him
|
|
see me like this. In the old days I would have run away screaming," she
|
|
said, and laughed at her own vanity.
|
|
"Ah yes, Degonawadonti, what is a wadayoneras but vain in thinking she holds
|
|
the world in her palm?" came a subvocalized voice, speaking slowly in
|
|
English. In the mirror, over her shoulder, she could see the faint outline
|
|
that marked the materializing presence of Degasaheh, the Teaching Spirit.
|
|
She never saw more than a hand, or the silhouette of a body, but she knew the
|
|
warmth of this essence and the wisdom of its words to her.
|
|
"What say you, Teacher?" she said softly, switching to Mohawk. "What wisdom
|
|
do you have for me regarding this man who has strange insight into things he
|
|
cannot hold?"
|
|
There was something like a chuckle. "He is tied too tightly to things
|
|
beyond his ken for you to hold onto, Degonawadonti. He has been touched by
|
|
forces that even I do not understand."
|
|
"He searches for something. What is it?"
|
|
"He searches for someone, and something more elusive than that. He
|
|
searches for the truth."
|
|
"There are all kinds of truth."
|
|
"Correct, but this Mulder, this Tasitsho -- he seeks far beyond this world.
|
|
He will travel into places we dare not imagine, and we cannot help him. He
|
|
is a journeyer who is but passing through." There was a slight pause, as
|
|
though Degasaheh was thinking. "It would be wise to assist this man. He
|
|
brings much that is good with him. He needs your help on his journey."
|
|
"Then he needs a talisman," said Daisy thoughtfully. "Maybe a ceremony
|
|
would help him in recognizing such a thing." She smiled. "It would be a
|
|
good trade."
|
|
She could feel rather than see Degasaheh shrug. "If he will accept such, it
|
|
would bring him that which he could hold onto."
|
|
"Then we will strive to make that so," she said, determined. Degasaheh was
|
|
gone.
|
|
She shivered in its passing and whispered the prayer of thanksgiving. She
|
|
decided she would broach the topic with Mulder later. Perhaps he would delay
|
|
his return to Albany, especially if he wanted to get a look at Arrowhead
|
|
Peak.
|
|
Odd, she thought. For the first time in at least three years, she was
|
|
thinking in English again, and was amazed at how subtly restructured she had
|
|
become.
|
|
Looking critically at her reflection, she decided to take a shower too.
|
|
When she got out, she paid far more attention to her appearance than she had
|
|
in the past three years. In the back of her closet she found a red velvet
|
|
dress that was a relic of her wild days but still loved the cut and feel of,
|
|
especially against her naked skin. This went on over a pair of black
|
|
leggings and black suede boots. She chose a vial of amber perfume oil,
|
|
dabbed in several secret places. Grinning at herself, she dug out a makeup
|
|
bag from the depths of the dresser counter and rooting around it, found an
|
|
old kohl eyeliner and her favourite red lipstick. "May as well go all out,"
|
|
she told herself.
|
|
On her way downstairs, she glanced in at Mulder. He was still out of it.
|
|
She smiled. Catnip tea never failed to relax a person, she mused. The
|
|
phone suddenly rang and she ran downstairs.
|
|
Tehonig had picked up the cordless in the living room. "Sago," he said. He
|
|
paused. In Mohawk he said, "Hello, Mother. No, I am watching the moving
|
|
picture play called Star Wars. Akwatonteh is upstairs. No, I do not think
|
|
-- okay, I will speak English." He paused again, and his little face fell.
|
|
"If you want me to, Mommy. It doesn't matter to me, but I did want to see
|
|
you ..."
|
|
Daisy snatched the phone from her nephew. "Denene, what's going on?" she
|
|
demanded of her younger sister. Inwardly she sighed. Denene was flighty and
|
|
unreliable, sometimes to the point of irresponsibility.
|
|
Denene was breathless in the phone. "Hi, Daze -- listen, can you keep
|
|
Tehonig one more night? I'll come pick him up in the morning, I promise.
|
|
It's just that Steven from work -- you remember him, don't you --?"
|
|
Daisy sighed audibly this time. "Well, Denene, to tell the truth, I was
|
|
expecting to come into the city tonight. I'm dropping off a guest --"
|
|
"Guest? Who is it?" Her voice was shrill with anticipation. Daisy winced
|
|
and held the phone away from her ear. "Hey, did you know that some FBI agent
|
|
went off the road about five miles from your place and they said he's missing
|
|
and presumed dead? Did you see anything? Apparently hikers found the car
|
|
around 11 o'clock."
|
|
"No ... me and Tehonig were out at Fort Plain this morning," she lied.
|
|
Tehonig looked up at his name, but kept silent, instantly understanding the
|
|
need for secrecy. "We haven't seen anything."
|
|
"Well, I saw his picture on the news. He's really cute."
|
|
The really cute agent that Denene was reporting on was coming down the
|
|
stairs, looking still a little dazed with sleep. The suit was gone,
|
|
replaced by a faded green sweatshirt and black jeans that hung quite nicely
|
|
on his lean frame. He started to speak, but she motioned for him to be
|
|
silent.
|
|
"That's pretty wild, Deen. Okay, well -- call me before you come out. Me
|
|
and Tehonig will nuke some popcorn and watch a flick, I guess. See you
|
|
tomorrow." She rapidly hung up over her sister's protests.
|
|
"What time is it?," asked Mulder. "I really didn't mean to fall asleep
|
|
again --"
|
|
"You needed it," she said. "Your body probably did not get the kind of rest
|
|
it needed, and now you have." She caught him looking at her with an
|
|
appreciative eye and blushed. He can probably tell I'm not wearing anything
|
|
underneath, she thought, half dismally, half anticipatory. She steeled
|
|
herself, determined not to expose her longings and thus avoid rejection.
|
|
"There has been a slight change of plans," she told him. "My sister will
|
|
not be home, so Tehonig will be staying with me one more night. We can still
|
|
drive you into Albany, if you want. But there is one more thing --
|
|
apparently your accident and subsequent failure to check in with your office
|
|
has led to your being placed on a missing persons alert. Did you not
|
|
mention your name when you checked in with the rental agency?"
|
|
He looked puzzled, his eyes narrowing. Daisy ignored just how attractive
|
|
that furrowed brow made him appear. "I gave them the license plate number,
|
|
but it's not that difficult to trace me from that. Let me borrow your phone
|
|
again, and I'll let them know I'm not dead..." he trailed off then, and all
|
|
sleepiness left his face. "This report that you've heard about, what exactly
|
|
did it say?"
|
|
"All I know is what my sister told me. She said that apparently your car
|
|
was found and your name and picture released, and that you are missing and
|
|
presumed dead." This news made his eyes narrow even more. "Why would your
|
|
office jump to such a conclusion?"
|
|
"My office would never issue such a statement," he said firmly. "Some other
|
|
agency is deliberately planting misinformation."
|
|
"But why would they say you are dead?" she asked.
|
|
He shrugged. "There's any number of reasons why. Too long of a story to go
|
|
into right now."
|
|
She studied him and was about to say something when Tehonig bolted suddenly
|
|
upright, turning his head sharply like a hawk.
|
|
"Degonawadonti," he intoned in that weird, sad voice that marked a spirit
|
|
presence. "There are strange men coming. They intend to do harm. You must
|
|
not let them know about Tehoniguratheh, and most of all, you must not let
|
|
them find Tasitsho." The boy looked at Mulder with his strangely sightless
|
|
eyes. "They would like to kill you, but they dare not. Instead they will
|
|
take you, and they will hurt you, and you will suffer."
|
|
Daisy immediately went to the window. One of those black, non-descript cars
|
|
that governmental agencies seem so fond of was driving cautiously up the
|
|
hill. Mulder was behind her, pulling aside the curtain. They could make out
|
|
the vague outlines of two men in the front seat.
|
|
"Tehonig, take Tasitsho and go to the attic," she ordered. "Don't make a
|
|
sound."
|
|
Mulder started to protest. "Do as I say," she commanded, putting all her
|
|
will behind her voice, and he involuntarily stepped towards the staircase.
|
|
"Tasitsho," said the spirit voice. "If you have a weapon, take it with
|
|
you."
|
|
Mulder didn't hesitate at this; he took Tehonig's hand and drew the
|
|
somnabulent boy with him. Daisy went into the kitchen and stepped out onto
|
|
the porch, steeling herself for confrontation, stepping to the edge so that
|
|
the height would give her an advantage.
|
|
The car pulled to a stop behind her Pathfinder and two men got out. One was
|
|
very big and wore sunglasses, putting one hand inside a front pocket as if to
|
|
check on his weapon. The other man, who had been driving, had that kind of
|
|
bland white man's face that she would never commit to memory, the features so
|
|
very even as to be nondescript. They both wore regulation black trenchcoats
|
|
over grey suits. The driver paused to light a cigarette, looking at Daisy's
|
|
house with distaste. She hoped they hadn't seen Mulder, standing in the
|
|
window of the attic, his gun drawn and gripped tightly in his hand.
|
|
She crossed her arms over her chest and waited, calming herself and calling
|
|
inwardly upon the Thunderers, whose strength she would need. They walked
|
|
quickly up to the porch and stood awkwardly beneath her. The large one
|
|
mirrored her stance and the bland one stepped forward.
|
|
"Are you Margaret Daisy Van Leeuwan?" he asked. His voice was as bland as
|
|
his looks.
|
|
"I must be," she allowed. "Let's skip the formality, shall we? You
|
|
obviously know who I am."
|
|
"We know how distrustful you are of authority, Ms Van Leeuwan," he said, his
|
|
smooth voice almost jovial. "But if you aid us in a little matter we are
|
|
investigating, we won't bring up the matter of the death of Charles Vincent
|
|
Bowden, dead eight years without charges ever being laid."
|
|
She grinned sharply, thinking of wolves. The large man stiffened, his hand
|
|
going back inside his coat. "I'm shaking," she said.
|
|
"Don't get cheeky," said the bland man. "We know how that company covered
|
|
for you. You must have been fucking somebody higher than old Bowden for them
|
|
to want to protect your ass the way they did."
|
|
Her grin got toothier. "You're very rude, Mr. Secret Government Agency Man.
|
|
What are you looking for? You haven't even told me why you're being so
|
|
insulting. Let me guess -- you found my pirated copy of _Casablanca_ and
|
|
you're coming to arrest me?"
|
|
"We're looking for someone," and he nodded at the large man, who brought out
|
|
a photo of Mulder. She glanced quickly at it, noting it didn't do the man
|
|
justice. "He's a renegade agent who has a habit of breaking into secure
|
|
government facilities. His car went off the road about five miles back, and
|
|
we're looking for him. Have you seen him?"
|
|
"No," she said. "And even if I had, why should I tell you?" She smiled
|
|
serenely at them. "Your facilities must not be very secure if a lone man can
|
|
break into one."
|
|
The large man stirred then, and brought out his gun. "Because we told you
|
|
to," he growled.
|
|
"Now I'm really shaking," she purred. She was enjoying herself, she
|
|
realized. Her days of isolation and intense education in the ways of the
|
|
wayonderas had led her to a kind of preternatural confidence. She felt the
|
|
power of the Thunderers descend around her, charging her skin and hair.
|
|
The bland man stepped onto her porch, coming literally toe-to-toe with
|
|
Daisy. She did not move, and could feel his cigarette breath on her face.
|
|
She stared into his ordinary blue eyes and felt him waver, only slightly.
|
|
"We're going to take a look inside your house," he said.
|
|
"Where's your warrant?" she commanded.
|
|
He nodded at the large man. "That's my warrant. Now get out of the way,
|
|
Pocohontas, or I'm going to get mad."
|
|
She turned towards her door. "Go ahead, if you can get in."
|
|
He nodded at the large man, who followed him up on the porch. He tried the
|
|
door, but it would not open. "Come on, open it," he barked at Daisy.
|
|
She shrugged, opening her arms, palm up. "Sorry, don't have a key."
|
|
The bland man rattled the door again, then nodded at the large man, who
|
|
began backing up to push it open with his shoulder. At that instant, Daisy
|
|
visualized opening the latch to the dog kennel and spoke urgently in her head
|
|
to Sowahs, the pack leader.
|
|
The large German Shepherd-Husky cross was around the side of the house and
|
|
at the throat of the large man before Daisy had finished speaking to him, the
|
|
two Retrievers helping Sowahs pull him down. The large man was yelping in
|
|
the same frantic pitch as the dogs. Iatseh, the lead female, cornered the
|
|
bland one and had him pressed up against the door frame. Before he could
|
|
draw his weapon, Daisy slipped neatly between him and Iatseh and casually
|
|
withdrew the gun from the shoulder holster under his left arm.
|
|
"I'm sorry, but my guard dogs just don't like letting people into the
|
|
house," she explained cheerfully. She waved the gun under the bland one's
|
|
nose. "Now, if you please, I have not seen this person, nor do I expect to.
|
|
There's not much cover around here; you should be able to pick him up quite
|
|
quickly, if you're clever. Which I doubt."
|
|
The bland man's face became mottled with angry red blotches. "You bitch,"
|
|
he hissed. "You're gonna regret this!"
|
|
"I'll be sure and tell my congressperson about the quality of our public
|
|
servants," she continued, fitting the gun to his ribs. "Now, Mr Secret
|
|
Government Agency Man and hired lackey -- get the hell off my land!" She
|
|
chuckled to herself. "I've always wanted to say that."
|
|
She marched him down and back into his car. Sowahs and Iatseh followed the
|
|
large one closely, occasionally taking painful little nips at his backside
|
|
and growling most impressively. She kept the gun trained on them as the
|
|
bland one threw the car in reverse and tore off down the hill. She lowered
|
|
the weapon as the car disappeared down the hill.
|
|
Tehonig burst out of the house then, Mulder following. "Akwatonteh!" he
|
|
called. "You were like Clint Eastwood or something. That was way cool."
|
|
She ruffled his thick black hair. "Not that cool, little one. They will be
|
|
back, and with more people." She looked up at Mulder. "We are going to have
|
|
to leave here."
|
|
He nodded. "I gathered that."
|
|
She looked past the house, to the hidden trail leading into the river valley
|
|
and beyond that, to the ancient escarpment called Big Nose. "We could
|
|
conceivably kill two birds with one stone," she mused. "We could go hide up
|
|
at my moonlodge, and that would give you an up close and personal look at
|
|
Arrowhead Peak."
|
|
"Moonlodge?" he asked, studying her. She smiled at him, feeling a sense of
|
|
adrenalin-inspired victory and close on the heels of that, lust.
|
|
"It's sort of my private little meditation and ceremonial retreat," she
|
|
replied. "In the old days, women would leave their village during their
|
|
menstrual cycle in order to conduct the women's rituals and take a break from
|
|
their families. I use it for the same reason, but I also have a sweatlodge
|
|
and many of my visionquest tools are there." She looked up at the sky,
|
|
gauging the time. "We will have to hurry, though -- it's about an hour's
|
|
worth of hiking, and the sun's going to go down in about that length of time.
|
|
Tehonig, pack up your overnight gear bag. I'll grab some food. Tasitsho,
|
|
you're going to have to bring your things with you, or they will give you
|
|
away."
|
|
He stared hard at her. "I don't think you have thought about the
|
|
consequences of aiding me," he began. "These people are ruthless; you could
|
|
be setting you and Tehonig up for serious trouble." He looked troubled. "I
|
|
don't want to feel that I am the cause of any difficulty."
|
|
She went to him and put a hand to his chest, feeling his heart beat through
|
|
the fabric of his sweatshirt, stilled her hand from exploring the hard
|
|
muscles she felt beneath. "I have been instructed to help you," she said
|
|
softly. "This command is not one that can be easily ignored. And anyway,
|
|
there is the possibility that will make a good trade." She pulled her hand
|
|
away and straightened. "And I don't believe you can ignore our help, not
|
|
now."
|
|
He shrugged. "I guess not."
|
|
"You must gather your things, and quickly," she urged, turning back to the
|
|
house. "We don't have much time." She strode into the house and felt Mulder
|
|
hesitate for the briefest of instants before he followed her.
|
|
She spent her time going through the cupboards and filled a bag with various
|
|
groceries, enough for two days. She found a large plastic picnic jug to fill
|
|
from the spring behind the sweatlodge and then raced upstairs two at a time,
|
|
grabbing a change of dark clothing from her bedroom. She pulled a black
|
|
polar fleece jacket from her closet on the way out.
|
|
Downstairs Mulder and Tehonig were waiting, the boy wearing a back pack over
|
|
his weatherproof black jacket and black pants, his hiking boots tapping out a
|
|
rhythm of impatience. Daisy saw that he was brimming over with an excited
|
|
and apprehensive tension, and sent a calming thought in his direction. He
|
|
looked up at her and nodded, trying his best to relax. She kicked off her
|
|
boots and laced on her hiking boots, zippering the jacket up when she
|
|
finished.
|
|
Mulder was wearing a blue all-weather jacket and had slung his overnight bag
|
|
over his shoulder. His expression was quietly watchful, but the waves of
|
|
tension emanating from him had a life of their own. She grabbed up her
|
|
buckskin bag and the groceries from the kitchen counter, stuffing them in a
|
|
backpack and slung it onto her back. "Let's go," she commanded.
|
|
They followed her out to the back of the house. At a hand signal from her,
|
|
Sowahs and the Retrievers retreated back to their kennel, but Iatseh joined
|
|
them. Iatseh, mostly Husky but crossed with some wolf, was an uncanny
|
|
watchdog and would serve them well. She led the way onto the path, pulling
|
|
a flashlight out of a flap on the backpack and carrying it loosely in one
|
|
hand. Tehonig scrambled to the front and soon disappeared into the bush
|
|
ahead of them, Iatseh at his heels.
|
|
Mulder paced her without a sound. The path snaked ever upward into the
|
|
heavily wooded hills, and the already gloomy day was fast coming to an end.
|
|
"This trail isn't very well marked," he noted. "No, I decided long ago I
|
|
wouldn't leave any visible traces so that if ever I got into any kind of
|
|
trouble, the moonlodge could also be a kind of sanctuary. I'm glad I had
|
|
that kind of foresight."
|
|
"I'm glad you did, too." He was silent for awhile, and then asked softly,
|
|
"Are you lonely here, Daisy?"
|
|
It was the first time he had called her by name, and she liked the way he
|
|
said it. It really did make her sound like a flower. "Sometimes I am, but
|
|
mostly I'm not. I am surrounded by many things, Tasitsho -- things that most
|
|
people cannot or refuse to see. Our society has taught us to close our minds
|
|
and our eyes against things which we cannot touch with our hands, and so our
|
|
hearts remain closed to the myriad possibilities which, contrary to popular
|
|
belief, do exist."
|
|
He chuckled softly. "Tell me about it," he said. "I've spent most of my
|
|
career investigating things which most people dismiss quickly and with
|
|
disgust, because their belief system is too narrow or not equipped to deal
|
|
with something outside the ordinary. But there are a lot of things which are
|
|
dismissible and I'm starting to think that maybe there is nothing
|
|
paranormal." He was silent again. She measured the silence in heartbeats,
|
|
and then he said, "I'm wondering how someone like you, with your educational
|
|
background, reconciles your personal beliefs with what you know to be the
|
|
incontravertible truth of hard science."
|
|
It was her turn to laugh. "But it is science, Agent Mulder," she said.
|
|
"Everything around us, everything in the universe, is based upon an atomic
|
|
structure -- pure energy transformed into matter. All matter is
|
|
transformable back into energy. What I have learned to do, based upon the
|
|
old lore and aided by western science's knowledge of physics, is to learn in
|
|
small ways how to manipulate enery. The so-called paranormal is but a
|
|
different plane of existence where energy has been transformed into something
|
|
unexpected."
|
|
They walked a little further in silence, and then she mused, "The universe
|
|
resonates with energies of all kinds. Our minds sing these harmonies when we
|
|
dream, and it's a matter of learning to sing these songs in a conscious
|
|
state." She glanced up at him, his face shadowed in the darkening twilight.
|
|
"Although grasping the nature of the transformation is rather hard ... but I
|
|
think you understand what I mean."
|
|
Mulder shrugged, peering at her in the settling gloom. "I think so," he
|
|
said dubiously. "I know you have some kind of ability, but I'm not sure what
|
|
it is. I want to believe in an existence beyond what I can see, but I'm
|
|
beginning to distrust in my own ... instinct."
|
|
"It's hard to listen to yourself, especially when experience gets in the
|
|
way," she said, keeping her tone even. This man was deliciously enigmatic,
|
|
she thought, and the sound of his voice in the deepening night was doing
|
|
strange things to her equilibrium. She was feeling light-headed, a warmth
|
|
spreading through her stomach as she contemplated him, like she had taken a
|
|
powerful drug and was fighting a kind of stupor in which she wanted to fall
|
|
into his arms and drag him into the underbrush, pulling his clothes off of
|
|
him in a frenzy. She calmed herself. She could feel that he thought of
|
|
himself as something of a loser where women were concerned and to do that
|
|
would frighten him to his very core.
|
|
"You ought to talk to Scully," he said. "Maybe you could get her to concede
|
|
in accepting the supernatural as an alternate reality."
|
|
She deflated at the mention of his partner. She could detect an eerie
|
|
association that surrounded him, like this person was actually present. It
|
|
was obvious that she meant a great deal to him, but not as a lover or a
|
|
friend, but something beyond that -- like their energies were linked.
|
|
Interesting, she thought. I want to get him into a trance state and hear
|
|
what his totem animals say about this.
|
|
"I'll do my best," she said. She roused herself. "But I'm getting hungry
|
|
again, and we're still about fifteen minutes away -- ten, if we step on it."
|
|
"Lead on, Sacajawea," he said, teasing her. She shot him a mock glare over
|
|
her shoulder and turned on the flashlight, breaking into a slight jogging
|
|
step that ate up the terrain. He followed closely behind, so close that she
|
|
could feel his warm breath on the back of her neck, decided she liked that.
|
|
They reached the moonlodge as promised ten minutes later. Tehonig had
|
|
already lit the woodstove and the oil lamp that sat on the small table
|
|
inside. She loved her little lodge, having built it with her bare hands in a
|
|
mushroom-induced three-day trance-state. It was watertight and could be
|
|
warmed with the little woodstove that had been installed. They went inside,
|
|
Mulder ducking a fraction to fit through the doorway.
|
|
She had built sleeping platforms along the western wall in the style of her
|
|
people, imitating the longhouse structure, and a table and a wash basin stood
|
|
opposite. One shelf held an extensive library of books of all kinds,
|
|
paperbacks vying for space with hardcovers and even some old leather-bound
|
|
volumes lending the room that particularly dusty smell of libraries. False
|
|
face and cornhusk masks were hung on all walls to invoke the guardian spirits
|
|
of the forest. The one small window looked out over the brush to the
|
|
neighbouring hillside. Lights dotted the very top -- this was the base
|
|
called Arrowhead Peak.
|
|
Mulder immediately went to the window and, rummaging around in his bag, came
|
|
out with a pair of binoculars which he trained on the distant lights. Daisy
|
|
set her bags on one of the platforms and set about making a pot of spaghetti,
|
|
sending Tehonig out to fill the water jug. Some minutes later, with the
|
|
water boiling on the wood stove, Daisy slipped beside Mulder and asked, "See
|
|
anything interesting?"
|
|
He lowered the binoculars. "No, unfortunately. It looks ordinary enough."
|
|
She smiled at him. "You should wait a while. Usually the light show begins
|
|
around 11 p.m."
|
|
"What do these lights look like when you see them?"
|
|
"It varies, but the most common one is a triangular-shaped luminous object
|
|
that seems to hover silently and has pretty amazing maneuvering
|
|
capabilities." She thought for a moment. "Actually -- the refraction
|
|
percentage puts me in mind of some of the same properties present in the
|
|
radar-deflective polycarbon we ended up developing for the Stealth bomber.
|
|
It has the same kind of non-reflective surfactant."
|
|
Mulder stared down at her for a long moment, his eyes faraway. He seemed to
|
|
be about to say something and then shook his head, as though trying to grasp
|
|
a distant memory. "What you have told me sounds strangely familiar ... I
|
|
feel like I've seen something along the lines of what you've described ...
|
|
but I can't seem to ..." he trailed off and frowned, his bewilderment a
|
|
palpable thing. "It's like I've seen something like this up close but it's
|
|
all a fog ..."
|
|
She gently touched his arm. "Put it away for awhile. When you least expect
|
|
it, the memory will resurface. Come on, we'll eat some pasta and drink some
|
|
wine -- I think I've stashed a couple bottles of a lovely little Beaujolais
|
|
somewhere --" She led him away from the window. He came away reluctantly.
|
|
She made dinner rapidly. When she was sure Mulder wasn't watching her, she
|
|
poured a bottle of wine into a decanter and, without any real awareness of
|
|
doing it, added about four ounces of a psilocybin-based extract, one she had
|
|
learned to concoct for quick and effortless plunging into the trance-state.
|
|
She placed the decanter and wine glasses on the table.
|
|
Throughout dinner, he seemed detached and faraway. Daisy did not press him,
|
|
but kept up a light, quick patter, bouncing conversation off Tehonig and
|
|
ignoring Mulder's obvious preoccupation. Iatseh sat at Tehonig's feet,
|
|
watching them all with her intent doggy stare. Mulder ate absently and kept
|
|
refilling his wine glass, gulping it down like it was water, but he didn't
|
|
seem to exhibit any signs of incipient intoxication. Daisy drank about two
|
|
glasses, knowing she didn't need as much to experience the trance-state, but
|
|
even an accomplished wadayoneras needed the vision medicine to begin the
|
|
journey.
|
|
About an hour later, Mulder was staring at her with a wild, wide-eyed stare,
|
|
his pupils dilated to the point of being black pools against the forest-green
|
|
irises. Sweat was trickling down his brow, and he looked weak and shaken.
|
|
Tehonig looked at his aunt. "Akwetonteh," he said disapprovingly. "You
|
|
tricked him into taking the mushrooms."
|
|
"FBI agents don't willingly swallow psychedelics, Tehonig," she said. She
|
|
looked at Mulder, who was gaping and trying to speak, his eyes suddenly wild
|
|
with fear. She went to him and spoke soothingly against his ear, cradling
|
|
his head against her shoulder.
|
|
"Listen to me, Tasitsho," she whispered. "We are going to take a little
|
|
journey, you and I." She helped him to his feet. "Tehonig, we will be in
|
|
the sweatlodge. I trust you and Iatseh to keep watch."
|
|
Tehonig nodded and handed her a lantern. Balancing it on one wrist and her
|
|
arm wrapped around Mulder's waist, she grabbed up their coats and went out
|
|
the door, going up the short path deeper into the forest, struggling under
|
|
his weight. The sweatlodge was cold and dark, draped with canvas and furs, a
|
|
small hill in the night. She made him stand alone, swaying, while she went
|
|
inside, lighting the fire for the steam. He looked at her and burst into
|
|
maniacal laughter.
|
|
"You really are a witch," he said, and like a cat was suddenly beside her,
|
|
wrapping his arms around her and burying his face in her hair. She danced
|
|
lightly away from him, giggling in the building hurricane of the drug.
|
|
"I had already told you that," she said to him, and taking his hand, led him
|
|
inside the sweatlodge. She began peeling off her clothes, and he eagerly
|
|
followed, tearing at his clothing, his eyes locked on hers.
|
|
She shook her head at him. "That is not what we are here for," she said
|
|
calmly. She put the little stone circle at the centre of the lodge between
|
|
them and made sure the water bucket was still full. She sat back, the lodge
|
|
growing warmer and a light draft wafting on her skin. She looked at Mulder,
|
|
admiring the strong breadth of his shoulders and arms, the slightly-furred
|
|
chest, then steeled herself to her task at hand.
|
|
She began chanting with her eyes closed, the ancient words clearing her
|
|
mind. When she opened them, Mulder was not there. In his place were four
|
|
animals, a fox, an eagle, a horse, and perhaps the most surprising of all, a
|
|
mountain lion, its strange yellow eyes gazing into hers. It seemed to be
|
|
nursing its front right paw. She composed herself.
|
|
"Greetings, brothers," she said. "Do you speak for this man, for the one I
|
|
call Tasitsho?"
|
|
The fox stirred, sweeping its red tail tightly around its body. "I do,
|
|
sister," it said. It looked up at her, its savagely intelligent eyes locking
|
|
with hers. "We dwell in the man. I am his first totem, the totem of his
|
|
name. These are the totems of his spirit. And this one," with a sweep of
|
|
its small paw, indicated the mountain lion, "this animal is the spirit of his
|
|
friend, who must live within him now that her mind has fled. We ask that you
|
|
assist us to return her, for she has wandered far and is injured."
|
|
The mountain lion gave a low, dangerous growl as Daisy came closer, saw a
|
|
strange steel object embedded deep in the padding of its paw. It looked like
|
|
nothing she had ever seen before, not a nail or a scalpel, but something
|
|
mechanical, like a piece of machinery.
|
|
The eagle stirred then, and the horse stamped and whinnied, shaking its
|
|
glossy brown mane. "We want to see the strange place," screeched the bird.
|
|
"We want to know. We want to journey. Come, sister -- fly with us!"
|
|
She could not ignore the command, and felt her arms turning to wings as her
|
|
spirit flew free of her body, spiralling through the smoke hole in the
|
|
sweatlodge, into the dark sky where clouds roiled overhead.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
From netnews.upenn.edu!news.cc.swarthmore.edu!psuvax1!news.pop.psu.edu!news.cac.psu.edu!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:23 1994
|
|
Path: netnews.upenn.edu!news.cc.swarthmore.edu!psuvax1!news.pop.psu.edu!news.cac.psu.edu!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 4/7
|
|
Date: 05 Dec 1994 01:30:07 GMT
|
|
Message-ID: <4036489182.2173446@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 253
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (4 of 7 parts)
|
|
|
|
|
|
Chapter 3
|
|
|
|
He was nothing and he was everything. He was sky and rock and wind and
|
|
water. He was flesh and bone and feather and fur. He was a blade of grass,
|
|
a twig, a stone, beetle scuttling over dung. He was a fleeting name on the
|
|
wind, an idea, a curse. He threw back his head and laughed, and then the
|
|
changing came upon him again and he wept with a fear greater than anything he
|
|
had ever known, a screaming human baby in the light of the universe. He felt
|
|
a thousand things at once and could not name anything. He fell headlong into
|
|
a gaping abyss at his feet and emerged into the light. He was whole again.
|
|
He stared down at himself, naked in the blinding universal light. He
|
|
clenched his fists, bent his knees -- everything worked. He threw up an arm
|
|
to shade his eyes, and a brilliant red outline materialized beside him. He
|
|
was enveloped by the light, bathed in it, warmed by it, and he knew the name
|
|
of this light. Her name was Daisy.
|
|
As he remembered her name, she became a river otter, sleek and brown, her
|
|
dark eyes shining with glowing intelligence. He looked down at himself again
|
|
and he had become a fox. He could feel his four paws on the ground, his
|
|
plume-like tail, his pert ears and the whiskers that quivered with his joy at
|
|
being alive.
|
|
"Tasitsho," she smiled. "You are here, and I have found you." She swirled
|
|
around him, a mass of sleek limbs and smooth fur. He felt faint with desire,
|
|
wishing himself a boy otter, but he stayed a fox. She laughed at him like
|
|
she could read his mind.
|
|
"How can this be?" Mulder asked, afraid of his own voice. "I am a man!"
|
|
She turned an otter somersault, like she was in the water. "You are a fox,
|
|
Fox," she laughed again. "I am an otter. In the spirit world, we take on
|
|
the form of the creatures that protect and enfold us." She twirled again and
|
|
he felt an inexplicable urge to run and jump. "Come, my friend -- we will
|
|
dance, and then we have a task to fulfill, a trade to negotiate."
|
|
"Great," he muttered. "Of all the animals in the world, I have to be a fox.
|
|
How come I can't be a gila monster or something -- why do I have to be a fox
|
|
of all things?"
|
|
"You are what you are. It depends on you."
|
|
"This is not cool," he groaned. "It's bad enough that it's my name --" he
|
|
stopped as she twirled about him, brushing her tail in his face. "Stop it!
|
|
I can't see."
|
|
''You see everything now." She drew her tail away from his eyes.
|
|
He looked at her, uncomprehending. There was a whimpered growl behind him
|
|
and a huge tawny cat, its golden eyes locked on his, limped to a short
|
|
distance before him and stopped, its great paw tucked against its body. The
|
|
cat looked strangely familiar, like someone he knew. There was a cast to its
|
|
coat that reminded him of Scully's hair --
|
|
"Scully?" he whispered, scarcely believing it. Daisy laughed and whirled
|
|
like a spinning top.
|
|
"She is here, she is everywhere," she chanted. "She lives in you, and you
|
|
in her. You are the key, Tasitsho, you are her friend. You must return this
|
|
spirit animal to her before she can be whole again. And you are charged with
|
|
this duty. Until she is whole, there is no journey for you, no higher
|
|
knowledge, no truth. The spirits have spoken."
|
|
"What am I supposed to do?" he demanded, suddenly angry. This was getting
|
|
way too weird, he thought, it's got to be the drugs. "This is stupid!" he
|
|
growled, wishing his body back. He shut his eyes, counted to ten and opened
|
|
them. He was still a fox.
|
|
Daisy's laughter was high and with a note of manic glee. "You are in the
|
|
hands of the spirits now, Tasitsho. Why would you leave? You can't run from
|
|
this. This is as real as it gets!" Her whiskers quivered with merriment and
|
|
her eyes shone. He sighed. She was the most attractive otter he had ever
|
|
seen, and then he started to grin, his mouth stretched weirdly over his foxy
|
|
teeth. Not that he had ever seen an attractive otter before, he thought.
|
|
"I don't -- I don't know what to do," he began and took a tenative step
|
|
forward. It was strange being on four legs. It didn't feel like crawling at
|
|
all, it felt like walking but on more legs than usual.
|
|
"Why not ask her what she wants you to do?" suggested Daisy, gesturing with
|
|
her sleek otter paw at the cougar. She did another somersault and swirled
|
|
her glossy body around him.
|
|
"Would you stop doing that?" he growled. Her continual motion was beginning
|
|
to irk him.
|
|
She laughed, a strange haunting sound coming out of her otter mouth. "Don't
|
|
be so uptight, fox Fox," she said. "It feels good to be in an otter body.
|
|
Usually I'm either a hawk or a rabbit. This is fun. Let yourself go, enjoy
|
|
yourself."
|
|
He ignored her and tried to get close to the cougar, but it growled
|
|
ferociously at him, its eyes gleaming savagely. "Dana?" he asked softly.
|
|
There was no recognition in the creature and it snarled again, its back
|
|
arching and baring its considerable fangs at him. He backed away, his limbs
|
|
suddenly not obeying him in the way he was used to. He could not balance
|
|
properly, could not grasp with his fingers, for he had none -- only the swift
|
|
clawed digits of what were now paws.
|
|
"This isn't working," he said. The cougar advanced on him and he reacted
|
|
instinctively, bounding away to cower behind Daisy.
|
|
"The cougar does not remember Dana," she told him, swirling her tail behind
|
|
her like an exclamation point. "That is why the two must be reunited, or the
|
|
spirit world remains out of balance." She went to stand before the cougar
|
|
and looked up at it, singing in the forest-like, low-pitched language of her
|
|
ancestors. Warily, the cougar stopped snarling and sat down, still nursing
|
|
the front right paw.
|
|
"There, you see where she is injured?" Daisy said, pointing at the cougar's
|
|
paw. A strange metal object was embedded deep in the padding of the paw, a
|
|
sharp tip protruding out of infected and oozing flesh. He knew it
|
|
immediately -- a kind of implant often taken from the bodies of UFO
|
|
abductees.
|
|
"That's impossible," he whispered. "There was no trace of any of this kind
|
|
of device when we scanned Scully, nothing like that--" he stopped, looking
|
|
closely at the object. The cougar was panting harshly, a rasping sound deep
|
|
in its throat. He came as close as he dared and saw that the object pulsed
|
|
with an eerie blue glow. He met the eyes of the cougar and held them, and
|
|
then a thousand other voices were in his head, some cat-like, some human --
|
|
and one ... one that didn't sound or feel like anything of his world. The
|
|
noise was deafening and he tried to cover his sensitive ears with his paws,
|
|
but he couldn't quite reach them.
|
|
And then the one voice he thought never to hear again, lucid, sharp, and
|
|
full of her intelligence and presence -- Dana's voice. "You have to be fast,
|
|
Mulder," she instructed him. "You have to pull it out. I can't be whole
|
|
again until this is gone. It separates who I am from what I am. The bridge
|
|
must be crossed, the door opened. Mulder, you are the key. That thing --
|
|
that is your talisman."
|
|
"Scully? What are you doing here?"
|
|
"Don't be so stupid." She sounded annoyed, and scared, a multitude of
|
|
feelings that flowed from her into him. "Quickly now -- there isn't much
|
|
time."
|
|
Daisy was singing again, a high-pitched keening this time as opposed to the
|
|
lower chanting she had done earlier. He felt a strange wave of vertigo
|
|
overcome him, like he was being suspended in a place where direction had no
|
|
meaning. An urgency unlike any he had ever known tugged at him, making him
|
|
paranoid and fearful. He was rooted to the spot, unable to think or know
|
|
what to do.
|
|
A ghostly hand seemed to push him then. "Come on, Mulder -- you're wasting
|
|
my time!" Scully's voice was as hysterical as he had ever heard it and it was
|
|
this note of near dread that decided him. Pushing his fear away from him he
|
|
approached the cougar and crouched close to its paw, unable to prevent
|
|
himself from sniffing the object. He could smell something almost familiar,
|
|
a mechanical note that he couldn't quite grasp, and the smell of infected
|
|
flesh. He tried digging at it with his claws and realized this would be
|
|
futile. Holding his breath, he licked the flesh around the object and began
|
|
to tug at it gently with his long fox-teeth. The cougar began to purr, a
|
|
loud rhythmic rasp that filled his ears and made the animal part of him quake
|
|
with terror. He managed to bite on one end of the object and then pulled
|
|
free.
|
|
The world shifted again and he felt himself falling down the endless abyss.
|
|
He gasped for breath and the object tumbled out of his mouth. "Hey!" he
|
|
shouted. "I just --"
|
|
He could feel Daisy tumbling in ecstasy beside him, her spirit form blinding
|
|
him as he beheld her presence. "Don't worry, Tasitsho," she whispered.
|
|
He felt himself become a solid form with a physical jarring that felt like
|
|
falling out of bed. He could feel whiskers and ears, and could only see tiny
|
|
pink feet. "Now what --" he began.
|
|
"Shhh," hissed Daisy, her voice somewhere behind him. "You're a mouse. Now
|
|
come here -- don't make a sound. We're in Arrowhead Peak."
|
|
"What?!"
|
|
"You said you wanted to take a look."
|
|
Mulder followed her voice and found himself blinking underneath what
|
|
appeared to be a large crate, looking out into a well-lit area. A large
|
|
triangular-shaped object was in the middle of this area, surrounded by banks
|
|
upon banks of computers and control panels. He stared at the thing,
|
|
dumbfounded. It seemed to hover above the floor -- he could see its shadow
|
|
beneath -- yet it seemed to absorb all light into its surface, making it a
|
|
dark, lethal looking weapon. A technician ambled out and passed underneath
|
|
it, seemingly unconcerned by the massive thing above him.
|
|
Beside him, Daisy let out a low whistle. He glanced at her and saw her eyes
|
|
shining brightly in a tiny mouse face. She made her whiskers quiver
|
|
speculatively. "That's definitely a non-reflective polycarbon surface," she
|
|
said. "Beautiful design -- I wonder if that's one of those so-called
|
|
hypersonic planes. It looks about fifty years ahead of what we were
|
|
tinkering with for the Stealth bomber."
|
|
He didn't answer, suddenly awash in a wave of memory that nearly caused him
|
|
to pass out. He shook all over, his mouse body shuddering. He was standing
|
|
on the runway at Ellens AFB, the black ship hovering noiselessly above his
|
|
head. And then the lights, the jeeps coming after him. He hyperventilated
|
|
as he remembered the desperate dash for freedom, and then the unkind hands
|
|
that took him, the injection that caused nothing but blackness in its wake
|
|
...
|
|
He swayed and crouched down, whimpering under the remembered pain. Daisy
|
|
nosed him roughly with her snout. "Quiet!" she ordered. "Someone's --"
|
|
There were footsteps suddenly booming all around them. Daisy nosed him into
|
|
the farthest recesses of the crates' underside, but the comforting darkness
|
|
was lifted away. "Shit," came a surprised and disgusted voice. "Hey
|
|
Wilkins, there's mice under this goddamned box! You better get traps set out
|
|
before Sarge sees 'em."
|
|
Daisy fled and Mulder forced himself to follow her, squeezing in with her
|
|
behind a tangle of cables. "We really are mice," he managed.
|
|
"No kidding," she replied. She sniffed around and then turned back to him.
|
|
"We'll have to chance a transformation -- it's the only way out."
|
|
He groaned. "Now what are we gonna turn into? Bats? No, wait -- why not
|
|
cockroaches? Then we can scuttle away underneath all this cable."
|
|
She glared at him as she started to chant again. This time the
|
|
transformation was nearly instantaneous, without the same disorientation and
|
|
out-of-body strangeness. He felt his body become a tightly muscled thing of
|
|
feather and bone, his arms stretching into wings, his mouth curved into a
|
|
sharp cutting beak.
|
|
Daisy was peeking out behind the cable, now a beautiful red-tailed hawk, her
|
|
breast a brilliant white. Her gaze was brilliant and far-seeing, and she
|
|
swept a wing towards the far end of the room.
|
|
"I think they're about to open the door," she hissed, her voice strangely
|
|
modulated beneath the beak. "As soon as they do, make a run -- I mean, fly
|
|
as fast you can towards it!"
|
|
There was a loud grating sound and a door at end of the hanger bay began to
|
|
open. Mulder was torn between wanting to inspect the strange object further
|
|
and flying away as fast he could, the animal instinct to flee nearly stronger
|
|
than his human curiousity. A low rumble spread throughout the hanger, but it
|
|
was a weirdly low vibration, at the subsonic level that he felt deep in his
|
|
bones.
|
|
Daisy was poised to fly away, he could see it in the tension of her wings.
|
|
"Wait," he called to her, his voice as alien as hers had been. "I want to
|
|
look at it more --"
|
|
"Not like that," she screeched at him. "Besides, there isn't any time."
|
|
"What do you mean?"
|
|
"We've only a short time in the spirit world," she explained. "We're nearly
|
|
at the limit for this journey. Come, we must leave now!" Without waiting
|
|
for his response, she spread her wings and was a marvel of speed and beauty
|
|
as she flew out of the hanger and into the dark night beyond.
|
|
Mulder cast one more longing look at the ship. He took an instinctive leap
|
|
forward and was stunned when he realized he was really flying, doing
|
|
something in his own body that people had only dreamed of. It was
|
|
exhilarating, an experience he wanted to savour, to remember it fully. The
|
|
scenery blurred beneath him, the stunned faces of the technicians receding
|
|
behind. He forgot even his disappointment at not being able to examine the
|
|
ship more closely and gave himself over to the joy of his wings propelling
|
|
him through the autumnal air.
|
|
And then he was running, four paws on the ground, the smells in his nostrils
|
|
a textbook map of the forest floor. He saw Daisy ahead of him, turned now
|
|
into a bright-haired vixen, her tail a plume in the dim night. He could
|
|
smell her, musky and enticing, and the innate animal pursued her, trying to
|
|
catch her and take her in the night, but she eluded him, her laughter coming
|
|
back at him on the wind. He took a running leap and tackled her, sprawling
|
|
headlong into the forest floor, and she was laughing as she wrestled with
|
|
him, turning and dancing away from him, then coming close to lick at his
|
|
face, his whiskers. He was beside himself with desire. Each time he came
|
|
closer, she would scamper away, only to brush up against him with her lithe,
|
|
furry body.
|
|
He felt the strange vertigo again and with an almost physical jolt found
|
|
himself sprawled on the floor of the sweatlodge, the steam rising around him,
|
|
his body slick with sweat. Daisy laughed again and was suddenly straddled
|
|
atop him, pressing her hot body against him. He reached up with one arm and
|
|
brought her mouth down on his, and heard a distant rumble of thunder,
|
|
something that sounded like the old mountains laughing at him. He wondered
|
|
briefly at this sound, but the feel of Daisy moving against him drove all
|
|
coherent thought from his mind as his body took over and he was lost in her.
|
|
|
|
|
|
From netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:23 1994
|
|
Path: netnews.upenn.edu!msunews!uwm.edu!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 5/7
|
|
Date: 05 Dec 1994 01:31:30 GMT
|
|
Message-ID: <4103598046.2173506@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 160
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (5 of 7 parts)
|
|
|
|
Chapter 4
|
|
|
|
Her head was throbbing as she came slowly awake, aware of a heavy limb
|
|
thrown over her stomach. She gingerly moved it aside and sat up, looking
|
|
down at the sleeping Mulder. He was sprawled on his back, limbs splayed
|
|
outward. In sleep, he looked younger and not nearly as sad as he did in his
|
|
waking hours. There was a row of scratches around his shoulders and a bite
|
|
mark on his collarbone, looking a deep red against the bone-white pallor of
|
|
his skin.
|
|
Daisy felt bruised and battered herself, but it was a good thing, this
|
|
feeling of boneless torpor. She shivered and looked for her clothes. The
|
|
fire had probably gone out two hours before, and it was freezing in the late
|
|
October dawn. The sun must be up; she could see light streaming in through
|
|
cracks in the sweatlodge's mud-and-bark wall.
|
|
She was pulling the rumpled red velvet dress over her head when Mulder
|
|
stirred, opening his eyes slowly to focus on her. "Morning," he said
|
|
sleepily. "Come back here--I'm freezing."
|
|
She smiled at him, suddenly shy with him where she had not been so before.
|
|
"I'm cold too," she said.
|
|
"Then come here," he ordered, opening his arms for her. She went to him and
|
|
huddled with him, tucking her head under his chin.
|
|
"I ache everywhere," he said. He was still for a moment; she could feel him
|
|
remember the events of the evening past. "I guess flying really does take a
|
|
lot out of you."
|
|
"I guess so," she agreed. He turned his head so that his forest green eyes,
|
|
sleepy lidded in the dim light, looked deep into hers.
|
|
"Did it really happen?" he asked softly.
|
|
"It was as real as this," she told him, and brushed a finger across his
|
|
lips. This strange FBI agent, she thought, was definitely a fine
|
|
distraction.
|
|
"How did you learn to do that, to shapeshift?"he asked, snuggling his face
|
|
deep into her wild hair.
|
|
She shrugged. "It takes practice, and vision, and patience, and more
|
|
practice," she said measuredly. "It also takes a great deal of help from the
|
|
spirits."
|
|
"They talk to you, like they do to Tehonig?"
|
|
She mused. "Not in the same way, but it does happen. There is one spirit,
|
|
Degasaheh -- it is a teaching spirit, and often it --" she sat bolt upright,
|
|
shrugging off Mulder's embrace. The place where Tehonig had been, where he
|
|
lived in her spirit and in her heart, was suddenly empty. She realized with
|
|
a start that she had not felt his presence for some time, but had ignored it.
|
|
"What is it?" asked Mulder, concern in his voice. She had gone a chalky
|
|
white colour, like all vitality had suddenly drained out of her.
|
|
"Something's wrong," she whispered. "Tehonig --" she threw on the rest of
|
|
her clothes. Mulder was struggling with his as she practically leapt out of
|
|
the sweatlodge, fear suddenly choking her throat closed.
|
|
She crashed through the brush, hearing only her heart beating wildly and
|
|
feeling stark terror grip its fingers around her. She flew to the steps of
|
|
the moonlodge and pushed open the door, yelling, "Tehonig!?"
|
|
The room was empty. Mulder crashed in behind her. He ran to his pack that
|
|
he had left on a sleeping platform and was now lying on the floor, the
|
|
contents stewn carelessly about. The table had been turned over and it
|
|
looked as if a struggle had taken place. Daisy could only stand in the
|
|
centre of the room, feeling as though she had been flash-frozen. She stared
|
|
down at the corpse of Iatseh, her proud coat of fur stiff and cold, blood
|
|
pooling beneath her body. She had been shot at least four times. Daisy's
|
|
mind cast about frantically for Tehonig, could feel not even the lingering
|
|
traces of his presence.
|
|
Mulder looked solemn as he came to stand before her, a comforting hand on
|
|
her shoulder. "They've taken my gun," he said. "Do you have any kind of
|
|
weapon?"
|
|
She started to giggle madly, and clapped a hand over her mouth. Taking a
|
|
deep breath, she whispered a prayer to the Thunderers to restore her
|
|
calmness. "A wadayoneras has no need of conventional weapons," she told him.
|
|
He glanced sharply at her, and she did not miss the cynical cast to his
|
|
eyes. "We should look for him back at your house," he said.
|
|
She nodded. She remembered Iatseh, could even now picture her running to
|
|
her across the yard, but she knew this was only the memory of her dog's
|
|
presence. She pushed it away. She would have to grieve for her pet later.
|
|
Mulder took her hand and grasped it firmly, and a strange warming electricity
|
|
flowed up her arm, giving her strength. They went outside and Daisy led the
|
|
way back to her house, forgetting her fear and even her aching muscles in the
|
|
fast trek down the hillside.
|
|
Her house was standing quiet in the morning mist. She called for Sowahs,
|
|
who came limping towards her, favouring his right hind leg. A quick
|
|
examination of him revealed a bullet wound in his hindquarter and inwardly
|
|
she raged at the cowards who would shoot her dogs rather than deal with her.
|
|
Mulder raced up the stair to the house, the door standing open. She knew
|
|
that while she had been in the spirit world, those presences which guarded
|
|
her home had no power. She followed Mulder blindly, signalling for Sowahs to
|
|
follow her. She could feel no presence of the Retrievers, knew they too had
|
|
been killed.
|
|
She stood quietly inside the kitchen. Her home was wrecked. Drawers had
|
|
been pulled open and the contents spilled to the floor, her fetishes and the
|
|
rows of braided corn torn off the walls and ceiling. She leaned against the
|
|
counter, feeling only numbness. She could tell her entire house was a
|
|
shambles and at this moment did not care. Mulder came back into the room,
|
|
his expression narrow and angry.
|
|
"He's not here," she said, voicing the obvious. He caught her eyes and held
|
|
them, warmly intimate.
|
|
"I'm so sorry, Daisy," he said. "I led them to you. If they find about
|
|
Tehonig's powers, they'll never let him go."
|
|
She looked at him, seeing deep into his heart. He was sincerely sorry, and
|
|
the self-doubt and chastisement that he felt cut into her. "Who are they?"
|
|
she asked softly.
|
|
He started to speak, then shook his head. "I really don't know."
|
|
She touched him on the shoulder. "Then you must promise me you will find
|
|
him," she said.
|
|
He nodded. "I'll do it," he promised. "I will find him, Daisy. You can
|
|
trust me." He put his hand in his pocket, like he was searching for
|
|
something. He came up with an object in his hand and stared at it, like a
|
|
man seeing a ghost. He looked up at her, and then opened his palm.
|
|
Laying in the centre of his hand was the strange object that he had, in the
|
|
spirit world, pulled from the paw of the mountain lion that represented his
|
|
partner. It gleamed a dull grey in the morning light from the window,
|
|
looking weirdly malevolent. "What is this?" he whispered.
|
|
She went to him and closed his hand around it. "It is your talisman," she
|
|
said, holding her own hand over his. "It is your protection and your
|
|
guarantee in the journey you are undertaking. It is your amulet against
|
|
disaster. You have earned the right to carry it with you, and now its power
|
|
is yours. The ceremony is completed."
|
|
He stared at his closed fist. "I -- I don't understand."
|
|
She hugged him. "You will." She could feel his uncertainty and smiled at
|
|
him, then took his face and pulled his mouth to hers, kissing him fiercely,
|
|
knowing this was for the last time. She released him then. "Come on, we
|
|
should be getting you back to Albany."
|
|
"Wait -- just like that -- what are you going to do?" he stuttered as she
|
|
grabbed up her car keys from the floor and stepped back onto the porch. He
|
|
grasped her arm.
|
|
"Wait, Daisy, I want to help," he said.
|
|
She smiled at him and he took a step back from her, and she knew her smile
|
|
was a terrible thing, but ignored its effect on him. "It's beyond your
|
|
abilities, Tasitsho," she said firmly. "Everything will be fine. The spirit
|
|
world always finds its own balance."
|
|
He shook his head at her. "I can't understand you when you start talking
|
|
like that."
|
|
"It's okay, Mr FBI, some things aren't meant to have the bright light of
|
|
logic or science shone upon them." She walked to the truck, whistling for
|
|
Sowahs, who came limply faithfully behind her and jumped into the back. She
|
|
started the Pathfinder and waited patiently for him. Mulder came slowly and
|
|
got into the passenger seat, his brows narrowed and his blue-shadowed jaw
|
|
clamped so tightly that a muscle jumped in his cheek.
|
|
"You don't mind if I send your stuff back to you," she asked.
|
|
He glared at her. "No, of course not."
|
|
She put the truck in gear and went down the hillside. Her mind was empty,
|
|
but she knew what she had to do.
|
|
|
|
|
|
From netnews.upenn.edu!msunews!uwm.edu!news.moneng.mei.com!howland.reston.ans.net!swrinde!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:24 1994
|
|
Path: netnews.upenn.edu!msunews!uwm.edu!news.moneng.mei.com!howland.reston.ans.net!swrinde!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 6/7
|
|
Date: 05 Dec 1994 01:32:09 GMT
|
|
Message-ID: <4170706910.2173557@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 100
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (6 of 7 parts)
|
|
|
|
Chapter 5
|
|
|
|
Mulder seethed quietly as the Pathfinder wound its way through the hills,
|
|
wanting to stop her but knowing he would not be able to. Part of her
|
|
considerable attraction lay in the strength of her will, he saw that now, and
|
|
to cross her was to lay himself open for a severe injury of the spirit.
|
|
He snuck a look at her. She was staring straight ahead, her hands gripping
|
|
the wheel so tightly that her knuckles were white. Her face had gone a
|
|
strange pale shade, like she had been drained of blood, and her eyes burned
|
|
like some black charnal pit. She was frightening, and beautiful. He tore
|
|
his glance away from her. She was beginning to scare him.
|
|
About fifteen minutes from her house, she suddenly pulled over, putting the
|
|
Pathfinder in park, and turned to him.
|
|
"I need you to take Sowahs to the vet," she said. "It's Dr. Maartens on Elm
|
|
Street. He'll look after him, no questions asked. You can leave the
|
|
Pathfinder in his parking lot and the keys with him. I'll pick them and
|
|
Sowahs up when I'm finished here." She unbuckled her seatbelt and swung open
|
|
the door. He gaped at her.
|
|
"Where are you going?!" he demanded, fumbling with his own seatbelt. She
|
|
held the door open and smiled again at him, and he saw the destruction in
|
|
that smile.
|
|
"I've unfinished business with them," she said, and she pointed upwards. He
|
|
squinted through the windshield and saw that they were at the base of
|
|
Arrowhead Peak. "They have taken Tehonig, and they must learn that they
|
|
cannot operate with impunity."
|
|
"Wait --" he said, and managed to get out of his seat. She started walking
|
|
into the forested hillside, and he caught her arm. She looked at him like
|
|
he was a peculiarly interesting bug and smiled that terrible smile, and then
|
|
he felt the weird vertigo again and was stunned to find himself in the
|
|
driver's seat of the Pathfinder, Sowahs whimpering softly behind him. Daisy
|
|
was no where to be seen.
|
|
He sat for a few minutes, unable to move. The ghost of that terrible smile
|
|
haunted him, it was all he could see. Her wild hair tumbling about her
|
|
shoulders, her rumpled red dress. He shook his head to clear it, then put
|
|
the Pathfinder in drive.
|
|
Some ten miles away, there was a low rumbling sound and he instinctively
|
|
pulled over, looking in the rearview mirror. Arrowhead Peak was obscured by
|
|
a brilliant orange fireball, thick black smoke pouring into the atmosphere.
|
|
He got out of the truck and watched as the mountain itself seemed to catch
|
|
afire, and he knew that Daisy had caused it, had caused Arrowhead Peak to
|
|
disappear into a blazing inferno, and its secrets with it.
|
|
He drove into Albany by reflex, his mind blank, images of the shapeshifting
|
|
journey and the memory of Dana's voice dancing before him as he gripped the
|
|
wheel. He could feel the talisman burning a psychic fire in his pocket and
|
|
decided he wouldn't even bother to have it analyzed. As Daisy said, some
|
|
things were not meant to have the light of logic shone upon them, and he felt
|
|
that this was one of them. He knew the truth would frighten him so badly as
|
|
to paralyze him, and he could not afford any fear.
|
|
He completed the tasks Daisy had set out for him and took a plane back to
|
|
Washington, phoning in the fact that the announcement of his death had been
|
|
premature. He went home to his silent apartment and spent the remainder of
|
|
the weekend in a kind of fog of memory, mourning the loss of his brief
|
|
association with the enigmatic sorceress Daisy. When the UPS courier came
|
|
with his briefcase and overnight bag, he practically tore them apart, looking
|
|
for something, a message, a note, anything. There was nothing there except
|
|
his possessions and his empty gun holster.
|
|
Monday morning, he entered his office in a glum frame of mind. He swung
|
|
open the door and was shocked into utter stillness by the fact that Scully
|
|
was calmly seated at her desk, pouring over a file as though no time at all
|
|
had passed. She looked at him and grinned, the warmth in her eyes thawing
|
|
the frost in his soul.
|
|
Her green-blue eyes had shadows beneath them and her face was puffy, like
|
|
she had lain asleep for a long time, but otherwise the sleek intelligence and
|
|
humour that shone from her face remained unchanged. He willed himself to go
|
|
forward and put his briefcase on the desk.
|
|
"Hello, Mulder," she said, pure pleasure evident in her voice. "You look
|
|
like you've seen a ghost."
|
|
"No, just a witch," he answered and came to her, putting his hand on hers.
|
|
"You're okay? How do you feel?"
|
|
"A little tired and kind of fuzzy," she replied. "I can't remember a thing
|
|
since Duane Barry, though." She looked into his eyes and he saw the
|
|
imperceptible pain there. "I keep remembering a dream about a mountain lion,
|
|
though. It's weird -- I never even really thought about them before."
|
|
"It is pretty weird," he agreed. He smiled at her, grateful for her
|
|
presence and her strength. "What are you doing here?"
|
|
"Working," she said firmly. "Now, take a look at this file --"
|
|
|
|
|
|
From netnews.upenn.edu!msunews!uwm.edu!news.moneng.mei.com!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks Mon Dec 5 21:02:24 1994
|
|
Path: netnews.upenn.edu!msunews!uwm.edu!news.moneng.mei.com!howland.reston.ans.net!cs.utexas.edu!utnut!torn!uunet.ca!uunet.ca!news.sygma.net!magic!Monture_&_Wicks
|
|
From: Monture_&_Wicks@magic.ca (Monture & Wicks)
|
|
Reply-To: Monture_&_Wicks@magic.ca
|
|
Newsgroups: alt.tv.x-files.creative
|
|
Distribution: world
|
|
Subject: The Talisman 7/7
|
|
Date: 05 Dec 1994 01:33:11 GMT
|
|
Message-ID: <4237815774.2173607@magic.ca>
|
|
Organization: Magic Online Services Toronto Inc.
|
|
Lines: 182
|
|
|
|
This is my first posting in this forum ... I hope everyone likes my story. It
|
|
contains shamanism, shape-shifting, pseudo-science, and a lot of speculation.
|
|
I started writing it after Scully disappeared, and this represents the way
|
|
I would have like to have seen the plot develop, but alas ... and because I
|
|
like Mulder, he is the central focus of this story.
|
|
|
|
Also please note that the Mohawk words used are phonetic representations,
|
|
rendered as much as possible in an English format. I have included a
|
|
phonetic key at the end of the story. There are also aspects of this story
|
|
that are not (and I repeat not) in keeping with traditional Native American
|
|
practices, so don't for one minute think that it represents any of those
|
|
sacred ceremonies and rites. I have ultimately created my own intepretation
|
|
of what may or may not happen, but among my people, there are still those who
|
|
practice the craft of the "wadayoneras". I hope I have treated the idea of
|
|
their art with the respect and reverence that it deserves.
|
|
|
|
This story is based on the characters and situations created by Chris Carter,
|
|
Ten Thirteen Productions and the Fox Broadcasting Company. No infringement
|
|
of copyright is intended.
|
|
|
|
|
|
The Talisman ... An X-Files Tale (7 of 7 parts)
|
|
|
|
Epilogue
|
|
|
|
New York State, 50 miles west of Albany
|
|
September 18, 1996
|
|
2:15 p.m.
|
|
|
|
He had been quiet the entire drive, and Scully hadn't remarked upon it, but
|
|
kept glancing at him from time to time, a thoughtful expression on her face.
|
|
She felt something was wrong judging from the preoccupied look in his eyes.
|
|
He had even made her drive. He was faraway today, close-mouthed and stiff,
|
|
cradling the file on the missing boy in his hands like it was some precious
|
|
object. Every time she had questioned him about this case he remained
|
|
secretive, saying only that he was working on it as a favour to a friend.
|
|
He came to life as they approached a driveway. "Turn here," he ordered.
|
|
She glared at him. They were the first words he had spoken in about half an
|
|
hour.
|
|
"Yes, sir," she sneered. Mulder ignored her in that closed way that he knew
|
|
drove her crazy. The driveway kept rising until it seemed they were on a
|
|
45-degree incline. It levelled out gradually and the car came to a stop in a
|
|
yard that was still glorious in the late September sun, a ramshackle
|
|
two-storey house sitting in the middle of the yard like a happy old woman.
|
|
Three yapping dogs came bounding up to the car, barking furiously, but when
|
|
Mulder got out, they stopped as if by magic. The biggest one, a grizzled
|
|
black and brown male, sniffed cautiously at him and then backed away, wagging
|
|
his tail and grinning a definite doggy grin. Scully got out of the car and
|
|
the dogs ignored her completely, running away to disappear around the side of
|
|
the house.
|
|
A man had opened the door of the house and was striding down over the porch,
|
|
his dark face suspicious as he stared at him. He was a big man, standing
|
|
taller than Mulder, his shoulders wide and his legs long. He wore a denim
|
|
shirt over jeans and had long black braids that nearly touched his waist.
|
|
"I'm looking for Daisy Van Leeuwan," Mulder said, flipping his ID at the
|
|
man. "I'm Agent Fox Mulder, this is my partner Agent Scully. Is Daisy at
|
|
home?"
|
|
Scully glanced sharply at Mulder. There was an encyclopedia of feeling
|
|
behind those casual words, something that she had never heard from Mulder
|
|
before, not since Phoebe Green. She was instantly interested. Mulder was
|
|
always so closed about his personal life. She wondered what this woman meant
|
|
to him.
|
|
"Maybe, maybe not," said the man, standing firmly between them and the
|
|
porch, his arms crossed forebodingly over his chest.
|
|
The door swung open again and a little girl of perhaps two came outside,
|
|
carrying a dilapidated Barney dinosaur by the tail. She had light brown hair
|
|
and inquisitive eyes that gazed at them with open curiousity. She was
|
|
wearing purple track pants and a sweatshirt that had a little green man in a
|
|
flying saucer printed on it with the legend "Space Friends" emblazoned across
|
|
the chest.
|
|
Scully couldn't stop staring at her. There was something maddenly familiar
|
|
about her, even though she had never seen this child before. And then she
|
|
remembered -- the boy in the file that Mulder carried. She had the same
|
|
shaped face, and her expression was very similiar, but those eyes -- she
|
|
could see that the little girl had green eyes, alien in her darkly native
|
|
face.
|
|
"Whose dat, Daddy?" she asked of the man, her little voice high pitched and
|
|
sweet. The door swung open behind her and Scully looked up to see a tall,
|
|
dark haired woman step outside, her dark eyes viewing them with intelligence
|
|
and mocking humour. She wore a lot of silver and her skin was the colour of
|
|
cinnamon.
|
|
She came off the porch and pushed aside the man, standing before Mulder.
|
|
"Tasitsho," she said, and the weird word sending a sickening wave of deja vu
|
|
crashing through Scully's brain. As though in a fog, she heard Mulder say,
|
|
"Hi, Daisy. How are you?"
|
|
"I'm fine, Mr FBI. You know that." She bent to pick up the child who had
|
|
come to stand beside her. "This is Dawendineh, my morning child. Say hi to
|
|
Mr Mulder and his partner, sweetheart."
|
|
"Hi," the child trilled shyly.
|
|
"And this is my husband, Gasgaodah Johnson," she continued, indicating the
|
|
man who was still glowering at them -- or more precisely, was glowering at
|
|
Mulder.
|
|
Scully looked at her partner. He was staring at the child in a daze, his
|
|
entire being focused on her. Daisy went to him, touching him lightly on the
|
|
shoulder. "No," was all she said. "She's a child of the West Wind,
|
|
Tasitsho." She smiled at him, and there was volumes in that smile. "And
|
|
gifted, she is."
|
|
He relaxed, expelling his breath sharply. Scully glanced between them,
|
|
unsure of the silent communication she was witnessed. "Just as well," he
|
|
said, nearly whispering. "She's into Barney."
|
|
Dawendineh pouted. "Barney good," she said. She looked at Daisy. "Down,
|
|
Mummy Mum."
|
|
Scully looked at Daisy, and then at the little girl, and back at Mulder, and
|
|
then the light went off in her head.
|
|
Mulder produced his file. "I think I've located Tehonig," he said quietly,
|
|
and handed it to Daisy. "He's been placed with a foster home in Quantico, of
|
|
all places, and is attending a school for gifted children. They've named
|
|
him Timothy MacEachern, and they're a little concerned with him -- " and at
|
|
her frightened look, he said, "No, he's fine, he's healthy and smart. But
|
|
apparently he hears voices, talks to what he calls spirits, and
|
|
strangely-dressed people who vanish have been seen with him."
|
|
Daisy looked like she was dreaming as she flipped through the file. "Does
|
|
he remember Denene, or me?" she asked softly, as though she were afraid of
|
|
the answer.
|
|
Scully responded, remembering the strange little boy they had interviewed
|
|
last month. "He says he can only remember someone named Degasaheh." She
|
|
tripped a little over the pronounciation. "He doesn't know who his parents
|
|
are."
|
|
Daisy looked at Scully then, who took an instinctive step backward. Images
|
|
that were not hers crowded into her mind, and she felt the pain this woman
|
|
felt. Hot tears sprang to her eyes and she fought off the feeling, shaking
|
|
her head to clear it. She was being inundated with emotions that were not
|
|
hers. She stared at the woman, who looked back at her, clear-eyed and
|
|
silent. They looked at each other, and the vision of an otter suddenly
|
|
danced before Scully's eyes and was gone as swiftly as it had come. She
|
|
felt like she was underwater, in a dream.
|
|
Daisy handed the file back to Mulder. "Thank you, Tasitsho. You have found
|
|
him for me, and we have made a fair trade, a good trade." She smiled then,
|
|
and it was a beautiful smile, clear and strong, like a mountain stream.
|
|
"Have you still your talisman?"
|
|
Scully looked at Mulder. He nodded slowly. "I do. It ... it helps me,
|
|
Daisy. I guess we have made a good trade."
|
|
She touched his hand, and it was, for a moment, like they were the only
|
|
people there. And then the little girl was singing, "Tasitsho, Ta-sit-sho,
|
|
Ta-sit-sho-ee ..." Daisy stepped away from him and gathered the girl to him.
|
|
"I'd ask you in for tea, but it's probably not a good idea." She looked at
|
|
Mulder steadily, and slowly he nodded. They looked at one another again,
|
|
that wordless communication passing between them, and then he smiled at
|
|
Daisy, and turned away from her.
|
|
"Come on, Scully," he said. "Let's go."
|
|
She stared at him. "That's it?"
|
|
He nodded. "Yep, we're all done here."
|
|
She followed him back to the car, puzzled by the emotions that had swirled
|
|
around her. The man had gone back into the house, and Daisy was standing
|
|
with the child in her arms, whispering into her ear. Mulder got into the
|
|
driver's side this time and didn't even glance out the rear view mirror as
|
|
they drove back down the driveway. Scully did up her seatbelt and sat
|
|
quietly for about three miles, and then said softly, "She lied to you,
|
|
Mulder."
|
|
He glanced at her, his eyes warning her away from him, away from the topic.
|
|
"I know," he said. "But I can't do anything about it."
|
|
And he was silent the rest of the way to the airport.
|
|
|
|
THE END
|
|
|
|
Pronounciation Guide
|
|
|
|
Please note -- because Mohawk (one of the Six Nations of the Iroquois
|
|
Confederacy) is primarily an oral language (that is, it never had its own
|
|
written language), these are as close to the actual pronounciation as I can
|
|
phonetically make it. Some purists would argue that my translations are off;
|
|
hey, it's been two generations since anyone in my family last spoke Mohawk,
|
|
so sue me.
|
|
|
|
Tehoniguratheh -- Tay-hon-ig-url-at-heh "Bright Mind"
|
|
Akwatonteh -- Ahk-wa-ton-tay "My mother's sister (aunt)"
|
|
Degonawadonti -- Day-gone-ah-wah-don-tee "Place Where the Waters Meet"
|
|
sinneheh -- sin-knee-heh "Close your mouth (be quiet)"
|
|
Tasitsho -- Tah-sits-ho "Fox"
|
|
wadayoneras -- wah-da-yon-erl-as "(Feminine form of) Witch"
|
|
Sowahs -- So-wahs "Dog"
|
|
Iatseh -- Yaht-say "Sky Woman"
|
|
Degasaheh -- Day-ga-sah-hey (An Oneida War chief's name that I don't have a
|
|
translation for)
|
|
Gasgaodah -- Gus-ga-oh-dah "Two Guns"
|
|
Dawendineh -- Daw-wen-dee-neh -- "First Light of Morning (Dawn)"
|
|
|
|
It's been fun,
|
|
Terri Monture
|
|
|
|
"As long as it's not Spooky Fox"
|
|
|
|
|