2008 lines
111 KiB
Plaintext
2008 lines
111 KiB
Plaintext
From: tabron@binah.cc.brandeis.edu
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Date: 7 Sep 1994 18:30:22 GMT
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Not for redistribution or publication in any form.
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------------------------------------------------------------------
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LIGHTNING
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West Virginia panhandle, 3:32 a.m., May 17, 1993
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The quiet hillside of the West Virginia mountains rolled away
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under the dark night sky; the pinpricks of silver moonlight lit the
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green hills grey and turned the valley where Matt and Libby Vernon
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lived into an old photograph, the edges peeling and crumbling. Matt
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Vernon sat alone on his porch, a loaded rifle in his lap, his feet up
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on the wooden railing, his meaty head resting against the wall of the
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house behind him.
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A flash of light burned one side of his face, darkened that side
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of the house with a coat of ash, and killed the young pine he'd
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planted last summer to shade that side of the small building. Matt
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Vernon didn't wake. There was a loud WHUMP and something rattled in
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the trees; then a falling star of a peculiar sort -- rising up
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through the air rather than falling down through it -- burned away
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from the quiet mountainside, and Matt woke as an afterthought.
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"Libby?" The front two legs of the chair thumped down on the
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porch, along with Matt Vernon's heavy feet. He ran down the yard and
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towards the trees that lined the hard-fought-for lawn, such as it
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was. Then he heard the rustling in the underbrush and stopped.
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"Libby?" he called again.
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"Matt...?" A tiny woman, hair straggling across her face,
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appeared at the edge of the yard where the stars almost lit enough to
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see; she was half-crawling up the hill to where the cabin perched.
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"Matt?"
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She stopped at the edge of the grass, from her knees down still
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hidden by the forest's brush, dead leaves and vines, a faint pattern
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of calico visible in her dress, her face half-shadowed by the tree
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she leaned on, one hand outstretched -- not palm up, but palm out,
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facing her husband...
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"Libby," Matt Vernon said, swinging his rifle up and holding it
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with one hand, perpendicular to his body, the muzzle pointing at his
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wife. "Let's hear where you've been."
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------------------------------------------------------------------------------------------------------
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An X-Files Story
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starring
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David Duchovny as Special Agent Fox Mulder
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Gillian Anderson as Special Agent Dana Scully
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Guest Starring:
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as Matt Vernon
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as Libby Vernon
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as Marshall Tucker
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as Mrs. Haynes
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as Mr. Haynes
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as Sheriff Connelly
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Based on the characters and premises of Chris Carter
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written by Judith Tabron
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Copyright Ten Thirteen Productions
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THE TRUTH IS OUT THERE
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-------------------------------------------------------------------------------
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9 a.m., the FBI Building, Washington, D.C., December 20th, 1993
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"Well, you're here early." Dana Scully, immaculately dressed as
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always in a beige suit that coordinated with her briefcase and her
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lipstick, tossed a heavy folder onto her desk in the FBI building's
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basement. Her partner, Fox Mulder, winced at the thud it made when it
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hit the blotter.
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"Judging from your face, I'd take bets that you A.) had a long
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hard weekend, and would like to ask me for an Alka-Seltzer, or B.)
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have not left this office since I last saw you here Friday evening.
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What are my odds?"
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Mulder ran a hand through his hair, standing it more nearly on
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end, and smiled a smile that was only at half-mast. "I think you
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could get 10 to 1 on A, even odds on B -- but neither one of them is
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the right answer, so you might as well save your money. How'd you
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like to go to West Virginia?"
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"I would not like it at all. Next question?" Scully plopped down
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in her desk chair.
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"OK, would you like it more than, say, gall bladder surgery?"
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Lurching out of his chair Mulder snapped off the lights and snapped
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on a slide projector, which began whirring in the dark. A
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black-and-white photo of a young woman with long brown hair pulled
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back in two barrettes flickered across a wall that was only mostly
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free of tacked-up sheets of paper.
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"Libby Vernon disappeared from her home on April 15th at 11:55
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p.m."
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"Maybe she needed to file her taxes."
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"She was reported missing by her husband, Matthew Vernon," the
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picture flipped to a hefty-looking man who appeared to be on the
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slope side of 45 and wearing it badly. He wore a hunting cap along
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with a shirt from which the pattern had faded on the shoulders.
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"That's her _husband_?" Scully expression gave away her opinion
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of that possibility. "He looks like he could be her grandfather."
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"Yes, well, there's never any accounting for taste. Mr. Vernon
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also reported her *re*appearance, on May 17th of this year."
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"So she's home, safe and sound, story ends happily, and we care
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because...?" Sculley leaned forward in her chair, waving an
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encouraging "cut to the chase" hand towards Mulder.
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"Well, _I_ care because her local paper claims that Ms. Vernon
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spent the intervening month on a ship from outer space. " Flick, and
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a newspaper story headline was projected against the wall. "But
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enough about me. The bureau cares because one of her neighbors, a
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Mrs. John Haynes who apparently lives nearby, has reported her
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missing again."
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"Runaway?"
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"Maybe runaway, maybe taken away... maybe murdered."
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"Why would anyone think that?"
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"Reports are that Mr. Vernon wasn't too thrilled about his
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wife's disappearance but was even less thrilled by her reappearance."
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"I see. Well, Mulder, I'm sure that the local authorities --"
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"Will be thrilled to have our help. Can't find a trace of the
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girl but the sherriff says that if there is a body, it's in
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Pennsylvania or Ohio and out of his jurisdiction. The paperwork's all
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in, I'll meet you at the plane."
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"Mulder, no! I mean -- " Scully turned around at her desk,
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flipped a desk calendar. "It's the 20th of December, Mulder.
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Christmas is only five days away."
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"I'm sorry, Scully, I didn't think." The lights came back on and
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Mulder's long body sloped against the doorframe. "Did you have
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plans?"
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Dana considered her nephew and the toys she'd gotten for his
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Christmas. "Aside from a large stack of presents, every one of which
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is in a box that says, 'Some assembly required', no, not really."
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"Great! See you at the airport. You'll have the case solved in
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time to have us back long before Christmas Eve. And I'll get a chance
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to catch up on my sleep."
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From: tabron@binah.cc.brandeis.edu
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Date: 7 Sep 1994 18:31:08 GMT
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The "rental" car was a Land Rover of dubious vintage. One of the
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front fenders, poorly disguised with primer, was rusting away.
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Apparently it belonged to the brother-in-law of the local sherriff;
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there was no such thing as a rental car in this town. Scully steadied
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herself against the dash as a particularly virulent pothole
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threatened to dislodge her from the seat entirely. "Mulder, at the
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rate we're going we'll be lucky to question Matt Vernon before New
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Year's."
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"Look at it this way. At least we'll probably find him at home."
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The sun was heading behind the rise of a hill as Mulder stopped
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the car, at a neat semi-circular wall of stone, then turned in the
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driveway. A two-story frame house sat back from the snow-packed dirt
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track that passed for a road, its front serenely lined with
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rosebushes bare of leaves for winter, a row of enormous pine trees
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along one side sheltering it from wind where it sat on the top of a
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slight hill. A dog was chained to one of the trees; it yapped at them
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as Mulder cut the engine.
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A white-haired woman answered Scully's knock on the door. "Mrs.
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Haynes?" Scully inquired.
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"Yes?"
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"I'm Special Agent Scully, this is Special Agent Fox Mulder,
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we're here because of your report of a missing person?"
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"Come on in."
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Mrs. Haynes led them through a long hallway to the back of the
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house, which was entirely taken up by a wide kitchen. "Can I offer
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you a cup of tea? I'm afraid we're out of coffee; John can't drive
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any more, his eyes are so bad, and I haven't made my trip in to town
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for Christmas yet -- cuttin' it a bit fine, I'm afraid."
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Scully eyed the darkening landscape outside. "It's only the
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20th, Mrs. Haynes."
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The old woman laughed and changed the subject. "So, you've
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actually come about the Vernon girl. That's good. He killed her, you
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know."
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Mulder leaned his chin on his folded hands, elbows resting
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comfortably on the flowered tablecloth. "Who killed whom, Mrs.
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Haynes?"
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"Matt. He's a mean man, Matt Vernon is, and I wouldn't put it
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past him." She said this as though she were accusing Matt Vernon of
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picking her roses; she continued preparing a pot of water for tea.
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"What makes you say that?" Scully inquired, taking out a
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hand-sized notebook and slim metal pen.
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"Oh, I'll tell you all about Matt Vernon over supper. You'd
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better bring your bags in and I'll show you where you can stay. You
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might as well stay here, as long as you _are_ here -- it's not like
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there are any real hotels in town."
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Scully turned and looked at Mulder, who looked as confused as
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she felt, and said, "Really, Mrs. Haynes, we appreciate the
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invitation but we were hoping to speak to Mr. Vernon tonight."
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"What?" The old woman stopped what she was doing, turned on the
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agents with her hands on her hips as though they were small children.
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"Where do you kids think you are?"
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Mulder grinned outright at being called a "kid" and winked at
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Scully. The other agent persisted, "If you'll just give us directions
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I'm sure we can --"
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"Come out here." Mrs. Haynes led them back out on the front
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porch. The outline of their rental car was indistinguishable from the
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rest of the outdoors; under the huge pines, even the stars failed to
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indicate where the land stopped and the sky began. Mulder squinted
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but he couldn't even see the road. The faint silver of previous
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snowfalls melted into the iron-black of the sky without a line to
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mark the change. Only the vague ruts of previous tires had marked
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road from non-road in the old snow and now they were invisible.
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"I see what you mean, Mrs. Haynes," he said good-naturedly and
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stumbled over the front porch steps just as his hostess reached
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inside and flipped a switch to illuminate the porch. "I'll get our
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bags."
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Dana followed him to the rear of the Land-Rover, swung her own
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bag down from the car's tailgate. "Back way before Christmas,
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Mulder?"
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"Would I lie to you?"
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After a hearty dinner John Haynes settled himself into a large
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overstuffed chair to read the paper and watch a small 13 inch
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black-and-white TV, playing Lawrence Welk. He had communicated little
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throughout the evening and seemed devoted to maintaining that record.
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Mrs. Haynes settled Mulder and Scully together on a sofa with
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steaming cups of tea.
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"Well, that Matt Vernon, he's not really from around here," the
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old lady began. "His folks built that cabin just about twenty years
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ago, and he's lived there ever since. Never had no brothers or
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sisters that I knew of, and when his folks died he just stayed on in
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that same cabin. No gumption. He plows a few acres of corn up on the
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hill every spring and has tomatoes and such out back, same as we all
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do; but if there is a minimum of work to be done keeping body and
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soul together, Matt Vernon has done found that minimum."
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"What's wrong with doing the minimum, Mrs. Haynes?" Scully
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wrapped her hands around her mug; even in the house she could feel
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the winter chill coming down off the mountains.
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"There's nothing _wrong_ with it, it's just not likely to help
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you win friends and influence people, now is it? Marshall Tucker, he
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helps me out by plowing my garden every spring, and I give him canned
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vegetables and venison in the fall when I've got 'em. That's
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cooperation. That's how we live out here. Matt'll never figure it
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out."
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Mulder stretched his long legs out in front of him, sniffed
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appreciatively at his cup. "What can you tell us about his wife?
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Libby?"
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"She's a real good girl, Libby is -- I know her mother real
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well. She's from over on the other side of town. Her mother was the
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youngest girl of Sue and Lamont Williams, and Lamont's daddy helped
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my daddy fix the windows in this house right here when lightning
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struck it and blew every window out of the house. I remember it well,
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myself. To this day I'm terrified of lightning storms. You never know
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what lightning might do."
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"Well, maybe we don't have to start quite that far back in the
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story, Mrs. Haynes," Mulder grinned at his hostess. "Maybe we can
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start when Libby and Matt got married?"
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"Oh -- not very long ago. Not more than a year and a half ago,
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and we had the wedding right here in this very yard. This is the
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oldest frame house in the county, you know. My family's lived here
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since before the turn of the century and I can tell you the history
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of every house in this county from sitting right here and watching
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the world go by. But Libby. Well, Libby helped me with my garden last
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fall, and I gave her quite a load of peas and one of my pumpkins, and
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when Marshall Tucker killed that deer before Thanksgiving last I gave
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her a good bit of venison, too. I could tell she wasn't very happy
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out in that ratty li'l cabin with Matt and I wanted to give her a
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good excuse to come by and help me again, him too. I mean, I don't
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know if he's the kind of man who'd tell his wife not to go visiting
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her only near neighbor, at least if he is Libby never mentioned it.
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But he sure is the kind of man who'd want to know what was in it for
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him."
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Once Mrs. Haynes got started, Scully realized, it would be hard
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to stop her. Wearing a crocheted ivory vest over her plain blue
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dress, and fuzzy mules of ancient vintage, the older woman seemed
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quite comfortable, indeed cozy in her chair across from the sofa on
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which Scully and Mulder sat. Her white hair, carefully curled and
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arranged to halo her head, looked ivory too in the golden light from
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the Christmas tree, three feet tall, sitting on a breakfront, its
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base covered by a fluffy white skirt. Scully noticed the crocheting
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of her hostess' vest and thought it might be the same as that of the
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yarn doilies that adorned the back and arms of the worn brown sofa.
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How could any room look so warm yet feel so cold, Scully thought, and
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a small shiver set ripples going in her coffee. Mulder glanced at
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her, looked back at their hostess. Did he ever miss anything? Scully
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thought irritably and stared at her coffee.
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Mrs. Haynes went on, "Poor girl never sees anyone -- maybe I
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should say never saw anyone -- but me and Marshall since she got
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married. You realize I mean literally no one. We've got the car and
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we make pretty regular trips to the grocery store -- milk, dog food,
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and John's gotten quite attached to his cola, and I figure, we're old
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enough for some luxuries." Mulder smiled encouragingly, figuring the
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woman would come to some sort of point soon. "Marshall's got that car
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he knocked together when he was thirteen and he drives it too, even
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though he shouldn'ta, no license of course --"
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"Excuse me, Mrs. Haynes, who is this Marshall Tucker? Does he
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live here with you?" Scully interrupted.
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"I'm not going to get him in trouble, am I? Marshall's a real
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good driver. He'll have his license as soon as he gets to be of age,
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I'm sure. It's just an old VW bug. He lives down the road -- I'm sure
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you passed the Tucker place on your way in. His older brothers are
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all gone and his father works in town most of the week; sleeps there
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too -- well, that's his business -- and Marshall and I keep each
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other good company... when he's not in school." Clearly worried about
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getting her friend in trouble over the driving business, Mrs. Haynes
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had obviously added the last detail so as not to add another black
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mark to Marshall's record. "The poor boy's all by himself since his
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mother's gone and does very well, too. Anyway, Matt and Libby don't
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have no car and Matt has to bum a ride off one of us when he wants to
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go to town for whatever. Even then we wouldn't see Libby if we didn't
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ask for her to come along."
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"You paint a persuasive picture of a pretty unappealing life for
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a young woman Libby's age, Mrs. Haynes," Scully said, placing her mug
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carefully on a coaster. "Doesn't it seem probable that Libby simply
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ran away?"
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"First off, Libby wouldn't do that; she owes Matt a lot." Mrs.
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Haynes seemed to consider her words carefully before she went on,
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"Second, where would she run to? Her folks moved the week after she
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got married, of course, and she wouldn't dream of putting me out,
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though truth to tell I'd be sort of glad to have her. She'd be a help
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and a person to talk to."
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Mulder examined the back of John Haynes' head and nodded.
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"But she's never once suggested it and I don't think she'd do
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it."
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"I still don't understand why not, Mrs. Haynes. It seems
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reasonable to me that a young woman would --"
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"She owes Matt a lot," Mrs. Haynes repeated. "Would you kids
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like to see where you're going to sleep? Not that I'm tired, you
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know, but in case I drift off I'd like to get you a bit settled
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first."
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As Mulder and Scully hauled their bags up the narrow stairs Mrs.
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Haynes rattled on, explaining how the house had been a hotel for a
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brief time in the twenties and that there were still numbers on the
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door and that Mulder could have room number 3, Scully would be very
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comfortable at the end of the hall in 5, and if they needed anything
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not to hesitate to ask.
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Scully found herself in the tiny room, looking at a tiny bed,
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covered in a huge patchwork quilt that hung down to the floor on both
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sides of the narrow mattress. Slipping out of her shoes Scully sat on
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the bed and touched the fading calico squares, considering for a
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moment what fraction of her life Mrs. John Haynes had spent piecing
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together small squares of cloth too small to be used for anything
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else, and making out of them not only something useful, but also
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beautiful.
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Perhaps time out here, she thought to herself as she slid into
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her pajamas, was something bigger and slower than time in the rest of
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the world. Like a sleepy bear or cold molasses. Otherwise how could
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any human being work so hard and still have so much time?
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Then she shivered, aware of the cold draft sliding under the
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door like a snake, and hopped into the bed and pulled the quilt up to
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her chin. She was still contemplating the pattern when she heard the
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small tap at the door. "Scully? You awake?"
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No point in going to the door to open it. Hell, she could
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practically reach it from where she sat. In an equally low voice she
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replied, "Of course I'm awake."
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Mulder, head bent and shoulders stooped as though the door were
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too low for him, slid around the open door, pushed it to. "Of course
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you're awake. Back home people are still waiting to see who's on
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David Letterman tonight. Mrs. Haynes, however, is out like a light,
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and so is the loquacious Mr. Haynes."
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"I'm sure she's had a long hard day, Mulder," Scully said,
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smoothing the quilt. "And so have we, actually." She smothered a
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yawn.
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"You realize, though, that the least little sound and either one
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of them could come shooting out into the hallway in a second. I'm not
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so dumb that I don't know why I got the room next to theirs. I'm on
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probation." He waggled his eyebrows at her in such a ridiculous
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fashion that she had to laugh, but laughed into the quilt.
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"Don't, Mulder, they'll hear." Then sitting up, "Besides, it's
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not really funny when you think of people like poor Libby Vernon,
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watched every day of their lives."
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"No, it's not funny. So it's 'poor' Libby now."
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"I'd feel sorry for any woman stuck all the way out here with a
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husband like Matt Vernon. But Mulder, it's time to come clean."
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"Huh?" He made a show of examining the backs of his lean brown
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hands. "I washed before I came up. Mrs. Haynes made a point of
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showing me the sink."
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"Why are we out here, Mulder? You have no evidence that there's
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been a murder except for Mrs. Haynes' opinion. I don't think it's
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just likely, I think it's probable that Libby Vernon walked to the
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main road and hitched a ride right out of Matt Vernon's life. There
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is no body because there is no body."
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"Only one thing wrong with that hypothesis, Scully; Libby Vernon
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was eight months pregnant."
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Scully closed her mouth with a snap, regarded the shadowed
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profile of her partner for a moment. "Well, that puts a limit on your
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long hikes."
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"And a deadline on your escapes."
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"And eight months -- she must have conceived during the time she
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was away. I doubt that Matt Vernon is the sort of man who'd take
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kindly to that."
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"I suspect you're right. And do consider --" Mulder pushed up
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off the narrow bed, "-- how interesting that pregnancy would be, if
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she _had_ spent a month in a UFO."
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"Oh no, Mulder. I'm not considering that for a second. You
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consider it, that's your pet hobby." Scully scooted further under the
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covers to hide the shiver that ran across her spine at the thought,
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the sort of shiver her mother had always said happens when someone
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walks over your grave. "Unless you mean -- Interesting to whom,
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Mulder?"
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Half in, half out the door, he shrugged a shoulder under his
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wool sweater. "Interesting to a lot of people."
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"That's why you brought me all the way out here at
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Christmastime? Because you think the government's kidnapped a girl
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pregnant by an alien?"
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"Partly. Aren't you enjoying the trip, Scully? Out here in the
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wilderness with a manly man like me? A little adventure, a little
|
|
wrestling with the elements of nature. You never know what lightning
|
|
might do." The words tripped away from him in his teasing voice
|
|
before he realized that she might take them seriously. They regarded
|
|
one another for a moment around the half-open door like it was a
|
|
battlement wall.
|
|
Then Mulder leaned forward. His shoulders seemed to triple in
|
|
size as they blocked out the light from the small light bulb on the
|
|
opposite wall and from the hallway; his head, dark, bent down and
|
|
Scully didn't breathe in or out for a moment. Then he straighted,
|
|
pulling an afghan up from its folded position at the foot of her bed,
|
|
and spread it out over the top of the quilt.
|
|
"Let me know if you get cold during the night, Scully." At that
|
|
her heart seemed to leap into her throat and to dislodge it she
|
|
started to speak, but Mulder only said, "Mrs. Haynes showed me where
|
|
to find some extra blankets, if you want them."
|
|
"Oh. Thanks."
|
|
"Don't mention it." He disappeared and closed the door.
|
|
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 3 Sep 1994 19:34:07 GMT
|
|
|
|
The sun was shining through the frosted glass and Fox Mulder
|
|
turned over on his bed, considerably larger than the one Dana had
|
|
gotten. Bless Mrs. Haynes for considering him, he thought when he
|
|
laid his long frame down to sleep and when he picked it up again
|
|
after yet another long night. Someday again he'd get a decent night's
|
|
sleep, Mulder thought to himself as he dragged on yesterday's shirt
|
|
and jeans. Someday before the end of the millenium.
|
|
He didn't travel with a robe. He bundled up some clean things
|
|
and shaving kit in his hand before he padded downstairs in his bare
|
|
feet; the only bathroom was in the back of the house, off the
|
|
kitchen, obviously added late in the game when running water had been
|
|
added to the house's amenities. He expected to be the first one up
|
|
but the smell of bacon and eggs assaulted him before he hit the last
|
|
stair.
|
|
Mrs. Haynes nodded to him as he appeared in the kitchen door.
|
|
"Please don't go to any great trouble, Mrs. Haynes," he warned her,
|
|
"neither Agent Scully nor I tend to eat much breakfast."
|
|
"Nonsense," she replied, as if he'd just claimed 2 plus 2 was 7.
|
|
"Get yourself a hot shower before the young lady comes down and sees
|
|
you like that." Mulder's brow furrowed for a minute before he
|
|
realized that by "young lady" she meant Scully. Well, Scully was
|
|
pretty young. He rubbed his stubbled cheek thoughtfully. Yeah, shave
|
|
and a shower.
|
|
"And then get something on your feet. You'll catch your death of
|
|
cold."
|
|
"You sound a lot like my grandmother, ma'am. But then, I bet a
|
|
lot of people tell you that." He smiled as he slid past her in the
|
|
small kitchen and made his way to the bathroom.
|
|
Two things surprised him when he re-emerged: he was indeed
|
|
hungry, and Scully was already dressed and eating, perched in her
|
|
chair, wolfing down eggs and toast, but wolfing in a delicate, almost
|
|
catlike way. Mulder was about to decide how to greet her this fine
|
|
morning but couldn't think of anything to say that wouldn't sound
|
|
like he was commenting on her eating or sleeping habits -- and
|
|
Scully's sense of humor in the morning, he had learned, was
|
|
vanishingly small.
|
|
All in all it was to Mulder's benefit that a Jeep Wrangler
|
|
pulled into the front yard about that time and the local sherriff
|
|
stuck his head in the front door. "Mrs. Haynes?" the man yelled.
|
|
"Through here, Jeff," Mrs. Haynes called without leaving her
|
|
post at the stove.
|
|
The sherriff filled the kitchen doorway. Mrs. Haynes handed him
|
|
a loaded plate. "I'm just here to see Agents Mulder and Scully,
|
|
ma'am, you don't have to --"
|
|
"Nonsense," Mrs. Haynes said again, and the sherriff gave in
|
|
without a struggle. Dipping a piece of toast into the perfect center
|
|
of his fried egg, he reported to the FBI agents that there was
|
|
nothing to report. No results from the picture of Libby Vernon he'd
|
|
faxed all over the county and neighboring counties the week before,
|
|
and no results in the body search.
|
|
"Did you search the Vernon's cabin? Knowing Matt he'd just bury
|
|
her in the basement," Mrs. Haynes muttered darkly.
|
|
"We'd need a search warrant for that, Mrs. Haynes," Mulder told
|
|
her. "And we'd need a reason to search the place to get one."
|
|
"Well, the girl's missing, isn't she? And Matt Vernon's a mean
|
|
old pig, isn't he? What more reason do you need than that?"
|
|
"I'll agree with you that he's a mean old pig, Mrs. Haynes, but
|
|
that's not quite good enough," the sherriff sympathized.
|
|
"Does Matt Vernon have any friends?" Scully wondered out loud.
|
|
She repeated the question after Mulder had switched to his
|
|
official "FBI Guy" suit and she and Mulder were in the Land Rover on
|
|
their way to the Vernon's cabin. It wasn't more than five miles away,
|
|
Mrs. Haynes had said, and indicated the right path; her house sat on
|
|
a sort of crossroads where three of the dirt "roads" came together.
|
|
"It doesn't sound like he's very popular, no," Mulder agreed.
|
|
"Could it be possible that Libby has disappeared without a trace
|
|
deliberately, to throw suspicion on Matt?"
|
|
"It could be possible, sure. You heard Mrs. Haynes telling us
|
|
about the way no Tucker has spoken to any of the Gombrichs from the
|
|
other side of the valley since there was that argument about seed
|
|
corn in '38. These people have long memories, and the fact that Matt
|
|
Vernon is a relative newcomer seems to put two strikes against him
|
|
already. But from what we know do you think that Libby is that sort
|
|
of person?" Mulder tossed the ball back in her court.
|
|
Scully refused to volley. "I don't know, you tell me. You seem
|
|
to know a lot more than I do about Libby Vernon."
|
|
Mulder glanced away from the pothole-pocked snow-dirt road to
|
|
scan Scully's face, which looked perfectly impassive. "OK, the
|
|
information on her pregnancy came to me through a channel you
|
|
wouldn't consider -- official."
|
|
"Fair enough. However, as long as I am your *official* partner,
|
|
I'd prefer to have key information like that _before_ I begin an
|
|
investigation, not after."
|
|
"Fair enough." Mulder concentrated on his driving for a while.
|
|
Scully could see muscles moving along his jaw as though he were going
|
|
to say something; she watched his profile. Finally he said, "I'm
|
|
sorry, Scully. I'm not much of a team player."
|
|
"I'll accept the apology without the excuse. I think anyone can
|
|
be as much of a team player as they want to be."
|
|
"I'll work on it."
|
|
Anxious to divert the conversation before she began to feel like
|
|
a mother hen scolding a chick, Scully said, "For instance, that new
|
|
information leads me to think that we should check with hospitals
|
|
within the same three-county radius that Sherriff Connelly is
|
|
searching. A woman who _did_ walk out of here in December and was
|
|
eight months pregnant would certainly end up in a hospital somewhere.
|
|
And there's no telling when she might go into labor or need some
|
|
other medical care."
|
|
"Good idea." Mulder handed her his cellular phone and Scully
|
|
managed to catch the sherriff before he left the Haynes house on his
|
|
way back to town.
|
|
The sherriff was less enthusiastic about the idea but agreed to
|
|
make the calls. "Please realize, Agent Scully, that women around here
|
|
tend to have their children at home, with no prenatal care at all and
|
|
no one attending the birth but the neighbors. There's no guarantee
|
|
that the girl will need to or want to go to a hospital."
|
|
"If she has the chance, Sherriff, she very well might, though."
|
|
Hanging up, Scully said to Mulder, "I just get the feeling that,
|
|
given the chance, there are a lot of things that Libby Vernon might
|
|
do."
|
|
|
|
Matt Vernon was painting his house. That was the first thing
|
|
about him that surprised the FBI agents, since it didn't fit well
|
|
with Mrs. Haynes description of him as a lazy person. They left the
|
|
Land Rover on the patch of unbroken snow that seemed to serve him as
|
|
a driveway and walked over the grass to him. "Mr. Vernon?" Mulder
|
|
greeted him.
|
|
"Yes?" Vernon squinted at the agent, sizing him up. He was a few
|
|
inches shorter than Mulder but much heavier. He didn't look at Scully
|
|
at all.
|
|
"I'm Special Agent Fox Mulder, this is Special Agent Dr. Dana
|
|
Scully, we're here to ask you a few questions about Libby's
|
|
disappearance." Scully tried not to look surprised at the addition of
|
|
"Dr." to her usual titles and let Mulder talk. He went on, "I'm sure
|
|
you're very distressed right now, but I hope you can answer some
|
|
questions for us."
|
|
"Distressed?" Vernon let the paintbrush slosh into the can of
|
|
paint, folded his arms across his barrel chest. "Oh yeah. Go right
|
|
ahead."
|
|
"Can you tell us when you last saw your wife?"
|
|
"Yeah, week ago Monday. I tol' the cops all that."
|
|
"What time?"
|
|
"Had dinner, went to bed, got up, she was gone."
|
|
"Had you both gone to bed at the same time?"
|
|
"No."
|
|
"Do you usually?"
|
|
"Yeah, I guess. It wasn't any big deal; Libby didn't have the
|
|
dishes done before I wanted to go to sleep, so I went to sleep."
|
|
"About what time?"
|
|
"I dunno, after dark," Matt was starting to sound irritated.
|
|
Mulder smiled. "Nice place you got here," he remarked.
|
|
"Thanks."
|
|
"Isn't it a little cold for painting?"
|
|
"Well you know." Matt shifted uncomfortably from one foot to the
|
|
other, irritation fled. "Gotta keep busy."
|
|
"Mm."
|
|
"Get the place lookin' nice for Christmas, too," Matt offered
|
|
unexpectedly.
|
|
"Sure. You got any relatives coming for the holidays?" Mulder
|
|
encouraged him to go on.
|
|
But Matt clearly had no more to offer on that topic. "No."
|
|
Scully watched and made mental notes. The exchange reminded her
|
|
of one of those Russian slapping contests. The object seemed to be to
|
|
get away with saying the fewest possible words.
|
|
Mulder tried again. "Do I smell potatoes?"
|
|
To her amazement, Matt Vernon's face split in an enormous grin.
|
|
"Maybe you do." He waved them into the house for the first time.
|
|
The front door opened into a kitchen with a large dining table
|
|
in it. There were no rugs on the floors as at Mrs. Haynes'; there was
|
|
a large sink and a counter, and an open cupboard with no door
|
|
contained a small stack of crockery as well as a large supply of
|
|
canned goods. There was no table cloth, but the small windows, one on
|
|
each side of the room, had, of all things, salmon pink curtains. The
|
|
paint on the walls was peeling. It was almost as cold indoors as out.
|
|
A stack of potato peelings trying hard to be a couple of feet
|
|
high peeped out of a plastic garbage sack in one corner of the room.
|
|
Clearly a lot of potatoes had recently given their lives for
|
|
something.
|
|
Matt Vernon grabbed two small glasses out of the cupboard and
|
|
extracted a large Mason jar from under the sink. Pouring several
|
|
fingers of clear fluid into each glass, he offered one to Mulder,
|
|
took the other one up in his beefy hand. "Cheers," he said awkwardly
|
|
and tossed back the glass.
|
|
Amazingly, Mulder imitated him. "Smooth," he remarked when he'd
|
|
swallowed, though Scully thought she could detect a slight bug-eyed
|
|
look being suppressed. "You make it?"
|
|
"A 'course. This batch, two months back, it was a good one."
|
|
Matt eyed the Mason jar and put it back under the sink carefully; it
|
|
was only a quarter full.
|
|
"Libby help you with it?"
|
|
This time at the mention of his wife's name Matt's face showed a
|
|
distinct flash of disgust. "No, that girl was as useless as they
|
|
come. And for what I paid for her, too."
|
|
"Beg pardon?" Mulder's usually smooth questioning face cracked a
|
|
little.
|
|
"Anyway, gotta finish paintin'." Matt sort of herded them out
|
|
onto the narrow porch again, then passed them when they seemed
|
|
disinclined to move, went back to the can with his paintbrush in it.
|
|
"If we get any further information on your wife we'll let you
|
|
know," Mulder followed him out onto the dead winter grass.
|
|
"Whatever." Matt Vernon picked up his paintbrush and started
|
|
slapping paint on the wall again.
|
|
Before they returned to the car Mulder stuck his head around the
|
|
far corner of the house. The charred stump of a very young tree was
|
|
the only marker in the strip of yard that extended farther down the
|
|
hill towards the ever present woods. "What happened to your tree,
|
|
here?" he called to Vernon.
|
|
There was a short pause in the slap, slap of the paintbrush.
|
|
"Lightning," Vernon called back.
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 3 Sep 1994 19:36:22 GMT
|
|
|
|
Mulder held the Land Rover door for Scully as she clambered up
|
|
into the seat, but said nothing till they were back on the road.
|
|
"Well, that was educational," Scully said first.
|
|
"Wasn't it though."
|
|
"Isn't it a little early in the day to be drinking, even for
|
|
you?"
|
|
"You're just mad because he didn't offer you any." Mulder smiled
|
|
out the windshield.
|
|
"I can't believe you actually drank that stuff. You have no idea
|
|
what was in that. You could have gone blind or been killed for that
|
|
matter."
|
|
"I don't think so. I think Matt has himself a healthy helping
|
|
every day, and whatever he was, he wasn't blind."
|
|
"You couldn't prove it by me. I don't think he even looked at me
|
|
once the whole time we were there."
|
|
"Now that _is_ hard to believe," and Mulder turned his grin on
|
|
Scully.
|
|
"Did you notice the week-old dishes piled in the sink?" Scully
|
|
grimaced. "I doubt anything in that house has been cleaned since
|
|
Libby left."
|
|
"Yeah, I noticed it. I also noticed that Mr. Vernon seems to be
|
|
under the impression that he _paid_ for his wife? What the hell does
|
|
that mean?"
|
|
"I don't have the least idea. We can ask Mrs. Haynes." Scully
|
|
shuddered. "If I had been Libby I'd have clubbed him in his sleep.
|
|
Disgusting man."
|
|
"Mr. Vernon certainly isn't very interested in the disappearance
|
|
of his wife, except as it personally inconveniences his cleaning and
|
|
cooking -- and distilling -- arrangements." Mulder also looked as
|
|
though he'd found Matt Vernon a rather revolting specimen of
|
|
humanity. "That doesn't interest me half as much, though, as the
|
|
question of why he's painting his house in December."
|
|
"Why not?"
|
|
"Gotta keep busy?" Mulder imitated the mountain twang, then
|
|
shook his head. "Matt Vernon doesn't care about keeping busy. I'm not
|
|
sure what he does care about, but I'd like to find out how it drove
|
|
him to actually painting the outside of his house in the winter. The
|
|
paint's not going to dry properly in this cold weather. And the
|
|
inside looks like it needs the paint worse than the outside does."
|
|
A minute of silence.
|
|
"I'd also like to know what really killed his tree."
|
|
Scully cocked her head at her partner. "Don't you believe in the
|
|
destructive power of lightning?"
|
|
"Out here, in these mountains? Sure." He glanced at her. "But
|
|
lightning doesn't incinerate a tree to ashes that way. And why would
|
|
lightning hit a tree that small, with larger trees just beyond the
|
|
clearing to attract it away?"
|
|
After a moment Mulder added, "Do you think he reacted to the
|
|
fact that you were a doctor?"
|
|
"I don't think he reacted to my existence at all."
|
|
"Mm. I think you're wrong there, Scully."
|
|
"Mulder, is this the right road?"
|
|
Mulder focused his attention on the drive instead of the
|
|
suspect. Was it the right road? All the hills and dales -- he
|
|
supposed those things that weren't hills must be dales --, all the
|
|
bare trees and snowdrifts looked very similar. At various points
|
|
other trails or "roads" parted from the one he was on; he remembered
|
|
thinking on the way to Mrs. Haynes' the night before that he'd have
|
|
to pay attention to keep from straying on to one of them; there was
|
|
nothing to differentiate them from the "main" road.
|
|
"Dammit," said Mulder, and looked back over his shoulder. "I
|
|
don't remember making any turns."
|
|
"Maybe it all just looks unfamiliar when you're going the other
|
|
way," Scully tried to reassure him.
|
|
"You're the one with the sense of direction, do you think this
|
|
is the same road?"
|
|
"Ask me how to get from Dupont Circle to Silver Springs and I'm
|
|
fine. I can't honestly say that I know exactly where I am out here,
|
|
though."
|
|
Mulder checked the odometer. Well, in a few more miles they
|
|
would find out; if they didn't pass the Haynes house, they would know
|
|
they were lost.
|
|
They passed it. Both of them breathed a sigh of relief. "OK,
|
|
Marshall Tucker's place should be right along this road, then, just
|
|
three miles away and up the driveway on our right." Scully folded her
|
|
notebook away.
|
|
Again she marveled at the way the mountains could hide things.
|
|
The "driveway" was an almost forty-five degree dirt path that led
|
|
directly up to the top of the mountain ridge; just over the crest was
|
|
a small, one-floor house. No one would ever see it from the road --
|
|
though the clearing around it would make it visible from the air,
|
|
Scully thought. She was amazed that Mulder managed to coax the car up
|
|
the slope. Most of the snow had been scraped away, but still the
|
|
heavy tires fought for a purchase on the gravel-studded path.
|
|
A boy answered their knock. They knew from Mrs. Haynes that he
|
|
was only fifteen but Scully would have placed him at thirteen at
|
|
first glance -- and at twenty on her second glance. He was short,
|
|
only a few inches taller than Scully herself, and his face had the
|
|
smooth look of a teenager, but his dark eyes were sunken and old, and
|
|
his neck and forearms, where they were revealed by the flannel shirt
|
|
he wore over a white t-shirt, were corded with the muscle hard work
|
|
causes.
|
|
"Marshall Tucker?" Scully inquired, and was relieved when he
|
|
looked at her and nodded. After the Vernon interview she had been
|
|
beginning to feel invisible. "I'm Special Agent Scully, this is
|
|
Special Agent Mulder, I think Mrs. Haynes told you we'd be coming by
|
|
to talk to you?"
|
|
"Y-y-yes," he stammered, and stepped outside and closed the door
|
|
behind him. His jeans were faded nearly white, and his flannel shirt
|
|
was patched, neatly, at the elbows; his hair, black and straight,
|
|
needed cut -- it had grown until it didn't look as though it were
|
|
intended to be short, but hadn't yet gotten to the point where you
|
|
could call it long. His eyes were also black and swallowed up the
|
|
questions they tossed at him.
|
|
No, he hadn't seen Libby Vernon for well over a week. In fact,
|
|
he hadn't seen her since the last time he gave her and Mrs. Haynes a
|
|
lift into town, the first week of December. No, he hadn't talked to
|
|
Matt Vernon since then, either. He didn't know anything that might
|
|
help them figure out where Libby had gone. He stood outside, in the
|
|
below-freezing temperatures, in just his shirt and jeans, and though
|
|
he hadn't folded his arms against his chest Scully got the distinct
|
|
impression that he would hold off all comers.
|
|
"Did Libby Vernon have any independent income?" Scully
|
|
eventually asked him.
|
|
"Whatdya mean, money that Matt didn't give her? Yeah, a little;
|
|
she made some money with stuff that she made, like everyone else
|
|
around here. Once a lady driving through here gave her a hundred
|
|
bucks for a quilt she'd made that was hangin' in the yard. Stuff like
|
|
that." With a little spark of a smile he added, "Libby was so good at
|
|
quilts. Hardly nobody does 'em anymore."
|
|
"Mrs. Haynes told us you'd lived here all your life," Mulder
|
|
finally wound up.
|
|
"Born in this house," and Marshall indicated the door at his
|
|
back.
|
|
"Maybe you could explain to us what Matt Vernon meant when he
|
|
mentioned today that he'd 'paid enough' for his wife?"
|
|
A spark of red fire blazed up behind the black of the boy's eyes
|
|
but he looked down at his toes. "No," he mumbled, "I don't know what
|
|
that meant."
|
|
Mulder nodded, ready to give in the towel. He'd half-turned to
|
|
Scully when the boy burst out, "I'll tell you one thing I do know;
|
|
Matt doesn't deserve a wife like Libby and never did."
|
|
Mulder looked down at Marshall's face, paused a moment before
|
|
saying very softly, "Is that all you want to tell us, Mr. Tucker?"
|
|
Blushing, the boy looked down again, then longingly over his
|
|
shoulder at the door. "Yep. Uh, I gotta go now. Uh... tell Mrs.
|
|
Haynes I'll be over to see her tomorrow."
|
|
"Okay." Scully trailed down off the porch and Mulder followed
|
|
her to the Land Rover. Marshall disappeared inside the house.
|
|
"He knows something, Scully, he just doesn't want to tell it to
|
|
us."
|
|
"Maybe." Scully climbed into the cab of the car, waited until
|
|
Mulder had gotten in on his side and shut the door after him. "Maybe
|
|
he just knows he doesn't like Matt Vernon. That would hardly be a
|
|
surprise; nobody does."
|
|
Mulder put the car in reverse, Y-turned and headed back down the
|
|
lane. "He's almost sixteen, Scully, and he could pass for eighteen in
|
|
any bar in the state; Libby Vernon is just past nineteen. What does
|
|
that suggest to you, Scully?"
|
|
"That they are contemporaries, or close to it; Marshall Tucker
|
|
would probably be Libby Vernon's closest friend, possibly aside from
|
|
Mrs. Haynes, possibly not."
|
|
Mulder nodded. "Don't you think if Libby Vernon were planning to
|
|
run away from home she'd tell Marshall?"
|
|
"What makes you think she didn't? I think he was keeping a lot
|
|
of things from us."
|
|
"I don't like having to guess at those things. Does he know that
|
|
she ran away? Or did he even help her? He could have driven her
|
|
almost anywhere. He says he was home all day the day Libby
|
|
disappeared; what corroborating evidence could he have?"
|
|
"Well, we can try to check on it." Scully sounded dubious.
|
|
|
|
Back inside the house Marshall Tucker crossed the front room of
|
|
his four-room house, went into the kitchen, pushed aside a braided
|
|
rug and pulled up a trap door. "You can come up, now," he called
|
|
softly into the dark.
|
|
Up a tiny staircase built into the root cellar his grandfather
|
|
had built under the house came a slender young woman with dark
|
|
circles under her eyes and dark hair pulled back in two barrettes
|
|
from her pale face. He gave her a hand to help her maneuver her
|
|
swollen body up the last stair and out of the trapdoor.
|
|
"They're gone," Marshall assured her.
|
|
"Marshall, I can't stay here," she whispered in dry, papery
|
|
voice. "They're sure to come back and I'm going to get you in
|
|
trouble."
|
|
"You think I care about trouble?" He snorted, moved over the
|
|
stove and turned on the heat again beneath the saucepan of hash he'd
|
|
been warming up for their dinner when he'd heard the Land Rover
|
|
crunch up the driveway. "Hell, my car's illegal, my skippin' school
|
|
is illegal, my driving Miz Haynes to get groceries is illegal --
|
|
there ain't much I *can* do that doesn't make me illegal. Believe me,
|
|
you're just a drop in the bucket."
|
|
"Please don't say that. I'm scared, Marsh, really scared. It's
|
|
not just Matt any more. There's these cops looking for me now. And
|
|
look --" She unbuttoned the top button of her collar and revealed a
|
|
purplish rash, in the shape of an inverted triangle, raising the skin
|
|
just below her collarbone.
|
|
"What the hell is that?" Marshall left the stove and came to
|
|
gingerly inspect it.
|
|
"I don't know, Marshall," Libby half-sobbed, "It's been coming
|
|
and going for months now, and I think it's getting worse."
|
|
"Hey, don't cry," he hesitated only a moment, then put his arms
|
|
around her, his black head next to her wood-brown one. "Lemme put
|
|
some calamine lotion on that, you have some dinner and you'll feel
|
|
better." He patted her back a little awkwardly.
|
|
In her whispery soft voice she cried, "What are we going to do,
|
|
Marshall? What are we going to do?"
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 3 Sep 1994 19:39:41 GMT
|
|
|
|
|
|
"Well, what are we going to do now, Mulder?" Scully asked him.
|
|
"You tell me. You're the one with an actual theory."
|
|
"You haven't formed a theory about this case?"
|
|
"I try not to form theories."
|
|
She laughed at that one. "Mulder, you're more full of theories
|
|
than a cat of canaries."
|
|
"Where on earth did you hear that? That's awful."
|
|
"I heard it from Mrs. Haynes. It may be old-fashioned but it's
|
|
accurate in your case."
|
|
"I'm still waiting to hear your theory."
|
|
Scully considered. "I see no reason to deviate from my original
|
|
supposition. Libby ran away. She can't have run far. I think a check
|
|
of surrounding counties' hospitals will turn her up, and if that
|
|
doesn't, of motels. She didn't have any friends in the area she could
|
|
stay with. She had some money of her own, enough to get her a bus
|
|
ticket and even a motel room or two. Since we have no idea where she
|
|
might have been going, it's anyone's guess which direction she took."
|
|
"OK, that's a theory. Let's go to the sherriff's station and
|
|
start phoning hospitals and bus stations. We'll see if he's had any
|
|
tips on that photo we sent around."
|
|
"You don't sound very enthusiastic."
|
|
The side of his face formed a moving kaleidascope of muscle and
|
|
bone under smooth dark skin; she watched him think before he said,
|
|
"I have one question for you, Scully. Where was she the _last_ time
|
|
she disappeared?"
|
|
Scully brushed a red curl out of her eyes. "You think she's gone
|
|
back to wherever she was before?"
|
|
"All I know is that no one could find her that time, and no one
|
|
can find her now. I would like a search warrant for Matt Vernon's and
|
|
Marshall Tucker's house."
|
|
"On what grounds, Mulder? There is still no evidence that a
|
|
crime has been committed. You yourself don't think she's dead."
|
|
"No, I don't. But I don't think she's on a Greyhound bus,
|
|
either."
|
|
|
|
They put in a frustrating few hours in the dusty Sherriff's
|
|
Office in the main part of town. It was hard to get through to many
|
|
of the smaller bus stations; they seemed understaffed or closed for
|
|
the holidays already. Wary of being caught out after dark, they
|
|
headed back to Mrs. Haynes' at a reasonable hour.
|
|
"I'm getting good at this navigation thing," Mulder bragged as
|
|
they pulled into the Haynes' driveway. "Moss grows on the north side
|
|
of trees. All that stuff. Think I'll finally make Eagle Scout when we
|
|
get home?"
|
|
The smells from Mrs. Haynes' kitchen reminded them that lunch
|
|
had been sandwiches from the drug store next to the station, faint
|
|
echoes of actual food. They sat down to a huge meal with the Haynes.
|
|
Afterward Mr. Haynes once again retreated to the front room and
|
|
Lawrence Welk; they stayed in the kitchen.
|
|
"Here, gimme that," Mulder lightly snatched a flowered full
|
|
apron from Mrs. Haynes' work-weathered hands, and tied it on. "It's
|
|
my color, too. Have a seat, Mrs. Haynes."
|
|
"Oh, well, I -- " Flustered, Mrs. Haynes backed into one of her
|
|
kitchen chairs. "I don't feel right just sitting here while you do
|
|
the work --"
|
|
"Funny, it doesn't bother me any," Scully muttered. Mulder was
|
|
rolling up his blue shirt sleeves and sliding his tie out from under
|
|
the apron to undo the knot and slip it out from under his collar; he
|
|
fixed her with a look. "Of course I'll dry," Scully offered out loud,
|
|
a wry answer on her face.
|
|
"I just want to ask you one more question before I plunge into
|
|
the dishes, Mrs. Haynes. Matt Vernon today mentioned in the course of
|
|
questioning that he'd 'paid enough for his wife.' Can you explain
|
|
that remark?"
|
|
Growing still in her chair, Mrs. Haynes paused a minute, then
|
|
sighed, and the sigh was old and tired, the first sound Scully had
|
|
ever heard from the woman that made her realize how old Mrs. Haynes
|
|
must be. "Sit down for a minute, Mr. Mulder. I don't think I can
|
|
explain this well but I'll only explain it once. You see, I've seen
|
|
real slavery. I worked in the far south in the thirties, organizing
|
|
seamstress workers -- I was a seamstress with a shirt factory for
|
|
fifty years, you may have seen some of my sewing things upstairs in
|
|
room 1. I heard those girls tell me they wouldn't sit next to
|
|
so-and-so, 'cause so-and-so's daddy done stole their niggers. These
|
|
were all white girls, you understand; God knows what they would have
|
|
done if a black girl had wanted to work too. You can't imagine the
|
|
elaborate systems of credit those people used to keep their black
|
|
neighbors under their thumb -- in their possession, as far as they
|
|
were concerned. And they'd sell credit notes to one another so that a
|
|
man never knew who would own the rights to his work for the rest of
|
|
his life. I've seen that kind of evil, is what I'm telling you; and
|
|
what Matt's talking about is different. But maybe -- maybe, not
|
|
different enough."
|
|
She paused and took a breath, as though she'd been running. "He
|
|
gave Libby's daddy a present when they got married, same as a lot of
|
|
folks out here do. It was a good bit of cash, because that's what
|
|
Libby's daddy asked for. He wanted to move right away and the cash
|
|
would help him do it. Now it's true there's been feuds over presents
|
|
like that, what was promised, what wasn't promised, whether it was
|
|
given like it was promised or whether it was small or late. There've
|
|
been big fights, and it still stops my heart to see Clint Ashburn get
|
|
out of his truck if Billy Delby is anywhere around, 'cause they've
|
|
been fighting over what Billy said he'd give Clint when he married
|
|
Clint's oldest girl for twenty-two years, and they've come to blows
|
|
about it. And you have to understand, a wife is a thing you need out
|
|
here. It ain't like you're always in love, though of course, everyone
|
|
hopes you are. And sometimes, even if you're not in love to start
|
|
with, well, you get there along the way." She smiled to herself as
|
|
the strains of Lawrence Welk's orchestra drifted down the hall. "But
|
|
it does put an awful feeling of indebtedness on your shoulders, I can
|
|
tell you that."
|
|
"That's what you meant last night when you said Libby owed Matt
|
|
a lot," Scully pressed, though her voice was low.
|
|
"Yes. Well, she was very aware of that." Mrs. Haynes looked off
|
|
into a far distance, and watched a world that no one else could see,
|
|
for only a minute. Then shaking off her gloom at least a little she
|
|
said, "I guess I'll go sit with John for a bit, if you two are going
|
|
to take care of the dishes."
|
|
Mulder rose and went to the sink and sloshed a plate into the
|
|
hot sudsy water. The slap of the water and the crack of the bubbles
|
|
was the only sound in the kitchen for a few moments.
|
|
"You going to help dry, or what?" Mulder rasped, his head bent
|
|
over the sink. When there was no answer, he turned. Scully sat at the
|
|
table, her hands in her hair, head bent, staring in front of her.
|
|
"Hey, you OK?"
|
|
She didn't answer.
|
|
"Scully, talk to me." He dropped down to look at her, grabbed
|
|
one of her hands with his. "Hey."
|
|
She looked at his hand, brown, wet, soapy; a blob of bubbles
|
|
slid across the glistening back of it onto the table. She shuddered.
|
|
"It's weird, isn't it? I mean, I've worked ER, trauma units,
|
|
shelters, all those places doctors go during residency and agents see
|
|
during their work. I've seen a lot of things done to women by people
|
|
who claimed to love them. But this --" A shiver ran down her spine
|
|
again. "God, will I ever be warm again," she whispered.
|
|
He released her hand, disappeared down the hall; returned with
|
|
the heavy wool sweater he'd been wearing on their trip yesterday. She
|
|
took it and shrugged into it gratefully.
|
|
Squatting down again, Mulder said, in a voice that was pitched
|
|
low and somehow comfortingly, "There seems to be an almost infinite
|
|
number of ways that people can hurt one another. It's a drawback of
|
|
this job that we get to see more than our share." His smile and the
|
|
light in his hazel eyes were more warming even than the sweater and
|
|
Scully was grateful for them too. Then he stood again. "Now, are you
|
|
gonna dry or what?"
|
|
|
|
The Haynes bid them both good night relatively soon after the
|
|
agents had emerged from the kitchen. Scully curled up with a book for
|
|
a while, but wasn't seeing the words on the page; she was seeing
|
|
Libby Vernon's photograph, and a crease formed between her eyebrows
|
|
as she sat, thinking. Mulder had a folder of maps with red circles
|
|
and green dots on them and he continually shuffled through them.
|
|
"Very Christmassy," Scully finally said, commenting on the
|
|
colors when she noticed the maps. "What have you got there?"
|
|
"Latest UFO sightings. I phoned some of the hotlines this
|
|
afternoon. It's been a busy few months in this county."
|
|
Letting her head fall back onto the sofa, Scully sighed. "Go
|
|
ahead, tell me."
|
|
"Nine sightings in the last week in this county alone; five more
|
|
in connecting counties. Those are just the corroborated ones. Very,
|
|
very busy. You'll also be fascinated to know that there was a jump in
|
|
sightings in this county a little over eight months ago."
|
|
"A jump."
|
|
"Of course, there's a regular level of sightings in this
|
|
community. It's not uncommon in rural areas. Not near enough to any
|
|
big papers or cities for the news to ever get picked up."
|
|
"That story about Libby got picked up."
|
|
"Yeah, wierd, isn't it? That was printed in the state capital --
|
|
sort of the state's version of the National Enquirer. Mrs. Haynes
|
|
says she never misses an issue."
|
|
"I'll bet."
|
|
"You're right, it *is* cold in here."
|
|
"It's just that it's fairy tales as usual, isn't it, Mulder? Not
|
|
one shred of real evidence linking that girl to any sort of
|
|
extraterrestrial activity. It's just one of the possible answers --
|
|
it's the _least_ probable answer." Rubbing her forehead with stiff
|
|
fingers she added, "And I don't appreciate you taking time from a
|
|
reasonable investigation of more probable answers to pursue that kind
|
|
of information, Mulder."
|
|
She realized how cross she sounded but couldn't call the words
|
|
back. They hung there in the air, frozen like icicles. Suddenly she
|
|
tossed down her book. "I'm going to bed."
|
|
Head held high, feeling in the wrong and therefore very much in
|
|
need of a strategic retreat, Scully's progress to the door was
|
|
stopped as she passed the breakfront bearing the Christmas tree. Her
|
|
head bent, her red hair sliding forward and glinting gold from the
|
|
tree lights, and one white hand slid over a glossy green-and-red
|
|
package. "Did you see this, Mulder?"
|
|
Mulder rose and looked over her shoulder. There were two
|
|
packages under the tree, matching in size and wrapping; one bore a
|
|
tag that said, "Merry X-Mas to Fox" and the other "From Santa to
|
|
Dana".
|
|
Chuckling, Mulder reached out to touch one too. "She's a fast
|
|
worker, you have to admit."
|
|
"That's so sweet."
|
|
"Mine should say 'From Santa to Mulder'. She doesn't know that
|
|
I'm the one who believes."
|
|
She smiled over her shoulder, looking into his warm laughing
|
|
eyes and realizing that he wasn't angry at her. She was glad. He'd
|
|
been so reassuring in the kitchen and she preferred that comfortable
|
|
feeling to a state of armed truce. One side of her lips curling up
|
|
into a charming smile, she said, "Who's to say I don't believe in
|
|
Santa Claus?"
|
|
"A fat red elf with unlimited toy delivery but no Federal
|
|
Express?" Mulder had caught her infectious smile and his voice had
|
|
the usual teasing edge to it; he raised his eyebrows at her.
|
|
"I _want_ to believe."
|
|
|
|
Mulder sat on the couch flipping through his maps. He heard the
|
|
noises of Dana in the bathroom brushing her teeth, Dana going up the
|
|
dim steps, Dana settling down in the tiny bedroom at the end of the
|
|
upstairs hall.
|
|
It was another couple of hours before he gave up and started up
|
|
to bed himself. There was nothing in the maps that continued
|
|
observation would reveal. But he couldn't shake the feeling that they
|
|
contained some information that was very important for him to have.
|
|
On the dark stairs, with all the lights out downstairs, he
|
|
happened to glance out the window and he saw it.
|
|
A bright white light, barely visible through the evergreen
|
|
branches, but, closer than the stars and moving faster than the moon,
|
|
enough to catch the eye.
|
|
He raced out the front door and stood in his bare feet on the
|
|
frozen ground and tried to catch another glimpse of it, but it was
|
|
gone.
|
|
He was right, he knew it. Whatever was going on was still going
|
|
on, and it had everything to do with the Vernon woman. He wanted to
|
|
be in on the finish when it happened.
|
|
"Scully, dammit, you missed it," he hissed through his teeth,
|
|
then realized his feet were numb and went back in the house and up to
|
|
his bed.
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 7 Sep 1994 18:34:17 GMT
|
|
|
|
The feeling of edgy expectation didn't leave him all night or
|
|
the next morning. Mrs. Haynes attributed his absent look to the
|
|
lowering gray clouds that filled the sky and made it leaden and
|
|
threatening. "It's going to snow soon, today, most likely, and you
|
|
need to be careful. If it starts while you're in town, you'd best
|
|
stay at the sherriff's station; you won't believe how much snow a
|
|
good blizzard can put down in an hour."
|
|
Mulder was distracted and preoccupied through breakfast, the
|
|
ride into town, the phone calls he was making. He couldn't shake the
|
|
feeling that somehow he was missing the show. He felt like a guy in a
|
|
theater sitting behind someone with a big hat; part of the picture
|
|
was obscured, he couldn't quite tell what was going on, but he felt
|
|
like he ought to be able to piece it together from what he could see.
|
|
What he mostly wanted was to be back in the woods.
|
|
Around noon he told Scully he was heading out to Matt Vernon's
|
|
place again. "Maybe I can't get a search warrant, but I bet I can
|
|
find something around that cabin that we didn't see before."
|
|
"Like what?" Scully didn't even look up; she was making
|
|
notations on her list of hospitals.
|
|
"I won't know until I see it," he said, more than a little
|
|
sarcasm creeping into his tone.
|
|
Then she looked up.
|
|
"Cheer up, Scully. At least it's a little warmer today."
|
|
Sherriff Connelly put in from his desk, "It's warmer 'cause it's
|
|
going to snow. I been listening to the radio all morning, Agent
|
|
Mulder; that storm is coming right up the valley and it's going to be
|
|
here soon. You don't want to be out in the woods when it hits."
|
|
"I'll keep in touch; I gotta go."
|
|
That was why he was driving in the Land Rover alone on the
|
|
trails in the mountains when he almost hit Marshall Tucker.
|
|
All Mulder saw was a flailing arm and a body and the Land Rover
|
|
swerved violently, half-heading up the enormous slope on the shoulder
|
|
of the road, then falling back down with a thump when the shoulder
|
|
snowdrift crumbled and dropped the front wheels back on the road.
|
|
"Mr. Mulder," Marshall panted as he raced up to the side of the
|
|
truck, "you gotta come quick. Libby's having her baby."
|
|
"Get in!"
|
|
He shoved the passenger door open and Marshall clambered in and
|
|
slammed the door just as Mulder spun the Land Rover's wheels and the
|
|
car straighted out and shot down the road. "Tell me when to turn," he
|
|
instructed the boy tersely, dialing the phone with his other hand.
|
|
"Sherriff Connelly," a voice said when the line picked up.
|
|
"Put Agent Scully on the line."
|
|
Then a female voice. "Yes?"
|
|
"Scully, Libby's at Marshall's house and she's having her baby."
|
|
"Oh my God. Is Marshall with you? Where are you?"
|
|
"We're in the car headed to his place."
|
|
"Put him on the line."
|
|
Marshall answered Scully's questions about Libby's state when he
|
|
left her as best he could, stopping once to yell at Mulder to turn
|
|
left. Finally he handed the phone back to Mulder.
|
|
"Mulder, I want you to call me as soon as you reach the house;
|
|
I'm going to see what can be done on this end."
|
|
Mulder clicked the phone shut and looked sideways at Marshall
|
|
Tucker, who was cringing at the opposite end of the car seat. "I
|
|
think it's time you told me a different story, Marshall."
|
|
"What's to tell? She's been stayin' at my house. I got enough
|
|
food. She wanted to leave town but couldn't leave without me drivin'
|
|
her and she didn't want to get me in trouble and -- I told her to
|
|
stay with me till after Christmas and we'd work something out. We
|
|
never figured the cops would look much into it."
|
|
"Mrs. Haynes was very worried about Libby. Couldn't you even
|
|
tell her?"
|
|
"Libby didn't want me to; she said Mrs. Haynes'd make her go
|
|
home."
|
|
"I don't think Libby knows Mrs. Haynes very well."
|
|
Another spinning turn and now they were heading straight up a
|
|
hillside. Mulder's brow furrowed as he tried not to wonder if he had
|
|
enough traction to make it. "Well, don't lose your head, Marshall. It
|
|
isn't everybody who gets to be in on their baby's arrival the way
|
|
you're about to."
|
|
"What?" Marshall shook his head like he'd received a blow to the
|
|
temple. "It's not _my_ baby."
|
|
"Marshall, don't _lie_ to me again!" Mulder shouted,
|
|
simultaneously slamming on the brakes and cuffing the boy by the
|
|
collar to shake him like a sack of potatoes.
|
|
"I'm _not lying_!" Marshall half-screamed. Mulder let him go; he
|
|
fell back into the corner of the cab but a angry flash had come into
|
|
his black, pupilless eyes. The boy looked like he was trying hard not
|
|
to take a swing at the agent; Mulder decided he didn't have time to
|
|
let it cool down.
|
|
"What do you mean? Where was Libby for four weeks when she
|
|
disappeared eight months ago?"
|
|
"I don't know, but it wasn't with me. And Libby wouldn't --
|
|
we've never -- Libby would never do something like that."
|
|
"You'll pardon me if I find it very hard to believe that you
|
|
don't know where Libby was." Mulder restarted the stalled car, put it
|
|
in first and started the car crawling up the hill again. Over the
|
|
top, and he could see the Tucker house.
|
|
"Yeah, well, you'd find it harder to believe where _she_ says
|
|
she was," the boy muttered.
|
|
At that, Mulder wanted to grab him by the shirt collar again and
|
|
make him explain himself, but Marshall jumped out of the car before
|
|
it had even stopped moving and run for the house. Mulder, his heavy
|
|
black winter coat swinging behind him, followed.
|
|
Inside and through a door off the front room and Mulder could
|
|
see a slight form stretched out on the twin bed in the back room.
|
|
"Hi, Libby," he said softly and smiled as he came up to the bed. She
|
|
was pale almost to the point where her skin looked sickly blue, and
|
|
her hair was straggling across her face; she opened her mouth as if
|
|
to say something but closed it again immediately.
|
|
"How are you feeling?" Mulder swung out of his coat and dropped
|
|
in on the floor, and kneeled next to the bed. Sweeping her hair away
|
|
from her eyes, he smiled again and said, "I'm Fox Mulder, I've been
|
|
looking for you, Libby. Mrs. Haynes has told me a lot about you.
|
|
She's going to be very glad we found you. Can I look at you for a
|
|
minute? I've got a friend who's a doctor who's been looking for you
|
|
too and she'd like to know how you're doing."
|
|
"Go right -- right ahead," Libby whispered in her paper-dry
|
|
voice, and a shockingly bright flush of red dyed her cheeks.
|
|
"Good, good," he mumbled and kept up a reassuring stream of
|
|
noises as he took her pulse, felt her forehead -- she seemed a little
|
|
cool to the touch -- inverted an eyelid and looked at her pupils. She
|
|
seemed fine. "I'll be right back, Libby."
|
|
"Where's your phone?" he demanded of Marshall, who was standing
|
|
in the door behind him.
|
|
"D-don't have a phone."
|
|
Swearing under his breath Mulder darted out to the car in his
|
|
shirtsleeves. The wind had picked up and seemed to knock the breath
|
|
out of him; a few tiny white flakes bespattered the car's windsheild.
|
|
Retrieving his cellular phone, he ran back to the house, dialing the
|
|
station as he went.
|
|
With Scully on the phone he asked Libby how far apart her
|
|
contractions were, found out she had no way of timing them but hadn't
|
|
had one for a "good few minutes now".
|
|
"OK, Mulder, here's the bad news. The nearest ambulance is fifty
|
|
miles away and won't come anyway -- they say the blizzard is in full
|
|
swing there and it's too risky for them to drive over the mountains
|
|
in zero visibility. The good news is Mrs. Haynes is only two miles
|
|
away, says she can walk there in her sleep, and is already on her
|
|
way. Libby's not going to have this baby for a while yet. I think you
|
|
should come and get me and I'll stay by the phone where Mrs. Haynes
|
|
can reach me if there are any problems. It shouldn't take more than
|
|
an hour to two hours for you to get here and get me back there."
|
|
"There's no phone here that Mrs. Haynes could use to call you."
|
|
Scully thought for a minute. "Leave them the cellular."
|
|
"An hour seems like a long time to me right now, Scully," Mulder
|
|
said, turning away from the bed so Libby wouldn't hear what he was
|
|
saying. "And probably to Libby too."
|
|
"Believe me, it's nothing," his partner replied dryly.
|
|
Clicking the phone shut and leaving it by the bed, Mulder slid
|
|
his arms into the coat and prepared to leave. "Mrs. Haynes is coming
|
|
over to see you, Libby, and you'll be fine with her until I get back
|
|
with the doctor. I'm going to get her now. Do you think you'll be all
|
|
right?"
|
|
Libby nodded vigorously, then whispered, "I would like some
|
|
water, please, if that's OK."
|
|
"Of course! Just a little. No problem." Feeling flustered --
|
|
Mulder had not attended a delivery before -- he raced out to get a
|
|
glass of water, shoving past Marshall Tucker in the hallway, then
|
|
back to Libby's side. Putting an arm under her shoulders he helped
|
|
her to sit up a little and sip from the glass.
|
|
That's when the shirt she wore, the top two buttons undone, fell
|
|
back from her throat and revealed the purplish rash which had not
|
|
gone away.
|
|
Libby's hands started to shake when she saw the look in Mulder's
|
|
eyes, a look of disbelieving... exultation. He took the glass from
|
|
her and set it on the floor. "Libby, how long have you had this?" he
|
|
said, a murmur so low Marshall could never hear it, not touching her
|
|
skin but gesturing with his hand.
|
|
"A - a while now -- since the baby," Libby whispered, and her
|
|
voice drifted away at the end like soft sand in an hourglass, too
|
|
quiet even to be heard.
|
|
"You're going to be all right, Libby," Mulder said, a little
|
|
louder, then settled her under the covers. Pausing just a moment to
|
|
brush her hair back from her face, now a mask of terror, he added, "I
|
|
know, Libby. We'll make sure you're all right."
|
|
"But Mr. Mulder I'm -- I'm so scared." Her eyes were huge and
|
|
tears, too afraid to fall, were trembling in them.
|
|
"I know, Libby. But it'll be all right."
|
|
|
|
"Mulder, we're lost."
|
|
Scully tried to keep her voice even but her patience was close
|
|
to the breaking point. After almost an hour of clinging to the door
|
|
handle while Mulder coaxed the Land Rover to throw itself through
|
|
snow drift after snow drift, feeling as though every turn could be
|
|
their last, and holding her breath through every sickening slide of
|
|
the tires on loose snow, Scully had had enough.
|
|
"Dammit, we can't be lost!" Pounding his fist on the steering
|
|
wheel Mulder brought the car to a halt. He looked wildly all around
|
|
him, but Scully was right. Nothing looked familiar; the snow, falling
|
|
thickly and blowing viciously, obscured almost all but the trees
|
|
right against the road. He couldn't even be sure if he was heading in
|
|
the right direction. And the plowed snowbanks that had lined the
|
|
roads for the past two days were obliterated by the crossings and
|
|
pilings of the new fall. There was no way to tell what crossroads he
|
|
was passing.
|
|
"DAMN it! *Why is this happening to me?*" Mulder's shout rang in
|
|
the closed confines of the car.
|
|
"Don't lose your head, Mulder," Scully said sharply. "We need to
|
|
find shelter."
|
|
"We *need* to get to the Tucker house! I need you to examine
|
|
Libby Vernon!"
|
|
"Mulder! *I AM NOT A RESEARCH TOOL!*"
|
|
Mulder blinked and looked at his partner. She was furious, he
|
|
realized, and possibly a little frightened. "I'm sorry. You're right.
|
|
We need to find shelter."
|
|
"I think I saw a cabin a few miles back, at the end of one of
|
|
these trails. Can you turn around?"
|
|
"Sure."
|
|
Mulder was convinced they were heading into open woods, the Land
|
|
Rover jouncing over the carcasses of fallen trees and rocks, but at
|
|
the end of the trail, sure enough, was a small cabinlike house, its
|
|
windows dark and mostly sheltered by trees on all sides. It was down
|
|
in a hollow, rather than up at the top of a hill like the Tucker and
|
|
Haynes houses, and the snow had collected all around it like sugar in
|
|
a cup.
|
|
"Let's see what we've got in the car that we can take in,"
|
|
Scully suggested and waded out into the snow.
|
|
"Ever practical." Mulder followed her.
|
|
The back of the Sherriff's brother-in-law's car contained three
|
|
folded blankets, an empty metal canteen, a flare gun, two magnesium
|
|
flares, a box of shotgun shells, a combination hatchet/shovel, a
|
|
wrapped hank of thin rope, and a box of dried rations -- venison
|
|
jerky, some packets of freeze-dried stew, and chocolate bars. At the
|
|
sight of the chocolate bars Mulder had to grin. "I guess we've died
|
|
and gone to heaven, Scully. Let's set up house."
|
|
Just getting to the door was a struggle but opening it was
|
|
worse; the door opened out, and the heavy snow was determined to keep
|
|
it pressed shut. Finally they forced their way in.
|
|
There was a fireplace at one end and a wood beam over it for a
|
|
mantle. The floor was clean-swept wooden planks. The only piece of
|
|
furniture in the room was an enormous wooden bedstead. It filled one
|
|
whole side of the one room and the headboard loomed over Mulder's
|
|
head.
|
|
"Wow. You look out for giants. I'm going to get some firewood."
|
|
Swinging up the hatchet Mulder wrestled his way out the door.
|
|
The sky was darkening and the trees largely blocked his view of
|
|
it. He was afraid to get too far away from the cabin, afraid he
|
|
wouldn't be able to see his way back. First he opened the car again
|
|
and turned on the headlights. Even from the opposite side of the
|
|
cabin, he figured, he'd be able to see them for at least tens of
|
|
feet, even through the falling snow. Then he picked his way back the
|
|
way they'd driven, looking for fallen branches. A great many dead
|
|
limbs littered the forest floor, some of them old and decayed, some
|
|
of them broken off today by the weight of the wet, heavy snow
|
|
accumulating on them. Some of the lower branches that looked dead
|
|
succumbed to being tugged and whacked with his hatchet. He returned
|
|
to the cabin with a heavy armful.
|
|
Tossing it inside the door, Mulder returned to shut the car
|
|
lights off and lock it up. Back inside he took some branches and
|
|
shook the snow off in a far corner of the house. "Let's hope this
|
|
stuff is dry enough to burn, Scully," he said grimly and laid a fire
|
|
in the grate.
|
|
Screwing the top back on the canteen, which she'd just filled
|
|
with snow, Scully studied the proposed fire critically. "Mulder --
|
|
you don't smoke, I don't smoke. Do you have any matches?"
|
|
He looked up at her from where he was kneeling on the floor.
|
|
They stared at each other for a tense moment.
|
|
"There's gotta be matches in this rations box," Mulder insisted,
|
|
scrabbling through the box frantically. He crowed with delight and
|
|
pulled out a metal case with a tight lid; it rattled. Opened, it
|
|
proved to be full of wooden matches.
|
|
"Any other suggestions from the floor? How about kindling?"
|
|
Scully bit her lower lip. "Leaves?"
|
|
"Too wet." Regarding the fire grate, Mulder snapped his fingers.
|
|
"Give me your notebook."
|
|
Several pages from Scully's notebook were twisted up tight, to
|
|
burn more slowly, and placed in strategic locations leading out of
|
|
the pile of wood.
|
|
"I hope you know what you're doing, Mulder," Scully murmured at
|
|
his shoulder.
|
|
"So do I."
|
|
There was some more frantic paper tearing and stuffing, but
|
|
finally the paper dried out a small twig and ignited it, and the dry
|
|
heart of the wood burned gladly. The flame leapfrogged quickly up to
|
|
igniting a branch as thick as Mulder's arm. Once it had caught, he
|
|
relaxed, letting out his breath.
|
|
"You know what, Mulder, I think they _are_ going to make you an
|
|
Eagle Scout when we get home." Dana Scully drew a deep breath, slid
|
|
down the wall behind her, and rested her head on her knees, shrouding
|
|
herself in her heavy navy coat.
|
|
"I'm going to deserve it, too." Mulder hung the canteen from a
|
|
hook on the mantel; the heat of the fire would melt the snow into
|
|
water.
|
|
He slid down the opposite wall. They faced each other across the
|
|
firelight.
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 7 Sep 1994 18:34:58 GMT
|
|
|
|
"Well, here we are," Scully said, to break the silence.
|
|
Mulder was thinking of Libby Vernon's scared face and the mark
|
|
on her chest. "Yes, here we are. And outside the cabin, reality
|
|
marches on."
|
|
Thinking she knew what was distracting him, Scully said, "You
|
|
know, Libby Vernon is going to be fine. Mrs. Haynes told me she's
|
|
delivered a dozen babies in this town, and I'm sure she was with
|
|
Libby a long time ago now. And they've got the phone to call for help
|
|
if there's trouble. I'm sure if they called the sherriff he could get
|
|
a helicopter in there from a Columbus hospital, or --"
|
|
"I'm not worried about Libby, Scully," he interrupted her, and
|
|
his eyes looked dark in dimming light. "I hate to admit it, but I'm
|
|
not. I think she's going to deliver her baby with no problem. I just
|
|
want to know what kind of baby she's going to deliver."
|
|
"What are you talking about?"
|
|
"I needed you to see this person, Scully. To photograph her, if
|
|
possible. She had a raised purple rash in the shape of an inverted
|
|
triangle, right here." He gestured with his hand at the base of his
|
|
throat.
|
|
Scully digested this news in silence.
|
|
"You may not be aware that such markings have often been found
|
|
on UFO abductees, sometimes years after the encounter. There is no
|
|
medical explanation for the skin disorders and standard treatments
|
|
seem to have little effect. I've got a pile of X-files a foot thick
|
|
documenting such occurences. Abductees who undergo hypnosis report
|
|
that their captors told them the marks are for identification or
|
|
testing purposes. Some have their marks reappear during second or
|
|
even third encounters later in their lives --in one case, sixty-six
|
|
years later."
|
|
"You still think Libby Vernon is an abductee."
|
|
"No, Scully. I _now_ think Libby Vernon is an abductee."
|
|
"And the baby?"
|
|
Mulder spread his hands. "Marshall Tucker swore up and down that
|
|
it wasn't his baby."
|
|
"And you believed him?"
|
|
"He looked too angry for me not to believe him." Scully cocked
|
|
an eyebrow as if to invite him to continue. "He looked like he --
|
|
wanted to be able to say it was his baby."
|
|
"He denies that Libby was with him when she disappeared the
|
|
first time?"
|
|
"He denies it."
|
|
"And what do you think?"
|
|
"I think," Mulder said slowly, "that if we had a candle I would
|
|
put it in the window and see whether or not a couple of wise men
|
|
wander by."
|
|
"Mulder, be serious."
|
|
He looked at her. Her eyes looked silver grey in the firelight,
|
|
almost the only light left in the room as the snow blocked the
|
|
setting sun from them. The fire leapt and crackled and seemed to
|
|
exist only as a reflection of her hair. She was pleading with him to
|
|
give her an answer she could hear.
|
|
"I think I am almost serious." Mulder let his head fall back
|
|
with a thwack on the wooden wall. "But enough about me. Can I offer
|
|
you a lovely venison jerky and chocolate dinner? The water here has a
|
|
particularly piquant bouquet."
|
|
|
|
Dinner tasted surprisingly good, after their long day, and
|
|
afterwards Mulder made another trip out for firewood. This time he
|
|
went around back of the house, keeping the wall of it almost within
|
|
reach so as not to wander out into the dark, and almost stumbled into
|
|
a pile of cut wood. He knocked on the window nearest to him, Scully
|
|
opened it, and he tossed log after log through it into the house.
|
|
"There," he said when he came in, "no more trips outside for
|
|
us."
|
|
"Well, except for the utmost necessity." Scully looked as
|
|
dubious as she felt. There was no running water in the cabin.
|
|
"The great outdoors awaits you any time you feel the need." They
|
|
stacked the firewood near the hearth after knocking most of the snow
|
|
off of it, to help it dry out.
|
|
"Well, do you want room number 1, 2, 3, or the penthouse suite?"
|
|
Scully asked Mulder, who was eyeing the bed frame thoughtfully.
|
|
"If only that thing had a mattress. Even a box spring."
|
|
Scully cocked her head to one side, considered. "Quaker bed
|
|
frames like that had ropes woven across them to support a hay
|
|
mattress."
|
|
"There's that rope in the car," Mulder suggested.
|
|
"I don't think it would be worth it. There's nothing to put
|
|
between us and the rope; it'd make an awfully uncomfortable hammock."
|
|
Mulder went over to the frame, rocked it with his hand. It was
|
|
as steady as if it had been poured out of concrete. "Well, I think I
|
|
know why it's still here. It's too well joined to come apart without
|
|
destroying the rails; it's too heavy to lift in one piece; and it's
|
|
too big to go through the door!"
|
|
"What happened to your hands, Mulder?" Scully came up behind
|
|
him, removed the outstretched hand from the bedpost. It was scratched
|
|
and scraped, dirt and some blood drying under the fingernails. More
|
|
disturbingly, it was very warm. Too warm.
|
|
Scully laid her palm against Mulder's forehead. It was hot and
|
|
very dry. "I think you've got a fever, Mulder."
|
|
"Really? That would explain why Libby felt so cool to me. She
|
|
*looked* like she'd been working up a sweat."
|
|
"Isn't that just like you. I'm the one who's been complaining
|
|
about the cold since we got here, and you're the one who comes down
|
|
with, as Mrs. Haynes would say, 'your death of cold.'"
|
|
"She'll be so proud. Hey, let's not jump the gun yet. I'm a long
|
|
way from dead."
|
|
"And what _did_ you do to your hands?"
|
|
"Tree-wrestling, hog-tying, tobacco-chawing -- the kind of stuff
|
|
you do out here. I pulled some of those first branches off some trees
|
|
and the trees fought back. That's all, Scully. If I weren't such a
|
|
soft city boy I'da come through without a scratch."
|
|
She poured water over the scrapes, pulled out a splinter and
|
|
gave him some Tylenol capsules she found in the depths of her coat.
|
|
He smiled gratefully. "Thanks, Scully. That's more than a lot of
|
|
partners would do for me. I'm going to nominate you when we get back
|
|
for the Girl Scout equivalent of an Eagle Scout. They must have one.
|
|
I have to find out."
|
|
"Gee. And I thought I'd reached my peak when I got my M.D. I've
|
|
got a fee, though."
|
|
"Yes?" Mulder looked intrigued.
|
|
"Do you play chess?"
|
|
|
|
They had to give up chess eventually, though; visualizing the
|
|
moves was tiring, and after Scully won two games Mulder said he
|
|
conceded the day.
|
|
From time to time they added logs to the fire, which burned down
|
|
and warmed the whole one-room cabin. Fortunately it was tightly built
|
|
and they finally even took off their coats.
|
|
They talked about cases they'd finished, and then they talked
|
|
about X-files Mulder wanted to look at, and they talked about people
|
|
they knew at the Bureau. Personal talk always seemed off-limits
|
|
between them, Mulder thought. It was all the more obvious now, when
|
|
there was plenty of time to talk.
|
|
After a lull in the conversation Mulder volunteered, "I'd like
|
|
to ask you a question, if you don't mind."
|
|
"Go right ahead."
|
|
"What did you mean in the car when you told me you weren't a
|
|
research tool?"
|
|
Scully scratched her nose -- a good way to hide your expression,
|
|
Mulder knew -- and said, "Next question?"
|
|
"Come on, Scully, I want to know."
|
|
"I probably shouldn't have said that --"
|
|
"No bullshit, Scully. Just tell me."
|
|
Leaning up against the wall, knees drawn up, Scully rested an
|
|
elbow on one knee and put her chin in her hand. She watched Mulder
|
|
watch her from where he was stretched out on his side in front of the
|
|
fire, his shirttails pulled out of his suit pants, one long leg
|
|
hooked over the other, his arm propping up his head as he looked at
|
|
her.
|
|
"I didn't really mean it, Mulder. It just felt to me, at that
|
|
moment, like I was a... recording object, like a camera or a Geiger
|
|
counter, that you needed to register evidence for you. Just a
|
|
camera."
|
|
"I'm sorry, Scully." He continued to look straight into her
|
|
eyes. She had learned that when his usual heavy-lidded, sleepy
|
|
expression disappeared, like now, it meant that he really was sleepy
|
|
-- and concentrating hard. "I expect you felt that way because that
|
|
was exactly how I was treating you."
|
|
"Ah." She couldn't think of any answer to that.
|
|
"It's not just that I'm not used to working with a partner any
|
|
more. It's more that -- well, I'm not used to having someone to share
|
|
my work with. You're not inclined to believe, I know -- but you're
|
|
inclined to listen. That's so exciting, Scully, it's like... I feel
|
|
sometimes like a kid with a new toy on Christmas morning, and I can't
|
|
wait to find out what it will do next."
|
|
With a funny warm feeling blooming in the pit of her stomach
|
|
Scully said lightly, "And it's not very flattering to me, is it?"
|
|
"Not necessarily _un_flattering." Mulder grinned his
|
|
irrepressible grin. "But I get the general idea. And I'll grow out of
|
|
it. As of this minute."
|
|
"Don't strain yourself," she warned sharply, avoiding the full
|
|
blast of the grin.
|
|
"I said I was sorry, Scully. How about while we're at it you
|
|
start giving me a little bit of credit for knowing the difference
|
|
between a legitimate X-file and normal crime?"
|
|
"I do."
|
|
"No, you don't. You always think I'm following the least likely
|
|
answer. But how many times have the probable answers already been
|
|
eliminated by other authorities? It's not that I'm not willing to
|
|
duplicate effort, Scully. I tend to assume that cases with no normal
|
|
answers need to be investigated with an eye toward the extreme
|
|
possibilities."
|
|
"And I tend to assume that if they haven't got what you call a
|
|
'normal' answer -- a rational explanation, in other words -- it's
|
|
because of shoddy work, not because it's time to start chasing down
|
|
the 'extreme possibilities'."
|
|
"How many times have we investigated cases other people have
|
|
shelved, and plowed through a ton of shoddy work, only to find out
|
|
that the answer was one that the original investigator would never
|
|
have considered? How many cases do you think get mothballed every
|
|
year rather than solved simply because some local cop or petty
|
|
bureaucrat said that they'd exhausted every *reasonable* answer?"
|
|
"A lot," she admitted. "You're right, it's a lot. I just want to
|
|
feel like you're not leapfrogging the logical avenue of
|
|
investigation, Mulder. And I want to feel like I'm your partner, not
|
|
your witness."
|
|
Mulder looked into the fire and there was several minutes when
|
|
the crackling of the logs was all there was for sound. Then in a
|
|
flatly neutral tone Mulder said, "I'm going to suggest something and
|
|
I want you to realize that it comes from under my psychologist hat,
|
|
not my personal hat. OK?"
|
|
"OK."
|
|
"Isn't it possible that at least sometimes you feel that way
|
|
because your job is to be my witness? Isn't it true that your field
|
|
reports are serving the function of evidence for judicial scrutiny
|
|
higher up?" Mulder shifted so that he looked directly into her eyes,
|
|
straight on.
|
|
Her face was set like stone. She wanted to say no and tell him
|
|
that was a stupid accusation, but she couldn't because she knew it
|
|
wasn't. "That has not been my intention, Agent Mulder."
|
|
"I didn't think it was, Agent Scully."
|
|
But that wasn't true. He had thought it. She knew he had, when
|
|
they'd first met and for months afterward. It had been a while before
|
|
he'd stopped offering her evidence from the X-files like it was a
|
|
carrot she couldn't appreciate on a stick entirely under his control.
|
|
Mulder's eyes were still boring into hers. They were hazel, she
|
|
knew, a shade of moss-green mixed with flecks of golden brown that,
|
|
in dim lights, looked dark brown, but in certain types of reflected
|
|
light shone like old coins, or gold-backed mirrors. There was a
|
|
volume of explanation in those eyes, and they convinced her of his
|
|
respect and his honesty and his trust. Even though it hadn't really
|
|
been that long ago, timewise, his eyes convinced her that the time of
|
|
his mistrust in her had been long, long gone and buried, and that he
|
|
knew that she also wanted to know the truth.
|
|
The odd sensation in the pit of her stomach fluttered up and
|
|
caught in her chest and made it hard for her to choke out, "Thanks,
|
|
Mulder."
|
|
He didn't say anything but a smile crept up into the corners of
|
|
his eyes and made them merry. Suddenly he bounced to his feet. "You
|
|
sleepy yet? I'm exhausted."
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 7 Sep 1994 18:35:39 GMT
|
|
|
|
Scully put her coat back on then wrapped up in one of the
|
|
blankets. She insisted on giving Mulder both the others, and he
|
|
insisted on putting her nearer the fire, so both of them got their
|
|
way.
|
|
They'd warmed up the cabin quite a bit but Scully awoke sometime
|
|
in the middle of the night. The fire had burned down and glowing
|
|
coals dripped out of the grate. Her body temperature had dropped in
|
|
sleep and the cabin now had a distinct chill that crept right into
|
|
her bones, through blanket, coat, shoes, everything.
|
|
Shivering, clamping her jaw to prevent her teeth from audibly
|
|
chattering, Scully reached to put another log on the fire. She let
|
|
out a gasp when something grabbed her from behind and drew her away
|
|
from the fire.
|
|
"Let me get that," Mulder rasped, his voice husky and deep from
|
|
sleep, his eyes heavy and bleary. Scully wished in the dim fog of her
|
|
sleep-blunted mind that she had a thermometer to check his
|
|
temperature with.
|
|
He poked the coals till flames licked up the sides of the log
|
|
again, then regarded the blanket-wrapped bundle of Scully below him.
|
|
"This isn't working," he mumbled and, picking her up like a piece of
|
|
furniture, unwrapped his own blankets and took off his coat. He
|
|
folded one of the large blankets in two and laid it down like a mat.
|
|
Then he unwrapped her blanket and coat. Her teeth started chattering.
|
|
"What are you doing, Mulder?"
|
|
"Fixing this." He indicated that she should lay down on the
|
|
blanket. Then he spread the smaller of the two remaining blankets
|
|
over her, then the larger one, folded in half, then his coat
|
|
lengthwise across her feet and her coat lengthwise across her hips.
|
|
Then he lifted one edge of this edifice and slid under it, onto the
|
|
blanket mat, behind her. She was still facing the fire, and closer to
|
|
it.
|
|
"Inefficient conservation of heat," he mumbled, and then she
|
|
suppressed a start as she felt his body, so much longer than hers,
|
|
against her back. He pillowed his head with one arm and with the
|
|
other one pulled her closer.
|
|
"Uh, Mulder..."
|
|
"You've been cold for three days, now you're bitching about
|
|
being warm?" he muttered, and she could feel his breath stirring her
|
|
hair. He felt like a blast furnace against her. Her teeth stopped
|
|
chattering immediately. She could even feel warmth trickling down to
|
|
her cold toes, in the depths of her ankle-high boots. He was right;
|
|
she was _warm_. She worried about his fever, shifted around till she
|
|
could lay one of her palms against his forehead.
|
|
And his eyes popped open. She ignored them and felt his forehead
|
|
anyway, then took one wrist and checked his pulse. To her hands,
|
|
which she'd kept warm, his forehead did not seem unduly hot, was even
|
|
slightly cool, and his pulse was normal. She wished she had more
|
|
Tylenol for when this dose wore off.
|
|
His face, right next to hers, seemed sculpted out of warm smooth
|
|
stone. But she'd never seen a sculpture capture the angle of a jaw
|
|
quite like that, or the curve of a pair of lips quite like those. In
|
|
the dim firelight he looked... beautiful. She bit her lip nervously,
|
|
then wished she hadn't.
|
|
Mulder bore the inspection of his temperature and pulse, in that
|
|
waking world between dream and reality in which it seems that
|
|
everything is equally real and equally impossible. The glint of the
|
|
firelight, dark red on red gold, haloed her hair in brilliant flame,
|
|
and made her translucent skin seem like ivory silk. He couldn't see
|
|
the expression in her eyes, darkened and shadowed by the firelight
|
|
behind her, but her lips, ripe wild strawberries, parted and drew his
|
|
attention. She caught the lower lip between two perfect white teeth
|
|
and Mulder suddenly felt the desire to stroke his thumb along it, to
|
|
free it. Catching himself from falling over the brink into reality,
|
|
Mulder let his head fall onto his arm and surrendered back into
|
|
dream.
|
|
He mumbled something else but Scully couldn't catch it. She
|
|
turned back over, her back against his chest, and surrendered to the
|
|
delicious warmth.
|
|
|
|
The windows had lightened with dawn when Mulder next woke. His
|
|
face felt a little chilly as he lay flat on his back; he assumed the
|
|
fire had burned down again. But the rest of him was comfortable.
|
|
Well, a little stiff, he realized, stirring. Then he stopped.
|
|
His left arm was under Scully's head and wrapped around her
|
|
shoulders, securing her closely to him; one of her legs stretched
|
|
full-length against his, the other was thrown across his thighs. At
|
|
some point she had kicked off her boots and her sock-clad foot
|
|
pressed against his shin. Her head rested on his shoulder and her
|
|
hair spread across the front of his shirt and throat. Clearly there
|
|
had been some shifting during the night. He was now almost entirely
|
|
off the blanket under them; someone had pushed and someone had
|
|
pulled, and now here they were.
|
|
He *was* warm.
|
|
Disaster. Horror. Crisis of biblical proportions. Scully was
|
|
going to go stark raving out of her very cool and collected head.
|
|
Oh well, he thought. "Morning," he said into her hair.
|
|
Something was rumbling under her ear, like an earthquake. Scully
|
|
woke up enough to realize it was Mulder. What the hell, the thought
|
|
sleepily muddled through her head, I'm drooling on Mulder's shirt.
|
|
Then she sat bolt upright.
|
|
"Thanks," Mulder said, and sat up rubbing his neck, "I was
|
|
getting a little stiff."
|
|
The unfortunate entendres of this remark weren't lost on Scully
|
|
but she chose to wince, then smile ruefully at him as though there
|
|
weren't a mariachi butterfly band playing Sousa in her stomach.
|
|
She rolled over, pretending that she wasn't rolling away from
|
|
Mulder, and tossed another log on the fire. Running her fingers
|
|
through her hair and trying not to imagine what it looked like she
|
|
said, "Venison and chocolate for breakfast?"
|
|
"Sounds delish."
|
|
Well, she _was_ taking it in stride. He'd underestimated her.
|
|
Under that cool, calm exterior there was a woman who really was cool
|
|
and calm. An irresistable urge to press his limits rose up in Mulder
|
|
from somewhere in the teenage section of his brain -- a section he'd
|
|
never managed to lock away completely -- and he said in a husky
|
|
voice, "It's been a long time since a woman made breakfast for me."
|
|
Years of dealing with two brothers had given Dana Scully a
|
|
preternatural instinct for when she was being teased. Her chin
|
|
dropped, her eyes opened wide and she turned a look of disbelieving
|
|
-- and amused -- amazement upon him. In tones of utter conviction she
|
|
said, "Don't push it, Mulder."
|
|
If the heavy oak rafters over their head had been made of glass
|
|
or silver they would indeed have rung, as in the proverbial songs,
|
|
Christmas and otherwise, with Mulder's shout of laughter.
|
|
|
|
"My watch says noon. Snow seems to be slowing. You've got a
|
|
fever of at least a hundred and some. I'd say it's time to get out of
|
|
here."
|
|
Mulder couldn't deny that his head didn't feel as steady as it
|
|
might. Looking over at Dana and the stack of neatly packed emergency
|
|
supplies, he shrugged. "It doesn't matter now. I'm sure it's all
|
|
over."
|
|
"What, Libby having her baby? Why that's when it all begins,
|
|
Mulder," she enlightened him and, after he'd struggled to his feet,
|
|
handed him the pack of food and gathered up the blankets.
|
|
"I don't know, I just feel like it's all over and we missed our
|
|
chance. I missed _my_ chance, Scully. It's over."
|
|
She frowned as they struggled out to the car and plopped the
|
|
supplies in the back. "Get in and warm it up, Mulder, I'm going to
|
|
douse the fire with snow and make sure it's out before we go."
|
|
The Land Rover started right up and Mulder sent a fevered prayer
|
|
to the god of old cars. It seemed like just seconds and Scully was
|
|
back with him. Had he dozed?
|
|
"Mulder. We've got to get out of these woods and somewhere we
|
|
can orient ourselves. We've got plenty of gas; we just need to get
|
|
moving. I think you should let me drive."
|
|
"Miz Scully ma'am, you're welcome to try. This thing has no
|
|
power steering or brakes. But go right ahead."
|
|
Oh good. Loads of fun. She indicated that Mulder should shove
|
|
over in the front seat and got up behind the wheel.
|
|
"If you ever tell anyone this I'll deny it but I once drove a
|
|
mowing tractor at my uncle's farm in Maine."
|
|
"Did you mow in the snow?"
|
|
"Now would be a good time for you to shut up, Mulder."
|
|
For a moment after she'd settled herself behind the wheel Scully
|
|
felt like a ten-year-old pretending to drive. It was only for a
|
|
moment, then it passed. Gingerly she tried backing up the vehicle.
|
|
The wheels started to whine; she stopped the gas. Great, they were
|
|
stuck. Now were they *really* stuck or just a little stuck?
|
|
The car was too big for Mulder to push alone, even if he weren't
|
|
half delerious, which she suspected he was fast approaching. Okay,
|
|
she'd *make* it move.
|
|
Businesslike, chanting encouragements to the car under her
|
|
breath, Scully left the car in reverse, tried backing a little, then
|
|
let the car rock forward. Slowly but surely she rocked the car back
|
|
to a point when one of the wheels caught on some traction and the car
|
|
started to move. Quickly before the traction ended she backed up a
|
|
good twenty feet, then gave it a quick Y turn and headed back out to
|
|
the main road.
|
|
Throughout this performance Mulder said nothing, letting his
|
|
head fall back and keeping his eyes closed; the sunlight, as it began
|
|
to appear more fully through the now only occasional snow, seemed too
|
|
bright and cutting for his eyes. Almost like being hung over, he
|
|
thought to himself, but even worse.
|
|
He paid no attention to the navigation from then on. It wasn't
|
|
as though he could help Scully find her way out of the woods anyway.
|
|
Dimly he wondered if there were a Berlitz course on one's sense of
|
|
direction. Sort of like learning French in a week, but different.
|
|
When he felt lucid again it was because he noticed that they
|
|
were working their way up a hill, and Mrs. Haynes' house sat at the
|
|
top of it.
|
|
"Great!" he cried. "Turn left and we'll get to Marshall Tucker's
|
|
in fifteen minutes! No, go right, go right. I'll bet Libby's gone
|
|
home. She'll be at Matt's place."
|
|
Ignoring him entirely Scully turned into the Haynes' driveway.
|
|
"What are you doing? Scully! Turn right! Stop! I mean, don't
|
|
stop! What the hell?"
|
|
She gave the parking brake a firm yank, then slid out of the
|
|
high seat, marched around to his door and opened it up. He almost
|
|
fell out of the car on top of her. "Mulder, you are sick. I am
|
|
officially diagnosing you as sick. You are going to get pneumonia for
|
|
Christmas if you don't get some drugs in you and get in bed."
|
|
His lips disappeared as he clamped his jaw shut and started to
|
|
slide backwards into the driver's seat.
|
|
"Mulder." It was soft but it was serious. "If it's over, it's
|
|
over."
|
|
He blinked at her. His voice was low and urgent in spite of the
|
|
fog in his eyes. "But Scully, *I need to know if it's over.*"
|
|
Impatiently pushing her straggling bangs away from her face,
|
|
Scully regarded him with irritation for a moment; then she
|
|
disappeared into the house. Mulder's sense of time was completely
|
|
disoriented by his fever. He couldn't tell if she'd been gone one
|
|
minute or twenty by the time she came back; he might have dozed off.
|
|
"Come on, Mulder." She sounded tired, but offered him a hand out
|
|
of the car. "You're going to bed."
|
|
"What about --?"
|
|
"I talked to Mrs. Haynes. There's nothing for you to see that
|
|
won't wait for you to see it."
|
|
Mulder couldn't quite figure out what that meant but didn't feel
|
|
like arguing any more. His eyeballs felt scratchy and a burning pain
|
|
had started in the back of his throat. He led Dana lead him into the
|
|
house and up the stairs into the bed Mrs. Haynes had made for him.
|
|
|
|
From: tabron@binah.cc.brandeis.edu
|
|
Date: 7 Sep 1994 18:36:24 GMT
|
|
|
|
|
|
Mulder had no memory of a dark time passing but the light was
|
|
different when next he woke. It was morning, late morning. He
|
|
groaned.
|
|
"Good morning, sleepyhead. You can stay in bed until I examine
|
|
you, or I can let loose the hounds."
|
|
Closing his eyes again he felt the slight dip in the edge of the
|
|
bed where Scully sat. She took his temperature, his pulse, and then
|
|
laid her ear against the wall of his chest and did a lot of ordering
|
|
about how he should breathe.
|
|
"Bronchitis," she pronounced cheerfully. "Not too bad once we
|
|
can get some antibiotics into you. And of course bed rest, aspirin,
|
|
the whole spiel."
|
|
"And call you in the morning?" The rasp in his voice developed
|
|
into a full-blown cough.
|
|
"Ve-ry nice. I don't suppose you're going to stay in bed until
|
|
Marshall gets back from town with your antibiotics?"
|
|
"No, I don't suppose so."
|
|
Struggling into a sitting position, Mulder dragged a shirt on
|
|
over his bare chest before he realized it wasn't his. "Mr. Haynes
|
|
lent you some things," Scully noted.
|
|
"Oh."
|
|
Mulder felt totally drained and exhausted, both physically and
|
|
mentally. For a minute he just sat there at the edge of the bed, his
|
|
dark head hanging, trying to catch a full breath and wondering why he
|
|
felt so depressed, until he remembered.
|
|
"Scully," he finally half-whispered, "I can't think of any other
|
|
way to say this that would sound less... well, trivial -- ... but I
|
|
feel like I've slept through Christmas morning and missed the whole
|
|
thing."
|
|
"Well, in one sense, of course, you haven't; in fact it's
|
|
Christmas Eve today. Merry Christmas. In the sense that you mean..."
|
|
Her light tone faltered. "I'm sorry, Mulder. We did miss it."
|
|
"I want to see."
|
|
|
|
The drive to Marshall Tucker's house only seemed long because of
|
|
the silence. They'd left Marshall with Mrs. Haynes so they knew that
|
|
no one would be there; still the house's emptiness was somehow
|
|
disappointing.
|
|
The narrow bed in the back room had been made with Marshall's
|
|
few linens. The rest of the house was clean.
|
|
And just above the house, on the crest of the hill, a perfect
|
|
circle almost thirty feet wide had been melted through the blizzard
|
|
drifts, through the rock-hard packed old snow, down to the bare
|
|
grassless ground. Three equidistant dents had been driven into the
|
|
ground while it had been somewhat thawed, then frozen in again by the
|
|
cold.
|
|
Mulder stood in the center of it, staring around him. He had to
|
|
fight the urge to fall on his knees and scream out his frustration.
|
|
Too melodramatic for the Mulder facade, he thought to himself,
|
|
clenching his fists in his pockets.
|
|
"Well, what happened?" he finally asked her.
|
|
"You're not going to like this, Mulder. Mrs. Haynes told me that
|
|
one, the delivery was perfectly normal and Libby came through it
|
|
well. Two, Libby and the baby have been removed to a hospital and
|
|
that Libby appreciates our efforts on her behalf but that the case
|
|
has been settled."
|
|
Mulder rubbed tiredly at his eyes, which still felt like
|
|
sand-covered marbles rolling around in his eyesockets. "I see."
|
|
He sighed and let his shoulders droop. "And this?" he had to
|
|
ask, gesturing around at the circle.
|
|
"Made by the evacuation helicopter."
|
|
"Of course." Mulder considered this for a few minutes, then had
|
|
to smile, then laughed out loud until a fit of coughing stopped him.
|
|
"You know what I think of that story."
|
|
Scully sighed and folded her arms. "Yes I do, and actually I'd
|
|
like to know what's wrong with it? Do you find it so hard to believe
|
|
that a young girl having her first child might need to be evacuated
|
|
to a hospital? Isn't that why you left them the phone? What is that
|
|
melted patch you're standing in but physical evidence that
|
|
intervention was needed and happened, and why shouldn't it have
|
|
happened just as Mrs. Haynes said?"
|
|
"Why _should_ it have? How _could_ it have? Dammit, Scully, if
|
|
you just had had a chance to see the girl --"
|
|
"I'm sorry, Mulder. I know it won't make you feel any better but
|
|
I feel I ought to let you know that many women develop odd skin
|
|
markings and conditions, especially in the later stages of pregnancy
|
|
--"
|
|
"You show me documented cases of purple rashes in the shape of
|
|
triangles being caused by your average pregnancy, Scully, and then
|
|
show me the helicopter that lands on three feet, and then we'll
|
|
talk."
|
|
"We're going back now." Her tone didn't seem to be offering the
|
|
idea for discussion; Mulder followed her back to the car.
|
|
|
|
A surreal tissue as of red cellophane lay over their last
|
|
evening at the Haynes' house. Marshall Tucker stayed for Christmas
|
|
Eve dinner, which featured a turkey bigger than most German Shepards
|
|
he'd ever seen in his life. Loaded with drugs and hot food Mulder
|
|
felt considerably better; only his black mood weighed him down.
|
|
Marshall and the Haynes were still in the kitchen when Scully found
|
|
Mulder sitting on the inevitable brown couch in the front room, his
|
|
head between his hands, looking as though he half-hoped the earth
|
|
might open up and swallow him and he'd be as gone, gone, gone as
|
|
Libby Vernon.
|
|
"So go ahead and tell me what _you_ think happened, Agent
|
|
Mulder. I'm dying to hear your theory."
|
|
He looked up. Scully curled into the end of the couch opposite
|
|
him. Her mouth was half-curved in a smile that might have been
|
|
teasing but her eyes indicated that she did want to hear his theory;
|
|
they urged him on.
|
|
He leaned back and sighed. "It's a thin case, Scully, you said
|
|
so yourself. I have no explanations, only questions. Where was Libby
|
|
the first time she disappeared? Where did that baby come from? And
|
|
where is she now?"
|
|
Scully studied the patch of air over Mulder's shoulder. "For
|
|
what it's worth I called around again to all the nice friends we've
|
|
made in three states worth of hospitals. None of them have a patient
|
|
called Libby Vernon or matching her description."
|
|
His smile was grim but genuine. "Thanks. I didn't think you'd
|
|
bother."
|
|
"I'm as interested in the truth as you are, Mulder. Evidence
|
|
supports that she was evacuated by helicopter -- but I don't know
|
|
where to, any more than you do. And I don't know the answers to those
|
|
other questions either."
|
|
He winced. "And if it was by helicopter -- whose helicopter? The
|
|
rest of the world gets the paper too, Scully. Anyone interested in
|
|
UFO contact would have noticed the way sightings have gone up in this
|
|
area. You know what Mrs. Haynes told me over coffee tonight? She told
|
|
me that they pretty much live on their Social Security payments. I
|
|
mean she told me like she was making a point. And you know what would
|
|
happen to Marshall if anyone wanted to sic the law on him. They're
|
|
trapped, Scully, like I'm trapped, but at least they know. I want to
|
|
know. Who wanted to find out about Libby's baby just as much as I
|
|
did?"
|
|
"Don't get paranoid on me, Mulder," Scully said lightly but
|
|
still her eyes carried the weight of the statement.
|
|
He shook his head and said, "Dammit -- *dammit*, Scully, she was
|
|
so scared. I wish I knew that I didn't lie to her, that it is going
|
|
to be all right." It was the uncertainty that cut too close to the
|
|
bone, he knew; he couldn't stop the tears that rushed to fill his
|
|
eyes so he hid them behind a tent of fingers, only letting out the
|
|
strangled whisper, "Scully, I just wish I *knew*!"
|
|
"I know." The silence stretched between them for a long while.
|
|
Scully bit her lip, then said, "Mulder, you know, just a couple
|
|
of days ago you reminded me that we see a lot of things on this job
|
|
that most people don't get to see, and we just have to be able to
|
|
stand it, right? And sometimes those things include unsolved cases.
|
|
You have to think of it that way, Mulder. It's just an unsolved
|
|
case."
|
|
"It's not *just* an unsolved case, Scully." He sighed and the
|
|
hands dropped from his face. "But you're right, after all." An almost
|
|
half-grin fought its way to the surface and combined with his tousled
|
|
hair to make him look like a most unlikely little boy. "As always.
|
|
I'll try to follow your sage advice."
|
|
"Well, that'll be a first," she mumbled, but relaxed.
|
|
|
|
The slender boxes from Mrs. Haynes contained fleece-lined gloves
|
|
for each of them. Their hostess allowed them to open them even
|
|
though, she explained, it was Christmas Eve and technically early.
|
|
Scully and Mulder later consulted and both decided they would have to
|
|
give up working for the FBI since neither of them could figure out
|
|
when Mrs. Haynes had acquired the gloves or, more importantly, how
|
|
she had managed to find some that would fit each of them exactly.
|
|
"Why there's another box up here for you, Dana," Mrs. Haynes
|
|
said, surprised, after the gloves had been duly admired and the small
|
|
party was getting ready to call it a night.
|
|
"Hmm?" Warm from cider and turkey dinner, Scully didn't realize
|
|
what Mrs. Haynes had said until her hostess dropped the flat little
|
|
box into her hand.
|
|
"Merry Christmas to Special Agent Scully from Special Agent
|
|
Claus" had been written in tiny square print on the gift tag. A
|
|
russet leather notebook embossed with her initials fell out when she
|
|
pulled off the paper.
|
|
"Why thank you, Mulder," she said, bemused. "Just what I need.
|
|
Especially after you used half of my last one for kindling."
|
|
"Lucky guess," he waved deprecatingly. Mrs. Haynes was watching
|
|
him, a smile playing around her mouth; Marshall was watching the
|
|
Christmas edition of Lawrence Welk with Mr. Haynes.
|
|
"Lucky guess, huh? So you brought this with you?"
|
|
He saw the trap coming but couldn't avoid it.
|
|
"Please reconcile," Dana Scully purred, "with your testimony,
|
|
and I quote, 'we'll be back long before Christmas Eve.' "
|
|
"Ah. Well." The bronchitis, the drugs and the lateness of the
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hour only slowed him up slightly. "I told you days ago I'm working on
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that Eagle Scout badge. That's my new motto. Always be prepared."
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"No jury in the world would buy that, Mulder." Her eyes narrowed
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but she was still fighting off a smile; he could tell he was in
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danger but not how much. "Fortunately I have some community service
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just waiting for you back in D.C. to work off your debt to society.
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It involves a large pile of toys and a truly phenomenal number of
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batteries."
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Mulder groaned. "Thank you sir, may I have another?"
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Scully smiled.
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From: tabron@binah.cc.brandeis.edu
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Date: 7 Sep 1994 18:37:12 GMT
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9 a.m., the FBI building, Washington, D.C., December 27th, 1993
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When Scully walked into the office Mulder was already on the
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phone.
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"Yeah, send me the best Xeroxes you can make, and I'll send you
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a sample by FedEx -- yes, you'll have to sign for it. So sue me." He
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hung up. "Morning, Scully. Did you have a nice Christmas?"
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"You mean, after we flew back on a plane so empty I could hear
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my thoughts echoing, filled that stack of presents with batteries and
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rushed them over to my nephew's already bare tree? Sure, I had a
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great time. What did you do?"
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"Chinese. Here, have a look at this."
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"What's this?" She opened the manila folder.
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"Lists of helicopters. Yes, I know, it's riveting. But the U.S.
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doesn't have a model in service that can melt snow for a radius of 30
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|
feet. In fact, they don't have one that can melt snow at all --
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though they seem to have helicopters for every other purpose. I like
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this one; it's got a can opener AND a laser cannon."
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"Mulder --"
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"Of course that doesn't mean there aren't models that we don't
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know about -- but who do you suppose would be using secret stealth
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helicopters? Medivac? 911?"
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"Mulder --"
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"One of the UFO organizations I spoke to over the weekend sent
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someone out to where we just were to confirm sixteen sightings on the
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|
night of December 22nd. Just two days later and the center would have
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|
ignored the whole thing -- they ignore the yearly Santa sightings and
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|
'suspicious looking stars' and so on. They took a Geiger counter out
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to the Tucker and Vernon places. The results are in there."
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"Mulder." It was the tone of her voice that caught him in
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mid-ramble as much as the look in her eyes. "If it's over, it's
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over."
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"It's never over, Scully." He pointed at the file in her hands.
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"I'd appreciate it if you'd take a look at that information at some
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point, Agent Scully, but of course I realize that there are other
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cases requiring our attention."
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She dropped the folder on her desk, extracted a matching one
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from her briefcase, and handed it to him. "And I'd like you to take a
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look at my field report. I'll be filing it later on today."
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He took the file, regarded it for a moment with something close
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to surprise, then put it carefully on his desk blotter. "I'll do
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that."
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He was still looking down when a small glittery package slid
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into his field of vision.
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"And I still hadn't given you a Christmas present. I hadn't done
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all my shopping before I left, since you assured me we would be back
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'long before Christmas Eve.'"
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His thin smile acknowledged the dig. "You're not going to let me
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forget that one, are you?"
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"Not anytime soon, no." She folded her arms against her chest,
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sat back on her desk, and watched him open the small box.
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Mulder stared at the small fire-engine-red object with
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fascination. "Hey, I've always wanted one of these."
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"Every Eagle Scout needs a Swiss Army knife. With dozens of
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gadgets folded into it that only Eagle Scouts would need. And I think
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there's a compass in there somewhere. Everything you'd need for a
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crisis in the woods. After all..." she considered it, then went ahead
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with it anyway, "you never know what lightning might do, do you?"
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They were silent for a moment, then the crinkles in the corners
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of his eyes broke the tension.
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"Thanks, Scully." Running his finger along the back of the knife
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he nodded up at her, the smile on his face a gauge of the sincerity
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of the thanks.
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"You're welcome. Merry Christmas. And do you have the
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Bakersfield file?"
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