462 lines
24 KiB
Plaintext
462 lines
24 KiB
Plaintext
|
|
A Little Knowledge (5/7)
|
|
****************************
|
|
by
|
|
Patti Murphy
|
|
|
|
|
|
By 4:30, Mulder had driven down so many gravel roads that he
|
|
thought his teeth were going to shake right out of his head. The
|
|
addresses that Danny had been able to find for the three new
|
|
phone lines installed that month in Wolf County were deep in what
|
|
a real estate agent might have called a charming wooded setting.
|
|
His patience failing with the afternoon light, Mulder was more
|
|
inclined to think of it as the middle of nowhere. He'd stopped
|
|
at a small general store hours ago, in search of sunflower seeds
|
|
and directions, but had gotten neither, and now he was hungry as
|
|
well as lost.
|
|
He tapped the steering wheel impatiently and scanned the
|
|
road ahead for any sign of civilization, but the forest met the
|
|
gravel in an unbroken line. The trees, still translucent green
|
|
with their spring leaves, managed nevertheless to block out the
|
|
late day sun, imposing a tinted twilight on the road. Mulder
|
|
realized that when the sun finally did set, it was going to be
|
|
very dark. If he didn't find this last place before then, he was
|
|
going to have one hell of a time finding his way out of here.
|
|
The driveway was so narrow and overgrown that he nearly
|
|
passed it. At the last second, it registered. He slammed on the
|
|
brakes, then threw the car in reverse and backed up, the tires
|
|
spitting gravel all around. There was no mailbox or sign, just a
|
|
path that led off into the thick woods. Mulder pulled the car
|
|
off the main road, easing the wheels into the ruts in the path,
|
|
and hoped that whatever mud he encountered wasn't deep.
|
|
A few hundred yards later, the car emerged into a rough
|
|
clearing. There was a small cabin, built mostly of logs, with a
|
|
clapboard covered addition on the back. A Nissan Pathfinder was
|
|
parked a short distance from the cabin and Mulder pulled up
|
|
behind it. The clearing was bathed in shadows and when Mulder
|
|
got out of the car, he spotted a light on in the cabin. The
|
|
smell of wood smoke hung in the air.
|
|
Good, he thought, as he made his way across to the cabin,
|
|
somebody's home.
|
|
He was still several yards from the cabin when the door
|
|
opened and a woman looked out. He saw the colour drain from her
|
|
face.
|
|
"Dr. Hamilton?" he said, as he reached into his pocket for
|
|
his i.d.. "Dr. Leslie Hamilton?"
|
|
The woman, who looked like she might cry, nodded.
|
|
Mulder stopped a safe distance away and held out his
|
|
credentials for her to inspect. "I'm Special Agent Fox Mulder,
|
|
with the F.B.I.. I'm here to help you."
|
|
She looked at him for a long moment, cast a glance at his
|
|
identification, and then her shoulders sagged. "It doesn't
|
|
matter anyway," she said. "I'm tired of hiding. If you're here
|
|
to kill me, you might as well come in and get it over with." As
|
|
Mulder watched, she turned and walked wearily back into the
|
|
cabin.
|
|
|
|
|
|
Scully checked her answering machine as soon as she got back
|
|
to her apartment. There were two messages, one from her mother,
|
|
just to say hi, and one from Peter, saying he was sorry that he'd
|
|
missed her and that he would try to reach her again later. She
|
|
stepped out of her pumps and stripped off her suit jacket as she
|
|
listened to his voice, made tinny by the machine. She debated
|
|
whether or not she wanted to be home for his next call as she
|
|
padded down the hall to her bedroom. By the time she'd unclipped
|
|
her holster and exchanged her skirt and blouse for black leggings
|
|
and a t-shirt, she was still undecided and beginning to wish it
|
|
would all just go away.
|
|
She sighed as she sat on the edge of the bed to lace up her
|
|
sneakers. There just wasn't time to think about Peter right now.
|
|
Her mind was racing, trying to sort through all the pieces that
|
|
had been dropped in her lap these past few days. She needed to
|
|
put them in some sort of order so that she could find the holes
|
|
and figure out what pieces were still missing. The apprehension
|
|
that had been with her since Mulder had given her the disk still
|
|
gnawed at her insides, had in fact grown noticeably since her
|
|
conversation with Beth this afternoon. They had something big
|
|
here and it was important to do it right.
|
|
She pulled on a grey sweatshirt and grabbed her keys,
|
|
carefully locking the door behind her. She stretched quickly on
|
|
the front steps, anxious to start running, to hopefully clear her
|
|
mind. Once she had her thoughts in order, she would call Mulder
|
|
and tell him what she knew about the retrovirus that Dr. Hamilton
|
|
and the others had engineered. She trotted off down the
|
|
sidewalk, heading towards the running paths at the park.
|
|
A few moments later, a silver Oldsmobile Ciera pulled out of
|
|
its parking spot and drove down the street. It reached the end
|
|
of the block, signalled and turned in the direction of the park.
|
|
The driver didn't notice the grey Taurus that fell in behind it
|
|
in the next block.
|
|
|
|
|
|
The interior of the cabin was lit by two tired lamps and was
|
|
sparsely furnished. A couple of armchairs that had seen better
|
|
days were pulled up by the fieldstone fireplace and an upended
|
|
orange crate with a lantern and a stack of books on it stood
|
|
between them. The kitchen consisted of a hotplate with two
|
|
burners, some whitewashed cupboards, a tiny table with two chairs
|
|
and a sink. At the far end of the room, there was a wooden
|
|
partition that blocked off what Mulder supposed was a bedroom.
|
|
The woman was pouring water from a plastic jug into a
|
|
kettle. "Well, since you've come all this way to protect me,
|
|
Mr... uh..." She turned and looked at him. "What did you say
|
|
your name was again?"
|
|
"Mulder," he replied. "Fox Mulder."
|
|
She snorted and turned back to the kettle. "Well, Mr. Fox
|
|
Mulder, since you've driven all this way to save my antique ass,
|
|
the least I can do is offer you a cup of tea." She put the
|
|
kettle on the burner and turned a dial. "You might as well sit
|
|
down. You look like you've got a lot of questions to ask."
|
|
Mulder tossed his trenchcoat over the back of an armchair
|
|
and sat down at the kitchen table.
|
|
"How did you find me?" she asked, as she rummaged through
|
|
the cupboards.
|
|
"The e-mail that you sent Dr. Inglis," Mulder said. "We
|
|
realized that you had a phone line and Mrs. Inglis remembered you
|
|
mentioning this cabin."
|
|
She brought a plate of cookies to the table, shaking her
|
|
head. "I knew I was leaving myself wide open on that one, but, I
|
|
felt I owed Bill at least a warning about what I had unleashed."
|
|
She put the cookies down in front of Mulder. "Here, you look
|
|
like you haven't eaten in days." She went back to the cupboards,
|
|
started rooting for tea bags and cups. He ate a cookie and
|
|
watched her preparing the tea. She moved slowly, and Mulder
|
|
detected a hint of stiffness in her walk, but she looked much
|
|
younger than her seventy years. She wore faded jeans and a man's
|
|
red flannel shirt with a turtleneck underneath. Her hair was
|
|
silver and very neatly pulled up into a bun. When she finished
|
|
at the cupboards, she came and sat opposite him at the table,
|
|
leaning forward on her elbows. "So, how much do you know, Mr.
|
|
Mulder?"
|
|
"I know that twenty five years ago you were involved in some
|
|
sort of top-secret government project to design a virus and that
|
|
you probably tested that virus on an unsuspecting population," he
|
|
said. "I know that this information isn't quite as secret as it
|
|
used to be, due to some action on your part. I also know that of
|
|
the four scientists who worked on the project, you're the only
|
|
one who hasn't met a sudden and suspicious death."
|
|
Her eyes were a frosty blue and there was no emotion in them
|
|
as she studied Mulder. "You're not here to kill me, are you?"
|
|
she said.
|
|
Mulder shook his head. "How could I after you've gone to
|
|
all the trouble of making me tea?"
|
|
A trace of amusement in the icy eyes, as if he was a child
|
|
who had just recited his lesson well. Mulder helped himself to
|
|
another cookie.
|
|
"What do you want to know?" she asked.
|
|
"Who were you working for? Who authorized the development
|
|
of the virus?"
|
|
"Ultimately some covert group in the government that
|
|
everyone would swear doesn't exist, but most of our contact was
|
|
with military types. They probably took their orders from
|
|
somebody higher up."
|
|
"Was it a biological weapon you were developing?" Mulder
|
|
asked.
|
|
She smiled grimly. "We preferred not to call it that,
|
|
particularly after Nixon signed that treaty in '68 which outlawed
|
|
biological agents."
|
|
"But that's what it was, wasn't it?"
|
|
The emotion was gone again and her eyes were the colour of
|
|
frozen smoke. "It was the atomic bomb of biological agents, Mr.
|
|
Mulder," she said. "This wasn't some rinky-dink little bug that
|
|
the army would set loose on a battlefield to take down a few
|
|
thousand troops. This was an agent that was designed to
|
|
neutralize the entire population of the Soviet Union."
|
|
Mulder stared at her. She nodded. "Yes," she said, "it was
|
|
that big."
|
|
The kettle whistled and she got up slowly and went to turn
|
|
off the burner. "Many of my colleagues believed that it was much
|
|
safer than nuclear warheads. None of that annoying radiation to
|
|
worry about afterwards." She poured the boiling water into the
|
|
teapot, and clouds of steam rose from it. "You must remember
|
|
that this was the 1960's, and we believed that not only were the
|
|
Russians developing even more deadly strains of viruses, they
|
|
were months, if not years ahead of us."
|
|
She turned to look at Mulder, to read his expression, then
|
|
turned her attention to the teapot again. "How old were you
|
|
during the Bay of Pigs fiasco, Mr. Mulder? Two, maybe three
|
|
years old?"
|
|
"About that," Mulder said.
|
|
"Well then let me tell you that while you were still in
|
|
diapers, this whole country experienced fear on a scale it had
|
|
never known before. The enemy was in our very back yards,
|
|
pounding on the door," she said. She brought the teapot over to
|
|
the table, set it down then returned for the cups. "Everything
|
|
we had held sacred suddenly crumbled before our eyes. For
|
|
months, people walked around expecting it to rain missiles on
|
|
them. We were all terrified."
|
|
She put a china cup down in front of Mulder and one at her
|
|
place and then sat again. "We thought what we were doing was the
|
|
right thing. We thought that by having something equally lethal
|
|
to wave under their noses, we could force the Russians to
|
|
behave."
|
|
"So you went ahead and tested a deadly virus on five hundred
|
|
innocent people?" Mulder asked.
|
|
"Acceptable losses, Mr. Mulder, or at least that's what the
|
|
military called them," she said, her eyes on her cup. "Every
|
|
good general knows that in any battle, men will die. And make no
|
|
mistake, we were at war. The loss of life seemed minuscule
|
|
compared to the greater risk of leaving ourselves open to foreign
|
|
attack. We even managed to convince ourselves that those five
|
|
hundred or so people who died were martyrs to a great cause."
|
|
Mulder shifted in his seat. Her eyes flicked up as he
|
|
moved.
|
|
"I'm not asking for your pardon, Mr. Mulder. In fact, I
|
|
don't expect you to understand. I'm just telling you what it was
|
|
like." She ran her finger along the rim of her cup, and Mulder
|
|
noticed that it trembled slightly. "It all seemed so very black
|
|
and white then," she said.
|
|
"How did you collect the data?" Mulder asked.
|
|
"Operatives in hospitals, in major cities, posing as nurses,
|
|
mostly. They had access to all the patient's records, and of
|
|
course to their insulin. The operative would identify suitable
|
|
candidates who were admitted to the hospital for some reason.
|
|
They would incorporate the virus into their insulin and then they
|
|
would wait. Within three to eight months, once their immune
|
|
systems had failed, the subjects would usually be readmitted to
|
|
the hospital, suffering from some illness which eventually killed
|
|
them."
|
|
She leaned forward, lifted the lid on the teapot and peered
|
|
inside. Satisfied that it was properly steeped, she poured
|
|
steaming tea into their cups, then looked at Mulder again.
|
|
"When did it end?" he asked.
|
|
"In a sense, it didn't," she said. She wrapped her hands
|
|
around her cup, to warm them. "The research was going incredibly
|
|
well, we had a 98% fatality rate and what we'd learned in a few
|
|
short months about RNA viruses, as we called them then, it took
|
|
the rest of the world a decade to figure out."
|
|
"So what happened?"
|
|
"I'm not sure," she said. "The project was very suddenly
|
|
shut down. Maybe they lost interest or maybe there was a shift
|
|
in the power structure. I don't know. For whatever reason, our
|
|
services were no longer required and we were dismissed, with the
|
|
reminder that our lives and the lives of our families depended on
|
|
our continued silence." She sipped her tea, and stared at the
|
|
tabletop. "Bill Inglis told me that every so often, they would
|
|
follow his kids home from school." She shook her head.
|
|
"Subtlety was never their strong suit."
|
|
"So once your husband died, you realized that you had
|
|
nothing to lose and decided to blow the whistle," Mulder said.
|
|
She smiled, but there was a sudden weariness in her features
|
|
that hadn't been there before. "It's much more ironic than that,
|
|
Mr. Mulder. You see, my husband died of AIDS, probably
|
|
contracted through a blood transfusion he received while
|
|
undergoing routine surgery. He unknowingly infected me and
|
|
eventually, this horrid little virus will kill me too, and so
|
|
twenty five years later, justice will be wrought."
|
|
She waited for Mulder's reaction, but he said nothing.
|
|
"It's really rather poetic, don't you think? Watching
|
|
someone you love die slowly and painfully from a terrible illness
|
|
and living every day with the knowledge that you doomed hundreds
|
|
of innocent people to that same fate." She took another sip of
|
|
tea, then carefully set her cup down. "I am not afraid to die,
|
|
Mr. Mulder, because I am no longer afraid of hell. It can't be
|
|
much worse than what I've endured these past few years."
|
|
Their eyes met and she held his gaze for a long time,
|
|
challenging him to say something. Mulder kept his expression
|
|
neutral and waited for her to go on.
|
|
"And so, suitably chastised, I decided to do my part to
|
|
bring this dirty little secret to light," she said, picking up
|
|
her cup again. "The first step was to get my hands on the
|
|
information, the data, the medical records. My late husband, who
|
|
designed security systems for computer networks was a brilliant
|
|
man, and although it took about a year and a half, he hacked his
|
|
way into the necessary places and got me what I needed. Then, of
|
|
course, the question was how to make this information public."
|
|
The fire had died down to glowing coals and she got to her
|
|
feet and moved stiffly to the fireplace. She poked at the ash
|
|
with a long stick, then tossed on another chunk of wood.
|
|
"At first I considered contacting all the families of the
|
|
subjects," she said, "but in the midst of researching the
|
|
whereabouts of the surviving relatives, I came across that young
|
|
reporter and decided that he was the most logical choice." She
|
|
pushed at the log with the stick, trying to position it on the
|
|
hottest embers. "His father had been a victim of our little
|
|
creation and so I thought he would be highly motivated to get to
|
|
the bottom of this."
|
|
"Wait a minute," Mulder said. "You gave this information to
|
|
a reporter?"
|
|
She straightened up and nodded. "Yes. The young man at the
|
|
Washington Post." She looked at Mulder quizzically. "That's why
|
|
you're here, aren't you? Because he contacted you?"
|
|
A knot began to form in Mulder's gut.
|
|
"I was tipped off by an anonymous source," he said. "What
|
|
is the reporter's name?"
|
|
"Peter O'Hara," she replied.
|
|
The knot tightened. "Oh, shit," he said.
|
|
|
|
|
|
Threatening grey clouds had followed Scully on her run,
|
|
blotting out the sunset and eventually forcing her to turn back,
|
|
but the rain held out until she was home, the first fat raindrops
|
|
starting to dot the pavement as she trotted up her front steps.
|
|
She stood, hands on her hips, and watched the rain fall, while
|
|
she caught her breath. It had been a good run, even though it
|
|
had been cut short, and her muscles felt warm and loose. She
|
|
couldn't wait to step into the shower.
|
|
She propped one leg on the iron railing, grabbed her ankle
|
|
and eased her body forward until her forehead touched her knee.
|
|
Not bad for an old woman, she thought. She held the position for
|
|
a while, then switched legs.
|
|
She studied the bushes under her front window as she
|
|
stretched and noticed that they were badly trampled. She was
|
|
reminded of the scene that had taken place on these steps last
|
|
night and she sighed. She had just decided that she was going to
|
|
have to call the building super to come and repair the damage to
|
|
the bushes, when she spotted something shiny in the dirt. She
|
|
leaned over the railing and squinted in the half-light, trying to
|
|
make out what it was. Unable to identify it, she descended the
|
|
steps and waded in, pushing branches out of the way, searching
|
|
the ground.
|
|
She located the object and bent over to retrieve it. It was
|
|
a bracelet, with a heavy silver chain and an oval plate in the
|
|
middle. She held it up to the light. On one side was a caduceus
|
|
-- two snakes intertwined around a winged rod -- and the words
|
|
MEDIC-ALERT. She turned it over. One word was engraved there:
|
|
DIABETIC.
|
|
The rain came down harder, but Scully stood there, clutching
|
|
the bracelet, her thoughts churning in her head.
|
|
"Oh, my God," she said. "Peter."
|
|
A moment later, she slammed the door to her apartment and
|
|
flipped on the living room lights. She strode across the room to
|
|
her computer, not bothering to take off her sneakers. There was
|
|
an antique crystal vase on the table beside the computer, which
|
|
held the roses that Peter had brought her yesterday. She glanced
|
|
at them as she turned the monitor on.
|
|
She stopped abruptly, one hand on the computer, and a tingle
|
|
of fear ran through her.
|
|
The monitor was warm.
|
|
She felt it with her other hand to make sure. It was
|
|
definitely warm.
|
|
She sensed, rather than heard someone come up behind her.
|
|
It was at that moment that she realized she had left her gun and
|
|
holster on her bedside table.
|
|
|
|
|
|
Leslie Hamilton stood by the fireplace, giving Mulder an odd
|
|
look. "Mr. Mulder, you're very pale all of a sudden," she said.
|
|
Mulder got up and grabbed his trenchcoat, felt in the pockets for
|
|
his cellular phone, swearing at himself when he realized that
|
|
he'd left it in the car.
|
|
"Is something wrong?" she asked, as he headed for the door.
|
|
Mulder opened the door and took a couple of steps towards
|
|
his car before he saw the headlights, way off in the woods. As
|
|
he watched, they were extinguished. The vehicle moved so slowly
|
|
that Mulder could scarcely hear it. He bounded back into the
|
|
cabin, shutting the door behind him.
|
|
"Is there another way out of here?" he asked.
|
|
The woman hesitated.
|
|
"I think the people who want you dead are in your driveway
|
|
and we have to move quickly. Is there another way out of here?"
|
|
he said.
|
|
"There's a window in the bedroom," she said.
|
|
Mulder took her by the arm, and rushed her across the cabin
|
|
to the tiny space that served as a bedroom. There was a cot and
|
|
a small chest of drawers. Mulder looked around, then guided the
|
|
woman to the corner furthest from the door.
|
|
"Stay down," he said. "And don't make a sound."
|
|
She nodded, her eyes wide with silent fear, and she crouched
|
|
in the corner.
|
|
He tried to open the window but it wouldn't budge. He
|
|
pushed against the frame in a few places, and heard a cracking
|
|
noise where it had been painted shut. He tried again to open it,
|
|
struggled for a moment and then felt it give. It moved a few
|
|
inches and stopped. Another heave and it slid open. With a
|
|
glance back at Dr. Hamilton, he hoisted himself through the
|
|
window, landing quietly on the ground. He drew his gun and
|
|
instinctively crouched, making his way to the corner of the
|
|
cabin. When his eyes adjusted to the darkness, he spotted a
|
|
figure emerging from behind his car. Mulder waited until the man
|
|
was out of his line of vision, then he rounded the corner and
|
|
pressed himself against the wall. He moved soundlessly, his
|
|
pistol grip loose, his heart thudding in his chest. At the next
|
|
corner, he paused and listened. There was no sound. Mulder fell
|
|
into a crouch, his back against the cabin, straining to hear some
|
|
hint of the man's movements.
|
|
The faintest squeak of old hinges reached Mulder's ears. He
|
|
waited, holding his breath. A few seconds later, he peered
|
|
around the corner. The man was inside the cabin.
|
|
Mulder bounded around the corner and into the doorway, his
|
|
weapon pointed ahead of him. The man was twenty feet away,
|
|
standing by the table where Mulder and Dr. Hamilton had been
|
|
drinking tea.
|
|
"Don't move!" Mulder shouted.
|
|
The man started to spin around and Mulder saw the flash
|
|
before he heard the shot. Mulder managed to fire twice as he
|
|
threw himself to the ground. He rolled away from the door and
|
|
hurriedly got to his feet, breathing hard. There was no movement
|
|
inside the cabin.
|
|
Mulder moved cautiously back into the doorway, keeping his
|
|
gun trained on the body on the floor. He got close enough to
|
|
determine that the man was dead, then scooped up his gun and
|
|
sprinted out of the cabin towards the path to the road. The
|
|
man's car was a few hundred feet away from the clearing and
|
|
Mulder circled it once at a distance before he approached. There
|
|
was no one in the car. He found the keys in the ignition, but
|
|
the trunk and glove box were both empty.
|
|
He ran back to the clearing and his car, stopping to grab
|
|
his cellular phone. Ten minutes and three phone calls later,
|
|
Mulder had both the county sheriff and the U.S. Marshall on their
|
|
way to the cabin, with promises to arrive within the hour. He
|
|
tried Scully's number next, then her cellular, but didn't get an
|
|
answer at either. The knot in his stomach tightened another
|
|
notch.
|
|
He returned to the cabin and called to Dr. Hamilton. "I
|
|
think it's safe to come out now," he said.
|
|
She appeared in the door, her eyes wide, and looked at the
|
|
body laying on the kitchen floor.
|
|
"I shot him," Mulder said.
|
|
She nodded. "I can see that."
|
|
"Someone from the U.S. Marshall's office is going to be here
|
|
within the hour to place you in protective custody. Your
|
|
whereabouts are no longer a secret and I think it's the best way
|
|
to keep you safe."
|
|
"You mean alive."
|
|
Mulder nodded imperceptibly. "I have to contact my partner
|
|
and get back to Washington. I want you to take this gun and wait
|
|
for the Marshall to arrive. They told me that they would be here
|
|
soon." He crossed the room to give her the gun. She took it
|
|
with trembling hands. "Just stay inside and you'll be safe."
|
|
Mulder had grabbed his trenchcoat and was at the door when
|
|
she spoke.
|
|
"Mr. Mulder," she said.
|
|
He turned.
|
|
"I am in your debt," she said.
|
|
Mulder nodded and hurried out the door.
|
|
She sat down at the kitchen table, for a while, clutching
|
|
the gun, then moved to an arm chair. She fidgeted around the
|
|
cabin, stoking the fire a half-dozen times. She managed to stay
|
|
busy for a few more minutes then decided to wash the tea cups
|
|
they had used. She had just finished drying them and putting
|
|
them away when she heard the van pull into the clearing.
|
|
Surprised by the rush of relief that she felt, she hurried to the
|
|
door and peered out into the darkness.
|
|
A man got out of the van and started walking towards the
|
|
cabin.
|
|
She wondered for a moment why he wasn't wearing a uniform.
|
|
And then she tried to remember where she had put the gun Mulder
|
|
gave her.
|
|
He fired once. The bullet pierced her skull and she
|
|
crumpled to the floor. The man stepped over her as he entered
|
|
the cabin, paused long enough to glance at the other body that
|
|
lay on the floor. He placed a small canister in the center of
|
|
the room and then left.
|
|
A few moments later he climbed back into the van and nodded
|
|
to the driver. He pulled out his cellular phone and dialled.
|
|
In the depths of a building in Washington, D.C., a phone
|
|
rang. The man who answered it had just lit another cigarette and
|
|
a haze of blue smoke hung in the air. He picked up the receiver
|
|
and held it to his ear, but said nothing.
|
|
"The target has been neutralized," the man in the van said.
|
|
A puff of smoke. "Did Mulder get away?"
|
|
"Yes, sir. It went exactly as we expected."
|
|
"Very good." He hung up.
|
|
The van had reached the main road and was accelerating when
|
|
the two men heard the explosion back in the woods.
|
|
|
|
cont.
|
|
|
|
|