220 lines
12 KiB
Plaintext
220 lines
12 KiB
Plaintext
WARNING: The following post contains spoiler information regarding this week's
|
||
upcoming TNG episode, "Brothers". Those not wishing to know what happens (and
|
||
believe me, you probably don't want spoilage on this one) should stand clear.
|
||
|
||
I hope you know what you're doing. This is your last chance.
|
||
|
||
Ahhh.
|
||
The first two shows of the season were good, but this was truly GREAT.
|
||
I haven't been this enthralled for a long time.
|
||
|
||
But more on that, after this synopsis:
|
||
|
||
The Enterprise is en route to a starbase due to a medical emergency. Due
|
||
indirectly to a practical joke that Jake Potts played on his little brother
|
||
Willie, Willie urgently needs medical attention due to exposure to some
|
||
infectious toxins. Data begins taking Jake to sickbay to see Willie (who's
|
||
under strict quarantine, and also not particularly amenable to seeing Jake
|
||
right now), but suddenly starts behaving strangely, as though under outside
|
||
influence.
|
||
|
||
He quickly assumes control of the Enterprise by cutting off life support to the
|
||
bridge. Though Picard and company, now down in Engineering, quickly discover
|
||
that Data's behind the problem, they are helpless. Picard orders a saucer
|
||
separation--which Data overrides _in Picard's own voice_. He establishes
|
||
force-fields in enough locations that the others can't even get to the bridge,
|
||
let alone recover it from him. They block site-to-site transport ability
|
||
(meaning he can't beam directly off the bridge)--and Data, through a
|
||
complicated series of force-fields, walks past entire security teams to
|
||
Transporter Room 1, puts Riker and O'Brien behind a force-field, reactivates
|
||
site-to-site ability, and beams off-ship.
|
||
|
||
He enters a house, where a strange old man welcomes him. He reactivates Data's
|
||
independence, and Data revives, though with no memory of how he arrived. The
|
||
old man announces himself to be Noonian Soong, Data's creator, and quickly
|
||
convinces Data that this is the truth. (He escaped the colony he was on before
|
||
the crystal entity destroyed it, though exactly how is unclear.) Meanwhile,
|
||
by diverting power from most of Willie's quarantine (i.e. everything but the
|
||
bare minimum), the bridge crew make it back to the bridge, but are stopped by
|
||
a security code that Data (masquerading as Picard) set up, which they have no
|
||
hope of cracking--it's about forty characters long. However, they do regain
|
||
control over sensors, which picks up one human life-form on the planet below--
|
||
and a small vessel entering orbit, with no life aboard.
|
||
|
||
Data and Soong talk for a while, about why Data joined Starfleet, and more
|
||
importantly, the concepts of creation and procreation, and we find that Soong
|
||
created Data for the same reason humans are driven to have children--for his own
|
||
slice of immortality. However, their reverie is interrupted suddenly, as a
|
||
similarly entranced Lore enters.
|
||
|
||
Over Data's objections, Soong reactivates Lore, insisting that Lore will obey
|
||
him. He does manage to keep Lore from attacking him or Data, reassuring Lore
|
||
that he wasn't _captured_--Soong, in fact, didn't even know Lore had been
|
||
reassembled. When Lore, bitter and angry, decides to leave Soong with his
|
||
"favorite son" Data, Soong tells him he's dying. Data accepts this with his
|
||
usual aplomb, but Lore is hit surprisingly hard emotionally.
|
||
|
||
While Geordi and O'Brien begin attempting to convince the transporter that
|
||
others are actually Data (so they can beam down), Soong tells Lore that
|
||
disassembling him was the only option--after creating Data, he planned to go
|
||
back and "fix" Lore. (We also discover that, at least according to Soong, Data
|
||
is NOT "less perfect" than Lore.) Soong quickly tires of Lore's bickering about
|
||
Data, and orders both androids to sit. He tells them that, after years of work,
|
||
he's figured out what went wrong with Lore, and holds up a chip with the
|
||
programming for "basic emotions"--for Data, since he didn't even know Lore still
|
||
existed. He goes into another room to rest, however, before starting the
|
||
procedure.
|
||
|
||
As Riker, Geordi, and Worf beam down to search for Data, Soong inserts the chip
|
||
into the android he thinks is Data--but after it's over, he quickly discovers
|
||
it's Lore wearing Data's uniform. He tries to convince Lore that the chip was
|
||
not designed for him and won't work properly, but Lore, insisting that Soong
|
||
owes _him_ for past slights, not Data, tosses Soong across the room, knocking
|
||
him out, then beams out. Shortly thereafter, Riker and company find Soong, just
|
||
waking up, and a deactivated Data, whom Riker quickly switches back on. Soong
|
||
tells Data that he has neither the time nor the skill to create a second chip,
|
||
rebuffs all attempts to take him to sickbay, saying he has "no plans to die
|
||
anywhere else", and removes Data's memory block. Data says goodbye to Soong
|
||
alone, saying that it's all right for Soong to die, since he will live on in
|
||
Data.
|
||
|
||
Several days later, Willie is recovering nicely, and he and Jake are playing
|
||
happily with two model dinosaurs Data brought from Soong's house. When Data
|
||
observes that the children have settled their differences, Beverly says,
|
||
"They're brothers, Data! Brothers _forgive_," and the episode closes on a
|
||
rather pensive Data.
|
||
|
||
Phew. That was longer than I expected. Still, it was necessary. Now, on to
|
||
some commentary:
|
||
|
||
This was a masterfully crafted show. There were some things done more subtly
|
||
than others, yes; but I didn't mind. I'll try to take them in turn.
|
||
|
||
First, the early part of the show, where it's Data vs. the Enterprise crew.
|
||
Here, I could quite easily tell that this was directed by the same man (Rob
|
||
Bowman, if you want names) who directed "Q Who". There was often the same
|
||
sense of futility against a superior foe, and a definite sense of eerieness,
|
||
at least to this viewer. I definitely shivered a bit the first time Data spoke
|
||
in Picard's voice here; and by the time he rattled off the huge security code,
|
||
I was just speechless. Likewise, his setup of force-fields in turn to avoid the
|
||
security people was very well accomplished, and his entire walk from the bridge
|
||
to the transporter room was well presented. I don't care what "The Hunted"
|
||
did to create a sense of urgency and tension--those ten minutes or so made me
|
||
truly worry.
|
||
|
||
Now, there's the Data/Soong scenes (I'll get to those with Lore later). These
|
||
were also superb, though also very touching. Soong wasn't quite what I
|
||
expected, but by the middle of the show, I couldn't picture him any other way.
|
||
Brent did a marvelous job in this role--I was worried for a brief instant that
|
||
it was just an excuse for him to sound like Jimmy Stewart for half a show :-),
|
||
but he sounded like half the old sciences professors I've ever met. When he
|
||
answered Data's question "what choice of vocation would have met with your
|
||
approval, sir?" with the hope that Data might one day become a scientist,
|
||
perhaps a cyberneticist, I truly felt for him (and I'm not usually able to feel
|
||
for guest characters quite that strongly). This was as much a father-son
|
||
reunion as any I've seen, and I commend it.
|
||
|
||
Then there's Lore. Heh-heh-heh. Dammit, Wes, I KNEW you should have put that
|
||
beam on "wide disperse"...:-) This took me by complete surprise, as I expected
|
||
Lore to behave very similarly to the way he acted in "Datalore". Oh, man, was
|
||
I wrong.
|
||
|
||
I don't know how Brent managed it, particularly considering that he must have
|
||
been putting in triple time that week, but he carried off Lore differently AND
|
||
perfectly (something not easy to do, since he was damned good last time).
|
||
The realization that Soong was still alive definitely changed Lore's character
|
||
to an extent, putting him back into a childlike role, and this was well
|
||
displayed. And as in other cases, I was surprised by how much I felt for him.
|
||
At his reaction to Soong's announcement that he was dying, saying "Dying? You
|
||
look fine! You're not that old!...You...look fine...", I almost went to
|
||
tears, and THAT's very rare as well.
|
||
|
||
Brent actually managed to almost completely change Lore's character, from
|
||
completely evil to bitter and resentful, and more _hurt_ than anything else.
|
||
I'm glad Lore's fate was left open-ended, 'cos I definitely want to see him
|
||
after the chip's done a little work on him. Bravo, Mr. Spiner. Bravo.
|
||
|
||
Now, there's the little Jake/Willie Potts subplot to consider. At the beginning,
|
||
I thought to myself that this was only going to get in the way. Fortunately, I
|
||
was pretty much wrong. While the few scenes between Willie and Bev did little
|
||
for me (though they did make me think that Gates doesn't do such a bad job
|
||
playing a pediatrician), I don't think they were meant to. The subplot was in
|
||
there to create a duality in the title (that's three double meanings in a row,
|
||
folks!), and did so quite well. And finally, nearly all if not actually all of
|
||
my little objections to the subplot were erased when I saw the last few seconds
|
||
of the show. As a setup for that line, it worked blissfully.
|
||
|
||
Well, I'm definitely starting to run off at the mouth here. Must be a result
|
||
of being a grad student...as long as I keep talking, I have an excuse not to be
|
||
doing work. ;-) Anyway, here are some shorter thoughts, followed by one
|
||
last long one.
|
||
|
||
1) Let's see, we've had Worf's parents lately, the return of Lore, and we will
|
||
be seeing Tasha's homeworld, the return of the Traveller, and we even saw Data
|
||
do something here he hasn't done since "Encounter at Farpoint". Anyone else
|
||
get the feeling the production team's decided "okay, let's do some of the
|
||
first season again, and this time let's do it RIGHT!"? No objections here,
|
||
since they're following up only the interesting plotlines (one vote for the
|
||
return of the "Conspiracy" parasites here!). But if they ever decide to
|
||
visit the Edo again, I'm outta here. :-)
|
||
|
||
2) Choreographing most of the scenes in this show must've been a real bitch,
|
||
don't you think?
|
||
|
||
3) I loved Soong's description of leaving the colony: "I admit I wouldn't have
|
||
guessed I'd be running from a giant _snowflake_, but, hmm...".
|
||
|
||
4) I sort of wish this was a 2-parter--not because the episode needed more
|
||
time, but because I *wanted* Data and Soong to have more time to talk--about
|
||
Lal, about Ira Graves, about that young upstart Maddox...Not an objection, since
|
||
I think we were meant to feel Soong was taken too quickly from us, but damn,
|
||
it's a pity.
|
||
|
||
5) Last week, we heard "Goodbye, Dad", and it did absolutely nothing for me.
|
||
This week, Data's quiet "Goodbye...Father" sent a wave of emotion through me.
|
||
|
||
6) Some people have said that the Wesley plotline in "Family" only works well
|
||
if you have children. Well, I'll take a somewhat similar stance: you don't
|
||
have to have a brother to get caught up in Data and Lore's emotions, but it
|
||
definitely helps.
|
||
|
||
Now, the long thought--it's about Data's emotions. I was slightly disappointed
|
||
for a few minutes by Soong's acceptance of Data's lack of emotions--I would have
|
||
preferred that Data bring it up and Soong insist "but, Data, don't you
|
||
understand--you DO have emotions! Different, yes, but they're there!" I didn't
|
||
get that, and I was considering lowering the episode a bit because of it, but
|
||
it redeemed itself by their farewell. In particular, a pair of lines stood
|
||
out, but I'll save them for my signature.
|
||
|
||
Well, this has definitely gone on for long enough. I'm sure you folks need to
|
||
get on with your lives. I'll give this my highest recommendation, though, and
|
||
I'm pretty sure that this makes not only my top 10, but my top 5 shows ever made
|
||
on TNG. Watch it. Many times. As soon as you can.
|
||
|
||
But, here are the numbers, since many people seem to thrive on them:
|
||
|
||
Plot: 10. Solid, solid plot. We never found out exactly how Soong escaped,
|
||
no; but we don't NEED to. Beautiful.
|
||
Plot Handling: 10. Rob Bowman doesn't often disappoint me, and he certainly
|
||
didn't here.
|
||
Characterization: I'll repeat something I used a long time ago (I don't
|
||
remember what it was in reference to): 10, for lack of a 28.
|
||
Technical: 10. The only relevant tech stuff occurred in the show's first
|
||
fifteen minutes, which were as flawless as the rest of it.
|
||
|
||
TOTAL: Well, gee, what do YOU think? 10, of course.
|
||
|
||
NEXT WEEK:
|
||
|
||
TNG tackles child abuse. The show looks iffy, but the teenage kid looks mighty
|
||
familiar. I wish I knew where I've seen him.
|
||
|
||
Until next week, I remain...
|
||
|
||
Tim Lynch (Cornell's first Astronomy B.A.; one of many Caltech grad students)
|
||
BITNET: tlynch@citjuliet
|
||
INTERNET: tlynch@juliet.caltech.edu
|
||
UUCP: ...!ucbvax!tlynch%juliet.caltech.edu@hamlet.caltech.edu
|
||
"You know that I cannot grieve for you, sir."
|
||
"You will...in your own way."
|