793 lines
45 KiB
Plaintext
793 lines
45 KiB
Plaintext
Archive-name: Changes/promgirl.txt
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Archive-author: Leigh De Santa Fe
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Archive-title: Prom Girl
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(Part One)
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Copyright 1990 by Leigh De Santa Fe
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It was probably the most nerve-wracking night of Stephen's
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life. For two weeks he had suffered and agonized over the decision
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to ask Francesca Esposito to the Mushroom Prom. She had occupied
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his thoughts constantly from the moment he first laid his eyes on
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her abundant black hair and her lovely olive skin. Of course she
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was lovely but she was also an interesting compendium of seemingly
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contradictory qualities. On the one hand she was extraordinarily
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bright, a straight A student who maneuvered through difficult
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courses without any trouble and on the other she was wanton and
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wild, wearing the most tempting clothing and using make-up in a way
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that belied her years. When he first saw her it was from the back
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and her long curly hair fell down her back in big frothy waves
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which then directed his eyes to her lovely buttocks, squeezed into
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jeans that held her like a second skin. He followed her down the
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hall while she chatted vivaciously with her friend, finally turning
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and dazzling him with her lovely features femininely framed in soft
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black curls. His heart melted. She was beautiful.
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Finally Stephen approached her after math class. She looked
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at him incredulously for a brief moment and then she gave him a sly
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smile and said, "Yes, I'll go but I know my mother will want to
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meet you before you take me out. Can you come by next Wednesday
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night around 4:00 or so." He was ecstatic and this simple hurdle
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was an easy and even joyful undertaking. He would get to spend even
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more time with the radiant Francesca.
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As he approached the house his heart was dancing under his
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tongue. He would be near her and away from the cruel peers that
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shaped their rigid roles in school. Now he could show her himself
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and she would revel in his intelligence and quiet wit.
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He knocked and after a long pause the door opened a crack.
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Francesca's face appeared out of breath. He began to sweat and his
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mouth went dry. "Can you wait for a moment," she said coyly, "I'm
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not dressed." He blushed and she laughed and disappeared behind the
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closing door.
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A full ten minutes later she opened the door and let him in.
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She was wearing a pink sweatsuit which she managed to turn into a
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ravishing garment.
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"I've been trying to sew my dress for the Snowball Prom," she
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explained. "It's so hard to know when things are the right length
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unless you wear them and so I've been trying the dress on and
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changing the hem and trying it on again and well, I never seem to
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get it right."
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"It's hard I guess," his sterling tongue divulged.
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"Hard isn't the word. It's impossible." She looked at him and
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smiled. He looked down at his feet. "Say, I have an idea," she
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laughed. "Are you very brave?"
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"Brave? I guess . . . I don't know."
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"This could take some bravery."
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"Sure, I guess. What is it?"
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"Could you try the dress on for me. It will only take a
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minute. All I have to do is put a few pins around the hem."
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"Put the dress on? Oh, I don't know . . ."
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"Oh come on," she laughed and pulled her hair up behind her
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head. She was so enchanting. "You're not afraid of being a sissy
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are you?" she said disdainfully, still toying with her bounteous
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curls.
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"Oh, no. I don't think so."
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"Oh good. Okay, here's a bra and petticoats. Go upstairs and
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take off your clothes and put these on."
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"Wait a minute . . ."
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"You can't put a prom dress on over your clothes and I can't
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see how it fits unless you're wearing my bra and petticoats. It's
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that simple. Now go on." She thrust the bra and panties into his
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arms and pushed him up the stairs. "The bathroom's first door on
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the right. I'll help you into the dress when you come down. Don't
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worry. It will only be a minute. Now hurry up."
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"What was he doing here?" he asked himself as he unbuttoned
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his shirt. "I didn't want to do this. Why am I doing it?" And yet
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he continued to undress with the vision of Francesca's beauty
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spurring him onward. Fastening the bra, a strapless one, took him
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five minutes. He wound up putting the bra on backwards, fastening
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it in front and then rotating it until the cups ballooned from his
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chest. Then he stepped into the tulle petticoats, trying to stifle
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the noisy rustle he knew was filling the house.
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But it was nothing compared to the sound as he tiptoed down
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the stairs, swishing from step to step in an effort to make a
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noiseless entrance but creating an effect that could only be called
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demure.
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Francesca sat below reading a magazine, the prom dress draped
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over her lap. When the rustle of his petticoats heralded his
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appearance on the first landing she looked up and smiled brightly.
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Suddenly he felt ennobled by his act of bravery but nonetheless
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resumed his shy descent.
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"You look great," Francesca said without irony. She held the
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dress open for him to step into, gathering his petticoats and
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tucking them in, then pulling the dress up over his arms and
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finally zipping him into the tight fitting strapless gown. It fit
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him perfectly.
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Francesca stood back and looked at him. It seemed she was
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suppressing a laugh but she turned around before he could be sure.
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"Slip into these," she said proffering a pair of shiny black
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high heels.
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"Shoes too?" he said.
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"Well, I can't tell how it will look in your bare feet can I?"
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He meekly ascented and stepped into the shoes, wobbling
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unsteadily.
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"Now stand up on the chair so I can check the hem."
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He obliged but only with great difficulty as the tightness of
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the bodice allowed him no flexibility of movement and the heels no
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sureness of step. Francesca steadied him with her hand till he
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regained his balance. Then she stepped back to look at him and
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smiled widely.
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At that moment the doorbell rang. Before he could protest
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Francesca had leapt up and answered the door. It was Bonnie Budd
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and Suzy Creamer, Francesca's best friends. They looked at Stephen
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standing redfaced in prom dress and heels and began to giggle. Then
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they laughed out loud and Francesca joined them.
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"I can't believe you did it!" Bonnie said.
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"It was easy. He did everything I asked him to."
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"He looks like Cinderella up there." Suzy said. Then she
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walked over to the humiliated boy and said, "Say you're cute.
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What's your name?"
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Bonnie had pulled a instamatic from her purse and began
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snapping pictures of Stephen as though he were a model. Tears
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welled in his eyes which only added to his dewy girlhood.
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The doorbell rang again. It was Nancy Kruel. "Did you bring
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it?" Francesca asked her.
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Nancy looked over at Stephen and gasped, "Oh, you did it!"
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"Did you bring it? Francesca asked again.
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"Yes, here it is," she said, handing a large round box to
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Francesca.
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Nancy joined Suzy and they began laughing all over again while
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Francesca opened the box and pulled out a wig. It was a long
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brunette pageboy, backcombed for a bouffant look and with long,
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thick bangs. Francesca took it off the styrofoam stand and handed
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it to Stephen.
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"Put it on, girlie."
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"I thought you . . ." he said haltingly.
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"You thought I'd go out with you! You're the school's biggest
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nerd. Put it on!"
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"No . . . I uh . . ."
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"Put it on or we'll take these pictures to school and show
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everyone what a beautiful girl you are! Is that what you want?"
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Stephen took the wig from her hand and pulled it tentatively
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over his head. The girls broke out again in gales of laughter.
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He didn't really look all that ridiculous. Actually the
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hairless youth seemed rather precious in the strapless satin gown,
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brunette hair curling under as it reached his naked shoulders. His
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soft features and full red lips, always a little effeminate on his
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male face now seemed to glow with a correctness, as though the wig
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and satin dress had uncovered some deeply feminine beauty
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heretofore hidden by his maleness.
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The girls noticed it too. But it didn't stop them from their
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indelicate teasing. Their hilarity grew ever more boisterous as
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they thrust new feminine accoutrements on him. Evening gloves, a
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little black purse, a black silk choker which Suzy had to stand on
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a chair to fasten for the trembling young boy in a gown and
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barrettes to pull back his hair. With the addition of each item
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Stephen resembled less and less the timid boy that had arrived
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moments before or even the broad burlesque of girlhood and instead
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was becoming a darling doll, cute perhaps even pretty. The girls'
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task now shifted subtlely from direct humiliation and cruel teasing
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to one of Stephen's beautification and they conferred over what
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would be most becoming on "her."
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"You know I've forgotten how much fun it was to play with
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dolls," Nancy said as she fastened a pair of pearl earrings to
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Stephen's ears. Meanwhile Bonnie continued to snap pictures of the
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unfolding transformation.
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Suddenly the door opened and Francesca's mother walked in.
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Stephen thought, "Rescue at last," as the imposing and beautiful
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Carlotta Esposito walked unsmilingly over to the Cinderella's
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chair. Her hair pulled back severely in a bun and her eyes flared
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with exotic eyeliner, Carlotta needed only a mantilla and castenets
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to round out her impression as a haughty flamenco dancer.
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She stood looking up at him sternly and then at the girls. At
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last she said, "Where's his make up?" Stephen's heart sunk as
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laughter once again filled the room.
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It stopped abruptly when Carlotta spoke again, "You little
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twerp. You thought you could ask my daughter out and now look at
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you. You're a princess in satin and tulle. What an adorable girl
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you make." She walked around him, sneering at his helplessness.
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"You've done very well, girls. He's perfect. A perfect little
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girl."
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"He does look good, doesn't he?" Francesca said. "It's a shame
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we can't put make up on him. He'd really look like a girl then."
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"Why can't you?" Carlotta said bluntly.
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"Well, it's getting late for one." Francesca said.
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"Oh, dear daughter have you no imagination? If you dressed him
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today, you can dress him tomorrow and the next day and the next.
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You have the pictures. What can he do? Leave town? I don't think
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so. No, you can have your plaything as long as you want. Can't
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they, little darling," Carlotta said, reaching out to tweak the
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cups of his bra.
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Stephen said nothing but looked singularly pathetic as his
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pearl earrings twinkled in the evening sunset. A reluctant
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Cinderella, he seemed resigned to his dreamdate gone awry while
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Francesca's beauty seemed only more desirable for its
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inaccessibility.
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"I think we should lay down some rules here. First of all,
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shave your legs, girlie. This is repulsive." Carlotta said as she
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contemptuously rubbed her hand over the sparse fur on his calfs.
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"But what about gym class?" he cried.
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"What about gym class? You're a big girl. You'll think of
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something. Join the swim team. Then you can shave your whole body.
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Next I think he should meet here every Wednesday for his 'session'
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with the girls. The Wednesday Afternoon Girl Club. And one more
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thing: start growing your hair out, honey. You haven't too far too
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go. It's already past your ears. One more month and we'll give you
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a perm. Wigs are fine for transvestites but very unbecoming on real
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girls like yourself." Raucous laughter.
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That night Stephen stared up at the ceiling, Carlotta's words
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ringing in his ears. "Little Darling." "Princess." "A perfect
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little girl." How could he possibly do what she asked of him. He
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slept little that first week and when Tuesday night rolled around
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he found himself locked into the bathroom with a safety razor and
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a can of shaving cream. Half an hour later his legs were smooth and
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soft. He couldn't help marveling at how the absence of hair made
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his legs look . . . feminine. There was no other word for it. He
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ran his hands over his thighs again and again. Feeling a rough spot
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he applied more cream and ran the razor over it. Smooth. It was
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suddenly an exhilarating experience. A depilating experience. He
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felt his arms and without thinking began to shave them as well. He
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even shaved the straggly first signs of puberty under his arms.
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Sleep came easily that night despite the strangeness he felt as the
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sheets moved against his hairless body.
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The next day he chewed his nails through every class and tried
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to avoid the three girls who eagerly awaited the next Girl Club
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session. At lunch Nancy appeared beside him in the cafeteria and
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whispered, "Long sleeves for such a hot day. Did you shave, little
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girl?" And in math class Francesca sent him a note that read,
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"You're going to look good tonight. Can't wait." He avoided her
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laughing smile.
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After school he walked to Francesca's, quite conscious of his
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hairless body moving against his clothes. What would they do to him
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today? How could he escape?
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He knocked quietly on the door. Francesca pulled him in. She
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was wearing a peasant blouse, jeans and had her hair pulled back
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with a butterfly clip. She was beautiful. Suzy, Nancy and Bonnie
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were waiting for him in the livingroom. They pulled the curtains
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shut and turned on some lights.
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"Today the girl's club is going to play with their doll. And
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here's our doll," Francesca announced.
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"Oooh, he's ugly."
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"Yuck!"
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"Strip him!"
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Francesca turned to Stephen and shrugged, "You heard the
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girls. It's time to take your clothes off, Dolly."
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"My clothes? In front of you . . ."
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"What's the big deal? We're all girls here."
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"But I'm not a girl."
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"No, you're not, are you," Francesca said, placing her hands
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on his shoulders and then sliding them down to his shirt front
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where they began unbuttoning his shirt. "But you will be."
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The closeness of her body had the effect of a tranquilizing
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dart and as her hands moved quickly from button to button he felt
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as though they were partners in a pas de deux. Obediently he lifted
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his feet so that she could slide his pants off and then she began
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to peel off his underpants while the audience of girls watched in
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rapt amazement at her control of the situation.
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Soon he stood before them, a naked doll. Bonnie broke the
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silence.
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"Who brought the bras?"
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"I did," Suzy said. She opened a plastic bag full of lingerie
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and removed out a skimpy black bra.
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"That's no good. He's going to need an underwired bra with
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plenty of padding . . . to start with anyhow," Nancy said.
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"Okay what about this one," Suzy said, holding up a white
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longline bra whose cups looked full even as they hung from her
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finger.
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"Yeah, that's good. Hook him up, Suzy," Francesca said.
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Suzy approached the naked young boy as though he were prey and
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the brassiere were a trap. Which it was.
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A moment later the girls had their venus under construction
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wired in and cupped out. This was just the beginning, of course.
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Soon heels, hose and a breathtaking fanny padder were added until
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the ungainly princess was taking shape, so to speak, before the
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girls' eyes.
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The addition of lingerie to his limp and passive male form
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did more than just append a few feminine curves to his body, it
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gave him, even from the short distance that the girls viewed him,
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the look of a doe-eyed ingenue. He could have been a young model
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between changes, her hair tousled by the quick removal a sweater
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or a junior miss mannequin with the sloping posture of seductive
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girlhood. Francesca corrected that problem by standing behind him
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and pulling his shoulders back sharply which thrust the cups
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forward into space like white bullets.
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"That's better. Be proud of your assets," Francesca said,
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slapping his butt with the back of her hand.
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"I want to see him walk around in his bra and heels," Bonnie
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said as she retrieved the camera from her purse.
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"You heard her. Walk." Francesca said.
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Stephen took a few steps in his high heels before he tripped
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over Nancy's extended foot and fell. As he lay sprawled out on the
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thick pile carpet Bonnie began snapping pictures. "Stay there a
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moment. You look so helpless. I like it." Stephen turned back to
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look at her and caught the flash head on. It made a good picture:
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the brassiered boy, his padded fanny sticking up in the air, white
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bra straps cutting into his back, his face turned back to the
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camera, red with shame. Bonnie pulled his leg up so that the heel
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dangled seductively from his toes and took more pictures. "Smile."
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Smiling was the last thing he felt like doing but he managed
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to force his lips into a grimace that when developed later could
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be mistaken for a lusty leer.
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It was at this point that Carlotta arrived home from work. She
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smiled broadly as she saw the padded lad stretched out on the
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floor. She walked over to the Stephen and knelt down by his head,
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making sure that he had ample opportunity to look up her skirt, a
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view unfettered by panties.
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"Oh girls, girls, girls. You've forgotten the best part: his
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make up. Take him to the upstairs bathroom and I'll join you in a
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minute."
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Carlotta's decisive request brought prompt action from the
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girls who grabbed their hapless victim by the arms and hoisted him
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up the stairs.
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The bathroom was large with a bank of mirrors covering one
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wall. The girls seated Stephen on a stool facing the mirrors and
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Carlotta reappeared with a small tote bag bursting with cosmetics.
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"Oh, this is going to be fun," she said laying the bottles,
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pencils and jars out on the counter top. "Now I think that the look
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we're after here is bold and brassy," she said blotting Stephen's
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face with foundation until he looked like a kabuki actor. When the
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canvas was totally blank Carlotta began applying her palette of
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bright reds, vivid blacks and velvety blues. The girls watched in
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amazement as Stephen's frightened pallor disappeared and was
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replaced by an exceedingly cheap but quite vivacious mask of
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sensuality. When the last false eyelash had been affixed Carlotta
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backed away and Stephen saw himself at last in the mirror. His gasp
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was audible and the girls exchanged knowing smiles. He face made
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the strong graphic impression of wanton girlish sexuality despite
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the emotions of despair and terror he was feeling beneath the mask
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of powder and paint. The incongruity resulted in a strange mixture
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of sultriness and vulnerability, a mixture that excited Carlotta
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and the girls with its new possibilities for humiliation and
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torture and they hurried to complete Stephen's transformation.
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"It's wigtime," Carlotta said.
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Nancy disappeared and returned quickly with the pageboy wig.
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Carlotta pulled it down snugly over Stephen's head and combed it
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out. Then she pulled it back tightly and created a poufy ponytail
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with a length of pink ribbon. "That's more like it. He's a real
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girl now. Look at him. A ponytail princess."
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The male erasure was now total. Stephen stared into the mirror
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looking for a trace of his lost boyness but even the slightest nod
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of his head seemed a deeply feminine gesture. He did not seem
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capable of moving without a daintiness, a delicacy borne of his new
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feminine appearance. This wasn't an outcome that the girls or he
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had foreseen. However, Carlotta seemed to know exactly what was
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taking place beneath the crown of dynel curls. She knew that any
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coarse movements or gracelessly boyish gestures on Stephen's part
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would violate the virgin in the mirror and make her a mere cartoon
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of a boy in a bra when in the young man's mind she was already
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assuming more than the two dimensions he examined so intently in
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his reflection.
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"I think she's ready for some clothes," Carlotta said, pulling
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Stephen out of his revery. "Come on. Let's go into my bedroom . .
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. girls." The girls were eager to complete the last act of their
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doll's drama, and beat a hasty retreat to Carlotta's bedroom where
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they began to rummage through Carlotta's closets for the perfect
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dress. Carlotta and Stephen remained behind for a moment. His gaze
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was still affixed to the miraculous image of his girlishness.
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Carlotta spoke to him softly, "Stephen . . ." He turned to look up
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at her, a doe-eyed innocent in false eyelashes. "Mommy thinks your
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a very pretty girl. Let's go find a dress, shall we?" She took him
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by the arm and lifted him off the stool and they floated, like two
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heavily made-up angels, into the bedroom.
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Carlotta sat Stephen down on the edge of her enormous bed
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while the girls brought up sweaters and skirts, dresses and gowns
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for Carlotta's approval. None of the sexy outfits they selected
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seemed to appeal to Carlotta's exacting taste and finally she went
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to the closet and selected a summer sun dress with a wide skirt,
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puffed sleeves and a demure scoop neckline.
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Soon Stephen was modeling the sun dress for the girls who now
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sat on the bed whispering and giggling as he turned round at
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Carlotta's instruction. The dress, wholesome and homespun, fit
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perfect with his ponytail and bangs but contrasted vividly with his
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garish make-up and continued the conundrum of the waify looking
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whore. But Stephen seemed unaware now of the discrepancy between
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his face and the rest of his feminine form. In fact, he seemed
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unaware of the girls, Carlotta or the oddly poignant figure he cut
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as he whirled the dress around and around. He seemed aware only of
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the dress itself, swirling and fanning out and allowing his legs
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a freedom that pants never did. And aware also of the tight bodice
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which clung to his torso and provided a perfect debut for his
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virginal bust: chaste and yet unquestionably inviting. His eyes
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fell to his bodice with a look that appeared to combine lust and
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pride at his own curvaceousness. The puffed sleeves added a
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piquancy, arousing, perhaps, because of its old-fashioned
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femininity, a quality that Carlotta was surely trying to evoke in
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the girls' living doll.
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Francesca, amused at first by Stephen's emotional
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transformation, began to grow bored with the prissy little country
|
|
queen her mother had fashioned for them. She wanted to make her
|
|
pretty doll squirm in his gingham dress. She got up off the bed and
|
|
began to mock his darling dance. "You think you're a girl now,
|
|
don't you?"
|
|
Stephen stared at her blankly and then at Carlotta who looked
|
|
away.
|
|
"I feel like a girl," he said tentatively in a shy little
|
|
voice that slipped out of his painted mouth like a plea for mercy.
|
|
Francesca was never more beautiful than when she allowed her
|
|
intelligence to inform her wickedness and Stephen swooned as a
|
|
thoughtfully crooked smile crossed her face. Swooned, not with
|
|
desire but with envy at Francesca's malevolent beauty.
|
|
"Our doll has developed a mind of her own. Tell us, sweet
|
|
thing, what kind of girl are you?" Francesca said, as she lifted
|
|
the long skirt and held it up, briefly exposing the newly modest
|
|
parts of Stephen's anatomy. Stephen blushed deeply, a response
|
|
befitting his quiet, country girl demeanor. The girls loved it.
|
|
Carlotta said nothing.
|
|
"It's getting warm in here isn't it, girls," Francesca said,
|
|
letting the dress fall and pulling off her sweater and urging the
|
|
other girls to do the same. She wore a very revealing brassiere
|
|
that cupped her breasts seductively. Soon all the girls had
|
|
stripped to their pretty bras and panties and surrounded their
|
|
country queen taunting him with their nubile and luscious bodies.
|
|
Carlotta remained on the bed but after a hopeful look from Stephen,
|
|
she too removed her blouse, exposing her black bra and captivating
|
|
cleavage. While Stephen watched, as in a trance, she unhooked her
|
|
brassiere and coyly dropped it off the side of the bed. Then, as
|
|
though she had just discovered them for the first time, she cupped
|
|
her breasts lovingly, pinching the nipples and caressing them with
|
|
a great tenderness. The other girls followed suit and soon Stephen
|
|
was encircled by a chorus of licentious nymphs each trying to outdo
|
|
the other in their enticing charms. As the dance reached the apogee
|
|
of lustful desire Francesca pulled up Stephen's skirt while Nancy
|
|
yanked down the fanny padder disclosing the throbbing information
|
|
that Francesca had wanted to extract from him all along.
|
|
As Bonnie's camera clicked away and Francesca gloated,
|
|
Carlotta leaned back on the bed, her long black hair undone and
|
|
falling over her naked shoulders. Stephen looked tearfully at her
|
|
as she mouthed the words, "Mommy thinks you're a very pretty girl."
|
|
It was the end of the first girl's club.
|
|
|
|
During the week following that first terrifying encounter with
|
|
the power of womanhood Stephen agonized over every minute of his
|
|
tormented transformation and its cruel denouement. What upset him
|
|
most was not the humiliation he suffered at their hands but his
|
|
surrender to his own girlish beauty. The seduction of his own
|
|
femininity was far more disturbing to him than Carlotta's
|
|
rejection.
|
|
Not that he was aware of this of course. A searing pain that
|
|
encompassed the entire event was all he felt but each night in his
|
|
dreams he returned to the mirror and was served with the same
|
|
vision of pony-tailed sweetness, of his own Barby doll portrait of
|
|
Dorian Gray. In the morning the images of himself as a radiant
|
|
teenage girl were gone and in their place only the residue of heavy
|
|
guilt.
|
|
The night before the meeting he found himself once again in
|
|
the bathroom shaving his legs and arms. But this time his skin
|
|
tingled not with the suspense of being discovered but at the sheer
|
|
excitement of the act itself, the first step in a transformation
|
|
ritual. As he cleaned his mother's razor and put it back in the
|
|
drawer he caught himself in the mirror. He was trembling visibly.
|
|
His hand went up to his face, a simple gesture which rapidly
|
|
progressed in his mind's eye from merely effeminate to feminine.
|
|
He stood there for a long moment in a frozen pose of coy
|
|
girlishness. It was an echo of his recurring dream and when he
|
|
moved again it was not as a boy but as a girl admiring herself in
|
|
the mirror. He had begun casting his own spells.
|
|
Despite this flirtation with the increasingly exciting idea
|
|
of being a girl he was still petrified at the impending Girls' Club
|
|
meeting. More so perhaps because of his late night revery in the
|
|
bathroom. He now harbored a secret far more precious to him than
|
|
his adventures in girls' clothing and as he approached Francesca's
|
|
house he feared his budding fascination with femininity might be
|
|
readily apparent to the girls, as though he had traces of lipstick
|
|
on his lips or the indentations of imaginary bra straps marked his
|
|
shoulders.
|
|
When Francesca answered the door the next day she seemed
|
|
almost bored at Stephen's arrival. She seemed to be expecting
|
|
someone a great deal more exciting. "Go upstairs. Mom's waiting for
|
|
you," was all she said.
|
|
Stephen went upstairs and into Carlotta's room where she was
|
|
laying out things on the bed for him. She looked up and smiled with
|
|
mock surprise. "I don't think I've ever seen you as a boy before,"
|
|
she said taking him in with a long up and down glance. "You're much
|
|
prettier as a girl. Go in the bathroom and take your clothes off.
|
|
Then wait for me."
|
|
Stephen hoped he'd concealed the lightness of his step as he
|
|
minced to the bathroom. He hadn't. Carlotta noticed and smiled to
|
|
herself as she finished folding the clothes. When she arrived in
|
|
the bathroom Stephen was sitting naked on the stool facing the
|
|
mirror.
|
|
"Here put these on," she said handing him a pair of pink
|
|
panties. Then methodically she began making his face up, this time
|
|
taking special care to let him watch and participate in his facial
|
|
transformation. It was almost a learning exercise and Carlotta took
|
|
pains to praise him when he applied his false eyelashes evenly or
|
|
lined his lips with the red pencil she suggested. She sensed the
|
|
subtle shift in his attitude toward these girl behaviors from the
|
|
quickness with which he adapted to the meticulous tasks of
|
|
feminizing his features. When she left him alone for a moment to
|
|
retrieve a tube of mascara from her purse she found, upon her
|
|
return, that he was leaning into the mirror and daubing bits of
|
|
color from a blusher compact onto his cheeks. She ran to get
|
|
Bonnie's camera and snapped a picture as his stroked his cheeks
|
|
with the blusher brush. He turned sharply at the flash and smiled
|
|
weakly as she entered and then resumed his effort. She lavished
|
|
more praise on him and suggested this or that color to heighten the
|
|
effects.
|
|
All in all, his look was much less tawdry than the week before
|
|
though you couldn't really call it subtle. It resembled a typical
|
|
teenage girls' failing attempt to resist the seductions of a
|
|
department store cosmetics counter. In fact, his face resembled the
|
|
masklike professional excess of a cosmetic counter girl.
|
|
Of course, that was just his face. Had one stood back and
|
|
observed his entire body he might have been mistaken for a
|
|
harlequin in pink panties. But that would soon be remedied.
|
|
"I have a surprise for you," Carlotta said as Stephen fussed
|
|
with the mascara brush.
|
|
He turned to her and smiled. Over the course of the hour his
|
|
obvious pleasure in the transformation process could not be
|
|
concealed but somehow that didn't matter. Carlotta seemed so
|
|
understanding, so helpful now.
|
|
"Don't you want to know what it is?" she asked teasingly.
|
|
Stephen blushed. "What is it?" he asked shyly.
|
|
"Something to make you twice as pretty," she said, pulling a
|
|
long, smooth fall from a box. It was light brown to match his own
|
|
hair. She put the fall aside for a moment and brushed out Stephen's
|
|
own hair, giving him bangs that fell past his eyebrows. Then she
|
|
tenderly placed the fall over Stephen's head like a crown,
|
|
carefully arranging his own hair so that it met the fall
|
|
seamlessly, then backcombing the fall to give it a bouffant
|
|
fullness at the top of his head. Very sixties. Very sexy.
|
|
Stephen was thrilled with his hairdo, turning his head to examine
|
|
how he looked in profile and marvelling at the rush he got at the
|
|
way the fall tumbled over his bare shoulders. He caught Carlotta
|
|
watching him in the mirror and she smiled warmly at him.
|
|
"Ready for your bra?"
|
|
"Yes, please," Stephen said with an undisguised eagerness.
|
|
Carlotta ran from the room, heels clicking on the tile floor,
|
|
and returned with a strapless push-up brassiere. She looked
|
|
momentarily perplexed when faced with Stephen's less than buxom
|
|
chest.
|
|
"We'll have to tape up your baby fat to give you some
|
|
cleavage."
|
|
Fifteen minutes later Carlotta was looking down Stephen's bra
|
|
at an admirable pair of breasts nuzzling together cozily to create
|
|
the successful illusion of bustiness. These new and significant
|
|
additions to his female physique brought a wetness to his eyes and
|
|
a quickness to his heart. Every minute he spent with Carlotta he
|
|
became a more convincing girl. In fact, it would have been hard to
|
|
believe that one hour before he had been a boy and that 30 minutes
|
|
later he had become a female impersonator in transition and now an
|
|
emerging teen queen with breasts that actually cast heavy shadows.
|
|
As he progressed from one stage to another his excitement became
|
|
harder and harder to contain, especially since Carlotta seemed
|
|
equally delighted with his metamorphosis until they were both
|
|
giggling like teenage girls at the amazing success of Stephen's
|
|
transformation.
|
|
"Now we come to the hard part," Carlotta said in an abruptly
|
|
serious voice.
|
|
Stephen's face clouded over instantly. "What?"
|
|
"Deciding what you're going to wear?" she said laughing at his
|
|
sudden anxiety. Then she merrily ran off to her closet and returned
|
|
with a blouse and skirt still in dry cleaner bags.
|
|
"Here's your blouse and skirt. But first you'd better put on
|
|
these black tights and your fanny padder."
|
|
Stephen unwrapped the brand new tights and pulled them on,
|
|
taking care to admire his slender legs encased in black lycra, then
|
|
the fanny padder and the skirt, a short and tight miniskirt that
|
|
made the most of his newly curvy buttocks and finally the blouse,
|
|
a white off the shoulder peasant chemise that dramatically focussed
|
|
attention on his shadowy cleavage with its lacy filigree across his
|
|
bodice.
|
|
When all these ingredients had been assembled Carlotta led him
|
|
to the long oval mirror in her bedroom, making sure that he
|
|
couldn't see himself until the moment that she wanted him to. At
|
|
last she turned him around to face her triumphant handiwork. He
|
|
gasped and his knees gave way for a second. He had never
|
|
experienced such an exotic feeling of euphoria. He had never
|
|
considered that he could pass for a girl and even when that
|
|
possibility had presented itself he had never imagined that he
|
|
would be so captivating, not merely convincingly female but
|
|
exquisitely feminine, exuding a daintiness, am allure that
|
|
transcended the mere trappings of girlhood. He turned to look at
|
|
Carlotta. She smiled at him like a madonna.
|
|
"How do you like it so far?" she asked him, as she fastened
|
|
a black silk choker around his neck.
|
|
"I never thought it could . . . I never thought I could . .
|
|
."
|
|
"But you can and you have," Carlotta said, turning him round
|
|
to attach a pair of large hoop earrings. "Now if you'll step into
|
|
your heels I think you're ready to join the other girls."
|
|
Stephen shot Carlotta an apprehensive look but she was already
|
|
on her way downstairs. He looked back at the mirror. The earrings
|
|
and choker completed the sixties look. He thought the teased bubble
|
|
of hair on top was extremely sexy. He slipped on the heels and
|
|
began the descent, turning as he reached the door for one last
|
|
glance at his image in the mirror. He didn't want to leave her,
|
|
this girl with the light brown hair falling demurely over naked
|
|
shoulders and buns straining against their skirted bondage. She was
|
|
sweet. She was sexy.
|
|
As he broke away from her enchanting beauty his eye fell on
|
|
a picture that sat on Carlotta's dresser. It was a photograph of
|
|
a pretty young girl with hair styled in a fashion similar to his
|
|
own coiffure and wearing the same skirt and blouse. She was smiling
|
|
at the camera in a manner both kittenish and dreamy. It was
|
|
Carlotta. He took the picture back to the mirror and compared
|
|
himself to it. The similarity was striking. Even the overdone
|
|
eyeliner was the same. Carlotta had fashioned him in her youthful
|
|
image. What did it mean? He put the picture back and headed for the
|
|
stairway, once again uncertain of what was happening to him.
|
|
|
|
I thought I knew what was happening when I developed a crush
|
|
on Francesca. I thought I knew what was happening when she asked
|
|
me to meet her mother and now I think I know what is happening as
|
|
I hit the first tread of the stair, my heels digging into the
|
|
carpet and pulling the threads of fabric up with a noise like
|
|
distant velcro.
|
|
But did you know what would happen when I hit the bottom of
|
|
the stair, when Francesca spotted me in her mother's old clothes
|
|
and with a hairstyle ressurected from the fabulous sixties.? Did
|
|
you predict that Carlotta might turn away again at the crucial
|
|
moment just when I needed to see her loving glance of approval as
|
|
I displayed my new bosom for the girls, mincing past my tormentors
|
|
with a demeanor that for once cannot be described as demure.
|
|
Do you have a clear picture of Carlotta? An old she-wolf with
|
|
a leathery neck and whisky-drenched voice? No, I don't think so.
|
|
A aging bosom with spots and lips whose tiny tributaries run high
|
|
with gloss? No. A mummified tart whose unrepentant long hair still
|
|
bears the sheen of her wonder years? No. Who is Carlotta and why
|
|
do the wounds she inflicts never heal?
|
|
Why do I build a shrines to her in my sleep? To say she is
|
|
severe is to say that my bosoms bud and I wobble like a fawn in my
|
|
heels. Her devotion to my toilette is legendary, her wickedness
|
|
convenient. But not as convenient as my mute permission to be
|
|
swathed in spandex, bathed in Chanel and misted with Miss Clairol.
|
|
It's not Carlotta who's the mystery here at all. We know her.
|
|
She's the most familiar prop in the trunk. Auntie Stern and her
|
|
fabulous wardrobe of guilt. I should have been a Lennon Sister
|
|
smiling across Southern Seas. I could be one even now as I descend
|
|
the stairway and glide across the set twirling a parasol with
|
|
dangerous things beneath my antebellum gown and not a trace of
|
|
three-dimensionality. Behold the Anti-Belle.
|
|
No, Carlotta, in her leopardskin leotard, ankh disappearing
|
|
in her creamy cleavage, is not the mystery woman here. It's me.
|
|
It's the boy in the dress. Pale and wan with a curious lack of
|
|
secondary sex characteristics. Lips: full. Hair: longish. Hips:
|
|
girlish. And, poor thing, horribly mute. He suffers for his desire
|
|
but keeps mum nonetheless. Keeping mum is what it's all about.
|
|
Am I still descending the stairway? Or have you left me to
|
|
read backwards to where my foot left the carpet and your lust was
|
|
disengaged as my heel hit the clutch and we began to coast
|
|
together, gliding together down the stairway while Francesca and
|
|
her cardboard friends wait in aspic. They can wait. We'll put them
|
|
on ice for now. Francesca's type can be reheated indefinitely. But
|
|
let's glide now. Can you see us gliding down the stairs like a herd
|
|
of Glinda the Goods, Anti-belles in bubbles floating down to our
|
|
curious fate. Curious and predictable.
|
|
I have a better idea. Let's leave the stairway and fly out of
|
|
the house. It never had a roof anyway. It was just a set. Like
|
|
"Father Knows Best" or "Leave it to Beaver." We be gliding Glindas
|
|
now, flying out over the silent cities of drag. Our hooped skirts
|
|
swing and sway like belles and our petticoats sputter like flags
|
|
in a windstorm. My fall might fall but who cares, we're cruising
|
|
over the world in drag below and headed for Venus. Once again.
|
|
Oh, my lost little girls what happened when we strayed into
|
|
Mommie's domain and watched her bend at the waist and lap the ends
|
|
of her bra, watched her breasts fell neatly into the cups? Or when
|
|
we saw her by the mirror, applying lipstick, turning her lips
|
|
bright red or soft pink or watermelon blood or virginal peach? Did
|
|
she lean over us and squeeze our cheeks or did she take the brass
|
|
bullet out and rub our own tiny lips with that mutating balm.
|
|
Or were our womanly synapses created in the womb? Did our
|
|
mothers paw through the pink section, imagining their little girls,
|
|
little replicants of themselves, growing up perfect and going off
|
|
in prom gowns and getting married to Mr. Right and breaking the
|
|
cycle of Mr. Wrongs. Were we to be the link that breaks the sad
|
|
chain of our mother's sorrow? And when we emerged and the blue
|
|
cigars were passed around, did that dream die hard?
|
|
Or was it a revenge on all males that led our Carlottas and
|
|
Auntie Sterns to subvert Daddy's message and replace it in the
|
|
adolescent night with petticoat and periwinkle, watermelon blush
|
|
and strapless bra. Stealing into our dreams and turning our shiny
|
|
shields around so that we might admire our own reflections.
|
|
Or was it father's abdication in that rosy post-war bliss. To
|
|
relinquish his throne for a lazy-boy and never see the boy hiding
|
|
behind the ottoman peering up at his imperious invisibility.
|
|
Or was the fate sealed in our stars, dear Brutus. Delivered
|
|
by a mincing virus from outer space, a femme spore alighting on a
|
|
pie cooling on the sill, ingested in a slice and traveling
|
|
groinward where it sat twiddling its protoplasm until we reached
|
|
our dresswearing years and then asserting its bifurcating demands.
|
|
Oh, my mute darlings, are your temperatures rising, have I
|
|
lost you entirely. Wait, wait a minute, I might yet return to
|
|
Carlotta and Francesca. But stay with me a bit longer. I need your
|
|
company out here in these moot and silent stars.
|
|
But I see I am alone, wandering the desert at twilight in
|
|
search of lipgloss, a belle still, in hoop skirts and ringlets. On
|
|
the horizon a lone figure is waving to me. My petticoats gather the
|
|
goatsheads as I run toward it. My heels sink into sand. The dust
|
|
clings to my makeup creating the perfect matte finish at last. But
|
|
the figure becomes a saguaro cactus, not arms waving but stretched
|
|
skyward in thorny supplication and my perfect matte finish becomes
|
|
a pilgrim's pallor, not a mask of loveliness but a vision of
|
|
embalmed beauty.
|
|
I turn skyward too. And there you are, my pretties, where I
|
|
have left you. Checking your hems and waiting. Waiting for
|
|
Carlotta's return and the fatal descent down the stairway into more
|
|
familiar territory. The desert is empty, it's true. And there are
|
|
no mirrors here but the air is cool and a breeze blows my ringlets
|
|
gently and I have a hunger for beauty apart from my own.
|
|
But there you are suspended in space above me, encased in a
|
|
comforting bubble of sultry self-seduction and I must join you. On
|
|
the first tread of the stair at Carlotta's, the girls thawing
|
|
below, my hard-won beauty cribbed from an old Vogue, my demeanor
|
|
as submissive as a scarecrow. Ready, girls?
|
|
|
|
The conversational din of the teen girls came to a sudden halt
|
|
as soon as Stephen's legs came into view on the stairway, and the
|
|
rest of his descent occurred in dramatic silence. The skirts, the
|
|
blouse, the choker, the hair. Then proud Carlotta took his hand as
|
|
his heels hit the floor and ushered him into the living room where
|
|
his judges awaited.
|
|
"Oh, Mom, you've turned him into a Sixtie's chick," Francesca
|
|
said, squealing with pleasure at their antiquated doll. Bonnie
|
|
began snapping pictures one after the other.
|
|
"Yes, she's cute, isn't she? An interesting combination of
|
|
little girl timidity and big girl lustiness, coy little bangs and
|
|
a choker from a hooker's top drawer, delicate lacy blouse and . .
|
|
."
|
|
"And breasts to fill it," Suzy finished, running a finger down
|
|
Stephen's illusory cleavage. "How did you do that?"
|
|
"Oh, it's nothing really," Carlotta laughed.
|
|
"Turn around for us," Francesca ordered.
|
|
Stephen obliged and the oohs and ahs as they eyed his buns
|
|
were immensely gratifying. It didn't go unnoticed.
|
|
"Oh, look. He loves it when we admire his buns," Bonnie said.
|
|
Francesca stood up and faced him, her hair was big and
|
|
beautiful. Her lips close to his. "You like being a girl, don't
|
|
you?"
|
|
The blush rose from his cleavage and blossomed out beneath the
|
|
blusher in his cheeks. He looked down at his shiny heels.
|
|
"I can't believe it. He actually enjoys being a girl,"
|
|
Francesca said to her friends.
|
|
"What's so odd about that? You enjoy it, Francesca," her
|
|
mother said.
|
|
"Yes, but . . ." Francesca smiled suddenly. "If you like it
|
|
so much, you'll love going to the prom as a girl."
|
|
"Yes, I think a coming out party is a good idea," Carlotta
|
|
said, grinning up at the trembling boy with bangs.
|
|
|
|
The following day Stephen was trying without success to
|
|
concentrate on his homework but the looming prospect of the Prom
|
|
filled him the oddest combination of dread and delight. He couldn't
|
|
decide how he felt and the agonizing debate his mind waged was
|
|
terribly bewildering. Absently doodling in the margins of his
|
|
notebook he found himself drawing possible hairstyles for his prom
|
|
night adventure. It was during this daydreaming that his mother
|
|
appeared behind him.
|
|
"Francesca's mother came by this morning," she said.
|
|
"Oh," Stephen said, covering the drawings with his arm.
|
|
"Yes. She had some interesting things to say about you." Her
|
|
voice was flat.
|
|
"About me?"
|
|
"Yes, about you. She said that I might be interested in
|
|
looking at some photographs she had."
|
|
"Photographs?" Stephen turned around and looked at her.
|
|
"They were very interesting pictures but I couldn't believe
|
|
they were of you until she showed me this one," his mother said,
|
|
throwing the photo on his desk. It was the picture Carlotta had
|
|
taken in the bathroom as he applied his blush. There was no point
|
|
in bluffing.
|
|
"She said," her voice breaking, "she said that you had broken
|
|
into their house and were caught trying on Francesca's clothes. She
|
|
said you need treatment."
|
|
"But you didn't believe her, did you?"
|
|
His mother was sobbing now. "I'm glad you're father's dead.
|
|
It would kill him to see these," she said throwing a handful of
|
|
pictures on the desk. They were all of Stephen is various states
|
|
of transvestment. On top was the picture Bonnie had taken as he had
|
|
fallen to the floor. He looked particularly slutty, staring back
|
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at the camera in his bra and heels, his big pantied ass in the air.
|
|
Not at all the frightened boy he really was, but more a defiant
|
|
trollop caught in the midst of some disgusting sexual escapade.
|
|
"But that's not how it was," he protested lamely.
|
|
"How was it?" she screamed. "How was it when you were caught
|
|
redhanded in panties and brassiere putting make up on like a
|
|
teenage whore?"
|
|
"But . . ."
|
|
"How was it when your hair is teased like a girl's, when
|
|
you're wearing high heels and a skirt? Maybe Carlotta could have
|
|
made up a story but these pictures aren't fake. It's you. You
|
|
dressed up like a girl. And not just wearing panties but
|
|
everything. You look like a little slut when you're dressed. I
|
|
can't believe it," her voice cracked and trailed off.
|
|
"What are you going to do?"
|
|
"I don't know. Carlotta had some ideas but . . ." her teary
|
|
eyes went past her petrified son to the drawings on his notebook,
|
|
tiny pictures of bouffant coiffures, ponytails and pageboys, bubble
|
|
cuts and bangs.
|
|
"Maybe she's right. Maybe she's right," she said as she
|
|
stormed out.
|
|
|
|
--
|