1479 lines
58 KiB
Plaintext
1479 lines
58 KiB
Plaintext
PATRICIA
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by V.P. Viddler
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The midnight flight was not crowded, but still she would
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have not thought that the rows all around her would be empty--
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about six rows in front and behind, and across the aisle--nobody
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at all sitting in them. It gave her a sharp chill of
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apprehension. Could it--but no. Impossible. Maybe it was the non-
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smoking section or something. All the other passengers drowsed or
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sat silently in the dim reaches of the cabin, and the isolation
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she felt was not conducive to the security she had thought would
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engulf her as the plane took off. But it was going to be all
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right. She was safe now. Nobody could know, nobody could find her
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now. Safe. Wasn't she? But why--
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And suddenly her mouth was dry, her stomach twisting, her
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throat tight with terror. As two men sat down, one right next to
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her as she sat by the window, another in the seat facing her.
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For a long moment, no one spoke. She didn't have to say
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anything, ask anything. She knew. With no question at all. She
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tried to stop her body from shaking, to stop the instinctive moan
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that gathered in her mouth. She closed her eyes, trying to wish
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them away, biting her lip to keep from making sounds of fright.
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"Miss McKnight," the man next to her said. "My name is
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Tiny."
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Tiny. She didn't know him, but from his name and from the
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sound of his voice she knew he would be big and fat. Opening her
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eyes at last, she saw she was right. The man across from her was
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small and bald.
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"This is Matt," the big man said.
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Then nothing was said for a while. She waited for her heart
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to stop jumping and racing, for her throat to allow her to speak
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without gasping in fright.
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"How did you find me?" she said finally. But it wasn't
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important. How they had found her didn't matter now. What
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mattered was what they would do with her.
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"You know who we work for, Miss McKnight," Tiny said.
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God, of course she knew. And she knew what their task was.
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What she must do now--any way she could--was to stop them from
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doing it. At any cost, she told herself.
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At any cost.
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"Look," she said, swallowing but trying to make her voice
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calm. "Look, you can't take me back to him. You can't."
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"But that's why we were hired, Miss McKnight," Tiny said.
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"I know. But look. Please. If you take me back to him, he'll
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kill me. You must know that. He'll kill me. Slowly. Oh god. Look.
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We can make a deal. All right?"
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I don't think so, Miss McKnight," Tiny said.
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"Yes we can," she said. "I know we can. Listen. Anything you
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want. Do you understand? Anything. Anything at all. Whatever you
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want. Do you know what I'm saying to you?"
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"Mr. Galli said you'd say that," Tiny said. "He told us all
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about it. How you'd say just what you said. But see, Mr. Galli
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told us not to worry about that. First, he said how he's got a
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lot more money than you do, so you couldn't give us as much as he
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will if we bring you back. Then, he said, you'd offer us your
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body. But he said we could have it anyway. He said we could have
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it even before we brought you to him. As long as we don't bust
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you up too much. And later on, Mr. Galli said, we could have a
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lot of fun with you. And there won't be any limitations then. So
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you see, Miss McKnight, I don't think you've got anything much to
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deal with, do you?"
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She wanted to scream, to cry, to beg. But she didn't. She
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said, "If you do that you'll have your fun and it will be over.
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I'll be dead. But if you don't take me back you could have me as
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long as you want. For the rest of your life, if you want. Always.
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Any time you want. Any way you want."
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"No," Tiny said. "I don't want to die either, Miss
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McKnight."
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"What if I scream?" she said.
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"I wouldn't do that," Tiny said.
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"Why? I know you probably have a knife or something, right?
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But so what? If you kill me now at least I'll die quickly. I'd
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rather go that way than go back to him."
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"Okay," Tiny said. "What if I say I'll think about what you
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said. About a deal."
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"Will you?"
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"I'm not saying that. But let's say I will. Maybe. If you
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keep quiet. No matter what."
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"What do you--"
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"See, Miss McKnight, that fun we talked about? That Mr.
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Galli said we could have? With you? It's a long dull flight, Miss
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McKnight. We might as well start now."
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"Oh god--"
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"Now if you fight us, or scream or anything, we'll just have
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to hurt you, and I don't want to do that, okay? But, like I say,
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if you think maybe we could still not take you back, you wouldn't
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want to do anything to make things difficult for us, would you?
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You know what I'm saying, Miss McKnight?"
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"But--but you don't mean it--you won't really--"
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"Who knows?" Tiny said. "You may be right. But you don't
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want to take any chances, do you, Miss McKnight? Even if it's
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just a little bit of a chance. Hardly likely at all. But you
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can't tell--we might want to accept your offer once we've
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gotten--familiar. You know?"
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She swallowed. "I won't fight," she said. "I won't scream."
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"Matt," Tiny said. "Get a blanket for us. I don't think
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anybody can see us too good, but let's be cautious, okay?"
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Matt got a blanket from the rack and put it solicitously
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across her body, covering it from shoulder to knee, as though to
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tuck her in for the night. Tiny pushed the back of her seat to a
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half-reclining position, and his also.
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"Now nobody will see what we're doing," Tiny said. His right
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hand slid under the blanket, and involuntarily she stiffened.
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"Now you just hold still, Miss McKnight," Tiny said. "You'll get
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to like this, just wait." And his hand slid onto her breast,
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beneath the blanket. "Nice," Tiny said. "Damn nice, Miss
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McKnight." And his hand began to knead the bulging flesh.
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She bit at her lip, trying to hold still. His hand made her
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feel ill. "You--you won't take me back to him?" she said. "Will
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you?"
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"It doesn't matter," Tiny said, moving his hand to her other
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breast. "See, Miss McKnight, it doesn't really matter, because if
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we do or if we don't, I still can do this. I can do anything I
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want with you, like I said, as long as we don't go too far. For
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now."
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"You didn't mean it," she said, trying not to squirm under
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his squeezing hands. "Did you? You'll take me back anyway. You
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bastard."
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"I'm not saying that," Tiny said. "You just don't know, Miss
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McKnight." His hand was moving now, sliding on her body.
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"I hate you," she said. "I hate this. Why must you do this?
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Why this way?"
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"I like your body," Tiny said. "It's a terrific body, Miss
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McKnight. I want to appreciate it. And I want it to appreciate
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what I'm doing with it. Okay? I want this body to love me, Miss
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McKnight. I want it to go crazy for me. I want it to do tricks to
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show me how much it likes what I'm doing to it."
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"God," she said. "You're crazy."
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"That's not a nice thing to say, Miss McKnight," Tiny said,
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his hand sliding over her stomach. Until now his hand had touched
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her through her clothing; but now it was worming itself under the
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waistband of her skirt.
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"Don't," she said now. "Stop. Stop this. I don't cae what
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you do, I'm not going to sit still for this. You'll bring me back
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anyway. So I don't care. Stop or I'll scream."
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"Matt," Tiny said.
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Matt got up and slid his small body onto her seat, on the
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other side, pushing her away from the window and closer to Tiny,
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pushing her so that she half-lay on her side, facing Tiny, with
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Matt at her back. So swiftly that she hardly was aware of what
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was happening, Matt had his arms around her and was holding her
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breasts in his hands, clamping his fingers hard around that
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vulnerable flesh with surprising strength, clamping her breasts
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brutally with his hard fingers. Her mouth opened to cry out in
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pain, but the sound was muffled against Tiny's free hand pressing
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against her mouth.
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"Now, don't be that way, Miss McKnight," Tiny said. "It can
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only make things hard for you. Just be a good girl and we'll all
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enjoy this a lot more. Okay?"
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Whimpering sounds came from her crushed mouth as she writhed
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with the agony of Matt's hands hurting her breasts.
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"Just nod," Tiny said. "That's all you have to do, Miss
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McKnight. Just nod to say you won't fight us any more, and I'll
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take my hand away, and Matt will let you go, and we'll all have
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fun."
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Tears of pain fell from her eyes. She couldn't stand it. She
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nodded.
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"That's a good girl," Tiny said, and took his hand away.
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"All right, Matt."
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Matt took his hands away too. She was gasping, but softly.
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Not to attract attention. Matt's hands frightened her. Not as
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much as the thought of what Galli would do to her. Could she
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still--
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Tiny said, "Matt," and Matt now took hold of her arms,
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pulling them behind her, and pulling off his necktie, used it to
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bind her wrists in back of her.
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"Oh, god," she said in fright. "Why?"
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"I like it that way," Tiny said, and now the hand on her
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body slid slowly under the waist of her skirt.
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"You disgust me," she said, unable to stop it. "I can't
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stand you. Damn you."
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"Now, now," Tiny said. "I'm going to change that, Miss
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McKnight. Right now. I'm going to show you how much you like me.
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I'm going to send you out of your mind. I'm going to send you
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right over the top. And I'm going to watch as you do it. And so
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is Matt."
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"You son of a bitch," she said. "I can't stand the sight of
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you, the sound of you, and you touching me makes me want to
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vomit. Okay? So don't think you can get your kicks with me and
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make me like it. Just do what you have to do and get it over
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with. You sick bastards. Filthy scum, both of you."
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Matt's hands closed again on her breasts.
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"No, Matt," Tiny said. "No pain now. Let's show Miss
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McKnight how to do tricks for us. Let's show her what this sexy
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body really wants." Tiny's hand now slid downward, under her
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skirt, and then under the waistband of her panties, moving onto
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the bare skin of her lower belly. She shrank from him
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instinctively, but Matt was pressing against her back, crushing
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her bound arms between them, with his arms about her and his
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hands now holding her breasts lightly, his fingers rubbing slowly
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against her nipples. This friction brought the nipples up into
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stiff points, throbbing with stimulation. Tiny's hand was moving
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slowly, slowly around her belly, touching her thighs, caressing
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the soft, smooth skin.
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"God," she said. "God, you slime."
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In spite of her disgust, her breath was coming more rapidly.
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She tried to control it. Tiny's hand was rubbing at her thighs,
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up and down, touching lightly, then heavily, circling, moving
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back up to her stomach, circling. Matt was still holding her
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throbbing breasts, touching her hard nipples.
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"Oh stop," she said. "Don't." She could hear that her voice
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was not steady. Tiny's hand slid to the inside of her thighs,
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insinuating his fingers between them. Automatically, she clamped
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them together.
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"No," Tiny said, digging his fingers with hard viciousness
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suddenly into her soft thigh flesh. She moaned--too loudly, god,
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if anybody found them would they kill her, would they--and
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resignedly relaxed her legs. Tiny's hand was on the buttery soft
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flesh of her inner thighs, moving up and down, rubbing, sliding,
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circling, and always, slowly, moving toward his goal.
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"No," she said, moaning it. "Don't."
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Her wrists hurt but that pain was now part of an overall
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aching like that aching in her nipples, and Tiny's hand was
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touching her now, his fingers probing, not cruelly, but probing,
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moving, they were inside her.
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"Oh no," she said softly. "Stop, god--"
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"It's nice, isn't it?" Tiny said. "You want this, don't you,
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Miss McKnight?"
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"No," she panted. "No. Please don't. Stop."
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Tiny's fingers probing, digging, finding--
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"God." A loud gasp. "Christ, what--"
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And Tiny's hand moving, fingers moving.
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Matt's hands.
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No. She wouldn't let this happen. She wouldn't do this. Not
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this way, not for them. Please. Please. No.
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"Stop," she said, pleadingly now. "Please stop."
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They didn't stop.
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Tiny was watching her.
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No. It couldn't be.
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His fingers. Moving.
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"Ahh," she said, gasping. "Oh god, oh, please, no, ahh, ohh,
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ahh, god you can't, you can't not like this, no..."
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"Not too loud," Tiny said softly, his fingers moving.
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"Ahh," she said, and now she was crying with shame, with
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humiliation, with hatred for them. "Ahhh!" And now she turned her
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head to bury her face in Tiny's shoulder, hiding her face from
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him and also muffling the sounds she was making, that wouldn't
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stop. "Ohh," she said. "Hahh. Hahh. Ahhh. Don't ohh unnhh. Ahh
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unnhhh. Nnnooo. Annhh. Hunh. Hooh. No please. I can't. Stop.
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Please. Ahh. Ohh. Huh. Hunnnhh. Aughh. Ahhh. Hahh! Hanhh! Haughh!
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HAUNNH! AUGGH! Augghhhh! Huh. Huh. Huh. Ohhhhh Chrrrristtttt."
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Body jerking. Spasming. Twisting. Writhing. Squirming, and
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finally shuddering to a stop.
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"Nice," Tiny was saying. "I told you you'd do tricks for us.
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Want to do it again, Miss McKnight?"
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She was crying and panting against his shoulder. "Bastard!"
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she gasped.
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"All right," Tiny said. "Then you do something for me now.
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Okay?"
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"I won't," she said, not thinking, not caring, shaking with
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humiliation and horror at what they had brought her to, her body
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giving in to their hands, just like a dumb animal, putty in their
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hands.
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"Matt," Tiny said, and Matt clamped her breasts again. Tiny
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saw her scream coming and with a swift hand in her hair held her
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mouth against his shoulder. Rasping, shaking breaths of pain came
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from her mouth, as he took that hand away now, knowing she
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couldn't--why couldn't she--rasping from her throat, Matt's
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crushing fingers--
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"Matt can be first," Tiny said. "I think Matt would like his
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cock sucked. Would you, Matt?"
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Matt may have nodded. She suddenly, through pain and shock
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(why shock? Why--) thought of how Matt had not said a word from
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the beginning. Was Matt dumb? What did it matter?
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"No," she said. Why did she say that? Oh god, they were
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going to bring her back to Galli, who would watch her in agony
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and listen to her scream for four or five or six days, and then
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kill her. What did it mean what they did to her now? But they had
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shamed her. Made her body do what they wanted it to do. What
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could they do now? "No," she said. "I won't." Through the growing
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pain. "Go to hell."
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And now Matt's hands moving away. Clutching at her blouse.
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Ripping. Ripping it apart. Pulling, tugging at her bra. The
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straps pulling away. Matt's hands now on her naked breasts. His
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fingers at her nipples. Pinching. Hard. She was moaning. Now his
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fingernails, digging at her nipples. Digging hard into that
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throbbing flesh as Matt clamped his fingers together, digging,
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puncturing, merciless, cutting into her, and she was twisting,
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bucking, whining shrilly in her throat, wracked with agony, and
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Tiny's hand was in her hair, dragging her head back, looking down
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into her rolling eyes.
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"All right!" she gasped, rasping. "All right! Don't!"
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"Tell me," Tiny said. "Tell me you'll suck Matt's cock for
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him, Miss McKnight."
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"I will!" she sobbed. "I will."
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"What?" Tiny's hand pulling viciously at her hair, Matt's
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nails digging brutally into her nipples.
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"I'll suck his cock!" she said. "I'll suck his cock! I'll
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suck his cock!"
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"That's nice," Tiny said, letting go. "All right, Matt."
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She was limp as they manipulated her body, laying her down
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on her stomach, lying across Tiny's lap, with her face above
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Matt's crotch. Matt had his tool out, bigger than she had thought
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it would be. Tiny's hands were sliding up her legs under her
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skirt. Matt was just sitting and waiting. Tiny's hand was moving
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higher. "Oh don't," she heard herself moan, and Tiny said, "Do
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it, Miss McKnight," and she opened her mouth and took Matt's
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thing into it, and did what they wanted.
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Matt didn't touch her at all. It took a long time, and at
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last Matt came in her mouth, and she swallowed it without being
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told. As she did, Tiny was pulling her panties down and off, and
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as she finished, Tiny pulled her up and drew her thighs across
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him, adjusting her until she was straddling his lap. Unzipping,
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he quickly found her and, following his guiding hands, she sank
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down on him.
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"Do it to me, Miss McKnight," Tiny said, and she did it for
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him, slowly, rising and falling. Tiny put his hands on her
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breasts and Matt was lying on his stomach and licking at her
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legs, and she was moving up and down on Tiny's stiff tool,
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looking over the back of his seat at all the dozing or reading
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passengers in the rows far away. And Tiny came into her.
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And then Matt and Tiny played with her body. They made her
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climax again, but she didn't care now, it was all shame and
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degradation, she had no will, no brain, nothing but fear. If she
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could only get away, not go back, survive--
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"Always," she gasped. "I'll be yours always. I'll go with
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you, I'll be your slave, your toy, don't bring me back to him.
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What do I have to do, I'll do anything."
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"Okay," Tiny said. "Show us."
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"How?"
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"Go to the bathroom."
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"What?"
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"Just as you are."
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"As I--" Her blouse was gaping open, her bra falling off,
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her skirt askew. And her hands bound in back of her. "I'll be
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raped."
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"Good," Tiny said. "If you do it, and don't say anything to
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anybody, and get back in one piece, we won't bring you back."
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"But I'll have to stay with you."
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"That's right."
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"All right," she said. And got up.
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It was dim, but not so dim that she couldn't be noticed. The
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bathroom was all the way in back. She had to walk past all the
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people. Her blouse showed half of her breasts, which thrust out
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with the position of her bound arms. She was walking up the aisle
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with staring eyes upon her, and she had to turn around to open
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the bathroom door, and when she was inside it opened again and a
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man came in.
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"Christ!" the man said, looking at her.
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"What do you want?" she said.
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He slapped her.
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"All right," she said. "All right. Don't hurt me." She sank
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to her knees.
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He took out his penis and stuck it in her mouth. "Slowly,"
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he said.
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She did it slowly. Swallowing.
|
|
|
|
"Keep it there," the man said, and began to piss into her
|
|
mouth. She swallowed it, crying, sobbing, swallowing it all.
|
|
"Please help me," she said. "I'll stay with you, I'll do
|
|
anything, please don't let them...those men..."
|
|
|
|
"Kiss me," he said.
|
|
|
|
"Get up." And when she had trouble getting to her feet, he
|
|
put his hand in her hair and pulled her up that way. "Kiss me,"
|
|
he said.
|
|
|
|
In desperation she thrust her body against him and put her
|
|
mouth on his and slid her tongue into his mouth, kissing him with
|
|
passion, crying.
|
|
|
|
After a minute he thrust her away. "Over the toilet," he
|
|
said. "I want to fuck your ass."
|
|
|
|
She lowered herself onto the tiny toilet seat, her hair
|
|
falling to brush the floor, her balance precarious, her behind
|
|
high. She felt her skirt being raised. "Ask me for it," the man
|
|
said.
|
|
|
|
"Please," she gasped, sobbing still. "Do it, do anything,
|
|
just please help me. Those two men--"
|
|
|
|
"Oh," he said, "you mean Tiny and Matt."
|
|
|
|
Startled, she twisted her head to look up at him, and he
|
|
laughed at the horror in her eyes as she realized the truth. And
|
|
then his hands were spreading her buttocks and he was plunging
|
|
into her, and her scream shook the bathroom walls with its
|
|
inexpressible burden of agony, terror, and utter helpless
|
|
despair...
|
|
|
|
They brought Patricia back to him bound hand and foot, and
|
|
tightly gagged.
|
|
|
|
But as soon as they were alone, Galli took away the gag and
|
|
ropes. Patricia sat still, knowing there was no way she could
|
|
escape now.
|
|
|
|
"Hello, Patricia," Galli said softly. "How good to see you
|
|
again."
|
|
|
|
"If you're going to kill me," Patricia said, "I wish you'd
|
|
just do it and get it over with."
|
|
|
|
But she knew he wouldn't. He would make her pay for running
|
|
away from him. He would want her to suffer as long as possible.
|
|
he would want to watch her as she did. Patricia tried not to
|
|
think of it. But she knew. It would be pain and horror and
|
|
torture. As only Galli could think up. For days, probably. Days
|
|
of agony and screaming and unimaginable torment. With John
|
|
enjoying it to the hilt. Until she finally died of it. Slowly.
|
|
Patricia knew. And what she saw in his eyes now was not
|
|
reassuring.
|
|
|
|
"Kill you?" Galli said as if surprised at such a notion.
|
|
"Why would I do that, Patricia? After all we've meant to each
|
|
other."
|
|
|
|
"Don't play with me, John," Patricia said. "I ran away. I
|
|
got caught. I know what that means. I saw it with Cathy,
|
|
remember?"
|
|
|
|
"Cathy was just a whore, Pat," Galli said. "You're not a
|
|
whore. You were my woman. My girl. My baby."
|
|
|
|
"All the worse," Patricia said. "Look, John, I'm sorry.
|
|
That's all I can say. I know it doesn't mean anything. I did it.
|
|
I'd probably do it again. Still, I'm sorry. I know you'll kill
|
|
me. Slowly. I just wish it could be quick. But I can't do
|
|
anything about it. So do what you're going to do."
|
|
|
|
"Such a brave girl," Galli said softly. "Such a good brave
|
|
girl. And so frightened. You're scared, aren't you, Patricia?
|
|
Really scared."
|
|
|
|
"Yes," Patricia said. "If that gives you satisfaction. Yes,
|
|
I'm scared. Now what?"
|
|
|
|
Galli looked at her for a long time.
|
|
|
|
"No," he said finally. "I don't think I'll kill you, Pat.
|
|
Now that I've got you back, I want you around. You'll be all
|
|
right. As long as you're a good girl."
|
|
|
|
Relief clashed with suspicion. This was ominous. "John--
|
|
what--"
|
|
|
|
"I know you want to be my lady again," Galli said. "Just
|
|
like it was. Don't you, Pat?"
|
|
|
|
"John--for god's sake--"
|
|
|
|
"Rather than be killed?" Galli said.
|
|
|
|
"Rather than be killed? Of course," Patricia said. "But--"
|
|
|
|
"I'm giving a dinner tonight," Gotti said. "For the big
|
|
boys. They'll all show up. I want you to be my hostess."
|
|
|
|
"It's a trick," Patricia said. "You want them to watch you
|
|
torture me."
|
|
|
|
"Why, Patricia," Galli said. "I won't hurt you at all. I
|
|
won't lay a hand on you. As long as you don't do anything
|
|
foolish."
|
|
|
|
"I won't," Patricia said. "I'll do just as you say. Is that
|
|
what you want?"
|
|
|
|
"Good," Galli said.
|
|
|
|
"Is this a formal dinner, John?" Patricia said. "I'm afraid
|
|
all my clothes got lost when--"
|
|
|
|
"Don't worry about that," Galli said. "I have all the things
|
|
you'll need, up in your room. I'm sure it will all fit perfectly.
|
|
Shall we go up now?"
|
|
|
|
"You're coming with me?" Patricia said.
|
|
|
|
"Well, of course, Patricia," Galli said. "You're my girl,
|
|
aren't you?"
|
|
|
|
"Yes, John," Patricia said.
|
|
|
|
They went upstairs.
|
|
|
|
At the door of Patricia's room a man was standing. "You know
|
|
Sid, don't you, Pat?" Galli said.
|
|
|
|
"Of course," Patricia said. "What's he doing here?"
|
|
|
|
"Sid will be your--bodyguard," Galli said. "I'm posting him
|
|
outside your room from now on. So nobody will bother you."
|
|
|
|
"And so I won't run off again," Patricia said.
|
|
|
|
"Now, Pat," Galli said, "as I told you, your clothing for
|
|
tonight is in your room. So you might as well get rid of that
|
|
stuff you're wearing. Sid will take care of having it cleaned for
|
|
you. Just give it to him."
|
|
|
|
"All right," Patricia said. "I'll bring it out to him after
|
|
I change."
|
|
|
|
"No," Galli said. "Why make him wait? Just give it to him
|
|
right now. All of it."
|
|
|
|
Patricia stared at him.
|
|
|
|
"John--"
|
|
|
|
"Right now," Galli said.
|
|
|
|
Now she saw. With sickening clarity. In the past it would
|
|
have been worth Sid's life to even look at her too lustfully. Not
|
|
that he hadn't. Patricia had always known of his lust for her
|
|
body. Ironically, she had always felt safe from that evil grin of
|
|
his because of John.
|
|
|
|
And now--
|
|
|
|
"All right," Patricia said finally. And standing there in
|
|
the hall, she took off her clothes. Almost defiantly, though her
|
|
throat was dry and her hands shaking, she turned to face Sid as
|
|
she stripped herself. Blouse and skirt. Shoes. Stockings. No
|
|
pause. Head up. Brassiere off. And panties. Off.
|
|
|
|
She stood, as Sid looked up and down her body, unafraid now.
|
|
This was what John wanted of her. Patricia stood still until John
|
|
Galli said, "Good girl. Come now," and opened the door of her
|
|
room. Patricia walked in, Galli following, closing the door with
|
|
Sid on the other side.
|
|
|
|
Patricia turned to him, trying to keep her voice steady.
|
|
"Did you tell Sid he could have me?"
|
|
|
|
John smiled. "Not in so many words. I allow him, however, to
|
|
live in hope."
|
|
|
|
"I see.."
|
|
|
|
"I will leave you now," Galli said.
|
|
|
|
"You will?" Patricia was surprised.
|
|
|
|
"Dinner will be at nine," Galli said. "Sid will call you
|
|
when you are to come down."
|
|
|
|
"What about my gown?" Patricia said.
|
|
|
|
"Your clothing for the night is in your closet, Patricia."
|
|
|
|
Patricia looked. All that was in her closet was a pair of
|
|
black high-heeled shoes sitting on the floor.
|
|
|
|
"There's nothing," Patricia said. "Just a pair of shoes."
|
|
|
|
"That's right," Galli said.
|
|
|
|
Patricia's stomach sank, but she kept her manner calm. "Oh,"
|
|
Patricia said. "I see."
|
|
|
|
"Good," Galli said. "Until nine, then," and went out.
|
|
|
|
Promptly at nine o'clock Sid knocked on her door. "Mr. Galli
|
|
says for you to come down now."
|
|
|
|
"All right," Patricia said.
|
|
|
|
Sid was gone when she came out. He would be downstairs, with
|
|
John, with the others, waiting for her to make her entrance.
|
|
Stark naked, but for the high-heeled black shoes.
|
|
|
|
Patricia moved to the stairs, stopped, took a long breath,
|
|
pulled herself up. Then, slowly, head high, she started down the
|
|
stairs, which led directly into the dining room. She knew her
|
|
body was flushed. That her nipples were stiff and firm with her--
|
|
what--embarrassment? Humiliation? Shame? Degradation? All of the
|
|
above. Which, of course, was John's motivation. That her breasts
|
|
bobbed and swayed enticingly as she walked. That her hips swayed
|
|
and her buttocks flexed and that her legs did sexy, sinuous
|
|
things with each step. And mostly that she was naked. That as she
|
|
came down the stairs, the men--it would be all men, she had no
|
|
doubt--sitting around the long dining table would react with
|
|
astonishment and lustful appreciation of her nudity, staring as
|
|
her luscious legs first came into view, then the curving thighs,
|
|
then the rounded hips and her dark, promising patch of pubic
|
|
hair, proclaiming unmistakably her total bareness to them all, to
|
|
the world. The mouth-watering shapeliness of waist and stomach,
|
|
the salacious-looking navel. And then the bare, bobbing, high,
|
|
firm, beautiful breasts. And finally her face. Patricia's face,
|
|
in some ways more exciting for them in this situation than her
|
|
naked body itself.
|
|
|
|
Patricia deliberately kept that face a blank, as
|
|
expressionless as she possibly could, as she reached the bottom
|
|
of the stairs and walked into the dining room. A dozen or so men
|
|
sat around the table. Looking at her. She stood. Looking only at
|
|
John. Head high. Body straight. Arms at her sides. Still. Naked.
|
|
|
|
John said, "I think you all know Patricia."
|
|
|
|
A murmur of greeting around the table.
|
|
|
|
"Gentlemen," Patricia said.
|
|
|
|
Sid, standing at the foot of the table, now pulled out the
|
|
chair for her. John was at the head. Patricia moved to the chair
|
|
and, as gracefully as she could, sat down.
|
|
|
|
Now Galli stood up. "Gentlemen," he said. "Thank you all for
|
|
coming tonight. This is a special occasion, in a way, because, as
|
|
you can see, Patricia is back. Patricia, stand up and take a
|
|
bow."
|
|
|
|
In spite of all she could do, Patricia felt herself flushing
|
|
again. But she did as she was told, standing up and bowing to
|
|
right and left, her breasts swaying, as all the men applauded;
|
|
then sitting down.
|
|
|
|
So this is what John had in mind for her. To degrade and
|
|
debase and humiliate her. To make her do it to herself. To show
|
|
her--and the world--that he still owned her, still had her in his
|
|
power. To grind her into the dust in punishment for defying him.
|
|
But for how long would he be satisfied with that? Patricia knew
|
|
that this particular ordeal was only the beginning. She swallowed
|
|
inadvertently as she thought of it. Most probably, she thought,
|
|
all these men had not been invited tonight just to savor the
|
|
sight of her body. Patricia had the distinct impression that John
|
|
was planning to make her the dessert at this dinner. If not the
|
|
main dish. John, as he had with Sid, would show his friends that
|
|
she, Patricia, once the untouchable property of John Galli alone,
|
|
was now a common slut. A toy, a plaything, which he could toss to
|
|
anyone he chose, give her to them, make her do what they wanted.
|
|
Anything they wanted. And that she would crawl to them and obey.
|
|
|
|
What was it to be, Patricia thought, trying to stay calm
|
|
with her heart pounding, her skin crawling. Would John have her
|
|
lie on top of the dining table, flat on her back, with her legs
|
|
apart, as each man in turn climbed on top of her and took her,
|
|
with all the others looking on? She had witnessed that done with
|
|
other girls. It was not a pretty sight. Or would it be her on her
|
|
knees on the floor, the men lining up in front of her, and she
|
|
forced to take their cocks into her mouth and suck them off, man
|
|
after man after man, all of them coming in her mouth, having to
|
|
swallow it all--except for the ones, there were always a couple,
|
|
who liked to shoot all over her face--sucking, licking,
|
|
swallowing, man after man after man after--Patricia had seen that
|
|
too. Had seen girls throw up after swallowing so much gism, and
|
|
paying for it by being forced to eat their own vomit off the
|
|
floor. Patricia felt sick. Or John might decide on a variation--
|
|
making her go under the table, crawling from man to man, taking
|
|
out their cocks and sucking each one in turn, as they ate. Or it
|
|
could be a combination of any of these things, or all of them.
|
|
|
|
Or worse.
|
|
|
|
But John had said she would not be hurt. As long as she was
|
|
a good girl. As long as she continued to participate docilely in
|
|
her own degradation.
|
|
|
|
Patricia had no choice. She could recall other scenes at
|
|
other dinners--dinners at which the centerpiece of the dining
|
|
table consisted of a girl, spread-eagled and bound; or standing
|
|
on the table with arms high over her head, wrists bound, ropes
|
|
stretching to a ceiling beam, body taut and straining; or lashed
|
|
to a pole, slowly turning for the full delectation of all; and
|
|
all of them screaming. Screaming in agony. Patricia could hear
|
|
those screams all too clearly. Could visualize the twisting,
|
|
writhing girls, and the things that were being done to them to
|
|
elicit such screams. All night long the howling and shrieking
|
|
would go on, as John and his friends watched, listened, enjoyed.
|
|
And finally sated their lusts in one way or another upon the
|
|
pain-filled, squirming, exhausted but horribly obedient body of
|
|
the tortured girl.
|
|
|
|
Anything was better than that. If dragging herself through
|
|
the mud of John's commands was what it took to keep her from
|
|
being in that position, she would go on doing just that. But how
|
|
long would that suffice? And when John got tired of toying with
|
|
her that way--what then? Patricia shuddered.
|
|
|
|
Galli was going on. "Now, in honor of Patricia's return,
|
|
I've put together a little show, a film, I should say--the show
|
|
will come later--with Patricia as the star. I'm sure you will all
|
|
enjoy the film immensely. It will show you just how talented our
|
|
Patricia is--and how she was able to win my heart. All right,
|
|
Sid--show them."
|
|
|
|
The room darkened, and a large screeen slid down from the
|
|
ceiling just beyond Galli's chair at the head of the table.
|
|
Patricia was facing it directly, and the others could watch it
|
|
easily from their seats. And--of course--could watch Patricia
|
|
also, as she watched it. The screen lit up, and Patricia's
|
|
stomach flipped over.
|
|
|
|
It was her on the screen. She was naked. She was kneeling,
|
|
no, crouching, on all fours, on the floor, with her breasts
|
|
swaying beneath her slightly moving body. She had a man's cock in
|
|
her mouth, and she was sucking on it. Avidly. Voraciously.
|
|
Lovingly. Assiduously. With lips and tongue and all of her mouth.
|
|
The cock, of course, was John's, but that was not obvious.
|
|
Whoever had run the camera had not cared much about the man's
|
|
face or his body. He had cared, most obviously, about Patricia's
|
|
face. And Patricia's body.
|
|
|
|
At first the camera showed all of her, crouching there, body
|
|
moving so slightly back and forth, thighs flexing, as she took
|
|
that cock in and out of her hungry mouth; then, slowly, it moved
|
|
in on her face, finally resting in a close-up view of that lovely
|
|
countenance and that open, sucking mouth sliding up and down
|
|
around John's cock, kissing, licking, swallowing, sucking.
|
|
|
|
Patricia sat stricken, watching. As the men around the table
|
|
goggled and stared and began making sounds of appreciation and
|
|
lust. As they stole occasional looks at her to see how she was
|
|
reacting to this new humiliation. Patricia knew her face betrayed
|
|
her astonishment, and her shame; but right now she was helpless
|
|
to control them. She hadn't known John had ever had such films;
|
|
had not been aware that any pictures were being taken. But John
|
|
had evidently made quite a hobby of doing that; for after this
|
|
first scene--after Patricia had watched in horror as she saw
|
|
herself taking John's gism down her throat, watched as that eager
|
|
camera caught the unmistakable movements of that throat,
|
|
swallowing, swallowing, to the hoarse, happy roars of the
|
|
watching men--a parade of further scenes filled the screen.
|
|
Patricia lying across a bed with her thighs spread wide, John
|
|
lying above her, taking her, as she wrapped her long luscious
|
|
legs about his waist, fucking him, tossing underneath him,
|
|
moaning--oh yes, there was sound too--and color--moaning and
|
|
whimpering and sobbing in ecstasy as she climaxed, body writhing
|
|
and thrashing. The men around the table looking at her again,
|
|
Patricia now unable to meet their gaze. Her head was swimming,
|
|
her body numb with an awful, inescapable shame as now the film
|
|
showed her crouching above John's body, taking him inside her,
|
|
straddling his hips and moving slowly, langorously, sensuously up
|
|
and down, up and down, fucking him. Now crouching on hands and
|
|
knees as John took her in the ass--a great roar greeted this one--
|
|
driving all the way into her ass as Patricia shouted with pain
|
|
and pleasure, pounding on the bed with her fists, kicking her
|
|
feet, squirming, twisting, yowling, sobbing, and then coming,
|
|
coming, coming, coming, again and again and again and again.
|
|
|
|
And the lights went on.
|
|
|
|
Patricia was crying now, softly, but uncontrollably, unable
|
|
to stop her sobs as all the men turned to look at her, watching
|
|
her with new eyes now, recalling those images of her, sucking and
|
|
fucking and twisting and coming. John was looking at her now with
|
|
undisguised triumph in his eyes. He had broken her.
|
|
|
|
"All right, gentlemen," Galli said. "I told Patricia that,
|
|
as long as she was a good girl and did as she's told, she
|
|
wouldn't be hurt. So I must ask that no one do anything to cause
|
|
any actual physical pain or damage. Aside from that proviso,
|
|
gentlemen--she's yours."
|
|
|
|
And so they had a ball with her.
|
|
|
|
All night long.
|
|
|
|
To add to their stimulation, John had the film run
|
|
throughout the night.
|
|
|
|
Patricia did everything they wanted.
|
|
|
|
They plundered her body all night, in every way they could
|
|
think of. She was on her knees for hours, sucking them one by
|
|
one. And she did throw up at last, and was made to eat her vomit,
|
|
and she did, and threw up again, and ate it again. She licked out
|
|
their assholes, gagging and retching, but there was nothing left
|
|
to bring up. She lay in the bathtub and let them piss on her, and
|
|
when told to open her mouth for their piss and to drink it down,
|
|
she drank. When they lay sated and limp, she dragged herself
|
|
around the room on hands and knees, sucking them to life again,
|
|
fucking their recumbent bodies, performing all the acts John
|
|
could come up with to make them climax inside her or on her body
|
|
or down her throat one more time.
|
|
|
|
John didn't touch her. Nor did Sid. But both watched,
|
|
watched it all.
|
|
|
|
All night long.
|
|
|
|
It was the following afternoon that Sid knocked at her door.
|
|
"I just want to talk," Sid said. "Can I come in?"
|
|
|
|
In her room, Sid said, "You know he's going to kill you.
|
|
Sooner or later. You know that."
|
|
|
|
"Yes," Patricia said. "I know that."
|
|
|
|
"I can get you out," Sid said.
|
|
|
|
"What?"
|
|
|
|
"Not like last time. That was dumb. But I can fix it so
|
|
he'll never look for you."
|
|
|
|
"How could you do that?"
|
|
|
|
"I'll fix it up," Sid said. "I can do it. You try to escape,
|
|
okay? I stop you. You fight. I shoot you. And there's a fire.
|
|
Okay? And a body. Supposedly you. Burned beyond recognition. But
|
|
it's you, okay, because I say so, and I say I shot you. Only it's
|
|
not you. But he thinks you're dead. He doesn't look for you,
|
|
you're dead. And you get away. For good."
|
|
|
|
"Why--why would you do this? If you get caught--"
|
|
|
|
"I won't."
|
|
|
|
"But why?"
|
|
|
|
"He's never going to let me have you," Sid said. "He says he
|
|
will, but I know. He'll give you to anybody else--to strangers--
|
|
but not to me."
|
|
|
|
"Oh," Patricia said.
|
|
|
|
"I want you," Sid said.
|
|
|
|
"I know. So you'll help me get away if I--"
|
|
|
|
"It's not that easy," Sid said.
|
|
|
|
"Oh," Patricia said. "Of course not. All right. What do you
|
|
want?"
|
|
|
|
"A month," Sid said. "I want a month of you. A month of your
|
|
life. One full month with you as my slave. Okay?"
|
|
|
|
"A month," Patricia said. "And then--"
|
|
|
|
"And then you'll be rid of me for good," Sid said. "But
|
|
during that month you'll be all mine. You'll do anything I say.
|
|
Always. I'll do everything to you. And you'll do it to me. Any
|
|
time I want. Any way I want. With anybody or anything I want. A
|
|
slave. You understand? A slave."
|
|
|
|
"A sex slave," Patricia said.
|
|
|
|
"That's right."
|
|
|
|
"All right," Patricia said. "I will do that."
|
|
|
|
"That's not all," Sid said. "There's something else."
|
|
|
|
"Oh," Patricia said. "Something painful, I'm sure."
|
|
|
|
"That's right," Sid said.
|
|
|
|
"What is it?"
|
|
|
|
Sid brought out his cigarettes and lighter. "This," he said.
|
|
|
|
"Oh, Christ," Patricia said.
|
|
|
|
"Three of them," Sid said. "One on each nipple. One between
|
|
your legs. That's it."
|
|
|
|
"Damn you!" Patricia said.
|
|
|
|
"That's the deal," Sid said. "That, and one month. Take it
|
|
or leave it."
|
|
|
|
Patricia swallowed. "It--it's better than dying, I suppose.
|
|
Especially the way John would do it."
|
|
|
|
"This happens right now," Sid said.
|
|
|
|
"Right now?" Patricia was pale.
|
|
|
|
"And you get out tomorrow," Sid said.
|
|
|
|
Patricia took a long, shuddering breath.
|
|
|
|
"All right," she said. "Do it."
|
|
|
|
"Take your clothes off," Sid said.
|
|
|
|
And Patricia stripped for him again.
|
|
|
|
"On the bed," Sid said. "Put your arms over your head and
|
|
grab the rail. And hold on."
|
|
|
|
Patricia obeyed.
|
|
|
|
Sid lit up a cigarette.
|
|
|
|
"Christ," Patricia said.
|
|
|
|
"This is one," Sid said, stroking Patricia's breast. "Are
|
|
you ready?"
|
|
|
|
"No," Patricia said unsteadily. "Do it. Go on, you bastard.
|
|
Do it."
|
|
|
|
Sid's eyes were bright. He brought the cigarette close to
|
|
Pastricia's breast. Patricia was panting. Sid touched the burning
|
|
tip to her right nipple, and slowly, slowly, ground it out,
|
|
pressing it into her flesh. Patricia's body stiffened, arching
|
|
from the bed, straining in pain. And Patricia screamed loudly.
|
|
Once. Twice. Started to scream a third time, but Sid put a fist
|
|
in her mouth.
|
|
|
|
"God," Sid said. "That was great. Jesus."
|
|
|
|
"You bastard," Patricia said, sobbing. "You're sick, you son
|
|
of a bitch."
|
|
|
|
"Two more," Sid said.
|
|
|
|
"I can't," Patricia said.
|
|
|
|
Sid just waited.
|
|
|
|
"All right," Patricia said.
|
|
|
|
"Hold on," Sid said. "Don't scream so loud this time."
|
|
|
|
"God damn you!" Patricia said. "How can I--"
|
|
|
|
"Here." Sid put a pillow by her face. "Bite on that."
|
|
|
|
Patricia's breath was rasping in her throat as Sid lit
|
|
another cigarette, slowly brought it toward her left nipple. Her
|
|
body shook. Her eyes widened with fear.
|
|
|
|
"God," Sid said. "I love this," and carefully and
|
|
methodically ground the red-hot tip against the stiff nipple.
|
|
|
|
Patricia turned her head and bit into the pillow, stuffing
|
|
her mouth down onto it to stifle the horrible animal shrieks that
|
|
tore from her throat, her body spasming and jerking and
|
|
convulsing.
|
|
|
|
Sid now tore off his clothing. His cock was stiff and
|
|
throbbing with lust. "Spread your legs," Sid said. Lighting a
|
|
third cigarette.
|
|
|
|
"Oh Jesus," Patricia said, crying hard, moaning, whimpering.
|
|
"Oh god please, wait, wait, please, Sid, no--"
|
|
|
|
"Do it," Sid said.
|
|
|
|
Patricia opened her legs for him.
|
|
|
|
"Wider," Sid said.
|
|
|
|
Patricia splayed her thighs, sobbing.
|
|
|
|
Sid put out the cigarette slowly. Right on her clitoris. And
|
|
as Patricia went out of her mind with pain, Sid took her,
|
|
flattening his body onto her, ramming his cock brutally into her
|
|
agony-filled vagina, and fucking her hard, hard, hard, into her
|
|
writhing, convulsing, spasming, twisting, bucking, squirming,
|
|
thrashing body, mashing his mouth onto her screaming mouth,
|
|
kissing the howling lips, taking her screams down his throat. And
|
|
John was standing by the bed, laughing and saying, "You fell for
|
|
it, Pat. Right into the trap. Do it to her, Sid. She's your
|
|
reward. You can burn her again later." And Patricia, in pain and
|
|
horror, struggled vainly as Sid fucked into her, kicking and
|
|
scratching, but only increasing Sid's pleasure.
|
|
|
|
And that night, in front of all those men around the dining
|
|
table, Patricia hung by her wrists, her hanging body turning,
|
|
twisting slowly in the air, taut, straining, flailing under John
|
|
Galli's whip, screaming and howling and begging and knowing she
|
|
was going to hurt until she was dead...
|
|
|
|
"You'll kill that lady, John, you don't stop that whipping
|
|
pretty soon."
|
|
|
|
It was Rocky Palumbo, a capo from Brooklyn, one of a very
|
|
few who could approach Galli's position.
|
|
|
|
"I know that," Galli said, smiling thinly. "That's part of
|
|
why I'm doing it, Rocky, as I'm sure you know. This--lady--is in
|
|
disfavor, all right? Having broken her as far as I want to, I am
|
|
now ridding myself of this trash. Any objection?"
|
|
|
|
"It's your business, John," Rocky said smoothly. "But, hell,
|
|
it's just that it must be a frightful waste. Such a gorgeous
|
|
young thing as that. Such a body. Shit, I could sure find a use
|
|
for her, if you can't."
|
|
|
|
"Too bad," Galli said. "This girl is through. The filthy
|
|
cunt bitch."
|
|
|
|
"Now wait, John. Wait just a moment. You don't want her any
|
|
more, how about we make a deal?"
|
|
|
|
"What kind of deal?" Galli said suspiciously. "Look, you
|
|
want the bitch again, I'll cut her down and you can go at her,
|
|
okay? For friendship's sake, okay? And as soon as you finish,
|
|
back up she goes and we can watch to find out how long the twat
|
|
can last. Whip her again, guys."
|
|
|
|
"Hold it," Rocky said. "John, my boy. Look. A quick fuck
|
|
with this doll is not what I had in mind, okay? You don't want
|
|
her? I do. Okay? I'll buy her from you. How much you want?"
|
|
|
|
"No," Galli said.
|
|
|
|
"Why no? Hey, John, you just want to kill the girl anyway,
|
|
right? So what do you lose?"
|
|
|
|
"My satisfaction," Galli said. "That's what. I want to watch
|
|
the slut die. Slowly. Painfully. And that's it. No deals."
|
|
|
|
"John," Rocky said slowly. "Name your price. What do you
|
|
want? How much? Just say."
|
|
|
|
"Fuck," Galli said. "No. Period."
|
|
|
|
"Anything you want, John. I know you must have a price. A
|
|
million? Two million? Just for a girl you don't want? How about
|
|
it?"
|
|
|
|
"Why do you want her that much? She's built and all, but
|
|
Christ--"
|
|
|
|
"I want her. I want to own her. Just as you did. Own her.
|
|
How much?"
|
|
|
|
"No."
|
|
|
|
"Damn it, John. Anything. At all. Anything."
|
|
|
|
Galli thought. "Yeah? Anything? Rocky? Anything I want?"
|
|
|
|
"Anything."
|
|
|
|
Galli grinned slowly. "Okay."
|
|
|
|
"What, John. What is it you want?"
|
|
|
|
"Dinah," Galli said. And his look shifted to the girl at
|
|
Palumbo's side. A tall, slim, sensuously built girl, fashionably
|
|
clothed, with long auburn hair and calculating dark eyes. Who now
|
|
was staring at him in astonishment. As was Palumbo.
|
|
|
|
"Dinah? What do you--"
|
|
|
|
"You said what did I want. I want Dinah. I'll swap you.
|
|
Patricia for Dinah. You take Patricia, I take Dinah. Even swap."
|
|
|
|
Dinah was still staring.
|
|
|
|
"You nuts?" Rocky said.
|
|
|
|
"No," Galli said. "No deal, Rock? Okay. That's what I
|
|
thought. Okay, on with the show, boys."
|
|
|
|
"Okay," Rocky said.
|
|
|
|
"What?" Dinah jumped up. "What are you doing, Rocky? Are you
|
|
crazy? You can't--"
|
|
|
|
"Shut up," Palumbo said. "Cut her down, John. I'll take her
|
|
with me right now."
|
|
|
|
"Wait!" Dinah said. "Rocky, for god's--"
|
|
|
|
"You beling to Galli now," Rocky said. "That's it, baby."
|
|
|
|
"Why you--the fuck that's it! I don't get thrown away just
|
|
like that and traded off to--Jesus, Rocky, you son of a bitch! If
|
|
you think you can--"
|
|
|
|
Rocky hit Dinah hard across the face.
|
|
|
|
"Yeah, I can. And I am. So just shut up. You stay with
|
|
Galli, you get that? And don't give him no hard time. Or I think
|
|
he's gonna put you up there where Patricia is. So long, baby."
|
|
|
|
"No! Bastard! Filthy cocksucking shit! I won't! I'm not
|
|
staying anyplace! I'll kill you! I'll--"
|
|
|
|
"Harry," Palumbo said. "Hold her."
|
|
|
|
Palumbo's bodyguard took hold of Dinah's arms and pulled
|
|
them roughly in back of her, holding her still though Dinah was
|
|
struggling and thrashing around. Finally Dinah stood panting and
|
|
twisting futilely in Harry's grasp, arms pulling tightly back,
|
|
body thrusting helplessly forward.
|
|
|
|
"Now, bitch," Rocky said, grasping Dinah's gown in front and
|
|
pulling hard, ripping it all the way down to her waist along with
|
|
its built-in bra, so that Dinah's breasts were bared. All the
|
|
company gazed avidly at Dinah's high round shapely naked breasts,
|
|
swaying and bobbling as her body writhed. "Now, baby," Palumbo
|
|
said roughly. "You going to do what I tell you? How about it? You
|
|
want to tell John how you belong to him? Huh?"
|
|
|
|
"Go fuck yourself, you filthy son of a bitch!" Dinah panted.
|
|
|
|
"Shit," Rocky said, and raising his big right hand he
|
|
whipped it hard across Dinah's breast. Dinah screamed loudly.
|
|
Rocky backhanded her across the other breast.
|
|
|
|
"Aaahh! Stop! Jesus!" Dinah said.
|
|
|
|
"How about it, Dinah?" Rocky said. "You want to say that to
|
|
John?"
|
|
|
|
"Fuck off!" Dinah said, sobbing. "Shithead cocksucking--"
|
|
|
|
Rocky hit her breast again.
|
|
|
|
"Haughh! Don't!"
|
|
|
|
"Come on, Dinah, baby. Tell me you want to say that to
|
|
Galli." Whap! Across the other breast.
|
|
|
|
"Aaauughh! Please--Rocky--"
|
|
|
|
"Tell me you want to," Rocky said, and hit her again,
|
|
forward and back. "Tell me you want to, Dinah." Whap! Whap! "Tell
|
|
me that." Whap! Whap!
|
|
|
|
"AARGGHH! All right! All right! You bastard! No!! Yes! I
|
|
will! All right! I will!"
|
|
|
|
WHAP!
|
|
|
|
"AUGGH NO CHRIST JESUS PLEASE I WILL YES I WANT TO YES I
|
|
WANT TO PLEASE DON'T PLEASE..."
|
|
|
|
"Okay," Rocky said. "So do it. Go over to John and get down
|
|
on your knees to him, okay? And then tell him what a dirty filthy
|
|
slut you are and how you belong to him now and how you'll do just
|
|
what he says. Always. Any time he wants you, any place, any way.
|
|
Right, Dinah, baby?"
|
|
|
|
"Rocky--please--"
|
|
|
|
WHAP!
|
|
|
|
"AARRGHH! NO! All right. Yes. Yes, Rocky. I will. Yes."
|
|
|
|
At Rocky's nod, Harry let Dinah go. Dinah on wobbly but
|
|
perfect legs walked slowly to Galli, shaking. And got down on her
|
|
knees. And said, in a shaky voice, "I--I belong to you. I--I'm a
|
|
dirty filthy slut. I--I'll do anything you say. Always, any time,
|
|
any place, any way." She was sobbing.
|
|
|
|
"Thank you, Rocky," Galli said. "And Patricia will do the
|
|
same for you. Won't you, Patricia."
|
|
|
|
"Yes," Patricia said, still hanging from her wrists.
|
|
|
|
"You should," Galli said. "Palumbo is saving your fucking
|
|
worthless life. Cut her down."
|
|
|
|
Patricia's wrists were still bound as she knelt in front of
|
|
Palumbo, body aching horribly with the pain of the whipping. "I
|
|
am yours," Patricia said. "Any way, any time. Thank you."
|
|
|
|
"Kiss my boots," Rocky said, and Patricia did.
|
|
|
|
"Patricia," Rocky said, "I didn't want Galli to kill you
|
|
because I want to own you. But I might make you wish I'd let John
|
|
kill you anyway. I'm going to hurt you worse than John did. You
|
|
don't think that's possible, right? You think you'd go through
|
|
anything to stay alive. You're wrong, Patricia. I'm going to
|
|
treat you like a dog--only a dog can't scream in pain as you
|
|
will, Patricia, and a dog can't suck cock as you can. But you can
|
|
suck a dog's cock, Patricia. Did you ever do that, Patricia?"
|
|
|
|
"No."
|
|
|
|
"You will, Patricia. In between screams. Now you can say you
|
|
want to be mine, Patricia. Say it."
|
|
|
|
"I want to be yours," Patricia said.
|
|
|
|
"Sid," Palumbo said, "I need an assistant for this lady. To
|
|
train her, to discipline her, to put her in her place. You want
|
|
that job, Sid?"
|
|
|
|
"Oh no," Patricia said. "Not him. Not that. Please. Please
|
|
not him. Please. Oh god please."
|
|
|
|
Galli smiled. "Patricia darling, you just brought Sid down
|
|
on yourself. I wasn't about to allow him to go anyplace. But as
|
|
it gives you so much fright and horror, it's naturally what I
|
|
want to happen to you. Go on, Sid, with my blessing."
|
|
|
|
"Thanks," Sid said. "I'm going to enjoy the shit out of this
|
|
job!"
|
|
|
|
"And I'll take Harry," Galli said. "Tit for tat. Harry can
|
|
assist me with Dinah."
|
|
|
|
"Harry will love that," Palumbo said. "I always made him
|
|
stay away from Dinah."
|
|
|
|
"Not Harry," Dinah said.
|
|
|
|
"How fascinating," Galli said. "Dinah, crawl over to Harry
|
|
right now and ask him if you can suck him off."
|
|
|
|
"I won't do that," Dinah said. "I don't care if you kill
|
|
me."
|
|
|
|
"I won't kill you," Galli said. "But I will hang you up just
|
|
as Patricia was hanging, and I will ask my boys to start whipping
|
|
you, just as hard as they can. All over. And after ten lashes I
|
|
will ask you if you will do it. And if you say no, I will ask you
|
|
again, after twenty lashes. And if you say no, I will ask you
|
|
again, after thirty lashes. And if you say no--"
|
|
|
|
"All right," Dinah said. "I'll do it."
|
|
|
|
"I know you will, Dinah," Galli said. "I never had any
|
|
doubt. Go on."
|
|
|
|
And Dinah crawled on all fours to Harry, across the room,
|
|
and said, "H-harry, m-may I--may I--s-suck you off?"
|
|
|
|
"Any time, baby," Harry said.
|
|
|
|
Dinah was crying. Looking at Galli, she said shakily, "Do I
|
|
have to?"
|
|
|
|
"Oh yes," Galli said.
|
|
|
|
And Dinah did. As all the company watched, panting.
|
|
|
|
"Patricia," Palumbo said then. "Did you ever suck Sid off?"
|
|
|
|
"Yes," Patricia said.
|
|
|
|
"How is she, Sid?"
|
|
|
|
"Fantastic," Sid said. "Fabulous. Especially if she's
|
|
hurting like hell at the same time. Nothing like that mouth when
|
|
it's crying and sobbing and moaning with pain."
|
|
|
|
"I can't wait to try that," Rocky said. "Dinah has a good
|
|
mouth too. As I'm sure you'll find out soon, John."
|
|
|
|
"I think all of us will," Galli said. "For I think I'll ask
|
|
Dinah to do for all of us, right now, what she just did for
|
|
Harry."
|
|
|
|
Dinah shook her head, her eyes wild. "For god's sake!" Dinah
|
|
gasped. "I can't! Please!"
|
|
|
|
"Christ," Sid said. "I'd like to stick around for that. I
|
|
wouldn't mind trying out that fucking stuck-up mouth myself. How
|
|
about it, Mr. Palumbo?"
|
|
|
|
"Ah, but Dinah's mouth is familiar ground to me, Sid. And I
|
|
must say I'm most anxious to have the beautiful Patricia to
|
|
myself. But all right. I'll wait. Perhaps Sid can go first with
|
|
her, is that all right, John?"
|
|
|
|
Dinah was moaning and crying. "I can't do this," Dinah
|
|
sobbed. "I can't do this, please, I can't."
|
|
|
|
"But you will," Galli said. "Won't you, Dinah?"
|
|
|
|
"You'll whip me anyway," Dinah said. "I know it. You'll whip
|
|
me and do anything you want to me. I might as well die now. Why
|
|
should I do this. So I can debase myself for your fun. Why?"
|
|
|
|
"I'll show you," Galli said. "Harry?"
|
|
|
|
It didn't take long. It took a bit of burning flesh, a bit
|
|
of skillful manipulation, and quite a lot of screaming. Dinah
|
|
threw up twice, and had to clean it up. With her tongue. And then
|
|
Dinah was on the floor, retching and moaning and panting and
|
|
gasping and begging to be allowed to do what Galli wanted her to
|
|
do.
|
|
|
|
And so she did it.
|
|
|
|
Sid was not first; Galli was first. Sid was next. And then
|
|
all the others, men and women, one after another. It took a long
|
|
time, and at the end of it Dinah threw up again. This time Galli
|
|
had her clean it up with her hair.
|
|
|
|
And thus Patricia was still living.
|
|
|
|
For many days Palumbo did nothing but fuck her, hour upon
|
|
hour. Using all of her body. Usually she was kept bound on his
|
|
bed, wrists lashed together and tied to the top rail. If Palumbo
|
|
was in a vicious modd, she would be spread-eagled to agonizing
|
|
tension, or bound on her knees with her hair lashed to her
|
|
wrists, pulling her head so far back that she couldn't close her
|
|
mouth. But usually it was just bound wrists above her head. That
|
|
way Rocky could use any part of her, fucking her cunt, or
|
|
straddling her breasts to fuck her mouth, or turning her over to
|
|
fuck her ass. For hours.
|
|
|
|
And Sid did too. And many of Palumbo's friends and
|
|
associates.
|
|
|
|
And also, as Rocky had said, his dog.
|
|
|
|
It was a big black slobbering beast and Patricia knew that
|
|
nobody had ever known such degradation, such defilement, such
|
|
disgusting horror in the history of this world. But if she didn't
|
|
do as Rocky said he might send her back to Galli. That was
|
|
unthinkable. But so was this. And as Rocky's pals and
|
|
acquaintances and various hangers-on and girlfriends stood around
|
|
to watch the show, to watch the forcible degradation of this
|
|
slave of Rocky's, this mouth-wateringly attractive young woman,
|
|
Patricia did what she had to do. Fucking the dog. And sucking him
|
|
hard again. And fucking him again. And sucking him again, this
|
|
time bringing him off with her mouth and swallowing his gism.
|
|
Fighting, straining not to throw up, for Rocky would punish her
|
|
for that.
|
|
|
|
Rocky would hang her up by her hair and watch her swing,
|
|
pushing her body with his foot as it began to stop swinging,
|
|
watching in delight and listening contentedly to Patricia's loud,
|
|
resounding howling, as another girl, crouching at his feet,
|
|
slowly, carefully sucked on his cock.
|
|
|
|
On Friday nights Rocky had a party for his pals. Men only.
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But for Patricia, who, as guest of honor, was hung spread-eagled
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in the archway of the living room. Stark naked. Tautly stretched.
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In agony. All night long. During that long night, any man who
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wanted to could whip her with his belt. Or put out his cigarette
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on her body. At times they played darts, with Patricia's nipples
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as the bullseye. And as it got late, they would cut cards to see
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who got first crack at her mouth, at her ass, and at her cunt.
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And finally Palumbo would cut her down and for the rest of the
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night Patricia would fuck them, and crawl for them, and do their
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bidding, and suck the dog for them.
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On Sundays Rocky went away and left Sid to play with her.
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Sid always did his tricks with his cigar. And after Patricia had
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spent hours screaming and twisting and howling and begging and
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mewling and squirming and writhing and thrashing and yelling and
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bucking and sweating and crying and moaning and shrieking and
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kicking and flailing, Sid would make her do to herself the things
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he had just done to her. Sid's face would light up with sick joy,
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watching Patricia, crying, choking, burn her own thighs and
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breasts. Again and again and again. And then Sid would fuck her,
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laughing at her pain and agony, fucking her and making her suck
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him, suck him slowly, pulling at her hair and twisting with joy
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on the bed with the pain-wracked ministrations of Patricia's
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moaning, quivering mouth and lips and tongue.
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And Rocky would return and make Patricia recount to him all
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that Sid had done to her, and as she did that, crying, Rocky
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would fuck her slowly, joyously, and Sid would fuck her ass, and
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with her mouth she would suck the dog.
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But one day Patricia ran away, ran back to John Galli and
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said, "All right. Kill me." But Galli only made Patricia suck
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Dinah's cunt, and then Dinah had to suck Patricia's cunt.
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Until the FBI man who had been on the plane arrested Galli.
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"It's you," the FBI man said, and slapped Patricia's face
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hard. Patricia went to her knees. "Crawl," he said. "Both of
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you."
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Patricia and Dinah had to fuck sixty cops and still didn't
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get away...
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