162 lines
9.4 KiB
Plaintext
162 lines
9.4 KiB
Plaintext
|
||
The Encounter
|
||
|
||
Part 1
|
||
|
||
|
||
The ways of love are many, or so they say. And I have been very attracted to
|
||
many men. Some I have known, in the Biblical sense, others only glimpsed from
|
||
a distance. Why can a stranger seen only briefly start the electricity flowing
|
||
through my body? Why can the thought of new hands touching my breasts make
|
||
them so excited? What activates the hormones, when I observe a man walking
|
||
toward me with obviously large equipment?
|
||
|
||
And why did I see you and know immediately that we would become lovers?
|
||
Walking around at lunchtime, looking for a new dress to ease my depression I
|
||
bumped into you, literally. I was looking in the shop window and you were
|
||
reaching into your suit pocket when it happened. I almost stumble and you
|
||
reach to steady me, brushing my breast with your open hand.
|
||
|
||
The immediate reaction in my breast must have been noticeable to you too,
|
||
through the silk blouse. It was more than a desire to know you, it was instant
|
||
knowledge that we were destined to have a place and time together. You smile
|
||
and take my hand, asking if I am ok. I smile back, a slightly embarrassed
|
||
smile. Not so much for my clumsiness as for the thoughts running through my
|
||
head.
|
||
|
||
It is said the best measure of a man's cock is his hands and fingers. Your's
|
||
are strong and long and wide. This too intrigues me. I was thoroughly loved
|
||
just last night and do not understand the sudden stirring I am experiencing.
|
||
You lean down and look into my blue eyes asking again if I am all right. I
|
||
didn't realize I had not yet answered your previous inquiry. Yes, I nod. And
|
||
unconsciously squeeze your hand tighter.
|
||
|
||
Only now do I notice my purse had fallen and spilled on the sidewalk. You
|
||
release my hand and begin to pick up the lipstick, keys, wallet, loose change
|
||
and other sundries. As you pick up the open business card case I notice you
|
||
study the name and number carefully. You comment that we work in the same
|
||
building and perhaps we could have lunch sometime. My heart pounds and I
|
||
almost ask if now is too soon.
|
||
|
||
Handing me my purse you also press your hand in mine again. I ask your name
|
||
and apologize for running into you. (Why do we always lie in these situations?)
|
||
You tell me it was your fault and take a card from your pocket, handing it to
|
||
me also. I notice your name, Trevor Martinsen, III. Business consultant. Not
|
||
knowing what to do or say next I'm relieved when you ask if you may call me.
|
||
Taking my own card and quickly writing my home phone number on the front I
|
||
answer yes, please do.
|
||
|
||
There seems no graceful thing left to do but thank you and to walk off. You
|
||
smile again, a great warming smile and wink at me. Promising to call me soon
|
||
you walk off. I move very slowly from the spot hoping you will in fact call,
|
||
very soon. Shopping is no longer important. I think I found what I was
|
||
looking for........
|
||
|
||
|
||
Part 2
|
||
|
||
All afternoon it seems I fantasized about you. So hoping you'd call and
|
||
suggest a quiet dinner, or just a drink after work. Every time the phone rang
|
||
I jumped. To say I was unproductive was truly an understatement. There was no
|
||
possibility of running into you in the elevator, since you were 8 floors away
|
||
and used a separate bank of them.
|
||
|
||
Just as I was beginning to think you weren't going to call the delivery boy
|
||
arrived. What incredibly beautiful yellow roses! And the card was special,
|
||
too. It merely said, "I Don't believe in Accidents. Please meet me in the
|
||
same place at 5:15. TM." My heart pounded, and the smile on my face was
|
||
described by a co-worker as bordering on obscene.
|
||
|
||
I must have checked my hair and make-up at least five times. The afternoon
|
||
which had previously been moving so slowly now seemed to stop entirely. Would
|
||
5:15 never come? Why was I so incredibly excited? Where would we go? Would I
|
||
be able to speak intelligently, this time? I kept fingering and sniffing the
|
||
flowers to convince myself this was really happening.
|
||
|
||
At last it was time to leave the office and proceed to the street again. My
|
||
breathing was inconsistent and my normal walk with the perky stride was
|
||
impossible. I alternated between almost running and slowing to a very slow
|
||
pace, trying to arrive at precisely the right time. As I approached I was
|
||
disappointed to see no one there. Suddenly, a car horn broke into my thoughts
|
||
and there you were. A Black 1957 Thunderbird, with a white top. Naturally it
|
||
was in mint condition and sparkled all over. You reached over and opened the
|
||
door for me. As I climbed inside my dress raised a little to show you my left
|
||
thigh.
|
||
|
||
We seemed to talk at once. I said "Hello, thanks for the roses and I love the
|
||
car". You saying, "Hi there, glad you got my note and were able to meet me on
|
||
such short notice".
|
||
|
||
You looked even better than I remembered. You had removed your jacket and
|
||
loosened your tie. After I was safely strapped in the seat you casually
|
||
reached over and took my hand and kissed the back of it. Again I saw that
|
||
killer smile of yours and thought I must be dreaming to think this man is not
|
||
heavily involved with several ladies already.
|
||
|
||
We pulled away from the curb and you asked if I liked sailing. Very
|
||
enthusiastically I said "oh, yes, I love sailing." We headed away from the
|
||
high rises and toward the water. A short time later, pulling up at the yacht
|
||
club the valet came to take the car. He opened my door first and I stepped out
|
||
looking around carefully. I'm still breathless and all you did was smile at me
|
||
and kiss my hand.
|
||
|
||
You exit the car and open the truck removing a large duffel bag. Coming to my
|
||
side you casually place your arm around my waist and guide me toward the
|
||
marina. So many lovely boats are berthed here, which one is yours? You move
|
||
your arm to unlock the gate and I pass through first, waiting as you again take
|
||
my hand and lead me down the ramp. These ramps were not meant for high heels
|
||
and you are careful to go slowly. Finally we walk past several slips and come
|
||
to the last boat. A beautiful 45 foot, motor sailor. We climb the 4 steps and
|
||
you lift me over the side. "Welcome aboard", my new friend. This is "The Last
|
||
Resort". "Hope you like her".
|
||
|
||
"Like her, I love her. She's gorgeous." You take my hand again and show me
|
||
all that's to be seen topside and then we go below deck. It's surprisingly
|
||
spacious below. Two large cabins, a galley, the head, the engine compartment
|
||
and lots of storage areas. The galley is very well outfitted, including a
|
||
microwave. I even see a computer in one of the staterooms.
|
||
|
||
If I were to write a romance I couldn't have done it any better than this one
|
||
is beginning. The boat, the car, you are all exactly what I want. Slowly you
|
||
place your hand on the nape of my neck and press your fingers gently. I'm so
|
||
relaxed and yet still so excited. What an incredible feeling. At last, you
|
||
lean down and kiss me. Very lightly and so gently. Your lips are soft and
|
||
parted slightly. I respond, trying hard to control myself. As you break from
|
||
the kiss you smile again and ask if I would like to change into something else.
|
||
|
||
Somehow I expect you to have a wide array of female apparel here, in various
|
||
colors and sizes. You tell me you can only offer one of your shirts, but since
|
||
it is nearing darkness no one will be able to see but you and I.
|
||
|
||
I can now appreciate the Van Husen commercials better. The blue oxford cloth
|
||
shirt felt wonderful against my skin. My upper thighs are covered by it and
|
||
the tails tickle me as I walk, barefooted of course. I have the sleeves rolled
|
||
up to my elbows and the top three buttons open. Hopefully you can only guess
|
||
that I have removed my bra, leaving me dressed in only bikini panties and your
|
||
shirt. You also change to tight often-washed jeans and a polo shirt, looking
|
||
spectacular. But then you'd look good in a paper sack, I'm sure.
|
||
|
||
You lead me to the galley and ask me to be seated at a small table there. The
|
||
shirt pulls up exposing most of my thighs as I sit. You open the refrigerator
|
||
and take out a bottle of Cabernet Blanc. Opening a cabinet and removing two
|
||
lovely wine glasses and then a cork screw. You sit opposite me and open the
|
||
wine. I'm getting very warm just watching you. Slowly you pour each of us a
|
||
glass, handing me one. Offering a toast you say "to the new lady in my life".
|
||
I sip the wine and notice it's slightly oakey flavor. You ask if I would like
|
||
to go on deck. I agree and we take out glasses and the bottle up the stairs. I
|
||
know you can see all of me as I climb the steps ahead of you. Did you notice
|
||
the wetness of my skimpy panties?
|
||
|
||
We settle on a bench seat aft and you gently place your arm around me, pulling
|
||
me closer. This time you kiss me longer and deeper. I feel your tongue enter
|
||
my mouth and press against mine. The feeling of electricity is instantaneous.
|
||
My tongue searches for yours and you cause a gentle pressure as we kiss for
|
||
several minutes. Placing my wine glass on the bench I reach to caress you with
|
||
both arms. Pressing my body against your chest you now know I have very little
|
||
clothing on. My nipples are erect and surely you can feel them through your
|
||
cotton shirt. You hold me tightly and continue the kisses. Finally you move
|
||
your head and kiss my cheek and then my neck. Oh, I love this so...........
|
||
|
||
(to be continued)
|
||
|
||
|