470 lines
21 KiB
Plaintext
470 lines
21 KiB
Plaintext
Slaying the Green Dragon
|
|
by Cory Kerens
|
|
|
|
Carla and I have been lovers for a while now. Although I have a
|
|
husband and another lady love, and Carla has as many lovers as
|
|
there are days in the week, still the bond between Carla and me is
|
|
special. Of course, making her lovers feel special is something that
|
|
Carla is awfully good at. For example, Carla would look at me
|
|
appreciatively and say, "Mmmm. I love tall women." This is true, but
|
|
like many of the things Carla says, it isn't the WHOLE truth. If I
|
|
were a foot shorter, Carla would look at me, and with equal sincerity
|
|
say, "Mmmm. I love petite women." And, of course, if I were
|
|
medium-sized, she would tell me, entirely truthfully, that she loves
|
|
women who are neither too big nor too small. The fact is that Carla
|
|
just plain loves women, period. But, since I love them, too, I can't
|
|
complain.
|
|
|
|
Carla is as tall as I am but bigger-boned, and where my hair is fair
|
|
and straight, hers is black and curly. Carla is a sculptor, and when
|
|
she laughingly threatens to "go commercial," as she does periodically,
|
|
she says that she could make a GREAT pair of salt and pepper shakers
|
|
out of us. She only does this so that I will threaten mayhem on her
|
|
person if she goes through with it. Carla likes a little mayhem from
|
|
time to time. Well, so do I.
|
|
|
|
Friday night, Carla was due to have a show of her new pieces, and of
|
|
course I was planning to go. Her last show, two years ago, was a
|
|
series of mother-daughter pairs -- some loving, some fighting, some
|
|
coldly indifferent. Carla's work is always very realistic and packed
|
|
with emotion, and lots of butch-looking dykes broke down and cried at
|
|
the last show. Yeah, a lot of women have some left-over
|
|
mother-daughter shit to take care of, and Carla knew how to tap into
|
|
it all. Carla had been mysterious about the theme of her new series;
|
|
all she would say was, "It'll get you where you live, Polly." (My
|
|
name is actually Leah, but Carla almost always calls me Polly. She
|
|
says it's short for "polymorphously perverse," which is partly a
|
|
Carla-style compliment and partly ragging on me for being bi when she
|
|
herself is pure dyke. It's typically Carla to combine a compliment
|
|
with an insult, so I wouldn't know whether to squirm, defend myself,
|
|
or feel proud when she called me Polly. Yeah, she's a bitch, but
|
|
she's also magnetic as hell. I can't get enough of her.)
|
|
|
|
So, I dressed myself up and took myself off to the opening. There was
|
|
a small crowd of women already present when I got there -- I had timed
|
|
my arrival so that this would be true. I didn't want Carla standing
|
|
over me when I first saw her pieces -- I wanted to be able to react to
|
|
them honestly.
|
|
|
|
I approached the first piece in the show and started to giggle. Like
|
|
her previous show, this show appeared to be of a series of life-size
|
|
pairs of women, but they weren't mothers and daughters. The first
|
|
piece showed Carla and Mary; in fact, it showed Carla with her fist
|
|
inside of Mary. It'd met Mary several times and had even had a
|
|
threesome with her and Carla once, and she did indeed like fisting --
|
|
that was what made me giggle -- Mary looked EXACTLY as she had looked
|
|
when I last saw her -- head thrown back, mouth gasping for air, cunt
|
|
stretched impossibly wide. Carla was wearing a sexual grimace
|
|
herself, and I wondered how Carla the sculptor knew what Carla the
|
|
sexual person looked like while in the act. Does she masturbate and
|
|
then run to the mirror, I wondered, or did she photograph herself
|
|
somehow? It seemed somewhat disconcerting to appraise oneself
|
|
dispassionately enough to sculpt when one was engaged in the most
|
|
passionate of activities. If sculpting required dispassionate
|
|
appraisal, however, the result left the viewer anything but
|
|
dispassionate -- looking at Mary's sculpted form made my fingers itch.
|
|
|
|
The next piece showed a standing Stephanie, legs spread wide, and a
|
|
kneeling Carla with her mouth on Stephie's vulva. I'd met Stephie at
|
|
parties at Carla's house and wondered what she looked like under the
|
|
baggy garments she often wore. Now I knew, and I liked what I saw.
|
|
Tasty-looking pussy, too.
|
|
|
|
In the third piece, Connie and Carla were sucking each other's
|
|
nipples, which would have been somewhat tame compared to the first two
|
|
pieces if it were not for the incredible greed that Carla had managed
|
|
to portray on both faces. Carla always did like to suck a lot on a
|
|
person's tits; I gathered Connie did, too. Looking at them, I decided
|
|
I couldn't think of it as foreplay anymore.
|
|
|
|
The fourth, fifth, and sixth pieces were all of Carla making vanilla
|
|
love to three of her many loves. I knew all of them, of course, and I
|
|
was amazed at how well she managed to make each woman's personality
|
|
come through. What a gifted sculptor she was!
|
|
|
|
The seventh and last piece was different. It showed Carla, whip in
|
|
hand, arm upraised, about to beat a woman who was lying belly down but
|
|
with her head turned round to look at Carla, an incredibly lacivious
|
|
expression on her face. The small brass plate at the bottom of the
|
|
piece read "Samantha." It wasn't anybody I'd ever seen before. It
|
|
wasn't anybody I'd ever even HEARD of before. "Why didn't she tell
|
|
me?" I thought. "Is there some reason for keeping this woman a
|
|
secret?" I tried to think of a reason why Carla would hide Samantha
|
|
from me. "Does Carla like her better than me, and that's why she can't
|
|
tell me about her?" As soon as I heard myself saying this, I was
|
|
overcome with shame. "Oh, shit, not JEALOUSY. I thought I'd gotten
|
|
over that." Evidently I had not gotten over it, because here it was
|
|
again, beginning to consume my love and my reason and my better
|
|
nature.
|
|
|
|
I found Carla, told her the show was magnificent, even better than the
|
|
last one, and left as quickly as I could. I tried to act normally
|
|
while doing it, since I didn't want to ruin her show with my
|
|
childishness, and I think I succeeded.
|
|
|
|
As soon as I got home, I gave in to my feelings. I was angry with
|
|
Carla for loving others more than me. I felt hurt that she had lied
|
|
to me. My pride was wounded, and my self-esteem. One minute, I felt
|
|
scared that I would lose her; the next minute, I declared to my empty
|
|
apartment that I was through with her -- we were finished, over,
|
|
kaput. The next minute, the thought of never seeing her again made me
|
|
cry as if my heart would break. And overlaying it all was shame.
|
|
Shame that I was feeling such a dishonorable emotion as jealousy,
|
|
shame that I was engaging in sniveling self-pity, shame that I seemed
|
|
to care more about my own foolish insecurities than about Carla's
|
|
happiness. It was not a pretty sight.
|
|
|
|
Eventually I stopped raging and crying and making resolutions, but I
|
|
still didn't feel that I had resolved anything. I was still angry at
|
|
Carla, and I was still ashamed of being angry at her. I spent the
|
|
next few days avoiding her, hoping to put myself back together before
|
|
I saw her again.
|
|
|
|
But, Friday was my night (when you have as many lovers as Carla has,
|
|
some scheduling is necessary), and we had a date to go out dancing. I
|
|
could break it, or I could show up. There was never any chance that I
|
|
would break it, but I was afraid to show up, too. I always was a
|
|
coward.
|
|
|
|
I picked Carla up in my battered green Volkswagen and drove to CG's,
|
|
the local gay bar/disco. When we got there, she didn't get out of the
|
|
car, but turned and looked at me.
|
|
|
|
"I was surprised you didn't stay for the party after opening night."
|
|
|
|
"I wasn't feeling too well," I said. This was true, I figured --
|
|
mental illness counts, too.
|
|
|
|
She looked at me and waited. I hate it when she does that. She can
|
|
endure a silence longer than I can, and she can get whatever she wants
|
|
out of me, just by being quiet and looking.
|
|
|
|
I looked at the dashboard. I think VW's are cute, but I was pretty
|
|
familiar with this particular dashboard, so it wasn't all that
|
|
interesting. I examined the stickshift, then the handbrake, then the
|
|
heater controls. "I never have understood why Volkswagen decided to
|
|
make the heater controls look like baby handbrakes," I said. God,
|
|
I'm a scintillating conversationalist.
|
|
|
|
"Leah, you ran out of the show, and you've been avoiding me for days.
|
|
Just tell me what the fuck the problem is."
|
|
|
|
"I must really be in trouble," I thought, "she called me by my right
|
|
name." Aloud, I said, "The show was great. The pieces were very
|
|
powerful. You're the best, Carla."
|
|
|
|
Again that silent stare. I wasn't going to be getting off the hook.
|
|
I might as well just tell her.
|
|
|
|
"Um, I'm sort of bothered about the last piece."
|
|
|
|
Dead silence. She wasn't going to make it any easier.
|
|
|
|
"Uh, it upsets me that you never told me about Samantha."
|
|
|
|
"And?"
|
|
|
|
I took a deep breath and babbled it out, all at once. Maybe it would
|
|
be easier if I blurted it out, and didn't stretch it out. "Carla, I'm
|
|
feeling jealous and hurt and angry, and I'm ashamed of myself for
|
|
feeling this way. I haven't been able to face you all week, because
|
|
I've felt too guilty for feeling this way, but I haven't been able to
|
|
STOP feeling this way."
|
|
|
|
"Yeah, you always hate yourself when you discover you're human."
|
|
|
|
She was trying to make me laugh, but it didn't feel like a laughing
|
|
matter. (I always take myself too seriously, too.)
|
|
|
|
"What do you want, Leah?"
|
|
|
|
"I guess I want you to reassure me that you still love me, too. But
|
|
I'm not sure that I'm very loveable right now. Jealous people aren't,
|
|
usually."
|
|
|
|
"Oh, Polly, you are such a silly goose."
|
|
|
|
Polly. Halleluiah -- I was back to being Polly. That one silly word
|
|
reassured me more than more formal declarations of love would have.
|
|
Carla was an expert at the formal declarations of love biz, but
|
|
"Polly" just slipped out without her thinking about it. It wasn't
|
|
calculated, so I knew it was real.
|
|
|
|
"Yes, I still love you, even though you're being jealous. Do you
|
|
still love me, even though I've `betrayed' you?"
|
|
|
|
"I guess I deserve that, but I'd really rather you didn't make fun of
|
|
me."
|
|
|
|
"Well, even though I still love you, I am a little angry at you.
|
|
You're still a little angry at me, are you not?"
|
|
|
|
Miserably, I admitted it.
|
|
|
|
"Good!" Her eyes gleamed in the way they have when Carla is plotting
|
|
some devilment. The first time I ever saw that expression on her
|
|
face, I didn't know Carla very well. We were both putting up posters
|
|
for the campus gay organization, when a bunch of frat-boy types
|
|
started hassling us. "Pair of fucking faggots," one of them said.
|
|
Carla had whirled on them. "Get your terminology straight," she had
|
|
said. "Gay *men* are faggots; *I* (she drew herself up proudly) am a
|
|
DYKE!" For a moment, it had seemed as if we were likely to get beaten
|
|
up by a bunch of angry frat boys, then they had guffawed instead. I
|
|
had dragged Carla away before she could get us in real trouble. Even
|
|
though it was this spit-in-their-eye spirit that attracted me to her,
|
|
I was still always trepidacious when it came up.
|
|
|
|
"Good? Why is it good?"
|
|
|
|
"Because things are so much more reciprocal that way. You get to
|
|
punish me for being unfaithful, and I get to punish you for being
|
|
jealous."
|
|
|
|
"Carla, you weren't planning to take anger into a scene with you, were
|
|
you?"
|
|
|
|
She pursed her lips in mock horror. "Oh, my, no. That would be
|
|
TERRIBLY politically incorrect."
|
|
|
|
I grinned at her. "Which, of course, means that you have to do it."
|
|
|
|
"Of course."
|
|
|
|
I still wasn't sure it was a good idea, but now that Carla had decided
|
|
that the PC police were after her, it wouldn't be possible to talk her
|
|
out of it. Oh, well. I'd never gone wrong by trusting Carla before.
|
|
Even the frat boys had only ALMOST beat us up.
|
|
|
|
We drove back to her apartment, dancing forgotten for the moment.
|
|
"Who goes first?" I asked.
|
|
|
|
"Well, my, er, transgression came before yours, so I should be
|
|
punished first, don't you think? Besides, if I'm to punish you for
|
|
being angry at me inappropriately, you can't then turn around and do
|
|
it again, can you?"
|
|
|
|
"Oh. Right."
|
|
|
|
She took my face between her hands and stared into my eyes. She was
|
|
being serious. "Polly, you're not into the spirit of things. I want
|
|
you to really get in touch with your anger and really punish me for
|
|
hurting you."
|
|
|
|
That sounded dangerous. I wasn't sure I wanted to. But Carla was
|
|
right there, staring into my eyes, daring me to follow her. I don't
|
|
usually accept dares. "Only a fool takes a dare" was my motto before
|
|
I met Carla. It's still my motto with everyone except Carla -- the
|
|
incomparable Carla, whom I follow even when I don't know where we're
|
|
going.
|
|
|
|
"Okay." I said. "Take off your clothes and lie face down on the bed.
|
|
I want to beat your skinny little ass."
|
|
|
|
"It's not skinny," she said.
|
|
|
|
"Anybody tell you to talk, bitch?"
|
|
|
|
"No, my Lady."
|
|
|
|
"Then you should shut up, shouldn't you?"
|
|
|
|
"Yes, my Lady."
|
|
|
|
Well, she had told me to get in touch with my anger. I could feel it
|
|
flowing back into me, once I let the wall down. It was scary but
|
|
exhilarating at the same time. I was starting to feel excited at the
|
|
idea of beating her, of braiding all my little resentments together
|
|
and snapping them against her ass.
|
|
|
|
I picked up a thin leather strap, one that would bite. I hit her with
|
|
it lightly at first, letting her get used to it. She sighed.
|
|
|
|
"Talk to me," she said. "Tell me how angry you are."
|
|
|
|
I wondered if she was afraid that I would cheat, that I would only
|
|
pretend to be angry while keeping my true anger walled off. I
|
|
realized with amusement that although she was the one saying "my Lady,"
|
|
and I was the one with the whip, Carla was topping this scene. Well,
|
|
she usually does. Bitch.
|
|
|
|
"Bitch," I said, swinging the strap harder. "Who the fuck do you
|
|
think you are? You play with all of us, but you don't care about any
|
|
of us, do you? You collect people's hearts, but you never give your
|
|
own." Did I feel that? I never realized I felt that.
|
|
|
|
I was really getting into it now, swinging the strap with all my
|
|
might. Carla screamed beautifully but didn't safeword, so I kept
|
|
going. Again and again I beat her, panting with the exertion. Again
|
|
and again she screamed. "Bitch," I said again. "I'm tired of your
|
|
hiding behind your faces. I don't want the I'm-so-sophisticated face
|
|
or the I'm-such-a-bad-girl face or the what-a-dyke-I-am face. I want
|
|
your naked heart and your naked soul, and I want them NOW."
|
|
|
|
Carla was bleeding -- the thin strap had a tendency to cut -- and her
|
|
screams were starting to sound frantic. "Seven more," I said, "one
|
|
for each of your other lovers, and then I will stop." I gave them to
|
|
her, seven hard ones, the thin strap biting into her soft flesh, then
|
|
I stopped. I looked at the bloody ass of the woman I loved most in
|
|
the world and felt a confusing jumble of emotions. I was appalled at
|
|
my own viciousness. I had beaten Carla before, but never so hard or
|
|
so long, and I had never before taken so much pleasure in her pain. I
|
|
felt obscurely proud of both of us, for being able to use real
|
|
emotions in a scene, rather than just playing. I felt shame that I
|
|
had ever been jealous of my amazing Carla, had ever even considered
|
|
punishing her. I felt a tremendous rush of love for her. And I felt
|
|
horny as hell.
|
|
|
|
I put my hand gently on her shoulder and spoke softly into her ear.
|
|
"How are you doing?"
|
|
|
|
She lifted her wet face from the bed and looked at me, then,
|
|
incredibly, gave me her bad-girl grin. "I feel pretty good for
|
|
somebody who just got the shit whipped out of her."
|
|
|
|
"Be serious."
|
|
|
|
"Polly, if I can joke, I must be okay. Yeah, you got pretty heavy
|
|
there for a while, but you were getting lots of bad stuff out. I
|
|
learned some stuff about my reactions to pain and to you, and all in
|
|
all, I'm glad we did it, and I'm glad it's over."
|
|
|
|
"What do you want for your ass? Cool cloths or ice or what?"
|
|
|
|
"Just a little neosporin ointment, I think."
|
|
|
|
I applied ointment to her ass as gently as I could, wincing whenever
|
|
she did.
|
|
|
|
"Polly, you're never gonna make a bad-ass top, if you wince whenever
|
|
the victim does."
|
|
|
|
"Quiet, or I'll smack you."
|
|
|
|
"Almost. Once again, with feeling."
|
|
|
|
I laughed. "Oh, Carla. You are the CARLA-EST person."
|
|
|
|
"I hope that's a compliment."
|
|
|
|
"It is."
|
|
|
|
"And I'm glad you're all laughing and merry, because now it's my turn
|
|
to punish you. You still feel all ashamed and guilty?"
|
|
|
|
"Yeah. But not jealous anymore."
|
|
|
|
"Call the psychologists -- tell 'em catharsis works after all." She
|
|
moved closer to me and took off my tank top. "Sit on this table --
|
|
it'll put you at the right height without my having to sit down. I
|
|
find that I don't want to sit down." She gave me a significant look.
|
|
|
|
"I'm sorry, Carla."
|
|
|
|
"Oh, you will be, you will be. I'm going to tell you what I'm going
|
|
to do to you, because the anticipation will make it worse."
|
|
|
|
I gulped. The playful Carla had vanished, and in her place was a
|
|
mean-eyed Carla with a hard voice and an angry manner. The change
|
|
was frightening. "She told me to get in touch with my anger," I
|
|
thought, "she must be getting in touch with hers now."
|
|
|
|
Carla grabbed me by the hair and pulled my head close to hers, staring
|
|
into my face and emphasizing each word with a little jerk of my hair.
|
|
"There's something I've always wanted to do, but it never seemed right
|
|
before. It always seemed a just a little too cruel. But today
|
|
cruelty is called for, isn't it, bitch?"
|
|
|
|
I thought the question was rhetorical and didn't answer. This was a
|
|
mistake. Carla pulled my hair hard, jerking my head up and down in a
|
|
forced nod. "Isn't it, bitch," she said more loudly.
|
|
|
|
"Yes, my Lady."
|
|
|
|
"You dare to tell me what I can and cannot do. You dare to be jealous
|
|
of me, as if I were property instead of a free human being. You dare
|
|
to focus on your own sniveling insecurity instead of on the truth of
|
|
us. You have a small soul, Leah."
|
|
|
|
I started to cry.
|
|
|
|
She went to her toybox and came back with some electrician's clips.
|
|
She'd never put them on me before; she knew I was afraid of them.
|
|
When she spoke, she used a voice I'd never heard before. She
|
|
practically hissed at me. The change was scary. "I've put these on
|
|
people before," she said, "but once on, they've always
|
|
been...stationary. When I put them on you, I'm going to twist them
|
|
and pull on them until your nipples are as bloody as my ass."
|
|
|
|
I didn't know if she meant it or if she were just trying to scare me,
|
|
but I couldn't take my eyes off the clips in her hand. She pinched my
|
|
nipple with her fingers, lightly at first, then harder. Once she had
|
|
me hissing, she started to twist as well as pinch.
|
|
|
|
She broke in on my reverie. "Don't think I've forgotten about the
|
|
clips," she said. "I just wanted to...tenderize your nipples a little
|
|
before I applied them."
|
|
|
|
She dug her fingernail into my nipple, hard, and I squealed a little.
|
|
"Did that hurt?" she asked in mock surprise. "But that is nothing."
|
|
|
|
She continued to pinch and twist and pull until my nipples were indeed
|
|
tender, then twisted so viciously that I screamed.
|
|
|
|
"How gratifying," she said. "I think maybe you're tender enough now."
|
|
First one, then the other, she put the clips on my already-sore
|
|
nipples. They were just as bad as I was afraid they'd be. I wanted
|
|
to ask her to take them off, but I remembered the beating she had
|
|
taken at my hands and contented myself with screaming instead.
|
|
|
|
She reached out and took each clip between thumb and forefinger.
|
|
"It's going to get worse," she said.
|
|
|
|
She twisted the clips slightly. "Who do I belong to?" she asked.
|
|
|
|
"Yourself!" I screamed.
|
|
|
|
She twisted harder. "Who is the ultimate judge of my behavior?"
|
|
|
|
I was having trouble talking. "You are," I managed to choke out.
|
|
|
|
Keeping them twisted, she then pulled on the clips. "Who may I love?"
|
|
|
|
I couldn't say "Anybody you want" -- my mouth was otherwise engaged.
|
|
She took my lack of answer as a license to twist and pull some more.
|
|
Her expression was fierce and frightening. It was clear that she was
|
|
enjoying herself immensely, and somehow that was the scariest part.
|
|
|
|
When my nipples were covered in blood and I had screamed myself
|
|
hoarse, she stopped. She closed her eyes for a moment and breathed
|
|
deeply. When she opened them again, she was the Carla I knew.
|
|
|
|
She removed the clips and held me tenderly. "Do you want some sort of
|
|
first aid for your nipples?" she asked.
|
|
|
|
"I want you to hold me more."
|
|
|
|
She did, cuddling me and rocking me and murmuring loving words into my
|
|
ear.
|
|
|
|
"Carla, are, um, are you still mad at me?"
|
|
|
|
"Leah, my darling, I may never be mad at you again."
|
|
|
|
The "Leah" wasn't a cold denial of our relationship this time. She
|
|
said it more like an invocation to the Goddess. I shivered.
|
|
|
|
"You wanted true faces. That was one of them. It's one of the
|
|
reasons for the others."
|
|
|
|
There was nothing I could say that would not sound trite, so I kissed
|
|
her instead. Not a passionate kiss -- I couldn't summon the energy at
|
|
that point to swat a flea -- but a long, slow, tender, loving kiss.
|
|
It was an answer of its own.
|
|
|
|
*****
|
|
|
|
Copyright 1992 by Cory Lea (no, no "h" :-)) Kerens
|
|
May be distributed electronically, but hard copies are limited to
|
|
single copies for personal use.
|
|
|