176 lines
10 KiB
Plaintext
176 lines
10 KiB
Plaintext
"Eine Kurze Geschichte des Autonomen Kultur Zentrums"
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or
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"A Little Story of the Autonomen Culture Center"
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This is the first installment in my little series. I don't
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know how generally pertinent it may be, but it's about a place and
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time which I consider formative in my thinking.
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It may seem odd that a US soldier in a military intelligence
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battalion becomes a regular at an Autonomen bar in Wuerzburg,
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Germany, but that's how it happened.
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I arrived in Germany in January of '87, and spent a long time
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being aimless in my off-duty hours. Although I spoke German rather
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well I had not yet found the people I wanted to spend time with, and
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I avoided other soldiers whenever possible when I saw them in town.
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Many a time I got away with pretending not to speak English.
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After several months of this I made friends with a fellow who
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had been transferred over from the states. We met at some kind of drinking
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function on the barracks, and then decided to go downtown and look
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for something to do. This remained a favorite game of ours even after we
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discovered the AKW.
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Actually I had occasionally seen flyers for events at the AKW,
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and even walked by the place before, once or twice. But I was kind
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of averse to long-haired bearded people at the time, and that's all I
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saw when I peeped in the windows. I had always figured it for some
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kind of hippy jazz club and kept right on going. But the night I met
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Tim, we were both so hard up for amusement that he said to me,
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"Let's check out that hippy jazz-club place" and in we went.
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We got beers and pulled up at one of the bars against a
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wall. I found a little pile of offset print newsletters and started
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paging through one. The thing was called KULT, and it had a calendar
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of events some of which were bands playing, one of which was
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'Frauenabend' (women's night), others I couldn't tell or can't
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remember. I brought back a number of Kults that I picked up over the
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years, but I wish I had that first one. In addition to the calendar
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there were political articles that I didn't really understand, but
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that I would learn to with practice.
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From our stools at the bar we noticed a short-haired blond
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woman with her nose in a book, but didn't really pay attention to her
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at the time. She later introduced us to many friends in Wuerzburg.
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Part of her name is now part of my password.
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It was a Friday night, one of the two nights a week that they
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had a dance floor going; and they actually played some good,
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unpopular music. I had never been in a bar such as this; my ideas
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about it being a hippy jazz club got quickly swept under the rug.
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At the time I did not even know what "autonomen" was; like
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the pun of the bar's name, I sort of figured it out as I went along.
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They called it AKW for Autonomen Kulturzentrum Wuerzburgs. Little did I
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know that AKW is also their abbreviation for Nuclear Power Plant;
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Atom KraftWerk. For a while I had been utterly baffled as to why
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there was an "anti-AKW movement."
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So Tim and I had found a home. We hated the Army; they hated
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the Army. It took no time at all to become accepted there, really,
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once we got over ourselves. The fact that we always spoke German
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helped a lot.
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The AKW was not just a bar, although I call it that because
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if you walked in off the street that's what you would see. There were
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two large rooms, one of which was the bar proper, the other of which
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was usually sealed off by a large sliding door (it had once been a
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mechanics' garage). This space had the stage, and could be opened
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up for dance night and bands, or it could be sealed off again for
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meetings or plays to take place there while the bar part did its
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normal routine.
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In addition to this space, they also had part of the building
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adjoining their rear. It blew my mind when I first went back there;
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I had always imagined that Kult was written under candlelight, by
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someone pecking on an old cobweb-encrusted Remington manual
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typewriter. But the offices maintained by the collective were better
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equipped than my battalion's headquarters. Computers. Copy machines.
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Racks and racks of office supplies. There were a few small rooms back
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there too, usually just a table and chairs. The Wuerzburg Greens
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(these were Fundi greens, not Realos) met there from week to week,
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as did the Marxistische Gruppe, and other groups which I can't
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remember. They had a sizable kitchen as well, as I recall, and on
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some Sundays they charged admission to a big smorgasbord for brunch.
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The space officially opened in early 1982, after a particularly
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unsucessful street festival at an abandoned slaughterhouse near the river.
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It was decided that an independent venue or space was needed to
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provide constancy to the politicized elements in Wuerzburg, which up
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to that time had essentially just seen each other around at demos and
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in bars. The election of Ronald Reagan is what had engendered all this
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political sentiment in the first place, or so the story goes.
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A foundation was formed, and space for rent was hunted up.
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The AKW in this sense had more in common with the thinking being done
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in the Midwest at present about collective space than with the
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squatting culture in Berlin or Hamburg. Those places were
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romanticized of course, but Wuerzburg is small enough and the social
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"safety net" extensive enough that working within the existing
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property structure was more plausible than going outside it.
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The AKW was even funded in part by some kind of civic
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grant. I recall an incident where one of the local politicos
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pointedly asked why an "autonomous" culture center should be given
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outside money.
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There were other differences as well; Wuerzburg is a
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university town, more or less, and the AKW was a little milder in
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its rhetoric than the more famous places. Also, according to Army
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intelligence, Wuerzburg is used by violent elements of the German
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left as a rest-and-relaxation site, so there's not much overt
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trouble there.
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How much the AKW people actually had in common with
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the Autonomen people as a whole, I have not been able to make out.
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It didn't really interest me at the time. But it seemed that the
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space had a lot in common with some others I visited, like EX in
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Berlin, Rote Fabrik in Zurich, and Cafe Normal in Muenchen.
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I don't know much about the intervening seven years. They
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pretty much just did their thing, I guess. Tim and I were what they
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called "Stammgaeste," meaning regulars, but we were not part of the
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collective as such and did not go to their business meetings,
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although with hindsight I would have liked to. We spent virtually every
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Friday and Saturday evening there. During the week I sometimes went
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to see bands, films, and the occasional speaker. Once I saw Morton
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Sobel, indicted in the 1950s as one of Julius and Ethel Rosenbergs'
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co-conspirators, speak on the topic of political prisons in the US.
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In 1989, there was a celebration of the AKW's Seven-Year
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anniversary. This seems to have been part of a publicity campaign to
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find new quarters for the space, since early in the year it had
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been learned that the original site was scheduled for demolition and
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gentrification.
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So another hunt was started. In addition to not
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having my first-ever copy of Kult, I am also missing the May '89
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installment which described part of the history of the AKW, and the
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search for new quarters. But I will try to recollect it as best I can.
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Early in the process, they asked the city of Wuerzburg to
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help them find a suitable property. The city suggested an old
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harbor building by the water front (Alter Hafen), but the AKW soon found
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that the Alter Hafen was a historically protected example of a certain
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rare architecture, and that they would not be able to knock out walls
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and make other needed modifications. It was a huge building, and it
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would have been great, but the AKW either rejected it or the city
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withdrew it, I can't remember which.
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1989 was a strange year in Wuerzburg politics, because there
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was an unusual three-way race for the mayor's office. The SPD
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and CSU had candidates, of course, but there was also a CSU splinter that
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decided to run. In the midst of this, finding space for the
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Autonomen Kultur Zentrum inexplicably became a public campaign issue.
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Maybe the idea was to cow the collective by incurring some kind of
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political debt. Or maybe the SPD reached out to them as a reaction to
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the rightist CSU splinter.
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At any rate, an old brewery on the other side of the river
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was finally located. When the residents of that neighborhood found
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out, they all signed a petition that the AKW not be located there
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because of the noise associated with bands and so forth. The AKW
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didn't like it much themselves because the natural lighting was so
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bad.
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Memory fails here again. They took either that place or
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another one nearby. Then the walls closed in.
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After they had signed the lease and made some other payments,
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the city informed them they would have to wait for some certain
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period while permits for beer or whatever were being approved. Beer
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and music nights were essentially their livelihood, and maybe they
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got forced out of the music business by the residential location. I
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don't know what all got thrown at them, it was explained to me in
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German and I think I didn't exactly understand even at the time, but
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the result was that the AKW sank under the weight of the various
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formalities. They literally went broke running the legal gauntlet.
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The crash came in late 1989 or early 1990, several months after I was
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back in the US.
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What's doing in Wuerzburg now? I wish I knew. *sigh*
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Writing all this down has brought a lot back to me. *sniff* One AKWer
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had moved back to Nuernberg and was involved in some kind of Mothers'
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Co-op, last I heard. Another is probably still with his "hardcore
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blues" band, the Daltons.
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The last contact I had with Wuerzburg was a letter I got in
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late 1992 from the woman I mentioned early in the story. She was
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really into art when I knew her in the past, but now tells that she's
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considering studying computer science. I wrote back and included my
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email address but as yet no reply.
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