328 lines
16 KiB
Plaintext
328 lines
16 KiB
Plaintext
|
|
On the shooting of Henry Clay Frick by Alexander Berkman
|
|
|
|
From 'Living My Life'
|
|
by Emma Goldman
|
|
|
|
"It was May 1892. News from Pittsburg announced that trouble had
|
|
broken out between the Carnegie Steel Company and its employees
|
|
organized in the Amalgamated Association of Iron and Steel Workers. It
|
|
was one of the biggest and most efficient labour bodies of the
|
|
country, consisting mostly of Americans, men of decision and grit,
|
|
who would assert their rights. The Carnegie Company, on the other
|
|
hand, was a powerful corporation, known as a hard master. It was
|
|
particularly significant that Andrew Carnegie, its president, had
|
|
temporarily turned over the entire management to the company chairman,
|
|
Henry Clay Frick, a man known for his enmity to labour. Frick was also
|
|
the owner of extensive coke fields, where unions were prohibited and
|
|
the workers were ruled with an iron hand."
|
|
|
|
"The high tariff on imported steel had greatly boomed the American
|
|
steel industry. The Carnegie Company had practically a monopoly of it,
|
|
and enjoyed unprecedented prosperity. Its largest mills were in
|
|
Homestead, near Pittsburgh, where thousands of workers were employed,
|
|
their tasks requiring long training and skill. Wages were arranged
|
|
between the company and the union, according to a sliding scale based
|
|
in the prevailing market price of steel products. The current
|
|
agreement was about to expire, and the workers presented a new wage
|
|
schedule, calling for an increase because of the higher market prices
|
|
and enlarged output of the mills."
|
|
|
|
"The philanthropic Andrew Carnegie conveniently retired to his castle
|
|
in Scotland, and Frick took full charge of the situation. He declared
|
|
that henceforth the sliding scale would be abolished. The company
|
|
would make no more agreements with the Amalgamated Association; it
|
|
would itself determine the wages to be paid. In fact, he would not
|
|
recognize the union at all. He would not treat with the employees
|
|
collectively, as before. He would close the mills, and the men might
|
|
consider themselves discharged. Thereafter they would have to apply
|
|
for work individually, and the pay would be arranged with every worker
|
|
separately. Frick curtly refused the peace advances of the workers'
|
|
organization, declaring that there was `nothing to arbitrate'.
|
|
Presently the mills were closed. `Not a strike, but a lockout', Frick
|
|
announced. It was an open declaration of war."
|
|
|
|
... ... ...
|
|
|
|
"Far away from the scene of the impending struggle, in our little
|
|
ice-cream parlour in the city of Worcester, we eagerly followed
|
|
developments. To us it sounded the awakening of the American worker,
|
|
the long-awaited day of his resurrection. The native toiler had risen,
|
|
he was beginning to feel his mighty strength, he was determined to
|
|
break the chains that had held him in bondage for so long, we thought.
|
|
Our hearts were filled with admiration for the men of Homestead."
|
|
|
|
... ... ...
|
|
|
|
"One afternoon a customer came in for an ice-cream, while I was alone
|
|
in the store. As I set the dish down before him, I caught the large
|
|
headlines of his paper: `LATEST DEVELOPMENTS IN HOMESTEAD - FAMILIES
|
|
OF STRIKERS EVICTED FROM THE COMPANY HOUSES - WOMEN IN CONFINEMENT
|
|
CARRIED OUT INTO STREET BY SHERIFFS'. I read over the man's shoulder
|
|
Frick's dictum to the workers: he would rather see them dead than
|
|
concede to their demands, and he threatened to import Pinkerton
|
|
detectives. The brutal bluntness of the account, the inhumanity of
|
|
Frick towards the evicted mother, inflamed my mind. Indignation swept
|
|
my whole being. ... ... "
|
|
|
|
... ... ...
|
|
|
|
"I locked up the store and ran full speed the three blocks to our
|
|
little flat. It was Homestead, not Russia; I knew it now. We belonged
|
|
in Homestead. The boys, resting for the evening shift, sat up as I
|
|
rushed into the room, newspaper clutched in my hand. `What has
|
|
happened, Emma? You look terrible!' I could not speak. I handed them
|
|
the paper."
|
|
|
|
"Sasha was the first on his feet. `Homestead!' he exclaimed. `I must
|
|
go to Homestead!' I flung my arms around him, crying out his name. I,
|
|
too, would go. `We must go tonight,' he said; `the great moment has
|
|
come at last!' Being internationalists, he added, it mattered not to
|
|
us where the blow was struck by the workers; we must be with them. We
|
|
must bring our great message and help them see that it was not only
|
|
for the moment that they must strike, but for all time, for a free
|
|
life, for anarchism. Russia had many heroic men and women, but who was
|
|
there in America? Yes, we must go to Homestead, tonight!"
|
|
|
|
... ... ...
|
|
|
|
"On the way we discussed our immediate plans. First of all, we would
|
|
print a manifesto to the steel-workers. We would have to find somebody
|
|
to translate it into English, as we were still unable to express our
|
|
thoughts correctly in that tongue. We would have the German and
|
|
English texts printed in New York and take them with us to Pittsburgh.
|
|
With the help of the German comrades there, meetings could be
|
|
organized for me to address. Fedya was to remain in New York till
|
|
further developments."
|
|
|
|
... ... ...
|
|
|
|
" ... The manifesto was written that afternoon. It was a flaming call
|
|
to the men of Homestead to throw off the yoke of capitalism, to use
|
|
their present struggle as a stepping-stone to the destruction of the
|
|
wage system, and to continue towards social revolution and anarchism."
|
|
|
|
"A few days after our return to New York, the news was flashed across
|
|
the country of the slaughter of steel-workers by Pinkertons. Frick had
|
|
fortified the Homestead mills, built a high fence around them. Then,
|
|
in the dead of night, a barge packed with strike-breakers, under
|
|
protection of heavily armed Pinkerton thugs, quietly stole up the
|
|
Monongahela River. The steel-men had learned of Frick's move. They
|
|
stationed themselves along the shore, determined to drive back Frick's
|
|
hirelings. When the barge got within range, the Pinkertons had opened
|
|
fire, without warning, killing a number of Homestead men on the shore,
|
|
among them a little boy, and wounding scores of others."
|
|
|
|
"The wanton murders aroused even the daily papers. Several came out in
|
|
strong editorials, severely criticizing Frick. He had gone too far; he
|
|
had added fuel to the fire in the labour ranks and would have himself
|
|
to blame for any desperate acts that might come."
|
|
|
|
"We were stunned. We saw at once that the time for our manifesto had
|
|
passed. Words had lost their meaning in the face of the innocent blood
|
|
spilled on the banks of the Monongahela. Intuitively each felt what
|
|
was surging in the heart of the others. Sasha broke the silence."
|
|
|
|
"`Frick is the responsible factor in this crime,' he said; `he must be
|
|
made to stand the consequences.' It was the psychological moment for
|
|
an *Attentat*; the whole country was aroused, everybody was
|
|
considering Frick the perpetrator of a coldblooded murder. A blow
|
|
aimed at Frick would re-echo in the poorest hovel, would call the
|
|
attention of the whole world to the real cause behind the Homestead
|
|
struggle. It would also strike terror in the enemy's ranks and make
|
|
them realize that the proletariat of America had its avengers."
|
|
|
|
"Sasha had never made bombs before, but Most's `Science of
|
|
Revolutionary Warfare' was a good textbook. He would procure dynamite
|
|
from a comrade he knew on Staten Island. He had waited for this
|
|
sublime moment to serve the Cause, to give his life for the people. He
|
|
would go to Pittsburgh."
|
|
|
|
"`We will go with you!' Fedya and I cried together. But Sasha would
|
|
not listen to it. He insisted that it was unnecessary and criminal to
|
|
waste three lives on one man."
|
|
|
|
"We sat down, Sasha between us, holding our hands. In a quiet and even
|
|
tone he began to unfold to us his plan. He would perfect a time
|
|
regulator for the bomb that would enable hom to kill Frick, yet save
|
|
himself. Not because he wanted to escape, No; he wanted to live long
|
|
enough to justify his act in court, so that the American people might
|
|
know that he was not a criminal, but an idealist."
|
|
|
|
"`I will kill Frick,' Sasha said, `and of course I shall be condemned
|
|
to death. I will die proudly in the assurance that I gave my life for
|
|
the people. But I will die by my own hand, like Lingg. Never will I
|
|
permit our enemies to kill me.'"
|
|
|
|
"I hung on his lips. His clarity, his calmness and force, the sacred
|
|
fire of his ideal, enthralled me, held me spellbound. Turning to me,
|
|
he continued in a deep voice. I was the born speaker, the
|
|
propagandist, he said. I could do a great deal for his act. I could
|
|
articulate its meaning to the workers. I could explain that he had no
|
|
personal grievance against Frick, that as a human being Frick was no
|
|
less to him than to anyone else. Frick was the symbol of wealth and
|
|
power, of the injustice and wrong of the capitalistic class, as well
|
|
as personally responsible for the shedding of the workers' blood.
|
|
Sasha's act would be directed against Frick, not as a man, but as an
|
|
enemy of labour. Surely I must see how important it was that I remain
|
|
behind to plead the meaning of his deed and its message throught the
|
|
country."
|
|
|
|
"Every word he said beat upon my brain like a sledge-hammer. The
|
|
longer he talked, the more conscious I became of the terrible fact
|
|
that he had no need of me in his last great hour. The realization
|
|
swept away everything else- message, Cause, duty, propaganda. What
|
|
meaning could these things have compared with the force that made
|
|
Sasha flesh of my flesh and blood of my blood from the moment that I
|
|
had heard his voice and felt the grip of his hand at our first
|
|
meeting? Had our three years together shown him so little of my soul
|
|
that he could tell me calmly to go on living after he had been blown
|
|
to bits or strangled to death? Is it not true love - not ordinary
|
|
love, but the love to share to the uttermost with the beloved - is it
|
|
not more compelling than aught else? Those Russians had known it,
|
|
Jessie Helfmann and Sophia Perovskaya, they had gone with their men in
|
|
life and death. I could do no less."
|
|
|
|
"`I will go with you, Sasha," I cried; "I must go with you! I know
|
|
that as a woman I can be of help. I could gain access to Frick easier
|
|
than you. I could pave the way for your act. Besides I simply must go
|
|
with you. Do you understand Sasha?'"
|
|
|
|
... ... ...
|
|
|
|
The dialogue goes on to describe Sasha's experiments in building a
|
|
bomb. It didn't work. Sasha leaves for Homestead. Emma stays in New
|
|
York. Sasha needs money, and the text goes on to describe Goldman's
|
|
failed humorous attempt at prostitution to raise money to send to
|
|
Berkman. She finally succeeds in borrowing money from friends.
|
|
|
|
... ... ...
|
|
|
|
"In the early afternoon of Saturday, July 23, Fedya rushed into my
|
|
room with a newspaper. There it was, in large black letters: `YOUNG
|
|
MAN BY THE NAME OF ALEXANDER BERKMAN SHOOTS FRICK - ASSASSIN
|
|
OVERPOWERED BY WORKING-MEN AFTER DESPERATE STRUGGLE.'"
|
|
|
|
"Working-men, working-men overpowering Sasha? The paper was lying! He
|
|
did the act for the working-men; they would never attack him."
|
|
|
|
"Hurriedly we secured all the afternoon editions. Every one had a
|
|
different description, but the main fact stood out - our brave Sasha
|
|
had committed the act! Frick was still alive, but his wounds were
|
|
considered fatal. He would probably not survive the night. And Sasha -
|
|
they would kill him. They were going to kill him, I was sure of it.
|
|
Was I going to let him die alone? Should I go on talking while he was
|
|
being butchered? I must pay the same price as he - I must stand the
|
|
consequences - I must share the responsibility!"
|
|
|
|
... ... ... a few days later ...
|
|
|
|
"In feverish excitement we read the detailed story about the `assassin
|
|
Alexander Berkman'. He had forced his way into Frick's private office
|
|
on the heels of a Negro porter who had taken in his card. He had
|
|
immediately opened fire, and Frick had fallen to the ground with three
|
|
bullets in his body. The first to come to his aid, the paper said, was
|
|
his assistant Leishman, who was in the office at the time.
|
|
Working-men, engaged on a carpenter job in the building, rushed in,
|
|
and one of them felled Berkman to the ground with a hammer. At first
|
|
they had thought Frick dead. Then a cry was heard from him. Berkman
|
|
had crawled over and got near enough to strike Frick with a dagger in
|
|
the thigh. After that he was pounded into unconsciousness. He came to
|
|
in the station house, but he would answer no questions. One of the
|
|
detectives grew suspicious about the appearance of Berkman's face and
|
|
he nearly broke the young man's jaw trying to open his mouth. A
|
|
peculiar capsule was found hidden there. When asked what it was,
|
|
Berkman replied with defiant contempt: `Candy.' On examination it
|
|
proved to be a dynamite cartridge. The police were sure of a
|
|
conspiracy. ..."
|
|
|
|
|
|
... ... ...
|
|
|
|
"Meanwhile the daily press carried on a ferocious campaign against the
|
|
anarchists. They called for the police to act, to round up `the
|
|
instigators, Johann Most, Emma Goldman, and their ilk.' My name had
|
|
rarely before been mentioned in the papers, but now it appeared every
|
|
day in the most sensational stories. The police got busy; a witch hunt
|
|
for Emma Goldman began."
|
|
|
|
... ... ...
|
|
|
|
Soldiers occupy Homestead after the further violence. One of the
|
|
soldiers cheers Berkman's act from the ranks.
|
|
|
|
... ... ...
|
|
|
|
|
|
"After a long, anxious wait a letter came from Sasha. He had been
|
|
greatly cheered by the stand of the militiaman, W. L. Iams, he wrote.
|
|
It showed that even American soldiers were waking up. Could I not get
|
|
in touch with the boy, send him some anarchist literature? He would be
|
|
a valuable asset to the movement. I was not to worry about himself; he
|
|
was in fine spirits and already preparing his court speech - not as a
|
|
defence, he emphasized, but in explanation of his act. Of course, he
|
|
would have no lawyer; he would represent his own case as true Russian
|
|
and other European revolutionaries did. Prominent Pittsburgh attorneys
|
|
had offered their services free of charge, but he had declined. It was
|
|
inconsistent for an anarchist to employ lawyers; I should make his
|
|
attitude on this matter clear to the comrades. ..."
|
|
|
|
... ... ... Goldman begins to defend Berkman in public rallies
|
|
|
|
"`Possessed by a fury,' the papers said of my speech the next morning.
|
|
`How long will this dangerous woman be permitted to go on?' Ah, if
|
|
only they knew how I yearned to give up my freedom, to proclaim loudly
|
|
my share in the deed- if only they knew."
|
|
|
|
... ... ...
|
|
|
|
"Weeks passed without any indication of when Sasha's trial would
|
|
begin. He was still kept on `Murderer's Row' in the Pittsburgh jail,
|
|
but the fact that Frick was improving had considerably changed Sasha's
|
|
legal status. He could not be condemned to death. Through comrades in
|
|
Pennsylvania I learned that the law called for seven years in prison
|
|
for his attempt. Hope entered my heart. Seven years are a long time,
|
|
but Sasha was strong, he had iron perseverance, he could hold out. I
|
|
clung to this new possibility with every fibre of my being."
|
|
|
|
... ... ...
|
|
|
|
Goldman answers publicly one of Berkman's critics from with the
|
|
anarchist camp. Most was her former teacher, suitor, and close friend.
|
|
... ... ...
|
|
|
|
"At Most's next lecture I sat in the first row, close to the low
|
|
platform. My hand was on the whip under my long, grey cloak. When he
|
|
got up and faced the audience, I rose and declared in a loud voice: `I
|
|
came to demand proof of your insinuations against Alexander Berkman.'"
|
|
|
|
"There was instant silence. Most mumbled something about `hysterical
|
|
woman," but he said nothing else. I then pulled out my whip and leaped
|
|
towards him. Repeatedly I lashed him about the face and neck, then
|
|
broke the whip over my knee and threw the pieces at him. It was all
|
|
done so quickly that no one had time to interfere."
|
|
|
|
... ... ...
|
|
|
|
`Living My Life' is an extremely interesting and humorous book. I urge
|
|
anyone interested in the conclusion of the story to read it there. We
|
|
all know that Frick lived, and Berkman went to jail. But a final
|
|
thought from Goldman on this incident. Just before being deported from
|
|
the US in 1919, she learned of Frick's death.
|
|
|
|
... ... ...
|
|
|
|
"During the farewell dinner given us by our friends in Chicago, on
|
|
December 2, reporters dashed in with the news of Henry Clay Frick's
|
|
death. We had not heard of it before, but the newspaper men suspected
|
|
that the banquet was to celebrate the event. `Mr. Frick has just
|
|
died,' a blustering reporter addressed Sasha. `What have you got to
|
|
say?' `Deported by God,' Sasha answered dryly. I added that Mr. Frick
|
|
had collected his full debt from Alexander Berkman, but that he had
|
|
died without making good his obligations. `What do you mean?' the
|
|
reporters demanded. `Just this: Henry Clay Frick was a man of the
|
|
passing hour. Neither in life nor in death would he have been
|
|
remembered long. It was Alexander Berkman who made him known, and
|
|
Frick will live only in connection with Berkman's name. His entire
|
|
fortune could pay not for such glory."
|