607 lines
32 KiB
Plaintext
607 lines
32 KiB
Plaintext
|
||
1 If you are in need of help, you need but ask....
|
||
2 ************************ INSTALLED: 20 MAY 85 **********************
|
||
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
||
4 ************************************************************
|
||
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
||
6 PLACED ON THIS SYSTEM.
|
||
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
||
8 and operated system which is currently open for use by the general public.
|
||
9 No restrictions are placed on the use of the system. As the system is
|
||
10 privately owned, I retain the right to remove any and all messages which
|
||
11 I may find offensive. Because of the limited size of the system, it will be
|
||
12 periodically purged of messages. (only 629 lines of data can be saved)
|
||
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
||
14 ENTER mode. The message is automatically stored. If after entering the
|
||
15 message you find you made a mistake, use the replace command to replace
|
||
16 the line. To exit from the system, type 'OFF' then hang up.
|
||
17 Type 'HELP' to see other commands that are available on the system.
|
||
18 *************************************************************************
|
||
19
|
||
20 ================================================================
|
||
21 I ached, oh how my body ached. With a groan I opened my
|
||
22 eyes. I was greeted with the garish light of a bare bulb.
|
||
23 Sitting up on the edge of the hard shelf that served as a bed, I
|
||
24 groaned once more. My head felt as if a thousand Leprechauns
|
||
25 were dancing out their joyous humor on it. I then heard a
|
||
26 slight snicker. Looking up, I saw that I had been incarcerated
|
||
27 in the same cell as Pam. "So, you think it's funny do you? No
|
||
28 doubt you are feeling no better then I, so I wouldn't laugh to
|
||
29 hard if I were you. But, be that as it may, may I ask for what
|
||
30 reason have you been brought here, and why am I locked in this
|
||
31 cell with you?" I received no real answer, only a shrug of the
|
||
32 shoulder, and then quickly grabed at the remains of her blouse
|
||
33 as it slipped down her shoulder. I quickly looked aside, not
|
||
34 wishing to embaress her. So, I guess I'll have to put up with
|
||
35 your silence eh? Getting up, I went over to the barred window
|
||
36 to look out. There was nothing to see outside but more walls,
|
||
37 and an overcast sky. Turning back I saw that Pam was busy
|
||
38 repairing the remains of her blouse with a hairpin. "So, you're
|
||
39 not going to say anything huh?" With a sigh, I sat back down
|
||
40 and sat with my head in my hands. A time later, I heard a key
|
||
41 rattle in the cell door, moments later to be greeted by a
|
||
42 toothless smile, and a horrid little laugh. Oh no, not again..
|
||
43 ======================= Marvin Deepe ===========================
|
||
44
|
||
45
|
||
46 I DO NOT FI^DND THIS EASy TO USE ALSO ALL LYMY CHARICTORS ARE NOT DEACODED RIGH
|
||
47 E^D
|
||
48 END
|
||
49
|
||
50
|
||
51
|
||
52 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (what have we done?)
|
||
53 I don't believe it, in the time that I have been here, the mood
|
||
54 has turned and has been caught on the bottom of the cycle.
|
||
55
|
||
56 The prevelance of woe has us trapped, and we will not let go for
|
||
57 we enjoy lamenting in our miseries.
|
||
58
|
||
59 Harlequin, "knife-wielder": We have begun to spin the yarns that
|
||
60 are The Truth, and see where it has lead us? They are things we
|
||
61 felt just *had* to be said. Please my friends, let us once again
|
||
62 return to the lighter times and partake in a fantasy that is not
|
||
63 burdened with the sorrow or the doubt that follows those Thruths.
|
||
64 Bysitter: How painfully correct... We see others in pain and wish
|
||
65 to be of some assistance while we do not see those beside us go
|
||
66 without. Something about 'the forest from the trees'?
|
||
67
|
||
68 But what is not seen is the humor that is shared -away- from the
|
||
69 boards. Jokes and pleasant conversaition abounded. No, all these
|
||
70 people are not as hurt as they seem for this is only their dark
|
||
71 closet, a place to shake off unwanted sorrow. Or is it?
|
||
72 ^^^^^lightenup!^^^^^^^^^^^^^^^ --->the Guardian 140:15**
|
||
73
|
||
74
|
||
75 /|\ So what is it asked? Those things that we think are too painful to be
|
||
76 divulged in the presence of our dearest friends cannot even be spoken here.
|
||
77 A comfort that has been found is lost. Those things inside that we are afraid
|
||
78 of should not be expressed? We should keep them locked up, further chained?
|
||
79 It is a sad thought. Denouncing the freedom once had is a difficult task.
|
||
80 Yes. These words are sorrowful. And a pain to read. I shall attempt to
|
||
81 re-paste the fake smile I had come to drop. As I see it is unwanted and
|
||
82 gives depression. I did not mean for this. I only longed for the expression
|
||
83 I cannot seem to hold elsewhere. Sorry if I caused uncomfort. I will try to
|
||
84 let my eyes glaze revealing nothing of my true thoughts. Yes. I long for
|
||
85 happiness. It is my quest. But falseness is not. It will take me a day or
|
||
86 two to become comfortable in the new face. Fret not. After that the
|
||
87 security of it will return. And I will rather show off feigned emotions
|
||
88 instead of true ones. It is less painful that way, despite all it lacks. /|\
|
||
89 is anyone out there ..... hello
|
||
90 what is all this jibber-ish i'm seeing on the screen, i
|
||
91 s it suppose to make sense?????????
|
||
92
|
||
93
|
||
94
|
||
95 *+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*
|
||
96 Many moons ago I came to this place with my
|
||
97 people, we needed a new planet to colonize.
|
||
98 After many eons of existance, we were met by
|
||
99 a new race of beings, ones who meant our
|
||
100 destruction. So we.....
|
||
101 *+*+*+*+*+*+*+*+*+*+*+*+*The Real Me+*+*+
|
||
102 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
103 /|\, I hope that you do not take the Guardians words as they might be on first
|
||
104 reading. It is not that soul-cleansing is not welcome, for I myself have bathed
|
||
105 may a time in the cool waters that this Inn provides. Now is one of those
|
||
106 times. I seems that many of us have had the need lately, and we all know that
|
||
107 there are times that friends and family cannot fill the holes that life wears
|
||
108 in the fabric of our existance.
|
||
109 This is a place of joy, with its smiles and friendship. But also this is a
|
||
110 place of healing, with pain and loneliness. To often we are required by the
|
||
111 real world to wear false faces, here live the masks that speak our hearts.
|
||
112 Guardian, do not worry about the dark color of the words as of late. The
|
||
113 river (and time) moves slowly but consistantly, bringing fresh water.
|
||
114 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] THE TIN MAN [/] [/]
|
||
115
|
||
116 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (and the river will flow)
|
||
117 Tin Man, I often forget that others do not see me as those that have come to
|
||
118 know me do. I sometimes hide too well the cynical bite that is hidden in
|
||
119 my words. They do not show the hint of dismay that lurks behind every
|
||
120 other word... Always the entendres that are missed.
|
||
121 I too have been shring a great deal of my grief with all of you, but have
|
||
122 hidden them behind other names while longing for both recognition and
|
||
123 anonimity. Shocking would be my new unveilings. Thank you for your
|
||
124 understanding.
|
||
125 /:\ You will not be forgotten. I have spoken with one that hides in the
|
||
126 shadows, and have been given the words that befit you so well. The basic
|
||
127 concept of our conversation brought to light the idea that 'even though
|
||
128 the words themselves may be of the depressive nature, we still long to
|
||
129 hear the words greatly.' It is not out of maliciousness, but out of true
|
||
130 concern... (PaPa needs the term for business. Ciao...)
|
||
131 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian 141:02
|
||
132
|
||
133 Speaking of PaPa, I think we might be getting along a little better now.
|
||
134 It's so difficult to communicate to someone when your lifestyles have shifted
|
||
135 completely out of phase. Little is the time we have to even say 'hello'.
|
||
136 His words here meant a great deal to me; they were a hand reaching out in the
|
||
137 dark. And by God, I'll grab that hand! Hmmm... I don't seem to recall the
|
||
138 bad times anymore, just the good times shared. <Whew, what a relief!>
|
||
139 So don't think we don't want to share this burden with you, we will if
|
||
140 you allow us. It was just that I felt my need for crying in the crowd has
|
||
141 passed for the time being. (How about you Tin Man?) If you still hurt, don't
|
||
142 block the tears that would flow as a river lest you drown from their cumulative
|
||
143 hardships. Let them flow, share the waters, spread the Back Waters...
|
||
144 In one form or another, there will always be
|
||
145 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian 141:++
|
||
146
|
||
147 #$#$#$#$#$#$#$#$#$#$#$#$#$#3:42#$5/21#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#
|
||
148 HELLO AGAIN...
|
||
149 I'M NOT SURE WHAT'S HAPPENING HERE, (WHAT ELSE IS NEW?) BUT I DON'T LIKE
|
||
150 IT. DEPRESSION IS INFECTUIOUS AND I'M STARTING TO FEEL INFECTED. I, MYSELF,
|
||
151 COULD ADD A FEW WORDS HERE ABOUT PAIN. BUT I REALLY DON'T SEE THE POINT
|
||
152 (FOR ME, ANYWAY) I JUST TRY TO DIRECT MY ENERGIES TOWARD TO MORE POSITIVE
|
||
153 ASPECTS OF MY LIFE AND THE PAIN SEEMS TO BA A LITE LESS. I TOOK A COUPLE
|
||
154 OF PRETTY HEAVY PERSONAL BLOWS EARLY THIS MONTH BUT I SEEM TO BE DRAGGING
|
||
155 MYSELF OUT OF THIS HOLE I PUT MYSELF IN. LIFE'S A BUMMER, 'TIS TRUE, BUT I
|
||
156 ABSOLUTELY REFUSE TO LET IT GET TO ME. IF SOMETHING BLOWS UP IN MY FACE,
|
||
157 I'LL TRY TO COMPENSATE FOR IT IN OTHER WAYS. IT'S HARD AT FIRST, I KNOW,
|
||
158 BUT I FIND IT GETS EASIER AS TIME GOES BY. THE SAME MIGHT WORK FOR YOU.
|
||
159 OR MAYBE I'M JUST STRANGE. I REFUSE TO THINK ABOUT IT. THERE'S A HUNK OF
|
||
160 STEEL SITTING IN MY DRESSER DRAWER THAT I HAVE NO INTENTION OF VIEWING
|
||
161 FROM THE FRONT, EXCEPT WHEN I'M CLEANING IT.
|
||
162 ANYWAY, ENOUGH OF MY CRAP. LET'S GET TO BUSINESS.
|
||
163
|
||
164 UNDERCOVER (Conclusion)
|
||
165 by John Silverman
|
||
166
|
||
167 At his own insistance, Frank walked out unaided. The arm and head wounds
|
||
168 they let him. His muscles felt like rubber but the act of just trying
|
||
169 seemed to make them stronger. He went through the fire door (which was now
|
||
170 eight feet in diameter) and out. The raw sunlight that hit him almost made
|
||
171 him faint but he was caught by a medic who was standing by. Frank didn't
|
||
172 protest as they put him on a stretcher and lifted him into the waiting
|
||
173 ambulance. The medic climbed in and they closed the doors. He decided not
|
||
174 to tell Frank that he was the only survivor of the worst massacre in modern
|
||
175 U.S. history. The news would make headlines around the world tomorrow, to
|
||
176 shock people reading them safe in their homes. Frank would probably be
|
||
177 pestered by reporters for a week at least. Right now, though, what the guy
|
||
178 needed was rest. Frank had closed his eyes and appeared to be sleeping
|
||
179 peacefully.
|
||
180
|
||
181 He was back in the cart, surrounded by his dead co-workers. Bright blood
|
||
182 glistened on their mangled uniforms. They held him down while Chuck took a
|
||
183 blood drenched pillow and put it over Frank's face. He was helpless. He
|
||
184 was smothering. And they were laughing, laughing...
|
||
185
|
||
186 Frank jerked awake. The ambulance was moving, siren screaming. The medic
|
||
187 had a hand on his shoulder, trying to soothe him.
|
||
188
|
||
189 "Hey, calm down, calm down. It's over, buddy. It's all over."
|
||
190
|
||
191 Frank laid back down but kept his eyes open. Over?
|
||
192
|
||
193 In his mind it would never be over.
|
||
194
|
||
195 The End
|
||
196
|
||
197 BYE, BYE, FRANK. HAVE A NICE LIFE. AND NOW, I SHALL GO INTO PASSIVE LURK
|
||
198 MODE WHILE I THINK UP A NEW ONE. THANKS LOTS FOR THE ENCOURAGEMENT. I WANT
|
||
199 TO START A STORY OVER AT TANIS OT A.W. BUT NEVER FEAR, I WILL BE HERE, AND
|
||
200 I WILL BE BACK ON THE AIR AS SOON AS I HAVE SOMETHING INTELLIGENT TO WRITE
|
||
201 (UNLIKE MY PRELUDE TONIGHT). YOU ALL TAKE CARE AND DON'T LET IT GET YOU
|
||
202 DOWN TOO MUCH AND I BE AROUND.
|
||
203 BYE...
|
||
204
|
||
205 JOHN SILVERMAN
|
||
206
|
||
207 #$#$#$#$#$#$#$#$#$#$#$4:18#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$
|
||
208
|
||
209 LIST
|
||
210 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
211 After a long silence, the piper rose and went outside. The afternoon
|
||
212 sun bathed his face in warmth as he rounded the corner of the inn, heading
|
||
213 back to the stables. He did not even notice the animal scent of the stables
|
||
214 as he walked in the open door. In the dark interior all was quiet save the
|
||
215 frantic bumbling of a bluebottle fly droning its rounds from dungheap to
|
||
216 pile. Entering an empty stall, the piper crouched and picked up an object
|
||
217 from the stall's floor, then turned and walked back out into the bright-lit
|
||
218 afternoon. He walked for a few minutes into the woods, following no
|
||
219 particular path, then sat in a patch of sunlight near the base of a large
|
||
220 tree. He sat for a few moments, then dropped his face into his hands and
|
||
221 wept. Unnoticed, the feather that he carried spun down from his fingers
|
||
222 and landed on a patch of emerald-green moss where it lay in perfect display
|
||
223 -- the pure white of the feathers given golden overtones by the afternoon
|
||
224 sun, the clump of hair growing from the feather's shaft looking like some
|
||
225 strange object created by an infinitely skilled craftsman.
|
||
226 pppppppppppppppppppppp
|
||
227 ch /feathers/feather
|
||
228 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
229 ++++++++++++++++++++++++++++++++++++++++
|
||
230 People react to emotional pain in many ways,
|
||
231 some simply refuse to accept delivery. Yet
|
||
232 for others, the pain is something that has
|
||
233 developed deep inside. For them to hold it
|
||
234 in, to denie its existance is not good.
|
||
235 It is a canker that eats at their sole. They
|
||
236 must find a way to release the pain before
|
||
237 the damage done is too great. The tearful
|
||
238 release is good, not bad. It allows them to
|
||
239 release the pain, to let it fly free so that
|
||
240 they can get on with their lives. Yes, it
|
||
241 is depressing for a while, but the end result
|
||
242 is even greater joy, for the wound has been
|
||
243 allowed to heal, and the pain is silenced.
|
||
244 For some, repression is the worst thing to do.
|
||
245 ++++++++++++++++++++++ fred ++++++++++++++++++
|
||
246
|
||
247 God, I think I7m gonna pukk~e with all theis mushy stuf floting around here. It's enough to makk~e me
|
||
248 want to gagg. el yucko. ya know barf what's with these people cant they run there lives without go
|
||
249 <o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>
|
||
250
|
||
251 Firefly
|
||
252
|
||
253 A tiny spark of incandescence explodes in the night,
|
||
254 It shines with all the fire of my heart.
|
||
255 What is this power that draws me so near?
|
||
256 What magic engulfs me by this light?
|
||
257
|
||
258 Its blinding brilliance has shattered the darkness.
|
||
259 That darkness I had drawn as a cloak to hide my fears.
|
||
260
|
||
261 The old fears rise in my throat,
|
||
262 The burning and blackened scars begin to throb.
|
||
263 Yet a power beyond my control draws me towards it,
|
||
264 And I am bathed in the cool white radiance.
|
||
265 It washes away my fears, and sooths the hurt.
|
||
266
|
||
267 I open my hands as I open my heart to this spark,
|
||
268 this flame deep within.
|
||
269 An acceptance of being and love fills my heart,
|
||
270 As the brilliance alights and enfolds me.
|
||
271 Yet I dare not hold tight,
|
||
272 For to capture would shut out the light.
|
||
273 And once again would I be lonly in my darkness.
|
||
274
|
||
275 Now I fear the dark even more then the light,
|
||
276 I only need try to hold tighly the light.
|
||
277 And I shall loose that which I so dearly love.
|
||
278
|
||
279 Oh firefly, dear firefly, I can only give you my love.
|
||
280 Never would I attempt to cage you.
|
||
281 You have brought light to my life,
|
||
282 And healed old wounds.
|
||
283 With the light of your love that surrounds me.
|
||
284
|
||
285 Though the scars remain, the hurt is gone,
|
||
286 And the blackness is replaced by the dawn.
|
||
287 My life is renewed, the light has returned.
|
||
288
|
||
289 I am as a phoenix arisen from the ashes of my past.
|
||
290
|
||
291 BH
|
||
292
|
||
293 <o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>+<o>
|
||
294
|
||
295 ////////////////////////////// OM //////////////////////////////
|
||
296 "I need a smaller screwdriver! Get me the smaller one, will you?"
|
||
297 The man was quite small for his age but he knew what he was doing when
|
||
298 it came to electronics and AI. "Where is that 'driver, for gosh darn?"
|
||
299 "Hold on to your breeches Paul, it's coming, it's coming..." Ralph.
|
||
300 "How long is it going to be for you to re-calibrate that synthesizer
|
||
301 anyway? The forman makes a joke and you take him seriously... Really!"
|
||
302 "Just give it to me, ok? I won't be much longer. It's not as easy
|
||
303 as it looks, you know. I've got to reset the durations on certain areas
|
||
304 as well as the pitch if I'm going to make it sound believable." Paul
|
||
305 reached for the inner mechanisms that were hidden between the back seat
|
||
306 and the data unit that was in the trunk. "Just give me a little more
|
||
307 light and I should be finished with this part of it. Ah, er, um...
|
||
308 Yup, that does it. The voice has been completly altered. All we have to
|
||
309 do is flick a switch and presto! The old becomes the new!" Paul wiggled
|
||
310 his way back out and returned the screwdrivers to Ralph. Ralph just
|
||
311 stood there with his open mouth, a sign of his mentality.
|
||
312 "Gosh Paul, you never fail to amaze me."
|
||
313 "That's why I get paid more than you do."
|
||
314 "Huh?" A major portion of Ralph's vocabulary.
|
||
315 "Never mind. Just get over here."
|
||
316 "Yeeea, right... Whatever you say."
|
||
317 Ralph followed behind Paul as he went to the trunk to contend with the
|
||
318 next segment of the 'operation'. Being more of a programmer than a
|
||
319 toaster repairman, this part went along with fewer commercial
|
||
320 interuptions.
|
||
321 "Hand me that probe... no, that one. I need to make sure that this
|
||
322 is all aligned correctly before I start to make the alterations here as
|
||
323 well. Now that it sounds different, I'm going to make it think
|
||
324 differently as well." Paul gave a devilish chuckle under his breath.
|
||
325 "Yup, once this puppy is back on the road, we're going to have some fun/"
|
||
326 "Paul, the forman wants to know if we should rebroadcast that
|
||
327 announcement again yet. How's it coming?" Ralph was biginning to head
|
||
328 back to the forman's office with the reply.
|
||
329 "Go ahead with the broadcast, this shouldn't take me much longer."
|
||
330
|
||
331 (Crackle) "...broadcast later with instructions. Repeating. Farley, we..."
|
||
332 ////////////////////////////// OM //////////////////////////////
|
||
333
|
||
334 I assume you received the note on PCS already? Professionaly yours, OM/
|
||
335
|
||
336 /|\ Gaurdian. I realize that those around me are human when I see the feelings
|
||
337 that betray their humanity. It is depressing sometimes. Often it's an exiler-
|
||
338 ating thought. I don't mind the words. I can identify with them. The pain that
|
||
339 I express is an outlet for the mask which is afraid. To realize others are here
|
||
340 is a comfort. I'm not that foreign. Look to the similarities. You know who I
|
||
341 am. The words I find here distill the facade and erase the lonliness.
|
||
342 Tin Man, quietness gives no lies. /|\
|
||
343 -=><--=~<=--=><=--=><=--=><=--=><=--=><=--=><=--=><=--=><=--=><=--=><=--=><=-
|
||
344 Poor Babys,
|
||
345 Remember....
|
||
346
|
||
347 Life is what you make it.
|
||
348 Try to make the best of it.
|
||
349
|
||
350 Or anything else that you were told when you expressed any-
|
||
351 thing that gave the slightest hint that you were dis
|
||
352 satisfied(sp)
|
||
353
|
||
354 ` <=--=><=- Phase-Shifter (Double-Sharped Lydian Trio Ro#k'n'Roll -=><=--=>
|
||
355 *_*%_@)*^_)*^#)*^_$%)*&*#$_)*^_)*^_)#$*^_)#*^_#*^_)#*^_)#*^_)&*_)&*_&*_@&*$
|
||
356 Mikey: Scripts do work! Simply amazing! Also, I managed to play a complete game of Rogue (that is until I got killed
|
||
357 by some un-named beastie!) and the VT100 emulation appeared to work fine throughout the game. I will be doing some
|
||
358 more testing, and I will let you know what happens. Oh, I was going through the archives recently and ran across
|
||
359 a few old memories. Remember the good old days of D.O.M., CYM, ShIfTy, DINDINGY, Analog Alan, The sysm,
|
||
360 Luke, Jody, and Hrothgar? Oh yes, the names of yesteryear. What insight they give even now. Just reminiscing......
|
||
361 Kosta: Ya know, I think you may be right!
|
||
362 Fellows: Calm down will you! Oddities and Delights will be returning with another exciting episode soon.
|
||
363 *_)*%@#_*_)^*_)*^)_*@#_)%*@)_%*@)_ L'homme sans Parity *_*@#_%*@_)%*_%*@)_*%*_)*_*^_)*@_^**^_)*@_)*^_@)^@)_*@_)*^@^
|
||
364
|
||
365 Er... That should be DINGY not DINDINGY!
|
||
366
|
||
367 --> Depression mode ENABLED. Spomeone PLEASE tell me that suicide isn't painless.
|
||
368 - TJ///
|
||
369 TJ, it depends on how you do it. Some ways will entail much suffering, some just
|
||
370 a little, and some are relatively pleasant (so I've heard). Try carbon monoxide.
|
||
371 LET'S KNOCK THE SUICIDE *CRAP* OFF, OKAY?
|
||
372 J.S.
|
||
373 #$#$
|
||
374 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
375 Nope, me thinks you should OD on coke, it's the real thing!
|
||
376 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
377
|
||
378 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*X^n*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
||
379 nosr nos no n on son rson erson person Phew; another quick transfer. I think
|
||
380 I'll splash-down into that roman pool!
|
||
381 I have to aggree with my old friend Guru of Bliss:
|
||
382 Gregariosness is an obsession!
|
||
383 Life is a blank sheet of paper. Your will is a pencil. Now if someone would
|
||
384 just quit jogging my elbow... This is why some artist paint with a wide brush.
|
||
385 The little jiggles are no longer quite as disasterous. Aaarrrggghhhhhh??;
|
||
386 I said THAT? wellllll Life isn't realy THAT simple for me either.
|
||
387 Shure do wish certain people would show up in the flesh for eyebal to
|
||
388 eyebal. Some I haven't seen in a while and some I might never have 'seen'.
|
||
389 My comm mode in realtime doesn't always work all that well so most of you
|
||
390 probably don't realize that I feel that way. I suppose the presence of each
|
||
391 other might be too painful for some but
|
||
392 there's getting to be not so many of us showing up at the saturday multiplex-
|
||
393 ings.
|
||
394 Is it alright to like a few people, and everybody, AND my solitude.
|
||
395 There are realms ware the air is sweet. friends, inner happiness, w/o
|
||
396 mucking about in the dregs, or pasted-on false hilarity.
|
||
397 person
|
||
398 erson rson son on n no nos nosr nosrep osrep srep rep ep p
|
||
399 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
||
400
|
||
401 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (life, the revolving door, and you)
|
||
402 - TJ///, You know, I really wish the job I had provided me with some REAL
|
||
403 hours off. That way I could be around when you and the other have your
|
||
404 little chats. I just wish that I had some time available to discuss these
|
||
405 things with you.
|
||
406 Isn't it odd when you seem to be ahead of the crowd? I'm on my (believe it or
|
||
407 not) up-cycle just as the rest of the world is heading for their downward half.
|
||
408 How can I express a part of the joy that I know feel? I guess it is true that
|
||
409 poetry and the like is alot easier when in a blue mood, buyt there's gotta be a
|
||
410 way to pass on the glee as well. Ok, maybe not glee, but I am feeling better
|
||
411 than just a couple of days ago.
|
||
412 /|\ (Well, there goes the glee) I don't know. You say to look, but I don't
|
||
413 know where. Real names flash in my mind, but who? Maybe you are the one
|
||
414 that has told me "No I'm not". Maybe you are the one from the shadows
|
||
415 with whom I spoke. Maybe you are the one I sent the timepiece message to.
|
||
416 Maybe you are the one that asked for a friend to join them on some far
|
||
417 away, improvised escape from the city. But all I see are words that want
|
||
418 to be familiar, but aren't. From you I see not a face, but only green
|
||
419 letters. The public forum is never the best way to clear these matters up
|
||
420 while maintaining the facade.
|
||
421 But keep the facade, it is something we would all enjoy. I reclude in
|
||
422 mine, and you in yours. Some don't even talk to me for they say I am
|
||
423 one not to be trusted, that I am nothing but a spy. Alas, not so...
|
||
424 They fear that I am not who they may longer call
|
||
425 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian 142:06
|
||
426 ^^^^^ p.s.: TJ, How's Monday? I'll call before then to see if I may see.
|
||
427
|
||
428 ? ? ? ? ? ?
|
||
429 /|\ is not the time-piecer, Guardian.
|
||
430 ? ? ? ? ? ? ? ? ?
|
||
431 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
432
|
||
433 Not quite asleep
|
||
434 Just lying on
|
||
435 Smooth sheets
|
||
436 Eyes wide
|
||
437 Letting in
|
||
438 Only dark
|
||
439
|
||
440 A cool night
|
||
441 Washes over
|
||
442 Smooth sheets
|
||
443 It touches
|
||
444 A memory
|
||
445 And I stir
|
||
446
|
||
447 My hand reaches
|
||
448 Finding only
|
||
449 Smooth sheets
|
||
450 No impression
|
||
451 No depression
|
||
452 Just empty
|
||
453
|
||
454 I get up
|
||
455 Fluff pillows
|
||
456 Smooth sheets
|
||
457 Find towels
|
||
458 Shower alone
|
||
459 Another day
|
||
460
|
||
461 The clock ticks
|
||
462 So slowly
|
||
463 Smooth sheets
|
||
464 Stay smooth
|
||
465 Too long
|
||
466 Without you
|
||
467
|
||
468 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] THE TIN MAN [/] [/]
|
||
469 Guardian--> It is hard to talk of such things, even with others we trust so
|
||
470 highly. And with respect comes trust, no doubt? So you must understand that even
|
||
471 though I highly respect and trust you, as well as the other and others, I cannot
|
||
472 seem to find the words to open my internal struggle to the rest. Maybe soon I'll
|
||
473 find a way... - TJ///
|
||
474
|
||
475 be sure to visit the computer & Electronics expo
|
||
476 may 31 thru june 2 at the portland memorial
|
||
477 coliseum, 10pm - 5pm! it should be an excellent
|
||
478 show this year with even more game software for
|
||
479 your commodore 64 and atari 2600 machines than
|
||
480 ever! don't miss it!
|
||
481
|
||
482 #$##$##$##$#lurk now, enter later#$##$##$##$# Farley #$##$##$##$##$##$##$##$#
|
||
483 just got on system and would like to see any messages people have left, but dont
|
||
484 <-
|
||
485 <--------
|
||
486 -------
|
||
487 ------S O Fm----
|
||
488 FRED: XHOW DOES ONE` C_OME _OUT OF A "SHELL" TXTHAT
|
||
489 THEY HAVE BEEN FOR YEARS? YOU CAN'T JUST LET OUT ALL
|
||
490 THOES TEARS.
|
||
491 -----k------------k -M->
|
||
492
|
||
493 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
494 Weeping is for some a catharasis. It burns out the pain and quenches the
|
||
495 coals with the tears. For others it seems to have no real purpose other than
|
||
496 display -- some form of coercing others into acknowledgement of their feelings.
|
||
497 The piper had not worried about others -- he sought solitude for his
|
||
498 emotional pain, just as a wounded animal seeks solitude to heal physical
|
||
499 wounds. Humans have a unique capability -- emotional exhaustion. After
|
||
500 several hours, the piper collapsed into a deep sleep. A small grey
|
||
501 squirrel inched its nervous way down a nearby tree, and with nervous jerks
|
||
502 worked its way near the piper. A spasm twisted the piper's body and sent
|
||
503 the small animal in a panic up the tree while the piper's face twisted
|
||
504 with the intensity of his dream.
|
||
505 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
506 ***************************************************************************
|
||
507 L'homme: Sounds great, glad to hear you have been having fun with CL.
|
||
508 I'm very interested in the results of using it with EDT, since that
|
||
509 is a rather common usage when running on DEC equipment. Have you tried
|
||
510 it on the PCjr yet? (I know, who cares? IBM doesn't!)
|
||
511 *************************** CISTOP MIKEY *********************************
|
||
512 _______________________________________________________________________________
|
||
513
|
||
514 Voyage
|
||
515 Part 1
|
||
516
|
||
517 The sun, now high in the sky, beat down on the landscape below with
|
||
518 its incessant drumming of `eat. No portion of the pa2ched surface could
|
||
519
|
||
520 Arg! Too much line noise to send with ENTER ONLY. I'll try later from a different location.
|
||
521 A Story Teller
|
||
522 ________________________________________________________________________________
|
||
523
|
||
524 #$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$#
|
||
525 Hmmm, nearing the bottom. I'll wait for the next rotation before making an
|
||
526 entry. Saturday, perhaps?
|
||
527 Guardian: I like your dating system. I was wondering about it when I stumbled
|
||
528 across a particular entry in my
|
||
529 "Standard Mathematical Tables" book.
|
||
530 #$##$##$##$##$##$# Farley #$##$##$##$# 143/85 - 22:01 #$##$##$##$##$##$##$##$#
|
||
531 *+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*
|
||
532 So we went to ask the Elder what to do about
|
||
533 these invaders. He thought long and hard until
|
||
534 he told us of a secret power my people had millions
|
||
535 of years ago, which was abolished because of
|
||
536 its terrible consequences on our people. The Elder
|
||
537 informed us that re-gaining this power was the only way
|
||
538 to rid ourselves of this new foe. So, the Elder began
|
||
539 his research right away to find all that he could
|
||
540 on our ancient power. After five long weeks, we were
|
||
541 being wiped out by the invaders and the Elder finally found
|
||
542 a way to regain our ancient powers, but it would take
|
||
543 a long tedious training period for the chosen few to get
|
||
544 this awsome power. The trainees were chosen, 5 of them,.....
|
||
545 *+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+*+the real me*+*+*+*+*+*+*
|
||
546
|
||
547
|
||
548
|
||
549
|
||
550 THIS IS BIZARRE, WHAT IN THE WORLD DOES THIS ACCOMPLISH FOR ANYONE???
|
||
551 as the mugger patiently waited for another victem in the park late that night an
|
||
552 an inoscent old lady, on her way home from the post office, decided to take a
|
||
553 shortcut through the park. Little did sshe know of the terror awaiting her.
|
||
554 As the old lady exited the underpass the mugger saw an opertunity to make a
|
||
555 score and a few bucks. Slowly he stealthed his victom, the moonlight glistned
|
||
556 off of his axe. With lightning speed he struck, but the old lady, knowing of
|
||
557 the dangers, pulled out her .44 magnum and said "go ahead, make my day."
|
||
558 Needless to say he did make her day.
|
||
559 The moral of the story is stay away from old ladir
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
ies with
|
||
560 large purses because one of them could be dirty harrys mother.
|
||
561
|
||
562
|
||
563 Written by Eric Strickland
|
||
564 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*Guru of Bliss*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
||
565 It takes a strong spirit to be brave enough to cry!
|
||
566 (on the other hand; wallowing in it can get just a tad tedius (no ?))
|
||
567 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
||
568 WKWKWKWKWKWKWKWKWKWKWKWKWK LURK WKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWK
|
||
569
|
||
570 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
571 From Prometheus; Disguising
|
||
572 I wonder why this disk is already cycled.
|
||
573 I mean, it still has plenty of spce to use. Oh well, isn't as if I
|
||
574 was upset at all. I am enjoying myself, and think it is time to go
|
||
575 off and read the other disk. Disk A for all you attention payers.
|
||
576 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
577
|
||
578
|
||
579 <+><+><+><+><+><+><+><+><+><+><+><+><+><+<+><+><+><+><+><+><+><+><+><+><+>
|
||
580 oh no.....I thought id heard the last of the bells a few years back..
|
||
581 but it seems that dingy is back bells and all!
|
||
582 Do a also detect the signs of a Varley fan out there??
|
||
583 <+><+><+><+> long time lurker <+><+><+><+><+><+><+><+><+><+><+><+><+><+>
|
||
584 >>>>>>>------------------------------- The Sentry ------------------>>>>>>>
|
||
|
||
TOTAL NUMBER OF LINES = 584
|