776 lines
32 KiB
Plaintext
776 lines
32 KiB
Plaintext
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Underground eXperts United
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Presents...
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[ Manouvers Far From The Front ] [ By Eric Chaet ]
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____________________________________________________________________
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____________________________________________________________________
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MANOUVERS FAR FROM THE FRONT
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by Eric Chaet
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Ben rides south on the Pacific Coast Highway - on a paved
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out-cropping along low, rounded mountains of boulders & pines, waves of surf
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against rocks below, gray ocean extending to the far horizon - with
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2 kids with slicked-down hair, in a mammoth red tail-finned car. The 2
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kids claim to be con men, driving their lawyer's car. Male
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prostitutes! - who love one another. That one is the lawyer's lover, as
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well. And that, therefore, the lawyer won't press charges.
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They stop at Big Sur, at an up-scale tourist place, for coffee - &,
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thru a picture-window, spy a herd of whales maybe half a mile out, spouting.
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They take off, & pick up a smiling beach-comber, with no front teeth,
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who rolls fat marijuana smokes he calls San Diego joints.
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Supper in the restaurant of a big motel - swank fish plates & good
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wine; at least, they tell Ben it's good wine - he has no way of knowing.
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The hosts put it on their tab.
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Then a fancy room, hot shower, view of the sea - thru a sliding
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glass door.
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Ben takes his guitar from its cardboard case.
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"Hey! Can you play 'Me & Bobby McGee'?" the shorter of the 2 con
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men asks.
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Ben does.
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Then he & the beach-comber leave their hosts in the room, & walk
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along the private beach, by the ocean, listening to the crash of the
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waves, watching stars.
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When they return, they sleep in their bags, on the thick rug; the
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drivers sleep together in bed.
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Morning, the taller, dark-haired kid puts on a sport-jacket, & goes
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to pay the tab. The others wait in the car.
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The tall kid hustles into the car, panting, "Let's get out of
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here!"
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Screeching off 100 miles per hour.
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"The woman at the desk wouldn't take the check!"
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Let off outside San Luis Obispo, the beach-comber & Ben hitch together.
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Balmy December day. Beach-comber requests "Catch the Wind." Ben sings,
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while the beach-comber holds up a sign that says SOUTH.
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A VW bus, full of dope-smokers, stops for them.
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Ben settles in the midst of bright head-bands, long hair, grins,
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giggles, smoke - a rolling box of cloud.
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The van stops to let out one smoker after another thru L.A. - & south -
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freeways, tens of thousands of cars, low white-washed buildings, & neon &
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electric signs all the way - toward San Diego - til only the driver & Ben
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are left.
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Now Ben's sitting next to the driver - who says he's interested in
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the occult, after years of duty in Vietnam - dropping acid by ocean,
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sunset on Asian plateau. He says, "Life could be like the middle of a
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sneeze."
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They visit Joyous Duty Academy. Old men & women typing out lessons
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in astrology, diet, & exercises - leading to transcendent states. In a
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pink stucco building, surrounded by palms, overlooking the Pacific.
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Everybody's gray or white haired.
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The old guy in charge holds himself delicately erect. Faded rosey
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cheeks. Half-listens to the driver's introduction, but immediately
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turns & meets Ben's eyes, & says, "You should give up eating meat."
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"Why?"
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"Do any of the animals you eat eat meat?"
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"Fish?"
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"Hmm. Perhaps. At any rate, meat builds you up, then lets you down.
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It doesn't give you perseverence."
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"I'm going to need perseverence," Ben acknowledges.
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The old guy nods. "And you must become a Christian."
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"Whoa!" Ben says.
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"WHY must he become a Christian?" the driver asks, assuming the
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role of Ben's protector - also offended that it is Ben getting the
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attention, rather than himself, the one who sought out the place & the
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person.
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"There isn't just one way for everyone, is there?"
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"Look," Ben says. "I came in here cause my friend wanted to visit.
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I'll think about what you're saying. But Jesus was no Christian, & he
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never could've done what he did if he had been one. And I'm a great
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admirer of that guy. One of the greatest critters ever lived. Phooey -
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pardon me - I'm giving speeches again. I'll remember what you've said."
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IN THE ARIZONA DESERT, Ben suggests turning north toward the Grand
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Canyon. The driver turns the controls over to Ben, &, in the passenger
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seat, sinks into gloomy contemplation, muttering, "Joyous Duty fogeys!"
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Off the main highway, now, thick pines & aspen groves gradually pull
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him out of it.
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Sunset at the Grand Canyon. The new moon going down as tho into a pink
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& turquoise shell at the horizon.
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They buy gas, gulp canned beans, briefly visit with a man who has
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several large wolves penned in cages made of chain-link fencing, sleep a few
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hours in the van, & head for Albuquerque. Coyotes yip & sing - sounds like
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complaints - thru the night.
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The driver says, "I'm going to Houston to see my girl from before the
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war.
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She turned me away because I was too weird."
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"Why are you going back to her now?"
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"She wrote me a letter. She wants to be weird now, too."
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Ben groans.
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They split up at Albuquerque. Ben calls old friends, Fred &
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Linda - Fred's a professor at the university in Albuquerque now - from a
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phone booth in the midst of a dust storm. They have the flu, they say,
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so can't offer Ben a floor to crash on.
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Ben hitches a ride with 2 college girls who drive him across town,
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complaining of the impossibility of finding good work, deadness of
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Albuquerque, how hard it will be ever to leave - thru a blue mountain pass.
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The wind has let up, where they let Ben off: arid red soil, by an
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adobe post office facing the highway. Ben stands at the base of a cliff.
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Two cars pass, & a lot of time. A cold wind - clear, tho - begins blowing
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thru the valley, from the west. The 3rd car, an elegant Lincoln, stops for
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Ben.
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The driver, a small-boned, gracefully upright gentleman, explains as he
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drives that he operates a tavern in Connecticut - a mafia meeting
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place in a back room. He has been visiting relatives in California,
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intends to swing thru Florida on his way home. He shows Ben a pistol,
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in the glove compartment - Italian-made - that he's proud of. He says
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he carries it when delivering bags of counterfeit money. That he was
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supposed to make one particular delivery, but had the flu, & the 2 guys
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who made the delivery without him were caught, & are now doing 10 years
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in the penitentiary.
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The driver stops & picks up a slovenly-looking hippie, with a red
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bandana around his head, & a duffel bag. It is this hippie who is driving -
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he asks if it's okay if he & Ben smoke a joint, & the host says okay, as
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long
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as they're careful not to hurt the velour seat-covers of the brand-new car -
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while the tavern-operator sleeps in the back seat.
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Thru mountain passes, scrubby plains, oil wells - like long-legged
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insects, sucking - immense, apathetic cattle herds feeding at troughs -
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New Mexico, Texas panhandle, Oklahoma....
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As the hippie passes the joint, burning ash falls to the seat, &
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burns a hole, about the size of a dime, before Ben discovers it, & puts it
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out
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with his thumb.
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When the driver wakes, Ben, frightened at possible consequences,
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explains to the owner of the car that they have had a little accident, &
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damaged the velour seat-cover. The owner swallows the reality of it with a
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silent grimace - & resumes driving.
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IT'S COLD WHERE BEN GETS OUT, in Oklahoma City.
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Ben walks to the bus station, shivering under the orange-tinted
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streetlamps & in the freezing drizzle. In the plaster & tile electric
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station, nearly deserted, Ben takes his guitar from the case, & begins
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playing a longing raga - using one string for a rhythmic drone, another for
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the long, slow, bending notes of the melody.
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"You can't play that thing in here," says a beefy man in a business
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suit.
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"I can't?"
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"Not that kind of music."
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"What kind?"
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"You got a ticket?"
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"Not yet."
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"Then you'll have to get out of here."
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"Who is that man?" Ben asks the Black man behind the counter.
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"Better do what he says, Partner. That's the man around here."
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"How far to Highway 35?" Ben asks.
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"Six miles" - pointing.
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"Thanks."
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Trudging with duffel bag & guitar in case back to Highway 44.Hitching
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in the cold drizzle. Picked up by a friendly carpenter in an old van - 2 by
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4's
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scattered within. A four-mile ride.
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Ben walks across a bridge - wet snow, now - hugging close to a low
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cement wall, cars whizzing by, dangerously close.
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On the other side of the bridge, tho, he gets an immediate ride
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with a young civil servant - neat, friendly - veteran of war & university.
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But the car almost immediately breaks down.
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"I'll call my wife. She'll pick us up. You can stay with us tonight."
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"That's good of you."
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They wait half an hour, shivering by the phone booth. Ben gives the
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driver
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a sweater, from his bag, to wear.
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The wife arrives, checks Ben out. Her faces becomes a hatchet with
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eyes. Ben sees that she is calculating the cost of her husband picking up a
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stray.
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"Climb in," she tells them, seething.
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She drives up a nearby motel driveway, brakes. Takes a check-book from
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her
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purse, & writes.
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"Here," she says, handing Ben a check for $15. "You can stay in the
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motel
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tonight. There's no room in our house - sorry."
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Ben gets out, holding the check by one corner, as the car takes off.
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He looks at the check, looks thru the glass doors into the dry & warm
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lobby
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of the motel, sighs, tears up the check, & throws the pieces
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into a trash barrel placed nearby for such a contingency - swallowing his
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disappointment with a silent grimace - (he grunts as he recognizes
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the reaction of the tavern-operator to the hole in the velour
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seat-cover) - & walks back to the highway.
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He walks the two miles to Highway 35.
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Behind a billboard, he takes off his jeans, puts on all the
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underwear in the bag, tighter pants, then the jeans, on top, again.
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Then he puts on all his socks, shirts, sweater, & coat.
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No cars...truck drivers signaling their helplessness...no room to
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stop, too slippery, against insurance regulations...they can't stop or
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explain,
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to verify what must therefore remain speculation...most
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avoiding Ben's eyes.
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Ben walks some more, ducks into a cafe'. There he gulps eggs, potatoes,
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toast, & pours coffee down. Gloomily picks 2 dollars out of
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the wallet, pays.
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Back among big wet flakes, another half hour. Oklahoma City -
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buildings all one-storey high - going on & on, horizontal - gas station
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after deserted gas station, orange lamp after orange lamp - reflecting on
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wet asphalt.
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Trudging, muttering. To next cafe'. Again, shoveling in food, pouring
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coffee down after, steeling self to pay, steeling self to go
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out & on.
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Falling asleep, standing, under a lamp, on road shoulder - &
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immediately waking with a start, while tilting, falling toward planet
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Earth...staggering...bracing himself....
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Ride with a 16-year-old with a crew-cut & buck teeth, delivering
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100 pounds of Mexican grass from Tucson to Wichita - stashed beneath
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pick-up floor, he says. Says he gets $1,000. Weaving with fatigue.
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Ben spiraling into dreaming in back of truck. School daze:
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Graduate school, student deferment from military draft. U.S.
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troops plus troops of the U.S.-chosen South Vietnamese puppet
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government, versus troops of the communist North Vietnamese government -
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civilians on every side caught in the cross-fire....
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Anita Van Plassen, fresh & confident, movie star-attractive, long
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blond hair, a little lip-stick, a little perfume, a little eye-brow
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pencil, subtly shaking her ass when she walked - untroubled - NOT
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blue-jean hippie or resentful political - learning to write poetry....
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The day after the bombing escalation on Hanoi - Ben's outburst at
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the seminar - an eruption out of long frustration, this student life was
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still not life - & how would he ever achieve anything without
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contributing to what he hated?
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"What the hell are we doing here? Don't you know what our government
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is
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doing in Vietnam?"
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Then the teasing of one of the other students - a young woman: "So
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serious!"
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And the relieved tittering laughter of most of the class, including
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the professor.
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Anita watched Ben: he'd stood up, & stalked out of the room.
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Just when so many, as tho suddenly, driven by the mad cruelty of
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what was going on - after ignoring it & the protests for years - Ben & a
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handful of students, plus an occasional elder, picketing in front of the
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post office- more & more people were joining the protest
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demonstrations....
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Anita knocked on the door of Ben's shabby, unkempt apartment, came
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in & didn't leave, tho, What did she want? She said that she was
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engaged to a marine. They were to be married at the end of the term,
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when she would join him at the base in North Carolina. Eventually, Ben
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prepared & shared canned stew with her. While he washed dishes, she
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asked him, "Don't you want to touch me?"
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Ben awkwardly undressed her & himself, finishing in bed - how
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shabby the sheet & covers were, he noticed - by the window over-looking
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the parking-lot - heart pounding, wondering how to go about it -
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beneficiary, rather than victim - for a change - of the ideas steering
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the hormones of the females of his generation....
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She visited every evening.
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Nights, she was a "dorm-mother," making sure younger girls didn't
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sneak out!
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Semester's end, dusk: they're walking - Anita perfumed, soft sweater,
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short skirt, nylons - toying with his finger-tips - along
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tree-lined streets. Squirrel scurries by, acorn in mouth. Anita wanted
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Ben to ask her to marry him, she let him know. Her mother had called
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from Kuwait, where her father was a petrochemical engineer: they'd be
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meeting her at the Washington D.C. airport, 24 hours after her last
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exam, then accompanying her to North Carolina.
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But, Ben said, he didn't want to marry anyone.
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It didn't occur to him to say that he couldn't see how he would
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provide even for himself - something obvious, apparently, to everyone
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else - you just did the most profitable thing along the lines of your
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aptitudes - advertising, marketing, public relations - that someone
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would pay you to do - so that she took it as a refusal of herself.
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So - speculation without verification - she married the marine?
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DROPPED OFF, WICHITA, CHRISTMAS MORNING. Windy deserted streets -
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Ben's not sure, yet - stupefied - if he's still dreaming, or awake.
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Cold, blowing, stores all shut down, not a car, not a person: he'll
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look for the bus station.
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A hat blows up the street toward him - wide-brimmed, gray felt -
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the kind business-men wear - out of the cold blue northern blizzard,
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vortices of huge wet flakes bursting out of the dark. Ben grabs the
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battered old hat - a gift, not from a person - out of the coldest,
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darkest night - & pulls it down over his ears.
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He finds the bus station, buys a ticket - not much left in the
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wallet - he's made the $2,000 he saved, from a year of junior college
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teaching by the air-port in Cleveland, last more than 2 years - no rent
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to pay: sleeping outside...but it's coming to an end. He climbs onto a
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departing bus. As soon as he stashes his gear in the overhead rack, he
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sleeps.
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And wakes - it feels as tho it's the next instant - as the bus
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pulls off the highway. He takes his duffel bag & guitar down from the
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rack overhead, gets off the bus, & begins walking - gusts of snow - like
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a drowsy horse along a familiar path - at Osage.
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The long-houses of the Osage tribe & the recitation of the history
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of creation to each new baby - plus the bear, buffalo, & deer - not part
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of the memories or education of the current inhabitants....
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"What's THIS for, for instance?! This has nothing to do with
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anything!" Professor Proudsugar had furiously insisted - in his little
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office, behind his paper-littered desk, shelves of books - books about books
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-
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on every wall, up to the ceiling. "Get rid of this stuff about
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the Osage!"
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And add about a hundred more foot-noted references from reputable
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sources, Proudsugar told Ben - that is, from the authors of books about
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books, like himself.
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"I'll do it before the next time you see me," Ben told him - determined
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that they should never meet again.
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Finally sure that the necessity of continuing on with grad school
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to avoid getting drafted was over - Ben was nearly beyond the age when
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he could be drafted, & the war was nearly lost & done - & that proceding
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with the academic life would only postpone his truly higher, necessary
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education.
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Tho the problem of how he would make a living - til that moment
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suppressed by fellowship money, on which it was possible to subsist, but
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not to save, & by the near-certainty of being hired as an assistant
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professor immediately upon being awarded his doctorate, at a starting
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wage better than that earned by most youths - became suddenly urgent
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again, like a tooth-ache.
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A little, gritty, European-American, country-music town - canned
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foods, news from Washington & New York, entertainment from Nashville &
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L.A. A corporate colony - with a state university - academic orthodoxy
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from Harvard & Yale & Georgetown & Stanford & Oxford - famous for its
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football team. Growing as tho from an asphalt bud, off the edge of the
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interstate highway.
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Auto-supply store at the edge of town - like the beginning of a
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mnemonic - supermarket, bridge over river - listen to the water run! -
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its current shone under a lamp. No people, no cars. Organ-pipe factory,
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pool hall, cafe' - with the giant plastic chicken on the flat roof.
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Thru the plate glass, a few booths, a long counter with stools - napkin
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holder, red plastic ketchup bottle, & yellow plastic mustard bottle in
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front of each stool - coffee-maker, mirrors, cash-register. And up the
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hill, among the peak-roofed houses, trees, curbs, some parked cars,
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street-lamps - & waving, naked branches - & their shadows.
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He knocks at Connor's door. It swings open.
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"BEN? GREAT HAT! COME ON IN! Come on in! Out of the blizzard,
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man - 'fore the wolves paralyze you with their howling, then pick your
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bones at leisure, sipping tea & commenting on the latest Paris fashions
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wolves disguise themselves thereby!" Connor slams the door & throws
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himself against it.
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"How d'ye be, man?" he asks.
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"Oh, I've been better, I've been worse. I could use some sleep.
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But I've got no complaints, I swear."
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"The seeker's vow! Bed, couch, or floor - help yourself."
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"Thanks. Why do you talk so strange, Connor?"
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"I? Talk strange? Why - once I was going to be a priest, & stand
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in ceremonial robes & fumes & incense, & speak out words of God. But
|
|
now I speak nothing but the vulgar words of men who fuck their wives &
|
|
others men's wives, & give up even thinking of anything holy or free, in
|
|
order to buy whatever they can that's packaged & encouraged, & costs
|
|
only every day of whatever is left of their lives.
|
|
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"Such a come-down. Other day, I spoke with a man - a CHAIR man -
|
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who spends his time putting footnotes on pages of Shakespeare's holy wit! I
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thought my tongue would tear loose & fall out. No such luck.
|
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Pity, too - don't you think?"
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"That your tongue didn't fall out?"
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"Ah, no - that I must spend my days speaking with men who cavil &
|
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damn with faint praise & hare-brained theories no one dares prune away,
|
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for fear they'd arouse enmity, & their own damn theories - the basis of
|
|
their status, security, & pay - would meet like fate. I'd soar, if I
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could, with Shakespeare in the clouds. I'd've made some priest."
|
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"Why did you give it up?"
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"I thought I'd never have anyone to talk to but priests. Word is
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God - says Greek John, at least; Hebrew Matt tells a different tale....
|
|
In the beginning there was the Word, the Logos - & the Word was God....
|
|
So there's no use trying to talk to God. You'd be talking to your own
|
|
words, swallowing your tail... or trail....
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"Who'd hear my chants & speeches? Other priests - who'd say them
|
|
back to me. That would be...stag-nation. In-dig-nation: I was sure
|
|
I'd start to hate God & the words. So I sewed up collar, cassock, &
|
|
beads - tucked my censer beneath my cloak - & dashed from the church I'd
|
|
learned to love - as tho it were aflame. And it WAS aflame - dusty,
|
|
dreary flames - boring flames, that licked up holy statues like devils'
|
|
tongues. Ghastly flames."
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Ben stretches out, in the bag, on the couch.
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Connor continues: "Why do I talk strange? You wander vagrant off
|
|
the streets & that's your question? Should we speak as all those do who
|
|
aim to be each other & not themselves? Who hate & fear how words might
|
|
reveal their subtle subterfuge - & only say the ones they calculate will
|
|
leave them free to collaborate with what they all agree should not be
|
|
spoken of - no need to challenge, to invite wrath - just leave them,
|
|
secretly, free - to leave the victims & those who speak of what's being
|
|
done to them behind - only let THEM weasel thru, & thrive. God DAMN!
|
|
|
|
"Why did you look so apart & angry & stunned, prowling the halls of
|
|
the U - & now, the streets of this most wicked & glorious land? You ARE
|
|
strange, angry, stunned - you carry it in your face & stride, you
|
|
manifest it in what you do & withhold yourself from doing.
|
|
|
|
"I'm a stranger in this world, so I talk strange. My talk's my
|
|
gladness. I rearrange my BRAIN! When I listen to what passes for talk,
|
|
I'm so oppresed, I must die at once, or over-talk - loud & strange -
|
|
those flames licking up dusty walls, while people sit & sit & sit & sit!
|
|
|
|
"Hmm. I guess I'm still a priest. When did you last confess?"
|
|
|
|
Ben laughs. "Do you pray?"
|
|
|
|
"A couple of times I've managed, I think. Caught up in words, &
|
|
gone where flames don't lick. Treading air. A good feeling. Makes you
|
|
strong. You can walk thru flames long after, & not singe. Sleep, now."
|
|
|
|
Dream: Seething student protests. Martial law - someone's
|
|
threatened to blow something up. National Guard called in - truck-loads
|
|
of farm-boys with rifles, defending the American Way of Life - as
|
|
characterized for them & their parents by history books & teachers
|
|
(who'd learned it the same way), & by those who funded & produced brief
|
|
newspaper & television & radio network news reports. Since the Osage
|
|
were forced out, & the railroad & refrigerated cars & roads & trucks
|
|
connected the farms - with harvesters from Chicago - & the houses &
|
|
stores of the town, with the cities.
|
|
|
|
Smoking dope - one deep inhalation each - & listening to records in
|
|
a dark room, with Connor & Barry (drafted upon graduation, fled to
|
|
Canada, long unemployed - an unwelcome, unpatriotic emigrant, collecting
|
|
welfare - American degree useless - disowned by family - finally got a
|
|
job sacking groceries, when last heard from), sitting cross-legged
|
|
around flickering candle.
|
|
|
|
When Ben wakes, Connor gives him food. Ben eats, & Connor drinks black
|
|
tea.
|
|
|
|
"You have any dope, Connor?" Ben asks.
|
|
|
|
"'Fraid not."
|
|
|
|
"Beer?"
|
|
|
|
"Beer? Mead? Was there not a neolithic revolution, when man
|
|
learned the potency of barley & hops, for making beer? Did not man
|
|
cease from his eternal wandering, settle, & raise crops of grain, &
|
|
share them with dogs & sheep & cattle & goats from then on? Why - in my
|
|
native land - I'm known as a very Falstaff in these matters. Lead me to
|
|
the suds & toss me in! I'll not cry for help, I warrant ye!"
|
|
|
|
"Aha, Sir John - & what IS your native land, where you are so well
|
|
& fondly known?"
|
|
|
|
"Alas, lad, I've never found the land I'm native to, except to
|
|
glimpse & be amazed. But we are on our way to do such glimpsing now.
|
|
Out of the way! Out with the mugs of beer - with which we'll pray!"
|
|
|
|
They take a 6-pack to the park where an old hook-&-ladder
|
|
fire-truck has been retired - the university students are gone for
|
|
Christmas break, & it's cold & night, so there's no one around - & climb
|
|
the truck, & drink in the midst of swings, see-saws, merry-go-rounds -
|
|
all still - & swirling snow-flakes.
|
|
|
|
"It seems," Connor says, "that in so sitting on this fire-fighting
|
|
truck, dashing thru a universe of flaming stars - & children's toys -
|
|
leisurely, calm, reclined, quaffing heartily - fuckin' cold, tho - passing
|
|
an
|
|
evening undoing a shitty black empty aching tightness such as
|
|
your lordship will recognize, that we...I'm...cut out for such. You
|
|
know what I mean? I'm happy & I'm functioning. Am I not functioning?"
|
|
|
|
"You are, Sir John. Like the truest fire-truck in town."
|
|
|
|
"Aye. And if you believe that, Ben" - Connor lifts a finger - "then
|
|
you're
|
|
caught in the chain. Aye, caught in the chain that
|
|
stretches out from land to land, & time to time. And you are the most
|
|
remote & recent link. Men seek to grasp the chain, to hold it in their
|
|
terrible blue falling down thru heeby-jeebies & despair. A chain of
|
|
friends. Are we not friends?"
|
|
|
|
"Damn tootin'."
|
|
|
|
"Aha, then you see? You're caught. You're a link in the chain.
|
|
You'll not get anywhere linking onto me. There's no way for you to
|
|
climb. You've just caught hold....
|
|
|
|
"Why, I once sought a man out, Ben, as you did me - for which,
|
|
THANK YOU!" Connor is suddenly addressing the sky. Then, back to Ben:
|
|
"His name - you'd not know it. He listened, he spoke, he linked me to a
|
|
chain that stopped my fall, & held me.
|
|
|
|
"D'ye feel its power? It'll do your career no good - the power. But
|
|
you
|
|
can hold it when you feel you're going to fall. You're linked
|
|
now. Aye - but you'll get nowhere thus. I'm only a link on the chain
|
|
with the power that holds - it doesn't heave you up to where you're
|
|
bound to go.
|
|
|
|
"So you're obliged to attach to something there. Someone, somehow,
|
|
sometime, somewhere. And how? I'll not help ye. I know how to use words -
|
|
that's only one way, tho - one part - & maybe it only works for
|
|
me - & maybe, oh, certainly, it's not enough...."
|
|
|
|
"Better than nothing," Ben encourages him.
|
|
|
|
Connor, encouraged, continues. "But you are a link, & I am a
|
|
link - we're on the chain. If I vanish in an instant, I'll still be the
|
|
link. Just as you are the link for me - even if you should vanish in an
|
|
instant."
|
|
|
|
"You ARE a fuckin' priest."
|
|
|
|
"Priest? Oh, yes, believe it. Priest of the chain. And I preach
|
|
to you what you have found to link yourself thereto - your Woody Guthrie
|
|
& Ravi Shankar & Beethoven & folk songs. Your anger when you were a
|
|
student walking thru the halls. Your coming to me & saying 'Let's drink
|
|
beer.' I preach the strength of links & the linking of strengths, & the
|
|
strength of yourself as a link. I think. Maybe this is just hot air?"
|
|
|
|
"No. Could be better news, tho. I could use some heaving up.
|
|
Chain...I don't know - I'm not real fond of chains. But not just hot air.
|
|
Tho
|
|
hot air would be useful just now, too, for that matter."
|
|
|
|
"If I come to you," Connor says, "in another form, & beg you to come
|
|
drink
|
|
beer with me - will you?"
|
|
|
|
"How will I know you in another form?"
|
|
|
|
"By the feeling, the grasping of link for link. I don't know. Don't
|
|
you feel the power of the chain? Don't you feel that you link with
|
|
something & something links with you?"
|
|
|
|
"Yes, we're friends."
|
|
|
|
"Friends. Yes. That's good. That's important. Friends. But more.
|
|
Friends pull out what's strongest in one another. They share their
|
|
strength. That's why.... Maybe real enemies do the same thing? Shall we
|
|
walk in the blizzard?"
|
|
|
|
"Delighted."
|
|
|
|
They walk up-hill, among the houses, in many of which are up-stairs
|
|
rooms ordinarily inhabited by renting students - windows all dark.
|
|
|
|
"Brr! Fuckin' cold!" Connor shouts, beating his shoulders with his
|
|
gloved hands. "Most abominable fuckin' cold!" He stops & shakes a fist
|
|
at the sky. "Cold, damn it, cold! What d'ye think we are - gods? Go a
|
|
little easy, for Chrissake!
|
|
|
|
"I'm no good at winter," he tells Ben. "I get demoralized, frazzled,
|
|
wish I could hibernate. Feel like I'm dead & walking around like a zombie,
|
|
out of touch with everything living. Begin almost to relish grading papers
|
|
& making out checks to the phone company. Cancer in boots."
|
|
|
|
"Where shall we go?"
|
|
|
|
"Aha, the question's posed. I feel better already. How about up
|
|
by the pond?"
|
|
|
|
"Okay."
|
|
|
|
They climb up hill awkwardly, slipping & sliding, ice & snow-drifts,
|
|
lifting legs high. At the top, they descend into a sunken circle of
|
|
smooth-surfaced & sparkling moon-light.
|
|
|
|
"Let's walk around the pond," Connor says.
|
|
|
|
It's the pond where Ben used to go, alone, stoned, to forget about
|
|
the pointless exercise of preparing his doctoral dissertation, the war
|
|
in Asia, the draft, the general unwillingness to know what was
|
|
happening, & his own inability to to figure out what he could do to
|
|
change the situation &, at the same time, to find a way of earning a
|
|
living that wouldn't be self-betrayal - & to watch the sun-light or
|
|
moon-light on the ripples of the water, & the hypnotic wavering
|
|
reflections of the full-crowned trees on the opposite shore,
|
|
occasionally broken into by the surfacing of the tortoise.
|
|
|
|
"Okay," he says, suddenly, briefly, very sober. "You really down?"
|
|
|
|
"Down & out. At least I was. You know, sometimes I feel like I
|
|
was dead most of my life - & that I'm finding my way to life. And, all
|
|
of a sudden, I go dead again. And ain't a thing on Earth I can do about
|
|
it."
|
|
|
|
"I don't exactly...," Ben begins.
|
|
|
|
But Connor goes on: "When I was a kid, I knew I never wanted to be a
|
|
pen-pusher, or work on a conveyor belt, or anything regular, or normal. I
|
|
wanted every moment to be full-up, you know? Yeah, you know. Life was
|
|
supposed to be FULL.
|
|
|
|
"But my moments were empty. I was waiting to learn to fill them. But
|
|
I never seemed to find a clue. Til I started praying. Then that stopped
|
|
working. And...the damn, damn, damn war."
|
|
|
|
"It was bad before the war, too," Ben says. "It was so bad, that the
|
|
war broke out."
|
|
|
|
"Then getting drunk worked sometimes," Connor says, not hearing Ben,
|
|
"and later, getting stoned - & fucking, of course - if the girl & I weren't
|
|
performing some evil deception, the seed of which was planted in our
|
|
childhoods - some drama we needed to act out that satisfied nothing of our
|
|
own real needs.... I'm getting off the track."
|
|
|
|
"Off the track is where we're going, right now," Ben says.
|
|
|
|
"Hmm," Connor says. "The feeling, the excitement - what the hell do
|
|
you
|
|
call it? - the abundance - 3 dimensions & wonder - it comes, it goes.
|
|
It doesn't last. And I find myself going dead again. And it's goddamned
|
|
fucking unbearable after finally getting thru to life."
|
|
|
|
They walk along silently.
|
|
|
|
Ben hops & side-steps, & stops to admire patterns left by his boots in
|
|
the
|
|
snow.
|
|
|
|
"Hey! Hey!" Connor yells, & leaps & side-steps in the opposite
|
|
direction. They begin staggering & leaping in huge star patterns in the
|
|
snow.
|
|
|
|
"My strength returns!" Connor shouts. "I propose a walk across the
|
|
water."
|
|
|
|
"Think it'll hold us?"
|
|
|
|
"It's fuckin' cold enough. A man of faith," Connor says, lifting a
|
|
finger & both brows, "on a fuckin' cold night, grasping tightly to the
|
|
wondrous chain, may walk across the water. Observe."
|
|
|
|
And Connor dashes for the pond, lifting knees high over the surface of
|
|
the snow, plowing thru, shouting, "Yippee!"
|
|
|
|
Ben dashing after him.
|
|
|
|
In the snow on the ice over the pond, they stomp figure 8's, huge
|
|
blossoms, & stars - scampering in the eerie white light.
|
|
|
|
|
|
---------------------------------------------------------------------------
|
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uXu #554 Underground eXperts United 2000 uXu #554
|
|
Call THE YOUNG GODS -> +351-1XX-XXXXX
|
|
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