2097 lines
127 KiB
Groff
2097 lines
127 KiB
Groff
= TWILIGHT WORLD - Volume 3 Issue 4 (July 22nd 1995) ========================
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(On the birthday of Jason Becker, guitar talent extraordinaire bereft of his
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talents by a muscle-crippling disease)
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You can do anything with this magazine as long as it remains intact. All
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stories in it are fiction. No actual persons are designated by name or
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character and similarity is coincidental.
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This magazine is for free. Get it as cheaply as possible!
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Please refer to the end of this file for further information.
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= LIST OF CONTENTS ==========================================================
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EDITORIAL
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by Richard Karsmakers
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CRONOS IN WONDERLAND
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by Richard Karsmakers
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= EDITORIAL =================================================================
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by Richard Karsmakers
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On the birthday of Jason Becker, to whom this issue is dedicated with all
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the best hope in the world, is released "Twilight World" Volume 3 Issue 3,
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the 13th issue in total so far.
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The reason why I started "Twilight World" back in April 1993 was that I
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wanted to release some of my own stories that I had written in 1992 and 1993,
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stories that I was myself sortof pleased with. Because they had some
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references to earlier Cronos Warchild material, I thought it proper to first
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do all other Cronos Warchild stories (1988-1992). Well, the last of those was
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released in the previous issue, so as of this issue the magazine should be a
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bit better (at least *I* think it's a bit better now). So this issue has only
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one entry: A rather large story called "Cronos' rather zarjaz Adventures in
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Wonderland", the first (and longest) of a few long-ish ones I've written so
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far.
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As usual, I hope you'll like reading it. If you're a publisher's talent
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scout, er, have I already told you you're wearing a rather splendid
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tie/dress?
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So spread the word, and the file, and have fun reading!
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Richard Karsmakers
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(Editor)
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P.S. If you no longer want to receive "Twilight World", *please*
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unsubscribe; don't let me wait for the messages to bounce instead,
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totally flooding my email box! This especially goes for people on
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AOL, about 1 out of every 5 direct subscribers.
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= CRONOS' RATHER ZARJAZ ADVENTURES IN WONDERLAND ============================
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by Richard Karsmakers
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The Lewis Carroll inspiration is a bit blatant, of course, but it's really a
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tribute to this man and his awesome imagination. Acquaintance with both the
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original "Alice's Adventures in Wonderland" and the earlier Cronos Warchild
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stories might not be a prerequisitite, but is advised nonetheless.
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The whole has had some Monty Python, Bill'n'Ted's, Noam Chomsky, Douglas
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Adams, Urbanus and Terry Pratchett influences thrown in for good accord.
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I - DOWN THE KANGAROO CAVITY
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Cronos was beginning to get very tired of sitting by a bozo on the bank, and
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of having nothing to do; once or twice he had glanced at the newspaper the
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bum used to wrap a bottle of liquor in, but the pictures were faded and the
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text was written in a language that didn't make any sense to him.
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So he was considering in his own mind (as well as he could, for he was
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getting slightly sleepy and his mind wasn't particularly famous for
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considering things) whether the pleasure of killing the drunk with one of his
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recently acquired killer gadgets was worth the trouble of taking the thing
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out of his pocket in the first place when rather suddenly a White Kangaroo
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with pink eyes ran close by him.
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Cronos wasn't particularly surprised of the fact that it ran so close by
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him, nor of hearing the Kangaroo say to itself, "Oh dear! Oh dear! I shall be
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too late!" It hopped by him at rather astounding speed, then stopped.
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Panting, its chest heaving and dropping faster than it should, it fumbled in
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its pouch and retrieved from it a pocket watch that had a piece of broken
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chain attached to it. Now Cronos was getting surprised, gradually - he had
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never seen a Kangaroo that could speak, nor one that seemed to be able to
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check the time on a pocket watch he had never seen any Kangaroo walking
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around with before. Actually, he had never seen a Kangaroo in all his life -
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but that's trivial.
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Before Warchild managed to get to his feet, the Kangaroo had continued
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running in the approximate direction it had been moving before. Then, without
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much ado, it disappeared in a hole beneath a tree.
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Cronos followed the track, surprised at the fact that such a large animal
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seemed to have disappeared in such a small hole. Even though he himself was
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even bigger than the Kangaroo, his mind got the absurd idea to follow the
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animal into the hole - which was evidently even much smaller to him. Our dear
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mercenary annex hired gun, however, had never been one of high reknown
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throughout the universe because of his intelligence - therefore he wasn't
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even surprised when he found himself managing to get through the hole and
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into a tunnel that dipped downward rather all of a sudden.
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He fell for a long time - a time that seemed long enough even for Cronos to
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be able to calculate the square root of 2456.23. He rotated and bumped, got
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tossed around by branches that stuck out, got nauseated by the smell of earth
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and the crawling creatures that probably lived in it. He closed his eyes to
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the overkill of his senses and for a moment he thought he saw the Kangaroo
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again. It changed into a pink ant. For a brief instant of time there was a
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smell of honey. He continued to fall. He was beginning to wonder if he'd end
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up on the other side of the world - Australia perhaps, or Norway or Cuba -
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when thump! thump! down he came upon a giant heap of sticks and dry leaves
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and the fall was over.
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Already Cronos had quite forgotten what had happened. He looked around him,
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dazed and confused, finding himself at the beginning, or end, of a long
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passage at the other end of which, just where it started to fade away in the
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distance, he saw the White Kangaroo hopping off. Engaging his highly trained
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mercenary muscles, he dashed after the marsupial (only he didn't quite know
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he was chasing a marsupial, of course). He was getting close enough to hear
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it say, "Oh my ears and pouch, how late it's getting", when it suddenly
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turned a corner that seemed as if it hadn't been there before. He could
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already smell it, virtually touch its tail when it had turned around that
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corner. However, when he turned the corner himself the Kangaroo was no longer
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to be seen.
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He cursed a long sequence of miscellaneous words he guessed held some rude
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meaning, then started wondering about the place he was in. It was a hall of
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considerable height. As a matter of fact he could not see the ceiling - only
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the lamps that hung down from it.
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When he looked around him, all he could see were walls with doors in them.
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He checked the doors instinctively, probing them for the likelihood of hiding
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trained assassins that might leap at him during a careless microsecond. All
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of them were locked, however. Peeping through the lock holes, he saw nothing
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but a rather intense sort of blackness that made him feel giddy for a while -
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the kind of blackness that is so black it seems to carry with it endless
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depth and infinite time.
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How was he to get out of this wretched place? The doors all seemed fairly
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solid - his razor-sharp killer finger nail was no match for them for certain.
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He tried his American Express credit card but it didn't quite work out like
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he had seen so often in films. It just got stuck, and when he pulled it out
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it looked as if it had just been shredded by a destructive money machine. A
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weird sense of claustrophobia struck him. He looked around in what he would
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never admit was a desperate way (but which was nonetheless). He walked
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around, at a loss of what to do.
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He suddenly stumbled across a small three-legged table of solid glass which
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seemed to have appeared out of nowhere. It puzzled him for a while - where
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had it come from? His mind ceased puzzling within several nanoseconds,
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however, in the same way it stopped puzzling soon after discovering, say, a
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traffic cop after having driven through a red light with a corpse attached to
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the exhaust pipe.
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There was a tiny golden key located on the glass table.
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It didn't take long for Cronos to put one and one (or, rather, a key and a
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lot of locks) together. He snatched the key off the table rather
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unceremoniously and went around the hall, trying to see whether it would fit
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in any of the locks. The locks were too large or, he reckoned, the key was
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too small. He felt in his pockets but there was nothing in them except for a
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mostly empty bag of sticky liquorice and a killer gadget of the Telector-O-
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Cute! variety. His lack of resources and the sheer magnitude of this problem
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baffled him for a while, at the end of which he discovered a curtain. Behind
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it he discovered a tiny door; he had to stoop to try and fit the little
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golden key in its minute lock, but to his great satisfaction it fitted. The
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wee door swooped open on its miniature hinges with as little sound as an ant
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burping.
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Behind it he saw a beautiful garden. Cronos had never really been fond of
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gardens at all - he had never felt any warmth towards flowers, and he had
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usually found trees useful only to stop your car against when the brakes
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failed. A continuous flow of gardening programmes on English television had
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once even convinced him to move to a country where you couldn't receive BBC.
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But in this particular case the garden meant a place to go, freedom, the end
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of this strange claustrophobic sensation that seemed to be gnawing at his
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innards.
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Of course there was the problem of size. He would never be able to get in.
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He tried his foot, but no way. He went back to the glass table, hoping that
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it might offer something to help him out of this slightly precarious
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situation. He hated being able to smell something but not quite being capable
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of laying his hands on it. There was still no way of getting out of this
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eerie hall. He had to get out. Through that little door (which, by the way,
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had closed and locked itself rather mysteriously and meticulously when he had
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turned his back on it).
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On the table he now discovered a pill. He looked at it conspicuously lest it
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should be a poison of sorts. His mother, Adnarim the Beautiful who was at the
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moment 22 million light years away from him, had always warned him against
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strangers offering him ice cream and against the eating of substances of
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which he did not know the origin. But, he guessed, any pill which had the
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phrase "EAT ME" printed on it could not possibly be deadly - and this
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particular pill, remarkably, had these precise words written on it. He put
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the gold key down on the table, took the pill and tossed it in his mouth with
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the aim of an inebriated retard in a public urinoir. Miraculously, however,
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it landed on his tongue - as if proudly defying all laws of causality and
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faculty.
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If anything, the pill initially tasted slightly of ink. Within half a second
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after his powerful molars ground the thing to smithereens, however, the taste
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became one of tobacco icecream mixed with decayed gelding's gall - not
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altogether disagreeable, Cronos concluded with some relief. After all, it
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might have been raspberry.
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The hall seemed to become gradually larger. The lamps which hung from the
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ceiling removed themselves from him so it seemed. The doors around him became
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bigger. It made him think of being locked up in the middle of a mountain in
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an absurdly small room with all exits jammed by rockfalls and a ceiling full
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of shiny stainless steel spikes coming down slowly - only the other way
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around, in a bigger room and without any of the pointed hardware. Warchild
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noticed the table growing bigger, too. As a matter of fact, the entire world
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seemed to increase its size for some reason or another. He began sweating.
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What if his enemies had grown, too? What if he could no longer carry with him
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even his tiniest of killer gadgets because they had outgrown him?
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Suddenly everything froze in mid-growth. By now Cronos reckoned, to his
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considerable discomfort, that the world had at least multiplied its size by a
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factor of ten. He glanced around across the almost endless stretch of
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enormous tiles all around him. In one direction, however, he discovered a
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door that seemed accurately built for his size - the door that had previously
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been too small, the door that had had the garden behind it.
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He looked up, through the transparent table top above him, way out of reach.
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On it lay a golden key.
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A commonly used pseudonym for the action of human multiplication passed his
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lips.
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There was no way to get up there. The legs of the table were smooth,
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insurmountable. He had no rope and no glue. His American Express credit card
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had been shredded. He might as well give up.
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Even though the place where he was now stuck was about ten times as big as
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it had been previously, even though he could barely see the far ends of it,
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he still found an odd sensation biting relentlessly at his stomach. He
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remembered, rather vividly, a girl whom he had seen but briefly and whom he
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would rather never in his life see again. Painful memories struck. His ego
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cowered, his arm felt a stab of agony that accompanied the memory. The
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feeling in his abdomen had been the same. His desolate sense of loss and
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despair likewise.
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He glanced up again. The key lay there, its gold catching rays of light that
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seemed to come from nowhere, hurling them at his eyes enticingly,
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enchantingly, luring him. But there was no way he could reach it. He couldn't
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climb the table. He could do nothing about it except for using a suppository
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that lay at his feet, having appeared as if out of thin air. It had "SHOVE ME
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UP YOUR ANAL MUSCLE" written on it in extremely small letters. Its sudden
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apparation did not even leave him in the usual state of perplexity, not even
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for the fragment of time known as a nanosecond.
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As his mother had never warned him about the possibility of poisonous
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suppositories he rather unceremoniously pulled down his pants and shoved the
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small object where it apparently wanted to be shoved.
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If his rectum would have had taste buds, damn it, it would have tasted
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Brussels sprouts.
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II - A SEA OF SWEAT
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"Unusual and unusualer!" Cronos said to himself. He quite forgot how to
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speak his mother tongue properly when he discovered his head removing itself
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from his torso as if his neck was a telescope extending itself. It would be
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fair to say that today was another record day in the field of bafflement
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intensity, for it could certainly be claimed that he had never been this
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flummoxed before. The mercenary annex hired gun had experienced things with
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which his brain couldn't cope more often than any rational number in the
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known universe, but never before had it had such unheralded intensity. Had it
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not been for his entire brain being fully occupied with getting to grips with
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whatever was happening to him, it would certainly have instructed him to drop
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into a coma out of which not even Penelope Sunflower's ghost would have been
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able to awake him.
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Time passed. It even tipped its hat politely.
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When Warchild got his wits together, which he didn't have that many so he
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succeeded rather more quickly than might otherwise have been the case, he
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snatched the tiny golden key off the three-legged glass table and dashed for
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the minute door. The lamps were beginning to get in the way; by the time he
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reached the tiny door he probably couldn't even stick his big toe in it.
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A sense of defeat swept over him like a tidal wave. Fate seemed not to want
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him out of this hall - which had in the mean time shrunk back to the
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proportions it had when Cronos first entered it. Possibly even smaller. A
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familiar feeling frayed his stomach. He started sweating profusely. It
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dripped down in his eyes, it made his sideburns cling to his square head, it
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wet his pants, it soaked his socks, it even started to make the tiles
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slippery.
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Out of nothing he suddenly heard large feet, or paws, slapping on the tiles
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and coming towards him. It was the White Kangaroo he had seen before, the
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White Kangaroo that was the fault of all this. He heard the animal's voice
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coming closer, saying, "The Mayor, the Mayor, won't he be cross when I keep
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him waiting!" It sounded quite as if it was in a hurry, almost on the verge
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of panic in fact.
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When the marsupial was sufficiently close, Cronos cleared his throat and
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ventured to start a conversation involving blame, impending doom and a very
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short life span.
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"Say, er...Sir," he began sortof threateningly, but the Kangaroo did not
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heed him. Instead it dropped a keyring with a tiny Koala attached to it, as
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well as a magnifying glass - both for no apparent reason other than gravity.
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It then disappeared without as much as a puff of smoke. Things were getting
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to be very strange. They were getting sufficiently strange, indeed, to make
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the mercenary annex hired gun lapse in a severe form of identity crisis.
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"Zonk," the tiny Koala said.
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"Who am I?" Warchild said out loud, actually starting to talk to himself,
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"Surely not the man who has an immaculate grip on fate and chance, surely not
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the Great Warrior who had yet to be bested?" He cringed as he suddenly
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realised the beating he'd gotten when he last thought he was the Greatest of
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Warriors. For a second he heard a girl's name repeated in his mind, the f-
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word.
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"Perhaps I'm Napoleon," he continued, his voice bouncing off the walls and
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doors as if he was in an empty hospital corridor painted frating green, "Now
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what would he do in a situation like this? He'd probably stick his hand in
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his uniform - which I don't, so therefore I am not him."
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Cronos smiled. He might not be himself, but at least he wasn't Napoleon.
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"Maybe I'm Al 'Bumkisser' Darcy, with whom I went to Mercenary Academy," he
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proceeded, his voice now echoing through the hall as if it was a candle-lit
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tomb at midnight, "He'd probably hide under the nearest tile - which I don't
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so therefore I couldn't be him, either."
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He sighed with relief, thoroughly glad he wasn't Al. Everything was better
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than Al, even being Korik St...
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Cronos nearly choked on his breath.
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"Maybe I'm Korik Starchaser," he muttered, his voice failing to amount to
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any strength and therefore echoing even less than the sound of two feathers
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colliding in the vacuum of space infinity, "There is no telling what he would
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do, really."
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Warchild thought deeply. It hurt.
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"So if you can't tell what he might do," he concluded, his voice gathering
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volume as he progressed, "then I surely can't be him, for I know what I am
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doing now; I'm sweating and feeling thoroughly discomfited!"
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Relief set in.
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"Besides," he added, "I'm not that much of a wimp."
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A grin appeared on his face, widening, triumphant.
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"Zonk," sighed the Koala.
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But why was everything so strange nonetheless? He was fairly certain of
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being himself by now, if only because of the fact that you'd have to be
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called Cronos Warchild to get in these sort of situations. He decided he'd
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recite the song lyrics of Napalm Death's "Dead", but somehow the word didn't
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come out like it should:
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"Wednesday!"
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Maybe he was Korik after all. Or worse - Al. He began to sweat fervently
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again. Things were definitely strange and altogether not like he preferred
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them to be. He felt disoriented and nauseated by the circumstances he found
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himself in.
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Also, there was something very odd happening to him - or to his
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surroundings.
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At a rapid speed, he found his head removing itself downward from between
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the lamps hanging from the ceiling. The doors grew, the walls moved away. He
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was surprised to see that, somewhere during his identity crisis, he had
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picked up the White Kangaroo's magnifying glass. Somehow, it caused
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everything all around him to grow - or himself to shrink, he added proudly to
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himself. By now he was merely two feet tall and still shrinking. If it
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continued like this, he feared, he might end up like an insignificant little
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dot at the end of an insignificant line in an insignificant mail order
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clothing company brochure.
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"Zonk," the Koala intoned.
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He threw the magnifying glass away, instinctively sensing that it might be
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the cause of all this shrinking, or growing. Immediately, both shrinking and
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growing stopped.
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During the lucid moment following this event he ran to the little door, but
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it turned out to be locked again (both mysteriously and rather meticulously).
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Also, a glance over his shoulder confirmed his worst thought: The gold key
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that fitted in the door's lock had found ways of getting on the table again,
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as if it had much of a will of its own.
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Things would have started to get pretty repetitive if he hadn't dropped into
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an enormous pool of salt water at that time.
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Cronos had had swimming lessons at Mercenary Academy, of course, but he had
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hopelessly flunked (and sunk). All lower life forms, however, have a built-in
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sense of survival. As the part of his brain that was actually used was
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smaller than that of a psychopath horsefly, Warchild could be classified as a
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lower life form - which allowed him to find himself instinctively doggy-
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paddling to keep his head above the water.
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Where had this sea come from? The taste of it was not just salt, it was
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something as indescribable as the smell that arises from the armpits of Miss
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Fragilia Franatica, the second Princess of the Zantogian Empire, just before
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they get their annual washing. He guessed it must be the sweat he had
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excreted when he was still tall, before he had somehow managed to pick up the
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White Kangaroo's magnifying glass.
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He was quite right.
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Warchild looked around when he heard a sound of splashing and spluttering
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homing in on him. At first he didn't get a good look at whatever it was that
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was with him in the giant puddle. When it came closer, however, he saw it was
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a Virgin. He had a way of recognizing them, you see, which was probably
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caused by the many looting and raping sessions he had embarked on during one
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of his practical terms at Mercenary Academy. On top of that, recognition was
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made painfully obvious by the fact that she had long blonde hair, a look of
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naive-ish innocence on her face, and no clothes on at all.
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At first she didn't seem to notice him, or perhaps she was just ignoring
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him. Maybe virgins also had built-in recognition systems where mercenaries or
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other potential rapists were concerned. Cronos felt a strange sensation in
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his lower abdomen, but this time it seemed quite enjoyable. Things were
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looking better now; fate seemed to be smiling - or at least grinning through
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its teeth.
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"Er...hi," Cronos said.
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The Virgin continued to ignore him. She was good at it.
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Warchild held out his hand for her to take and shake it. He nearly drowned.
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Now she noticed him, or at least failed at being good at ignoring him.
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"Good day to you," she said, her haughty voice sounding like frozen icicles
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dropping on stratospheric glaciers.
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"I'm Warchild," he continued, "Cronos Warchild." He plastered a smug smile
|
|
on his face that totally failed to bewilder her. When he got no perceptible
|
|
reaction from the Virgin, he added, "I'm a mercenary, you know."
|
|
"Pray, don't!" the Virgin cried in a frightened voice that seemed to come
|
|
from a strangled throat, after which she practically leaped from the water
|
|
and dashed off, frenetically swimming away from the source of her distress.
|
|
"But I'm sortof of a nice mercenary," Cronos said, his voice almost
|
|
faltering, as if close to being on the verge of crying, "Don't you like
|
|
mercenaries?"
|
|
The Virgin ceased swimming and looked at him, somewhat doubtful. "Don't like
|
|
mercenaries!" she said with a voice like a diamond cutting through the perma-
|
|
frozen body of an ancient mammoth babe, "Would you like mercenaries if you
|
|
were me?"
|
|
Cronos thought it over. He had never looked at it that way. "No," he said
|
|
finally, "I guess I wouldn't. But nonetheless I wish I could introduce you to
|
|
some of my mates from Mercenary College. You know (he said more to himself
|
|
than to the Virgin), some of them got straight A's at all subjects involving
|
|
violence, assassination, raping of virg..."
|
|
He cut himself off mid-sentence, a truly remarkable feat for someone as
|
|
overwhelmingly dim-witted as himself. Nonetheless the Virgin had already
|
|
heard enough. The look of distress came in her beautifully blue eyes again,
|
|
her nails seemed to be poised, prepared to ward off any infringements of her
|
|
chastity.
|
|
"Beg your pardon there," Cronos said, blushing, almost ashamed of himself,
|
|
"We won't talk about mercenaries and...er...indecent assault anymore."
|
|
"We, indeed!" the Virgin retorted, her voice like an icy avalanche crashing
|
|
down on an igloo, "I've always hated them and...er...it. My mother, too."
|
|
"Do you like murderers, then?" Cronos inquired, "Or perhaps building
|
|
contractors? I could tell you some great stories about murderers (again he
|
|
went off more to himself then to anyone else). There was, for example, this
|
|
case of Fak the Ruthless. You know he's reported to have assassinated at
|
|
least five dozen people during his practical term, over half of which were
|
|
children or women. He was a guest lecturer at Mercenary College for a year.
|
|
He used to be great at looting and raping, too, and... Hey! Why are you
|
|
swimming off like that?"
|
|
All of the pool seemed to be in commotion now, what with the Virgin trying
|
|
to swim away from Cronos as quickly as possible.
|
|
"Please come back, Virgin," Cronos cried hoarsely, almost pleadingly, "I
|
|
swear I won't talk of mercenaries or murderers any more. Not even of rape of
|
|
virgins!"
|
|
When the Virgin heard the pleading sound of Warchild's voice, she couldn't
|
|
help but turn around, as if she sensed that the mercenary annex hired gun
|
|
didn't and couldn't possibly know any better. She panted as she came closer,
|
|
her complexion rather wan.
|
|
"Let's get out of this pool," she said, her voice having lost most of its
|
|
icy quality now, "and I will tell you why I hate mercenaries and murderers
|
|
and...er...indecent assaulters."
|
|
It was about time they left the pool for, rather extraordinarily, it seemed
|
|
to have filled up with other animals. There was a large Ant, a Kaka, a Falcon
|
|
and a rather large Koala. Cronos, his instincts momentarily taking over, led
|
|
the way and dog-paddled to the shore.
|
|
"Zonk," the Koala uttered, as matter-of-fact as it could.
|
|
|
|
III - A SILLY RACE, A VIRGIN AND A TAIL (AND A TALE AS WELL)
|
|
|
|
After Cronos and the various other creatures had reached the shore of the
|
|
giant puddle, he looked around at them. Feathers were clung to bodies, furs
|
|
looked rather disfunctional, water gleamed off a chitinous skeleton.
|
|
"Now how will we get dry?" the Virgin asked slightly irritated, her voice
|
|
like icy stalactites in a period of dew, "And how will I get my hair in order
|
|
again? I spent a fortune on it at the hairdresser's only yesterday, you
|
|
know!"
|
|
One of the animals, within the confines of its bill, muttered something
|
|
about not knowing and not wanting to know at all. The Virgin looked around,
|
|
her gaze as cold as frostbitten toes in an Antarctican mid-winter night, but
|
|
wisely decided not to react.
|
|
"Zonk," the Koala thought aloud.
|
|
There was a brief silence, fragile like capillary glass tubes and as
|
|
vigorous as a Pitbull grinding baby skulls.
|
|
"I know how to get dry before we all catch some rabid kind of pneumonia,"
|
|
the Falcon said, stepping forward, "I shall tell a story. The driest thing I
|
|
can come up with. Promise."
|
|
It had expected some visual support from the others, but none such happened.
|
|
It cleared his throat and stroked its pointed beak, as if thinking of how to
|
|
start.
|
|
"Once upon a time there was a Princess," it began, eyeing the Virgin to
|
|
gauge her reaction, "who was very beautiful indeed. Her father, a grumpy old
|
|
man, wanted her to marry an Evil Prince called Elvis who was also rather
|
|
frightfully fat and ultra ugly. Her mother felt sorry for her, of course, but
|
|
they just happened to live in a kingdom where women's lib and that sort of
|
|
thing hadn't happened yet."
|
|
"Zonk," the Koala interrupted.
|
|
The Falcon cast a menacing glance at the fluffy creature.
|
|
"Zonk," it apologized.
|
|
"On the night of her having to wed," the Falcon continued, "she was all
|
|
dressed up in the most gorgeous gown that made all of the castle maidens
|
|
jealous. She also wore little glass shoes that fitted her tiny feet exactly,
|
|
and slightly above her upper lip sat the Mother of all Moles. Her mother
|
|
wept, and her father drank another beer. She thought it was altogether rather
|
|
silly that she had to marry this prince whom she did not even love. She
|
|
shuddered at the thought of perhaps one day having to darn his socks or
|
|
something as mundane as that. Now the stable boy was something totally
|
|
different. He was a broad-shouldered hunk with a hugely bulging..."
|
|
"Atchooo!" the Koala interrupted rather brusquely, therewith instantly
|
|
causing the Wrath of the Falcon to be turned upon him.
|
|
"Our fluffy colleague here is right," the Kaka now interjected, "We're not
|
|
getting any drier at all. I propose we do something else. Maybe we had better
|
|
get physical."
|
|
"Zonk," the Koala sniffed in agreement.
|
|
The Falcon, though its pride was hurt somewhat, could do nothing else but
|
|
condescend, too. "I've been meaning to ask you, by the way. What's a 'Kaka'
|
|
and why do you look like the spitting image of a 'Dodo'?"
|
|
"Elementary, my dear Falcon," the Kaka replied, "I am a Kaka but one of my
|
|
kin has once been mistaken for a Dodo. Basically a Kaka is like a Dodo -
|
|
only, well, different."
|
|
The Falcon pondered it over for a while. It decided to ask no further. It
|
|
was having troubles with it, but in the end it succeeded.
|
|
"Let's run around in approximate circles like a bunch of mental retards and
|
|
see who wins," the Kaka decided when it was obvious no more questions were
|
|
going to be asked.
|
|
"Zonk," the Koala nodded, and everybody agreed.
|
|
They all ran around for about half an hour. Sometimes the Falcon seemed
|
|
fastest, but occasionally the large Ant overtook it in a flurry of legs and
|
|
the scent of honey. The Koala seemed to tag along, as did the Kaka. Cronos
|
|
ran to keep up with the Falcon or the Ant, whichever was fastest at the
|
|
moment. The Virgin tried hard to keep up with Cronos, whom she considered
|
|
mentally and physically inferior to herself. Women's lib in the making.
|
|
Somehow, they actually seemed to get dry in the process. At the end of it,
|
|
Kaka rather unexpectedly signalled them all to stop.
|
|
"Who's won?" the Virgin asked, her panting sounding like snow stars on
|
|
frozen windows.
|
|
"Everybody has won," the Kaka said resolutely, "there's no question about
|
|
it."
|
|
There were some muted cheers.
|
|
"And," the Kaka added with emphasis, "of course, all of you shall get a
|
|
prize!"
|
|
"Zonk," the Koala now cheered with the others.
|
|
"Excuse me," Cronos interposed after this bout of happiness, "but who is to
|
|
give the prizes?"
|
|
"Well, you of course," the Kaka cried happily, "who else?"
|
|
All of a sudden all creatures' faces swirled to meet his, eyebrows raised in
|
|
eager expectation.
|
|
"Indeed, who else?" the Falcon interjected.
|
|
"Sure. Who else but he?" the enormous Ant now added, its multi-faceted eyes
|
|
rolling.
|
|
"There's no question about it, really," the Virgin agreed, her voice like
|
|
icecream in a hot summer day, "Or is there?"
|
|
"Zonk?" the Koala enthused.
|
|
"Prizes! Prizes!" they now all yelled rather too fervently.
|
|
Cronos fingered his pockets. Out came the most-empty bag of sticky
|
|
liquorice. He handed them to the Kaka, which he reckoned was the Master of
|
|
the Award Ceremony. The identical twin of a Dodo pried them loose and handed
|
|
them around. Just before Cronos was to supposed to get his prize, however,
|
|
the pieces of liquorice that were left disappeared with a deft movement of
|
|
the Kaka's feathered hand - filed away for reappearance, no doubt, at a later
|
|
and probably more private occasion.
|
|
"What else have you in your pocket?" the bird inquired.
|
|
Cronos hesitated, but eventually took out his Elector-O-Cute killer gadget.
|
|
Especially the Falcon and the Kaka looked at the gleaming piece of hi-tech
|
|
metalware with more than the usual interest.
|
|
"What's it?" the Ant asked, its multi-faceted eyes looking intensely
|
|
scrutinous at the mercenary annex gun and about a hundred other places within
|
|
the wide vicinity.
|
|
"It's a thing with which I can electrocute people over the phone," Cronos
|
|
explained, "It's pretty ingenious, you know, and it works regardless the
|
|
distance. Moreover, you can..."
|
|
"Zonk!" the Koala cried. It seemed to go frantic, its tail curling in an odd
|
|
way and its entire body shaking much in the way a doomed little friendly
|
|
Gremlin shakes just prior to colliding with huge quantities of water that it
|
|
sees inescapably running towards him.
|
|
"Sounds much too savage," the Kaka said, eyeing Warchild with suspicious
|
|
distrust, "for having someone like yourself walking around with it." It
|
|
inserted a meaningful, contemplative pause. "Nonetheless," it said as it
|
|
snatched it from Cronos' hands with a fell swoop, "I shall give it to you as
|
|
your prize."
|
|
Cronos was about to get very angry but his poor brain instructed him not to
|
|
bother. Which was probably just as well.
|
|
"Anyway," the Virgin said, her voice filled with the weight and purpose of
|
|
an ice floe that knows it has to fill the biggest river in the known
|
|
universe, "I shall now tell you all the tale, the sad tale, of why I hate
|
|
mercenaries."
|
|
She cast a meaningful glance at Warchild. It was lost to him, however, as he
|
|
was examining his Elector-O-Cute! killer gadget to see if the Kaka might have
|
|
damaged it. He put it in his pocket after assuring himself that no corruption
|
|
had been inflicted on the thing. He made a mental note not to forget testing
|
|
the device once he'd get home. You never knew, and it was the only way to be
|
|
sure.
|
|
Warchild found it odd to hear the Virgin speaking of a sad tail whereas A)
|
|
It was no sad tail, and B) She had no tail. He was fairly convinced of the
|
|
latter, for when viewing her naked splendidness earlier that day he was sure
|
|
he had not found evidence of a tail's presence, and he reckoned there surely
|
|
was no place to hide it.
|
|
Nevertheless the Virgin told her tale. Perhaps it should have been called a
|
|
poem, but that would have made this whole bit of the story too difficult to
|
|
write. Cronos was half wondering about the tail, half listening to her voice
|
|
like snowflakes dropping in the sea, so to him the tale ran like this:
|
|
|
|
"Once upon a time there
|
|
was a virgin and a
|
|
mercenary too.
|
|
The virgin, of
|
|
course, was I.
|
|
They went along
|
|
rather fabulously
|
|
but nonetheless
|
|
something seemed
|
|
to gnaw at the
|
|
mercenary's
|
|
insides. Of
|
|
course she
|
|
couldn't
|
|
know that
|
|
it was one
|
|
of his most
|
|
base instincts
|
|
speaking up that
|
|
spoke of rape,
|
|
sex and a lot
|
|
of slaughter.
|
|
She only
|
|
just
|
|
escaped
|
|
but
|
|
she
|
|
still
|
|
hears
|
|
his
|
|
voice
|
|
now
|
|
and
|
|
then
|
|
.
|
|
"
|
|
|
|
When the Virgin stopped her tale she caught Cronos deep in thought, almost
|
|
as if in a trance. To tell the truth, he had actually found it necessary to
|
|
go into a state not unlike hibernation - for otherwise his brain would surely
|
|
not even start to understand what this tail was all about. Besides, he seemed
|
|
to have lost count of the bends. Had there been one one one one one one? Or
|
|
perhaps one more?
|
|
"You see?" the Virgin said to the others while deliberately ignoring Cronos,
|
|
her voice like the sound of a blunt icepick attempting to cut through the
|
|
North Pole, "Virgins and mercenaries just don't rhyme."
|
|
Cronos pondered on, unperturbed, thinking about ones - too many of them.
|
|
"Hey, dude!" the Virgin said rather well audibly to get Cronos' attention,
|
|
sounding like the Titanic on the night of April 14th 1912. The mercenary
|
|
annex hired gun had apparently come to the end of his comatose pondering and
|
|
chose that moment to look up.
|
|
"Seven!" he cried, smiling rather triumphantly.
|
|
The Virgin said something like, "Ooof!", which sounded like a thousand tons
|
|
of liquid nitrogen being hurled in the mouth of an erupting volcano. She ran
|
|
off, all but stampeding.
|
|
"Come on, girl," Cronos said, like a mother addressing her spoiled
|
|
offspring, "What's all this running away for?"
|
|
The Virgin didn't answer. Her splendidly nude form ran off in the distance,
|
|
like a dog with its tail between its legs - only, of course, she didn't have
|
|
one. Cronos was still fairly certain about that.
|
|
"Hmpf," he snorted, "Fak the Ruthless wouldn't have had any problems getting
|
|
her back."
|
|
"Zonk!" the Koala sniggered. With a small >plop< it disappeared.
|
|
"Er...hum," the Kaka said, "I think I left the gas on at home." With those
|
|
words he disappeared through a door that locked itself behind him.
|
|
The Falcon flapped its wings and heaved itself in the sky. "I'd better be
|
|
going too, pal," he said, "good luck to you." Within seconds it was a dark
|
|
spot growing even smaller, far away.
|
|
Leaving behind a vague scent of honey, the Ant had disappeared, too.
|
|
So Cronos was alone again. Alone with himself in this truly vast hall filled
|
|
with doors he couldn't open - except for one, to which the key lay out of
|
|
reach, on a three-legged table that was too high for him to ascend.
|
|
"I wish I hadn't mentioned Fak," Cronos muttered sortof sadly to himself,
|
|
"Will I ever see Fak again, or any of my other Mercenary Academy mates? Will
|
|
I ever get out of here?"
|
|
The feeling in his lower abdominal area moved slightly up. It also
|
|
transformed from a rather nice to a somewhat nauseous one. Sweat started
|
|
breaking out from one or two pores, followed by more.
|
|
Then he suddenly heard the sound of feet flapping, coming closer. Was it the
|
|
Virgin that came back to throw herself in his unmistakably masculine arms, to
|
|
hurl her regretful tears at his recognizably macho shoulder?
|
|
|
|
IV - TED'S BOGUS JOURNEY
|
|
|
|
Of course, Cronos Warchild was quite wrong (rather totally and exceedingly
|
|
so, as a matter of fact). It wasn't the Virgin but the White Kangaroo - the
|
|
creature that had been the cause of his current predicament. When it came
|
|
within speaking range, he heard it cry, "Oh the Mayor! The Mayor! He'll make
|
|
a eunuch of me if he discovers I've lost them!"
|
|
At that moment the White Kangaroo saw Cronos standing.
|
|
"Mortimer," the White Kangaroo said in a reproachful tone while pointing to
|
|
a place behind the mercenary annex hired gun, "what are you doing here? Go
|
|
into the house and fetch me my magnifying glass and the keyring with the
|
|
Koala on it. This minute!"
|
|
Intimidated and somewhat abashed, Cronos walked off in the direction the
|
|
White Kangaroo had pointed to. Obviously the animal had mistaken him for
|
|
somebody else, but Warchild decided not to behead it for this mistake; if he
|
|
would have killed every creature that was doing something odd today he would
|
|
end up with a frighteningly huge pile of carrion at his feet. It would take
|
|
days to rid his hands of the stench of rotting flesh, though - he relished
|
|
the thought.
|
|
Was that a telepathic vulture, circling high above him?
|
|
After a brief stroll through green meadows with flowers blooming and
|
|
butterflies making love in the air, he came upon a small cottage with a rusty
|
|
copper plaque next to the door. "W. KANGAROO" was engraved on it in rococo
|
|
style, barely readable to cultural barbarians like himself.
|
|
He walked inside and hurried up the wooden stairs when he heard the slow,
|
|
deliberate footsteps of what he guessed was the real Mortimer. At the end of
|
|
the stairs he discovered a little room, of which he closed the door behind
|
|
him. The room was well kept - that is, if you just tried hard to think away
|
|
the piles of computer printouts, floppy disks and miscellaneous notes that
|
|
lay everywhere. On a table that was relatively void of the aforementioned
|
|
items lay a magnifying glass and the keyring with the Koala attached to it.
|
|
"Zonk," the Koala sighed.
|
|
He wanted to grab these items to give them back to the White Kangaroo -
|
|
although it eluded him why he would want to do the dratted creature a favour.
|
|
He didn't get around to actually taking the magnifying glass off the table,
|
|
nor the keyring with the Koala on it, for at that precise instant a
|
|
hypodermic syringe materialised next to them.
|
|
For a second or two there was a smell of ozone as if just after lightning.
|
|
A label was attached to the syringe. It had the typed words "CYANIDE" and
|
|
"MEDICATE AT YOUR OWN PERIL" crossed out, and "INJECT ME" hand-written below
|
|
them.
|
|
"Whattaheck," Cronos thought to himself, "it doesn't seem deadly to me."
|
|
He stuck the needle in his left arm and injected the fluid in a vein, or at
|
|
least not too far away from one.
|
|
His arm turned purple, then cyan. Then his whole body went bright red with
|
|
yellow dots, then, too, all cyan. The entire process, during which Warchild
|
|
saw all kinds of strange colours swirl towards him, lasted perhaps ten
|
|
seconds. At the end of it he felt like his old self again - only much bigger.
|
|
He found his head pressed against the ceiling, almost causing his neck to
|
|
break. Previously, the sensation of claustrophobia has been rather dreadful
|
|
but nonetheless subtle-ish; now, however, it struck him like a freight train
|
|
transporting lead storming towards him, down-hill, with malfunctioning
|
|
brakes.
|
|
And still he continued growing. There was no other solution but to stick his
|
|
head out of the window and his left foot up the chimney.
|
|
Sweat starting breaking out of him again, running down the various parts of
|
|
his body in small rivulets; what about the cheap motel room he rented at the
|
|
moment, cockroach-ridden though it may be? He'd never fit in it - if he could
|
|
get out of here at all in the first place. And where was he to leave the
|
|
large trunk carrying his collection of patented and superlatively lethal
|
|
killer gadgets?
|
|
He was torn from his thoughts when he heard feet flapping up the stairs, and
|
|
a voice yelling, "Mortimer! I need my magnifying glass right now, you hear?
|
|
Mortimer!"
|
|
Next thing he knew, the White Kangaroo opened the door to the little room -
|
|
or at least the animal tried to but didn't actually succeed as the door had
|
|
to open to the inside and Cronos' posterior was rather solidly pressed
|
|
against it.
|
|
"Then I'll try to get in through the window," Cronos heard the animal say to
|
|
itself.
|
|
Outside, the White Kangaroo got quite a fright when it saw the huge, square
|
|
head with the sideburns sticking out one side of its home.
|
|
"Mortimer!" it called angrily, "Mortimer!"
|
|
Slow, deliberate steps up the gravel of the garden path announced the
|
|
butler. It was a badger wearing a black uniform, that had a white towel
|
|
folded around his arm which it held in front of itself.
|
|
"Can I be of any service, Sir?" the butler inquired politely.
|
|
"What's that?" the Kangaroo spat with badly hidden vehemence, "Would you
|
|
mind telling me what that is?"
|
|
The badger looked up at Cronos' head.
|
|
"Shocking, Sir," it admitted, "It seems to be a rather frightfully large
|
|
head belonging to some sort of giant-ish chap, with your permission, Sir."
|
|
"Get rid of it!" the Kangaroo commanded urgently, as if it concerned merely
|
|
a couple of gnats in the bedroom.
|
|
Although Cronos resented the possibility of his huge, rather squarely built
|
|
shape to be manhandled out of the room by the tiny White Kangaroo and its
|
|
midget butler, he began to think it would be the only way out. The
|
|
claustrophobic freight train had hit him between the eyes - it hadn't even
|
|
lost any velocity, the driver hand't seen him, and the "no speed limit" sign
|
|
was coming up around the bend.
|
|
His left foot deemed the moment fit to send to his brain the signal of a
|
|
rather irritating itch he had no way of being able to scratch. He bit his
|
|
tongue.
|
|
Voices reached him, barely audible, parts of sentences, as if they were
|
|
conspiring against him. He also heard a third voice, that he saw belonged to
|
|
what appeared to be a Skunk of sorts that was called Ted.
|
|
"What?!" he heard the Skunk exclaim, high-pitched with fright, "Do I have to
|
|
go down the chimney?"
|
|
"Well, most certainly, Sir," the butler confirmed.
|
|
"But I don't want to, you see," the Skunk whimpered, "Why does it always
|
|
have to be me?"
|
|
Cronos saw the White Kangaroo snorting impatiently, flapping its feet on the
|
|
grass.
|
|
"I'm afraid, Sir," the butler tried to explain, "that I can't offer
|
|
satisfactory answers to either of your questions, Sir. However, if you allow
|
|
me, Sir, I would advise you to do whatever you have to do quickly so as not
|
|
to incur the wrath of your master, Mr. Kangaroo, Sir."
|
|
"But..." the Skunk whimpered on.
|
|
"I think, Sir," the butler cut off the Skunk's words, "that you're at this
|
|
particular moment in time and space acting like what is reportedly known by
|
|
commoners as a 'yeller', Sir. Now if you'd be so kind, Sir?" It emphasized
|
|
its words by gesturing for the Skunk to move its rear end up the roof and
|
|
into the chimney.
|
|
There were some sounds of ladders being climbed, and of Skunk's feet walking
|
|
across the thatched roof. Cronos pulled back his left leg as far as he could
|
|
manage, back into the chimney somewhat.
|
|
"Hi," said the Skunk in a voice that didn't particularly flow over with
|
|
confidence when it peeped down the chimney.
|
|
A leg extended itself. A boot collided with a black-and-white, rather smelly
|
|
animal which as a result was sent hurling through the air. It connected
|
|
itself to the ground somewhere, some moments later.
|
|
There were some cries of anger outside. The unconscious Skunk was fetched
|
|
from its position on a patch of thistles, after which further parts of
|
|
conversations were carried by the breeze into Cronos' ears.
|
|
"Mouth to mouth resuscitation?" the Kangaroo exclaimed, its voice filled
|
|
with disgust, "Are you kidding? Mouth-to-mouth on a blimmin' Skunk?"
|
|
"I kid thee not, Sir," the butler replied timidly, "As a matter of fact,
|
|
Sir, this is the recommended sort of remedy in medical cases such as this
|
|
one, if you allow me, Sir."
|
|
Suddenly a couple of clouds broke.
|
|
"A little bit of Plantiac, perhaps?" a voice thundered from the heavens like
|
|
the Gods playing a double bass drum.
|
|
They all startled, Cronos inclusive; it even caused the Skunk to come to, be
|
|
it reluctantly. They looked around but couldn't see anything. They decided to
|
|
ignore the mystery voice, which was never heard in Wonderland henceforth.
|
|
|
|
"Terrible! Terrible!" the Skunk accounted, "It was simply terrible! There
|
|
were fiends and monsters and flames and...and giants! I stood no chance
|
|
against their superior numbers. I mean I tried, mind you, but even my
|
|
proverbial strength and the smell I can excrete left me at the shortest end.
|
|
And then there was this huge, black monstrosity that, in spite of my heroic
|
|
defence, catapulted me out of the room without as much as giving me a fair
|
|
chance."
|
|
"I see, Sir," the butler nodded, "I see, if you permit me, Sir."
|
|
"Shut your face," the White Kangaroo said, and lapsed into a fit of thought.
|
|
Time passed. It looked at the scene incomprehensibly, then continued its
|
|
eternal path.
|
|
Cronos, for his part, was quite glad he wasn't growing anymore. Things would
|
|
have looked severely disfortunate if he hadn't - possibly even worse than
|
|
they looked now.
|
|
In the mean time, the animals outside seemed to have some sort of idea. The
|
|
butler disappeared.
|
|
After a while the badger butler came back, pushing before it a large
|
|
wheelbarrow filled with a dark brown, semi-solid substance. A peg was located
|
|
on its nose.
|
|
"There you are, Sir," the butler said, slightly out of breath, "the ma'ure,
|
|
Sir."
|
|
The White Kangaroo looked up at Warchild's face, the beginning of a
|
|
triumphant grin dawning on its face.
|
|
"The smell's awful," the Skunk said, "Simply terrible."
|
|
Before Cronos knew what happened, he was being subjected to a volley of what
|
|
he guessed was human manure. Most of it missed him, but some of it clung to
|
|
his hair and some of it made its way inside the room, just smelling awfully.
|
|
"Stop that," he bellowed, nearly making the house burst at the seams, "or
|
|
I'll...I'll (he was searching for a foul enough punishment for these vile
|
|
creatures) do something I'll regret later."
|
|
Warchild did not get the time to put any of his threats into practise,
|
|
though, for at that moment the manure transformed itself in raspberries.
|
|
Raspberries, of all things!
|
|
Cronos might not have been very bright, but even an imbecile laboratory rat
|
|
would by now have learned that, whenever edible things occurred in the story,
|
|
its size would change from small or big or big to small (or its surrounding
|
|
would mutate with the same effect). So, in spite of the fact that raspberries
|
|
to Cronos were just about the worst things to eat - but one - he tossed some
|
|
of them in his mouth.
|
|
There was a quick feeling of giddiness, accompanied by a growing of chairs
|
|
and tables, and next thing he knew he was gazing at a printed-out computer
|
|
program listing on the floor of which the letters were almost one third of
|
|
his height.
|
|
He dashed out of the door, jumped down the stairs, and ran towards the
|
|
forest next to the White Kangaroo's abode with all speed he could muster. He
|
|
almost stumbled upon a scene involving the throwing of more manure and the
|
|
performing of apparently obscene things to a poor Skunk.
|
|
He guessed this was an appropriate moment to feel some sense of guilt, but
|
|
his extensive training at Mercenary Academy had made sure he didn't and
|
|
wouldn't ever.
|
|
The assorted animals that were gathered around the Skunk and the wheelbarrow
|
|
with manure thought for a moment that they noticed Warchild's tiny form just
|
|
in time to see a tiny booted foot disappearing in the dense undergrowth of
|
|
the forest. Just like humans, however, who for example don't see gnomes as
|
|
they don't believe in them, the animals thought they'd had a collective fata
|
|
morgana and proceeded throwing excrements at the window.
|
|
"First I've got to grow back to my usual size again," Cronos thought to
|
|
himself when he knew he was safe, hiding under a fairly large tuft of grass,
|
|
"Then I've got to find my way to that garden I saw when I just got here.
|
|
Maybe some killer weed'll grow there, or poisonous fungi that may come in
|
|
handy in future assignments. Perhaps..."
|
|
A sudden high twittering sound, repeated two or three times, made an abrupt
|
|
end to his train of thoughts. He looked up into two black eyes and a large
|
|
orange bill that belonged to a yellow, cutely fluffy chicken. Incidentally,
|
|
it was also terrifyingly huge.
|
|
"Easy does it," Cronos tried to coax it, almost on the verge of panicing,
|
|
"Issy nice chicken, yes?"
|
|
He had never seen this big a chicken - but, then again, he had never been as
|
|
small as this before. He tried to think of it as a huge mound of lean meat,
|
|
but the image didn't work - it kept on making sounds at him, opening its bill
|
|
menacingly, threatening to misinterpret him for a bit of delicious fresh
|
|
corn.
|
|
It was completely uncertain whether the chicken wanted to eat him or if it
|
|
wanted to play with him. Either way, it did make an awful racket and at
|
|
several occassions almost flattened the mercenary annex hired gun under its
|
|
clawed paws. Again, Cronos cursed himself for having opted to bring along the
|
|
Elector-O-Cute killer gadget, which had by now repeatedly proven to be
|
|
completely useless.
|
|
He was beginning to think he would either not get rid of the chicken or not
|
|
get out alive, when in the distance he heard a cock crowing. If the chicken
|
|
would have had ears, it would have pointed them; it seemed to listen intently
|
|
for a few moments, after which it hopped off to somewhere far away from
|
|
Warchild.
|
|
He sighed in relief.
|
|
"I'd surely like to have caught it and cooked it," he mused, "If only I had
|
|
been somewhat bigger."
|
|
Even Cronos knew that one wasn't supposed to go around chasing and killing
|
|
animals that are about four times as high as yourself when all you're
|
|
carrying is a device with which you can kill people by telephone. The problem
|
|
it came down to, again, was size. How was he to grow up to the right size
|
|
again? He couldn't see any cakes, suppositories, bottles, icecreams or pieces
|
|
of liquorice anywhere. Not even any raspberries! All he could see was a large
|
|
mushroom that didn't seem edible either.
|
|
On top of the mushroom, however, sat a small llama - arms and legs folder
|
|
like only preciously few llamas can do, sedately smoking a bong. It didn't
|
|
seem to notice Cronos at all, nor did it seem to notice the entire world
|
|
around it, including the very mushroom on which it sat.
|
|
|
|
V - ADVICE FROM A LLAMAOID
|
|
|
|
They looked at each other for a while, like opponents gauging their enemy's
|
|
strength. Cronos thought it looked really silly to have a llama sitting on a
|
|
mushroom with its legs and arms folded much in the way he had seen statues of
|
|
fat men with long earlobes do in Oriental travelling brochures. But, then
|
|
again, he had seen llamas in much sillier poses shooting camels with lasers
|
|
and such, now he came to think of it.
|
|
"Chill out man, nicely groovy and zany and altogether rather ozric," the
|
|
llama said suddenly, almost startling Warchild, "Zarjaz world we live in,
|
|
innit? Almost better than 'Star Raiders' on the Atari 8-bit."
|
|
The mercenary annex hired gun let it sink in for a while. He was about to
|
|
produce a reply along the lines of "Sure" or "Indeed" when suddenly the llama
|
|
spoke again.
|
|
"Who might you be, squire?"
|
|
Immediately, a D.E.A. (Damaged Ego Alert) sounded in Cronos' head. Had his
|
|
fame, or notoriousness, not reached this subterranean world? Had the stories
|
|
about his flawless killings, that had so far spread across all the inhabited
|
|
planets of the known universe like wildfire, missed out on this meaningless
|
|
little whatever-it-was?
|
|
Somewhat hurt he replied by mentioning his name in the usual Bond-James-
|
|
Bond-style.
|
|
"That sounds like a seriously unsound name to me, chum," the llama
|
|
practically laughed out loud, letting Warchild's name roll over its tongue as
|
|
if sampling cheap wine.
|
|
"It will not do, man," the llama concluded after some more rolling and
|
|
sampling. "I will therefore call you 'Jeff'. Now you have to agree that's
|
|
much better to start with. Seriously groovy, as a matter of fact."
|
|
Cronos stared at the llama, somewhat amazed at the animal's capacity to
|
|
insult both him and his parents in one go without as much as flinching an
|
|
eye, nor disconnecting its mouth from the bong. Somehow, the name 'Jeff' in
|
|
his mind connected itself with the image of a bearded chap with long hair
|
|
sitting on a stuffed yak, wearing an afghan, smoking a Camel cigarette and in
|
|
his hands holded an empty bottle of Inca Cola. He didn't quite know where the
|
|
image came from but, frankly, he couldn't be bothered.
|
|
"This world seems altogether rather strange to me," Cronos said out loud
|
|
after accumulating in his mind all the weird things that had happened so far
|
|
while being underground.
|
|
"You!" the llama retorted, visibly agitated, "Paugh! What makes you think
|
|
you've got something to say around here?"
|
|
Now that was a question that Cronos A) Couldn't reply to, B) Hadn't expected
|
|
and C) Wondered about what had caused it. All these factors together left
|
|
Cronos in a state that, should careful evaluation have been necessary, would
|
|
have had to surpass hibernation - a state that would have been almost
|
|
unmistakable from, if not identical to, death.
|
|
"May I add, by the way," the animal added as an almost trivial afterthought,
|
|
"that there's a drop of nasal fluid on your upper lip?"
|
|
This, almost literally, was the drop that made the bucket run full. Sniffing
|
|
violently and wiping his nose with his sleeve, Cronos walked off much in the
|
|
way the Virgin had walked off from him earlier.
|
|
"I say, old fruit," Warchild heard the llama yelling behind him, "come back,
|
|
man! No need for all that running off all of a sudden."
|
|
He turned around and traced his steps back to the animal. He didn't like the
|
|
smugness of its smile.
|
|
"Be excellent to each other," the llama said. Muttering to itself, it added,
|
|
"I've always wanted to say that. It does have a nice ring to it, even if I
|
|
say so myself."
|
|
"Is that all you have to say?" Cronos asked, "Is that why you wanted me to
|
|
come back?"
|
|
"Well, you know, dude...er...no," the Andes inhabitant said. It even took
|
|
the bong out of its mouth. If blew a puff of smoke in Cronos' face that made
|
|
him feel dizzy for a couple of moments, then said, "So you think things have
|
|
been rather strange to you?"
|
|
"Yes," Warchild nodded, "I mean I've changed sizes at least one one one one
|
|
one times today. Animals talk. You talk. And you're smoking, too. Only a
|
|
while back I tried to recite the lyrics to Napalm Death's "Dead" and the
|
|
word, one word mind you, came out all wrong. I don't know what's happened to
|
|
me. Am I one card short of a full deck? Am I not quite the shilling? Am I not
|
|
the usual top billing? Am I..."
|
|
He cut himself off, just short of saying that he thought he was a banana
|
|
tree.
|
|
"Am I slightly mad?" he asked to wrap it up, genuine concern filling his
|
|
voice.
|
|
The animal shifted its position on the mushroom, as if it had suddenly
|
|
discovered that its rear end was sleeping. It closed its eyes for a moment,
|
|
which looked as if it was reading the answer to Cronos' questions from the
|
|
insides of its eyelids.
|
|
"Well," the llama said after a while of breathless contemplation, opening
|
|
its eyes, "Perhaps you could recite the lyrics to Metallica's "Orion" for
|
|
me."
|
|
Cronos thought hard for a while. Then he thought hard for another while or
|
|
two. He then said:
|
|
|
|
"If birds could talk
|
|
The world would be quite different
|
|
This is the strange dream
|
|
That birds have at night
|
|
It is no longer possible
|
|
When they're awake
|
|
Cannot man teach them to do so
|
|
Or let them be?"
|
|
|
|
"See?" Cronos said, initially sporting some pride at being able to say
|
|
something as profoundly deep and extensive as this, then disappointed, "The
|
|
words came out all wrong."
|
|
The llama looked like a psychiatrist who was about the judge a ten-year-old
|
|
little girl mentally incapacitated for the rest of her life. Its face did not
|
|
so much frown, but more sortof contorted. One of its front paws seemed to
|
|
stroke its chin in a wholly un-llama-like way.
|
|
"First of all," the llama said, "that wasn't "Orion" for that's an
|
|
instrumental song. Trick question there. You did do "To Live Is To Die", but
|
|
again it seems the words didn't quite come out right. Incidentally, did you
|
|
know that the real lyrics to that song were probably partly ripped from
|
|
Stephen Donaldson's 'Chronicles of Thomas Covenant the Unbeliever'?"
|
|
Cronos failed both to recall ever having heard of the author's name before
|
|
and connecting all of it with the current situation. He tried to express
|
|
naive innocence, something which unfortunately only caused his mouth to drop
|
|
open and his eyes to stare at no particular point somewhere in the distance.
|
|
"Thought you didn't," the llama said, more to itself than to Warchild. The
|
|
silence that followed lasted the better part of five minutes.
|
|
The South-American animal broke the silence first.
|
|
"So what size would you like to be?"
|
|
"Dunno," Cronos said, not quite prepared to answer a question as
|
|
intrinsically complicated as that, "I guess I don't care that much, really.
|
|
I'd basically like to be able to stay the same size for a while, you know."
|
|
"I don't," the llama said, dryly.
|
|
"What?"
|
|
"I don't," it repeated.
|
|
"Don't what?"
|
|
"Know," replied the llama.
|
|
"Know?"
|
|
"Yes. I don't know."
|
|
The animal rolled its eyes at the human's obvious stupidity.
|
|
"You don't know what?" Cronos insisted.
|
|
"I don't know that you'd basically like to stay the same size for a while,"
|
|
the llama explained more elaborately.
|
|
"You don't?" Warchild asked incredulously.
|
|
"Well, now I do but when you started about it I didn't."
|
|
"Ah. I see," said Cronos, unsure.
|
|
"No, you probably don't," the llama disagreed.
|
|
"I don't what?"
|
|
"See."
|
|
"See what?"
|
|
"This conversation is getting nowhere", the llama broke off.
|
|
Cronos fell silent, already quite having lost trace of it way back.
|
|
"I'd like to be slightly bigger than I am now," he said finally, "four
|
|
inches is such a darned lousy height to be, or should I say lowth?"
|
|
The llama snorted, standing up on its hind legs, precisely four inches tall.
|
|
"No it isn't," it said, hurt.
|
|
Cronos had another attack of guilt again, but somewhere along the relatively
|
|
infinite line of nerves and synapses it got nipped in the bud. His face
|
|
remained utterly void of expression.
|
|
Another silence followed. It lay on the ground, writhing, pleading, as if
|
|
almost begging to be broken.
|
|
"One side will get you bigger, the other will get you smaller," the llama
|
|
finally said, "You sort it out, Jeff."
|
|
Cronos hated being called 'Jeff'. He also wondered of what one side would
|
|
cause growth and the other shrinking.
|
|
"The mushroom, you git," the animal said, reading his mind.
|
|
"That's all we need," Cronos thought to himself, annoyed, "A telepathic
|
|
llama."
|
|
"I heard that!" the Llama said, again sounding hurt. Amid a huge fractal
|
|
explosion it disappeared off the mushroom, leaving behind only the scent of
|
|
burned herbs.
|
|
Now Warchild faced a dilemma he had faced the last time during the first
|
|
grade at Mercenary Academy: Mathematics. His tutors had at the time insisted
|
|
he learn basic arithmetic - Cronos had found it inescapable to fail. Now he
|
|
had to face the consequences: Which side was which? After all, the mushroom
|
|
was as round as it could possible be, so there was no way to determine which
|
|
side would be one and which other.
|
|
A pain crashed through Warchild's consciousness - he had another lucid
|
|
moment. The total amount of these occasions during his life had been very,
|
|
very rare. The fact that he had had two lucid moments this day seemed to
|
|
indicate he was making progress.
|
|
This all just serves to prove that statistics can be wrong quite utterly.
|
|
During the time the lucid moment spent in Cronos brain, he picked two pieces
|
|
off the mushroom - one on either side. He hoped it would work.
|
|
Of course, the bit he first tried was the wrong one - Murphy's law works
|
|
rather effectively even for those who often seem immune to the laws of
|
|
causality and faculty.
|
|
The shrinking that resulted from eating the wrong bit of mushroom was rather
|
|
devastating. One moment Cronos was still about four inches tall, and after
|
|
the blink of an eye he was suddenly very small. The mushroom towered above
|
|
him like a vast monument of the first nuclear explosion - only much, much
|
|
bigger and at this particular moment vastly more impressive.
|
|
"Oops," the mercenary annex hired gun said.
|
|
A beetle, that had been about as large as his fist until about one second
|
|
ago, now looked at him even more threateningly than the frightfully cute and
|
|
flawlessly yellow giant chicken had done before. It moved its antennas, as if
|
|
probing the air for molecules that had had the audacity to pop off Warchild.
|
|
It seemed to like what it sensed, and came closer for a first bite.
|
|
Cronos swallowed most of the other piece of mushroom, wishing to become big
|
|
as soon as possible. There was a very short crunchy sound, not unlike that of
|
|
a black boot crushing a beetle, and after that there were only the strange
|
|
feeling of an elevator quickly gaining upward momentum, and clouds.
|
|
He tried to feel his head, but couldn't. His hands simply weren't long
|
|
enough to reach his head that now seemed to be balancing on a neck quite
|
|
resembling some sort of nutty snake. He was having problems breathing, which
|
|
Cronos reckoned had something to do with space being much closer now - and
|
|
wasn't space empty?
|
|
He looked down. Now and again the clouds around him would tear up for a
|
|
moment, allowing a brief glimpse at the scenery below. Most of it was green
|
|
with a spot of blue here and there - which he assumed were lakes of sorts. A
|
|
bit to his left he saw a small cottage with a thatched roof. In its garden he
|
|
saw a White Kangaroo, a badger dressed as a butler, and a Skunk that seemed
|
|
to be out cold. On a road, way off before him, he saw a toad driving a car
|
|
rather more rapidly than it should.
|
|
He was surely feeling spaced out - which is a fairly accurate description of
|
|
what a bite of the growing side of a mushroom can do to you if you've
|
|
previously inhaled the smokes of certain mind-expanding herbs. When he closed
|
|
his eyes, his head seemed to be rollercoasting. When he opened them, it still
|
|
seemed to.
|
|
The feeling wore off just in time for him to be aware of some creature of
|
|
the sky flying into a part of his neck. He looked down to his neck that
|
|
seemed to hang below him like a rope from a balloon. He couldn't quite see
|
|
his body.
|
|
A small flying thing circled around him, towards his head, up from the spot
|
|
where it had collided with his neck.
|
|
"Can't you watch where you're going?" a voice said, now close to his ear. It
|
|
was fairly obvious that the voice wanted to sound enraged, but it totally
|
|
failed in obtaining the objective. Instead the voice radiated infinite love
|
|
and passion.
|
|
The owner of the voice flew around him, so that in the end Cronos could see
|
|
it straight before him, fluttering and complaining. It was a small angel, no,
|
|
a flabby baby with Pampers on. It had a golden bow in its tiny hands, and a
|
|
very small arrow container was located on its back, attached to a strap.
|
|
"Oh no," the tiny winged form said when seeing Warchild, "you."
|
|
"I'm afraid you've got the advantage," Cronos said, having heard this sort
|
|
of dialogue in a film once, "I have never seen you before."
|
|
The baby angel tried to put on a scornful face, but only succeeded in
|
|
showing infinite dedication and friendship.
|
|
"You big lummox," it said, gayly flapping its wings now and flying to and
|
|
fro in front of Warchild's face, "Don't you remember Loucynda? Or Penelope?
|
|
And what about Klarine Appledoor?"
|
|
Cronos had fleeting visions of a most beautiful shaped breast upon which
|
|
hung a name plate, of coal-powered engines hidden in folds of flesh that
|
|
functioned to pump around gallons and gallons of blood, and of a rusty-locked
|
|
chastity belt.
|
|
"Sure I remember them," he said to the little angel, "But I still don't
|
|
remember you."
|
|
Warchild had not been really sure of many things in his life - but he had
|
|
been sure the Virgin had had no tail and he was sure he didn't know who the
|
|
hell this little angel was.
|
|
"I see," the angel said in a tone that was supposed to convey sadness and
|
|
hurt but that only spread warmth and devotion, "You really, honestly don't
|
|
know me."
|
|
Cronos shook his head. "No."
|
|
He didn't even feel sorry, nor did he feel slightly guilty.
|
|
Quickly, the flying marksbaby changed subject.
|
|
"I've seen you look better, Cronos Jehannum," it said as if visiting an old
|
|
friend, "Much better than this huge ugly thing with a neck like a spaced-out
|
|
snake and breath smelling of weird herbs, raspberries and tobacco icecream."
|
|
"I'm no ugly thing with a neck like a spaced-out snake and breath smelling
|
|
of weird herbs, raspberries and tobacco icecream," Cronos said, "I'm but a
|
|
small mercenary annex hired gun." It seemed that a tear welled up in his eye.
|
|
It was visible for an instant of a nanosecond, then Warchild blinked his eyes
|
|
and it had vanished.
|
|
"If you flew into me just to insult me," Cronos said in as menacing a tone
|
|
as he could manage with half of his speech apparatus a rough two hundred feet
|
|
below him, "I'll have to insist you leave."
|
|
Another quote from a film he'd forgotten to forget.
|
|
"OK," the minute angeloid muttered, "If that's how you want to play it.
|
|
Fine. Don't expect me around when you need me, though."
|
|
It flapped its wings somewhat more intensely, after which it flew off into a
|
|
cloud and vanished from sight.
|
|
Warchild remembered the pieces of mushroom he should still have in his
|
|
hands, a long way down. He bent his neck in a huge arc until it almost formed
|
|
an "O", with his head close to his chest - which was quite like a spaced-out
|
|
snake indeed. By biting off small pieces off each bit of mushroom he
|
|
eventually reached his right height - or at least he got the surroundings to
|
|
the sizes he seemed to recollect from before he'd made the jump into that
|
|
hole under the tree in the park near his motel. He stuffed the bits of the
|
|
mushroom he had left in his pocket.
|
|
It felt strange being in a world that had its usual size again. He checked
|
|
his neck. It was still there - or, rather, it was still as always hidden
|
|
between his broadly built shoulders and his square head with the long
|
|
sideburns.
|
|
He walked away from where he had seen the White Kangaroo's cottage - he had
|
|
no intention of ever having manure hurled at him again, certainly not if the
|
|
manure had the tendency to transform into raspberries, of all things!
|
|
Within a few minutes he found a small house. It was scarsely more than a
|
|
yard high, however, so he reckoned it would be best to eat some more of the
|
|
mushroom bit that could make the world grow again.
|
|
He did. The world grew.
|
|
|
|
VI - FROG AND GARLIC
|
|
|
|
As soon as he had gotten used to his diminished size, he took in his
|
|
surroundings - that's the kind of thing a mercenary is trained to do. He kept
|
|
an eye on the house for a while until he reckoned it safe to go in for some
|
|
more detailed exploration.
|
|
He had just come out of his hiding when he saw a small DHL car coming up the
|
|
driveway. He had seen many weird things while he was underground, but this
|
|
thing beat everything: The car had two eyes popping up from the bonnet much
|
|
in the way a frog's would. There was no front bumper on it either - instead
|
|
it had a huge, grinning mouth. It looked like one of those small child's
|
|
toys, only life-sized.
|
|
Cronos was even more amazed to see the car rise on its hind wheels and knock
|
|
the door with a front tyre, sounding like a soft, rubbery 'thud'. It whistled
|
|
a postman Pat tune in an almost absurdly casual way.
|
|
A mole opened the door. The animal was covered, like most of its kind, in a
|
|
thick black fur that was most fit for crawling underground. Unlike most of
|
|
its kind, however, it wore dark glasses and a sports jacked, put on back-to-
|
|
front, with a Kriss Kross logo patched on its back (which was in the front).
|
|
Behind both its ears it wore hearing aids that looked every bit as impressive
|
|
as the car audio systems that cheap people living in cheap neighbourhoods
|
|
have built in their second-hand Opel Mantas to impress their cheap
|
|
neighbours. It bobbed its head left and right like Stevie Wonder (or, for
|
|
that matter, like Ray Charles). The fact that the mole was handicapped at two
|
|
of its most important senses, by the way, suffices to prove that only this
|
|
way one can fully appreciate Kriss or Kross or, indeed, both of the silly
|
|
brats.
|
|
"I AM ADRIAN, THE BUTLER!" the mole yelled at the DHL vehicle, "CAN I BE OF
|
|
SERVICE TO YOU!"
|
|
The car heaved a sigh, which almost perfectly succeeded in conveying the
|
|
meaning of the sentence "Oh no, not that stupid mole again..."
|
|
The mole, of course, was blissfully unaware of this.
|
|
"I have a message for the Mayor," the car said, the sound of a barrel full
|
|
of pistons rolling down a mountain into a car mechanic's workshop, "An
|
|
invitation of the King of Spades to play golf.
|
|
"THANK YOU, SIR!" the butler said.
|
|
The car went inside. The butler closed the door, quite forgetting to walk
|
|
back in itself.
|
|
Cronos decided it was time to do something. Anything. He walked up to the
|
|
front door and knocked on it a couple of times.
|
|
"THAT'S USELESS, SIR!" the butler said.
|
|
Warchild looked at the insectivore for a couple of moments. Deciding against
|
|
starting anything resembling a conversation, he tried to mimic "Why?" with
|
|
his facial expression.
|
|
Remarkably, he succeeded.
|
|
Even more remarkably, the blind mole sensed it.
|
|
"WE ARE BOTH ON THE SAME SIDE OF THE DOOR!" the mole explained, "SO I CAN'T
|
|
LET YOU IN AS SUCH. AND INSIDE THEY CAN'T HEAR YOU ANYWAY!"
|
|
Warchild put aside the implications of what the butler said for, indeed,
|
|
quite a racket seemed to be going on inside, though he couldn't make out what
|
|
it was all about. He was just going to connect his ear to the door when it
|
|
flew open and a self-cleaning garlic squeezer missed him by a mere fraction
|
|
of inches. It flew off into the bushes.
|
|
It was followed by an insulted red DHL car which brushed some dust off its
|
|
wings and disappeared down the road, bonnet in the air, muttering angrily
|
|
about idiots and the things that bolts go in.
|
|
The mole walked in and melted into what it probably considered to be one of
|
|
the more comfortable shadows that seemed to leap and lurch in the house.
|
|
Cronos decided to walk in, too. He stumbled upon a wholly odd sight.
|
|
He had entered a kitchen that scented thoroughly of gas - or at least,
|
|
reckoned Cronos, of something that smelled like gas. He found the Mayor
|
|
sitting on a stool in the middle of it, trying to soothe to sleep a baby that
|
|
was lying in his lap. A cook wearing a flat black cap with a ridiculously
|
|
erect thingy on top of it and holding under his arm a lengthily shaped loaf
|
|
of bread cursed to himself as he appeared to have added too much red wine to
|
|
the soup he was brewing. He kept on adding garlic to it, too, which was
|
|
probably the main reason behind the intense smell that pervaded every cubic
|
|
inch of air and behind the baby refusing to be soothed.
|
|
"It's OK, Maggie," the Mayor said, eyes watering, "it's OK. It'll be alright
|
|
in a minute. Just let Francois here finish the soup. It won't be a minute."
|
|
For a moment the baby seemed to contemplate the truth of this statement. As
|
|
a new wave of garlic smell wafted by and as it seemed to realise it would not
|
|
be a minute indeed, however, it started refusing to be soothed with redoubled
|
|
vigour.
|
|
When he tore his eyes off the ugly infant, Cronos also noticed the Koala
|
|
which sat rather inconspicuously behind the Mayor. It smiled broadly - rather
|
|
too broadly for a Koala, Warchild thought. From ear to ear, as a matter of
|
|
fact.
|
|
"Excuse me," Cronos asked the Mayor, unusually timidly for someone of his
|
|
persuasion, "but why does your Koala smile like that?"
|
|
He wasn't at all interested at why the Koala smiled that way, but somehow he
|
|
felt it would be the appropriate thing to ask.
|
|
The Mayor looked up at the mercenary annex hired gun, seemed to gauge him
|
|
for half a second and then snorted.
|
|
"It's a Cheshire Koala," he said as if it was common knowledge. After a
|
|
while, during which Cronos had succeeded in not coming up with any noticable
|
|
reply, the Mayor added, "You don't know a lot, do you?"
|
|
Warchild didn't like the tone of that remark, but he'd be the last one to
|
|
lose his temper over something involving his intelligence. He'd read
|
|
somewhere that smart people didn't react to insults, so he'd be damned if he
|
|
did.
|
|
He snorted in reply - or at least he produced a sound not completely
|
|
dissimilar to it.
|
|
All of a sudden the cook turned around agitatedly. He started yelling in
|
|
some sort of foreign language that sounded as if all the accents were put on
|
|
the wrong syllables. When the Mayor ignored him and continued trying to put
|
|
the baby to rest, the cook started throwing things. First he threw cutlery,
|
|
then some pottery and eventually other things ranging from garlic pieces and
|
|
wine bottles to snail's houses and pictures of De Gaulle.
|
|
The Mayor nor the baby seemed to notice the things being hurled at them, not
|
|
even when they bounced off them. The baby simply continued crying, so the
|
|
Mayor eventually resorted to singing sortof a lullaby.
|
|
|
|
"Shake and beat your little Maggie,
|
|
And fold her when she cries;
|
|
She's only a helpless baby,
|
|
But kick her 'till she's nice."
|
|
|
|
CHORUS
|
|
(Where the cook and the baby joined)
|
|
"Hey Hey Hey!"
|
|
|
|
The lullaby was having little effect. Showing the total ineptness of men in
|
|
the handling of babies, he started bobbing the ugly creature up and down on
|
|
his lap in what was hardly a comforting fashion. The baby started hollering
|
|
so loudly that Cronos could barely hear the words of the second verse:
|
|
|
|
"I shake and beat my little Maggie,
|
|
And I fold her when she cries;
|
|
For even though she's a baby,
|
|
I'll kick her 'till she's nice."
|
|
|
|
CHORUS
|
|
|
|
"Hey Hey Hey!"
|
|
|
|
Still the baby kept on crying and generally being any parent's nightmare. It
|
|
was clear that the Mayor had no intent to cope with it any longer. He flung
|
|
the ugly thing into Cronos' arms and got up.
|
|
"I must get ready to play golf with the King," he said as he left the house
|
|
without as much as bidding the others goodbye.
|
|
The baby made a distinctly queer sound.
|
|
Warchild had never been one to handle babies - not unless they needed to be
|
|
manhandled, that is. Ever since he had seen "Three Men and a Baby" he was
|
|
afraid of ever having to hold a toddler, afraid of being urinated on, afraid
|
|
of having other people witness his shameful lack of talents in the changing
|
|
of nappies without getting excreta all over him.
|
|
Deep in thought on how he was to get himself out of this situation, he
|
|
wandered out of the Mayor's house into the forest. He looked at the baby and
|
|
was considerably relieved to see that it seemed to have fallen asleep. Its
|
|
mouth had gone wide as if smiling, and its eyes seemed to bulge out a bit
|
|
when they were closed.
|
|
He sat down on a tree stump. Somewhere, deep within him, paternal feelings
|
|
were struggling to get out. The baby, ugly though it had been before, did
|
|
have nicely bulging eyes and a a kind of friendly green complexion.
|
|
Its eyes opened and it said the first word Cronos had heard it utter - not
|
|
counting the hollering, crying and yelling.
|
|
"Oo-Wrribbit," it said with a voice that sounded like warts, sticky wet skin
|
|
and deep ponds filled with mud and tadpoles.
|
|
To his considerable flummoxedness, Warchild found himself holding a human-
|
|
baby-sized frog. It looked quite absurd, with its powerful hind legs
|
|
extending from Cronos' grasp and its absolutely amphibian grin.
|
|
He put it on the ground, first checking to see if no-one had witnessed him
|
|
walking around rather sillily with a large frog of sorts. The animal leapt
|
|
off comfortably, nonchalantly snatching an innocent fly from the air in mid-
|
|
leap.
|
|
"Oh shit no," the fly said as it stuck to the tongue, just prior to being
|
|
swallowed whole and consequently digested, "Not again."
|
|
Shortly afterwards, at the start of its following - short - life, it
|
|
appeared as a bowl of petunias at a totally different place and an altitude
|
|
of roughly 300 feet.
|
|
In the mean time the green jumping wet thing, totally unaware of the
|
|
petunia's pending death or most of the other things that were going on in the
|
|
multiverse enveloping its wart-ridden form, disappeared in the shrubbery.
|
|
Cronos, for his part, did not even notice the disappearance of the
|
|
amphibian. Instead, most of his attention was absorbed by a Koala that sortof
|
|
drifted in front of a tree branch above him. It was grinning inanely - the
|
|
kind of grin Warchild would otherwise rather have hit off the face if it
|
|
hadn't been for the fact that the Koala looked cutely cuddly and, indeed,
|
|
cuddlily cute.
|
|
He hoped the Koala knew the way around here. He had seen it before, so he
|
|
guessed it must be a native to this world underground.
|
|
"Where should I go?" he asked.
|
|
"Where do you want to go?" the Koala replied philosophycally.
|
|
Cronos thought for a while. Peculiarly, it didn't hurt.
|
|
"Not any place in particular," he concluded.
|
|
"Then," the Koala stated with a sense of importance not unlike that of a
|
|
judge sentencing someone to death, "you should walk into no direction in
|
|
particular."
|
|
"But..." Cronos said, but his train of thought had already derailed by the
|
|
third dot. He decided upon another approach.
|
|
"What kind of creatures live where?" he inquired.
|
|
"Now that is a proper question," the Koala said, smiling from ear to ear to
|
|
the point where Cronos thought the mouth might connect on the back and the
|
|
top half of the fluffy head might flop off, "To the east (it pointed to the
|
|
left) you will find the house of Mr. Cranium. To the west (it pointed to the
|
|
right) you will find Arthur and Martha's place."
|
|
Cronos nodded the way game show hosts nodd when listening to a candidate's
|
|
life history for the hundredth time.
|
|
"They're all quite insane, you know," the Koala added as an afterthought.
|
|
Warchild looked at it blankly.
|
|
"No," the Koala said, "no, you probably wouldn't."
|
|
The Koala considered it an opportune moment to start disappearing. At first
|
|
its fluffy tail faded away, followed by its paws and body. In the end there
|
|
was only the head, some seconds later only the asinine smile.
|
|
"That's funny," Cronos thought to himself, "Hmmm...I've seen a Koala without
|
|
a grin but never have I seen a grin without a Koala."
|
|
By the end of this thought the Koala had disappeared altogether, having been
|
|
replaced by the proverbial thin air in or behind which the animal seemed to
|
|
have vanished without as much as a >zonk<.
|
|
The mercenary annex hired gun decided to go to Cranium's house. It sounded
|
|
somehow like the most logical thing to do, even though even Cronos felt logic
|
|
had nothing to do with it. He walked to the east until he saw a house - at
|
|
least he instinctively knew it should be a house though it actually looked
|
|
only like an enormous top side of a terrifyingly vast skull. Two ear-shaped
|
|
forms were attached to its sides. Some large birds had opted to build nests
|
|
in them. Of the two huge half eye-sockets Mr. Cranium seemed to have made a
|
|
door and a window.
|
|
The house was out of match with Cronos' size. He therefore decided he should
|
|
eat some of the right side of the mushroom he found he still had in his
|
|
pockets.
|
|
His surroundings shrunk somewhat.
|
|
He wondered what kind of person would go and live in such an absurdly silly
|
|
place. You'd have to be as mad as a hatter!
|
|
|
|
VII - A TIMELESS PARTY
|
|
|
|
He probed the front door, which swung open invitingly into a room in which
|
|
he saw a long table on which sat three - or were it four? - people.
|
|
Most prominent of all sat a person whom he guessed was Mr. Cranium,
|
|
excentric and slightly mad. He had a large bald head with tufts of hair
|
|
behind and above the ears, an impressive attempt at a failed moustache, and
|
|
half-glasses resting on a pompous nose that looked as if it had just been
|
|
harvested from a beet plant and glued to his face ineptly.
|
|
To the left of the excentric gentleman sat a siamese twin. One of them wore
|
|
a T-shirt with the name "Arthur" written on it, the other wore one with
|
|
"Martha" on it.
|
|
Now Cronos also noticed something sitting between the siamese twin and Mr.
|
|
Cranium. It was a huddled form of a human, long-haired dude with John Lennon
|
|
glasses sitting partly behind an almost absurdly huge mug of beer.
|
|
"War? Knuckles Busted? Stuhl gebaut? No Rob!" the human form muttered in
|
|
what seemed like sleep. He belched, wagged his head, then farted. After that
|
|
he - or it - seemed to drop in a more intense sort of sleep from which no
|
|
further miscellaneous sounds arose.
|
|
Warchild cast a glance at the clock. It was noon.
|
|
The creatures present, with the exception of the nodding humanoid thing,
|
|
looked at Cronos in fright when he barged into the house and helped himself
|
|
to a chair. Obviously they considered it a very uncivilized act of him just
|
|
to walk in and sit down and the same table where they were enjoying a nice
|
|
beer. They succeeded in showing undisguised disgust and contempt at this
|
|
infringement of what must be one of their prime rules of life.
|
|
"Would you..." Arthur said, "...like a cup of tea?" Martha finished.
|
|
Warchild nodded. Surely there could be no harm in them offering him
|
|
something as innocent as a cup of hot water with herbal extracts?
|
|
Arthur nor Martha made a move, however. They seemed to be waiting for
|
|
Cronos' coin to fall. It took a while. Then, as if reluctant to obey Newton,
|
|
a coin fell with an inaudible 'clank'.
|
|
"But there is no tea," the mercenary annex hired gun finally said, "And you
|
|
must know it is highly impolite to offer me something that you don't have.
|
|
Not to mention that it might be lethal." He added the latter bit with a hint
|
|
of threat in his voice.
|
|
Now Mr. Cranium spoke for the first time.
|
|
"It was highly impolite of you," Richard retorted, "just to enter my place
|
|
and sit down at this table."
|
|
Wisely, Warchild decided not to react. Instead he glanced at the clock. It
|
|
was noon exactly.
|
|
Arthur and Martha seemed to have forgotten all about Cronos already. They
|
|
were lifting large mugs of ale to their lips and drinking. The humanoid with
|
|
the long black hair and the small round glasses continued having a nap
|
|
attack. It snored quite ghastly, as if sleeping the sleep of the Dead. Only
|
|
Mr. Cranium kept on looking at Warchild unperturbably - or perhaps at a spot
|
|
just behind Cronos' skull.
|
|
It unsettled Cronos somewhat. He was not used to feeling unsettled, and
|
|
generally took care of feeling very settled indeed by obliterating any thing
|
|
or person that might have the slightest of unsettling effects on him. Last
|
|
time this had happened was when quite an innocent motorist had folded his
|
|
Chevrolet sedan around Warchild's left leg when he had crossed the road
|
|
rather suddenly. Though putting Warchild's mind at ease, it had had a
|
|
profoundly unsettling effect on the motorist's next of kin, the stomachs of
|
|
the two dozen people that stood watching and the social worker of the sewage
|
|
maintenance man who just happened to be at work in the manhole down which
|
|
miscellaneous unidentifiable but definitely gory bits had dropped.
|
|
Just in time to prevent the rather notorious acts Warchild would have deemed
|
|
necessary to settle himself, Mr. Cranium said, "Do have a beer."
|
|
It did not so much sound like an invitation as a command.
|
|
Warchild reached out and got hold of a mug of formidable dimensions. In it
|
|
was a foamy liquid that smelled slightly of urine topped by the stuff that
|
|
comes off rancid milk when you skim it.
|
|
Cronos sighed a deep sigh of relief. Even though he wouldn't recognise a
|
|
good red wine if he would drown in it, there was no way he would not
|
|
recognize a mug of Dessip if he saw one. This was real men's stuff.
|
|
He put the mug to his lips and started drinking. When, after two minutes of
|
|
swallowing without bothering to breathe in between, he had downed the entire
|
|
mug he had just time enough to burp the Mother of all Burps before passing
|
|
out at noon exactly.
|
|
It is said that being sober is not the opposite of being drunk, much in the
|
|
way that silence is not the opposite of noise but just the absence of it. The
|
|
opposite of silence, of course, is anti-silence, the kind of silence that can
|
|
shred bones, grind minds and generally cause vastly more intense insanity
|
|
than the worst imaginable LSD trip, the kind of silence you get when you go
|
|
beyond silence and come out the other side where sound un-exists.
|
|
The opposite of sober, much in the same way, is anti-sober (which is
|
|
sometimes referred to as Dessip in popular speech, hence the beer's brand
|
|
name). It does not leave you flat-out drunk and tottering across the road, it
|
|
does not cause spasms or retching, nor any pains in any regions of the body.
|
|
People who suffer from anti-soberness suddenly see what the world is really
|
|
like - the Truth, the Whole Truth and Nothing but the Truth - and would by
|
|
now have changed the world to a far better place if it hadn't been for the
|
|
fact that anti-soberness usually lasts for a very short time, immediately
|
|
after which the stage of brainmurdering drunkenness sets in (including the
|
|
effects hinted at above, as well as some surpassingly more nauseating ones).
|
|
If a Cyrius Cybernetics BrainSlator would have been connected to Warchild's
|
|
skull, the following short and very intense conversation with himself could
|
|
have been recorded:
|
|
|
|
"So this is what the world is really like? Hm. Does not look like a fun
|
|
place at all. What are those weird things? Maybe if I'd change a few things
|
|
it would be a happy place for all sentient beings in the entire univ..."
|
|
HEAVY MENTAL 'THUD' (signalling the end of the Dessipid phase).
|
|
"Oh my. Where's the loo?"
|
|
|
|
After that, even the sophisticated microcircuitry in the BrainsLator would
|
|
have had difficulty noticing any brain activity other than that associated
|
|
with the sudden reverse movement of the entire digestive system, followed by
|
|
a deep sleep, some more reverse digestive activities, a lot more of deep
|
|
sleep and, finally, thoughts about a lamp that protruded from a high, domed
|
|
ceiling.
|
|
|
|
The lamp seemed to gaze at him intently. It seemed determined to continue
|
|
staring at him, as if it was playing a game of "Who looks away first." The
|
|
lamp seemed keen on winning. Insofar as lamps could have any expression, it
|
|
looked smug.
|
|
In the end the lamp won.
|
|
From his horizontal position on the ground, Cronos looked around carefully
|
|
and found himself back in the large hall with the many doors, the lamps
|
|
hanging from the ceiling and the glass table with the golden key on it.
|
|
He shook his head once he recognized the place he was in. He had no idea how
|
|
it had happened, but he surely wasn't going to try and find out - the mere
|
|
thought didn't even start to cross his mind.
|
|
He sat upright, an intense pain jabbing at his head for a few throbbing
|
|
heartbeats. When it had ebbed away he ventured standing up. Apart from a few
|
|
more painful jabs, which he was trained to suppress, everything seemed to
|
|
work out fine.
|
|
Now what had gone wrong last time? He had taken the key when the
|
|
surroundings were small and when they were big the key was back on the table.
|
|
Hm. He felt in his pockets, relieved to find some of the mushroom still left
|
|
in it - of the side that would make the surroundings grow. It was the last
|
|
bit. He hoped he wouldn't be needing any more of it.
|
|
He took the key, walked to the small door, opened it with the small key, ate
|
|
something of the mushroom, shrank to a height of about half a yard and walked
|
|
out onto the splendidness of King Spades' Green.
|
|
|
|
VIII - KING SPADES' GREEN
|
|
|
|
It was the kind of green that golf game designers would love to buy a
|
|
license of. Roughs were located at nasty spots in the hilly landscape that
|
|
looked almost artificial in its neatness. A couple of trees seemed to be
|
|
meticulously placed here and there. Beautiful rosebushes were placed at
|
|
places where they seemed to fit most perfectly. In the distance Cronos saw a
|
|
flag or two, beckoning in the soft breeze.
|
|
These were the kind of surroundings where he would gladly spend the rest of
|
|
his life killing people - even though there didn't seem to be any phones
|
|
around.
|
|
His arrival at King Spades' Green seemed not to have gone by unnoticed. From
|
|
behind a rosebush he though he saw someone signal urgently. He walked to the
|
|
bush, noticing that all its roses were red except for a white one. He
|
|
considered it odd, but heeded it no further.
|
|
"Psst!" the voice hissed, as urgently as its owner had previously beckoned,
|
|
"Go away! If the King sees you on his Green he'll chop off your gonads!"
|
|
Cronos now saw the thing that was talking to him - for it was a thing indeed
|
|
- was a miniature model of the Chinese Wall with arms and legs. This was very
|
|
odd, but not half as odd as the fact that it spoke in what Cronos failed to
|
|
recognize as a Yorkshire accent.
|
|
"Go away!" it repeated, still quite urgent, "I am very serious. Take a hike!
|
|
Go and steal bicycles! Beat it! Go away unless you want to end up like so
|
|
many others! Piss o..."
|
|
The miniature Chinese Wall swallowed its words as it was interrupted by the
|
|
sound of footsteps coming closer behind it. Before either the Chinese Wall or
|
|
Cronos knew it, they were surrounded by four totally different dogs, four
|
|
totally different cars and three miniature Wonders of the World (indeed, and
|
|
all boasting legs and arms). In front of them stood a playing card - the King
|
|
of Spades, flanked by a Weasel dressed in a mink coat. The King was muttering
|
|
something quite angrily about a bowl of petunias, rubbing a bump on one of
|
|
its edges. The Weasel seemed just to be agreeing.
|
|
"Ha!" the King suddenly exclaimed, his voice triumphant, "Finally I have the
|
|
Chinese Wall! As I already have the Pyramids of Gizeh, the Colossos of Rhodos
|
|
and the Hanging Gardens of Babylon, that means I'll surely beat the others at
|
|
Quartette!"
|
|
"Gruesomely so, Your Highness," the Weasel agreed.
|
|
The King surveyed the dogs, the cars and the Wonders of the World with a
|
|
satisfied grin.
|
|
Nobody really knew what to say to that, or dared to. Even though he would
|
|
probably have dared, Cronos didn't quite know what to say either.
|
|
"What is that doing on my green?" the King suddenly inquired when he noticed
|
|
Warchild standing around, stabbing a finger at the mercenary annex hired gun,
|
|
"Surely that is not one of the objects to be collected?"
|
|
Unanimously, the other collectables shook their heads. Nope - there was
|
|
definitely no category to fit in a dim-witted human.
|
|
"Well then," the King cried, "What are you waiting for? Chop off his
|
|
gonads!"
|
|
"Diabolically so, Your Supremeness!" the Weasel chimed in enthusiastically,
|
|
its tiny teeth flashing for a moment.
|
|
Warchild felt an all-too-familiar sensation creep down his stomach and into
|
|
his loins. Visions of upset females flashed before his eyes for a second.
|
|
A broad-shouldered Gorilla, Warchild's more primitive alter ego so it
|
|
seemed, appeared from behind a bush as if it had been hidden there all along.
|
|
It licked its lower lip as if it was craving for a banana, and in its hands
|
|
it held a knife that looked very sharp indeed.
|
|
The King turned around, probably having other pressing matters on his mind.
|
|
"Come on, Cat," he commanded.
|
|
"Disgustingly so, Your Ampleness," the Weasel assented, following the King.
|
|
The dogs, cars and miniature Wonders of the World followed, too. The Chinese
|
|
Wall managed to cast a fleeting glance of symphathy at Warchild.
|
|
The Gorilla grinned. The knife flashed. A killer gadget was fumbled with,
|
|
useless without a phone at hand. An upper lip was licked.
|
|
At around that instant, it became no longer apparent what happened. A
|
|
cartoonesque cloud of sand evolved around the human and the primate, grass
|
|
flinging off in several directions. The occasional sounds along the lines of
|
|
"BASH", "WHACK" and, indeed, "THUD", were hurled at who cared to stand by and
|
|
watch.
|
|
The sounds were enough to have the King decide that the pressing matters,
|
|
whatever they were, might have to wait.
|
|
"I put five on the human," the Hanging Gardens of Babylon cried.
|
|
"Ten on the gorilla," the DHL car yelled.
|
|
"Which one?" a Great Dane asked.
|
|
"No bets!" the King shouted.
|
|
"Horribly so, Your Elatedness!" Cat the Weasel concorded.
|
|
"I disagree!" a Pitbull grunted.
|
|
"One more remark like that," the King whispered between his teeth, "and I'll
|
|
have your gonads chopped off as well!"
|
|
"Detestingly so, Your Splendidness!" Cat joined in.
|
|
Few moments later the dust settled upon the unconscious form of the Gorilla.
|
|
Its fur was wrinkled, it had a black eye and its nose seemed broken with a
|
|
tiny stream of blood pouring out of one nostril.
|
|
It was dead, too.
|
|
Cronos brushed off some grass and sand, then snorted derisively.
|
|
"It seems," the King said, a hint of reverence in his royal voice, "That
|
|
perhaps your privates don't need to be chopped off after all."
|
|
"Resentfully so, Your Supremeness," the Weasel added, slightly hesitantly.
|
|
"Perhaps I should invite you to a game of golf," the King concluded after a
|
|
second or two of thought. He shushed away the Quartette collectables. Some
|
|
Pink Flamingoes appeared from behind bushes where they seemed to have been
|
|
all along, as well as a couple of Hedgehogs that had probably been hogging
|
|
behind a hedge all that time.
|
|
The Weasel didn't say anything. It just looked at Warchild, then at the
|
|
gorilla. A shiver ran down its weasly spine.
|
|
"You know what it's like with our kind," the King added jocularly, patting
|
|
Cronos on the back as if they had been pub pals for years, "We call a spade a
|
|
spade. Takes some getting used to, but most manage. Eventually."
|
|
One of the Pink Flamingoes was inserted in Warchild's hands, head down. One
|
|
of the Hedgehogs slowly coiled itself at Cronos' feet.
|
|
"Am I supposed to hit the Hedgehog with the Flamingo?" Cronos asked nobody
|
|
in particular.
|
|
"Yes," his Flamingo muttered in an irritated tone, "you're supposed to.
|
|
Don't worry. I'm used to it. I suppose the Hedgehogs are, too."
|
|
Warchild swung the Flamingo's head in a totally incompetent way.
|
|
Miraculously he succeeded in letting the Hedgehog fly off in the distance,
|
|
where it eventually landed on the ground, dizzy, after having collided with a
|
|
tree which it would have preferred somewhat less sturdy.
|
|
Cronos walked to the place where the Hedgehog lay, an unnaturally pale
|
|
complexion on it. Suddenly the White Kangaroo was walking next to him,
|
|
carrying on its shoulder another Flamingo.
|
|
"Where's the Mayor?" Warchild asked.
|
|
"Be silent," the marsupial whispered, "He's sentenced to have his you-know-
|
|
whats chopped off."
|
|
"Hm," Cronos hm-ed.
|
|
"Don't you think," the Kangaroo said, desperate to change the subject, "that
|
|
playing golf is difficult?"
|
|
To be honest, it has to be told that Cronos even found it difficult to play
|
|
croquet - let alone play golf with a live Flamingo that constantly tried to
|
|
bend its neck so as to avoid actually hitting the live Hedgehogs, which also
|
|
found it necessary to walk off constantly.
|
|
He nodded to the Kangaroo, that had in the mean time already walked off to
|
|
another hole altogether.
|
|
At that instant the Cheshire Koala appeared again, bobbing gently above
|
|
Cronos, who looked at it with rather bewildered incomprehension.
|
|
As soon as it had enough of a mouth to speak with, it inquired as to how
|
|
things were going.
|
|
"Well, actually things are sortof strange down here," Cronos said, "but I'm
|
|
starting to get used to it. Or at least I think I am, so I might not
|
|
actually."
|
|
The King saw the mercenary annex hired gun talking to the floating Koala. He
|
|
came closer, intent to find out everything about any odd things that were
|
|
happening on his green. The Weasel tailed behind, muttering an agreement.
|
|
"What are you talking to?" the King asked.
|
|
"I think it's a something Koala," Cronos replied, quickly adding "but it
|
|
isn't mine," in fear of having some vitals chopped off by a hypothetic animal
|
|
more formidable than the Gorilla.
|
|
"I don't like the wretched creature," the King said, turning up his nose and
|
|
extending his hand, "but it may kiss my hand."
|
|
The Cheshire Koala made a strange sound, then said, "I'd rather not, if you
|
|
don't mind."
|
|
The King's healthy black'n'white complexion turned red slowly, then passed
|
|
beyond that and eventually became an angry sort of deep purple.
|
|
"I want its gonads chopped off this instant! The impertinent sod!" the King
|
|
cried, more agitated then Cronos had ever seen him so far.
|
|
"It's a Koala, Your Solubleness," whispered Cat.
|
|
Warchild decided it might be wise to go off and attempt to hit some more
|
|
Hedgehogs.
|
|
The Flamingo, which had intently followed the proceedings that were going on
|
|
around the King and the Koala, was entirely unaware of what hit it (or,
|
|
rather, what it hit) until it was abused into moving an innocent Hedgehog
|
|
some three hundred yards away.
|
|
"Good," thought Cronos to himself, rather satisfied, smiling smugly at
|
|
himself. He trundled off towards the part of the green where the spikey
|
|
creature seemed to have hit the ground. The Flamingo, all but unconscious,
|
|
hung across Warchild's broad shoulders.
|
|
The Hedgehog lay in a state of stupor. Obviously it could no longer rely on
|
|
either the ability of the Flamingo to bend its neck away in time nor its own
|
|
ability to trudge off when noone was looking. Cronos' utter ineptitude at
|
|
playing golf had obviously been too much for either of the creatures to take
|
|
into consideration.
|
|
Warchild had folded the Pink Flamingo (which moaned a muffled moan in some
|
|
sort of protest) into shape and was just about to swing it with his usual
|
|
lack of talent when the sounds of consternation reached the inner part of his
|
|
highly trained mercenary hearing aid.
|
|
He lowered the Flamingo (which sighed the deepest sigh of relief it had ever
|
|
found necessary to sigh) and walked back to where some things seemed to be
|
|
going on that involved the Cheshire Koala.
|
|
All of the major parties involved in the conflict started speaking to
|
|
Warchild at once. His brain overflowed, his eyes crossed, his lower jaw fell
|
|
open rather sillily and a slab of wet meat fell out. Eventually they all shut
|
|
up, allowing Cronos to get his system going again.
|
|
The executioner, a Chimpanzee who was obviously intended as (but quite
|
|
failed to be) a spare Gorilla, said you could not chop off any gonads if
|
|
there was no body to chop them off from.
|
|
The King just said that if something wouldn't be done about this pronto,
|
|
everybody's gonads would have to go. Suddenly everybody started looking very
|
|
grave.
|
|
Having not been trained to be a judge or jury, indeed, only having been
|
|
trained in disciplines fairly closely connected with his profession of
|
|
mercenary annex hired gun, it was remarkable with which advise Cronos
|
|
succeeded in coming up.
|
|
"Well," he said, gravely so as to fit the mood, "it's the Mayor's Koala so
|
|
you could consult with him."
|
|
After it saw the King cast a short but intensely meaningful glance at its
|
|
scrotch the executioner ran off immediately, making the kind of assorted
|
|
noises that monkeys make when their trees are being burned down.
|
|
When after a while it came back with Mayor, the Cheshire Koala had vanished
|
|
entirely.
|
|
Some of the creatures present start to look for it nervously. The others got
|
|
back to the game.
|
|
|
|
IX - WHO BROUGHT THE SKUNK?
|
|
|
|
The Mayor was happy to see Cronos. Nobody had ever felt happy to see Cronos
|
|
again, except possibly for his dear Mother and the great loves of his life
|
|
(of which there had been preciously few), so it made him feel all funny
|
|
inside.
|
|
They chatted idlily for a very short while. The conversation was cut short
|
|
mainly by the fact that Cronos found himself constantly capable only of
|
|
talking about killing people and the gadgets required for that, which tended
|
|
to put off the Mayor. The man would probably never be happy to see Cronos
|
|
again.
|
|
The Mayor was oddly relieved to find something else to direct his attention
|
|
to when two biped Crocodiles suddenly popped out of proverbial nothingness
|
|
and clasped hold of him.
|
|
"Resistance is useless!" one of them bellowed in a most Vogonesque fashion,
|
|
prodding the Mayor with a stick in a rather unfriendly manner. The second
|
|
guard looked at Cronos mutely, if possible even more menacing than the other
|
|
had spoken. It was a look that suggested the beholder to either piss off or
|
|
get his butt kicked - which Warchild of course totally failed to recognize as
|
|
such.
|
|
Assuming it was some sort of mysterious Wonderland ceremony of greeting,
|
|
Cronos attempted to return the nasty grin as evilly as he could manage. He
|
|
found it difficult as he lacked the required dental outfit. Nonetheless, the
|
|
guard started to sweat and suddenly found it necessary to direct its
|
|
attention to the manner in which its esteemed colleague continued prodding
|
|
the Mayor.
|
|
"Might I inquire as to the reasons for my apprehension?" the Mayor asked,
|
|
trying to sound somewhat dignified but failing.
|
|
"You may," said the second guard in a matter-of-fact way, followed by one of
|
|
his ominous glares and silence. The Mayor started to sweat.
|
|
"Resistance is useless!" the other guard bellowed, as if trying to make a
|
|
point. It prodded again. It was rather obvious it liked doing it. It had
|
|
probably been hit a lot by pop and mom Croc.
|
|
They lead the Mayor off to a large amphi-theatre court that had previously
|
|
been hidden from sight by some purple trees. Cronos, for lack of anything
|
|
better to do, decided to follow and see what would happen.
|
|
|
|
The court was quite large. On top of what seemed to be not unlike a stage
|
|
there were a desk behind which sat the King of Spades and Cat the Weasel, a
|
|
chair and table on which (for a reason unaccountable) lay a Limburg Pie, and
|
|
two benches on which sat a variety of jury-creatures scribbling zealously.
|
|
Before the desk stood Ted the Skunk, flanked at a safe distance by two other
|
|
Crocodile guards wearing pegs on their noses.
|
|
Cronos saw that the jury consisted mostly of creatures he had met during his
|
|
stay Underground. He saw the Koala, the Ant, the Kaka, the Falcon, Mortimer
|
|
the Badger, Adrian the Mole, Mr. Richard Cranium and Arthur and Martha - the
|
|
last two sitting closely together, talking avidly about something or other.
|
|
"Please lead in the defendant," the King said, trying to make his voice
|
|
sound weighty and succeeding rather well.
|
|
"Most obnoxiously so, Your Flatulence," Cat agreed.
|
|
The two Crocodile guards that had fetched the Mayor now lead the poor man to
|
|
the chair behind the table on which lay the Limburg Pie. It was a cherry one.
|
|
It puzzled him. The guards posted themselves at each side of the Mayor,
|
|
disabling him from escaping should he have intended to.
|
|
Cronos saw there was only one place left for him to sit, which was amidst
|
|
the jury-creatures. He folded himself between the Kaka and the Koala.
|
|
A murmur ran through the jurors and most of the attending audience that sat
|
|
opposite the judge's table on the other side of the amphi-theatric structure.
|
|
"Resistance is useless!" something shouted at the top of its voice, after
|
|
which the audience's droning quickly died away.
|
|
"Zonk..." whispered the Koala, a bit sad.
|
|
There were some instantes of hushed silence, hanging in the air like a death
|
|
verdict. Then the King rose from his seat, and with him everybody in the
|
|
court.
|
|
"Herald!" the King shouted, "read the accusation!"
|
|
The same White Kangaroo that had ran into Warchild at several occasions
|
|
during his stay in Wonderland now appeared on the stage. It looked
|
|
ridiculous, what with half of a trumpet sticking out of its pouch and it
|
|
wearing a powdered wig of sorts. It unfolded a piece of paper, waited until
|
|
everybody sat again and started to read.
|
|
"The accused, Mayor Mr. Johann Gambolputty de von Ausfern-schplenden-
|
|
schlitter- crasscrenbon-fried-digger- dingle- dangle-dongle-dungle-burstein-
|
|
von-knacker-thrasher-applebanger-horowitz-ticolensic-bur-ander-knotty-
|
|
spelltinkle-grandlich... (here it had to breathe deeply, after which it
|
|
continued as if nothing had happened) ...grumblemeyer-spelterwasser-
|
|
kurstlich-himble-eisen-bahnwagen-gutenabend-bitte-ein-nurnburger-bratwustle-
|
|
gernspurten-mitz-weimache-luber-hundsfut-gumberaber-shonedanker-kalbsfleisch-
|
|
mittler-aucher von Hautkopft of Ulm, henceforth to be referred to as 'the
|
|
Mayor' for economic reasons, is accused of...bringing Ted the Skunk!"
|
|
Some "ooohs" and "aaahs" went through the audience, after which they hushed
|
|
again as the White Kangaroo continued, "The Court calls the first witness,
|
|
Miss...er...Virgin."
|
|
It took out the trumpet and blew a cheap Louis Armstrong impression.
|
|
A door at stage left was thrown open and a bailiff showed in the ostensibly
|
|
nude form of the Virgin. Some whistles arose from the male spectators, some
|
|
eyeglasses were connected to the females. Although the audience consisted
|
|
solely of various animals and birds, none of them seemed to remain totally
|
|
unaffected by the way in which the Virgin's beautiful long hair covered vital
|
|
bits of her anatomy and simultaneously revealed enough of them to shake (not
|
|
stir) anyone's imagination.
|
|
To add extra effect to the Virgin's arrival, Cronos' system considered that
|
|
precise moment opportune to start growing a bit. The Kaka cleared its throat
|
|
and inserted a feathery elbow in Warchild's side.
|
|
"Would you mind not growing, Sir?" it said irritatedly. It sounded like a
|
|
parrot immitating human speech in an awkward way - which was probably
|
|
precisely what it did.
|
|
"You're growing, too, mind you," Cronos retorted.
|
|
"Would you mind," the creature said, insulted, "keeping those filthy remarks
|
|
to yourself?"
|
|
It turned around demonstratively to study the Virgin, avidly scribbling
|
|
things on its piece of paper.
|
|
Forward stepped a Hyena, wearing a powdered white wig just like the White
|
|
Kangaroo which looked even much more ridiculous on this African carnivore. It
|
|
also wore a black cape of some kind. It walked as if thoroughly aware that
|
|
everyone was looking at it, and enjoying it.
|
|
"Erm...er...," the Hyena started, having difficulty retaining his composure
|
|
with such a mass of soft, naked, human flesh in front of it,
|
|
"Miss...er...Virgin, what have you to say about Johann Gam... er...the
|
|
Mayor?"
|
|
The Virgin looked around at the assembled crowd as if waiting for a most
|
|
opportune moment to start her testimony. Suddenly she did.
|
|
"The Mayor is innocent," she said simply.
|
|
"Ah!" the Hyena cried.
|
|
"That is a most important thing to know," the King said.
|
|
"Most hideously so, Your Stupefyingness!" the Weasel chimed in.
|
|
"Oooh," said some of the spectators.
|
|
"Aaah," said some others.
|
|
The jurors were busy scribbling things on their notepads. Cronos considered
|
|
it odd that they all spelled guilty like "guilty".
|
|
In came a Snake now. A hush went through the crowd, for it was none other
|
|
than Tansa, a lawyer enjoying global fame in Wonderland. It was reknown for
|
|
its capability of bending justice to its own needs, something it was better
|
|
at even than most other lawyers. It, too, wore some sort of powdered wig.
|
|
"Might I interrogate the witnesssss now?" it said, its voice filled with
|
|
devious cunningness, if indeed the sound of a punctured car tyre losing air
|
|
could have any such qualities.
|
|
The King nodded gravely. The Weasel nodded too, but emphatically.
|
|
"Misssss Virgin," Tansa began, "what make you capable of claiming that
|
|
Joh...er... the Mayor isssss innosssssent?"
|
|
"Well," the Virgin started, "..."
|
|
"Isssss it no ssssso," the Snake interrupted, "that you can only know
|
|
thisssss if you've DONE IT YOURSSSSSELF?"
|
|
The reptile rose to its full height in front of the witness, trying to
|
|
intimidate her.
|
|
There was a satisfied murmuring from the crowd. The jurors scribbled
|
|
enthusiastically. The King sat back in his chair, smiling broadly. He had
|
|
always kinda liked the Mayor and he hadn't felt comfortable when he heard the
|
|
Mayor had allegedly committed such a hideous offence. The Virgin, on the
|
|
other hand, put him ill at ease just by being here. He didn't feel bad at all
|
|
about her being guilty. Justice had been served once more, and he could
|
|
finally get down to munching that Limburg Pie that just sat on that table for
|
|
not much of a particular reason.
|
|
The Virgin was not intimidated by the Snake, however, no matter how much it
|
|
looked like lawyers generally do. Even when the pathetic animal rose to full
|
|
height it was hardly larger than...er... Anyway, she had seen bigger things
|
|
in her life.
|
|
"You must be out of your mind," the Virgin spoke haughtily, "I will not have
|
|
you accuse me of anything of the sort!"
|
|
The crowd went through their "ooohs" and "aaahs" again, the King moved to
|
|
the edge of his chair, the imagined taste of cherry vanishing from his royal
|
|
tongue.
|
|
"Ssssso you deny!" Tansa cried. If the animal would have had a fist, this
|
|
would have been to moment for it to be connected to the table, with force.
|
|
Cronos was feeling ill at ease, just like the King. Only with Warchild it
|
|
was caused by his overall continuous growing. He was already getting too big
|
|
to fit on the jury-creatures' bench any more.
|
|
The King rose from his chair.
|
|
"If...er...um...you allegedly...um...er...didn't do...er...um... it," he
|
|
said, addressing the Virgin, "that is to say, er...um... bringing Ted, then
|
|
who...er...um...has?"
|
|
"Most...er...loathsomely so, Your...um...Divinity!" the Weasel concorded
|
|
quietly so as not to disturb amazement and wonder, which both hung in the
|
|
sky, chatting leisuredly while waiting for the outcome.
|
|
Without thinking twice the Virgin looked Cronos Warchild straight in the
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|
eyes. He suddenly felt some part of his body was perhaps growing slightly
|
|
quicker than the rest of it.
|
|
"Him!" she cried, affecting emotion and tears, "that big lummox over there!"
|
|
She sniggered and snorted derisively, slowly pointing her virginal hand
|
|
towards Cronos Warchild. When she was positive all the court now gazed in awe
|
|
at the mercenary annex hired gun, she stepped down and left the court.
|
|
Amazement and wonder decided to stay for a while longer.
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|
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|
X - CRONOS' INNOCENCE
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Warchild arose, startled, tossing over most of the jurors' benches as he had
|
|
already grown larger, almost up to his natural size. The creatures fell over.
|
|
Deja vu struck Cronos mercilessly, upon which he frenetically tried to put
|
|
all the animals and birds back on their benches for fear of treading on them.
|
|
His first kill had been his foster mother's cat, which he had reduced to a
|
|
flat mass of blood and gore by inadvertently lowering his rear end on it. He
|
|
didn't like to think back of it, nor did he like to have things repeat
|
|
themselves. As far as repition was concerned, everything that had happened
|
|
underground had already been, somehow, uncannily familiar.
|
|
"What do you know about thisssss busssssinesssss?" Tansa asked, attempting a
|
|
hypnotic stare on Cronos that bounced back off and made it feel sleepy for an
|
|
instant.
|
|
"Nothing whatever," Warchild said firmly. He might have been dimwitted, but
|
|
he had a great sense of justice. In his views the guilty had to die horrible
|
|
deaths, preferably by his hands, and the innocent needed to go free and
|
|
generally live long and happy everafter. As he could not imagine killing
|
|
himself he logically concluded he had to be innocent of whatever ridiculous
|
|
charge was made against him. Besides, he knew nothing of any Skunks
|
|
whatsoever, except maybe for once having kicked one.
|
|
If Tansa would have had a brow, it would have frowned it. If it would have
|
|
had hands and hair, it would have put its first in its latter.
|
|
Rather unannounced, the King suddenly sprang up from his chair.
|
|
"Silence!", he yelled at the top of his royal voice, the Weasel's frantic
|
|
agreement lost in the noise. The King took a leather-bound tome from the
|
|
table, opened it and read, "Rule forty-two: All persons more than a mile high
|
|
have to leave the court."
|
|
All eyes (some of which were on stalks) immediately turned at Cronos, who
|
|
suddenly felt stage fright homing in on his subconsciousness at positively
|
|
awesome speed.
|
|
"Peremptorily so, Your Multiformness," Cat added after a while, which it had
|
|
spent stunned at the King's suddenness.
|
|
"No way," Cronos said.
|
|
"Way," the King replied.
|
|
"Yesssss way," the Snake lawyer added superfluously.
|
|
"Two miles," the Hyena spoke.
|
|
"I don't care a pair of fetid dingo kidneys," Warchild said, folding his
|
|
arms demonstratively. One of the members of the audience uttered an insulted
|
|
bark.
|
|
The White Kangaroo was the first to send silence to the hospital. "There's
|
|
more evidence to come yet, Your Majesty," it said, "A letter written by the
|
|
mercenary annex hired gun and addressed to Ted the Skunk, as a matter of
|
|
fact."
|
|
Of course Cronos was as little able to read and write as politicians are
|
|
able to talk honest sense - so it was quite out of the question that he
|
|
should have written that letter, or whatever it was.
|
|
"What'sssss in it?" Tansa asked with the inquisition so familiar to lawyers.
|
|
"Dunno," the Kangaroo said, fumbling its trumpet's mouthpiece lamely, "there
|
|
is nothing written on the outside."
|
|
"It has to be written to someone," the Hyena remarked smartly, "it rarely
|
|
occurs that letters are written to no-one, you know."
|
|
"Open it," the King commanded.
|
|
"Mandatorily so, Your Slovenliness," the Weasel enthused.
|
|
The White Kangaroo solemnly opened the envelope and took out a piece of
|
|
paper. Even most jurors started to doubt whether it had been written by
|
|
Warchild when it was proclaimed to contain only poetry.
|
|
"It doesssss not look like the mersssssenary'sssss handwriting," the Snake
|
|
said, unable to bar disappointment from entering its voice. The jury-
|
|
creatures looked at each other, not quite knowing what to make of this.
|
|
"He must have faked another person's handwriting!" the Hyena remarked, smart
|
|
as ever. The jurors smiled happily, scribbling down something.
|
|
"Cod's Wallop!" Cronos cried, rising to his feet whereby he tossed most
|
|
jurors off their benches again, "and I am sick and tired of all this. Ever
|
|
since I came here nobody liked me! Ever since I arrived here everybody has
|
|
been very nasty to me, and now you're trying to sentence me, or something!"
|
|
He breathed in deeply.
|
|
"Mummy!!" he cried, sobbing, shoulders shaking.
|
|
The sheer power of his voice moved the tables, let the Limburg Pie dash off
|
|
with its proverbial tail between its metaphorical legs and caused most of the
|
|
creatures present to land on the ground spreadeagled, prostrate, or both.
|
|
Even the King found himself on the ground, his royal arse in the air.
|
|
Some Old Wonders of the World came running into the courtroom. Numbers
|
|
floated through the air. Colourless green ideas started sleeping furiously.
|
|
"Order!" the King yelled.
|
|
"Mummy!!" Cronos howled.
|
|
|
|
Warchild found himself screaming into an empty street. He was wet; it
|
|
appeared to have rained. Dusk had fallen. The moon and stars looked at the
|
|
mercenary annex hired gun mutely, seemingly intent on remaining that way.
|
|
As Cronos was not trained to think but to fight instead, the difference
|
|
between dream and reality was altogether rather vague to him. He wondered how
|
|
he came back on that bank, and he also wondered what had become of the bozo
|
|
that seemed to have done a pretty good job at going off somewhere.
|
|
Warchild felt his pockets. A curse rolled off his lips.
|
|
His American Express Travellers' Cheques had been nicked again.
|
|
|
|
THE END
|
|
|
|
Original written July to September 1992. And I'm very sorry about the (lack
|
|
of an) equivalent of the "Lobster Quadrille". I figured if I didn't even know
|
|
what a quadrille was, I should leave it be.
|
|
|
|
|
|
= SOON COMING ===============================================================
|
|
|
|
|
|
The next issue of "Twilight World", Volume 3 Issue 5, is to be released mid
|
|
September 1995. Please refer to the 'subscription' section, below, for
|
|
details on getting it automatically, in case you're interested.
|
|
Please refer to the section on 'submissions', below, for more details on
|
|
submitting your own material.
|
|
The next issue will probably contain the following items...
|
|
|
|
WILD HORSES
|
|
by Mark Knapp
|
|
|
|
FATAL FAM
|
|
by Martijn Wiedijk
|
|
|
|
AND MORE
|
|
|
|
|
|
= SOME GENERAL REMARKS ======================================================
|
|
|
|
|
|
DESCRIPTION
|
|
|
|
"Twilight World" is an on-line magazine aimed at everybody who is interested
|
|
in any sort of fiction - although it usually tends to concentrate on fantasy-
|
|
and science-fiction, often with a bit of humour thrown in.
|
|
Its main source is an Atari ST/TT/Falcon disk magazine by the name of "ST
|
|
NEWS" which publishes computer-related articles as well as fiction. "Twilight
|
|
World" mostly consists of fiction featured in "ST NEWS" so far, with added
|
|
stories submitted by "Twilight World" readers.
|
|
|
|
SUBMISSIONS
|
|
|
|
If you've written some good fiction and you wouldn't mind it being published
|
|
world-wide, you can mail it to me either electronically or by standard mail.
|
|
At all times do I reserve the right not to publish submissions. Do note that
|
|
submissions on disk will have to use the MS-DOS or Atari ST/TT/Falcon disk
|
|
format on 3.5" Double-or High-Density floppy disk. Provided sufficient IRCs
|
|
are supplied (see below), you will get your disk back with the issue of
|
|
"Twilight World" on it that features your fiction. Electronic submittees will
|
|
get an electronic subscription if so requested.
|
|
At all times, please submit straight ASCII texts without any special control
|
|
codes whatsoever, nor right justify or ASCII characters above 128. Please use
|
|
*asterisks* to emphasise text if needed, start each paragraph with one space,
|
|
don't include empty lines between each paragraph and use "-" instead of "--".
|
|
Also remember the difference between possessives and contractions, only use
|
|
multiple question marks when absolutely necessary (!!) and never use other
|
|
than one (.) or three (...) periods in sequence.
|
|
|
|
COPYRIGHT
|
|
|
|
Unless specified along with the individual stories, all "Twilight World"
|
|
stories are copyrighted by the individual authors but may be spread wholly or
|
|
separately to any place - and indeed into any other magazine - provided
|
|
credit is given both to the original author and "Twilight World".
|
|
|
|
CORRESPONDENCE ADDRESS
|
|
|
|
I prefer electronic correspondence, but regular stuff (such as postcards!)
|
|
can be sent to my regular address. If you expect a reply please supply one
|
|
International Reply Coupon (available at your post office), *two* if you live
|
|
outside Europe. If you want your disk(s) returned, add 2 International Reply
|
|
Coupons per disk (and one extra if you live outside Europe). Correspondence
|
|
failing these guidelines will be read (and perused) but not replied to.
|
|
The address:
|
|
|
|
Richard Karsmakers
|
|
P.O. Box 67
|
|
NL-3500 AB Utrecht
|
|
The Netherlands
|
|
|
|
Email r.c.karsmakers@stud.let.ruu.nl
|
|
(This should be valid up to the summer of 1996)
|
|
|
|
SUBSCRIPTIONS
|
|
|
|
Subscriptions (electronic ones only!) can be requested by sending email to
|
|
the address mentioned above. "Twilight World" is only available as ASCII.
|
|
Subscription terminations should be directed to the same address.
|
|
About one week prior to each current issue being sent out you will get a
|
|
message to check if your email address is still valid. If a message bounces,
|
|
your subscription terminates.
|
|
Back issues of "Twilight World" may be FTP'd from atari.archive.umich.edu
|
|
and etext.archive.umich.edu. It is also posted to rec.arts.prose, alt.zines
|
|
and alt.prose and is on Gopher somewhere as well. Thanks to Gard for all
|
|
this! A URL you might try is http://arrogant.itcl.icl.ie/TwilightZone/
|
|
|
|
PHILANTROPY
|
|
|
|
If you like "Twilight World", a spontaneous burst of philantropy aimed at
|
|
the postal address mentioned above would be very much appreciated! Please
|
|
send cash only; any regular currency will do. Apart from keeping "Twilight
|
|
World" happily afloat, it will also help me to keep my head above water as a
|
|
student of English at Utrecht University. If donations reach sufficient
|
|
height they will secure the existence of "Twilight World" after my studies
|
|
have been concluded. If not...then all I can do is hope for the best.
|
|
Thanks!
|
|
|
|
DISCLAIMER
|
|
|
|
All authors are responsible for the views they express. Also, The individual
|
|
authors are the ones you should sue in case of copyright infringements!
|
|
|
|
OTHER ON-LINE MAGAZINES
|
|
|
|
INTERTEXT is an electronically-distributed fiction magazine which reaches
|
|
over a thousand readers on five continents. It publishes fiction from all
|
|
genres, from "mainstream" to Science Fiction, and everywhere in between.
|
|
It is published in both ASCII and PostScript (laser printer) formats. To
|
|
subscribe, send mail to jsnell@ocf.berkeley.edu. Back issues are available
|
|
via anonymous FTP at network.ucsd.edu.
|
|
|
|
CYBERSPACE VANGUARD: News and Views of the SciFi and Fantasy Universe is an
|
|
approximately bimonthly magazine of news, articles and interviews from
|
|
science fiction, fantasy, comics and animation (you get the idea).
|
|
Subscriptions are available from cn577@cleveland.freenet.edu.
|
|
Writers contact xx133@cleveland.freenet.edu. Back issues are availabe by FTP
|
|
from etext.archive.umich.edu.
|
|
|
|
THE UNIT CIRCLE is an original on-line and paper magazine of new art, music,
|
|
literature and alternative commentary. On-line issues are available via the
|
|
Unit Circle WWW home page: ftp://ftp.netcom.com/pub/unitcirc/unit_circle.html
|
|
You can also contact the Unit Circle via e-mail at zine@unitcircle.org.
|
|
|
|
eScene is a yearly electronic anthology dedicated to providing one-click
|
|
access to the Internet's best short fiction and authors. The stories featured
|
|
within are culled from a collection of electronic magazines ("ezines")
|
|
published on the Net from across the globe, and feature both established and
|
|
previously unpublished authors. eScene is available via the World Wide Web at
|
|
<http://www.etext.org/Zines/eScene/>; and in ASCII, PDF (Adobe Acrobat PDF
|
|
format), and PostScript formats via anonymous FTP at <ftp.etext.org/pub/Zines
|
|
/eScene/>. Contact series editor Jeff Carlson at kepi@halcyon.com for more
|
|
information.
|
|
|
|
YOU WANT YOUR MAGAZINE BLURB HERE? Mail me a short description, no longer
|
|
than 6 lines with a length of 77 characters maximum. No logos please. In
|
|
exchange, please contain in your mag a "Twilight World" blurb (like the first
|
|
paragraph of "DESCRIPTION", above). Hail!
|
|
|
|
EOF
|