1696 lines
96 KiB
Groff
1696 lines
96 KiB
Groff
= TWILIGHT WORLD - Volume 2 Issue 6 (November 12th 1994) ====================
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This magazine may be archived, reproduced and/or distributed provided that
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no additions or changes are made to it. All stories in this magazine are
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fiction. No actual persons are designated by name or character. Any
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similarity is purely coincidental.
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This magazine is for free. Get it as cheaply as possible!
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Please refer to the end file for information regarding submissions,
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subscriptions, copyright, etc.
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= LIST OF CONTENTS ==========================================================
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EDITORIAL
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by Richard Karsmakers
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INTERGALACTIC SEX FANTASY
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by Bryan Kennerley
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NEBULUS
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by Richard Karsmakers
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FIRE & BRIMSTONE
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by Richard Karsmakers
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NITRO
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by Stefan Posthuma and Richard Karsmakers
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LETHAL XCESS
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by Richard Karsmakers
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LLAMATRON
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by Richard Karsmakers
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SUPER HANGON
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by Richard Karsmakers
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LEMMINGS
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by Richard Karsmakers
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= EDITORIAL =================================================================
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by Richard Karsmakers
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Things have been on the razor edge of the "too hectic" for the last month or
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two. Broke up with 5-year girlfriend Miranda, moved to a different address in
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a town filled with people wanting a room too, and generally couldn't do much
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in between moving and staying in touch with one of the prime reasons for this
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rather extreme turnover in my life, a totally enchanting girl by the name of
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Karin who is, rather unfortunately, spending this academic year at Bristol
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University (some timing, right?).
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All I can say is "thank heavens she's got email", "here's the new issue of
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your fave magazine" and "see you all again in 1995's Volume 3!".
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I hope you'll like reading this issue, despite the fact that there's more
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than usual of my own scribblings in it (but you know what you can do to
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change that, so come on all you budding writers out there!). Don't forget to
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spread the word - and the file! Tell you friends about "Twilight World" so
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they, too, can be embraced by the diversity of its wonders (sortof).
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Richard Karsmakers
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(Editor)
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P.S. If you no longer want to receive "Twilight World", *please* unsubscribe;
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don't let me wait for the messages to bounce instead, totally flooding
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my email box! This especially goes for people on AOL, some 20% of all
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direct subscribers.
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= INTERGALACTIC SEX FANTASY =================================================
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by Bryan Kennerley
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Slowly he arose, summoned by the the fanfare that signalled the imminent
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arrival of the leader of the Gajantrian Empire. His heart beat a little
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faster as he tried to imagine the appearance of his sworn enemy, who he was
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to finally meet after so many years of bitter and unrepenting war. His
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ceremonial battledress weighed heavy on his shoulders, but not nearly so
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heavy as the burden of responsibility from his people to end the fighting
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once and for all.
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The signal was given, his opposite number had arrived and was standing just
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on the other side of the door. Slowly the double doors parted, revealing the
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huge corridor beyond. A veritable throng of Gajja bodyguards moved firmly
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across the blood-red carpet towards his seat of power, protecting their
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leader from sight as well as from harm. When would he see...
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The head gorilla stepped forward from the group and announced with almost
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painful volume, "Empress Cachatoria of the Gajantrian Empire!" The sea of
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muscle parted to reveal the foe he had been battling against for as long as
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he had been ruler.
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"So...we meet at last Danyon," in soft, almost melodic tones drifted across
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the room to greet his ears, as their eyes locked for the first time. Her
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eyes. As he met her stare the room seemed to fade away, the shared tunnel of
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intent concentration growing to fill his mind and all his senses. He forced
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himself to speak.
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"Yes, at last," he said, slowly stepping forwards, each step deliberate, as
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if requiring great force of will to make it. She was not at all how he had
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imagined her. Over the years the myth of the "Devil Queen" had grown out of
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all proportions throughout his world and domain, images of a gnarled,
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embittered dragon woman comdemning all who displeased her to death were
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widespread, yet now...now before him stood the most beautiful woman he had
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ever seen, much smaller than himself, slim but certainly not fragile, strong
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yet not overtly physically so; if she was a devil then her eyes must be the
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fires of hell itself, such was the burning he felt as she examined the man
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she saw before her.
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Danyon stood at equal stature to the meatheads surrounding the Empress, yet
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his fair hair and crystalline blue eyes set him far apart. He could easily
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take any one or perhaps more of them on in a fair fight or otherwise, yet his
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strong features and powerful gaze indicated a thoughtful predisposition and
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intellect which engendered an instant presence, denying any conclusion other
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than that this man was a born leader, Commander of the Unified Armies. How he
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yearned for that title to fall into obsolescence, he didn't want history to
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remember him as a warrior, though his outstanding ability as a strategic
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thinker and planner made that ever more likely. Unless.
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The Empress slowly lowered her gaze, though not removing her eyes from him
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for a moment, scanning purposefully down his proud torso, capturing every
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inch of him within her mind. Taking advantage of the momentary pause, Danyon
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surveyed the woman standing before him. Dressed totally in black, his initial
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thought was that her ceremonial dress was a lot less...well, less than his
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own. Almost a mockery of a warrior's battledress, it gripped her form so
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precisely that she could have been born into it. Before he could make any
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deeper observations she spoke.
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"You are much...taller than I had imagined, Danyon."
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"I thought I ought to make the effort," he replied. She smiled and he could
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not help but respond likewise. His eyes slipped away from hers for a brief
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instant and onto her glistening lips. He prayed she wouldn't notice. Or maybe
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he was praying that she would.
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"If you would like to come this way," intruded a voice, offering to
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introduce the Empress to her quarters.
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As she walked past Danyon she turned her head and gazed deep into his eyes,
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softly uttering, "We shall talk later."
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*****
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The arrival of "later" took an eternity. The events taking place were of
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such importance to so many people, of so many worlds, yet instead of working
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out the strategy of the forthcoming negotiations, all Danyon could think of
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was his rival's eyes, and those lips...
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Around the table of negotiation that night, progress was slow. Not a word
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passed between the two leaders, each instead addressing the opposing captains
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and trained negotiators. Argument faded into contradiction, but the apparent
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coolness of the two leaders prevented proceedings from decaying into outright
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squabbling. No-one was expecting too much progress to be made at this first
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meeting, and if agreed temporary stalemate qualified success then a success
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it was.
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As the meeting drew to a close, Danyon and Cachatoria waved away their
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aides, who cautiously granted them a moment together, hoping that words
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between the two leaders may succeed where negotiations between the two
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empires had not.
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Their minds had been matched against each other countless times in the
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countless battles, from opposite ends of star systems, and now they sat at
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opposite sides of a table, barely feet apart, two tacticians watching each
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other, waiting for the other to make a move. The Empress stood up and Danyon
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did likewise. Slowly she walked towards him, her eyes fixed upon his face.
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Although he too had his eyes on hers, he could not help but surreptitiously
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follow the arc of her hips as she approached him, her exaggerated black dress
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complimenting her figure perfectly, her hair worn up, emphasizing her strong
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cheekbones perfectly. They stood for a moment, barely inches apart, her
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perfume pervading his nostrils, his lungs tightening ranks against the power
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of this attack. Her lips parted as if to speak, but held there tantalizingly.
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She raised one hand to her head and pulled her long, dark hair loose, shaking
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it free with a short but effective movement of her head. Danyon felt all
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strength leave his body.
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"We shall...talk, later," she sighed, turned and left the room.
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*****
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That night Danyon sat in his chambers, his mind and body racing. Idly he
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tried watching the news reports filled with endless speculation on the
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outcome of the negotiations in which he was a major player. It was no use; he
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switched the display screen off with a frustrated sweep of his right hand. An
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idea occurred to him.
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"Computer, give me the securicam in the Empress's quarters," he said with a
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wry smile flickering across his lips.
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Instantly the screen showed a broad view of Cachatoria's suite, the
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luxurious decor slightly more splendid than his own. Two burlesque guards
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stood by the door, almost catatonic. But no sign of the woman he sought. A
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frown crossed his brow and he thrust himself back into his omni-positional
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chair and promptly fell onto the floor as the door whistled, signifying a
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visitor.
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Rolling deftly to his feet and straightening his garb, he moved towards the
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door. Pressing the control panel, the door slid open, revealing a slightly
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more heavily attired incarnation of the Empress, flanked by three
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disappointingly less attired bodyguards. Attiring them fully would probably
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take a large chunk of the military budget.
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"Friend or foe?" enquired Danyon politely.
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"Leave us," said Cachatoria to her guards, deliberately avoiding answering
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that particular question when in front of them. The head guard stepped
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forward as if to protest but the Empress put him back in his place with a
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single icy glare which struck visibly deeper than any physical blow could
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have done.
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As she stepped through the portal, the guards' eyes were fixed firmly upon
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Danyon. "It's so hard to get the staff these days," he directed at the
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largest guard as the door slid shut between them.
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"So, your Empressness...what brings a girl like you to a nice place like
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this?"
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"It is time to talk," oozed the Empress as she removed her outer cloak to
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reveal a black, silken dress with tactfully, or perhaps tactically,
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positioned holes revealing acres of naked flesh leading the eye straight
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towards those parts which were still, at least partially, covered.
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Danyon gaped, though his military training had taught him to do so with his
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mouth firmly shut. It didn't work. The smile on his counterpart's face made
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that perfectly clear.
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"May I offer you a drink?" he finally managed.
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"I'd be offended if you didn't."
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"A jine and tonicks?"
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"How do I know you won't slip some poison into my glass?" Cachatoria asked,
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a playful slide in her voice.
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"You don't," countered Danyon, fixing her in his gaze as he handed her the
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glass. Neither one removed their eyes from the other as they each took a sip.
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"Well," she toyed, "I'm still here. What do you propose we negotiate
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first?" She turned and surveyed the room.
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"You know very well that there are people who would gladly see us dead for
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just speaking to each other."
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"Come now Danyon, we've spoken already, do you think they would kill us
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twice?"
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"Still, discretion would be a wise tactic."
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"Is everything you do done for tactical reasons?"
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"Your armies haven't reached me yet."
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"And your viewscreen into my quarters...you were, perhaps, planning to
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invade me?"
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Danyon reached over to the control panel, disabling the screen, blushing.
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Cacha sat down on the satin cloaked bed, crossed her legs and took a slow sip
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from her glass, watching the man before her, awaiting his next move.
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"Somehow," Danyon started, "these negotiations aren't going quite how I had
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planned."
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"Somehow," Cacha replied, "I find that hard to believe."
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Slowly he moved towards her, finishing his drink in one swift motion. He lay
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the glass down and gently sank onto the bed beside her, his muscular bulk
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causing her to fall gently towards him. They now sat face to face.
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"Danyon, there is something I feel I really ought to tell you."
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"Will I like it?"
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"Not particularly," she replied.
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"Well, could it wait a while?"
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"I wish it could, but what I have to say has to be said now or it may be too
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late."
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"What is it?
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"I have to go to the bathroom."
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*****
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Danyon lay on his bed, examining the ceiling for flies. Here he was, lying
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prostrate while the leader of the enemy empire responsible for the loss of
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countless innocent lives was in the bathroom, urinating. He couldn't see any
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which was no real surprise since the air conditioning would consume any
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wayward insects. He wondered how the Empress's species urinated. Sure, they
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were very similar to humans, outwardly at least, but many rumours had spread
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from the fighter pilot squadrons about the genitalia of the enemy. Not all
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was complimentary of course, but he wondered how true the ones concerning the
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female gender were true.
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His thoughts were interrupted by the sound of flushing water. "Think man,
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look casual," he muttered, deciding that siting reclined in his omni-
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positional chair would be a suitably dramatic pose for he re-entrance. He lay
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back, using all of his self control to look away from the door, so he could
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turn to face her as it opened. Slowly it opened, and out stepped...
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Out stepped a naked Empress. Before this moment he had thought that perhaps
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her dresses were designed to hold her body into the perfect shape, but now he
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saw that it was the other way round, her body had obviously been genetically
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engineered to show any garment off to maximum effect. Either that or there
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was a god.
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Danyon felt his jaw drop. No amount of training could have saved him and he
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knew it would be useless to try. Silently she traversed the distance between
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them, her hips etching a perfect figure of eight in the air, leaving almost
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visible turbulence in their wake. Her bare feet pointed with every step,
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their arc intersecting with the ground almost immediately in front of the
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other foot, exaggerating her whole motion yet further. An age passed before
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she reached him and a thousand thoughts passed through Danyon's mind, none of
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them grammatically correct, so engrossed was he in the spectacle that lay in
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front of him.
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Now she stood before him, her perfect breasts at eye level, one nipple each.
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That was one rumour out of the window. But somehow that didn't matter very
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much now, her firm and visibly plyable mammaric prominences, atopped
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tantalizingly by twin acute erectnesses, were crying out for third party
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manipulation.
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Danyon reclined back in his chair just enough to include Cacha's face in his
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vision.
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"Danyon, one of the prime requisites of being a military tactician is the
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ability to think laterally. Nice chair."
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*****
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The next morning, Danyon awoke and rolled over in bed. He half expected to
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feel the Empress Cachatoria's warm, still moist body next to him but he did
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not. He chanced to open his eyes. It was a fine summer's day and sunlight
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streamed through his window and onto his face, arousing him from his slumber.
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Then it struck him. He was no longer in his chambers on his military
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flagship, this room was totally unfamiliar to him, and he was naked. He
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struggled to remember what had happened the night before, tried to
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reconstruct some semblence of the events that had led to him being here. And
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then he realised. His name was not Danyon, Commander of the Unified Armies.
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It was Andrew. Andrew Royd, computer programmer.
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"Oh, fuck."
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= NEBULUS ===================================================================
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by Richard Karsmakers
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"Hey, Pogo!"
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In someone's dream, the words penetrated the fragile boundary between the
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real and the unreal. There was a dragon to be slain, but the voice distracted
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him from the task at hand. The evil beast breathed forth flames that could
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barely be avoided. Some time passed.
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"Hey! Pogo!!"
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The person, still shrouded in deep sleep, was now dreaming about things he'd
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like to do to and with his lovely wife. The call penetrated into his dream at
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the moment when he was about to get down to serious business. He looked up, a
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bit befuddled, when he saw her head grow suddenly ugly and she screamed...
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"Hey Pogo!! Your boss is calling! Will you get your lazy ass out of bed or
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do I have to come and make you?"
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Pogo sat upright, perspiring suddenly, the voice arising from below having
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attained a very aggressive tone. He jumped out of bed and stumbled
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downstairs.
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He looked his wife in the eyes, apologisingly, with as much of a Tom Selleck
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look as he could muster. She handed him the phone as he gently caressed her
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tail. She found herself unable to put her heart in the angry tapping of her
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foot on the floor. She *did* love him, no matter how chronically lazy her man
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was.
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"Yeah," (he checked his wristwatch to see what part of the day it was) "good
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afternoon. Pogo speaking."
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The voice on the other end of the line sounded perfectly civil but carried
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with it a sense of menace that could be felt as it half whispered, "Are you
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perhaps aware of the hours that have gone by since nine in the morning?"
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Pogo was grappling for an answer, an excuse, *anything*, when the
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earpiece spoke again.
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"Do I need to remind you of the fact that you actually have to *work* in
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order for me to tempted to pay anything?"
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Pogo swallowed. The man had a point.
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"But...," he fumbled.
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The phone continued blaring forth stuff about moral codes, small thanks for
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many pains and that kind of thing. Pogo had been through this a few times
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before. He threw his wife a kiss, causing her to smile the smile that had
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been one of the reason that had caused him to fall in love with her in the
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first place. Her tail curled, her body language speaking of things that would
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cause many a man to blush.
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Pogo directed his attention to his boss again, who was still having a go at
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it on the phone. He was currently reciting a piece of poetry.
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"Doesn't matter what you see
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Or into it what you read
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You can do it your own way
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If it's done just how I say."
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Pogo remembered it faintly. Due to some strange and ancient reason, it had
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become a company poem or something, a kind of credo. A cultural anomaly, it
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was a general tendency to recite it to any employee who had done something
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wrong. Pogo sighed. He had heard it rather too often.
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"Am I right in assuming I am needed at the office?" he asked with as much of
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a casual air as he could. There was a sharp intake of breath following by a
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positively mute silence at the other end. To avoid the verbal outpourings
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that generally ensued such a silence, he put down the phone.
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"I'll have to be off to work, pumpkin," he said, kissing his wife on the
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brow, "it might be a bit later tonight. Don't wait up for me."
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She looked at him with the air of someone that is trying to work out the
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Newton forces of a car crashing into a perambulator carrying her firstborn.
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Her tail stopped making those enchanting curly motions.
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He had never before told her something like this. Was he cheating on her,
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perhaps? Had he taken up talking to strangers? Did he maybe - just maybe -
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intend to buy a digital watch?
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Pogo saw the distress in her adoringly yellow eyes beneath her enchantingly
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bushy eyebrows - two of the 43 classic marks of beauty generally recognised
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in a woman of their species. He assured her that nothing was the matter - he
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was still hers and nobody else's and he also refused to talk to strangers.
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When he saw there was still a glimmer of apprehension left in those cute
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little eyes of hers, he hastened to add that he had no intent of buying a
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digital watch either. He hugged her, went upstairs to freshen up and get
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dressed, went downstairs, hugged her again, and left for work.
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Having arrived at a large building with "DESTRO-CORP INC." on the roof in
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brightly blazing, massive neon letters, he went up to the second floor to
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knock on a door with a cheap self-adhesive stuck to the outside reading, "I'm
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the Boss".
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There was no reply even after the third and increasingly noisy knock, so he
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carefully opened the door and peeped in. Nobody seemed to be there, but as he
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stepped in something struck him as very odd about the room.
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There were the usual pencils scattered all over the man's desk, something
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Pogo knew was a means to convince people the boss was a busy man that had no
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time to tidy up his desk. There was a Rembrandt replica above the filing
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cabinet, hanging obliquely. If anything, it was a bit more straight than
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unsual. Flames licked from the top of the man's wastepaper bin, an annoying
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but certainly not unusual phenomenon that happens now and again to chronic
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smokers such as his boss.
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There was a trail of lady's underwear leading to another door, slightly
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ajar, from behind which something like moaning could be heard. Now *that* was
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quite odd. The closer to the skin the underwear, the closer to the door it
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lay. Perhaps this was some kind of new meaning to the word "corporate
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meeting"? "Corporate mating", you mean!
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Pogo took a small package from a pocket, looking at the cover with
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appreciation. There was a portrait of Lady Justicia on it, pieces of green
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paper on her tilted scales. He cleared his throat; you should give the guy a
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fair chance, he reckoned, though he took care not to clear it with *too* much
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of a noise. In reply, all he heard were muffled cries involving depth and
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velocity.
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Pogo felt a bit upset about having had to part with dragon and wife alike
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just to have to listen to his boss doing things he'd rather have been doing
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himself now. He pushed a button on a device present in the room. A Light
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Emitting Diode popped on.
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"Thank you for enabling this Cybernetics audio system to be of service to
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you," a friendly voice intoned.
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Pogo pushed another button. A small drawer slowly buzzed out into the open.
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He took from the package in his hand a small silvery disc, put it on the
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drawer and pressed the same button again. With another buzzing sound it
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closed itself, swallowing the disc. He then turned a dial to "10".
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A finger hovered meaningfully in front of a button labelled "PLAY >".
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He pressed it.
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"POGO! POGO! POGO!" he yelled loudly, not at all hearing himself, as violent
|
|
sounds of blackened heavy metal poured out through the ovradially controlled
|
|
quadrophonic speaker systems. He banged his head, jumped around the office
|
|
and cried along with the music as violently as he could. The amplifier had no
|
|
specification of Watt power because the manufacturers had not been able to
|
|
design a small enough legible specification letter set that would still have
|
|
been able to fit on the device without wrecking its absurdly exquisite
|
|
design.
|
|
The doors bulged, the walls cracked, the Rembrandt submitted to gravity and
|
|
the flames extinguished quite spontaneously. Windows opened seemingly of
|
|
their own accord, satellites got hurled out of orbit.
|
|
All of this could be heard quite clearly on the 34th floor of the building,
|
|
where a religious sect called "The Utterly Silent Ones" was having one of
|
|
their meditations.
|
|
The telephone rang, though not even an aurally talented bat could have
|
|
distinguished its incessant ringing from the general mayhem that quite
|
|
literally engulfed the building and its surroundings.
|
|
|
|
Note: It might be worth noting at this instance that people living on
|
|
Quernshal Epsilon who feel they have come somewhere for nothing usually have
|
|
a tendency to play Metallica's "...And Justice for All" CD at the loudest
|
|
obtainable volume. This is usually accompanied by wild pogoing (banging
|
|
heads, thrashing limbs, jumping, moshing and so forth). This also explains
|
|
why all male inhabitants of the planet are called Pogo.
|
|
This might strike you as weird, but that's only because you don't know what
|
|
Zargomatic Sigmaians do when found in a bathroom with the paper run out.
|
|
|
|
An embarrassed head appeared around the doorpost instantly. It was agitating
|
|
wildly, obviously yelling something that remained inaudible due to certain
|
|
limitations of the ear when exposed to excessively loud music. Even so, Pogo
|
|
was too involved playing air guitar to notice that ever reddening face.
|
|
The head disappeared for a few instants, after which the entire body stepped
|
|
into the office. It was wearing various parts of lady's underwear that looked
|
|
as silly on it as it would enticing on the proper gender. The body fought the
|
|
black wind sprouting forth from the ovradially controlled quadrophonic
|
|
loudspeakers, struggling to get to a button simply labelled "OFF". Eventually
|
|
it succeeded, triumph on its face.
|
|
"Thank you for having enabled this Cybernetic audio system to be a service
|
|
to you," the device intoned, its friendly voice unheard by the ears of those
|
|
present in the office that were occupied coping with the sudden high beeping
|
|
sound accompanying a sudden lack of volume.
|
|
The first sound they did hear was the phone, ringing angrily. Eventually
|
|
they heard sandalled feet kicking at the front office door. Someone yelled,
|
|
"Blasphemy!"
|
|
"Alright, Pogo," the boss panted, "you made your point. I'm sorry." He
|
|
wondered why he was apologising to someone who should be apologising himself.
|
|
He then noticed himself wearing laced cammy knickers and went all red.
|
|
Pogo got some of the fur out of his eyes, saw his boss, and grinned inanely.
|
|
"Honey?" a girl's voice called from behind the door that had previously
|
|
hidden whatever the boss and she had been doing, "have you seen my knickers?"
|
|
The beating on the door ceased, the noises of flapping sandals and muttered
|
|
curses in the hall fading. Many Silent Ones would have to perform penitent
|
|
atonement tonight.
|
|
A girl's head, flushed and furry, became visible around the doorpost. When
|
|
she saw the boss standing she was rendered weak with laughter. It was the
|
|
kind of laughter, the boss would later think back, that you only knew when
|
|
you're a male whose kid sister once witnessed your urinating onto shockwire.
|
|
Seating himself behind the pencil-strewn desk to hide the reason for all
|
|
their fun, his fur slowly got its more familiar blue colour again.
|
|
"Miss Doughshilling," he said, having regained sufficient control over the
|
|
situation, "would you be so kind as to dedicate yourself to our company
|
|
correspondence?"
|
|
With an absurdly out-of-place curtsy, she disappeared.
|
|
Pogo was getting a really strange sensation in his tail. Almost, he could
|
|
have sworn, as if it was on fire.
|
|
"Wipe that grin off your face," his boss said.
|
|
Pogo did. The sensation in his tail was growing, but he dared not look away
|
|
from his boss, who seemed suddenly to have developed fangs. Also, the man's
|
|
eyes had suddenly gone, well, gone *red*.
|
|
With a bit of a startle, Pogo noticed smoke curling up from his boss'
|
|
nostrils. The sensation in his tail was now indistinguishable from pain. He
|
|
tore his gaze away, finding his tail on fire. There was laughter.
|
|
It sounded...draconic.
|
|
"Pogo?" a voice lured him, but it seemed to come from nowhere.
|
|
His boss was no longer there. A dragon sat behind the desk. It spat fire.
|
|
"Pogo?" the voice repeated. It sounded loving, caring.
|
|
He opened his eyes, shredding the dragon and all the fire it had come with,
|
|
to find himself gazing sleepily at a furry blue creature that curled its tail
|
|
enticingly.
|
|
"Yes?" he sighed, in love.
|
|
|
|
Originally written November 1988. Rehashed a lot, November 1994.
|
|
|
|
|
|
= FIRE & BRIMSTONE ==========================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Cronos thought he had been in some quite hot places, but never ever had it
|
|
actually been *this* hot. Sweat was pouring down from every pore in his
|
|
dehydrating body, and he knew instinctively that his bodily juices were not
|
|
going to last long under these circumstances - for, even to his harsh
|
|
personal standards, these were severely extreme (and, indeed, extremely
|
|
severe).
|
|
It seemed as if each and every pore was not just perspiring, but
|
|
experiencing a rather blatant kind of rupture, causing sheer cataracts of
|
|
salty fluid to erupt from his being. It leaked into his eyes, obscuring his
|
|
sight, irritating him endlessly.
|
|
He had experienced this heat and the drought before; he had been on the
|
|
razor edge of death, and he had been saved only in the very nick of time by
|
|
this mysterious nurse that had looked so extremely much like Gloria Estefan.
|
|
Water had been carefully and lovingly poured into his dried-out mouth and
|
|
onto his parched lips; lace had embraced his vision - as had a rather
|
|
significantly well shaped pair of bristols. No matter how unsalubrious his
|
|
situation had been, her appearance had transformed it into a dream that he
|
|
had wished never to wake out of.
|
|
He could use some water now as well. A lot of it, as a matter of fact. Never
|
|
mind the lace and bristols. Water. Age too oh. Lots of it, possibly. There
|
|
wasn't much of it around.
|
|
|
|
It had been very dark. His knob had still been hurting rather nauseatingly,
|
|
and his finger was still pointing towards the on/off switch on his Mega
|
|
Absorb Groin Protector, trembling. Wandering through the darkness that had
|
|
seemed never to end, the physical pain had slowly ebbed away, but another
|
|
kind of pain had remained: That of having been beaten by a girl. A *girl*, of
|
|
all beings in the universe. As far as he was concerned, girls were there for
|
|
the mere purposes of human multiplication, dish washing and environment
|
|
decoration.
|
|
He hadn't even wanted to lay a hand on her, at least not as such, strictly.
|
|
The damage to his ego had been substantial.
|
|
Muttering to himself, he had suddenly stumbled upon two doors that seemed to
|
|
have suddenly appeared out of thin...er...darkness. He had been totally
|
|
bewildered at this, and for several hundreds of nanoseconds he had stood
|
|
still in utter confusement.
|
|
Both doors had been comfortably ajar.
|
|
Last time he had left the Void of Utter Nonbeing, it hadn't brought him as
|
|
much joy and excitement as he had had the courage to expect. The fact that
|
|
one door now had an inviting plaque labelled "Eternal Heaven" whereas the
|
|
other had one labelled "Pandemoneum" had not really helped him to make up his
|
|
mind either. However, assuming that the latter would be some kind of Iraqi
|
|
Restaurant where one could get some really good Kuwait Beef, he had pushed it
|
|
wide open and had entered.
|
|
|
|
There was a lot of fire, and he reckoned that might be the reason why he was
|
|
sweating so vehemently. Though, of course, he didn't think this for long as
|
|
the whole concept of 'thinking' had not been included in his training.
|
|
In the sea of orange light and looming flames stretching out all around him,
|
|
he suddenly saw a desk in the distance, slightly distorted in the hot air.
|
|
As he came closer, he saw that is was made of delicate sapient jacaranda
|
|
wood, and that is was craftfully carved with all kinds of evangelical scenes,
|
|
mainly from the book of Revelations. The desk was just as vigorously aflame
|
|
as the ground and surroundings it was located on and in.
|
|
Behind it sat a demon, idlily tracing an elaborate pentagram with a black-
|
|
nailed finger. It looked at Cronos with a look of boredom in its eyes.
|
|
"Incredilus odi (*)," it said.
|
|
"Ille crucem sceleris pretium tulit, hic diadema (**)," it continued,
|
|
stretching its hands towards the sky.
|
|
The mercenary annex hired gun would have liked to punish the demon for what
|
|
he sensed could be nothing other than an insult of the most abominable kind.
|
|
However, he could barely find the energy to let out a mere sigh of
|
|
frustration.
|
|
"Si monumentum requiris, circumspice? (***)" The demon asked with raised
|
|
eyebrows.
|
|
Cronos sighed again, and let his shoulders hang in quite a beaten fashion.
|
|
The demon smirked to itself, satisfied. The black-nailed finger stopped
|
|
tracing the pentagram. Flames licked the finger, but it seemed quite
|
|
impervious.
|
|
"May I have your name, please, Sir?" it now inquired.
|
|
Cronos was about to try and answer when the demon wrote something down on a
|
|
piece of burning paper.
|
|
"And what, may I ask," it continued, "is your business here, Sir?"
|
|
Warchild, tired though he might have been, intended to beat the demon either
|
|
to the answer or to pulp. The demon scribbled down something on the same
|
|
piece of burning paper, unperturbed. It would have to be the pulp. Insulted,
|
|
no matter how tired he was, every of Cronos' preciously few brain cells told
|
|
him to undertake some action. With a tired, almost automatic swoop of his
|
|
hand, he cut off the demon's head using one of his killer fingernails.
|
|
The head rolled down over the coals, crying "O tempora! O mores! O si sic
|
|
omnia! (****)" before it disappeared in the hot haze. The body sighed to the
|
|
ground noiselessly. Though the flames had not imperilled it before, the
|
|
demon's corpse was now consumed eagerly.
|
|
Unfortunately, this action had taken the very last bit of energy out of
|
|
Cronos' being. Therefore he entertained no serious hope at being able to
|
|
manipulate his fate when a thunderous voice yelled through the fiery abyss
|
|
behind him, totally catching him off-guard.
|
|
"SISTE, VIATOR!! (*****)"
|
|
The *something* that had yelled this was terrifyingly huge. It had two horns
|
|
on the top of its head, a long tail that swung to and fro in a rather
|
|
frightening way, and stood on hooves.
|
|
The Unnamed One Of Many Names. Cronos froze.
|
|
"BEHOLD ME, MORTAL! (******)" the voice cried again. The sound of it
|
|
seemed to tear the heat and the bellowing flames to shreds. The echoes of it
|
|
died away only slowly in the furnace-like rage of fettered fumes and
|
|
flickering fire.
|
|
Cronos turned around slowly, as if in a dream he couldn't control,
|
|
whispering, "Whattafu..."
|
|
"SHUT THY ORAL CAVITY, MORTAL! GROVEL BEFORE ME!"
|
|
Cronos knelt. He felt as if he was controlled by something outside of
|
|
himself. He crawled towards the terrifying shape without daring to look up.
|
|
"MAY I HAVE YOUR NAME, PLEASE?" it inquired as Cronos finally grovelled
|
|
properly at its hooves, totally at its mercy.
|
|
Warchild could do nothing but obey. All resistance within him was numbed,
|
|
had left his body utterly. There had been nothing he could do about it.
|
|
He said his name. Upon hearing it, the shape took a step back.
|
|
"J. Warchild?...er...*Cronos* J. Warchild?!" it asked. All power suddenly
|
|
seemed to have left its voice. When Cronos gathered the courage to look up,
|
|
the shape looked a lot smaller. No longer did it have a tail, horns or hooves
|
|
either. He looked up at the sweaty, bloated face of a man, a lit cigar stuck
|
|
between trembling lips. He wore a name tag on which the name of a big
|
|
multinational was printed.
|
|
"Oh, oh," the man said. He muttered it much in the same fashion a lion
|
|
would when surrounded by a dozen wildebeests pointing Kalashnikovs at it.
|
|
Then, although all fire couldn't possibly have gone out at that instant,
|
|
everything went black.
|
|
|
|
When Cronos woke up again, he felt strangely comfortable, cool, and
|
|
satisfied. Nonetheless, everything was still dark around him. Everything,
|
|
that is, except for two doors above which plaques hung with "Eternal Heaven"
|
|
and "Pandemoneum" engraved on them in large, not particularly unfriendly
|
|
letters. He entered the door with the plaque "Eternal Heaven" above it,
|
|
suffering from an inexplicable subconscious fright that entering the other
|
|
door may start a perpetuum story.
|
|
|
|
The smell that immediately entered his nose was that of beef.
|
|
Several people with stubbly cheeks and checkered dishcloths tied around
|
|
their heads were carrying plates with or without food to and fro various
|
|
guests that sat around cosy tables with little burning oil lamps on them. The
|
|
lamps were shaped like miniature oil wells, something which caused quite
|
|
some amusement among a few of the guests, apparently.
|
|
The lights were dim, but not too dim to disguise the distrust that appeared
|
|
in a couple of waiters' eyes as they beheld Cronos standing in his habitual,
|
|
sortof menacing way in the door opening. They whispered to each other,
|
|
pointing at him.
|
|
Cronos didn't like being whispered about, and he liked it even less when
|
|
people started pointing at him. And it would be an understatement to claim
|
|
that he absolutely *loathed* it when both of these acts were being executed
|
|
simultaneously by men with stubbly cheeks and checkered dishcloths tied
|
|
around their heads.
|
|
One of these suspicious characters now came towards Warchild and gave him a
|
|
contemplative look, suspiciously asking, "You from Kuwait?"
|
|
"Wotzit too ya?" Cronos replied in a way he considered to display he was in
|
|
total control of the situation. It was either the wrong way or the stubbly-
|
|
cheeked character was quite a guy, for it totally failed to leave an
|
|
impression. Instead of cowering in fright much in the way Cronos had
|
|
expected, the man simply repeated his question.
|
|
Cronos couldn't help feeling his supposed stranglehold on the situation
|
|
slipping from his grasp, like eels in a bucket of nose excreta. He'd had the
|
|
feeling before. Deja vu struck him like a subconscious sledgehammer. He found
|
|
himself muttering unsurely. Eventually, evading the question, he told the
|
|
waiter he wouldn't actually mind getting offered some food. After all, this
|
|
was a Restaurant of sorts, wasn't it?
|
|
Upon having registered this, but not without properly failing to lose any of
|
|
the suspicion on his face, the waiter turned around and walked away slowly,
|
|
to return after a while holding in his hands a menu Cronos thought looked
|
|
like it was written in bloody Arab.
|
|
|
|
Some things only happen once in a lifetime, such as sensations of Utterly
|
|
True Love, or the experience of drinking a Pangalactic Gargle Blaster. Cronos
|
|
now went through something similar, for he was actually *right*.
|
|
|
|
A bit unsure of himself, Warchild started to study the menu, under a
|
|
perpetual look of scrutiny from the man with the stubbly cheeks and the
|
|
checkered dishcloth tied around his head.
|
|
"Abdul Haddam Sussein," Cronos proudly stated after a couple of moments,
|
|
"*that* is what I'd like to have. And quite rare, if you don't mind. Unless
|
|
it's sperm whale, of course, which doesn't agree with me at all. *Anyway*, I
|
|
trust it isn't."
|
|
The scrutinous look on the man's face transformed itself, quite inexplicably
|
|
so it seemed, into one of anger. Slowly, the man pointed to a badge fixed to
|
|
his own shirt. There was a name on it.
|
|
"A.H. Sussein," Cronos read out loud, "well, *that* is a funny coincidence!"
|
|
A fist quickly zoomed in. Someone lost consciousness, just prior to thinking
|
|
the sperm whales were flying low this time of year.
|
|
|
|
(*) I hate and disbelieve
|
|
(**) That man got a cross, this man a crown, as the price of
|
|
his crime
|
|
(***) If you seek (his) monument, look round you
|
|
(****) O the times! O the manners! Oh that he had done all
|
|
things thus!
|
|
(*****) Stop, traveller!
|
|
(******) Behold me, mortal!
|
|
|
|
Originally written summer 1990 (which was quite hot and had the Gulf War in
|
|
it). Later published in slightly altered form in "Quill", the Utrecht
|
|
University English Faculty magazine, July 1992. Last rehashes October 1994.
|
|
|
|
|
|
= NITRO =====================================================================
|
|
by Stefan Posthuma and Richard Karsmakers
|
|
|
|
|
|
This story was written while intoxicated and has some scenes describing
|
|
eroticism. It was inspired somewhat by the film ("movie" to all you Americans
|
|
out there) "Wild at Heart", and basically goes to show that art and alcohol
|
|
don't mix.
|
|
|
|
"Aaaaaarrrggghhhhh."
|
|
Oh my God, that alcohol went down very smoothly.
|
|
The hooligan made a mock attempt to throw away the bottle, kindof how he
|
|
would expect girls to like it.
|
|
Lula thought he performed this act in a way that, to her, looked ravishingly
|
|
exciting in a weird way. She rubbed his crotch and whispered something horny
|
|
into his ear.
|
|
"Oh yeah, oh yeah," the hooligan (who happened to be named Sailor) moaned as
|
|
he gave her neck a wet kiss.
|
|
"Ya know, Lula," Sailor bragged, "I nicked this car especially for you.
|
|
'Cause I...you know..."
|
|
She sighed into his ear, slightly moistening his anvil. Two erect thingies
|
|
could be seen under her tight blouse.
|
|
|
|
Surgeon General Interrupt: No you're not going to do this. You can't. This
|
|
is the most utter trash conceivable. How much did you guys drink?
|
|
Writers: Not much, yet, but we're getting to the one litre mark.
|
|
Surgeon General (continues): Oops. Then I guess I'd better call out a 'no
|
|
holds barred' warning for everybody who's into virginity, prudence and
|
|
chastity.
|
|
Writers (nodding their heads, breath a-reeking): Yeah. That would be a
|
|
*good* idea.
|
|
|
|
"You look, like, fingerlickin' horny, Lula," Sailor continued breathily, now
|
|
on his turn moistening her anvil - and more.
|
|
"Uuuhhh...," Lula hesitated.
|
|
"What is it baby?" Sailor softly rasped.
|
|
"Do you realise that this is read by innocent 'Twilight World' readers?"
|
|
Sailor seemed to mull that over for a few seconds.
|
|
"Yeah, he muttered disinterestedly, "f@*k 'em." It came out matter-of-fact,
|
|
the way natural-born killers swear, carrying with it triviality.
|
|
"But do you also realise that we are at this moment doing 110 on a busy
|
|
highway?" Lula sighed, repressing a surge of panic.
|
|
The erect thingies slowly dissapeared and she suddenly thought the way in
|
|
which Sailor had handled the bottle wasn't half as exciting as she had
|
|
previously reckoned.
|
|
"Come on, I just want to...you know," Sailor stammered.
|
|
He was losing his patience a bit. Why didn't girls instantly and blatantly
|
|
succumb to his most primitive of baser needs?
|
|
"You know what daddy always says," Lula added shily.
|
|
"I wanna go all the way tonight," Sailor confided in her.
|
|
"Will you love me forever?" Lula wanted to know.
|
|
Sailor thought. The sentence "Let me sleep on it" somehow wanted to be said,
|
|
but he didn't know why so didn't.
|
|
"Will you buy me a dog?" she continued.
|
|
"Oh, shit no. Not a dog," he spat, mouth feeling as if filled with
|
|
metaphorical bile, "the only good dog is a hot dog, you know that."
|
|
Sailor's thingy was now also getting pretty limp. He saw a drive-in and
|
|
parked the car there. They were playing "Gone with the Wind".
|
|
The car next to them was making rhythmic motions, and it wasn't the wind
|
|
that was moving it.
|
|
"Look at them," Sailor tried, "*they* are having fun..."
|
|
Lula didn't even look him in the eyes. "Not until we're engaged."
|
|
Sailor thought. It was beginning to be a habit. His next date would have to
|
|
be less intellectually stimulating. Definitely.
|
|
"I suppose slipping a cheap Pepsi Cola pulling ring on your finger won't
|
|
help?" Sailor wondered. Another line that seemed to want to be said
|
|
automatically, which this time he did.
|
|
She looked away from him, insulted. She found herself studying the rhythmic
|
|
moving of the car next to them rather more intensely than was considered
|
|
proper etiquette. Embarrassed, she looked away. She found herself looking at
|
|
two ants doing something on the ground.
|
|
"Aaaaaarrgghhhh..."
|
|
That alcohol surely went down smoothly again.
|
|
"D'ya know, Sailor," Lula said, "that alcohol is known to decrease a man's
|
|
capabilities during, well, *the act*?"
|
|
"Dunno," Sailor remarked absent-mindedly, as if the question had been asked
|
|
- and the statement proven wrong - many times before already, "Don' care,
|
|
really. Doesn' put me down."
|
|
"Well, that's what they say on 'Physician TV', anyway," she continued.
|
|
Their foreplay (or whatever you'd like to call it, for it probably isn't,
|
|
not even by male chauvinist standards) was brutally interrupted by some
|
|
rampant beating on their car.
|
|
They both looked up rather startled. They saw a granny, repeatedly
|
|
connecting her umbrella to the hood with as much force as she could muster
|
|
with her frail, geriatric body.
|
|
"Say, you young rascals," she started to croak with a voice that sounded as
|
|
if it needed some oiling by a three-hour session of fellatio, "are you fully
|
|
aware of the fact that your immoral behaviour can be observed and studied by
|
|
at least twenty-three honourable citizens of the State of Mississippi?"
|
|
Twenty-three honourable citizens of the State of Mississippi, zipping their
|
|
zippers: "Shut up, you old fart! F*@k off! We want to see some serious
|
|
porking here!"
|
|
|
|
Surgeon General Interrupt: Dit is hartstikke banaal, man! Dat kan je niet
|
|
maken!
|
|
Writers: English, please.
|
|
Surgeon General: This is completely vulgar, man! You can't do this!
|
|
Writers: Try us.
|
|
Surgeon General: Oh my sweet heaven. Help me in this brave battle against
|
|
orgasmic orgies of putrified pornographics! It seems even old Mrs. Tripper
|
|
Gore can't turn the tide!
|
|
Heaven: Shut up, you old fart! Buzz off! We want to see some serious porking
|
|
here!
|
|
Surgeon General: Well...er...I wouldn't mind seeing some myself, but you
|
|
can't really admit that in public, can you? It wouldn't be politically
|
|
correct.
|
|
Heaven: Sure you can. You have our blessing. You're no politician, are you?
|
|
Surgeon General: OK Sailor! Go for it man! Pork the bitch!
|
|
|
|
"Do you hear that, Sailor?" Lula whispered in a very low voice. She wasn't
|
|
sure if she had actually heard something or not. Perhaps it had been tele-
|
|
something. Kinesis? Pathic? Vision? Well, she didn't know. Something
|
|
preternatural, anyway.
|
|
Mysteriously, the two erect thingies appeared again.
|
|
"Sure I did," Sailor said, his eyes reading her body like the expert he
|
|
liked to think he was. A confident grin wrenched his lips.
|
|
"Ooooh, Sailor..."
|
|
|
|
Written December 1991, rehashed October 1994.
|
|
|
|
|
|
= LETHAL XCESS ==============================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Thanks to my ex-girlfriend, Miranda, who deserves credit for the basic idea.
|
|
I will always remember you fondly.
|
|
|
|
|
|
Hell is a pretty rotten place. Not only is it damn hot, but its inhabitants
|
|
also have a rather deranged sense of humour. Reason enough to try and get out
|
|
of it, but that tends to be so hard that nobody succeeds and everybody would
|
|
rather adapt himself to the exotic temperature and odd sense of humour
|
|
instead.
|
|
But not John Doe, full-time filantropist and part time science fiction games
|
|
designer. Not *the* John Doe, the person that had never killed but a fly in
|
|
his entire life, the person that had donated such ludicrously huge amounts of
|
|
money to orphans, dying little African children and AIDS research that his
|
|
heirs had threatened to sue him.
|
|
Not John Doe!
|
|
Due to a devilish trick of fate, however, some nutcase had put a 9 mm slug
|
|
between his eyes. Just like that, one happy spring morning on the corner of
|
|
11th and Wall Street - speaking of 'being at the wrong place at the wrong
|
|
time'! While his spirit left his body, gently bobbing above the remains, he
|
|
saw the gun-wielding hooligan stealing his money, fake gold Rolex and
|
|
- genuine - Nike Airs.
|
|
This would all have been perfectly alright had he taken the right turn after
|
|
cloud nine. Unfortunately, he hadn't. Whereas he should have followed a
|
|
traffic sign labelled "Heavenly Bliss and lots of Groovy Peace" he absent-
|
|
mindedly walked into the direction leading to "Eternal Hellfire, Damnation
|
|
and Utter Pandemoneum". Death doesn't happen to you every day, at least not
|
|
too often. Once you've met the Skinny One with the Big Razor on a Stick, you
|
|
tend to spend some time idlily wondering, deep in thought.
|
|
Wrong thing to do.
|
|
The first thing John Doe had considered odd was the guardian's costume.
|
|
Wheras he had expected kind of a light robe and a long beard he saw instead a
|
|
black goatee, two little horns and a distinctly red complexion.
|
|
"Excuse me, sir," John ventured, feeling ill at ease, "would you be so kind
|
|
as to announce my arrival at these here Gates of Heaven? I'm Doe. John Doe.
|
|
Johnny to my friends. Filantropist and part time science fiction games
|
|
designer."
|
|
The demon (for, as you could have guessed already, it was none less than
|
|
one) stifled a chuckle, frowned, and casually played with his laser gun.
|
|
"Sure," it said, "just go right ahead. Turn left behind the seventh gate."
|
|
|
|
Mr Doe was surprised to discover he had unintentionally wandered into Hell,
|
|
which he only found out after having passed through the seventh gate, a
|
|
demonic laughter echoing through the archway of gates far behind him. And it
|
|
was too late.
|
|
"There is no way back now, chum," a voice said. It sounded artificial,
|
|
collected, totally in control, much in the way he recalled having heard once
|
|
in a film where a computer had raped a woman to create progenity.
|
|
John swirled around to find himself looking directly into the metallic eyes
|
|
of a big red robot. It hadn't been there a few seconds ago. Its moving bits
|
|
seemed properly oiled for it to be able to move thus soundlessly, a strange
|
|
thought to go through the mind of someone who had just entered Eternal
|
|
Damnation.
|
|
It is a common misconception that Satan looks like a goat that has eaten too
|
|
much lobster. It's just a lack of imagination on the part of writers and
|
|
artists of old alike, quite on the contrary to their thinking up the whole
|
|
biblical storyline in the place. As a matter of fact, He Of A Thousand Names
|
|
looks like a big red robot with smoke coming from his nostrils and a large
|
|
Howitzer laser built into his right arm. Had the "Robocop" films been known
|
|
in Times Long Gone, some artist might actually have thought of it.
|
|
John sensed that this had to be the purest kind of evil he would ever meet.
|
|
"No...no way back?" he asked, having trouble to get rid of that frog in his
|
|
throat.
|
|
Beelzebub nodded in meaningful silence.
|
|
"Unless you want to fight the creatures from your own Hell," the Evil One
|
|
said, making grotesque gestures with his arms, "Monstrous beings contrived by
|
|
nothing less than your own imagination. Hideous creatures that spill forth
|
|
death and destruction. Vile machines driven by your own fantasy, impossible
|
|
to beat. Evil aberrations from the depths of your worst fear-ridden
|
|
nightmares."
|
|
John trembled. A chair appeared from nothing, allowing him to sit down. He
|
|
did.
|
|
"W...will I...I...h...have to beat all those?" he stuttered.
|
|
Astaroth folded his arms, nodding with his eyes closed. There was a smugness
|
|
on the Nameless One's face, a smugness John would have liked to swipe off if
|
|
only he would have been his usual, confident self.
|
|
"But...but...I h...haven't even killed a *fly* in my life, you know, and now
|
|
I h...have to fight my way through all those...those dismal monstrosities?"
|
|
"Those," Azazel replied euphemistically, "and probably a jolly lot more."
|
|
It was then that Mr Doe decided to change his life (well, his *death*,
|
|
actually). Gone were the days of peace and quiet. He would get out of this
|
|
self-styled hell if it was going to be the last thing he'd ever do!
|
|
Er?
|
|
|
|
Original written July 29th 1991. Rehashed October 1994.
|
|
|
|
|
|
= LLAMATRON =================================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
"I was slowly suffocating. I could barely see a glimpse of light above me,
|
|
way out of reach. All I could see were strange items crashing down on me, as
|
|
if desperately wanting to prevent me from as much as *thinking* of reaching
|
|
out to that light - the light I treasured and adored, the light I needed to
|
|
be able to hold on to life itself.
|
|
Yet I sank deeper and deeper, until I thought my ears would burst and my
|
|
mind would implode. Vague memories I recalled, but they could not soften the
|
|
feelings of suffocation and potential death that were threatening my being.
|
|
I tried to breathe but it only filled my lungs, yes, my entire being, with
|
|
the items that leapt down at me. I saw the glimpse of light decreasing,
|
|
fading like a candle precariously placed in a draught. It slowly disappeared
|
|
until there was barely anything discernible.
|
|
Thinking back of the beautiful things in my life, I let myself sink deeper.
|
|
My lungs burst. My mind shrank. Julia. Heavy Metal Music. Super Gridrunner.
|
|
Lemmings...
|
|
None of it would remain where I was to go. None of it. I wept at the
|
|
thought, writhing in grief, but the tears were beaten away by the items that
|
|
kept on crashing down on my acheing body, reducing my heart and soul to
|
|
slush.
|
|
How I had loved life, but it would never be the same again... I felt my life
|
|
force flow away, drained into the vortex below me.
|
|
I spitted. I even tried to vomit. But there was no stopping the continuous
|
|
stream down my throat, into my lungs, through my very pores.
|
|
"Indiana Jones - The Adventure Game," I read aloud whilst swallowing,
|
|
"Ghostbusters!"
|
|
A thousand licensed titles dug into my flesh, straining to kill my last
|
|
attempt at resistance.
|
|
I looked around and saw Men In Suits. Horrible suits, pressed meticulously.
|
|
And ties, of course. Ties.
|
|
They would probably drag my lifeless corpse away soon, smug smiles plastered
|
|
across their faces.
|
|
"NOOOO!!" I cried with all strength I had left.
|
|
Nobody heard me except for the Men In Suits. They did not heed my desperate
|
|
calls, already started to smile.
|
|
Then, "Super Monaco Grand Prix" hit me straight straight through the heart.
|
|
A U.S. Gold marketing director stifled a chuckle. I saw all colours and none
|
|
for a brief instant, then I felt myself fade away as CD-ROM-based Turtles,
|
|
great swathes of cheaply digitized sound and graphics, washed over me..."
|
|
|
|
Gene closed the book and put down his quill when hearing quick steps on the
|
|
stairs, suddenly opening his senses to the sound of children playing in the
|
|
street before the apartment building.
|
|
Instinctively, he sensed the person climbing those stairs would...
|
|
A soft knocking, a specific sequence, on the door.
|
|
Julia.
|
|
He tried to walk past the Screen to the door as casually as possible,
|
|
probably betraying more than he would have had he dashed for it. It was
|
|
indeed Julia.
|
|
"I told you never to see me here," he whispered, "the Thought Police is
|
|
always alert, you know that."
|
|
She glanced back over her shoulder, as if she expected someone there.
|
|
Hurriedly, she closed the door behind her.
|
|
"Julia..."
|
|
"Be still, Gene" she said, "I had the Screen turned off."
|
|
"How..."
|
|
"Doesn't matter," she replied, "it just is. I know someone at the
|
|
Department."
|
|
He seemed to relax, but knotted muscles still betrayed a sense of awareness.
|
|
He felt odd. Why was she here? Why hadn't she waited 'til the evening, when
|
|
meeting him in the park would be much safer? And had she slept with someone
|
|
at the department to get the screen switched off? Uncertainty. Jealousy.
|
|
Doubt. Fear.
|
|
It appeared as if she had read his mind, at least partly.
|
|
"I can't be in the park tonight, and neither can you," she checked the
|
|
screen to see if it was really switched off, then continued, "there's a
|
|
Meeting this evening. At Jonathan's."
|
|
Eager fires sparkled in Gene's eyes. "A Meeting? Tonight?"
|
|
She nodded. The sound of the children playing outside had ceased. He
|
|
suddenly became aware of that. She heard it, too. He ran towards the window,
|
|
carefully parting the curtains slightly to allow him to cast a glimpse on the
|
|
street below.
|
|
Together with the increasing sound of marching feet, he saw a Squadron of
|
|
uniformed men come around the street corner. The sound of their boots sounded
|
|
threatening on the cobbles, which were still wet with the early morning's
|
|
drizzle.
|
|
He hurriedly closed the curtains again.
|
|
"Thought Police!" he rasped, "Were you tailed?"
|
|
She shook her head, but it was obvious she couldn't be completely sure.
|
|
"Maybe it's not us they want," she said, "maybe it's someone else..."
|
|
Poor souls.
|
|
"Silent," he interrupted her, daring another look through a tiny opening
|
|
between the curtains.
|
|
He looked intently at the scene that was developing in the street.
|
|
One of the Thought Police officers had halted in front of a house on the
|
|
other side of the street.
|
|
"You're right," he said, sighing in mute relief, "it's not us."
|
|
Poor bastards anyway.
|
|
He opened the curtains wide. She came to stand next to him.
|
|
"It's the...Tails...Tolers...whatever they are called," she observed with a
|
|
voice of incredulity, "who would have thought they..."
|
|
"Who would think it of *us*?" he put bluntly.
|
|
The Thought Police had forced the door open now, and entered the house. A
|
|
shot could be heard. After a while, an officer came out with three children
|
|
and a woman, weeping. Another carried a box.
|
|
"Illegal computer games," Julia whispered.
|
|
Gene nodded slowly.
|
|
At that moment, a black car with sirens and flashlights came around the
|
|
corner, stopping precisely in front of the house where the officers now
|
|
stood, holding the woman and her three children.
|
|
Out of the car came a man. He wore a tweed suit and tie, casually glancing
|
|
around through top fashion glasses. Around his wrist was a gold watch. He
|
|
held a cane.
|
|
The officers jumped in line, saluted enthusiastically, almost with religious
|
|
zeal.
|
|
"A Man In A Suit," Gene gasped.
|
|
They could see the man inspect the box with games. He took out a random
|
|
floppy disk, tossed it back after a quick inspection. After signalling the
|
|
box to be loaded into the trunk of his car, he turned his attention to what
|
|
seemed to be the youngest of the three children. A little boy, probably not
|
|
yet 10 years of age.
|
|
A wry smile wrung his lips.
|
|
He made a casual remark to the woman, who now started to weep even more
|
|
hopelessly, seeming to beg the man for mercy. She tried to release herself
|
|
from the iron grip of the Thought Police officer. With a quick move, the Man
|
|
In A Suit hit her across the face with the cane. His face didn't even as much
|
|
as flinch. No joy, no pain, nothing. Void of expression, like a machine.
|
|
Blood appeared from a gash across the woman's cheek. She stopped sobbing and
|
|
looked at the man with eyes wide open in fear mingled with disgust.
|
|
The man put his gloved hand on the thin hair of the boy, stroking it as if
|
|
reassuring the child, soothing it in some way. Another Thought Police officer
|
|
now emerged from the house carrying a computer system. Upon a sign of the Man
|
|
In A Suit this, too, disappeared in the trunk of the car.
|
|
The man asked something of one of the Thought Police agents, after which
|
|
this officer gave him a gun.
|
|
The Man In A Suit toyed a bit with the gun, as if wondering what to do with
|
|
it. He spoke to the woman. She began to weep again, desperately struggling to
|
|
get free. There was no escaping the iron grip.
|
|
The man put the gun on the little boy's forehead and pulled the trigger.
|
|
Blood came out on the other side in a small dark red fountain.
|
|
Gene promptly closed the curtains. Julia looked shocked. The shot
|
|
reverberated through their minds.
|
|
A sound could be heard of a car door slamming shut and a car leaving. The
|
|
siren, that had wailed incessantly during the whole procedure, was turned
|
|
off. The sound of disciplined marching feet growing distant indicated that
|
|
the Thought Police, too, was leaving.
|
|
"You'd better call the Department and tell 'em the Screen's not
|
|
functioning," she said, "otherwise they may get suspicious."
|
|
She hurriedly kissed him, opened the door and left.
|
|
Gene sighed deeply, suppressing an urge to look outside again. He went to
|
|
sit down in the one corner of his room that could not be seen by the Screen,
|
|
picked up his quill and opened the book.
|
|
"October 13th 2004," he read aloud as he wrote down the words.
|
|
|
|
It was past eight that evening when he retrieved his coat.
|
|
The Screen was working again, and spilled forth the usual amount of
|
|
propaganda, soaps and somewhat more subtle advertisements. He knew that
|
|
*someone*, *somewhere*, was watching him. An eerie feeling of discomfort
|
|
crept upon him at this realisation. He still hadn't quite grown used to it.
|
|
It seemed to him as if this afternoon had never really happened. The air
|
|
conditioning had made the scent of Julia's perfume vanish quickly, and apart
|
|
from a patch of congealed blood and thin hair on the pavement on the other
|
|
side of the street nothing indicated that the Thought Police had ever struck.
|
|
It always happened that way. Eventually the rain would increase and wash it
|
|
all away, like most people's memories of events similar like these that
|
|
happened all the time, everywhere, because man has in himself a compelling
|
|
desire to disobey.
|
|
But Gene could not banish the vision of the Man In A Suit holding the gun to
|
|
the little boy's forehead, the sudden sound of the shot that had mercilessly
|
|
hurled the lifeless body to the ground - every detail of sight and sound
|
|
seemed impaled on his senses. The fountain of blood, the glazed eyes enlarged
|
|
thousandfold, the "thud" of the body on the pavement.
|
|
He shook his head, hoping that would make it vanish. It didn't. Damn them!
|
|
Had all good sense abandoned humanity?
|
|
He put up his collar, opened the door and left. The wind was remarkably
|
|
chilly. It tore at his coat, as if trying to make sure he would notice it.
|
|
The street lights threw a disembodied, eldritch light, emphasising the
|
|
dreariness of the slow rain that had started about half an hour ago.
|
|
The dark patch would probably no longer be there when he would return later
|
|
that evening. He hoped the horrible memories would have similarly vanished.
|
|
Idle hopes, and he knew it. The stuff clung to you, ate you from the inside
|
|
of your soul.
|
|
He stayed close to the buildings, melting into the shadows each time he
|
|
heard faint steps of other people in the streets. There was no curfew yet,
|
|
but there was a substantial chance of being arrested after dark - the Thought
|
|
Police consisted mostly of men that'd rather shoot first and ask questions
|
|
later (if at all). And, of course, Gene would rather not be leading strangers
|
|
to one of the Meetings.
|
|
|
|
Jonathan's.
|
|
About three dozen people were huddled together in a cellar under a 19th
|
|
century house. It was rumoured that the owner of the house was one of the
|
|
Department people, one of the few who did not believe in the System and
|
|
instead sought to battle it slowly from the inside. Some rumours even went as
|
|
far as stating that he was one of the top System people, but nobody knew that
|
|
for certain. He was never present on any of the Meetings. Nobody was certain
|
|
even if the place was actually his. Probably not.
|
|
Jonathan's had become a popular place of saviour for original games
|
|
programmers ever since the Men In Suits had taken over full global economic
|
|
power, instituting a law against the production and use of non-licensed
|
|
products. People that had been living software industry legends in Pre-
|
|
Licensed times led the life of renegades and outlaws. These Meetings were the
|
|
only occasions when they could be like their former selves again, albeit
|
|
partly.
|
|
A hushed silence had passed over the people gathered in the cellar when Gene
|
|
related what had happened that afternoon opposite the appartment building
|
|
where he lived.
|
|
"Pigs," someone said, "they're pigs. Pigs in fancy clothing!"
|
|
Everyone agreed.
|
|
Most of the people here were men like Gene himself - young, refusing to
|
|
submit to the absurd laws inflicted by these ruthless Men In Suits; people
|
|
who refused to believe that the only viable products were licensed products,
|
|
people who spitted on the names of "Ghostbusters", "Back to the Future" and
|
|
"Moonwalker". They had all liked the films, but the games inflicted upon them
|
|
by the Men In Suits were of a quality only liked by mothers doing Christmas
|
|
shopping - and their children, who apparently didn't know better and probably
|
|
never would.
|
|
A new load of Originalist games had arrived today, and there was even a new
|
|
computer system with them. These soon got all attention as there were some
|
|
really good ones among them, including a cult game including llamas, yaks,
|
|
sheep, and an Ancipital.
|
|
The system was installed, and Gene watched as someone started playing a
|
|
rather nice shoot-'em-up game where you had to collect various animals while
|
|
shooting all kinds of other objects.
|
|
The kid handling the joystick was surely very talented, and when he had lost
|
|
all his lives, after half an hour's playing, he was already allowed to enter
|
|
his name in the hiscore table.
|
|
He was at the top, having forced the name of the previous hiscore holder,
|
|
one "Stu Taylor", down by one entry.
|
|
"Wait!" Gene gasped, feeling a sudden sense of despair arise in him,
|
|
"Taylor! You see that name? Stu Taylor!"
|
|
The whole hiscore list was filled with Taylors. It had been the Taylors that
|
|
had been struck by the Thought Police that afternoon. Not the Tails or Tolers
|
|
or something. Suddenly the name shot home, its implications weakening his
|
|
knees.
|
|
This system had been theirs. The games had been theirs. All had been
|
|
confiscated that very afternoon by the Man In A Suit that had mercilessly
|
|
killed that little boy. Then certainly there could be only one explanation...
|
|
Jonathan!
|
|
Had Julia arrived already?
|
|
There was a sudden noise. Sounds of panic. Frantic movement. The lights were
|
|
smashed, plunging the room in total darkness. There were cries. Some shots. A
|
|
sudden, searing hot pain in his left shoulder as something hot entered and
|
|
refused to leave.
|
|
Then everything went black.
|
|
|
|
The depth increased.
|
|
The blackness around him whirled ever downward, and the light that reached
|
|
him from the little bright spot far above him grew less even as he watched.
|
|
Already it was like the point of a needle. His eyes could not even convince
|
|
him that what he was seeing was not just a figment of his imagination.
|
|
His skin was bruised by the impact of many dark things crashing down with an
|
|
ever increasing vehemence.
|
|
He tried to cry, to grasp out towards that spot of light, real or not. It
|
|
was as if he felt the rays of light release him, like a rope breaking, a film
|
|
hero hanging on it. And this time he knew there was nothing to save him for
|
|
falling endlessly. There would be no rescuing ledge. There would be no strong
|
|
arm of another hero snatching him away from certain death.
|
|
He was beginning to lose his senses. Already, the light seemed to be getting
|
|
more intense, coming towards him rapidly although he still knew himself to be
|
|
falling.
|
|
There was no mistake now. The light seemed to come nearer - up to the point
|
|
where his eyes hurt of their brightness even though he had closed them.
|
|
Saviour?
|
|
|
|
Gene opened his eyes, suddenly aware of a pain in his left shoulder. He felt
|
|
with numb fingers, discovering a band-aid wrapped around it.
|
|
Bits and pieces came back to mind. The shots. The hiscore table. The sight
|
|
of a Men In A Suit shooting an innocent child.
|
|
Jonathan!
|
|
His head hurt, too. He must have dropped down on something after he got what
|
|
he reckoned was a shot wound in the shoulder. There was a bump on the side of
|
|
his head.
|
|
He looked around to take in his surroundings. There was no mistake about it.
|
|
He was in a prison cell. A Thought Police prison cell.
|
|
He had always imagined these cells to be dark and damp. He had thought they
|
|
would be made of filthy concrete, dark grey with Originalist slogans written
|
|
all over them - some of them written in congealed blood, perhaps.
|
|
Reality struck him almost like a physical blow.
|
|
The cell was entirely white, and seemed to be made of plastic. No spots
|
|
anywhere, and no writings either. The corners could barely be seen as it was
|
|
all perfectly white and well lit by a lamp that allowed no visible shadow. No
|
|
shadow, that is, except for that of his own body that was lying on the
|
|
ground. He felt like a shadow himself. Feeble. Weak. Helpless.
|
|
His clothes, so he noticed, had been changed too. He was dressed all in
|
|
black. Except for his face and hands there was no patch of skin visible. The
|
|
blackness of his clothing was complete. It seemed to be able to suck up every
|
|
particle of light cast at it, much in the way everything else in the cell
|
|
seemed to radiate it. Was this some kind of way to make him feel safe, or
|
|
saved?
|
|
One of the walls turned out to have a door in it. It was not until someone
|
|
opened it that he actually discovered.
|
|
The person was dressed in white entirely. Even the visible skin on hands and
|
|
face seemed to be preternaturally pale. He could see by the form of the body
|
|
under the tight white suit that it was a woman. She beheld him wordlessly,
|
|
oppressing him into a mute silence merely by the way she looked at him in
|
|
utter disgust and haughtiness. She seemed to examine him, watching every
|
|
square inch of his body, every line on his face, the outline of his genitals
|
|
in the tightness.
|
|
The invisible spell by which she had seemed to bind him to silence suddenly
|
|
broke. By the time he found out he had the capacity of speech, however, she
|
|
had already turned around and left, carefully closing the cell door behind
|
|
her.
|
|
A panel in one of the other walls suddenly opened. Behind it was a Screen.
|
|
It displayed a message.
|
|
"People don't want to be saved."
|
|
Simple, plain, without the unnecessary exclamation mark.
|
|
Gene had heard of the terrible things that were supposed to happen to people
|
|
caught by the Thought Police. He had never really believed them, but after
|
|
what he had seen this afternoon...
|
|
This afternoon?
|
|
How long had he been unconscious? It could have been...
|
|
A new message was displayed on the Screen.
|
|
"It is October 15th 2004."
|
|
Some basic arithmetics told him he had been out for two days. Two days!
|
|
Would Julia know? Perhaps she...
|
|
The Screen now displayed someone in a prison cell. The cell was entirely
|
|
white, and the prisoner was dressed entirely in the same colour as well. As
|
|
the camera zoomed in on the person, he saw it was a female. A girl in her
|
|
late twenties.
|
|
Julia!
|
|
"Bastards! Bastards!" Gene shouted at the top of his voice. He started to
|
|
get up, to hit the Screen or find something to hurl at it, hurl himself at
|
|
it. A sharp ache in his shoulder reminded him he'd better not. His knees gave
|
|
way, causing him to sink back to the floor, moaning in pain.
|
|
"Bastards..." he muttered under his breath, looking up to see the picture of
|
|
Julia in her cell replaced by another message.
|
|
"People are happy."
|
|
*What are they trying to do to me?*
|
|
The answer to his question was almost biblical.
|
|
"We want to make you see the error of your ways."
|
|
Now Gene remembered. He had heard stories of fanatic Originalists
|
|
disappearing, only to reappear after some weeks as if nothing had happened -
|
|
with the only difference that they were now Licensists. The Department had
|
|
its methods to change people's minds. Even if it took weeks or months, they
|
|
would succeed. Either that, or the victim would turn out insane - to be
|
|
disposed of accordingly.
|
|
*Death or Licensism. A brute choice* he thought ruefully.
|
|
The Screen's answer was prompt.
|
|
"Death or Licensism. Your choice."
|
|
*Damn it! This screen can read everything in my mind!*
|
|
"Death or Licensism. Your choice."
|
|
The machine didn't even bother to react to Gene's thought. Why react to the
|
|
obvious?
|
|
"I'd rather be dead than be submitted to that which you call Licensism!"
|
|
Gene shouted.
|
|
Swiftly, the Screen displayed another message.
|
|
"As you wish."
|
|
Only some moments passed, after which he heard someone unlock the door to
|
|
his cell. A woman dressed in white came in. Another nurse. In her hands she
|
|
held a small tray on which some small bottles were located. Her hair looked
|
|
familiar. And those eyes looked like...
|
|
"Julia!" he exclaimed.
|
|
"Gene," she replied. Her voice and expression betrayed no emotion
|
|
whatsoever. Void of anything, like a machine.
|
|
"What have they done to you?" he asked, "Why..."
|
|
He felt the power of speech give way in mid-sentence as she looked him
|
|
straight in the eyes, binding him to silence by the same spell the other
|
|
nurse had used.
|
|
"We have done nothing to her," the Screen read.
|
|
Gene's eyes spoke to her of fear and infinite sadness, but she had already
|
|
transferred her gaze to the bottles - and a syringe that she carefully and
|
|
meticulously started to fill with various quantities of the various fluids
|
|
present in those little bottles.
|
|
He saw her prepare his death. He found he didn't have the power to move.
|
|
Betrayed by his friends. Betrayed by the woman he had lived to love. *Killed*
|
|
by the woman he had lived to love. They certainly knew how to make your last
|
|
moments wretched.
|
|
He looked around, knowing he would not have much time left to do so. He
|
|
strained to keep his eyes away from Julia, causing his eyes to focus on the
|
|
Screen. There was another message there.
|
|
"What a cruel fate. Better than Licensism?"
|
|
*Yes!* he thought, *Yes!*
|
|
But he felt his heart give way within him. He himself doubted the certainty
|
|
he had tried to assert with that thought.
|
|
The Screen's analysis was quick and harsh.
|
|
"Sure."
|
|
Was his life worth spending for The Cause? Was he maybe the last of the
|
|
Originalists left? Was it worth dying an unknown martyrdom?
|
|
The Screen still had the same message. Mute, but overpowering all his
|
|
senses.
|
|
"Sure."
|
|
He thought back of some of the games he had played. Had not the original
|
|
games been so much more fun than the licensed one? Had he not played many
|
|
original games *much* longer than any licensed material, those quick-cash
|
|
jobs?
|
|
*Indeed I have!* He could feel a new inner strength, fuelled by the
|
|
experience of having played original games. He knew it was worth dying for
|
|
the Originalist Cause. And after him there would always be more Originalists.
|
|
Good games get played anyway.
|
|
He saw the syringe's needle sink in his arm, barely depressing the skin, but
|
|
didn't as much as flinch. Death would embrace him - a far better alternative
|
|
than Licensism.
|
|
Julia removed the needle after injecting all the fluid in his veins. Without
|
|
a word, she turned on her heels.
|
|
Gene's last words were nothing more than a whisper, barely audible even to
|
|
himself: "I have always loved you, Julia."
|
|
She didn't look back, oblivious to the pitiful dying man in the cellar. She
|
|
closed the door behind her, not bothering to lock it.
|
|
The Screen went black.
|
|
For Gene, too, everything went black. For the final time.
|
|
|
|
He had to strain his eyes in order to see the vague spot of light now, so
|
|
far away and above him now that it seemed nothing more than a minute star,
|
|
billions of billions of light years away. No matter how big the sun might be
|
|
that formed that star, to him it was minute and it had no power to warm him,
|
|
nor the power to shed any light on him.
|
|
Pictures flashed by him. He could see a ghost holding up his fingers in the
|
|
form of a "V", just before it was torn away by a Teenage Mutant Hero Turtle,
|
|
which was in its turn obscured from his view by a giant "Moonwalker" logo.
|
|
He closed his eyes, finally at peace.
|
|
A llama beckoned him.
|
|
|
|
Originally written May 1991. Rehashed and extended somewhat October 1994.
|
|
|
|
|
|
= SUPER HANGON ==============================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
"This is patient number 20.18.5.1., Karsmakers, Richard C."
|
|
The voice sounded distant and echoed slightly off the frating green through
|
|
a cold and sterile corridor of the Sanitarium for the Very Very Mentally
|
|
Instable.
|
|
"What's his Q?" another voice inquired.
|
|
"Computer Junk grade A+. A very heavy case. Seems to think he's a Boolean
|
|
variable about to get a value of eleven."
|
|
"I see," nodded the other again.
|
|
"Totally hopeless. Not to be released at any time, not even to be taken out
|
|
of his straitjacket. No visitors allowed, either."
|
|
The other made some notes in a small booklet, which was afterwards carefully
|
|
replaced in a pocket.
|
|
"No!" they heard the voice of patient number 20.18.5.1 cry out, "No! I am
|
|
not allowed to get a value of eleven! Please help me, *anyone*, help me! My
|
|
CPU is pushing an interrupt driven unit at my memory cells...it has too high
|
|
a priority..."
|
|
The men standing outside the room looked thoughtfully at one another. One
|
|
of them, the one that hadn't been making notes, opened a small hatch in the
|
|
reinforced tungsten carbide door to allow them to peep in.
|
|
The patient had assumed a motorcyclist's posture now and was making noises
|
|
that were supposed to imitate a sexy engine.
|
|
"Look, Dr Hetfield," the man said, stepping aside to give his colleague the
|
|
opportunity to watch.
|
|
"Vroom. Vroom. Skreeeeeeech!!" the patient uttered while his body was now
|
|
slowly tilting as if going through a curve, "vrooo...?!..eeeeeeee...Bang!
|
|
Crash! Smash!"
|
|
Patient 20.18.5.1's body fell to the floor limply, suggesting heavy
|
|
mutilation and spontaneous partial amputation of several of his limbs. Some
|
|
seconds later, however, he sat upright again and continued driving at, so it
|
|
seemed, an awesome speed.
|
|
"He's suffering a chronic motorcyclist's syndrome. It usually comes right
|
|
after the Boolean variable thing, and is in its turn usually followed by..."
|
|
The man was interrupted by screams of fear and dread from inside the padded
|
|
cell.
|
|
"Aaaaarrrgghhh! Let me out of here! You shouldn't have let me in at the
|
|
first place...even my base page is of much too big a size for a ZX 80!"
|
|
"...his claustrophobic 'out of memory' syndrome," continued the man,
|
|
fumbling in one of his pockets.
|
|
"Tsssk, tsssk, dear colleague," was about the only reaction the other could
|
|
produce. "I suppose that's the main problem with those Computer Addicts going
|
|
Cold Turkey."
|
|
They both nodded.
|
|
"Especially the grade A+ ones."
|
|
"How did he get so far, Dr Hamilton?" Dr Hetfield asked in sympathy.
|
|
"His parents bought him a computer at the age of 17," Hamilton explained, "
|
|
which made him rotten to the core. They shouldn't have allowed him to buy his
|
|
last computer though, one of those incredible Quark Hyperdrive things. Got
|
|
one at home too. He sooner or later *had* to run into a game that absurdly
|
|
addictive."
|
|
"Which game?" Hetfield asked.
|
|
"I think it's called 'Super Hangon'," Hamilton replied, absent-mindely.
|
|
Hetfield's eyes opened wide.
|
|
"You're not suggesting..."
|
|
"Oh yes, dear colleague, oh, yes."
|
|
"Er...I have that one at home myself, too," Dr Hetfield said, trembling
|
|
slightly, "Let my kids play with it all the time! Even play it myself now and
|
|
again. Seems quite harmless."
|
|
"Mine likewise. Me likewise. Even my wife likewise," said Dr Hamilton, a
|
|
hint of sadness in his voice.
|
|
"Shoot," Dr Hetfield muttered, apparently in thought, "Never realised it
|
|
could have such devastating consequences."
|
|
There was a silence as deafening as it could be. Inside the padded cell, the
|
|
patient was having his "Output Device Not Present Error"-syndrome, sitting
|
|
sedately in a corner, waiting for a pin to go low. The silence somehow gave
|
|
the moment extra momentum.
|
|
"I did!" Dr Hamilton suddenly sighed deeply, embracing his colleague,
|
|
putting his head on the shoulder, eyes wet.
|
|
"My whole marriage is breaking up," he sobbed, going apart at the seams now,
|
|
"my kids screw up school...I get distracted at work more and more rapidly...I
|
|
even start try cry aloud and confess my mental state to a fellow colleague!"
|
|
"Everything will be alright," consolidated Dr Hetfield, patting his
|
|
colleague on the shoulder reassuringly.
|
|
"You know, I'll level with you," the sobbing doctor sighed, "at times I
|
|
think *I* am beginning to feel like a Boolean var..."
|
|
His eyes opened wide in fear.
|
|
Inside, a pin went low. The patient entered another mentally deranged phase.
|
|
Dr Hamilton's eyes crossed, his head went red, his arms sagged.
|
|
"No!" he said, trying to hold on to the frayed ends of sanity, "No! No,
|
|
blasted CPU! I am a Boolean variable! I cannot get any value other than zero
|
|
or one! Not...not...surely not eleven! You've *got* to be joking!"
|
|
Dr Hetfield released the man from his grip, raising his eyebrows in wonder.
|
|
This Asylum, apparently, didn't deserve half the credit it got. Carefully
|
|
avoiding the now flailing arms of his colleague, he probed the man's pockets
|
|
for celldoor keys. Having found them, he quickly opened the door and gently
|
|
but surely directed - *pushed* - Dr Hamilton into the same padded cell
|
|
Karsmakers, Richard C., was in.
|
|
"Vroom. Vroom. Skreeeech!" Dr Hamilton greeted patient 20.18.5.1.
|
|
"Crash! Bam! Splatter!" the patient responded in warm welcome, sinking
|
|
through his knees and once more allowing his body to fall to the floor rather
|
|
limply.
|
|
"Sure, yeah, they're good boys, yes," Hetfield mumbled, closing the door and
|
|
locking it meticulously. He glanced through the peephole to see his former
|
|
colleague and the patient running around after each other now, one making
|
|
engine-like noises, the other mimicking a vast crowd of cheering spectators.
|
|
"Tsssk, tsssk," Dr Hetfield tssk'd, flicking the key in a pocket of his
|
|
white coat. For no apparent reason a thought entered his mind.
|
|
"Eleven?"
|
|
|
|
Original written October 1988. Rehashed October 1994.
|
|
|
|
|
|
= LEMMINGS ==================================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
For this story, dear reader, it is needed to venture far back in history, to
|
|
a time when history wasn't black or grey but void of colour altogether. As a
|
|
matter of fact, reversely speaking, we will have to leave history behind us
|
|
and explore the times of 'pre-history', when mankind barely existed - let
|
|
alone write anything about the weird and wonderful things that happened to
|
|
him.
|
|
It is in this time that we meet a predecessor of modern man, whom we will,
|
|
for the sake of easy reading, call 'Groent'.
|
|
|
|
"Groent."
|
|
Groent looked up, awaking at suddenly hearing his name called out, and
|
|
startled when discovering it was his stomach that had called. He would have
|
|
to make a mental note of this one day, like tended to happen every morning.
|
|
He looked around him and saw the sun rising in the west, deep in the innards
|
|
of a huge fjord - only, of course, he didn't know it was a *sun* that rose
|
|
there, let alone that it was a *fjord* above which this phenomenon happened.
|
|
"Groemble."
|
|
He startled again as his stomach seemed to cry out the name of someone he
|
|
didn't recall ever having met before. He'd better get some food into him
|
|
soon, otherwise there was no telling to who would all turn up here. Eating
|
|
always used to shut his stomach up - until the next morning, of course, when
|
|
it would wake him up, calling him names again.
|
|
He walked towards the yellow orb in the sky, instinctively sensing there was
|
|
likely to be some food in that direction.
|
|
Before we continue with this tale, you should know one thing: Prehistoric
|
|
Man is not easily startled - instead, he is only easily and very sincerely,
|
|
indeed, completely, flummoxed.
|
|
So Groent was quite flummoxed when he looked at an enormous piece of writing
|
|
located on one of the fjord cliffs. He gazed at it for the largest part of
|
|
the morning, but couldn't make any sense of it at all.
|
|
"Groempledegroent!"
|
|
His stomach was clearly trying to make a point there, and it quickly
|
|
reminded Groent that he had more to do rather than stand aimlessly around and
|
|
gaze at the word "Slartibartfast" all morning.
|
|
He was amazed by the fact that that strange thermonuclear fusion reaction in
|
|
the sky had moved so much during his ponderings - but not half as amazed as
|
|
he was by the furry little creatures that started hurling themselves down a
|
|
cliff's face, connecting themselves in a lethal way to the ground not more
|
|
than thirty steps ahead of him.
|
|
For a moment he stood there, being silently, sincerely and utterly flummoxed
|
|
again. Then a bright light bulb appeared in a small fluffy cloud above his
|
|
head.
|
|
"Foeoed!" he cried joyfully.
|
|
At that precise instant, a contraption from outer space tried to land
|
|
exactly in front of him. It hovered a bit above the ground much in a way a
|
|
hesitant spaceship would do, and then finally touched down.
|
|
A ramp extended itself, from which came a creature walking down. The
|
|
creature, so Groent was kinda truly flummoxed to see, looked a lot like him.
|
|
It had his genitals covered, however. How shockingly rude!
|
|
The creature stepped down towards Groent, who stood rooted to the ground in
|
|
a rather extremely flummoxed way. To anyone familiar with the words, the
|
|
phrase 'insanely witty' could have sprung to mind.
|
|
"Might you perhaps be Groent Eggesboe Abrahamsen?" the creature asked.
|
|
"Groent?" Groent replied, and started hopping up and down as if immensely
|
|
happy, rolling his eyes and flapping his ears.
|
|
"I take it that's a yes," the creature nodded, then hummed the middle
|
|
segment of Yngwie Malmsteen's "Trilogy Op:5" and ticked a box on a sheet of
|
|
paper he had taken with him from the spaceship.
|
|
Things were going smoothly for Wowbagger II, son of Wowbagger. Unlike his
|
|
father, the Infinitely Prolonged, who had set out to insult the entire
|
|
universe in alphabetical order, Wowbagger II, the Even Less Finitely
|
|
Prolonged, had decided to insult all people *of all times* in the entire
|
|
universe in alphabetical order. Quite a formidable task, one might say, but
|
|
as he had immortality in his genes and had a Compact Universal Nuclear Time
|
|
Traveller at his disposal, he reckoned he was quite capable of doing it.
|
|
He had just started with a new name - Eggesboe Abrahamsen. He had made a
|
|
habit of starting with oldest representative of the family name. This
|
|
prehistoric man, Groent Eggesboe Abrahamsen, was the first in this case.
|
|
Groent still hopped up and down as if insanely happy.
|
|
"Noendeju!" the Prehistoric Man cried as if something unbelievably exciting
|
|
was happening right before his eyes, "Noendeju!"
|
|
Wowbagger II didn't heed the cries the Eggesboe Abrahamsen progenitor
|
|
uttered. Instead, he took out a kind of calculator with had, for some strange
|
|
reason, "DON'T PANIC" written on it in large, friendly letters.
|
|
He typed in the coordinates of the place where he was at the moment,
|
|
followed by a text.
|
|
"Hmm," he muttered, "they speak Norwegian here."
|
|
As the prehistoric man looked unpredictable enough for Wowbagger II to
|
|
decide that trying to insert a Babel Fish in the ancestor's ear might prove
|
|
dangerous, he instead put it in his own mouth.
|
|
"Groent Eggesboe Abrahamsen," Wowbagger II said solemnly, "you're a jerk."
|
|
The Babel Fish instantly translated the voice into Norwegian, but this did
|
|
not seem to affect the Prehistoric Man.
|
|
Groent still hopped up and down in a rather insanely happy way when
|
|
Wowbagger II ticked another box on the sheet of paper, turned on his heel,
|
|
re-inserted the Babel Fish in his own ear and made the calculator-like thing
|
|
disappear in a pouch hanging at his side.
|
|
Then The Even Less Finitely Prolonged suddenly saw *them*: Little creatures
|
|
that hurled themselves from the nearby cliff face, behind his spaceship.
|
|
"Whattaf..." Wowbagger II uttered, and went closer to investigate. Even as
|
|
he looked, more of the little creatures smashed to ruthless deaths on top of
|
|
their crushed and splattered little buddies.
|
|
At that instant, a sense of Purpose coarsed through The Son's veins with
|
|
deafening speed. He instinctively felt that his immortality now suddenly had
|
|
a Reason, a Purpose beyond mere purpose. It was not to insult the entire
|
|
universe in alpha-chronological order, but...
|
|
TO SAVE THE LEMMINGS!
|
|
It was as if some divine being had whispered the cause in his ear. He
|
|
shuddered, shook, trembled, shivered and jerked. He felt himself fill with
|
|
The Purpose. Nausea overtook him for the briefest of instants, but he quickly
|
|
regained control of himself.
|
|
He cleared his throat.
|
|
"STOP!" he yelled with a voice so full of Power that it made Groent stop
|
|
hopping up and down in that peculiar, insanely happy way.
|
|
The lemming that was just about to hurl itself down the cliff stopped
|
|
abruptly, causing the followers to bump into him and turn around, back to
|
|
their breeding place - where they would frolic and fornicate until the end of
|
|
their days (that is, until there were again too many so that they had to
|
|
migrate into a random direction again).
|
|
Wowbagger II The Even Less Finitely Prolonged looked around himself in a
|
|
decidedly smug way. After that he disappeared back into the bowels of his
|
|
spaceship. After a bit of hovering above the ground as if in some way
|
|
hesitant, it took off to dazzling heights, disappearing.
|
|
|
|
Groent didn't really know what to think of all this. On this particular
|
|
morning, he had been confronted by a thing in the sky, a thing in a thing
|
|
with water in it, a strange feeling in his body somewhere, mysterious
|
|
inscriptions on a thing, a thing from the big thing above him, a creature
|
|
that came from the thing, and little things, food, hurtling itself at his
|
|
feet. He *knew* instinctively there had been something important between all
|
|
of those experiences. Something that...
|
|
Ah!
|
|
"Foeoed!" he growled, a strangely insane look settling on his face.
|
|
He dove into the warm pile of lemming corpses, tore furs and dug his teeth
|
|
into the warm bellies filled with lemming entrails.
|
|
|
|
Groent has been known to live happily everafter. Lucky for the Eggesboe
|
|
Abrahamsen family - and less luckily for humanity as a whole - he found a
|
|
female that liked his peculiar way of sweettalking ("Groent? Groent!
|
|
GROENT!!") so that his name was not to die out. Eventually, he was to have a
|
|
descendant known as The Minute One. This particular specimen still looks
|
|
rather insanely witty.
|
|
Groent Eggesboe Abrahamsen died in 999.951 BC when he choked himself on
|
|
lemming entrails.
|
|
|
|
Original written June 1991. Rehashed October 1994.
|
|
|
|
|
|
= SOON COMING ===============================================================
|
|
|
|
|
|
The next issue of "Twilight World", Volume 3 Issue 1, is to be released mid
|
|
January 1995. Please refer to the 'subscription' section, below, for details
|
|
on getting it automatically, in case you're interested.
|
|
Please refer to the section on 'submissions', below, for more details on
|
|
submitting your own material.
|
|
The next issue will probably contain the following items...
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TORVAK THE WARRIOR
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by Stefan Posthuma
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CADAVER
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by Richard Karsmakers
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THE JAWMAN
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by Bryan H. Joyce
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THE LADY WORE BLACK
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by Richard Karsmakers
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POPULOUS II
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by Alex Crousen
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AND MORE
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= SOME GENERAL REMARKS ======================================================
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DESCRIPTION
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"Twilight World" is an on-line magazine aimed at everybody who is interested
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in any sort of fiction - although it usually tends to concentrate on fantasy-
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and science-fiction.
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One of its sources is an Atari ST/TT/Falcon disk magazine by the name of "ST
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NEWS" which publishes computer-related articles as well as fiction. "Twilight
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World" principally consists of fiction featured in "ST NEWS" so far, with
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added stories submitted by dedicated "Twilight World" readers.
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SUBMISSIONS
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If you've written some good fiction and you wouldn't mind it being published
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world-wide, you can mail it to me either electronically or by standard mail.
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At all times do I reserve the right not to publish submissions. Do note that
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submissions on disk will have to use the MS-DOS or Atari ST/TT/Falcon disk
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format on 3.5" Double-or High-Density floppy disk. Provided sufficient IRCs
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are supplied (see below), you will get your disk back with the issue of
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"Twilight World" on it that features your fiction. Electronic submittees will
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get an electronic subscription if so requested.
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At all times, please submit straight ASCII texts without any special control
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codes whatsoever, nor right justify or ASCII characters above 128. Please use
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*asterisks* to emphasise text if needed, start each paragraph with one space,
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don't include empty lines between each paragraph and use "-" instead of "--".
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Also remember the difference between possessives and contractions, only use
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multiple question marks when absolutely necessary (!!) and never use other
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than one (.) or three (...) periods in sequence.
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COPYRIGHT
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Unless specified along with the individual stories, all "Twilight World"
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stories are copyrighted by the individual authors but may be spread wholly or
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separately to any place - and indeed into any other magazine - provided
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credit is given both to the original author and "Twilight World".
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CORRESPONDENCE ADDRESS
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I prefer electronic correspondence, but regular stuff (such as postcards!)
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can be sent to my regular address. If you expect a reply please supply one
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International Reply Coupon (available at your post office), *two* if you live
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outside Europe. If you want your disk(s) returned, add 2 International Reply
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Coupons per disk (and one extra if you live outside Europe). Correspondence
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failing these guidelines will be read (and perused) but not replied to.
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The address:
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Richard Karsmakers
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Shetlands 36
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NL-3524 ED Utrecht
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The Netherlands
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(This address is valid up to January or February 1995, after which I'll have
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a P.O. Box)
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Email r.c.karsmakers@stud.let.ruu.nl
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(This is valid at least up to the summer of 1995)
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SUBSCRIPTIONS
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Subscriptions (electronic ones only!) can be requested by sending email to
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the address mentioned above. "Twilight World" is only available as ASCII.
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Subscription terminations should be directed to the same address.
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About one week prior to each current issue being sent out you will get a
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message to check if your email address is still valid. If a message bounces,
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your subscription terminates.
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Back issues of "Twilight World" may be FTP'd from atari.archive.umich.edu
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and etext.archive.umich.edu. It is also posted to rec.arts.prose, alt.zines
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and alt.prose and is on Gopher somewhere as well. Thanks to Gard for all
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this!
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PHILANTROPY
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If you like "Twilight World", a spontaneous burst of philantropy aimed at
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the postal address mentioned above would be very much appreciated! Please
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send cash only; any regular currency will do. Apart from keeping "Twilight
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World" happily afloat, it will also help me to keep my head above water as a
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student of English at Utrecht University. If donations reach sufficient
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height they will secure the existence of "Twilight World" after my studies
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have been concluded. If not...then all I can do is hope for the best.
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Thanks!
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DISCLAIMER
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All authors are responsible for the views they express. Also, The individual
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authors are the ones you should sue in case of copyright infringements!
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OTHER ON-LINE MAGAZINES
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INTERTEXT is an electronically-distributed fiction magazine which reaches
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over a thousand readers on five continents. It publishes fiction from all
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genres, from "mainstream" to Science Fiction, and everywhere in between.
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It is published in both ASCII and PostScript (laser printer) formats. To
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subscribe, send mail to jsnell@ocf.berkeley.edu. Back issues are available
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via anonymous FTP at network.ucsd.edu.
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CYBERSPACE VANGUARD: News and Views of the SciFi and Fantasy Universe is an
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approximately bimonthly magazine of news, articles and interviews from
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science fiction, fantasy, comics and animation (you get the idea).
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Subscriptions are available from cn577@cleveland.freenet.edu.
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Writers contact xx133@cleveland.freenet.edu. Back issues are availabe by FTP
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from etext.archive.umich.edu.
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THE UNIT CIRCLE is an original on-line and paper magazine of new art, music,
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literature and alternative commentary. On-line issues are available via the
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Unit Circle WWW home page: ftp://ftp.netcom.com/pub/unitcirc/unit_circle.html
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You can also contact the Unit Circle via e-mail at zine@unitcircle.org.
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YOU WANT YOUR MAGAZINE BLURB HERE? Mail me a short description, no longer
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than 6 lines with a length of 77 characters maximum. No logos please. In
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exchange, please contain in your mag a "Twilight World" blurb. Hail!
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EOF
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