1536 lines
93 KiB
Groff
1536 lines
93 KiB
Groff
T W I L I G H T W O R L D
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Volume 2 Issue 3
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May 14th 1994
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This magazine may be archived, reproduced and/or distributed provided that
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no additions or changes are made to it. All stories in this magazine are
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fiction. No actual persons are designated by name or character. Any
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similarity is purely coincidental.
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If you bought this magazine through an expensive PD library, get it cheaper
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somewhere else next time because it's for free and not intended for someone
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else to make money with.
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Please refer to the end file for information regarding submissions,
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subscriptions, donations, copyright, etc.
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= LIST OF CONTENTS ==========================================================
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EDITORIAL
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THE SCHOOL OF LIFE!
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by Kai Holst
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A story of the two L's: Love and Life.
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SAVAGE
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by Richard Karsmakers
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Where Cronos rescues his mother, foster mother and fiancee.
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ALICE THROUGH THE FLAMES
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by Roy Stead
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An interesting story of Parallel Paradox (or something or other).
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BLOOD MONEY
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by Richard Karsmakers
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Where a Compact Universal Nuclear Teleporter confuses someone mightily.
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= EDITORIAL =================================================================
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by Richard Karsmakers
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I have a goal. That goal is to make "Twilight World" the biggest fiction
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magazine on the net. I know it will be hard, because there's a lot of
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competition that's older, more seasoned, more experienced and simply better.
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Nonetheless I have this goal and I am confident it will be reached some day
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in the not too distant future, if only you will help. Write for "Twilight
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World" so it'll get better. Tell your friends about it so they'll subscribe.
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Spread the word - *and* the magazine!
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That's all I have to say this time, apart from the fact that I'd like to
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thank the people at America OnLine who constitute almost a quarter of all
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"Twilight World" subscriptions.
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Anyway, plenty of fiction lined up so I'll leave you to it.
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As usual, I hope you'll enjoy reading this issue.
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Richard Karsmakers
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(Editor)
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P.S. If you no longer want to receive "Twilight World", *please* unsubscribe
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and don't let me wait for the messages to bounce instead, totally
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flooding my email box! This especially goes for America OnLine people.
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= THE SCHOOL OF LIFE! =======================================================
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by Kai Holst (with riddles by Scott Roach)
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Neisha sighed. Already a minute after she entered the school bus life had
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given its first sign of the day of being against her, as it always did. The
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predictability of her life never failed.
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The bus ride took only seven minutes, but the minutes felt like hours
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because of Shannon, who was pestering her life by pinching her or calling her
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names. She could not believe that she had once been in love with him. Maybe
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she should have said yes when he had asked her for a date two months ago?
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He'd been a pain ever since she had turned him down.
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She sighed again, and almost choked as she felt the pain in the back of her
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head as Shannon pulled her hair. A lonely tear rolled down her frail cheek.
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"How childish," she thought while fighting her desire to hit him. One day he
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would regret being so unkind to her. One day...
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Her thoughts trailed to the letter she had spent all day writing yesterday.
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Jeremy's letter. She kept it next to her heart, keeping it warm. She'd
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written the address on the envelope gracefully and sealed it with a soft
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kiss, and had selected beautiful stamps for it, with flowers and birds on
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them. She knew he would write her a reply the day he got it, as he always
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did. Dozens of letters, and even more brief phone calls had been exchanged
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between them since Jeremy had moved to Europe three months earlier. They had
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been going steady for almost a year, and both intended to make it much
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longer. Neisha knew that Jeremy was her only friend.
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All her life Neisha had been lonely. In her world, nobody but Jeremy had
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ever cared about her, and that care was the key to her love.
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Jeremy was special of himself. As long as Neisha could remember, the girls
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of her class had been dreaming about him. But in spite of his merry
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appearance, he had no friends before he got to know Neisha. He knew how to
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hide his loneliness. But Neisha knew. She had found out the first time he had
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asked her out. He told her it had taken him all summer to build up the
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courage to do so.
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He took her walking in the park on that beautiful August day. It was warm
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and cloudless, and the frail ring he gave her carried the warmth of that day
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in it. Neisha still wore it.
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The daydream faded away as Janie, one of the girls of her class, shook her
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shoulder. Her kind face looked down at Neisha. "Are you going to sit here all
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day?" Ignoring the friendly sarcasm of the question, Neisha slowly grabbed
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her bag and followed Janie out of the bus.
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This was her greatest fear. She had a tendency to dump into some sort of
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trouble every day. Some punks had a tendency to bully her whenever they met
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her, but what she really hated was being asked questions in class. No matter
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what happened, she managed to make a fool of herself one way or another, and
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there was no-one to comfort her any longer.
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The rain of the night had left the asphalt wet and slippery, and as Neisha
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left the bus she slipped on the wet ground. Fighting to keep on her feet, she
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felt Janie's firm hand on her arm. Her face almost cerise she uttered a quick
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word of gratitude, and looked around to see if anybody else had seen her
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slip. The school yard was void of people save themselves. A swift glance on
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her watch confirmed her suspicion: They were late again.
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The first period went unusually smooth. The subject was History, one of her
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favourites. Ever since her early childhood it'd been her special interest,
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and this came in very handy as the teacher bombarded her with tons of
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questions. A sparkle of confidence was lit in her as she unerringly brought
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forth reply after reply, and she felt great when the teacher moved on to
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question Thomas.
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Speaking out loud in class was usually an exercise in stuttering and
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embarrassment to Neisha, but when she got something right, the triumph was so
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much bigger. She smiled inward at herself as the story of religious trouble
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and witches was cast upon the rest of the class. She dutifully made some
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notes as the teacher spoke on at the blackboard, but the only legible thing
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she produced was a single word, written at least a dozen times. Jeremy. The
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letter was still next to her heart, providing warmth. The only warmth in her
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entire existence.
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The corridors of her High School were too long. Neisha never had enough time
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to get from room to room during the five minute break between classes. She
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had to run down the stairs to get to English class at a quarter to nine, and
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already knew she was going to be late.
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With a sizeable bunch of books in her left hand, she entered the last
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corridor and collided with a medium-sized young boy wearing a leather jacket,
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worn-out jeans and a pair of gloomy shades. She cursed her bad luck long
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before their books hit the floor. Those shades were the trademark of one of
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the hall gangs that haunted the corridors. She only caught one short glimpse
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of his face before she bent down to pick up all her books, and cursed herself
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for being in such a hurry.
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She had collided with a boy she knew as Mark. He was of her age, and had
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been in her parallel class for seven years, but she only knew him as the
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leader of The Shades. He was alone.
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"Well, what have we here?" The penetrating voice was colder than ice, and he
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regarded her with an expressionless face from behind the shades. "A peach in
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a hurry?" Neisha froze, her face turned away from him. Peach?
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"Listen, I, I, I'm sorry I hit you like that." Her thoughts were as
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scattered as her books as she desperately sought a way out of this delicate
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situation.
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"Now you listen!" As she heard his voice, Neisha turned towards him, felt
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like she was facing her own doom. But she had not anticipated the reaction
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she caused.
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It was Mark's turn to freeze. He lowered the hand he had pointed accusingly
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at her, and paled noticeably.
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"Neish?" He gave her a hand and helped her up. This unexpected gesture
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bewildered her. When he bent down and quickly picked up her books, the
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confusion only grew.
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"Tell me, how is Jeremy doing in his new home?" The tone of his voice had
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changed, and was now silent and comfortable. He handed over her books, and
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smiled apologetically at her.
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Neisha couldn't see his eyes, and couldn't make up her mind on whether it
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was a fake smile or not. She had never known that Mark and Jeremy had known
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each other, and Jeremy had loathed all the problem youngsters who gathered
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into gangs.
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The school bell interrupted her train of thoughts as she was just about to
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tell Mark that Jeremy was doing fine.
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"You had better get to class in time," Mark said, and hesitated before he
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continued. "Can we meet in the canteen at noon?" It was a proposal she would
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usually have turned down.
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"Huh? I mean, yes, why not?" She could see a poorly hidden grin on Mark's
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face as he turned away with a quick nod and ran to get to his class.
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Behind him, Neisha stood bewildered. She didn't know what is was that had
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made her accept the unusual invitation. Noon. That would be during lunch
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break. As she slowly walked the ten yards to her English class it struck her.
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Mark had used her nickname. Only her father and Jeremy had ever called her
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"Neish".
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Neisha suffered herself through English class with Jeremy on her mind all
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the time. There were no connections between him and Mark that she knew of,
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and the mystery tormented her. She rejected the thought of adding a few lines
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in her letter to Jeremy because she had already sealed it shut, and couldn't
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do anything but wait. Her preoccupation irritated the teacher a bit, but not
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as much as the feeling of not knowing that something irritated her. She
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wanted to know what the connection was. And she would make Mark tell her!
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Only four rooms away, Mark regretted the impetuous invitation he had offered
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Neisha. It had been a brash thing to do, but he could not back out now. A
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quick glance at some of his fellow members of The Shades revealed that they
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knew about it. Mark already had too many problems, but this one felt like a
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yoke around his neck.
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Totally ignoring the Spanish teacher, he sat down with paper and a pen, and
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started writing the words he had been thinking of for too long now. He had
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always been in love with Neisha, and now was the time to show it. But how?
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"Miss Morrison, will you please pay attention?"
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The cutting voice of her teacher tore Neisha out of her thoughts in time to
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see the other students leaving the room. Flushing, she picked up her things
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and walked out of the room, embarrassed.
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Neisha again found herself running through the corridors towards her locker.
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This time, though, she was careful to avoid incidents like the one of the
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previous recess. She needed to find out where she had to be the following
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hour, and as she was searching for a schedule in the mess of her locker she
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missed Jeremy more than ever. He always knew where she had to be, and
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followed her there before he had to get to his own class. Would Mark do that?
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Neisha omitted the question as she found her schedule under a book.
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The Literature classes were not too bad. Neisha was able to get her mind off
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the appointment with Mark and concentrated on doing the assignments. What she
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didn't was that Mark, sitting in the adjacent room, could not get his mind
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off her. He was trying to write down his feelings, but the words did not come
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out right. This whole deal was getting on his nerves as the idea hit him.
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Things suddenly seemed to fit, and Mark quickly produced the keywords he
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needed. Then the six lines were in his mind, and he smiled.
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After what felt like days of torment to Neisha, the Literature class was
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finally over at five to twelve, and the recess she had been waiting for was
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there. Walking steadily down the now almost empty corridors towards the
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canteen, Neisha saw that the "Corner of Shadows", as the students had
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nicknamed the junction where The Shades were usually found, was void of
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people. But the corridor between the junction and the canteen was not.
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Shannon was in trouble. Three guys were standing around him in a semi-
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circle. Neisha knew very well what that meant.
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"Where's our five bucks?" The three guys standing around Shannon looked at
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him with a threatening glare. Neisha walked past as if she saw nothing. She
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heard Shannon swallow hard.
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"Why should I give you five bucks?" For a moment, Neisha admired his
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courage.
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"Does survival ring a bell?" Shannon gave in to the brutality of the answer
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and picked up a fiver from his pocket. His face looked weary, and Neisha
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registered that he was very pale. Pity replaced her hate for him as she saw
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his hooked back move away from her.
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The set of stairs on the right side of the hall and the entrance area on the
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left side gave the canteen a shape closely resembling the letter "H". Two
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lines of supporting pillars ran down the mid-aisle of the room, and a large
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number of tables were spread about on both sides, most of them occupied.
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At their usual table near the stairs, Mark was trying to get rid of his
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gang. Even in the darkness of the corner, all of them wore the characteristic
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shades. For the first time, the guys refused to do what he told them to. He
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gave it another shot.
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"Guys, I don't care where you go or what you do, just get off my back!"
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Nobody moved.
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"The boss is having a date, and won't let us witness it." It was one of the
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youngest kids who spoke.
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"That's right," Mark replied smoothly. "Any of you want to argue with me
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about it?" The calmness of his voice carried a threat in it. Thought he
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couldn't see their eyes in the shadows, Mark knew that they would have
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respect in them. Nobody replied.
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"No?" Still nothing.
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"Then get lost." With an inward sigh of relief Mark watched the gang
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dissolve around him, and a minute later he was sitting alone at the table.
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Surprised, he noticed that he was sweating.
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In the corridor above the stairs Neisha was standing next to the mailbox
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with Jeremy's letter in her hand. She hesitated a moment before she
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decisively put the letter in the mailbox and strolled with self-confident
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steps down the stairs.
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Mark rose as he saw her coming near the table. With a slight bow and a warm
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smile he invited her to sit down, and then removed his shades before she
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accepted his invitation.
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"And they said chivalry was dead?" Neisha deliberately chose the chair
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facing Mark and sat down. She felt eyes staring at her, and ignored them. But
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she could not ignore Mark's eyes.
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They were a warm green, and shone at her like beautiful emeralds from
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heaven. It was the first time she had ever seen Mark's eyes, and they made
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him handsome!
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"Glad you could make it," he said, still smiling friendly.
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"I'm glad you asked me," Neisha replied truthfully. She had been spending
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most lunch breaks alone since Jeremy had moved. Although she was often bored,
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she got along. But this was exciting. And Mark's eyes were beyond belief.
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"I like your new hairdo," he commented as he was regarding her carefully.
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Was that an admiring look he had? Neisha cast a glance at his hair and
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suppressed a smile. It was cut way too short and stood to all sides. She
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offered a short and cold "thanks". Quite unaffected, Mark picked up a cup of
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coffee Neisha had not noticed before and sipped at it.
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"Tell me," he said after a short while, "How's Jeremy doing over there?"
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Picking up a brown lunch-bag he added "Aren't you going to have lunch?" His
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face spoke of honest interest and curiosity, and Neisha elaborately picked up
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her own.
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"Well," she said as she chewed lazily, "He is doing fine." That was what he
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told her on the phone and in all the letters. His new school sucked, but he'd
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made many friends already. "He hates the language they speak, though."
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"That's understandable." Mark made a recognizing nod.
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"Why did you ask?" Neisha decided to start asking questions. On the other
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side of the table, Mark grimaced lightly.
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"Jeremy and I go way back," he started. Neisha urged him to tell more, but
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Mark shook his head. "It's a long time ago, and doesn't matter anymore." As
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Neisha remained silent, Mark decided it was time to change subject.
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"Are you good at solving riddles?" Neisha again found herself being torn out
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of her daydreaming. Mark repeated the question.
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"Not much." Neisha pondered on the question a while. She used to love all
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sorts of riddles when she was a child. Years ago. There was one she
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remembered at once. In the darkness of room it seemed appropriate, and she
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wanted to test Mark.
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In the window she sat weeping
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and with each tear her life went seeping
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Mark immediately knew the correct answer. "It's a burning candle on a sill.
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It was a beautiful rhyme." Neisha felt a strange surge run through her as
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their eyes met again. His stare was inviting and seductive. And challenging.
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He came up with another riddle.
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I'm often held, yet rarely touched
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I'm always wet, yet never rust
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I'm sometimes wagged and sometimes bit
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To use me well, you must have wit
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"What is this?" Neisha demanded, "Some sort of competition?" She felt silly
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sitting there doing word-puzzles like that.
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"You might say that," Mark replied, smiling. "Want to know what you might
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win?" It wasn't meant to be insulting, but Mark almost bit his tongue off the
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second he said it. Neisha ignored him.
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"Tongue," she said sharply. "The answer is tongue. Now you think of this
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one!" She began to remember the hard ones.
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There's someone that I'm always near
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Yet in the dark I disappear
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To this one only am I loyal
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Though in his wake I'm doomed to toil
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He feels me not (we always touch)
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If I were lost, he'd not lose much
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And now I come to my surprise
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For you are he - but who am I?
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"Ouch, that one is tougher." The admission came easier than he'd thought it
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would, in spite of a sting in his side from his pride.
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"...he'd not lose much," he said thoughtfully and had some more coffee. Some
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fascinating reflections in the dark fluid caught his eyes as he put the cup
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down. He glimpsed up, and noticed the blue sky outside. The small windows
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high up on the wall spread fragile beams of light throughout the room, but
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still the corner in which they were sitting lay in darkness. The rain showers
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had obviously ended while he hadn't been paying attention. Mark though that
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the canteen looked much better in decent light. It was overcrowded by now,
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but he barely noticed the people. They ignored him, and thus he ignored them.
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A few seconds went by, and as he realized he was not getting any closer to
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the solution of the riddle, quiet panic struck him.
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The Freshmen at the neighboring table rose to leave, and some of the older
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students standing impatiently at one pillar immediately moved to occupy it.
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Their faces stood out from the shadows in the background, luminously flooded
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in sunshine. The dancing movements their shadows made along the floor caught
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Mark's attention.
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"My shadow," he whispered thoughtfully. "That's the answer." The relief in
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his voice was easy to hear and made Neisha smile. She'd been very close. The
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uneasiness she had felt disappeared.
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"I have only got one more," Mark said. "It is not a true riddle, though.
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It's a confession." He tried to put forth a smile, but it ended up a
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strangely distorted grin. Neisha narrowed her eyes and tilted her head a bit,
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suspicion once again growing in her.
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"Well then get on with it." A confession? She caught Mark's eyes for a
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moment, and wished she hadn't. They were intense and poured impressions into
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her own.
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Mark took his eyes off her and inhaled deeply. As he closed his eyes he
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pleaded himself not to lose courage. And begun.
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Five words of passion, with honesty to blame
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Directed by my valor I swallow all my shame
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Determined to solemnity, a feeling very true
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My words are also sober: I truly do love you
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She sat mute for a long while with her mouth half open. Shocked, she stared
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unbelievingly at him. Of all possible words he could have uttered, these were
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the ones she had expected the least. The air suddenly seemed hard to breathe
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for both of them. Mark focused on the table, and felt that he was blushing
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with embarrassment.
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To Neisha, the shock was complete. Words failed her as she tried to regain
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self-control. She thought of the letter, and closed her eyes.
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"I love Jeremy." The sentence hung in the air a while. On their left they
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heard laughter in the distance.
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"I am aware of that." Their eyes did not meet. The chance to end years of
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unreciprocated feelings meant a lot to Mark, but now he regretted that he had
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even invited her. He decided to give it his best shot.
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"But he is far away." His sympathetic tone made Neisha look into his eyes
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again. For a brief moment they just sat there, looking indecisively at each
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other. Neisha studied him carefully, and was not surprised to find herself
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attracted to him. Only Jeremy had ever appeared handsome to her, but Mark was
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perhaps even more so when he wasn't hiding his eyes behind a pair of shades.
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Their eyes met, and she felt his thoughts. An image of a spring picnic her
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class had made a long time ago flashed in front of her as if they were inside
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Mark's eyes, and she recalled him sitting close to her. Then the sixth grade
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school ball was there, and she was dancing with a boy from seventh grade. And
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Mark was standing at the entrance, looking at her shyly. The basketball game
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she'd watched with her friends the same month back then, with Mark just a few
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feet away. A series of image flashed by, and she recognized them all. They
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were the only times she'd ever looked directly at Mark, and she saw them in
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his eyes.
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"That long?" she asked with sincere disbelief in her voice. "You have been
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in love with me that long?" Mark nodded his head a bit, an almost bitter
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expression on his face.
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"I don't want to rush you, though," he added quickly. "Your good
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relationship to Jeremy is the last thing in the world I'd like to see
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ruined." His upper lips trembled as he continued. "But please don't turn me
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down until you have thought about it." Neisha could see that he was on the
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verge of bursting into tears.
|
|
The angry noise of the school bell signalled that recess was already over.
|
|
Neisha glimpsed at her wrist watch and then put her hands into her lap.
|
|
"I need some time," she finally said, and Mark smiled.
|
|
"We should get going," he said, "this time without bursting into each
|
|
other." Under the table he took gently hold of her hands and held them in his
|
|
own. "Neisha," he began, but was interrupted.
|
|
"We have no time for this," Neisha said and pulled free from him with ease.
|
|
"At least I have to get to class." She moved her chair away from the table,
|
|
and began to rise in the same instant as her chair was being snatched away
|
|
from under her.
|
|
Only Mark's quick reactions kept her from falling as her balance disappeared
|
|
along with the chair. He thrust himself up and seized Neisha's arm as she
|
|
tumbled towards the table, and cast a vicious glance over her shoulder.
|
|
It was only by sheer coincidence that Shannon had seen Neisha at the corner
|
|
table as he was leaving for class. He'd not even cared to see who she was
|
|
sitting with before he had decided to pull her chair away. It was an
|
|
impulsive act, provoked by the feelings she had hurt when she turned him down
|
|
eight weeks earlier. She simply rejected him without even looking twice at
|
|
him, and that had made him feel lonely. He wanted revenge, and came just in
|
|
time to yank her chair away. He'd smiled then, as she struggled to stay on
|
|
her feet, but the moment of triumph ended as he saw Mark jump up to give
|
|
Neisha a hand. His smile vanished.
|
|
Neisha whirled around and faced him, only to be ignored. Shannon stared past
|
|
her shoulders as he slowly backed down the aisle with uneasy steps. Mark
|
|
beheld the despicable sight with a cold stare, and put on his shades as he
|
|
walked slowly around the table.
|
|
"Mark!" Neisha grabbed his right arm when he moved past her, and he turned
|
|
towards her, his eyes hid behind a pair of pitch black glasses.
|
|
"Leave Shannon alone," she commanded. "Our enmity has nothing to do with
|
|
you, and he doesn't deserve your rancour." She cast one last look at Shannon,
|
|
who was still backing away from her, turned around, and ran into the nearest
|
|
corridor.
|
|
Mark was detained by her words, as she knew he'd be. He looked in surprise
|
|
at her diminishing back in the corridor, and knew she meant what she had
|
|
said, but he had never heard the authority in her voice before. Grinning at
|
|
himself, he turned back towards the spot where Shannon had been standing and
|
|
faced a void area. With the sole exception of himself the canteen was empty.
|
|
With a thin shrug he left the canteen, still smiling at Neisha's outburst of
|
|
authority. Yes, they did have something in common.
|
|
To keep her mind off the upheaval of her emotions, Neisha spent the rest of
|
|
the day concentrating on her school work. Even though she hated Spanish and
|
|
Psychology, she couldn't care less. Riddles and poems urged through her mind,
|
|
but were kept at a distance by the uncanny preoccupation. Even Jeremy was not
|
|
on her mind.
|
|
This sudden interest she took of the subjects came as a positive surprise to
|
|
her teachers. After months of avoiding questions, she now volunteered to
|
|
answer anything, and never failed to concoct a correct answer. Because it
|
|
kept her mind off Mark she enjoyed it herself, too.
|
|
It was not until she was on the school bus heading for home that she thought
|
|
of Jeremy again. The yellow scrap-metal bus tried its very best to shake her
|
|
brains out of place, and failed.
|
|
Neisha felt she had learned a lot. Life educated her better that school ever
|
|
would, and the school of life had also given her some homework. She would
|
|
have to phone Jeremy when the time difference didn't matter, and was already
|
|
thinking of what to tell him.
|
|
These thoughts consumed her as the bus went turbulently down the uneven
|
|
roads of the suburban town, and when Shannon touched her shoulder softly she
|
|
jumped in her seat. He looked embarrassed at her from the seat behind her.
|
|
Every time she had to confront him in the bus she wished she'd had a car, but
|
|
she felt relaxed about him now.
|
|
"I...", he began, and stopped. She gave him a friendly smile and looked at
|
|
him.
|
|
"I just wanted to say that I am sorry about bugging you so much lately." He
|
|
looked down guiltily. "I thought I had a reason to do so, but I was wrong."
|
|
He still didn't want to face her stare, and his eyes fixed at the window.
|
|
They were almost alone.
|
|
"And I'd also like to thank you for stopping Mark from giving me a hard time
|
|
at school today." He could see her smile reflected at him in the window, and
|
|
turned towards her.
|
|
"That's the most adult thing I've ever heard you say," she said with a
|
|
radiant warmth in her voice. "Of course I forgive you."
|
|
With a relieved sigh he smiled back at her. Catching an impulse, she went
|
|
on.
|
|
"Would you like to come over to my place later on today and talk about it?"
|
|
The question caught him by surprise, but he cheered up and smiled ever wider.
|
|
"Of course I would." He glanced at his watch and though about it for a
|
|
second. "At five?" he asked.
|
|
"Five will be fine." They shared a smile before Shannon left the bus, and
|
|
only two minutes later, Neisha walked up the garden path from the road to her
|
|
mother's house with her heart in her throat and the thought of Jeremy racing
|
|
through her head. She lingered a second after she'd unlocked and opened the
|
|
door, and took a deep breath with her back towards the door, thinking things
|
|
over.
|
|
She walked into the kitchen to look up Mark's number. An instant later, her
|
|
fingers were already dialing the number while she was on her way to the
|
|
telephone. The hall mirror reflected her delicate face and thin body as she
|
|
passed it, and she beheld her own reflection with new eyes for a moment. She
|
|
had never been popular with the boys, and had used to believe that it was her
|
|
outlook they didn't like. Maybe it wasn't so, after all.
|
|
With renewed confidence she walked on towards the phone. She had two boys to
|
|
let down, and an unexpected date to prepare...
|
|
|
|
THE END
|
|
|
|
|
|
= SAVAGE ====================================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Somewhere in the universe there's a planet. You probably won't find it even
|
|
on the best of galactic maps, but it suffices to know it exists. It is called
|
|
Sucatraps, located at approximately 92 million light years' distance from
|
|
what will probably be best known to you as the planet Earth. Like Earth, with
|
|
which it shares most of its types of vegetation, animal life and climate, it
|
|
is quite small. Its only large city and main capital is Eceerg.
|
|
Although Sucatraps might be unknown to the best galactic maps, its
|
|
reputation isn't. As a matter of fact it is a planet shrouded in legend and
|
|
myth, the rumoured location of the six known universes' best Assassins &
|
|
Terrorists Academy. Hidden Sucatrapsian vassals are thought to covertly seek
|
|
out and kidnap male babies they consider likely to succeed at the
|
|
academy. Mothers throughout the multiverse are known to hide from common view
|
|
young boys that are apt to violence or that have developed a rather good
|
|
physique.
|
|
|
|
Sucatraps used to be ruled by a king called Drahcir. When his wife gave
|
|
birth to a male triplet instead of the usual girls, he got the idea that his
|
|
offspring might eventually cast him off his Royal Throne. Like Cronus, the
|
|
Greek god of old, he killed and devoured them. His wife, Adnarim the
|
|
Beautiful - like Cronus' wife Rhea - managed to hide from him an unexpected
|
|
fourth child, a horribly frail and feeble baby, almost too small to remain
|
|
alive. This son and Royal Heir, Elmer, was raised on a farm just outside
|
|
Eceerg, receiving all the love a trustworthy peasant's widow had to bestow.
|
|
Drahcir never knew about Elmer, not even when he died without an heir,
|
|
leaving Sucratraps behind in the turmoil of succession.
|
|
Elmer, whom his foster mother called Cronos, based on that Greek god, never
|
|
quite became the trained killer that any other Sucatrapsian male would be
|
|
made into. She taught him to the best of her ability, and fed him a lot of
|
|
fresh food, vegetables, milk and Marmite. Despite his positively frail
|
|
babyhood, he soon grew to be a naturally strong and healthy youngster. He
|
|
even did his first killing at the age of fourteen, when he sat down on his
|
|
foster mum's cat.
|
|
When he had reached sixteen and his foster mother chastized him for coming
|
|
home after nine one evening, he decided he had to run away. Sucatraps was no
|
|
planet for him, anyway. There wasn't enough action. He hitched a ride on some
|
|
sort of interstellar craft and disappeared into the distant universe, looking
|
|
for work. If all else failed, he could always become a hired gun.
|
|
Through many jobs he eventually became an Airborne Ranger. It has been
|
|
tough, but not enough so to his liking. He resigned after helping to kill
|
|
that darned Ayatollah Mokheiny, and went back to what he rather
|
|
affectionately tended to refer to as 'home' - a cockroach-ridden room he
|
|
rented in a semi-dilapidated building.
|
|
There he just sat, sat and watched TV, watched TV and sat, and read the
|
|
occasional newspaper. Time passed at an agonizingly slow speed. At times he'd
|
|
go out and check for job vacancies. He usually came back depressed. There
|
|
weren't any ads in the papers either; nobody wanted any mercenaries and there
|
|
seemed little demand for lean mean fighting machines nowadays. The world was
|
|
just too goddamn peaceful.
|
|
Until, one day, he got a letter. It had a note attached, requesting him to
|
|
pay shortage mail costs plus a significant fine. Thirty dollars twentyfive.
|
|
For a letter? He examined the stamp, marked 'nonvalid' by a zealous mail man.
|
|
It was bescribbled with a writing only he understood. It was Sucatrapsian.
|
|
Heaven knew how it had got there. Cronos went a bit pale around the nose as
|
|
he hastily opened the envelope, tossing away the note.
|
|
He recognized his foster mother's handwriting. He had to swallow to keep
|
|
something down.
|
|
"My dear bunny," Cronos read aloud, "How are you? I am very well, thank you,
|
|
but at the moment in Eceerg Main Prison, too, and destined to be hung when
|
|
the moons are full if you don't do something soon. Your mother, Adnarim the
|
|
Beautiful, has also been captured, as has the girl you always professed to
|
|
love."
|
|
Loucynda. No. Not her. Not her of all people. Who did they think they were?
|
|
He continued reading.
|
|
"I am afraid Drahcir's replacement, Saurus, insists upon us being killed in
|
|
some slow and agonizing way unless you hand yourself over to him to be killed
|
|
in our stead. You know, dear, he seems to have found out about you and he's
|
|
rather reluctant to have to leave his throne and his power if one day you
|
|
might decide to come back and claim what's yours by birthright. Please come
|
|
and get yourself killed, sugarpie, or else we'll be history. This Saurus
|
|
character seems to enjoy all of this. I think he's serious."
|
|
Cronos stared at the ceiling for a couple of minutes, and on it he imagined
|
|
the faces of those he loved, now rotting away in some Sucatrapsian dungeon,
|
|
92 million light years away. His foster mother had raised him for over
|
|
fifteen years, had cared for him and loved him like...well...like her cat.
|
|
His mother was certainly one of the most beautiful woman unknown to mankind,
|
|
and his heart missed a beat at the sheer though of Loucynda being in jail as
|
|
well. She was far too refined - and her nails far too meticulously manicured
|
|
- to be submitted to the rigours of prison. He ground his teeth and smashed
|
|
his fist on a small chair, which disintegrated.
|
|
It would last a bit more than four days before all the moons would be full
|
|
again, he reckoned. He phoned the A-Team, had them build a Subuniversal
|
|
Wooferflooper (with built-in antenna and CD player), and took for the stars
|
|
that same night. Ninetysix hours left. Travelling much faster than the speed
|
|
of light (the A-Team has several patents on post-lightspeed travelling),
|
|
Cronos was scheduled to arrive at Sucatraps early next morning.
|
|
|
|
He decreased velocity when orbiting the small planet. Again, he had to
|
|
swallow something as he saw the globe he had not seen for such a long time.
|
|
Memories of sunsets with Loucynda came back to him quite vividly, as did
|
|
memories of his dear mother, heavenly orgies, and a dead cat.
|
|
What was that thing in the sky? At first, he mistook it for a Golden Eagle,
|
|
but on second sight it seemed more like another spaceship. After a couple of
|
|
seconds it had disappeared as suddenly as it had appeared.
|
|
He put his Subuniversal Wooferflooper (including the built-in antenna and CD
|
|
player) down behind a couple of bushes and disembarked. He was going to show
|
|
king Saurus hell!
|
|
But first he had to get into the castle.
|
|
|
|
He remembered him and his friends (girls, mostly) playing in the passages
|
|
under the castle in his childhood days. Back then, these passages and tunnels
|
|
were a secret known only by a few explorative children. He wondered if king
|
|
Saurus had in the mean time gained knowledge of them. If he didn't, then this
|
|
would probably be the best way to enter the castle. If he did...well...time
|
|
would tell.
|
|
He came to the castle unscathed, and indeed found the lower passages and
|
|
tunnels with ease. He removed some bushes that blocked one of the entrances
|
|
he knew of old, and was glad to find it only partly collapsed. He took for
|
|
granted the dozens of spider webs and the many plants now firmly settled in
|
|
the entrance and entered.
|
|
Like he could have foretold, it was pitch dark. He used to know the way
|
|
blindfolded but wasn't too sure now. When he came to a stairway after having
|
|
walked into a few walls too many, his nose was bleeding and his hands ached.
|
|
He cursed below his breath and fumbled his way up the stairs. He froze for a
|
|
moment. Did he hear footsteps following him? When he stopped to listen more
|
|
intently there was only silence, but when he moved again the sounds appeared
|
|
like forgotten echoes in lost sand.
|
|
He came into a room that, judging by even more cobwebs everywhere and some
|
|
objects lying around covered by a layer of dust that would drive any half-
|
|
decent mother crazy, was obviously just as forgotten as the staircase. There
|
|
were some old wooden chairs, the skeleton of an old warrior and some broken
|
|
toys. Cronos wondered how the warrior had died and, indeed, if he had died in
|
|
this room. He moved closer and saw an enormous battle axe partly hidden
|
|
behind the corpse. He bent over to take the axe when, suddenly, about twenty
|
|
darts crashed over his head and into the opposite wall. With his hearing aid
|
|
forgotten he didn't even hear them. He felt quite safe.
|
|
He stood erect again after taking the weapon from the dead warrior's grasp
|
|
and looked around. He wondered where all those small darts in the wall had
|
|
suddenly come from. His wonder lasted only a moment, for he was trained to
|
|
fight, not to think.
|
|
He opened the door. It made a hell of a noise that was quite deafening even
|
|
to those wearing hearing aids forgotten somewhere on another planet. He
|
|
looked at the door threateningly. It wisely decided to refrain from making
|
|
any more sound as it was pushed open further.
|
|
Cronos spied into an empty hallway. Nothing moved. There were some pretty
|
|
scary drawings hanging on the walls. Warchild crept out of the forgotten room
|
|
slowly. When he closed it behind him, suddenly realising he might have put to
|
|
good use the wariors' helmet, he found the door having mysteriously (and
|
|
meticulously) locked itself.
|
|
Maybe the forgotten room wasn't half as forgotten as he considered it to be
|
|
- nor were the tunnels, probably. For a moment, it occurred to him he was
|
|
trapped. His fighting instincts quickly suppressed this mental action,
|
|
however, all according to his training.
|
|
He carefully proceeded into the depths of the castle when suddenly he came
|
|
across a sign that read "DUNGEONS; *NOT* THAT WAY". The arrow pointed right
|
|
into a door that was hospitably ajar.
|
|
"Aaah!" Cronos cried, loud and triumphant, "they must think me a fool!"
|
|
With this exclamation he dashed through the door opening into what he
|
|
reckoned to be a dungeon, menacingly swaying the heavy duty battle axe above
|
|
his head. If his loved ones were here, they'd be safe before they could blink
|
|
their eyes and say "Please Cronos, get yourself off my feet".
|
|
"Click," said a latch. The door that had been ajar in such a hospitable way
|
|
had quite suddenly closed and locked itself mysteriously (and, indeed,
|
|
meticulously).
|
|
A mental process took over. He was trapped. He looked around him. There were
|
|
no exits, which he was quite able not to see in the dim light that was cast
|
|
into the room through a small window meticulously (though not at all
|
|
mysteriously) barred by some pretty thick steel grating.
|
|
"Great," he thought, but not for long.
|
|
Warchild had been in the damp prison cell - for indeed it was one, including
|
|
a few rats thrown in for good measure - a couple of hours when he heard soft
|
|
steps outside. They stopped for a moment right in front of his cell door, and
|
|
that moment it seemed as though hands were touching the solid wooden door.
|
|
One more moment and the steps continued, fading. Some more moments later he
|
|
heard steps again, as well as the sound of suits of armour, this time of many
|
|
men. Someone stopped in front of the dungeon door and turned a key in its
|
|
lock. Cronos hid the battle axe in his pants, as good a place as any.
|
|
The door opened and in stepped someone who Cronos reckoned to be king
|
|
Saurus. He had never laid eyes on the man before, but what with him having a
|
|
tail and a T-shirt with "REX" written on it, even Cronos couldn't be all too
|
|
far off.
|
|
The king looked disgusted when he inquired, "Are you glad to see me or is
|
|
that a battle-axe in your pants?"
|
|
Cronos didn't heed the question and instead insisted upon knowing what would
|
|
happen to him now he was taken prisoner.
|
|
"Of course, you will be killed," the king replied, rolling his eyes, "after
|
|
which you will be hung by the neck until you're tender enough to be eaten."
|
|
Cronos felt a lump in his throat. This didn't seem right. The good guys were
|
|
supposed to win, and he was pretty sure he wasn't the bad guy.
|
|
The king continued, "We have transported the ones you've come to rescue to a
|
|
place to the south of my castle - beyond the Valley of the Dead."
|
|
The last words were pronounced as if by a madman who knows he's won. Cronos
|
|
didn't like it.
|
|
"Over my dead body!" Cronos cried as he uncovered the enormous battle axe,
|
|
finding no time to further contemplate the stupidity of the phrase, and
|
|
started to hack and slash around him. King Saurus ended up with a torn "REX"
|
|
T-Shirt and five decapitated guards before Cronos succeeded in barging
|
|
through the door and dashing off into the hallway.
|
|
Why the heck had he left all his killer gadgets at home?
|
|
|
|
He had hardly been free for half a minute when, from all corners so it
|
|
seemed, strange beings cast themselves upon him. They varied from small bats
|
|
to vaguely familiar and very smelly little flying animals. They seemed intent
|
|
on ejaculating the wastes of their metabolic systems on the mercenary annex
|
|
gun.
|
|
In the way movie stars often produce rather handy but hitherto useless
|
|
things from their pockets, Warchild took from a peg from one, put it securely
|
|
on his nose, breathed as little as possible and dashed further. All the time
|
|
he still wielded the mighty battle axe. Many a beast dropped dead around him,
|
|
forming pools of blood through which he waded. They seemed not to relent,
|
|
each corner he took releasing upon him new hordes. Just when he was about to
|
|
give up - an option he had never found necessary to contemplate so far - he
|
|
saw light at the far end of a corridor.
|
|
Light! Light meant freedom or, at least, a place where these nasty monsters
|
|
would perhaps no longer be around. The stench was doing good attempts at
|
|
entering his pegged nostrils, a fact that irritated him and clouded his
|
|
judgment.
|
|
He came closer and closer to the light, which indeed was a door standing
|
|
wide open and leading into the open air. This was almost too good.
|
|
He looked back into the seemingly bottomless darkness of the tunnel. Was it
|
|
his imagination or did he hear someone else in there, someone else who was
|
|
also fighting the hordes? Whatever might be, it wasn't important, as opposed
|
|
to his life and that of the women he loved.
|
|
|
|
When he came outside he wanted to embrace the light. The creatures shunned
|
|
it, seeming mortally afraid of it. They licked their fangs as if they had
|
|
just lost a month's worth of food, which they probably had.
|
|
Once his eyes grew used to the sun, its light revealed the Valley of the
|
|
Dead of which King Saurus had spoken. Stretching far beyond the limits of
|
|
sight there was only the southern desert of Sucatraps; a vast area that was
|
|
only covered with dry sand and solitary monoliths.
|
|
According to legend, this was where the young Sucatrapsian boys became men.
|
|
They simply got dumped in the middle of the Valley and basically had to get
|
|
out all on their own. Most didn't make it, but those who did had passed their
|
|
final exam. Cronos thought about the possibility of accidentally encountering
|
|
one. They were highly trained assassins that would probably see in him a
|
|
welcome change to their regular diet of raw desert rat and even more
|
|
unspeakable things. He basically had to take care to eat instead of being
|
|
eaten. Shouldn't be altogether that much of a big deal, now he came to think
|
|
of it.
|
|
He looked at the nearest monolith with a certain amount of awe. They made
|
|
him think of totempoles that Indians on earth used to worship. Its face
|
|
looked fearsome and a large red tongue hung from its mouth. He knew some of
|
|
them were boodytraps. Not too friendly a place having to cross in such a
|
|
short time.
|
|
Short time? Holy cow! He would never have enough time to cross the Valley of
|
|
the Dead within the day or two that were still left before the moons were
|
|
full!
|
|
The sound of a vehicle behind him made the thought of a faster way to get to
|
|
the other side dawn upon him. He hid behind the ghastly monolith and saw a
|
|
sandswooper closing in at quite a dazzling speed. When it was about twenty
|
|
feet from him, he jumped from behind the monolith and was totally run over by
|
|
the thing. It bumped wildly in the air, throwing its two occupants off and
|
|
leaving Cronos lying on the ground for a couple of moments, dazzled. The two
|
|
occupants of the sandswooper were struck unconscious by the crash, but Cronos
|
|
seemed only to have hurt his shin bone (the same one around which a large
|
|
black American car had folded itself some time earlier). He looked at it
|
|
painfully. He cursed, as usual.
|
|
When his shinbone seemed to have recovered sufficiently from the pain
|
|
throbbing through it, Cronos got up and boarded the dented vehicle. Its
|
|
controls were still intact and looked rather much like those of the average
|
|
low budget British Leyland car. He wondered who had been so insane as to
|
|
mimic the other. He headed south.
|
|
He didn't heed the reflection in his rear view mirror of someone clad
|
|
entirely in white who stumbled out of the castle. His life and those of the
|
|
women he loved were still more important. He had no time to rescue others -
|
|
as if he ever did!
|
|
|
|
He had driven for about two hours through the Valley of the Dead, carefully
|
|
evading all those monoliths and shooting frightful creatures of the night,
|
|
when he opened the glove compartment. Apart from the usual stuff that one
|
|
tends to find in glove compartments - sunglasses, detailed maps and strike
|
|
schedules of the London underground and suppositories - he found a sealed
|
|
letter of which the seal was broken.
|
|
"CONFIDENTIAL" was written on it in large Nairobi-beige capitals.
|
|
An inquisitive kind of person, Warchild opened the envelope to read the
|
|
letter contained in it.
|
|
"Distract Elmer son of Drahcir son of Naj son of Tsirhc son of Sutrebuh son
|
|
of wotsisname - stop -," Cronos read aloud to himself, "make sure he doesn't
|
|
go back to castle - stop - hostages still held there - stop - annihilate
|
|
subject when moons are full."
|
|
It took about a minute for the meaning to penetrate his mind. A record-
|
|
breaking speed.
|
|
"The bastards!" he cried, turning the sandswooper around with a handbrake
|
|
turn. They still held his loved-ones in bondage and, what was worse, they had
|
|
lured him into going the wrong way! One of these days they'd push him too
|
|
far. Even so, he'd fallen for it. Maybe, had he used his mind (which he
|
|
hadn't and wasn't supposed to), he wouldn't have taken the bait. Now he came
|
|
to think of it, his escape from the castle had been too easy.
|
|
On his way back to the castle, a break-neck velocity venture, he could
|
|
barely avoid crashing into another sandswooper carrying someone who, at least
|
|
so it seemed in the haze of highest humanly possible sandswooper speed, wore
|
|
white clothes.
|
|
|
|
In reasonably less than two hours (which is quite breathtakingly remarkable
|
|
what with him running out of gas half-way) he arrived back outside the
|
|
castle. Nobody expected him, the bridge over the moat was closed. He had the
|
|
element of surprise, but be that as it may he would first have to get in.
|
|
He cursed once more, not exactly below his breath now. He could drive a
|
|
sandswooper and fly a subuniversal wooferflooper. He could squeeze himself
|
|
into an East-German car and ride any mother-in-law. But swimming, *that* he
|
|
couldn't.
|
|
Lucky for him, a gigantic Golden Eagle at that instant found it opportune to
|
|
land almost next to him. The bird eyed him with suspicion. Cronos eyed it
|
|
with suspicion, too. If Golden Eagles had the ability to turn red of
|
|
embarrassment, this one would have. It had peculiar marks on its wings.
|
|
Cronos carefully moved closer to the Eagle, that shook its feathers as
|
|
though it couldn't care less - but still keeping an eye on the mercenary
|
|
annex hired gun. When Cronos came a too close, however, the Eagle leapt into
|
|
the sky and beat its wings in the hot desert wind. Cronos was still fast
|
|
enough and thought he grabbed the enormous bird by its paws just before it
|
|
lifted off. Actually, however, the bird had grabbed *him* and it now carried
|
|
Warchild to its offspring, on a nest deep in the innards of the castle.
|
|
Although it got him across the moat, what to do once he was dumped on an
|
|
enormous Eagle's Nest, about to be preyed upon by some eager and very hungry
|
|
young but no doubt dangerous Golden Eagles?
|
|
It made him think of a Richard Burton WW II movie he once saw.
|
|
|
|
After a short and quite hazardous flight, Cronos was rather unceremonially
|
|
dumped on a nest that was constructed of wood, bits of iron and fragments of
|
|
human bones. His nose was penetrated by the pong of Eagle dung. He shook his
|
|
head. He had no time to get agitated about the offensive stench, for he saw
|
|
three ugly and rather big young birds coming towards him with their beaks
|
|
opened wide so that he could see tonsils, uvula, and the frightening red
|
|
colour of their throats.
|
|
"Time for some defensive transactions," he murmured, and did his best to act
|
|
like he was the Golden Eagle that had just flown off again in search for more
|
|
food.
|
|
The small creatures, stupid though they may have seemed even to someone of
|
|
Warchild's intelligence, didn't buy it. Instead, they started gnawing on a
|
|
leg and seemed to find a certain pleasure in pulling out small strands of
|
|
hair from there.
|
|
"OK. In that case, it's time for some offensive actions," Cronos murmured,
|
|
now visibly agitated. There was only one thing left for him to do. He
|
|
released upon them his Ronald Reagan impression.
|
|
"You ain't seen nothin' yet!" he said, with as much fake feeling as he
|
|
could put in it. The birds stopped gnawing and eyed him suspiciously.
|
|
"Well...shred the proof!" Cronos continued. They stepped back uncertainly.
|
|
"I have never seen Ollie before in my life!" he now intoned as convincingly
|
|
as possible. The birds retreated for now. They were hungry, but they weren't
|
|
suicidal. Cronos had bought valuable seconds.
|
|
|
|
"Help me! Help me!" he heard a familiar young woman's voice yell.
|
|
"Oh, sugarpie! Bunny dear!" he heard another voice, croaking with age, mere
|
|
seconds later.
|
|
"Elmer!" he heard a third voice cry.
|
|
He looked around frantically, trying to determine where the voices were
|
|
coming. He then realized they came from below. The Golden Eagle had sought to
|
|
build its nest on top of a dungeon where his loved ones appeared to be kept
|
|
prisoner. An excellent guard.
|
|
He looked above him and became concerned. Above the nest - and the dungeon -
|
|
an enormous boulder hung on a rope. Should it break, even Cronos saw it would
|
|
shatter both utterly. Through a small barred window in the damp and dark hall
|
|
he could see the young moons of Sucatraps. Both of them were almost full.
|
|
|
|
He leapt off the nest athletically and started examining the door. It was a
|
|
very solid one, the same kind that had kept him locked some hours earlier. No
|
|
chance of getting through that one, unless...
|
|
He could hear the women crying inside - they were very eager to be rescued,
|
|
and thought they already were.
|
|
"Loucynda," Cronos whispered excitedly, "give me one of your hair pins!"
|
|
"But that will ruin my coup, darling," he heard her inside, after some
|
|
thought, hesitant.
|
|
"Damn it, Loucynda! DO IT!" Warchild said with more force.
|
|
After some seconds, a hair pin was pushed under the door. Cronos grabbed it,
|
|
folded it in some arcane way and started to attempt to pick the lock. Sweat
|
|
was becoming visible on his forehead.
|
|
There was a "click".
|
|
|
|
Bestial laughter suddenly filled the hall. Cronos looked up and saw the
|
|
silhouette of someone standing on a stone balcony, about thirty feet above
|
|
him. The figure standing there had a tail.
|
|
As it stepped forward, Cronos saw the "REX" logo on a torn T-shirt. There
|
|
was no mistaking who that was. He was too pre-occupied being aghast that his
|
|
lower jaw hung foolishly.
|
|
"YES!" he heard the king cry out triumphantly, the voice echoeing, "YES!! My
|
|
time has come! Here and now I will establish my power once and for all!"
|
|
More bestial laughter echoed through the hall as king Saurus unsheathed his
|
|
sword. There was a rope. The sword moved to it as if in slow-motion. Cronos'
|
|
eyes followed the rope. The enormous boulder was attached to it.
|
|
Four archers had their arrows pointed at Cronos' heart. There wasn't a thing
|
|
he could do. He was going to die and the only comfort would be that he would
|
|
arrive in the world of the Dead with the three women he loved most. He faced
|
|
death with pride in his eyes. He unbuttoned his shirt, displaying his chest.
|
|
He wasn't afraid to die. His time was bound to come one day anyway, and this
|
|
wasn't even the worst of deaths now he came to think of it.
|
|
The women in the cell started to cry hysterically. They seemed to think of
|
|
death in quite a different way.
|
|
"Har! Har! Haha!" laughed king Saurus. The sword touched the rope. It began
|
|
eating through it, which went rather easier than Cronos had expected. That
|
|
surely was one very sharp sword.
|
|
He climbed back onto the Eagle's Nest. This way at least he'd go first.
|
|
The two moons were full now. Their powerless light shone on the defeated
|
|
figure of the battered mercenary annex hired gun. The young Eagles seemed the
|
|
only ones still afraid of this strange man that used to talk about paper
|
|
shredders.
|
|
Below them, the women still cried hysterically, frantically, desperately...
|
|
"I will keep on loving you, Cronos!" he heard Loucynda cry.
|
|
"Farewell, honeypie..." he thought he heard his foster mother croak.
|
|
"See you beyond, Elmer..." his real mother sighed.
|
|
|
|
At that precise moment a syringe flew through the air and, with almost
|
|
surgical precision, hit king Saurus right in the posterior. He faltered. The
|
|
razor-sharp blade dropped from his grasp. For a moment he looked around in
|
|
disbelief, then keeled over and fell down on the harsh stone floor, thirty
|
|
feet below.
|
|
"Thud," it went. Deader than a Dodo.
|
|
The archers looked at each other and decided to leg it. This was surely no
|
|
place to hang around for peace-loving dudes like them.
|
|
Cronos, quite oblivious of what had happened, still stood on (and in) the
|
|
Eagle's Nest, eyes closed. His chest was thrust forward proudly, his hands
|
|
keeping his shirt aside so it wouldn't be stained by the blood gushing from
|
|
his torso should the arrows pierce him.
|
|
The women now found out that Cronos had already succeeded in opening the
|
|
lock (the "click", remember?) and ran out into the hall. Their cries of
|
|
hysteria were replaced by cries of happiness. There barely was a difference.
|
|
Cronos opened his eyes to see the body on the ground, a syringe labelled
|
|
"Cyanide" dangling in one of the king's buttocks. He saw the women crying
|
|
happy hysterical cries and he also saw someone else, dressed in white.
|
|
It was another woman, a nurse, and she looked like an identical twin of
|
|
Gloria Estefan. For a moment, he looked her right in the eyes. That sure was
|
|
one hell of a lady. He muttered something in gratitude, after which she left
|
|
promptly. "Ambulor Eight Hospital of the Very Very Splattered" was written on
|
|
the back of her white uniform, in blood-red writing like that is generally
|
|
used in cheap horror film logos.
|
|
"Hey!" he cried into the darkness of the hallway in which she had gone. His
|
|
voice lacked strength. She had vanished, anyway. He climbed down, immediately
|
|
to be assailed by women.
|
|
"Oh...Cronos!" Loucynda sighed, kissing her hero firmly on the cheek.
|
|
"Swell job, bunny dear," his foster mum croaked, patting him on the back.
|
|
His mother just hugged him tight and said nothing. They held each other for
|
|
seconds. Warmth flowed from her body to his.
|
|
"Mother, there is so much I have longed to say for all this time," he wanted
|
|
to say, but his voice seemed to cling to his throat and instead he said,
|
|
"Okay". He patted her back as gently as he could. She suppressed a cringe.
|
|
Loucynda waited until this emotional gathering had passed its climax, or at
|
|
least what *she* considered its climax, after which she interrupted.
|
|
"Did you bring the keys?" she inquired.
|
|
"The keys?" Cronos replied.
|
|
"The keys," she acknowledged. She pulled down her skirt with a look in her
|
|
eyes as though it would surely explain everything. He beheld a large belt of
|
|
leather and metal strapped around her waist. There was a sturdy, rusty lock
|
|
located hanging between her legs, and two others - equally sturdy and quite
|
|
rusty - on each side on her hips.
|
|
Her chastity belt. He remembered having put it on her when he left
|
|
Sucatraps, now almost six years ago. He also remembered having lost the key
|
|
somewhere on a vague planet somewhere in a vague milkyway on a vague edge of
|
|
the galaxy.
|
|
"Ooops." Cronos sighed.
|
|
|
|
Original written September 1989. Rehashed March and May 1994.
|
|
|
|
|
|
= ALICE THROUGH THE FLAMES ==================================================
|
|
by Roy Stead
|
|
|
|
|
|
Another day at the office over with, Colin had decided to settle down with a
|
|
good book. The year before, he had had installed a 'real fire.' As he had
|
|
said at the time, "It gives the place a homely look - with a log fire blazing
|
|
merrily away in the living room, you can really believe that your home is an
|
|
impregnable fortress, gallantly keeping the elements at bay whether you be
|
|
sleeping or awake." Colin smiled to himself, as he often did at these
|
|
moments, and gave thanks that his wife had taken Jason, the two year-old, to
|
|
her parents for the weekend. A long, pleasant and - above all - *quiet*
|
|
weekend stretched out before him as he lowered his body into the comfy
|
|
armchair by the fire. Colin shifted slightly, to get as comfortable as
|
|
possible, then adjusted the table lamp to *just* the right angle before
|
|
picking up the book and beginning to read...
|
|
Just as the hero was about to decapitate the gargantuan nine-headed beast,
|
|
Colin's attention was diverted by the sound of someone moving around in the
|
|
next room. "Strange, there's nobody home. Maybe Karen had to come back
|
|
early," Colin said to himself. "God, I hope not - I think I'd prefer
|
|
burglars!" The middle-aged civil servant hoisted his bulk from the chair and
|
|
wandered into the other room to investigate, pausing only to procure a poker
|
|
from beside the fire. "Just in case..."
|
|
"Odd," thought Colin as he approached the door. the sounds from within had
|
|
started to collect into words. Speech. In a very strange accent, but -
|
|
nonetheless - English. He slowly opened the door and, poker brandished at the
|
|
ready, strode into the room. "Who are you, and what are you doing in my
|
|
home?" Hardly an original line, but then nobody awards points for creativity
|
|
at these moments.
|
|
Colin stopped. There were four people in the kitchen. Three of them were
|
|
arguing over the toaster, while the fourth - a tall, and rather attractive,
|
|
blonde woman - looked on. Deliberately and carefully, the blonde turned to
|
|
face Colin.
|
|
"We come in peace." she stated, simply. It looked like cliches were to be
|
|
the order of the day. Was this some kind of joke? She didn't look to Colin
|
|
like she was joking but, nonetheless, her words - and that weird accent!
|
|
Colin hesitated a moment, then: "Do you, now? Do you usually 'come in peace'
|
|
by breaking into someone's house, and ransacking their possessions?"
|
|
"I must apologise for my friends. They are being, perhaps, a little...over
|
|
zealous..." The three, dressed - as was the blonde woman - in brown,
|
|
discoloured rags and bereft of shoes, now seemed to be in the throes of a
|
|
disagreement over whose turn it was to drink from the cold water tap. The
|
|
blonde followed Colin's gaze, looked at her friends then returned her stare
|
|
to the house's owner. She shrugged.
|
|
"Perhaps I should explain myself," she continued.
|
|
"Yes, I think maybe you ought to!" snapped Colin, who now looked on, bemused
|
|
as the strange blonde's three companions had a fight over the contents of the
|
|
icebox.
|
|
Unperturbed, the blonde introduced herself as, "Just call me 'Alice.'" and
|
|
went on to describe how she and her three companions were refugees from
|
|
Colin's own future.
|
|
"Oh. Of course," burst in Colin,"I had somebody from the twenty-fifth
|
|
century for tea last week. Why didn't you say so? Perhaps you would like a
|
|
quick cup of coffee, before going back to battle daleks or take a spin around
|
|
Saturn's moons?" His voice cracked, as he shrieked, "Do you think I was born
|
|
yesterday? You come in here, argue about who gets what in my home then expect
|
|
me to believe any cock and bull story you care to spin about being time
|
|
travellers? Well, you're not time travellers!"
|
|
"How can you be so sure?" broke in the blonde, Alice, smoothly.
|
|
Surprised by the simple audacity of the question, Colin was momentarily
|
|
nonplussed, before spluttering: "Well, for one thing, time travellers would
|
|
be better dressed!"
|
|
"Look, just hear me out, then - if you still don't believe me - we'll leave
|
|
you. Okay?"
|
|
No, it's *not* bloody okay! Get out now, or I'll call the police!"
|
|
"We're not going. I am not going. Not until you've at least heard us out."
|
|
Colin sighed. He'd had a wonderfully peaceful weekend planned, and it seemed
|
|
to be falling apart about his ears. But he resigned himself to hearing
|
|
Alice's story, and led her - followed by her retinue - into the living room,
|
|
where he settled down in his comfy chair and awaited the tale. At least there
|
|
would be some entertainment - if only he could find the popcorn...
|
|
"Picture it: North America, ravaged by war and plagued - yes, *literally*
|
|
plagued - by disease. The Statue of Liberty toppled like a house of cards,
|
|
the remains used by destitutes as stepping stones across the Hudson. The
|
|
Capitol's roof destroyed, caved in by the backwash from an atomic blast. The
|
|
Golden Gate Bridge no longer capable of supporting the weight even of an
|
|
anorexic ant. The United States now disunited, and battling amongst
|
|
themselves for what remains of the spoils of war, while Mexico and Canada,
|
|
themselves war-torn lands, sit on the sidelines, occassionally swooping,
|
|
vulture-like, on the carcasses of shattered principalities. Picture it, if
|
|
you can. That is the world I - *we* - left behind. And, unless we can do
|
|
something - unless we can convince *you* to help us - then the war which
|
|
began the nightmare will come to pass. And The United States will be
|
|
destroyed, along with the rest of the world."
|
|
Colin, mouth gaping, stared a moment at Alice. Then, taking ahold of
|
|
himself, shook his head as if to clear Alice's description from his mind.
|
|
"You're serious." It was a statement, not a question, but Alice nodded
|
|
nonetheless. Colin picked up the 'phone and dialled, carefully: 9...1...1.
|
|
"Hello, emergency services? I'd like a - what the Hell..? What? Oh, never
|
|
mind..." He put the 'phone down, replacing the receiver in its cradle with
|
|
all the care of a raw-egg juggler. Emulating the studied patience and
|
|
concentration of a Zen master, Colin watched the receiver settle in its bed
|
|
before looking up to check what had so startled him a moment before. It was
|
|
still there. Or, rather, *they* were still there. The original group of four
|
|
had multiplied to eight *while Colin was watching*. Nobody had entered the
|
|
room - not by conventional means, anyway. Yet four people had...appeared.
|
|
Colin was, to say the least, mildly surprised.
|
|
The four newcomers were dressed far more smartly than the first arrivals.
|
|
Perhaps they came from a different time period. Colin caught the thought.
|
|
Time travellers? Well, let's face it - either the second group teleported in,
|
|
which is impossible, or they arrived via a time machine, which is impossible.
|
|
The difference lay in the fact that they *claimed* the latter. And so the
|
|
pendulum of decision hung in that direction, for the moment.
|
|
Colin looked the latest group over. The clothes were definately plusher than
|
|
Alice's band - they wore loose-fitting robes, after the fashion of Ancient
|
|
Roman togas - each robe being a single solid block of a bright colour: red,
|
|
blue, green and...a tall, statuesque brunette wore a white 'toga.'
|
|
That brunette turned to look at Colin, as he gasped in astonishment. Alice!
|
|
The two Alices noticed each other then - and paused to look one another over.
|
|
Ragged Alice was the first to speak: "You dyed your hair. It doesn't suit
|
|
you."
|
|
"Who *are* you? No - don't answer that," began the be-toga'ed Alice, "I know
|
|
who you are - you're me. But how? And why do you have such goddawful
|
|
clothing? Are you *Me*, from my future? If so, why are you here?"
|
|
"I was about to ask you the same things. Since I have no memory of having
|
|
been you - and you seem to have none of having been me - perhaps you would
|
|
be kind enough to tell me why you are here?"
|
|
"You know as well as I why I'm here - your presence indicates that your
|
|
research has led you to the same conclusion to which mine led me. This is a
|
|
junction point. To be more precise, this *man* is a junction point. His
|
|
actions can start, or prevent, a world war."
|
|
Colin burst in, "What are you two talking about? I'm no world leader - how
|
|
can I start off Armageddon? I'm just a government clerk. I'm good at my job,
|
|
sure. But that's as far as it goes."
|
|
The trampesque Alice broke into Colin's monotribe: "Tomorrow, a memo will
|
|
cross your desk marked 'SFF-524G/Q.' If you fail to pass it on, the Pentagon
|
|
will be unaware of a small, but significant, item of information. This
|
|
ignorance will lead to a breakdown in communications and then, gradually, to
|
|
a small conflict between states within what you know as the United States of
|
|
America. As further states join the dispute, so the conflict will escalate
|
|
until those states which currently maintain a nuclear arsenal - in the name
|
|
of the National Defence - use them on those regions which they view as
|
|
enemies. The automated defence computers will register a first strike on US
|
|
soil, and launch a counter-attack - against the Eastern Bloc. The resulting
|
|
conflict destroys most Life on Earth."
|
|
"My God," Colin breathed, "For want of a nail, the kingdom was lost...Well,
|
|
I must ensure that I don't lose that memo! Will that make things alright?
|
|
Will that stop the war?"
|
|
"We think so," began The war-torn Alice, "But, just to be sure..."
|
|
"Wait," blurted the more refined Alice, "Think this through. Sure, there
|
|
will be no war. But - well, perhaps I'd better tell you why *I* am here...
|
|
"In *my* history, which seems to be different from yours," she gestured in
|
|
the other Alice's direction, "the memo got through. There was no war, and
|
|
consequently no massive investment in research - How long from now is your
|
|
war due to begin, if the memo fails to get through?" The question was
|
|
directed at the other Alice.
|
|
"Twenty-four years before the opening of hostilities, One hundred and
|
|
sixteen years before the first atomic weapon is used. Why?"
|
|
"Just a thought. Don't you realise that mankind *needs* this war? If there
|
|
is no war, then there is no impetous to survive - to *live*. War means money
|
|
poured into research - defence systems, weapons systems, computers, space. No
|
|
war, no research. No research, no advancement. In short, stagnation. The
|
|
human race will reach its demise gradually, through apathy. Nobody caring
|
|
enough to *do* anything anymore. The world ending, to borrow one of your
|
|
phrases," she nods at Colin, "Not with a bang, but a whimper."
|
|
Colin, half out of his chair, sank slowly back until he felt the cushions
|
|
enveloping his body, moulding to his shape. "So," he said, eventually, "If I
|
|
send this memo through, then - according to you," he pointed at the second
|
|
Alice, "there will be no war, and the human race will bore itself to death.
|
|
If, on the other hand, I withhold this memo, then *you* say," He pointed at
|
|
the ragged, and now rather pensive, first Alice, "that there will come a
|
|
world war which will destroy the human race. Whichever I choose, the human
|
|
race doesn't seem to stand a chance."
|
|
Alice one's brow furrowed, as she thought furiously. Turning to the rather
|
|
flashily dressed Alice two, she said, "I've been thinking. Maybe a war would
|
|
be a good idea, after all - at least then we go out with a bang - a light
|
|
show which aliens might point to in their skies. A kind of last funeral pyre
|
|
for mankind."
|
|
The second Alice considered this a moment, before saying, "No, I think no
|
|
war would be better - after all, humans *might* recover from this period of
|
|
apathy, you know..."
|
|
"No - war would be a good idea, we can re-build the world..."
|
|
"Uh uh. No war is better: that way, there's no *need* to rebuild!"
|
|
Colin broke in, laughing, "Ladies! Ladies!" he shouted, "You've both done a
|
|
rapid volte-face, have you not? Why is this?" He silenced their explanations
|
|
with a wave of his hand, "No, don't bother to lie - I can see it in your
|
|
faces. You've both realised what has just become clear to me. If you had
|
|
succeeded in your original mission, then my future would be altered. Your
|
|
future would cease to exist: *you* would no longer be 'real'. Instead, your
|
|
counterpart - the woman you are arguing with at the moment - would be in the
|
|
'true' future. However, now your pleas are not so much for the human race -
|
|
that seems doomed either way - but for your own existence."
|
|
The women looked sheepish. Colin was correct, and all of them knew it.
|
|
Walking across the room, Colin replaced the poker - which he found he was
|
|
still gripping in his right hand - in the stand beside the fire. He turned
|
|
from the flames and, with a wry smile, stated,
|
|
"Well, I will toss a coin to decide which future shall come about. Does that
|
|
seem reasonable to each of you?" The women nodded. Reluctantly, they nodded.
|
|
Colin took a quarter from his trouser pocket, then flipped it: "Heads, war;
|
|
tails, peace." Even raggedy Alice's companions stopped bickering over a toga,
|
|
previously belonging to a now-unconscious cohort of the other Alice, long
|
|
enough to watch the coin come down. It span in the air, glinting brightly in
|
|
the flames of Colin's real fire like a single phoenix feather before hurtling
|
|
toward the carpet, and - as it landed - nobody in that room dared draw
|
|
breath.
|
|
The coin landed on its edge.
|
|
"Well," came a familiar voice from the corner of the room, "It seems the
|
|
human race has a chance after all."
|
|
|
|
Written April 1990.
|
|
|
|
|
|
= BLOOD MONEY ===============================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Cronos Warchild, mercenary annex hired gun, sat in his chair holding the
|
|
evening paper. A dim light shrouded his being into what seemed to be ominous
|
|
mystery. Everything seemed to be quite normal.
|
|
The fact that Cronos held the newspaper upside down, however, suggested that
|
|
at least *something* was not entirely normal. Some careful observation would
|
|
reveal that his eyes were not, as may have been expected, aimed at the
|
|
newspaper. Not even at the cartoons.
|
|
Yet more detailed observation would reveal that his eyes weren't aimed at
|
|
anything, unfocused at something that seemed to be beyond the paper, perhaps
|
|
even beyond his vision.
|
|
Sounds were coming from the kitchen. The sounds were anything but unusual -
|
|
the sound of cutlery and the metal of pans and the burning of gas on which
|
|
someone was apparently preparing a meal. The only other sound was that of the
|
|
clock that slowly ticked its way in another corner of the room. Since the dim
|
|
light near the chair didn't suffice to shed light upon that corner, it is
|
|
beyond any means to specify what kind of clock it was, but the sounds
|
|
indicated that it was one of the standing type. A big one with slow, heavy
|
|
beats. The kind that you would expect to stop working when its owner dies.
|
|
It tolled eight.
|
|
The sounds of cutlery in the kitchen ceased and there seemed to be what
|
|
could not be mistaken for anything but a "thud" followed by a muffled cry.
|
|
Another very careful observation would reveal that there was nobody sitting
|
|
in the chair near the dim light any more. A paper lay there as if it had been
|
|
abandoned in haste. Which, to tell the truth, was exactly the case.
|
|
A sound, loud and penetrating, could be heard. And then a second.
|
|
Two large holes seemed to have appeared in the chair quite spontaneously.
|
|
"Shit!" a silhouette spat. It held a smoking .45 in its hand and could be
|
|
seen standing in the kitchen door. Its eyes gleamed eeriely and glanced
|
|
around, frightened.
|
|
Another sound broke the silence - this time a soft one, the kind usually
|
|
caused by something very small flying through the air at great velocity. At
|
|
the end there was a "plop", the kind that tends to be caused by an object
|
|
hitting flesh - and penetrating it.
|
|
The eyes rolled, went dull, filled with something red, and the silhouette
|
|
sighed to the floor. Light from the kitchen falling on the face revealed a
|
|
small black hole in the forehead from which poured a dark fluid. In it sat a
|
|
tiny dagger.
|
|
|
|
Cronos came from his hiding place to pull his dagger from the lifeless body
|
|
of the assassin. He cleaned the blade on the man's shirt, after which he
|
|
inserted it in a sheath that was hidden within one of his trousers legs.
|
|
In the kitchen an old woman, probably in her late eighties, regained
|
|
consciousness, caressing carefully a bump on the back of her head.
|
|
"What happened?" she asked no one in particular. Cronos was about to concoct
|
|
a story that would explain all this when more questions assailed him.
|
|
"Who am I? Who are you? Who is he? Why am I? What's the time?"
|
|
"It's time to get ill," Cronos grunted and knocked the old woman out cold
|
|
with a massive pound of his rather square and equally massive fist. He
|
|
believed a well-aimed knock on someone's head was always better than having
|
|
to come up with a most elaborate explanation.
|
|
|
|
Cronos Warchild, let's face it, is a primitive being, primarily trained to
|
|
fight and not to think. Predictably, he was never taught how to treat amnesia
|
|
in the case of female housemaids roaming in their late eighties. He assumed
|
|
hitting her hard would have the same effect it had on his enemies, i.e. put
|
|
her out of her misery.
|
|
He does not, I repeat NOT, hate female housemaids in their late eighties who
|
|
suffer amnesia - nor ANY females, ANY housemaids, ANY people in their late
|
|
eighties, or ANY people suffering amnesia (should any of these read this).
|
|
Let the story continue!
|
|
|
|
He directed his attention back to the unfortunately deceased person that was
|
|
soiling the kitchen floor tiles with his blood. The colour didn't quite match
|
|
the orange of these tiles, Warchild was shocked to establish. He searched the
|
|
assassin's pockets and found a piece of paper. Apart from the fact that it
|
|
was wrinkled, its primary feature was some writing on it. Although Cronos was
|
|
as much a reader as he was a physician, he was still able to decypher some of
|
|
what was scribbled on it. Enough to know what was happening, anyway, or at
|
|
least to *think* he knew what was happening.
|
|
"20:00 h. Kill Cronos Warchild," he read aloud. He lifted his eyebrows.
|
|
"21:00 h. Report at ASP." He lifted his eyebrows even more, on the verge of
|
|
them popping off. It didn't make a lot of sense to him.
|
|
He searched another of the body's pockets and found some ID that revealed to
|
|
him that he was called Spondulix, from a planet of which the name was beyond
|
|
interpretation. Further pocket examination revealed an Alien Safari
|
|
Promotions Inc. brochure, a draft ticket for an examination on Venusian
|
|
Accountancy and 200 Thanatopian credits as well as a brief user manual for a
|
|
device called a 'Compact Universal Nuclear Teleporter'.
|
|
"Hmmm..." he said.
|
|
"Hmmmm..." he said, with some more feeling.
|
|
The female housemaid in her late eighties regained consciousness again - or
|
|
at least her moaning and moving seemed to indicate her joining waking
|
|
sentiency. This drew Cronos' attention off the dead man and the puzzling
|
|
pocket contents.
|
|
"Winston? Where are you?" the woman asked with a powerless voice that seemed
|
|
to utter each word more like a sigh, "Winston? Winston?! Are you sure you
|
|
will go on 'till the end? Are you sure you'll never surrender? And can't you
|
|
ever stop smoking those blimmin' smelly cigars?"
|
|
As Warchild was not aware of the fact that the old woman had been Mrs.
|
|
Winston Churchill in an earlier life (nor was he aware of the distant
|
|
possibility of reincarnation or, for that matter, of anything pertaining
|
|
Winston Churchill, the Battle of Britain or even the entire happening of
|
|
any World Wars), he once more had his rather squarely built, massive fist
|
|
connect to the woman's head. Before she passed out again she muttered
|
|
something about the invasion of Sicily and something called Mussolini,
|
|
something Cronos reckoned has something to do with noodles.
|
|
Cronos read most of the ASP brochure, which presented not a little
|
|
difficulty to him. When he finished he suddenly noticed something gleaming on
|
|
the dead man's hand.
|
|
A ring.
|
|
At first sight, it was a very cheap brass ring. At second sight, it still
|
|
was. On the inside was a small button, as if designed for a thumb to press.
|
|
He took it off the deceased's hands and tried it on himself. In spite of the
|
|
fact that his hands were much bigger and his finger much thicker than the
|
|
corpse's, the ring seemed to fit like it was forged especially for him.
|
|
Really weird.
|
|
He pressed the little button on it.
|
|
|
|
He found himself laying on a bed. The bed was tidily made, and the distinct
|
|
odour was that of ether. He immediately recognized this place. It was the
|
|
only place he feared, the place he loathed even more than dog's excrements
|
|
stuck under his shoe or hair on a bar of soap.
|
|
The Ambulor Eight Hospital of the Very Very Splattered.
|
|
He now also recognized a nurse sitting in the far corner of the room,
|
|
reading a cheap James Hamilton doctor novel. She didn't seem to notice him
|
|
and instead seemed to be absorbed truly by whichever female kissing whichever
|
|
doctor at whichever hospital.
|
|
A graphic Warchild's state of health was located above his bed. It was
|
|
shaped like a mountain range ending in a negative peak stretching beyond the
|
|
lower limits of the paper. The line was continued on the wall, but it seemed
|
|
the doctor responsible for the graph had given up the attempt when eventually
|
|
the floor was reached. A wreath of lilies was nonchalantly draped on the
|
|
chair to the right side of the bed, to which a thin banner stating "Bye,
|
|
Honeypie" was attached.
|
|
He was dressed in white pyjamas but was glad to discover that he was still
|
|
wearing the ring. It seemed some kind of Teleportation device, and a very
|
|
compact one at that!
|
|
He pressed the little button once more.
|
|
|
|
He was knee-deep in what he thought was mud.
|
|
Of course he was wrong. He was trained to fight and not to think. It was
|
|
quicksand.
|
|
He discovered his error quickly, when the depth started to tug at his legs
|
|
slowly but certainly, sucking them into the dark abyss that could only mean
|
|
death. He already saw his entire life flashing by him in the moments that
|
|
passed before he was entirely submerged in the murderous trap. Most of it
|
|
was bloody, or gory, or both. He closed his eyes and held his breath. Then,
|
|
suddenly, he opened his eyes and saw a man clad in a black robe, wielding an
|
|
enormous scythe. He made beckoning gestures at Warchild, crying, "COME. COME.
|
|
LET GO. COME."
|
|
Cronos shook his head, filling eyes and ears with mud. He was dying.
|
|
Suffocating. There was no doubt about it.
|
|
He tried to locate his right hand and felt something like panic surge up
|
|
inside of him when he couldn't find it. He regained his senses when he found
|
|
it was quite impossible to grasp a right hand with one's right hand. He tried
|
|
with his left one and succeeded. There was a cheap brass ring on one of the
|
|
digits.
|
|
He pressed its little button.
|
|
|
|
He stood upright, shaking his head in wonder at what once again seemed to
|
|
have happened. He was afraid to open his eyes, fearing what he might have
|
|
teleported himself to this time. He gathered a tremendous amount of courage,
|
|
opening them nonetheless. Fear could be suppressed. He did.
|
|
There was nothing around him but a restaurant and some people eating in it.
|
|
First thing he could actually distinguish *in focus* was a sign hanging
|
|
above a stage, on which was a name reminding him of a chocolate bar.
|
|
Next, he saw an excited couple of beings talking about time, past, present
|
|
and perfect with a waiter. There was a man dressed in pyjamas, another man
|
|
dressed in what appeared to be normal clothes, a woman, and a man that had
|
|
something distinctly odd about him. No mistaking it. Two heads. Weird.
|
|
Apart from the aforementioned gathering of humans that continued talking
|
|
quite agitatedly to the aforementioned waiter, Warchild saw some people clad
|
|
in white robes chanting about a Great White Handkerchief, and a big fat man
|
|
dressed in black leather sitting at a table. The latter didn't look at all
|
|
happy and didn't utter as much as a sigh.
|
|
Cronos was startled to hear someone speaking close to him.
|
|
"Good evening, sir," something that had been a green blur (but that now was
|
|
a waiter) asked him while trying to suppress a cough and looking rather
|
|
disapprovingly, "do you have a reservation?"
|
|
"Reservation?" Warchild said weakly, and decided to give a go at pressing
|
|
the little button once more.
|
|
Just before he left the time and space of Milliways, he thought he heard the
|
|
waiter ask: "Can't I at least get you interested in ordering one of our quite
|
|
excellent Pan Galactic Gargle Blasters?"
|
|
|
|
He thought he sensed nothing but the distinct smell of a forest.
|
|
And, for once, Warchild indeed appeared to be right. He seemed to have
|
|
forgotten all about sensing the sweating horse right in front of him, though.
|
|
It was black like the night, black to such extent that it seemed even to be
|
|
an obscure, very dark schade of the utterly blackest black.
|
|
Cronos stood aghast, gazing at the horse. Not only was it black, it was also
|
|
very big. On top of that, its eyes radiated with what seemed hot, red malice.
|
|
He had never felt any fear for animals as long as they didn't happen to be
|
|
mice. He was stunned by the fear this animal seemed capable of arousing.
|
|
"Grrmmppffff..."
|
|
He looked up and saw a shape sitting on top of the black horse, dressed in
|
|
an equally black robe. From the hollowness of its cape, only two red eyes
|
|
seemed to glow with what seemed uncannily like hot, red malice.
|
|
The shape on the horse did not seem te be interested in him, didn't even
|
|
notice him. Instead it watched intently a group of beings that Cronos now
|
|
also saw: Four rather tiny creatures with hair on their feet, a large man
|
|
that was constantly fussing around with what seemed to be a hearing aid, a
|
|
dwarf with a long beard, another dwarf, and an elf. The latter two seemed to
|
|
be constantly arguing about something, and one of the creatures with the
|
|
hairy feet was wearing something very similar to his own ring. The only
|
|
difference, Cronos noticed aghast, was that it seemed golden instead of cheap
|
|
brass. To Warchild's satisfaction, however, he also noticed that the other
|
|
ring didn't have any buttons on it.
|
|
The creature atop the horse seemed very intent on getting that gold ring.
|
|
When the black rider turned his steed to attack the harmless group of
|
|
beings, Cronos lost interest and pressed the little button on his Compact
|
|
Universal Nuclear Teleporter.
|
|
|
|
When he opened his eyes again, he thought he wouldn't mind a single bit of
|
|
dog's faeces whether or not he was going to like what he would see. If he
|
|
wouldn't, he would simply press his ring again to vanish to another time,
|
|
another location. But after he opened his eyes he was quite shocked, to say
|
|
the least, at the fact that the digit of his finger that had formerly worn a
|
|
cheap brass ring was now almost offensively nude. He had, in some way or
|
|
another, succeeded in dislocating the ring.
|
|
Anyway, now he thought of it, the brief manual he had found in one of
|
|
what's-his-name's pockets *had* mentioned something like, "Mini-reactor power
|
|
lasts for a maximum of five to six nuclear teleportations only. Replacement
|
|
reactors only for sale on Thanatopia. Please dispose of old reactors
|
|
properly, and preferably do not litter locations where future cities might be
|
|
built. Do not dispose of improperly when environmentalists are watching,
|
|
either."
|
|
An often-used synonym for an animal's excrements passed his lips.
|
|
He looked up from his naked finger and found he was standing in front of
|
|
what seemed to be a traveller's agency. In large coruscating letters he read
|
|
"Alien Safari Promotions" above the shop-window. This couldn't be
|
|
coincidence. The small print of the "Alien Safari Promotions" brochure sprang
|
|
back to his mind vividly.
|
|
"Alien Safari Promotions Inc. can accept no responsibility whatsoever for
|
|
any accidents that may occur on our holidays, nor for any loss of limbs,
|
|
eyes, internal organs or any other parts of the body. Travel is entirely at
|
|
the customer's own enormous risk. It is not possible to arrange insurance for
|
|
any of these holidays."
|
|
A smile wrought itself upon his lips. There were few things that could seem
|
|
more appealing to a mercenary annex hired gun who wanted to keep up his
|
|
skills and achieve some decent training. He remembered more from the
|
|
brochure. If he'd fail on one of those space safaris, he'd die. It would
|
|
become a holiday his loved ones wouldn't forget. And nobody had yet returned.
|
|
He realised he didn't actually have any loved ones apart from some people
|
|
far away whom he hadn't seen in quite a while and probably wouldn't ever.
|
|
He stepped into the shop.
|
|
|
|
Original written September/October 1989. Rehashed March and May 1994.
|
|
|
|
|
|
= SOON COMING ===============================================================
|
|
|
|
|
|
The next issue of "Twilight World", Volume 2 Issue 4, is to be released mid
|
|
July this year. Please refer to the 'subscription' section, below, for
|
|
details about automatically getting it in case you're interested. If your
|
|
email account is disabled during that time, please send me a message.
|
|
Please refer to the section on 'submitting', below, for more details on
|
|
submitting your own material.
|
|
The next issue will probably contain the following items.
|
|
|
|
THE BUS
|
|
by Mark Oliver
|
|
A disconcerting story about The Safest Place.
|
|
|
|
THE LEGACY OF THE HOWLING
|
|
by M.J. Aylor
|
|
|
|
PRINCE OF DREAMS
|
|
by Jo Ellen Stein
|
|
|
|
GODS
|
|
by Richard Karsmakers
|
|
The True Story of Creation. Perhaps.
|
|
|
|
AND MORE
|
|
|
|
|
|
= SOME GENERAL REMARKS ======================================================
|
|
|
|
|
|
DESCRIPTION
|
|
|
|
"Twilight World" is an all-format on-line magazine aimed at everybody who is
|
|
interested in any sort of fiction - although it usually tends to concentrate
|
|
on fantasy-and science-fiction.
|
|
One of its sources is an Atari ST/TT/Falcon disk magazine by the name of "ST
|
|
NEWS" which publishes computer-related articles as well as fiction. "Twilight
|
|
World" principally consists of the best fiction featured in "ST NEWS" so far,
|
|
with added stories submitted by dedicated "Twilight World" readers.
|
|
|
|
AIM
|
|
|
|
"Twilight World" has no particular aim, but it would like to be a fresh
|
|
breath to all you people out there that don't mind a magazine that tries not
|
|
to conform to too many preset rules.
|
|
|
|
SUBMITTING ARTICLES
|
|
|
|
If you've written some good fiction and you wouldn't mind it being published
|
|
world-wide, you can mail it to me either electronically or by standard mail.
|
|
At all times do I reserve the right not to publish submissions. Do note that
|
|
submissions on disk will have to use the MS-DOS/Atari ST/TT/Falcon disk
|
|
format on 3.5" Double-or High-Density floppy disk. Provided sufficient IRCs
|
|
are supplied (see below), you will get your disk back with the issue of
|
|
"Twilight World" on it that features your fiction. Electronic submittees will
|
|
get an electronic subscription automatically.
|
|
At all times, please submit straight ASCII texts without any special control
|
|
codes whatsoever, nor right justify or ASCII characters above 128. Please use
|
|
*asterisks* to emphasise text if needed.
|
|
|
|
COPYRIGHT
|
|
|
|
Unless specified along with the individual stories, all bits in "Twilight
|
|
World" are copyrighted by the individual authors but may be spread wholly or
|
|
separately to any place - and indeed into any other magazine - provided
|
|
credit is given both to the original author and "Twilight World" and/or "ST
|
|
NEWS".
|
|
|
|
CORRESPONDENCE ADDRESS
|
|
|
|
All correspondence and submissions should be sent to the address below. If
|
|
you need a reply, supply one International Reply Coupon (available at your
|
|
post office), or two if you live outside Europe. If you want your disk(s)
|
|
returned, add 2 International Reply Coupons per disk (and one extra if you
|
|
live outside Europe). Correspondence failing these guidelines will be read
|
|
(and perused) but not replied to.
|
|
The address (valid at least up to summer 1995):
|
|
|
|
Richard Karsmakers
|
|
Looplantsoen 50
|
|
NL-3523 GV Utrecht
|
|
The Netherlands
|
|
Email R.C.Karsmakers@stud.let.ruu.nl
|
|
|
|
SUBSCRIPTIONS
|
|
|
|
Subscriptions (electronic ones only!) can be requested by sending some email
|
|
to the address mentioned above. "Twilight World" is only available as ASCII.
|
|
Subscription terminations should be directed to the same address.
|
|
About one week prior to each current issue being sent out you will get a
|
|
message to check if your email address is still valid. If a message bounces,
|
|
your subscription terminates.
|
|
Back issues of "Twilight World" may be FTP'd from atari.archive.umich.edu
|
|
and etext.archive.umich.edu. It is also posted to rec.arts.prose, alt.zines
|
|
and alt.prose. Thanks to Gard for this!
|
|
|
|
PHILANTROPY
|
|
|
|
If you like "Twilight World", a spontaneous burst of philantropy aimed at
|
|
the postal address mentioned above would be very much appreciated! Please
|
|
send cash only; any regular currency will do. Apart from keeping "Twilight
|
|
World" happily afloat, it will also help me to keep my head above water as a
|
|
student of English at Utrecht University. If donations reach sufficient
|
|
height they will secure the existence of "Twilight World" after my studies
|
|
have been concluded. If not...then all I can do is hope for the best.
|
|
Thanks!
|
|
|
|
DISCLAIMER
|
|
|
|
All authors are responsible for the views they express. Also, The individual
|
|
authors are the ones you should sue in case of copyright infringements!
|
|
|
|
ST NEWS
|
|
|
|
If you have an Atari ST/TT/Falcon you may check out "ST NEWS", the "Twilight
|
|
World" mother magazine. The most recent issue can be obtained by sending one
|
|
disk plus two International Reply Coupons (three if you live outside Europe)
|
|
to the snailmail correspondence address mentioned above. If you want to
|
|
automatically receive the NEXT issue of "ST NEWS" via email as soon as it's
|
|
finished, just ask me to put you on the "ST NEWS" mailing list. You will get
|
|
approx. 12-14 100 Kb UUencoded text files which, when merged, will allow for
|
|
the creation of a ZIP archive.
|
|
"ST NEWS" should run on any TOS version, needs a double-sided disk drive and
|
|
prefers 1 Mb of memory or more.
|
|
|
|
OTHER ON-LINE MAGAZINES
|
|
|
|
INTERTEXT is an electronically-distributed fiction magazine which reaches
|
|
over a thousand readers on five continents. It publishes fiction from all
|
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genres, from "mainstream" to Science Fiction, and everywhere in between.
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It is published in both ASCII and PostScript (laser printer) formats. To
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subscribe, send mail to jsnell@ocf.berkeley.edu. Back issues are available
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via anonymous FTP at network.ucsd.edu.
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CYBERSPACE VANGUARD: News and Views of the SciFi and Fantasy Universe is an
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approximately bimonthly magazine of news, articles and interviews from
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science fiction, fantasy, comics and animation (you get the idea).
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Subscriptions are available from cn577@cleveland.freenet.edu.
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Writers contact xx133@cleveland.freenet.edu. Back issues are availabe by FTP
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from etext.archive.umich.edu.
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YOU WANT YOUR MAGAZINE MENTIONED HERE? Mail me a short description, no
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longer than 6 lines with a length of 77 characters maximum. No logos please.
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