1584 lines
67 KiB
Plaintext
1584 lines
67 KiB
Plaintext
INTERNATIONAL TELETIMES
|
|
|
|
What's News to You?
|
|
|
|
¥ Vol. 2 No. 10 December 1993 ¥
|
|
------------------------------------------------------------
|
|
CONTENTS
|
|
------------------------------------------------------------
|
|
|
|
-- Features --
|
|
American in Denial, by Jon Gould
|
|
Canada: Post-Election Commentary, by Dr. Euan Taylor
|
|
Canada: A New Batter in the Box, by Ryan Crocker
|
|
News from Vienna, by Dr. Michael Schreiber
|
|
News from Manitoba, by Dr. Euan Taylor
|
|
Street Kids in Guatemala City, by Brian Quinby
|
|
|
|
-- Departments --
|
|
The Keepers of Light, by Kent Barrett
|
|
Deja Vu, by Johnn Tan
|
|
The Quill, by Marc A. Volovic
|
|
The Wine Enthusiast, by Tom Davis
|
|
|
|
|
|
------------------------------------------------------------
|
|
EDITOR'S NOTE
|
|
------------------------------------------------------------
|
|
|
|
-- Changes, Changes... --
|
|
|
|
This issue is full of changes and new announcements, it's
|
|
hard to decide where to begin. How about the beginning: the
|
|
Macintosh users should have noticed by now the lovely new
|
|
cover image designed by Kent Barrett, our faithful
|
|
photography columnist. Starting last month, each month will
|
|
have an original full colour.
|
|
|
|
There have also been some changes to our staff. I'd like to
|
|
welcome our newest batch of writers: Ryan Crocker, Jon
|
|
Gould, Brian Quinby, Johnn Tan and Marc A. Volvic. Each of
|
|
them have contributed to this issue and I hope you enjoy
|
|
their writing. There are several more new writers who will
|
|
be showing off their creative abilities in the months ahead.
|
|
|
|
This issue also debuts our new column "The Quill". This
|
|
departments will house creative writing. This month, Marc A.
|
|
Volvic has written a short story entitled "Flotsam, Jetsam".
|
|
|
|
Now for some really interesting news: Teletimes will soon be
|
|
available on the World-Wide Web. For those of you who don't
|
|
know what it is, I'll explain. WWW is a sort of user
|
|
interface for the Internet, using graphics, sounds,
|
|
animation and hypertext links. To use the Web, you need
|
|
special software to connect to WWW servers. NCSA Mosiac is
|
|
one free software package which is available for Mac,
|
|
Windows, X Windows. This will be of special interest for
|
|
those deprived readers who are stuck with the ASCII version
|
|
of Teletimes.
|
|
|
|
In addition to the graphics which will become available to a
|
|
wider range of readers, the WWW Teletimes database will also
|
|
include lots backissues in an interactive form (hypertext).
|
|
Definitely cool stuff. At the current rate, Teletimes should
|
|
be on the Web very soon. All readers on our mailing lists
|
|
will receive an annoucement once on-line Teletimes is ready.
|
|
|
|
Teletimes is now available by Gopher at the WELL in San
|
|
Fransisco. We have also begun to distribute Teletimes on
|
|
FidoNet (a huge network of hobby BBSs). FidoNet distribution
|
|
is being handled by Ian Geldard (igeldard@sound.demon.co.uk)
|
|
who will be separating Teletimes into individual articles
|
|
for more efficient transport.
|
|
|
|
Teletimes has definately come a long way since October '92
|
|
and fortunately there is still a great deal more room to
|
|
grow.
|
|
|
|
Ian Wojtowicz
|
|
Editor-in-ChiefÊ
|
|
|
|
|
|
------------------------------------------------------------
|
|
MAILBOX
|
|
------------------------------------------------------------
|
|
|
|
-- Reader Feedback --
|
|
|
|
Excellent e-magazine! Keep up the good work. How about
|
|
setting up a recipients mailing-list? It would be easier to
|
|
get Teletimes by e-mail rather than having to ftp it.
|
|
|
|
- Daniel Salber, Grenoble, France
|
|
|
|
ANYONE CAN RECEIVE TELETIMES BY E-MAIL BY SIMPLY SENDING
|
|
THEIR E-MAIL ADDRESS, CITY AND COUNTRY OF RESIDENCE AND
|
|
COMPUTER TYPE TO: IANW@WIMSEY.COM I WILL THEN PUT YOU ON
|
|
EITHER THE GRAPHICAL MACINTOSH MAILING LIST OR THE PLAIN
|
|
ASCII TEXT MAILING LIST.
|
|
|
|
|
|
I think the magazine is very cool! Of course, I love the
|
|
fact that you have illustrations and images in the
|
|
publication. I would like to offer some assistance in
|
|
getting you electronic images and info related to NASA if
|
|
you are at all interested. Please contact me via e-mail.
|
|
Thanks...look forward to hearing from you.
|
|
|
|
- Bill Ingalls, Arlington, USA
|
|
|
|
BILL, I AM INTERESTED IN YOUR OFFER. I WROTE BACK TO YOU
|
|
TWICE BUT HAVEN'T RECEIVED ANY REPLIES YET. HOPEFULLY YOU
|
|
WILL READ THIS AND CONTACT ME.
|
|
|
|
|
|
Keep up the good work!
|
|
|
|
- Michael Choo, Kuala Lumpur, Malaysia
|
|
|
|
|
|
Thanks for a colourful and insightful publication. The
|
|
quality of writing could tightened in certain instances, but
|
|
some of the articles, for example Euan Taylor's "Just do
|
|
it", are excellent. I look forward to the next edition.
|
|
|
|
On financial contributions, if you could take credit cards
|
|
(say through a business colleague) soliciting donations
|
|
would be a much more fruitful exercise. The Info-Mac quest
|
|
for a new disc proved this overwhelmingly. It's easy for the
|
|
donor, and bypasses the limitations of national currencies.
|
|
|
|
On another point, have you thought of publishing your
|
|
periodical on the World Wide Web? Although you couldn't
|
|
control the view font, you could still enclose the graphics,
|
|
and with hypertext contents pages have just the same sort of
|
|
functionality. WWW is multiplatform, and there are now
|
|
clients for all the major platforms, Unix, W3.1 & Mac.
|
|
|
|
- Matthew Johnson, London, UK
|
|
|
|
I TOOK YOUR ADVICE AND LOOKED INTO WWW. IT LOOKS LIKE
|
|
TELETIMES WILL BE ON-LINE BY JANUARY. PLEASE READ THE
|
|
EDITOR'S NOTE FOR MORE ON THIS.Ê
|
|
|
|
|
|
------------------------------------------------------------
|
|
STAFF & INFO
|
|
------------------------------------------------------------
|
|
|
|
Editor-in-Chief:
|
|
Ian Wojtowicz
|
|
|
|
Art Director:
|
|
Anand Mani
|
|
|
|
Cover Artist:
|
|
Kent Barrett
|
|
|
|
Correspondents:
|
|
Biko Agozino, Edinburgh, Scotland
|
|
Prasad & Surekha Akella, Japan
|
|
Ryan Crocker, Vancouver, Canada
|
|
Prasad Dharmasena, Silver Spring, USA
|
|
Jon Gould, Chicago, USA
|
|
Paul Gribble, Montreal, Canada
|
|
Mike Matsunaga, Skokie, USA
|
|
Satya Prabhakar, Minneapolis, USA
|
|
Brian Quinby, Aurora, USA
|
|
Motamarri Saradhi, Singapore
|
|
Dr. Michael Schreiber, Vienna, Austria
|
|
Johnn Tann, Ogden, USA
|
|
Dr. Euan Taylor, Winnipeg, Canada
|
|
Seth Theriault, Lexington, USA
|
|
Marc A. Volovic, Jerusalem, Israel
|
|
|
|
Columnists:
|
|
Kent Barrett, Keepers of the Light
|
|
Tom Davis, The Wine Enthusiast
|
|
Andreas Seppelt, Latin American Correspondant
|
|
|
|
Shareware policy:
|
|
If you enjoy reading Teletimes on a constant basis and
|
|
would like us to continue bringing you good quality
|
|
articles, we ask that you send us between $5 and $10 in US
|
|
or Canadian funds. Checks should be made out to "Global
|
|
Village Communications Society". Money will be used to pay
|
|
contributors.
|
|
|
|
Submission policy:
|
|
Teletimes examines broad topics of interest and concern on
|
|
a global scale. The magazine strives to showcase the unique
|
|
differences and similarities in opinions and ideas which
|
|
are apparent in separate regions of the world. Readers are
|
|
encouraged to submit informative and interesting articles,
|
|
using the monthly topic as a guideline if they wish. All
|
|
articles should be submitted along with a 50 word
|
|
biography. Everyone submitting must include their real name
|
|
and the city and country where you live. A Teletimes
|
|
Writer's Guide and a Teletimes Photographer's &
|
|
Illustrator's Guide are available upon request.
|
|
|
|
Upcoming themes:
|
|
January - History Lessons
|
|
|
|
Deadline for articles:
|
|
November 15th, 1993
|
|
|
|
E-mail:
|
|
ianw@wimsey.com
|
|
|
|
Snail mail:
|
|
International Teletimes
|
|
3938 West 30th Ave.
|
|
Vancouver, B.C.
|
|
V6S 1X3
|
|
|
|
Software and hardware credits:
|
|
Section headers and other internal graphics were done in
|
|
Fractal Painter 1.2 and Photoshop 2.5 on a Macintosh Quadra
|
|
950. The layout and editing was done on a Macintosh IIci
|
|
using MS Word 5.0 and DocMaker 3.96.
|
|
|
|
Copyright notice:
|
|
International Teletimes is a publication of the Global
|
|
Village Communication Society and is copyrighted (c) 1993
|
|
by the same. All articles are copyrighted by their
|
|
respective authors however International Teletimes retains
|
|
the right to reprint all material unless otherwise
|
|
expressed by the author. This magazine is free to be copied
|
|
and distributed UNCHANGED so long as it is not sold for
|
|
profit. Editors reserve the right to alter articles.
|
|
Submitting material is a sign that the submitter agrees to
|
|
all the above terms.Ê
|
|
|
|
------------------------------------------------------------
|
|
FEATURES
|
|
------------------------------------------------------------
|
|
|
|
-- American In Denial --
|
|
|
|
The United States is a violent society. We own more handguns
|
|
than any other western country, and we use them. Blood flows
|
|
through the streets of our ghettos, oftentimes reaching our
|
|
more tranquil suburbs. We settle our disputes not with words
|
|
but with guns, knives and fists. We don't argue, we fight.
|
|
|
|
Perhaps it's our history. The country was born out of an
|
|
armed rebellion. Guns have always been a part of our
|
|
heritage. Back in the days when a Smith & Wesson was a man's
|
|
best friend, guns were insurance. Later, these pioneer days
|
|
served as our entertainment. Western movies, with Cowboys
|
|
and Indians, horses and guns, kept us entertained and on the
|
|
edge of our seats.
|
|
|
|
But our violent ways have caught up with us. A boy growing
|
|
up in the US today is more likely to die from a violent
|
|
confrontation than from almost any known disease. Our
|
|
favorite shows glorify violence, to the point that shootings
|
|
become the centerpiece of many movies. We live our lives to
|
|
a soundtrack of rap music, its lyrics reinforcing a culture
|
|
of violence. The National Rifle Association has even started
|
|
pitching its ads at young women, encouraging them to
|
|
purchase handguns for peace of mind.
|
|
|
|
If we're falling over the edge, some are trying to catch us.
|
|
Congress has recently made noise about regulating American
|
|
television, perhaps setting time slots in which violent
|
|
shows can be shown. It has also pushed through the Brady
|
|
Bill, requiring that handguns be sold only after a five-day
|
|
waiting period.
|
|
|
|
Both are admirable proposals, but neither is destined to
|
|
succeed alone. The problem is that each focuses on the
|
|
symptoms of our disease and not on the disease itself. Guns
|
|
do indeed kill people, but there's something else driving us
|
|
to buy them. We aren't robots. Network executives can't
|
|
produce violent shows and force us to watch them. Somewhere
|
|
out there is a market for violent entertainment -- a large
|
|
market -- and it likely includes us. Somewhere out there, we
|
|
have grown accustomed to violence, we have welcomed it.
|
|
|
|
It should seem clear that a society cannot long endure if
|
|
its citizens are prone to violent conflict. But how do you
|
|
pull back when children are shot for wearing the wrong
|
|
clothes, eyeing another's girlfriend, daring to disagree?
|
|
What do you do when drivers are threatened for changing
|
|
lanes, when disgruntled employees murder their co-workers?
|
|
|
|
The answer is that there isn't a simple answer. Violence
|
|
occurs in many forms with as many pulsepoints. Tougher
|
|
sentencing, more prisons, urban development, they all have
|
|
their place. Certainly, gun control and media monitoring are
|
|
part of the package, but the real change must come in our
|
|
psyches.
|
|
|
|
Like any other addict, we're in denial. We don't want to see
|
|
a connection between our actions and the pathology of our
|
|
culture. We cheer Rambo when he shoots up a crowd, but we
|
|
draw back in disgust when a young boy is slain for his
|
|
jacket. We won't acknowledge the relation. Yes, one is
|
|
fiction and the other reality, but if it's fun to watch a
|
|
shooting spree on the screen, why not in real life too?
|
|
We've become enablers.
|
|
|
|
I don't suggest government censorship. Government
|
|
prohibition here allows us to abdicate responsibility, a
|
|
responsibility we owe not only to ourselves but to our
|
|
families and communities as well. It's time that we re-
|
|
learned what it means to set limits. Not an easy task in a
|
|
society that encourages us each to do our own thing. Nor
|
|
when it has unpleasant overtones to the religious right.
|
|
|
|
But the fact remains, we have it in our power to stem the
|
|
rise of a more violent culture. We must be willing to
|
|
confront our own addiction, to treat it now before the
|
|
disease envelops us. We're running out of time. That tunnel
|
|
we're looking down is the barrel of a gun.
|
|
|
|
- Jon Gould, Chicago, USA
|
|
|
|
|
|
-- Canada: Post-Election Commentary --
|
|
|
|
It is only a few months ago that the then Prime Minister
|
|
Brian Mulroney - the man Canadians loved to hate, stepped
|
|
down as the leader of the incumbent Progressive Conservative
|
|
government and Kim Campbell took his place. Subsequently on
|
|
October 25th Canadian voters went to the polls to elect a
|
|
new government, decimate an old one, and produce a
|
|
completely new combination of parliamentary forces.
|
|
Conventionally the election race has been between the
|
|
Progressive Conservatives, and the Liberals. But this year
|
|
after a campaign dominated by the massive federal deficit,
|
|
health care, a helicopter deal, and serious blunders in the
|
|
Conservative campaign, the political landscape of this
|
|
country has changed dramatically. In brief the main parties
|
|
and their policies were and are as follows:
|
|
|
|
Progressive Conservative (PC)
|
|
Eliminate deficit in 5 years, reform social programs.
|
|
Encourage private sector, removal of trade barriers (via the
|
|
North American Free Trade Agreement -NAFTA).
|
|
|
|
Liberals
|
|
Job creation, public works programme, maintenance of social
|
|
programmes, support nationally regulated health care system.
|
|
Renegotiation of some parts of NAFTA.
|
|
|
|
New Democratic Party (NDP)
|
|
Larger scale job creation, scrap current sales tax,
|
|
investment in formative businesses. Fund raising by 14%
|
|
corporate tax. National child care programme. Maintain
|
|
universal health care. Oppose NAFTA.
|
|
|
|
Reform Party of Canada
|
|
Eliminate federal deficit in 3 years, cut taxes, halve
|
|
immigration. $19 billion spending cuts. Declared intention
|
|
to cut some social programmes. Increase provincial autonomy
|
|
on health care. No candidates in Quebec.
|
|
|
|
Bloc Quebecois (BQ)
|
|
Main policy, separation of Quebec from Canada. Support more
|
|
provincial autonomy over health care. New income support
|
|
programmes, transfer of funds to job creation. Candidates
|
|
only in Quebec.
|
|
|
|
The seats held in the House of Commons by each party both
|
|
before and after the election were as follows (excluding a
|
|
few independent candidates):
|
|
|
|
BEFORE AFTER CHANGE
|
|
PC 157 2 -175
|
|
Liberal 80 177 + 97
|
|
NDP 44 9 - 35
|
|
Reform 1 52 + 51
|
|
BQ 8 54 + 46
|
|
|
|
The total collapse in the Conservative vote has been
|
|
attributed to several factors, including general
|
|
disillusionment with their performance in office, the
|
|
introduction of a new sales tax, and continuing
|
|
constitutional wranglings over the last few years. But there
|
|
seems to be little doubt that in large part the final
|
|
magnitude of the damage has been due to a disastrous
|
|
election campaign.
|
|
|
|
There were two really memorable screw ups in the PC campaign
|
|
which are likely to be remembered for a long time, and made
|
|
a massive impact in the media. Number one was Ms. Campbell's
|
|
promise to "completely re-think Canada's Social Security",
|
|
although the 47 day election campaign was "not the time to
|
|
get involved in very, very serious discussions" on the
|
|
subject. It was a disastrous statement, leaving many voters
|
|
both shocked and insulted, and was seized on immediately by
|
|
the Liberals, the PC fell 12 points in the polls. The other
|
|
miscalculation came very close to the election as the PC
|
|
campaign became increasingly desperate. A TV advertising
|
|
campaign showed very unflattering pictures of Liberal leader
|
|
Jean Chretien, showing off the paralysis in one side of his
|
|
face. On the soundtrack people declared how they would be
|
|
"embarrassed" if he were to become Prime Minister. There was
|
|
immediate media outrage, the adverts were stopped, but it
|
|
was close to the election, and it was too late.
|
|
(Interestingly some media reports have suggested that the
|
|
strategy was starting to show positive results in the
|
|
polls). I was intrigued to see that both of these events
|
|
were ignored in an editorial in the October 27th Financial
|
|
Times. It pointed instead to Ms. Campbell's warning that
|
|
unemployment was unlikely to improve before the end of the
|
|
century as the decisive feature in the campaign. This also
|
|
allowed it's editorial writer to conclude that the major
|
|
Conservative error was telling the truth.
|
|
|
|
The results of the election are especially bewildering
|
|
because of the geographical distribution of the different
|
|
groups, with the opposition split almost equally between two
|
|
largely regional parties. The BQ is based only in Quebec
|
|
whereas Reform got practically all its support in the two
|
|
western provinces (British Columbia and Alberta), and ran no
|
|
candidates in Quebec. Half the Liberal seats came from
|
|
Ontario, the rest being fairly evenly distributed across the
|
|
country.
|
|
|
|
Some observers are predicting that the changes to come will
|
|
not match the campaign rhetoric, because of the financial
|
|
restrictions the new government must face. Skepticism has
|
|
been expressed about Chretien's ability and desire to
|
|
renegotiate NAFTA, partly because of a strong free trade
|
|
wing in the Liberal party. As to constitutional fallout from
|
|
the new picture, outsiders apparently see the Quebec vote as
|
|
protest rather than a victory for separatism. Some see
|
|
Reform as the greater threat to Canadian unity, forcing a
|
|
more rigid development of the federation, and giving the BQ
|
|
new grievances to exploit.
|
|
|
|
Certainly now that Chretien has appointed his cabinet and
|
|
canceled a controversial helicopter deal begun under the
|
|
Tories, the pundits have more to work on. Native leaders are
|
|
disappointed that there is no aboriginal representation in
|
|
the cabinet and it has also been noted that the main cabinet
|
|
figures are all white. Chretien's appointments to offices
|
|
dealing with finance and development are generally seen as
|
|
on the right of the party, but his other appointments in
|
|
areas such as Human Resources, are more to the left.
|
|
|
|
The new parliament will also provide a platform for the two
|
|
opposition parties to show their mettle, voters will soon
|
|
start to find out how the behaviour of their elected
|
|
representatives relates to the campaign rhetoric.
|
|
|
|
As to the Tories, they may not have much of a voice in
|
|
Commons now, but they retain their majority in the Senate (a
|
|
non-elected body), a base which maintains their influence
|
|
and gives them a foundation from which to rebuild. Despite
|
|
their poor showing in the house, a lot of Canadians voted
|
|
for them, and many observers believe they remain the only
|
|
national, rather than regionally based party that is a
|
|
credible alternative to the Liberals. Only time will tell.
|
|
|
|
- Dr. Euan Taylor, Winnipeg, Canada
|
|
|
|
Sources:
|
|
Macleans Magazine, September - October 1993.
|
|
Globe and Mail (Toronto), October issues 1993.
|
|
Financial Times (London), October 27th 1993.
|
|
CBC Radio.
|
|
|
|
|
|
-- Canada: A New Batter in the Box --
|
|
|
|
Hello sports fans, and welcome to the 1993 Parliamentary
|
|
Election draft choice. The ballots are counted, the people
|
|
have spoken, and here is the line-up.
|
|
|
|
The Liberal Party of Canadian -Governing Party-
|
|
One of the venerable parties in Canadian politics. Voted out
|
|
of office in 1984, under the leadership of the West Coast's
|
|
"Great White Hope", John Turner. Since then, Mr. Turner lost
|
|
the leadership of the party, and the respect of his
|
|
parliamentary colleagues by being conspicuously absent from
|
|
almost all important votes in Parliament. He was replaced by
|
|
Jean Chretien, who recently led his party to a massive
|
|
landslide victory over the Progressive Conservative Party,
|
|
led by Kim Campbell. (More on her further on.)
|
|
|
|
Outlook
|
|
The Liberals will institute massive government spending to
|
|
help stimulate job growth in Canada. They have a tough row
|
|
to hoe on the subject of taxation. The middle class in
|
|
Canada pays the majority of taxes, and are at the limit of
|
|
what they can pay. The Liberals have promised to repeal the
|
|
Goods and Services Tax (7% on just about everything).
|
|
However, they may be in trouble when they follow through,
|
|
and try to replace the tax with something "easier to
|
|
administer" (their words). In the long run, it looks like it
|
|
will be business as usual.
|
|
|
|
The Bloc Quebecois -Official Opposition-
|
|
An offshoot of the Progressive Conservative Party, the
|
|
Bloc's policy boils down to "Quebec first" (For those who
|
|
don't know, Quebec is a predominately French speaking
|
|
province in the East, that suffers from a persecution
|
|
complex.) The Bloc, led by Lucien Bouchard, believes that
|
|
Quebec is a distinct society, and should be responsible for
|
|
it's own destiny. If necessary, that means that Quebec
|
|
should secede from the Confederation. Due to the high
|
|
population in Quebec, this party won enough seats to become
|
|
the official opposition, after a close race with the Reform
|
|
Party.
|
|
|
|
Outlook
|
|
The next few years will be quite interesting, as the Bloc
|
|
tries to reconcile its separatist charter with its duties
|
|
for all of Canada. Unless a separatist party is elected to
|
|
the Quebec provincial government, the Bloc stands to lose a
|
|
lot of credibility. One way or the other, this will probably
|
|
be the last time they'll have this many seats in Canada's
|
|
government.
|
|
|
|
The Reform Party
|
|
A regional, western based party, whose platform is based
|
|
upon "grassroots" policies. Deficit slashing, and better
|
|
fiscal management are the priorities of Reform, led by
|
|
Preston Manning. This party narrowly lost opposition status
|
|
to the Bloc Quebecois after a closely watched race in the
|
|
West. Tied with the Bloc for most improved position, leaping
|
|
from less than 5 seats in the previous parliament, to 52
|
|
after the recent election. This is the party that really
|
|
killed the Progressive Conservative party in the West. Many
|
|
conservative voters became disenchanted with the PC's, and
|
|
jumped ship to Reform.
|
|
|
|
Outlook
|
|
The Reform could be the real voice of opposition in the
|
|
Parliament, if the Bloc decides to concentrate only on
|
|
Quebec issues. Like the Bloc, most of the members elected to
|
|
Parliament are new, and are likely to be a source of comedy,
|
|
as they find their way. Could be a real player next time
|
|
around.
|
|
|
|
The New Democratic Party
|
|
The "progressive" voice in Canadian politics, advocating
|
|
better social programs. They were a power, with over thirty
|
|
seats in the last Parliament, but got nailed to wall in the
|
|
recent election as voters looked for new alternatives. They
|
|
now have nine seats in the new Parliament, short of the
|
|
twelve needed for official party status. This means the NDP
|
|
no longer get a research budget, and are not guaranteed a
|
|
voice in the question period. Led by Audrey McLaughlin, the
|
|
NDP are in a deep hole and they will have to do a lot of
|
|
rebuilding to become a force again.
|
|
|
|
Outlook
|
|
Needs CPR and mouth to mouth, but still has a chance.
|
|
|
|
The Progressive Conservative Party
|
|
Oh, how the mighty have fallen. The PC's led the country for
|
|
the past 8 years, through recessions, a ballooning deficit,
|
|
and pork barrel politics. Led by Brian Mulroney for most of
|
|
that time, they cut spending and increased taxes in an
|
|
effort to get the national debt down. Mulroney stepped down
|
|
in the summer of '93, as it became apparent that his
|
|
popularity had slipped to the level of athlete's foot. Kim
|
|
Campbell, former Justice Minister and Defense Minister, took
|
|
over as party leader after a leadership convention. Her
|
|
chances seemed good at the start, but a poorly run campaign,
|
|
coupled with some bad gaffes on Kim's part, and a commercial
|
|
targeting Jean Chretien's unfortunate facial disabilities
|
|
that inflamed the country, led to the biggest political
|
|
defeat in recent Canadian history. Formerly holding over 145
|
|
seats, they have lost all but 2 seats in the Parliament. The
|
|
party, over one hundred years old, is now in danger of
|
|
disappearing completely.
|
|
|
|
Outlook
|
|
Start playing "Taps", and send flowers. If it does die, look
|
|
for a new party to spring from the ashes in it's place.
|
|
|
|
So there it is, sports fans. The political map has been
|
|
completely redrawn. I'm looking forward to 4 years of comedy
|
|
from entirely new sources. Comments? Inflamed opinions?
|
|
Write me care of Teletimes.
|
|
|
|
- Ryan Crocker, Vancouver, Canada
|
|
|
|
|
|
-- News From Vienna --
|
|
|
|
Ànew w!th U
|
|
|
|
.the CT of V!E pla2ned an EXPO
|
|
.wanted 2 do !t w!th BudapesT
|
|
.A tw!n CT EXPO @ the danubE
|
|
|
|
.1 bought !n the 2nd D. of V!E
|
|
.1 Started 2 MT the bu!ld!ngS
|
|
.the CT started 2 bu!ld alreadY
|
|
.a 50!es-dream turned 90!es-truE
|
|
|
|
.borders opened surpr!s!nglY
|
|
.V!E started 2 grow aga!n theN
|
|
.m!grat!on !ncreased over n!ghT
|
|
.a major!ty vote aga!nst EXPO
|
|
|
|
.budapest w!2l do !t alone noW
|
|
.speculat!on hangs on a cl!2F
|
|
Àwho w!2l f2ot the bi2l noW
|
|
|
|
- Dr. Michael Schreiber, Vienna, Austria
|
|
|
|
|
|
-- News From Manitoba --
|
|
|
|
The real local stories here in Manitoba are a pretty diverse
|
|
bunch.
|
|
|
|
Budget cuts in the Royal Canadian Mounted Police have led to
|
|
the end of a programme to help native candidates train meet
|
|
the minimum qualifications to join the force. The Manitoba
|
|
Grand Chief Phil Fontaine expressed dismay and anger at the
|
|
cutting of the programme, which he says has been successful
|
|
at both increasing the recruitment of native officers and
|
|
improving RCMP-native relations.
|
|
|
|
After a year in which the province opened a new bingo and
|
|
slot machine hall in Winnipeg and licensed 1800 new video
|
|
lottery terminals (VLT's), it has now declared a moratorium
|
|
on further gambling halls, although it will continue to
|
|
license new VLT's.
|
|
|
|
Four native teenagers on their way through Winnipeg to New
|
|
Zealand to take part in the Native Run for Indigenous People
|
|
were left stranded when their coach disappeared with the
|
|
money for their trip. When their situation made the papers,
|
|
voluntary donations came in to pay for their trip, at a cost
|
|
of over $15,000.
|
|
|
|
Finally, in an attempt to cut down on youth crime over
|
|
Halloween, police in Gimli, Manitoba hid behind their cars
|
|
and let children throw eggs at them. In return the kids had
|
|
to sign a form promising not to get into trouble when they
|
|
went out to "Trick or Treat", and if after all that they did
|
|
get into trouble... then nobody would be pulling any
|
|
punches.
|
|
|
|
- Dr. Euan Taylor, Winnipeg, Canada
|
|
|
|
Sources:
|
|
Winnipeg Free Press 1st to 4th November
|
|
|
|
|
|
-- Street Kids in Guatemala City --
|
|
|
|
The capital of this Central American nation, where a civil
|
|
war has raged for more than 30 years and human rights are
|
|
routinely violated, is overrun with tourists and street
|
|
children.
|
|
|
|
The perfectly cone shaped volcanic mountains, the
|
|
magnificent ruins of the Mayan civilization and one of the
|
|
poorest economies in the region are like catnip to North
|
|
Americans and Europeans whose dollars go a long way here.
|
|
Hotels ranging from basic and dirt cheap all the way to posh
|
|
cater to their whims and for those unwilling to trust their
|
|
tummies to the local food, there is the familiar McDonalds,
|
|
Taco Bell and Pizza Hut.
|
|
|
|
In the same place but in a seemingly different world are
|
|
some 5000 to 10 000 children who live on the street (no
|
|
reliable figures exist). They are runaways and throwaways.
|
|
They don't go to school, they don't eat three well balanced
|
|
meals a day and they don't get tucked into comfortable beds
|
|
at night by loving parents.
|
|
|
|
Their beds are the concrete of the streets and their pillows
|
|
are each other. Blankets are a rarity. The lucky ones might
|
|
have a piece of cardboard but for most street kids, the only
|
|
warmth at night comes from the cluster of their bodies
|
|
pressed closely together. Food comes from garbage or what
|
|
they can steal or purchase with money they beg. But more
|
|
important than spending what little money they acquire on
|
|
food is using it to buy glue which is usually manufactured
|
|
in the United States. The glue, inhaled from a plastic bag,
|
|
transports them to an oblivion where the hunger and the
|
|
daily misery of their lives no longer exists - at least for
|
|
a few hours.
|
|
|
|
Rarely do the worlds of the tourists and the street children
|
|
collide and when they do it is usually by way of a light
|
|
tapping on the tourist's arm and the mumbled words "por
|
|
comer", "for food" which may or may not be true. It is easy
|
|
to give a kid a few Quetzals (1 Quetzal is worth 20 - 25
|
|
cents depending on where you change your money) but glue
|
|
only costs four and a half Quetzals for an afternoon's high.
|
|
|
|
Many in Guatemala City have little compassion or concern for
|
|
the street children. They are nuisances, pests and sometimes
|
|
even dangerous. Until recently, they were the victims of
|
|
extra-judicial execution by members of the National Police.
|
|
|
|
The Murder of Nahaman Lopez
|
|
In 1991, Amnesty International released an Urgent Action
|
|
Bulletin documenting the death of Nahaman Carmona Lopez.
|
|
|
|
Published reports and court testimony from witnesses
|
|
indicate that four policemen found 13 year old Nahaman and
|
|
nine other children -- ages 6 to 14 -- sniffing glue. The
|
|
officers seized the glue and poured it over the children's
|
|
heads. Nahaman resisted and the officers, according to the
|
|
witnesses, viciously kicked Nahaman rupturing his liver,
|
|
breaking six ribs and two fingers and left him with open
|
|
wounds on his face. It was said that Nahaman's screams could
|
|
be heard for three blocks. Unconscious, Nahaman was taken to
|
|
a state run hospital where surgery was performed to repair
|
|
his liver. Nahaman died ten days later. No police report was
|
|
ever filed.
|
|
|
|
It was through the efforts of Casa Alianza, an agency which
|
|
provides services to street children, that the world learned
|
|
of Nahaman's murder. Executive Director Bruce Harris led an
|
|
investigation into the incident and brought formal charges
|
|
against the four policemen. The first trial resulted in a
|
|
conviction but on appeal, the conviction was thrown out. A
|
|
second trial also resulted in a conviction and an appeal
|
|
but, this time much to everyone's surprise, the conviction
|
|
was upheld. Nahaman's killers will be in jail for 18 to 20
|
|
years.
|
|
Nahaman's last recorded words were "I only wanted to be a
|
|
child and they wouldn't let me." His coffin was paid for by
|
|
other street children.
|
|
|
|
Nahaman was not the first to be murdered by the police or by
|
|
their friends in the Death Squads. In 1990 when Casa Alianza
|
|
started counting, fourteen children were murdered; in 1991
|
|
there were four. So far, there have been no reports of
|
|
street children murdered in 1992.
|
|
|
|
Founded 11 years ago as part of the New York based Covenant
|
|
House, Casa Alianza is the only ray of hope for many of the
|
|
street children in Guatemala City and several other Central
|
|
American cities. Its extensive network of services includes
|
|
"Street Educators" who befriend the children while they are
|
|
on the streets, offer counseling and provide basic first aid
|
|
for their cuts and bruises, real or imaginary. In a
|
|
backpack, art supplies are carried so the kids can draw or
|
|
paint. And then there is "Where's Waldo". The book
|
|
fascinates the kids to the point that they will put aside
|
|
their bags of glue and pour methodically through the pages
|
|
of the book.
|
|
|
|
For children who want to leave the street, there is the
|
|
"Refugio", a crisis center open twenty four hours a day
|
|
seven days a week which offers a place to live, eat, shower,
|
|
clean clothes, and receive counseling and adult support to
|
|
begin the process of re-socialization.
|
|
|
|
"Leaving the street is difficult" says Eugenia Montorroso,
|
|
Casa Alianza's Guatemala Director. "Children have total
|
|
freedom on the street and in the Refugio there are rules and
|
|
structure and expectations and," she added, "the longer a
|
|
child has been on the street, the harder it is to leave it."
|
|
|
|
According to Montorroso, only about half of the children who
|
|
enter the Refugio will stay for the several months it takes
|
|
to get ready for the next level -- the Transition Home where
|
|
the groups of children are smaller and expectations, which
|
|
include school attendance, are higher. Once successful in
|
|
the Transition Home, the child moves into a Group Home -- an
|
|
even smaller group of children who live in ordinary houses
|
|
scattered throughout the city. Currently, Casa Alianza has
|
|
two Transition Homes and twenty-eight Group Homes. They also
|
|
operate a drug rehabilitation center. Some 550 children
|
|
reside in these various facilities.
|
|
|
|
"Poverty and family factors" says Montorroso, drive kids out
|
|
of families or cause them to be thrown out. "Sometimes it is
|
|
alcoholism or physical or sexual abuse which causes a child
|
|
to run away. Sometimes it is poverty, sometimes it is
|
|
cultural. In our society men do not accept the children of
|
|
another man in a family. Step children become slaves.
|
|
Sometimes they are just abandoned to the streets because
|
|
there is no food to feed them."
|
|
|
|
On The Street With the Street Educators
|
|
It is early in the morning and 24 year old Mary (it has been
|
|
requested that, for security purposes, last names not be
|
|
used), a volunteer from Vancouver, and Wellington, a 23 year
|
|
old Guatemalan economics major at San Carlos University, are
|
|
checking the contents of their backpacks and refilling the
|
|
first aid kit. Wellington checks the battery on the walkie-
|
|
talkie which is carried by all Casa Alianza staff when they
|
|
are away from the facilities or offices. Harassment or worse
|
|
actions by the police and death squads has been a problem.
|
|
|
|
We leave the Refugio and head south on a city bus that costs
|
|
about a dime. We are going to a street nicknamed "El Hoyo",
|
|
The Hole. It is an apt description.
|
|
|
|
Garbage litters the street and the sweet smell of chocolate
|
|
from a nearby factory mixes with the odor of urine and
|
|
feces. Plastic bags from yesterdays or last weeks glue are
|
|
all over. On one side of one block more than two hundred
|
|
discarded bags were counted. Flies are everywhere.
|
|
|
|
Children live here. On this street.
|
|
|
|
Soon, one by one, a dozen boys ages ten to fifteen gather
|
|
around us. They are wary of the gringo with the cameras and
|
|
some exclaim "no foto, no foto" and wave their arms as if to
|
|
make the gringo go away. But the gringo doesn't go away and
|
|
soon the lure of the cameras is too much. They all want
|
|
their photograph taken and want to take photographs
|
|
themselves. The camera is handled almost reverently.
|
|
|
|
All of the boys have bags of glue and when they are asked to
|
|
put their glue in their pockets when they are handling the
|
|
camera, they respond immediately and without question.
|
|
|
|
No one tries to steal the camera and they all patiently wait
|
|
their turn. They also want to be close to the adults, to
|
|
have an arm around their shoulder and, for some kids,
|
|
cuddled. For, in truth, despite the grime that covers them
|
|
and the rags they are dressed in, despite their aggression
|
|
and youthful bravado, despite the glue that has blitzed them
|
|
to oblivion, they are very needy little boys.
|
|
|
|
Out of the back packs come paper, colored pencils and water
|
|
color paints. A small boy is sent off with plastic cups to
|
|
get some water. One boy has a cut that needs cleaning and
|
|
dressing.
|
|
|
|
As they quiet down and begin to work on their drawings or
|
|
paintings, Mary and Wellington quietly circulate among them,
|
|
spending a few minutes with each boy. Mary says that the
|
|
boys are subdued, almost depressed today. A couple of the
|
|
older boys talk about how miserable their lives on the
|
|
street are. They are not, however, willing to give up the
|
|
street. This is their home, their family. It is where they
|
|
feel they belong. And so amid the garbage, they stay.
|
|
|
|
There is one new boy, Jose. He came to the city from the
|
|
highlands because there was no food. But El Hoyo is not what
|
|
he thought the city would be like and he wants to get out.
|
|
The resources available at the Refugio are explained to him
|
|
and he elects to return with Mary and Wellington.
|
|
|
|
After about an hour and a half, it is time to leave. The
|
|
boy's drawings are labeled with their name and date and
|
|
collected -- the boys themselves have no place to keep them
|
|
-- and will be saved at the Refugio for future study. The
|
|
boys are unhappy with the ending of the visit by Mary and
|
|
Wellington but they dare not show sadness. They play becomes
|
|
aggressive - the older ones intimidating the younger ones.
|
|
Jose leaves the street, maybe for good, maybe not; but at
|
|
least it is a start.
|
|
|
|
There are seven Street Educators and they work in only three
|
|
zones, a very small portion of the city. Yet in the average
|
|
week, they will visit with and provide a measure of comfort
|
|
to more than 500 street children
|
|
|
|
Out For A Drink At The Bar El Ray
|
|
"Come have a drink with us" Bruce Harris said. "We are going
|
|
out at 7:30." The bar we visited, Bar El Ray, wasn't much
|
|
but, in some circles, it is well known and, if Harris gets
|
|
his way, it will soon have a worldwide reputation.
|
|
|
|
Not very large, the decor consisted of a few colored lights
|
|
and dozen or so mirrors on one wall. About twenty tables
|
|
were scattered around and only half of the chairs were
|
|
filled. The beer and Pepsi were over priced and all of the
|
|
records in the juke box were scratchy. But this was of
|
|
little concern to the customers - all men except for one boy
|
|
about sixteen who was barely able to contain his excitement.
|
|
The customers did not come the El Ray for the ambiance or
|
|
the drinks.
|
|
|
|
They came for the girls and not one of the eight young women
|
|
working the place tonight appeared to be over thirteen years
|
|
old. The youngest looked about ten and they all knew the
|
|
ropes. They were real pros.
|
|
|
|
"Kimberly" -- at least that is what she said her name was,
|
|
and only Kimberly as she would not divulge her last name --
|
|
was dressed in a semi-clean t-shirt and a short, red frilly
|
|
skirt. Her physical development suggested that, at best, she
|
|
was twelve or thirteen.
|
|
|
|
She came over to our table and flirted with us before taking
|
|
our order of four Pepsis. When she returned with our drinks
|
|
she subtly checked out if we seemed interested in anything
|
|
more and when she realized that we didn't, she was quickly
|
|
off to another table. Other girls came by and left as soon
|
|
as it was apparent that we were tourists not interested in
|
|
purchasing a few moments of cheap sex...
|
|
|
|
According to Harris, the girls cost ten Quetzals - about
|
|
$2.00 depending on where you changed your money. He said
|
|
"the girls are expected to turn ten tricks a night" to pay
|
|
for room and board at the bar. If they don't, he added "then
|
|
they are charged and must make it up another night."
|
|
|
|
Harris explained that the girls are not being paid for their
|
|
work and contends that this is slavery. He plans on going
|
|
after the bar owners -- yes, there are many more places like
|
|
this -- using Guatemala's labor laws.
|
|
|
|
"All of the evidence was turned over to the government
|
|
months ago" he said, adding "they have done nothing." Harris
|
|
would prefer that Casa Alianza not play a major role in
|
|
closing down the bars where the girls sell their bodies.
|
|
Rather, he would like the government of Guatemala to take
|
|
the lead but so far that doesn't seem to be the case.
|
|
|
|
Nor does it seem to be the case that the girls at the Bar El
|
|
Ray will be making their quota tonight. Business is very
|
|
slow. But there is tomorrow and there will be more men.
|
|
Bar El Ray is not unique. On the street nicknamed "El Hoyo"
|
|
there are many like it. Most don't have names but they all
|
|
have little girls turning tricks in order to survive.
|
|
|
|
The Boy the US Didn't Want
|
|
Dressed in a ragged red t-shirt and pants held tight around
|
|
his thin waist by string, he was covered with grime and his
|
|
hair was matted with filth. His blue Nike rip-off sneakers
|
|
were falling apart. Maybe he was fourteen, maybe he was
|
|
twelve. He stood there and said in perfectly fluent English:
|
|
"Excuse me sir, could you please buy me something to eat?"
|
|
|
|
Meet Michael Valasquez, now fourteen years old. His real
|
|
first name is Mynor but he prefers Michael. There is no
|
|
reason why his English shouldn't be fluent because he lived
|
|
in Arizona and Florida for ten years before the United
|
|
States threw him away..
|
|
|
|
Michael got a pizza and told a little of his story. He was a
|
|
year old when his father, Mynor Valasquez Sr., brought him
|
|
to the US illegally. Valasquez Sr., said to be a machinist
|
|
by trade, was working in the United States -- legally -- in
|
|
order to save enough money and return to his native
|
|
Guatemala.
|
|
|
|
Having a one year old must have been difficult for Valasquez
|
|
because, as the records of the Real Life Children's Ranch
|
|
indicate, Michael was immediately given to his grandmother
|
|
in Phoenix, Arizona, where he lived for the next eight or
|
|
nine years.
|
|
|
|
Of his natural mother, Michael only says "She is lost." For
|
|
unexplained reasons, when Michael was about nine or ten, he
|
|
was returned to a father he did not know and became a
|
|
chronic runaway. "My Dad kept beating me," Michael says
|
|
though this never came out in court records.
|
|
|
|
Michael came to the attention of the Juvenile Court, was
|
|
made a ward of the court and placed in the Real Life
|
|
Children's Ranch where the records reveal that he was a
|
|
couple of grade levels behind in reading and math. The
|
|
psychologist who evaluated him, however, was optimistic in
|
|
his appraisal. "Michael was no angel but he was a warm,
|
|
loving boy who actively sought out father figures and
|
|
related well with them" said the Ranch's director, Scott
|
|
Fraser.
|
|
|
|
After a year of making slow but steady progress at the
|
|
Ranch, Michael's father petitioned the Court for a return of
|
|
custody. He had saved $40 000 while working in the US. and
|
|
now wanted to return to Guatemala. The father who had never
|
|
really been a father wanted to take his son back with him.
|
|
|
|
"The hearing took about fifteen minutes" said Mr. Fraser,
|
|
"and the Judge ruled that Mike's dad could take Mike back to
|
|
Guatemala." Fraser says that he and his wife were
|
|
devastated. On June 1, 1991, Michael was forced onto an
|
|
airplane at Miami International Airport and was brought,
|
|
against his will, to a country he did not know.
|
|
|
|
Once in Guatemala City, Michael says "my Dad left me at the
|
|
airport" though it also has been reported but not confirmed
|
|
that Michael was deposited in Rafael Ayau - a government run
|
|
children's home from which Michael escaped. Whichever the
|
|
case, Michael's father continued the pattern of abandoning
|
|
him.
|
|
|
|
Now Michael lives on the street near a market in Guatemala
|
|
City's central zone. It is not a nice neighborhood. He
|
|
spends his days sniffing glue to starve off the hunger and
|
|
the memories. At night he sleeps on the streets with the
|
|
other boys he hangs with. He begs for food and money. It is
|
|
how he eats and how he buys his glue. He is distrustful of
|
|
adults yet at the same time still seeks them out for
|
|
affection. He is small for his age and is often picked on by
|
|
older or bigger kids. Recently all of his clothes were
|
|
stolen. He tries to be aggressive and obnoxious but he isn't
|
|
very good at it. He is as out of place as a fish would be on
|
|
a bicycle and he is struggling to survive in a place where
|
|
the police kill, torture and routinely harass kids like him.
|
|
And he is not being successful.
|
|
|
|
As for Michael's father, it is said that he is back in the
|
|
United States and his specific whereabouts are unknown.
|
|
|
|
Michael says he would like to return to the US and more
|
|
specifically to Scott and Doris Fraser. The Frasers would
|
|
like to have him back. What stands in the way is the US
|
|
government and Michael himself.
|
|
|
|
Eugenia Montorroso is familiar with Michael's plight and
|
|
says "Before anyone can help Michael, Michael has to help
|
|
himself. He must decide that he is worth helping, he needs
|
|
to get off the street." Those who know Michael concur but
|
|
Michael has been effectively taught not to trust nor to take
|
|
risks.
|
|
|
|
So until Michael decides to help Michael, he is slowly dying
|
|
on the streets of Guatemala City.
|
|
|
|
What will happen to Kimberly? Will Jose stay in the Refugio?
|
|
Will Michael get off the street? What will happen to the
|
|
kids who live in El Hoyo?
|
|
|
|
Their future is very dim. Many will die, many will wind up
|
|
in jail, some will eventually get marginal employment.
|
|
"Kids," says Harris, "are on the lowest rung of the ladder.
|
|
Nobody gives a damn."
|
|
|
|
Even Casa Alianza has had its difficulties. Harris said "one
|
|
of our workers was murdered and three others have been moved
|
|
to Canada for their own safety. We have had bomb threats,
|
|
death threats and the Refugio has been machine gunned. They
|
|
have tried to get rid of us, kill us and shut us down and
|
|
all that we want to do his help kids. We are not against the
|
|
army, the police or the government (but) we are sick and
|
|
tired of burying kids (and) we are not about to be patient.
|
|
These things happen because no one is there to say 'this
|
|
should not be.'"
|
|
|
|
- Brian Quinby, Aurora (Illinois), USA
|
|
|
|
Casa Alianza works with street kids in Mexico City,
|
|
Guatemala City, Tegucigaipa, Honduras and in Panama City.
|
|
Readers wishing to support their work with street children
|
|
may do so by sending a tax deductable contribution to:
|
|
|
|
Covenant House/Casa Alianza,
|
|
P. O. Box 731, Times Square Station,
|
|
New York City, NY 10108-0731
|
|
|
|
|
|
------------------------------------------------------------
|
|
DEPARTMENTS
|
|
------------------------------------------------------------
|
|
|
|
-- The Keepers Of Light: No Exit --
|
|
|
|
(Photos only appear in the Macintosh version.)
|
|
|
|
Greetings Cyberspace, and welcome to another "Keepers Of
|
|
Light". This month I thought I'd do something a little
|
|
different, and take this opportunity to share some of my own
|
|
kept light with you. We'll be looking at some of the images
|
|
from "No Exit", an exhibition first mounted at the L.S.P.U.
|
|
Hall in St. John's Newfoundland in 1982.
|
|
|
|
The L.S.P.U. Hall
|
|
Located on beautiful Victoria Street in downtown St. John's
|
|
the L.S.P.U. Hall is an artist-run performance and
|
|
exhibition space. At one time the building was one of the
|
|
largest in town, and was the meeting hall for the Long
|
|
Shoreman's Protective Union from which it gets the name. The
|
|
Hall, as it's called, remained in the union's hands until
|
|
the late seventies when it was purchased by the Resource
|
|
Foundation for the Arts, and became home to the Mummer's
|
|
Troupe, a professional theatre group led by Chris Brookes.
|
|
The building was renovated and upgraded in the mid-80's, and
|
|
now lives on as the Resource Centre for the Arts. There are
|
|
dozens of plays and special events at the hall throughout
|
|
the year. There is theatre, dance, musical events, and in
|
|
the gallery, exhibitions by local artists and photographers.
|
|
|
|
It was for one such event, a Michael Wade production of
|
|
Sartre's "No Exit", that I was approached to do a poster. I
|
|
had had several ideas for the poster, none very exciting,
|
|
and the deadline was fast approaching. I decided to escape
|
|
work for the afternoon and go on a picnic with a friend of
|
|
mine and her young son. We packed up into my disintegrating
|
|
Volkswagen and drove around to the south side of the
|
|
harbour. At the mouth of the harbour, overlooking the famous
|
|
narrows is a well known, but seldom visited souvenir from
|
|
World War II. The Americans took an interest in the
|
|
strategic value of St. John's during the war and, apparently
|
|
expecting U-boats or some other sort of floating trouble,
|
|
the US Naval Engineers were called on to build huge
|
|
reinforced gun emplacements and ammo dumps at the entrance
|
|
to the harbour. These strange concrete bunkers and boxes
|
|
have weathered and crumbled in a most interesting way, and
|
|
the incomparable north Atlantic light turns the scene into a
|
|
spooky alien landscape.
|
|
|
|
I puttered around in the ruins for hours, in amazement at
|
|
the quality of the light and totally forgetting lunch until
|
|
my young companion began to complain of boredom and hunger.
|
|
I looked up and he had curled up into a ball in the square
|
|
window opening in a thick concrete wall. The light from
|
|
outside streamed in around him. I snapped a picture. Then
|
|
another and another. I began to see where I would get the No
|
|
Exit poster shot, and what my next photography project would
|
|
be.
|
|
|
|
I returned to my home and rushed straight into the darkroom
|
|
to develop the negatives. They were all I'd hoped for and
|
|
more. They were brilliant negatives, impossible negatives. I
|
|
immediately started to print them. They were very difficult
|
|
to interpret. The highlights were incandescent where direct
|
|
sunlight played on the lime formations that seeped from the
|
|
cracks in the walls, and in the same negative there would be
|
|
a window into another room with detail in shadows that were
|
|
black with age and gloom.
|
|
|
|
I printed the bulk of the show on Agfa Portriga paper, and
|
|
naturally made extensive use of dodging and burning to bring
|
|
out the details in a number of the images, but most of them
|
|
required surprisingly little manipulation. Others, such as
|
|
the poster shot, I decided to alter with a printing-out-
|
|
posterization technique. The range of lighting and the
|
|
strangeness of the location made for exciting
|
|
posterizations, and yet it also meant that the altered
|
|
images coexisted with their less exotic neighbors in the
|
|
exhibition without seeming loud or gratuitous. The overall
|
|
effect is one of harmony.
|
|
|
|
As soon as practical, I returned to the site, this time with
|
|
three models. It was the first experience they had had with
|
|
modeling (aside from birthday pictures and so on) and they
|
|
were terrific sports, I must say. They all worked hard to
|
|
give me whatever feeling I would ask for, and never
|
|
complained if I made them crawl up walls or jump up in the
|
|
air thirty times in a row. And they worked for
|
|
cheeseburgers, something today's models might not consider.
|
|
|
|
All in all, I'm extremely pleased with the way the shoots
|
|
worked out, and the prints are some of my most prized. I
|
|
hope you enjoy them.
|
|
|
|
- Kent Barrett, Vancouver, Canada
|
|
|
|
|
|
-- Deja Vu: A Talk With Thabo Mzilikazi --
|
|
|
|
The Deja Vu article this month centres around the theme of
|
|
Human Rights (see October '93 issue).
|
|
|
|
Q: Could you tell us a little bit about yourself?
|
|
|
|
A: Yes. My name is Thabo Mzilikazi. I am from South Africa.
|
|
I was born in a city called Johannesburg. I am a member of
|
|
the African National Congress (ANC). The ANC is a political
|
|
organization currently fighting for the struggles of the
|
|
South Africans today, and is guaranteed to have 80% of the
|
|
vote sometime next year in April.
|
|
|
|
I have been an activist all of my life, and I have been to
|
|
prison for some time. Right now, I feel very strongly that
|
|
the ANC has done a lot. And it is about time that the people
|
|
in America should know about what is happening in South
|
|
Africa.
|
|
|
|
Q: How do you feel about what is happening in South Africa
|
|
today?
|
|
|
|
A: As much as I say a lot has been done, I also feel that we
|
|
shouldn't just relax and say the apartheid system is going
|
|
out the window or the apartheid system is dying, because it
|
|
hasn't. It is still alive and kicking. And we need people to
|
|
march with us in this last mile of our struggle. So it will
|
|
be very important for people to come and listen to what I
|
|
have to say. Also I think they will be in a position to gain
|
|
a lot in terms of other struggles happening in other
|
|
countries like Somalia and Haiti. I feel that those who are
|
|
so-called "minorities" in this country have a lot to gain
|
|
from our struggle because they, too, have their own
|
|
struggles; they're all making waves and they have always
|
|
supported us in our struggle.
|
|
|
|
However, I'm not quite sure if I will be talking directly
|
|
about amnesty...I shouldn't speak for the ANC itself, but my
|
|
feeling is that we are not going to simply allow general
|
|
amnesty because we are changing the system...There has been
|
|
a lot of damage since this regime has been in power (from
|
|
1948). And I don't think it is fair for us to just let
|
|
everything go and call for general amnesty.
|
|
|
|
Q: You have heard of Amnesty International, the
|
|
organization?
|
|
|
|
A: Yes, I have.
|
|
|
|
Q: What have they done in South Africa, to your knowledge?
|
|
|
|
A: To my knowledge, they haven't done much -- yet. I think
|
|
they also want to drive for general amnesty in South Africa,
|
|
of which I say again, in many ways, it is not going to
|
|
work...Some kind of pardoning has to be done, but on the
|
|
other hand, it has to come with a lot of work.
|
|
|
|
Q: So, not a blanket amnesty?
|
|
|
|
A: Yes.
|
|
|
|
Q: What do you see in the future of South Africa, both in
|
|
the short term and the long term?
|
|
|
|
A: In the short term, I would say, things are going to get
|
|
worse before they get better. And in the long term, of
|
|
course, we are guaranteed to become the most powerful
|
|
country. A lot of African countries look up to South Africa,
|
|
and they have supported our struggles. So the liberation of
|
|
the South African people is the liberation of the African
|
|
people at large. It is also an example for other countries
|
|
working for democracy.
|
|
|
|
Q: What do you think that the youth of today, both here in
|
|
the US and in other countries, what can they do to help
|
|
facilitate peace and democracy in South Africa?
|
|
|
|
A: We are not specifically calling for the youth to help
|
|
facilitate democracy in South Africa. It is difficult for
|
|
people to facilitate peace and democracy right here [in the
|
|
US], but the little that they can do, we appreciate. For
|
|
example, I would urge them to call upon their
|
|
representatives to speed up the process in South Africa
|
|
because, as it is right now, there has been a lot of
|
|
violence in our country, and none of it ever comes up on the
|
|
news. Only when there is one specific issue that they have a
|
|
vested interest in, then you will see it on the news. Other
|
|
than that, nothing ever comes up. Yet, I feel that this
|
|
country especially has a lot to benefit from my country. So
|
|
it is important then that the youth of this country -- they
|
|
should be in a position to know about not only South Africa,
|
|
okay, but other struggles in other countries. That will help
|
|
because I feel that people have been shut out for too long
|
|
and, yet, they have a role to play. ... So they should try
|
|
and minimize ignorance and start sharing with each other.
|
|
|
|
My favourite quote, one which is usually used in the African
|
|
National Congress, is: "Each one, teach one."
|
|
|
|
***
|
|
|
|
Thabo Mzilikazi, a representative of the Youth League of the
|
|
African National Congress and also a student currently
|
|
attending Weber State University, spoke on 16 November 1993
|
|
at 10:30 am in the Social Science building at Weber State
|
|
University in room 235. His talk was sponsored by the WSU
|
|
chapter of Amnesty International.
|
|
|
|
Renew your interest in preserving human rights: attend your
|
|
local Amnesty International meetings!!
|
|
|
|
- Johnn Tan, Ogden (Utah), USA
|
|
|
|
|
|
-- The Quill: Flotsam, Jetsam --
|
|
|
|
To Ray Bradbury
|
|
|
|
There was once a little girl who did not speak or smile. She
|
|
was like that for a very long while, but no one noticed that
|
|
she was strange. Oh, you mustn't think that she did not
|
|
speak at all or smile at all, she did. But as some people
|
|
who are considered wise and learned say -- her smiles and
|
|
speech were not significant, they appeared only when
|
|
required by external stimuli. That is to say, of course,
|
|
that she smiled and spoke only when she was expected to do
|
|
so.
|
|
|
|
Her parents were at first worried, but not overly so -- a
|
|
quiet child, after all, is a welcome novelty in our days and
|
|
times. And, since she threw no tantrums, they were satisfied
|
|
in their child. After a while they became convinced that
|
|
they were singled out by Lady Luck, and given a quiet child
|
|
to succour them as they grew old. And, as you know, proud
|
|
parents nowadays always share their pride with their
|
|
children, so the little girl soon knew what was expected of
|
|
her.
|
|
|
|
The child grew and lived out her quiet life, serene and
|
|
silent. No one, not the other children in kindergarten, nor
|
|
her school-mates knew her to speak or smile out of turn. But
|
|
when she smiled, she did so at the clouds or at birds or at
|
|
people on the street. Sometimes she smiled at the air. But
|
|
these smiles were rare.
|
|
|
|
Yet this child had another, secret life. Sometimes, when no
|
|
one who knew her could see, when no one who did not know her
|
|
could tell to those who did, she took to the air and flew.
|
|
|
|
At first, her flights were very brief and close to the
|
|
ground, for she did not wish to be noticed. But, as the time
|
|
passed, the flights became longer and their height became
|
|
greater. And as her flights became longer and higher, she
|
|
allowed herself to smile for no other reason than to smile,
|
|
to sing for no other reason than to hear her own voice, to
|
|
look down at the hills only to see their rolling greenness.
|
|
But whenever she came back to her home or school, she again
|
|
assumed her quiet, serene life, with no one the wiser.
|
|
|
|
During her flights she might meet people like her, or
|
|
slightly like her. As you all know, not all that flies is a
|
|
swan, and some are very far from what those people who
|
|
obfuscate call Cygnus Olor or Cygnus Atrata. To her fellow
|
|
fliers she gave a brief, shy smile and banked away, to
|
|
remain alone above the sand dunes of the beach or alongside
|
|
the stumpy olive trees of the mountains.
|
|
|
|
When she was very certain of her ability to fly, she
|
|
sometimes ventured into city suburbs, though only during the
|
|
late evening, and flew around, looking into windows and onto
|
|
balconies. She especially liked the summer nights, when many
|
|
people's inhibitions disappear and some of them, those that
|
|
might have been like the girl had they an opportunity,
|
|
danced naked on the roofs and let moonlight cast fleeting
|
|
shadows around them. If these people, if these might-have-
|
|
been fliers had children she would sometimes alight on their
|
|
window, and whisper of the flight, of the hidden meetings
|
|
with the hawks and the albatross. And if, visiting one of
|
|
the lonely spots where she first practiced her flights, she
|
|
met one of these children, she would sit awhile and watch
|
|
them or even fly a short while with them.
|
|
|
|
You mustn't assume that this girl or young woman lived only
|
|
in her flights. In her mundane, her regular life she painted
|
|
nature-morts in browns and greens and yellows. When she was
|
|
somewhat older, these sold modestly enough to put some red
|
|
wine and goulash soup on her table, and a small Piaggio
|
|
scooter near her apartment.
|
|
|
|
If she chanced to meet one of the fellow fliers on the
|
|
street, she would smile at him or her, or even wave her
|
|
hand, and continue on her business. The other flier would
|
|
also smile, and also wave, and, sometimes, follow her with
|
|
his eyes. And when they would meet during one of their
|
|
flights, they would, laughing, tell each other how they
|
|
excused knowing someone very alien and strange to their
|
|
parents or acquaintances or spouses.
|
|
|
|
But one day, when she was on her way home, there was a
|
|
traffic accident and the young woman was killed. And as she
|
|
died, she screamed. It is now no longer known whether this
|
|
scream was short or long, but it was hoarse and demanding,
|
|
quite unlike her life. It quivered and rose, very unlike her
|
|
polite smile. It was savage and raw, so unlike her quiet
|
|
speech. It was and was gone.
|
|
|
|
- Marc A. Volovic, Jerusalem, Israel
|
|
|
|
|
|
-- The Wine Enthusiast: Gamays --
|
|
|
|
A few columns ago, I talked about a class of wines that seem
|
|
to get no respect, that most light of red wines, rosees.
|
|
Well, another class of light red wines also receives little
|
|
attention from consumers and producers alike, Gamays.
|
|
|
|
Gamay is the grape variety used exclusively in Beaujolais,
|
|
it was once one of the most popular red wines in the world,
|
|
long before Cabernet became synonymous to consumers with red
|
|
wine. (Beaujolais Nouveau has increased in popularity, but
|
|
this most overrated wine won't be discussed here.) Over the
|
|
last few decades, tastes have shifted to darker, more potent
|
|
red wines for everyday drinking, and Beaujolais and Gamay
|
|
wines have lost some of their appeal.
|
|
|
|
Gamay wines are simple wines. They ideally are rather one
|
|
dimensional, in the sense that the are not structured around
|
|
a tannic core, or layered with tannins and flavors of oak.
|
|
They are not vinified to extract maximum color and flavors
|
|
from the skins. They simply must express first and foremost
|
|
the brilliant fruit flavors and delicate aromas of the grape
|
|
itself.
|
|
|
|
Gamay wines should typically exude fresh cherry and
|
|
strawberry flavors, and soft floral aromas. The ideal in
|
|
Gamay wines is to be homogeneous and pure, like the coherent
|
|
light from a ruby laser, rather than opalescence expected
|
|
from Cabernet wines.
|
|
|
|
Oak aging, extended fermentations, even low yielding vines
|
|
are not necessary, or even preferred, to make good wines.
|
|
The Gamay vine is a prodigious yielder -- wine quality does
|
|
not suffer with yields up to five tons per acre, its basal
|
|
buds are extremely fruitful -- which allows for mechanical
|
|
pruning and harvesting, and it is tolerant of warmer and
|
|
cooler growing sites, since it is has naturally high
|
|
acidity, and is an early ripener. For New World wineries
|
|
situated in moderate climates, Gamay can be a quality wine
|
|
that can be produced at a very reasonable cost.
|
|
|
|
Gamays do benefit from a unique kind of fermentation
|
|
however, called carbonic maceration. This is a different
|
|
kind of fermentation than ordinary yeast or bacterial
|
|
fermentation. In carbonic maceration the grapes are left
|
|
uncrushed under a blanket of carbon dioxide, where enzymes
|
|
within each grape berry break sugars down into alcohol and
|
|
carbon dioxide. Delicate volatile flavors and aromas are
|
|
produced and preserved through this technique, and few
|
|
tannins are extracted from the skins. By varying the amounts
|
|
of must fermented through carbonic maceration and ordinary
|
|
fermentation, the winemaker has a wide spectrum of wine
|
|
styles from which to choose. Last year I tasted three '91
|
|
Willamette Valley, Oregon Gamays. They were some of the
|
|
finest Northwest wines I've ever had, even though they cost
|
|
under ten dollars a bottle and were made for immediate
|
|
consumption.
|
|
|
|
California tried to break into Beaujolais' monopoly on Gamay
|
|
wine years back, by making similarly styled wines with the
|
|
inaptly named varieties of Gamay Beaujolais and Napa Gamay.
|
|
Both are merely inferior Pinot Noir clones that make light,
|
|
dull, and tasteless wines. Only the true Gamay grape it
|
|
seems, known as the Gamay Noir (confusingly) in the
|
|
Northwest, can pull off the impossible task of becoming
|
|
delicious, and inexpensive light styled red wine.
|
|
|
|
I hope Gamays from the New World can achieve the levels of
|
|
popularity and reputation that Beaujolais has enjoyed of the
|
|
years, because the potential is enormous for the growing
|
|
number of consumers interested in quality wine at a
|
|
reasonable price.
|
|
|
|
- Tom Davis, Vancouver, Canada
|
|
|
|
|
|
------------------------------------------------------------
|
|
NEXT MONTH
|
|
------------------------------------------------------------
|
|
|
|
History Lessons: tune in next month when we examine the
|
|
historical backgrounds of several cities around the world.
|
|
Readers, please feel free to contribute.
|
|
|
|
Also next month, Kent Barrett will be bringing you The Photo
|
|
Based Gallery in his regular column, The Keepers of Light.Ê
|
|
|
|
|
|
------------------------------------------------------------
|
|
BIOGRAPHIES
|
|
------------------------------------------------------------
|
|
|
|
Kent Barrett
|
|
Kent is a Vancouver artist with over twenty years experience
|
|
in photography. His work has been exhibited in galleries
|
|
across Canada from Vancouver to St. John's, Newfoundland. He
|
|
is currently working on his first nonfiction book "Bitumen
|
|
to Bitmap", a history of photographic processes.
|
|
|
|
Ryan Crocker
|
|
Ryan is a Vancouver actor, writer, director, and general
|
|
mouthpiece. He has worked in Vancouver, Victoria, and Los
|
|
Angeles. His resume looks like a parts list for an aircraft
|
|
carrier -- long and varied. He enjoys good friends,
|
|
conversation, and playing with his pet iguana, Isis.
|
|
|
|
Tom Davis
|
|
Tom is a wine maker who lives and works in Vancouver,
|
|
Canada. A former brewmaster, a painter and amateur (in the
|
|
truest sense) film maker. Currently a Philosophy
|
|
undergraduate at Simon Fraser University, Tom seeks to start
|
|
his own vineyard.
|
|
|
|
Jon Gould
|
|
Jon teaches law and political science at both DePaul
|
|
University's International Human Rights Law Institute and
|
|
Beloit College. He is a former counsel to the Dukakis-
|
|
Bentsen Campaign and has served as General Counsel to the
|
|
College Democrats of America and Vote for a Change.
|
|
|
|
Anand Mani
|
|
Anand is a Vancouver, Canada-based corporate communications
|
|
consultant serving an international clientele. Originally an
|
|
airbrush artist, his painting equipment has been languishing
|
|
in a closet, replaced by the Mac. It waits for the day when
|
|
"that idea" grips him by the throat, breathily says, "Paint
|
|
Me" and drags him into the studioÑ not to be seen for
|
|
months.
|
|
|
|
Brian Quinby
|
|
Brian is a Counselor the Illinois Mathematics and Science
|
|
Academy in Aurora, Illinois who has been utilizing his free
|
|
time to document the lives of street children in Guatemala.
|
|
His photographs have appeared in NACLA, The Boston Globe and
|
|
on the AP wire and in other publications.
|
|
|
|
Dr. Michael Schreiber
|
|
32 years ago, born near Salzburg, Gemini Michael
|
|
reconstructs social and business realities as self-similar
|
|
competitive environments at the Department of Marketing at
|
|
the Vienna University for economics and business
|
|
administration.
|
|
|
|
Johnn Tan
|
|
Johnn is a Mathematics major at Weber State University in
|
|
Ogden, Utah, USA. He is one of the founders of Wasatch Area
|
|
Voices Express (WAVE), an alternative Ogden paper. When he
|
|
isn't eating vegan food, cooking, hiking, or philosophizing,
|
|
he is active in politics, socialism, and feminism.
|
|
|
|
Dr. Euan R. Taylor
|
|
Euan grew up in England where he did a degree in
|
|
Biochemistry and a Ph.D. Before moving to Canada, Euan spent
|
|
6 months traveling in Asia. Now living in Winnipeg, he is
|
|
doing research in plant molecular biology, and waiting to
|
|
start Law School. Interests include writing, travel,
|
|
studying Spanish and Chinese, career changing and good
|
|
coffee. Pet peeves: weak coffee, wet socks and ironing.
|
|
|
|
Marc A. Volovic
|
|
Marc was born in 1967 in Ekatirenburg and was emmigrated
|
|
perforce to Israel in 1976. Now resigned to his fate he
|
|
lives in Jerusalem and studies Structural Linguistics, after
|
|
a brief and inconclusive romance with Computer Science.
|
|
Likes to cook and shoot.
|
|
|
|
Ian Wojtowicz
|
|
Ian is currently enrolled in the International Baccalaurate
|
|
program at a Vancouver high school. His interests include
|
|
fencing, running big projects (like Teletimes) and sleeping
|
|
in. He was born in 1977 in Halifax. He has since lived in
|
|
Nigeria, Hong Kong and Ottawa and travelled with his parents
|
|
to numerous other locations.
|
|
|
|
|
|
------------------------------------------------------------
|
|
Reader Response Card
|
|
------------------------------------------------------------
|
|
|
|
If you enjoy reading Teletimes and would like to see it
|
|
continue to bring you great electronic articles, please fill
|
|
out this card, print it and mail it to:
|
|
|
|
Teletimes Response Card
|
|
3938 West 30th Ave.
|
|
Vancouver, BC, V6S 1X3
|
|
Canada
|
|
|
|
You may also e-mail it to: ianw@wimsey.com or post it in the
|
|
Onenet conference "International Teletimes".
|
|
|
|
Name:_______________________________________________________
|
|
|
|
Age:______ Sex:______
|
|
|
|
Address:____________________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
E-mail address:_____________________________________________
|
|
|
|
Computer type:______________________________________________
|
|
|
|
Occupation:_________________________________________________
|
|
|
|
Hobbies, interests:_________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
Other electronic publications you have read:________________
|
|
|
|
____________________________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
Number of people you know who have read Teletimes:__________
|
|
|
|
Comments:___________________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
____________________________________________________________
|
|
|
|
____________________________________________________________
|
|
|