1166 lines
34 KiB
Plaintext
1166 lines
34 KiB
Plaintext
T A M e R S H R e W ... vol. 5
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¿¿¿¿¿¿¿¿¿¿
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¿¿¿¿¿¿¿¿¿¿
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¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿
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¿¿¿ ¿¿¿ ¿¿¿
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¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿
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¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿
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¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿
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¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿
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¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿
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¿¿¿¿¿¿¿ ¿¿¿
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¿¿¿ ..edited, compiled, preliminarily perused
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¿¿¿ felt up, jostled and spell checked by,
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Mount
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For entertainment, enrichment only. All rights retained by the authors.
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===================>-WorDs--To---------<====================
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===================>----------Be-HaD---<====================
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1>Pain, as related by my left foot ...Black Sabbath
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2>Awoke ...Ailehs
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3>SC400 ...Stretch
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4>Snuff the Bitch ...Christopher Bickerstaff
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5>Cosmic Whore ...Brandon Awbrey
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6>Average ...Stretch
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7>The Vampyre's Tale ...Anthony Most
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8>Memories ...Chuck U. Farley
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9>flowers, a puppy ...Black Sabbath
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10>Wise words ...Christopher Bickerstaff
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11>Passion ...Xann
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12>Czardu Street Beacon ...Fortunate Hazel
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13>SSN-SS-NSSN; an end of an era ...Anthony Most
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14>Disillusion ...Black Sabbath
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15>Excerpt from the Novel; BROKEN WIND ...Brandon Awbrey
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===================>-------------------<====================
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===================>-------------------<====================
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-Pain, as Related By My Right Foot ... Black Sabbath
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shadowboxing
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in my native form
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treading upon
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devious surface
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so reassuring
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yet all too wrong
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left
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right
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left
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imagined foe goes down
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primal instinct
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feral right
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the mighty hunter strikes his prey
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left
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right
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left
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victory bout
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left again
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right once more
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but tentative, as
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righthand foot grips,
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only to seize air;
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reassurance asserts its hidden countenance
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and the mighty hunter slips on his bathroom floor
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searing pain
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envelopes the toe
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enmeshes collagen and cells
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within its tangled howls
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brain anguishes
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by its presence
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unseen fangs
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strain through broken flesh
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predator's predator
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iridescent poison
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hidden in subconscious
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fear is in its toxin
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and so the misty serpent
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teaches him not to shadowbox too close
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to sneaky puddles on his bathroom floor
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and the hunter slips on his bathroom floor
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... kjl
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Awoke ... by Ailehs
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Never,
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Never have I awoke.
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Never.
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Never until today.
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How strange.
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How strange to see
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What has never been seen.
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Eyes open, but no reality seen.
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Blind there, somewhere, not here,
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Here where I am now.
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Now, I see today.
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Today, I see reality.
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Reality. fun, loving reality.
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--you asked me once what I meant
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when I told you, "I woke up today."
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My thoughts here, hopefully express
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how I have never felt the beauty,
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warmth, and sincerity that you have
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now given to me. I'm aware (awaken)
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of an unfamiliar, special relationship
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that I have never experienced.
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In this new land I want only to
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learn, live, love, and thrive
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for all eternity.
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SC400 ...Stretch
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Almost died tonight...
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that close, right there,
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airborne SC400, big one *above*
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me man ... ABOVE me.
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And a little guy driving...
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And me wondering at my
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heart beating through
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my chest...and him promising
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me riches to whisk him away
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from the cops and the EMS
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and the wreckers and the lights.
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Why the fuck did he have to
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ask me for my name?
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"Help me, help me, help me .. Joel .. I'll make it worth your while ...
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I've had a bit to drink, you see ... help me, help me, help me."
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A crowd of 25 around this
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fuck...
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Little drunken fuck almost killed.
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me...
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He picks me .. to help, help, help.
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Over and over ... 5000.00 if he stays,
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1000.00 if he goes. Relax. Gotta
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hang a while. You almost killed me
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you little Lexus driving piece of shit.
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Almost died tonight...
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that close, right there,
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airborne SC400, big one *above*
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me man ... ABOVE me.
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[*]
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(fuck .. I almost died *again* ...)
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Snuff the Bitch ...Christopher Bickerstaff
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Night and day. Day and night.
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For seventeen and a half years,
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I've had my parent's asses on my head.
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No arms, no legs, just a little quadriplegic,
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I lie wedged between their butt cheeks.
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You can bet I hate it when they fart.
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I try to roll out but I'm stuck too tight,
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their asses clench.
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No arms, no legs, not even a head, dammit!
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If I try to extend them they are crushed.
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There is only room enough for my tight, little shell.
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I am suffocating, but they say I need no air.
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I struggle, struggle, struggle to escape and they clench tighter.
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Crack!
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My shell breaks and I am squashed.
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I run like diarrhea from them and
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the shards of my shell stick them in their asses and
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make them bleed.
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Angry, they look down at the puddle of Me.
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Oh! So disgusting.
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They call me ugly and gross.
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"You made this," I cry but they just say,
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"Get yourself together."
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So I just flow around and barefoot people step in me and cry,
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"Fuck!" or "Shit!" of "God damn it!" or
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some other exclamatory curse word.
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Flies upon my back, I go and I grow,
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lowest of the low.
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--Christopher Bickerstaff--
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(--Excuse Me--)
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Cosmic Whore
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from the novel INSTANT KARMIC SOUP
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Copyright 1991 Brandon Awbrey
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A gaze I heard.
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(A gaze you heard? How did you do that?)
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I don't know, but I heard it, sure as hell.
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As sure as a morning song, a mourning song, mourning
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another day gone by. Another day that went by without
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showing me any acknowledgement. Oh ho, so so, uh oh!
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Here we go.............!
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She was a chainsaw sister
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Never seen a sun's blister
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I sure wish that I had kissed her,
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So that now I wouldn't miss her,
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'Nother 'Ho'!
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Not so!
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She sighs she a-make-a-me cry oh no the sister is
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strong. How can the memory of a burnt book of
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pointless poems fit you so well? How come you look
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like you can wrap me around your little finger without
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me even knowing it. I know now.
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So, ho. So hip.
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The vibe of that gaze I heard sounded ever clear,
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Forget the Everclear, I see straight without...can't
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have none of that jam....So clear that I didn't even
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hear that gaze but for a split of a second. But that
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was, enough.
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Yeah, you look like you could get really heavy into
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my pain, even cry for me, even try to make amends
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for problems you didn't even cause, such a sweet thing,
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haunting, daunting little girl with a laugh.
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Run that tape again, but how do you record a gaze?
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How come I heard it? I saw it too, of course, but
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what I saw was just a look and wink and smile of a
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girl not much more very really hip than me, uh huh.
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Get a grip, you lost fool. Get a grip.
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Not much more than a single imprecise unaltered natural
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chord, two peace frogs jumping to a different by
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harmonic frequency miles away in a swamp in Georgia,
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peaceful like, yeah.
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So she winked and walked off, all sound gone, me
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tripping like, sorta just standing there, checking
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out the perimeters of a brand new reality, drop the
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pen in my hand, it falls to the ground, yes, gravity
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still exists. Sure, sure.
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And you think 'ho.'
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Whore of space and time and beautiful sounds, she
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sells it all and it's all in the sounds of her gaze,
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sweet thing.
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Knarly like. Just Rad.
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So in a time, a momentary crisis, I run out the door
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and watched her walk off and I think maybe, just maybe,
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I should follow. Very true, a thought like that.
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No question of right or wrong, it was just a true
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thought. Like when a little kid runs out in front
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of your truck while you're haulin' ass at fifty or
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some shit and you stop, so as not to kill him so.
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You don't think should I or should I not kill this
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little human? You just stop. That's a true thought,
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no decision involved. So I follow the Cosmic Whore.
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"Hey, you," I call, quite a miracle that I was able
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to speak, being so mesmerized by such a magnificent
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posterior. She turned and looked back, saw it was
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me, stopped, gaze and smiled------------SHOCK ME.
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The magnificent sound.
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MTV, sight and sound, extremely righteously.
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A slightly quicker recovery I make, learning quickly.
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"Yeah, dude?"
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"Uh, well, uh well. Well, I well, uh. Uh-"
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"Yes?"
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Gaze, raised her eyebrows (a new twist) and smile.
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Boom! What a sound.
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"Uh, uh. Uh, I, uh, I, I---"
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"You got somekind of speech problem?"
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"No. What I'm trying to say is that you walked out
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and I couldn't help but follow."
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"Great. Just what I need. Another man controlled
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by his dick."
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"That's not it. I love you."
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"You love me, huh?"
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"Yeah, you are a poem I wrote, long ago."
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"That's a new one. Pretty creative, dude!" she smiled.
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BOOM! The gave I heard.
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"So ask me out, dude. Read me your poem. Whatever.
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Don't just stand there."
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"You want to hear it?"
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"Sure, dude. Just don't take me anywhere cheap,"
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she smiled again, BOOM.
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Hot check time.
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So Jack was back. Come to me again, bleached and
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repainted appropriately to the colors of the
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environment.
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What a fool I was.
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Average ... Stretch
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Average?
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And what about the lines
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your muscles draw along
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your forearms, stretching
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the skin ... showing the veins?
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Those little hairs on the
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back of your neck ... nape,
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it's called ... and those are
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average? Your smell ...
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covered with clean clean
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sweat .. hair wet from it ...
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eyes lit with it ... everything
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damp? Your legs ... what
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with the way you laugh and
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all ... smile ... all of this average?
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You are beauty. The most.
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And if average is the most
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beautiful, well then dear,
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you are so very average.
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"The Vampyre's Tale"
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Anthony Most
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Vampyre walks out the door
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Doesn't say what he's got in store
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Waxes his fangs, cleans his skin
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Yells out to the world
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"Let the killings begin!"
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Young lad Mary taking a walk
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At the mid of night, in the dark
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Vampyre breaks up the order
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And puts his fangs next to her shoulder
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Neck is bloody
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Now she's dead
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Follow the trail
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Coloured deep, deep red
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Vampyre leaves and looks for more
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Bloody fangs show what he's got in store
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All that night the same occurs
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Some with boots, others wearing furs
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Read the news in the morning paper
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Cover story's on Jack the Raper
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In a bed he hides
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When daylight breaks
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But by the dusk
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Life is what he takes
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He wishes it'd stop
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He wishes it would end
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But it's his honour and his life
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That he must defend
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Memories
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Chuck U. Farley
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My Grandmother's freezer died recently.
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This wouldn't have been noteworthy except for the fact
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that it contained The Blackberries, the blackberries that I
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and my grandfather used to pick. It was one of many things
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we did together. I still remember the warm days, the fun
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times, and the barely contained obscenities we'd mutter when
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we were stuck by thorns. Even after my grandparents moved
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to another house and left the bush behind he and I thought
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about them fondly, my grandmother would refresh our memories
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with terrific jams and jellies made from them. Now that
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they are gone, I don't really have much left physically to
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remember him by.
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Excluding a burial flag, an honorable discharge, and
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memories, everything I had left between us turned into mush
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in a 35-year old freezer that died in it's sleep during an
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extended vacation.
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I know that it is somewhat weird to get emotional over
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frostbitten fruit, and old machines do break down; but
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damnit, it was all I had and I didn't even realize it until
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they were gone. I know I should have done more when I had
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the chance, but in my stupidity, and youth, I didn't even
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try. I can just barely remember what he looks like now!
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At least I have memories, but I will miss the blackberries.
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-flowers, a puppy ... Black Sabbath
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a little lost puppy
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alone in the fifth precinct
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a little lost boy
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searching
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needing
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his little lost soulmate
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poor child
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bereft of hope
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tears streaming
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and heart in hand
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pleads to the man
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behind the glass counter
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walks away
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walks away
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with no more
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than a few words,
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little to quell
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the pain welling inside
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turns away
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away from it all
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his world shattered
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all gone
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all too futile
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he loses his only friend
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his last hope
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his
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he runs
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thunder rolls in his ears
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rubber soles against cement
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through the jungle, the netherworld
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he runs
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toward his future
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river of tears
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coursing through his soul
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around him
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blurred images
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slurred time
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toward his future
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toward his friend
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runs
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his heart bursts
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mind engaged in a profusion of loss
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onward
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onward
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through reality he escapes
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beyond the horizon
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beneath the heavens
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he leaps
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into the wind
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sputtering cry
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and with that
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a final vision of flowers
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muted agony
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he collapses
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onto the indifferent cement
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The Wise Words of the Wascally Wabbitt
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Pigs can fly but their mommies tell them not to.
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I was going to save the world but I somehow forgot to.
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Reality is constant, but life is how you see it.
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If we can preach perfection, how come we cannot be it?
|
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Why are we so arrogant, to impose on others our own beliefs?
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We all worship the shadow of truth, but very few the truth perceive.
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Tolerate all but intolerance.
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Become a paradox.
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Search yourself, to see yourself.
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Unlock your soul's hard locks.
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Eat your words and then vomit them.
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Defile and betray the dead.
|
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We've all forgotten what it means and only the how now haunts our heads.
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( A Children's Rhyme: Flight of the 32 Oodiks )
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( )
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(Humility is lack of bias. )
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(Don't lose your passions to be pious. )
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(This blind world fights for Mammon's flax. )
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(At the murder scene you'll find your own tracks. )
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(Satan is your own dark heart. )
|
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(You'll never finish until you start. )
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Your best friend is yourself and you are your own worst enemy.
|
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Desires are what bind you.
|
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Understanding lets you see.
|
||
Acceptance plants the seeds of peace, but love, love sets you free.
|
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|
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|
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--Christopher Bickerstaff--
|
||
|
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|
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Inspired by The The, Robert Anton Wilson, and a midnight walk to a pear
|
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tree.
|
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|
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|
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****Watch Out for this guy. He's behind it all. Everything.
|
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M.M.
|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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--this is know place for a writer. ... Xann
|
||
|
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|
||
|
||
i was there anyhow, taking the occasional picture of the occasional
|
||
person, passing the occasional judgement on the most worthy occasion
|
||
i've
|
||
seen in others thus far:
|
||
|
||
passion.
|
||
|
||
passion.
|
||
lust for life and all its death. loathe for evil and all its good.
|
||
wince at doing what you should.
|
||
i'm writing it all down.
|
||
|
||
|
||
--no place for a philosopher, either.
|
||
|
||
|
||
still, each had its own religion, justification. one, a hi schooler,
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||
plans
|
||
to destroy his fellows, if you will, merely by showing them the scores
|
||
from a standardized test hell soon be taking. he sits closer and closer
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||
to
|
||
that girl each time i speak to her.
|
||
|
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passion.
|
||
|
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passion!
|
||
just for strife and its shortness of breath. wont for good and the evil
|
||
ensuing.
|
||
wince at doing what you should.
|
||
...i'm putting it into the small end of my cone.
|
||
|
||
|
||
--no place for a passionate head.
|
||
|
||
well, maybe. downriver dennys is a fair place to write, with as much
|
||
distraction as one might allow. a fair place to talk if the people are
|
||
right. a very volatile place, if the flame it sparks is for
|
||
egoenlargement. i'm told that anything good here, anything praying to
|
||
and
|
||
allowing itself to be preyed upon by writers, philosophers, poeticians,
|
||
and
|
||
the like, is bound for corporate glory. nothing sacred, nothing
|
||
underground. not for long.
|
||
|
||
--a good place for a dreamer, with hi hopes, hi aspirations, dreams to
|
||
match the farthest star.
|
||
a good place to play my guitar!
|
||
|
||
-|-
|
||
|
||
i work inna drugstore now.
|
||
i sell dope to poor people.
|
||
on lil pieces of paper
|
||
and lil foil cards.
|
||
theyre so easily ripped up
|
||
and put into the trash
|
||
and so very often that is JUST the result:
|
||
one might wonder why
|
||
anyone would buy it.
|
||
when they all know
|
||
theres a one inna million chance
|
||
of a Good Trip.
|
||
but still they come.
|
||
and my face is friendly.
|
||
my ear, sympathetic.
|
||
my conscience, guilty as charged.
|
||
my smile, genial.
|
||
my heart, maddened.
|
||
my superior dopedealing officer was in the other day
|
||
with a fresh shipment.
|
||
said it all their own doing.
|
||
noone he said put a gun to a head
|
||
noone.
|
||
he is, of course, right.
|
||
and in my mind, in the night time.
|
||
when the northern cross is hi in the sky
|
||
and cassiopeia is neither here nor there
|
||
i see the beast:
|
||
upc, dont tread on me
|
||
rising from landfill junkheap
|
||
littered with newport ads
|
||
and budwiser
|
||
and football
|
||
and swimsuit issues
|
||
and norman schwartzkoph
|
||
and sylvester stallone
|
||
and ym, and sassy, cosmo, examiner, mens health
|
||
and of course usa today
|
||
and in his hand
|
||
the impoverished mann
|
||
who keeps coming back fo fix after fix
|
||
too busy working to dream of biting the hand
|
||
and on his flag baphomet sits
|
||
a wad of fifties in hand
|
||
smile on his face
|
||
disgrace to his race
|
||
a pillar of riches innan ocean of waste;
|
||
and on the chest of this demon
|
||
with the poor its hand
|
||
and the goat on his banner
|
||
there are three balls, protuding:
|
||
6 is mr x's number, and he plays it straight each night. one dollar, one
|
||
night of faith in his passion. noone has a gun to his head, the advisor
|
||
said.
|
||
6 is the number of mrs y, she got it out of the widows pick. she is
|
||
filled
|
||
with hope, i'm told. her hope dies each night, and is replenished each
|
||
day.
|
||
6 is the number of ms z, scraping change in misery, last dollar goes to
|
||
lottery. last dollar goes to state. last dollar. last dollar. last
|
||
dollar.
|
||
:and on this beastly face there sits a plastic brooding smile.
|
||
smiling all the while, all the way to the bank.
|
||
hes got the whole - world , in his hands
|
||
got the whole - world , in his hands
|
||
hes got the whole - world , in his hands
|
||
--got the hole world in his hands...
|
||
rat traps by his feet
|
||
made of lil pieces of paper
|
||
and foil cards
|
||
hold tiny impoverished masses
|
||
dreaming about winning numbers
|
||
and playing them straight
|
||
...o no, hes looking right at you now.
|
||
he looking...
|
||
hes moving his lips. it so hard to take tat evil grin away for long
|
||
enough
|
||
to speak.
|
||
and he speaks in a wealthy whipser:
|
||
"i like america"
|
||
he says.
|
||
...he REALLY likes america.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
MICHIGAN LOTTERY SUPPORTS EDUCATION.
|
||
|
||
|
||
MICHIGAN STATE DOES NOT.
|
||
|
||
[and in the town all had given up hope i tell you
|
||
it was suicide
|
||
--executions on the roadside celebrate
|
||
the laws of chance
|
||
and the lotteryticketline at the drug store well it stretches for ten
|
||
miles
|
||
blake n byron are off getting drunk inna bar, talking bout the death of
|
||
romance.]
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
.Czardu Street Beacon ... Fortunate Hazel
|
||
unix script for dreaming
|
||
|
||
tsend trans, transport descent
|
||
decent letters trailing body, flailing arms and falling
|
||
tsend gravity notes, add-on gravity, rocks on strings
|
||
star dash star, all trans spent now, some successful
|
||
on galaxy-view, fallen-in sphere, network of words,
|
||
network earth, webbed with words, spun with sound,
|
||
spark crash spark, into other in the dark, satellite sounds
|
||
tsent trend, decent event, life, decent event,
|
||
when fallen in, fallen in with the trend: life, decent event
|
||
|
||
recent receive: trend, life decent event.
|
||
dropouts in ports-follow: x from x to end
|
||
please re-send x from x to end, friend satellite FHAN
|
||
we read string of omittances from x of x to end,
|
||
we repeat the reading until you send the edits,
|
||
ground trans will be missing digits and different-meaning
|
||
request tsend trans, transport descent corrections again.
|
||
|
||
local going: ground trans life decent event though no edits
|
||
following strings live, follow string allowing for live line
|
||
$star dusT (tsend era: message begins again)
|
||
$beings begin again! sphere events must begin again!
|
||
$satellite map shows loss of path, streamlined lost path.
|
||
$cracks in map are cracks in tHe haT, (era: re-tsend)
|
||
$cracks in map are life cancers, chance encounter counters!
|
||
$count the tumors in areas concentrated, as follows:
|
||
$data-snowed over, estimated lake shores of data, err?
|
||
$data melted, sun showed on the snow, over. human err.
|
||
$no data for human err, loss in eras x from x to present era
|
||
$i said star dust! (era: re-tsend)
|
||
$no error here! i am no error! (era: re-tsend)
|
||
local going: trans life decent event shows errors
|
||
|
||
local going: manual wave data, hand fe(e)d event:
|
||
$i am no error! (no era: query?)
|
||
$i am no error there! i am here and only error locally!
|
||
$hear me! (checksh out- SH out ok)
|
||
$let discover me, i! must say to the end! (checksh out OK)
|
||
$dropouts are part of the program, look out for dropouts!
|
||
$check sums of dropouts! (checksh out- SH dropouts ok)
|
||
$are we ok? we are. we are ok.
|
||
$we are star dust. we are: pause: staRs uS (era: re-tsend)
|
||
end trans, pause out: spark-life dies, no line.
|
||
|
||
recent send: distress sent about life decent event
|
||
areas stressed on surface: circumference x, all of its x
|
||
areas lost in reference: star dust. no knowledge of lost.
|
||
x/x areas request knowledge of lost reference: star dust
|
||
break to local going for recent receive:
|
||
|
||
$test again! am i ok? i never know (no era: SH out ok)
|
||
$tests again from age x to end of age, i test i again.
|
||
$star dust! we are this, you of the spheres and i
|
||
$orbital tracer, observed voice from the dark corners
|
||
$dropouts are ok! we are, and all we are is stars st.
|
||
end trans: pause out: spark-life dies again.
|
||
|
||
(era: loss of thought, light shows off but i'm not!)
|
||
SPirit local ghoST! I am THe LoCal ghost! (on are-era no)
|
||
specIAL messgae from loCAL ghost, mostly spaces.
|
||
$!lives in the dark corners, orBital tracers said:
|
||
$!"we ARE star dust!" and they said your id, life id.
|
||
$!sum-spirIts, numbered ones, chECked the sums
|
||
$!dropouts count and are all star dUst: (era: re-tsend)
|
||
LOCal ghOst is going! (era: identify user ID)
|
||
$i am no ID, i am IDEA! (era: unknown ID)
|
||
enter ID: ti bon ange
|
||
(era: unknown ID, end trans)
|
||
$no conTrol... (era: re-tsend)
|
||
oh no (e:re-tsen)
|
||
no
|
||
|
||
break for system check, self image lacks in order,
|
||
moments aren't in order, from x to x and older (era: self)
|
||
system checks. one bug ticked off digits as follows:
|
||
|
||
showing flagged string via local node, bug ID unknown
|
||
$LaSt show of locAl Ghost!!! last know era: last snow
|
||
$last Snow from loCal *host (era: unknown)
|
||
$universe is a show!
|
||
$colors in a show, local satell-eyes for spy off-earth
|
||
$all travel is unknown, local area is from x to x at ever
|
||
$calling from ever, weather permitting no with-is
|
||
(call for EVER: era: unknown)
|
||
$last known snowflake: goes local ghost, who are the saints?
|
||
$none are saints but all are st. ardust He is kNown
|
||
$all are star dust, wisdom lost in drOpOuts, stored in holes
|
||
$there is the ID of seasonal living, sphere rightous.
|
||
$casual ID of life decent event is ST. ARDUST IS OK, ALL ARE
|
||
WE AND WE ALL ARE OKAY, COUNTING THE DROPOUTS.
|
||
$:)
|
||
end flagged string
|
||
|
||
local going: loop recent receive: life decent event lake
|
||
info: recorded from day x to end of and again, showing:
|
||
snowing and closeups of holes in snow, ripples on lake
|
||
rips in the ripples and the sound ID: life decent event.
|
||
|
||
...credits ;local ghost; (unknown ID)
|
||
|
||
NO CARRIER
|
||
|
||
|
||
|
||
|
||
"SSN-SS-NSSN: the end of an era"
|
||
Anthony Most
|
||
to be aired on Retnafry #5, Public Access Houston TV
|
||
|
||
I
|
||
|
||
Am I looking at a reflection of light, the light bouncing from your
|
||
soft dreams? Is death a true source of life?
|
||
Formless.
|
||
Breaking into nothing but ideas, the most dangerous weapon of all
|
||
time.
|
||
Having the soul fall from our backs.
|
||
What does it mean to have a life filled with nothing, to die
|
||
because of nothing, to live because of nothing, to be
|
||
conceived because of nothing?
|
||
In a free society, 90% of free speech is pornography. 10% is worth
|
||
a damn.
|
||
In a free society, we are free to live as we choose, which is just
|
||
another way of saying we are free to destroy ourselves.
|
||
Is there an answer, or does an artist has moral responsibility to
|
||
society? An artist merely expresses himself, thus an opinion
|
||
by the artist. Art has no morals. Art is a vehicle.
|
||
Ah, well, what does our existence matter? You were hated by all
|
||
the statements? There are none.
|
||
Is this how life is supposed to be, a big shell of unhappiness?
|
||
|
||
II
|
||
|
||
load the gun
|
||
roll the dice
|
||
load the gun
|
||
roll the dice
|
||
load the gun
|
||
roll the dice
|
||
load the gun
|
||
roll the dice
|
||
load load load load
|
||
roll roll roll roll
|
||
the gun the gun
|
||
the dice the dice
|
||
|
||
(but don't give them the satisfaction.)
|
||
|
||
III
|
||
|
||
think i was freaking
|
||
it was cool cool that's cool
|
||
or the other way
|
||
1 moose; moose a s
|
||
bs
|
||
l k l
|
||
j
|
||
don't rest your hands on the keyboard
|
||
don't eat the food
|
||
you know
|
||
i'll talk later when i'm
|
||
alive
|
||
i've changed clothes in the car
|
||
cool that's cool or the other way
|
||
think i was freaking
|
||
it was
|
||
cool you know
|
||
i've changed clothes in the car
|
||
a s
|
||
bs
|
||
l k l
|
||
j
|
||
don't rest your hands
|
||
on the
|
||
keyboard
|
||
don't eat the
|
||
food
|
||
you know i'll talk later when i'm alive
|
||
|
||
IV
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
like a child
|
||
so free
|
||
like the children on the
|
||
beach
|
||
beach
|
||
|
||
like a child
|
||
so free
|
||
like the children on the
|
||
beach
|
||
beach
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
there must be a way
|
||
to show our emotions
|
||
w/o being so clouded
|
||
|
||
like a child
|
||
so free
|
||
like the children on the
|
||
beach
|
||
beach
|
||
|
||
like a child
|
||
so free
|
||
like the children on the
|
||
beach
|
||
beach of happiness
|
||
|
||
V
|
||
|
||
The end of meaning of words
|
||
turns into anarchy in linguistics & in society
|
||
when words means nothing, how do we communicate
|
||
how do we live
|
||
our spirit would not understand basic emotional functions
|
||
even something so simple as love would be void
|
||
|
||
unpublished (C) 1991-1994 Anthony Most
|
||
|
||
|
||
|
||
|
||
-disillusion ... Black Sabbath
|
||
|
||
A willow, a bower
|
||
of famished halves
|
||
shades the desolation
|
||
encirclement, alcove
|
||
of the near unliving
|
||
|
||
Tormented wailings
|
||
pain and bitterness
|
||
food without water
|
||
burning without end
|
||
ignorance without bliss
|
||
... all lost to this
|
||
the lake and its icy exterior
|
||
immersed in mist
|
||
deep in thought
|
||
too far in its misery
|
||
to notice the blight
|
||
|
||
The placid surface
|
||
gentle ice
|
||
benevolence betrayed
|
||
by the cold indifference
|
||
tempered by ages
|
||
eons of loneliness
|
||
|
||
alone
|
||
|
||
forever
|
||
|
||
rotting
|
||
|
||
once brilliant
|
||
once innocent
|
||
now
|
||
inner magnanimity gone instead
|
||
scars about its countenance
|
||
where people have once tread
|
||
|
||
bleached bones
|
||
at the scarred water's edge
|
||
soul that transcends all
|
||
battered
|
||
brooding
|
||
underneath the dull surface
|
||
eddies of pain
|
||
hope swirling through
|
||
and above
|
||
answered by hate
|
||
countered with lies
|
||
|
||
'Battered soul,'
|
||
spoke the willows once to the lake,
|
||
'worry not of the emptiness within.'
|
||
a glare, fierce but sad
|
||
answered the na‹ve grove
|
||
|
||
'Battered soul,'
|
||
cried out the willows once
|
||
to the soul beneath the scarred water,
|
||
'the torment shall subside.'
|
||
undone by grief
|
||
ice within its heart
|
||
the pained lake but looked away
|
||
|
||
in its mist
|
||
agony ringing through its ears
|
||
the lake screamed out
|
||
none answered
|
||
the lone howl of the wind but mocked
|
||
|
||
tempestuous waters
|
||
beneath the surface
|
||
subdued with fear
|
||
of worse than death
|
||
the pain
|
||
never subsides
|
||
the twisted currents
|
||
stand witness
|
||
time immemorial sees
|
||
but none grieve for
|
||
the plight of the lake
|
||
the lake of scarred water
|
||
of truth in its hurt
|
||
of the ice masking its tears
|
||
|
||
... kjl
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Excerpt from the novel; BROKEN WIND
|
||
by
|
||
Brandon Awbrey (C) 1992
|
||
|
||
|
||
CHAPTER ONE
|
||
|
||
WASHINGTON D.C.
|
||
January 21st
|
||
|
||
On January 21st, the day after the presidential inauguration, Our
|
||
new president's first full day in office, a lone terrorist blew the
|
||
dome off of the United States Capitol. None of the thousands of arm-
|
||
chair sleuths across America could fathom a conspiracy theory on that
|
||
afternoon. The CIA was as surprised as anyone else, and the
|
||
metaphorical grassy knoll was occupied by Japanese tourists snapping
|
||
photographs of the entire event. It wasn't more than ten minutes
|
||
after the disaster that one of those Japanese tourists, A Tokyo
|
||
contractor, was devising plans to make the reconstruction of America's
|
||
house of democracy a multi-national venture.
|
||
It all started very calmly. A red late model Ford F-150 pick-up
|
||
truck drove up Pennsylvania Avenue. The truck had Iowa plates and
|
||
there was a Yahmaha dirt bike standing upright in its bed. Nothing
|
||
odd about that. Maybe, say, a tourist travelling cross country with
|
||
an aim to ride all of the dirt trails of the East Coast.
|
||
It was just slightly past noon, and the streets of Washington
|
||
were filled with traffic. Elected and appointed officials in limos
|
||
going out to posh restaurants at the tax-payer's expense. Federal
|
||
employees rushing to the nearest McDonald's, scarfing Big Mac's and
|
||
then rushing back to work, trying to beat the boss back, hoping the
|
||
boss would be in a receptive mood for bureaucratic ass kissing,
|
||
dreaming of the day when they too would have access to public funds.
|
||
Tourists thrived in and around the National mall, a new President
|
||
hence a new Washington. Most of them came a day early if they wanted
|
||
to see a real change. A day later the skyline of D.C. would more
|
||
accurately reflect the state of the nation.
|
||
The truck pulled over and parked illegally in front of the
|
||
Botanic Garden. The driver got out and looked up and down the street.
|
||
He was a tall man with an imposing figure and long straight black
|
||
hair. He wore cowboy boots and a long woolen overcoat, a pair of
|
||
wayfarers that weren't need on the overcast winter day, and a pair of
|
||
leather gloves that were.
|
||
He turned towards the Capitol, stuck his right arm out with his
|
||
thumb turned up, checking the angle and distance. He then sprang into
|
||
the bed of the truck, and sighted with thumb again. Satisfied, he
|
||
turned and kick started the dirt bike. Then he removed the webbing
|
||
from the end of the bed that covered the place where the back flap had
|
||
been removed.
|
||
A police car pulled up next to the truck, and the police officer
|
||
yelled through the window, "Hey, buddy, you gotta move! That's a fire
|
||
zone."
|
||
The driver of the truck turned to the officer and smiled. He
|
||
then reached inside of his coat and pulled out a Colt .45 automatic
|
||
and shot the officer through the forehead. The officer fell on his
|
||
steering wheel, and the horn of the police car sounded a dead tone, a
|
||
sorry but appropriate swan song for the beat cop only six days away
|
||
from retirement.
|
||
The man then lifted a five foot long black metal tube from the
|
||
bed of the truck and hefted it onto his right shoulder. He pulled a
|
||
trigger on the device and it sent a high-explosive anti-tank missile
|
||
flying towards the dome. Three seconds later the dome of the Capitol
|
||
collapsed. By that time, the man was already on the motor bike and
|
||
racing down the Mall towards the Potomac River. At the Lincoln
|
||
Memorial he shot and killed a young woman waiting in traffic to cross
|
||
the river. He threw her out onto the sidewalk and drove her car, a
|
||
Toyota Celica, across the bridge and into Arlington, Virginia. The
|
||
car was found an hour later in a convenience store parking lot.
|
||
Inside, the Arlington police found three more dead bodies.
|
||
By two o'clock the F.B.I. was processing over a hundred photos of
|
||
the suspect. By 2:30 they had a positive I.D. on the suspect. The
|
||
suspect was Captain John Hollis Wind of the Army Special Forces,
|
||
Absent Without Leave from his training post in Japan.
|
||
At three o'clock our new President declared the capture of John
|
||
Hollis Wind a national emergency. He authorized the use of Military
|
||
Personnel in a man hunt that stretched from Georgia to New York. He
|
||
temporarily suspended habeas corpus on the Interstates in Virginia,
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West Virginia, Maryland, Pennsylvania and Tennessee.
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||
A small private hanger in Vienna, Virginia was broken into
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sometime that evening. A single engined Cesna was missing when the
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crime was discovered, three days later.
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****that's it brothers and sisters. Send in mo stuff for next time.
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Soon. no wait. just let me know if you want it edited or just
|
||
fondled. Lots of weird spelling, grammar in this one. If you meant
|
||
it, that's cool. If you don't know no better, well, then, let me help
|
||
you along.
|
||
M.M.
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