167 lines
10 KiB
Plaintext
167 lines
10 KiB
Plaintext
SHORT TALK BULLETIN - Vol.II May, 1924 No.5
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THE COMPASSES
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by: Unknown
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In our study of the Square we saw that it is nearly always linked with the
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Compasses, and these old emblems, joined with the Holy Bible, are the Great
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Lights of the Craft. If the Lodge is an "Oblong Square" and built upon the
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Square (as the earth was thought to be in olden time), over it arches the
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Sky, which is a circle. Thus Earth and Heaven are brought together in the
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Lodge - the earth where man goes forth to his labor, and the heaven to
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which he aspires. In other words, the light of Revelation and the Law of
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Nature are like the two points of the Compasses within which our life is
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set under a canopy of Sun and Stars.
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No symbolism can be more simple, more profound, more universal, and it
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becomes more wonderful the longer one ponders it. Indeed, if Masonry is in
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any sense a religion, it is Universe Religion, in which all men can unite.
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Its principles are as wide as the world, as high as the sky. Nature and
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revelation blend in its teaching; its morality is rooted in the order of
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the world, and its roof is the blue vault above. The Lodge, as we are apt
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to forget, is always open to the sky, whence come those influences which
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exalt and ennoble the life of man. Symbolically, at least, it has no
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rafters but the arching heavens to which, as sparks ascending seek the sun,
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our life and labor tend. Of the heavenly side of Masonry the Compasses are
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the Symbol, and they are perhaps the most spiritual of our working tools.
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As has been said, the Square and the Compasses are nearly always together,
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and that is true as far back as we can go. In the sixth book of the
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philosophy on Mencius, in China, we find these words: "A Master Mason, in
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teaching Apprentices, makes use of the Compass and the Square. Ye who are
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engaged in the pursuit of wisdom must also make use of the Compass and the
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Square. Note the order of the words: the Compass has first place, as it
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should have to a Master Mason. In the oldest classic of China, "The Book
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of History," dating back two thousand years before our era, we find the
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Compasses employed without the Square: "Ye Officers of the Government,
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apply the Compasses." Even in that far off time these symbols had the same
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meaning they have for us today, and they seem to have been interpreted in
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the same way.
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While in the order of the Lodge the Square is first, in point of truth it
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is not the first in order. The Square rests upon the Compasses before the
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Compasses rest upon the Square. That is to say, just as a perfect square
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is a figure that can be drawn only within a circle or about a circle, so
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the earthly life of man moves and is built within the circle of Divine life
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and law and love which surrounds, sustains, and explains it. In the Ritual
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of the Lodge we see man, hoodwinked by the senses, slowly groping his way
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out of darkness, seeking the light of morality and reason. But he does so
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by the aid of inspiration from above, else he would live untroubled by a
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spark Some deep need, some dim desire brought him to the door of the
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Lodge, in quest of a better life and a clearer vision. Vague gleams,
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impulses, intimations reached him in the night of Nature, and he set forth
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and finding a friendly hand to help knocked at the door of the House of
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Light.
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As an Apprentice a man is, symbolically, in a crude, natural state, his
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divine life covered and ruled by his earthly nature. As a Fellowcraft he
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has made one step toward liberty and light and the nobler elements in him
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are struggling to rise above and control his lower, lesser nature. In the
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Sublime Degree of a Master Mason - far more sublime than we yet realize -
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by human love, by the discipline of tragedy, and still more by the Divine
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help the divine in him has subjugated the earthly, and he stands forth
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strong, free, and fearless, ready to raise stone upon stone until naught is
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wanting. If we examine with care the relative positions of the Square and
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Compasses as he advanced through the Degrees, we learn a parable and a
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prophecy of what the Compasses mean in the life of a Mason.
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Here too, we learn what the old philosopher of China meant when he urged
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Officers of the Government to "apply the Compasses,: since only men who
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have mastered themselves can really lead or rule others. Let us now study
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the Compasses apart from the Square, and try to discover what they have to
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teach us. There is no more practical lesson in Masonry and it behooves us
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to learn it and lay it to heart. As the Light of the Holy Bible reveals
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our relation and duty to God, and the Square instructs us in our duties to
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our Brother and neighbor, so the Compasses teach us the obligation which we
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owe ourselves. What that obligation is needs to be made plain; it is the
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primary, imperative, everyday duty of circumscribing his passions, and
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keeping his desires within due bounds. As Most Excellent King Solomon said
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long ago: "Better is he that ruleth his spirit than he that taketh a
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city.:
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In short, it is the old triad, without which character loses its symmetry,
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and life may easily end in chaos and confusion. It has been put in many
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ways, but never better than in the three great words; self-knowledge, self-
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reverence, self-control; and we cannot lose any one of the three and keep
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the other two. To know ourselves, our strength, our weakness, our
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limitations, is the first principle of wisdom, and a security against many
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a pitfall and blunder. Lacking such knowledge, or disregarding it, a man
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goes too far, loses control of himself, and by that very fact loses, in
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some measure, the self-respect which is the corner stone of a character.
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If he loses respect for himself, he does not long keep his respect for
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others, and goes down the road to destruction, like a star out of orbit, or
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a car into the ditch.
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The old Greeks put the same truth into a trinity of maximums: "Know
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thyself; in nothing too much; think as a mortal; and it made them masters
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of the art of life and the life of art. Hence their wise Doctrine of the
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Limit, as a basic idea both of life and of thought, and their worship of
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the God of bounds, of which the Compasses are a symbol. It is the wonder
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of our human life that we belong to the limited and to the unlimited.
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Hemmed in, hedged about, restricted, we long for a liberty without rule or
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limit. Yet limitless liberty is anarchy and slavery. As in the great word
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of Burke, "It is ordained in the eternal constitution of things, that a man
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of intemperate passions cannot be free; his passions forge their fetters."
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Liberty rests upon law. The wise man is he who takes full account of both,
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who knows how, at all points, to qualify the one by the other, as the
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Compasses, if he uses them aright, will teach him how to do.
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Much of our life is ruled for us whether we will or not.
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The laws of nature throw about us their restraining bands, and there is no
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place where their wit does not run. The laws of the land make us aware
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that our liberty is limited by the equal rights and liberties of others.
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Our neighbors, too, if we fail to act toward him squarely may be trusted to
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look after his own rights. Custom, habit, and the pressure of public
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opinion are impalpable forces which we dare not altogether defy. These are
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so many roads from which our passions and appetites stray at-our-peril.
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But there are other regions of life where personality has free play, and
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they are the places where most of our joy and sorrow lie. It is in the
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realm of desire, emotion, motive, in the inner life where we are freest,
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and most alone, that we need a wise and faithful use of the Compasses.
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How to use the Compasses is one of the finest of all arts, asking for the
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highest skill of a Master Mason. If he is properly instructed, he will
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rest one point in the innermost center of his being, and with the other
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draw a circle beyond which he will not go, until he is ready and able to go
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farther. Against the littleness of his knowledge he will set the depth of
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his desire to know, against the brevity of his earthly life the reach of
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his spiritual hope. Within a wise limit he will live and labor and grow,
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and when he reaches the outer rim of the circle he will draw another, and
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attain to a full-orbed life, balance, beautiful, and finely poised. No
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wise man dare forget the maxim "In nothing too much," for there are
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situations where a word too much, a step too far, means disaster. If he
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has a quick tongue, a hot temper, a dark mood, he will apply the Compasses,
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shut his weakness within the circle of his strength, and control it.
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Strangely enough, even a virtue, if unrestrained and left to itself, may
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actually become a vice. Praise, if pushed too far, becomes flattery. Love
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often ends in a soft sentimentalism, flabby and foolish. Faith, if carried
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to the extreme by the will to believe, ends in over-belief and
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superstition. It is the Compasses that help us to keep our balance, in
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obedience to the other Greek maxim: "Think as a mortal" - that is, remember
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the limits of human thought. An old mystic said that God is a circle whose
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center is everywhere, and its circumference nowhere. But such an idea is
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all a blur Our minds can neither grasp nor hold it. Even in our thought
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about God we must draw a circle enclosing so much of His Nature as we can
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grasp and realize, enlarging the circle as our experience and thought and
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vision expand. Many a man loses all truth in his impatient effort to reach
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final truth. It is the man who fancies that he has found the only truth,
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the whole truth, and nothing but the truth, and who seeks to impose his
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dogma upon others, who becomes the bigot, the fanatic, the persecutor.
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Here, too, we must apply the Compasses, if we would have our faith fulfill
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itself in fellowship. Now we know in part - a small part, it may be, but
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it is real as far at it goes - though it be as one who sees in a glass
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darkly. The promise is that if we are worthy and well qualified, we shall
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see God face to face and know ever as we are known. But God is so great,
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so far beyond my mind and yours, that if we are to know him truly, we must
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know Him Together, in fellowship and fraternity. And so the Poet-Mason was
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right when he wrote:
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"He drew a circle that shut me out,
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Heretic, rebel, a thing to flout;
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But love and I had the wit to win,
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We drew a circle that took him in."
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