2294 lines
110 KiB
Plaintext
2294 lines
110 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UfOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not iSSUE ton - ecalp gnikat
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knowing how or what 2/28/98 tahw ro who gniwonk
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to think. You are in FORTY-THREE ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDiTOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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THE WRONG MiNDSET FOR DRUG USE Clockwork
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SERiOUSLY, JUST DO WHAT YOU WANT I Wish My Name Were Nathan
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SEVENTEEN SiDES OF A CONVERSATiON Clockwork
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[=- POETASTRiE -=]
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UNTiTLED Kilgore Trout
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GNOSTiC LOVE GONE AWRY Kilgore Trout
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[=- FiCTiON -=]
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BANGKOK ANNIE Rich Logsdon
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NO REGRETS Morrigan
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THE STARS BETWEEN THE STARS Dark Crystal Sphere Floating Between Two Universes
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WHERE'S MY DOG?
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An Apocalyptic Paranoid Movement in
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Five Sections Searching For Stability Kilgore Trout
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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So, it's February, the shortest month of the year. I have an affinity
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for short things, like my attention span, which I don't blame on ADD or MTV
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but my burning desire to know everything before I die.
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Some might say I have a fear of failure, but that's another conversation
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all together.
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I've got a week left before spring break, and I've got two research
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papers due, two tests, and a bunch of other miscellaneous homework, and I
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spend tonight putting together the zine. If I fail anything in the next week,
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it's all YOUR fault.
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Hah. Now you're a scapegoat. Feels good, doesn't it?
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What was that about a fear of failure?
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Blame is something I don't like to place on myself. I prefer to see
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things as the result of everybody else's actions, thereby removing myself from
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the chain of command and making me less responsible and more praeterhuman.
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For example, if I spend all of my weekly allotment of cash and have nothing to
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eat or drink until next Friday, the cause lies in the fact that I was not
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given enough money to meet my needs. Or, say I shoot someone in the head.
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It's not that I wanted them to die; rather, they just got in front of a bullet
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that I happened to be shooting at a blank wall.
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Okay, so I'm not really that big of an asshole. I was lying to you.
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Well, except for the part about not having anything to eat until next Friday.
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That's true. Donations would be greatly accepted.
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Jeez, so that's not entirely true either. I do have stuff to eat, it's
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just dorm food, and that's really bad, and it's only served at certain times,
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and right now I'm really hungry and I've only eaten a tuna sandwich that
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IWMNWN kindly bought me this afternoon before I left town and I'm starting to
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feel those hunger pangs. And it's going to be this way every night until
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Friday.
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I believe the word is 'failure,' good sir.
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Anyway, unlike my own self-psychoanalysis that I don't really believe in
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because I'm always wrong about those types of things, this issue of the zine
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is not a failure. In fact, I really, really like it. We'd like to welcome
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Rich Logsdon to the zine, and I think you'll enjoy his story "Bangkok Annie."
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I know I did. Always nice to find good writers. Morrigan and DCSFBTU turn in
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excellent fictional works as well, and Clockwork and Nathan talk about their
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own heads and try to figure things out. For some reason, I've written some
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poetastrie and something else that you might like or might not.
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So, with that, I'm off to try to scam some change for some food from
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people who I don't know and hope that I don't have to eat my pet sea monkeys.
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They're reproducing right now, and in a few days, maybe I'll have enough to
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make a soup. Until March....
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDiTOR
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From: Rally
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To: Kilgore Trout
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Subject: Re: SoB #42 -- don't eat your own heart.
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Gigathanx! Kilgore, does this ego need more polishing?... BrrRRReeeliant!
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Aha... no chance for me eating my heart. Someone experienced told me it's
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bitter.
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Cheerz~
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Rally
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[this month we don't need our egos polished. they're bright and shiny, and we
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need to wait a bit to let them go down so people don't always think we're a
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bunch of stuck-up bastards. even though it can be quite fun. ;)]
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--SoB--
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From: "Plastic Machine"
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To: kilgore@sage.net
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Subject: Minesweeper
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Simple games amuse simple poeple?
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What is this I here about interns? I am up for the challenge.
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pM
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[well, as much as we'd like to be able to hire interns and show them all the
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secrets of a well-run and fully operational e-zine, we just don't have the
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budget. however, if people would like to go drop the name of our zine and
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our website all around the net (politely, of course... we aren't spammers)
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then i think that would be like an internship. sort of. except we don't
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meet you. and you don't move here. which is probably a good thing,
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considering the renovations being done in the ACP offices. i found a bucket
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of pee in one of the storage rooms. talk about lazy workers. jeez.]
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--SoB--
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From: "Kay Os"
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To: kilgore@sage.net
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Subject: discordian???
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illuminati online.... discordian???? pro, or con???
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i have a mailing list subscription to an old e-mail account,
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xxxxxxx@hotmail.com... may i please change it to:
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xxxxxxx_x@xxxxxxxxx.com...
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most thankfull...
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keep up the zine, great work going ....
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[io.com has been really swell to all of us over the past four years, giving us
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great ftp service and what not. we appreciate them. and being discordian
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isn't a bad thing, as long as you eat hot dogs on fridays.]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Clockwork
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Dark Crystal Sphere Floating Between Two Universes
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I Wish My Name Were Nathan
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Morrigan
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Rich Logsdon
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GUESSED STARS
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Kay Os
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Plastic Machine
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Rally
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SoB OFFiCiAL GROUPiE
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crackmonkey
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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THE WRONG MiNDSET FOR DRUG USE
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by Clockwork
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So what exactly is going on? I know exactly what is going on. It kind
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of pisses me off. Really very badly. Sometimes you wonder why people do the
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things they do. So. So. What shall I do? Just kind of sit around. Wait
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for things to happen. Wait. And rest. That is easier said than done. Really
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is. Crazily is. This is all just senseless kind of babble ya know. Very
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senseless crap. Has sense but no emotion/explanation. So. What do you do?
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It's fairly amusing actually. There's no point in me writing actually. I'm
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just trying to look like I'm doing something. While I sit and wait and
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things. They better show up again. If they don't than whatever. Doesn't
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really matter actually. Not at all. Who really cares. I'm not too certain.
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What's funny is that I cannot go home and sleep anything off because it is my
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parent's house. Which again is damn, damn funny. Very silly actually. Very,
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very damn silly. People are so fake.
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One day I shall meet this beautiful, crazylike chick who will know all
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the shit I'm talking about, and won't be this everlasting hypocrite.
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Or maybe I won't. -----> I would have to say that anywhere from 80%
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-----> 110% of this is in my head. Now I'm doing what I see other people
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doing. That pisses me off.
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Hmmm. It's alright. Yo. Just not at this moment. Right.
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Have I mentioned how fake people are? Funny watching people who may seem
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like the coolest most laidback people in the universe....
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Blech. Let's just have some fun. Or something.
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God do people piss me off.
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Operators are people too.
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So lessee what have we been doing -- I wish that person would shutup. So
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should I go out and eat or no. No. But I should. I'm hungry. People are
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way too cool for their own good. But maybe that is just a rut, not too, to,
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two sure. If you want to look at it like that I guess. Who the hell knows?
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Sometimes I believe I'm so full of shit. So completely fooling myself. Most
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of the time I don't really give a fuck. But there are times when I think too
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much about stuff.
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I do know it's too late for my self. ----> Not normal definition of
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self. Ha. Yes. So ______ was tripping off of me?? So do I fuck everybody's
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head up?
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"If one attempts to govern either himself or another, he is sure to
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become frustrated. For it will seem that whatever he tries to grasp,
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slips away. The Sage makes no such attempts, makes no failures, has
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nothing to lose -- is therefore at peace with himself."
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--Lao-Tzu
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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SERiOUSLY, JUST DO WHAT YOU WANT
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by I Wish My Name Were Nathan
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Before I go back to work, an explosion of words from my reeling brain.
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Boy, this is trippy. I look like a suicide victim in the mirror (once I
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can concentrate on the glass). All the blood dripping from under my jaws,
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running down my neck. Shaving accidents. [Yes, accidents.]
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No, shaving was an experiment. No action is good or bad, but an
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experiment that yields its fruit in knowledge.
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I've learned not to shave on DXM. But really, how much worse was this
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than any other shaving experience? For example, when I have been quite sober,
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I've accidentally slashed open my nose trying to shave out the nose hairs.
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Ludicrous. Utterly ludicrous.
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So I took off two days from work because I was sick. I really was sick,
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it wasn't a pretense, but I was wondering otherwise as I drove into Austin the
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first time to buy a Pentium-166 and the second time to buy some fake cache
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RAM. (Fake or not, let's just say Quake is fun now.)
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Sick. I said in my e-mail: "strep throat." In other words, as I
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interpreted it, an irritation in my throat causing much mucous spitting-up and
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much moaning and swallowing in the night. (An odd punchline to an
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infantosexual's bulimic fellatio fantasy.) Still, I didn't want to work.
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Didn't want to "merge code." Didn't want to "fix bugs." Didn't want to "make
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it pretty."
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I never realized before that THAT's the gunk in the garbage cans. All
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this time, that black tar just disgusted me, but now I know it's the mucous
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I've spat up on sick nights. Funny. (Some part of me wants to scrape it out
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and pat it together into a homunculus.)
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It was fun, again, to drive home during the day those two times. Usually
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I get home from work around seven or eight. I never realized that one could
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see so far....
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Oh yes, and being sick. So I spread what might have been streptococcus
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to several innocent employees. At one particular chain store, where they
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didn't have any cache for many days, probably three distinct employees were
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infected by me, and many others by them. I don't hate them, honestly. It's
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just that they seemed so unserious about their jobs. The girl who took my
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check was so slow about the whole matter, blathering on to another employee
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about yet another employee who'd gotten liquored up and shot a hole through
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the wall. (Bravo! Tear down the wall! Tear down the wall!) She seemed sad.
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Props to her.
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I think I would make a good criminal at times, because although I went
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into Austin twice that day, my mother still thought I had just come home once,
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and assumed it was because I was sick (and not fired or something). God bless
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her. I *was* sick, of course. Various cold 'n' flu remedies helped a bit
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that day, plus a dose of codeine I hadn't finished off from last summer when I
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had a wisdom tooth out. (I do feel less wise, come to think of it.) I had to
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remind myself while I was barreling down the highway at seventy miles an hour
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that (at any moment) I could cough and have a seizure once the comforting
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illusion of wellness the medicine gave me wore off. Then I would laugh.
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My mom didn't come into my house when I was sick, which was good. It
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might have been disillusioning for her to come into my room when I was sick
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expecting to see me lying in bed but instead finding my computer splayed out
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on my bed with the two sound cards removed so I could figure out just what was
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preventing the cache RAM from being used. (It was helpful, after I put the
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machine together again, to search the Internet for "cache" and "boot" and
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"bios" and "pentium", because I came across a page that had this beautiful
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program that proved beyond a doubt that the cache was completely fake. ">>>
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If you think you do have L2 cache, it might be FAKE! <<<")
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Still, it's quite damn fast now, yes it is, and I forget why this was
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important. Like I've always said, "Yep, now that it's faster, it crashes
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faster too." (Important advice for young drivers.) (Make that non-smoking
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young drivers, BTW, because the wonderous caring biology police are about to
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broadcast messages of despair and decrepitude towards kids telling them that
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smoking can cost them their driver's licenses as well as their lives. Call me
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a spoilsport, but I always take it in the gut when something that was illegal
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to buy but not to use becomes illegal to buy *and* to use. And especially
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when the punishment really has absolutely nothing to do with the crime. Oh
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wait, I forgot about the punishment for dropping out.)
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And again I've forgotten the whole point of this. Oh wait, it came to me
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in the middle of that sentence, but it was such a nicely typed sentence. I
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was all prepared to go to work today, woke up at seven o'clock to some
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classical fantasy music on 89.5 FM, and everything was tinted sky blue...
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Beautiful, really, or some sort of problem in my brain, and I realized I still
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had a cough. *cough* I knew I didn't like bothering my office-mate with
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nose-blowings or grunts or cursing, and I figured it would be twice as bad to
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come in after two sick days (advertised as "strep throat," which by the way is
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eating our children alive) and cough a lot. Not a good social maneouvre.
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So, I went into the kitchen and started up the coffee, and tossed my
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wrinkly shirt into the dryer for a while to make it warm and cozy and smooth,
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and meandered into the bathroom to take three shots of cough syrup. The
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coffee was made especially to conquer the taste of the cough syrup (by me, not
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by "them"), which is advertised on the label as being "pleasant." Pleasant,
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my prolapsed left testicle. It's a damn conspiracy to keep all of us mortals
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on the robot plane. There's a reason why no one sells pure DXM cough capsules
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anymore. Maybe it has become physically impossible to put it in cough
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capsules now. Either that, or all varieties of cough known to science
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nowadays only come with headaches and mucous, thereby *requiring* poisonous
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doses of guaifenesin and acetiminophen to be added. (Poisonous for overdosing
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people like me, of course.) ("Kidney failure in fourteen hours!")
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The first time I tripped off DXM, I swore I had taken like half a bottle,
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plus. This time I took much less. I'm learning bit-by-bit the beauty of
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weights and balances, corollaries to which include: if someone has been sick
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for a while and all their defenses are down, they will trip *hard*.
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Of course, this isn't really tripping. It's just a physiological circus.
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I'm amused at how hard I swing my arm to do simple things like pressing
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buttons. It helps me empathize, you see, with other blind and ignorant
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forces.
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It's now ten o'clock and I'm not at work for the third day in a row. I
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planned to go in today, but certainly not once I realized I was tripping. I
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don't trust my driving skills. I'll wait a few hours.
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Part of me feels guilty, because yesterday I was working studiously on
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the computer as much as I would have been at work (provided I enjoyed what I
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was doing). Another part of me knows that the internal picture of myself is
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way different from the infinite external pictures of myself (which is
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different again from the other infinite internal pictures of myself of which I
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am not speaking at the moment), and if I did show up at work in a few hours
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while tripping, almost everyone who knew I was sick would agree that I had
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deserved the two days I took off. ("He *still* looks dazed. Poor guy.")
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Then they'd give me more grunt work to do.
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I think this computer will make me do obsessive and compulsive things
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again. Now that it's so much faster, I can scroll through my writing in much
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less time, which makes me think I've written less. So then I'll write more to
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compensate. Ha ha. Ha ha.
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I'm still not sure who my audience is here. I set out to write this for
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SoB, but since "I was drugged!" I am being as conversational as if I were
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writing in my diary. Here's a real excerpt from my diary, which would be
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interesting to comment on:
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---------------------------------------------------------------------------
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2/8/98
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2134
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This ain't much of a goddamn diary.
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[[ The previous entry was January 24. The next is from the 16th.]]
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Well, after weeks and weeks (I think) of being in a terrible mood and
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afraid of going insane, I'm feeling a little better. Have I explained the
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insanity thing yet? I did, in the next-to-last entry before this one. But it
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happened again. I woke up in the middle of the night, around three in the
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morning, had to shit, and knew "something" was going to happen. Once again, I
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averted "death" while quaking in self-reassuring fear on the toilet.
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Something like that. This time I didn't offer up my soul to magick like I did
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the previous time (after which I scarely considered the matter again, of
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|
course). I don't remember much of it anymore. But I know my heart was about
|
|
to beat veryvery fast but it didn't happen that way.
|
|
|
|
Me writing this now knows the insanity gambit is my ego's strongest line
|
|
of defense at the moment. Especially insanity combined with ghoulish
|
|
apparitions and stuff like that, because that's what I fear most. The loss of
|
|
control is one thing, the ghoulish apparitions are a kick in the ass.
|
|
|
|
So, P-- and B---- and I were at Metro on Saturday night, while P-- was
|
|
writing and I was bitching about being a loser and hating life and all the
|
|
rest -- a really tired act, you know, I almost abdicated the whole game --
|
|
when finally after hours and hours of being awake (although I had been seized
|
|
by an inappropriate napping spell that afternoon after planning some
|
|
mischevious masturbation ideas) I calmed down and started listening to others.
|
|
|
|
B---- started talking about his conception of reality and he pulled out
|
|
the it's-all-meaningless gambit, and the fact that I referred to it as a
|
|
"gambit" shows *my* self-confidence. Because I assumed he was handling his
|
|
promotion to glory poorly, that he shouldn't downplay reality and insult the
|
|
illusion, etc. Until he pointed out that those were my interpretations, which
|
|
was true. I listened to him talk, and he said some beautiful things about
|
|
enjoying the illusion -- "I love listening to the music" -- and I remembered
|
|
the advice to assume that everyone else but you is enlightened already. I'm
|
|
not sure if I was meant to learn anything (for that implies meaning) but I'm
|
|
glad he said that. I think I'd been playing the blind leading the blind role
|
|
a little too strongly lately.
|
|
|
|
I told him about the definition of meaning being the relation of the
|
|
finite to the infinite, which he seemed to muse over respectfully. It really
|
|
is the definition of faith as told by Tolstoy, but I didn't want to bring such
|
|
an ugly word into the conversation.
|
|
|
|
Before I realized all this, I knew I was in a better mood because I only
|
|
sank a little bit when I said things about reality being a pointless ignorant
|
|
game, or void politics, or whatever. Of course, today, having read some
|
|
Illuminatus! trilogy some more, I should have seen that Eris has been
|
|
beckoning me for quite a while, but being a male, I'm just so darned blind to
|
|
such flirting.
|
|
|
|
I love the Illuminatus! triology. It's so damned deep and well-written,
|
|
and I've got to stop thinking "that's acid for you." Because, as I've been
|
|
experiencing myself, it can be done on a sober shoestring budget, if I just
|
|
stop avoiding it so much.
|
|
|
|
They were shocked to find out that I was an aggressive driver. My dirty
|
|
secret. Once out in the open, I saw how foolish I had been acting while alone
|
|
in my metal speedybox thinking that everyone else was out to piss me off.
|
|
Projection of a quite absorbing magnitude. I drove slowly home that morning
|
|
and did the same today. I think it will save gas.
|
|
|
|
I don't know. I was feeling kinda spacey today while reading, and went
|
|
outside to enjoy the February-typical 75 degree weather with the kitties. I
|
|
destroyed the moment, or the potential for tripping, by having fallen asleep
|
|
again. I did only get five hours of sleep last night but I think it's a
|
|
sacrifice I'm going to have to make, to get anything done.
|
|
|
|
For most of the days last week, my stomach became warm and heavy during
|
|
the end of the night. I know it's a chakra dealie but I haven't bothered to
|
|
study up on it. I have been accepting the symptom well, but more than
|
|
occasionally when I get in my car to go home, the cold air has made me shiver
|
|
and I have become a little frightened that another "episode" would happen. I
|
|
know I have to face it eventually. Indeed I want to face it. But every time
|
|
it's happened, I've been too frightened to live up to my agreement.
|
|
|
|
I was analyzing myself and decided that, before yesterday, any sort of
|
|
tripping or effective meditation would be likely to make me go insane.
|
|
Because, psychically, I'd been dancing on the feet of a barstool, just wishing
|
|
to fall and rupture my ass. I was driving angrily and working angrily and
|
|
being an absolute self-obsessed whiny bitch about the whole change in my life
|
|
situation. Several times I notice people have given me clear-cut obvious
|
|
answers to my troubles, the most significant being when Br--- S---- said, in
|
|
talking about a nasty e-mail from *** suggesting that we don't test our
|
|
compilers, that you just have to fix the bugs and go on with things. Don't
|
|
take them personally. Et cetera. But I still welcomed the chance to dig up
|
|
and expose my previous errors, as examples of things I do take personally.
|
|
The other numerous examples I have completely forgotten.
|
|
|
|
In general, though, P-- has been good to me recently. Whether linked
|
|
psychically or not, his life has sucked since I started work too. Not in
|
|
exactly the same way or at the same timbre, of course, but he's definitely not
|
|
been distant from my sympathy. Yesterday he was heading back toward the
|
|
happy-go-lucky personality he'd been exhibiting for months, and it made me
|
|
happy too. It really did. Last night I had a strange dream with him in which
|
|
we are exploring some strange house out along a lonely road in a rural area
|
|
and I was telling myself that he was "my earth son." Or is it "sun?" I
|
|
shan't inquire too much into this right now, but it makes me happy, whatever
|
|
it means.
|
|
|
|
K----! Well, K----'s back, but he's not the same. Which is more of an
|
|
obvious eternal truth than anything. He's still single, and he's writing a
|
|
bit. Et cetera. He told me that in his British poetry class, he liked John
|
|
Donne's poetry the best. Today while reading Illuminatus! I saw a reference
|
|
to it, in which the authors believe that Donne wrote best about how to raise
|
|
people from the dead. It all revolves around the Tao or the sign of Cancer
|
|
apparently. Does one perform 69 with the dead? Hmm. No, it seems more like
|
|
one must switch places with the dead. Or is that also incorrect? I'm not
|
|
sure I'm much interested in doing this myself, except for possible psychic
|
|
analogues.
|
|
|
|
I don't like being tired, but I like even less drinking a lot of coffee.
|
|
I don't like the idea that if I don't get enough sleep tonight I'll be fucked
|
|
at work. I don't like the idea that I won't be able to work calmly enough not
|
|
to need caffeine while I work. "Whatever you believe, that is precisely the
|
|
truth, for you" -- good words to live by. I should stop believing in the
|
|
imaginary demons of seriousness and failure and anger.
|
|
|
|
2305
|
|
|
|
Wow, I got distracted. What just happened? Oh well. I went and helped
|
|
Dad with the computer, returned Mom's tape, etc.
|
|
|
|
I'm cold. My defenses are down. But I'm a little happy nonetheless.
|
|
|
|
-----------------------------------------------------------------------------
|
|
|
|
Commentary? I think not. Just figured it'd be nice to say or
|
|
something.
|
|
|
|
Did I mention that in addition to the new processor and fake cache RAM
|
|
that I had bought on Saturday a new hard drive and a lot of memory? You see,
|
|
the whole time I was doing this, I was chastising myself for spending all my
|
|
money, which is supposed to go to such noble and worthy causes as... uh...
|
|
rent or something. Or overpaying my bills, or something else idiotic like
|
|
that. I was reminding myself, "This is all an illusion, you know," and
|
|
countering that with, "Well, so's the money." Only now do I get far enough to
|
|
counter again, "Even the little discussion and the idea that the act of
|
|
exchanging fantasmic currency for little silicon-and-metal machines is somehow
|
|
bad or wrong or unpleasant is also an illusion." But of course, me writing
|
|
this right now, this is real.
|
|
|
|
But now it's not.
|
|
|
|
So I had this dreamlet (def: "even more disconnected and confused a
|
|
dream than a normal dream, and only a snapshot thereof") about this guy who
|
|
obsessively videotapes everything he does, somehow from a third-person
|
|
perspective. (I guess it's metaphorical.) And he looks over the tapes
|
|
studiously every night to pick out instances of when "they" are helping him
|
|
out, leading him, directing him to do things. "Look!" he's laughing
|
|
ecstatically, "they helped me through the whole thing! It all makes sense
|
|
now!"
|
|
|
|
As I awoke from the dream, my natural thought was, "oh, the aliens
|
|
motif," but then I recollected, or grokked, a smidgen of a feeling of a
|
|
mystical experience wherein *of course* "they" guide everything, but "they"
|
|
are I. And briefly afterwards (this was before chugging cough syrup) I felt
|
|
as confused about what I had just thought as you, dear reader, are about what
|
|
I have just written. And now, too.
|
|
|
|
I must have fucked up my computer because the clock keeps falling back in
|
|
time. It's not nine-thirty, it's eleven. Shit. (Oh, and of course, jump to
|
|
the shell, run "date", and see:
|
|
|
|
yin-yang:~/words# date
|
|
Thu Feb 26 09:30:00 CST 1998
|
|
|
|
93, 93, 93, ....
|
|
|
|
Yes, yes.... I definitely think this will be one of those days in which I
|
|
say, "of course!" and "obviously!" and giggle a lot, for no good reason.
|
|
|
|
I had planned to go to work about thirty minutes ago, but I remembered
|
|
that my mom thought I was to leave at noon, and left me with the chore of
|
|
moving the wash into the dryer. But I'm still wearing my glasses and my smart
|
|
cap, and when I lay down on the rug (because it feels so good) and the cat
|
|
came by to sniff me, I was reminded that he was alive because his breath
|
|
fogged up my glasses.
|
|
|
|
It's odd, and kind of sad, how rarely I remember that I am alive.
|
|
Because I am, you know. Nowadays I've taken up the vice of physical fitness,
|
|
or a simulacrum thereof, and after fifty pushups and thirty situps done much
|
|
too quickly when I am wont to collapse, I smile and laugh because I've
|
|
reminded myself that I'm alive. Alive, and aware. Aware of being alive.
|
|
What a precious gift! How much infinite compassion flows from the
|
|
prakti-heart unto those who know not what riches they possess! How many
|
|
Oriental phrases flow from my fingers that I'm sure I've heard elsewhere! How
|
|
much laughter flows from my heart when I reflect on what I've said!
|
|
|
|
Because it's only true if it makes you laugh. The world isn't a prison.
|
|
It isn't run by some ruthless or absent God. It's just a big practical joke
|
|
in which everyone is the butt and the prankster, and one by one each person
|
|
figures it out -- but being educated by Eris, s/he quickly and mischeviously
|
|
resumes an act of ignorance, of idiocy, of sobriety, to prevent anyone else
|
|
from catching on. Because if everyone catches on, the joke dies. And who
|
|
wants to reminisce about some tired old punchline? ("I couldn't find the
|
|
head!")
|
|
|
|
I'm not claiming to know much more than the *existence* of the practical
|
|
joke. I'm still trying to figure it out, and I'll work for the rest of my
|
|
life to do so -- after which I will promptly clam up and forget it. Again.
|
|
Like I always do. But I'll be sure to attempt to reconstruct the joke for
|
|
everyone else, giving a characteristically bad telling, which is only funny in
|
|
its delivery.
|
|
|
|
(Obstetrician to mother: "Sure, it's a stillborn, but, good Lord, what a
|
|
*delivery*!")
|
|
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"So good to see you once again
|
|
I thought that you were hiding from me
|
|
And you thought that I had run away
|
|
Chasing a trail of smoke and reason"
|
|
--Tool, "Third Eye"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
SEVENTEEN SiDES OF A CONVERSATiON
|
|
by Clockwork
|
|
|
|
Careen into doubts willed about you. What once was told in slow, steady
|
|
rhyming rhythms is now slapped and stamped forcefully into your head, leaving
|
|
wonder and question up to none. Double, triple, one pierce too many.
|
|
|
|
"So, why are you here?"
|
|
|
|
"Oh, you know, sometimes I wish I wasn't."
|
|
|
|
"Right, but then why are you here?"
|
|
|
|
"I'm only here because you wish me to be."
|
|
|
|
"Right. What are you on?"
|
|
|
|
"Nothing, just in my head. Or maybe I'm in my head because I am on
|
|
something. Maybe I'm on my head, or my feet, but who says there is a
|
|
difference? East is west and east and north and up and down. Those who
|
|
believe otherwise are only sad clowns who have forgotten how to laugh,
|
|
or sadder still, never learned."
|
|
|
|
"So, do you come here a lot?"
|
|
|
|
"All the time, every minute, every day, every moment before time was
|
|
created, and every moment since. It's a nice place, just as nice and nicer as
|
|
any. Heft, jesty people lucid with their words and thoughts and werds.
|
|
Simple thinking ones and craft leather strapped ones and red wine primed elder
|
|
ones sometime wishing they were you."
|
|
|
|
"OK. You're going to school, right? Of course you are, you're in one of
|
|
my classes, what a dumb question. So, what's your major?"
|
|
|
|
"Declared official as theatre, or even theater, sometimes with the arts,
|
|
sometimes without. Nonetheless I am in no theatre, theater classes, and tend
|
|
to think of myself majoring in ego-destruction, self-fulfilling realization
|
|
and the like. Yet it is somewhat difficult to choose classes from the
|
|
designated catalog to suit one's wishes. Perhaps if more would acknowledge
|
|
their own wishes, or rediscover, or first-discover their wishes, even have
|
|
their wishes, have some wishes."
|
|
|
|
"Yeah. I know what you mean."
|
|
|
|
"I'm sure you do, even if you do or don't know such a thing of this or
|
|
that. Just let it go, and don't pretend. Masks and pretend-tion is what
|
|
drives this into the ground. At times, anyway. Obviously there is nothing
|
|
wrong with imaginary friends or playing make-believe. Not the pretending I
|
|
speak of, but you know that."
|
|
|
|
"Sure. Yeah, I did. Well, I've gotta go, I'll talk to you later."
|
|
|
|
"You always will."
|
|
|
|
"OK. Bye."
|
|
|
|
"La dee da."
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
"The poets? They stink. They write badly. They're idiots you see, because
|
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
|
The good people do the serious jobs."
|
|
--Charles Bukowski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
UNTiTLED (composed of three haikus)
|
|
by Kilgore Trout
|
|
|
|
Track lighting swirls
|
|
Ephedrine, cigarette buzz--
|
|
"She lied, she lied."
|
|
|
|
Innocent vision, as
|
|
Black as her nail polish.
|
|
Brushed on, wiped off.
|
|
|
|
Smooth walk, glimpse of red,
|
|
Shattered deification.
|
|
Smoke slowly stirs.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"OM MANI PADME BOOOOOOOOOOOOOOOOM!"
|
|
--Robert Rankin, _Armageddon: The Musical_
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
GNOSTiC LOVE GONE AWRY
|
|
by Kilgore Trout
|
|
|
|
/Yaldaboath, Yaldaboath/ she accused, crushing
|
|
my desire. Her profile backlit by the flickering
|
|
neon, she would not move again until I restored
|
|
her. The acrid rain tore through my flesh, and I
|
|
raced under a nearby awning, smelling of rotten
|
|
bananas and grapefruit. I turned to see her
|
|
standing still like a pillar of salt, but I was
|
|
the one who had seen and withheld.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
BANGKOK ANNIE
|
|
by Rich Logsdon
|
|
|
|
I.
|
|
|
|
The accident still lives in my memory. Traveling at sunrise in a red '57
|
|
Ford Fairlane from Winnemuca, Nevada, to Los Angeles in early June of 1962, we
|
|
had just turned on to the interstate when we collided head-on with a semi.
|
|
Both in the front seat, Father was crushed to death and Mother was
|
|
decapitated.
|
|
|
|
I was sitting in the back seat, reading _Treasure iSLAND._ Using crow
|
|
bars and blow torches, the rescue crew found me buried alive within the car's
|
|
compressed tangle of metal, which had formed a kind of box around my body.
|
|
Gradually revived, I had lost considerable blood, and my heart apparently
|
|
stopped beating once on the way to the hospital. Now, a disfiguring scar runs
|
|
down the right side of my face, from the outer corner of my eye to just below
|
|
my mouth. Too, I limp badly and am forced to drag my left leg behind me.
|
|
|
|
After the accident, I spent eight years on a farm in Sunnydale, raised by
|
|
an uncle and aunt, both deaf as stones. It was the nearest thing to hell.
|
|
They abused me mercilessly, the old man rarely missing an opportunity to
|
|
remind me that my limp was an act of a loving Creator. However, blessed since
|
|
birth with extraordinary intelligence, and unable to take part in athletics
|
|
with others my age, I excelled in my classes, graduated at the top of my high
|
|
school class and attended a university in Southern California, where I earned
|
|
my Ph.D. My dissertation on _Moby Dick_ was a lengthy examination of
|
|
archetypal symbolism culminating in the characterization of Ahab.
|
|
|
|
Since then, I have published four articles, the most noteworthy of which
|
|
is a fascinating study of celestial imagery in Anne Radcliffe's _The
|
|
Mysteries of Udolpho (See Fall 1983, _Bangkok Quarterly_). While my
|
|
publications were not as extensive as I would have liked, they enabled me to
|
|
land a teaching position in a small university in the Pacific Northwest, just
|
|
east of Portland, where it rains almost continuously. There I met Professor
|
|
John Peterson, who had moved up to the Northwest after teaching for
|
|
twenty-five years at a college in central Nevada.
|
|
|
|
John received his Ph.D. in English from a Southern university. His
|
|
dissertation was an abstruse application of an obscure derivation of formalist
|
|
literary theory to six relatively unknown works from Eighteenth Century
|
|
English literature. It won him critical acclaim in the academic community of
|
|
Eighteenth century scholars, who often confuse obfuscation with clear
|
|
explication. In the five years following the completion of his dissertation,
|
|
he published all but two of its twelve chapters.
|
|
|
|
After he was granted his Ph.D., he moved to the barren landscape of
|
|
central Nevada where he accrued several teaching honors for outstanding work
|
|
in the classroom, wrote three college textbooks (all published by very small
|
|
presses) and edited a small literary magazine, _Phantom Streams,_ which
|
|
quickly put him and his college in the academic spotlight. He continued to
|
|
write and publish essays on eighteenth century English literature and the
|
|
modern novel with considerable ease.
|
|
|
|
His students adored him (the females referred to him as "Long John"), my
|
|
wife and three beautiful but adopted daughters loved him, and I tolerated him.
|
|
At the insistence of my wife Annette and my daughters, I invited him on
|
|
several occasions to dine with us at our great stone mansion on the hill
|
|
overlooking the university, and John liked nothing more than a hearty meal and
|
|
an occasion to smoke his pipe, which he used as a pointer while discussing
|
|
with me and other colleagues -- I generally invited several people from the
|
|
department over -- the writings of Eco, Pynchon, and Nabokov. He considered
|
|
Nabakov's _Pale Fire_ the greatest novel of the twentieth century.
|
|
|
|
There was never an occasion when this great man did not dominate
|
|
conversation. Whenever anyone questioned his observations, the obnoxious old
|
|
fart would respond with the fury of a hurricane and quickly sweep away any
|
|
objections. Once, as the logs crackled in the fireplace on a blustery,
|
|
hellishly cold night, he humiliated me in front of my own guests, remarking on
|
|
my own glaring weaknesses in contemporary literature. More than once,
|
|
however, I so under-cooked and over-seasoned his steak that he suffered
|
|
diarrhea for days after.
|
|
|
|
He would unthinkingly belittle me in front of my own family and
|
|
colleagues. It was when I began shouting in my own front room at my
|
|
colleagues, with whom I argued incessantly, that this great and wonderful man
|
|
would loudly clear his throat, spit into the fire, lean toward me, gesture
|
|
condescendingly with his pipe in the manner of an elementary school teacher
|
|
reprimanding a student, and remark, "Now, now, my dear William, my good boy,
|
|
do you really quite believe the statement that you have just made?" or "Tut,
|
|
tut, my dear boy. Try to understand that there may be more than one side to
|
|
this argument. Tut, tut."
|
|
|
|
* * * * *
|
|
|
|
I saw John for the last time several weeks ago. He was lying in a
|
|
hospital bed, gasping for oxygen, a breathing apparatus hooked up to him. His
|
|
face was gray, drained of its life blood. A veritable bag of bones, he had
|
|
lost considerable weight, and veins bulged invitingly in his hands and
|
|
forehead. His eyes, however, blazed gloriously, indicating he was still quite
|
|
alive.
|
|
|
|
"Well, well, it's my old friend 'Bloody' Bill," he gasped and wheezed,
|
|
the glow in his eyes temporarily gone. He used a nick name several colleagues
|
|
had given me years before. The allusion was to a two hundred year-old
|
|
vampire, William the Bloody, who apparently killed his victims by driving
|
|
spikes into their brains.
|
|
|
|
"I'm here, old fiend," was all I said. My eyes blazed back at him, I am
|
|
sure.
|
|
|
|
It was then that he asked me, between gasps and wheezes, to publish his
|
|
"opus," which he apparently kept in the bottom right hand drawer of his desk
|
|
at home. At one point, as he held my arm and drew me close and hacked the
|
|
phlegm out of his throat, I was sure he was going to spit on me.
|
|
|
|
With this request, John relaxed his iron grip -- even as he approached
|
|
death, his strength was greater than mine -- and sank back into his pillows,
|
|
exhausted, his eyes again dancing (I think he was mocking me), and told me to
|
|
please go away. "Anything you say, sweet prince," I mumbled. A minute later,
|
|
he was asleep. With great effort, I refrained from putting a pillow over his
|
|
face. Instead, I substituted the white tablets I had bought on the street for
|
|
the pills his doctor had prescribed to help keep him alive.
|
|
|
|
I arrived at the Peterson household shortly before 7:30 the next morning.
|
|
(I was on my way to my 8:00 class.) His mistress Cordelia, surely one of his
|
|
"honors" students, led me to his study. In the corner was John Peterson's
|
|
great oak desk. I dragged myself over to it, a crippled monk approaching a
|
|
holy shrine, bent down, and pulled open the bottom right-hand drawer, where I
|
|
found a manuscript entitled "Opus #6: Vampire Lust: An Allegory for Our
|
|
Times," which I have summarized in full.
|
|
|
|
|
|
II.
|
|
|
|
"A screaming of vampires comes across the sky. It has happened before,
|
|
but there is nothing to compare it to now. It is too late. Vampires are
|
|
everywhere, having taken over the city. The Evacuation of Los Angeles
|
|
proceeds. There are no lights anywhere. The stench of vampires, like the
|
|
smog, is unbearable. Rain comes down. All is darkness."
|
|
|
|
So begins Peterson's "Opus," the opening an insultingly plagiaristic
|
|
parody of Pynchon's _Gravity's Rainbow._ It is an outrageous story -- the
|
|
label "allegory" eludes me completely -- about teenage lesbian vampires from
|
|
Las Vegas, who roamed the American Southwest in their parents' mini-buses,
|
|
masquerading as an under-nineteen girls soccer team, winning tournament after
|
|
tournament and terrorizing innocent men, women, and children who assumed that
|
|
these girls must have been good, ordinary folk.
|
|
|
|
Newcomers to the team were routinely given two weeks of freedom before
|
|
initiation: at that point, the new girl had to either become a vampire (see
|
|
Anne Rice or ask John Peterson about this one), and participate in the team's
|
|
frequent bloodfests, which often concluded with a trip to Lake Mead, or risk
|
|
a "surprise" execution. One reluctant member, Angela (moonlighting as a
|
|
stripper), had been stabbed to death over one hundred times, her eyes gouged
|
|
out, her corpse left to rot in the desert. The parents of another hold-out,
|
|
Buffy, had been electrocuted while they swam in their pool in Henderson, the
|
|
odor of burnt flesh lingering for days over the community.
|
|
|
|
The girls' coach was a good though occasionally stupid man, a junior
|
|
high school history teacher named Vincent Peter, who had played soccer
|
|
professionally for one year in Rumania. On a bet, he had agreed to take on
|
|
this team, abandoned by its previous coach, "a hairy animal of a man, with a
|
|
missing left eye and a shriveled right leg, who had mysteriously disappeared
|
|
after leading the girls to their only losing season, his disemboweled body
|
|
later found floating face up in a swamp near Lake Mead."
|
|
|
|
It was when the coach fully recognized that his sick little darlings were
|
|
"blood-sucking fiends with fangs, who had a taste for raw unbridled lesbian
|
|
sex, who ate raw meat, and whose proper place of eternal residence was the
|
|
pit of Hell" that the real fun began. During a tournament trip to Southern
|
|
California, late one night at a motel in Sunnydale, the coach and his wife
|
|
caught the girls in the captain' rooms, dabbling in drugs and voodoo,
|
|
chanting and dancing, engaging in unspeakable sexual acts, and sucking the
|
|
blood from the neck of one of the team's newest members (prostrate and
|
|
unconscious), a young high school honors student named Celeste, who had
|
|
decided to give up the ghost and join the ranks of the vampires. The coach
|
|
ordered them all to bed, forbade them to watch television, and threatened to
|
|
take them home the next day, a very bad move on his part.
|
|
|
|
In swift and frightening retribution, they responded as one. That very
|
|
night in the motel parking lot the nasty girls took the lives of his wife, his
|
|
daughter, his two sons, his dog Giles -- all of whom had gone on the
|
|
tournament trip, viewing the event as something tantamount to a visit to
|
|
Disney Land. All suffered bloody, violent deaths, his poor dog burned to
|
|
death in a fury of flames. Finally, the girls turned on coach Vincent, who
|
|
found himself in the middle of the parking lot, surrounded by "growling,
|
|
snarling, howling adolescent hussies, who wanted a bite to eat".
|
|
|
|
Sensing the presence of the Grim Reaper himself, knees trembling, Vincent
|
|
bolted over the weakest girl on the team (a girl named Willow), jumped into
|
|
his blue rebuilt Dodge Charger, locked the doors, rolled up the windows, and
|
|
laid rubber out of the parking lot. He drove like hell on the I-15 to Vegas,
|
|
his vehicle reaching speeds up to 130 mph, the girls trailing far behind in
|
|
the vans they had borrowed from their parents, none of whom had bothered to go
|
|
on the tournament. As coach Vincent approached the city limits, the glowing
|
|
blaze of Las Vegas, spreading out on the desert floor like a lake of fire, had
|
|
never looked so friendly, and Peter took an off-ramp to the darkened maze of
|
|
side streets in hopes of eluding his pursuers. It proved to be a descent into
|
|
the Inferno.
|
|
|
|
The girls caught up with him about one half hour after he arrived home,
|
|
parking their vehicles in the road in front of his house. "Howling and
|
|
growling like a pack of blood-thirsty wolves," the teenage vampires surrounded
|
|
his house, allowing no way out, it seemed. They now stood at the windows,
|
|
glaring at him with bright red devilish eyes, awaiting the right moment to
|
|
come crashing through glass in bloody cinematic fury. Vincent, however,
|
|
proved resourceful once again, this time rushing into his garage, jumping
|
|
into his car, and driving it through the garage's wooden door, running over,
|
|
but not permanently injuring, one of the vampires.
|
|
|
|
At this late hour, sweaty hands gripping the steering wheel of his
|
|
Charger, this good man prayed for an angel, a flood or lightening. "Sweet
|
|
Jesus, help me now!" he tearfully whimpered and sang, vaguely recalling that
|
|
he had heard the same words from a black Pentecostal minister at a revival one
|
|
night years ago. On the same night, he had been baptized through
|
|
full-immersion in the minister's bathtub. After what seemed to be hours of
|
|
driving the pitch-black back streets of West Las Vegas, he found refuge in a
|
|
nude bar on Industrial Road -- a dangerous part of town, famous for drug
|
|
deals, gang fights, prostitution, and adult book stores -- reputedly run by
|
|
the Asian mob. Standing out front of the building, a huge, pink fluorescent
|
|
sign with a pair of ruby-red lips illuminated this part of town. He had been
|
|
there many times before. "The girls knew him well and admired him greatly."
|
|
|
|
It was in the bar Phantom Moon that he met a beautiful young Asian woman
|
|
with long flowing raven hair, with pierced nipples and belly button and red
|
|
lipstick, "an Oriental chick surrounded by an unearthly blue glow." She was
|
|
short, somewhat frail, her blue eyes radiant. Her most noticeable feature,
|
|
however, was the tattoo of a small gold cross over her left breast.
|
|
|
|
When she asked him if he wanted her to dance, his throat went hard and
|
|
dry and he couldn't resist. Her stage name was Bangkok Annie, and over drinks
|
|
and between lap dances she claimed to be an angel sent by heaven above to
|
|
redeem him from legions of darkness. Peter thought her insane. Quickly, he
|
|
drained his drink, stood, and ran for the door. The sun was just coming over
|
|
the mountains to the east when he got to his car. He knew he would be safe
|
|
for a time.
|
|
|
|
According to Annie, it was only when Vincent could acknowledge that she
|
|
was an angel that he would find deliverance. In the meantime, the coach would
|
|
have lots of trouble. Indeed, Peter did have to spend nights running from the
|
|
lusty predators, staying one night in a seedy hotel outside of town, the next
|
|
night shivering on a bench in a park located on the west side, a third night
|
|
on the beach of a local lake, one night sleeping on the couch of one of the
|
|
strippers, and yet another in the back of a pickup truck. Several times, he
|
|
barely escaped, the vampires often finding him an hour or two before sunrise.
|
|
During this time, he returned to the nightclub three times, in each instance
|
|
refusing to confess that Annie was an angel.
|
|
|
|
The fourth visit was the turning point. Alone with him in a dark corner
|
|
of the VIP lounge, sharing with him a bottle of Tequila, Annie stood and,
|
|
between song breaks, sang the most beautiful melody that the coach had ever
|
|
heard. The song was an answer to his prayer. All the other dancers stopped
|
|
what they were doing, many moved to tears, breathless, stunned by the sound,
|
|
the words of an angel. Peter believed that no vampire could ever hope to sing
|
|
so well.
|
|
|
|
Struggling to maintain his reason, buzzed on Tequila, Peter realized he
|
|
had seen this singing dancer before. Certainly, he had not seen her in the
|
|
Moon. He thought he might have seen her in a smut flick. And then he
|
|
remembered: He had seen Annie several nights ago in a dream he had had while
|
|
sleeping on the beach. In the dream, surrounded by a soft blue flame, she had
|
|
walked across the lake to where he stood on the beach, stopping just short of
|
|
the sand. She had held out her arms to him, singing like a siren, beckoning
|
|
him to come with her. He had run away. He remembered that, in the dream, she
|
|
had great blue wings.
|
|
|
|
The time had come for Vincent Peter to take his leap of faith. Though
|
|
his thinking was clouded by drink and the sound of the Blue Oyster Cult's
|
|
classic "See the Reaper," he closed his eyes, breathed deeply, and slurred in
|
|
a barely audible voice, "I believe you, you gorgeous little gook. I believe
|
|
you're an angel with pretty wings." He felt a finger make some kind of sign
|
|
on his forehead and a blinding flash explode in his befuddled brain.
|
|
|
|
|
|
III.
|
|
|
|
We may count it a stroke of good fortune that the now deceased Peterson
|
|
did not finish or attempt to publish his "Opus," an exercise in very poor
|
|
taste, indeed. The very writing of such a narrative, depending for its
|
|
effectiveness upon cheap sensationalism attached to vampire literature, seems
|
|
totally incongruous with the professor's scholarly persona.
|
|
|
|
However, to pander for a brief instant to the audience created by this
|
|
work, one could consider a number of endings, all equally plausible given the
|
|
total improbability of the story:
|
|
|
|
1. It turns out that Annie is not an angel after all. In fact, she is
|
|
drunkenly babbling when she claims to be an angel and her reference to
|
|
delivering coach Vincent from legions of darkness is merely coincidental to
|
|
the prayer uttered by the coach as he was fleeing his group of "bloodthirsty
|
|
bitches." Thus, left to his own devices, Vincent eventually outwits his
|
|
pursuers or, better yet, Peter meets a horrible death involving dismemberment
|
|
and cannibalism as soon as he walks into the parking lot of the Palace. End
|
|
of story. Take your pick.
|
|
|
|
2. Conversely, Annie is exactly who she says she is: an angel of the Lord.
|
|
In this case, Peter is redeemed. When he ventures out into the parking lot,
|
|
the vampires are gone and, brimming with the blessed assurance that the Good
|
|
Lord has everything under control, returns home to find his wife, his kids,
|
|
and his pets awaiting him at the door.
|
|
|
|
3. Annie herself turns out to be a vampire. What else could she be? A true
|
|
angel would never work in a nude bar and make money by performing lap dances
|
|
for lonely middle-aged men who come to the joint to experience the thrill of a
|
|
sexy female sitting on their laps. Thus, the whole thing has been a gigantic
|
|
trap, set by the Prince of Darkness himself, and poor coach Peter has been
|
|
caught.
|
|
|
|
4. The whole thing has been a terrible nightmare, Kafka's description
|
|
of his famous short story about the man who turns into a bug, a result
|
|
of one of coach Vincent's bouts of extreme drunkenness or, more likely,
|
|
a phantasmagorical dream resulting from indigestion. Peter loved the
|
|
Las Vegas buffets.
|
|
|
|
We could come up with an infinite number of possibilities. Yet, given
|
|
the fact that vampire literature must meet certain expectations, I think we
|
|
can safely and logically settle for one.
|
|
|
|
|
|
IV.
|
|
|
|
To Peter, it felt as if someone had driven a spike through his brain, and
|
|
he wondered if he had had a stroke. When Peter opened his eyes, he looked for
|
|
Bangkok Annie. The d.j., he noted, had chosen one of his all-time favorites:
|
|
Nazareth's "Love Hurts," a perfect piece to lap-dance to, he thought; the
|
|
mournful wail of the song filled the darkened atmosphere of the club. The
|
|
Oriental babe was gone. He sat alone on the couch, arms crossed, thinking to
|
|
himself, wondering if he should wait for Annie to return or get up. Somewhat
|
|
inebriated, he stood, asked the one other dancer in the room and her customer
|
|
-- a beefy fellow in a red AC/DC T-shirt with a huge belly, long black hair
|
|
greased back, and sunglasses -- if they had seen Annie. "Get lost," said the
|
|
gorgeous redhead named Victory, who had danced with Peter before. The fat man
|
|
blew smoke at him from his enormous cigar.
|
|
|
|
Peter suspected he was in a shit-load of trouble. Annie -- or whoever
|
|
she was -- had disappeared like a puff of smoke either because she was an
|
|
angel of God and had done her work, or because she had just made a fool of
|
|
him, gotten him drunk, and taken his money. He stumbled out of the VIP lounge
|
|
and through the main dance room, looking at the beautiful, tanned girls
|
|
dancing on the stages, looking at the girls seated with customers, to try to
|
|
find Bangkok Annie. He asked one of the muscled bouncers if Annie had gone to
|
|
the dressing room. The bouncer, a huge brute of a man whose arms were covered
|
|
with very attractive animal tattoos, said that he didn't know.
|
|
|
|
Peter breathed deeply, feeling light-headed and queasy. The pain made it
|
|
difficult to think, but he knew he should have been home grading papers and
|
|
preparing for class the next day. He was sweating profusely, his hands cold,
|
|
his heart banging uncontrollably in his pickled brain. Whether Annie was
|
|
still in the building or not, he knew he had to go outside and get into his
|
|
car eventually.
|
|
|
|
He looked at his watch, a fluorescent Timex. 2:07pm. The Moon was still
|
|
full of people, the drunken laughter of the men and the dancers blending with
|
|
the loud rock that the d.j. in the back played constantly. Some of the girls
|
|
and their customers were high as kites. Putting his glass of Tequila on the
|
|
stage nearest the door -- "Thank you, baby," said the young black dancer on
|
|
the stage, assuming the drink was for her -- he walked to the exit. Another
|
|
bouncer, positioned like a guard at the entrance to Solomon's temple, bade him
|
|
good night, thanked him for coming, and opened the black glass door. Peter
|
|
stepped into the cold night air.
|
|
|
|
In the parking lot immediately in front of the Moon, he could see three
|
|
shiny blue motorcycles parked by the front door, parked cars filling every
|
|
visible space, and a yellow cab whose driver was motioning frantically to him.
|
|
The pain in his head began to subside, and Peter figured he would live. A
|
|
cold March wind blew and chilled him to the bone. He pulled his jacket more
|
|
tightly around him. The sky was crystal clear. The moon shone full and
|
|
brightly overhead.
|
|
|
|
Terrified, he crept to the side of the building, turned the corner, and
|
|
headed for his car parked near the back. As he walked into the darkest and
|
|
dirtiest part of the parking lot, he heard a horrible blood-curdling screaming
|
|
come across the night sky, the sound of some enormous beast prowling the back
|
|
streets, and he imagined for a moment that he was trudging through abandoned
|
|
marshlands in England. His mind still reeled from the Tequila, and he
|
|
stumbled and nearly fell as he pushed his chest forward and began his slow
|
|
walk to his Charger.
|
|
|
|
As he approached his car, its front bumper facing the building, he heard
|
|
a scraping and hissing behind him. He turned around quickly, nearly losing
|
|
his balance, and there they were, the blood-sucking darlings that he had
|
|
coached to the state championship, standing three feet from him, all of them
|
|
grinning hugely, fangs bared in grisly anticipation of their next meal.
|
|
|
|
Peter turned and started to run towards the back entrance of the parking
|
|
lot, but he no longer had the speed of a young man. With the air-rending howl
|
|
of an enormous hungry beast, the largest of the girls sprinted after him and
|
|
jumped onto his back, sinking her fangs into his neck, bringing Peter crashing
|
|
to the dirtied pavement. The pain was unbearable, blood gushed from his neck,
|
|
and Peter screamed as he felt life slowly ebbing from him. Then all was
|
|
darkness.
|
|
|
|
|
|
V.
|
|
|
|
I hope my ending has done justice to Professor Peterson, who went into
|
|
fatal convulsions two nights after my visit and who therefore remains as much
|
|
of an enigma in death as he was in life. Certainly, though we may find this
|
|
narrative as darkly fascinating as, say, Nightmare on Elm Street, Scream I and
|
|
Scream II, Halloween I, II, and III, The Shining, Friday the 13th (parts 1
|
|
through 9), Interview with the Vampire, Fright Night, American Werewolf in
|
|
London, American Werewolf in Paris, Wolf, The Lost Boys, and Buffy the Vampire
|
|
Slayer (movie and television series), ad infinitum, labels like "delusional"
|
|
and "paranoid schizophrenic" seem more appropriate for this dark piece, quite
|
|
clearly the outpourings of a disturbed mind.
|
|
|
|
As far as craftsmanship is concerned, we are left wondering what ever
|
|
happened to that cross-bearing tramp Bangkok Annie. Since one ending is as
|
|
good as another, let us assume that Annie was taking a pee and that she was an
|
|
angel who was on the verge of blowing yet another assignment (thus, her
|
|
confinement to the nude bar). When she returned to the VIP lounge and saw
|
|
that Peter was gone, she took off after him but arrived too late, finding her
|
|
latest client lying face down in a pool of blood at the back of the bar's
|
|
parking lot, barely breathing but alive.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"If you hate a person, you hate something in him that is part of
|
|
yourself. What isn't part of ourselves doesn't disturb us."
|
|
--Herman Hesse
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
NO REGRETS
|
|
by Morrigan
|
|
|
|
The ghost she couldn't know haunted her. That he was a ghost was her
|
|
making, but that he stayed a ghost was his choosing. She had forgotten
|
|
enough to forget him.
|
|
|
|
* * * * *
|
|
|
|
Jeremy loved Aly. He knew it the first time he saw her or at least so
|
|
he'd later say (perhaps even realizing the overwhelming tackiness of the false
|
|
sentiment). In a more accurate sampling of reality, he didn't notice her the
|
|
first time he saw her, or even the eighteenth. The nineteenth time, he
|
|
spotted her t-shirt. It was purple and from a tour by his favorite band. He
|
|
made a mental note to try to get one of the shirts, but paid no mind to the
|
|
body sporting it.
|
|
|
|
That morning, she had looked at her body and decided that bodies can only
|
|
be perfected so much without plastic surgery. She needed a new obsession,
|
|
something new to refine. So she put on a shirt and jeans, brushed her long
|
|
chestnut hair, and subtly outlined her hazel eyes. Satisfied, she walked to
|
|
her car and drove two blocks over and got out of her car and began walking,
|
|
which was how he saw her.
|
|
|
|
She noted that he spotted her shirt, but made no sign of it. She
|
|
determined that this was the object of her next fixation by the simple virtue
|
|
that he was the first person who noticed her. A primitive method perhaps, but
|
|
effective. He was fairly tall and his build was that of a scarecrow. His
|
|
white blond hair was perched on the top of his head in a basic crew cut. The
|
|
overall effect was pretty awful, but his dark blue eyes and distracted smile
|
|
redeemed the otherwise hopeless situation. He would do.
|
|
|
|
* * * * *
|
|
|
|
Time passed, and she figured out his patterns. He became used to seeing
|
|
her walking along the street at all times of day. He was distracted enough to
|
|
not think it odd that someone had so much time to devote to walking two blocks
|
|
over and over and over again. One morning his mind was even further from
|
|
reality than usual, coinciding perfectly with the state of numbed mind she was
|
|
usually in during her now monotonous walks. Both oblivious, neither saw the
|
|
other and therefore the best thing for the two of them happened. They passed
|
|
each other by.
|
|
|
|
* * * * *
|
|
|
|
It wasn't until the next week, when he was having a period of unusual
|
|
alertness, that he noticed her for the second time. He was looking out the
|
|
window of his house at her form passing by and experienced distinct deja vu,
|
|
convinced he had seen that exact scene many times before. He had, of course,
|
|
but he didn't know that, being, like most people, not necessarily smart. For
|
|
the first time, he realized that she wasn't that bad looking, even if she was
|
|
short. She wasn't drop dead gorgeous, but she had a certain air to her that
|
|
was really rather attractive. To him, at least.
|
|
|
|
She was more surprised than he when at long last he came out of his
|
|
closed house to greet her and introduce himself.
|
|
|
|
* * * * *
|
|
|
|
"Hello. My name's Jeremy." (cringing at the awkwardness of it all)
|
|
|
|
"Oh? Oh. Um, sorry, I was a little spaced out, I guess. Hello."
|
|
|
|
"What's your name?" (gentle prompting)
|
|
|
|
"Oh, sorry. I'm Aly." (light laughter and a hint of a smile)
|
|
|
|
"Um, this might sound terrible, but you look incredibly familiar... Do I
|
|
know you, and I've just forgotten?" (sheepishly)
|
|
|
|
"I don't think so. If so, I've done the same thing, so no insult can be
|
|
taken, either way." (friendly, but somewhat shy grin)
|
|
|
|
* * * * *
|
|
|
|
They became friends, then lovers. He noticed that she seemed unusually
|
|
devoted to him, but then again, he didn't really know what usually was, so he
|
|
didn't really know. Besides, he loved her, and therefore she could do no
|
|
wrong.
|
|
|
|
Then she began asking things of him. Little things, at first. To change
|
|
some of his clothes, some of his music. For the most part, it was little
|
|
things that he didn't really care about, so he was content to comply with any
|
|
and all requests. Besides, even though she forbade him to listen to one of
|
|
his favorite CDs, he could just listen to it when she wasn't around.
|
|
|
|
It took him a while to notice the other change in their relationship. At
|
|
first, they had just seemed to come together. They'd both want coffee at the
|
|
same time, she'd be walking down his street on one of her several daily walks,
|
|
and she'd pass his house just as he was thinking of going on a walk himself.
|
|
Due to the fact that he was never particularly observant, it never really
|
|
occurred to him that she just happened to be around an awful lot. It was one
|
|
of those things that was much harder to detect since it developed gradually.
|
|
He only realized that he was having less and less time that wasn't with her.
|
|
It didn't bother him. After all, he was in love, remember?
|
|
|
|
His acceptance was his downfall.
|
|
|
|
* * * * *
|
|
|
|
As soon as she realized that he wouldn't resist her influence, she began
|
|
to fix him in earnest. She had a clear mental image of him as an
|
|
intellectual, a man ruled by cynicism and pessimism, a man who believed in the
|
|
supremacy of the second law of thermodynamics: entropy always increases,
|
|
everything tends towards chaos.
|
|
|
|
* body -- work out properly
|
|
* hair -- grow to slightly below the shoulders - ponytail
|
|
* smile -- more confident -- lose hint of uncertainty
|
|
* clothes -- black, stylish.
|
|
* music -- break completely from old music; foster interest in Wagnerian
|
|
opera and industrial genre, such as KMFDM
|
|
* books -- nothing optimistic -- esp. recommended: _Chaos: A New
|
|
Science_ by James Gleick, _Johnny the Homicidal Maniac_ by Jhonen
|
|
Vasquez, _Steppenwolf_ by Herman Hesse
|
|
|
|
His love for her became more devotion than care. Since she gradually
|
|
insinuated changes, rather than forcing them, he thought all of her changes
|
|
were as much his idea as hers. He was lost.
|
|
|
|
* * * * *
|
|
|
|
Several months later, he ran into a long discarded friend. At Aly's nod
|
|
of approval, he settled himself two tables away for a conversation. Initial
|
|
pleasantries were exchanged, though he could see that he was just dragging out
|
|
the agony for his companion, who was dying to know exactly what had happened
|
|
to the Jeremy he knew.
|
|
|
|
"You look like one of them stupid gothic people, man. What's up with all
|
|
of the black?"
|
|
|
|
"I thought it appropriate, since this universe is nothing more than an
|
|
immense never ending funeral."
|
|
|
|
"Uh, sure, man. Right. Hey, have you been to any Pearl Jam concerts
|
|
recently? I saw them a few weeks ago and they were great... got a couple new
|
|
songs that really rock."
|
|
|
|
"I don't listen to such ridiculous music anymore. I prefer things more
|
|
along the lines of _Gotterdamerung_ now."
|
|
|
|
"What's that?"
|
|
|
|
"It's an Opera. By Richard Wagner, who is one of the greatest composers
|
|
that this world has known. It's title means "The Twilight of the Gods."
|
|
Essentially, it is a metaphor for the way that our entire world functions. It
|
|
is the last in a series of operas that describe the heroic and magnificent
|
|
lives of gods and men. In _Gotterdamerung,_ though, everything they've worked
|
|
for is undone and they all die, while the world falls down around them. Like
|
|
I said, it's a metaphor for our universe."
|
|
|
|
"Right.... Well, whatever, Jeremy.... See you around, man."
|
|
|
|
As she eavesdropped on their conversation, Aly smiled. Her work was
|
|
complete; he was now a perfect man. As such, she had no need or desire for
|
|
him anymore. She slipped out the door while he exercised his new personality
|
|
and began to look for a new project.
|
|
|
|
* * * * *
|
|
|
|
Aly decided that she had now had her fill of human projects and resolved
|
|
to exercise her creative urges in a more traditional area: painting.
|
|
|
|
Her search for a subject ended when she read the story of Salome and the
|
|
Dance of the 7 Veils that was danced for the prize of John the Baptist's head.
|
|
Something in the tale caught her fancy and her energy was now focused on the
|
|
perfect painting that she envisioned.
|
|
|
|
She bought more paints, canvases and paintbrushes than she could possibly
|
|
need. She also found as many books as she could that mentioned the object of
|
|
her obsession. She intended to paint the scene with as much historical
|
|
accuracy as humanly feasible while still capturing all of the emotion that she
|
|
imagined in the scene.
|
|
|
|
She got completely caught up in her new project and promptly forgot
|
|
everything she had ever known that didn't pertain specifically to her
|
|
painting.
|
|
|
|
* * * * *
|
|
|
|
Jeremy was bewildered by Aly's absence. Now that she no longer found
|
|
him, he didn't see her at all. He realized with surprise that he'd never
|
|
found out where she lived and so he couldn't seek her out.
|
|
|
|
He continued to live by the habits that he had grown accustomed to with
|
|
her. His denial couldn't sustain him for long, though. After a few weeks
|
|
without her nurturing, his carefully crafted personality began to fall apart.
|
|
He had believed in himself only because she told him to, so as soon as she
|
|
left he was forced to question who he was. The greatest tragedy was that she
|
|
had actually done a very good job with her masterpiece. No traces of his
|
|
former self remained.
|
|
|
|
His ultimate ruin was inevitable as soon as his personality began to
|
|
crumble. All that his poor befuddled mind could really hold onto was the
|
|
image of his creator. Wasting away without a will to live he haunted the
|
|
cafes, the parks where he and Aly had spent many a pleasant afternoon, hoping
|
|
for a glimpse of her face.
|
|
|
|
* * * * *
|
|
|
|
As she became increasingly involved with her painting of Salome, Aly
|
|
became less conscious of the little things in her life, like where she bought
|
|
her coffee. This day her choice coincided with Jeremy's. Since he was the
|
|
only person in the cafe when she entered, she noticed that he was there. Her
|
|
head was full of her painting, though, and she didn't mark him as anyone
|
|
special. Jeremy, on the other hand, had gone into shock when she entered.
|
|
The object of his own obsession stood in front of him and he could do nothing
|
|
but stare at her.
|
|
|
|
While she was waiting for her tall double mocha, she glanced at him
|
|
again. This time she noticed his t-shirt and she made a mental note to try to
|
|
find one like it, because she really liked it.
|
|
|
|
She paid for her coffee and walked out of the cafe.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"But he recognized that the illusions of the child only differed from
|
|
those of the man in that they were more picturesque; belief in fairies
|
|
and belief in the Stock Exchange as bestowers of happiness were equally
|
|
vain, but the latter form of faith was ugly as well as inept."
|
|
-- Arthur Machen, _The Hill of Dreams_
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THE STARS BETWEEN THE STARS
|
|
by Dark Crystal Sphere Floating Between Two Universes
|
|
|
|
A gentle breeze picks up and rustles the leaves, and his heels tap
|
|
together quietly. Soon the children who play baseball in the field nearby
|
|
will find his body hanging there amid the crumbling vine-covered tombstones,
|
|
but for now it is merely a peaceful addition to the landscape, so unlike the
|
|
tormented soul which had strayed into that cemetery a few hours before. As
|
|
the first rays of the new day wash over the hanged man, a flock of
|
|
black-winged birds break from the trees and fly up to the heavens.
|
|
|
|
* * * * *
|
|
|
|
"If you look real hard you can see the stars between the stars," Dirk had
|
|
said at one of their philosophy meets, and, straining his eyes, Jon had seen
|
|
what he meant. "It's kinda like people: There are some people who shine
|
|
beautifully and brightly and others who shine on in obscurity with a sickly
|
|
light." It was only now that he realized the full truth of that second
|
|
sentence, sitting among the vines on the branch of the old yew just before
|
|
dawn, holding the picture of her in her beautiful red and pink dress, and a
|
|
flood of memories overwhelmed him.
|
|
|
|
He remembered that day, so recent yet seemingly so long ago, the they met
|
|
after school, when they stood together beneath the overhang as the rain poured
|
|
down and talked. He had been too scared say anything to her besides "yes"
|
|
and "no," and hated himself for his timidity. He had admired the beautiful
|
|
creature from a distance for a month now, sneaking peeks over at her during
|
|
band class, admiring the way her hair spilled down over her shoulders with her
|
|
cute little ears peeking out from beneath the honey-colored locks, the pretty
|
|
way she smiled, the way her firm body filled her jeans and tee-shirt. They
|
|
had seen each other occasionally, but they never had really talked until that
|
|
day -- he never would have had the courage to talk to her, and he had always
|
|
seen it as inconceivable that she would introduce herself to him as she was
|
|
doing now. That was the beginning of it, the beginning of the friendship
|
|
which they shared, the love he had for her. He thought of the ridiculous
|
|
figure of the lanky, white-faced boy with his hands thrust deep into the
|
|
pockets of the black trench coat he wore, talking to the beautiful young lady,
|
|
the comparison of whom most people only see in storybooks or in dreams of
|
|
purple-hued lands far away, and he still didn't understand why she had even
|
|
bothered talking to the goblin which stood before her that day. That was so
|
|
long ago, and he wished that things after that had followed the happy
|
|
progression he had so hoped they would as he lay awake thinking about the
|
|
incident the night after.
|
|
|
|
Like a cascade, the more painful memories followed. As the sky began to
|
|
turn red a cock crowed and he remembered when he finally told her without
|
|
telling her how he felt about her, after merely being her friend for months.
|
|
Finally, after so long, he sat at his desk and the seven page letter gradually
|
|
took shape. After several drafts burnt he finally had a letter which he felt
|
|
he could give her -- not the beautiful epic he had planned, but one of an
|
|
inferior grade with an occasional tear-stain, written in his horrible little
|
|
scribble -- and sealed the pages in the envelope, giving it to her at lunch
|
|
the next day.
|
|
|
|
The day after he had delivered the letter -- Friday the thirteenth,
|
|
coincidentally -- he stood in that silent room holding the neatly typed poem
|
|
and appended note and realized just how desolate his life had become in the
|
|
few seconds it had taken him to read the page. In those few seconds the one
|
|
timber of hope that had supported his crystal house of dream was yanked out of
|
|
place and all that he had built his life around for the past few months was
|
|
suddenly gone, and his feeble construct of fantasy had come crashing down
|
|
about his ears. A void had suddenly opened in his life, and he could do
|
|
nothing to fill it -- all it did was suck away all happiness he had in life in
|
|
a vain attempt to fill the vacuum. He felt as though she had kicked out his
|
|
innards and, not realizing what she had done, left him standing there, with a
|
|
shocked look on his face, to pick up the pieces. Refolding the paper and
|
|
placing it back into his pocket, yet another relic of his cult to that which
|
|
he could never have, he turned and crossed to the sink and, having washed his
|
|
hands of the sweat which had sprung up on them while he anticipated what the
|
|
paper she had handed him said, he did what he could to compose himself and
|
|
replace the mask which he wore every day but had been broken by the shock, and
|
|
he left the public toilet a desolate man. He went through the rest of the day
|
|
in a daze and, as soon as school was over, scurried off to the cemetery, which
|
|
had always been to him a symbol of pain.
|
|
|
|
He kneeled among the ivy, silently weeping by the neglected graves of
|
|
long ago, and put the dagger's stern blade to his neck, preparing to make the
|
|
scarlet-summoning slice. Then he remembered -- remembered other poems she had
|
|
written which had touched him happily, of nights spent together though thirty
|
|
miles away, consoling each other in the face of mournful things and crying at
|
|
the divine joke, connected by fiber optic coils and telephone wires across the
|
|
intervening distance. And suddenly his despair lifted somewhat and he
|
|
realized that all was not lost -- there was still some hope that she might
|
|
love him. Finally he sheathed the glittering, thirsty dagger -- let it drink
|
|
another day -- let the demons wait a while longer for what they have been
|
|
waiting for for years.
|
|
|
|
He thought then of everything -- of a life continuing down its spiral
|
|
into the dark realms of the Grey Lands, of a life spent with the one goal of
|
|
attaining her hand, until *he* came along. At first Jon thought that John
|
|
would be simply another friend, until he found out just how she felt about
|
|
him. Ironic, he thought, how this person had the same name as him with the
|
|
addition of just one little letter, but that one element meant so much. He
|
|
decided that moment that all Jons who spell their names with an 'H' must be
|
|
bastards -- all the ones he had met were. But, sinking back into misery, he
|
|
realized he couldn't blame either of them for their choices.
|
|
|
|
He had been walking alone that day at the carnival, watching the fun of
|
|
others and glancing into booths when he saw them sitting on the bench together
|
|
eating the Coney Island hot dogs which seemed to always be the necessity at
|
|
such events. Their backs were to him and, as he walked towards them he saw
|
|
the smiles on their faces as they turned to talk to each other and then he saw
|
|
the sight which finally broke his strained heart in two. The two turned to
|
|
face each other and embraced in a long kiss before they broke away, she
|
|
putting her head on his shoulder and he put his arm around her as only those
|
|
in love do. He realized then as he had never realized before that being loved
|
|
was something for others, not for men such as he, goblins and specters who
|
|
lived between the lives of others. He trudged down the street away from the
|
|
jollity with his coat billowing behind him, looking very much like a great
|
|
black winged bird who, realizing it has flown its last flight, slinks away
|
|
from the flock to die alone.
|
|
|
|
He arrived home and, opening the drawer in which he held his most prized
|
|
possessions, he lifted the heavy rope from among the all the pictures of her
|
|
and all the keepsakes he had of things they had done together. He held it
|
|
reverently, this tool of salvation and of destruction, and remembered the day
|
|
he made it when, intending to take his own life after being in a depression
|
|
for so long, he went to the nearby university and dug up the dusty volume
|
|
which the hangman Charles Duff had written back in 1929 for others of his
|
|
trade and discovered the art of hanging. She had helped him out of that
|
|
depression, but not until after he had made the noose, with plenty of tail for
|
|
both the nine and a half foot drop necessary for his weight and for tying the
|
|
rope to the bough and, having said good night to his family, climbed out of
|
|
his window and went to that place of pain. This was the only way to fix the
|
|
problem, to eliminate the pain of those who, as he was, were stuck between
|
|
life, sentenced to only watch as others lives passed by -- and the pain of
|
|
those forced to deal with them.
|
|
|
|
He watched as the sun finally rose on the eastern horizon, and realized
|
|
what a pity it was that the whole day wasn't as beautiful as the dusk and the
|
|
dawn. It seemed the beginning and the ending were the most beautiful -- and
|
|
the most deceiving -- times of just about everything. Finally he slipped the
|
|
noose around his neck and, slipping the picture into his breast pocket over
|
|
his heart, he let himself drop from the tree. If anyone had seen him fall that
|
|
morning in the pale sunlight, with his coat flying behind him on that short
|
|
nine and a half foot drop, they would have sworn how much he looked like a
|
|
great black bird with his wings clipped falling to a fate he knew he could do
|
|
nothing to avoid.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Did you hear the one about the man who fell off of a skyscraper? As he
|
|
passed each floor, he said to himself, 'So far, so good.'"
|
|
--from the movie _Le Haine_
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
WHERE'S MY DOG?
|
|
An Apocalyptic Paranoid Movement in Five Sections Searching For Stability
|
|
by Kilgore Trout
|
|
|
|
::: SECTiON A: MULTiMEDiA MiLLENiAL MADNESS
|
|
|
|
television hysteria borderline on the brink of emasculation
|
|
call letters KiSS: kings in satan's service
|
|
urban legend or dire straits video gone awry?
|
|
|
|
* * * * *
|
|
|
|
feeling pituitary glands rocket forth hormones laden with the love drug,
|
|
an anaesthetic controlled by men without desire or compassion, without
|
|
any sanctimonious foreplay: a gel of symbiotic nightmares, tasty enough
|
|
to be spread as icing, deadly enough to be poured into bombs.
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: This just in, ladies and gentlemen of the
|
|
You-Knighted-States of Amerika. A situation has developed
|
|
that is of the utmost magnitude. Stay tuned for more
|
|
details.
|
|
|
|
BROADCASTER TOM: Incendiary devices! Incendiary devices! Blow 'em all to
|
|
hell, you pinko dupes!
|
|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
* * * * *
|
|
|
|
THiNGS TO ACCOMPLiSH FOR TODAY (xx/xx/1998)
|
|
|
|
1. buy dogfood
|
|
2. shoot dog for insurance money
|
|
3. buy tampons
|
|
4. recite the Lord's prayer twice
|
|
5. burn this list
|
|
|
|
* * * * *
|
|
|
|
/...and there can no other,/ she thought, watching him drench himself in
|
|
Reichian terminology and Buddhist meditational techniques while wearing that
|
|
tight T-shirt and cute beret. /You'll be mine soon, once you get your head
|
|
out of those books and look my way./
|
|
|
|
* * * * *
|
|
|
|
Lazlo played Othello with the devil every second Thursday. He was always
|
|
black, and he always lost, but he was getting better. He wondered when the
|
|
practice rounds would end and if they'd start playing for keeps. Then it would
|
|
be a board game for heaven, winner take all. Lazlo asked the devil if he
|
|
could go first this time.
|
|
|
|
* * * * *
|
|
|
|
Conservatives hate forests because all of the radical rebels go there to
|
|
hide. Logging isn't just a job -- it's a national security issue.
|
|
|
|
* * * * *
|
|
|
|
a heroin dreamland filled with waif model types who have clean arms
|
|
because they shoot inbetween their fingers and toes, under their tongues,
|
|
under the guns of the DEA piece-wielding peace-officers who raid the
|
|
shack to prevent them from sharing needles in a devout and pious effort
|
|
to keep AiDS in government labs where it belongs.
|
|
|
|
* * * * *
|
|
|
|
A brief description of historical criticism: Who cares about the text?
|
|
A brief description of form criticism: Who cares about the author?
|
|
A brief description of authors: Who cares about the critic? (we do, we do)
|
|
|
|
* * * * *
|
|
|
|
Jonestown. Mount Carmel. A Luby's in Killeen, Texas. Post offices
|
|
across America. The government is either already there or they always show up
|
|
afterwards. Coincidence? Today on [insert tabloid talk show/local news
|
|
station/cable access program here.]
|
|
|
|
* * * * *
|
|
|
|
The birth of a revolutionary leader in a Radio Shack mall outlet, circa
|
|
1985:
|
|
|
|
10 PRINT "Fuck the world! Anarchy Rulez!"
|
|
20 GOTO 10
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: Tonight, new information from the American Medical
|
|
Association. In the new JAMA being released tomorrow, it
|
|
is revealed that genital herpes is not -- I repeat -- is
|
|
not a walk on the beach with a symphony playing lazily in
|
|
the background.
|
|
|
|
BROADCASTER TOM: Flaming cocks! Flaming cunts! Be monogomous, kids.
|
|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
* * * * *
|
|
|
|
saltine crackers and firehouse gardeners pave the way for the emissary
|
|
from regions unknown to our terrestrial senses who has come to put our
|
|
fears in a small, mahogany box and sell it to the highest bidder.
|
|
|
|
* * * * *
|
|
|
|
defective o-ring g-spot crash consumes the oxygen in his lungs as flames
|
|
lodge themsleves on his tongue, creating quotations in cartoon bubbles
|
|
from third-rate Louisiana erotica writers as she sits on the maitre d's
|
|
reservation book, unsatiated.
|
|
|
|
* * * * *
|
|
|
|
The dichotomy between pleasure and pastoral love:
|
|
|
|
Salome and Herod Antipas playing foosball with John the Baptist's head
|
|
while Jesus feeds hungry followers on the side of a hill.
|
|
|
|
* * * * *
|
|
|
|
The advanced state of organisms is based on the institutions of prisons.
|
|
Biology textbooks define complex organisms as having more cells, which means
|
|
that humans in America are the most advanced species this side of Jupiter.
|
|
|
|
* * * * *
|
|
|
|
Revisionism isn't only in the hands of neo-Nazis who want the Holocaust
|
|
to go away. Before the religious right came into power, groups like the
|
|
Baptists were the primary supporters of the separation between church and
|
|
state. In fact, Baptists were the only ones in the colonies who allowed
|
|
others to worship as they pleased. The oppressed always become the
|
|
oppressors.
|
|
|
|
* * * * *
|
|
|
|
A brief conversation overheard in a downtown bistro in Austin, Texas:
|
|
|
|
"So, my mom promised to buy me an inflatible doll for my birthday."
|
|
"Did she?"
|
|
"No, she lied. She got me a pair of Doc Martens instead. They're too
|
|
big."
|
|
"Well, I guess you could.... Oh, I suppose you want to trade those in,
|
|
huh?"
|
|
|
|
* * * * *
|
|
|
|
posthumous awards ceremonies entice would-be believesinto selling all of
|
|
their possesions (washers, dryers, recliners, asbestos firesuits, lawn
|
|
mower repair kits, small children) in a futile attempt to whitewash the
|
|
cash cow and exalt the dead who cannot record another annoying pop song
|
|
that everbody hated at the time.
|
|
|
|
* * * * *
|
|
|
|
She said that she was a siamese twin, but it looked like she really only
|
|
had an extra left hand. When I questioned her about this, she lifted up her
|
|
shirt, revealing her grinning sister's head in the place of her left breast.
|
|
I wondered if her sister ever wore hats and whether or not they fit her based
|
|
on a hat size or cup measurement.
|
|
|
|
* * * * *
|
|
|
|
If I were President of the United States, my cabinet would be just that:
|
|
a cabinet. I'd fill it with useful books from Loompanics and Amok Press,
|
|
thereby insuring a library any leader would be proud to own in a bid to rule
|
|
the world.
|
|
|
|
* * * * *
|
|
|
|
Parables edited out of the Bible:
|
|
|
|
1. The parable to beat all other parables.
|
|
2. The parable of the Roman centurion and the vestal virgin.
|
|
3. The parable of Josiah and his attempt to milk a male cow.
|
|
4. The parable of the man who knew too much and wasn't afraid to tell.
|
|
5. The parable of Silas, the altruistic dungherder.
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: News is a privilege, and if you're going to treat me like a
|
|
puppet with a hand up my ass, then I won't rotely read
|
|
stuff off the teleprompter every night. Whaddya think
|
|
about that, boys and girls? Uncle Dan still has some
|
|
cajones!
|
|
|
|
BROADCASTER TOM: Watch my broadcast! I'm better looking!
|
|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
|
|
::: SECTiON B: EN ROUTE FROM ALBUQUERQUE
|
|
|
|
The stench of her unleashed bladder woke Ramses from his slumber in the
|
|
tiny compartment on the 1:26am night train to New Dealy Plaza. He shook his
|
|
head, washing away lingering memories of a dream about Talmud exegesis, and
|
|
garnered a peek into the bunk below. The old hag he had managed to ride with
|
|
was in the throes of some grotesque erotic dream, her hands pawing her
|
|
withered breasts and freshly damp crotch. Her dentureless mouth gaped and
|
|
contracted, trying to form sounds that her body would respond to. Ramses
|
|
jumped out of his bunk, hastily fumbled into some clothes and exited the
|
|
compartment.
|
|
|
|
The ticket had been hard to come by, but Ramses had given up caring
|
|
about the price to pay in order to get out of the state. He'd met the old
|
|
woman, whose name he thought was Moira, in line at the grocery store where he
|
|
was trying to buy beer with foodstamps so he could make molotov cocktails.
|
|
The invading forces were getting closer every day, and he was going to put up
|
|
as much of a fight as he could. Moira had talked him out of it, explaining
|
|
that she had friends in Dallas who could protect her, and if he could get a
|
|
ticket, she'd be more than happy to take him along when she left in three
|
|
days. Ramses told her he was broke, but Moira made him a deal he couldn't
|
|
refuse, even though he wanted to.
|
|
|
|
For the next three days, they fucked. Moira was 61, but she had the
|
|
libido of a drunk college party girl. She also had a problem: instead of
|
|
orgasming, Moira would piss. Ramses never asked for an explanation, and she
|
|
never offered one. Sinking his head between her legs on that first night, he
|
|
recalled the news reports of what the enemy did to their prisoners, making
|
|
this look like a Sunday afternoon picnic. The only part Ramses partially
|
|
enjoyed were Moira's toothless blowjobs.
|
|
|
|
On the second night, Moira asked him if he thought she was beautiful.
|
|
Ramses finished toweling off his face and spat on the ground. Moira rolled
|
|
over onto her side, facing away, and sobbed. He told her that the only reason
|
|
he was here was because she had something he wanted. Once they were in Dallas
|
|
their relationship would end.
|
|
|
|
And now he was on this godforsaken train, unable to sleep in his own
|
|
compartment. He made his way to the dinner car. It was deserted, so he slid
|
|
into a booth and tried to get some sleep. He woke up about two hours later to
|
|
the sound of talking. Ramses lifted his head up and noticed two young women
|
|
seated across the aisle. The brunette saw that he was awake and motioned with
|
|
her head in his direction to the redhead, who turned to look.
|
|
|
|
"Stowaway?" the brunette asked.
|
|
|
|
"Can't sleep in my room," Ramses replied. "My traveling companion can't
|
|
control her bodily functions."
|
|
|
|
The redhead made a disgusted look at Ramses. "Doesn't she have those
|
|
adult diaper things?"
|
|
|
|
Ramses sat up. "Nope. I think she gets off on it. But what do I know?
|
|
She's old enough to be my grandmother, but she was my only way to Dallas."
|
|
|
|
"I bet you're headed to New Dealy Plaza, aren't you?" the brunnete
|
|
queried.
|
|
|
|
"Yeah, I am. How'd you know?"
|
|
|
|
"We are, too," the blonde said. "Or were, rather. Latest news I could
|
|
pick up off my walkman said that Dallas was already hit. With nukes. The US
|
|
has already retaliated with everything its got, so I expect that this train is
|
|
going nowhere real fast."
|
|
|
|
"Christ, why is this happening?" Ramses swore. "What do these people
|
|
want?"
|
|
|
|
"Not people, sir," said the brunette, grimacing. "They aren't people."
|
|
|
|
"So what are you going to do now?"
|
|
|
|
"We're getting off at the next stop and are going to hole up in the first
|
|
church we can find."
|
|
|
|
Ramses folded his arms across his chest. "This isn't the time to get
|
|
half-baked and religious. If we don't figure out something soon, we're gonna
|
|
be toast."
|
|
|
|
"I know," the blond responded, pulling out a bible and a pistol from her
|
|
jacket. "That's why this is the best time to get religious. Pray with us."
|
|
|
|
Ramses thought about Albuquerque and his molotav cocktails, of Moira and
|
|
her chance of freedom exchanged for his own debasement. He clasped his hands
|
|
together, closed his eyes, and prayed to a god he didn't believe in, hoping
|
|
that they weren't sent by him.
|
|
|
|
|
|
|
|
|
|
::: SECTiON C: THE PiLLAR OF FiRE BURNS, BURNS, BURNS
|
|
|
|
Sign seen outside a Catholic church in Dallas, Texas:
|
|
|
|
"God's will is given out on a need to know basis."
|
|
|
|
Lucky for us that the Pope has his holy decoder ring.
|
|
|
|
* * * * *
|
|
|
|
Jules stood in the back of the porno store, scratching her head as she
|
|
tried to decide between purchasing _Splatterfuck_ or _Booties: A Book of Baby
|
|
Erotica._ Out of the corner of her eye, she saw the clerk approaching her,
|
|
licking his pierced lip and dancing to an imaginary salsa beat. He asked if
|
|
he could be of any serive, so Jules punched him in the gut, muttering that he
|
|
should have better manners.
|
|
|
|
* * * * *
|
|
|
|
A definition of bad musical influences:
|
|
|
|
"This song makes me think of mommy squirrels filing down acorns to stab
|
|
baby squirrels. Get me out of this subterranean hell!"
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: We interrupt this excuse for quality programming with an
|
|
even more useless special report. Our confidential yet
|
|
highly paid sources in Washington, DC have informed us that
|
|
your government has lied to you not once but many times.
|
|
The President has issued a statement saying that we, your
|
|
trustworthy news broadcasters who come into your living
|
|
rooms every night, are the liars.
|
|
|
|
BROADCASTER TOM: It's good to know that those bastards are just like us.
|
|
Well, except for me.
|
|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
* * * * *
|
|
|
|
ancient heiroglyphs inscribed in limestone blocks reveal eternal truths
|
|
that have been repeated and repackaged thoughout the centuries in various
|
|
cultures and religions, most recently appearing on late night self-help
|
|
informercials and PBS specials with the latest hip gurus.
|
|
|
|
* * * * *
|
|
|
|
Nakedness is both the curse and cure for innocence.
|
|
|
|
* * * * *
|
|
|
|
The burning bush told Graham that it needed a man to lead its people out
|
|
of the bondage of this sick and cruel world. "Dude, man," Graham said,
|
|
stroking his goatee, "I'd believe you if I hadn't done so much acid and didn't
|
|
think this was just a flashback." And so the people continued to suffer.
|
|
|
|
* * * * *
|
|
|
|
"*Ateh malkuth vegeburah vegedulah liolahm amen.*" The words spilled
|
|
forth from the robed man and cut through the darkness of the small room, both
|
|
a calling a a proclamation to a pwer that was greater than him and yet
|
|
originated in him as well.
|
|
|
|
* * * * *
|
|
|
|
alien membranes erupt under laser scalpel slices, destroying themselves
|
|
to prevent their secrets from being discovered by muttering surgeons and
|
|
Air Force officers who want to be omniscient because they are not
|
|
omnipotent.
|
|
|
|
* * * * *
|
|
|
|
Shattered windows. Green carpet. Yellow wallpaper. A still fan. No
|
|
light. Miranda. Fresh vomit. Two gas station lighters. A bra from Sears.
|
|
The smell of waiting.
|
|
|
|
* * * * *
|
|
|
|
He habitually chewed the skin off os his lower, chapped lip as he sat
|
|
looking out the window, nervously preparing for takeoff. His purpose for the
|
|
flight had never been ascertained, and even he didn't know exactly where he
|
|
wanted to go. All he understood was that he needed to go up. A voice
|
|
crackled over the loudspeaker: "T-minus 10...."
|
|
|
|
* * * * *
|
|
|
|
Advertisement on a bulletin board at a local community college:
|
|
|
|
"Babe magnet! For sale: 18 month old iguana, comes with shelves, toys,
|
|
heat lamp, and all the women that he can muster."
|
|
|
|
* * * * *
|
|
|
|
Men can never look macho while sipping out of a straw. If you think you
|
|
can, chances are that you look like a total fool.
|
|
|
|
* * * * *
|
|
|
|
All mystics have trouble relating their experiences because of the
|
|
difficulties of language. If they devised a language that would be concise
|
|
and exact, not only would their accounts be dry and drawn out, but they would
|
|
soon be viewed like lawyers and probably led by *hasatan,* the eternal
|
|
prosecuter.
|
|
|
|
* * * * *
|
|
|
|
Lunacy strives foran exalted seat next to materialism and vanity. Put
|
|
the three together, and you have a triumverate that can make you buy unwanted
|
|
goods and feel great doing it.
|
|
|
|
* * * * *
|
|
|
|
Religion is the opiate of the masses. Opium is the opiate of the French
|
|
Decadent. Decadence is the opiate of apathetic youth. Apathy is the opiate
|
|
of stagnation. Stagnation is the opiate of religion.
|
|
|
|
* * * * *
|
|
|
|
I thought I read the saddest words in the bible yesterday. I was
|
|
translating Amos 3:2, thinking that God said, "Only you have I known from all
|
|
of the families of man; therefore I will be empty unto you with all of your
|
|
guilt." What a horrible thing that would be, for your own God to tell you
|
|
that he feels empty because of what you've done. Then I realized I misread
|
|
the verb stem and that the last section should have read, "Therefore, I will
|
|
hunt you down because of your sins." I liked my mistranslation better.
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: Flumoxed. That's how I feel. If you think the news we
|
|
give you every night is depressing, even after we throw in
|
|
bad puns during the lead-in, you should take a look at the
|
|
stuff we don't broadcast.
|
|
|
|
BROADCASTER TOM: And now for some real news. Oh, wait. It's only Nascar.
|
|
Damn!
|
|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
|
|
::: SECTiON D: HOLiNESS iS NEXT TO GODLiNESS
|
|
|
|
[An undecorated stage with two metal folding chairs in the middle, facing each
|
|
other. An elderly woman with a cane and a small boy enter from both sides of
|
|
the stage and take their seats.]
|
|
|
|
ELAiNE: Do you believe in the existence of the soul?
|
|
|
|
NORMAN: I know or I doubt. Belief is only a tool.
|
|
|
|
ELAiNE: Do you know that the soul exists?
|
|
|
|
NORMAN: No.
|
|
|
|
ELAiNE: Do you doubt that souls are real?
|
|
|
|
NORMAN: No.
|
|
|
|
ELAiNE: Then what do you think about souls?
|
|
|
|
NORMAN: Does it matter now?
|
|
|
|
ELAiNE: It may make a difference on the type of afterlife you experience.
|
|
|
|
[Enter stage right a cop and a folk guitarist. They stand behind the two
|
|
chairs.]
|
|
|
|
COP: (lighting a cigarette) Do you know some Pink Floyd?
|
|
|
|
GUiTARiST: Sure do. (begins playing "Comfortably Numb.")
|
|
|
|
NORMAN: The afterlife doesn't concern me. I'm already enlightened.
|
|
|
|
ELAiNE: You? Enlightened? But you can't be more than eight.
|
|
|
|
NORMAN: Precisely. I have yet to become an actor in the game of life.
|
|
|
|
ELAiNE: Bullshit. (crosses her arms) How can you know what it's like to
|
|
be enlightened unless you have been unenlightened?
|
|
|
|
NORMAN: Because I see you right now.
|
|
|
|
ELAiNE: Don't get smart with me, kid. I've been on this earth for eighty
|
|
years, and I've got more wisdom than you could ever hope for!
|
|
|
|
COP: Ma'am, play nice now.
|
|
|
|
NORMAN: Wisdom consists of cliched sayings and is tripe for mutts. It
|
|
does not concern me.
|
|
|
|
ELAiNE: Then tell me what I should do.
|
|
|
|
NORMAN: Open your third eye and see.
|
|
|
|
ELAiNE: That's just a bunch of new age -- rhymes with sewage --
|
|
mumbojumbo. Next you'll be telling me I need to go buy crystals
|
|
for my well-being.
|
|
|
|
NORMAN: I'm not speaking of a metaphysical third eye. I'm talking about
|
|
trepenation.
|
|
|
|
GUiTARiST: (plays "The Great Brain Robbery and sings.)
|
|
All your prayers won't save your soul,
|
|
Adult, you need a hole.
|
|
|
|
NORMAN: In 1962 a Dutch doctor named Bart Hughes proposed a theory about
|
|
permanent enlightenment. His theory of evolution states that
|
|
man's upright stance, while providing many benefits, prevented
|
|
blood from going to the brain because of gravity, thus restricting
|
|
the levels of consciousness previously maintained. This lack of
|
|
"brainblood" volume, along with the fusing of the cranium at the
|
|
adult stage, led Dr. Hughes to introduce trepenation as a cure for
|
|
human ills.
|
|
|
|
ELAiNE: You want me to drill a hole in my noggin?
|
|
|
|
NORMAN: To put it simply, yes.
|
|
|
|
COP: I would like to interject that what you propose borders on
|
|
insanity. I hope it's illegal.
|
|
|
|
NORMAN: Give to Caesar what is Caesar's, give to God what is God's, and
|
|
give to me what is mine.
|
|
|
|
ELAiNE: Were you dropped on your head as a child?
|
|
|
|
[The guitar player cuts in the Dead Kennedy's version of "I Fought the Law,"
|
|
causing the cop to put his hand on his holstered service revolver.]
|
|
|
|
NORMAN: Really, you must try it. Perhaps you could live out your
|
|
remaining years without being so stodgy.
|
|
|
|
ELAiNE: Why, I've never--
|
|
|
|
NORMAN: In fact, I've got a doctor here all suited up and ready to perform
|
|
the operation, if you'd like. (cupping his hands to his mouth and
|
|
yelling.) Dr. Smithereens!
|
|
|
|
[Dr. Smithereens enters stage right, dressed in bloody scrubs and a clown wig.
|
|
he carries a large electric power drill and an air horn.]
|
|
|
|
ELAiNE: You're a doctor?
|
|
|
|
[Dr. Smithereens blows his horn once.]
|
|
|
|
ELAiNE: Ow.
|
|
|
|
COP: Do you have a permit for that monstrosity?
|
|
|
|
[Dr. Smithereens blows his horn again.]
|
|
|
|
COP: Ow.
|
|
|
|
[The clown approaches Elaine, turning on the power drill. Elaine jumps up and
|
|
wields her cane like a bat. The cop pulls out his gun and aims it at the
|
|
clown.]
|
|
|
|
COP: Don't move any closer or I'll shoot.
|
|
|
|
[Dr. Smithereens honks his horn twice.]
|
|
|
|
GUiTARiST: I smell a rumble.
|
|
|
|
[Dr. Smithereens lunges at Elaine. Before the cop fires, the guitarist hits
|
|
him with his guitar, causing the cop to shoot Elaine in the back of the
|
|
head.]
|
|
|
|
ELAiNE: (on floor, gasping) It really does work....
|
|
|
|
NORMAN: Not exactly the desired method, but isn't a moment of illumination
|
|
in your lifetime worth the price fo death?
|
|
|
|
ELAiNE: Gurgle, gurgle.
|
|
|
|
COP: What have I done? I've got a family.
|
|
|
|
NORMAN: (standing up) What about you, policeman? Do you want to be like
|
|
a child again?
|
|
|
|
[Dr. Smithereens turns towards the cop, grinning and increasing the power of
|
|
the drill.]
|
|
|
|
COP: Fuck you, clown!
|
|
|
|
[The cop raises his pistol and shoots the clown in the gut, who slumps to the
|
|
floor. Dr. Smithereens holds down the horn for a few seconds and then dies.]
|
|
|
|
COP: Jesus, what is the world turning into?
|
|
|
|
[The cop begins to cry and exits stage right. A gunshot is heard.]
|
|
|
|
GUiTARiST: What do we do now?
|
|
|
|
NORMAN: (picking up the drill and putting on the clown wig) We spread the
|
|
word.
|
|
|
|
[The guitarist drops his guitar and exits stage left. Norman turns to the
|
|
crowd and smiles.]
|
|
|
|
|
|
::: SECTiON E: LAST CHANCE FOR A SLOW DANCE
|
|
|
|
My girlfriend always makes us wear gas masks whenever we fuck. She says
|
|
it heightens her arousal with the implied sense of impending death, like we're
|
|
making a last ditch effort to feel pleasure before the biological weapons eat
|
|
our flesh. I think it's weird, but at least I get some.
|
|
|
|
* * * * *
|
|
|
|
"You look like a poet, but you really aren't one," a guy said to me on
|
|
the bus. I took off my sunglasses, displaying my blind eyes. "My mistake,"
|
|
he said. "You see more than any of us possibly could."
|
|
|
|
* * * * *
|
|
|
|
concrete enemas and autoerotic asphyxiations enhance the despair of a new
|
|
generation sworn to defy the norm and accumulate gratification at any
|
|
cost.
|
|
|
|
* * * * *
|
|
|
|
I met a time traveler once from the future and asked him if we actually
|
|
did a good job. He put a hand on my shoulder, shook his head, and told me
|
|
that the future waits for no one. He wouldn't answer my questions about
|
|
specific details, but he did say people would die. Ooooh.
|
|
|
|
* * * * *
|
|
|
|
BROADCASTER DAN: It has recently been proven that cellular phones and
|
|
computer monitors do not cause brain tumors. However,
|
|
usage of these and other similar devices can still be
|
|
construed as tools to be used against the proletariat, so
|
|
rise up agaisnt huge electronics corporations and go back
|
|
to using rotary phones and typewriters. Besides, the sound
|
|
of a pulse line and a key hitting a page is more
|
|
aesthetically pleasing.
|
|
|
|
BROADCASTER TOM: It's cause he's from Texas. They're all backwards down
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there.
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BROADCASTER PETE: Where's my dog?
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* * * * *
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A teenager to her father after a poor explanation on how his msucle car
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engine works:
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"Dad, why do you have to be so obscure? Even Eliot used footnotes."
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* * * * *
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I lost faith in professional wrestling when I was ten and got ringside
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tickets to a match. I was so close that I could see through everything. I
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think lots of things are like that: governement, religion, writers, etc.
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It's better to stay at a safe distance and believe the lie, unless you want to
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think or something.
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* * * * *
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Band names generated on a computer with two word lists:
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Cheesy Discharge. Papal Pajamas. Rockin' Enema. Naval Lobotomy. Glass
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Dildo. Freaky Youth. Sober Sawdusters. Diabolical Discourse. Masoleum
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Lexographers. Synthetic Dustbunnies. Flagrant Monkeys. Episcopalian
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Attitude. Siamese Robotics. Angelic Intercourse. Nazi Neighborhood.
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Latent Lycanthropy. Bouncing Bolsheviks. Superluminous Reaganites.
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|
Pleasant Nimrods.
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|
|
|
* * * * *
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|
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|
A conversation overheard during the final minutes of Hebrew 2312:
|
|
|
|
"That sounds like a fun UiL activity, arguing theories and all that
|
|
jazz."
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|
"No, I was in computer science. We dealt with programming."
|
|
"Oh, I thought you said 'pure science.'"
|
|
"That sounds like some strange Aryan superiority contest. 'Uh, hi. I'm
|
|
here for the pure science competition. Why are you guys dressed like that?"
|
|
"Yeah, costuming would be a major drawback."
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|
|
* * * * *
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|
talented bipeds struggle en masse to a perfunctory evening of wining and
|
|
dining, of dancing and drinking, of spending and squalloring, all in a
|
|
thaumaturgical evocation to show that they should spend the rest of their
|
|
lives with you.
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|
|
* * * * *
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|
Things I need to pick up at the grocery store:
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|
1. Dog food
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|
2. Tampons
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|
3. Healthy cereal
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|
4. Three green lightbulbs (25 watts)
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5. Frozen chicken
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|
6. A woman
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|
|
* * * * *
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|
Sometimes I hang outside clubs by the band's van. It makes me look
|
|
important in a way, since people think I've got something to do with what's
|
|
going on inside. In reality, I just smoke a lot of cigarettes and hope for my
|
|
big break.
|
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|
|
* * * * *
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|
At the seance, Jan noticed a peculiar smell in the air. "Who farted?"
|
|
she asked, breaking the silence. The clarivoyant looked around nervously and
|
|
said, "It was your dead uncle Charles. He always had gastrointestinal
|
|
problems." /Wow.../ Jan thought. /She knows things about Uncle Charlie that
|
|
no one else ever did./
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|
* * * * *
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|
"So this is what it feels like to be a harbinger of death," Private
|
|
Murphy said to Major Willis as they loaded the nuclear warheads onto the B-2.
|
|
"Don't be so poetic," Major Willis replied, wiping the drool from his chin
|
|
with a handkerchief. "We're just sending them a message."
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|
* * * * *
|
|
|
|
Popping pills and taking an occasional swig from the Jack Daniels hidden
|
|
in a Sonic styrofoam cup, the teenager tried to walk a straight line through
|
|
the partying throngs of people who littered the sidewalks that recorded every
|
|
anonymous step with minute depressions. The ground was dissolving as time
|
|
sped up, and he knew that he had to get his body in sync with the earth or he,
|
|
too, would disappear.
|
|
|
|
* * * * *
|
|
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|
BROADCASTER DAN: And now, as our broadcast comes to a close, I'd like to
|
|
take this opportunity to speak in tongues. It's a talent
|
|
I've long kept hidden, but I think it's time to show that
|
|
once again, our news corporation is more divine than any of
|
|
the others, _The 700 Club_ included. It's almost musical,
|
|
in a way, and I hope you like it.
|
|
|
|
BROADCASTER TOM: Last chance for a slow dance, people.
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|
|
|
BROADCASTER PETE: Where's my dog?
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
State of unBeing is copyrighted (c) 1998 by Kilgore Trout and Apocalypse
|
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
|
and all incidental material. All individual items are copyrighted (c) 1998
|
|
by the individual author, unless otherwise stated. This file may be
|
|
disseminated without restriction for nonprofit purposes so long as it is
|
|
preserved complete and unmodified. Quotes and ideas not already in the
|
|
public domain may be freely used so long as due recognition is provided.
|
|
State of unBeing is available at the following places:
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|
|
ftp to ftp.io.com /pub/SoB
|
|
World Wide Web http://www.io.com/~hagbard/sob.html
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|
Submissions may also be sent to Kilgore Trout at <kilgoret@geocities.com>.
|
|
The SoB distribution list may also be joined by sending email to Kilgore
|
|
Trout.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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