799 lines
34 KiB
Plaintext
799 lines
34 KiB
Plaintext
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====================================================================
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Propaganda Unlimited
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====================================================================
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Volume TWO, Issue One!
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February 4th, 1995
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(Endorsed by the American Evangelical Council:
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Preaching the Word since 1994)
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====================================================================
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CONTENTS
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--------
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1) Introduction
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by Midget Caesar
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2) Rancor (Prequel)
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by Nyarlathotep
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3) Fear and Loathing in Cyberspace Part 10
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by Constantine
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4) Stylus - The Beginning
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by Zaphod
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5) Dystropia, chapter Six part Two
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by Midget Caesar
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6) Why The Media is Evil
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by Newt
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7) House of Meats - A Morality Play
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by Dr. Fig
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8) Coming Attractions, Distribution, and Rampant Materialism
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--------------------------------------------------------------------
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STAFF
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-----
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Constantine..........Captain, Editor-In-Chief
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Midget Caesar........First Officer, Executive Editor
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Oregano..............Security Officer, Evanston Correspondant
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Newt.................The Real Brains Around Here, Head Writer
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Dr. Fig..............Ship's (fruit) Doctor, Theatre Correspondant
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Zaphod...............Improbability Drive, Staff Writer
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Nyarlathotep.........Chief Engineer, Staff Writer
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Comrade Slash........Chief Mysterious Person, Staff Writer
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Malakai..............Token Alien HitchHiker, Staff Writer
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Psychotic Ambition...Communications, Head Poet
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Aquarius.............Lost In Space, Staff Question Mark
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and....
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Two Fish.............All-Powerful Cosmic Entity,
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Arbiter of All That Is Cool, Tasty, True,
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and In Stock.
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=====================================================================
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Introduction
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------------
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Who'd have thought that PU could actually release three issues in
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under five weeks?
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We didn't, that's for sure.
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As far as schedules go, I'm aiming for a new issue once a month at
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least, possibly quicker depending on when we have enough material
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(and time) for a new issue. I'm officially a Second Semester Senior
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in high school, though, so I should have plenty of time.....
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Anyways, I'm on my second issue as Editor, and none of our three
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fans who live in the backwoods of Idaho have lynched me yet. (It's
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the small victories that count, really) Corollary to that, Newt
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Gingrich hasn't blown anything up yet. hurrah!
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The ever-changing distribution list changed again (surprise!). We
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lost all contact with MicroInformation Systems out in California, and
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so we wish them good luck and farewell. Due to <censored>, we have
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also had to end our association with our former hub, Frontal
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Lobotomy. But we still have a few loyal sites and our blue suede
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shoes, and that's all that matters.
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This is the first issue of Volume Two, to silence all doubters who
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thought we wouldn't make it this far (as well as to make our
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numbering system a bit more confusing). Volume Three by the end of
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this millenia or bust!
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[Side Note: Many thanks to all of you who sent letters of sympathy
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over last issue's Plea for Help. I haven't heard anything
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from Sergeant Weikert since writing it, and I'd like to
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send my gratitude to whatever made that possible.]
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A few new things happen this issue: a prose piece from Zaphod
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entitled "Stylus", a new morality play from Dr. Fig, and the prequel
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to the long-awaited (by us, at least) new series from Nyarlathotep,
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"Rancor". For our literate readers, enjoy! For our illiterate
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readers, we're still working on the ASCII-Illustrated version of
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Propaganda Unlimited. Have patience! On the subject of patience, the
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Propaganda Unlimited FAQ should hopefully be ready next issue.
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Constantine is in the middle of moving to a new apartment, and didn't
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have time to get it finished.
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February is a High Righteousness Month here at the PU offices, as
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the birthdays of the entire PU editorial staff are this month:
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Constantine on the 5th, and myself on the 19th. Please wish us well,
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and lay off the protest marches/fire bombs outside our offices just
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this month as a birthday present, okay? Thanks!
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--------------------------------------------------------------------
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Rancor: Prequel
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-----------------
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by Nyarlathotep
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Crunch went the bones in the legs of the men. Crunch went the
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bones in their arms. It wasn't enough to merely kill them, but
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instead, their bodies had to be crushed to a pulp of a smooth
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consistency. I believe I am getting a little ahead of myself here
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however.
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The Mad God Talgrok lives in a castle in the sky. Well, he's not
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really a god, and his castle in the sky isn't really in the sky. Its
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just on a large hill. And it can barely be called a castle, but it
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does have a wall. From this fortress Talgrok rules the surrounding
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countryside with an iron fist. He tolerates nothing, and kills all
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that displease him. He is fond of torture, and his finest men keep
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trying to create new ways to kill these unfortunate prisoners.
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Drowning in Water, flaying, burning alive, these are all too simple
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for Talgrok's taste. Drowning in maggots, well thats something
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that he could like.
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For 35 years this Mad being had ruled the land of Entallor, ruled
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it because he had the power of the Mantjor Staff, and for the fact
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that no one else wanted to rule it. Which isn't to say that his
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subjects didn't want a different ruler. He had aquired the Staff by
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slitting the throat of its former owner, Jalron of Tiben, in his
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sleep. At this time Talgrok was a petty sorcerer, and used his meak
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spells to keep Jalron's guards busy. Now, with the aid of the Mantjor
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Staff Talgrok's powers had increased 20 fold. He could effortlessly
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fly, or cause the death of his enemy with a single word. But this was
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not enough for him. The world he wanted. That was his greatest
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aspiration. He was planning an attack on the neighboring Kingdom of
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Apsertoo, an attack of great cunning, or so he thought. The attack
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that he pondered, sitting on his bed, would never come into effect,
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however.
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Despite the power he possesed with the aid of the Mantjor Staff,
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he still did not possess the wisdom to see the quarrel, nor to block
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or dodge it as it sped towards his dark heart. He expired quickly,
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blood running from his mouth, the bedchamber guards unaware of the
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death of their master. The Master Thief Fendin grapped the Staff as
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he left the room, as silently as he came, fading into the shadows.
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--to be continued!
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--------------------------------------------------------------------
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Fear and Loathing in Cyberspace, Part Ten:
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A Boy and his (Mental) Fog
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by Constantine
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"It's... It's YOU!"
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I couldn't have been more surprised to see the dark, broad-shouldered
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man standing behind me, even if we weren't both hip-deep in muddy
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water in the smoking crater that used to be my officebuilding.
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"Yes," he said in a deep baratone, smiling as I groped in my pockets
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for my instant digitizer. I raised the lens to take his picture, but
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the water had scrambled its circuits beyond repair.
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He handed me a pair of batteries and said, "Here. Use these. They
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keep going, and going, and going."
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James Earl Jones had come to Cyberspace.
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And he was doing product endorsements.
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"Before I go any further," he said, "I have to ask a question. Are
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you--"
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"Gay? No, but I could be."
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"No. I'm looking for a private investigator, but I seem to have
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gotten lost. Maybe I should have made a left turn back at Idaho
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Falls. Are you--"
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"Here we go again," I sighed, "Lemme save you some time. I'm not Gary
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Shandling, I'm not Conan, I'm not Conan O' Brien (thank the Gods),
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I'm not Ivanhoe, I'm not Metalhed (and neither is Time Warrior), I'm
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not Ally Sheedy, I'm not Sherlock Holmes, I'm not Watson, I'm not
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Meatloaf (but I'd do anything for love, I just won't do that), I'm
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not 'Super Dave' Osborne, I'm not Barney, and I am not Gilbert
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Gottfried."
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"Are you Phillip Marlowe?"
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I paused for a moment. I was talking to James Earl Jones, THE James
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Earl Jones, and apparently he needed a private investigator. An
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investigator with skill, preserverance, integrity and, most of all,
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honesty.
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"Yes," I said, grinning broadly, "Yes, I am."
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"A pleasure to meet you, Mr. Marlowe. Your reputation is top-notch.
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I have a job of very sensitive importance. You see, my family jewels
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have been stolen."
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"Yeow! That IS sensitive!"
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"These jewels have been passed down my family line for centuries, but
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no longer. When I was in Rio last week, burglars invaded my home and
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stole them. They went right for the hidden safe-- there's no doubt
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that the thief, or thieves, was familiar with the layout of--"
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"Wait a sec. What were you doing in Rio?"
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"Looking suave."
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"Okay. Go on."
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"I have reason to believe that the thief, or thieves, was last headed
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in this general direction. In fact, I'm certain that they traveled
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to a local nightclub, a place called Evermore."
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"How do you know?"
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"One of them left a trail of reeses' pieces all the way here. I've
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been walking for four days."
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"Bummer. Can you describe these jewels?"
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"There were eight of them, all about the size of a large egg and
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flawlessly cut."
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"Any super powers, mystical curses, anything like that?"
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"No, but if you collect all eight, they can be redeemed at your local
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Hardees for valuable cash prizes."
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"I'm your man, Mr. Jones."
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"I knew I could count on you," he said, shaking my hand, "If you
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succeed, I trust an offer of ten million file points will be
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sufficient?"
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"TEN MILLION?"
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"I'm sorry, Mr. Marlowe. I didn't mean to insult you. Twenty
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million?"
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"TWEN-- um... That'll be fine, sir."
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"Good! Let me know when you have the jewels-- you'll know how to
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reach me. Now, please, avert your eyes."
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I turned my head and covered my eyes. "Why, exactly, am I doing
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this?"
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"Because I like dramatic exits," he intoned, as a flash of light
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crackled across the heavens. When I looked back, he was gone.
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"Sure," I thought as I climbed out of the mud crater and shook myself
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dry, "I've still got that missing-persons gig, but this kind of money
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is just too good to pass up. Maybe things are starting to look up for
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me, after all!"
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****
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And somewhere, far away, across the multiverse, an oddly-angled room
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throbbed with evil laughter.
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TO BE CONTINUED...
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--------------------------------------------------------------------
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Stylus - by Zaphod
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Part One: It All Begins Here
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From the distance, a shadowy figure could be seen walking
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gracefully down the high-tide line of a nameless Chicago beach. His
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booted feet barely escaping the water's tarnishing flow, as the wind
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blew his long, beaten, coat behind him. He pulled a crushed pack of
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Marlboro's from his inside breast pocket, carefully taking the last
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cigarette from its beaten home and lighting it. He inhaled deeply the
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first puff of smoke, feeling its warmth as it entered his lungs.
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Quickly Stylus turned and stared his prey dead in the eyes. The
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fool had no idea what he was in for. The man that had been following
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Stylus pulled out a knife and began to speak. The only words he
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managed to get out were, "Give me all of..." This predator, now
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become prey froze in mid-sentence as Stylus' eyes began to glow
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brightly, with anger and hunger; and as often happens to mortal men
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when they realize death is upon them, the would be thief found that
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he could not move, and tried, hopelessly, to scream; managing only a
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meek whimper. Before he had time to think about anything, much less
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the mistake he'd made in even thinking about robbing this man, the
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hungry Stylus was upon him.
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Split seconds later the thief lay at Stylus' feet, bleeding,
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unconscious, ready to be drained of his soul and his foul memories.
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The stench of evil was strong on the incapacitated feed-flesh and
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Stylus knew he would hate the sting of the memories when he drained
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the criminal of his thoughts; but he needed food badly. It was
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becoming hard for him to remember the last time he had fed.
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Stylus arched backwards, arms outstretched, as the meal's memories
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and soul mixed with his own. A roaring, wordless cry of pain and
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relief was released from his gaping mouth as he once again felt
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alive. The warm coloring of man came back into his face as his first
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meal in what seemed an eternity found its way into his body. It felt
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wonderful to finally eat, even if it was a rapist and a murderer.
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Stylus pushed the limp, drained, corpse into the icy water and
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watched as the hollow body floated out into the lake. He crushed the
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last of his cigarette lazily into the sand with the his scuffed boot.
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The last of the sun was being soaked into the rainbow water at the
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horizon, and the dark figure of the man-beast, Stylus, sank down onto
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the sand, relaxed and relieved to be free of his hunger and the
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burden of choosing his food, and fell into a dreamless slumber.
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_____________________________________________________________
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Part Two: Home again, home again...
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The next day, Stylus awoke, dazed and disoriented, lying in a
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smoothed patch of sand, no thoughts in his mind...it was the first
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time in months he had slept so well; the first time he had slept the
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whole night through without being awakened by a terrible fit of
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hunger or a mind tearing dream. Fully rested, and clear headed, he
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looked about to get his bearings and realized that he was still lying
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in the sand. Standing up, he brushed the sand from the creases of his
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coat and pants, shook more out of his hair and began his walk home.
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Home to Stylus was a small, sparsely furnished, alley view
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apartment in Chicago's Ravenswood community. He could hear and see
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the "El" as it went by every so often, and the smell of the
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restaurants below mixed horribly in the air he breathed. Chinese,
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Mexican, and hot dogs, and aroma that could drive a cockroach to
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suicide, but Stylus welcomed the variety, most of the time.
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This however was not one of those times. The sensory overload of
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the feed, the night before, was just too much to handle in
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combination with the smell, and his stomach made sure the rest of his
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body knew it. Upon opening the door, Stylus made a dead run for the
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washroom and began his worship of the porcelain god. Thirty minutes,
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and a shower later, he emerged from the washroom a new man, at least
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on the insides.
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_____________________________________________________________
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Part Three: Too loud shadows
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As the sky grew dark and the street lights came on, Stylus
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awakened. Quickly grasping for the ringing alarm, he made contact and
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there was silence. Through the near soundless Chicago night, a red
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light and piercing siren flashed by outside his window.
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He dressed quickly, knowing, that if the squad car or ambulance
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were on its way to an accident, he may be able to find a quick snack.
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He was a blur as he raced down the stairs and onto Chicago Avenue. As
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he approached the corner, he realized that something wasn't quite
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right; someone had just been there, waiting, and watching for him.
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It was at this moment that he felt the blow and the street lights
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above him swirled, and went black. When Stylus came to, he was
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surrounded by silhouettes, moving about as if in a dance. Thinking he
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was had not fully recovered from unconsciousness, he shook his head
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and rubbed his eyes, hoping that the shadows would gain more
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substance. His hopes proved worthless, and the shadows did not gain
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more substance, they just continued to dance and occasionally look
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towards him.
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Propping himself up on both elbows, he realized that these were
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definitely not humans, but, for lack of anything better to call them,
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they were "living shadows". He yelled -Loudly- for the shadow men to
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stop dancing (they were only confusing him and making and their
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constant movement was not helping him think either). Fifteen
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featureless, black faces stared back at him.
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Slowly Stylus managed to utter, "W...w...what the hell are you?
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And why am I here? For that matter, where is here?" The last
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question was not meant to be heard, but came out anyway.
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Apparently in response to his questions, the shadows shrugged
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their shoulders in unison and began dancing again, this time it
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appeared that there was some meaning to their movements. After the
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third or fourth time through the same movements, Stylus realized that
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the creatures were pantomiming his run from the apartment, and when
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they got to the last moment he remembered before everything went
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black, they pointed to him and around the room. The only clear
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thought he could manage at this point, "A mime is a terrible thing to
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waste", seemed extremely ridiculous and frustrating to him. Then,
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more questions came pouring into his head. Did they not know how he
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got here, or where here was, or were they just not showing him? Was
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he supposed to know where he was? He managed to keep the questions to
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himself this time and the shadow men went back to their dancing.
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Stylus chose to ignore their foolishness and to try to find some
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sign of where he was. Scanning the room, he saw nothing, but white
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walls, broken only by corners and the "shadow people". No doors, no
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windows, no way out or in. The questions came back even stronger and
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finally he let loose and just screamed them at the creatures, much
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the same way as one does when attempting to speak to someone that
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doesn't understand the same language. Louder and louder until he
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realized it was useless, they didn't know where he was or how he had
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been brought to the room......
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--------------------------------------------------------------------
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Cry Havoc, And Let Slip The Small Woodland Creatures of War!
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(part Two of chapter Six of the Dystropian Chronicles)
|
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by Midget Caesar
|
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Forgotten amidst the sands of time, long-closed eyes suddenly
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opened. Vengeance burned within; vengeance that screamed for
|
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satisfaction, that could no longer be ignored. Long ago the thing had
|
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lost, had been buried here, but this time was different. The world
|
||
was going to know the thing's pain, the world was going to suffer.
|
||
The thing struggled to the surface, ready to carry out its grim
|
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agenda of death. It stumbled forth, but unfortunately did not realize
|
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that the geography of the land had changed a bit since it was last
|
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free, and the entity fell off a cliff, slammed into the ground below,
|
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trigged a minor earthquake, and was squished by the tons of falling
|
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rocks. A little later, city developers arrived at the newly leveled
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area, and proclaimed it the perfect place for the city's new
|
||
playground.
|
||
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Silas wasn't happy about the earthquake. For many years, he had
|
||
plotted to increase tourist activity by diverting a nearby river to
|
||
create a waterfall above the cliff, and his plan had been ready to
|
||
come to fruition at the moment of the earthquake. 603 years of work
|
||
(Silas's ancestors had had the same plan) were now blown, and Silas
|
||
needed a new hobby. His long, white beard wrapped around his body by
|
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the wind, he staggered forth towards the town, hoping to find
|
||
something new to do. After all, he had plenty of other plans waiting
|
||
to happen, didn't he? He assured himself that he did, and continued
|
||
his journey.
|
||
|
||
Dtjkrslvao arrived in Dystropia, overjoyed to be in what he hoped
|
||
was a land of great opportunity. In his native land, his name meant
|
||
"Boundless Adventure", and he considered the travel to Dystropia a
|
||
fulfillment of his name's legacy. The rest of his family laughed at
|
||
him when he said that he was going to Dystropia, but Dtjkrslvao
|
||
didn't know why, and paid them no heed. He was, however, alone, his
|
||
family having scoffed at the idea that they come with. Dtjkrslvao was
|
||
determined to prove them all wrong, and to return home triumphant
|
||
with his newfound riches. He entered the Dystropian Immigration
|
||
Centre excitedly, and wasn't surprised to see a very crowded room. He
|
||
got in line patiently, and listened eagerly to the proceedings going
|
||
on in front of him, barely able to wait for his turn. However,
|
||
Dtjkrslvao didn't speak Dystropian very well, and didn't understand
|
||
much of what was being said. As he got closer to the desk, he thought
|
||
it strange that the clerk didn't seem to care very much about what
|
||
was going on. The words were strange to Dtjkrslvao, but he listened
|
||
carefully to them so that he could remember them for when he did
|
||
understand their language.
|
||
|
||
"Next." said the clerk.
|
||
|
||
The person ahead of Dtjkrslvao stepped up.
|
||
|
||
"Name?"
|
||
|
||
"Anonymous."
|
||
|
||
"Alright, hold on while I check.....
|
||
...GOD DAMN IT, YOU DON'T EXIST EITHER!"
|
||
|
||
The person smirked and faded back into non-existence.
|
||
|
||
"THIS ISN'T FUNNY! EVERYONE WHO COMES TO THIS MISERABLE BUILDING
|
||
DOESN'T EXIST! I'M FED UP WITH THIS CRAP!"
|
||
|
||
The clerk swung his crazed attention to Dtjkrslvao.
|
||
|
||
"COME ON, FUNNY BOY! WHO ARE YOU? "UNKNOWN"? "FIRST M. LASTNAME"?
|
||
"UNIDENTIFIED"?
|
||
|
||
Dtjkrslvao looked at him nervously, and answered with the speech he
|
||
had prepared.
|
||
|
||
"M-My name is Dtjkrslvao and I would l-like very m-much to be in your
|
||
n-nice c-country of Dystropia."
|
||
|
||
All of the non-existent people in line behind him left in disgust.
|
||
The clerk gaped.
|
||
|
||
"You-you're real? Wow! Um, right this way, please, may I see some
|
||
ID?"
|
||
|
||
"My name is Dtjkrslvao and I would like very much to be in your nice
|
||
country of Dystropia."
|
||
|
||
The clerk whipped out a pen and completed several forms at record
|
||
speed, sadly not paying attention to the typos he had made.
|
||
|
||
"Here's your Dystropian Translation Guide, Welcome Guide, and a free
|
||
lollipop. Welcome to Dystropia!" said the clerk, and before
|
||
Dtjkrslvao knew it, he was being pushed through a door and out into
|
||
the sun.
|
||
|
||
Silas wandered through the countryside. It had been a long day,
|
||
and certainly not the best of his long life. Still, the rest of his
|
||
various plans scattered about the area were still moving according to
|
||
plan. Thanks to the rockslide, Silas had no home to return to, and
|
||
the mansion he spied up ahead seemed as good a place to stay as any,
|
||
so he made his way towards it.
|
||
|
||
Dtjkrslvao wasn't quite sure where to go. However, the city was so
|
||
full of new, wondrous things that there was always somewhere to go.
|
||
Dtjkrslvao let fate guide him, which was a mistake, as usual. As he
|
||
walked, he studied the material he had been given, and after not too
|
||
long he had a working grasp of the language. He had a new name as
|
||
well, a shortened version of his old one. Dtjkrslvao couldn't wait to
|
||
try it out on someone. After quite a bit of walking, he grew tired,
|
||
and it was night, and the sum of those two things necessitated that
|
||
he find a place to sleep for the night. He was still under the
|
||
impression that this was a golden, open land, so he picked the first
|
||
house he saw, which was a large, brooding mansion,and entered.
|
||
|
||
Finally, the time had arrived. Vernon was working the late night
|
||
shift, and it was time for his lunch break. NOW! Now, he was going to
|
||
make headway on his quest to be considered the greatest hunter in the
|
||
world! Vernon slipped excitedly to the back of the store, ready to
|
||
use his new equipment to help him track down his prey. Vernon used a
|
||
complex blend of physics, geography, geometry, trigonometry, and
|
||
astrology to track his prey, and he never failed. He eagerly set the
|
||
calculations in motion on the new computer, printed out the results,
|
||
and set out.
|
||
|
||
When Vernon arrived, he was right in front of a giant, dark
|
||
mansion, and there was no prey in sight. He couldn't understand it.
|
||
He had never failed before! Vernon kicked at the ground in disgust.
|
||
He was washed up, he knew it. After all, he had made the calculations
|
||
on the office's Pentium computer! Vernon stalked into the mansion in
|
||
disgust, looking for something to redeem himself....
|
||
|
||
The Entity smiled. Everyone was now in place, and the plot was
|
||
focusing squarely on him, not that damned show-stealer Milo. It was
|
||
time for the Entity to make its mark....
|
||
|
||
The entranceway was rather crowded. When things calmed down a bit,
|
||
everyone introduced themselves to each other for the sake of
|
||
character interaction.
|
||
|
||
"Hi, I'm Percy. I don't really care if the rest of you stay or not, I
|
||
just want to go to sleep."
|
||
|
||
"Greets, I'm Darius. I was the hottest lawyer in Dystropia and will
|
||
be again, 'cause this place smells of redemption (and chicken)."
|
||
|
||
"AND WE'RE HIS FOLLOWERS!" shouted a hundred or so similar looking
|
||
people. Darius silenced them with a glare.
|
||
|
||
"I am Silas. I'm having a bad day."
|
||
|
||
"I'm Vernon. I'm here to kill you all."
|
||
|
||
Everyone nodded and turned to Dtjkrslvao. Dtjkrslvao decided that it
|
||
was time to shout out his new name, and did so, barely able to
|
||
contain his excitement:
|
||
|
||
"DITTO!"
|
||
|
||
Everyone (except Percy) screamed and ran, calling poor Ditto a
|
||
homicidal maniac. He didn't understand why everyone was so mad.
|
||
Fortunately, they had found a new thing to be scared about, courtesy
|
||
of Percy:
|
||
|
||
"Uh, guys, the door's locked."
|
||
|
||
The Entity cackled.....
|
||
|
||
|
||
[In Part Three:
|
||
-A Plot begins to Develop!
|
||
-The Entity Makes Messy!
|
||
-A Dramatic Arrival!
|
||
-That Rambler Spirit!
|
||
don't miss it!]
|
||
|
||
--------------------------------------------------------------------
|
||
|
||
Why the Media is almost as Evil as my namesake in Congress
|
||
|
||
by Newt
|
||
|
||
Today, home sick, instead of tackling my overdue calculus
|
||
homework, I did what any self-respecting student would do: lie
|
||
around and watch daytime television. However, just as I'd
|
||
settled comfortably and was happily watching Jerry Springer talk
|
||
about bisexual teenagers, my bliss was interrupted by a NBC
|
||
special report. Had Clinton died? Was there peace in Bosnia?
|
||
Had someone actually figured out the French political system?
|
||
No, Dan Rather just wanted to tell me that nothing new had
|
||
happened in the OJ Simpson trial. oh. I flipped through the
|
||
other network stations; sure enough, Peter Jennings was trying to
|
||
intelligently discuss Kato Kaelin's contradictory testimony.
|
||
|
||
No, it's not really the OJ Simpson trial I'm mad about: it's the
|
||
media that's perpetuating it. Think about it: who do you know
|
||
that REALLY cares about this trial? No one, I'd wager. And yet,
|
||
the press continues to thrust this media carnival at us, trying
|
||
to condition us to run to the TV set every time we hear the words
|
||
DNA testing.
|
||
|
||
See, right now, they think this story is hot: but when the
|
||
ratings go down, our lives will become saturated with yet another
|
||
pointless event until we become sick of it. When was the last
|
||
time you heard about Tonya Harding or Nancy Kerrigan? A mere
|
||
year ago we could recite the facts and even knew the name of
|
||
Tonya's bodyguard. What became of the flesh-eating bacteria,
|
||
Lorena Bobbitt, and Amy Fisher? Frankly, I don't care now
|
||
because I didn't care in the first place.
|
||
|
||
Watching the network news seems more like Hard Copy: they open
|
||
with OJ and get to the real stories halfway through the
|
||
broadcast. I guess they feel they have to cater to the so-called
|
||
MTV generation -- short sound bytes with lots of pretty pictures,
|
||
with superficial coverage of everything except the sensational
|
||
stories like Mr. Simpson. The media has trained us to be fickle,
|
||
to flit from one story to the next. What happened in Rwanda?
|
||
Didn't that story just kind of disappear? If there is harmony
|
||
and peace, what happened to the story detailing that? Oh yeah, a
|
||
special report on Marcia Clark's former lovers pre-empted it.
|
||
|
||
--------------------------------------------------------------------
|
||
|
||
What you are about to read is a morality play, which was actually
|
||
performed once long ago. For those of you who don't know, a morality
|
||
play <assuming English professor pose> is a story in which characters
|
||
represent certain qualities, be they good or evil. It usually
|
||
illustrates some sort of moral point, in this case an extremely
|
||
cynical one. I wrote it when I was in one of those moods, not only
|
||
cynical but a tad maniacal. As my mental state was, well typical of
|
||
me, this story won't make much sense, but hey, this is Propaganda
|
||
Unlimited...
|
||
|
||
House of Meats
|
||
by Dr. Fig
|
||
|
||
It was a cheeseburger stand for it was a cheeseburger land. Sooner
|
||
or later, everybody came to the cheeseburger stand, because that was
|
||
where life was. Cheeseburgers, fries, chocolate shakes, for which
|
||
milktrucks were always present outside. This was the world. Coming in
|
||
and out of this world were people from the outside world, a place
|
||
where cheeseburgers did not rule completely, but competed with the
|
||
terrible forces of greed, hatred and cruelty. In opposition to these
|
||
forces were generosity, love and kindness, but they didn't rate much
|
||
in the grand scheme of things, however in the hearts and minds of one
|
||
small group of idealistic teenagers they were very important. The
|
||
world called them fools for believing this, and maybe you will too.
|
||
|
||
They were three in number always good and gracious righteous and
|
||
pure. Their names were Jenny Rossity, Lawrence Oglethorpe <L.O.> Ving
|
||
and Kindie Ness. They were always smiling and always friendly.
|
||
However, not everyone felt the same way. They had three "friends".
|
||
George Reed was a young man who was seldom seen without his suit and
|
||
tie, cool car and Rolex watch. He was usually known simply as "G" for
|
||
short as in "Whatup G?". With him was the voluptuous Lusty who ate
|
||
young boys whole. Also present was the most wicked of them all, the
|
||
vicious Carl "C" Rule.
|
||
|
||
The six youths would go to the cheeseburger stand often, for
|
||
everyone eventually went to the cheeseburger stand. The cheeseburger
|
||
stand was home to all. One of the other regulars at the cheeseburger
|
||
stand, besides the youths, was a friendly but cynical old man who
|
||
would sit at a table there and eat cheeseburgers: A lot of
|
||
cheeseburgers, and we do mean a lot. He wanted what was best for the
|
||
children, but didn't interfere too much. He gave them wisdom when he
|
||
could and ate cheeseburgers the rest of the time.
|
||
|
||
The six young people came in one day to order their food. There
|
||
was a little collection box on the food counter to help lost souls.
|
||
Jenny Rossity contributed everything she had, excepting the money she
|
||
needed to buy a cheeseburger with of course. When he thought no one
|
||
was looking G Reed proceeded to smash the collection box and take
|
||
every cent contained therein. Jenny Rossity, upon seeing this vile
|
||
and despicable act of selfish larceny she was pushed over the edge.
|
||
She renounced her noble ways and proceeded to rush out of the
|
||
cheeseburger stand and steal G's car, vowing to destroy anyone she
|
||
saw engaging in acts of charity. At the same time, the gentle soul,
|
||
L.O. Ving was reading sentimental poetry while ordering his
|
||
cheeseburger. <"She walks in beauty, yes I'd like fries with that.">
|
||
At about the same time, Lusty approached him, and raped him from
|
||
behind his back, leaving him a broken and spiritually destitute man.
|
||
No one particularly noticed, since that sort of thing went on all the
|
||
time at this particular cheeseburger stand. When L.O. recovered he
|
||
would devote the rest of his life to lechery and hate.
|
||
|
||
Still untouched by the wickedness around him, Kindie Ness sat down
|
||
to converse with the gentle, if cynical old man. The old man told him
|
||
that once he too had been dedicated to goodness and niceness, but the
|
||
pressures of a sick and evil world around him lead him to give up on
|
||
saving it, and he wandered into the cheeseburger stand one day and
|
||
never came out. Thirty four years was a long time to spend in a
|
||
cheeseburger stand. Kindie Ness encouraged him to come out of his
|
||
shell, saying that evil did not completely rule yet, and that there
|
||
was still plenty of goodness in the world. The old man said that that
|
||
was a bunch of naive crap and that people were basically scum. But
|
||
Kindie didn't think so and remained true to goodness.
|
||
|
||
Just then an adorable little puppy came wandering into the
|
||
cheeseburger stand <Or maybe he was escaping from the butcher>.
|
||
Kindie hoped that this would melt the old man's hardened heart and it
|
||
almost did, but then C Rule came along, grabbed the puppy and
|
||
proceeded to inflict horrible pain upon it, making it squeal and
|
||
yelp. This almost led the old man to utter despair. Kindie chased C
|
||
Rule out of the cheeseburger stand, and C Rule ran him over with a
|
||
milktruck. This left the old man to reflect. Evil always conquered
|
||
good, the strong always conquered the weak, and no one ever lived
|
||
happily ever after.
|
||
|
||
The End
|
||
|
||
<OK, so maybe that's a little too sad. Hmm...>
|
||
|
||
A little girl went up to the old man and said in a sweet cute
|
||
little girl voice "Please Mr. Man, won't you be my valentine?"
|
||
And the old man's heart was warmed and everything was peachy.
|
||
|
||
=====================================================================
|
||
|
||
COMING ATTRACTIONS:
|
||
|
||
- Rancor: Unbound!
|
||
- The Propaganda Unlimited FAQ (hopefully)
|
||
- A new Fear and Loathing so shocking that Judge Ito wouldn't allow
|
||
it in court!
|
||
- A new Dystropia that no one in court was quite able to comprehend!
|
||
- What REALLY happened at the 1995 Illinois High School Theatre Fest!
|
||
- Return of the Poetry Corner!
|
||
- Yet another completely different Distribution List
|
||
|
||
and
|
||
|
||
- More Furious Madness From the Massed Gadgets of Auximines....
|
||
|
||
|
||
DISTRIBUTION LIST:
|
||
|
||
Club Evermore (312) 476-1508
|
||
Dimensional HQ, Worldwide Hub, Great Drinks
|
||
|
||
Legion of Cyberspace Users (708) 546-4605
|
||
New Name, Meet the New Boss, Same As the Old Boss
|
||
|
||
Munden's Bar (815) 455-9783
|
||
Underage Downloading Not Allowed Without ID
|
||
|
||
The Obloid Sphere (708) 965-3098
|
||
1.2 GiGS oF TeXT FiLeZ oNLiNe!!!!
|
||
|
||
|
||
MAIL:
|
||
|
||
To submit material for Propaganda Unlimited, to make your BBS a
|
||
PU Distribution Site, to let any PU Staff Member know that you're
|
||
stalking them, or just to send feedback on any PU issues,
|
||
email Midget Caesar on any of the above BBSes, or on the Internet:
|
||
|
||
PULETTERS@aol.com (official PU mailbox!)
|
||
or
|
||
mcfish@ripco.com (Midget Caesar direct)
|
||
|
||
|
||
Thank You, and Goodnight.
|
||
|
||
---------------------------------------------------------------------
|
||
(c) 1995 MangoJam Productions, all rights repressed
|
||
---------------------------------------------------------------------
|
||
|
||
|