525 lines
25 KiB
Plaintext
525 lines
25 KiB
Plaintext
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The Liminal Group (of Bowling Green, OH & other strange places) is
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proud to present the e-zine version of _Liminal_, an alternative
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scholarly culture studies magazine.
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=======================================================
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_Liminal 1.0: Manifestos, Rants, Crossword Puzzles, etc._
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c. 1992 The Liminal Group. All rights reserved.
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For info, write The Liminal Group, Box 154, BGSU, Bowling Green, OH 43403
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(email c/o swilbur@andy.bgsu.edu)
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=======================================================
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*feel free to distribute this in hard- or soft-copy. just don't sell it.*
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=======================================================
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STATEMENT OF PURPOSE
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LIMINAL seeks to apply new inter and transdisciplinary methods,
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theories, ideas, concepts, and approaches to the study of cultural
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phenomena as well as the inventive application of existing approaches.
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Submissions should be exploratory and questioning in attitude and
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may take the form of verse, cartoon, photography, collage, etc. in
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addition to research monographs and essays.
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The term "cultural phenomena" is taken to mean, but not limited to meaning:
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1) an activity engaged in by humans as members of a social network,
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2) the product(s) of such engagement(s),
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3) the motivators of such activities or engagements,
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4) the functioning of such social networks themselves.
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Editorializing is encouraged, pontification is not.
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============================================================
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John A. Dowell
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This is a public declaration of intent for the journal Liminal,
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volume one, number zero. That is, here's what I declare I intend for
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the public to do.
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*Big Nutty Fun Puzzle Page*
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Get out a sheet of paper, your ruler, and a sharp writing
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instrument. Make a ten by ten grid on the paper; we're creating
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a crossword puzzle. I'll go from left to right, top to bottom, and I'll
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tell you where to put the solid blocks, open spaces, and the little clue
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numbers that will go in the upper left corners of an open space.
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Remember, this is a ten by ten puzzle that has absolutely no
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semblance of symmetry.
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Top line: block, 1, three blocks, 2, two blocks, 3, block.
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Second line: 4, two spaces, 5, 6, two spaces, 7, space, block.
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Third line: 8, space, block, 9, two spaces, block, space, two blocks.
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Fourth line: 10, three spaces, block, space, block, space, two blocks.
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Fifth line: 11, space, three blocks, 12, three spaces, two blocks.
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Sixth line: 13, space, three blocks, space, block, space, two blocks.
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Seventh line: space, two blocks, 14, five spaces, block.
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Eighth line: 15, two spaces, two blocks, space, block, space, block.
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Ninth line: space, four blocks, space, four blocks.
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Tenth line: 16, seven spaces, two blocks.
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Here are the clues:
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ACROSS
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4. two words Liminal should strive to use
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8. a Roman pair
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9. opsys for real propeller heads
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10. to be truly this is to be truly aware
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11. ai/bi/
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12. sort of erbation, especially if you are a student, an instructor,
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work in a service industry, or are a politician
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13. yikes
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14. only salad that fits
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15. type of bastard (or, see likeness to President's genitalia)
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16. if Liminal fails it could be retitled this
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DOWN
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1. eyes too close together, as are so many egomaniacal writers
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2. unknowable (duh)
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3. Vice President J. Danforth Quayle truly is an idiot. Is not. Is too.
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Is not. Is too. Is not. Is. Ain't. Is. Ain't. Is. Ain't....
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4. big talk word
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5. only tape that fits
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6. sly greeting, stupid clue
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7. if you are a student, an instructor, work in a service industry, or are
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a politician, you must always be this
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====================================================
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MANIFESTO THIS . : OUR EXQUISITE CORPSE
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Ben Urish
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LIMINAL: NEITHER ONE "THING" NOR AN "OTHER"
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They call them "urine tests." We know better. There is usually little
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or no doubt that the specimen is indeed urine. That is not what is being
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tested. Urine is looked to as a great giver of truths, a "Dragnet" analysis:
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Just the facts. There are more days in the week than Friday. Most animals
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know better. We say Urine is a liar. Urine is a stool-pigeon, a pigeon
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dropping stool with every flight. The Eagle and the Pigeon are one. Pluck
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them, pluck them, pluck them. They have no urine.
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LIMINAL: A STATE OF CONSTANT AND CONSISTANT BECOMING
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If all government sponsored school loans were paid in full tomorrow,
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the nation as a whole could afford a new fighter jet and a new ABM tank.
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Soon, the South American countries (God Bless Junior Achievement) will
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default on their loans. We will annex Mexico to stop boarder crossings:
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Mexicans will already be in the USA, so there is no reason for them to cross.
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When the beings from Epsilon Bootes arrive in summer of 2011, they will
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not be pleased with our "progress" God Bless Junior Achievement. Sorry
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about the Aztecs. How long can a cannibalistic enterprise last? To get to
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the other side.
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LIMINAL: DYNAMIC DISEQUILIBRIA
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American culture forces the world to a Persistence Of Mammary.
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The world floats on a box of cheese, watch it next time you are there.
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You can't find love in a truckload of turnips, unless it's to the stars
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through Milwaukee. A corpse, a corpse, a corpse, a potato corvette. I
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am Freezer Burn, you are Paper Cut. We will take vacations together,
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what of our jobs when it is never Paris in the the Spring? Dance on it
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until a rider in blue, with wristwatch. And he knew it all the time, until
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his prenatal nuptial regressive memory. A stinging indictment of our
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times, ants, the grape master.
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LIMINAL: CONSTANT MOVEMENT TOWARD AN UNREALIZABLE STASIS
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If it doesn't matter, do it without delay. The important will always
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be there, nagging at your houseplant. You may forget the inconsequential,
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unless you keep it out of sequence. In a past life, you were just as despicable
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In a future life, you will be just as dull. Take comfort in the ever growing
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misery, it is your creation. Torture yourself, to show others the proper way.
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Scream with agony at double-stuff oreos.
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LIMINAL: THE PULSING MARGINALIA
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We are coerced time travelers. Each passing second takes us into t
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he future. The drawback: time travel causes us to age, and eventually
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lose our biological integrity. Is knowing the future worth it? The tuxedo
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of desire never goes out of style, but the evening gown of domesticity is
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a slave to fashion. If thy right eye offends thee, starve your pet. The
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quality of mercy was found in a two-bit hotel room with truth, justice
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and the American way. They were watching public executions on
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television, and why not? If nude dancing is outlawed, only outlaws will
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dance nude. Gum doesn't kill people, people chewing gum kills people.
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Ask the boy in the ceramic jar, before he gets fired. People who need
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people are the ends justifying the means. My fiance and I went to a party.
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She really got stoned. So instead of a wedding, we're having a funeral.
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LIMINAL: THE TREE FALLING IN THE FOREST WHEN NO ONE IS THERE
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And laughed until they shot him. How many miles to Babylon? Who
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gives a damn? Can we get there by candlelight? No, and please shut up.
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If I were a carpenter, and you were a walrus, would you staple my
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doorknobs, with jar of lettuce? Stranglers in the night, waiting for
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mourning. The most honest person alive still couldn't walk to Venus.
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Leonardo DaVinci never drove a car, watched tv, rode an elevator, or
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phoned his Mom. I have done all of these things. Yet they call DaVinci
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a genius. He is a false memory.
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LIMINAL: YOU, ME, AND ALL OF US SEPARATELY AND TOGETHER, NOW AND
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FOREVER, UNTO THE END OF TIME WHETHER WE LIKE IT OR NOT. AMEN.
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All power to Annette FunicelloUs aura.
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liminaliminaliminaliminaliminaliminaliminaliminaliminaliminal
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iminaliminaliminaliminaliminaliminaliminaliminaliminaliminali
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minaliminaliminalimina
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===========================================================
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LIMINAL--THE MUSICAL
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Christine J. Catanzarite
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Words, words, words--I'm so sick of words. I get words all day
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through, first from him, now from you. Is that all you blighters can
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do? Don't talk of stars burning above. If you're in love, show me. Tell
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me no dreams filled with desire. If you're on fire, show me. Never do
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I ever want to hear another word. There isn't one I haven't heard.
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Here we are together in what ought to be a dream. Say one more word
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and I'll scream.
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It ain't so much a question of not knowing what to do.
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I've known what's right and wrong since I've been ten. I've heard a
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lot of stories and I reckon they are true, about how girls are put upon
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by men. I know I mustn't fall into the pit, but when I'm with a fella, I
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forget.
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No bright-eyed, blushing, breathless baby-doll baby--no sir,
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that kind of child ties knots no sailor ever knew. I prefer to take a chance
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on a more adult romance. I flinch, I sigh, when the lass with the delicate
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air goes by. I smile, I grin, when the gal with a touch of sin walks in. I
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hope and I pray for Hester to win just one more "A." The sadder but wiser
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girl's the girl for me.
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Mother always said I'd be very attractive when I grew up. "Different,"
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she said, "with a special something and a very, very personal flair. And
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though I was eight or nine, I hated her. Now, different is nice, but it
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sure isn't pretty--pretty is what it's about. I never met anyone who was
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different who couldn't figure that out.
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So suppose a dame ain't bright
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or completely free from flaws, or as faithful as a birddog, or as kind as
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Santa Claus. It's a waste of time to worry over things that they have not.
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Be thankful for the things they've got. There are no books like a dame,
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and nothing looks like a dame. There are no drinks like a dame, and
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nothing thinks like a dame. Nothing acts like a dame, or attracts like
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a dame. There ain't a thing tht's wrong with any man here that can't
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be cured by putting him near a girly, womanly, female, feminine dame.
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Women are irrational, that's all there is to that. Their heads are
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full of cotton, hay and rags. They're nothing but exasperating, irritating,
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vacillating, calculating, agitating, maddening and infuriating hags. Why
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can't a woman be more like a man? Men are so honest, so thoroughly square; eternally noble, historically fair, who, when you win, will always give your
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back a pat. Why can't a woman be more like that. Why does every one do
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what the others do? Can't a woman learn to use her head? Why do they do
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everything their mothers do? Why don't they grow up like their fathers
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instead?
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I'm quick on the trigger; with targets not much bigger than a
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pinpoint, I'm number one. But my score with a feller is lower than the
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cellar. You can't get a man with a gun. When I'm with a pistol, I sparkle
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like a crystal. I shine like the morning sun. But I lose all my luster when
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with a bronco buster. No, you can't get a man with a gun.
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Gentleman, a
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secretary is not a toy, no, my boy; not a toy to fondle and dandle a playfully
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handle in search of some puerile joy. A secretary is not to be used for play
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therapy. Be good to the girl you employ. Remember, no matter what neurotic
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trouble you've got, a secretary is not a toy.
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=================================================================
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Threshold Manifesto
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Liminal is the initial stage of a process of scholarly exploration,
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the verge of the new, the threshold of theory, the edge of knowledge,
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the blurring of boundaries, the destruction of dichotomies.
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Liminal seeks to present formal and theoretical experimentation, to
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publish work which challenges and invents, to illuminate the
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threshold of thought.
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Liminal is founded on the belief that irrationality, non-rationality,
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surrealism, subrealism, the unconcious, a sense of play, and irreverence
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are beneficial, even necessary, to advancing scholarly work.
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Torey King
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=================================================================
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the paper edition featured cool collage art by Philip Dickinson
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(Don't you wish you could see it?!)
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=================================================================
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1992: Washington State Makes Rock & Roll Illegal for Minors...Cops
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in Arkansas Arrest a Kid for Wearing a Van Halen T-Shirt...Retailers
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Arrested in Omaha for Selling 2 Live Crew Recordings...Are you tired
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of the censors?
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Speaking out is the primary duty of every freedom fighter - or good
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citizen, if you want to put it that way, and scholar. It's a job we all have
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to do, separately and collectively; where we see justice and where
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injustice has been going on for so long it has become invisible. Silence
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is a form of censorship, and when important issues are at stake, silence
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is a form of death.
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Here are some things we can do:
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Emphasize the Positive. The censors do NOT have the right to define
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the agenda and pick the battleground. Aggressively expose the
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history of what censorship has done to ruin democracy in countries
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all over the world.
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You Don't have to Spend Your Life Living Like a Refugee. The
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majority of Americans are moral; they're also in favor of free
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speech. A July 1990 Newsweek poll showed that 75 percent of
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Americans felt that the right of adults to "determine what they
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may see and hear" was "more important" than society having
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"laws to prohibit material that may be offensive to some segments
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of the community."
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On the Other hand, Remember This: The First Amendment exists to
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protect speech and activities that are unpopular. If it only served
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to protect that which everybody (or the majority) agreed with, it
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wouldn't need to be there at all. Limiting free speech is what is
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unAmerican - without it all our other rights and liberties quickly
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disintegrate.
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Don't Believe the Hype. Don't let censors claims they aren't censoring;
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if it restricts freedom of expression, it's against the First Amendment.
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Freedom Isn't Free. The majority of censorship is economic, which
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forces artists to work day jobs to stay alive, and prevents them from
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creating freely, let alone acquiring the equipment to work with and
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the space to work in.
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Keep Your Sense of Humor. This will immediately distinguish you
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from the censors, who donUt have any. Censorship fanatics never
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tell jokes about the issue; they never let the air out of their own
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bags of wind. Don't be afraid to help them out - or to deflate your
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own gasbag once in a while.
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Remember the Commandment the Censors Forgot. "Thou shalt not
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bear false witness against thy neighbors." That doesn't just mean
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don't lie; it means get the facts straight. So go after those half-truths
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and expose the lies the censors promote.
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Don't Mourn. Accept no easy answers. Find out where attacks on
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free speech are coming from - even if it means going back 100 or
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500 years. It's important to see both censored and uncensored art.
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Teach yourself the history of free music, free art, free cinema, etc.,
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so that the lies of the censors wont trick you.
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Take Advantage of Resources - telephones, fax machines,
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photocopiers - wherever you can find them. It does not take an
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army to make a big difference.
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Contact Other Groups in Your Area that should have an interest
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in free speech - not just art councils, but unions, civil rights
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organizations, churches, journalists, broadcasters, feminists. Make
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sure they understand the issue. Ask for their support - and support
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their causes whenever you can.
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Speak out. Stay free.
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Michael Leo McHugh,
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Associate Editor, Rock and Roll Confidential
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American Culture Studies, Doctoral Candidate,
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Bowling Green State University
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Liminal Editorial Board
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===================================================================
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It all started like a Mickey Rooney-Judy Garland movie
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Well
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not exactly
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instead of saying
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Hey, let's put on a musical
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someone said
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Hey, let's start a journal
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How we finally came to produce Liminal will be
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I'm sure
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an issue of debate for
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future scholars
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or the basis of a made-for-TV movie
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I will say no more of the roots of Liminal
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let its roots be shrouded
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in mystery
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I will
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however
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shed some light on what Liminal means to me
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Use
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the holistic metaphor matrix (pat.pen.)
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below
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like a Captain Midnight Decoder Ring
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Liminal Mind Self Thought Environment
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Peers Boundary Brain Ego idea
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scholarship Family Border Medulla i
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ME Cognition socialization Threshold Cerebellum
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Synapses id Rumination Superego Initial stage
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James T. Coon
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============================================================
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CROSSING LINES: LIMINAL MANIFESTOS
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shawn p. wilbur
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I
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LIMINAL is about thresholds, limits. It is about crossing lines.
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We do it all the time, step across boundaries.
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Wake up in the morning. Pass out of a sleeping state. Get up,
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breaking the horizontal plane of repose. Walk out the door.
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Take a walk on the wild side.
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Or it is done to us.
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The gun barrel is steadied on the windowsill, piercing the plane
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where a pane of glass would be if the window had not been opened.
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It draws a line from inside to outside, through the wall of the Book
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Depository. And there is a sound like a handclap. Something breaks
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the speed of sound.
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And in the motorcade, other boundaries are breached. Inside gets
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outside. Bone and tissue are pushed past certain thresholds.
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Something is over. Something is just beginning.
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Across the border. . .
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LIMINAL is about thresholds, limits, boundaries.
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It is about crossing lines.
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II
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Mostly, I study books.
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Some of the books are pretty good. ("Oh. Literature. You want the
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English department. Down the hall.") Others aren't quite so "literary."
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(Popular Culture. Don't they do that at Bowling Green?)
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Books are produced by publishing companies, which are often very
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interesting in their own right. (Business? History?) Books often
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have cool pictures on the cover, and on the inside, too. (Art. Well,
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maybe not "ART." Design?) And they're put together in interesting
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ways. (I think you want Material Culture.)
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But, best of all, books are read by people, who read them for all sorts
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of reasons. (That's Psychology. Gotta be.) And sometimes they get
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together to talk about them, in classrooms and at conventions. (Oh,
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yeah. Sociology.)
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Mostly I study books. That's simple enough. Right?
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LIMINAL
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all this and more.
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III
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It's a LIMINAL world, and welcome to it. Send no money. You will
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be billed later. Everything is in flux, moving from one state to
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another. Magically reifying into rock-hard hypercommodity.
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Melting into air. It's the more-than-double bind of postmodernity.
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Knowledge becomes product. Opposition is transformed into New &
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Improved DISSENT TM. (Coming soon to a theater or drive-in near
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you! Read the book! Join the religion! Collect all 14,052 action
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figures! Just in time for Christmas.--Series 103: The Frankfurt
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School, including Adorno, Horkheimer, Habermas (#7) and many
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more. Just call 1-900-CRT THRY for more information.*) This is the
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marketplace of ideas--with a vengeance--and I hope you brought
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your VISA, because they don't accept American Express.
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(* $2.50/minute, 10 minute minimum.)
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It's a LIMINAL world, and there's no such thing as a free lunch, a
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free moment, a free idea. We are constantly inundated, involved,
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implicated in and by the workings of the culture machine. There is
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no way outside, no privileged all-encompassing critical vantage point,
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no chance for utopian visions. But, at the same time, everything
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seems distant, mediated, as if it was behind glass. As if it took place on
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a television screen. There is, as we have been told, precious little
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"here" here. All that was solid has melted and air is all that is left.
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Hyperreality is the "real" condition of our lives. Or so it often seems.
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It will require more than rigor, more than dialectics to get us out of
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this mess, or to get us into it in some way that allows us to believe in
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ourselves as effective agents. It is not exactly that we must embrace
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our fragmentation, celebrate the oh-so-local, abandon utopias. But
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we must acknowledge uncertainty when we see it, experience it.
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LIMINAL is ultimately about uncertainty, acknowledging it and then
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going on, talking about the world anyway. Articulating it. The words
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that it contains are not presented as true in any perfect sense, but
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they are honest attempts to engage with the world as we experience
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it, perhaps to move toward something like truth.
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LIMINAL positions itself in that transitional nonspace between the
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solid and the melting, one foot in the cash box and one in the void.
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Our ideas are sometimes half-formed, our devices may malfunction,
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our packages have a tendency to come unwrapped. That's life. LIMINAL.
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Moving. Crossing lines. These manifestos represent one line being
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crossed, a venture begun. And they are an invitation to you. Join us,
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as a reader or writer. Enter this LIMINAL space. Come out and play
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with our (broken) toys.
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==================================================
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The Liminal Group:
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Christine J. Catanzarite, James T. Coon, Philip Dickinson,
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John A. Dowell, Mark Howell, Matthew Johnson, Torey King,
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Michael McHugh, Ginny Schwartz, Ben Urish, Shawn P. Wilbur
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(& You?)
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==================================================
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is dedicated to:
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Spike Jones, Salvador Dali, Dr. Seuss, John Lennon, Guy Fawkes,
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Thomas Jefferson, Andrew Jackson, Jean-Jacques Rousseau, Tristan
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Tzara, Max Fleisher, Dave Fleisher, Charles Ives, Edgar Allen Poe,
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Charles Plymel, Franz Boas, Gilbert Seldes, Siegfried Kracauer, Victor
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Turner, Charles Mackay, Ruth Benedict, Edward Lear, W.S. Gilbert,
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Isaac Asimov, Gore Vidal, Timothy Leary, Lewis Carroll, Leon Trotsky,
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Allen Smithee, Frederic Jameson, Ray B. Browne, The Shadow, Joe
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Strummer, Michael Oriard, The Four Dons (DeLillo, Dixon, Pendleton
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& Barthleme), Alvin Toffler, Clint Eastwood, Adam Ant, Marshall
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McLuhan, Einstuerzende Neubauten, SRL, Jack Woodford, Peggy Gaddis,
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Donna Haraway, Laibach, Chuck Taylor, Erskine Caldwell, Gummo Marx
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& Shemp, Chuck Jones, Bill Scott & Jay Ward, KMFDM, Dick Sargent &
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Dick York, Mom, Jimmy Stewart, Liberace, Michael O'Donoghue, Bugs
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Bunny, Dick Hertz, Charo, Johhny Carson, Carl Sagan, John Carpenter,
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Judy Jetson, David Cronenberg, Jean Baudrillard, Arthur & Marilouise
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Kroker, Gypsy Rose Lee, Kitten Natividad, Everyone Dead, Immanuel
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Velikovsky, Simon Frith, Friedrich Nietszche, Stuart Hall, Gibby
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Haynes & the Butthole Surfers, Abraham Zapruder, Vladmir Mayakovsky,
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Chris Elliot, Spike Milligan, Richard Pryor, King Mob, the Diggers, Jan
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Palach, Mindpower, Nancy Spungen, Daffy Duck, Leonard Nimoy, Annie
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Sprinkle, Bryon Gysin, The Merry Pranksters, Valerie Solanas, Hunter
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S. Thompson, John Coltrane, Hugo Ball, Bobby Campbell, Don Van Vliet,
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Edie Sedgwick, Sandra Good, Squeaky Fromme, Sadie Mae Glutz, Sharon
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Tate, Candy Asscheeks, Kim Gordon, Sally LeRoy, The Swamp Rats ('66),
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Emma Peel, Negativland, No. 6, Hershell Gordon Lewis, Peter Fonda,
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The Headhunters, Isaac Hyes, Arnold the Pig, Antonio Gramsci, Karl
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Marx, Mikhail Bahktin, Guy Debord, Jean Genet, Alfred Jarry, Arthur
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Cravan, Marcel Duchamp, Gil Scott Heron, Chuck D., Joe Friday, Maude,
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Jane Caputi & her brother Rob, Karen Finley, The Slits, UT, The SLA,
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Emmett Grogan, Sylvia Plath, Emily Dickinson, Emily Bronte, The Jimi
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Hendrix Experience, Captain Beefheart, LBJ (for all the right reasons),
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N.W.A., Public Enemy, Madonna, John Waters, Bruce Dern, Albert
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Hoffmann, Patsy Cline, Rodgers & Hammerstein, Casey Kasem, Elvis
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Costello, Marlo Brando, Mel Gibson, Greg, Marcia, Peter, Jan, Bobby,
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Cindy, Mike (R.I.P.), Carol, Alice, Fred Astaire & Ginger Rogers, Phil
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Donohue, Rock Hudson, The Posies, Traci Lords, Ginger Lynn, Dave
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Marsh, Greil Marcus, Ray Davies, Pete Townshend, Hugh Wilson, Famous
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Teddy Z, Mike Mills, Freddy Mercury, Bill Bailey, Charlie Parker, Barbara
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Stanwyck, Elizabeth Montgomery, Joan Jett, Agent 99, Patti Smith, Mitzi
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Gaynor, Jane Russell, Charlotte Vale, Susie Bright, My Grandmother,
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Betty Boop, The Supremes, Kate Bush, Colette, Jeanne Moreau, Margaret
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Atwood, Debbie Harry, Martin Scorscese, Mel Brooks, Martin Mull, Elvis,
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Jorge Lius Borges, Umberto Eco, John Mellencamp, Paolo Soleri, Bruce
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Springsteen, William Gibson, John Shirley, K.W. Jeter & Horatio Alger, Jr.
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============================================================
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The Liminal Group is dedicated to exploring the terra incognita of the
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cultural map and to formulating novel approaches to the study of
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popular culture.
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Liminal is (becoming) a journal, a movement, a cry in the wilderness
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(and you are welcome to wail along.) For more information, write to:
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============================================================
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The Liminal Group
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Box 154, BGSU, Bowling Green, OH 43403
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============================================================
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Come out and play with our (broken) toys.
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============================================================
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1.1-electronic is in the works.
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1.2-paper is *now* available for $4.00. 48pp.
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(Make checks payable to The Liminal Group.)
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*enjoy.* And let us know what you think.
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Submissions welcome.
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swilbur@andy.bgsu.edu
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