1085 lines
37 KiB
Plaintext
1085 lines
37 KiB
Plaintext
BEGIN LINE_NOIZ.23
|
|
|
|
I S S U E - @ # N O V E M B E R 1 5 , 1 9 9 4
|
|
<LiNE NOiZ<<< >>>LiNE NOiZ>
|
|
<<<<<<<<<<<< >>>>>>>>>>>>
|
|
<<<2 3<<<< : : : : : : :-L-I-N-E-N-O-I-Z-: : : : : : : >>>2 3>>>>
|
|
<<<<<<<< >>>>>>>>
|
|
<<<<<< - - - 1 - y e a r - - - >>>>>>
|
|
<<<< >>>>
|
|
CYbERPUNk I N f O R M A t i 0 N E - Z i N E
|
|
<<<<<<<<<<<<<<<<<<<<<<<<<<<<< L I N E N O i Z >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
|
|
I S S U E - @ # N O V E M B E R 1 5 , 1 9 9 4
|
|
|
|
: File !
|
|
: Intro to Issue 21
|
|
: Billy Biggs <ae687@freenet.carleton.ca>
|
|
|
|
: File @
|
|
: Square One - Part 8
|
|
: Kipp Lightburn <ah804@freenet.carleton.ca>
|
|
|
|
: File #
|
|
: Heavy Duty - Chapter 4
|
|
: C.McLean-Campbell <cmc@cs.strath.ac.uk>
|
|
|
|
: File $
|
|
: Nibbles of Information
|
|
: Billy Biggs <ae687@freenet.carleton.ca>
|
|
|
|
: File %
|
|
: Chiba City Blues Poll Results
|
|
: Joshua Lellis <joshua@server.dmccorp.com>
|
|
|
|
------------------------------------------------------------------------------
|
|
--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
|
|
------------------------------------------------------------------------------
|
|
File - !
|
|
|
|
Well, I can't hold off this issue any longer so I'm sending it out now. I had
|
|
planned to include an interview with Bill Leeb of Front Line Assembly but
|
|
since it hasn't happened yet, it'll have to wait till next issue. Sorry.
|
|
Meanwhile, we have the results of the Chiba City Blues Poll and some other
|
|
neat stuff. Here's to one year running...
|
|
|
|
-Billy Biggs, editor.
|
|
|
|
|
|
***** N o T E ******
|
|
|
|
- We have been experiencing problems with our subscription list. If you
|
|
find that the following subscription instructions are not working then
|
|
e-mail me at ae687@freenet.carleton.ca and I'll see what I can do....
|
|
|
|
|
|
=-*-= Subscription Info =-*-=
|
|
|
|
o Subscriptions can be obtained by sending mail to: dodger@fubar.bk.psu.edu
|
|
With the words: Subscription LineNoiz <your address>
|
|
In the body of the letter.
|
|
|
|
o Back Issues can be recieved by sending mail to the same address with the
|
|
words BACK ISSUES in the subject.
|
|
|
|
|
|
|
|
=-*-= Submission Info =-*-=
|
|
|
|
o Please send any submissions to me: ae687@freenet.carleton.ca
|
|
|
|
o We accept Sci-Fi, opinions, reviews and anything else of interest.
|
|
|
|
o Submit! Submit! Submit! Submit! Submit! Submit! Submit! Submit! Submit!
|
|
------------------------------------------------------------------------------
|
|
--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
|
|
------------------------------------------------------------------------------
|
|
File - @
|
|
From: ah804@freenet.carleton.ca (Kipp Lightburn)
|
|
Subject: Square One - Part 8
|
|
|
|
|
|
Square One - Pt. 8
|
|
------------------
|
|
|
|
|
|
Peices of green, in a dead world.
|
|
|
|
|
|
Small patches of grass jut out from between concrete slabs. Green with
|
|
life, identity, and soul.
|
|
|
|
I sit on the steps to one of the tall buildings that remind us just how
|
|
small we really are.
|
|
Mirrored windows from top to bottom, so that the people in the street
|
|
might see what they'd look like if they were looking out at themselves.
|
|
|
|
I look in those windows. I'm there but I can't see myself. There's
|
|
no-one to see.
|
|
|
|
"Okay Kyle it's all set up."
|
|
|
|
She emerges from the building with a briskness to her walk. I can only
|
|
stare.
|
|
|
|
Stick looks down at me,"What?"
|
|
|
|
"I'm not Kyle remember?" Losing your identity before you even find one
|
|
is a cruelty that little else can match. I have no sense of self. No feeling
|
|
of green.
|
|
"Well what do you want me to call you then?" Her eyes have a hardness.
|
|
"I don't know." I stretch to my feet, "Don't call me anything."
|
|
My new leg feels a little odd. It's exactly the same length as my old
|
|
one, but this one is more muscular. Stronger. If I run, my other leg will have
|
|
to try and keep up.
|
|
Her boots echo off of the concrete as she steps towards the car.
|
|
|
|
I have to kill some more now I suppose.
|
|
|
|
The grass looks at me with a pale stare.
|
|
|
|
I slam the car door beside me and sink into the seat. Stick pushes the
|
|
car into drive, and my seat begins to vibrate.
|
|
Vibrations. Dancing around my quiet insanities. Rubbing the occasional
|
|
thought with warm friendliness.
|
|
"I'm going to drop you off two blocks down." She never takes her eyes
|
|
off the road, "The guy you want is supposed to be at home now. We need his
|
|
wallet and his uniform."
|
|
Brief. As if she feels she's talking to someone she has reason to hate.
|
|
She hates me. She hates the idea of me. I am evrything that Kyle Raimi was.
|
|
Almost. I'm walking around but where is he? The man who is both my father and
|
|
my twin.
|
|
We drive in silence. She wants nothing to do with me, and all that I
|
|
want now is her. Not her love, not her touch. I just need her to see me and
|
|
know that I'm alive. That I'm sitting next to her.
|
|
But to her I'm just the shadow of a man she may never see again. And
|
|
you don't normally talk to shadows. Shadows are all around us, but we never
|
|
actually see them.
|
|
I shuffle in the seat and break the silence, but she doesn't even throw
|
|
me a sideways glance. I was her friend. I'm her tool now.
|
|
The car slows to a stop and she unlocks my door from her side, "Get out
|
|
here. I'll be waiting at the diner across the street."
|
|
"Stick..."
|
|
"We're running on a time limit here." She hasn't looked at me once.
|
|
I'm well aware that I don't exist, but she doesn't have to cram the
|
|
idea down my throat.
|
|
I step out of the car and onto the sidewalk. As the car door swings
|
|
shut, she's already got her foot on the gas. I feel like hurting something.
|
|
|
|
|
|
The door buckles then snaps under the weight of my foot. Instinct
|
|
becomes my guide. And I hunt.
|
|
"What the hell?!?" He staggers into the hall with a magazine in one
|
|
hand and a television remote in the other. Death will thank me for my gift.
|
|
My new leg pushes me into a sprint as his eyes grow wide. Shock. I
|
|
don't want shock, I want terror. I want fear.
|
|
The magazine hits the floor. He spins and bolts into another room. I
|
|
hear a door slam when I round the corner.
|
|
"...oh god oh god oh god..." The sound creeps under the door and into
|
|
my everloving arms.
|
|
He's not going anywhere, so I look around for something to use on him.
|
|
Something painful. Raw.
|
|
I find it. I grab it. She hates me now. She doesn't know me. She
|
|
hates me.
|
|
Another door falls in front of me. Anger spurns a giggle from my deep
|
|
inside of me. Rage. Rage. Rage. I focus on it. He sees it.
|
|
"Please, just take whatever you want." The boar cries.
|
|
The metal ruler spins in my hand.
|
|
"I'll give you anything you want..."
|
|
And I'm on top of him. My weight forces the air out of his lungs with
|
|
a wheeze. When he squirms and flails, I know I have terror. I have that fear
|
|
that has become my fuel.
|
|
"...please..."
|
|
I sit there. For some reason I simply wade in the moment. It ripples
|
|
around me.
|
|
"...please..."
|
|
She hates me. I'm not the Kyle she wants.
|
|
"...I haven't done anything..."
|
|
His squirming stops as my eyes leave him and survey the room. A bed.
|
|
A dresser. Photographs.
|
|
Square memories. Boxes of captured time.
|
|
I feel him move beneath me but my eyes fix onto the pictures. Scenes
|
|
of him. Scenes of others. Catalyst's for memories.
|
|
I get off of him and walk over to them. They hold my fascination. I
|
|
don't know why. They just do.
|
|
I hear the drawer to the nightstand drag open. He wouldn't dare. I
|
|
turn on my heel and find myself looking at my prey. My armed prey.
|
|
He cocks the hammer on the gun. It's then that I notice the wet stain
|
|
in his pants. The gun shakes.
|
|
I have to drop him. Instincts are screaming now. They want to smell
|
|
the warmth of red. The loss of green.
|
|
When I leap towards him I hear the shot. Loud. Rigid. Hot metal
|
|
pulls it's way, furiously, through my shoulder. Though I bleed red, I can
|
|
never bleed my green.
|
|
My hands clasp the gun and yank it free.
|
|
|
|
He watches me bleed on him for a few seconds.
|
|
|
|
I smash him with the gun's back end. His eyes roll and conciousness
|
|
seeps out of him.
|
|
The uniform hangs in the closet, and the wallet rests on the dresser
|
|
next to the photographs.
|
|
|
|
I look from the photos to him, and back again.
|
|
|
|
I take what I came to get, but I leave something behind.
|
|
|
|
I leave him his life.
|
|
|
|
--
|
|
Kipp Lightburn (ah804@freenet.carleton.ca)=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
"One ring to rule them all, One ring to find them, One ring to bring them
|
|
all, and in the darkness bind them. In the land of Mordor where shadows lie."
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
----------------------L - i - N - E ----- N - o - i - Z ----------------------
|
|
File - #
|
|
From: C.McLean-Campbell <cmc@cs.strath.ac.uk>
|
|
|
|
|
|
HEAVY DUTY
|
|
|
|
C.McLean-Campbell
|
|
|
|
Series Editor: Peaches
|
|
Copyright 1994 Toaster Books. All Rights Reserved.
|
|
|
|
|
|
|
|
CHAPTER FOUR.
|
|
It was early evening in the Moscow suburb and Major Violet Jones
|
|
reset the little geiger counter for the third time that night, by holding
|
|
it out the window and pointing it at the sky. She was watching for a light,
|
|
a red laser light that would appear from the top of the telegraph pole
|
|
outside the garden wall. Jasmine Ellis, the civilian operative would shine
|
|
the communications laser down to her when she had neutralised the house
|
|
security system. Jones glanced along the high wall shrouded by tall cypress
|
|
conifers and waited. In the dark she could just about make out the
|
|
silhouette of Ellis on top of the pole. As she peered out of the car
|
|
window, the detector on the dashboard bleeped very quietly and Jones
|
|
realised she'd missed the thin beam. She toggled the icon in her visor
|
|
head-up and spoke.
|
|
"Ellis? That was quick?" she said.
|
|
Ellis' voice sounded tinny. "Jonesy, it's already been neutralised. I
|
|
haven't touched it."
|
|
"What do you mean?"
|
|
"I mean someone's already been here. I think the cupboard is probably
|
|
bare. I have a warm mass in the study that isn't hot enough to be more than
|
|
a small cat. And there isn't any movement on the detectors, either in the
|
|
house or grounds," she said.
|
|
" But that can't be right, Ellis. What about the dogs?"
|
|
The line was silent for a second, Ellis must have turned her head out
|
|
of line. Then the detector bleeped again and she was back.
|
|
"No dogs, no movement at all. It's all quiet in there. There's a
|
|
bypass hardwired into the box that's been feeding the house system happy
|
|
signals, but everything else is working fine."
|
|
Jonesy weighed the topamine dart gun in her hand and placed it on the
|
|
passenger seat. She flicked the local Unipol file onto the head-up, checked
|
|
again all the details that she had already memorised, then flicked it off.
|
|
"How sure are you about this, Ellis? The Unipol file has four Dobermans
|
|
listed and licensed. Are you going to be scraping me off the gravel if I
|
|
walk in there?"
|
|
"It's totally defo on that, Jonesy. If there was anything alive in
|
|
there it would register. Bet you all you'll find is a cat. If you walk in
|
|
there the system won't even respond. I can open the gate from here and you
|
|
can drive right up to the front door."
|
|
"Are you sure?" asked Jonesy.
|
|
"Do me a favour," was the curt reply.
|
|
"Okay Ellis, listen. I want you to open the gate as soon as I reach
|
|
it. The minute I go in the front door I want you to contact Angelwing. Tell
|
|
them to touch down immediately, Tell them to put everything on the deck in
|
|
the grounds as soon as I pop the door." She started the car and waited till
|
|
Ellis responded.
|
|
"Copy that," said the operative.
|
|
"And get us back on the satellite," she added. Instantly, the comms
|
|
icon changed colour.
|
|
The gravel drive was a substantial distance from the front gate,
|
|
perhaps two hundred meters through open lawns and well tended flower beds.
|
|
Jones eased the car gently up to the door, searching the grounds for the
|
|
dogs. A graphic in her head-up indicated any change in electrical activity
|
|
in the area; a tell tale of any alarm system. It remained static. Parking
|
|
the car tight against the door to provide additional protection, she
|
|
unholstered her beretta and slipped out, leaving the engine still running.
|
|
She crouched beneath the keypad but the front door was already open.
|
|
Jones flung herself against the wall parallel to the door and
|
|
gingerly pushed it open. She aimed the geiger counter in the door and
|
|
scanned up and down. The graphic in her visor stayed at background level
|
|
and clicked slowly on audio. The hall was still. All the lights were on and
|
|
she could see the persian carpets and an antique mirror over a Georgian
|
|
side table on the right hand side wall. The study door was the second of
|
|
three heavy oak doors along the hall. It was the only one open. Inside the
|
|
hall a vile, ripe odour caught the back of her throat and she gasped
|
|
quietly before pushing her face mask on. Inside the hall she systematically
|
|
checked the two closed doors. Nothing. An empty lounge and a deserted
|
|
kitchen full of expensive gadgets. She eased the study door open fully and
|
|
stepped in. A thin, elegant persian cat was fast asleep in front of a
|
|
traditional style gas fire. A delicate china cup and saucer filled with
|
|
soured tea sat on the edge of the desk. To the left of the cat, slumped
|
|
face down, was the body of an elderly man still dressed in his silk
|
|
pyjamas. A large puddle of blood had spilled out of the exit wound at the
|
|
back of his neck and created a miniature lake on the carpet around him. It
|
|
had turned a murky, gelatinous black. The rest of the carpet was a lace
|
|
work of coagulated bloody paw prints that terminated at the sleeping cat.
|
|
Suddenly the room was filled with the deafening pounding of the
|
|
Angelwing helicopters directly overhead and Jones shuddered involuntarily
|
|
as the sound cracked the silence. The teacup rattled in its saucer and the
|
|
cat awoke, leapt across the room and rushed out of the door. The major
|
|
self-consciously looked around, expecting someone to have spotted her lapse
|
|
and then swore out loud, cursing her own weakness. She wanted to wash her
|
|
hands but took a seat on the floor and waited.
|
|
|
|
Sergeant Fisher stepped over the body of Marshall Leonid Shavyrin,
|
|
Hero of the old Soviet Union and ex-commander of the Long Range Strategic
|
|
Rocket Forces. Jones was standing beside the ornate mantelpiece. Around her
|
|
the specialists from the Angelwing team were painstakingly taking the place
|
|
apart. "We found the dogs in the yard," said Fisher, "poisoned according to
|
|
the pathologist. And Wintrobe's on the landline," he pointed to the
|
|
traditional phone on the study desk. "Path says he's been dead at least a
|
|
week," he added.
|
|
"Fisher," she said, coughing slightly, "Don't you think I managed to
|
|
guess that for myself?"
|
|
"They said the cat had eaten some of him."
|
|
"Now how did I know that you were just gagging to tell me that?"
|
|
"Bit pervy, though," continued Fisher, "shooting a guy in the throat
|
|
like that. You ever see anything like that before, Jonesy?"
|
|
She shook her head and deliberately walked around the body to pick up
|
|
the phone. Wintrobe sounded as if he was having a conversation out of shot.
|
|
"Hello," she said.
|
|
"Jonesy," Wintrobe sounded hoarse, the way he always did when he was
|
|
excited," so we didn't get Shavyrin then?" Wintrobe pronounced it like
|
|
Shavay-rin.
|
|
"Well we did, but unfortunately he has a couple of large,
|
|
inconvenient holes in him," said Jonesy.
|
|
"Don't worry about it. I want you to leave the SCARP case to Fisher."
|
|
"Leave it?" she protested. "Did you say leave it? I'm almost on top
|
|
of it!"
|
|
Wintrobe responded tersely but sympathetically. She could hear him
|
|
chewing on the cigar that was a permanent feature of his face. "Jonesy,
|
|
just leave it. With the Marshall dead we draw a blank on the search." He
|
|
paused, expecting another retort from her, but she stayed silent. "I want
|
|
you back here, this morning. Angelwing will drop you at The Moscow Skyhook
|
|
in twenty minutes. The embassy has a change of clothes ready for you and
|
|
the diplomatic passes."
|
|
" So what's happening?" she asked.
|
|
"Bishop will give you a brief at the terminal. Ditch all that
|
|
hardware. We'll have a new kit ready for you when you land."
|
|
Jones pulled the Beretta out of its holster. She'd had it for two years.
|
|
"What about my team, boss? Have I just to ditch them like that?"
|
|
" Fisher and Ellis can top and tail the thing and then catch up with
|
|
you later. Meanwhile you just go get in the 'wing now Jonesy. I need you
|
|
here. Understood?"
|
|
"Understood." She was trying not to sound reluctant.
|
|
He cut off as soon as she answered.
|
|
Major Jones peeled the helmet off and clattered it onto the desk.
|
|
"Shit!" she said and dropped the webbing belt with the comms
|
|
equipment beside the helmet.
|
|
Fisher looked up at her, an inquisitive expression on his dark face.
|
|
"Problem Jonesy?" he asked.
|
|
" Yeah. Don't ask. Listen you still packing that Heckler?" she asked
|
|
him.
|
|
" Yeah" he responded by peeling his jacket aside to show her the
|
|
holster.
|
|
Jonesy beckoned him to come closer and he did. She pulled the Heckler
|
|
out of his holster with a finger and thumb, as if it was something soiled
|
|
and unclean. She dropped it on the desk with a clang amongst the other
|
|
hardware. Then she took hold of his hand and pressed the Beretta into it.
|
|
"Look after the shop while I'm away."
|
|
Fischer nodded. Sometimes he reminded her of an old hound dog that
|
|
her grandfather used to own.
|
|
Eight minutes later she was boarding the Skyhook.
|
|
|
|
|
|
----------------------L - i - N - E ----- N - o - i - Z ----------------------
|
|
File - $
|
|
From: ae687@freenet.carleton.ca (Billy Biggs)
|
|
Subject: Nibbles of Information
|
|
|
|
|
|
[ This one I just felt like putting in... it's o so true... :-) ]
|
|
:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:><:>:<:>:<:>:<:>:<:>:<:>:<:>:
|
|
Subject: fw:Evolution of a Programmer
|
|
|
|
|
|
The Evolution of a Programmer
|
|
-----------------------------
|
|
|
|
|
|
High School/Jr.High
|
|
===================
|
|
|
|
10 PRINT "HELLO WORLD"
|
|
20 END
|
|
|
|
First year in College
|
|
=====================
|
|
program Hello(input, output)
|
|
begin
|
|
writeln('Hello World')
|
|
end.
|
|
|
|
Senior year in College
|
|
======================
|
|
(defun hello
|
|
(print
|
|
(cons 'Hello (list 'World))))
|
|
|
|
New professional
|
|
================
|
|
#include <stdio.h>
|
|
void main(void)
|
|
{
|
|
char *message[] = {"Hello ", "World"};
|
|
int i;
|
|
|
|
for(i = 0; i < 2; ++i)
|
|
printf("%s", message[i]);
|
|
printf("\n");
|
|
}
|
|
|
|
Seasoned professional
|
|
=====================
|
|
#include <iostream.h>
|
|
#include <string.h>
|
|
|
|
class string
|
|
{
|
|
private:
|
|
int size;
|
|
char *ptr;
|
|
|
|
public:
|
|
string() : size(0), ptr(new char('\0')) {}
|
|
|
|
string(const string &s) : size(s.size)
|
|
{
|
|
ptr = new char[size + 1];
|
|
strcpy(ptr, s.ptr);
|
|
}
|
|
|
|
~string()
|
|
{
|
|
delete [] ptr;
|
|
}
|
|
|
|
friend ostream &operator <<(ostream &, const string &);
|
|
string &operator=(const char *);
|
|
};
|
|
|
|
ostream &operator<<(ostream &stream, const string &s)
|
|
{
|
|
return(stream << s.ptr);
|
|
}
|
|
|
|
string &string::operator=(const char *chrs)
|
|
{
|
|
if (this != &chrs)
|
|
{
|
|
delete [] ptr;
|
|
size = strlen(chrs);
|
|
ptr = new char[size + 1];
|
|
strcpy(ptr, chrs);
|
|
}
|
|
return(*this);
|
|
}
|
|
|
|
int main()
|
|
{
|
|
string str;
|
|
|
|
str = "Hello World";
|
|
cout << str << endl;
|
|
|
|
return(0);
|
|
}
|
|
|
|
Master Programmer
|
|
=================
|
|
[
|
|
uuid(2573F8F4-CFEE-101A-9A9F-00AA00342820)
|
|
]
|
|
library LHello
|
|
{
|
|
// bring in the master library
|
|
importlib("actimp.tlb");
|
|
importlib("actexp.tlb");
|
|
|
|
// bring in my interfaces
|
|
#include "pshlo.idl"
|
|
|
|
[
|
|
uuid(2573F8F5-CFEE-101A-9A9F-00AA00342820)
|
|
]
|
|
cotype THello
|
|
{
|
|
interface IHello;
|
|
interface IPersistFile;
|
|
};
|
|
};
|
|
|
|
[
|
|
exe,
|
|
uuid(2573F890-CFEE-101A-9A9F-00AA00342820)
|
|
]
|
|
module CHelloLib
|
|
{
|
|
|
|
// some code related header files
|
|
importheader(<windows.h>);
|
|
importheader(<ole2.h>);
|
|
importheader(<except.hxx>);
|
|
importheader("pshlo.h");
|
|
importheader("shlo.hxx");
|
|
importheader("mycls.hxx");
|
|
|
|
// needed typelibs
|
|
importlib("actimp.tlb");
|
|
importlib("actexp.tlb");
|
|
importlib("thlo.tlb");
|
|
|
|
[
|
|
uuid(2573F891-CFEE-101A-9A9F-00AA00342820),
|
|
aggregatable
|
|
]
|
|
coclass CHello
|
|
{
|
|
cotype THello;
|
|
};
|
|
};
|
|
|
|
|
|
#include "ipfix.hxx"
|
|
|
|
extern HANDLE hEvent;
|
|
|
|
class CHello : public CHelloBase
|
|
{
|
|
public:
|
|
IPFIX(CLSID_CHello);
|
|
|
|
CHello(IUnknown *pUnk);
|
|
~CHello();
|
|
|
|
HRESULT __stdcall PrintSz(LPWSTR pwszString);
|
|
|
|
private:
|
|
static int cObjRef;
|
|
};
|
|
|
|
|
|
#include <windows.h>
|
|
#include <ole2.h>
|
|
#include <stdio.h>
|
|
#include <stdlib.h>
|
|
#include "thlo.h"
|
|
#include "pshlo.h"
|
|
#include "shlo.hxx"
|
|
#include "mycls.hxx"
|
|
|
|
int CHello::cObjRef = 0;
|
|
|
|
CHello::CHello(IUnknown *pUnk) : CHelloBase(pUnk)
|
|
{
|
|
cObjRef++;
|
|
return;
|
|
}
|
|
|
|
HRESULT __stdcall CHello::PrintSz(LPWSTR pwszString)
|
|
{
|
|
printf("%ws\n", pwszString);
|
|
return(ResultFromScode(S_OK));
|
|
}
|
|
|
|
|
|
CHello::~CHello(void)
|
|
{
|
|
|
|
// when the object count goes to zero, stop the server
|
|
cObjRef--;
|
|
if( cObjRef == 0 )
|
|
PulseEvent(hEvent);
|
|
|
|
return;
|
|
}
|
|
|
|
#include <windows.h>
|
|
#include <ole2.h>
|
|
#include "pshlo.h"
|
|
#include "shlo.hxx"
|
|
#include "mycls.hxx"
|
|
|
|
HANDLE hEvent;
|
|
|
|
int _cdecl main(
|
|
int argc,
|
|
char * argv[]
|
|
) {
|
|
ULONG ulRef;
|
|
DWORD dwRegistration;
|
|
CHelloCF *pCF = new CHelloCF();
|
|
|
|
hEvent = CreateEvent(NULL, FALSE, FALSE, NULL);
|
|
|
|
// Initialize the OLE libraries
|
|
CoInitializeEx(NULL, COINIT_MULTITHREADED);
|
|
|
|
CoRegisterClassObject(CLSID_CHello, pCF, CLSCTX_LOCAL_SERVER,
|
|
REGCLS_MULTIPLEUSE, &dwRegistration);
|
|
|
|
// wait on an event to stop
|
|
WaitForSingleObject(hEvent, INFINITE);
|
|
|
|
// revoke and release the class object
|
|
CoRevokeClassObject(dwRegistration);
|
|
ulRef = pCF->Release();
|
|
|
|
// Tell OLE we are going away.
|
|
CoUninitialize();
|
|
|
|
return(0); }
|
|
|
|
extern CLSID CLSID_CHello;
|
|
extern UUID LIBID_CHelloLib;
|
|
|
|
CLSID CLSID_CHello = { /* 2573F891-CFEE-101A-9A9F-00AA00342820 */
|
|
0x2573F891,
|
|
0xCFEE,
|
|
0x101A,
|
|
{ 0x9A, 0x9F, 0x00, 0xAA, 0x00, 0x34, 0x28, 0x20 }
|
|
};
|
|
|
|
UUID LIBID_CHelloLib = { /* 2573F890-CFEE-101A-9A9F-00AA00342820 */
|
|
0x2573F890,
|
|
0xCFEE,
|
|
0x101A,
|
|
{ 0x9A, 0x9F, 0x00, 0xAA, 0x00, 0x34, 0x28, 0x20 }
|
|
};
|
|
|
|
#include <windows.h>
|
|
#include <ole2.h>
|
|
#include <stdlib.h>
|
|
#include <string.h>
|
|
#include <stdio.h>
|
|
#include "pshlo.h"
|
|
#include "shlo.hxx"
|
|
#include "clsid.h"
|
|
|
|
int _cdecl main(
|
|
int argc,
|
|
char * argv[]
|
|
) {
|
|
HRESULT hRslt;
|
|
IHello *pHello;
|
|
ULONG ulCnt;
|
|
IMoniker * pmk;
|
|
WCHAR wcsT[_MAX_PATH];
|
|
WCHAR wcsPath[2 * _MAX_PATH];
|
|
|
|
// get object path
|
|
wcsPath[0] = '\0';
|
|
wcsT[0] = '\0';
|
|
if( argc > 1) {
|
|
mbstowcs(wcsPath, argv[1], strlen(argv[1]) + 1);
|
|
wcsupr(wcsPath);
|
|
}
|
|
else {
|
|
fprintf(stderr, "Object path must be specified\n");
|
|
return(1);
|
|
}
|
|
|
|
// get print string
|
|
if(argc > 2)
|
|
mbstowcs(wcsT, argv[2], strlen(argv[2]) + 1);
|
|
else
|
|
wcscpy(wcsT, L"Hello World");
|
|
|
|
printf("Linking to object %ws\n", wcsPath);
|
|
printf("Text String %ws\n", wcsT);
|
|
|
|
// Initialize the OLE libraries
|
|
hRslt = CoInitializeEx(NULL, COINIT_MULTITHREADED);
|
|
|
|
if(SUCCEEDED(hRslt)) {
|
|
|
|
|
|
hRslt = CreateFileMoniker(wcsPath, &pmk);
|
|
if(SUCCEEDED(hRslt))
|
|
hRslt = BindMoniker(pmk, 0, IID_IHello, (void **)&pHello);
|
|
|
|
if(SUCCEEDED(hRslt)) {
|
|
|
|
// print a string out
|
|
pHello->PrintSz(wcsT);
|
|
|
|
Sleep(2000);
|
|
ulCnt = pHello->Release();
|
|
}
|
|
else
|
|
printf("Failure to connect, status: %lx", hRslt);
|
|
|
|
// Tell OLE we are going away.
|
|
CoUninitialize();
|
|
}
|
|
|
|
return(0);
|
|
}
|
|
|
|
|
|
|
|
Apprentice Hacker
|
|
===================
|
|
#!/usr/local/bin/perl
|
|
$msg="Hello, world.\n";
|
|
if ($#ARGV >= 0) {
|
|
while(defined($arg=shift(@ARGV))) {
|
|
$outfilename = $arg;
|
|
open(FILE, ">" . $outfilename) || die "Can't write $arg: $!\n";
|
|
print (FILE $msg);
|
|
close(FILE) || die "Can't close $arg: $!\n";
|
|
}
|
|
} else {
|
|
print ($msg);
|
|
}
|
|
1;
|
|
|
|
|
|
|
|
Experienced Hacker
|
|
===================
|
|
#include <stdio.h>
|
|
#define S "Hello, World\n"
|
|
main(){exit(printf(S) == strlen(S) ? 0 : 1);}
|
|
|
|
|
|
|
|
Seasoned Hacker
|
|
===================
|
|
% cc -o a.out ~/src/misc/hw/hw.c
|
|
% a.out
|
|
|
|
|
|
|
|
Guru Hacker
|
|
===================
|
|
% cat
|
|
Hello, world.
|
|
^D
|
|
|
|
|
|
|
|
New Manager
|
|
===================
|
|
10 PRINT "HELLO WORLD"
|
|
20 END
|
|
|
|
|
|
|
|
Middle Manager
|
|
===================
|
|
mail -s "Hello, world." bob@b12
|
|
Bob, could you please write me a program that prints "Hello,
|
|
world."?
|
|
I need it by tomorrow.
|
|
^D
|
|
|
|
|
|
|
|
Senior Manager
|
|
===================
|
|
% zmail jim
|
|
I need a "Hello, world." program by this afternoon.
|
|
|
|
|
|
|
|
Chief Executive
|
|
===================
|
|
% letter
|
|
letter: Command not found.
|
|
% mail
|
|
To: ^X ^F ^C
|
|
% help mail
|
|
help: Command not found.
|
|
% damn!
|
|
!: Event unrecognized
|
|
% logout
|
|
|
|
:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:><:>:<:>:<:>:<:>:<:>:<:>:<:>:
|
|
Date: 12 Nov 1994 00:39:27 GMT
|
|
From: David_Dei@cyberden.com (David Dei)
|
|
Organization: The CyberDen - 415.472.5527
|
|
Reply-To: David_Dei@cyberden.com
|
|
Subject: RAVERS' INTERNET INVASION WEEK ONE
|
|
Distribution: world
|
|
|
|
INTERNET INVASION of BRITAIN WEEK ONE
|
|
brought to you by THE ZIPPY INVASION TASK FORCE
|
|
AIM: TO VOICE OUR OUTRAGE AT THE VIRTUAL BANNING OF RAVE IN THE UK
|
|
METHOD: USE THE INTERNET TO SEND PROTESTS TO UK GOVERNMENT AND ITS CITIZENS
|
|
|
|
This week we up the intensity as this thing goes GLOBAL!!!
|
|
The Internet Invasion of Britain has Spread WorldWide with Australia, South
|
|
Africa, Holland, Sweden and Japan entering the fight.
|
|
|
|
We are still awaiting word as to exactly what effect the Invasion has had on
|
|
UK networks. By all accounts there is a concerted attempt by British
|
|
Authorities to keep this story quiet. BUT word has already gotten out to our
|
|
cyberactivists within the UK (ground zero) who are monitoring the extent of
|
|
the "collapse". Their message: KEEP UP THE PRESSURE, THE INTERNET INVASION OF
|
|
BRITAIN CONTINUES
|
|
|
|
TARGET SURRENDER DATE: December 1st 1994. THIS COULD BE THE WORLDS FIRST
|
|
INTERNET ORCHESTRATED "COUP DE ETAT" Any guesses as to the exact timing of
|
|
John Majors resignation announcement?
|
|
|
|
"This is not just an INVASION, it's an INTER-VASION" - Dr Timothy Leary
|
|
|
|
PROTEST BACKGROUND
|
|
[A World Wide Web site for info on the Criminal Justice Bill is available
|
|
at the following URL:]
|
|
http://www.bath.ac.uk/~bs2ajs/CJ.Bill.html
|
|
|
|
The United Kingdom Govt's Criminal Justice and Public Order Act (its now no
|
|
longer a Bill) THREATENS THE RIGHT OF ALL GLOBAL CITIZENS TO ASSEMBLE. With
|
|
legal developments in Western countries increasingly interconnected, THIS
|
|
ASSAULT, IF WE IGNORE IT, WILL ULTIMATELY THREATEN INTERNET "ASSEMBLY" ITSELF
|
|
|
|
Unlike the 1989 Fax for Freedom in support of Chinese students in Tienanmen
|
|
Square, the Internet community is now empowered to vote on GLOBAL ISSUES by
|
|
electronically "assembling" to voice actual world opinion. Vote with your
|
|
fingers to affect world history!
|
|
|
|
What to do / How to spread the meme.
|
|
|
|
1. REPLICATE: Alert your Internet cybercommunity by distributing this message
|
|
as far as possible. This is an exercise in both information dispersal and
|
|
GLOBAL VOTING.
|
|
|
|
2. E-MAIL your PROTEST: E-mail the attached protest or your own personalized
|
|
response to as many key UK addresses as possible (Government Depts,
|
|
Companies, Company Presidents, Ministers, Media, and your UK Friends as well
|
|
as your own national/local government officials.)
|
|
[United Kingdom Commercial e-mail addresses are available via publications
|
|
such as New Rider's Official Internet Yellow Pages and other resource lists.
|
|
UK Government Web Site: www.open.gov.uk, President Clinton:
|
|
president@whitehouse.com]
|
|
|
|
3. PARTICIPATE: Discuss the implications of this issue and the concept of
|
|
a GLOBAL VOTE in as many forums as possible or organize your own
|
|
Data-Gathering. Call 415-281-KNOW for invasion details.
|
|
|
|
Note: We are not attempting to gridlock the ENTIRE system but to rather bring
|
|
pressure to bear upon the United Kingdom and its citizens.
|
|
|
|
|
|
SUGGESTED PROTEST MESSAGE:
|
|
Recognizing that the principle involved in the British Criminal Justice Bill
|
|
now being written into law, involves the banning of "gatherings of more than
|
|
10 people on public land" and may eventually be introduced into my home
|
|
country and eventually may prohibit Internet "gatherings" in the public land
|
|
of Cyberia, we, the Undersigned, protest with all our hearts and will. And we
|
|
implore you to do all in your power to erase this shameful bill and its
|
|
intention from planetary consciousness.
|
|
|
|
Signed: [your e-mail address]
|
|
|
|
BACKGROUND TO THE Public Order section of the Criminal Justice and Public
|
|
Order Act of GREAT BRITAIN
|
|
At 1:30 am [Friday 4 Nov, Pacific Time] the Queen gave her Royal assent to
|
|
most of the clauses in The Criminal Justice Bill. The Bill seeks to change a
|
|
number of aspects of the British Justice System.While rectifying overdue
|
|
legal loopholes, it also contains some unpopular measures that erode basic
|
|
human rights.
|
|
|
|
These rights are:
|
|
1. The right to ASSEMBLE in groups of ten or more individuals ON PUBLIC or
|
|
COMMON LAND. In other words, hanging out in a group of ten or more people in
|
|
a town square, a park, or the sidewalk becomes potentially illegal.
|
|
|
|
2. The right to ASSEMBLE on PRIVATE LAND if the gathering is for the express
|
|
purpose of listening to music typified as "sounds wholly or
|
|
predominantly characterised by the emission of a succession of
|
|
repetitive beats". In other words, engaging in the act of drumming, listening
|
|
to rockn roll or any music form containing a high number of repeated beats
|
|
SPECIFICALLY TECHNO now becomes illegal
|
|
|
|
3. The right to TRAVEL within the borders or ones country WITHOUT UNDUE
|
|
HARASSMENT or threat of arbitrary arrest. The bill gives British Police
|
|
increased powers to question and arrest people based solely on their
|
|
appearance. In this case the mere fact of looking like you might be on your
|
|
way to a party involving the playing of repetitive music is a basis for
|
|
harassment.
|
|
|
|
COMMENTARY
|
|
The people most directly affected by this bill are those who are most likely
|
|
to attend private or public gatherings in the UK [especially British Ravers].
|
|
But we are all affected by this move. The setting of this PRECEDENT in a
|
|
western democracy such as the United Kingdom is grave cause for concern. What
|
|
we are seeing is a western government destroying the fundamental human rights
|
|
of its people. Specifically the right to assemble, which has its
|
|
philosophical pedigree in the French and American Revolutions and which has
|
|
long been considered the cornerstone of western style democracy
|
|
|
|
The question we are asking you is this: "If WE do not voice OUR protest at
|
|
these developments in the UK, because we are not concerned that the right to
|
|
assemble in physical space in Britain might be taken away, and we do not at
|
|
the very least make ourselves heard in this battle, THEN WHO MIGHT there be
|
|
left to do likewise when our rights to assemble in our own geographical
|
|
regions as well as the virtual geographies of cyberspace, are threatened?
|
|
|
|
BROUGHT TO YOU BY THE ZIPPY INVASION TASK FORCE:
|
|
"Cyber Commodore" Dr Timothy Leary
|
|
Chaos Strategist: Prof. Ralph Abraham
|
|
Reality Technician: David Dei
|
|
Zippy Guerilla: Fraser Clark,
|
|
Rave-u-Gees: Michael John, Frank Weetjens
|
|
Internet Intelligence: Captain Crunch
|
|
Pirate Radio: Stephen Dunifer
|
|
Look for our posts in the following forums: Alt.Rave & Alt.Music.Techno
|
|
:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:>:<:><:>:<:>:<:>:<:>:<:>:<:>:<:>:
|
|
Date: Wed Oct 19 01:39:43 1994
|
|
From: atomrec@primus.COM (Atomic Records)
|
|
Subject: RMI CD #2: FINAL RESULTS!!
|
|
|
|
Well! Here they are, after all these months! I must say I was
|
|
very surprised by the final results. A lot of songs that I had
|
|
hoped would get on there didn't. But I willingly defer to the
|
|
collective wisdom of the hard-working reviewers (who deserve to
|
|
be commended and patted on the back and showered with all sorts
|
|
of nice things) and so, here is the track listing for Mind/Body
|
|
volume 2.
|
|
|
|
Keep in mind that the ordering of these tracks is up in the
|
|
air. In the lists below, they're arranged in order of
|
|
decreasing total score (so the first track is the highest-rated
|
|
track on the disc, and the last one is the lowest-rated track
|
|
that made it onto the disc (which is nothing to be ashamed about
|
|
or anything)). Here we go!
|
|
|
|
(Note: I don't have time to generate individual letters to the
|
|
artists who made it, and all. If you're an artist, and you see
|
|
your name here, you know what to do.)
|
|
|
|
Mind
|
|
----
|
|
Cameron Lewis - Clusterfuck
|
|
Scar Tissue - Failure
|
|
Arcana - Where The Shadows Lie (Heart Of Darkness Mix)
|
|
Noisia - Get The Fork '94
|
|
Soma Holiday - Frisk
|
|
Fuzzboy - Sacrificial Lamb
|
|
Not Breathing - The Shogoth Walk
|
|
Ciborium - Good Christians At Dachau
|
|
Graveyard Cafe - The Industrial Blues
|
|
Area_39 - Actum Ne Agas
|
|
Spleenclutch - Sketches Of Pain
|
|
The One - Phase Shift
|
|
Circular Firing Squad - Pointer To Void
|
|
Verge - The Metal Countdown
|
|
|
|
In case any of the above artists cannot fulfill their duties
|
|
(i.e. they procrastinate in sending me their final master, the
|
|
bums) then one of the next four songs will take their place:
|
|
|
|
The Unit Circle - Miling Direction Is Illegal
|
|
D.A.C. Crowell - Risk
|
|
Mikael Hillborg - Heart Of Steel
|
|
h+ - Heaven
|
|
|
|
And now...
|
|
|
|
Body
|
|
----
|
|
informatik - Autonomous
|
|
hex80 - XL
|
|
Virus - Flesh
|
|
30 Helens Agree - Industry
|
|
Bureau Of Control - C^3 I
|
|
Etherring - Split
|
|
Struktur - Ether
|
|
Smothered Hope - Synaptic Circle
|
|
ATD Convention - My World
|
|
Electronic Counter Measures - Suicide
|
|
Dark Network - The Innocent
|
|
Sphere Lazza - LD 50
|
|
Crawl - Straightrazor
|
|
Drone - Ectogenesis: The New Flesh
|
|
Shape Factor Moment - The Empty Clown
|
|
Cyber G - Spaceloop
|
|
|
|
As on Mind, these are the reserves:
|
|
|
|
Wonderland - Seeker
|
|
Decomposing Poets - Slide On Shadows
|
|
Brian Thomas - Deathro
|
|
|
|
And finally, the cover art winner is Arts Industria, who beat
|
|
their nearest competition by 10 points! As soon (if) I get
|
|
their permission, I'll make it available by anonymous FTP.
|
|
|
|
I'll be flying to Champaign, IL and mixing the final master tapes
|
|
with D.A.C. Crowell from November 4th-7th. The CDs will be out
|
|
in late November or early January.
|
|
|
|
Many thanks to all who participated, and another big round of
|
|
applause for the reviewers!
|
|
|
|
Steve Boswell
|
|
atomrec@primus.com
|
|
Take it to ze bridge, Rolph... und blow it up!
|
|
|
|
=-=-=-=-=-=-=-=-=-=-= L - I = N - e =-=-= N - o = i - Z =-=-=-=-=-=-=-=-=-=-=-
|
|
File - %
|
|
From: joshua@server.dmccorp.com (Joshua Lellis)
|
|
Subject: Chiba City Blues Poll Results
|
|
|
|
|
|
CHIBA CITY BLUES
|
|
Editor: Joshua Lellis
|
|
|
|
How sad is it when we wake up in the morning and the day has ended.
|
|
|
|
Hi All. And welcome to the first annual CCB poll results. Before we get
|
|
to the winners, let's take a brief moment in respect to the people that
|
|
voted and the people that are involved in all of this stuff.
|
|
|
|
...
|
|
...
|
|
...
|
|
|
|
Ok. Now I'm sure you're all waiting for this moment... so... without any
|
|
further interruptions, the WINNERS of the CCB poll...
|
|
|
|
In the category of:
|
|
|
|
Best Short Story:
|
|
1) A Future We'd Like To See (13)
|
|
2) Drivers (5)
|
|
3) Streets of Snow and Fire (3)
|
|
|
|
Best Novel (5+ Chapters):
|
|
1) Puma (8)
|
|
2) The Alaskan - Joshua Lellis (6)
|
|
3) Loki's Gun - Phyllis Rostykus and Mark Friedman (5)
|
|
3) Something To Be Done - Mike Acar (5)
|
|
3) Silk and Steel (5)
|
|
|
|
Best Poem:
|
|
1) Shattered Glass and Broken Dreams - Phyllis Rostykus (5)
|
|
|
|
Best Writer:
|
|
1) Stefan Gagne (11)
|
|
2) Mike Acar (5)
|
|
3) Mark Friedman (3)
|
|
3) Kipp Lightburn (3)
|
|
3) Hubert Bartels (3)
|
|
|
|
Favorite Character (male):
|
|
1) Freddy (5)
|
|
1) Argus (5)
|
|
1) Tuesday Mourning (5)
|
|
2) Spaxter (3)
|
|
2) Dyne (3)
|
|
|
|
Favorite Character (female):
|
|
1) Puma (10)
|
|
2) Niko (5)
|
|
3) Shadowcat (3)
|
|
3) Saraquel (3)
|
|
3) Nekeko (3)
|
|
|
|
|
|
Congratulations to all the winners. Untill next year, that's all for the
|
|
CCB poll....
|
|
|
|
------------------------------------------------------------------------------
|
|
--<----<----<----<----L - I - N - e ----- N - o - i - Z ---->---->---->---->--
|
|
------------------------------------------------------------------------------
|
|
>> Scheduled 4 upcomming issues: <<
|
|
<< Phone interview with Bill Leeb (finally) >>
|
|
>> Heavy Duty Chapter 5 <<
|
|
|
|
Submit! Submit! Submit! --- We need submissions!! --- Submit! Submit! Submit!
|
|
|
|
END LINE_NOIZ.23
|
|
|
|
--
|
|
+ Billy Biggs Ottawa, Canada | =itwouldbetheultimatetriumphofhumanreason=
|
|
+ ae687@Freenet.carleton.ca | =forthenwewouldknowthemindofGOD= S.Hawking
|