569 lines
25 KiB
Plaintext
569 lines
25 KiB
Plaintext
BEGIN LINE_NOIZ.21
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I S S U E - @ ! S E P T E M B E R 2 7 , 1 9 9 4
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>LiNE NOiZ<<< >>>LiNE NOiZ<
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L * N
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-=-=-=-=-=-=-=-=-=- i * o -=-=-=-=-=-=-=-=-=-
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n * i
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E * Z
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CYbERPUNk I N f O R M A t i 0 N E - Z i N E
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<<<<<<<<<<<<<<<<<<<<<<<<<<<<< L I N E N O i Z >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
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I S S U E - @ ! S E P T E M B E R 2 7 , 1 9 9 4
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: File !
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: Intro to Issue 21
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: Billy Biggs <ae687@freenet.carleton.ca>
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: File @
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: Square One - Part 7
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: Kipp Lightburn <ah804@freenet.carleton.ca>
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: File #
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: Heavy Duty - Chapter 3
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: C.McLean-Campbell <cmc@cs.strath.ac.uk>
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: File $
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: Chiba City Blues Issue 2
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: Joshua Lellis <joshua@server.dmccorp.com>
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------------------------------------------------------------------------------
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--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
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------------------------------------------------------------------------------
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File - !
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Many problems with some submissions, but this issue is now out. I may have a
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phone interview with Bill Leeb of Front Line Assembly this week, also we
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will be printing an edited transcript of the Deerium IRC chat session (oth
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Bill and Rhys were on-line).
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-Billy Biggs, editor.
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***** N o T E ******
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- We have been experiencing problems with our subscription list. If you
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find that the following subscription instructions are not working then
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e-mail me at ae687@freenet.carleton.ca and I'll see what I can do....
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=-*-= Subscription Info =-*-=
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o Subscriptions can be obtained by sending mail to: dodger@fubar.bk.psu.edu
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With the words: Subscription LineNoiz <your address>
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In the body of the letter.
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o Back Issues can be recieved by sending mail to the same address with the
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words BACK ISSUES in the subject.
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=-*-= Submission Info =-*-=
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o Please send any submissions to me: ae687@freenet.carleton.ca
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o We accept Sci-Fi, opinions, reviews and anything else of interest.
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o Submit! Submit! Submit! Submit! Submit! Submit! Submit! Submit! Submit!
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--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
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------------------------------------------------------------------------------
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File - @
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From: ah804@freenet.carleton.ca (Kipp Lightburn)
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Square One - Pt.7
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-----------------
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The noises of mechanical limbs echo off of my loneliness.
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She's brought me to her friend's.
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I'm lying naked on a large, metal cube. It chills the skin that it
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touches. I begin to feel like a corpse in a coroners office. Then the
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irony giggles out loud.
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This IS a coroners office. Her friend is a coroner, who makes his
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living selling body parts to the bio-ware market. When she explained it to
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me, I expected that the place would be tucked down some back alley, hidden
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from the naive eyes of society. We didn't pull up to an alleyway though.
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We drove for quite some time.
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He lives in one of the suburbs, and his office is in his house.
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Not in the basement where you might expect to find corpses and a shopping
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mall for body parts. We walked up three flights of stairs to get here.
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He and stick are in another room. I'm here with the mechanical
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limbs that circle me sporadically. Blue lights scan my body as long arms
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with needles syphon blood out of me. It seems that my purpose in life is
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to go from lab to lab giving blood and tissue samples.
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And killing.
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I have embraced death as if it were a hobby. Remorse has never
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occured to me and I don't feel as if it ever will. I can see every kill.
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Smell. Feel. Taste. Savor. These are my memories.
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The largest arm of the group swoops down from the ceiling, and on
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the end of it rests a group of small pins. It moves towards me and
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pushes its way into my arm painlessly. The arm begins to hum with slight
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vibration.
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My sight goes a little fuzzy as tiny pulses of energy find their way
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into the sanctuaries between the bones, behind the muscles, and under the
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tissue. Their scavenger hunt of my body is a thorough one.
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A few of the moniters on the wall at my feet begin flashing, and
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racing through complex patterns and diagrams.
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The high pitched buzz of the moniters tangle with the low drone of
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the mechanical arm's gears. The sounds grow louder as my vision dims.
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I can now barely make out the arms swooping and circling above
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me. Vultures.
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I can feel more come down on me. One on my good leg the other to
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my abdomen. These are the blood hunters. I can feel their needles
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penetrate.
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And as I lay on this slab the vultures continue their ravenous
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feeding...
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...I wake up yet again.
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If nothing else, I have at least gotten plenty of rest lately.
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I lie awake but my eyes stay shut. Darkness hugs me.
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"Kyle?" Her.
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I slowly open my eyes. The only thing warmer than darkness, is
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the fire I find in her.
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She and her friend stand by the moniters watching me. Observing.
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Their image is framed by the vultures. The arms have folded into positions
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of slumber. It's like the bastards fall asleep after a good meal.
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"Kyle he's found it."
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And the man steps forward. I never asked his name but I feel as
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if thats probably the way he wants it. After all, he never volunteered it.
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"Well with the help of the data on your friends computer," He
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reaches out and pushes a few buttons that sit alongside the moniter, "I
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have tracked down the problem."
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I shuffle to the end of the cube and dangle my feet off, kicking
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them slightly. She stares at me. As if she's waiting.
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Its then that I realize that I'm kicking two legs. Not a leg and
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a brace.
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"My leg..."
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"Yes, I gave you a new one," he says carelessly, "As I was
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saying. There is a change in your DNA. Very slight, but it's there."
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"What is it?"
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He points to some diagram on the moniter assuming that I'm someone
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who understands it, "Well, when compared to the DNA records taken off of
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your friends computer. The ones he had before you disappeared that is.
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There is a change between your patterns now, and your patterns then."
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In the time it's taking him to get to the point I could kill him
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four times over.
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"You're not Kyle Raimi." He says it like a scientist.
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I can see the gun in her hand now.
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"Could you maybe elaborate on that?"
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"You are a genetic copy of Kyle Raimi. A very good copy. But a
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copy nonetheless."
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I look at him dead on and keep the gun in my peripheral.
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"What else?"
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She begins to raise the gun, "There's nothing else you need to know.
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But I think you can answer some of my questions."
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Her hand is shaking and her voice tells me that I was the last
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person she was expecting to hold a gun to.
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Danger exists and I fight my instincts as they try to react.
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"Where's Kyle?" She pulls the hammer back on the gun.
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"I don't know."
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"Why were you made?"
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"I don't know."
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"What _do_ you know?" Her finger seems restless inside the trigger
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guard. Her friend is making his way to the door in the far corner.
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Staring down the barrel of her gun is not unlike looking into
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myself.
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Darkness and the promise of death.
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"I don't know anything more than what I've told you."
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Her weight shifts from one leg to the other. Fatigue pulls at her
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expression as she grows tired of the situation.
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"Well then," she uncocks the gun, "We're just going to have to get
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some answers now aren't we?"
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The gun retreats to her side once again.
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I don't who I am, but at least I know who I'm not.
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I'm not Kyle Raimi.
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--
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----------------------------------------------------------------
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|/ | [ email at ] -------------
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|\IPP |_IGHTBURN [ ah804@freenet.carleton.ca ] -------------
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-------------------------------------------------------------
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----------------------L - i - N - E ----- N - o - i - Z ----------------------
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File - #
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From: C.McLean-Campbell <cmc@cs.strath.ac.uk>
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HEAVY DUTY
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C.McLean-Campbell
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Series Editor: Peaches
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Copyright 1994 Toaster Books. All Rights Reserved.
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CHAPTER THREE.
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"Seasonal U.V is still high enough to penetrate the cloud layer and the European
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Arctic Stratospheric Ozone Commission continues to recommend full eye protection. And
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in Africa the tragedy of the former Gold Coast continues. Home news is dominated by
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new directives on car emissions and a further tax incentive for horse owners."
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Julia Cairney had been Dave Drooszhbah's personal assistant for more than
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eighteen years. Before that she had been his mistress. But shortly after
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his third marriage fizzled out, in zero eight, Drooszhbah was attacked on
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the way into the New York studio by a madman, armed with an aerosol full of
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a designer version of the mycobacterium leprosae. The stuff damaged both
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testicles and the corpus spongiosum tissue of his penis. It also caused
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gangrene in part of his thigh muscle and part of his bladder before
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paramedics killed the bacterium with broad spectrum antibiotic.
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Drooszhbah had plastic surgery and implants that gave him a permanent
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erection, but their sexual relationship ended not long after. He'd returned
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to Europe that same year, uprooted his media empire and transplanted it to
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the burgeoning new city of Hacinohe II. He ignored rumours that the
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Japanese government had funded the move. No one funded Drooszhbah.
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Julia glanced in the large mirror in the lounge on the way to
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Drooszhbah's bedroom. She'd stopped worrying about her age since she'd
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turned fifty last year, but that little nervous tick on the corner of her
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mouth had begun to bother her. In a more positive frame of mind she usually
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subscribed to the idea that all her facial ticks were the result of nerves
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damaged by amphetamine abuse during the seventies, when she was what her
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mother would have called a wild teenager. Either that or the general wear
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and tear of getting old. She'd had a consultation with Drooszhbah's
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specialist but he had prescribed nicotinic acid and advised her that she
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should lower her stress levels. She wanted to retire to her sister's place
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in Colorado but her loyalty to Drooszhbah was absolute. Without her, he
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couldn't get out of bed in the morning. She touched her mouth with a finger
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and noticed Cynthia, the deaf maid, waiting patiently with the breakfast
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tray. She tutted and moved through to the master bedroom with Cynthia
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following her. She wouldn't be so upset if it wasn't for Heathcliff. There
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was something suspicious about him that she didn't like. She didn't know
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what it was but she didn't like it. Why Drooszhbah had anything to do with
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him was a mystery to her. A complete mystery. But Julia was not the type to
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listen at keyholes. That was what made her so valuable.
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She opened the door and took the tray from Cynthia. The guard on the
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door watched them all the way down the hall, but didn't move out of
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position. He wasn't allowed to touch the door unless there was a security
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threat. The maid followed her in and stood while she roused Drooszhbah.
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" Good morning David. Have you slept well?" She placed the tray on
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the huge expanse of bed and adjusted a pillow as he opened his eyes.
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Drooszhbah was a light sleeper. At seventy eight years old he
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reckoned he should sleep as light and as little as he possibly could. After
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all, he might not wake up one of these mornings. He looked about forty
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years old thanks to a second heart lung operation, a great deal of surgical
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intervention and a number of very expensive retro-virus that he took. He
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rubbed his thick hair out of his face and sat up as Julia worked the
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controls on the bed that elevated the headrest. She handed the other
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handset to Cynthia who opened the curtains. Drooszhbah was very specific
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about house systems. He didn't like them and wouldn't let them through the
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door. Everything in the Drooszhbah penthouse was manual. After the attack,
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his personality had changed. He'd become more suspicious of things, but
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technology in particular. He relied on technology to protect him but he
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didn't trust it.
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"I wish I hadn't gone to the ambassador's dinner last night, I must
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have eaten something that's affected me, I feel strange." He rubbed his
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temples with both hands.
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" Sinuses playing up again honey?" She took his pulse and handed him
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a nasal spray. " You know you really have to keep away from all that
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passive cigarette smoke. You know that it plays havoc with your sinuses."
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She marked his pulse on a sheet beside the bed and put the pen down.
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Drooszhbah frowned at her, " Julia, you can be as old fashioned as
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tea sometimes. How often do I have to tell you that these people are
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smoking Californians. They don't contain tobacco."
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"Well, whatever they contain, it isn't good for you. Look at the
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condition you're in." She lifted the breakfast tray across and stirred some
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cream into his coffee. "He's outside in the hall," she said, quietly,
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hoping he wouldn't hear it. Drooszhbah lifted the tray up quickly and
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handed it to her to move it out of his way. He checked that Cynthia wasn't
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in a position to lip read.
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"Heathcliff?" he asked.
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Julia nodded.
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"Jesus Christ Julia. Why didn't you tell me right away? Is the man on
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the door sitting looking at him? He'll be really pissed. You're entitled to
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dislike him all you want, but you mustn't piss him off. Ever." He pulled on
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a silk robe. Julia helped him with one hand. He shooed her away. " Go and
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bring him in."
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Julia frowned at him and signed for Cynthia to take the tray away.
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"What's so special about him then?" she asked.
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"Never mind," Drooszhbah replied tersely. "Get the security out of
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sight and then show him in. Better still, take him in through the bathroom
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suite. Then move George into the lounge."
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Julia sighed. "You have the holo technicians in forty minutes and
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make-up in half an hour. And GM have filed chapter eleven this morning so
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all the scripts are being re-written. They need you for the script
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conference after that." she closed the door behind her. The bathroom suite
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door opened.
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"I let myself in," said Heathcliff. "I hope you don't mind, I had to
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take care of your doorman."
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"You haven't harmed him, have you?" Drooszhbah tightened the cord on
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his gown and flicked on the monitor beside his bed.
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"Not at all Dave San. Quite the opposite in fact." Heathcliff sat
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down on the end of the bed and selected some toast from the breakfast tray,
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tasted it and made a face. He put the slice back on the plate and spat the
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unchewed bite into the napkin. " You should buy Puritan bread, Dave, this
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can't be good for you."
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"How can you possibly tell?" asked Drooszbah without looking up.
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"I can tell," Heathcliff responded.
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On the monitor, Drooszhbah saw the slumped figure of his security guard.
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" He's having a rather pleasant dream about Jennie Tang." said
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Heathcliff.
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"So what's up? Where's the stuff?" Drooszhbah found himself
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unconsciously looking for a cigarette. He'd stopped smoking twenty years
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ago. Heathcliff produced a small glass phial from his pocket and threw it
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across to him. "It's fresh, better take it now," he said and added as an
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afterthought, "Lainey's vanished. Possibly dead."
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Drooszhbah hesitated for a second then pushed his sleeve up. He
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tipped the contents of the phial onto his arm and spread it across the skin
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with his fingers. Within a few seconds it had disappeared. He sighed. "What
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do you mean, vanished?" he asked. "How can he have vanished?"
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Heathcliff stirred a bowl of peaches and kiwi fruit mixed with low
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fat yogurt. Made of translucent Japanese china, the bowl was decorated with
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the ideograph for 'joy' on one side. He tasted the fruit, paused and seemed
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satisfied that it was fit to eat. " Excellent," he said, scooping the
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contents into his mouth. Heathcliff didn't speak until he had finished.
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" That analogue lasts for a month," he said, dabbing at the corner of
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his mouth with a napkin," and you shouldn't eat any kind of cheese."
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Drooszhbah eyed him impatiently. But Heathcliff didn't even look up.
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"Oh yes, Lainey..." he continued. "Vanished. Disappeared. He's
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cunning, but he has his finger in a lot of pies. It's hard to decide
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whether he vanished deliberately or if someone assisted him. Probably the
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latter. His girlfriend's dead though, murdered." He watched Drooszhbah
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raise an eyebrow. "I wanted to reassure myself that you weren't connected?"
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Drooszhbah's face flushed angrily. " Me?" he said, spitting the words
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out. " Me? What kind of double cross would that involve?"
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"It's alright. No need to worry. But I like to consider every
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eventuality. You know Dave San, it isn't good for your karma to contain
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negative feelings about anything. I like to have all that out in the
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nothing. Especially where you're concerned." Heathcliff allowed a gentle
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mocking smile to grow across his face.
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"So what happens now?" asked Drooszhbah, deciding to ignore the
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implication. Heathcliff sat up a little as he replied, changed his posture
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and changed his tone of voice. He was like two different people, always
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playing cat and mouse with Drooszhbah. "We still have the partner. Lainey
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would have used him any way. He just needs a little convincing."
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"I don't like the sound of that," said Drooszhbah, who found it
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difficult to assert himself with Heathcliff. The mediastar was a big man,
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but Heathcliff had an impressively tall and broad shouldered figure. "You
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know I don't like that sort of thing," he continued. "When you first came
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to me it was all going to be a lot simpler than this. You aren't exactly
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inspiring confidence at the moment."
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"No problem. Dave San. If you've changed your mind about analogue
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seven, I'll just forget all about it, shall I?" Heathcliff rose off the bed
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so quickly that the contents of the tray clattered against each other.
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Drooszhbah looked at his arm, where the analogue six had passed into his
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tissues and felt a wave of panic. Heathcliff was halfway to the door before
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Drooszhbah spoke.
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" No, stop. Okay, I apologise. I apologise. Come on, all this fucking
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with me, it's perverse, unnecessary. You need me as much as I need you.
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Okay? I just don't like this bad trip of yours and I don't need to."
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"My bad trip?" Heathcliff asked. "Agritechno is not my bad trip
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Drooszie San." He stopped and sat down on an antique chair. He stared into
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space for a few seconds then spoke again. "Pride is a sap. He's messed up
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inside, in his head. He'll try to trick us but I have something he wants,
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something he'll do anything to get." Drooszhbah was about to say something,
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but Heathcliff shook his head. "No, you don't need to know about it. As for
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Lainey, that's just unfortunate, we simply can't model the super matrix
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quickly enough, nor can we be sure that he hasn't been made aware of its
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predictions. There are big players involved in this and they have greater
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resources."
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There was a knock on the bedroom door. Heathcliff glanced at the
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handle. "It's okay, she won't come in," said Drooszhbah.
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"If your woman sees my face again....." Heathcliff nodded to him to
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get the door. The Ukrainian had witnessed Heathcliff's ruthless obsession
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with his privacy. Drooszbah opened the door a crack and shooed Julia away.
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He turned back to Heathcliff.
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"So what's the present ETA on analogue seven?" he asked trying,
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without success, to look Heathcliff straight in the eye.
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" ETA?" Heathcliff almost sneered. "You're surrounded by Harvard
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Business School assholes, Drooszie. They're beginning to affect your mind.
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What we're involved in can't be stuck into some net present value
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spreadsheet. This is like a huge jigsaw and all the pieces have to fall
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into place precisely. One after the other. It's a work of art, a symphony.
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Just let those pieces fall in the right place and we have it." He picked up
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a small art deco vase and tossed it across the room to Drooszhbah.
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Drooszhbah's eyes followed the expensive ceramic as it sailed through the
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air towards him. He fumbled the catch, almost dropped it, but managed to
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flick it on to the bed. Heathcliff laughed.
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"One day you'll have to realise that no matter how hard you push,
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Dave, you'll never get a camel through the eye of a needle," he said with a
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sneer.
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" Did you come just to be awkward or is there anything else?" asked
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Drooszhbah, taking the vase from amongst the duvet and returning it to it's
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position.
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" Put pressure on Pride. We need to keep him confused, limit his
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options. See your friends at the EPA. Do whatever it is that you powerful
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men do with their connections."
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"And what about you? What will you be doing?"
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Heathcliff stood up and turned the handle on the bathroom door. "I'll be
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doing all the dirty things that rich and famous men can't afford to be seen
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doing. But look on the bright side. I can't do it without you and you can't
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do it without me." He let a short lived grin flicker across his face and
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opened the door. Then he stopped, remembering something, and turned back.
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"And one last thing Dave San."
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"Yes," said Drooszhbah anxiously.
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"Remember, don't eat any cheese. It would be rather inconvenient if
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you were to drop dead."
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=-=-=-=-=-=-=-=-=-=-= L - I = N - e =-=-= N - o = i - Z =-=-=-=-=-=-=-=-=-=-=-
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File - $
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From: joshua@server.dmccorp.com (Joshua Lellis)
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CHIBA CITY BLUES
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By Joshua Lellis
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----------------------- Well....
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| \ |/|/\/\/ | It finally happened.
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| |\\//////-- | I've finished writing _The_Alaskan_. 220+k. Good
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| /\ /\ | reviews on it. Lots of friendly encouragement. I
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| | (o)^(o) | | printed it out on old Betsy over there, the HP
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| | | | deskjet printer I've got sitting next to the
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| | | | | monitor. Anyhow, the special thanks page was
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| | ) ( | | an entire page. I thanked lots of people, various
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| | \ / | | patrons of the cyberpunk community on the internet.
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| \ --- / | ACC. Alt.cyberpunk.chatsubo.
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| \ / | Anyhow the main point in this CCB, as managing
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| \ / | editor of CCB, I'm going
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| \---/ | to be asking all the ACCers to help out in this
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| | year's first annual....
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| |
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| |
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----------------------- CHIBA CITY BLUES
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Joshua "Ascii" Lellis ACC READER'S SURVEY
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That's right... You too can participate in this ACC survey. All you need:
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brain,
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computer,
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alt.cyberpunk.chatsubo.
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So if you've read ACC for the last month or so, or the last year, or the
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last two years, or forever, you can participate in this survey...
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So, during this first survey, you will let your voice be heard. The
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results of the poll will be posted in CCB in mid-October.
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WE WILL BE TAKING RESULTS UP TO THE FIFTEENTH OF OCTOBER.
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That should give you plenty of time to tell us here at CCB what you liked.
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And so...
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all you have to do is...
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fill out this form:
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CCB ACC READER'S POLL
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Your Name:
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Your Email Address:
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Best Short Story:
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1.
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2.
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3.
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Best Poem:
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1.
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2.
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3.
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Best Short Series (1-5 chapters):
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1.
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2.
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3.
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Best Novel (5+ Chapters):
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1.
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2.
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3.
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Best Writer:
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1.
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2.
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3.
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Most Original Plot Line:
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1.
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2.
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3.
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Author Most Likely To Publish Successfully:
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1.
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2.
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3.
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Favorite Character (Male):
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1.
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2.
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3.
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Favorite Character (Female):
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1.
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2.
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3.
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Favorite Villain (Male/Female/It/or Them):
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1.
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2.
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3.
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Fill out the form and send it to:
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joshua@server.dmccorp.com
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and
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jlellis@igate.dmccorp.com
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one of the addresses should work. I will be doing the vote counting on my
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honor.
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Cheers.
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---------
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_The_Alaskan_ is available via a request to joshua@server.dmccorp.com.
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Don't be shy, I'll send it.
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------------------------------------------------------------------------------
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--<----<----<----<----L - I - N - e ----- N - o - i - Z ---->---->---->---->--
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------------------------------------------------------------------------------
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>> Scheduled 4 upcomming issues: <<
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<< >>
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>> Interview: Bill Leeb of Front Line Assembly, Delerium, Intermix etc >>
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>> Sci-Fi : Continuation of Heavy Duty <<
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END LINE_NOIZ.21
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--
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+ Billy Biggs Ottawa, Canada | =itwouldbetheultimatetriumphofhumanreason=
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+ ae687@Freenet.carleton.ca | =forthenwewouldknowthemindofGOD= S.Hawking
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