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835 lines
39 KiB
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Mon, 29 Aug 94 14:47:24 LCL
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id AA07600; Mon, 29 Aug 1994 14:45:39 +0500
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Date: Mon, 29 Aug 1994 14:45:39 +0500
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From: <caphilli@mailbox.syr.edu>
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Message-Id: <9408291845.AA07600@gamera.syr.edu>
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Content-Type: text
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Content-Length: 38016
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Apparently-To: caphilli@hawk.syr.edu
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X-PMFLAGS: 33554560
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BEGIN LINE_NOIZ.19
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I S S U E - ! ( A U G U S T 2 6 , 1 9 9 4
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>LiNE NOiZ<<< >>>LiNE NOiZ<
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CYbERPUNk I N f O R M A t i 0 N E - Z i N E
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<<<<<<<<<<<<<<<<<<<<<<<<<<<<< L I N E N O i Z >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
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I S S U E - ! ( A U G U S T 2 6 , 1 9 9 4
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: File !
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: Intro to Issue 19
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: Billy Biggs <ae687@freenet.carleton.ca>
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: File @
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: Randy King InterView
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: Joshua Lellis <joshua@server.dmccorp.com>
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: File #
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: Electronic Pocket Change And The Internet
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: Steven Baker <informer@cris.com>
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: File #
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: Sci-Fi: Square One - Part 5
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: Kipp Lightburn <ah804@freenet.carleton.ca>
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: File $
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: Heavy Duty - Prologue and Chapter One
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: C.McLean-Campbell <cmc@cs.strath.ac.uk>
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: File %
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: Nibbles of Information
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: Billy Biggs <ae687@freenet.carleton.ca>
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------------------------------------------------------------------------------
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--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
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------------------------------------------------------------------------------
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File - !
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Things are going better now... I've got alot of stuff planned for next issue
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that this time WILL be there, the subscription service seems to be working
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now and hopefully I will be publishing an interview with Bill Leeb & Rhys
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Fulber of FLA, Delerium, Intermix etc.
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-Billy Biggs, editor.
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***** N o T E ******
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- We have been experiencing problems with our subscription list. If you
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find that the following subscription instructions are not working then
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e-mail me at ae687@freenet.carleton.ca and I'll see what I can do....
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=-*-= Subscription Info =-*-=
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o Subscriptions can be obtained by sending mail to: dodger@fubar.bk.psu.edu
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With the words: Subscription LineNoiz <your address>
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In the body of the letter.
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o Back Issues can be recieved by sending mail to the same address with the
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words BACK ISSUES in the subject.
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=-*-= Submission Info =-*-=
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o Please send any submissions to me: ae687@freenet.carleton.ca
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o We accept Sci-Fi, opinions, reviews and anything else of interest.
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o Please submit . . .
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------------------------------------------------------------------------------
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--<----<----<----<----L - i - N - e ----- N - o - i - Z ---->---->---->---->--
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------------------------------------------------------------------------------
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File - @
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From: joshua@server.dmccorp.com (Joshua Lellis)
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Subject: Randy King InterView
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(Recently, I got a chance to talk with Randy King, aka the infamous Taran
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King, ex-editor of Phrack magazine. Mr. King gave permission for it to be
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published in my zine (which has since died). So it shall be published
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here in Line Noiz. You'll have to notice that every time it says Joshua
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Lellis said:, it was a different message. So it may get confusing here
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and there, because it was message after message of questions and answers.
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I've tried my best to put it all together in an interview format.)
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Joshua Lellis said:
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> I never understood the EFF.
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> Not that that matters. Cause I never understood how all these
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> Phracks can be everywhere. Sites like rutgers and (?) EFF
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> all keep the Phracks without any trouble from law enforcement
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> hblahblah....8-)
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There's nothing illegal about Phrack. Period. It is information. Lots of
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information can be used in an illegal manner, it's just a matter of whether
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you apply it or not. Much of the information in Phrack can be used in a
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legal manner, specifically to avoid people abusing the holes that would
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allow illegal activities to occur due to them. Whatever...you'll never see
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anyone getting arrested for having Phrack on their BBS though.
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> Do you have any idea what happened to Prophet or Mentor?
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Rob (Prophet) I have not heard from since before the indictment. Poor guy
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had already been on probation before the indictment, I think twice. He was
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fucked from the beginning, and he didn't plead out a good deal. He owes a
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ton of money. I hope things go well for him.
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Loyd (Mentor) went on to write GURPS Hacker and some other stuff. He's not
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working for Steve Jackson Games any more, but he's still on the nets. I
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think you can find him at mentor@io.com. Good guy...
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Joshua Lellis said:
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> Did he [KL] get involved with the EFF through his trial?
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Yes, this was when EFF was formed, although their aim has changed greatly since
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that time. He worked for EFF as an intern for a while shortly thereafter.
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> Well, there was Phrack #13 which was you and (I don't want to call
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> him Craig because I don't really know him well) Knight Lightning
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> going insane.... y'all just sat there (typical 90s term) dissing
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> on phreakers and hackers that had certain terms in there names.
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> Phantom PHREAKER. And all of that other stuff......
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Well, some of it was good and some of it was crap. Actually, the parts you
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didn't like, many people preferred to the rest of the issue and vice versa.
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To each their own...
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Randy
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Joshua Lellis said:
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> Do you still keep in touch with Knight Lightning? What's he doing nowadays?
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Craig (KL) also lives in the Washington, D.C. metro area, and we are still
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best friends and talk to each other usually at least once a day depending. He
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is also working with wide-area networking. He can be reached via e-mail at
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knight@eff.org (although he does not work at EFF any more).
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> Welp, I'm not really what you'd call a hacker, or a phreaker for that matter.
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> I couldn't find a good handle, still haven't. Oh, well....
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> I prefer to read cyberpunk rather than involve myself.
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Good call...8-) I prefer the same these days!
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> I saw your picture [available at http://www.phantom.com/~king/] , and as
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> usual with people who I don't know,
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> it's nothing like I expected it to be.
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If it makes you feel any better, when I originally got busted in 1987 for
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stealing handsets from Southwestern Bell, I had hair down to my shoulders and
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typical wardrobe consisted of concert shirts and torn jeans...
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> What do you think about the new Phracks?
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I think Erik Bloodaxe has done a decent job, although he has done things quite
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differently than how I would have done them. But that's why he's who he is
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and I'm who I am (and Craig's who he is, etc.). Every incarnation of Phrack
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under each editorship has its plusses and minuses. The early Phracks are
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certainly more silly and lacking in informmation than the latter ones, but at
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the time, they were cutting edge. Some of the editors were more concerned with
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simply getting issues out as opposed to getting them out looking decent and
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readible, and some were concerned with having good quality information in each
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issue as opposed to just information. Quite frankly, I am not on the
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subscription list any more, although I have flipped through the last issue
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that Bloodaxe put out. I'm just not as interested in RC commands and how to
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enter them on an SCCS as I used to be...8-)
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Joshua Lellis said:
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> I think that Prophet didn't know what he was doing when he got the
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> E911 document.
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Sure he did, he just didn't think it was a big deal, neither did we. It was
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some suck "filler" file...
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> Did you have any say in whether or not that got
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> electronically published inside Phrack? From the way Sterling
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> described it inside THC:LaDotEF [The Hacker Crackdown: Law and
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> Disorder on the Electronic Frontier] it sounded as
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> though you weren't even an editor. It sounded as though Knight Lightning
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> was the editor, and, oh yeah, don't forget Taran King, the
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> co-editor.
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No, I definitely had co-editorship. I did just as much in editing Phrack as
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Craig did at the time, if not moreso depending on the timeframe. At that
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time, though, I think Craig and Rob were talking directly through e-mail and
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Rob sent it to Craig, and Craig spent the enormous amount of time it took to
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make it semi-readable and formatted. I remember clearly that it was VERY
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unreadable when we got it...
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> What's phantom.com?
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Mindvox, a public access Unix system. If you have IP connectivity, I think
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you can telnet to phantom.com and login as guest to look around...
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[Which, btw, I did. --JL]
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> What newgroups do you read?
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alt.2600, alt.2600.hope.*, alt.guitar.tab, alt.dcom.telecom, alt.dcom.isdn,
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clari.living.bizarre, and dc.forsale.
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Joshua Lellis said:
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>
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> It [the E911 document published in Phrack] was full of telco jargon and
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> hard to read even as y'all
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> edited it up so much. Basically all it said was that they were going
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> to secure the 911 system so it was unbreakable for Phreaks, right?
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No, it was an operational guide for the physics behind E911, like what happens
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when a call comes in, who it goes to, that kind of thing (if I recall
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correctly).
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> But Prophet had so many copies of the E911 document out there
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> on the internet, how did he expect not to get caught? He had,
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> what, 6 copies (if I remember correctly from THC...) at one
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> time.....
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> Then he distrubuted it crazily through the InterNet via Phrack.
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> But it was published under the psyedonym Evesdropper.
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> So this Evesdropper chap has got to have the original copy,
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> thinks an officer. So if Prophet has 6 copies sitting around
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> his computer, are they going to arrest him? hmmmm.......
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Not sure what you're getting at, but hackers are notorious for thinking they're
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indestructable and immune to getting busted. Some seem to be...
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> You play the guitar?
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> Or do you just like reading the tabs? :-)
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These days, it's more to find a song that I like the riff in that I haven't
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been able to figure out. Usually, I just skip the whole thing. I just don't
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have the time to play as much as I like to these days...
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> About mentor@io.com, he's never logged in, and there's an address
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> for him at Austin. He's apparently in a grunge band right now.
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> And I couldn't finger knight@eff.org, probably some problem that I had
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> with my computer. Darn bugs. Always get in the way. :-)
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Nah, I think mentor@io.com has a .forward file or something, he should
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eventually get the mail. You can't finger knight@eff.org because they're
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filtering fingers nowadays. You can still mail him...
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Joshua Lellis said:
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> What music do you listen to?
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Whatever sounds good, although it tends to be guitar-oriented stuff (not like
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thrash metal or anything any more, but I do like the newer heavy metal stuff,
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grunge, etc.). But then again, I like Peter Gabriel and Sting too, I just
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don't play along when I listen to that...8-)
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> EFF is paranoid, or something?
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>
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Nah, you'll notice many, many sites on the Internet now disabling finger. It
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is a security precaution.
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[That was the end of the mailing chat I had between Randy King and I.
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Look for my upcoming column in Line Noiz.]
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Joshua Lellis (joshua@server.dmccorp.com) is the author of _The_Alaskan_,
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a novel about the electronic frontier and hackers. It is available via
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request to the address.
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--
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--------------------------------------------------------------------------
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Joshua Lellis -- joshua@server.dmccorp.com -- Joshua Lellis ..............
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FidoNet: 1:106/6073 Joshua Lellis Other InterNet: ..............
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joshua.lellis@yob.com ..............
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..............
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Instructions: find the hidden picture in the dots ..............
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(Cheap imitation of a real .sig) ..............
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(But who said Ascii Art had to be pretty) ..............
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- - ..............
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|*| |*| The Eyes Seem To Follow You, if you stare long ..............
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- - enough. ..............
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--------------------------------------------------------------------------
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----------------------L - i - N - E ----- N - o - i - Z ----------------------
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File - #
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From: informer@cris.com (Steven Baker)
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Electronic Pocket Change And The Internet
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by
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Steven Elmer Baker
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The Internet can be compared to a virtual community existing
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half in our minds, and half on our monitors. Every day, we trade
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ideas and make friends with people that we may never meet in the
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real world. The similarities of the Internet community and our
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physical neighborhoods ends somewhere around the time when we sleep
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and eat. With the appearance of electronic cash (NetCash), the
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list of things that we can do in both worlds we live in is getting
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longer.
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NetCash is distributed by The NetBank, which provides an
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electronic payment system for merchants on the information
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superhighway. Online Services, BBSes, and Shareware authors have
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been limited in how they can accept payment because they cannot
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easily accept cash. They can accept credit cards, bank account
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debits, and prepayments. A few require you to call a 1-900 number
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and repeat the code that you obtained from your call. These
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methods all lack one aspect, the deal can only go one way. NetCash
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allows people to trade virtual money for services, and receive
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change back to spend elsewhere on the Net. NetBank feels that
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since we carry Deutsche marks when we visit Germany, travelers of
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the Net need to carry NetCash.
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You start by calling 1-900-933-Cash with your modem and
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agreeing to accepting the ten-dollar charge on your phone bill.
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You are then given a coupon equal to a ten-dollar bill in NetCash.
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A ten-dollar charge appears on your phone bill, and you have ten-
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dollars worth of NetCash in exchange. Via Email, you can change
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that ten-dollar bill into two fives, or ten ones. You can even
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change down into quarters, providing the virtual equivalent of
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electronic pocket change. The merchant that accepts the NetCash
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eventually cashes it in for real money, and that is when a
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surcharge is seen. NetBank attributes this surcharge (currently
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around 20% for the vendor) to losing a little money due to exchange
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rate differences.
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Lets pretend you have decided to send me a one dollar bill in
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NetCash. You would send me an electronic mail message with a
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NetCash coupon that represents a one dollar bill:
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------------------------------------------------------------------
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To: Steven Baker
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From: Loyal Fan
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Subject: Donation of Admiration
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Dear Steven,
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Here is a tip for writing that hilariously funny article
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in the National Review.
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NetCash $ 1.00 E1234H5678W
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Signed-
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Loyal Fan
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-------------------------------------------------------------------
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After receiving the message from Loyal Fan, I would make
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careful note of the NetCash coupon ID, keeping it secret from
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anyone else who might decide to cash it in before I could. I would
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then prepare an electronic message to send to NetBank, securing the
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dollar bill that Loyal Fan sent me. If I trusted Loyal Fan, then
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I could keep the same NetCash coupon he sent me -- but you should
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never trust anyone with your NetCash unless you trust them with
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your paper money. The person holding the current NetCash coupon is
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responsible for its safety. NetBank supports PGP encryption to
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secure the electronic funds from the prying eyes of Alt.2600 types.
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The message I would send to NetBank would look like this:
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-------------------------------------------------------------------
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To: NetBank
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From: Steven Baker
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Subject: Make it Mine
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NetCash $ 1.00 E1234H5678W /Accept
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-------------------------------------------------------------------
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The NetBank will complete the transaction by confirming that
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the NetCash coupon was valid. If the coupon you sent was good,
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NetBank will record that this coupon has been spent and not allow
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it to be used again. NetBank will issue a new NetCash coupon worth
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one dollar and issue it to the merchant in a NetBank receipt.
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There are no fees incurred by trading NetCash, as NetBank does not
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charge for transactions processing.
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To convert NetCash into spendable currency that we can use at
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the shopping malls, we have to mail our NetCash coupons to a
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NetBank merchant account. Anyone can establish a merchant account,
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no matter why they are accepting NetCash. Once a month NetBank
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will issue you a check for whatever amount has been deposited in
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your merchant account. Once the money is cashed out of the
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merchant account, a surcharge is charged for the use of the 1-900
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number.
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NetCash opens up a wide door of possibilities when it comes to
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our electronic society. Shareware authors can receive payment through
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email, and reply with a registered version of the program [a]ttached to
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the message. Online services could offer yet one more alternative to
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credit cards and account debiting. BBS Sysops could charge users on a
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per-file basis, and with the upcoming project between CRIS and AT&T
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(see next months article) -- electronic pocket change to spend on huge
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multi-line nationwide BBS systems could be handy for the average user.
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Instead of paying for access to ten different boards under a rigid level
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system, a user could arm himself with ten dollars of NetCash. Some of
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the money could be spent on adult GIFs, some on the latest game from ID,
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and the rest spent on a chat-line. All of these services acquired on
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different systems, but with the same ten-dollar bill being interchanged.
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NetCash can be bought by check or money order, which
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substantially reduces the amount of the surcharge. Once the check has
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cleared, NetBank will electronically mail you your NetCash coupons.
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Using the 1-900 number provides instant access to your money, but
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prepaying by check or money order means that the draft has to clear
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before the coupons are issued.
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The Internet is a growing marketplace for information
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providers. NetCash is an important, although not final step
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towards bringing the world closer to a virtual online community.
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For more information on NetCash and the NetBank program, send email
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to Info@Agents.Com.
|
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|
|
----------------------L - i - N - E ----- N - o - i - Z ----------------------
|
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File - #
|
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From: ah804@freenet.carleton.ca (Kipp Lightburn)
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Square One - Pt.5
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-----------------
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The scent of blood pulls me out of confusion, and into instinct.
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The flashes from their gunfire illuminate Goldie's shocked face
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before it's torn in half. His bullet ridden body slumps to the floor. The
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noise of metal on wood rings out over the gunshots, as the cyberware in
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his head hits the ground.
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I use the couch as a trampoline to compensate for my cumbersome,
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metal, leg brace. My body finds its way on top of one of them. And the two
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of us fall to the floor as I take him down for a death roll.
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I throw my body weight behind my punch and find my hand sneaking
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under his vest, and into his stomach. My fist swims through warm,
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tranquil blood, and squeezes the heart into submission. The faceplate on
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his helmet, frames his last look of confusion.
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One of them looks across and down at us. He doubles over to the
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ground, his helmet fills with vomit, and his body heaves.
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Gun.
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I take the gun from this ones hand. The gun levels itself at the
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one doubled over and tears a hole from his hip to his shoulder. The
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heaving stops.
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The third corpse lets me know that Spiro isn't useless. I spin to
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face the fourth as he and Spiro exchange ammunition. Two screams. Two
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shots. Two corpses.
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The smell of blood hangs rank in the air. The ceiling fans waft
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the scent at me. They taunt me.
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Calm.
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The sound of bleeding is drowned out by the squeak of the front
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door. She slowly steps in.
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"When I said you guys could shack here, I should have said no
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parties..." She grins slightly as she surveys the damage. I watch her
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like a child watches his mother. Love and curiousity.
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She walks toward me and stops as she sees the body I'm kneeling on
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top of. Her eyes squeal with illness, but her body stands strong.
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Confident.
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She's standing in a pool of mismatched blood in hiking boots and a
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white summer dress. "I guess this means I'm screwed if I want my damage
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deposit back."
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I strain to see her through these eyes that I'm still trying to get
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used to. In a sea of death she stands confident.
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"Who am I?" I give her my second thought.
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"Kyle Raimi."
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"Who are you?" I give her my first.
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She tilts her head in confusion, the ceiling fan sits behind her
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like a halo. Her hand extends in front of her to help me to my feet.
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Touch. Skin. Warmth. Ecstasy.
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"The street calls me Stick." Her head goes upright and her eyes
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lock with mine. "Goldie said you'd be out of it, but I didn't think it'd
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be this bad."
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She looks back to see his body. Then to Spiro.
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Her lips form the words, "Sweet Jesus".
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We both hear the sudden rush of heavy boots and the creak of body
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armor rushing up the stairs. Her eyes and lips go into a formation of
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panic. I point to the bloody heap that was once a man named Goldie.
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"Grab his computer," I say, "What floor are we on?"
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She looks back at me astonished as her boots wade through the
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blood, "The third." She scrapes up the keyboard and slings it over her
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shoulder.
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I limp to the window, dragging my brace behind me.
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The crackle of a radio joins the footsteps as the cavalry gets
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closer. The beast in me begs for the kills, craves the sweet aroma of
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fresh spilt blood.
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She rushes to my side and looks down. Her face calms pumping
|
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adrenaline. Then she looks up at me her eyes shocked.
|
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"You don't think I'm going to.." she manages before I wrap my
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arms around her and push off with my good leg.
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"Don't worry I've done this before."
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--
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----------------------------------------------------------------
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|/ | [ email at ] -------------
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|\IPP |_IGHTBURN [ ah804@freenet.carleton.ca ] -------------
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-------------------------------------------------------------
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----------------------L - i - N - E ----- N - o - i - Z ----------------------
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File - $
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From: cmc@cs.strath.ac.uk
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HEAVY DUTY
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C.McLean-Campbell
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Series Editor: Peaches
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Copyright 1994 Toaster Books. All Rights Reserved.
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PROLOGUE: APRIL 30TH, 2013.
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Heavy rain spattered the windscreen as Mr Taro Anzai parked the phone
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company truck next to the big memorial bell.
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He was in the centre of the wide concourse at the point where the
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Kiryu Highway abruptly terminated. The sun was still low on the horizon and
|
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the dawn was washed in sickly orange. He waited until the rain had stopped.
|
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It was another cold bleary morning, much wetter and colder than the
|
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mornings he remembered as a child. Further out, beyond the horizon, there
|
|
was a new volcano, near where the island of Kozu shima used to be. For the
|
|
first eight months of zero five the towering ash plume had been visible
|
|
from this spot. It was one of hundreds of volcanoes around the Pacific rim
|
|
that had spewed out vast quantities of ash into the atmosphere, drastically
|
|
affecting the climate.
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Before he stepped out of the van, he took a last sip of Pansiron and
|
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placed the empty bottle neatly in the dashboard. He hated the taste.
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Seirogan was the hangover cure he usually bought but his local store was
|
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all out. He rubbed his head and looked out across the Bay of Sadness. About
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one hundred kilometres further out and half a kilometre down was the
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drowned city of Tokyo.
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Eight years was a long time but Mr Anzia still tried not to think
|
|
about the Big One, the series of earthquakes that had devastated the
|
|
Pacific Rim in zero five. Half the South Island of Japan was down there
|
|
beneath the Pacific. It wasn't alone. A bit of New Zealand was down there
|
|
too, but New Zealand had, like California across the Pacific Ocean, ended
|
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up slightly bigger afterwards. Just to confound the experts.
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The great bell had been cast in metal retrieved from Tokyo railway
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after the quake. It was a simple design, spartan, without decoration other
|
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than the large ideograph that meant 'sadness'. It was a memorial for the
|
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dead, rung every year on the anniversary of the quake.
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Taro could see the manhole cover at the side of the street. He'd
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worked for NTT, the Japanese telephone company, for twenty two years, half
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|
that time in this district alone, but he had never serviced the optical
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ports in this section. He pulled on the thick gauntlets and flipped the
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protective face mask down. He picked up the toolkit and held the spray can
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at the ready. Old ducts often housed Onco-mice and he had no intention of
|
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being bitten by one of those vicious little brutes. Onco-mice were
|
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pandemic. They used to belong to some gaijin pharmaceutical company until
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they'd escaped and carved a niche in the technical ductings throughout the
|
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developed world. Passenger aircraft were a favourite habitat, but the
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airlines would launch a PR offensive if an accusing finger ever pointed in
|
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their direction. The hairless-mice were guaranteed to develop cancer. Out
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in the nothing, that guarantee hadn't seemed to impair their ability to
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breed like flies.
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He turned the key and lifted the cover up. The interior lit up, and
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Taro was cheered to see that the light still worked. He looked at the big
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coils of optical cables. They were each five inches thick, old technology
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just as he'd expected. At the bottom of the square hole there were some
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mouse droppings, but no sign of mice. He fitted the long plastic tube to
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the nozzle of the aerosol and then primed it with the integral pump. Using
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the spray he sealed all four entrances into the duct with the formaldehyde
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foam. No more mice for the moment, it would be a while before they chewed
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their way back in. Each of the four cables met at the junction box where
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they inserted into a large black optical switching unit. Each cable could
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theoretically support half a million independent telephone calls both ways
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and there could be at least two million connections in the duct. Since it
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wasn't possible to check each individual telephone line, at least not
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within Taro's lifetime, the company policy was to replace the old junction
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box with a new one when the number of service complaints reached a specific
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level. To the relief of the local customers, the district pareto-optimal
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had occurred early that morning. The company now knew it was cost effective
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to replace the junction.
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He unpacked a new smaller model and put it down in a clear space
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inside the duct while he released the lugs on the old one. As he wriggled
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the old unit free, some stray yellow laser light flickered across his hand.
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He looked at the two cables that clearly headed out under the bay towards
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Tokyo. Most of the cables must be connected to phones and equipment that
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had long ago succumbed to the deluge but somewhere some of the lines must
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branch back into the north island or it could not have remained active.
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Whatever it was, he wouldn't disconnect them without a clear instruction to
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do so. If it ain't broke don't fix it, he thought. He finished the work
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and, satisfied, locked the duct back in place. He climbed back into the van
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and searched through the dashboard for the other bottle of Pansiron.
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Twenty eight seconds later a telephone rang on the other side of the
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planet.
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HEAVY DUTY
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Part one
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In the text
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of
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the elephant's game
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"When I make a word do a lot of work like that," said Humpty
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Dumpty, "I always pay it extra."
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CHAPTER ONE.
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"Don't tell God what to do." (Niels Bohr's retort to
|
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Einstien's claim that, "God does not play dice."
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Captain George Burns liked looking at hardcopy, especially diagrams. And
|
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Lieutenant Schumacher always provided a neatly printed piece of hardcopy no
|
|
matter what the subject was. But hardcopy or not, Burns still had to hide
|
|
his disinterest when Schumacher knocked on his door and stepped in carrying
|
|
a sheaf of the stuff. Schumacher sometimes couldn't grasp that things he
|
|
found captivating were often dull and inconsequential to his colleagues.
|
|
He was the kind of frail skinny guy only useful to America's finest
|
|
as a SkyWatch analyst; he was too much of a nerd to be a marine. Nervous
|
|
and twitchy, Schumacher had been enough of an oddity for Burns to request
|
|
his record. It was hard to believe that the little guy had passed the
|
|
programme and was a fully qualified U.S. marine.
|
|
SkyWatch was similar to the old NORAD operation that the command
|
|
centre had originally been built for, except that it worked for the UN's
|
|
Globank and provided treaty monitoring. But it had muscle. And missiles. If
|
|
Skywatch said you couldn't fly then you couldn't fly.
|
|
"Yes lieutenant?" asked Burns looking at the piece of copy in
|
|
Schumacher's hands. Schumacher placed the photograph down on the desk.
|
|
"I guessed you'd definitely want to hear about this." he said,
|
|
trembling a little as he leaned over the desk, his voice losing the lower
|
|
octave at the end of the sentence. It was a picture of some land mass taken
|
|
from one of the satellites.
|
|
"It's a nice picture Schumacher. Is that it?"
|
|
"No sir, this is a picture requested by the department in Sweden to
|
|
monitor crop failure in the old Gold Coast. You know, the WarZone."
|
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"Schumacher, I know where the 'Zone is."
|
|
The lieutenant leaned back a little but carried on speaking.
|
|
"Well, yesterday, ..uuh, that's when they requested it, there was a
|
|
four minute delay for the data. So I did a little checking this morning and
|
|
came up with some figures." Schumacher shuffled another piece of hardcopy
|
|
from the pile under his arm and spread it out onto the table. It was a
|
|
table of numbers.
|
|
"Schumacher if this is important just gimme the bottom line right
|
|
away, I don't know what I'm supposed to see in all these figures". Burns
|
|
reached under the paper and retrieved a pack of gum from its midst.
|
|
"Well, sir," began Schumacher," that's a table of the look positions
|
|
of all the satellites on that hemisphere and it turns out that not even one
|
|
of them was looking at the Gold Coast in that time period."
|
|
"So what's the big deal?" Burns lazily chewed on a stick of gum and
|
|
looked at the table. Schumacher drew a pen from his pocket and pointed to
|
|
the satellite photo.
|
|
"Well sir, maybe I should have said this first, but this print is a
|
|
full latitude box, see, fifteen degrees either side sir." He drew a line
|
|
with the pen.
|
|
"Okay, so it's a big picture? What of it?"
|
|
Schumacher glanced away and nervously touched his collar.
|
|
"Eh.. well sir, eh.. you see an area of that size is never out of
|
|
shot sir, it's always in the field of at least eighteen satellites,
|
|
geosynchronous or orbital." Schumacher looked at Burns waiting for another
|
|
interruption. Burns signalled him to hurry up.
|
|
"Eh.. well sir...ah um, you realise that it's physically impossible
|
|
for this section of the planet to ever be out of shot. I worked out the
|
|
probability of it occurring naturally and it turns out to be more than one
|
|
hundred million to one. I have the figures on that too, if you want to see
|
|
them?"
|
|
"I'll take your word for that Schumacher. Can you get on with it? How
|
|
can the satellites not be looking at an area they should be looking at?"
|
|
Schumacher looked around the room and out through the glass partition
|
|
at one of the women officers in the command area. Then he flicked his
|
|
fingers through his hair and spoke as quickly as he could. "Well it means
|
|
that someone made the satellites look away for four minutes. Someone
|
|
doesn't want us to look there, someone doesn't want us to see whatever it
|
|
is that's down there."
|
|
Burns stopped chewing, looked at the photo, then at the figures in
|
|
the table and then back at Schumacher. After a long period of silent
|
|
thought he said, "You're trying to tell me that someone is fucking with
|
|
eight hundred million dollars worth of communications equipment?" He didn't
|
|
wait for Schumacher to answer but continued, "Because if you want me to
|
|
believe it you're going to have to come up with something better than a
|
|
couple of sheets of paper and a mountain of numbers." He pushed the papers
|
|
back at Schumacher.
|
|
"But..but.." the lieutenant protested. Burns shook his head and
|
|
chewed the gum a little faster.
|
|
"No buts, lieutenant. Take it to Johnstone in security, just to cover
|
|
our asses. Unless you have something more substantial?"
|
|
Schumacher hesitated for a second then gathered up the papers,
|
|
saluted, and marched briskly from the office.
|
|
|
|
----------------------L - i - N - E ----- N - o - i - Z ----------------------
|
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File - %
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... n i b b l e s of information /by billy biggs
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|
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From: JeanBernard_Condat@Email.FranceNet.fr (JeanBernard Condat)
|
|
Subject: Forum Internet, Paris, 25 Octobre 1994
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SEND ALL OVER THE NET -- SEND ALL OVER THE NET -- SEND ALL OVER THE NET
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|
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Forum Internet [Transpac]
|
|
Paris (France), October 25th, 1994
|
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|
|
For the first time in the French history, you can assist at a major
|
|
event related to Internet in France. All the major people in the French
|
|
Internet community will assist to this day with a lot of incredible
|
|
new ideas like:
|
|
|
|
- the future of the most known W3 in the world (WebLouvre) with at this
|
|
time more than 310,000 connexions pro week;
|
|
- the developement of the first French CommerceNet service with free
|
|
Internet company descriptions and documentation request forms, etc.;
|
|
- the presentation of some Internet solutions for information providers
|
|
to paid all services with anonymous access;
|
|
- the *first international presentation* of CERN/MIT Web Protocol that
|
|
will unify worldwide writing of applications;
|
|
- all HTTP-secured solution and/or other security aspects of Internet;
|
|
- and major people live interviews...
|
|
|
|
If you need more informations, don't hesitate to send me an info request.
|
|
A brief book giving all publications/speacking/datas, etc. will be available
|
|
for this event.
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|
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--
|
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| o \ o / _ o __| \ / |__ o _ \ o / o |
|
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| /|\ | /\ ___\o '\o | o/` o/__ /\ | /|\ |
|
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| /'\ /'\ | \ /) | ( \ /o\ / ) | (\ / | /'\ /`\ |
|
|
Jean-Bernard Condat, 47 rue des Rosiers, 93404 St-Ouen Cedex, France
|
|
Tel: +33147874083, Fax: +33149450129, Alphapage: +3336605050 code 0030006
|
|
Email: JeanBernard_Condat@Email.FranceNet.FR *or* an113309@anon.penet.fi
|
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|
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|
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From: atomrec@primus.COM (Atomic Records)
|
|
Subject: RMI CD #2: now for sale!!!
|
|
|
|
First, for those of you who have no idea what the RMI Mind/Body
|
|
CD Project is...
|
|
|
|
The first Mind/Body CD project was a compilation of industrial
|
|
music by artists with access to the Internet. It featured 31
|
|
artists (one song each) for a total of 2 1/2 hours of music. 10
|
|
hours of submissions were received, and 12 people who
|
|
volunteered to be judges picked the top songs, which made it
|
|
onto the 2-CD set. That project has now sold out its initial
|
|
pressing of 1000 sets. It was written up in CD Review magazine,
|
|
will soon be written up in Jam and Alternative Press, and is
|
|
being played on national public radio in Canada (the "Brave New
|
|
Waves" program), among other radio stations, mostly college. It
|
|
may even get repressed: there's still a lot of interest in it.
|
|
|
|
Volume 2 is underway! 73 artists submitted 125 songs for a
|
|
total of 10 hours 15 minutes of music. 32 judges (with more to
|
|
come) will pick not only the music that will appear on the disc,
|
|
but the cover artwork too! 26 pieces of cover art were
|
|
submitted. The review period ends October 15th, and the CDs
|
|
will be pressed and shipped by late November or early December.
|
|
|
|
And now, for those of you who know what it is (i.e. everybody,
|
|
now that you've read the above paragraphs)...
|
|
|
|
Volume 2 is now for sale! The price is $10 per 2-CD set. For
|
|
that you will get:
|
|
|
|
o A beautiful color booklet, with the winners from the artwork
|
|
contest on the cover (and possibly inside)
|
|
o 2 CDs of the top picks. 2 1/2 hours of music!
|
|
o A groovy slimline jewel case
|
|
o The chance to support your friendly neighborhood net.artists
|
|
o Um... uh... shrinkwrap? Yeah.
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|
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As with the first Mind/Body project (and with
|
|
negativconcertland) (and every other net.project I've done) I
|
|
need money up front to pay for the pressing. That's why it's
|
|
for sale now, instead of late November when the CDs are expected
|
|
to be pressed and ready to ship. The idea is to get enough
|
|
money together by then (what, with procrastination and all) so
|
|
that the CD can be pressed as soon as the reviewers have made
|
|
their selections and the final master DATs have been put
|
|
together.
|
|
|
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Let me know if you're interested, and how many sets you want,
|
|
and I'll calculate shipping and send you a total.
|
|
|
|
Steve Boswell
|
|
atomrec@primus.com
|
|
"Yo Chuck, I don't understand this, man! You gotta slow down, you're
|
|
losin' 'em! C'mon!" "Radio, suckers they won't play me!"
|
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|
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------------------------------------------------------------------------------
|
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--<----<----<----<----L - I - N - e ----- N - o - i - Z ---->---->---->---->--
|
|
------------------------------------------------------------------------------
|
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>> Scheduled 4 upcomming issues: <<
|
|
<< >>
|
|
>> Interview: Bill Leeb & Rhys Fulber of Front Line Assembly, Delerium and <<
|
|
<< Intermix etc >>
|
|
>> Sci-Fi : Continuation of Heavy Duty <<
|
|
>> : Watch for a new section of Line Noiz devoted to cyberpunk >>
|
|
<< Sci-Fi <<
|
|
>> Story : The Church of the Cyber-Spiritualists ?!? >>
|
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|
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END LINE_NOIZ.19
|
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|
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--
|
|
+ Billy Biggs Ottawa, Canada | =itwouldbetheultimatetriumphofhumanreason=
|
|
+ ae687@Freenet.carleton.ca | =forthenwewouldknowthemindofGOD= S.Hawking
|
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|