560 lines
24 KiB
Plaintext
560 lines
24 KiB
Plaintext
BEGIN LINE_NOIZ.3
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I S S U E - # N O V E M B E R 2 6 , 1 9 9 3
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&^)$#^($OE*%&^GP(WV(*$^M($E*&^G&Y*RD()%^(FW*^(U&^V*WU&V*%NW(**NG^*W$N%W($*$($
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()^*(*W$P(*VP(%$^(PBU ){ *#%@($u*^(bap(w$u^($e(v^vqp($v^p(*^(*py(*r^(%(^(%*^*
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------------------------L-------I-------N-------E----------------------------
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)$()*^w(@*^)(#)$(^#)$(&)*(y@*%*#w$)^@)$()()($(*^(@&^$(@*^(@*()*%$(*#w$()*$((%
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%^*)$!(~*)%()w*^(*e%(*^)$*#w%#wf)*%^?%$&$*)^w#$)^)$^)%*&#)*%@)*q)*%%)*%@*)&#%
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****** N o I Z ******
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- - - - The Cyberpunk Information Source - - - -
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(](](](](](](](](](](](]( L I N E N O I Z )[)[)[)[)[)[)[)[)[)[)[)[)[)[)[)
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I S S U E - # N O V E M B E R 2 6 , 1 9 9 3
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: File !
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: Intro to Issue 3
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: Billy Biggs <ae687@freenet.carleton.ca>
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: File @
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: Bandwidth
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: Steven Baker <Steven.Baker@AtomicCafe>
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: File #
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: Billy Idol: Cyberpunk - CD Review
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: Kipp Lightburn <ah804@freenet.carleton.ca>
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: File $
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: Attitude is Everything
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: Gonzo <annonymous>
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: File %
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: CyberCulture Houston '93 Schedule
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: Darek Brzeski <musi5@menudo.uh.edu>
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: File ^
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: Technosys, the "NSA", and a very unfunny joke
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: Keith Eluard<KEITHWRITERS@delphi.com>
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----------------------------------------------------------------------------
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File - !
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Here is issue 3. Apparently the person writing that sci-fi story hasen't
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given me the next part. I was waiting for it before putting out this issue
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but have decided to distribute without the story.
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We were having a few problems with the distribution, but that seems to be
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cleared up by now.
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Subscriptions can be obtained by sending mail to:
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dodger@fubar.bk.psu.edu
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With the words:
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Subscription LineNoiz <your address>
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In the body of the letter.
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Da editor nerd, Billy Biggs
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----------------------------------------------------------------------------
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File - @
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Submission for Line Noize November 16, 1993 from Steven.Baker@AtomicCafe
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or StevenBaker@Delphi.Com
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-BandWidth-
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November 16th, 1993
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-----------------------
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On Compuserve, no one can hear you scream. Or at least the management
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of Compuserve cannot hear you. Recently a number of people have been
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leaving messages on USENET's "online services" section about how CIS
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will not respond to requests of members wanting to cancel their
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memberships. It seems that these disgruntled users are leaving EMAIL,
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calling the main office, and sending letters requesting that they STOP
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billing their credit cards. Compuserve apparantly has a poor method of
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handling these type of requests, as very few of them are processed and
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some users have found CIS billing them years after having cancelled the
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account. This and other aggressive money making tactics have the
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population of Cyberspace referring to Compuserve as 'CI$'.
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o-o-o-o
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It seems that Prodigy is having trouble pleasing it's users also. Many
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USENET boards are having multiple message thread headers that ask the
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question "Who has bailed out of Prodigy?". For years Prodigy was
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considered an affordable alternate to the other online services.
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Having the financial backing of Sears, they were able to secure
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agreements with many computer manufacturers and just about every
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computer system that was sold came with a startup membership package.
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Prodigy restructured the way they charge over the summer and it ended
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up costing the message base orientated users more money, so they
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bailed. Prodigy has also introduced an Internet Email gateway, but
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they have tacked some steep costs to sending and receiving Email over
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the Internet, and that did not go over very well at all.
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o-o-o-o
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In the 1980's the average computer hack could not find BBS's in his
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local area that had the software he was looking for. The really good
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systems were located in major cities , and many users were in suburbs
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and rural areas that were a long distance call to these boards. Rather
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than pay the extremely high phone bills these hacks began using illegal
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phone codes to make long distance calls.
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These codes were hacked out using a program that was set up to call a
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local MCI/Sprint/Ect access number and call a long distance number that
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would answer with a carrier. It would use a five digit code that was
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randomly generated by the program. If a carrier detect was sensed the
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program knew that the call went through and it would log these codes
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into a data file. These codes were posted and traded on boards all
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over the country and until a few years ago the phone companies could
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not really pinpoint who was doing it.
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Amidst these illegal activities Sprint decided to head this threat off
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at the pass by offering a program called PC Pursuit. This would allow
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you to use the Sprint network to call certain area codes on data only
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lines for a given amount of hours a month at an affordable rate. With
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the advent of digital switching systems being used by the phone
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companies , hacking codes (phreaking as it is known) was getting to be
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dangerous. Pc Pursuit was a good legal alternative , but it never went
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over to well with everyone.
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As of today, unofficially, Pc Pursuit has been cancelled by Sprint. I
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made some calls to the main office but I could not get a comment. I am
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sure that by the time you read this, Sprint will have issued a
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statement.
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o-o-o-o
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Delphi has recently expanded their Internet services by adding Telnet,
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Ftp, Usenet, and several popular utilities. They offer this full
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access to the Internet for $1.00 an hour, up to 20 hours a month. In
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fact Delphi is now officially known as Delphi Internet Services , and
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promises to be the launching vehicle for the Murdoch interactive media
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expansion.
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People complain about Delphi being hard to use for beginners, and some
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of the SIG's are just stagnant. It is difficult to batch download and
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they do not have an excellent file library. I suspect Delphi is using
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all of their resources to concentrate on the Intenet. Take for example
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the new user friendly interface into USENET. It basically takes it
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down to a menu system and offers thousands of groups.
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America Online is planning on expanding their Internet presence by
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introducing the same things Delphi is. In fact, every major online
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service is planning on expanded Internet services, but Delphi is the
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only one to come through yet.
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o-o-o-o
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Many gamers are eagerly anticipating the release of Doom by ID software.
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It promises to be the ultimate in 3D gaming. It will be much like
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Apogee's Wolfenstein, but much more advanced. On the USENET there is a
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lot of talk at COMP.SYS.IBM.PC.GAMES.ACTION about this game. Several
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BETA-TESTERS have left messages saying that is the most incredible game
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they have ever played. It will be out the first week of December, and
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most of the popular FTP sites and BBS's will carry the shareware
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version.
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Interestingly enough Apogee is due to release their new 3D game called
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Blake Stone. It was supposed to be out a few months ago, but it has
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been repeatedly delayed. Strange thing is that every time ID has
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announced a delay with Doom -- so has Apogee with Blake Stone. Apogee
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will have nothing to do with this release of Doom.
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o-o-o-o
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If you are a user of USENET, do us all a favor and do not reply to the
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messages that have a header of 'MAKE MONEY FAST'. They are appearing
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everywhere with a lot of replies in the threads. Hopefully if we just
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ignore these people, they will go away.
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o-o-o-o
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Comments or Questions?
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Send Email to STEVENBAKER@DELPHI.COM
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or STEVEN.BAKER@ATOMICCAFE.COM
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This has been Bandwidth for November 16th, 1993
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----------------------------------------------------------------------------
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Now the famous Idol CD. Here are the actual tracks.
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1 1:02 Unnamed: Intro, talks about a science-fiction cyberpunk setting
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2 4:33 Wasteland
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3 0:19 Unnamed: Just alot of noise
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4 3:33 Shock to the System
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5 5:04 Tomorrow People
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6 6:23 Adam in Chains
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7 4:34 Neuromancer
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8 4:45 Power Junkie
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9 0:28 Unnamed: Intro to next song
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10 3:53 Love Labours on
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11 6:57 Heroin
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12 0:23 Unnamed: Connected to 'heroin'
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13 7:28 Shangrila
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14 4:50 Concrete Kingdom
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15 0:39 Unnamed: kinda strange
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16 5:45 Venus
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17 4:37 Then the Night Comes
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18 0:25 Unnamed: Weird
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19 5:01 Mother Dawn
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20 0:56 Unnamed: Ending
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Total Time: 71:51
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Total time taken up by weird pointless tracks: 4:12
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-- My thoughts
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Well, at least it isn't a short CD (I hate little crap cds) but not much
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else is great about it. My thoughts are this. Wasteland- Sorta okay kinda
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crappy. Shock to the System- nice drums, okay I guess. Tomorrow People-
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sucks. Adam in Chains- 3 min. of hypnotic suggestions and then the song.
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I liked it, but it has nothing to do with CyberPunk. Neuromancer- sucks.
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Power Junkie- sucks. Love labours on- give me a break. Heroin- I didn't
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like it. Shangrila- Great name, crap song. Concrete Kingdom- not bad,
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but I wouldn't add it to my mix tape. Venus- Sucks. Then the Night Comes-
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sucks, not a bad chorus, but I didn't like the song. Mother Dawn- Great
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song, I liked it, nothing to do with CyberPunk.
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All in all, I guess it was an okay CD, nothing great about it, nothing to
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do with cyberpunk, well, not much.
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You have to admit, I think, that alot of the CD creates a definitely
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strange atmosphere. I also liked the weird pointless track idea.
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File - #
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>From: Kipp Lightburn (ah804@freenet.carleton.ca)
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Subject: Idol Review
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Instant CyberPunk (Just aDD Jolt)
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---------------------------------
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(A review of Idol's 'Cyberpunk')
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the packaging looked like someone had taken a copy of WIRED,
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several episodes of Max.Headroom, the covers from Gibson's books,
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shoved them through a fractal painter, and then dropped several
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times. littered with quotes like "Plucked from the blendo stream"
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"No Religion" "from the adrenaline channel to the endorphine
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channel". it was an attempt at pouring himself into an image;
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would the music live up?
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the first song one would come across would be 'Wasteland'
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complete with an intro talking about information being the
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currency of the future(try the present bill). the song chanted
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on about No Religion at all; a brief mention of VR law and
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computer crime, and the fantasy in his machine. but the lyrics
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tipped it more toward a post.apocalypse feel rather than the info
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highway the intro hinted at. also packaged into the tune was a
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sampling from the movie Road Warrior "Out in the wasteland..."
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then came 'shock to the system'. i'm sure we've all heard it.
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more of a tribute; lyrically ;to the L.A.riots. (though his video
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appeared to be inspired by Highlander 2: the sickening).
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'Tomorrow People' though it sounded more high.tech; lyrically
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fell short again of representing a dark future of information
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junkies. nor did it even touch onto a cyber attitude.
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Then I heard the next 'Adam in Chains' it started out with
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what sounded like a sampling from a subliminal you.too.can.relax
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tape, so plugging ears I anxiously.*?* awaited the end.
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.............ready?.........'Neuromancer'. someone read the
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book before writing this one. it's possible to see that the
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ideas squeezed out here were inspired after someone had read the
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back cover of the book. still in fairness, lyrically cyber,
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but the ears tell me 'POP.ROCK'.
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'Power Junkie' the actual song had zip to do with the title.
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but if you read the back of the packaging and saw titles like
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"neuromancer" and "POWER junkie" you might be led to beleive a
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cyberpunk mood.
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'Love labours on' do I have to review this one?
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'HEROIN' ...hmmm... Prozac anyone?
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then idol deals with the virtual.net 'Shangrila'. in a
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roundabout.way shangrila represents a virtual community where we
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can live forever. mind you its really roundabout so it could be
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unintentional/coincidental.
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behind door number10 'CONCRETE kIngdom' we find nothing that a
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milk bottle a wind tunnel and a tuning fork can't fix.
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'Venus' all about venus the love goddess. hey didn't the intro
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at the beginning of the tape discuss corporate wars?
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'When the Night comes' and 'Mother Dawn' end the barrage, by
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joining up with 'Love labours on' and 'Venus'.
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all.in.all a pop-rock collection, containing a breif reference
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here or there to CP and its movement. if you're an idol fan the
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sound is the same as all his last. if your looking for cyberpunk
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commentary you'd find more in the occassional Jesus Jones song
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than in this entire tape combined.
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--Kipp Lightburn (ah804@freenet.carleton.ca)
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----------------------------------------------------------------------------
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File - $
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===============Cut Here=========With Scissors====================
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This is pertaining to being a cyberpunk, the hacker variety, in RL
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and on the Net.
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<<<Attitude is everything>>>
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Just for a moment, let's talk about cyberpunk and attitude.
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It isn't just about what you can do. It's about what you _say_ you
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can do. An example: I went to a tech school for a year and I had
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an older friend that taught me a lot of stuff about computers. I
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don't know nearly as much as him but because I know where to use
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it on and who to tell about it, I'm known as a cyberpunk while my
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friend is still just a computer scientist. Why is that? People
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only term other by what they know about you. If I predict that I
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will crash the system at certain time, say like... in 10 seconds,
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I will be considered an asshole by those who know about it if I
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tell them. But if I anonymously wall it, I'm considered a
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cyberpunk. (Wall means to broadcast to everyone.) If I break into
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someone else's account, pull some stuff off a Usenet group like
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alt.sex.duct.tape.gerbils, and send it to all the teachers saying
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"I wrote this." it won't do much good to have it go unknown who did
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it. That's why aliases are important. You must develop a
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character who does these 'pranks' so to increase your image. But
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you, as a person, are only considered a cyberpunk to those who you
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reveal it. I'm well known for my nickname, Gonzo. My other
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nicknames are not so well known. I don't want any connection
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between them. Gonzo is the playful hacker. Another is the deadly
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hacker. The other is the cypherpunk. If the association was made,
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zzzzzt, I'm in trouble. So remember, it's not who's the best with
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a program, computer, phone, etc but who announces it the best
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WITHOUT GETTING CAUGHT!! If you are good at that, you can be a
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good cyberpunk.
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The Great Gonzo
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===========Cut Here================With a Chainsaw==============
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----------------------------------------------------------------------------
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File - %
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>From: musi5@menudo.uh.edu (Darek Brzeski)
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Subject: CYBERCULTURE HOUSTON '93 SCHEDULE
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CYBERCULTURE HOUSTON '93 INVITES ALL INTERESTED IN THE CREATIVE USE
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OF COMPUTERS FOR A THREE DAY EXPLORATION OF ART, PERFORMANCES AND
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DEEP THOUGHTS ON TECHONOLOGY
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CyberCulture Houston '93
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Commerce Street Artist Warehouse & Gallery
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2315 Commerce Street
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December 10-12, 1993
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Contact: Melanie Mitchell (713)227-8917
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Internet: cyber@fisher.psych.uh.edu
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CyberCulture Houston 93 is an event featuring the creative potential of
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emerging computer technology in performance and visual art, the
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circulation of ideas in an electronic form, and the social and
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cultural Implications of this interaction.
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The event will begin on Friday with an opening of the visual art
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exhibition at 7:30 pm. Physically represented works will be accompanied
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by a Virtual Art Gallery, designed by the University of Houston
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Architecture Department, and presented by local virtual reality
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designers and consultants, CyberSim Virtual Reality Inc. Visitors will
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be able to put on a headmount and fly through electronically generated
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fantasy worlds. Flying robotic sculptures, designed and built by the
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Austin Robot Group, will cavort overhead. Performances will begin at
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8:00 pm. Jennifer Bourgaline's dance group will perform an original
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piece, centered around the effects of technology on humanity.
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BodySynth, a performance group from San Francisco, will create
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electronic music through sensors connecting the muscles of the dancer's
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body to a MIDI system. Human Systems Performance Group, from Austin,
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will perform "Gabrielle: A Living Hypertext", bringing a close to the
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first evening.
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On Saturday, Eyecon Interactive Media will add their
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exhibit of the Mandala System, a 2D projected virtual reality system,
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which allows up to four people to create music by bouncing floating orbs
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of light around the projected virtual world. Demonstrations,
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presentations, and panel discussions will be held that afternoon on
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topics raised through the social use of computers, including Life in
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CyberSpace, Hacking Artificial Life, and Nontraditional 3D Spaces. Some
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of our speakers will include Brian Parks, the designer of the Flogistron
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VR Chair, as featured in _Lawnmower Man_, and Ronn Harbin, a premier
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computer animator. The topic of the last panel discussion of the day
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will be"Computers as Artistic Media." Several artists from Australia,
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Norway and across the United States will participate electronically over
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the Internet.Dissemination Network will begin the evening performances with
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a performance of electronically altered video/music/dance performance. The
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BodySynth will then present an audience-interactive performance piece using
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his MIDI-sensors. Again bringing a close to our evening will be the Human
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Systems Performance Group. On Sunday, CyberCulture Houston will end on a wilder
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note. The performance group Burning Man will explode on stage. Houston's Pope
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Charlie will lead a Church of the Subgenius Devival, Free Virtual Reality
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Combat simulation games will be provided courtesy of CyberSim, Inc.
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There is no admission charge for any of the interactive exibits or
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discussion panels. The price of admission to the performances will
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be eight dollars which will include the whole evening of preformances.
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CyberCulture is a nonprofit wing of Electronic Frontiers Houston and
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the proceeds will be used to cover artists' costs and future events.
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----------------------------------------------------------------------------
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File - ^
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>From: KEITHWRITERS@delphi.com
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Subject: Technosys, the "NSA", and a very unfunny joke
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Never Rub Another Man's Rhubarb
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or, Why Social/Reverse Engineering is NOT Cool
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by Keith Eluard, Technosys
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-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
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! The Hoax
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When I was planning to release Prosody and Mirrorshades, my text composition
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programs, I was
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expecting *some* backlash from governmental bodies because it would be possible
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to transport
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Prosody out of the US because I would send it via Internet. Fine. That was
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expected and understood
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when we were planning the whole shebang. With spin control, it could be good
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advertising for us. "If
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The Feds are scared of it, then it must be good..."
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What we were NOT expecting was what happened: on 6 November 1993, our lawyer
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received an
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email from a person claiming to be "Jerome Marshall of the NSA" (National
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Security Agency),
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stating that all persons involved in the release of Prosody would be subject to
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arrest and seizure of
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property if all of our data and notes on the project were not turned over to
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the "NSA". Two days
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later, we received a physical letter on Department of Justice stationery
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stating the same thing. A
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confession: I'm not as Hip to the Clip as I should and so thought the NSA would
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be under the DoJ.
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We were advised by our lawyer (he wishes anonymity-i wish him my foot up his
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butt) to comply.
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And we were going to do just that until a fortuitous email from John Markoff
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suggested that we
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contact the NSA ourselves via the phonebook rather than the contact numbers
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listed in the
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correspondence.
|
|
|
|
It seems as if there is an ugly joke going on here, and I'm not amused by my
|
|
part in it.
|
|
|
|
The National Security Agency (informally and unofficially) claims that there is
|
|
no employee of the
|
|
NSA that should or would have contacted us, our lawyer, or anyone connected
|
|
with us about
|
|
Prosody, much less DEMAND OUR DATA. The contact we made at the NSA (I will not
|
|
reveal her
|
|
name as she cannot officially speak for the NSA) helped clear up some of the
|
|
confusion thrown in
|
|
our path:
|
|
|
|
1. The NSA is under the Department of Defense, not Justice.
|
|
2. Encryption is not illegal (NO SHIT)
|
|
3. My programs are not encryption, no matter what anyone says. They are not
|
|
based
|
|
on any accepted cryptographic method and do not pose any threat to anyone's
|
|
(in)security.
|
|
|
|
After discussing this with our new legal counsel, we have come to the
|
|
conclusion that this entire affair
|
|
was a practical joke in very bad taste or an attempt to steal the programs by
|
|
using the current
|
|
paranoia/hysteria that says ALL FEDS ARE BAD. Not that I saying they're good,
|
|
but they're not all
|
|
bad.
|
|
|
|
As I said before, I'm not amused...
|
|
|
|
@ What Will Happen
|
|
|
|
Our plan at Technosys is this: we will revise the code for Prosody and
|
|
Mirrorshades to completely
|
|
cripple the "encryption" factors and then release them as PD/shareware on the
|
|
internet. Meanwhile,
|
|
we will encourage everyone who we talk to as we float through c-space that they
|
|
join the EFF, or at
|
|
least find out their data rights on the Net. Also, we will work with any other
|
|
software developers out
|
|
there in on the Net to create a "Concerned Citizens Network" to help monitor
|
|
and prevent reverse
|
|
engineering/social engineering/outright theft of our programs. Eventually, we
|
|
will release a Natural
|
|
Language encryption program based on accepted RSA algorithms (ala PGP), but
|
|
only in physical
|
|
form (i.e. diskette) to prevent raising anyone's eyebrows.
|
|
|
|
All in all, about what we were going to do anyway...
|
|
|
|
# What YOU Can Do
|
|
|
|
Lots of things. Join the EFF. Get involved with Computer Professionals for
|
|
Social Responsibility (if
|
|
applicable to you). Contact your system administration to find out exactly what
|
|
your data rights are
|
|
(a local college here in Indianapolis will NOT allow anything sent via PGP on
|
|
its host, for example).
|
|
Do some research on the things that concern you about the current
|
|
security/insecurity situation.
|
|
Write Mr. Bill & OzoneMan (president@whitehouse.gov,
|
|
vice.president@whitehouse.gov) about
|
|
what you find and aren't happy with. And above all, talk to other users you
|
|
know about what is
|
|
wrong and what you could do to fix it.
|
|
|
|
Then fix it.
|
|
|
|
$ RESOURCES FOR THE CONCERNED
|
|
|
|
Technosys: limetwig@mindvox.phantom.com (K Eluard)
|
|
keithwriters@delphi.com (K Boyle)
|
|
|
|
cert.sei.cmu.edu/pub
|
|
-=-Computer/Internet Security info
|
|
|
|
info@eff.org
|
|
-=-address for the EFF
|
|
|
|
president@whitehouse.gov
|
|
vice.president@whitehouse.gov
|
|
-=-sorry, when I get an address for the real potentate, I'll put HER'S here
|
|
too
|
|
|
|
Thanx for your patience and attention.
|
|
Pax.
|
|
-=-Keith Eluard
|
|
*
|
|
"Lord, grant me the serenity to accept the things I cannot change, the courage
|
|
to try to change the
|
|
things I can, and the wisdom to hide the bodies of the people I had to kill
|
|
because they pissed me
|
|
off."
|
|
*
|
|
----------------------------------------------------------------------------
|
|
NEXT ISSUE DUE OUT SOMETIME BEFORE DECEMBER 6th
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|
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|
END LINE_NOIZ.3
|
|
--
|
|
Billy Biggs Ottawa, Canada "When all else fails,
|
|
ae687@Freenet.carleton.ca read the instructions"
|