846 lines
36 KiB
Plaintext
846 lines
36 KiB
Plaintext
BEGIN LINE_NOIZ.2
|
|
|
|
I S S U E # @ N O V E M B E R 1 5 , 1 9 9 3
|
|
~~~~~~~~~~L~~~~~~I~~~~~~N~~~~~~E~~~~~~~~N~~~~~~O~~~~~~I~~~~~~Z~~~~~~~~~~~~~~~
|
|
-------------------L----I---N----E--N----O---I----Z--------------------------
|
|
|
|
______________________L__I__N__E_______N__O__I__Z____________________________
|
|
|
|
L I N E N O I Z
|
|
/\/\/\/\/\L/\/\/\I/\/\/\N/\/\/\E/\/\/\/\N/\/\/\O/\/\/\I/\/\/\Z/\/\/\/\/\/\/\/
|
|
- - - - The Cyberpunk Information Source - - - -
|
|
|
|
|
|
|
|
(](](](](](](](](](](](]( L I N E N O I Z )[)[)[)[)[)[)[)[)[)[)[)[)[)[)[)
|
|
I S S U E # @ N O V E M B E R 1 5 , 1 9 9 3
|
|
|
|
|
|
: File !
|
|
: Intro to issue 2
|
|
: Billy Biggs <ae687@freenet.carleton.ca>
|
|
|
|
: File @
|
|
: Real Cyberpunks
|
|
: Paul dArmond <paulf@henson.cc.wwu.edu>
|
|
|
|
: File #
|
|
: Reich, Orgone and Cyberpunk
|
|
: Paul dArmond <paulf@henson.cc.wwu.edu>
|
|
|
|
: File $
|
|
: Front 242 tour dates
|
|
: Steven Hardy <taylor23@okcforum.osrhe.edu>
|
|
|
|
: File %
|
|
: phORMISm @ddiction :reaxion
|
|
: demogirl <rao06936@rosie.uh.edu>
|
|
|
|
: File ^
|
|
: Neon Blue - CP SCI-FI - Part 1
|
|
: Melonfarmer <anonymous>
|
|
|
|
: File &
|
|
: Nibbles of Information
|
|
: Billy Biggs <ae687@freenet.carleton.ca>
|
|
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
File - !
|
|
|
|
|
|
Okay, so we are here, moving right along with issue 2. I still havent
|
|
really defined the actual style of the e-zine but most of that should
|
|
be settled by issue 3. Please keep the submissions comming and tell
|
|
me if you don't like anything in here.
|
|
|
|
This issue could have been better, I havent edited out all the bugs.
|
|
Sorry if I did anything wrong.
|
|
|
|
It looks as though we are going to put this out every 2 weeks or so.
|
|
Expect the next issue to be out around Dec. 1. If everything goes well
|
|
I might switch to 1 issue per week in January.
|
|
|
|
The main thing holding this back is submissions. Everybody loves to read
|
|
great stuff, but who wants to contribute it. If you see anything or can
|
|
write anything, please do.
|
|
|
|
Thanks,
|
|
|
|
- Billy Biggs
|
|
|
|
|
|
|
|
-- -- -- Line Noiz is -- -- --
|
|
|
|
Editor : Billy Biggs <ae687@Freenet.carleton.ca>
|
|
Distribution : <DHT104@PSUVM.PSU.EDU>
|
|
Spellchecker : Nobody, don't report the errors
|
|
Author of Neuromancer : William Gibson <gibson@netcom.com>
|
|
|
|
^^^^-- Joke, don't send mail here
|
|
greets to everybody who
|
|
followed this on usenet
|
|
|
|
As you can see, we are small. If you want to be a part of all this
|
|
and feel you could make yourself useful, mail me.
|
|
|
|
|
|
|
|
###### HOW TO GET ON THE SUBSCRIPTION LIST ######
|
|
|
|
|
|
Send mail to my handy-dandy mail distributer guy at:
|
|
|
|
dodger@fubar.bk.psu.edu
|
|
|
|
With the words:
|
|
|
|
Subscription LineNoiz <your address>
|
|
|
|
in the body of the letter.
|
|
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
Here is an interesting article I was given to reprint. I hope this
|
|
clarifies who out there is or is not a cyberpunk. I will NOT be
|
|
including this in my list of defenitions. Sorry guys. I will not say
|
|
my opinions on whether or not this is CP, I intend to stay neutral.
|
|
|
|
-Billy Biggs, editor nerd.
|
|
|
|
|
|
File - @
|
|
>From: paulf@henson.cc.wwu.edu (Paul dArmond)
|
|
Subject:Re: Cyber FAQ
|
|
|
|
|
|
Cngu: nguran.pf.htn.rqh!rzbel!fby.pge.pbyhzovn.rqh!hfp!pf.hgrknf.rqh!hharg!ybbx
|
|
vat!ybbxvat!shaal-erdhrfg
|
|
Sebz: ceo@npprff.qvtrk.pbz (Cng)
|
|
Arjftebhcf: erp.uhzbe.shaal
|
|
Fhowrpg: Erny Plorechaxf Qba'g rng dhvpur.
|
|
Xrljbeqf: fzvex, ebg13, bssrafr=ubzbfrkhnyf, Pyvss Fgbyy
|
|
Zrffntr-VQ: <F3p4.584n@ybbxvat.ba.pn>
|
|
Qngr: 7 Nce 92 10:30:06 TZG
|
|
Yvarf: 276
|
|
Nccebirq: shaal@pynevarg.pbz
|
|
|
|
| MM MM O O NN N G O O |
|
|
| M M M O O N N N G GG O O |
|
|
| M M O O N NN G G O O |
|
|
| M M OOOOO N N GGGGG OOOOO |
|
|
| |
|
|
| -*- present -*- |
|
|
| |
|
|
| +-----------------+ |
|
|
| | Real Cyberpunks | |
|
|
| +-----------------+ |
|
|
| |
|
|
| 9/24/91 |
|
|
| |
|
|
| With all this shit in the news and now a book about cyberpunks, we have|
|
|
|a bunch of lame assholes who think they are cyberpunks running around |
|
|
|blackening the name. In response to this we'd created this g-file so |
|
|
|everybody can tell the lamers from the real cyberpunks. Most of these |
|
|
|wanna-be cyberpunks will probably be offended by what we're going to say, |
|
|
|because the description of what defines a real cyberpunk doesn't apply to |
|
|
|them. Remember though, cyberpunk is mostly an attitude (this g-file |
|
|
|describes physical manifestations of this attitude), and real cyberpunks |
|
|
|don't get upset over something written in a g-file. |
|
|
\---------------------------------------------------------------------------/
|
|
|
|
CLOTHING
|
|
|
|
- Real cyberpunks don't wear paisley, or any of that other neo-
|
|
futuristic, yuppie, artfag shit.
|
|
|
|
- Real cyberpunks wear military surplus clothing, non-neon colored
|
|
Gortex, bluejeans, boots (combat or motorycle), Factsheet-5 T-Shirts,
|
|
and kilts (on formal occasions).
|
|
|
|
- Real cyberpunks don't shop at Banana Republic or the "Mainframe"
|
|
clothing section at Sears.
|
|
|
|
- Real cyberpunks have the balls to go to Thrift Shops.
|
|
Corollary to the above: Anyone who makes fun of a cyberpunk shopping at
|
|
a thrift shop usually winds up in ICU.
|
|
|
|
COMPUTERS
|
|
|
|
- Real cyberpunks don't use IBM PCs or Tandy 1000s.
|
|
|
|
- Real cyberpunks that have the $$$ use 486s, and 68030s.
|
|
|
|
- Real cyberpunks that don't have the $$$ use whatever the hell they can
|
|
get ahold of (except IBM PCs an Tandy 1000s).
|
|
|
|
- All real Cyberpunks still own a TI-99/4A, S-100, Apple ][ w/Apple Cat,
|
|
or an Atari 130XE with ATR8000 & 850 interfaces as their backup
|
|
machine.
|
|
|
|
- Real cyberpunks program in assembler and ADA.
|
|
|
|
- Real cyberpunks think C is cute for a fuck-around language.
|
|
|
|
- Real cyberpunks think of the Amiga as a cute toy.
|
|
|
|
- Real cyberpunk SYSOPS run Stonehenge.
|
|
|
|
- Real cyberpunks realize the Apple Cat was the best modem ever made.
|
|
|
|
|
|
CARS
|
|
|
|
- Real cyberpunks drive whatever they can afford.
|
|
|
|
- Real cyberpunks never drive an unmodified vehicle.
|
|
|
|
- Real cyberpunks think Audi, BMW, and Mercedes cars serve best as rocket
|
|
launcher targets.
|
|
|
|
- Real cyberpunks who can afford them drive something with a V-8.
|
|
Corollary to the above: Real cyberpunks go to every police auction
|
|
in their area.
|
|
|
|
TECH
|
|
|
|
- All real cyberpunks have their ham license.
|
|
|
|
- Real cyberpunks know the difference between a resistor and a capacitor.
|
|
|
|
- Real cyberpunks know where to get tech cheap in their area.
|
|
Corollary to the above: Real cyberpunks practically live at their local
|
|
surplus store.
|
|
|
|
- Real cyberpunks think Radio Shack sucks, but still buy from there
|
|
because it's convenient.
|
|
Corollary to the above: Real cyberpunks put pragmatism before
|
|
principle.
|
|
|
|
- Real cyberpunks always carry a Leatherman Tool.
|
|
Corollary to the above: Real cyberpunks know what a Leatherman Tool is.
|
|
|
|
- Real cyberpunks own a dual-band HT.
|
|
Corollary to the above: Real cyberpunks know what a dual-band HT is.
|
|
Corollary to the corollary: Real cyberpunks have hosed McDonalds at
|
|
least once.
|
|
|
|
- Real cyberpunks know how use a TDR.
|
|
Corollary to the above: The have also managed to get ahold of one for
|
|
free.
|
|
|
|
POLITICS & LAW
|
|
|
|
- Real cyberpunks are politically aware, but avoid getting involved in
|
|
that bullshit.
|
|
|
|
- Real cyberpunks think all politicians should be castrated.
|
|
Corollary to the above: Real cyberpunks are libertarians.
|
|
|
|
- Real cyberpunks have copies of their state's law statues.
|
|
|
|
- Real cyberpunks know the difference between the Declaration of
|
|
Independence and The Constitution.
|
|
Corollary to the above: Real cyberpunks know what both of those say.
|
|
|
|
- Real cyberpunks don't get caught.
|
|
|
|
KNOWLEDGE
|
|
|
|
- Real cyberpunks read 2600, Factsheet-5, Full Disclosure, Iron Feather
|
|
Journal, Cybertek, Radio Electronics, Circuit Cellar Ink, Computer
|
|
Shopper, American Survival Guide, and any 'zines about local bands in
|
|
their area.
|
|
Corollary to the above: Real cyberpunks understand what they read in
|
|
these publications.
|
|
|
|
- Real cyberpunks think Mondo2000, for the most part, sucks.
|
|
|
|
- Real cyberpunks learn about everything from Computers to Crossbows.
|
|
|
|
- Real cyberpunks know how to spell.
|
|
|
|
- Real cyberpunks speak at least 2 languages.
|
|
|
|
WEAPONS
|
|
|
|
- Real cyberpunks don't have the typical yuppie artfag fear of weapons
|
|
that most modem users seem to have.
|
|
Corollary to the above: Real cyberpunks know the value of useful
|
|
equipment.
|
|
|
|
- Real cyberpunks own at least one gun.
|
|
|
|
- Real cyberpunks carry Gerber, Cold Steel, SOG, AlMar, or Spyderco
|
|
blades.
|
|
Corollary to the above: Real cyberpunks think custom steel is neat, but
|
|
costs too much.
|
|
|
|
- Real cyberpunks have memorized The Improvised Munitions Black Book.
|
|
|
|
- Real cyberpunks know The Anarchist Cookbook is a crock of shit.
|
|
|
|
- Real cyberpunks buy everything authored by Seymour Lecker and Kurt
|
|
Saxon.
|
|
|
|
- Real cyberpunks keep a supply of DMSO handy.
|
|
Corollary to the above: Real cyberpunks know what DMSO is.
|
|
|
|
MUSIC
|
|
|
|
- Real cyberpunks go to The Mentors' concerts whenever they can.
|
|
|
|
- Real cyberpunks think C&C Music Factory is just a bunch of out-of-the-
|
|
closet homosexuals.
|
|
|
|
- Real cyberpunks don't listen to Paula Abdul.
|
|
|
|
- Real cyberpunks think Michael Jackson should be napalmed.
|
|
Corollary to the above: Real cyberpunks think Michael Jackson is a
|
|
reincarnate of his monkey Bubbles.
|
|
|
|
- Real cyberpunks think Top-40 sucks.
|
|
|
|
- Real cyberpunks listen to Ministry, The Cure, Skinny Puppy, The
|
|
Misfits, Rush, Pink Floyd, etc.
|
|
|
|
- In the end, real cyberpunks listen to whatever the fuck they want.
|
|
|
|
PHREAKING & HACKING
|
|
|
|
- Real cyberpunks think codes are for fags, but use them anyway because
|
|
they put pragmatism before principle.
|
|
|
|
- Real cyberpunks know what TEMPEST means.
|
|
|
|
- Real cyberpunks use data-taps.
|
|
|
|
- Real cyberpunks have Internet access.
|
|
|
|
- Real cyberpunks know why Broadway Hacker invited everyone to his house.
|
|
|
|
- Real cyberpunks know what PPS really means.
|
|
|
|
- Real cyberpunks know Clifford Stoll's ex-wife is a lesbian.
|
|
Corollary to the above: Real cyberpunks know that Clifford Stoll is an
|
|
asshole.
|
|
|
|
- Real cyberpunks know just how good friends John Maxfield and Broadway
|
|
Hacker are.
|
|
|
|
- Real cyberpunks know who John Maxfield is and what he was arrested for.
|
|
|
|
- Real cyberpunks own a blue box, and still use it.
|
|
Corollary to the above: Real cyberpunks know what a blue box is, and
|
|
know how to use it.
|
|
|
|
- Real cyberpunks know what a TS-21 is.
|
|
Corollary to the above: Real cyberpunks stole their TS-21.
|
|
|
|
- Real cyberpunks have acquired a Bell System hard-hat.
|
|
|
|
- Real cyberpunks have a payphone.
|
|
Corollary to the above: The payphone belongs to someone else.
|
|
|
|
- Real cyberpunks on the east coast have attended at least one 2600
|
|
meeting.
|
|
Corollary to the above: Real cyberpunks who have attended a 2600
|
|
meeting don't go to them anymore.
|
|
Corollary to the corollary: Real cyberpunks are waiting for another
|
|
OSUNY meeting.
|
|
Further corollary: Real cyberpunks know what OSUNY originally stood
|
|
for.
|
|
|
|
HEALTH
|
|
|
|
- Real cyberpunks use Choline, Ginseng, and Golden Seal.
|
|
Corollary to the above: Real cyberpunks know what these are.
|
|
|
|
- Real cyberpunks know about the medicinal value of various plants.
|
|
|
|
- Real cyberpunks take care of themselves.
|
|
|
|
- Real cyberpunks take time away from fucking with their computers to get
|
|
some exercise.
|
|
|
|
FOOD & DRINK
|
|
|
|
- Real cyberpunks drink Jolt.
|
|
Corollary to the above: Real cyberpunks think Pepsi is for artfags.
|
|
|
|
- Real cyberpunks are intimately familiar with the selection at 7 -
|
|
Eleven, but avoid it whenever possible.
|
|
|
|
- Real cyberpunks know how to cook.
|
|
|
|
- Real cyberpunks drink Guinness Stout.
|
|
|
|
- Real cyberpunks who are under 21 distill their own.
|
|
|
|
- Real cyberpunks can go to a Supermarket and not get lost.
|
|
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
File - #
|
|
|
|
|
|
Reich, Orgone and Cyberpunk
|
|
by Paul dArmond
|
|
|
|
|
|
What is the connection between Cyberpunk and Reich? It all relates to how
|
|
you define CP. If CP is just a fashion movement, if all that matters is
|
|
how you dress and what you say, then nothing is really connected to CP,
|
|
since in that case CP is just a fashion fad, a marketing tool for people
|
|
selling amusement and funny clothes. On the other hand, if CP is really
|
|
about tech, specifically street tech, then there is a lot of linkage. I
|
|
guess it comes down to the old do/be do/be do thing.
|
|
|
|
There is a lot of phoney chatter about VR and cybersex these days.
|
|
Personally, I think that VR is an expensive research grant scam/hoax.
|
|
There have been plenty of these: AI, robots, Star Wars, and recently
|
|
cybersex and PDAs. Well, if you are serious about doing something (rather
|
|
than just making amusing party-chatter with a bunch of people all dressed
|
|
the same way) then you need background research and theory. Reich was
|
|
*the* guy who started a lot of the threads that weave into cyberpunk tech:
|
|
|
|
Memes - (Mass Psychology of Fascism, emotional plague, tension/relaxation
|
|
theory of life)
|
|
|
|
Cybersex - (orgasm theory, electrophysiology of the orgasm,
|
|
tension/relaxation, he also coined the term "sexual revolution", etc.)
|
|
|
|
Anarchism - (Reich's Natural Work-Democracy was the first anarchist theory
|
|
based on psychological principles. This was the first big step forward in
|
|
A-theory since Kropotkin.)
|
|
|
|
Sexual Politics - (Reich was the first person in modern psychology to
|
|
state that orgasms are a crucial part of the dynamic of life. He also was
|
|
the first to claim that male and female orgasms were *equally* important.
|
|
A huge amount of modern sexual psychology started with him, and he still
|
|
gets zip credit for his pioneering work.)
|
|
|
|
A whole slew of weird science - (electro-physiology, orgone energy,
|
|
cloudbusters, desert experiments, UFOs, bions, etc.)
|
|
|
|
Reich was suppresed even more thoroughly than Tesla was, probably due to
|
|
the fact that he was explicitly political and wrote and published a great
|
|
deal. Tesla published very little outside of some articles on electrical
|
|
engineering and a slew of patents. Reich, on the other hand, was
|
|
continuously busy working, teaching, writing and experimenting. Also, due
|
|
to the provisions of his will, he left a trust fund behind to keep his
|
|
ideas and research available and accessible.
|
|
|
|
In the very simplist terms: "How could the first guy to connect an
|
|
oscilograph to his erect cock NOT have a lot to do with cyberpunk?"
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
File - $
|
|
>From: taylor23@okcforum.osrhe.edu (Steven Hardy)
|
|
Subject: Front 242 tour dates....
|
|
|
|
TUESDAY 16/11 DENVER
|
|
WEDNESDAY 17/11 SALT LAKE CITY
|
|
FRIDAY 19/11 TIJUANA (MEXICO)
|
|
SATURDAY 20/11 SAN FRANCISCO
|
|
SUNDAY 21/11 LOS ANGELES
|
|
MONDAY 22/11 ORANGE (To be confirmed)
|
|
TUESDAY 23/11 PHOENIX
|
|
THURSDAY 25/11 SAN ANTONIO
|
|
FRIDAY 26/11 HOUSTON
|
|
SATURDAY 27/11 DALLAS
|
|
MONDAY 29/11 SAINT-LOUIS
|
|
TUESDAY 30/11 GRAND RAPIDS
|
|
THURSDAY 02/12 MINNEAPOLIS
|
|
FRIDAY 03/12 CHICAGO
|
|
SATURDAY 04/12 CINCINNATI
|
|
SUNDAY 05/12 DETROIT
|
|
TUESDAY 07/12 TORONTO (CANADA)
|
|
WEDNESDAY 08/12 MONTREAL (CANADA)
|
|
THURSDAY 09/12 BOSTON
|
|
SATURDAY 11/12 BALTIMORE
|
|
SUNDAY 12/12 NEW YORK
|
|
MONDAY 13/12 PHILADELPHIA
|
|
WEDNESDAY 15/12 ATLANTA
|
|
FRIDAY 17/12 MIAMI
|
|
SATURDAY 18/12 TAMPA
|
|
SUNDAY 19/12 ORLANDO
|
|
|
|
--
|
|
////////// / Taylor 23 / //////////////////////////////////////////////////////
|
|
|
|
6820 N.W. 31st Home: (405) 789-7363
|
|
Bethany, Oklahoma 73008-4006 Work: (405) 232-0700
|
|
USA Internet: taylor23@okcforum.osrhe.edu
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
|
|
Here is something neat that has been floating around lately. It has
|
|
some interesting style properties.
|
|
|
|
File - %
|
|
>From: rao06936@rosie.uh.edu
|
|
Subject: phORMISm @ddiction :reaxion
|
|
|
|
----- phORMISm @ddiction
|
|
----- dialogue cartharsis injection
|
|
|
|
initially the out:sekt only allowed those with
|
|
plastic fetishes and neurological disorders into
|
|
their collective ;clockwork philosophy suggested
|
|
otherwise ;in 1942 a pre-deconstructionist by the
|
|
pseudonym COG unwillingly penetrated the sect's Seatle
|
|
branch by simply advocating the sniffing of scotch tape
|
|
as it was peeled from dispenser rings ;COG knew of his
|
|
inception into the group only after awaking in a bare rusted
|
|
cell ;one single blue lightbuld illuminated the room corners
|
|
;bleach infected air caused the taste of blood to push from
|
|
his stomach ;clang of rivet on steel thudded from
|
|
beyond the walls ;a war sound ;slow ;methodic ;trance-like
|
|
;COG focused on this sensation ;from the sound
|
|
extrapolating an image ;forcing contemptuous visions
|
|
of an outside world in ;possibly women in airhanger
|
|
jumpsuits, industrial nail guns in hand ;unlikely
|
|
;this was before the wire ;a waterdrip slumber of
|
|
several seconds :skull burn ;COG woke strapped in
|
|
a hanging chain mesh sheet ;the cold fire of soldiering
|
|
metal pushed into his spine ;at the back of the neck
|
|
;men in gas masks ;smell of shower curtain plastic
|
|
;sitting crosslegged in a circle before him ;tribe ;he cries
|
|
;medicinal gloved hands and anit-orange flak jacketed
|
|
gas-mask men, out:sekt members sit watching ;sit recording
|
|
;hand-driven analog recorders syphoning COG's every utterence
|
|
;his every banal pain ;sheets of victrola static crept
|
|
into his ears ;compulsion to speak ;COG wept streams of
|
|
quality information ;self organizing dalanda patterns
|
|
purged from his mouth ;COG didn't understand ;the cool heat
|
|
of the wire bled from his mind as the static became more dense
|
|
;then the drug ;subtely at first unknowingly ;lain in his cell,
|
|
COG was pleasently assaulted by orchestral music ;he could
|
|
feel the slight vibrations of men talking in the background
|
|
;through the rusted walls ;he never knew if he ate or if his
|
|
body wastes were disposed of ;but the cycle of information
|
|
extraction and quiet forced music continued ;COG learned to
|
|
rely on the aftermath ;the calm sessions ;learned to
|
|
reiterate on his own consciousness ;immerse himself in a
|
|
organic self reality ;tuning in to the staccato rhythm
|
|
beyond the rusted walls ;still photo visions of women in
|
|
airhanger overalls ;industrial-nail guns ;lubricated love
|
|
;COG became passive ;as his forced dream became virtual
|
|
reality the out:sektists had no more interest in him or his
|
|
subconscious maps ;the jung approach no longer applied
|
|
;COG was discarded ;thrown into the laps of the Seattle Museum
|
|
Society ;questions breached and answered flounded for days
|
|
unformed ;COG would not reveal his captivity to anyone
|
|
;normalicy seamed his reality on the surface ;it was only
|
|
hours though and he discovered the roots of a hungerseed
|
|
;the addiction ;cravings for rhythm and dark rooms ;echoed
|
|
deadsilence backrunning from pilfered mozartdreams on vinyl
|
|
;affection by the out:sekt ;new mind engineering by the
|
|
gas-mask men ;twenty years and waves of pryor mindrape
|
|
encryption still leak out ;COG's catalogue of un-bleached
|
|
nightmare-remains scribbled into a blackbound book ;the word
|
|
phORMISm scrawled in the upper left corner of the first rotted
|
|
page ;always the smell of plastic causing epileptic
|
|
fugues ;three months later COG's final catalogue entry
|
|
settles on a single phrase ;SELF STATIC ;cult of the
|
|
individual reality takes over ;the coma from society begins
|
|
|
|
--- demogirl
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
File - ^
|
|
|
|
Here we have the first part of a CP related story. If you can write
|
|
better, send it in.
|
|
|
|
-Billy Biggs
|
|
|
|
|
|
NEON BLUE TEXT 1
|
|
________________________________________________________________________________
|
|
|
|
|
|
|
|
|
|
The old gentleman had been looking to talk for me for weeks.
|
|
He was relaying and flashing messages everywhere. I watched him
|
|
curious about his intensity in finding me. Messages blurting and
|
|
crying out to me as if I was a god. When people are looking for
|
|
me I burn with a mix of adrenaline and syrup. I access
|
|
everything they have ever done. Every word they have ever
|
|
entered. All their thoughts, actions, manners, and loves are
|
|
mine. I do my research. It was simple what the Gentleman
|
|
wanted. He wanted life. Most everyone who asks for me asks for
|
|
that. They ask for life for their children, parents, lovers, but
|
|
most of the time they just want it for themselves. The Gentleman
|
|
was old. He needed the surgery or else he would die.
|
|
Surgery was not given to old Tech's. Tech's owned 60
|
|
percent of the government before they were dismantled. The
|
|
tech's were hated. The CORP took them apart and blamed them for
|
|
the ruin of the organizations. They were blamed for all the
|
|
takeovers by the Japanese Orgs. The CORP reorganized the North
|
|
American management system and bought out the Central American
|
|
Tech's. Now the major corps are a handful of japanese orgs. and
|
|
CORP. The Tech's were denied any medicine or surgery. Many of
|
|
the poor bastards don't even make it past one hundred anymore.
|
|
The CORP saw it as a bad investment in allowing surgery for a
|
|
Tech. Me, I am not so picky.
|
|
The Gentleman was in upper management in his Tech days.
|
|
Something called a lawyer, which translates into accountant in
|
|
CORP language. He was also rich which translates into money in
|
|
my language. They lived nice in the Tech days, money was not as
|
|
tight. They could spend money on drugs and concubines then. A
|
|
man in Gentleman's position could live off of drugs and
|
|
concubines. Gentleman could pay the price so that I could live
|
|
like that.
|
|
Old Gentleman's case was simple. He needed to be someone
|
|
else so he could have surgery. That would be no problem. I have
|
|
spent half my life on the insides of CORP's machines. Other
|
|
people think that I am the CORP's machine. The SYS is well aware
|
|
of me. I float inside of her as if I was her child. Clinging to
|
|
the knowledge in her memory. She tries to get rid of me like an
|
|
unwanted child but I love her way too much to ever leave her.
|
|
With Gentleman's score that could all change.
|
|
This will cost Gentleman money and not credit. There will
|
|
be raised eyes at all my money but it would still be safer than
|
|
helping a Tech and receiving traceable credits.
|
|
Before I even spoke to the old man I had what he needed. It
|
|
made the meetings go quicker and it helped with my reputation.
|
|
He was to meet me at the AMERCORP terminal station. He said he
|
|
would not be followed and would not be bringing anyone. They all
|
|
say that and they all lie. I hate having meetings in the skin.
|
|
The skin is where you get hurt. No one is going to hurt me
|
|
inside of the SYS so I know that they can come after me on the
|
|
outside. I am a little bug, a worm on the inside. Out there the
|
|
people are what is infected. The only times I have ever been
|
|
touched has been in the skin. I got shot by CORP Security in the
|
|
leg a year ago. It was in the interest of CORP to get rid of any
|
|
virus in their system. This virus lost his leg, but that is for
|
|
the better, it goes with my fake arm. My fake is filled with
|
|
chips of Stillgate RAM. I walk like a cripple but I can fly in
|
|
the places that count. I now carry a VMag Auto in the mid
|
|
section of my socket arm. Five rounds a second, very loud, very
|
|
ugly but a wonderful conversation piece.
|
|
People that are not an employee for the CORP live by a
|
|
different standard. We are called farmers, I have never farmed
|
|
nor ever seen a farm except for holo-books. The word farmer is
|
|
to increase our pride and industrialization. The farmers are
|
|
allowed to live as we wish as long as we pay our company dues and
|
|
do not rebel against the CORP. The CORP live within their own
|
|
communities and their own strict living styles. I would spend
|
|
hours watching, reading, and listening into the CORP's life. I
|
|
would watch them at church, at home, and at the work place. The
|
|
CORP's were only allowed two children. One boy and one girl.
|
|
They went to church four time a week in their local corporation
|
|
headquarters. They ate only food grown for the CORP employees at
|
|
the company stores. I have seen farmer children shot for walking
|
|
into a CORP building. CORP employees will also be shot if they
|
|
are in Farmer establishments for anything but business. There
|
|
are CORP schools, farmer schools are around but they are quietly
|
|
discouraged. CORP and farmers do talk and know each other but it
|
|
is rarely anything but business.
|
|
One day a year all farmers have to stay inside their homes
|
|
while the CORP's parade the streets. The CORP's pray and pour
|
|
water all over the streets and clean them. They clean our
|
|
streets with their hands and pray for us for that whole day.
|
|
This day is called the Day of Cleansing. I usually go outside
|
|
the next day and put out one of my smokes on the clean street.
|
|
The Day of Cleansing wasn't coming up for months and I might be
|
|
somewhere else anyway with Gentleman's money by then.
|
|
I was at the station about a half hour early. The place had
|
|
some nice shops in there that cater to the japanese tourist. My
|
|
favorite was a sushi bar with a wonderful view of the main
|
|
terminal. The place was the same as I remembered it. Hazy and
|
|
smokey from the tourists cigarettes. The only lights were the
|
|
blue ones coming in from the terminal station. I got a table by
|
|
the window so I could see anyone coming in or out. I can see the
|
|
waiter coming up to me to hassle me about my age.
|
|
"Hey boy this is no place to hangout, you buy something or
|
|
go." The waiters all look the same. All wearing t-shirts with
|
|
food on them. All with an apron on, cooking and waiting tables.
|
|
Kissing up to the businessman and tourists and flashing crap to
|
|
the plain men just like themselves. This chap was smiles all over
|
|
thinking that I couldn't buy anything.
|
|
"I'll have an espresso, and bring me lots of sugar." as I
|
|
said this I saw him crumble inside as he would not be able to
|
|
tell me to get out.
|
|
I set there drinking my coffee and looked through the
|
|
terminal. It was just another busy day. You could tell the
|
|
security guys a mile away. They were trying to bust kids ripping
|
|
off telco numbers from the phones. Small time stuff, but one of
|
|
the ways I grew up. At least this was something that the cops
|
|
could catch people at. SYS-junkies like me almost never get
|
|
caught.
|
|
Gentleman came in and sat down where I was supposed to meet
|
|
him. He was a tall man with a face that looked exaggerated with
|
|
age. He was wearing an expensive charcoal suit with a red bow
|
|
tie and a red hat. Most important of all he brought a red
|
|
briefcase with him. With the money in that case I could buy all
|
|
new chips and have a new socket put in behind my ear for faster
|
|
transmission. The socket would just be the beginning. He sat
|
|
there with his feet crossed and jumping about. He would take his
|
|
hat off and play with it. Straightening the brim, brushing it
|
|
off. Then put the hat back on and then go through the whole
|
|
process again. He was nervous, and he probably should be with
|
|
that much money. What he was doing would get him shot be the
|
|
CORP Security on site. Everything looked cool to me. All of my
|
|
clients act nervous.
|
|
I paid my bill and left a half credit for the chap.
|
|
Insulting people is an art, a half credit is not the most
|
|
creative insult but that was all the time I had. I walked by the
|
|
shops and down by the Tram loading area, watching the Gentleman
|
|
play with his hat. The two o'clock tram was about to arrive, so
|
|
the people were piling forward to get ready to get on. The
|
|
safest way for me to do this was to just walk up from behind the
|
|
Gentleman and startle him.
|
|
The people were all walking toward the Tram behind me as I
|
|
weaved forward against the grain of them. My limp slowing me
|
|
down some, a couple looking at me with pity in their eyes,
|
|
Gentleman was right in front of me now.
|
|
"Old man, I have your medicine." I muttered this and
|
|
startled him out of his seat. Enough for me to grab his
|
|
briefcase. "I hope you brought it all." I said as I started to
|
|
open up the case.
|
|
The old man put his hand on top of the case and whispered "I
|
|
would like to see my package first!".
|
|
I reached in and grabbed his package and tossed it
|
|
to him. "Here you go and may you live a long and healthy life."
|
|
i said as he ripped open the envelope to look inside.
|
|
The briefcase was stuck and I couldn't get it open. Old
|
|
Gentleman started to laugh and pulled out a badge. "I do not
|
|
think you will live a long and healthy life, boy." he said as
|
|
the wrinkles on his face disappeared and melded into the face of
|
|
a middle aged man. "Neon Blue, you are under arrest for violation of the
|
|
Anti-Virus Corporation Law."
|
|
|
|
|
|
TO BE CONTINUED...
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
File - &
|
|
|
|
///////////////// N i b b l e s o f I n f o ///////////////////////
|
|
|
|
This is a little thing of mostly pointless information not necesarily
|
|
related to CyberPunk.
|
|
|
|
The information show here has been taken from countless information
|
|
sources. Sorry if I havent credited everybody.
|
|
|
|
********
|
|
|
|
Phiber Optik was sentenced recently to one year in prison in addition
|
|
to 600 hours of community service. The term will start January 7, 1994.
|
|
|
|
Abene pled guilty on July 2, 1993 to two counts of computer related crime.
|
|
Count One involved conspiracy with 4 other individuals to commit computer
|
|
crime while Count Two involved breaking into a computer belonging to
|
|
Southwestern Bell Telephone Company. The four other persons named on the
|
|
conspiracy indictment, Elias Ladopoulous ("Acid Phreak"), Paul Stira
|
|
("Scorpion"), Julio Fernandez ("Outlaw"), and John Lee "("Corrupt") , had
|
|
pled guilty prior to Abene and, with the exception of Fernandez, are all
|
|
currently serving sentence.
|
|
|
|
********
|
|
|
|
Front 242 recently released a single of Animal as well as a 9 track EP
|
|
entitled 'Angels versus Animals'.
|
|
|
|
********
|
|
|
|
Here is something real neat I found somewhere (I'm not quite sure) a
|
|
long long time ago but felt it was neat so I am posting it here for
|
|
no reason.
|
|
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
COKE MACHINES ON THE INTERNET
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
The latest in hacker trends. :)
|
|
Actually, they've been around for a little while now...
|
|
These are actual Coke and M & M machines connected to the Internet,
|
|
and when fingered, provide you with the amount of soft drinks held within.
|
|
I doubt you could hack 'em, anyway... and if you could, how would you get
|
|
the product? :)
|
|
These are just interesting, so I put them in. Enjoy.
|
|
drink@csh.rit.edu
|
|
graph@drink.csh.rit.edu
|
|
coke@cmu.edu
|
|
@coke.elab.cs.cmu.edu
|
|
bargraph@coke.elab.cs.cmu.edu
|
|
mnm@coke.elab.cs.cmu.edu
|
|
coke@cs.wisc.edu
|
|
coke@gu.uwa.edu.au
|
|
(Special thanks to alt.hackers for the info.)
|
|
|
|
///////////////////////////////////////////////////////////
|
|
********
|
|
|
|
Here is an interesting post that was floating around recently.
|
|
|
|
|
|
>From: KEITHWRITERS@delphi.com
|
|
Newsgroups: alt.cyberpunk
|
|
Subject: Mirrorshades & Prosody Release Cancelled Under NSA Pressure
|
|
Date: Fri Nov 12 13:47:36 1993
|
|
|
|
|
|
Technosys Press Release
|
|
|
|
For More Information, Contact:
|
|
Keith Boyle, marketing director
|
|
keithwriters@delphi.com
|
|
limetwig@mindvox.phantom.com
|
|
|
|
For Release 10:47 AMEST
|
|
November 12, 1993
|
|
|
|
Mirrorshades & Prosody Release Cancelled
|
|
|
|
The scheduled release of Technosys' text composition program Mirrorshades
|
|
and text revision/encryption program Prosody has been cancelled because of
|
|
pressure from a governmental group claiming to be the National Security
|
|
Administration (NSA) wishing to prevent the release of Prosody as an
|
|
encryption program.
|
|
|
|
The "NSA" has expressed concern over the encryption method used by
|
|
Prosody. They feel that it may be using an encryption technology similar
|
|
enough to another method of natural language encryption that Prosody might
|
|
be able to be used to break that coding method. Therefore, they would like
|
|
Technosys to hand over all existing copies of the software, technical &
|
|
development notes, and software related to Prosody (i.e. Mirrorshades) for
|
|
their research.
|
|
|
|
Since the next step, if Technosys were to refuse, would be the seizure of all
|
|
of the above materials by search warrant and criminal charges, Technosys has
|
|
chosen to consent to their request and will cancel the release of these
|
|
programs.
|
|
|
|
However, THE MAN can't seize what's in our brain cells...
|
|
|
|
(Technosys is looking for good information law representation.
|
|
Anyone interested?)
|
|
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
|
|
----------->>> COMMING UP NEXT ISSUE >>>----------
|
|
|
|
) I have started a little thing of interesting net-info,
|
|
kinda like a little column of things to check out. If
|
|
you have any submissions/ideas mail me.
|
|
|
|
) If you want to write a regular opinion thing, there is
|
|
room in the e-zine.
|
|
|
|
) There is also room for another sci-fi story.
|
|
|
|
) Wouldn't it be nice if someone were to REVIEW the stupid
|
|
Billy Idol CD (From a CP point of view)
|
|
|
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|
END LINE_NOIZ.2
|
|
--
|
|
Billy Biggs Ottawa, Canada "When all else fails,
|
|
ae687@Freenet.carleton.ca read the instructions"
|