4134 lines
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4134 lines
185 KiB
Plaintext
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InterText Vol. 8, No. 3 / May-June 1998
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=======================================
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Contents
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Bite Me, Deadly................................Stan Houston
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Widow.......................................Armand Gloriosa
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A Stray Dog in Spain.........................Peter Meyerson
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The Central Mechanism.............................Jim Cowan
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....................................................................
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Editor Assistant Editor
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Jason Snell Geoff Duncan
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jsnell@intertext.com geoff@intertext.com
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....................................................................
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Submissions Panelists:
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Bob Bush, Joe Dudley, Peter Jones, Morten Lauritsen, Rachel
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Mathis, Jason Snell
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....................................................................
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Send correspondence to editors@intertext.com or
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intertext@intertext.com
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....................................................................
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InterText Vol. 8, No. 3. InterText (ISSN 1071-7676) is published
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electronically every two months. Reproduction of this magazine
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is permitted as long as the magazine is not sold (either by
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itself or as part of a collection) and the entire text of the
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issue remains unchanged. Copyright 1998 Jason Snell. All stories
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Copyright 1998 by their respective authors. For more information
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about InterText, send a message to info@intertext.com. For
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submission guidelines, send a message to guidelines@intertext.com.
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....................................................................
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Bite Me, Deadly by Stan Houston
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===================================
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It takes a special kind of man to be a Private Dick. Smart.
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Tough. An eye for broads. And a complete set of nonstick
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cookware.
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....................................................................
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It all started on a typical day in Houston. Morning fog,
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noontime tornado, afternoon hurricane. Forecast: partly cloudy
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sunset. Relative humidity: a hundred and fifty percent.
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Predicted overnight low: 25 degrees.
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Two o'clock. I was camped out in my office watching the
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neighborhood fly by the window when I heard her ooze through the
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door. Hey, I'm a private eye. I'm trained to recognize sounds
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like that.
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"I hope I'm not interrupting anything important." She sounded
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like a standing invitation to break every Commandment. And obey
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the Golden Rule. Her breathy voice reminded me of Marilyn Monroe
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the night she orgasmed the birthday song to John Kennedy. I
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always got sweaty thinking about it.
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"No, no. Not at all." I swiveled my chair so I could see what
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was attached to the voice. She had a body built for the fast
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lane, and I wanted to drive her. In all five gears. Plus Park. I
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guessed five-foot six with thirty-six C-cup by twenty-four-inch
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waist by thirty-six-inch seat cushion. But who was keeping
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score?
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I pulled a handkerchief from my Levi's and mopped my face. "Have
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a seat. Miss?"
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"Mrs." She sat. "Mrs. Lola Raymond."
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"Mark Mallet. Private eye."
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"Yes, I know. I saw it on the door."
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I saw right away she was no typical dumb redhead. I also noticed
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she collected jewelry. Especially the kind with large diamonds.
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Lola tilted her head to the right about ten degrees. Maybe
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twelve. Geometry was one of my worst subjects.
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She smiled. "Do you always dress so informally?"
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I shrugged. "I was in a quirky mood this morning. Decided to
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wear my dark blue Levi's to set off this pale pink dress shirt,
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then accent it with a pink-and-blue-striped tie. Notice the
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matching socks." I swung my right foot onto the desk.
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"Very nice." She punctuated her smile with a graceful nod. "I
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admire a man with taste who's not afraid to show it. Did someone
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recommend you wear the Reeboks with that ensemble?"
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"No." I jerked my foot down, reminded myself to pay more
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attention when I dressed.
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Time for a different approach. I offered her a cigarette. In
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Houston, it's against the law to smoke. Except in my office.
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"No, thanks." She shook her head. Her long, blazing-sunset red
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hair went along for the ride. "I quit."
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"Smart," I said. "How long?"
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She pursed blood-red lips, stared with emerald eyes. "Who knows?
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Time is a spatial concept governed by the assumption reality
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exists and the universe evolves in an orderly manner."
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I took that to mean she'd forgotten. "Coffee?"
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Her red mane swayed again. "No. I quit."
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I decided not to ask how long ago. "What brings you here?"
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"My husband."
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I straightened my tie. "What about your husband?"
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"He's dead."
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I flipped on my shocked-but-sympathetic face. "I'm terribly
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sorry. It must have been quite a blow for you."
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"Yes. But not as much as it was for him."
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I cleared my throat. "What happened?"
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"He was murdered."
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"How did he die?"
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"A gunshot."
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"Where?"
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"In our bedroom."
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"No. What part of the body?"
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"His head."
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"I don't mean to seem insensitive, Mrs. Raymond, but the head is
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a primary target for many suicide seekers."
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She slid a mauve handkerchief from her purse, dabbed her eyes.
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"I know. But do they tie themselves to the bed?"
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"Your husband was tied down?"
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She nodded.
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"Who found him?"
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"I did. He had gone upstairs to prepare for bed. I stayed
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downstairs."
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"What made you go up?"
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"A gunshot. I ran to the bedroom. But it was too late."
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"How did you find him?"
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"I opened the door and there he was."
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"No. I meant, where did you find the body?"
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"On the bed. His hands were tied to the posts."
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"And the gun?"
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She shook her head. "No. It wasn't tied down. It was just laying
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on the bed."
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"Did you call police?"
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She nodded. "They believe I killed him."
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"Why?"
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She shrugged. "His money, I suppose."
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"Your husband was rich?"
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A fingertip caressed the edge of my desk. "Filthy."
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"What business was he in?"
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"Condoms."
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"Condoms?"
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She crossed her legs, one silk-covered thigh sliding over the
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other. It looked like fun. I wanted to help. "Yes. The AIDS
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epidemic gave his company the thrust it needed. He made
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millions. Maybe billions. I'm not quite sure."
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"Have you seen a lawyer?"
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"I'm sure I have. It's so hard to tell sometimes. They look like
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everyone else."
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"No, I meant, have you hired a lawyer?"
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She cocked her head. "Why should I? I didn't do anything."
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"When did all this happen?"
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"Two nights ago. On Wednesday."
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"Mrs. Raymond, did you see anything unusual in the bedroom that
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night, other than your husband's body?"
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"An item from Randolph's collection was missing."
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"Collection?"
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She nodded. "Randolph kept it in our room. After me, it was his
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second love. He was the world's foremost authority on rare bird
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figurines. His collection included every rare bird known to
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man."
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"And you say one was missing?"
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"Yes. A figurine. Not a man."
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"Which one?"
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She paused, as only a beautiful, mysterious woman who's about to
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deliver an important message to a private eye can.
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"The Peruvian Parrot," she said.
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After Lola Raymond left, I decided to call it a day. It was
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Friday, so that's what I called it.
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I locked the office, walked to my Mustang convertible, and
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headed home. I drove east on Westheimer, the only Houston street
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that runs in a straight line for more than a mile. While the
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afternoon gale winds blasted my wavy blond hair, I played back
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my favorite part of the meeting with Lola. She paid my fee up
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front. Opened her large sand-colored tote bag and dumped out my
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retainer. Fifty C-notes. My job? Track down her husband's killer
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and find the missing bird.
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Fifteen minutes later, I hit my driveway in the Montrose,
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Houston's largest gay neighborhood.
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I owned a beach house set twelve feet above ground on stilts.
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I'd had a lifelong phobia about floods. This really pissed off
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my neighbors, since the nearest water was sixty miles south in
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Galveston. They slapped me with a deed-restriction lawsuit about
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once a month.
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I glanced at my imitation Swatch watch. Damn. Almost dinner
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time.
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I hurried to the kitchen. Grabbing a large skillet from the
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cabinet, I poured in an ounce of cooking oil and set the burner
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at medium low.
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While the oil heated, I tossed in salt, pepper, onions, garlic,
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paprika, parsley, sage, rosemary and thyme. Then I raided the
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refrigerator and the pantry. In a large bowl, I mixed cream
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cheese, mayonnaise, mustard, liver pate, diced tomato, six eggs,
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a pound of chopped sirloin and two ground-up dog biscuits. The
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whole mess went into the skillet to simmer for ten minutes.
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The phone rang.
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"Mallet here."
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"You won't be for long if you don't solve the Raymond case." It
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was a man. His voice sounded like it had kissed too many Jack
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Daniels bottles and sucked too many unfiltered cigarettes. Or
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maybe he just had a cold. I couldn't tell.
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"Who is this?"
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"You don't want to know. Just remember one thing, Mallet."
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"What's that?"
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"Louie the Limp."
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The line went dead.
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I checked the skillet. Still simmering.
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A nicotine urge hit. I didn't allow smoking in my house, so I
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stepped out onto the deck for a cigarette. What the hell, one
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more wasn't going make any difference in this burg.
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From my deck, I had a view of Houston's skyline. I stood there,
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twelve feet off the ground, sucking on my cigarette,
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contemplating the steel and glass corporate towers that shot up
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into the sky like giant phalluses.
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Damn. How about that. Scored a double. Metaphor and simile. And
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I managed to work in sex. I was on a roll.
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The phone rang again. I dashed through the door and grabbed the
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receiver.
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Same voice. "Mallet. I forgot something."
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Just what I needed. A crank caller with a short-term memory
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problem.
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"What?"
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"Diamonds."
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He hung up.
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I was staring at the phone wondering about the connection
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between diamonds, Louie the Limp and a Peruvian parrot when the
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oven timer chimed. I retreated into the kitchen, grabbed the
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skillet containing my gourmet concoction and headed out the back
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door. At the bottom of the stairs, I located my St. Bernard,
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Marlowe. He sat by his food dish, nose in the air.
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"Sorry I'm late."
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I dumped his hot dinner into the dish, then dashed back up to
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the kitchen, whipped together a peanut butter and banana
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sandwich for myself, and washed it down with an ice-cold Pepsi.
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So sue me, Spenser.
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"Mallet here." I aimed one eye at the bedside clock. Glowing
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numbers flashed 5:15 a.m.
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"Mallet! What the hell are you doing sticking your honky nose
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into the Raymond case?" It was Detective Sergeant Milford
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Ulysses Washington. One of Houston's finest; I saved his life
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years ago during a bank robbery.
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I sat up, tried to shake numbness from my head. Milford calling
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this early meant he was upset.
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"I gotta eat. Raymond's widow threw a lot of cash at me to find
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her husband's killer."
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"Stay away from the Randolph case, Mallet," he growled. "I don't
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want you screwing this one up."
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He hung up.
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Just what I needed. An angry cop who didn't want me to eat.
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Saturday morning. Hurricane Billy Bob was rampaging across the
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Gulf of Mexico toward Houston. But I had a case to solve. A
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little rain never hurt anybody.
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I picked out a pale-blue dress shirt, matching blue-and-red wool
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tie, gray-blue wool slacks, and a navy blazer. As a final touch,
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I stepped into brown Hush Puppies.
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I drove to the Galleria mall on Houston's west side. Fancy
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stores sold expensive merchandise there. Somebody might know
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about rare bird figurines.
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Two hours later, I stood near the lower-level ice rink, more
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depressed than Ross Perot reading his IQ test results. My idea
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about the mall had bombed.
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I watched the skaters, hoping one of the more well-developed
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ones would fall on her ass and cause that cute little skirt they
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all wear to flip up. No one fell, so I left. As I drifted toward
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the parking garage, my eyes zoomed in on a window sign I'd
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missed:
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Horowitz Collectibles
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ON SALE TODAY!
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Peruvian Parrot Figurines
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Maybe I could learn something after all.
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I entered. A gray-haired old man with a humpback guarded the
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cash register. He looked like a small camel.
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I jerked out my ID. "Mallet. P.I. I need to talk to you."
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He squinted through wire-framed glasses. "What unusual
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initials." He had wrinkled skin and smelled like a dead fish.
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"What?"
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"Your initials are P.I.?"
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"No. That's what I do."
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"Oh." His brow furrowed. "What's P.I.? I mean, what do you do?
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I sighed. "I'm a Private Investigator."
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His beady black eyes widened. "You mean like on TV?"
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"Right. I used to wear a button that said `As seen on TV!'
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People kept asking me if I sold Thighmasters. So I stopped
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wearing it."
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The old man pulled a rag from beneath the counter and started
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cleaning. "This is an honor. I've never had a private eye in my
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shop. Let me clean this. You don't want to get your sleeves
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dirty when you smash my face down on it."
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"What?"
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He stopped wiping. "That's what you guys do, isn't it? Someone
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refuses to help, so you grind their face into something hard so
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they'll talk."
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I closed my eyes. Counted to ten. "No," I said. "I don't do
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that."
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The old fart actually looked disappointed. I swear on a stack of
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Raymond Chandler novels.
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"That sign." I pointed toward the window. "It says you have
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Peruvian parrot figurines. Right?"
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His little head bobbed.
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"How much?"
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His eyes lit up. He wrote a price on a note pad, held it up so I
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could see.
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"Is that all?"
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"I'm afraid so." His voice quivered. "There's not much demand
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for them."
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"Has anybody bought one recently?"
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He nodded. "A fat man, very short. He coughed all the time. Came
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in last week. Looked at the birds, then bought two."
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The description fit Louie the Limp, probably Houston's most
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incompetent criminal. Maybe my anonymous caller really knew
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something. It would be a first. I usually got the heavy
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breathers.
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"Did he say why he wanted two?" I asked.
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"No. He gave me a delivery address and left."
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"You delivered them?"
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The old man nodded. "He told me he didn't want to carry them
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around all day because they might get damaged."
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"Still have the address?"
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He reached under the counter and brought out a battered shoebox.
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"Certainly. Right here." He handed me a piece of paper. It
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listed a River Oaks address. I recognized it as the Randolphs'.
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Now my brain cells really started clicking. Or maybe it was the
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grandfather clock in the corner. I couldn't tell. But I knew I
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had stumbled onto something big.
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"When were the birds delivered?" I asked.
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"Two days ago. On Wednesday."
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How convenient. The day Lola's husband bit the big bird.
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"Your birds?" I asked. "Where are they?"
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He pointed to the opposite side of the store.
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"Show me."
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The old man shuffled toward the display. He never made it.
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Gunshots ripped my eardrums. Glass exploded, rained down on us.
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The old guy clutched his chest, slumped to the floor.
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I drew my snub-nosed thirty-eight and knelt, ready to fire out
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into the mall and kill or maim thirty innocent people in order
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to hit the assassin. I looked down. Blood gushed from a wound
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near the old man's heart.
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Damn. This Peruvian Parrot business was dangerous.
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The cops entertained me all night. We had a ball. Finally, at
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seven a.m., they decided I hadn't zapped old Horowitz.
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I stepped out of police headquarters just as Hurricane Billy Bob
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tore through the south side. As I set out to find my car, a
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long, silver Cadillac drove up. A tinted rear window slid open.
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From the Caddy's bowels, a voice boomed. "Get in, Mallet. I want
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to talk."
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I climbed in. "Big Daddy," I said. "I thought you never came
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within two miles of this place unless you had your shyster on a
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leash."
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"Cut the crap," he snarled. "We got business." He jerked a bony
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hand up and rapped the plexiglass separating us from the driver.
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The Caddy leaped forward.
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I glanced across the seat. Big Daddy hadn't changed much since
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I'd last seen him. Tall, with a hawk-like face and a body as
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thin as an eighty-year-old's tits. He looked like he always did
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-- a crime kingpin. His diamond earrings, nose rings, finger
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rings, tie pins and solid gold watch accented with diamonds made
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me sick. Sick that I couldn't afford them. Everyone called him
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Big Daddy because he had fathered at least twenty illegitimate
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kids. In his spare time, he controlled Houston's entire vice
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business. He also was inclined to blow your brains out if you
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ever mentioned his real name. I guessed I'd be touchy if someone
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called me Theodore.
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I popped open the mini-fridge. "What? No Diet Pepsi? Did you
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miss a night at etiquette class?"
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A scrawny hand shot across the seat and wrapped itself around my
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throat. Tight. Very tight. "You want to live, Mallet?" He pushed
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up, lifting me off the seat. Funny, I would've never guessed
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such a skinny guy could have so much arm strength. Then again, I
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believed Oliver North and Bill Clinton.
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"Right." I hit a note most sopranos would die for.
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"Then can it."
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"Right." Damn. Two high ones in a row.
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Big Daddy's eyelids formed tiny peepholes. "I hear you're
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looking for a bird."
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"Right." I squawked. What the hell. Might as well go for a
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record.
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"I want it." With his free hand, he stuffed a wad of bills into
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my coat pocket. "Here's five grand. You work for me now."
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"I already have a client." Pavarotti would have been proud of
|
|
me. An entire sentence only dogs could hear.
|
|
|
|
"That Raymond dame. Forget her. I'll deal with her later. Find
|
|
that Peruvian Parrot. Bring it to me. Do it or I'll find a live
|
|
bird and stuff you up its ass."
|
|
|
|
I couldn't imagine how I'd fit inside a bird's ass, but I
|
|
figured Big Daddy knew a way.
|
|
|
|
"Right," I squeaked.
|
|
|
|
"And stay away from Louie the Limp." Suddenly, Louie was the
|
|
most talked about guy in town. I had a hunch he was up to his
|
|
fat little bumbling elbows in this case.
|
|
|
|
Big Daddy released my hostage throat and hit the Plexiglass
|
|
again. The car stopped on a dime and left twenty cents change. I
|
|
pitched forward onto the floor.
|
|
|
|
"Get up," Big Daddy demanded. "You'll ruin the carpet." The door
|
|
opened. As I tried to right myself, Big Daddy delivered a field
|
|
goal kick to my ass, sending me tumbling onto the street in the
|
|
middle of a hurricane.
|
|
|
|
"I'll give you a week, Mallet. Bring me that bird or you'll
|
|
never see a sunset again." His Caddy roared away.
|
|
|
|
I stood alone in the rain, watching my all-wool sports coat and
|
|
slacks shrink before my eyes.
|
|
|
|
Jerk. What kind of threat was that?
|
|
|
|
You'll never see a sunset again.
|
|
|
|
Didn't he realize I lived in Houston?
|
|
|
|
|
|
|
|
Driving home, I punched in Lola's number on my car phone.
|
|
|
|
"Mr. Mallet. What a pleasant surprise. I didn't expect you'd
|
|
come through. So soon."
|
|
|
|
I ignored her choice of phrasing. "I think I know who killed
|
|
your husband. But I don't have the bird yet."
|
|
|
|
Silence. "Find it," she said, then hung up.
|
|
|
|
|
|
|
|
When I arrived home, I felt like I had been the only condom at a
|
|
porno movie wrap party. I strolled into my bedroom, hit the
|
|
light switch and froze. Lola Raymond lay stretched across my
|
|
bed. Naked.
|
|
|
|
"From the moment I saw you," she said, "I knew I had to have
|
|
you."
|
|
|
|
Damn. Who was I to argue with logic like that?
|
|
|
|
I ripped off my clothes and executed a swan dive onto the bed.
|
|
For two hours, we devoured each other -- grabbing, rolling,
|
|
pounding, slapping, sucking and moving in ways I never knew.
|
|
|
|
Then we had sex.
|
|
|
|
Later, I lay on my back, spent, my eyes closed. My clock had
|
|
been cleaned, but I didn't know what time it was.
|
|
|
|
I observed the rules of etiquette. "Did you come?"
|
|
|
|
Silence.
|
|
|
|
I opened my eyes. Lola stood over me, still naked. Except now
|
|
she held a large knife high over her head.
|
|
|
|
I rolled to my left as he blade whizzed passed my shoulder and
|
|
ripped into the mattress. I executed an expert martial arts kick
|
|
to Lola's seductive hipbone, throwing her off balance. Leaping
|
|
off the bed, I locked her smooth, creamy arms against her
|
|
incredibly firm body, expertly arranging my hands on her
|
|
breasts. We tumbled to the floor. She hurled curses. I threw
|
|
them back. I fought to knock the knife from her hand. Somehow, I
|
|
was able to sneak in several gropes of her well-rounded ass.
|
|
|
|
Lola's hand groped between us. She grabbed and yanked.
|
|
|
|
I screamed. Enough was enough. I slammed a fist into her jaw.
|
|
|
|
She collapsed.
|
|
|
|
I struggled to my feet, gasping as I flopped onto the bed.
|
|
During the fight, Lola's tote bag had fallen to the floor. It
|
|
lay on its side, open, contents scattered. There, half exposed,
|
|
poking its head out, was a figurine.
|
|
|
|
It looked like a bird.
|
|
|
|
|
|
|
|
Hurricane Jimmy Jack was snorting its way through the Gulf of
|
|
Mexico toward Houston. But I had a job to do. A little high wind
|
|
never hurt anyone.
|
|
|
|
I left Lola at the beach house, naked, standing in the bathtub,
|
|
hands tied to the shower nozzle. I thought I knew why Lola had
|
|
the bird. It made sense now. But I needed one more answer before
|
|
I tossed this case to the cops.
|
|
|
|
A few minutes later, I entered River Oaks, Houston's answer to
|
|
Beverly Hills. Except no one had ever bought a map to the
|
|
mayor's house. No one cared.
|
|
|
|
I found the address listed on Lola's drivers' license. Same
|
|
address the old guy at the Galleria had given me. That meant two
|
|
figurines purchased by Louie the Limp had been delivered here.
|
|
On the day Randolph Raymond was killed.
|
|
|
|
The house was a modest mansion, maybe twenty or thirty rooms,
|
|
with a four-car garage. But who's counting?
|
|
|
|
I parked the car and walked to the back yard. No wonder this guy
|
|
got whacked so easily. No security that I could see. Any psycho
|
|
could wander in.
|
|
|
|
"Hold it, Mallet."
|
|
|
|
I was right. A wacko had wandered in. I recognized the wheezy
|
|
voice. "Louie the Limp. What brings you to the classy side of
|
|
town?"
|
|
|
|
Cold steel jabbed my kidney. Actually, I couldn't tell it was
|
|
cold. I was wearing my sports jacket. But in private eye novels,
|
|
the bad guys' guns were always cold steel.
|
|
|
|
"Insults will get you nowhere. You've got something I want.
|
|
Where is it?"
|
|
|
|
" `It?' What have I got that you want, Louie? Charm? Women? Good
|
|
looks? A cheap office? A foot-long love machine?"
|
|
|
|
He rammed the gun harder. "Shut up, wise ass. Take me to the
|
|
Raymond dame or your kidney's gonna eat hot lead. I want to talk
|
|
to her."
|
|
|
|
I sized up my problem. Did this overstuffed whale really think
|
|
he could ace me, Mark Mallet? Hell, no. I'd pulled myself out of
|
|
more tight places than Warren Beatty. Besides, my kidney wasn't
|
|
hungry.
|
|
|
|
"Only if you give me your gun," I said.
|
|
|
|
"What? You really think I'm that stupid?"
|
|
|
|
"Yes."
|
|
|
|
"Oh, okay," he said as he handed me the pistol.
|
|
|
|
Like I said, he was Houston's most incompetent criminal.
|
|
|
|
|
|
|
|
"Luuucy, I'm home." I shoved Louie through the door of my beach
|
|
house.
|
|
|
|
"Get me outta here!" Lola's scream made Louie flinch.
|
|
|
|
"Is that her?" he asked.
|
|
|
|
"Right, Louie. The woman of your dreams." I pushed him toward a
|
|
chair. "Sit. Make yourself comfortable. I'll bring her out."
|
|
|
|
I hurried to the bathroom.
|
|
|
|
Lola greeted me with dagger-filled eyes. "You bastard. I'll have
|
|
you arrested for this."
|
|
|
|
I slapped her ass. Hard. "Listen, sister. I brought back an old
|
|
friend of yours who wants to see you about a bird. Cooperate or
|
|
I'll leave you like this and send him in."
|
|
|
|
She considered my proposal. "All right. Untie me."
|
|
|
|
I loosened the rope. "I love it when you talk dirty."
|
|
|
|
Lola rubbed her wrists, then walked to the bedroom and slipped
|
|
into her clothes.
|
|
|
|
As we entered the living room, the doorbell rang.
|
|
|
|
"I'll get it," I announced. "Probably the Publisher's Clearing
|
|
House Prize Patrol." When I opened the door, Detective Milford
|
|
Ulysses Washington and Big Daddy stood on my deck. "Well, talk
|
|
about the odd couple. Come in, gentlemen. Glad you could join
|
|
us."
|
|
|
|
Both scowled as they trudged in.
|
|
|
|
I moved to the center of the room. "I invited everyone here so
|
|
we can clear up this mess. What say we proceed?"
|
|
|
|
"Proceed with what?" Big Daddy growled. He and Milford parked
|
|
their butts on my worn green and yellow sofa. Milford wore the
|
|
same brown suit I'd seen him wear for five years. Big Daddy
|
|
still looked like a walking jewelry store.
|
|
|
|
Time for my song and dance. "Everyone seems to have the hots for
|
|
a bird figurine. At first, I couldn't figure out why. Then I
|
|
remembered Lola telling me about her husband's business.
|
|
Randolph Raymond -- condom king of Texas. But that was a front.
|
|
His real business involved jewels. Stolen diamonds. He used
|
|
condom shipping orders to sneak them into the country."
|
|
|
|
"That's absurd." Lola sneered at me from the sofa. "Randolph
|
|
would never do anything illegal."
|
|
|
|
"Don't be so sure." I forged ahead. "He found an easier way to
|
|
transport his goodies. Figurines. They held more diamonds."
|
|
|
|
Milford piped in. "Where did you get this crap, Mallet?"
|
|
|
|
I stuck out a hand. "Hold on. Give me a minute." I whirled
|
|
toward Lola. "You discovered Randolph's plans. But you wanted
|
|
the jewels for yourself. So you hired Louie to knock off hubby.
|
|
Louie probably stabbed him, then blew off half his head to hide
|
|
the wound."
|
|
|
|
Lola's eyes breathed fire. "You bastard. You don't know what
|
|
you're talking about."
|
|
|
|
"I don't? Why'd you hire me and then try to carve out my
|
|
organs?"
|
|
|
|
She made a face. It looked like she had just sucked on a lemon.
|
|
Or a spoiled prune. I couldn't tell.
|
|
|
|
"You wanted to throw the cops off the trail. But when I got too
|
|
close, you decided I would look better in a coffin."
|
|
|
|
Lola turned away and pouted. I strolled toward Louie. "Fat Boy
|
|
here owed Big Daddy a favor. So Louie clued him in on Randolph's
|
|
diamond scheme. Big Daddy came down with a case of greed. He
|
|
loves diamonds. Big Daddy hired Louie to snuff Randolph. Louie
|
|
had it made. Two fees for one hit."
|
|
|
|
"You're crazy, Mallet," Louie grumbled from the corner. "I've
|
|
never seen this dame before."
|
|
|
|
"Is that right? Then why did you have two figurines delivered to
|
|
her house the day Randolph was murdered? My hunch is you both
|
|
wanted to make a switch. But Lola double-crossed you, didn't
|
|
she?"
|
|
|
|
Big Daddy waved a pale, bony hand. "Mallet, you've gone too far
|
|
this time. Do you have evidence?"
|
|
|
|
"You just said the magic word." I strutted over to the liquor
|
|
cabinet, reached around, and brought out the Peruvian Parrot.
|
|
|
|
Lola jumped to her feet. "Where did you get that? she screamed.
|
|
"It's mine!"
|
|
|
|
"Be careful with that, Mallet!" Milford yelled.
|
|
|
|
I held the bird out like a battle trophy. "Randolph used this
|
|
bird to test his smuggling operation. When Lola found out, she
|
|
lifted it from the murder scene." I threw Lola a smug look. "But
|
|
Louie thought you had cut someone else in on the deal. The old
|
|
man from the Galleria. He had connections to sell the diamonds.
|
|
Louie wanted everything for himself, so he shot Horowitz."
|
|
|
|
Milford stood, shaking. "Mallet, shut up and give me that."
|
|
|
|
"Not until I prove I'm right." I hoisted the bird high above my
|
|
head then smashed it against the coffee table.
|
|
|
|
"No!" All four screamed. In unison. Almost in harmony.
|
|
|
|
The bird shattered. Glass flew everywhere.
|
|
|
|
It was empty.
|
|
|
|
"What the hell?" I stared down at the jagged base I held.
|
|
|
|
Milford grabbed my arm. "Mallet, you moron. You just destroyed
|
|
the murder weapon."
|
|
|
|
"What?"
|
|
|
|
Milford's forehead was a mass of sweat drops. "Mrs. Raymond
|
|
bashed in her husband's head with that. Then she used his gun to
|
|
try and make it look like suicide."
|
|
|
|
My insides turned to water. "How do you know that?"
|
|
|
|
His lips twitched. "Ever heard of pathology, bird brain?"
|
|
|
|
"But what about the diamonds?" I pleaded.
|
|
|
|
"There were no diamonds, you idiot." Big Daddy looked as if he
|
|
wanted to feed me to his pet wolf, Peter. "That figurine had a
|
|
flaw," he said. "A factory mistake. It was worth a fortune.
|
|
Since I'm also a collector, Mr. Raymond was prepared to sell it
|
|
to me."
|
|
|
|
"Oh." I retreated a couple of paces. Glass crunched under my
|
|
shoes. "I guess that settles that. Glad you folks could drop by.
|
|
We'll have to do this again sometime. Real soon."
|
|
|
|
Milford wrapped a beefy hand around Lola's arm. "Come on. You're
|
|
under arrest for murder." As he handcuffed her, he grunted at
|
|
me. "By the way, jerk-off, Horowitz wasn't killed for the bird.
|
|
Some kid wanted to marry his daughter. The old man objected."
|
|
|
|
I stood alone in the middle of my living room, fragments of a
|
|
priceless Peruvian bird scattered around me. Maybe my career,
|
|
too. I felt lower than snail shit. I needed company.
|
|
|
|
I dashed for the back door. Outside, I rushed down the stairs
|
|
searching for my Saint Bernard, Marlowe. I found him, under the
|
|
house, humping the next door neighbor's collie.
|
|
|
|
Just what I needed. A closing metaphor.
|
|
|
|
|
|
|
|
Stan Houston (srhouston@aol.com)
|
|
----------------------------------
|
|
Stan Houston is a 55-year-old retired advertising/financial
|
|
writer who has produced four satirical novels and numerous short
|
|
stories during the past five years. One of his stories won first
|
|
place at the 1997 Houston Writers Conference. His unpublished
|
|
satirical mystery A Murder Made in Heaven is a finalist in the
|
|
Authorlink 1998 International New Author Awards Competition.
|
|
|
|
|
|
|
|
Widow by Armand Gloriosa
|
|
=============================
|
|
....................................................................
|
|
Love manifests in many forms.
|
|
Even ones that hurt.
|
|
....................................................................
|
|
|
|
1.
|
|
----
|
|
|
|
He was waiting for her in the bustle of the Mactan Airport's
|
|
domestic terminal, trying to keep his dignity as he mopped up
|
|
the sweat from his forehead and neck with a designer
|
|
handkerchief while his big, heavy Rolex wiggled loosely on his
|
|
wrist. The sticky air swirled with the fumes of taxis and vans
|
|
and the odor of uniformed porters. He was about fifty years old,
|
|
with a high forehead and thinning, gray hair, wearing rimless
|
|
glasses with thick lenses. He was dressed in a blue safari
|
|
jacket and slacks, an outfit that brought Arthur C. Clarke in
|
|
steaming Sri Lanka to mind.
|
|
|
|
The girl he had apparently been waiting for arrived. She was
|
|
tall, wearing a thin dress that showed off her legs. Though her
|
|
clothes were clean, they were obviously old; the dress was short
|
|
only because it was too small for her. Her black leather shoes
|
|
were too heavy-looking and save for the revealing dress, she
|
|
looked like a poor country girl in her Sunday best. Still, she
|
|
had a freshness to her that turned heads. Since she had just
|
|
gotten off the plane, her make-up had not yet begun to streak in
|
|
the heat. Her already-pretty face lit up some more when she saw
|
|
the Engineer, who smiled back uncertainly.
|
|
|
|
People looked on at the scene of the meeting, trying to figure
|
|
them out. Men and women idly watched them with strangely mixed
|
|
feelings.
|
|
|
|
Despite the evidence before their eyes, the men knew instantly
|
|
that the poorly-dressed girl was the old man's mistress. She had
|
|
clearly been bought by his money. It was a classic story that
|
|
everyone should know, but the actors never learned its lessons.
|
|
The men all imagined themselves as the leading man in the story,
|
|
learning the lesson ever so slowly as the rest of the world
|
|
watched on with pretended superiority.
|
|
|
|
The women responded to the young woman's attractiveness,
|
|
recalling the days when they had almost as much to trade on, and
|
|
they cocked their heads and looked down their noses at the girl
|
|
for trading on it. The young hussy, traveling on an airplane
|
|
looking like an _Ermita habitue!_ But her sugar daddy -- isn't
|
|
that Engineer Whatshisname? For shame!
|
|
|
|
"Engineer Lamberto?" the girl said, her eyes twinkling.
|
|
|
|
"Mrs. -- ah, Lamberto?"
|
|
|
|
"Please sir, you can call me Becky. Glad to meet you, sir," she
|
|
said, and impishly stuck out a delicate hand. Her accent was
|
|
thick, her speech innocent of the irritating up-and-down of
|
|
_colegiala_ singsong, so that if he hadn't known better, he
|
|
would have doubted his ears as to whether she had said "Vicky"
|
|
or "Becky." He shook her hand gingerly, aware that everybody was
|
|
watching them.
|
|
|
|
"I knew it was you, sir," she said. "Paul look just like you."
|
|
|
|
"Let me take your bag for you. Aren't you going to get your
|
|
luggage, as well?"
|
|
|
|
"I brought only my bag."
|
|
|
|
They left the terminal in a white, chauffer-driven 1970s S-Class
|
|
Mercedes with bright, untinted windows that put everyone and
|
|
everything inside the car on display, like an aquarium.
|
|
|
|
They didn't speak until they were crossing Mactan Bridge on the
|
|
way to Cebu.
|
|
|
|
"I never travel in an airplane before," she said.
|
|
|
|
"But you've been to other provinces before," he said.
|
|
|
|
"I come from Quezon Province. I didn't grow up in Manila. Paul,
|
|
he tell me so much about Cebu, although he say he didn't want to
|
|
live here anymore." She realized she had said something
|
|
inappropriate, and fell quiet. She looked out the window past
|
|
the railings of the bridge at the sea below.
|
|
|
|
|
|
|
|
Engineer Lamberto's house was of 1920s vintage, with a big lawn
|
|
and a white fountain in front. The house itself was a big
|
|
wood-and-stone affair with high ceilings. A long flight of steps
|
|
led up from the driveway into the second-story living room,
|
|
while ground floor level itself was meant only for the garage
|
|
and servants' quarters. Since it was so old, it was not located
|
|
in one of the plush Cebu subdivisions that Becky had heard so
|
|
much about. In fact, it was located on a street that had become
|
|
busier and busier in modern times, but with the front lawn so
|
|
big and the house so far back away from the traffic and its dust
|
|
and noise, it was still a nice house. The house reminded her of
|
|
Casa Manila; Paul had taken her there once, on a tour of
|
|
Manila's museums.
|
|
|
|
After she had been shown to her room and had freshened up, Becky
|
|
and the Engineer had coffee in the living room. The German-made
|
|
grandfather clock said ten past three. She expected the
|
|
floorboards to creak as the maid came and went with their coffee
|
|
and Danish butter cookies, but they didn't.
|
|
|
|
"I'm sorry my Tagalog is bad," the Engineer was saying.
|
|
|
|
"That's all right; you don't have to be sorry. I'm already used
|
|
to talk English with Paul."
|
|
|
|
She had brought her little red handbag with her to the dining
|
|
table. From it she pulled out a pack of Philip Morrises. She
|
|
didn't ask for permission to smoke. She offered him a stick,
|
|
which he graciously declined. She lit her cigarette from a box
|
|
of matches she had. She seemed ill at ease, and only
|
|
half-finished her cigarette.
|
|
|
|
The sight of her bright red lipstick on the no-longer
|
|
pristine-white filter of the cigarette made the Engineer's
|
|
stomach queasy. She stubbed the cigarette out on an ashtray of
|
|
Austrian crystal which only guests ever used. The Engineer
|
|
remembered some tobacco-related prejudices that he had been told
|
|
about some years before. In Cebu, he was told, Philip Morris
|
|
Menthols had a reputation for being "_pang_-hostess"; while Hope
|
|
Menthols were "_pang-banyo._" He knew that Philip Morris
|
|
suffered no such stigma in Manila. He kept this piece of
|
|
frivolity to himself.
|
|
|
|
"So how did you meet, Becky?" he said, in a tone that he hoped
|
|
was gentle but casual.
|
|
|
|
"In a bar."
|
|
|
|
The Engineer fell quiet. He looked at the discarded cigarette in
|
|
the ashtray, and watched stinking fumes rise from a surviving
|
|
glow in the tobacco.
|
|
|
|
"Was it a church wedding or a civil wedding?" he finally managed
|
|
to ask.
|
|
|
|
"Church," she said. "Paul insisted. Actually it was a chapel.
|
|
Paul didn't like to marry before a judge. He said he like to do
|
|
right by me, and marry me in a church."
|
|
|
|
This last she said quietly, as if she didn't want the
|
|
volunteered part of her answer to be heard. Since they had met
|
|
for the first time a few hours before they had exchanged a
|
|
little more than a dozen sentences between them. They had gotten
|
|
down to the basics rather too quickly.
|
|
|
|
"So you stopped, ah, working, after the wedding?"
|
|
|
|
"Yes. He also insisted on that. Heaven knows how we get by, but
|
|
we get by."
|
|
|
|
She couldn't bear the turn the conversation had taken. She got
|
|
up and wandered in the direction of the shelves. He tried not to
|
|
watch her swaying backside.
|
|
|
|
"Oh," she said. "You have so many records."
|
|
|
|
"Those aren't records," he said, breathing in with some relief.
|
|
"My records have all been boxed up and shut away. I've gotten
|
|
used to CDs by now. But those are laserdiscs."
|
|
|
|
She pulled one out from the shelf, puzzled. "This is a movie?"
|
|
|
|
"Movies, yes." He got up and joined her at the shelf. "What kind
|
|
of movies do you like? I suppose you go for the Sylvester
|
|
Stallone/Arnold Schwarzenegger type of movie," he said in an
|
|
attempt at light conversation.
|
|
|
|
She didn't answer. She was engrossed in looking over the movie
|
|
titles.
|
|
|
|
The Engineer realized something strange: she recognized the
|
|
movie titles not by their stars, but by their directors -- Hanif
|
|
Kureishi, Stephen Frears, David Lean, Richard Attenborough, and
|
|
so on. The other directors rang no bells -- Kurosawa, Truffaut,
|
|
Fellini. Only Spielberg and George Lucas she recognized from the
|
|
non-British directors.
|
|
|
|
I'm surprised you like British film, the Engineer was about to
|
|
say. And then he closed his mouth as he realized that it wasn't
|
|
such a big puzzle after all. It's Paul's influence, he realized.
|
|
But why the narrow range?
|
|
|
|
For a moment he saw a wistful look pass over her features,
|
|
beautiful despite the garish make-up. It was a strange look to
|
|
see on the face of someone so young. And then it was gone. She
|
|
laughed as if in recollection of fond memory.
|
|
|
|
"Paul and me, we go to the Wednesday British Cinema at the CCP
|
|
religiously. It was not far from the school where he was
|
|
teaching."
|
|
|
|
|
|
|
|
The Engineer was on playback again.
|
|
|
|
"But you're so good with math. You've always topped your math
|
|
classes. Why waste your natural talent?" the Engineer asked his
|
|
son. "Look, son, give this a chance. You're still young. There's
|
|
time for you to get a degree and take over the office."
|
|
|
|
"Pa, I've spent four years earning my AB in Philosophy. I
|
|
haven't changed my mind in all this time. I like Philosophy. I
|
|
love Philosophy. There's nothing wrong with Philosophy. If you
|
|
knew half of what you were talking about, you'd know that there
|
|
is no philosophy without mathematics. Besides, I'd also like to
|
|
spread my wings a bit, get into the arts. As a matter of fact,
|
|
I'm talking to people about publishing my novel, and I've even
|
|
been very active in the theater -- "
|
|
|
|
"The arts!" the Engineer exclaimed in disgust. "Architecture.
|
|
Architecture, then. You'd be both engineer and artist. Why not
|
|
combine the two?"
|
|
|
|
"Listen to yourself, Pa. When you say `the arts' you sneer. For
|
|
all your talk about admiring Kafka and Van Gogh and Schubert you
|
|
probably wouldn't give them the time of day if you bumped into
|
|
them in the street."
|
|
|
|
"How dare you talk to me that way."
|
|
|
|
The son was silent, ashamed, but he still held fast to his
|
|
convictions.
|
|
|
|
"Don't expect me to subsidize your Bohemian lifestyle," the
|
|
Engineer said, "because I'm not going to stand for it. The
|
|
moment you come to your senses about your vocation, I'll promise
|
|
you my whole practice, the sun, the moon and the stars, the
|
|
shirt off my back. Until then, you're on your own."
|
|
|
|
The son said nothing. "And how are you going to support, that,
|
|
that, your girlfriend?"
|
|
|
|
"She has a name, Pa. Her name is Stephanie. We can both work,"
|
|
he said uncertainly.
|
|
|
|
"You can both work," the Engineer echoed mockingly. "You give
|
|
your philosophy lectures in your two-bit downtown university,
|
|
while that woman dances in the bars?"
|
|
|
|
"Stephanie's not a dancer, she's a waitress, Pa."
|
|
|
|
"There's a difference?" the Engineer said, but the fiery flash
|
|
in his son's eyes made him regret it immediately. "And if she
|
|
gets pregnant?"
|
|
|
|
"We'll manage. I have so much to teach Stephanie, Pa. She's
|
|
willing to learn everything I have to teach her."
|
|
|
|
Again the Engineer forgot his counsel of prudence to himself.
|
|
"Oh, so she's your very own Galatea, to mold and to do with as
|
|
you please, heh? This is going too far!"
|
|
|
|
"Pa, this conversation isn't getting anywhere. I'll come back to
|
|
talk to you when you're feeling reasonable. Goodbye, Pa."
|
|
|
|
They didn't get that other chance to talk about it. The next
|
|
time Paul came home, he brought Stephanie with him. And that was
|
|
the beginning of the end.
|
|
|
|
|
|
|
|
The girl told the Engineer that they never had any money, but
|
|
made it a point to go to the CCP for the free film showings of
|
|
the Wednesday British Cinema. Once in a while they could go see
|
|
a play or a piano recital with complimentary tickets cadged from
|
|
his acquaintances in the theater. Once, she said, they had even
|
|
seen an opera for free. All she could remember about it was that
|
|
it had a hunchback in it, it was very long, and that throughout
|
|
she was feeling very sleepy, like much of the audience, until
|
|
that familiar tune came out, the one that people sing with the
|
|
words "Hopiang di mabili." Anyway, after the Wednesday movie
|
|
showings that they'd go downstairs to the CCP canteen for some
|
|
Coke and the sometimes stale empanada, and then sit on the
|
|
seawall and talk about what they'd just seen.
|
|
|
|
The girl smiled fondly, and the Engineer saw a bit of what his
|
|
son saw in her. "How he could talk and talk," she said in her
|
|
fractured English. "He know so many things about movies, and
|
|
many other things also! I think, is he like that also in his
|
|
class?"
|
|
|
|
"Tell me, Becky," he said.
|
|
|
|
"Sir," the girl said. He didn't correct her. He felt that it
|
|
gave them a bit of distance between them, and he felt more
|
|
comfortable about it.
|
|
|
|
"Did you ever get to meet a girl named Stephanie?"
|
|
|
|
"Oh," she said. "Stephanie is before me. But Paul, he didn't
|
|
like talking about her. She was, he called, a `non-topic.'"
|
|
|
|
"Oh," it was the Engineer's turn to say. Of course it would be a
|
|
"non-topic." "So you and Paul have been together for -- ?"
|
|
|
|
"One year and one half. But then we get married, so we are
|
|
married for one year. I tell him, I know you don't like me to be
|
|
a hostess still, but we need to have the money. And Paul, he is
|
|
so hard-headed, he always said no. So we are always hungry. But
|
|
we are also happy. I did not become pregnant, so maybe that is
|
|
for the good thing." She seemed embarrassed for a moment, and
|
|
then recovered herself.
|
|
|
|
"How old are you, Becky?"
|
|
|
|
"Nineteen."
|
|
|
|
After a pause, she said, "You have so many books on the shelf.
|
|
Have you read all of them?"
|
|
|
|
They were still standing in front of the shelves. The Engineer
|
|
scanned them. "Yes, I have. Over the years. All of them."
|
|
|
|
Becky was impressed. "It is no wonder your eyeglasses are very
|
|
thick."
|
|
|
|
"I'd be wearing eyeglasses anyway. Years ago, when I was still
|
|
in high school, my optometrist -- my eye doctor -- told me that
|
|
my eyesight would have deteriorated in any event, and it'd stop
|
|
when it reached a certain point."
|
|
|
|
"Do you really remember everything you have already read?"
|
|
|
|
"For the most part. Actually, all I've been doing for the past
|
|
two years is re-reading my library. And reviewing my movie and
|
|
record collection. I've turned in on myself. I'm turning into an
|
|
old fart." He smiled at her.
|
|
|
|
Becky didn't understand the word, so he straightened up the
|
|
expression on his face.
|
|
|
|
"Why do you go back to read again your old books when you have
|
|
read them already and you remember them? It is boring to read
|
|
something you already know, no?"
|
|
|
|
The Engineer smiled. This was not a person who would be
|
|
interested in shades of meaning, evolution of outlook and of
|
|
attitudes, and maturity over the years. So he only said, without
|
|
condescension, "No, not at all. Not at all."
|
|
|
|
|
|
2.
|
|
----
|
|
|
|
Over the next few days, the Engineer stopped by the office less
|
|
than he used to. Sometimes he would stay for a few hours before
|
|
or after business lunches; on some days he dropped by for only
|
|
fifteen minutes. Most of his spare time he was accompanying
|
|
Becky on her shopping. Encouraging her to shop was something
|
|
that he felt driven to do, because Becky was obviously being
|
|
crushed by boredom in the house.
|
|
|
|
At the start, the girl bought little trinkets like costume
|
|
jewelry, but improved her mind by paying close attention to
|
|
fashion magazines, the type with heavy, glossy paper. She was a
|
|
fast learner, though, and pretty soon it showed in her shopping
|
|
patterns.
|
|
|
|
In the matter of sunglasses -- "shades" -- she shunned Versace,
|
|
dismissing the designs with a laugh as "matronic." Her skin
|
|
received the loving attention of concoctions whose brands she
|
|
mispronounced horribly: Estee Lauder, L'Oreal, Almay. In the
|
|
space of three weeks she promoted herself from Johnson's Baby
|
|
Shampoo through Ivory Shampoo up to Clairol Herbal Essences. And
|
|
soap-wise, eventually only Neutrogena was good enough for her.
|
|
|
|
Becky grew in confidence, and stopped asking the Engineer for
|
|
permission for each and every purchase. The salesladies gave
|
|
knowing funny-looks at the Engineer -- again, it was that
|
|
mixture of contempt and pity.
|
|
|
|
He endured it all. He felt that his conscience was clear on this
|
|
point, and that the girl, although undeniably attractive, was
|
|
not an object of his desire -- he had bedded several women of at
|
|
least equal beauty, but of impeccable family, breeding and
|
|
education. Two of them had been other men's wives; one of them
|
|
had even been happily married.
|
|
|
|
No, his guilt lay elsewhere entirely. But it still had to do,
|
|
indirectly, with the girl.
|
|
|
|
One night, as he passed her door on the way back from the
|
|
kitchen to get a glass of water, he noticed her door partly
|
|
open.
|
|
|
|
He was touched. It was an old-fashioned way for a guest to
|
|
behave -- not closing the door on one's host before one is
|
|
actually about to sleep.
|
|
|
|
She was applying astringent to remove her make-up. For a
|
|
suspended moment, he did not breathe, and he saw how different
|
|
she looked. She was very beautiful. He almost didn't recognize
|
|
her.
|
|
|
|
She saw him looking through the door. She stopped swabbing the
|
|
cotton on her face, and nodded politely. He wished her a good
|
|
night. He heard the door closed and locked as he walked into his
|
|
own room.
|
|
|
|
|
|
|
|
Then, that dream again, for the nth time. The Engineer was in
|
|
playback again, but with less control than when awake.
|
|
|
|
His son and Stephanie insisted on spending the night together in
|
|
the house. They picked a bad time to arrive -- he was
|
|
entertaining important guests.
|
|
|
|
The Mayor was in attendance; there was a sprinkling of Cebu's
|
|
"beautiful people," and of executives from Europe and the Middle
|
|
East.
|
|
|
|
The Engineer had wanted a string quartet playing on the lawn,
|
|
but he hadn't been able to make the arrangements in time. So he
|
|
had to make do with his dual mono tube amps playing canned
|
|
Horowitz and Ashkenazy.
|
|
|
|
Fortunately, the absence of live chamber music aside, everything
|
|
else was just as he wanted it. The caterer was given
|
|
instructions that the party was open bar; the guests were
|
|
sophisticated enough be trusted with the Moet et Chandon.
|
|
Indeed, so sophisticated were they that even the Arabs
|
|
graciously partook of the champagne, while no eyebrows were
|
|
raised at this breach of the strictures of the Qur'an.
|
|
|
|
From the lawn the Engineer saw Paul and Stephanie arrive in a
|
|
clunker of a taxi, tugging at their luggage up the front stairs
|
|
before the maids, horrified, hurriedly bustled them and their
|
|
battered baggage up the stairs, out of sight into Paul's old
|
|
room.
|
|
|
|
The Engineer forebore, for the moment.
|
|
|
|
But later in the evening, Stephanie came down to the kitchen
|
|
dressed in slippers, sando and the briefest of shorts to get a
|
|
glass of water. The Arab guests practically licked their lips at
|
|
the sight.
|
|
|
|
In his dream, the Engineer left his guests for the moment, and
|
|
marched up to the room where his son and his girlfriend were
|
|
spending the night. Even before he was a teenager Paul had
|
|
always been partial to making bold statements and drastic
|
|
gestures, and finally this drop had overflowed the bucket. The
|
|
Engineer's tolerance caved in.
|
|
|
|
He knocked, and the door was opened. Icily, he told them that
|
|
they were to leave immediately.
|
|
|
|
They did so, packing their clothes back into their single
|
|
suitcase. As the Engineer led his guests out onto the lawn, with
|
|
the fountain all lit up, his son and his son's girlfriend were
|
|
ushered out through the back door by the maids and the driver.
|
|
The driver took the couple away in the Toyota Crown, and the
|
|
guests barely noticed the car drive away.
|
|
|
|
In his dream, the Engineer watched this. There was a sense of
|
|
relief, that he had done the right thing. Thank God, he thought,
|
|
I kept my temper. Thank God I didn't humiliate him in front of
|
|
the guests. But I had to show him that I was angry, that I would
|
|
not suffer his insulting behavior. But at the back of his mind,
|
|
the relief was hollow, for some reason. He could not put his
|
|
finger on it. Then he woke up, the dream began to fade from his
|
|
befogged brain, and with it, the sense of relief.
|
|
|
|
|
|
|
|
It didn't happen that way. He wished it had. Because it would
|
|
still be possible to have a reconciliation; it was even entirely
|
|
possible that the son would have come back to him, of his own
|
|
accord, to ask for forgiveness. For forgiveness! It could have
|
|
been that way. Or, the Engineer would have eventually swallowed
|
|
his pride and come to his son, asking him to come home. It would
|
|
have taken a little longer, but he would have done it. No matter
|
|
how grave the insult, a father has no business standing on his
|
|
pride if his own son needs him -- even if the son doesn't
|
|
realize it.
|
|
|
|
But no, what had happened was that he had lost his temper, and
|
|
after being sassed by his son's girlfriend after he had
|
|
reprimanded her for coming down so unsuitably dressed -- or
|
|
undressed -- he lost his temper, and went up to the room after
|
|
the girl. Before she could close the door behind her, he had
|
|
held the door open and with gritted teeth, told them to get the
|
|
hell out, now. Although he hadn't exactly yelled, he hadn't
|
|
exactly whispered, either. The guests who were in the house
|
|
became very quiet downstairs. And when he personally heaved
|
|
their still-unpacked luggage out of the window onto the
|
|
manicured lawn, even then he knew he had more than paid back the
|
|
insult in the same coin.
|
|
|
|
The maids picked up the luggage from the grass, and the driver
|
|
drove them out of the house in the ghostly-quiet Toyota Crown.
|
|
The guests were gracious about their host's profound
|
|
embarrassment, but the party broke up within twenty minutes.
|
|
|
|
When the driver got back, the Engineer was too proud to ask him
|
|
where they had gone.
|
|
|
|
|
|
|
|
It took a long while for the Engineer to build up his courage to
|
|
ask Becky the things that he had really wanted to know.
|
|
|
|
When, a year after the Stephanie incident, he inquired by letter
|
|
after Paul at his University, he was referred to Paul's address
|
|
in downtown Manila. Becky ended up answering the last of the
|
|
Engineer's persistent, inquiring missives, in a letter of her
|
|
own written in barely decipherable hen scratches. Her name was
|
|
Becky, she explained, she was Paul's wife, and she was writing
|
|
to him, Engineer Lamberto, without having opened the letters he
|
|
had written addressed to Paul. Paul was gone, she wrote. Beyond
|
|
that she would say little else. Or rather, if she had written
|
|
anything of significance beyond that, the Engineer didn't
|
|
understand it.
|
|
|
|
Several more letters from the Engineer, this time addressed to
|
|
"Mrs. Rebecca Lamberto" herself, eventually persuaded Becky to
|
|
quit her job and come to Cebu, to stay with the Engineer
|
|
indefinitely.
|
|
|
|
One evening, after dinner at a fancy restaurant at the Cebu
|
|
Plaza, they sat in the living room drinking coffee. The traffic
|
|
noise in the distance had died away to inaudibility, and the
|
|
faint sound of crickets and cicadas in full riot elsewhere in
|
|
the distance filled the silences between their words. The
|
|
Engineer could sense that the girl was vulnerable tonight; his
|
|
experience with women had taught him that much. He decided to
|
|
press his advantage. So, after aimless small talk involving
|
|
their common hostility against grade school teachers, the
|
|
Engineer steered the topic to Paul.
|
|
|
|
"When Paul told me wanted to teach, I was dead set against it.
|
|
Maybe I shouldn't have been so harsh on him, if it was what
|
|
would have made him happy. Even you, he considered you his
|
|
student. I know he was happy teaching you the things that he
|
|
knew."
|
|
|
|
"Yes," said Becky. "Maybe though I am not a very good student.
|
|
Because he leave me, he have a new student maybe brighter than
|
|
me." The Engineer let her go on without interrupting her. "One
|
|
of his students, she was even ugly, with pimples and a crooked
|
|
teeth, one day he started talking about her about how
|
|
intelligent she is. Since I already see the girl I did not
|
|
worry. She have literary interests, Paul said. He called her a
|
|
blue socks -- a blue -- "
|
|
|
|
"A blue stocking. Yes."
|
|
|
|
"He said, `She understands my poetry.' Of course, Mr. Lamberto,
|
|
Paul always recited his poetry to me, sitting on the seawall
|
|
after the Wednesday movies especially, but I did not understand
|
|
it. I tell him I like his voice reciting his poetry. He told me,
|
|
`Never mind what the words means, just feel them.' "
|
|
|
|
The Engineer looked at Becky, in her fashionably cut dress, her
|
|
long black-stockinged legs stretched out and crossed at the
|
|
ankles, with her expensively done hair. With a haughty demeanor,
|
|
chin in the air, she would have been perfect for a fashion
|
|
shoot; instead, she was leaning back in her couch across from
|
|
the Engineer's chair, a hand under her nose to hide the fact
|
|
that she was biting back her tears. Her blinking gave her away.
|
|
This girl is little more than a child, the Engineer realized not
|
|
for the first time, but he had to be merciless.
|
|
|
|
"Where did they go?" he asked finally, when the words would not
|
|
come to her and the tears rolled freely. "Where did they go?"
|
|
|
|
"Davao," she said. "I think the girl flunk many of her other
|
|
subjects. `Not good at math, not good at math,' Paul said. I
|
|
remember. Later, Paul was always angry at me for anything that I
|
|
did. I did not understand him. One day he left our apartment, he
|
|
left me a letter saying that his student was going back to Davao
|
|
to continue her college there, and that he was going with her.
|
|
He call me a slut because I always want to go back to work at
|
|
the bar. Mr. Lamberto," she said, facing him full now, "I miss
|
|
him so much."
|
|
|
|
She was crying now, and the Engineer was afraid the househelp
|
|
would hear. They had seen much in their day, with the comings
|
|
and goings of the various women in his life over the years, but
|
|
they didn't have to see and hear everything if he could help it.
|
|
|
|
He moved towards her and knelt at her feet. She moved her face
|
|
closer to him, tears streaking her make-up, her face in great
|
|
pain. She was shaking with silent sobs. "Mr. Lamberto, please, I
|
|
miss him."
|
|
|
|
Gently he shushed her, and brushed back her hair from her eyes.
|
|
"Did he leave an address?" He repeated the question even as he
|
|
wiped her tears. "Do you remember his student's name?"
|
|
|
|
She tried to kiss him, smearing the lenses of his glasses.
|
|
|
|
"Becky," he said quietly, "do you remember the student's name?"
|
|
|
|
"No!" she said loudly through her crying. "I burn his stupid
|
|
letter. His stupid goddamn letter. I don't remember her name. I
|
|
go back to my old job because I have to. I am not like what he
|
|
says." She raised a hand to his face. "Mr. Lamberto," she said,
|
|
and tried to kiss him again.
|
|
|
|
He slowly pulled his face away from her. He held her face in his
|
|
hands, looking steadily into her eyes as she made a long, uneven
|
|
moaning sound that was lower than her speaking voice. He shushed
|
|
her again, patiently, and when the low of pain had subsided, he
|
|
gathered her up in his arms and carried her to her room.
|
|
|
|
Though she was thin, she was tall, and he was not prepared for
|
|
her heft. It had been a long time since he had carried a woman
|
|
in his arms; the unbidden memories gave him no pleasure. He was
|
|
aware that a pair of eyes -- it was one the maids, certainly --
|
|
was watching them from the little glass window of the swinging
|
|
kitchen door.
|
|
|
|
In her room he did not turn on the light, and navigated by the
|
|
yellow light from the hallway which flooded in through the open
|
|
door. He laid her down on the bed, and with tender hands
|
|
stripped her down to her underwear, while she did not resist.
|
|
Then he pulled a thin blanket over her, turned on the electric
|
|
fan, and left, closing the door gently behind him.
|
|
|
|
In his own room, fully clothed, with his shoes still on, he lay
|
|
down on the counterpane of the bed. All he took off were his
|
|
glasses and his watch. He knew he was not going to get any sleep
|
|
tonight. He waited, eyes wide open and staring at the high
|
|
ceiling, for the sun to rise.
|
|
|
|
|
|
|
|
It was a summer afternoon when Becky left the house. On that day
|
|
the weather was of the type that always occurs during power
|
|
blackouts: the air was hot, sticky and windless. But the lights
|
|
didn't go out that afternoon, the Engineer remembered. The
|
|
decorative, wooden ceiling fans only swirled the humid air
|
|
around. The exotic, powerful vacuum-tube sound system that took
|
|
pride of place in the living room was silent; the Engineer never
|
|
played music while reading.
|
|
|
|
He sat in his favorite leather chair, a genuine La-Z-Boy he had
|
|
had shipped in from the States after attending a convention.
|
|
Where his body touched the chair it was damp, even through the
|
|
clothes. On his lap lay, open face down, his favorite paperback
|
|
of English Romantic Poetry, cracked along its spine from age and
|
|
use.
|
|
|
|
They were sitting together stewing in the living room, with the
|
|
folding doors the length of one entire wall open to the garden,
|
|
because the only room with a working air conditioner was the
|
|
Engineer's. To invite her into the bedroom, which was big enough
|
|
and had enough furnishings to have been an apartment in itself,
|
|
would have been inappropriate; and he felt that to stay inside
|
|
by himself enjoying the chill would have been rude to his guest.
|
|
His old fashioned sense of gallantry was coming to the fore,
|
|
although it was mixed with confusion about what would be the
|
|
right thing to do.
|
|
|
|
The girl sat on the sofa opposite him, fashion and interior
|
|
design magazines scattered all around her. She kept sighing, but
|
|
the Engineer didn't notice. His mind was a haze, and thoughts
|
|
had difficulty forming. He was trying to prolong this state, to
|
|
control it so that he could stretch it out. He was trying to
|
|
prevent thought from taking form, and with it, memories and
|
|
guilt. He didn't move. It was a state of mind precious for its
|
|
illusory peace; it didn't happen too often.
|
|
|
|
Boorishly she broke into his tenuous peace. It was like a
|
|
boulder being dropped into a still pond. "I can't stay here
|
|
anymore."
|
|
|
|
He started, not immediately understanding the words she was
|
|
saying. He echoed them mechanically. "You can't stay here
|
|
anymore?" he said, not grasping what he himself was asking.
|
|
|
|
"I'm sorry, Engineer Lamberto, you are very generous to me since
|
|
before. But I think it is like we are waiting both of us for
|
|
your son to come home. Sir, he's gone. He will not come back to
|
|
you or to me."
|
|
|
|
The Engineer didn't reply right away. "You are still his wife,
|
|
and I am still his father."
|
|
|
|
"It doesn't mean anything," she said. "He is not here anymore."
|
|
She didn't go on and say, 'It's like he is already dead, and
|
|
there is nothing that binds us anymore.' The Engineer felt that
|
|
that was what she wanted to say, but she kept herself back. He
|
|
was grateful for such mercies.
|
|
|
|
"So where do you want to go?"
|
|
|
|
She looked at him, biting her lip, eyes unsuccessfully trying to
|
|
hide guilt. For the briefest moment, the Engineer saw again how
|
|
his son had seen Becky. Right now she was a bit like a
|
|
beautiful, naughty favorite child trying to fool a parent.
|
|
"Somewhere."
|
|
|
|
"Home?"
|
|
|
|
"Somewhere."
|
|
|
|
The Engineer's heart sank. It wasn't the thought that she was
|
|
leaving. It was the thought that he had failed to reach out to
|
|
his son, to make up for things, no matter how indirectly.
|
|
Whenever he began talking to Becky freely and honestly about his
|
|
feelings about what had happened between him and Paul, she would
|
|
tune out. Perhaps it was because she had had enough pain of her
|
|
own. Or maybe it was because she thought that he should be a man
|
|
about the whole thing, and bear it in silence and with dignity.
|
|
Or, the Engineer thought uncharitably, this girl is exactly what
|
|
she appears to be: uncouth and callous, badly educated, a vain
|
|
and silly creature whose only saving grace, aside from her youth
|
|
and her salacious beauty, was that she had fallen in love with
|
|
Paul; that she could at least begin to appreciate him for what
|
|
he was, and more difficult, for what he tried to be. It took a
|
|
lot to love Paul, he knew. Anybody who loved Paul, in all his
|
|
obstinate, impractical and heedless romanticism could not
|
|
honestly be accused of being shallow in feeling. And he felt
|
|
ashamed of his contempt for the girl.
|
|
|
|
|
|
3.
|
|
----
|
|
|
|
A week after she had left, the Engineer was practically useless
|
|
around the office. Everybody in the office knew that his
|
|
mistress had left him, and there were giggles that a man of his
|
|
age could still be driven to distraction by the baser part of
|
|
his manhood. At one point the Engineer thought he heard as he
|
|
left the room one of his engineers murmur, "Thinking with his
|
|
nuts."
|
|
|
|
Another week passed, then another. Finally he had no choice. He
|
|
could not keep his mind on anything, not his work at the office,
|
|
not his movie collection, not the cable TV, not his music
|
|
collection. He had to do something, anything. It didn't
|
|
necessarily have to make sense what he was going to do -- as
|
|
long as he did something.
|
|
|
|
He flew to Manila, and rented a tired early-model Sentra from
|
|
there. He bought a road map from a National Bookstore branch in
|
|
Makati, and after studying it, gave up trying to fold it back
|
|
the way it was when it was new. The huge map stayed partly open
|
|
on the passenger's seat beside him, and at 6:30 in the morning,
|
|
so as not to be caught in the humongous Manila traffic, he set
|
|
off for Quezon Province.
|
|
|
|
Quezon was a drive three and a half hours south. He took the
|
|
rented car through the tollway and beyond, down narrower
|
|
provincial roads. In addition to being in bad shape, with a very
|
|
heavy clutch and a tendency to lurch even at cruising speeds,
|
|
the car was badly designed, with impossibly heavy steering for
|
|
such a small car.
|
|
|
|
But the drive itself kept the Engineer wide awake. It had been a
|
|
long time since he had been on such a long drive.
|
|
|
|
He persuaded the car to follow along a winding road that looked
|
|
down precipitously from the hill through which it wound -- the
|
|
road was nicknamed _bitukang manok_ because its wild twists
|
|
reminded motorists of a gutted chicken's intestines. When at
|
|
last he got back to level ground at the end of the road, he saw
|
|
a garishly painted statue of a mermaid in the water some yards
|
|
from the shoreline. He knew he had arrived in Becky's town.
|
|
|
|
Eventually the countryside scenery gave way to a busy town full
|
|
of one-way streets. He asked for directions, naming the local
|
|
elementary school and the courts as the landmarks, and
|
|
eventually found himself pointing the car up a steep hill with a
|
|
dirt track. He eased the car upward, and went past a public
|
|
school where children were arriving in droves, dressed in their
|
|
uniforms of printed white T-shirts with dark blue skirts or
|
|
shorts. The children made way for the car, but the dirt track
|
|
was so narrow, and his traction so unsure, that the Engineer
|
|
prayed he would not accidentally hit any of them. Nightmare
|
|
visions of the car slipping on a backward tack crushing a
|
|
bag-toting child chilled his fingers.
|
|
|
|
Further up on the opposite side of the road was the courthouse,
|
|
beside which a big, yellow grader was parked. The workmen who
|
|
were working on paving the dirt road came up to help. Their
|
|
gentle manner as they worked to get the Engineer's car out of
|
|
the rut struck the Engineer pleasantly; he reminded himself that
|
|
he was in the provinces again. Gratefully he pressed some money
|
|
on the men, which they took, shyly and reluctantly.
|
|
|
|
At the top of the hill, he stopped. He didn't know where to go.
|
|
There was nowhere to park the car, because on either side of the
|
|
dirt track the terrain rose up like a grassy, muddy embankment.
|
|
The Engineer left the car where it was and slogged to the
|
|
nearest house to ask again for directions.
|
|
|
|
The house was an amalgam of old and new. The older part was made
|
|
of now-dark unpainted wood, and had windows of seashells ground
|
|
to translucent thinness with thin curtains hanging limply in the
|
|
windless, overcast mid-afternoon. Clumsily grafted on to the
|
|
older part was an extension made of concrete, with a roof of
|
|
corrugated iron and windows with jalousies of frosted glass.
|
|
|
|
There was movement from within. Voices issued in agitation.
|
|
Becky stepped out of the house. She wasn't surprised to see him.
|
|
She had seen him coming, with the noise that his car was making.
|
|
|
|
"Mr. Lamberto," she said, with what seemed to be displeasure on
|
|
her face.
|
|
|
|
The Engineer stopped. Now he was here. He realized he hadn't
|
|
thought of why he had come. "Hello Becky," he said, looking up
|
|
at her. He had to make his voice carry between the twenty feet
|
|
of distance between them. After a while he said, "I came to
|
|
visit you." Better than "May I come in," thought the Engineer.
|
|
It sounded less suppliant.
|
|
|
|
"Come inside," she said, making room for him in the doorway even
|
|
as he trudged up the hill, unsure of his footing. Perhaps he had
|
|
been imagining her coldness.
|
|
|
|
He had barely sat down on the wooden bench in the living room
|
|
when he stood up again, to greet Becky's mother. The Engineer
|
|
was introduced to her as "Paul's father." Becky's mother then
|
|
bustled about in the newer part of the house, in what was
|
|
evidently the kitchen, complete with sky-blue tiles and a new
|
|
Korean-brand refrigerator. She emerged with glasses of weak iced
|
|
tea.
|
|
|
|
"I'm surprised you are able to find my house," she said with a
|
|
smile. He had been imagining things.
|
|
|
|
The Engineer's mind worked double time, thinking of the right
|
|
thing to say. "It's a small town" was all wrong. And to tell her
|
|
"I remember you talking about your house near the court and the
|
|
public school" seemed to be an admission that he had been paying
|
|
attention to their small talk, unconsciously filing away for
|
|
future reference little nuggets of information she had given
|
|
him. "I asked around," he said.
|
|
|
|
Voices came from the kitchen. First there was Becky's mother,
|
|
slowly talking in single-word sentences. "Visitor," she was
|
|
saying. "Becky. Visitor." Then a man's voice wordlessly
|
|
vocalized sounds signifying comprehension.
|
|
|
|
Becky fidgeted. A tall man wearing a T-shirt, shorts and
|
|
slippers ducked under the low doorway and entered the living
|
|
room. The Engineer looked at him. A foreigner, light-skinned,
|
|
slit-eyed, probably in his late thirties. Judging from the style
|
|
of the glasses the man was wearing, the Engineer guessed he was
|
|
Japanese. He was not handsome, but his smile seemed to point to
|
|
a mild nature.
|
|
|
|
"Mr. Lamberto, this is Kazue."
|
|
|
|
They shook hands and sat down.
|
|
|
|
"I just came to pay a small visit to my daughter-in-law," he
|
|
said uncertainly to Kazue. Kazue looked at him attentively. The
|
|
Engineer wasn't sure he had understood. "I'm sorry, do you -- ?"
|
|
|
|
Becky hesitated, then started speaking in Japanese to Kazue.
|
|
Kazue listened and nodded, smiling. The Engineer listened in
|
|
surprise, and wondered just what she had told him; a diplomatic
|
|
lie, perhaps. Her Japanese sounded smooth, but then the Engineer
|
|
would have been the last person to judge fluency in foreign
|
|
languages.
|
|
|
|
For the next few minutes there was an attempt at conversation
|
|
among the three of them, during which Becky tried to keep the
|
|
flow of meaningful information to a minimum. Kazue was an
|
|
ordinary _sarariman_. Becky had learned her Japanese from a
|
|
Japanese-language school on Avenida. Kazue had been in the
|
|
Philippines twice before on business, but now he was in the
|
|
country for only two weeks, on vacation leave. There was not
|
|
much else besides that. The Engineer felt more and more
|
|
uncomfortable. The feeling grew in him that whatever it was that
|
|
he had come to do, it wasn't going to happen. Finally, he got
|
|
up, making sure that Kazue understood he was going to leave.
|
|
|
|
"Well, Becky, Kazue, it's been nice chatting with you," smiling
|
|
a smile he did not feel. He shook hands with the Japanese.
|
|
|
|
As he was stepping through the doorway to get back to his car,
|
|
Becky spoke suddenly, in a low voice that didn't seem to be
|
|
meant to be heard. "I'm going with him."
|
|
|
|
The Engineer stopped. He didn't seem surprised. "To Japan?"
|
|
|
|
"Yes."
|
|
|
|
"Are you getting married?"
|
|
|
|
Becky looked at Kazue. "If he wants."
|
|
|
|
The Engineer felt a chilly sadness descend on his shoulders.
|
|
Gently he kissed a surprised Becky on the cheek. "Goodbye,
|
|
then," he said. He took leave of Becky's mother, who saw him off
|
|
with customary effusiveness. To the Japanese he nodded politely,
|
|
receiving in return a slight bow. He found himself hoping that,
|
|
even if just this once, people appeared to be what they were,
|
|
and that a kindly face meant a kindly soul.
|
|
|
|
There was nowhere to turn the car around. The Engineer had no
|
|
choice but to go down the road backwards, past the court, past
|
|
the grader, past the public school, all the way to the main
|
|
road, the transmission whirring with a hydraulic sound that one
|
|
hears only in reverse gear. He got to the bottom safely.
|
|
|
|
He realized he hadn't even looked back at the house as he was
|
|
backing up. He couldn't see it anymore from the bottom of the
|
|
hill.
|
|
|
|
The Engineer pointed the car north.
|
|
|
|
|
|
|
|
Armand Gloriosa (dogberry1@yahoo.com)
|
|
---------------------------------------
|
|
Armand Gloriosa was born in 1968 in Cebu, Philippines. He worked
|
|
hard for years to become a lawyer, and when he did become one,
|
|
regretted it. He married his first girlfriend, didn't regret it,
|
|
and now has two children to show for it.
|
|
|
|
|
|
|
|
A Stray Dog in Spain by Peter Meyerson
|
|
==========================================
|
|
....................................................................
|
|
History happens to other people. Memories happen to us. The
|
|
difference can drive us mad.
|
|
....................................................................
|
|
|
|
1.
|
|
----
|
|
|
|
I can't really say that what follows has haunted me all these
|
|
years. I wish I could; it would be more dramatic.
|
|
|
|
But the truth is that every so often, when I recall what
|
|
happened, I remember the experience without any feeling one way
|
|
or the other. It may be that because I was young and determined
|
|
to live the good life, I couldn't -- and perhaps still can't --
|
|
deal with the odd and ultimately sorrowful event that climaxed
|
|
our stay in Spain.
|
|
|
|
We arrived in Le Havre on the old, supremely elegant Ile de
|
|
France in early September, the most jubilant couple in the
|
|
history of marriage. By design, we had no particular itinerary,
|
|
although an older Spanish couple we knew from our summers on
|
|
Fire Island -- a painter and his pediatrician wife -- gave us
|
|
several letters of introduction to friends of theirs in Europe:
|
|
Robert Graves on Majorca (The White Goddess had been my
|
|
bible in college); Pablo Casals, who had a house in the
|
|
Pyrenees; and an exiled Spanish painter, Juan Peinado, who lived
|
|
with his family in Paris.
|
|
|
|
As it turned out, the Peinados, their children, and
|
|
grandchildren became our surrogate family during our months in
|
|
Paris, and I still on occasion think of that dear, impoverished,
|
|
generous family with a wistfulness that borders on longing. I
|
|
have kept and treasure a photograph of the Peinados'
|
|
twelve-year-old granddaughter, Jeanne Marie. I shot it in the
|
|
garden behind the artist's modest suburban studio. (The old man
|
|
used to bicycle the six miles to and from their apartment on the
|
|
Left Bank to the atelier every day.) The picture is a close-up,
|
|
snapped on the morning after we had taken Jeanne Marie to see
|
|
her first ballet. She is staring straight into the camera,
|
|
sedate, innocently ravishing, framed by a halo of flowering
|
|
vines and, to my eyes, dancing wildly in her mind.
|
|
|
|
Peinado was in his mid-seventies, a kindly, consistently
|
|
affectionate family man, but extremely difficult, to say the
|
|
least, when it came to the business of art. Like several other
|
|
painters I've known, he was vehemently distrustful of gallery
|
|
owners. I'm not qualified to judge his talent as an artist, but
|
|
when it comes to sabotaging his own interests, he was a raving
|
|
genius.
|
|
|
|
We left Paris in early December and headed south, hoping at some
|
|
point during the year to connect with Casals and/or Robert
|
|
Graves. But we didn't get to meet either of them -- Graves
|
|
because we never got to Majorca and Casals because our entire
|
|
stay in Europe, where we went, how long we stayed and when we
|
|
left, was to a large extent determined by a clinically insane MG
|
|
Magnette acquired in Paris for fourteen hundred dollars from an
|
|
old high school buddy. The car threw its first serious fit in
|
|
Avignon, and we had no choice but to spend a month exploring the
|
|
Midi and the Basse Alps (hardly a tragedy) in a rented car while
|
|
waiting for a new set of cylinders to arrive from Paris.
|
|
|
|
Like I said, while we didn't have any particular timetable or
|
|
destination, we were determined to find a warm place to spend
|
|
the winter. Reaching Nimes, we flipped a coin: heads, we'd turn
|
|
left and go to Sicily, tails, we'd turn right and drive down to
|
|
the Costa del Sol, a very different place in those days. It was
|
|
tails.
|
|
|
|
Now understand: I am not, nor have I ever been, the
|
|
hey-man-it's-cosmic type. Admittedly, in the late sixties and
|
|
seventies did my share of psychedelics (along with every other
|
|
drug known to man). I waved hello to walls that waved back,
|
|
watched my friends transform into angels and devils, and had
|
|
chats with God that seemed important but probably weren't since
|
|
I've never heard from Him again -- not yet, anyway. Once, with a
|
|
cooperative Penthouse model and my all-time favorite, MDA, the
|
|
so-called "love drug," I had an orgasm that lasted two months.
|
|
Still, I was never suckered into buying all the woo woo bullshit
|
|
of the period -- astral projection, astrology, communal living,
|
|
talking to vegetables to improve their health, Eastern
|
|
religions, guru glorification, arcane massages, beatific grins,
|
|
and all the rest of it. I began and ended the epoch as a
|
|
pathetically rational human being.
|
|
|
|
Thus, I was thoroughly unprepared for what happened when Anita
|
|
and I crossed the border into Spain at Port Bou, almost a decade
|
|
before I'd even heard of acid: I knew -- knew -- that I'd lived
|
|
there in another life! Everything -- the landscape, the smells,
|
|
people's faces, even a mangy cat I saw hanging around a gas
|
|
station -- was intimately familiar to me. This was my country; I
|
|
was home. And it really shook me up. I was having an experience
|
|
I didn't believe in!
|
|
|
|
Anita was thrilled, which sort of disappointed me. I wanted her
|
|
to worry about me, to be concerned for my mind. But Anita had
|
|
always been more open to this sort of thing, even before it
|
|
became fashionable. In fact, later on she went all the way with
|
|
it and spent her fortieth birthday in Nepal searching for
|
|
something which, she wrote back, "most people aren't remotely
|
|
interested in." The "most people," of course, included me, by
|
|
then her ex-husband and the father of her two children who were
|
|
living with me full-time while their mother was out looking for
|
|
herself in the Himalayas. For years I'd been telling Anita that
|
|
she'd have better luck finding herself on a psychoanalyst's
|
|
couch, advice which, as you can imagine, made a solid
|
|
contribution to our eventual breakup.
|
|
|
|
Although the revelation that Spain was my former homeland stayed
|
|
with me throughout our stay there, the initial awe and euphoria
|
|
I felt was replaced by rage just North of Valencia. Despite its
|
|
rebuilt engine, the goddamn MG began cleverly mimicking the
|
|
symptoms of a catatonic stupor, forcing us to put up at a
|
|
government parador after a brace of incompetent mechanics poked
|
|
around a post-war engine they'd never even seen before,
|
|
pronounced its condition muy serimente, and probably replaced a
|
|
few spark plugs while pretending to make repairs for the next
|
|
several weeks. Save for another young American couple with the
|
|
revolting habit of treating their mutt as though it was an
|
|
adorable only child, the hotel was empty. Anita realized that my
|
|
usually sunny disposition had abandoned me when, at our first
|
|
dinner with these people, I asked them whether it was difficult
|
|
finding the right size diaper for a daschund in a destitute,
|
|
outcast country.
|
|
|
|
To her credit, Anita immediately went to work on me and, as she
|
|
had from the day I met her, returned me to my rightful
|
|
character. She pointed out that we were in a warm place in a
|
|
cold month and not hurting for money, that we had a large,
|
|
bright room and a tiled terrace overlooking the Mediterranean,
|
|
that we ate our breakfast in the sun and strolled down to the
|
|
tiny harbor to watch the small fishing boats return in late
|
|
afternoon and hawk their catch right there on the stone wharf.
|
|
She reminded me that each morning we swam in ancient Roman pools
|
|
just down the beach, pools carved out of the rocks two thousand
|
|
years ago, neatly squared and refreshed with every incoming
|
|
tide, and that I'd discovered many new things, like sargo, a
|
|
delicious local fish that often became trapped in these shallow
|
|
pools and were caught by the hotel staff using long,
|
|
jerry-rigged bamboo poles at the end of which were a few feet of
|
|
line, a hook and a bit of octopus -- which I'd also never eaten
|
|
before, but now loved even more than sargo.
|
|
|
|
"And what about finding your cosmic homeland the day before
|
|
yesterday?" she added. (For the record, I never said it was my
|
|
"cosmic" anything.) "You could have sold shmatas to the Romans
|
|
who built these pools." (She was right about that, though. Once
|
|
a Jew, always a Jew, no matter what your incarnation.) "Given
|
|
all of this," Anita concluded. "I don't see how you can be in
|
|
such a shitty mood just because our car broke down again."
|
|
|
|
But by then I no longer was, and you can see why I loved Anita
|
|
so much. It always surprises me when I think how, some years
|
|
down the line, we almost came to hate each other, got divorced,
|
|
and didn't become friends again -- well, distant friends -- for
|
|
many years.
|
|
|
|
There's an event that occurred during our stay at the parador
|
|
which I feel obliged to mention because of the significance it
|
|
took on later: I didn't catch a fish. Not one. And I tried
|
|
almost every single day. My compulsive dedication was a joke
|
|
among the hotel staff, albeit a discrete and respectful joke
|
|
since this was a fascist country and Franco was looking over
|
|
everybody's shoulder. I suppose they also felt sorry for me
|
|
because they offered lots of encouragement and all manner of
|
|
tips for nailing this wily prey. (Okay. The truth is there's
|
|
nothing wily about sargo. They'll devour any tidbit you dangle
|
|
in front of them.)
|
|
|
|
The whole mortifying business started after I'd watched the
|
|
hotel guys fishing both the Roman pools and from the rocky
|
|
breakwaters that enclosed the tiny harbor. (One guy actually
|
|
grabbed a fish out of the pool with his bare hands.) Now I
|
|
considered myself a pretty fair fisherman from my summers on
|
|
Fire Island. I used to surf cast for Atlantic blues in season
|
|
and the occasional bottom fish that always hung around a sunken
|
|
wreck a hundred yards off shore. Obviously, I didn't bring my
|
|
rig to Europe, so I was forced to suck up to the dog people --
|
|
good sports, really -- and wrangle a lift to Valencia. There I
|
|
got all duded out with the best fishing gear a sporting goods
|
|
store had in stock, returned to the parador, and, as you can
|
|
see, made a complete schmuck out of myself for the next two
|
|
weeks.
|
|
|
|
|
|
2.
|
|
----
|
|
|
|
Carvajal wasn't on the map. Barely a village, it was a cluster
|
|
of white-washed hovels on the beach between Torremolinas, the
|
|
major haven for tourists with an artsy attitude (they called
|
|
themselves "exiles") and Gibraltar, a place we came to know well
|
|
thanks to the loathsome, Stephen King-esque MG. The car
|
|
apparently found Carvajal to its liking and went into another of
|
|
its fraudulent, money-eating death throes as we were passing
|
|
through on our way to Marbella. Fortunately, there were half a
|
|
dozen rental cottages adjacent to the village, and for
|
|
seventy-five bucks a month (housekeeper/cook included) we
|
|
settled into the only vacancy still available for the winter.
|
|
|
|
I'm reluctant to concede that reverberations from some past life
|
|
had anything to do with the speed with which I picked up the
|
|
local dialect -- or at least a workable version of it. But I did
|
|
feel instantly at ease with our Andalusian neighbors and we got
|
|
on enormously well. If it's because, as Anita suggested, I may
|
|
have sold shmatas to their ancestors too, so be it. There was
|
|
certainly patience and good intentions on both sides and that
|
|
always helps.
|
|
|
|
A housekeeper, Maria, came with the place. She was twelve years
|
|
old and one of the countless offspring of Tomaso, a fisherman
|
|
who became my friend -- except during those times when he beat
|
|
his wife and/or children. Their deplorable wailing and pleas for
|
|
mercy were too much for me and I always kept my distance for a
|
|
few days after these incidents, causing Tomaso considerable
|
|
consternation and confusion. Nevertheless, I chose not to
|
|
discuss these outbursts with him. There's no point telling a
|
|
Spanish peasant it's tacky to bounce your family off the walls
|
|
when whacking the shit out of relatives has been a revered
|
|
tradition since the Vandals began raiding Roman towns along the
|
|
Iberian coast in the fifth century.
|
|
|
|
Our other neighbors -- mostly English vacationers -- disliked us
|
|
from the moment they learned we were paying our wretchedly
|
|
undernourished housekeeper four dollars a week. They seemed to
|
|
think that we, like all "rich Americans," were "spoiling the
|
|
natives rotten," creating expectations which would cost them,
|
|
the true tourists, dearly. Tough shit! We're talking about
|
|
victims of a repressive regime, pauperized peasants with little
|
|
more than a roof over their heads and the shredded rags on their
|
|
backs. So desperate were these people that, to avoid the
|
|
dreaded, rapacious, omnipresent Guardia Civil, they would row
|
|
out to sea in the middle of the night, risking prison to salvage
|
|
some water-logged tree trunk out of which they fashioned planks
|
|
to repair their boats and make oars and furniture and statues of
|
|
the Madonna and God knows what else. Fuck those English
|
|
tourists!
|
|
|
|
Anyway, I was still sargo-possessed; it had gotten to be a
|
|
me-or-them sort of thing, and, even before unpacking, I grabbed
|
|
my gear and made a dash for the sea. Little kids, both foreign
|
|
and domestic, began to gather on the beach -- no doubt impressed
|
|
by my fancy rig. As I stood waist-deep in the water getting
|
|
ready to cast for the fat, elusive (for me at least) silvery
|
|
fish, I jokingly asked a six-year old English kid watching from
|
|
shore, "Can you count to ten?"
|
|
|
|
"Of course I can," he replied, insulted.
|
|
|
|
"Good. You count to ten and I'll pull in the biggest fish you
|
|
ever saw."
|
|
|
|
"Will you really?" he asked, eyes widening, jaw dropping, a
|
|
pearly stream of spittle beginning to meander down his chin. In
|
|
those days, little children, even bright, English public school
|
|
kids, still believed that certain adults were blessed with
|
|
magic.
|
|
|
|
Well, I had magic that day.
|
|
|
|
While a good-sized sargo averages a mere six or seven pounds, I,
|
|
on my very first cast, landed a twenty-five pound behemoth,
|
|
probably the biggest sargo in the entire Mediterranean! I have
|
|
no doubt that had I waited another day, it would have washed up
|
|
on shore dead of old age. I became an instant hero, not only to
|
|
the kids, but to the fishermen as well, many of whom came
|
|
running over to see this amazing catch and the amazing man who
|
|
caught it. They themselves tossed drop nets over the sides of
|
|
small rowboats and, in theory, had a better chance to trap a
|
|
fish this size. Apparently, they never did. To pull one out of
|
|
the sea with a cheesy lure on the very first cast was quite a
|
|
feat.
|
|
|
|
I must say adulation beats disgrace any day of the week, but
|
|
redeeming myself from the humiliations suffered at the parador
|
|
meant more to me. For one euphoric moment, I considered sending
|
|
a snapshot of me and Gigantor to the waiters up the coast, but
|
|
that would have been a bit too gauche.
|
|
|
|
After a while, I noticed a man taking in the scene from the
|
|
periphery of the small crowd. I guessed he was in his late
|
|
thirties, tall, blue-eyed, greying at the temples and
|
|
extraordinarily handsome. His face seemed to have been molded in
|
|
white clay and left unbaked -- powerful, angular, yet muted,
|
|
almost soft. What really made me take notice was the perplexing
|
|
contradiction of his bearing: He stood absolutely erect, yet the
|
|
longer I looked at him the more I saw (imagined?) him crouching,
|
|
maybe even cowering, within himself. It was very strange the way
|
|
pride and sorrow somehow came together in the man's demeanor. I
|
|
was hooked. I had to find out who this guy was.
|
|
|
|
It wasn't easy. For three weeks, we didn't exchange a word. We
|
|
simply nodded to each other as he passed by on his twice-daily,
|
|
unhurried walks along the beach. I found myself too shy to
|
|
initiate a conversation, which wasn't like me at all. I was
|
|
usually surrounded by an audience of impatient kids hungry to
|
|
witness my next triumph over nature. But my magic never did
|
|
return, and with every puny flounder I dragged from the sandy
|
|
bottom, I'd lose a few more disciples. Eventually, all my
|
|
admirers lost interest or, more accurately, faith, in my powers,
|
|
and abandoned me to my vigils. I wasn't their very own magician,
|
|
after all; I was just another ordinary human, kind of like their
|
|
fathers. I was sorry to disappoint them.
|
|
|
|
I soon learned that his name was Gerd and that he and his wife,
|
|
Helga, lived in a cottage at the other end of the tourist
|
|
enclave some fifty yards up the beach. She occasionally went
|
|
with him on his daily promenades which always took place at
|
|
exactly eight a.m. and four p.m. You could set your watch by his
|
|
strolls. He walked as he stood, upright and downcast, the most
|
|
august and angst-ridden man I'd even seen. Helga, a skittish,
|
|
chatty, blond woman whom I judged to be in her early thirties,
|
|
flapped around him like a raven harassing an eagle. Gerd never
|
|
engaged her directly on these walks; he looked passed her or
|
|
through her when she happened to flit in front of him, always
|
|
gazing straight ahead, his eyes on the fisherman who, at these
|
|
times of day, were hauling in their nets or sorting their
|
|
pitiful catch on the sand. The couple kept to themselves and I
|
|
never saw them speak to their neighbors. I wasn't sure they even
|
|
knew English until I met them and discovered they spoke the
|
|
language flawlessly, with only a shade of an accent.
|
|
|
|
Because animals must live in non-Catholic countries to possess
|
|
souls and feel pain, those unfortunate enough to inhabit Latin
|
|
countries lead lives of unrelenting misery. Useful beasts, like
|
|
donkeys or cows, are only a little better off than pets, so if
|
|
you wake up tomorrow and discover that you're a stray dog in
|
|
Spain, head for the nearest border or swim out to sea and drown.
|
|
|
|
In 1959, though, you'd have found a haven in Gerd's cottage.
|
|
|
|
That's how I finally met him, on the morning a bunch of local
|
|
kids were hurling stones at a trembling mongrel and harassing it
|
|
with sticks. Gerd must have heard the ruckus too (it woke me
|
|
up), because he came running down the beach shouting (in
|
|
Spanish) and chased the kids away from the near-dead dog. I
|
|
watched from my terrace as he cradled the poor creature in his
|
|
arms and took it back to his cottage, murmuring soothing words
|
|
in German.
|
|
|
|
I had to meet this guy.
|
|
|
|
Later, when I knew he'd be taking his afternoon walk, I
|
|
intercepted him.
|
|
|
|
"Good morning," I said.
|
|
|
|
"Good morning," he replied, neither pleasantly nor unpleasantly.
|
|
|
|
"Ah. You speak English," I said, grinning inanely. He didn't
|
|
reply, so I continued. "That was a nice thing you did this
|
|
morning, saving that dog."
|
|
|
|
He shrugged. His shrugs were difficult, slow to start and
|
|
lengthy, as though there was a hundred pound weight on his
|
|
shoulders. A long silence followed, so long I began thinking,
|
|
well, that's it for today, when he said:
|
|
|
|
"That was quite a fish you caught the day you arrived."
|
|
|
|
"Just luck," I said, with what I imagined to be disarming
|
|
modesty. Then, strangely, I felt compelled to diminish my own
|
|
stature with a confession. "You know, I fished for two straight
|
|
weeks near Valencia and didn't catch -- " I was about to say
|
|
"shit," but thought better of it. " -- a single fish." Something
|
|
about the guy demanded a measure of formality. Or maybe I was
|
|
self-conscious, knowing how Europeans hated the way Americans
|
|
presumed a jolly friendship from the first hello.
|
|
|
|
"Good luck counts," he said. Huh? Wow, was that ever elusive!
|
|
Counts for what? In what context? Fishing? Life? Everything? So
|
|
far the guy's said a dozen words (including "good morning") and
|
|
already I'm mulling over what he means. (Although, there was a
|
|
voice inside saying, hey, you want a mystery, you'll find a
|
|
mystery.)
|
|
|
|
Well, I had plenty of time to gnaw on this bone because Gerd
|
|
nodded without smiling and resumed his walk. Watching him vanish
|
|
down the beach, I began wondering about what he did during the
|
|
war. True, he had the air of a soldier, an officer, but I
|
|
couldn't imagine him fighting for the Nazis. I trusted my
|
|
feelings about him and, his aloofness notwithstanding, Gerd had
|
|
heart; there was no way he could have been on the wrong side.
|
|
Working with the underground was more like it -- dangerous,
|
|
secret meetings in Berlin safehouses, sending morse code
|
|
messages to London, blowing up bridges across the Rhine, night
|
|
attacks on barracks in the Black Forest -- all the stuff I'd
|
|
seen in movies.
|
|
|
|
Or maybe I'd known him in one of my previous lives. Yeah: I'm a
|
|
wandering gem merchant pursuing my trade in one of the old Roman
|
|
coastal towns, Saguntum or Tarraco. Gerd's a Carthaginian Vandal
|
|
from North Africa. (Come to think of it, in this scenario, he
|
|
could very well be one of Tomaso's ancestors.) On one of their
|
|
raids, I'm taken prisoner. I'm about to be executed when Gerd
|
|
intervenes: "Let this one be!" he thunders to his men -- don't
|
|
ask me why. I thank him in a language he doesn't understand and
|
|
go on my way. A few months later, one of Justinian's armies
|
|
arrives to sweep these dreaded barbarians out of Africa and put
|
|
an end to their brutal forays along the Spanish coast. Now Gerd
|
|
is captured. He's about to be executed. I recognize him at once
|
|
among the thousands waiting to be nailed to the cross. I check
|
|
my gem bag and approach a centurion. The guy's got a hammer in
|
|
his hand and sneers ominously through a mouthful of nails. The
|
|
bastard can't wait to start hammering. "Excuse me," I say. "That
|
|
man over there, the one who's straight and bent at the same
|
|
time....I'd like to buy his freedom." I bribe the boob with two
|
|
opals and an emerald -- second-rate stones actually, but what
|
|
does he know? Gerd jumps down off the cross. He thanks me in a
|
|
language I don't understand and goes on his way.
|
|
|
|
Sounds about right to me.
|
|
|
|
"What do you think of the kraut?" I asked Anita when I returned
|
|
to the cottage.
|
|
|
|
"Which one's the kraut?" she replied, which tells you where her
|
|
focus was. Anita had started knitting a muffler in Avignon that
|
|
was now seven feet long.
|
|
|
|
"You expecting Siamese twins?"
|
|
|
|
"Up your ass," she replied matter-of-factly.
|
|
|
|
I guess being together twenty-four hours a day for five months
|
|
was beginning to take a toll on our marriage. It wasn't serious
|
|
(yet), but it wasn't fun anymore either. We didn't fight; we
|
|
were just there, keeping more and more to ourselves, leading
|
|
separate lives in the same space. As the winter went on, we
|
|
became increasingly listless, kind of numbed out, at least with
|
|
each other. Sex, on those rare occasions when we had it, was
|
|
still pretty good -- for me. But I'm a skilled pervert who can
|
|
(or could in those days) get off behind anything. Assent,
|
|
resistance, indifference, even a woman's passion -- all were
|
|
aphrodisiacs to me.
|
|
|
|
We couldn't see it then, but this was more than a bump in the
|
|
road on the way to a happier marriage. Our alienation was
|
|
growing at about the same rate as Anita's muffler. No surprise
|
|
that it took a while to notice the most important sign of all,
|
|
the one that reads: "Couples Who Stop Discussing A Future
|
|
Together Don't Have One."
|
|
|
|
|
|
3.
|
|
----
|
|
|
|
Now here's a shocker: That same night, Gerd, with Helga in tow,
|
|
showed up at the cottage with a chess set under his arm, just as
|
|
though we'd made plans for the evening! We were digesting yet
|
|
another feast of boiled leather (squid), half-baked potatoes and
|
|
raw carrots -- What do you want? The kid was twelve years old!
|
|
-- when I noticed the two of them standing on the flagstone
|
|
terrace: Gerd, as always, outwardly erect and inwardly stooped,
|
|
Helga, doing her overwrought raven routine, dipping and weaving
|
|
and hopping around her stationary husband as though waiting to
|
|
pounce on his discarded tidbits.
|
|
|
|
"May we come in?" she asked, smiling politely.
|
|
|
|
"Hey, our door's always open," said Mr. Cheery, prompting a
|
|
God-you-can-be-putzy-sometimes sigh from Anita. "Come, in, come
|
|
in," I continued, ignoring the put-down. I'd done it! Casals is
|
|
in the Caribbean, we may never meet Robert Graves or Picasso.
|
|
But who cares? I've landed another giant sargo!
|
|
|
|
"I thought you might like a game of chess," Gerd said.
|
|
|
|
Jesus! How does he know I love chess?
|
|
|
|
"Well, sure! You guys want a drink, coffee or something?"
|
|
|
|
"Guys?" asked Helga, rattled by the colloquialism.
|
|
|
|
"Oh, sorry. It's....you know, a way to say....it just means the
|
|
two of you."
|
|
|
|
"Ah, I see." But I could tell she didn't see anything. I suppose
|
|
she thought I was calling her a dyke.
|
|
|
|
I noticed that Gerd, who didn't pay any more attention to his
|
|
wife indoors than he did outdoors, was scrutinizing the room.
|
|
(What was he looking for? The tourist bungalows are all
|
|
identically furnished.) What I was totally oblivious to, until
|
|
later when she busted me for it, was that I was ignoring Anita!
|
|
For the next two hours, it's like she wasn't there. Weird. I was
|
|
imitating this guy!
|
|
|
|
Loving a game doesn't guarantee that you'll be any good at it,
|
|
and I'll never be more than an average player. However, my ego
|
|
isn't invested in chess and I didn't mind losing three games in
|
|
quick succession. Truthfully, I would have lost even if I hadn't
|
|
been distracted by an avalanche of thoughts regarding my
|
|
enigmatic opponent. (Why had he suddenly appeared at the
|
|
cottage? What did he want? Who was he? Why did I care who he
|
|
was?) What did bother me was that he hardly said a word that
|
|
night. He came to play chess and that's what we did. Helga, to
|
|
Anita's dismay, took up the chit-chat slack, giving new meaning
|
|
to the phrase witless prattle. (Examples: Spain is a lovely
|
|
country. The sea is beautiful. I wish the beach weren't so
|
|
rocky. The sand is grainy. It hurts to walk barefoot. How nice
|
|
to be warm in winter. Have you been to the bullfights in Malaga?
|
|
Et cetera.)
|
|
|
|
Anita, kind, generous, big-hearted Anita, was wilting under the
|
|
barrage. My wife, an M.A. in Comparative Lit. who read four
|
|
books a week -- despite her knitting obsession -- had no flair
|
|
whatsoever for small talk. Nonetheless, there were a few nuggets
|
|
of substance in Helga's painfully mindless soliloquy. The
|
|
Rautenbergs, I learned, weren't merely tourists. They had taken
|
|
a long lease on their bungalow years ago when they came to live
|
|
in Spain permanently. Helga worshipped her husband and told us
|
|
that Gerd was a commercial artist who made a living painting
|
|
"the most exquisite labels" for Rhine wine bottles for a company
|
|
in West Germany which kept him supplied with materials. I
|
|
noticed Gerd winced slightly every time his wife touched on
|
|
anything relating to their personal lives.
|
|
|
|
The Rautenbergs left as suddenly they had come. Cutting his wife
|
|
off in mid-rant, Gerd swept the chess pieces off the coffee
|
|
table into their sweet-smelling cedar box, snapped the board
|
|
shut, rose to his feet and said, affably but unsmiling,
|
|
"Goodnight." I thought the guy was pissed by my shabby
|
|
performance. Later I came to understand that sudden appearances
|
|
and abrupt departures were his style.
|
|
|
|
He disappeared through the open, glass-panelled door with poor
|
|
Helga fluttering in his wake firing salvo after salvo of
|
|
exaggerated tics over her shoulder. Before I realized that these
|
|
twitches were intended to be apologies for her husband's
|
|
unceremonious exit, I suspected she might be a loon who'd been
|
|
downing anti-psychotic medication for too long.
|
|
|
|
But that was it. No "Thanks for the coffee," no "What a pleasant
|
|
evening," not even some 1959 equivalent to "Your chess sucks,
|
|
I'm outta here." Just a curt goodnight, and he was gone.
|
|
|
|
"So...?" I said to Anita. I really wanted her angle on the guy.
|
|
|
|
"What do you mean?"
|
|
|
|
"Ah, c'mon, Anita," I whined. "What do you think about Gerd?"
|
|
|
|
"I like him," she said.
|
|
|
|
"All right. I can buy that. So do I. But, seeing as he didn't
|
|
open his mouth, what do you like about him?"
|
|
|
|
"Must I have a reason?" she asked.
|
|
|
|
"Hey, this isn't a grilling. I'm only asking for your opinion."
|
|
|
|
"Why're you so interested in him?" she said, unspooling the
|
|
half-mile-long muffler.
|
|
|
|
"Must I have a reason?" I shot back, mimicking her tone exactly.
|
|
|
|
Okay, it was a snide, self-defeating remark and I knew it would
|
|
curb any further discussion. I wasn't surprised that Anita got
|
|
up without a word and went into the bedroom, but, what the fuck,
|
|
I was angry, justifiably angry, at her airy intransigence. I was
|
|
also frustrated. Anita had a unique fix on people; I valued her
|
|
observations and I had a genuine yearning to discuss the evening
|
|
with her; I didn't want to keep this guy to myself. I'd hoped he
|
|
was a mystery we could unravel together.
|
|
|
|
Alone on the terrace, staring into a black, starless sky,
|
|
listening to the crashing waves of an exceptionally high tide, I
|
|
started thinking that maybe we'd turned some corner and were in
|
|
the early stages of a doomed marriage. Not having experienced it
|
|
before, I had no idea how a downhill slide started. But, geez,
|
|
we'd been together for less than four years, only two of them as
|
|
man and wife! The notion was too outrageous, too painful to hold
|
|
onto. Exhausted, I wrapped the thought in a sigh and let it go,
|
|
trusting it would float out into the darkness and sink to the
|
|
bottom of the sea. Then I went into the house, opened Claudius
|
|
the God and instantly fell asleep on the sofa, quite unaware
|
|
that this was the very first time Anita and I wouldn't be
|
|
spending the night in the same bed.
|
|
|
|
All in all, January wasn't a good month; February was worse.
|
|
|
|
I'd given up surf casting and started going out to sea with
|
|
Tomaso, helping him gather his nets and fishing from his boat. I
|
|
was hoping I'd have better luck in deeper water. I didn't. Late
|
|
one morning I returned from one of these expeditions and found a
|
|
letter from Olga, Peindado's wife. She said that Peinado had
|
|
died suddenly in his sleep. (I've always wondered what that's
|
|
like, to die in your sleep. Are you dreaming you're dying and
|
|
then -- I don't know -- stop? Or do you just keep on dreaming
|
|
forever? Or are you trapped in a nightmare and reach that
|
|
terrifying moment where, ordinarily, you wake up in a sweat,
|
|
panting, relieved that it was just a dream, only this time you
|
|
don't wake up and the nightmare goes on through all eternity? Or
|
|
do you never really die in your sleep? Is the proverbial
|
|
obituary entry, "died in his sleep," a euphemism for waking up
|
|
and dropping dead? Which would mean Peinado was present for his
|
|
own death. And what about Olga? She had to be there next to him,
|
|
because you don't make it through forty years of marriage
|
|
sleeping on the sofa in the living room. However it happened, it
|
|
was probably fast, and I consoled myself by thinking there's
|
|
this to be said for death: it puts the fear of dying behind
|
|
you.)
|
|
|
|
Although we'd only known Peinado a short time, I felt like I'd
|
|
lost my grandfather all over again -- the one on my mother's
|
|
side for whom I had a special love all through my childhood.
|
|
|
|
I'm certain Anita was just as upset by the news as I was, but by
|
|
then we'd reached a point in our relationship where we couldn't
|
|
even share our grief.
|
|
|
|
It was after Peinado's death that I began, unconsciously, to
|
|
assume Gerd's carriage: head up, heart down. He must have
|
|
detected the change in me because he soon became friendly in a
|
|
more conventional way. He'd show up at the cottage to play chess
|
|
two, sometimes three nights a week -- often without Helga, which
|
|
probably added six months onto our marriage. Frequently, we took
|
|
long walks along the beach to Fuengirola, a more prosperous
|
|
village where fisherman plied the waters in spacious,
|
|
broad-beamed boats, some equipped with single masts and huge,
|
|
billowing sails, others powered by motors. From these vessels,
|
|
tipped with majestic, ornately carved mastheads, they swept the
|
|
sea clean of larger fish for miles around, leaving Tomaso and
|
|
our other Carvajal friends -- in their ancient, rotting dinghies
|
|
-- little more than minnow-sized scraps.
|
|
|
|
And Gerd began talking more. Nothing intimate, nothing about his
|
|
past, just the kind of stuff you'd expect from him -- how he
|
|
hated the way the Spanish treated animals, and he thought the
|
|
English were snobby, but their kids were charming. It wasn't
|
|
much, but it was a step in the right direction.
|
|
|
|
Then, suddenly, surprisingly, I learned everything I wanted to
|
|
know about Gerd all at once. It happened on one of our chess
|
|
nights, which always took place at our cottage since they never
|
|
invited us to theirs. Helga was with him. Gerd and I had settled
|
|
down to play. (I'd begun to give him some competition, losing a
|
|
mere three out of four games.) As usual, Helga was spouting and
|
|
Anita was fuming when, an hour into the evening, I asked a
|
|
question about Thomas Mann, a question that can only be
|
|
characterized as bland, inconsequential. Gerd's response to it
|
|
led to -- what? -- a dramatic explosion? a shocking confession?
|
|
a major breakthrough? Well, yes and no. The content of what he
|
|
said was certainly dramatic, and it was a major breakthrough
|
|
given my ardent interest in him. Yet, it all came out so
|
|
offhandedly, it couldn't in any way be considered either
|
|
shocking or confessional. For a moment, I was convinced that the
|
|
only reason Gerd hadn't said anything about himself until that
|
|
night was because we hadn't asked!
|
|
|
|
"When I was seventeen," I said, "and a freshman in college, I
|
|
was a Thomas Mann nut." Followed by: "It must be great to read
|
|
him in German, huh, Gerd?" Gerd snorted and for the first time
|
|
in my presence spat out a smile, a piercingly cynical smile, and
|
|
grunted: "Thomas Mann? When I was seventeen I wasn't reading
|
|
Thomas Mann."
|
|
|
|
"Oh? How's that?" Don't ask me why, but I'd assumed Gerd was
|
|
well-educated, a guy who loved books.
|
|
|
|
"Because members of the Hitler Youth weren't encouraged to read
|
|
the books they burned," he said with that long, weary shrug of
|
|
his.
|
|
|
|
Shock? Stunned silence? A deafening lull in the conversation?
|
|
Take your pick. They all describe our response to this blunt,
|
|
prosaic, utterly stunning revelation -- and that includes Helga.
|
|
I glanced over at her. She looked as though she'd just been told
|
|
she was going to have open heart surgery without an anesthetic.
|
|
|
|
"Ah... interesting," I said after what seemed like ten minutes.
|
|
"So you were in the Hitler Youth." Like, no big deal; Germany
|
|
had the Hitler Youth, America has the Boy Scouts. Anita didn't
|
|
even bother reacting to this prize absurdity.
|
|
|
|
"He had no choice," Helga said. For a second, she was no longer
|
|
a raucous, chatty raven; she became a hawk spreading it wings
|
|
protectively over her newborn chick. Gerd glared at her. The
|
|
message was: I didn't ask you to defend me, so stop it. Helga
|
|
obligingly returned to her babbling mode -- though it was a
|
|
pretty heavy babble this time.
|
|
|
|
"It was terrible for us... the firebombings... in Hamburg....
|
|
They say it was worse than the atomic bombs in Japan. We lost
|
|
everything... everyone.... We had to live in the streets. We had
|
|
no food. We... we ate rats! Everybody was sick, and the dying...
|
|
the bodies on the street.... Mein Gott, mein Gott, I can't tell
|
|
you how horrible it was." She covered her face with her hands
|
|
and began rocking back and forth in her chair.
|
|
|
|
"Oh. So you guys knew each other during the war." I said. It was
|
|
the most idiotic, irrelevant, inappropriate statement I'd ever
|
|
made, but I was desperate to lighten things up. Ridiculous. I'd
|
|
spent two months looking for a cat to let out of the bag and now
|
|
that it had appeared, I had this urgent need to shove it back
|
|
in. There was good, old fashioned Jewish guilt at work here, as
|
|
in: How dare you invite these lovely Nazis into your home and
|
|
allow them to feel uncomfortable.
|
|
|
|
"No, no," Helga went on. "We met after the war, at a camp."
|
|
|
|
"I thought `camp' was reserved for Jews, Gypsies, homosexuals
|
|
and other undesirables," Anita said. I cringed. Anita was born a
|
|
High Episcopalian related to such heavyweights as Benjamin
|
|
Franklin and Alexander Hamilton on her father's side and the
|
|
pre-colonial divine, Jonathan Edwards, on her mother's side.
|
|
With bloodlines like hers, you don't worry much whether your
|
|
Nazi friends are ill-at-ease under your roof. Besides, Anita had
|
|
tolerated Helga's monologues long enough; she wasn't about to
|
|
defuse the situation now that she had something to dig her teeth
|
|
into.
|
|
|
|
"A refugee camp," Helga replied, staring at her shoes. "We were
|
|
displaced persons when the war ended, so that's where they put
|
|
us. We tried to emigrate to America, but -- " She stopped.
|
|
|
|
I was thinking, why not? We took in lots of Nazis after the war.
|
|
Too bad Gerd wasn't a rocket scientist, he'd have gotten in for
|
|
sure.
|
|
|
|
"--But I had tuberculosis," Gerd said. "And that disqualified
|
|
us."
|
|
|
|
"Being a Nazi wasn't enough?" Anita asked. The woman wouldn't
|
|
let up and now I started shooting her dirty looks. I mean,
|
|
c'mon, let me handle this; I'm the Jew in the crowd.
|
|
|
|
"Apparently that didn't matter...." Gerd said. There was nothing
|
|
apologetic in his voice, just profound sadness -- but, if not
|
|
for having been a Nazi, for what then?
|
|
|
|
I decided, fuck it, I'll take the direct route. Sure I like the
|
|
guy, he moves me, but pretty soon we'd be leaving Spain and I'll
|
|
probably never see him again. I had nothing to lose. And, of
|
|
course, my greedy curiosity had only been partially satisfied.
|
|
|
|
"Gerd, tell us what happened," I said, softly, sincerely. He
|
|
studied me for a long moment, then told us the following:
|
|
|
|
"I was born in the Sudetenland, an area given to Czechoslovakia
|
|
after World War I. We Sudeten Germans were a hated minority and
|
|
the Czechs treated us...well...like what you would expect. When
|
|
Hitler annexed the region, we all greeted him as a great
|
|
liberator. Of course, I joined the Hitler Youth. I was a
|
|
patriot. By the time the war started, I was a lieutenant in the
|
|
Wermacht. For anyone who cares to make the distinction, we were
|
|
the elite fighting arm of the German Army; we were soldiers, not
|
|
those hideous thugs. I fought the whole war on the Russian
|
|
front. A Panzer unit. Twice I was among a half dozen men to come
|
|
back from an engagement. At Stalingrad, the beginning of the end
|
|
for us, I was the only survivor in my section. Even our general
|
|
had been killed. Later, like so many soldiers, when we saw that
|
|
we were finished, we raced to the West. None of us wanted be
|
|
captured by the Russians. When I learned about what we had done,
|
|
I cursed God that I hadn't been killed in battle. In 1949, Helga
|
|
and I left Germany for good."
|
|
|
|
Then he got up and left.
|
|
|
|
I'm sure Helga knew about the atrocities, but was saved by her
|
|
talent for rationalizing the ugly parts of life. Gerd really
|
|
didn't know what happened, but assumed responsibility
|
|
nonetheless and paid the price: He was broken, irreversibly and
|
|
everlastingly, a man who would never mend. And I will always
|
|
believe that other than Helga and some U.S. Army interrogators,
|
|
he had never told anyone the story he told us that night in
|
|
Carvajal.
|
|
|
|
Two days later, Anita and I were startled out of our sleep (she
|
|
in the bedroom, I on the sofa) by a harrowing scream. Along with
|
|
our neighbors, we rushed to its source, Gerd and Helga's
|
|
cottage. Helga had staggered onto the beach, howling, arms
|
|
outstretched, spinning in ever-tightening circles until she
|
|
collapsed to the sand sobbing. We found Gerd in the cottage, a
|
|
rope around his neck, dangling from a beam. We cut him down and
|
|
laid him out on the floor. For the first time, Gerd was neither
|
|
stooped, hunched nor hiding within himself. In fact, he seemed
|
|
quite peaceful.
|
|
|
|
|
|
|
|
Peter Meyerson (peteram@ix.netcom.com)
|
|
----------------------------------------
|
|
Peter Meyerson spent a decade or so in magazine and book
|
|
publishing in New York, putting in four years as a writer and
|
|
editor at Time-Life Books. After freelancing in Europe for a
|
|
couple of years, he moved to Los Angeles and worked in
|
|
television and films, developing and producing Welcome Back
|
|
Kotter. He is currently working on a novel.InterText stories
|
|
written by Peter Meyerson: "Small Miracles are Better Than None"
|
|
(v7n2), "Closed Circuit" (v7n4), "A Stray Dog in Spain" (v8n3).
|
|
|
|
|
|
|
|
The Central Mechanism by Jim Cowan
|
|
======================================
|
|
....................................................................
|
|
Who's to say that if a challenging truth were revealed to us,
|
|
we'd deal with it any better than those who came before?
|
|
....................................................................
|
|
|
|
1.
|
|
----
|
|
|
|
This is not a science fiction story.
|
|
|
|
It's not any kind of story. It's a proof, and when you get to
|
|
the end you'll see what I mean.
|
|
|
|
But let's get started. I'm simply going to write down some
|
|
things that really happened to me. What's more, I'll tell you
|
|
what I found on a hard drive at the computer recycling center,
|
|
some science that makes the Copernican revolution look like a
|
|
PTA meeting. There's love, hate and death in all this too. When
|
|
I've finished, you'll see there's no other way for me to get
|
|
these ideas into your head except to pass the whole thing off as
|
|
a story. But it's not.
|
|
|
|
Anyway, here goes.
|
|
|
|
Last Sunday morning I'd slept late after a heavy Saturday night
|
|
at Trino's. Someone I'd really respected had died last week,
|
|
pointlessly; I was angry at everything, and I'd drunk even more
|
|
than usual. Around noon on Sunday I was on my way to the
|
|
computer recycling center, driving on the four-lane, farting
|
|
from last night's beer all the way up the hill to where there's
|
|
the big church at the top, First Church of Something, with one
|
|
of those signs where the pastor changes the message every week.
|
|
|
|
So I'm coming up to the top of the hill and there in the middle
|
|
of the road is this old geezer -- thin, frail, bent over with
|
|
his back to me -- placing traffic cones to close off one lane so
|
|
all the fundamentalists can get out of the church parking lot
|
|
and home to their Sunday lunch without having to wait for us
|
|
atheists to pass by.
|
|
|
|
I shift down a gear and gun the engine, because these cones make
|
|
me think about the separation of church and state. The road is
|
|
state property, right? And I'm a veteran, a guy who was willing
|
|
to put his life on the line to defend the Constitution, right?
|
|
|
|
4500 rpm.
|
|
|
|
Now you've gotta understand that a CJ-5 like mine's a real Jeep,
|
|
not one of these Wranglers that Chrysler passes off as Jeeps
|
|
today. The old CJ-5's are heavier, more powerful, and mine's got
|
|
a bikini top to keep the sun off my head because there's nothing
|
|
worse than a bad sunburn on a bald head. The top's all I need
|
|
because it's warm year-round down here and you really don't need
|
|
doors or anything, especially when you're driving an '82 like
|
|
mine with its torn seats and more mud than carpet on the floor
|
|
and only a bunch of wires where the radio used to be. The radio
|
|
got stolen when I was in Atlanta once. There's not much crime
|
|
around here, unless you count the fight that broke out when a
|
|
handful of gays and lesbians tried to march in the July 4th
|
|
parade after the Gulf War and the local patriots in the crowd
|
|
waded in, threw some punches and stole their flag.
|
|
|
|
Anyway, as I get closer to the church and the old geezer I see
|
|
that this week the church sign says: "Read the Bible: Prevent
|
|
Truth Decay," and that made me even madder because revelation's
|
|
not the way to truth and no one had said that better than the
|
|
man who'd just died.
|
|
|
|
I guess I should make things clear right now. I don't like the
|
|
fundamentalists. The fundamentalist crap that passes for
|
|
Christianity round here -- faith's the only way to get to
|
|
heaven, that sort of thing -- is what I don't like. Good works
|
|
don't count in the Bible Belt. Only faith matters, and I don't
|
|
like that because faith's the enemy of reason.
|
|
|
|
I shifted down another gear. The needle on the tach jerked up
|
|
toward the red line.
|
|
|
|
5500 rpm.
|
|
|
|
Faith means you have to believe stuff no normal person would
|
|
ever believe. Believing two and two make four isn't faith
|
|
because two and two do make four. Faith's believing two and two
|
|
make five, which is impossible to believe unless you put your
|
|
brain in a vat of liquid nitrogen and leave it at the
|
|
U-Store-U-Lock-U-Keep-the-Key out by the Interstate. Of course,
|
|
that's why faith's such a big thing. If religious stuff was
|
|
based on reason there'd be no room for faith, and a lot of
|
|
people would have to get real jobs.
|
|
|
|
The old geezer puts down the last cone and straightens up. I hit
|
|
the gas.
|
|
|
|
6200 rpm.
|
|
|
|
The reason I don't like the fundamentalists is that when I was a
|
|
kid and Mom and me had nothing to eat in the house, all the
|
|
faith in all the churches in town wasn't much use to us, but a
|
|
little charity, say a few good works in the shape of some canned
|
|
goods, sure would have been nice. That's what I mean about faith
|
|
and good works, and I learned that from my mom when she stood
|
|
looking at our empty pantry. That was before she got her
|
|
bookkeeping job at the Chevy dealership. She's been there more
|
|
than twenty years -- now ain't that something?
|
|
|
|
But back to Sunday morning. You've got the picture? The old
|
|
geezer's closed off one lane with his traffic cones. I'm doing
|
|
thirty-five, forty, and the tach's red-lined for sure. Then I
|
|
hit the horn, swerve a little, and take out all the cones,
|
|
ker-chunk, thwack, ker-chunk, thwack, every last one of 'em, and
|
|
I almost take out the old geezer too. I hear his yell above the
|
|
roar of the motor. Nice Doppler shift as I pass real close to
|
|
him. Very satisfying.
|
|
|
|
And when I looked back in the rearview mirror he'd made it to
|
|
the sidewalk and was standing there clutching at his chest with
|
|
one hand and shaking his fist at me. I knew he couldn't get my
|
|
tag number because I do a little off-road driving in the
|
|
mountains and the mud, and I never, ever, wash the Jeep.
|
|
|
|
A white-haired guy ran out of the church parking lot to help
|
|
him. I only caught a glimpse but right away I recognized Mr.
|
|
White Hair because I'd taken a seminar from him -- Humanities
|
|
for Scientists -- compulsory for all us nerds. Mr. White-Hair
|
|
was Professor William Allan, Dean of Arts and Science at South
|
|
Tennessee State which is where I go to school.
|
|
|
|
I wasn't surprised to see him. Allan's a deacon or something at
|
|
that church.
|
|
|
|
At school he's a rigid tyrant, humiliating students and so on.
|
|
He's so mean that someone started a malicious rumor that he's
|
|
gay. That was probably a student he'd flunked, but it could've
|
|
been someone on the faculty because Allan's made enemies there
|
|
too, not least because he's chair of the school's Publications
|
|
Committee. Or maybe it was just some guy he'd slept with.
|
|
(Snicker.)
|
|
|
|
Sorry about the "snicker." I usually write e-mail, not
|
|
literature. Which reminds me that before we get started with the
|
|
real stuff I should tell you a little about me, in case you get
|
|
the idea that I'm some kind of a nut. My name is Carl Edwards
|
|
and I'm twenty-five years old, a graduate of our own Davy
|
|
Crockett High School and the U.S. Army. Don't ask about the Army
|
|
-- that was only so I'd have the money to go to school, which I
|
|
got, and now I'm a computer science major right here at STSU.
|
|
|
|
Let me tell you a little more about my good side, so you
|
|
understand I'm not just a guy whose idea of a good time is to
|
|
flatten traffic cones on a Sunday morning. You know about SETI?
|
|
The Search for Extra-Terrestrial Intelligence? Radio telescopes
|
|
scanning the sky, looking for signals from alien civilizations?
|
|
Frank Drake started it years ago, using the big radio telescope
|
|
at Green Bank, West Virginia, and now lots of people have tried.
|
|
No one's found a signal yet -- nothing but noise from the sky.
|
|
|
|
One problem is there's a lot of sky. Another is no one knows
|
|
what frequency aliens might choose to transmit to us. So there's
|
|
a lot of sky and a lot of bandwidth to cover, but the biggest
|
|
problem is that there's no funding.
|
|
|
|
SETI's expensive. A state-of-the-art search would cost about as
|
|
much as, say, one attack helicopter. In other words, it's not
|
|
_that_ expensive. The problem's that most people, especially
|
|
people in control, don't want to hear about nonhuman
|
|
intelligence. It might be more intelligent than them and that's
|
|
threatening, and then there's quite a few fundamentalists in
|
|
Congress who say there's no point in looking because the Bible
|
|
doesn't mention life anywhere else except on Earth and the Bible
|
|
can't be wrong. At least that's what Dean Professor William
|
|
Allan told us in his seminar right after the big debate last
|
|
year on creation science and evolution.
|
|
|
|
Anyway, the point is there's a lot of data to analyze, billions
|
|
and billions, so to speak, (except Carl Sagan never said that
|
|
until after Saturday Night Live made fun of him for saying it)
|
|
and there's no money to do the job.
|
|
|
|
This is where I fit in. I'm part of this project on the Internet
|
|
where you download free software that runs on your PC as a
|
|
screen saver and analyzes SETI data while your computer's doing
|
|
nothing else. When you've finished your chunk of data you upload
|
|
your results and download another few megabytes of signals from
|
|
the skies and off you go again for a week or two. With thousands
|
|
of people doing this all over the planet, you get the processing
|
|
power of a supercomputer for free. Clever, huh? Anyway, I'm
|
|
running this software, and I'm telling you this so you can see
|
|
that I'm not some kind of a nerd. I'm a truly social being,
|
|
doing my bit for the community just like everyone else.
|
|
|
|
Sure, maybe I won't be the one to find the first signal buried
|
|
in the hiss of the galactic background noise. But I know, I
|
|
absolutely know for sure, that sooner or later someone will.
|
|
|
|
How do I know? Well, not because little gray men landed their
|
|
flying saucer outside my mom's house and came into my bedroom
|
|
and performed sexual experiments on me while I was asleep. It's
|
|
what I found on the hard drive. What was on that drive changes
|
|
absolutely everything.
|
|
|
|
For example, it settles the church and state thing once and for
|
|
all, but not in the way you'd think. I know, I absolutely know
|
|
for sure that there's no separation between church and state.
|
|
|
|
If any fundamentalists have read this far, which I doubt: Don't
|
|
you get all worked up and say, "I told you so!" I've got to warn
|
|
you, you're not going to like what I'm going to tell you one
|
|
tiny bit. Not only does my stuff remove you wackos from the
|
|
center of the universe once and for all, it's so much more
|
|
elegant, more beautiful, more complete, that there's no
|
|
absolutely no doubt at all that I'm right.
|
|
|
|
Here's another fact about me, sort of a personal note so you'll
|
|
see I'm a real person. I like to roll up a paper towel or some
|
|
other scratchy tissue at one corner, making something like a
|
|
very thin cone, and stick it in my ear to clean out the wax. I
|
|
love the way the tissue scrapes against the hairs inside my ear
|
|
canal. You should try it; it feels real good so long as you
|
|
don't jam the paper in too far and hit your eardrum.
|
|
|
|
So now you know everything about me and you can tell this is not
|
|
a story made up by some writer, because no writer would ever
|
|
think of mentioning earwax in a story about physics.
|
|
|
|
Bet you thought you'd caught me there, but that last line was
|
|
just a trick. Like I said, this is not a story. But it _is_
|
|
about physics. So let's get on back to Sunday.
|
|
|
|
The computer recycling center's in our dying downtown, between a
|
|
pawn shop and the water-heater factory. Across the street
|
|
there's a topless bar, but I don't like that sort of thing. The
|
|
building's an old machine shop, a high ceiling, and ten thousand
|
|
square feet of space with windows all down one side that look
|
|
out over the parking lot where the men who make the water
|
|
heaters park their pickup trucks.
|
|
|
|
It's a charity founded by Rose, the wife of the
|
|
local-area-network supervisor at STSU. She's short, with mousy
|
|
hair and a bad perm, and lips that remind me of a chimp -- not
|
|
that I'd tell her that to her face. She and her husband Thaddeus
|
|
are members of the ACLU, Amnesty International, the Sierra Club
|
|
and so on, not that they make a big thing of it. I met Thad at
|
|
school and he introduced me to Rose. Like Thad, Rose's an
|
|
atheist and so for Rose good works are everything. Thad's a
|
|
mountain man, respectful and sharp, with a big beard, and the
|
|
ability to tell truth from fiction that comes from spending a
|
|
childhood in the high hills, away from civilization, and always
|
|
knowing that, if civilization doesn't suit him, he can go right
|
|
back to his little farm in the mountains any time he likes.
|
|
|
|
I go to the center one or two evenings a week and late on Sunday
|
|
mornings. People bring in their old computers and we give them a
|
|
receipt so they can take a tax deduction for a thousand dollars,
|
|
which no one in their right mind would ever really pay them for
|
|
their junk. We test each component -- motherboard, memory chips,
|
|
video card, drive controller and drives, sound card if there is
|
|
one, keyboard and monitor if the machine came in with them. We
|
|
strip out whatever's broken, cannibalize other machines and
|
|
stick in what we need to assemble a working computer. I learned
|
|
how to do all this in the Army.
|
|
|
|
OK, so you've only got a 486-33 with 8 MB of RAM, and not a
|
|
Pentium 200 with 128 MB, but to some kid who lives in the
|
|
hollers out past County Line Road, or down by the brick works, a
|
|
486-33 looks pretty good when the alternative is nothing. We
|
|
give a few away to organizations too, not-for-profits. All they
|
|
do is word-processing and maybe run Quicken, and what we've got
|
|
is fine for that and you can't beat the price.
|
|
|
|
I gave the animal shelter a real nice old laser printer last
|
|
week. People don't spay and neuter here in the sticks; they
|
|
think it's cruel, or against God's will or something, so the
|
|
shelter puts down eight thousand strays a year by injecting the
|
|
blue death into their veins. The shelter's out on Reservoir
|
|
Road, on the way to the dump, and they need all the help they
|
|
can get. My mom volunteers at the shelter, that's how I know
|
|
this stuff. Sometimes I help her and take the dogs for a walk.
|
|
They love it. They're such social animals.
|
|
|
|
Now that I think about it, so am I. What with SETI and computer
|
|
recycling and scooping poop at the animal shelter, I do a lot
|
|
for our society.
|
|
|
|
Anyway, that Sunday morning, feeling a little better after
|
|
trashing the cones, I arrive at the center and Rose says to me,
|
|
"Hi Carl. STSU sent us a machine at the end of the week. Check
|
|
it out. They said it's a Pentium."
|
|
|
|
As I mentioned, we got old machines, even 286s.
|
|
|
|
"Why'd anyone give us a Pentium?" I said. "Particularly the
|
|
state." We almost never get anything from the state. They have
|
|
strict rules about getting rid of unwanted state property.
|
|
|
|
"I dunno, honey," Rose said. "But I'd really appreciate you just
|
|
checking it out for me."
|
|
|
|
I started right away because I had my own reasons for wanting to
|
|
examine this surprising Pentium very, very, carefully. There
|
|
wasn't any monitor or keyboard, just this case that didn't have
|
|
a scratch on it. I took off the cover and yes, there was a
|
|
Pentium processor on the motherboard. After plugging in a power
|
|
cable, spare keyboard and the best monitor we had in the center
|
|
at the time, I switched on the machine.
|
|
|
|
Turning on the computer told me that the power supply, video
|
|
card, motherboard and memory were all intact. Then the machine
|
|
sat there, doing nothing -- I didn't even get a C:> prompt.
|
|
Someone had deleted everything on the hard drive. Not that
|
|
that's unusual on the machines we get. In fact, that's what you
|
|
should do, and more, otherwise you might as well leave your
|
|
filing cabinet in the street for anyone to poke around in.
|
|
|
|
That's because computers only delete a drive's File Allocation
|
|
Table, or FAT, so that they can't find any deleted files -- but
|
|
all those files are still on the disk until you write something
|
|
else on top of them. It's like ripping the table of contents
|
|
from a book and thinking you've destroyed the whole book. Lots
|
|
of utilities will recreate the FAT for you, (actually there's a
|
|
second copy of the FAT, so usually it's real easy) and then you
|
|
can recover them all.
|
|
|
|
I booted DOS from a floppy and inspected the hard drive to see
|
|
what was on it. Nothing. Then I stuck in another disk and ran an
|
|
Undelete utility. Sure enough, there were thousands of deleted
|
|
files on the hard drive, waiting to be undeleted.
|
|
|
|
"Everything OK?" Rose asked.
|
|
|
|
"I'm not sure about the hard drive," I said, stalling. "Give me
|
|
a few more minutes." She had to go out to Radio Shack to get
|
|
some connectors or something, and while she was out I ripped out
|
|
the hard drive and stuck it in the Jeep. I installed the biggest
|
|
drive I could find from our stock of drives we'd taken from
|
|
otherwise useless machines, installed Windows 95 and finished
|
|
the rest of the tests. The machine was in perfect condition,
|
|
ready to be shipped out to some lucky person. I left a note for
|
|
Rose that said the machine was OK now, that I was taking the
|
|
drive home to run some more tests on it, and went home. I needed
|
|
more time, and some privacy, for what I had in mind.
|
|
|
|
My room at home's real neat, just like in the army. There's a
|
|
single bed and a big desk with my computer, a really fast
|
|
Pentium with a huge hard drive and lots of memory. I keep
|
|
everything else either in the desk drawers, or my filing
|
|
cabinet, or the shelves. My clothes are in the closet at the end
|
|
of the hall, next to Mom's room.
|
|
|
|
You can tell a real geek right away because the case is always
|
|
off his computer. Too many screws to fiddle with when you know
|
|
you'll be opening the thing up again in an hour or two to tweak
|
|
something else. In five minutes I had the new drive hooked up.
|
|
Then I copied the contents of the STSU drive to my own giant
|
|
hard drive. Inside my computer was the soul, or at least the
|
|
mind, of the other computer.
|
|
|
|
I reformatted the STSU drive to _really_ destroy everything on
|
|
it, and dropped it off at the center the next day and told Rose
|
|
it was working fine.
|
|
|
|
Did I steal anything? If so, what? You worry about that if you
|
|
want to, but while you're worrying I'm going to fill you in on a
|
|
few things that happened a year ago.
|
|
|
|
Last fall the Philosophy Department sponsored a big public
|
|
debate on Evolution. One of the young faculty wanted to chew up
|
|
and spit out a creation scientist. Over a thousand people
|
|
showed. A stage was set up at one end of the gym. There were
|
|
tables and water pitchers for the speakers, that sort of thing.
|
|
The rest of the gym floor was covered with chairs and there were
|
|
microphones in the two aisles for the audience.
|
|
|
|
I got a seat on an aisle, close to one of the mikes. The crowd
|
|
filled the bleachers too, and everything was very bright under
|
|
the arc lights they use for basketball games. Actually, the
|
|
whole thing was a lot like a basketball game because the
|
|
audience came strictly to root for one side or the other. I
|
|
doubt all the arguing changed anyone's opinion, but that's how
|
|
people are. The debate was the usual stuff. The creationist's
|
|
main argument, coupled with some bad science, was that
|
|
evolution's not proven, it's only a theory. The philosopher
|
|
moved slowly and methodically, destroying the creationist's
|
|
arguments, but the whole thing was a little tedious.
|
|
|
|
There's more people from up north moving into this city, what
|
|
with the high-tech corridor out by the airport and the big malls
|
|
that've killed the downtown, so the crowd was pretty evenly
|
|
split. We heard all about radiocarbon dating, the fossil record,
|
|
and the inerrancy of the Bible, but it wasn't really a debate,
|
|
just two people talking different languages: reason and faith.
|
|
|
|
Toward the end of the evening a man came up to one of the public
|
|
mikes. He was in his early thirties, blond and with a very neat
|
|
mustache. He had the slightly exaggerated features of a movie
|
|
star, but everything was just a little crooked, so while he was
|
|
no use to Hollywood, he did have a peculiar charm that was good
|
|
enough for the real world.
|
|
|
|
"I'm a scientist," the man said. "In science, all knowledge is
|
|
tentative. Everything is a theory until a better idea comes
|
|
along. Then we use the better idea. So by definition we're
|
|
skeptics and we agree with the creationists when they say the
|
|
theory of evolution will be history when someone comes up with
|
|
something better. But I have a question for those who believe in
|
|
creation. If something better came along, would you agree that
|
|
creationism is wrong? In other words, are you willing, at least
|
|
in theory, to change your beliefs?"
|
|
|
|
Of course, that was the end of their masquerade as scientists.
|
|
He had them, and the audience knew it. The fundamentalists were
|
|
real quiet while the rest of us laughed and then cheered. Some
|
|
other people from the audience had to have their say on one side
|
|
or the other, but really the evening was over after this man
|
|
asked his rhetorical question. I asked the coed sitting next to
|
|
me who he was. "Tom Thomas, from the Department of Physics.
|
|
Isn't he cute?" He was, and I decided on the spot to sign up for
|
|
one of his classes after Christmas.
|
|
|
|
On the way out I passed Dean Allan talking to the comptroller,
|
|
Stott, a thin man, a fundamentalist, who did a lot of Allan's
|
|
dirty work for him around the campus. That's how Allan exercised
|
|
a lot of his power, through the budget process. Allan was
|
|
saying, "Before I believe in evolution, Our Lord Jesus Christ
|
|
will have to come down from Heaven Himself and tell me the Bible
|
|
is wrong."
|
|
|
|
Stott nodded sympathetically. Allan knew a lot of the state
|
|
Regents who make all the senior administrative appointments in
|
|
the state schools and Stott knew that Allan knew the Regents and
|
|
that's why Stott... well, you and I know that's how things work.
|
|
|
|
As for Jesus telling Allan the Bible was wrong, well, it could
|
|
happen, I thought to myself, and hoped I would be there to see
|
|
Allan's face when it did. I said nothing of course, just smirked
|
|
in the darkness on my way to the Jeep. If I was testifying in
|
|
court and you asked me to describe Allan's mood that night, I
|
|
would say he was very, very angry. Why? Because the night's rout
|
|
of the creationists had been allowed to happen on his turf.
|
|
|
|
But then, he was an angry man. Anyone who's the deacon of a
|
|
church that sponsors a hell-house on Halloween and shows kids a
|
|
coffin with a body inside it that's supposed to be a gay man who
|
|
died of AIDS ain't filled with charity. Someone told me Allan
|
|
said that Christianity wasn't about tolerance, it was about sin,
|
|
and the Bible said homosexuality was perverse, wrong.
|
|
|
|
Did you know that the first Halloween hell-house was in Roswell,
|
|
New Mexico? Right where that UFO was supposed to have crashed in
|
|
1947. Does that mean anything? I don't think so, but I'm always
|
|
on the lookout for coincidences.
|
|
|
|
No matter. I registered for Tom Thomas's most popular class:
|
|
Overview of Twentieth-Century Physics for Non-Physicists. It was
|
|
held in a sterile room with painted gray cinder block walls and
|
|
a wall-to-wall blackboard at the front. Tom strode back and
|
|
forth, tossing a piece of chalk in his hand. He wore chinos and
|
|
a gray turtleneck and he moved his trim body in way that
|
|
suggested he was fit and well-muscled.
|
|
|
|
"There's physics," he said, "and then there's the rest of
|
|
science."
|
|
|
|
Physics was all about matter and energy, space and time, the
|
|
stuff from which the universe is made. Chemistry, biology and so
|
|
on were all derived from the principles of physics. Understand
|
|
physics and you could compute the rest of science, at least in
|
|
theory, and if you believed that mind was nothing more than a
|
|
manifestation of certain complex arrangements of matter such as
|
|
the human brain then you could explain everything, if only you
|
|
knew your physics. Of course, it might take a few billion years
|
|
to derive, say, the total subjective experience of a Rolling
|
|
Stones concert from first principles of quantum mechanics and
|
|
general relativity, but the class got the idea.
|
|
|
|
The problem, as Tom explained in that first class, was that
|
|
physics was obviously incomplete, which is a nice way to say
|
|
that current knowledge is not quite right. The two great
|
|
theories of the twentieth century -- quantum mechanics and
|
|
general relativity -- were contradictory and, especially in the
|
|
case of quantum mechanics, incomprehensible. Quantum mechanics
|
|
works, but what does it mean? Energy is a wave that spreads to
|
|
fill the whole universe -- or it's a particle confined to a tiny
|
|
region of space. Which one it is depends on the experiment you
|
|
choose to do. An electron may or may not be in a particular
|
|
place. It's not anywhere until you do an experiment and find it.
|
|
And when you find it, you might instantaneously affect another
|
|
electron at the other end of the galaxy.
|
|
|
|
The most tested theory in the history of science, correct to ten
|
|
decimal places, reduces the world to a series of random events
|
|
that require a conscious observer to know what really happened
|
|
and seem to be linked instantaneously to other events somewhere
|
|
else.
|
|
|
|
Tom ended the class with a quotation from the physicist Wigner:
|
|
"It is not possible to formulate the laws of quantum mechanics
|
|
without reference to the consciousness.... The very study of the
|
|
external world led to the conclusion that the content of the
|
|
consciousness is the ultimate reality." At the time, I didn't
|
|
pick up on Tom's burning interest in this last phrase.
|
|
|
|
|
|
2.
|
|
----
|
|
|
|
Later, Tom talked about the other great enigma of twentieth
|
|
century physics, the appearance of order in the universe. Chaos
|
|
gives rise to simple systems and simple systems engender more
|
|
complex systems. "While you're walking down to your local bar on
|
|
a starry night, look up at the sky and wonder. You're looking
|
|
back in time, to when the universe was nothing but clouds of hot
|
|
gas, and when you get to the bar, go inside and look around." He
|
|
laughed. "You might think you've moved from order to chaos, but
|
|
you've just seen how the universe has evolved from the random
|
|
movements of atoms in ancient clouds of gas into wonderful,
|
|
intricate life. It's moved from blind chaos to beautiful
|
|
complexity." He taught physics as if he was a poet, which he
|
|
was. He was a poet of science, and I loved him for it.
|
|
|
|
Trino's. That's where I really got to know Tom Thomas. In a bar.
|
|
I'm not talking about the topless bar across from the recycling
|
|
center, I'm talking about _our_ bar. Straights ignore Trino's.
|
|
Trino's is where the gay community struggled with what to do
|
|
about AIDS in the early eighties, where they planned the Great
|
|
July 4th Parade-In of 1991, where they went to drink after the
|
|
big fight over the flag. Trino's is the one place in town where
|
|
we can be ourselves. Not that it's a leather bar or anything
|
|
like the bars they have in Atlanta; it's just an ordinary
|
|
neighborhood bar except the people in there are gay and lesbian.
|
|
|
|
Anyway, that's where I really got to know Tom, and now he's
|
|
dead, hit-and-run in the early morning while he was out running
|
|
on a country road. A random event, atoms banging together in a
|
|
primeval cloud of gas.
|
|
|
|
I didn't have class on Monday afternoons that semester, so I
|
|
spent the afternoon in my room, examining the contents of the
|
|
hard drive. There were twenty thousand files on the drive, a lot
|
|
of stuff, but most of it was routine -- word-processor files,
|
|
calculations and graphs, letters, papers, quizzes and tests, the
|
|
sort of thing any professor has on their drive, archives of
|
|
articles from the online versions of Physical Reviews, and
|
|
several folders crammed with shareware utilities that claim to
|
|
make work easier but in most cases aren't really necessary. And
|
|
there were two folders that turned out to be very important. One
|
|
was named PGP and the other QC.
|
|
|
|
PGP first. I knew what was in there, of course. Pretty Good
|
|
Privacy is an encryption program written by a guy called Phil
|
|
Zimmerman who arranged to have it made available for free on the
|
|
Internet and the Feds threatened to prosecute him for exporting
|
|
munitions. So you get the idea -- it's a dynamite piece of
|
|
software. That's all you need to know about how well this
|
|
program works, but if you're a geek like me, then you'll want to
|
|
know exactly how it does work.
|
|
|
|
The basic idea's simple. Get a very large prime number, multiply
|
|
it by another very large prime number and you get a very, very
|
|
large number that has only two factors. You can use these three
|
|
numbers to create two related keys for encrypting messages. You
|
|
make one key public and tell everyone to use it when they send
|
|
you e-mail, and you keep the other key very, very secret because
|
|
that is the only way anyone can decrypt messages encrypted with
|
|
the public key. This is important -- you can't decrypt messages
|
|
with the public key, only the private key. If you make the keys
|
|
large enough, there isn't enough computing power on the whole
|
|
planet to break the code because the only way to find the
|
|
factors of a very, very large number, I mean one with thousands
|
|
of digits, is to do billions and billions of divisions, which
|
|
would take years, decades, or even centuries. So PGP isn't
|
|
unbreakable; it's actually easy to see how to break it, but
|
|
breaking it takes an impossibly long time.
|
|
|
|
Now imagine this in the hands of terrorists. That's why PGP
|
|
looked like a munition to the government. Of course, the
|
|
mathematics was available to anyone. Anyone, anywhere, could
|
|
have cobbled together some code and do what Phil Zimmerman did.
|
|
Once an idea's out there, it's out there. But more later of the
|
|
idea that ideas that are out there have a life of their own. Now
|
|
back to Tom.
|
|
|
|
In class Tom mentioned the importance of consciousness in
|
|
physics, but it was in Trino's that he explained to me just why,
|
|
in Wigner's words, "The content of consciousness is the ultimate
|
|
reality."
|
|
|
|
As usual, he began with a story.
|
|
|
|
"Once, when I was a graduate student in New York," he said, "I
|
|
was invited to a party to celebrate a christening in an Italian
|
|
family. It was a wet Sunday in November and the party was a big
|
|
one in a big house on Long Island. In addition to the baby, who
|
|
played a very small role in the party, there was a pianist, a
|
|
student from Juliard, who played the piano in a room at one end
|
|
of the house with lots of windows that looked over the garden.
|
|
He played all through the party, effortlessly. After an hour or
|
|
so, and few glasses of wine, the men in the family gathered
|
|
round the piano and started to sing. They sang to celebrate the
|
|
baby and their family, and as an affirmation that they were
|
|
alive. They sang alone and they sang together, they sang Italian
|
|
folk songs and operatic arias in Italian and Spanish about
|
|
pretty girls and love and longing and sadness and joy. It was a
|
|
celebration of their past and a recognition of the uncertainty
|
|
and the promise of the future. I sat by one of the tall windows
|
|
and the men's voices filled the seamless space around me and
|
|
inside me and I thought about quantum mechanics."
|
|
|
|
I must have laughed because he said, "That's not as ridiculous
|
|
as it sounds. At moments like that, which are the most wonderful
|
|
moments of life, there is an overwhelming sense of belonging, of
|
|
oneness, of wholeness, and these are glimpses of the ultimate
|
|
underlying reality. There are tantalizing hints of that unity in
|
|
quantum mechanics. For instance, Bells' Theorem describes a
|
|
fundamentally new kind of togetherness, undiminished by spatial
|
|
or temporal separation, a mingling of distant things, a mingling
|
|
that reaches instantly across the galaxy as forcefully as it
|
|
reaches across a sodden garden or across a room. The mathematics
|
|
is such that, even when we replace quantum mechanics with a
|
|
deeper understanding of reality, Bells' supraluminal non-local
|
|
reality will survive because this is truly the way things are."
|
|
This was the first time I realized that Tom was working on
|
|
something to replace quantum mechanics, the theory that was
|
|
almost right.
|
|
|
|
"In quantum mechanics, there is no reality until reality is
|
|
measured by someone. The idea that there's nothing there until
|
|
an intelligent ape from a small planet at the edge of one of ten
|
|
trillion galaxies makes a measurement is a foolish idea. Someone
|
|
or something else is watching, observing, making measurements
|
|
all the time. That's why there's a reality in the first place."
|
|
|
|
Abruptly, he changed focus. "In San Francisco, the cable cars
|
|
are pulled up and down the hills by cables that run in a slot
|
|
under the street. The machinery to drive all the cables is in a
|
|
single building called the Cable Car Barn. You can go there and
|
|
look down on the machinery from the tourist balcony. You see
|
|
motors and huge pulleys, cables are sliding through the air, the
|
|
place smells of oil and ozone, and the loud hum of the mechanism
|
|
tells you that everything's working perfectly, that miles away
|
|
the cars are climbing California Street or rattling down to
|
|
Ghirardelli Square.
|
|
|
|
"But the universe is not like the Cable Car Barn. John Wheeler,
|
|
who was a physicist with a remarkable imagination, said that
|
|
there is no such thing as the glittering central mechanism of
|
|
the universe to be seen behind a glass wall. `Not machinery, but
|
|
magic, may be the treasure that is waiting.' Well, Carl, I
|
|
intend to find that central magical mechanism."
|
|
|
|
That's when he told me he'd already written a paper, a
|
|
speculative essay, on the role of consciousness in science. This
|
|
paper was the real start of the conflict with Dean Allan, chair
|
|
of the university's Publications Committee.
|
|
|
|
Tom's basic idea was simple. Quantum mechanics has no meaning
|
|
without a conscious observer; in general relativity each
|
|
conscious observer interprets time and space differently. The
|
|
universe is moving from chaos to complexity, from matter to
|
|
mind, and mind is an essential part of the two great theories of
|
|
physics. That was his first point.
|
|
|
|
He pointed out next that truth and beauty seem to have a life of
|
|
their own in the two worlds of science and of art. Both truth
|
|
and beauty are intrinsic, and essential, to the human
|
|
experience, but science has nothing formal to say about beauty
|
|
and art has nothing formal to say about truth, although science
|
|
is beautiful and the best art is truthful.
|
|
|
|
Finally, he said, scientists -- biologists, physicists,
|
|
philosophers -- were all skirting around the issue of
|
|
consciousness. They wanted to deal with its central role but
|
|
couldn't address it because they had no clear hypothesis to
|
|
test, no research agenda to pursue. Tom wanted to propose a
|
|
hypothesis that would link physics and biology and philosophy
|
|
and everything else. Here's his argument:
|
|
|
|
The universe is made of quanta of matter/energy and space/time.
|
|
That's all there is. Tiny bits of inanimate stuff. And a couple
|
|
of force fields -- gravity and another field that may be a
|
|
combination of electromagnetism and some other forces that work
|
|
within the nucleus. "Here we are, squishy molecular machinery
|
|
made of atoms that are themselves merely twists in the fabric of
|
|
space-time; we're assembled and fuelled by the energy of
|
|
sunlight, which is rain of massless photons; and from the ground
|
|
we stand on comes a tide of neutrinos that has swept through the
|
|
earth as if it didn't exist. Out of this flux of nothingness
|
|
comes the realization that, say, E=mc^2, and this knowledge is
|
|
beautiful. Where does this thought come from? There has to be
|
|
more to this than random torrents of energy surging pointlessly
|
|
through space and time.
|
|
|
|
"Our theories are wrong," said Tom. "Incomplete because our
|
|
assumptions are incomplete. There is more to the basic stuff of
|
|
the universe that matter/energy and space/time and a couple of
|
|
forces. Each quantum of stuff has more than mass/energy and
|
|
location/momentum, it also has a quantum of consciousness." This
|
|
simple idea, which Tom called his Theory of Quantum
|
|
Consciousness, cast a lot of problems in a new light.
|
|
|
|
Right away, you're probably thinking this is a load of bull, but
|
|
bear with me. You're going to see that this idea is not as dumb
|
|
as it sounds.
|
|
|
|
First of all, quanta of consciousness, like quanta of matter,
|
|
energy, electrical charge and magnetism, are so small that you
|
|
don't notice them on a daily basis. You're totally unaware of
|
|
the single charge on an electron, but when you're hit by
|
|
lightning, the charge on a few trillion electrons gets your
|
|
attention.
|
|
|
|
So the quantum of consciousness associated with every elementary
|
|
particle is way too small to notice. But these quanta combine in
|
|
subtle ways and Tom proposed some properties that characterized
|
|
the combination of quanta of consciousness. Here's the whole
|
|
proposition as he might have scribbled it on the back of an
|
|
envelope at Trino's:
|
|
|
|
* There is a quantum of consciousness associated with every
|
|
quantum particle in the universe.
|
|
|
|
* The existence of the action of quantum consciousness between
|
|
two elementary particles is independent of the distance between
|
|
the particles.
|
|
|
|
* The strength of the action of quantum consciousness in a
|
|
system is proportional to the number of connections between the
|
|
quantum elements of that system (actually, it's proportional to
|
|
the factorial of this number, which when you're talking about
|
|
neurons in a mammalian brain quickly gets to be a really big
|
|
number), and inversely proportional to the geometric mean of the
|
|
distance between the particles.
|
|
|
|
* The sum of consciousness in the universe increases with time.
|
|
|
|
The first axiom sets the stage, and later Tom showed how this
|
|
assumption solved the observer problem in quantum mechanics.
|
|
Simply put, there's no need for an experimental observer because
|
|
the universe is observing itself all the time. The second
|
|
addresses the non-local nature of reality required by Bell's
|
|
Theorem. The third explains why a rock about the size of your
|
|
fist, which has about the same number of atoms as say the brain
|
|
of a dog, appears to be dead while the dog is obviously alive,
|
|
intelligent, and conscious. The atoms in the rock are arranged
|
|
in a regular, repetitive crystalline structure, while the atoms
|
|
in a dog's brain are arranged into intricate cells called
|
|
neurons which are themselves arranged in an extremely complex
|
|
interconnected array. The rock is conscious, but not noticeably
|
|
so, and certainly much less so than the dog.
|
|
|
|
For the same reason the Earth and its biosphere, which are
|
|
certainly intricate mechanisms, are conscious, but not as
|
|
obviously conscious as a dog. Quantum consciousness falls off
|
|
with distance (third axiom) and the Earth is not connected
|
|
enough, yet, for an object that big to demonstrate consciousness
|
|
to the only detector we have at the moment, which is the human
|
|
brain.
|
|
|
|
The fourth axiom, which parallels the Second Law of
|
|
Thermodynamics but in a less depressing way, explains why the
|
|
universe is evolving from the chaotic motion of hot gas after
|
|
the Big Bang into galaxies, stars, planets, and ever more
|
|
complex forms of life. Consciousness is not conserved, like
|
|
matter or energy. No, consciousness increases over time, like
|
|
entropy. In other words, quantum consciousness is the life-force
|
|
in the universe.
|
|
|
|
Now if you have any understanding of the minds of people who are
|
|
heavily invested in organized religion, you will see that these
|
|
ideas are very threatening.
|
|
|
|
The first axiom is a statement of pantheism. Every thing in the
|
|
universe is more than a dead piece of matter; every atom, every
|
|
quantum particle, has some small element of mind. Aquinas'
|
|
separation of body and soul, of the world and spirit, and
|
|
science's parallel separation of matter and mind, are all
|
|
eliminated. There is no division between Earth and Heaven. There
|
|
is no meaningful separation of church and state.
|
|
|
|
The third axiom places all objects on a continuum of being. Some
|
|
are more complex, more intricate, more conscious than others,
|
|
but they are not different kinds of things, they are different
|
|
only in degree. We are all part of the same seamless stuff. So
|
|
much for prejudice based on species, race, gender, sexual
|
|
orientation, so much for the exploitation of animals and the
|
|
non-animal natural world, and so on. The special place
|
|
Judeo-Christianity claims for humans is eliminated by this third
|
|
axiom.
|
|
|
|
The last axiom brings purpose to the universe and it also
|
|
subsumes morality and aesthetics into physics. This purpose and
|
|
morality is not laid on the universe from Heaven or somewhere,
|
|
the purpose of the universe is embedded in the material of the
|
|
universe. All you need to know is right here, right now. You
|
|
just need to pay close attention to the universe and work hard
|
|
to figure out exactly what you should do.
|
|
|
|
For example, killing is wrong because it reduces the total
|
|
consciousness in the universe, and killing an intelligent being
|
|
is more wrong than killing a cabbage, which is probably
|
|
necessary in the big scheme of things, but in practice there is
|
|
no absolute good, just this tension between different choices.
|
|
That's why life's not easy.
|
|
|
|
Diversity is good because it promotes complexity, which in turn
|
|
increases the total consciousness, but some organization is
|
|
needed to get anything done. That's why nature's organized life
|
|
into species instead of billions of unrelated creatures. In the
|
|
same vein, morality's no longer a matter of debate. At least in
|
|
principle, morality can be derived from the four axioms of
|
|
quantum consciousness. (Don't get excited -- this is about as
|
|
difficult as deriving the total experience of a Rolling Stones
|
|
concert from quantum mechanics.)
|
|
|
|
Quantum Consciousness links physics to the biological sciences,
|
|
the humanities, and all human activity. Suddenly, we find
|
|
ourselves living in a universe governed by a set of rules that
|
|
work to arrange and rearrange mind and matter into ever-more
|
|
complex, intricate mental and physical structures.
|
|
|
|
|
|
3.
|
|
----
|
|
|
|
Now this is not the kind of stuff Dean William Allan wanted to
|
|
hear and he used his position as Chair of the Publications
|
|
Committee to make sure that Tom's heretical ideas would never
|
|
see the light of day.
|
|
|
|
Perhaps I should explain why STSU has a Publications Committee
|
|
that can prevent faculty from publishing. STSU's a small school
|
|
and some of the faculty are, well, marginal. Some are really
|
|
good, like Tom, some are bright enough but perhaps a little
|
|
crazy, and others are plain dumb. The school had been
|
|
embarrassed on several occasions by articles that caused
|
|
merriment and even ridicule in regional or national academic
|
|
circles, and after this had happened three or four times the
|
|
president decided enough was enough, to hell with academic
|
|
freedom, and set up the Publications Committee with Dean Allan
|
|
in the chair and instructed the committee to make sure that
|
|
nothing went out of the university unless it was of academic
|
|
merit according to this internal process of peer review.
|
|
|
|
Allan was a powerful man, well-connected in Nashville and a
|
|
close friend of our Neanderthal Congressman, a friendship that
|
|
effectively neutered the president of the university.
|
|
|
|
Big bucks flowed to the school as a result of Allan's
|
|
relationships and Allan, working through Stott, controlled the
|
|
flow of those dollars inside the school. The younger, untenured
|
|
faculty feared Allan because he could destroy their careers, and
|
|
the most of the tenured profs kept out of his way because, as
|
|
someone said, "Does Allan work for the university, or does the
|
|
university work for Allan?"
|
|
|
|
To be fair, Allan did a good job for the school, bringing in the
|
|
money for buildings, new programs, and that most valuable
|
|
commodity for politicians: jobs. Anyway, you get the picture.
|
|
Dean Allan loved his role as the Torquemada of STSU's academic
|
|
inquisition and, like Torquemada, Allan thought his work was for
|
|
a greater good, so I suppose he isn't evil, just horribly wrong.
|
|
|
|
Before the committee met, Tom told Allan he was trying to reveal
|
|
the spirit in the world. "I thought he would like that, but he
|
|
wasn't impressed."
|
|
|
|
The committee was not impressed either when Tom explained, "I'm
|
|
trying to bridge the gap between mind and spirit."
|
|
|
|
We heard later the discussion was perfunctory after Tom left the
|
|
room. They nixed the paper on the superficially reasonable
|
|
grounds that it was pure speculation and contained absolutely no
|
|
data at all.
|
|
|
|
Tom was stopped in his tracks at this point, but still
|
|
optimistic. "I'm already working on the mathematics of the
|
|
theory. In a few months I should have a rigorous formulation of
|
|
the four principles and then I'll be able to propose some
|
|
experimental verifications. With a little luck, I'll even have
|
|
some experimental evidence myself. I may be able to test the
|
|
basic ideas with the equipment we have here."
|
|
|
|
So, like Galileo, Tom was accused of heresy and told to cease
|
|
and desist and placed under the modern academic equivalent of
|
|
house arrest.
|
|
|
|
Allan was no fool. He knew that Tom's paper was dynamite. I
|
|
heard on the grapevine that he described Tom's theory as "a
|
|
heresy worthy of the Anti-Christ" and what with the millennium
|
|
coming up, he probably really believed that Tom was in the grip
|
|
of supernatural forces. So Allan's job as a state employee, and
|
|
as a self-appointed employee of God, was to stop Tom.
|
|
|
|
Despite the Publications Committee's embargo, Tom did get some
|
|
feedback from the physics community. Physicists have been wired
|
|
for longer than almost anyone else and they share their work
|
|
online as what they call "preprints," draft papers posted on
|
|
bulletin boards coordinated out of the Los Alamos National
|
|
Laboratory and mirrored at several other academic sites. Other
|
|
scientists comment on the preprint and help the authors refine
|
|
their work. If you're interested, you can find preprints at
|
|
places like <http://npl.kyy.nitech.ac.jp/prepserv.html>.
|
|
|
|
Tom discussed the preprint idea with me. "It's not real
|
|
publication," he said.
|
|
|
|
I agreed. "Sort of a discussion with colleagues, refining your
|
|
work. The Publications Committee didn't say you couldn't discuss
|
|
your work with a few other professional physicists."
|
|
|
|
"Exactly." So he posted a preprint. The response was
|
|
overwhelming, and very similar to Dean Allan's comment.
|
|
"Speculation unsupported by even a quantum of data," was one of
|
|
the nicer comments Tom got in his e-mail.
|
|
|
|
"I was too material for Dean Allan and now I'm too spiritual for
|
|
the physicists. This means I must be right," he joked. He knew
|
|
he was bridging the void between heaven and earth, crossing the
|
|
line between mind and matter, and that no one really understood
|
|
what he was trying to do.
|
|
|
|
It was the e-mail that tipped Allan off that Tom had posted his
|
|
paper in an obscure corner of the Internet. The Dean said he'd
|
|
found the preprint on the Net himself, but we didn't believe
|
|
him. I suppose he could have searched the Net for Tom's name but
|
|
when I asked Thad, "Has the Dean been reading faculty e-mail?"
|
|
Thad told me, "E-mail on the state's network belongs to the
|
|
state. Whoever owns the system owns the mail. There's no
|
|
privacy. That's the law. Not that the ACLU agrees with it."
|
|
Thad's a very honest person, and he answered my question without
|
|
betraying his employer's confidence. I like Thad.
|
|
|
|
Tom was called in and given a written warning that any future
|
|
breaches of the university's policies on publication would
|
|
result in dismissal.
|
|
|
|
So his work was rejected at both ends of the spectrum, by the
|
|
religious right and by the supposedly dispassionate scientific
|
|
community. "I'm certainly scaring people," was his laconic
|
|
comment after the break-in at his office. "Who said that science
|
|
advances funeral by funeral?"
|
|
|
|
I didn't know, but whoever it was, was right. "You'll just have
|
|
to wait until all the crusty old men with gravy on their ties
|
|
die off." But Tom wouldn't wait.
|
|
|
|
The break-in was the reason that Tom was using PGP, that and the
|
|
discovery that the Dean was reading Tom's e-mail. Nothing was
|
|
stolen from the office, but Tom knew someone had turned on his
|
|
computer at three in the morning because he had a shareware
|
|
program running in the background that logged his activity on
|
|
the machine, and in the log were thirty minutes of use when Tom
|
|
knew, and I knew, he wasn't at work because we were in bed
|
|
together in his apartment. So he downloaded the shareware
|
|
version of PGP and encrypted his work on Quantum Consciousness.
|
|
His public key was stored on a server on the Internet. Most
|
|
people store their private keys on their own computer because
|
|
PGP's really meant to encrypt messages on a network so people
|
|
who intercept a message on the network can't read it. Tom told
|
|
me he wasn't going to keep his private key on his machine
|
|
because his problem was not interception on a network, it was
|
|
illicit access to his machine. Anyone who turned on the machine
|
|
would be able to get his private key. "I'm going to keep it on
|
|
floppy and take it home with me at night."
|
|
|
|
His work was in the QC folder of course, and this was what I was
|
|
looking for as soon as the Pentium came into the center.
|
|
|
|
I couldn't follow the mathematics of what he was doing. In fact,
|
|
he never even showed me the math because I wouldn't have
|
|
understood it, and he had invented some of it himself anyway,
|
|
but I can give you an outline.
|
|
|
|
Einstein asked himself the question, "What would things look
|
|
like if I was riding on a beam of light?" and from this question
|
|
developed his special relativity description of gravitation.
|
|
Special relativity completely subsumed Newton's three-hundred
|
|
year-old explanation of the motion of the moon even though
|
|
Einstein started from a totally different premise from Newton
|
|
and his apple.
|
|
|
|
In the same way, Tom was starting from an idea of such
|
|
breathtaking novelty that it's hard to talk about it clearly.
|
|
Nevertheless, he developed a mathematical model of his ideas.
|
|
|
|
Last Wednesday, less than a week ago, he came into Trino's and
|
|
sat down across the table and said, "It works!" What he meant
|
|
was that he had been able to formulate Quantum Consciousness in
|
|
mathematics and from the mathematics he could derive the
|
|
equations of Quantum Mechanics and of General Relativity. "If
|
|
the math holds up to scrutiny then this is Wheeler's glittering
|
|
central mechanism, and he was right -- it's not machinery, it's
|
|
magic. It breathes life into the universe, this is the fire
|
|
hidden in the equations, this is spirit moving on the waters."
|
|
|
|
Along the way, he told me, he'd had to invent what he called
|
|
"some novel mathematics." Then he started talking about how the
|
|
universe was evolving. "With every particle tingling with its
|
|
tiny charge of consciousness, destined to play a role in the
|
|
evolution of the universe, no matter what we do, no matter how
|
|
evil we are, in the end we cannot oppose the relentless,
|
|
universal force that is transforming mere matter into mind. Yes,
|
|
we have free will and we can to choose to work with the universe
|
|
or against it, and evil actions will slow down the
|
|
transformation of matter into mind, but we cannot stop the
|
|
process nor prevent the final outcome. In the end, when the
|
|
universe is complete, it will understand itself perfectly."
|
|
|
|
"Mmm," I said, struggling with ideas about perfect understanding
|
|
and God, and about some heresy I'd heard in which God himself is
|
|
evolving, and so is his understanding of creation. That's if you
|
|
believe in God, which I don't. But Tom was rattling on.
|
|
|
|
"Now here's a fascinating thing that's fallen out of the math.
|
|
The speed of time is inversely proportional to the total
|
|
consciousness in the universe. That's why the Big Bang was a big
|
|
bang -- there was no matter and therefore no consciousness in
|
|
the beginning. At the instant of creation, time ran infinitely
|
|
quickly. As soon as energy and matter and their associated
|
|
quanta of consciousness appeared, time began to slow but it was
|
|
still running very quickly, which is why the universe expanded
|
|
remarkably in the first few milliseconds, seconds, minutes and
|
|
years of its existence. Now things are much more stable, as if
|
|
consciousness is a stabilizing force, adding an inertia to the
|
|
unfolding of the universe. If my math is right, this temporal
|
|
inertia created by consciousness means that the universe will
|
|
never end, but will get closer and closer to a state in which
|
|
every quantum particle in the universe is linked in an
|
|
essentially infinite number of quantum conscious ways to every
|
|
other particle. The closer the universe is to this state, the
|
|
slower time will run, so we'll never get there."
|
|
|
|
"Like the speed of light," I said. "You can never reach it
|
|
because your mass increases the closer you get."
|
|
|
|
"Exactly so, but not surprising because you can derive
|
|
relativity from quantum consciousness so it's not surprising
|
|
that relativity contains elements of quantum consciousness. I
|
|
like that, but what's important is that now I have a theory that
|
|
makes predictions that can be tested. For instance, Hubble's
|
|
constant, which is a measure of the rate of expansion of the
|
|
universe, can be derived from TQC. Not by me -- my astrophysics
|
|
is nowhere near good enough -- but someone should be able to do
|
|
it. The important thing is that this theory can be tested
|
|
against observations."
|
|
|
|
"Unlike creationism," I said.
|
|
|
|
"Sure. What's more, I may be able to derive the value of some
|
|
basic physical constants, like the speed of light and the charge
|
|
on an electron, from first principles. That's never been done.
|
|
It's sort of a Holy Grail of physics."
|
|
|
|
Even I knew that any success along these lines was a Nobel Prize
|
|
for sure.
|
|
|
|
"There's something else coming out of the math," he said.
|
|
"There's a quantity which represents the relationship between
|
|
the total consciousness of a system and the material state of
|
|
the system. This quantity corresponds to truth, or beauty, or
|
|
perhaps to other concepts we haven't even thought of yet."
|
|
|
|
Now this is what any thinking person knows intuitively. Beauty
|
|
and truth are two sides of the same thing and both speak about
|
|
the relationship between the world of ideas and the world of
|
|
matter. His work was starting to expose the workings of that
|
|
relationship. In a weird way, the theory referred to itself; the
|
|
more beautiful its equations, the more likely they were to be
|
|
true.
|
|
|
|
Now all this doesn't mean that you can write a Shakespeare play
|
|
starting from the math of quantum consciousness any more than
|
|
you can predict a World Series starting from Newton's Laws of
|
|
Motion. It's possible in theory, but doing the math would take
|
|
to the end of time, so it's a lot easier to just play the games
|
|
and see who wins. The easiest way to write a Shakespeare play is
|
|
to let Shakespeare do it.
|
|
|
|
Of course, he wanted more than mathematical proofs and he was
|
|
sketching the principles of what he called a transducer. "In the
|
|
Middle Ages you could hope to work wonders if you had a splinter
|
|
from the True Cross," he said. "If you'd told the average
|
|
medieval peasant that you could work wonders with a computer
|
|
chip, which is piece of silicon about the size of your
|
|
thumbnail, something made from sand, you'd have been burnt at
|
|
the stake as a witch. So the transducer, which is a device that
|
|
transforms quantum consciousness effects into the fundamental
|
|
forces of physics, makes QC effects measurable in the lab. It
|
|
will be as surprising, and at first as incomprehensible, to us
|
|
as the idea of spinning sand into wonderful things would be to a
|
|
serf."
|
|
|
|
I didn't even get a hint of how this surprising transducer might
|
|
work because he was too excited and rattled on, saying, "Anyway,
|
|
the paper's finished. The math's correct. It's publishable by
|
|
any standard. I'd take it to Allan today but he's off campus at
|
|
some religious meeting out of town, back at work on Monday. I
|
|
can wait. There's no way he can stop me now. The math is
|
|
consistent. Once the experimentalists get their hands on it
|
|
there'll be verification within days, maybe hours after I post
|
|
the preprint. But I want him either to say no and be known
|
|
forever as the man who tried to stop publication of the most
|
|
important scientific paper ever, or to watch him say yes,
|
|
knowing that he's saying yes to the end of his world."
|
|
|
|
That was the last time I saw Tom, but not the last time I talked
|
|
with him. He left for Atlanta that night. He was going to talk
|
|
to a national convention of high school physics teachers,
|
|
something about teaching physics to make it interesting. He
|
|
called me the next evening from Atlanta, very excited.
|
|
|
|
"Guess who I met here," he said.
|
|
|
|
"Who?"
|
|
|
|
"Allan. I saw him at the Backstreet."
|
|
|
|
Now the Backstreet, on the corner of Peachtree and Juniper, is
|
|
Atlanta's oldest and most famous gay bar, three floors, pool,
|
|
skyline bar on the roof-deck, and the best lights and sound on
|
|
the biggest dance floor in gaydom. They have an annual White
|
|
Party that attracts every circuit queen south of the Mason-Dixon
|
|
Line. I was a little pissed off that Tom had gone there without
|
|
me, but the news that he'd seen Allan there overwhelmed my
|
|
anger.
|
|
|
|
"I was at a table close by the stairs, sitting by myself, my
|
|
friend." The friend bit was to massage my ego and it was nice of
|
|
him. "I sip my beer, lift my eyes from the glass, look up, and
|
|
there's Allan prancing down the stairs from the Triple X Charlie
|
|
Brown cabaret and what's more, he's holding the hand of a
|
|
remarkably pretty young man. He saw me all right, but pretended
|
|
he didn't, and then he headed out right away, looking very
|
|
shaken."
|
|
|
|
"Wow! So the rumor's true."
|
|
|
|
"Yup. I don't need to say anything at all. He knows I know and
|
|
that's enough. With this and the paper I've got him by the
|
|
balls."
|
|
|
|
I was recovering my cool. "In a way," I said, "I'm surprised he
|
|
was at the Backstreet. I would've pegged him for the Model T."
|
|
The Model T's in the old Ford factory on Ponce DeLeon. We'd gone
|
|
there once together, but the only thing more bitchy than a bunch
|
|
of fags is a bunch of old fags.
|
|
|
|
But then the surprise was over and I was thinking more
|
|
carefully. "Suppose we confront him. Perhaps he'll claim he was
|
|
doing research for the Southern Baptists. They don't care about
|
|
war, murder, rape and child abuse, but they're really worried
|
|
about gay rights."
|
|
|
|
"Southern Baptists don't wear their shirts open to the navel.
|
|
The clown was wearing a big gold chain too. But who cares?"
|
|
|
|
So Allan joined the ranks of the fallen zealots, the Jimmy
|
|
Swaggerts, the Jim Bakkers, the Elmer Gantrys, the J. Edgar
|
|
Hoovers, and that guy that was queer that worked for McCarthy.
|
|
|
|
Tom was right -- it didn't matter. We'd already decided that Tom
|
|
would post another preprint no matter what the Committee said,
|
|
but the chance of forcing Allan to approve Tom's work or face
|
|
the threat of outing made the triumph, well, sort of complete.
|
|
|
|
Tom came back from Atlanta late Friday night and they found him
|
|
on Saturday morning in his running gear on a country road three
|
|
miles form his home. He had a closed head injury, tension
|
|
pneumothorax, ruptured liver and spleen. Blunt trauma, hit and
|
|
run, said the police report.
|
|
|
|
Coincidence? You can think about it and make up your own mind,
|
|
but that's why I wasted those fundamentalist traffic cones. As
|
|
Tom would have said, there is a certain symmetry in the universe
|
|
and it pops up in surprising places.
|
|
|
|
I'm getting choked up and I'll have to quit for a moment.
|
|
|
|
|
|
|
|
OK.
|
|
|
|
Let me get on to the real point of all this. I had the soul of
|
|
Tom's computer on my hard drive and there in this QC folder was
|
|
the text of the complete formulation of the Theory of Quantum
|
|
Consciousness. The problem was that the document looked like
|
|
this:
|
|
|
|
----BEGIN PGP MESSAGE----
|
|
|
|
Version: PGP for Personal Privacy 5.0
|
|
|
|
MessageID: HDo8lgYFv9gn1Uj+TWmMUZW/iXSvb3yK
|
|
|
|
qANQR1DBwE4D48jp4wOYMGQQBADrKk9rMEA/t/Xu7fXkJ9zhdOajL26Nq/
|
|
5LrBq+oo/Z6YGfvVyj86bTei5DhiTm+nYLPcPDsX46G7TfEL0QO+eTjm6
|
|
|
|
...and so on. You get the picture.
|
|
|
|
Now Tom's public key was on the Net, and I already had that key
|
|
on my machine. I'd been using it to encrypt my e-mail to him.
|
|
But his private key was... well, remember he'd told me he'd
|
|
taken it off his machine in case of any more break-ins so they
|
|
couldn't read his stuff when they broke into his computer. But
|
|
where was the private key? By examining his public key on the
|
|
MIT keyserver I could tell his private key was 4096 bits and
|
|
that's longer than anyone can remember or wants to punch in by
|
|
hand. So the key had to be on the disk he took home from work
|
|
every night. There wasn't any other way to handle a key this
|
|
big.
|
|
|
|
I had a key to his apartment and I went over but there was
|
|
nothing there. At least no floppy. I'd spent a lot of time in
|
|
his apartment and I knew where he kept stuff in his desk and so
|
|
on, I even knew where he kept the disk from work. But it wasn't
|
|
there. And I knew why. Once the math was finished, there was no
|
|
point in keeping anything from the Dean. Even if Tom was fired,
|
|
he could still publish and then the world would beat a path to
|
|
his door. So he'd left the floppy at work.
|
|
|
|
On Monday, I went over to the Physics Department and told the
|
|
secretary I was a friend of Tom's and asked if there was
|
|
anything I could do to help them clean out his office. "It's
|
|
already done," said the secretary. "The Dean had Dr. Thomas'
|
|
personal items sent to his family -- a couple of photographs and
|
|
a leather jacket hanging on the hook on his door, that was all."
|
|
I went down the hall and she was right. There was nothing except
|
|
a desk and a chair. The desk drawers were empty except for those
|
|
wisps of gray fluff that you always find at the back of drawers.
|
|
|
|
I went back to the secretary and asked, "Where's his stuff,
|
|
papers, floppy disks, that sort of thing?"
|
|
|
|
"If it wasn't personal, it belonged to the state, and the Dean
|
|
said we should send everything to the dump. Everything. The Dean
|
|
made it very clear." Good jobs with the state are hard to get
|
|
and her attitude made it clear that she wasn't about to lose
|
|
hers.
|
|
|
|
Later I learned that Thad, shocked at the waste of a Pentium,
|
|
had quietly diverted -- yes, that was the word he used, diverted
|
|
-- the computer to the recycling center. But in front of the
|
|
secretary I kept myself focused on Tom's private key.
|
|
|
|
"Even the floppies?" I asked.
|
|
|
|
She looked at me strangely, as if I was trying to steal
|
|
something. "The Dean said we should send it all to the
|
|
landfill." That was the end of it. I was only a student and she
|
|
knew it, so I left.
|
|
|
|
Tom's family hadn't spoken to him for years, ever since they
|
|
found out he was gay. I called later and got his father on the
|
|
phone. He was already crying. I suppose he had realized that
|
|
he'd lost some things forever, things he could have had for the
|
|
asking but it was too late now. He told me there were no floppy
|
|
discs sent by the school, just the jacket and the photographs.
|
|
|
|
"Nothing in the pockets?" I asked. There wasn't.
|
|
|
|
It was raining when I headed out to the dump, which is a few
|
|
acres of trash at the end of Reservoir Road, past the animal
|
|
shelter. Seagulls wheeled around in the sky behind a bulldozer
|
|
that was slowly leveling piles of trash, papers, old mattresses,
|
|
cardboard boxes, plastic bottles, all the throwaway crap of
|
|
civilization. There was a smell too, putrid.
|
|
|
|
I asked the guy at the gate if STSU had brought anything to the
|
|
dump since Saturday and where it might be. "Dunno. This ain't a
|
|
coat check, we don't give out numbers," he said.
|
|
|
|
"Thanks. I'll think I'll take a look around."
|
|
|
|
Two cops were sitting inside a pickup truck. They had their guns
|
|
out. I went over to them and said lightly, "What's up? Someone
|
|
steal something?"
|
|
|
|
"Target practice, wiseguy. Firearms re-cert next week."
|
|
|
|
"So what'ya shooting at?"
|
|
|
|
"Mainly rats, but just about anything that moves."
|
|
|
|
I didn't like their attitude, not that it mattered. I could see
|
|
that finding a floppy in this mountain of paper and plastic,
|
|
grease, oil and rotting food was impossible and anyway the
|
|
floppy was probably useless what with the rain and the dirt and
|
|
all the grease, even if the bulldozer hadn't crushed it. So I
|
|
stood there watching the mewling gulls, staring at where the
|
|
secret of the universe had been thrown away. But of course, as
|
|
Rose and Thad and the Sierra Club would say, there is no away.
|
|
|
|
On the way back from the dump I stopped in at the animal
|
|
shelter. Mom was there, cleaning out the cat cages. On the wall
|
|
there were some plaques given by donors in memory of their pets.
|
|
There was one that always nearly made me cry. "In memory of all
|
|
those for whom no one came." It was for the ones who didn't get
|
|
adopted, who spent their allotted five days at the shelter and
|
|
then met the blue death. My mom caught me looking at it when she
|
|
was finished scooping poop.
|
|
|
|
"Stop being sentimental," she told me.
|
|
|
|
Now you're thinking maybe Tom had hidden another copy of his
|
|
personal key on his hard drive, camouflaged to look like a Word
|
|
file or some data from his checking program. Well, believe me,
|
|
I've looked, and there's nothing there.
|
|
|
|
So what was left for me to do? I had the text of the paper but
|
|
it was encrypted. OK, I knew how to break the code, but it was a
|
|
4096-bit key. Before the SETI project got going on the Internet,
|
|
several hundred people had worked together in the same way,
|
|
trying to win a bet by breaking a 40-bit key with code-breaking
|
|
software on machines all over the world. It took them about nine
|
|
months, let's say a year to keep things simple. Now every bit
|
|
you add to a key means that it will take twice as long to break
|
|
it. So going from 40 to 4096 bits means that I can try to find
|
|
Tom's private key on my machine but it will take me about
|
|
2^(4096-40) years and, well, I can't be bothered to calculate
|
|
exactly what that is but if I wrote out the number it would be
|
|
longer than this whole thing I've written. And on top of that,
|
|
with the quantum consciousness time retardation phenomenon and
|
|
time slowing down as the universe gets more complex, the code's
|
|
not going to get broken, ever.
|
|
|
|
I thought about posting the problem on the Internet, a project
|
|
that people could run on their computers like the SETI project
|
|
or the original code-breaking effort, but anyone who's
|
|
interested enough to take part will know that there is
|
|
essentially no chance of breaking this code. Ever. So I didn't
|
|
even try. And the idea of reworking the math myself is out of
|
|
the question because the math was Tom's invention and I'm not
|
|
that smart. "Most of physics can be described with partial
|
|
differential equations," he'd said, "but I needed something
|
|
quite different." I didn't ask him what that something was, and
|
|
now it's too late.
|
|
|
|
By the way, now that you know the four principles of Quantum
|
|
consciousness show that the universe is relentlessly evolving,
|
|
unfolding into higher and higher levels of complexity and of
|
|
consciousness then you know why I'm so sure that SETI will pan
|
|
out. It's only a matter of time. So, despite everything that's
|
|
happened, I'm still running the SETI software. It's an
|
|
affirmation that Tom was right.
|
|
|
|
Yesterday, when Mom came home from work at the dealership, she
|
|
told me Stott had traded in his car for a new four-wheel drive
|
|
sport utility. He didn't get as much as he might for his
|
|
trade-in because it his old car needed some work on the body.
|
|
She said there was a dent in the fender on the passenger side.
|
|
|
|
Does it mean anything? I don't know, but like I said, I'm always
|
|
on the lookout for coincidences.
|
|
|
|
Am I going to the police? Maybe, but in long run there's a
|
|
better way. Even though the secret of the universe is lost in
|
|
the landfill, jumbled up with a lot of trash, and at the same
|
|
time it's jumbled up forever on my hard drive, there's one more
|
|
way to find it.
|
|
|
|
Ideas have a life of their own. Someone called them memes, sort
|
|
of like genes, but mental instead of made of DNA. They're out
|
|
there, replicating inside people's heads and it's impossible to
|
|
eliminate them. True memes are indestructible, they're the most
|
|
durable things in the universe because they will be discovered
|
|
again and again.
|
|
|
|
That's why I've written this account of Tom's ideas. Remember,
|
|
it's an account, not a made-up story, but I don't care if you
|
|
think it's true or not. If you've read this far then I've
|
|
already got what I wanted. I've planted the meme of Quantum
|
|
Consciousness inside your head.
|
|
|
|
Think about it. It's there and you can't get rid of it, can you?
|
|
|
|
Someone will read this and wonder if just maybe Quantum
|
|
Consciousness is the way out of the intellectual maze we've
|
|
built for ourselves. Maybe that someone will be a high-school
|
|
kid or a college freshman, someone who's good at math but still
|
|
young enough to think impossible things.
|
|
|
|
Perhaps you're that reader.
|
|
|
|
Or perhaps you're not, and maybe you'll forget this story but
|
|
years from now, when your four year-old granddaughter asks you,
|
|
"Why did Granny have to die?" you'll tell her in your grief that
|
|
everything is alive and nothing really dies, that the universe
|
|
is good and the stuff it's made from combines and recombines
|
|
endlessly as it journeys to perfection. The little girl won't
|
|
understand what you say but she will feel what you feel and the
|
|
meme will jump from your mind to hers and when she's older and
|
|
majoring in math she'll sit down one rainy afternoon with a
|
|
pencil and some paper and work into the night and rediscover
|
|
Quantum Consciousness.
|
|
|
|
How it happens doesn't matter.
|
|
|
|
Tom's dead, but I'm not as angry about this now as I was on
|
|
Sunday morning. He played his role, did his bit to move the
|
|
universe in the direction it's meant to go, and his bit was much
|
|
more than most of us can hope to do. He won't be here any more,
|
|
I can't enjoy his company, but that's the way things are, and
|
|
I'll live on, trying to do my bit. Actually, I've probably done
|
|
what's the most important thing for me to do in my whole life:
|
|
I've written down what happened and made sure it's read by
|
|
thoughtful people like you.
|
|
|
|
So now you know that reality is good, reality is conscious. Of
|
|
course, I can't prove that to you but I do know, I absolutely
|
|
know for sure, that sometime, somewhere, someone will rediscover
|
|
Tom's Theory of Quantum Consciousness.
|
|
|
|
I know this will happen because, if you think carefully about
|
|
what I've told you, you'll realize that the Theory of Quantum
|
|
Consciousness is the only scientific theory that predicts its
|
|
own discovery.
|
|
|
|
Now remember that the test of any scientific theory is that it
|
|
makes accurate predictions. Right?
|
|
|
|
Quantum Consciousness predicts its own discovery and it's been
|
|
discovered. Sure it's been discovered. It's in your head right
|
|
now, isn't it?
|
|
|
|
OK. I rest my case.
|
|
|
|
Now remember right at the beginning I told you this isn't a
|
|
story. I said it was more like a proof. That's why I'm going to
|
|
finish with the Latin phrase _Quod erat demonstrandum._
|
|
Mathematicians put this at the end of their proofs when they
|
|
have demonstrated that which was to be demonstrated, except they
|
|
usually just use the initials.
|
|
|
|
But the last line of a _story_ is very important, and no writer
|
|
of fiction would ever end with something as limp as the initials
|
|
of an obscure phrase in Latin.
|
|
|
|
Q.E.D.
|
|
|
|
|
|
|
|
Jim Cowan (jcowan@fast.net)
|
|
-----------------------------
|
|
Jim Cowan is trained as both an electrical engineer and a
|
|
doctor, and is a graduate of the 1993 Clarion SF workshop. He is
|
|
amazed and delighted that many wonderful things in the world can
|
|
be completely described by mathematics and he is equally amazed
|
|
and delighted that many wonderful things, including mathematics,
|
|
cannot. In addition to his stories in InterText, he has written
|
|
two stories for the print magazine Century, and his story "The
|
|
True Story of Professor Trabuc and his Voyages Aboard the
|
|
Sonde-Ballon de la Mentalitie" will appear later this year in
|
|
Asimov's Science Fiction. His story "The Spade of Reason"
|
|
appeared in The Year's Best Science Fiction: Fourteenth Annual
|
|
Collection, edited by Gardner Dozois. InterText stories written
|
|
by Jim Cowan: "The Gardener" (v4n5), "Genetic Moonshine" (v5n3),
|
|
"The Central Mechanism" (v8n3).
|
|
|
|
|
|
|
|
FYI
|
|
=====
|
|
...................................................................
|
|
|
|
InterText's next issue will be released in August of 1998.
|
|
...................................................................
|
|
|
|
|
|
Back Issues of InterText
|
|
--------------------------
|
|
|
|
Back issues of InterText can be found via anonymous FTP at:
|
|
|
|
<ftp://ftp.etext.org/pub/Zines/InterText/>
|
|
|
|
On the World Wide Web, point your WWW browser to:
|
|
|
|
<http://www.etext.org/Zines/InterText/>
|
|
|
|
|
|
Submissions to InterText
|
|
--------------------------
|
|
|
|
InterText's stories are made up _entirely_ of electronic
|
|
submissions. Send submissions to <submissions@intertext.com>.
|
|
For a copy of our writers' guidelines, send e-mail to
|
|
<guidelines@intertext.com>.
|
|
|
|
|
|
Subscribe to InterText
|
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------------------------
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|
|
To subscribe to InterText, send a message to
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<subscriptions@intertext.com> with a subject of one of the
|
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following:
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For more information about these three options, mail
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<subscriptions@intertext.com> with either a blank subject line
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or a subject of "subscribe".
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....................................................................
|
|
|
|
Do I have a butterfly or some other small animal up my nose?
|
|
|
|
..
|
|
|
|
This issue is wrapped as a setext. For more information send
|
|
e-mail to <setext@tidbits.com>, or contact the InterText staff
|
|
directly at <editors@intertext.com>.
|
|
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|
$$
|