12807 lines
586 KiB
Plaintext
12807 lines
586 KiB
Plaintext
============================================================================
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HOE #1110 BIG BAD #3 12/25/2000
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============================================================================
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Here's a lil ditty for you gals:
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tra la la la
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~~~ la la la!!
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\___/ doot doot
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|_ _|
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|o o| doot doot
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| v |
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| O | -- sing along!
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`---'
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__| |__ tra la la la
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` ' la la la!!!
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||| ||| doot doot!!
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()|___|()
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|___| doot doot!!
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//|\\
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// | \\ --- i can't hear ya!!!!!/!1
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C] | [D
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| the end of our little trip has come
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`-----. GO AWAY
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doot!! | this is a monumental event in history
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| YOU FUCKING SUCK
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doot!!! | YEAH
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|
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.----------' please take a moment, though, to consider the facts:
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|
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| BLOW! --> #1 ::::: A lot of people have written for this file.
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| BeWM@ --> #2 ::::: It is over 600 kilobytes.
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| KBAMM --> #3 ::::: very few people have this kind of attention span.
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| YOWZH --> #4 ::::: it's HOE.
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|
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| Q: Do you think they're ready?
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.-' (follow the magic schlong!) A: No, but we have no other choice.
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| Q: What is this?
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| A: More relentless crap than you'll ever experience.
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|
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|:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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|::::::::::::::::::::::: AND UNTO THEM, MOGEL SPOKE ::::::::::::::::::::::::
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|::::::::::::::::::::::: LET THERE BE ::::::::::::::::::::::::
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|::::::::::::::::::::::: _ _ ___ ___ ::::::::::::::::::::::::
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|:::::::::::::::::::::::::::::| | | || || __|:::::::::::::::::::::::::::::
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|::::::::::::::::::::::: | |_| || _ |||_ ::::::::::::::::::::::::
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|::::::::::::::::::::::: BIG! | _ ||| ||| _| BAD! ::::::::::::::::::::::::
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|::::::::::::::::::::::: | | | |||_||||__ ::::::::::::::::::::::::
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|:::::::::::::::::::::::::::::| | | || || |:::::::::::::::::::::::::::::
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|::::::::::::::::::::::: `-' `-'`---'`---' ::::::::::::::::::::::::
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|:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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| BUT JUDGEMENT DAY HATH COME!!!1
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|
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| (MAGICAL you motherfuckers all thought we wuz dead
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| SCHLONG bitch we ain't dead yet
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| VIOLATES and bitch yo'll gonna see
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| THE SACRED
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| ONE SPACE what marvelous shit HOE is cookin' up
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| MARGIN
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| RULE) up
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| ; up
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| ; UP
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| _________
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| |0=0|
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| ------- ---- HELLO BOYS AND GIRLS I HOPE YOU ARE READY TO LIVE
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| | O | IN A WORLD WHERE THERE WILL BE NO MORE HOES FOR
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| |___| HOE IS GONE MISSING FROM OUR REALITY.
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|
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| (THA PROFESSOR)
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|
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| but what does he profess?
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|
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| "I PROFESS A WORLD WITHOUT END AND A WORLD WITHOUT SIN
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| A RETURN TO THE NATURE STATE OF GRACE BEFORE THE FALL
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| IN THE GARDEN."
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|
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| HHHHH HHHHH
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| HHHHH HHHHH
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| HHHHH HHHHH ___
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| HHHHH HHHHH (O o) - WELL BLIMEY
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| HHHHH HHHHH --- HE COULD HAVE
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| HHHHHHHHHHHHHHHHHH | AT LEAST DONE
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| HHHHHHHHHHHHHHHHHH \__|__/ THE OTHER TWO
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| HHHHHHHHHHHHHHHHHH / | \ EVEN JUST THE O
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| HHHHH HHHHH | WOULDA BEEN BETTA
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| HHHHH HHHHH |
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| HHHHH HHHHH |
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| HHHHH HHHHH oe _/ \_ doot doot!
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|
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| __ doot doot!!!
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| | |
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| "Got to say, I love it!" |= =
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| - Jon Katz | -
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| | / - IS IT REALLY SO BAD BEING ALONE?
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| | \
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| |__|
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|
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|
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| . - YES IT IS AND NOW EVEN HOE HAS LEFT ME
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| LIKE CATHERINE LEFT HEATHCLIFFE
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| ______________
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| |history lesson|
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| | leadbelly | some words: from folk sensation
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| | killed a man | huddie ledbetter, o - DIDN'T HE
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| | | better known to y'all as -|- COVER
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| | | mothafuckin' LEADBELLY / \ NIRVANA?
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| | & | mothafuckin' LEADBELLY |
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| | |
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| | stabbed Alan | ahem: "I may be right and I may be wrong
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| | Lomax | know you're gonna miss me
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| | | when I'm gone"
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| |______________|
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|
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| Okay, okay, the truth of the matter is that I'm tired, you're tired, and
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| this whole dang biddley-squat is tired, old, corny, and played out.
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| Ain't gonna be no IRC-4-LIFE sucka, baby, 'cause we gotz plans, baby.
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| I've got a great idea!!! I'll just show you tons of funny e-mails!!!!
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| I'll let them tell the story, a story full of one painfully ironic phrase
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| after another.
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|
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| MORE ON THAT LATER.
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|
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| IF YOU MAKE IT THAT FAR.
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|
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| Date: Thu, 10 Aug 2000 01:26:02
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| From: Sven Thatcher <sven@hotblack.3d.gweep.net>
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| To: mogel@hoe.nu
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| Subject: Glory Days of the Net
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|
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| The face of the on-line world is changing very rapidly. Well, it's
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| *always* been changing very rapidly, but I don't mean new technologies.
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| I mean cultural inclusion. I was once a geek. I had my own email address
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| long before it was trendy. I have an impressively low ICQ number. I once
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| used Win 3.11 for PPP access. Yes. I was hardcore. I guess that's why
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| the world today shocks me. I should've seen the impending reality when a
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| trendy chick had a shirt with a URL on it. Hard to remember now a time
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| when the web wasn't huge. I'm so unused to random people just using
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| email. I still think of it internally as a geeky thing, but it's not.
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| Not anymore. Internet access seems to be a staple of exsistence now.
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| Only truly technologically illiterate people refuse to use it now. I
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| suppose this is a change for a better, but I can't help feeling sorta
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| violated. This was my domain! This was my culture! What are all these
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| strangers doing here now? Why do people message me randomly on ICQ in
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| languages I don't comprehend. Why has it become popular to use "u"
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| for you and "r" for are as opposed to being laughable. Why has being a
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| 1337 hax0r become COOL?!!? Where did my net go? *sniffle*
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|
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| The idea was sound from the beginning. Kill the old media convention of
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| the few to the many. Let the many broadcast to the many, but I'm afraid
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| the signal to noise ratio has gotten WAY out of hand. There's so much
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| useless junk on the net now. So many useless people that have no
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| bussiness invading my communication channels. I am no longer a geek in
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| my head. New technology doesn't interest me. Why did it ever? It was
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| exciting. A new adventerous world was around me and I wanted to explore
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| it, but the world has been painted over in corporate slogans and is home
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| to bubbly teens. It's lost what made it magical. Now it's just another
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| tool.
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|
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| The honeymoon is over.
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|
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| Date: Fri, 5 May 2000 04:11:36
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| From: Treek <treekabomb1@hotmail.com>
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| To: mogel@hoe.nu
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| Subject: idiots
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|
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| You guys really are a bunch of pathetic losers. If someone told me that
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| in 2000 there'd still be a CDC-spawned text file group that's released
|
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| 1000 issues, I'd have died laughing. How many countless hours have you
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| spent in utter waste?
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|
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| I know the net is full of any old idiot who can put up whatever they want
|
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| on a webpage and there's no obligation to care, but you guys actually
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| seem MOTIVATED to do this shit. What the hell is wrong with you?
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|
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| I bet you'll include this letter in an issue of your little text group.
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| Well go ahead, I don't care. Let's let everyone take a moment and
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| consider just how lame these people are.
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|
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| There's a difference between chaos and crap.
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|
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| ehehehehehe __________|\
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| ___________/ o.o \ MAGICAL SCHLONG?
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`---------------================___________ `---' ) WHAT IS IT??
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\__________ / HAVE YOU SPOTTED
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BUT WHAT CAN THE HOE WRITERS DO ONCE |/ SOMETHING???
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THEIR TEXT FILES HAVE BEEN TERMINATED?
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PERHAPS NEW MEDIUMS OF ART CAN BE EXPLORED WITH THE SAME AESTHETICS.
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|\ __
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J ARETT .=-`__ (` `) `-. sex!
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KOBEK // '^ / / o2 _ )
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SNUFF '//> < . .' --. `_ / ohmigosh!
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MOVIE ///G\ .-'/ ./ .-` `._.' ohh AIDS
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----> ////. ' `(/ ` nobody can
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//// ` \--.-. c' - \ love me like you
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/'.' ' .' ` \ `-' \ \ .-"".
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.( -- . * ` . ) `. \ . \ <--- Anna Karina
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' ` :|. ' ( > ) \ does cast
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' * ` . '(| `/ __. / / . \ a mighty
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/ ` . .'`. \ _(/,_ "' .' .\ `\ love spell
|
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.. ' )_ ` .'..-' `--: / `. `\ my friends
|
||
`:: ..' `._ ..::::. ) __' _._`. \
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( ` -. `-.::::::::) _.' "" "`-. \_
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`. `._ _ :::::<''--""' ` ' `-. `-._ HEY KOBEK
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`-..._ ' ``.`:::::. _. `--..----._
|
||
`_. .``. `::::: _..-' `._..___ . .) what?
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`.\\` `::::. ---'' `"--..__`_/
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`:::::: KEEP ROLLIN'
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::(. AND TWO BECOMES FOUR
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/////// 400 BLOWS ::. WE JUST
|
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// O PLEASE .:: MOGEL GETS THE BITCH GETTIN'
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// > '' FANNY ARDENT FROM BEHIND STARTED
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/ \__ ~ HEHEHE DIDJA
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|| GET IT? /////
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(\ \) (~) // o ohhh mogel
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( \ \ / / SEX. // > you are a
|
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( \ \/ / ____________/ \__O retarded genius
|
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( \__/ / ___ ______\// ohhh truffaut will never compare
|
||
/ | /@ ( / / ______)/
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( |// \ \ / / (_)
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\ () \ \O/ Yes, it's true.
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\ | ) ) Sometime you've just got to
|
||
) ) / / I am truly fuck beautiful women, naked,
|
||
( |_ / /_ sorry that on camera, to get ahead in
|
||
(____> (____> you had to this world. Maybe a better
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sit through world will come along one day.
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this. Really.
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But AIDS and Mogel's sexual exploits aren't the only thing that makes up
|
||
the core of HOE. No, we've got 10 young writers who've been branded
|
||
(sometimes against their will, but it's better that way) the much esteemed
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title "HOE 4 LIPHE". These warriors will and should always be asoociated
|
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with Mogel's projects, in some form, forever, since you all care.
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||
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HOE 4 LIPHE CREW
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||
================
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Mogel AIDS
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Trilobyte Quarex
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Caitlin Effy
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Aster AnonGirl
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Kreid Rhea
|
||
|
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We salute you.
|
||
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Date: Mon, 26 Jun 2000 14:17:54 PDT
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From: gudrun <telefonbuch@yahoo.com>
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To: mogel@textfiles.com
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dear mogel,
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I have a very, very, very big problem! I think, my boyfriend has a
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relationship with another girl and I think they know each other through
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the internet, so I really, really want to read his mails, because I'm
|
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sure, they mail to each other at work. do you know a possibility to
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crack his hotmail password? I'm really very despaired, because I also
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don't know the secret answer.
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please help me if you can!
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thank you!!!
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gudrun
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Date: Mon, 3 Jul 2000 02:22:51 -0400
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From: KristenMcGregor@compuserve.com
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To: Mogel <mogel@hoe.nu>
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Subject: The End of HOE?
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Hey Mogel--I'm Kristen McGregor and I've never written to
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Hoe before. Here's my article. I want to be part of Hoe before it ends.
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I've read it for about four years now, just never gave you anything
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before.
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"One more year" by Kristen McGregor
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One more year today. One more year of this shit. I'm taking my
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car, Bonnie the '96 Ford Aspire, and gonna aspire my ass out of this
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craphole town. I'm driving as fast as I can to someplace where I'll enjoy
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life. I'll dye my hair some funky color, but probably I'll try a platinum
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blonde first, start wearing more than lip gloss, and go by a different
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name. When I get to where I'm going I'll introduce myself as something
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totally different. Something spiffy... Anastasia... Romaine. That's it.
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Oh god! Do you know just how perfect that will be?
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I'm not exactly concerned if I go to University, either. Have fun
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while you're young and then go to college! Besides, school is a nightmare.
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I seriously doubt I learned anything there that I couldn't have learned on
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my own. And to top it off, school is full of those full of it teachers
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who just expell their bullshit upon you. Teachers, with exceptions, are
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just a buncha arrogant jerks who rely just a little too much on that
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degree they attained a long, long time ago. They love to preach.
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"And YOU, young lady, lack the focus to go anywhere in life."
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Well, fuck that. Nothing is going to bring me down. Nothing! Do you
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hear me?
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Making friends was and is the worst. Under the constant ridicule
|
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of being a "crackhead" and trying to fit into the utter conformity of
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waify girls who just look like _The Gap_ sucked the life out of them and
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the little freaks that get some kicks out of becoming your friend and
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then pretending not to know you when you come back. The whole school is
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knocked up with little rich shits and I somehow wound up in the middle
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of it.
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I'm thinking California. A nice tan would do me wonders. I'll make it.
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Life will be good, once I get away from here. You'll see.
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A first and last contribution. What do you think?
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Date: Sun, 1 Oct 2000 08:44:41
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From: peter.hodge@tpg.com.au
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To: comments@dumbassandthefag.com
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Dear Sir,
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Let me start by apologizing for the unsolicited email. I located your
|
||
email while searching for information on the internet at
|
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http://www.rockonline.com:80/wnyuchat.cgi and decided to sent you a email
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to introduce my project... namely, to sell an Egg Farm.
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To make life easy for you I have put the profile up here:
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http://members.dingoblue.net.au/~peterhodge/index.html
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Simple click on the above URL and it will take you to the summary page,
|
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where you are able to obtain the full profile of this enterprise.
|
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Regards,
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Peter Hodge
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hey!
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you!
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||
over here!
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you know,
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||
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what the fuck; said he
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i was looking up and down and all around and all I ever saw was the
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hoeish whores begging for more text but it was hard to give them more text
|
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and then maybe hell love me its been a long time and i wanted to scream out
|
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filthy words like shit and fuck and the smooth white cock of an artist
|
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i'd even suck it and get his stuff in my mouth a bit take me from behind
|
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like dogs
|
||
|
||
TOP FIVE LIST OF ALL HOE FILES EVER:
|
||
|
||
#1: THE MADCAP LAUGHS by AIDS
|
||
#2 YEAH!@$!@ by Kreid
|
||
#3 SIX THINGS THAT ARE ALWAYS FUNNY by mogel
|
||
#4 A Story of a Boy and His Dog by KRNL
|
||
#5 Let's get it on, but only after two years,
|
||
by Styx
|
||
|
||
it doesn't matter if it's good
|
||
|
||
Paragraph structure paragraph structure I hate the dirty little japs
|
||
paragraph structure I hate the dirty little japs with their dirty little
|
||
jap eyes looking down the barrel of a gun Shit, man, I've seen the thin
|
||
red line, I know what those people were really like! They wanted to kill
|
||
the fucking balinese folk singing black island natives. AND THEN HIS
|
||
FUCKING BITCH WHORE, SHUT THE FUCK UP:
|
||
|
||
antonin artaud, kiss it baby
|
||
antonin artaud, kiss it baby
|
||
|
||
top five blowjobs of all time:
|
||
|
||
#1 Pat Nixon to Richard Nixon,
|
||
night of second presidental
|
||
victory
|
||
|
||
#2 Pat Nixon to Richard Nixon,
|
||
third date
|
||
|
||
#3 PAT NIXON TO DICKARD NOXIN:
|
||
victory night after
|
||
destroying Helen Gahagan,
|
||
star of 1935's SHE, in the
|
||
most vicious smear campaign
|
||
in the history of American
|
||
politics;
|
||
California Senate seat
|
||
#4 Pat Nixon to Richard Nixon:
|
||
night unknown
|
||
|
||
#5: Lewinsky to Clinton, moments
|
||
after he ran his tongue
|
||
over her ass
|
||
|
||
oh baby the dick is in the pussy now baby oh yeah i can feel the
|
||
heat of your pussy baby oh yeah its not like its hot exactly baby but its
|
||
like the heat of your pussy baby is slowly seeping inwards baby from the
|
||
outer skin towards the urethra baby its like its the god damned manifest
|
||
destiny of unprotected sex baby oh yeah you're getting me baby you're
|
||
getitng me uh its getting so much tighter baby are you going to come baby
|
||
are you going to come oh shit baby im coming baby im coming baby right now
|
||
baby right night oh shit baby uhhhhhhh oh baby i'm sorry you didn't cum
|
||
baby i'll try harder next time baby i promise baby i'm sorry baby i'll say
|
||
please too
|
||
|
||
\ \ \ \ \ \ \\\ ////
|
||
\ / //\ //\ \/ \\//
|
||
/\\//\/\/ \/\/ \/ \/\ \ \// \ /\/ / \/\//\ \\/
|
||
|
||
a short essay on what hoe means to me,
|
||
by little J arett, age 11
|
||
|
||
hoe means that i can write and people will read it and i mean even
|
||
if i'm not getting paid its almost professional right? i'm almost
|
||
hemingway, right? i'm almost doing what i wanna do right? yeah, of course
|
||
i am. now people know me nad i'm powerful and respected and when i'm a
|
||
world famous writer they'll try to live it up throught he glory days of
|
||
when they knew me back when and i'll be on the tonight show and lie about
|
||
my past. yeah. My next book is return to the valley of the dolls. yeah.
|
||
|
||
pussy eating techniques:
|
||
|
||
lick the alaphabet
|
||
concentrate increasing smaller, increasingly
|
||
faster licks
|
||
on the clit with your the tip of your tongue
|
||
do the whole lick with your whole tongue from pussy
|
||
hole to the nascent pubic hair
|
||
stick the tongue in the pussy, wiggle, or fuck
|
||
like a minature dick
|
||
lick the outer labia longer and lovely
|
||
|
||
blowjob technique:
|
||
|
||
hum while applying mouth to dick
|
||
battle hymn of the republic works well
|
||
|
||
oh the filthy fucking you've all done you sick animals you look in
|
||
mirrors and at tapes of yourselves fucking other people and its like this
|
||
horrible fascinating effect because you are all the children of the
|
||
puritans you're all free will devoid puritantical children you've all gone
|
||
insane and so you send yourself pictures of yourself being yourself NAKED
|
||
and everyone is happy and the voyeurism is no better when its narcissitic
|
||
|
||
top five fucks of all time:
|
||
|
||
#5 jim morrison & nico
|
||
#4 jack kennedy & marlene deitrich
|
||
#3 the chevalier d'eon & sir francis dashwood
|
||
#2 achilles & patroclus
|
||
#1 Xanthippe & Socrates
|
||
|
||
punk rock punk rock punk rock always punk rock but
|
||
what about punk cock the smooth lithe dicks of all the punkers coming into
|
||
those bonny holes of all their women and men and all the festering fistules
|
||
of flesh bursting out their semen their lust their love their needs and
|
||
doing it all over again the bounty of youth the flaws of ucking the endless
|
||
machinations of sex punk cock up in the house and up in the mouth
|
||
|
||
cut little holes in her sides and put his dick in those holes
|
||
feeling the total warmth and suction something no orifice could ever give
|
||
something only this could do didn't mean to start it like this kidnapping
|
||
and cutting but had to do it no matter and oh it was lovely tried to do it
|
||
once a year once a year but now it was one every six months and in the
|
||
future he could see it being once every 3 months and then? no don;'t think
|
||
like that don't worry keep it tucked aweay and maybe it'll stay but god it
|
||
feels god to have the dick in this flesh but god maybe i should start
|
||
heating up and meat and fucking that i read portnoy's complaint he thought
|
||
but he knew that the microwaving would strip the juices that the living
|
||
tissue had so mabye he'd go to animals but he knew animals would scream in
|
||
a way that living people would not
|
||
|
||
so in the end it came down to the way it started a dick in a pussy
|
||
feeling that and tongues in mouths and feeling that and bodies aainst one
|
||
another and feeling that warmth love maybe but not really and all the
|
||
beautiful things that came with the merging of the flesh parting the tides
|
||
but god it was something he wanted and he got it and she seemed to dig it
|
||
too and oh lord yes it was what he needed now more than anything here this
|
||
sex doggy style missionary her on top venus butterfly him in a chair her
|
||
standing yes it was all he needed and it helped a little here and there
|
||
and sometimes life seemed a lot better with it and then other times when
|
||
he thought about the literal mechanics of his action and the fluids and
|
||
the flesh and the way of all bodies he was a little disgusted and looking
|
||
down at her pussy it was something like roast beef on a grill he wondered
|
||
how he could touch it with so many different parts of his body but she
|
||
shifted her weight and her vagina's opening parted just a little and he
|
||
could see deep into the darkness of her hole and he felt in his pants an
|
||
erectoral rise going up faster than a strip mall and he smiled a bit and it
|
||
into one of her breasts not hard enough to draw blood or break skin but
|
||
hard enough to make her go errogenous zone insane and she spread her legs
|
||
even more and down there was the hole practically begging him for the
|
||
penetration it so sorely desired and he could hear its little voice saying
|
||
do me do do do do, do me! and he knew he had to do do do do do do, do it!
|
||
and he took his dick from out his pants and pulled his pants down but not
|
||
all the way down just to his ankles and he stuck his dick inside the pussy
|
||
and then it was oh so lovely he was burning but not enough to cause harm
|
||
and he felt the pussy and the pussy was feeling him back and he knew that
|
||
like duchamp he wanted to create art that gripped the mind like the vagina
|
||
gripped the penis
|
||
|
||
OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK! OK!
|
||
|
||
Mogz here. Ain't nonna ya'll bitches
|
||
('cept mah dawg S'Ratte) been pimpin'
|
||
these text files as long or as well
|
||
as this straight-up ascii gangsta
|
||
spittin' shit atcha right about now.
|
||
|
||
he he he
|
||
it's funny because i'm white
|
||
|
||
one thousand, one hundred, and eleven ascii screams've met my approval
|
||
|
||
HATE to sound CORNY, fellas, 'cause there's always that kinda shit when
|
||
a big bad thing is goin' down, and this here BIG BAD #3 is real, real, bad.
|
||
in fact, there may never be anything worse. ever.
|
||
|
||
what's that to you? I'll tell you this--beyond the cDc-rhetoric about
|
||
text files being the ultimate preseved geek culture, and textfiles.com's
|
||
speeches about socilological goobajooba, working with ascii has taught me
|
||
just one thing, and I'll pass these words of wisdom off the dome:
|
||
|
||
If you pick something to be creative and obsess about, even if only a
|
||
handful of freaks like you get it, it'll teach you all you need to know.
|
||
it may sound ridiculous, but in many indirect ways, writing text files has
|
||
somehow put me places I may have never been at before.
|
||
|
||
This ain't no testimonial. Here's the value of text files: testing
|
||
yourself. Being creative. Producing something simple, small, personal,
|
||
with style. Trying to make the raw arrangement of letters on a computer
|
||
screen is the closest thing to geek honesty we'll ever have.
|
||
|
||
Don't forget it. Even while you're making your graphic-laced, interactive,
|
||
direct-everything, active-everything, e-everything web designs--content--
|
||
the message--is what all the real people are gonna see. There are still
|
||
plenty of us who do notice. That's all I gotsta say.
|
||
|
||
Let's proceed with the hundreds of text files about feces, nostalgia,
|
||
computers, personal stories you don't care about... and death.
|
||
|
||
/////
|
||
(o o) Stupid hogs! Don't
|
||
( ^ ) -- you know that HOE
|
||
~ is DEAD?
|
||
______ ______
|
||
6/ ^OO^ ^OO^ \9
|
||
\ ___ (oo) WHAT? (oo) ___ /
|
||
WW WW WW WW
|
||
|
||
/////
|
||
(o o) YEAH, hogs! You
|
||
( ^ ) -- DIE now!
|
||
~ HAHAHAHAHAHA!
|
||
|
||
MM___MM MM___MM
|
||
/ (oo) (oo) \
|
||
9\_____-xx- -xx-______/6
|
||
|
||
DEATH by Uberfizzgig
|
||
|
||
Death is good, but it has a fierce after-taste. Be sure to pop an
|
||
Altoid before you mosey off into that light or as the case will be for
|
||
most of you, before you are dragged screaming into a lake of fire where
|
||
your flesh will burn for eternity and you chew the feces of you mother.
|
||
Actually, if you're in that last category, you may want more than just
|
||
one mint. And be sure to take them out of that metal can first, because
|
||
it will get too hot to touch and maybe even fuse shut. Then where will
|
||
you be? Also, if you are planning to serve death, instead of dying
|
||
yourself, the proper wine varietal is Sangeovese for a normal death, or
|
||
Chianti if the death you're serving is more gruesome.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 4 Jul 2000 00:27:42 MDT
|
||
From: DisordeR <jericho@attrition.org>
|
||
To: Mogel <mogel@hoe.nu>
|
||
|
||
There are perhaps a dozen t-file groups that have been around as long as
|
||
HoE, certainly none as prolific. With the passing of each old school
|
||
pillar of e-zines, the net is losing valuable insight into the minds of
|
||
our society. It's sad, but a majority of the Internet sheep don't even
|
||
know about these zines, this raw pool of writing talent. Their loss in
|
||
not stumbling across them during their digital life. Our loss when
|
||
another chooses to close up shop.
|
||
|
||
Date: Sat, 01 Jul 2000 15:51:45 CST
|
||
From: Lobo@greeny.org
|
||
To: mogel@hoe.nu
|
||
|
||
I've never been part of HOE. Of course, my name has popped up a
|
||
few times in the past: someone claiming to be me did a shitty interview
|
||
in #80. And I did write something awful that somehow DTO #3; that's the
|
||
closest I ever got to being in HOE.
|
||
|
||
Of course, I am the editor of one of HOE's "contemporary" (we're
|
||
actually a year older than HOE; suck on that, ya sonofabitch!) e-zines,
|
||
GwD, so I have an interesting perspective on all of you HOEs out there.
|
||
For instance, there's the idea that HOE has stolen its look and feel (at
|
||
least its feel) from GwD. Sure, you guys are at issue #1000-something
|
||
and we haven't even passed the century mark yet, but that's not the point.
|
||
That proves that we REALLY DO put out the lamest, crappiest publication
|
||
ever, and you guys are just pretenders to the throne.
|
||
|
||
That's okay, though; you've still earned my respect, even though
|
||
you did re-publish cDc #001 (Gerbil Feed Bomb) without permission.
|
||
|
||
My experience with a hoe: I used to work at a movie theater, and
|
||
we were required to hoe the weeds behind the building while wearing a
|
||
shirt, tie, and dress shoes. I had hoed everyday for a week, and the
|
||
manager told me to hoe them again. I told him I'd shove that hoe up his
|
||
ass. Now, he could have fired me on the spot, but he laughed and made the
|
||
stoner chick who was working with me hoe the weeds instead. This, of
|
||
course, shows that I rock balls.
|
||
|
||
There's something I'd like to point out: in HOE #1 ("The Entropic
|
||
Theme Song" or something like that), it claims that "entropy" rhymes with
|
||
"anarchy." This is most certainly not true. Look up rhymes in the
|
||
dictionary, numbnuts. As such, you must be destroyed.
|
||
|
||
Now that HOE is calling it quits, GwD holds the undisputed title of
|
||
crappiest publication in the e-zine world. Thanks. You guys have given me
|
||
the desire to actually get off my ass and mess with GwD-stuff. Since
|
||
you're quitting, there's no other publication/group still around from the
|
||
mid-1990s. Damn you, you've made me want to work on text again.
|
||
|
||
Fucking assholes. Reap the whirlwind, chaches. You've brought down the
|
||
thunder, well now you've got it.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Wed, 05 Jul 2000 15:51:45 CST
|
||
From: "Joel Katelnikoff" <word2ra@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
|
||
Well Mogel, it's sad to see it end. I remember reading HOE off of
|
||
the BBSes in 1995 and thinking that zines were the ultimate form of
|
||
independent self-expression. I still believe in that, of course, as is
|
||
evidenced by the e-mag that I have working on for the last few years.
|
||
Don't worry my man, the zine world will live on and will always be seen
|
||
as a better place for having HOE as one of its highlights.
|
||
|
||
I remember feeling sad the first time HOE ended, and that was
|
||
because I was a lost teenager reading the immortal words of what other
|
||
teenagers had to say about life, love, and angst. This time, though,
|
||
things are different. HOE isn't a teen zine anymore. It is something
|
||
more. We have watched it grow and change with time, going through life
|
||
at the same rate that we have.
|
||
|
||
It is a zine that has shared some excellent literature with the
|
||
world while at the same time dishing out barrows full of smut. I love
|
||
that. There is something special about a zine that is humble enough to
|
||
openly criticize its own material. Sure Mad magazine does it, too, but
|
||
Mad magazine doesn't take it all the way by using 1k IRC logs as entire
|
||
issues. HOE has always kept it real in that way, ever since the ping
|
||
pong bombs and the completely accurate and yes IMMORTAL Violent Femmes
|
||
lyrics that always keep us bouncing in our bed from house to house.
|
||
|
||
The issues have always been good, but the reasons to enjoy them
|
||
have not always been the same. Some really cool stuff has come out of
|
||
the HOE factory. There has been some solid gold from this zine that I
|
||
can say has actually made a difference in my life. I can't say that
|
||
about most other zines. Mogel, if you've ever worried about it, I can't
|
||
say that about CDC. You did it back then, and there is no question that
|
||
you have done it now, but HOE is different. HOE is a special zine to many
|
||
people and we won't forget it (especially if you leave all of those old
|
||
files online).
|
||
|
||
Ok, enough sap.
|
||
|
||
Sincerely,
|
||
BMC - The Neo-Comintern
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
MOGEL by Meenk
|
||
|
||
Over six years. For what would appear to be a third of his life,
|
||
Mogel has toiled tirelessly, oftentimes ignoring his body's cry for such
|
||
base needs as food, sleep, and sex (especially sex).
|
||
|
||
What for? For you, of course, gentle reader. Mogel has sacrificed
|
||
a significant chunk of his life organizing writers, coming up with ideas,
|
||
proofreading over 5000 text files, and being a friend to everyone in the
|
||
scene, making sure there would not be a moment where someone said, "Oh boo.
|
||
I have nothing to read while at work in order to look productive, while
|
||
saving the trouble of actually thinking," as well as allowing every idiot
|
||
with a text editor to stand on a soapbox and be heard. In wasting so much
|
||
of his time, Mogel has wasted much of our time. For this, he deserves our
|
||
deepest gratitude, and I am certain I am not alone when I say "Thank you,
|
||
Mogel. Thank you for bringing us HOE, and thank you for laying the group to
|
||
rest with dignity and care."
|
||
|
||
...wait a second.
|
||
|
||
IT HAS COME TO MY ATTENTION THAT MOGEL IS _NOT_ 19 YEARS OLD,
|
||
BUT _24_. THEREFORE HE HAS _NOT_ SPENT A THIRD OF HIS LIFE TENDING TO
|
||
THIS PIECE OF SHIT ZINE. ALL THIS TIME I FELT SORRY FOR HIM, HOLDING HIM
|
||
AGAINST MY BREAST WHILE HE LAMENTED ABOUT HOW MUCH OF HIS LIFE HE HAS
|
||
MISSED OUT ON BECAUSE HE HAD TO STAY HOME AND PROOFREAD. AS IF IT IS
|
||
SUCH A TOUGH JOB. IT ISN'T LIKE HE IS EDITOR OF THE NEW YORK TIMES!
|
||
HALF OF THE FILES HOE HAS RELEASED PISS ON THE STANDARDS OF SPELLING AND
|
||
GRAMMAR, AND FULLY ONE THIRD ARE UNINTELLIGIBLE. I SAY WE MAKE MOGEL GIVE
|
||
US THE HOE WE DESERVE. HE OWES US _AT LEAST_ A THIRD OF HIS LIFE, IF NOT
|
||
ALL OF IT. IT HAS TAKEN SO LONG TO GET THE "FINAL" ISSUE OUT THAT I AM
|
||
SURE WHATEVER REAL LIFE CRISISES THAT CAME UP REQUIRING HIS ATTENTION
|
||
HAVE LONG SINCE PASSED.
|
||
|
||
MOGEL SHALL BE OURS _FOREVER_.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
100 REASONS WHY I AM NOT J ARETT KOBEK or I LOVE MY BABY HE'S SO CUTE AWWW!!!
|
||
by Caitlin (who else, for god's sake?)
|
||
|
||
1. I still sort of like Manhattan, but J arett hates it.
|
||
2. I think rabbits are cute, but J arett hates them.
|
||
3. I like Pokemon.
|
||
4. I use lotion.
|
||
5. I like Ani DiFranco's guitar style, but J arett detests it.
|
||
6. I am not tone deaf, but J arett is.
|
||
7. I don't throw books at cat heads.
|
||
8. I don't enjoy cinema.
|
||
9. I have not seen Aguirre, Wrath of God.
|
||
10. I like to ride horses.
|
||
11. I like fast food, but J arett claims to hate it.
|
||
12. I am not supposed to have caffiene and don't drink it often, but
|
||
J arett drinks a two liter of caffeinated soda every day.
|
||
13. I like soap. Hehehe!
|
||
14. I hate IRC. Hahaha!
|
||
15. I hate computers. Hohoho!
|
||
16. I am not racist.
|
||
17. I look at the stileproject cam portals several times a day.
|
||
18. I grew up in the midwest.
|
||
19. I've survived public school.
|
||
20. I carry a purse.
|
||
21. I take vitamins designed for a woman's nutritional needs.
|
||
22. I pee every half hour.
|
||
23. I use a roll of toilet paper a day.
|
||
24. I love wasabi.
|
||
25. I don't play first person shooters.
|
||
26. I dip my tempura in the sauce juice stuff.
|
||
27. I like Roseanne.
|
||
28. Fear and Loathing in Las Vegas made me want to die.
|
||
29. I don't buy street bootleg movies.
|
||
30. I've never sang O Canada.
|
||
31. I've never seen an Ed Wood movie.
|
||
32. I think Anna Karina is boring.
|
||
33. I get cold very easily.
|
||
34. Real blood and cuts don't gross me out.
|
||
35. I like to look at junk snail mail.
|
||
36. I have taken an Ecology class.
|
||
37. I've only been in St. Patrick's cathedral once.
|
||
38. My father is not crazy.
|
||
39. My mom is crazy.
|
||
40. I use several hair products sometimes.
|
||
41. I am terrified of spiders and cockroaches.
|
||
42. Jigglypuff is my favorite pokemon.
|
||
43. My computer monitor is bigger than his.
|
||
44. I like mice.
|
||
45. My hair is long enough to put in a ponytail.
|
||
46. I know Dr. DiPonio.
|
||
47. I first heard the Hair original broadway cast soundtrack this year.
|
||
48. I've never met anyone famous.
|
||
49. I've met Dan Bern.
|
||
50. I sing a lot.
|
||
51. I've never had a job.
|
||
52. I'd rather be sleeping than typing.
|
||
53. I've never read Wuthering Heights.
|
||
54. I like cinnamon.
|
||
55. I had fun at the ITIC.
|
||
56. I am much less insulting towards everyone.
|
||
57. I'm under 21.
|
||
58. I've interviewed bad kitty.
|
||
59. None of my close friends are married.
|
||
60. I like "Y Kant Tori Read".
|
||
61. I thought Last Tango in Paris was boring.
|
||
62. I've never been a porn addict.
|
||
63. I like the beach in the summer time sun.
|
||
64. My shoes last over two years.
|
||
65. I will never have a subscription to the New Yorker.
|
||
66. I will never be fascinated by comic books.
|
||
67. I've never seen Danzig in concert.
|
||
68. I've never heard Gwar.
|
||
69. Dean and I talk a special language.
|
||
70. I like children's toys.
|
||
71. People don't do what I tell them to.
|
||
72. I find Lil' Kim charming.
|
||
73. I am not brilliant.
|
||
74. I am much more patient.
|
||
75. I like cherry pie filling, but J arett hates it.
|
||
76. I am not worshipped by anyone.
|
||
77. I've never taken over #ezines.
|
||
78. I drink 3-6 liters of water a day.
|
||
79. My last name isn't Kobek.
|
||
80. I wear platform shoes occasionally.
|
||
81. I've never had a cockroach on my leg.
|
||
82. I own only a few pairs of tube socks, but J arett only owns tube
|
||
socks. That's it!
|
||
83. I clean rooms.
|
||
84. I like clothing.
|
||
85. I like to feed birds and ducks and geese.
|
||
86. I am not always wonderful, J arett is.
|
||
87. I am not always a pleasure to be around.
|
||
88. I am not the most attractive person in the world.
|
||
89. I get sick and vomit for no reason occasionally.
|
||
90. I drink decaffeinated coffee.
|
||
91. I am not a creative writer.
|
||
92. I've never impregnated brazillian women.
|
||
93. I like olives and onions.
|
||
94. I can imitate chick singers.
|
||
95. I sleep a lot.
|
||
96. I eat ice.
|
||
97. I like sharp chedder cheese the best, but J arett likes swiss
|
||
cheese the best.
|
||
98. The WWW bores me. :(
|
||
99. I've never been to Rhode Island.
|
||
100. I am not the greatest person in the entire universe.
|
||
|
||
|
||
oo ooo
|
||
ooooooo ooooooo
|
||
oooooooooo oooooooo
|
||
ooooooooooo ooooooooo
|
||
oooooooooo oooooooo I love you!
|
||
oooooooooooooooooooo
|
||
ooooooooooiiiiiiooooooooooo (This is a daisy for you,
|
||
ooooooooooolllllllllloooooooooooo because they are all going
|
||
oooooooooollllllllllllooooooooooo to die this fall, so I picked
|
||
oooooooootiiiiiiiiiitoooooooooo one before they did.)
|
||
oooo oooiiiiiiiiiiooo oooooo
|
||
oooooiiiiiiiioooooo Love, Caitlin
|
||
oooooooo\$$$$/oooooooo
|
||
oooooooo \$$/ oooooooo
|
||
ooooooo @@ ooooooo
|
||
oooo ^@@ oooo
|
||
@@
|
||
@@^
|
||
@@
|
||
^@@
|
||
@@
|
||
@@^
|
||
@@
|
||
^@@
|
||
@@
|
||
@@^
|
||
_____________ @@ ____________
|
||
\___________ @@ __________/
|
||
\ @@ /
|
||
| |
|
||
|/\/\/\/\/\/\/\/\/\/\/\/|
|
||
| o |
|
||
| o o |
|
||
| o o |
|
||
| O |
|
||
| o |
|
||
|
||
(vase&water, etc.)
|
||
|
||
Gosh, this picture of a rose makes me think that HOE was all just a bed
|
||
of roses and star dust memories, but gosh, there are a few people who
|
||
we've hurt along the way.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Sun, 27 Aug 2000 07:17:23 GMT
|
||
From: Big Daddy Bill <bigdaddybill1@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: Yo...
|
||
|
||
Hey Mogel,
|
||
|
||
Do me a favor and take my name off your little webpage poll, PLEASE. I
|
||
would like that if you did that, considering, really, to tell you the
|
||
truth, I don't want to be associated with your trashy tainted little
|
||
ezine bullshit. You've really come along way, man, I really hope
|
||
your happy.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Sat, 9 Sep 2000 14:45:45 GMT
|
||
From: "Big Daddy Bill" <bigdaddybill1@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: HEY
|
||
|
||
MOGLE thats right I spelled that bitch mogle.
|
||
|
||
Take that fucking vote thing down. At least my name, you pompus
|
||
rude person you. C'mon negroid I thought you loved me.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Current results for HOE MEDIA POLL
|
||
|
||
Question: Who's the BEST writer HOE has ever had?
|
||
|
||
Author - # of Votes - % of Votes
|
||
------ ---------- ----------
|
||
|
||
Daisy 7 15%
|
||
AltRocks 27 56%
|
||
Angeldust 10 21%
|
||
Anilos 2 6%
|
||
Big Daddy Bill 30 62%
|
||
Six 5 11%
|
||
Unrelated 16 33%
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
MY LAST TEXT FILE FOR HOE by Big Daddy Bill
|
||
|
||
Maybe it's because your better writers. Maybe it's because your
|
||
not really better writers, it's just I'm a really *bad* writer. But it's
|
||
probably because I live by a few certain morals and ethics that even
|
||
though they are sometimes ignored, it's all I've really got. It doesn't
|
||
make sense to treat people bad in this world, since all around us is
|
||
badness. What comes around goes around, I always say. I've come to this
|
||
one simple conclusion:
|
||
|
||
With a few exceptions, and I mean few... you're bad people.
|
||
|
||
Your cruelty is unheard of, and I refuse to even be associated with
|
||
most of you. If it wasn't for the fact that a lot of you had talent,
|
||
and Phairgirl was a good friend of mine, I wouldn't have even joined.
|
||
|
||
It was being accepted by such a small, seemingly elite group of
|
||
writers that turned me on to begin with. The more I chatted with the group
|
||
of you, and read your stories, I realized that your only defense mechanism
|
||
is the humiliation and petty teasing of others. It's like you thrive on
|
||
it. Someone elses pain is your material, right? Wrong.
|
||
|
||
I quit. I don't need this. Nobody needs this.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
I'M DONE by Six (AliCam!)
|
||
|
||
Dear Various HOE writers and chatters of #ezines:
|
||
|
||
Just so you all know, I am writing this on August 20, 1999 at
|
||
4:33pm, before I read Nybar's ADVICE LETTER (HOE #799). If I choose to
|
||
read it at all that is. Anyway.. In high school I was in honors classes
|
||
and I hated them, so very much. I used to think it was because I was
|
||
forced into them by my parents, but now I realize that wasn't the case at
|
||
all. It was simply because smart kids are assholes. I miss being 15 and
|
||
reading thoughtful books by European novelists and thinking I knew
|
||
everything in the world. Thinking everything revolved around me. That I
|
||
was more intelligent than everyone else. I recall back then some older
|
||
girls on that chat I called didn't like me very much at all and I never
|
||
understood why. Now I do.
|
||
|
||
In like 4 years (give or take), when you stop being insane, you're
|
||
going to wake up. It's very weird, I don't remember what I was doing but
|
||
something changed. Suddenly the advice my mother gave me was something I
|
||
listened to, I no longer had the desire to rebel, and I didn't know it all
|
||
anymore. I know most of you think I'm stupid, but odds are you would
|
||
actually like me if you took the time to talk to me instead of
|
||
automatically disagreeing with everything I have to say. Being smart
|
||
doesn't make you better. Thinking so is just another way of being shallow.
|
||
I may not know anything about philosophy, I may be from NJ, I may not be
|
||
into anything PC or trendy in that underground kind of way like most of you
|
||
are. However I have always acted like myself and never put on an act for
|
||
you guys. If thats not good enough for you, I'm sorry. Someday I hope
|
||
you all get over yourselves. It's was a good time, HOE, see ya around.
|
||
|
||
I quit.
|
||
|
||
Sincerely,
|
||
Six aka AliCam
|
||
P.S. This letter was not directed to everyone.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 29 Aug 2000 21:44:25
|
||
From: "Cindy Spurlock" <stripe@mindspring.com>
|
||
To: mogel@hoe.nu
|
||
|
||
Nothing seems to have really changed in six years. I've been putting
|
||
off writing something for this big BANG finale issue of HOE for over a
|
||
month now... and here we are, at the twilight of the deadline, and what
|
||
have I produced? Nothing, nada, zilch. Have I entertained a few ideas?
|
||
Yes. I just can't bring myself to sit down and pretend to be something
|
||
that I'm not... to write in the expected style or to spit out a
|
||
carefully-crafted, well-intentioned, glittering piece of empty rhetoric or
|
||
perfectly plastic prose.
|
||
|
||
As I've spent the last 5+ years observing from the sidelines and
|
||
never really immersing myself into the HOE culture, I've always been the
|
||
objective outsider pressing her nose against the smokescreen of ezine
|
||
culture and never quite the active participant. You learn a lot when
|
||
you're detached. That sense of obligation that one has when one is
|
||
committed to a group is missing when you're on the outside looking in.
|
||
You see, writing may come naturally to me, but this entire "scene" has
|
||
never really been what I would consider to be an "accepting" or even a
|
||
creative collective capable of offering CONSTRUCTIVE criticism--apparently,
|
||
even "outcasts" form pecking orders. I shouldn't have expected more;
|
||
apparently, it's not natural. Pseudo-intellectual pissing contests are
|
||
just not my idea of fun.
|
||
|
||
Everyone has always, and will continue to, feed off of each other's
|
||
egos... I've never found that to be appealing. For intelligentsia, we
|
||
[the HOE collective] certainly act like children. It's always saddened
|
||
me in a way. We've had the potential to BE, but we've just posed in the
|
||
doorway of higher understanding, shirking, smirking and doing anything
|
||
necessary to maintain the status quo. For an "alternative culture", we're
|
||
not very alternative at all. Sometimes, it seems as if the text files,
|
||
the bulletin boards and the chat sessions have served no other purpose
|
||
than to repair someone's self esteem, to help Johnny Cool or Rachel Radical
|
||
get that chip off of their shoulder. We all have problems, but being a
|
||
well-to-do teen can't possibly be THAT bad.
|
||
|
||
Sure, I write my ass off for my college newspaper. And when I'm not
|
||
writing, I edit, edit, and edit some more until I'm babbling about the
|
||
differences between AP standard and CMS standard in my sleep. I edit. I
|
||
write. I read. That's what I do. For some reason, aside from the fact
|
||
that the ability to express myself [and to improve upon the writing of
|
||
others] comes naturally to me, writing and editing are more than tasks or
|
||
hobbies. One of the things that initially drew me toward the ezine scene
|
||
was the fact that when I was growing up, no one thought that writing or
|
||
being creative was cool. Being interested in reading was something that
|
||
could get your glasses knocked off your face at recess. It was the initial
|
||
IDEALS, the PRINCIPLES of HOE and other text groups that caught my
|
||
attention. I was excited! "Wow," I thought. "People like me who like
|
||
the things that I do... who have experienced what I have experienced."
|
||
|
||
It's amazing just how wrong one can be. It's also amazing how much
|
||
it sucks when your beliefs that you want so DESPERATELY to be true turn
|
||
out to be false. Maybe things would have been different had I spoken up.
|
||
Maybe, but doubtful. Maybe things would have been different had I not
|
||
had such lofty expectations for HOE and its collection of writers and
|
||
groupies. Maybe. If anything, my experiences around the fringe have
|
||
taught me many things. I do believe that the last six years could have
|
||
been so much more if it weren't for everyone trying (whether they admit
|
||
it publicly or not) to out-do, out-cool, or out-asshole the others in the
|
||
group. Then again, I shouldn't expect so much. After six years, it seems
|
||
as if many of us haven't learned that we can be different, radical, and
|
||
alternative, on the inside without having to brand our worldviews and
|
||
philosophies on EVERYTHING that we come into contact. It's the
|
||
twenty-something equivalent of "Look Ma, no hands!" exhibitionism. It's
|
||
everything that I despise and yet, here is this collective group of people
|
||
who probably have more in common with each other than they will ever know
|
||
that can't seem to go for more than three hours with exploding into a
|
||
mudslinging contest. Why?!?
|
||
|
||
It's the question that I've been asking myself. It's the question
|
||
that I can't seem to answer. But then again, maybe it doesn't deserve an
|
||
answer. After all, I just have my nose pressed to the glass.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Dear Cindy Spurlock,
|
||
|
||
Mogel forwarded me the mail you sent him, in which you give us your
|
||
withering critique of the scene (so-called) and HOE, en general. While I
|
||
think some of your points are undeniably valid, you seem to missing some
|
||
vital information and criteria. I'm drafting this letter in the hopes that
|
||
in the end you'll turn your loathing off of us and back to its proper
|
||
focus. By that, of course, I mean to say your own bespectacled, book
|
||
loving self.
|
||
|
||
(In a way, of course, your slanderous condemnation of the entire
|
||
scene (so-called) and HOE (en general) could be read backwards in a mirror
|
||
as a bitter indictment of yourself and your own world views. You're not
|
||
someone who has a strong ego, nor do you actually truly believe the things
|
||
you say you do. Perhaps you don't believe them on a subconscious level,
|
||
but no one pushed to defend themselves by the threat of (gasp!) having to
|
||
write something for the final HOE could ever actually believe the ramparts
|
||
they've constructed. You write to us, because, in effect, you are writing
|
||
to yourself. The more you express it, the easier it becomes to swallow.
|
||
Yes.)
|
||
|
||
Anyhow, let's get along to the first, and obviously most important
|
||
point: HOE has been a joke for (at least) as long as my involvement with
|
||
it. If we've slandered each other and done other mean things, then we never
|
||
*really* meant it. Sure, I could call you a craven cock gurgling whore, but
|
||
what would that mean? Honestly? Nothing. You're last tuesday to me, babe,
|
||
and so is everyone in HOE and everything we ever did.
|
||
|
||
I realize this might seem to you, and all the beautiful others, as
|
||
some sort of cop-out (so-called). Big deal.
|
||
|
||
Secondly, and not any less importantly, HOE is crap. I realize that
|
||
some of our lesser folks, and oh there are many, haven't ever been able to
|
||
get a fully tenuable grasp on this concept, so let me repeat it a second
|
||
time: HOE IS CRAP! Get it? It's *total shit*, and that's all it ever was.
|
||
All of this great promise that we, the intelligensia (so-called), have
|
||
thrown away into the void of nothingness is a total and utter lie crafted
|
||
by those of you who have never been able to buy into the fundamental
|
||
reality of HOE's existence. We publish *total shit* because *total shit*
|
||
makes us laugh.
|
||
|
||
The idea that we're all in it together for the pursuit of knowledge
|
||
and the gratification of the erudition that comes from being THE
|
||
INTELLGENSIA is an ill suited idea. I think you might want to go talk to
|
||
the Neo-Futurists out of Chicago or whomever, because baby, we ain't
|
||
artful, we ain't smart, we ain't pretty, and we sure as fuck ain't
|
||
successful. Go look at the first 10 HOE files. Go look at that the last
|
||
ten HOE files. Compare & Contrast? What's gotten better, what's gotten
|
||
worse?
|
||
|
||
Nothing.
|
||
|
||
HOE is a static entity.
|
||
|
||
And I realize, baby, that this might come as a horrible shock to
|
||
your system, that the people who seem talented and might be STARS!@$!@ just
|
||
want to shit it all away on dick and pussy jokes, but those kids who
|
||
smacked your ass down in 3rd grade were right: you're a fucking jackass
|
||
for attributing any importance to any of this. Books mean nothing. Writing
|
||
means nothing. Reading means nothing. At the end of the long cold weary day
|
||
when your life is dwindling down and you're sad and lonely, it's not going
|
||
to be a book that changes your soiled bedsheets, and it's not going to be
|
||
a book that gives in to your crackling demands for an assisted suicide.
|
||
|
||
It amazes me that your major complaint with HOE seems to be that
|
||
we've never, how would you say it, grown up? We've never realized that
|
||
jesus! we can be totally innovative without making other people feel bad
|
||
or trying to force our world views on everything else?
|
||
|
||
It amazes me because that's the very thing you did in your mail:
|
||
you made me feel bad and you forced your world view onto HOE, which never
|
||
fit it, and never will. You presume so god damned much about HOE and about
|
||
the scene and about US that you never bother to look with that strange
|
||
lens of objective clarity that you blather on about so much. Baby, take a
|
||
deep hard look at what I'm saying, because this is the straight up from
|
||
the horse's mouth gully jimson truth. Ain't nothing truer.
|
||
|
||
Finally, I suppose I should address making each other feel bad.
|
||
|
||
But I won't, except to say that the ultimate form of innovation is
|
||
making your neighbor feel acutely aware of how big a piece of shit he's
|
||
become.
|
||
|
||
Anyway baby, I am,
|
||
|
||
Sincerely Yours,
|
||
AIDS
|
||
|
||
-:- -:-
|
||
|
||
He's wrong, you know.
|
||
|
||
I'LL TELL YOU WHAT THE PROBLEM IS IT'S FUCKIN' MOGEL WHO'SE GOT HIS FUCKIN
|
||
FINGER PRINTS ALL OVER THIS FUCKIN' EZINE AND HIS FUCKIN HUGE FUCKIN
|
||
UNJUSTIFIED FUCKIN EGO FORCES EVERYTHING TO CONFORM TO HIS FUCKIN WARPED
|
||
DELUSTIONAL AND PATHETIC VIEW OF THE WORLD, SO THAT SNOBBY FAT DEGOBA LOSER
|
||
CAN SUCK MY DICK CAUSE WHAT MAKES HIM FEEL HE'S SO SPECIAL HUH???????WHAT'S
|
||
UP WITH MOGEL???????????
|
||
|
||
"Put on the whole armor of God, that you may be able to
|
||
/<2F>\ stand against the schemings of the devil. For we do not
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> wrestle against flesh and blood, but against
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> principalities, against powers, against the rulers of
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> the darkness of this age, against spiritual hosts of
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> of wickedness in the heavenly places. Therefore take up
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> the whole armor of God, that you may be able to withstand
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> in the evil day, and having done all, to stand. Stand
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> therefore, having girded your waist with truth, having
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> put on the breastplate of righteousness, and having shod
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> your feet with the preparation of the gospel of peace;
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> above all, taking the shield of faith with which you
|
||
<20><><EFBFBD><EFBFBD><EFBFBD> will be able to quench all the fiery darts of the wicked
|
||
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> one. And take the helmet of salvation, and the
|
||
?? SWORD of the SPIRIT, which is the word of God; praying
|
||
?? always with all prayer and supplication in the Spirit,
|
||
?? being watchful to this end with all perserverance and
|
||
?? supplication for all the saints --" Ephesians 6:11-18
|
||
|
||
-Pause- [C]ontinue, [N]onStop? [?]
|
||
|
||
This is a new BBS in the area, and I hope you will enjoy it.
|
||
This BBS is dedicated to spreading the WORD of GOD, helping
|
||
to get the message out in these final hours in which we live.
|
||
|
||
ALL credit for this BBS running, the message bases, and the
|
||
file areas goes to the LORD JESUS. HE has provided the funds
|
||
and the abilities and the desire to get this project up and
|
||
running.
|
||
|
||
The file areas are light, but I know they won't be for long.
|
||
If you have something to contribute in the way of a file,
|
||
feel free to send it up. I would say that other than the usual
|
||
utilities for communications and compression, this BBS will not
|
||
carry many files other than Bible related material. Please do
|
||
not upload adult material, .GIF's, etc. They will only be 86'd
|
||
and after three warnings, your access will be limited to message
|
||
areas only.
|
||
|
||
This BBS will NEVER ask for MONEY, CHARGE for usage, or
|
||
have restrictions on usage based on participation in the
|
||
message bases, files uploaded, or financial donations. Time
|
||
limits will be the only restriction, and as the board grows,
|
||
limits will be slightly shorter for high speed modem users,
|
||
to give everyone equal chance to partake of the food here.
|
||
There will not be any file ratio. Freely I have recieved,
|
||
freely I give. I hope you will do the same.
|
||
|
||
Joel Donelson - SysOp
|
||
|
||
REMEMBER THOSE DAYS? I TOTALLY REMEMBER ATARI AND THAT CARTOON WITH
|
||
THE GUY THAT TURNS INTO THE CAR BACK IN THE DAY WHEN I WAS A KID
|
||
|
||
HERe"s SOME FUCKIN MAIL
|
||
|
||
Date: Wed, 26 Jul 2000 22:13:51
|
||
From: "boddah" <boddah-@nirvanafan.com>
|
||
To: mogel@hoe.nu
|
||
|
||
dear ORIGINAL REAL nirvana fan,
|
||
|
||
I fall into that category as well and I agree with everything you
|
||
said in that txt (HOE #6) but man...as for the lyrics...a lot of
|
||
them are wrong. you should go on to their sites for lyrics but a
|
||
lot of them have mistakes too! as for endless nameless, the last
|
||
song on nevermind, you'll find a hundred different versions of
|
||
the 'correct lyrics' but that's bullshit cuz he changes the words
|
||
with each performance...
|
||
|
||
I'm gonna read your other shit since I enjoyed the first one so
|
||
much...if you want the lyrics to any of the songs or anything else
|
||
just mail me.
|
||
|
||
Date: Wed, 2 Aug 2000 17:27:45 -0500
|
||
From: "boddah" <boddah-@nirvanafan.com>
|
||
To: mogel@hoe.nu
|
||
Subject: shit
|
||
|
||
well...as you may or may not know, i have just finished reading
|
||
your text file on shit...and as impressed as i was, i was extremely
|
||
disappointed and hurt. you are one of few who have the privelege of
|
||
realizing the genuine value of our feces, but you seemed to have
|
||
overlooked its main purpose! shit, as is the clouds in the sky, is a key
|
||
in true art. whence do you think the influential inspiration of michael
|
||
angelo, picasso, bosch was discoverd to create these paintings that are
|
||
often even described as shit? each and every shit is different, as you
|
||
mentioned, and holds the origin of art as we know it within each one of
|
||
its intricate lines and folds.
|
||
|
||
it all began back in the day when stuff happened to those people at
|
||
that place and there was that day when the fellow with the hair decided to
|
||
study the beautiful poopy that ejected from his gluteus maximus...he found
|
||
all sorts of images and the answers to all of his questions on life and
|
||
where it was going, but that's more on to the topic of bland and unorginal
|
||
as those today and resolved to do as he did and that's how art became.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
MOGEL'S FUCKIN' EGO IS ALL OVER THIS FUCKIN' EZINE AND THAT GUY AIN'T SHIT
|
||
HE'S JUST SOME STUPID MODEM LOOSER WHO MOMMY DIDN'T PAY ENOUGH ATTENTION TO
|
||
HIM SO HE WAS ON THE COMPUTER TO MUCH SO NOW ALL YOU FAGGOTS ARE HIS MOMMY
|
||
THAT'S USING PSYCHOLOGICAL THEORY BY THE WAY GOD I HATE THAT ASSHOLE
|
||
|
||
"A little truth about Mogel"
|
||
by oregano
|
||
|
||
If oyu give a bunch of Legos to mogel and cstone and effy and
|
||
trilobyte and swisspope here is what you get.
|
||
|
||
effy makes a house complete with a nice little sidewalk and lots of
|
||
comfy windows and working doors and plants and a wall to keep the rabbits
|
||
out of the garden
|
||
|
||
cstone just sort of connects things at random and unconnects things
|
||
at random making a random mess of Legos - though he does have a good
|
||
command of where various pieces are say when trilocyte needs a Lego shaped
|
||
like a plant.
|
||
|
||
trilobyte makes a mecha-soldier bent on world destruction.
|
||
|
||
swisspope I cannot remember. Sorry pope.
|
||
|
||
but Mogel, what does he make? something manly like a death ray gun
|
||
or a high powered race car? nope, he makes a Zamboni, the things that
|
||
come out in hockey games to smooth out the ice.
|
||
|
||
ABOUT MOGEL by dinkee
|
||
|
||
oh, how i would love to walk around mogel's brain, just to see how
|
||
colorful those cells are like. how i would love to wake up in the morning
|
||
to be bombarded with a million text files to edit and cut and sort. what
|
||
a miracle it would be to be adored by so many (yes, i'm included!) and
|
||
loved by all. the almighty mogel with his almighty hoe.
|
||
|
||
i've not known him long, but even five minutes with this 'zine hero
|
||
is like a lifetime in this cyber world. if i could show him the twinkle
|
||
in my eye that i hold for him, i would sing lovingly about how the birds
|
||
and the bees do it, the trees do it even little something somethings do it!
|
||
|
||
as for the final tribute of hoe, i will cry long hours knowing
|
||
that mogel will no longer be sorting our files out, no longer be reading
|
||
our deep fantasies and fears. therefore i write this last textfile as
|
||
mogel sorts, edits and cuts this one to show him me deep utter
|
||
fascination. yes, i'm mogel-obsessed. we all are, but i'm proud to
|
||
admit it.
|
||
|
||
<stands up> My name is dinkee. i am a mogelaholic.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
FUCKIN EGO HIS FUCKIN EGO DOESN"T" NEED ANY MORE GOD DAMN TEXT FILES
|
||
WRITTEN ABOUT HIM AREN'T THERE ENOUGH REFERENCES TO HIM IN ALL THOSE
|
||
FUCKIN TEXT FILES FROM THE 90s FOR CHRISTSAKES????
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
TRUE HIPHOP/TEXTFILE CONTRADICTION #1 EXPOSED:
|
||
|
||
Is there *really* a difference between laughing WITH and laughing AT?
|
||
|
||
TRUE HIPHOP/TEXTFILE CONTRADICTION #2 EXPOSED:
|
||
|
||
Don't forget where ya come from
|
||
|
||
VERSUS
|
||
|
||
It ain't where ya from, it's where ya at.
|
||
|
||
|
||
|
||
HAVE YOU GOT THAT PEOPLE?
|
||
|
||
|
||
|
||
*--* 12-31-94 - 01:13:42 *--*
|
||
QmodemPro 1.50 Compiled 06/15/93
|
||
Copyright (C) 1992,93 Mustang Software, Inc.
|
||
Insufficient EMS memory
|
||
|
||
You are now in TERMINAL mode
|
||
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
||
|
||
OK
|
||
ATDT8067941842
|
||
|
||
Enter number or name or "NEW"
|
||
NN: MOGEL
|
||
PW: XXXXXXX
|
||
PH: ###-###-XXXX
|
||
|
||
Last few callers:
|
||
|
||
8373: Lobo #372
|
||
8374: Zippy #447
|
||
8375: Mogel #167
|
||
8376: Lobo #372
|
||
You are caller #8377
|
||
|
||
HEY HEY HEY aLL y0U r0dEnTzzz!!!!!!
|
||
y0U'vE eNteReD tHe
|
||
___ ______
|
||
:*: /*/ / * \ / *__* \
|
||
:*: /*/ /*/ \*\ / */ \* \
|
||
:*: /*/ :*: :*: / */ ~~~
|
||
:*: /*/ :*: :*: \ *\_____
|
||
:*:/*/ :*: :*: \ * * * \
|
||
:*/*/ :*: :*: ~~~~~\* \
|
||
:*:\*\ :*: :*: ___ / */
|
||
:*: \*\ :*: :*: \* \__/ */
|
||
:*: \*\ :*: :*: \ * * /
|
||
:*: \*\ \*\ /*/ ~~~~~~
|
||
:*: \*\ \ * / E L E E T.
|
||
~~~
|
||
|
||
120012001200120012001200120012001200120012001200
|
||
|
||
1200 baud of PURE 'PUTER POWER
|
||
- Over 32k of file space -
|
||
Headquarters of Elite Leeches & Troublemakers (ELeeT)
|
||
|
||
ANARCHY!ANARCHY!ANARCHY!ANARCHY!ANARCHY!ANARCHY!
|
||
|
||
Sysop: Thee HaCKeR
|
||
Cosysop: The Kil0byte NINJA
|
||
|
||
NO R0dEntZZ! N0 FeDs! THIS B0ARD IS F0R ELITE USERS 0NLY!
|
||
|
||
Auto message by: Franken Gibe #1
|
||
|
||
I'M TURNING INTO MEAT
|
||
|
||
Name: Mogel #167
|
||
Time allowed on: 70
|
||
Mail waiting : 1
|
||
Last on : 12/30/94
|
||
|
||
You haven't voted yet.
|
||
|
||
Franken Gibe #1 read your letter on 12/30/94.
|
||
Read your mail now? Yes
|
||
|
||
Title: .
|
||
Name: Franken Gibe #1
|
||
Date: 2:21 pm Fri Dec 30, 1994
|
||
|
||
RE: KRAD 4 SURE
|
||
|
||
hiya mogel person. man, what a gushy, nice ole letter you sent.
|
||
thanks, sir. anyhow, uload some HOE files, if you feel like it.
|
||
OKAY? OKAY!
|
||
|
||
T - 01:09:31
|
||
[1] [I licked Baby Pumpkin Pie] :?
|
||
|
||
Things YOU CAN DO in frankie's KiNGDoM of SHiT:
|
||
|
||
[N] Scan ALL OVER for NEW stuff.
|
||
[S] Scan a single SUB-bored.
|
||
[P] Pollute The Kingdom with your own stale/trivial refuse.
|
||
[*] Fabulous places to die.
|
||
[C] Talk to a sympathetic person who loathes you.
|
||
[F] Spew your hate at me.
|
||
[E] Spew hate at others.
|
||
|
||
[V] Your vote counts in a kingdom of shit.
|
||
[M] Read your mail, regret you're alive.
|
||
[Y] Discover how puny and pathetic you are.
|
||
[U] Discover others punier and more pathetic than you.
|
||
[G] Files that make you say "Gee!"
|
||
[X] Turn off this cock suck of a menu.
|
||
[T] TRANSFERZ! RAD WAREZ! DIGITAL BULLSHIT!
|
||
|
||
[O] End it all.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Take a moment and reflect on your feelings for text files.
|
||
|
||
...
|
||
|
||
You're not doing it, are you? I don't blame you. You're either some
|
||
kid that Mogel or one of his cohorts dragged into this thing, ignorant
|
||
of the origins of Le Text Philo, (http://www.textfiles.com educates, baby!)
|
||
or you're some guy that's trying desperately to forget all those
|
||
wasted years.
|
||
|
||
But gosh, those days were so romantic.
|
||
|
||
____________________________________________________________________________
|
||
_ _ _ _
|
||
((___)) ((___))
|
||
[ x x ] cDc communications [ x x ]
|
||
\ / presents... \ /
|
||
(` ') (` ')
|
||
(U) (U)
|
||
H0RNBL0WERZ K0DEZ
|
||
~~~~~~~~~~~~~~~~~
|
||
Scribed by GalleonDude
|
||
|
||
>>> A CULT Publication......1824 <<<
|
||
-cDc- CULT OF THE DEAD COW -cDc-
|
||
____________________________________________________________________________
|
||
|
||
Horatio Hornblower
|
||
|
||
Horatio Hornblower Naval Facts
|
||
|
||
Commision Decommision
|
||
Date Date Ship Rank Book
|
||
|
||
June 1794 March 1798 Indefatible Midshipman Mr. Midshipman
|
||
Hornblower
|
||
|
||
May 1800 March 1803 Renown Lieutenant Lieutenant
|
||
Hornblower
|
||
|
||
April 1803 July 1805 Hotspur Commander Hornblower and the
|
||
Hotspur
|
||
|
||
August 1805 December 1805 Commander Hornblower During
|
||
the Crisis
|
||
December Hornblower and the
|
||
1805 January 1808 Atropos Captain Atropos
|
||
June 1808 October 1808 Lydia Captain Beat to Quarters
|
||
May 1810 October 1810 Sutherlan Catain Ship of the Line
|
||
November
|
||
1810 June 1811 Captain Flying Colours
|
||
|
||
May 1812 October 1812 Commodore
|
||
Hornblower
|
||
October
|
||
1813 May 1814 Lord Horblower
|
||
|
||
May 1821 October 1823 Admiral Hornblower
|
||
in the West Indies
|
||
|
||
____________________________________________________________________________
|
||
(c)1824 cDc publications by GALLEON DUDE
|
||
All Rights Worth Shit
|
||
|
||
"ASSHOLES, THE REASON I WISH I WAS A BOY"
|
||
by Poppy Z Brite
|
||
|
||
I keep thinking about him, when he was there at the club, dressed
|
||
like some ghost from an ancient Japanese wood cut, or maybe from a mid
|
||
period horror film. His waifish little ways, so androgynous, so strange, he
|
||
was like Dracula's wives, not the Bela Lugosi Dracula, no, but the wives
|
||
of Christopher Lee, from the Hammer Dracula Films.
|
||
|
||
The Cure were playing and I couldn't help but notice he looked like
|
||
Robert Smith with his black shock of hair hanging down over his face like
|
||
icicles. I wondered what his asshole was like. I knew it would smell musty
|
||
and there'd be the scent of his balls slightly masking it, but I knew I
|
||
could smell his masculine richness if I brought him home and cracked open
|
||
his legs. Would he go with me?
|
||
|
||
He was clearly homosexual, I kept watching his eyes float over other
|
||
boys' crotches, and I knew I'd never have a chance. My love is a shameful
|
||
sickness. I am a female. Oh, I wish I was a boy. I'd like to crawl into bed
|
||
with every queer boy I see, the asian ones especially, and rip off their
|
||
pants. I'd taste their smooth creamy cock in my mouth and then I'd flip
|
||
them over and spread wide their ass.
|
||
|
||
My cock would rip into them, biting like the nails into Christ's
|
||
wrists, and they would respond and wiggle as I fucked them. I would control
|
||
them with my cock. It's like a line I read in William S. Burroughs that
|
||
goes: "His face was an equation written in the Algebra of pain." Did I
|
||
mention that Robert Crumb is a big influence on me? But he isn't gay, and
|
||
not particularly attractive or asian, so I wouldn't really like to sleep
|
||
with him.
|
||
|
||
but oh, how I wanted to fuck this boy. I'd shove my fingers in his
|
||
ass and smell the shit on them. It would be the essence of love's bitter
|
||
mysteries. I'd like to go down and lick that asshole, tasting it, watching
|
||
him react like a puppet on a string of livewires, my tongue shooting
|
||
electricity up his ass.
|
||
|
||
My cock, oh shit, it would be so hard by now. It would be raging
|
||
erection, nine inches of meat, and I would spit on it, the scent of my
|
||
saliva slightly nauseating me, slightly driving away the scent of his ass,
|
||
and then I would fucking stick it in. Pow! Like that! Right to the moon!
|
||
And I would pile drive and backpack his body while I listened to the sweet
|
||
crooning sounds of Leonard Cohen interspersed in a mural of sound with the
|
||
deep voices of Peter Steel and
|
||
|
||
Smearing his makeup so he looked like Lon Chaney in London After
|
||
Midnight... Oh god... it would be so good to be a gay man in this mythical
|
||
idealized world of mine...
|
||
|
||
HELLO THIS IS THE FULL DEMON ROACH UNDERGROUND/DRU/cDc USER LIST
|
||
PRESERVED FOR PRESERVATION
|
||
HERE
|
||
|
||
User Full Handle Last On From
|
||
---- -------------------- -------- --------------------
|
||
0001 Grandmaster Ratte'.. 10/27/93 LUBBOCK, TX
|
||
0002 Test Dood........... 04/25/93 LUBBOCK, TX
|
||
0003 Death Mage.......... 07/18/93 DAYTON, OH
|
||
0004 Daniel.............. 07/23/93 LUBBOCK, TX
|
||
0005 Tippy Turtle........ 08/28/92 HELL, TX
|
||
0006 The Iron Eagle...... 02/06/92 HOUSTON, TX
|
||
0007 MajesTic CocKsTer... 11/27/92 PANCREAS, FL
|
||
0008 mr mojo............. 05/05/93 MIDDLETOWN, CA
|
||
0009 The Egyptian Lover.. 07/24/91 PK2600, TX
|
||
0010 Mykel Board......... 05/15/93 NEW YORK CITY, NY
|
||
0011 deckard............. 03/06/93 BLUE POINT, NY
|
||
0012 Maximum Overdrive... 08/26/93 NAPLES, FL
|
||
0013 VanguarD............ 01/12/92 POWERDOME, VA
|
||
0014 Asmodeus Rex........ 04/01/93 SOUTH KINGSTOWN, RI
|
||
0015 Lestat de Lioncourt. 01/26/92 CANOGA PARK, CA
|
||
0016 justin case......... 11/04/91 NORTH HOLLYWOOD, CA
|
||
0017 Red Pirate.......... 09/20/93 COLUMBUS, OH
|
||
0018 FonePHuz............ 03/26/93 PROVO, UT
|
||
0019 Frontal Nudity...... 07/16/92 HELL, TX
|
||
0020 Leviathan........... 09/27/93 HULL, ENGLAND
|
||
0021 overdose............ 08/12/92 BLOOMFIELD HILLS, MI
|
||
0022 PLAGUE.............. 09/25/93 EEKLIPZ OF TYME, NC
|
||
0023 Raistlin............ 08/06/91 MITCHELL, IN
|
||
0024 jack t.............. 08/24/91 DISCORDIA, FL
|
||
0025 Dazed N. Confused... 06/08/93 A NEAT PLACE, CA
|
||
0026 Tumbleweed.......... 09/20/93 LUBBOCK, TX
|
||
0027 Sudo Cunahsus....... 03/06/93 SASKATOON, SK
|
||
0028 Absalom............. 10/29/91 S ICE 9, TX
|
||
0029 The Mindbender...... 07/25/93 U.S.K.G. , TX
|
||
0030 Flint............... 07/27/93 MODESTO-THE INN, CA
|
||
0031 help................ 07/27/93 SCARBOROUGH, ON
|
||
0032 teddy kennedy & bob. 04/04/92 GERMANY, ,FL
|
||
0033 thor................ 02/18/92 MEMPHIS, TN
|
||
0034 Midnight Wanderer... 07/05/92 NORFOLK, VA
|
||
0035 The Observer........ 10/11/93 WATCHPOINT, VI
|
||
0036 x-terminator........ 07/31/93 BRADENTON, FL
|
||
0037 the ghost........... 10/17/91 CASSELBERRY, FL
|
||
0038 Dr. Bombay.......... 09/22/93 LOUISVILLE, KY
|
||
0039 Rex Rebol........... 07/29/93 SAN JOSE, CA
|
||
0040 Nickel.............. 10/04/91 EDMOTON, AB
|
||
0041 Nameless One........ 10/08/92 BURNSVILLE, MN
|
||
0042 The Trip............ 02/13/92 PROJECT: PHUSION, MD
|
||
0043 Mr. Bungle.......... 08/31/93 SOMERVILLE, NJ
|
||
0044 The Greene Agent.... 08/08/91 SARATOGA, CA
|
||
0045 Fink................ 03/02/93 SANTA CRUZ, CA
|
||
0046 master xxx.......... 08/01/91 PHOENIX, AZ
|
||
0047 Gandolph............ 09/19/93 DAYTON, OH
|
||
0048 archangel202........ 08/08/93 HOUSTON, TX
|
||
0049 aixel syD........... 10/21/91 LOS ANGELES, CA
|
||
0050 Infernal Jester..... 08/07/91 ARL. HTS., IL
|
||
0051 Dr. Logic........... 08/17/93 SKOKIE, IL
|
||
0052 Laughing Gas........ 09/07/92 SOLSBURY HILL, MD
|
||
0053 MORTASKULD.......... 08/23/91 HARRISBURG, PA
|
||
0054 Uncle Skag.......... 07/16/92 THE BRICK, CA
|
||
0055 pork................ 08/22/92 MUSICAL PHARMACY, IT
|
||
0056 Suicidal Amoeba..... 06/19/93 LUBBOCK, TX
|
||
0057 manager............. 08/15/91 ORLANDO, FL
|
||
0058 Mildred Pierce...... 08/20/91 NEWPORT NEWS, VA
|
||
0059 fishburne........... 05/09/92 DURHAM, NC
|
||
0060 DEKION.............. 08/21/91 NEW ORLEANS, LA
|
||
0061 Art Fish............ 12/29/91 ORLANDO, FL
|
||
0062 Video Vindicator.... 09/28/93 ILLICIT, USA
|
||
0063 The Arctic Knight... 07/30/93 ANCHORAGE, AK
|
||
0064 Wile E. Coyote...... 08/30/91 BRENTWOOD, CA
|
||
0065 TION................ 07/26/92 NILES, MI
|
||
0066 The White Rider..... 01/18/92 SAN FRANCISCO, CA
|
||
0067 Xetava.............. 08/16/93 CORAL SPRINGS, FL
|
||
0068 Neurochic........... 06/19/93 LUBBOCK, TX
|
||
0069 Sxvampire........... 03/12/93 PORT MOODY, BC
|
||
0070 Silencer............ 01/27/93 LOS ANGELES, CA
|
||
0071 Common Object....... 07/31/92 LUBBOCK, TX
|
||
0072 DEAD HEAD........... 09/26/91 LA, CA
|
||
0073 Chainsaw Enema...... 07/13/93 MEDFORD, OR
|
||
0074 beach............... 10/23/92 LONG BEACH, CA
|
||
0075 The Head............ 10/12/92 MILWAUKEE, WI
|
||
0076 Lime Jell-O......... 10/21/91 WOONSOCKET, RI
|
||
0077 Xevious............. 10/13/91 PHREAK OF NATURE, OH
|
||
0078 subliminal chaos.... 05/28/92 PSYCHOTIC IND., WI
|
||
0079 Mucho Maas.......... 10/16/91 NOT RELEVANT, XX
|
||
0080 Strato Viper........ 10/17/93 SANTA ROSA, CA
|
||
0081 Morpheus............ 01/16/92 PHILADELPHIA, PA
|
||
0082 LADY CAROLIN........ 09/12/93 THE CONVENT, CA
|
||
0083 ?................... 10/06/91 LANCASTER, |S
|
||
0084 Mindframe........... 10/08/91 DALLAS, TX
|
||
0085 D-Man............... 10/11/91 NEW ORLEANS, LA
|
||
0086 Slayer.............. 03/04/93 DANVILLE, CA
|
||
0087 Ahpsi............... 01/18/92 LANCASTER, PA
|
||
0088 wicket.............. 10/14/91 SACRAMENTO, OR
|
||
0089 IceBerg............. 10/24/93 GAS CITY, IN
|
||
0090 Lord Macduff........ 08/17/92 HOUSTON, TX
|
||
0091 Quinn............... 09/18/93 ILLICIT ILLUSION, PA
|
||
0092 hackrat............. 01/21/92 DANBURY, CT
|
||
0093 Syd Hartha.......... 03/30/93 COLORADO SPRINGS, CO
|
||
0094 Lord Hackathar...... 11/05/91 BLOOMINGTON, IN
|
||
0095 Omega............... 10/27/93 BOSTON, MA
|
||
0096 Surfin Cow.......... 10/30/91 HOUSTON, TX
|
||
0097 Zippy............... 08/31/93 LUBBOTTOCKS, TX
|
||
0098 PONYBOY............. 08/28/92 COLUMBUS, OH
|
||
0099 max headroom........ 10/02/93 LUBBOCK, TX
|
||
0100 Cyclone............. 11/11/91 ISOLATION ][ BBS, NC
|
||
0101 The Renegade........ 02/01/92 SPLIT REALITY, NC
|
||
0102 Hominoid Nightmare.. 03/03/93 SOMEWHERE, OT
|
||
0103 Ftang-Louie......... 12/23/91 BERKELEY, CA
|
||
0104 The Road Warrior.... 11/22/91 LA, CA
|
||
0105 Greenpeace.......... 09/28/93 YUBA CITY, CA
|
||
0106 Korsch.............. 02/08/92 GERMANY, GE
|
||
0107 Captain Crook....... 03/09/92 BOSTON, MA
|
||
0108 G.A. Ellsworth...... 10/21/93 BERKELEY, CA
|
||
0109 Al Capone........... 03/05/93 CAPONE'S VAULT, PA
|
||
0110 WireHead............ 08/01/93 STERLING HEIGHTS, MI
|
||
0111 Thrasher............ 12/15/92 MODESTO, CA
|
||
0112 Lister.............. 06/22/93 TRF BBS, ON
|
||
0113 Gomez............... 05/08/92 CHESTERFIELD, MO
|
||
0114 The Overlord........ 02/14/92 PLN BBS, PA
|
||
0115 Dark Sorcerer....... 07/20/93 COLORADO SPRINGS, CO
|
||
0116 twist............... 06/12/93 HALLSVILLE, TX
|
||
0117 the raven........... 08/24/93 NEW YORK, NY
|
||
0118 STEALTH BOMBER...... 08/17/91 GLENDALE, CA
|
||
0119 Capt. Portapotti.... 05/11/92 SANDY UTAH, UT
|
||
0120 Sparafucile......... 04/16/92 ANNAPOLIS, MD
|
||
0121 Toxic Anarchist..... 06/07/92 HARTFORD, CT
|
||
0122 Shadow Master....... 04/11/92 FT. WORTH, TX
|
||
0123 Toxic Overlord...... 06/27/93 HOUSTON, TX
|
||
0124 Shagnasty........... 03/14/93 MAGNOLIA, AR
|
||
0125 Thee Uberlord....... 05/03/93 LENOX, MA
|
||
0126 siegfried........... 01/08/92 HOUSTON, TX
|
||
0127 tman................ 08/01/93 AJAX, ON
|
||
0128 MAC???.............. 08/11/93 CERRITOS, CA
|
||
0129 Cy.................. 03/19/92 NAPERVILLE, IL
|
||
0130 M.C. Allah.......... 09/19/92 THE ACID CULT, TX
|
||
0131 Red Knight.......... 08/06/93 FLUSHING, NY
|
||
0132 White Knight........ 10/27/93 HOLBROOK, MA
|
||
0133 great white......... 12/24/91 AUSTIN , TX
|
||
0134 Burning Chrome...... 03/29/93 BOSTON, MA
|
||
0135 Cool Jerk........... 03/07/93 MARLBORO, VT
|
||
0136 Michael Bakunin..... 12/24/92 ALUMINUM HINGE, MD
|
||
0137 Franken Gibe........ 08/14/93 HELL, TX
|
||
0138 Orion............... 08/02/93 VIRGINIA BEACH, VA
|
||
0139 Black Adder......... 05/11/92 DAVIS, CA
|
||
0140 Torch............... 10/29/92 MARION, IN
|
||
0141 Skunkboy Devo....... 02/12/92 ALBANGY, OR
|
||
0142 the bruiser......... 09/22/93 PEEKSKILL, NY
|
||
0143 John Conner......... 08/02/93 PHILADELPHIA, PA
|
||
0144 Drunkfux............ 10/15/93 HOLLYWOOD, CA
|
||
0145 August Personage.... 01/08/92 CORVALLIS, OR
|
||
0146 Sterling............ 01/02/92 COLLEGE STATION, TX
|
||
0147 The Nightstalker.... 10/23/93 RUTLAND, VT
|
||
0148 supernaut........... 03/28/93 AUSTIN, TX
|
||
0149 Havok Halcyon....... 09/13/93 BRIDGEWATER, NJ
|
||
0150 Scuzzy Port......... 11/11/91 HARTFORD, CT
|
||
0151 Reid Fleming........ 08/19/93 SANTA BARBARA, CA
|
||
0152 kid mayhem.......... 01/12/92 HALLSVILLE, TX
|
||
0153 lblume.............. 09/23/93 NY, NY
|
||
0154 Judge Dredd......... 06/22/92 HOUSTON, TX
|
||
0155 The Chairman........ 10/14/92 AUSTIN, TX
|
||
0156 Nerdlinger Weams.... 01/06/92 SAN FRANCISCO, CA
|
||
0157 Psychedelic Warlord. 09/08/93 EL PASO, TX
|
||
0158 The Blade........... 09/02/93 NEW YORK, NY
|
||
0159 The Butler.......... 01/07/92 KC, MO
|
||
0160 Silkworm............ 08/08/92 AM I EVIL?, VA
|
||
0161 N WEAMS............. 01/08/92 SF, CA
|
||
0162 dispater............ 01/28/93 PHRACK INC, XX
|
||
0163 ZANGIN.............. 09/11/93 ATLANTA, GA
|
||
0164 Tarkin Darklighter.. 10/25/93 TYLER, TX
|
||
0165 Gargafrenchlle...... 03/12/93 LOUISVILLE, XX
|
||
0166 Xaemyl.............. 03/12/93 THE CITY OF DIS!, XX
|
||
0167 Legion.............. 01/20/92 SHELTON, CT
|
||
0168 Evile Priest........ 02/03/92 PURE EVIL, XX
|
||
0169 Mutantis XXX........ 06/06/92 BOISE, ID
|
||
0170 GRIM REAPER......... 01/24/92 THE VOID, MI
|
||
0171 MeGaDeaTH........... 02/02/92 SEATTLE, WA
|
||
0172 The Mad Hatter...... 10/11/93 BOISE, ID
|
||
0173 JDM................. 09/05/93 CAMBRIDGE, MA
|
||
0174 susan............... 10/02/92 HOUSTON, TX
|
||
0175 Soulstealer......... 03/15/93 DIGITAL DECAY, TN
|
||
0176 Tequila Willy....... 10/23/93 -TWGSC-, CA
|
||
0177 cabal............... 01/30/92 AUSTRALIA, OZ
|
||
0178 kilroy.............. 10/22/93 LUBBOCK, TX
|
||
0179 Rusty Bukitz........ 09/16/93 SILVER SPRING, MD
|
||
0180 Genghis Khan........ 02/13/92 DAYTON, OH
|
||
0181 Skylar.............. 01/30/93 ATLANTIC, NJ
|
||
0182 The Baron........... 02/25/92 DEVIL'S BAYOU, NJ
|
||
0183 Count Zero.......... 06/28/93 ATDT, MA
|
||
0184 Quiksilver.......... 08/26/92 MOUNTAIN LAKES, NJ
|
||
0185 Sectionist Phreak... 07/19/93 BLACK INTRNET, XX
|
||
0186 Stoner.............. 09/04/92 MOUNT PROSPECT, IL
|
||
0187 Shadowbyte.......... 02/18/92 SWOTRB, NY
|
||
0188 Valentine Michael... 03/02/92 COLLEGE STAT., TX
|
||
0189 Louis Cypher........ 10/17/92 LUCID DREAMS, TX
|
||
0190 Flaming Chaos....... 03/04/92 -TNH- (3 01), MD
|
||
0191 Thomas Kuhn......... 03/14/92 HILLSBORO, KS
|
||
0192 Beelzebub........... 09/20/93 JACKSONVILLE, FL
|
||
0193 Intrepid Traveller.. 06/08/92 HELL, CA
|
||
0194 cheshire............ 07/27/92 ST PETE, FL
|
||
0195 Form Destroyer...... 12/01/92 BOISE, ID
|
||
0196 M. R. Bakshish...... 03/23/92 WILLIAMSBURG, VA
|
||
0197 Doctor2............. 03/26/93 BOISE, ID
|
||
0198 DARK ONE............ 06/20/92 AKRON, OH
|
||
0199 Postman Pat......... 04/26/92 NEWARK, NJ,NJ
|
||
0200 Supernigger......... 10/16/93 INTERCHAT (RIP), NJ
|
||
0201 stjude.............. 08/14/92 BERKELEY , CA
|
||
0202 NAPOLEON............ 04/24/92 GREENWICH, CT
|
||
0203 ALIEN............... 06/05/92 AUSTIN, TX
|
||
0204 STRAFE.............. 04/30/92 NIGHT CITY, FU
|
||
0205 Inhuman............. 08/22/92 PENTAVIA, VA
|
||
0206 DEUS LUCIFER........ 08/22/93 CHURCH ROAD, VA
|
||
0207 Popov Navastroya.... 05/05/92 BALTIMORE, MD
|
||
0208 lance romance....... 10/28/93 PHRANKSTERLAND, UK
|
||
0209 syzygy.............. 05/15/92 REPO YARD OF DIS, CA
|
||
0210 Xymotic............. 05/16/92 CITY OF DIS, IE,CA
|
||
0211 mother leather...... 05/12/92 TOLEDO, OH
|
||
0212 King Salamander..... 07/01/92 ELEC. COMMUNE, XX
|
||
0213 ZenMaster........... 05/27/92 SEATTLE, WA
|
||
0214 The Overmind........ 05/27/92 AUSTIN, TX
|
||
0215 Lungmustard......... 03/14/93 NO. ST. PAUL, MN
|
||
0216 iNVALiD MEDiA....... 09/18/93 UNPHAMILIAR, AZ
|
||
0217 Doctor Disector..... 05/25/92 HOUSTON, TX
|
||
0218 Sanity Bandit....... 05/27/92 MESCALTOWN, NJ
|
||
0219 Allanon............. 06/07/92 DEVILLA, LA
|
||
0220 Yang................ 03/25/93 RICHMOND, VA
|
||
0221 Githanus............ 06/14/92 VALPARAISO, IN
|
||
0222 pit viper........... 01/17/93 NEWTON, NJ
|
||
0223 The Ranger.......... 07/21/93 LUBBOCK, TX
|
||
0224 wire head........... 05/23/93 PEIDMONT, CA
|
||
0225 Racer X............. 05/20/92 DRAGONFIRE, NJ
|
||
0226 Scizmatrix.......... 12/02/92 MAGNETIC, PG
|
||
0227 Erekose............. 09/03/93 CHICAGO, IL
|
||
0228 Visual Mark......... 06/25/92 MEMPHIS, TN
|
||
0229 Visionary *-Jedi.... 06/25/92 BOSTON, MA
|
||
0230 WireTap............. 07/02/92 NEW YORK, NY
|
||
0231 Jesus Christ........ 07/19/92 PHOENIX , AZ
|
||
0232 Tal Meta............ 07/26/92 TANSTAAFL BBS, NJ
|
||
0233 John Falcon *-Jedi.. 08/21/92 TERMINAL FROST, AK
|
||
0234 Mechanix............ 03/07/93 TPR/514, PQ
|
||
0235 The Rat............. 08/08/92 PARADISE COVE, VA
|
||
0236 ShatterStar......... 07/30/92 BATESVILLE, AR
|
||
0237 Gusher Jizmax....... 09/25/93 TUSTIN , CA
|
||
0238 The Sinner.......... 10/10/93 RICHMOND, BC
|
||
0239 Acid Cripple........ 01/04/93 HOUSTON, TX
|
||
0240 forced entry........ 09/02/92 ONTARIO, CA
|
||
0241 grim................ 08/25/92 SILVER SPRING, MD
|
||
0242 Jello Biafra........ 08/28/92 HOUSTON, TX
|
||
0243 winstonsmith........ 03/31/93 IOWACITY, IA
|
||
0244 zEKE................ 08/30/92 FARGO, ND
|
||
0245 Mojo Messiah........ 09/05/92 LOS ANGELES, CA
|
||
0246 Rex Mundi........... 12/04/92 BROOKLYN CENTER, MN
|
||
0247 Lint................ 10/03/92 BLAINE, MN
|
||
0248 The Victim.......... 09/02/92 BATON ROUGE, LA
|
||
0249 Mr. Wizard.......... 08/05/93 AGOURA, CA
|
||
0250 Cutty............... 03/18/93 FREMONT, CA
|
||
0251 BIG DICK............ 08/05/93 MANCHESTER, CT
|
||
0252 Morbid Angel........ 10/20/93 VERONA, NJ
|
||
0253 firefox............. 03/18/93 BRUNSWICK, GA
|
||
0254 The Wanderer........ 08/08/93 "THE BOARD", VA
|
||
0255 Lord Disembowelment. 01/17/93 VERONA, NJ
|
||
0256 ICE9................ 06/08/93 LOS ANGELES, CA
|
||
0257 The Pusher.......... 07/09/93 ARMOMK, NY
|
||
0258 DEACON SPAM......... 01/27/93 NEW YORK, NY
|
||
0259 inphiltrator........ 03/19/93 HAVANA, CU
|
||
0260 YAZMARTUC........... 10/28/92 PRTSMTH, NH
|
||
0261 charmaigne leggett.. 07/21/93 BRUNSWICK, GA
|
||
0262 Tom Dikkenharey..... 07/18/93 OMAHA, NE
|
||
0263 smart card.......... 11/24/92 PLANO, TX
|
||
0264 The Wildcard........ 12/25/92 PHILADELPHIA, PA
|
||
0265 Bitmap.............. 10/29/92 SURREY, BC
|
||
0266 Sloth............... 10/31/92 EUGENE, OR
|
||
0267 Phantasm............ 09/27/93 NEWARK, NOTTS,UK
|
||
0268 Coda................ 11/02/92 HAMILTON, OH
|
||
0269 Stan Leisure........ 11/04/92 C-BAD, CA
|
||
0270 SonnyBoy............ 12/04/92 GAFFNEY, SC
|
||
0271 VooDooSnake......... 01/04/93 LANSING, MI
|
||
0272 Post Mortem......... 11/09/92 SHAKER HTS, OH
|
||
0273 DV8................. 11/09/92 ARLINGTON, MA
|
||
0274 Fishbone............ 01/25/93 IDAHO FALLS, ID
|
||
0275 Necrotic Sock....... 03/28/93 SASKATOON, SK
|
||
0276 Storm............... 11/17/92 GARY, IN
|
||
0277 JimmyZ.............. 11/12/92 VANCOUVER, BC
|
||
0278 The Juggler......... 07/10/93 SAN DIEGO, CA
|
||
0279 SupSkuf............. 11/12/92 WESAKE VILLAGE, CA
|
||
0280 Halo Jones.......... 11/13/92 PARKTOWN, AL
|
||
0281 Corto............... 10/21/93 NEW YORK, NY
|
||
0282 Toshi............... 11/23/92 OCALA, FL
|
||
0283 Vyper Of Deth....... 12/07/92 NEW YORK, NY
|
||
0284 Obscure Images...... 10/22/93 ST CHARLES, IL
|
||
0285 Cytherea............ 11/14/92 MILWAUKEE, WI
|
||
0286 Calvert DeForest.... 11/16/92 SANTA CRUZ, CA
|
||
0287 Red Barchetta....... 03/14/93 DES MOINES, IA
|
||
0288 MR. X............... 12/11/92 ANNISTON, AL
|
||
0289 Eight Ball.......... 09/27/93 NONE, TX
|
||
0290 Ang3ldust........... 11/23/92 THE PHACTORY, MI
|
||
0291 SQUASHED............ 11/20/92 HOUSTON, TX
|
||
0292 DAVID............... 11/20/92 GREENBELT, MD
|
||
0293 Starbuck............ 11/22/92 GROUND ZERO BBS, CA
|
||
0294 Zeus................ 11/26/92 UNLAWFUL ENTRY, OK
|
||
0295 STix................ 11/20/92 PHILADELPHIA, PA
|
||
0296 warf................ 11/22/92 MOLALLA, OR
|
||
0297 Dharma Bum.......... 03/24/93 SEATTLE, WA
|
||
0298 Zelia Winter........ 10/26/93 LOMAD, MD
|
||
0299 Xiola Blue.......... 01/24/93 KENT, WA
|
||
0300 Zor................. 01/20/93 LANDSCATTER, CA
|
||
0301 AxeL................ 03/29/93 ASIA BLUE, UK
|
||
0302 T.N.T............... 11/22/92 HAYWARD, CA
|
||
0303 The Usurper......... 10/18/93 WINSTON-SALEM, NC
|
||
0304 NOT ELVIS........... 03/21/93 PADUCAH, KY
|
||
0305 Diabolik............ 03/22/93 CANTON, OH
|
||
0306 Count Mecha......... 11/23/92 ANN ARBOR, MI
|
||
0307 Wonder Boy.......... 11/23/92 EEC, LN
|
||
0308 iconoclast.......... 11/24/92 OCEANSIDE, CA
|
||
0309 John Rambo.......... 03/02/93 STEVENS POINT, WI
|
||
0310 Pytho............... 11/26/92 PORTLAND, OR
|
||
0311 Mercenary........... 08/16/93 IIRG, CT
|
||
0312 Belies Bright....... 03/22/93 RICHLAND , WA
|
||
0313 chronos............. 10/15/93 CLE, OH
|
||
0314 Madhatter........... 01/20/93 VENICE, FL
|
||
0315 Kings Indian........ 11/29/92 MPLS, MN
|
||
0316 vader............... 01/21/93 NEW YORK, NY
|
||
0317 Cyber Christ........ 12/03/92 BOWLINREEN, OH
|
||
0318 Laszlo.............. 12/04/92 WILMINGTON, NC
|
||
0319 Led Zeppelin........ 01/05/93 HOUSTON, TX
|
||
0320 Chillin............. 07/09/93 KATY, TX
|
||
0321 Gumby Head.......... 12/30/92 CLAREMORE, OK
|
||
0322 Legion Traveller.... 04/30/93 COOPERSVILLE, MI
|
||
0323 TRAX................ 08/14/93 GLOBAL PHUN, XX
|
||
0324 Hidden Death........ 07/23/91 PLACERVILLE, CA
|
||
0325 Tanis............... 12/05/92 BERKELEY, CA
|
||
0326 necromancer......... 12/05/92 FAYETTEVILLE , NC
|
||
0327 mr stay puff........ 12/06/92 ROCKWOOD, CA
|
||
0328 harper.............. 10/08/93 GREELEY, CO
|
||
0329 idnod............... 12/07/92 BELLMORE, NY
|
||
0330 Kingpin............. 10/03/93 BOSTON, MA
|
||
0331 Medicine Man........ 12/08/92 METAL SHOPPE, ON
|
||
0332 -Grind King-........ 03/10/93 SEATTLE, WA
|
||
0333 pfoley.............. 12/10/92 EUGENE, OR
|
||
0334 Euclid.............. 12/10/92 SANTA FE SPRINGS, CA
|
||
0335 Aleph One........... 01/16/93 LOS ANGELES, CA
|
||
0336 Hacker.............. 04/01/93 HACKERS INC., IA
|
||
0337 D/Bug............... 09/25/93 CRITICAL MASS, OH
|
||
0338 Mr. Sinister........ 12/14/92 VA. BEACH, VA
|
||
0339 Cubby Crasher....... 12/14/92 LOS ANGELES, CA
|
||
0340 Otis angler......... 12/13/92 ANDERSON, SC
|
||
0341 jonathan davis...... 12/22/92 DENVER, CO
|
||
0342 Cyberon............. 12/14/92 DOVER, DE
|
||
0343 cowshit............. 12/14/92 CLEVE, OH
|
||
0344 Light............... 12/14/92 BLAINE, MN
|
||
0345 Lord Iocat the First 01/06/93 BIRMINGHAM, MI
|
||
0346 smurd............... 03/30/93 MADISON, WI
|
||
0347 Master Thief........ 04/01/93 MINNEAPOLIS, MN
|
||
0348 Misha Daemongarski.. 03/25/93 AUSTIN, TX
|
||
0349 Proto Type.......... 03/25/93 PORTLAND, OR
|
||
0350 The Deviant......... 08/02/93 BOSTON, MA
|
||
0351 Rick Hunter......... 11/19/91 MPLS, MN
|
||
0352 Dryer Lint Breather. 12/16/92 ROXBURY, MA
|
||
0353 dj.................. 12/20/92 LA, CA
|
||
0354 Inf0rmati0n Surfer.. 05/14/93 NAPLES, FL
|
||
0355 Constantine......... 04/30/93 PARK RIDGE, IL
|
||
0356 count 99............ 12/17/92 NORFOLK, VA
|
||
0357 Crud Smegma......... 01/07/93 TUCSON, AZ
|
||
0358 Petong.............. 09/25/93 SAN FRANCISCO, CA
|
||
0359 Hardtime............ 03/26/93 ALEXANDRIA, VA
|
||
0360 sevlove dog......... 12/18/92 SAVANNAH, GA
|
||
0361 Ultraman............ 01/25/93 ORLANDO, FL
|
||
0362 Hitman.............. 12/20/92 MIRAMAR, CA
|
||
0363 Catfish Fiend....... 12/20/92 EUGENE, OR
|
||
0364 SPAWN............... 12/25/92 ORLANDO, FL
|
||
0365 Dioxin.............. 08/23/93 BALTIMORE, MD
|
||
0366 I\O SYMBIOSYS....... 12/20/92 AUSTIN, TX
|
||
0367 Dark Prince......... 12/24/92 KATY, TX
|
||
0368 Suicidal Maniac..... 03/13/93 BELLEVILLE, IL
|
||
0369 ENWEREWS............ 12/23/92 WICHITA, KS
|
||
0370 Drake............... 03/29/93 ABERDEEN, UK
|
||
0371 High Octane......... 12/23/92 SAN FRANCISCO, CA
|
||
0372 fastjack............ 10/25/93 SLATON, TX
|
||
0373 Negative Creep...... 06/27/93 SAN FRANCISCO, CA
|
||
0374 Stormtrooper........ 09/29/93 OVERLAND PARK, KS
|
||
0375 major havoc......... 11/05/92 CHICAGO, IL
|
||
0376 solitude............ 12/24/92 PETALUMA, CA
|
||
0377 DANGER MOUSE........ 01/17/93 ISLE OF PALMS, SC
|
||
0378 Jay................. 12/25/92 LILLOOET, BC
|
||
0379 cosmic raindrop..... 12/25/92 ANOKA, MN
|
||
0380 mantra.............. 12/25/92 ANARKY OR DEATH, MI
|
||
0381 Nick................ 12/31/92 NYC, NY
|
||
0382 Tarl Cabot.......... 05/01/93 LOUISVILLE, KY
|
||
0383 Rommanov............ 08/06/93 WROCESTER, MA
|
||
0384 Myshkin............. 12/27/92 MILWAUKEE, WI
|
||
0385 osiris.............. 12/29/92 HUNTINGTON WOODS, MI
|
||
0386 Psy Chotix.......... 01/31/93 ALMONTE, ON
|
||
0387 Mr. Curious/DoPi.... 08/10/92 MESA, AZ
|
||
0388 Mr.Skill............ 12/30/92 KATY, TX
|
||
0389 the jester.......... 03/28/93 BOISE, ID
|
||
0390 Enkil............... 12/31/92 RUSSELL, OH
|
||
0391 BASTARD............. 01/01/93 CHESTERLAND, OH
|
||
0392 peter piper......... 08/23/93 CHICAGO, IL
|
||
0393 sound and fury...... 08/06/93 LOS ANGELES, CA
|
||
0394 Phuzzy Gnu.......... 03/17/93 LUBBOCK, TX
|
||
0395 Lucifer Sam......... 12/20/91 LUBBOCK, TX
|
||
0396 BOB................. 12/31/92 PLATTSBURGH, NY
|
||
0397 Problem Child....... 04/01/93 DEVILS TRIANGLE, NV
|
||
0398 Superhigh........... 04/15/92 EL CERRITO, CA
|
||
0399 The Chief........... 08/28/93 SLITE SWEDEN, SW
|
||
0400 Titivillus.......... 03/28/93 BROOKINGS, SD
|
||
0401 THE CHINAMAN........ 01/03/93 COLGATE, WI
|
||
0402 Jaques DeMolay...... 01/04/93 NEW ORLEANS, LA
|
||
0403 mirror shade........ 01/12/93 ORLANDO, FL
|
||
0404 Fetus............... 01/05/93 THE CELL, TX
|
||
0405 Lyfe Smyth.......... 03/29/93 IOWA CITY, IA
|
||
0406 Sgt. Pepper......... 07/23/93 LITTLE NECK, NY
|
||
0407 RevCo............... 01/05/93 MEDFORD, NY
|
||
0408 ellis dee........... 03/29/93 AUBURN, AL
|
||
0409 The Black Adder..... 01/10/93 EVERGREEN, CO
|
||
0410 ZEN WEREWOLF........ 08/25/93 WITCHITA, KS
|
||
0411 Darwin.............. 08/01/93 CRANSTON, RI
|
||
0412 Aeon Flux........... 05/01/93 LOS ANGELES, CA
|
||
0413 The Old Man......... 03/02/92 MIAMI, FL
|
||
0414 Sad Jack............ 01/08/93 REPTILEHOUSE, CT
|
||
0415 Czar Cjeff.......... 01/10/93 WASILLA, AK
|
||
0416 Mr. Slippery........ 03/03/93 WALNUT CREEK, CA
|
||
0417 lsd-25.............. 01/12/93 WTBY, CT,CT
|
||
0418 bruce heeler........ 01/20/93 VANCOUVER, BC
|
||
0419 Ri0t................ 01/09/93 MEMPHIS, TN
|
||
0420 Hunter.............. 08/19/93 UK, UK
|
||
0421 Taex Rosynrr........ 04/01/93 GILFORD, NH
|
||
0422 Doctor Dissector.... 08/16/91 POWAY, CA
|
||
0423 Johnny Dark......... 10/03/93 TORONTO, ON
|
||
0424 ken doll............ 04/01/93 WACO, TX
|
||
0425 Mr. Mean............ 01/18/93 WINNIPEG, MB
|
||
0426 Manifest Destiny.... 07/29/93 P.M.S., FL
|
||
0427 Murdock............. 01/12/93 GAINESVILLE, FL
|
||
0428 Kausality........... 09/30/93 TAMPA, FL
|
||
0429 Mohawk Dave......... 07/29/93 LUBBOCK, TX
|
||
0430 Zaphod.............. 01/30/93 VICTORIA, TX
|
||
0431 Chevela............. 08/31/93 SACRAMENTO, CA
|
||
0432 Shannen Doherty..... 09/07/93 BOSTON, MA
|
||
0433 Rafsan Johnny....... 01/19/93 TULSA, OK
|
||
0434 fzoul............... 08/13/93 ZHENTIL KEEP BBS, WI
|
||
0435 Capt. Bligh......... 01/13/93 L.A., CA
|
||
0436 tester.............. 02/20/93 DLJF, TX
|
||
0437 websters third...... 01/14/93 GAINESVILLE, FL
|
||
0438 Mick Jones.......... 01/16/93 LOS ANGELES, CA
|
||
0439 Rogue Trader........ 01/21/93 CINCINNATI, OH
|
||
0440 Data Rustler........ 04/22/93 WESTFORD, MA
|
||
0441 Dexter Spanfield.... 10/08/93 PINKSEX BBS, CA
|
||
0442 Dr. Spine........... 01/17/93 ST. LOOMIS, MO
|
||
0443 lemming jones....... 01/17/93 LITCHFIELD, CT
|
||
0444 Deathlok............ 08/08/93 NACOGDOCHES, TX
|
||
0445 Rotting Corpse...... 06/20/93 ATLANTA, GA
|
||
0446 stitch.............. 04/27/93 KNOX, TN
|
||
0447 tackhead............ 01/22/93 CAMBRIDGE, MA
|
||
0448 mhodder............. 05/02/93 WOLFEBORO, NH
|
||
0449 wonderchild......... 04/29/93 CONCORD, NH
|
||
0450 apostrophe.......... 08/18/93 SARNIA, ON
|
||
0451 flip................ 05/24/93 VANCOUVER, BC
|
||
0452 Cianyde............. 05/15/93 ELEC. GENOCIDE, TX
|
||
0453 Frater F............ 08/17/93 INDIANAPOLIS, IN
|
||
0454 The Perfectionist... 08/18/92 MARENGO, IL
|
||
0455 ~GHOST~............. 05/07/93 FIND LAY, OH
|
||
0456 lestat23............ 05/02/93 GREENVILLE, SC,SC
|
||
0457 phuthark............ 05/03/93 WOODBRIDGE, CT
|
||
0458 Sandman............. 10/26/93 LUBBOCK, TX
|
||
0459 Country Steve....... 05/04/93 TULSA, OK
|
||
0460 The Necromancer..... 05/04/93 THE NECROPOLI{, OH
|
||
0461 GONZ................ 05/07/93 CARDBOARD LAND, WA
|
||
0462 Damanstian.......... 08/17/93 BBS, TX
|
||
0463 jester.............. 06/07/93 BOISE, ID
|
||
0464 DUCKIE.............. 05/15/93 LOS ANGELES, CA
|
||
0465 QUEUE............... 09/05/93 YAKIMA, WA
|
||
0466 Chris............... 05/09/93 LARVIK NORWAY, 00
|
||
0467 Nitro-187........... 06/04/93 KETCHIKAN, AK
|
||
0468 do now?............. 06/08/93 BAINBRIDGE, WA
|
||
0469 kazmeister.......... 02/01/93 WINNIPEG, MB
|
||
0470 ZION................ 10/16/93 LUBBOCK, TX
|
||
0471 nunzio battaglia.... 05/10/93 DIAMOND BAR, CA
|
||
0472 FEMHACKER........... 05/15/93 ATLANTA, GA
|
||
0473 Horatio............. 10/25/91 ST PETE, FL
|
||
0474 The Orator.......... 09/14/92 EMERALD CITY, MN
|
||
0475 Ranch Apocalypse.... 05/15/93 SAN FRAN666CO, CA
|
||
0476 Spyder.............. 05/25/93 HAYWARD, CA
|
||
0477 Lethal Allele....... 01/13/93 CLARKSVILLE, TN
|
||
0478 mudrat.............. 05/18/93 LUBBOCK, TX
|
||
0479 I\/Iisfit........... 05/16/93 CYBERBAMBI, FL
|
||
0480 DIGITAL SHAMAN...... 05/16/93 SEBASTOPOL, CA
|
||
0481 skynet.............. 06/04/93 ITALY -HELL, IT
|
||
0482 Runaway Train....... 09/04/93 KUNGFU THEATRE, RI
|
||
0483 Hit Man............. 03/05/93 NEW BRUNSWICK, NJ
|
||
0484 kreutzer............ 05/19/93 VANCOUVER, WA
|
||
0485 Voton............... 06/15/93 SIR ___*****, AZ
|
||
0486 Dag Zalhastra....... 09/11/93 WYOMISSING, PA
|
||
0487 callie.............. 05/23/93 ATLANTA, GA
|
||
0488 Will Dandy.......... 05/25/93 LEEDS, AL
|
||
0489 Q junior............ 05/23/93 PHILADELPHIA, PA
|
||
0490 speed............... 05/30/93 BRUNSWIC, GA
|
||
0491 the punisher........ 01/24/93 OMAHA, NE
|
||
0492 eraserex............ 05/25/93 LEAGUE CITY, TX
|
||
0493 Jaybird............. 05/25/93 MONTGOMERY, AL
|
||
0494 Rotten Flesh........ 06/05/93 BILOXI, MS
|
||
0495 anesthesia.......... 06/27/93 LAS VEGAS, NV,NV
|
||
0496 Silicon Jesus....... 08/08/93 DES MOINES, IA
|
||
0497 The Deth Vegetable.. 10/25/93 TEWKSBURY, MA
|
||
0498 e-vil............... 05/28/93 E-VILLE, CA
|
||
0499 Napalm.............. 06/03/93 ROME, ITALY,IT
|
||
0500 Dave Ferret......... 07/11/93 LEXINGTON, MA
|
||
0501 lady darque......... 09/08/93 NORTH HOLLYWOOD, CA
|
||
0502 j................... 05/30/93 NCL, UK,XX
|
||
0503 ZeroZero............ 06/01/93 PORTLAND, OR
|
||
0504 Mr. Peanut.......... 06/03/93 AGOURA, CA
|
||
0505 EL MIASMO........... 06/22/93 PARSIPPANY, NJ
|
||
0506 Datastream Cowboy... 06/15/93 LONDON, UK,UK
|
||
0507 brain tumor......... 01/14/93 DRAGONFIRE, NJ
|
||
0508 digital hitler...... 07/22/93 ., CA
|
||
0509 john harper......... 01/18/93 RICHMOND, VA
|
||
0510 DOCTOR.............. 03/04/93 STOUGHTON, MA
|
||
0511 deadleader.......... 01/21/93 EL PASO, TX
|
||
0512 Bard................ 06/06/93 SIOUX FALLS, SD
|
||
0513 Ghost Rider......... 03/18/93 HATTIESBURG, MS
|
||
0514 Argus Panoptes...... 01/26/93 TORONTO, ON
|
||
0515 badkarma............ 08/22/93 DESPLAINE, IL
|
||
0516 Orgoreyn............ 02/19/92 NORFOLK, VA
|
||
0517 The Philosopher..... 10/15/93 SAN DIEGO, CA
|
||
0518 Mr. Hyde............ 10/12/93 AU BBS, VA
|
||
0519 The Metal Rooster... 06/04/93 HEALDSBURG, CA
|
||
0520 Transderm-Nitro..... 10/23/93 LUBBOCK, TX
|
||
0521 Delusion............ 07/04/93 NOWHERE, NC
|
||
0522 Bounty B0b.......... 09/10/92 OCEANSIDE, CA
|
||
0523 turbo............... 01/20/93 ORANGE, CA
|
||
0524 Dr.
|
||
0525 the raider.......... 06/05/93 PERTH, WA
|
||
0526 crazy k............. 11/10/91 SPRINGFIELD, MO
|
||
0527 Trader.............. 07/24/91 ELKINS PARK, PA
|
||
0528 Butter Fly.......... 07/30/93 CHICAGO, IL
|
||
0529 Mister Monochrome... 08/21/91 CHICAGO, IL
|
||
0530 major7.............. 10/21/93 NEW YORK, NY
|
||
0531 shade............... 06/06/93 SAN JOSE, CA
|
||
0532 Phearless........... 09/13/93 DEGERFORS, SW
|
||
0533 Corpse.............. 06/14/93 LIVERMORE, CA
|
||
0534 Psycho S. Illusion.. 10/11/93 LUBBOCK, TX
|
||
0535 KILLER BOB.......... 06/19/92 HOUSTON, TX
|
||
0536 The Grom............ 08/15/93 NAPLES, FL
|
||
0537 H8PULICE............ 06/07/93 NEW YORK, NY
|
||
0538 MacGyver............ 06/07/93 BOSTON, MA
|
||
0539 Vato................ 06/18/93 LAKE HIAWATHA, NJ
|
||
0540 Lurking Grue........ 06/08/93 CITADELPHIA, CA
|
||
0541 Hellrazor........... 06/15/93 DALLAS, PA
|
||
0542 dumbshit............ 08/17/93 ARLINGTON, VA
|
||
0543 Axiom Codex......... 09/07/92 PHUN LINE, CA
|
||
0544 mal the youngest.... 08/18/93 MILWAUKEE, WI
|
||
0545 James Dean.......... 03/03/92 STROUDSBURG, PA
|
||
0546 Scabbard............ 01/22/92 CHESAPEAKE, VA
|
||
0547 cyberdogs........... 08/14/93 CINCINNATI, OH
|
||
0548 Scorpion............ 08/05/93 NORFOLK, VA
|
||
0549 Moriarty............ 08/16/91 SYDNEY, AUSTRALIA,NS
|
||
0550 Charles O'Donovan... 06/09/93 RICHMOND, VA
|
||
0551 Spazm............... 06/09/93 CRAWFORDSVILLE, IN
|
||
0552 Fortune............. 08/19/93 JENSEN BCH, FL
|
||
0553 Hanover Fiste....... 10/24/93 RANSOM CANYON, TX
|
||
0554 Microwire........... 10/15/93 DAYTONA, FL
|
||
0555 one meg cacher...... 05/12/93 CROWBAR HOTEL, TX
|
||
0556 Doctor Who.......... 10/21/93 MASSACHUSETTS, MA
|
||
0557 Freak Boy........... 08/18/93 TUCSON, AZ
|
||
0558 the umbra........... 08/24/93 PARAMUS, NJ
|
||
0559 Urban Sprawl........ 08/21/93 NB, CA,CA
|
||
0560 The Akkadian........ 08/02/91 CLAREMORE, OK
|
||
0561 Scooter............. 11/08/91 LAND OF KARRUS, PA
|
||
0562 The Scribe.......... 05/20/92 BOULDER, CO
|
||
0563 Crank............... 08/20/93 PHIL, PA
|
||
0564 Aegean.............. 09/12/93 AMARILLO, TX
|
||
0565 Sm.................. 10/02/93 ELSEWHERE, NY
|
||
0566 Optik Nerve......... 09/20/93 WEST CHESTER, PA
|
||
0567 creepy crawl........ 08/21/93 SAN FRAN, DK
|
||
0568 Phallacy............ 08/26/93 MTN LKS, NJ
|
||
0569 Machiavelli......... 08/25/93 LEE, MA
|
||
0570 The Raging Golem.... 09/22/91 MCLEAN, VA
|
||
0571 digital man......... 01/20/93 ELKA PARK, NY
|
||
0572 The Raver........... 06/05/93 CITY, ST
|
||
0573 Master Satin........ 01/24/93 ELKA PARK, NY
|
||
0574 jaff................ 01/22/93 MILLERS FALLS, MA
|
||
0575 Grampent............ 10/24/93 D/FW, TX
|
||
0576 GOD................. 03/03/93 NEW YORK, NY
|
||
0577 Squinky............. 09/07/93 WARWICK, RI
|
||
0578 Billy Joe Jim Bob... 01/22/93 SAN ANTONIO, TX
|
||
0579 inferno............. 01/23/93 PORTER, TX
|
||
0580 Hacksaw............. 01/27/93 LHD, CA
|
||
0581 Dr. Fate............ 01/24/93 OTTAWA, ON
|
||
0582 The Purple Sage..... 01/24/93 TERMANL VEL, WI
|
||
0583 Hermans Head........ 01/25/93 SEATTLE, WA
|
||
0584 Polka Prince........ 01/25/93 GLENDALE, CA
|
||
0585 Soul Blazer......... 03/20/93 CHICO, CA
|
||
0586 SLUG................ 01/27/93 MT LAKES, NJ
|
||
0587 Kaerhp.............. 01/31/93 HELL, MN
|
||
0588 skrink.............. 01/30/93 BOSTON, MA
|
||
0589 Psychosis........... 06/13/93 CLARK, NJ
|
||
0590 Sneller Express..... 01/31/93 ALMONTE, ON
|
||
0591 armand.............. 06/10/93 V.I.N.E. BBS, KY
|
||
0592 bruj0............... 08/13/93 TEXARKANA, TX
|
||
0593 Kit Crothers........ 06/11/93 NYC, NY
|
||
0594 Phantom Phlegm...... 09/22/93 DEAD HOOK, NY
|
||
0595 hypo luxa........... 06/12/93 KILLIGWORTH, CT
|
||
0596 Windopain........... 06/12/93 BERGENFIELD, VT
|
||
0597 squishy............. 06/12/93 LOUISVILLE, KY
|
||
0598 Sticklord........... 09/29/93 BITERVILLE, AX
|
||
0599 Crux................ 06/17/93 JAX, FL
|
||
0600 Dalamar............. 06/17/93 SARASOTA, FL
|
||
0601 boot................ 10/02/93 LNCOLNSHIRE, UK
|
||
0602 Trojan-Man.......... 10/19/93 SHALLOWHELL, TX
|
||
0603 DieHard............. 06/17/93 COCKEYSVILLE, MD
|
||
0604 Wunker.............. 10/19/93 BOSTON, MA
|
||
0605 control............. 06/19/93 DAYTON, KY
|
||
0606 MANGLE.............. 10/04/93 LOS ANGELES, CA
|
||
0607 sId................. 10/22/93 BOSTON, MA
|
||
0608 CYBERSURFER......... 07/30/93 OVERLAND PARK, KS
|
||
0609 Nexus-6............. 06/24/93 NAPLES, FL
|
||
0610 The Shadow.......... 10/12/93 NEW JERSEY, NJ
|
||
0611 lestat.............. 06/24/93 MILWAUKEE, WI
|
||
0612 XtC................. 08/07/93 COLUMBIA CITY, IN
|
||
0613 Stile............... 06/29/93 TSUNAMI, LTD, CA
|
||
0614 Hellpop............. 07/25/93 TAMPA, FL
|
||
0615 dude................ 07/01/93 INDIANAPOLIS, IN
|
||
0616 Mad ChemIst......... 10/05/93 BEAVERCREEK, OH
|
||
0617 Harley Matrixon..... 07/01/93 RADFORD, VA
|
||
0618 Crash............... 08/19/93 BROOKLYN, NY
|
||
0619 Mr. Lizard.......... 07/02/93 RADFORD, VA
|
||
0620 TeraCrush........... 07/07/93 LEWISBURG, TN
|
||
0621 Keith Allen......... 07/08/93 CHICAGO, IL
|
||
0622 crowbot............. 07/07/93 LUBBOCK, TX
|
||
0623 Flashlance.......... 07/08/93 MCHENRY, IL
|
||
0624 steve ignorant...... 10/26/93 LUBBOCK, TX
|
||
0625 Tori Spelling....... 07/12/93 BOSTON, MA
|
||
0626 K O/S............... 08/08/93 NEW YORK, NY
|
||
0627 SHYE PSYCHOMANCER... 07/13/93 CRAW., IN
|
||
0628 sir willie.......... 07/20/93 KITCHENER, ON
|
||
0629 Morphine............ 07/25/93 URBANA, IL
|
||
0630 zardoz.............. 07/26/93 HOLLIDAYSBURG, PA
|
||
0631 CaptBly............. 08/25/93 PUNTA GORDA, FL
|
||
0632 Diamond Back........ 07/31/93 ALEXANDRIA, VA
|
||
0633 znote............... 07/20/93 GLASGOW, SC
|
||
0634 Vidalia............. 10/18/93 CHICAGO, IL
|
||
0635 heroinbus........... 08/04/93 THE NECROPOLIS, OH
|
||
0636 popzikle toe........ 08/30/93 SMITHTOWN, NY
|
||
0637 Tiberius Octavian... 07/22/93 LUBBOCK, TX
|
||
0638 scotty.............. 07/25/93 L.A, CA
|
||
0639 Black Angus......... 08/27/93 WASHINGTON, DC
|
||
0640 Money Man........... 07/21/93 SUNNYVALE, CA
|
||
0641 Majestic Interlude.. 08/27/93 AUSTIN, TX
|
||
0642 Wolf................ 08/31/93 MONTREAL, PQ
|
||
0643 Inanna.............. 09/09/93 SANTA CRUZ, CA
|
||
0644 Prince of Thieves... 08/31/93 VANCOUVER, BC
|
||
0645 WILCASA............. 09/03/93 SULPHUR, LA
|
||
0646 suicidal failure.... 09/04/93 AIRDRIE, UK
|
||
0647 trillian............ 09/04/93 WGTN, YP
|
||
0648 BASHER.............. 09/04/93 LONDON, UK
|
||
0649 Andrew Partington... 09/10/93 MANCHESTER, UK
|
||
0650 Willy............... 09/30/93 NEW YORK, NY
|
||
0651 radagast............ 09/12/93 DUBLIN, OH
|
||
0652 CAPTAIN FRITZ....... 09/07/93 AIKEN, SC
|
||
0653 demon............... 10/24/93 HUNTER, NY
|
||
0654 TheLady............. 10/14/93 SANDY SPRINGS, SC
|
||
0655 JOHN JONES.......... 09/30/93 JACKSONVILLE, FL
|
||
0656 jesse c............. 10/03/93 ATLANTA GA, GA
|
||
0657 wox................. 10/11/93 MIAMI, FL
|
||
0658 Witchdoc............ 10/11/93 TORONTO, ON
|
||
0659 Herd Beast.......... 10/28/93 TEL-AVIV, XX
|
||
0660 aga can............. 10/08/93 NYC, NY
|
||
0661 Abyssmal Euphoria... 10/27/93 CNRT, ON
|
||
0662 deicide............. 10/25/93 VANCOUVER, BC
|
||
0663 Aura................ 10/17/93 BOSTON, MA
|
||
0664 john woodard........ 10/15/93 ATTLEBORO, MA
|
||
0665 thule............... 10/26/93 LEOMINSTER, MA
|
||
0666 Pebble.............. 10/15/93 HEALDSBURG, CA
|
||
0667 Pulley.............. 10/16/93 CAMBRIDGE, MA
|
||
0668 hump................ 10/14/93 BOSTON, MA
|
||
0669 Dune................ 10/15/93 MIAMI, FL
|
||
0670 grim*reaper......... 10/13/93 BOSTON, MA
|
||
0671 wedge............... 10/17/93 COLUMBIA , MO
|
||
0672 aceway.............. 10/21/93 BOSTON, MA
|
||
0673 Invisible Insanity.. 10/26/93 PURPLE HELL, TX
|
||
0674 Harlequin........... 10/16/93 CORPUS CHRISTI, TX
|
||
0675 GMAN................ 10/17/93 BOSTON, MA
|
||
0676 Reid................ 10/20/93 AARDVARK BURROW, NY
|
||
0677 Jim Morrison........ 10/21/93 SELBYVILLE, DE
|
||
0678 ironwood............ 10/23/93 MORAGA, CA
|
||
0679 Faust............... 10/26/93 SEATTLE, WA
|
||
0680 Lucifer............. 10/27/93 OCALA, FL
|
||
|
||
I bet you hit page down a lot.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Taken from the sekret mail of Goat Blowers Anonymous BBS.
|
||
|
||
dATE: 3:06 am Tue Mar 28, 1995 nUMBAH : 45 oF 47
|
||
fR0M: Drunkfux bASE : Private Mail
|
||
t0 : Black Francis rEFER #: n0NE
|
||
sUBJ: gIMME aKZEZ, d00D! rEPLIEZ: n0NE
|
||
sTAT: dELETED oRIGIN : l0KAL
|
||
|
||
dfx-fb.713
|
||
|
||
Standardized Lame Feedback Krapola v4.0
|
||
|
||
Handle : Drunkfux The Almighty K-RAD Eggo Warrior
|
||
Name : Macho Man Ocean J. Howell (not of Gilligan's Island)
|
||
Age : 378,432,000 Seconds
|
||
Occupation : PiMP dAddY
|
||
Phone Nombre : 713-867-9544
|
||
|
||
Been a m0deM WaRRi0R since 1978. My first board was up in 1979 and was
|
||
featured in a joint article in both Esquire and the SF Chronicle.
|
||
|
||
Sysop of K0DE AB0DE / Metalland Southwest / Regurgitated Abortion Clinic
|
||
(or whatever you feel like calling it) @ 713-39-K0DES. cDc, CuD, dFx,
|
||
HoHoCon, K-RAP, Neon Knights, NIA, Phrack, ToneLoc, uXu, Video Vindicator
|
||
Whirrled HQ. Running Obv/2 on a 28.8 Dualie and 4 gigs. Warez, Carts,
|
||
Utils, Art, 89,982 T-Files, Necrophelia, Anime, Kidporn, Cellular, Scanner
|
||
Mods, Computer/Telco Security, etc.
|
||
|
||
Run HoHoCon, the world's largest computer underground conference and
|
||
convention which happens every year right here in the yeehaw state. You can
|
||
read more about it (and ME!@*!&!!) in past, current and upcoming issues of
|
||
Time, PC World, Unix World, NY Times, LA Times, SF Chronicle, Boston Globe,
|
||
Boardwatch, 2600, bOING bOING, Gray Areas, Nuts N Volts, Sysadmin, CFP,
|
||
Computer Security Monthly, Adam Film World (Monthly Adult Video Guide..
|
||
seriously), Vibe, Spin, Houston Press, Phrack, CuD, WV, etc.
|
||
|
||
Other 713 systems I am on include Street Spydrs, Cycle Sluts From Hell,
|
||
Nocturnal Emmissions, The Keep, Earthshaker, Darker Image, Fantasia/Crewel
|
||
Lye, Last Byte, SourceNet, Red Sector, Farm Road 666 (co), Transendental
|
||
Regurgitation, Burning Inferno, Mainstream, Byte Me, Bad Board, USiS and
|
||
Beyond Vision.
|
||
|
||
Non 713 systems : Boner's Domain (314), Nihilism (517), Demon Roach
|
||
Underground (806), Insomnia (916), Road Runner (510), Exile OMS 3 (UK +71),
|
||
House Of God (Eur. +31), Unknown Pleasures (UK +71), Midpoint Void (303),
|
||
2112 (518), Digital Underground (301), VoiD (902), etc.
|
||
|
||
713 l0zErZ that will vouch or die : Lord Zephyr, Obsidian Knight,
|
||
Stingray, Hi Fi Del, Surfin Cow, Oyl Patch, Spock (Zaphod), Mistmaster, Doc
|
||
Holiday (the real DH from LoD), Bonehead, Kream, Micro^]], Mr. Man, Dark
|
||
Spyre, Absalom, 8-Ball, Lithium, The Phorman, Hunter, Tank, Neuromancer,
|
||
Kamikaze, etc.
|
||
|
||
Hopefully, this should cover anything you might want to know.
|
||
|
||
Uh.. yeah.. that'll do. Basically I run the world.
|
||
|
||
- Drunkfux . cDc . dFx . NK . Phrack . K-RAP . HoHoCon . PoP/FoF . E.A.S.Y.
|
||
dfx@usis.com / drunkfux@snes.com / drunkfux@hoho.con.com / dfx@fc.net
|
||
|
||
Mail read (?=help) : U
|
||
|
||
Renegade User Editor [94 of 94]
|
||
|
||
A. User name : DRUNKFUX L. Security : 50
|
||
B. Real name : Orenthal J. Simpson M. D Security: 50
|
||
C. Address : Ic#1067892, La County Jail N. AR:A-----------------------
|
||
D. City/State: way too elite for you! O. AC:----------/----
|
||
E. Zip code : 90210 P. Sex/Age : M86 (10/31/08)
|
||
F. SysOp note: R. Phone num : 713 867 9544
|
||
G. max. baud : 2 T. Last/1st : 03/28/95
|
||
H. affils. : Phrack, cDc, ATI, KRAP V. Locked out: Inactive
|
||
I. reference : Some fag.. m0gel W. Password : [Not Shown]
|
||
J. Status : [DEL] [TRP OFF] [LOCK] [ALRT] X. :
|
||
K. QWK setup : ZIP Y. Start Menu:
|
||
|
||
1. Call records- TC:1 TT:6 CT:0 TL:73 TB:0
|
||
2. Mail records- PB:0 PV:0 FB:1 WT:0
|
||
3. File records- DL:0-0k UL:0-0k DT:0-0k
|
||
4. Pref records- EM:Auto CS:No PS:No CL:Yes ED:F/S
|
||
5. Subs records- CR:0 DB:0 BL:0 ED:Never ET:
|
||
|
||
Select item: [
|
||
|
||
Renegade User Editor [93 of 94]
|
||
|
||
A. User name : WIZARD OF ID L. Security : 50
|
||
B. Real name : Kevin I M. D Security: 50
|
||
C. Address : Dallas N. AR:A-----------------------
|
||
D. City/State: that ace guy O. AC:----------/----
|
||
E. Zip code : 75248-0000 P. Sex/Age : M17 (10/20/77)
|
||
F. SysOp note: R. Phone num : 214-248-1142
|
||
G. max. baud : 28.8 (seems more like 21.6 th T. Last/1st : 03/27/95
|
||
H. affils. : Yup. V. Locked out: Inactive
|
||
I. reference : Morpheus,.. and you. W. Password : [Not Shown]
|
||
J. Status : [DEL] [TRP OFF] [LOCK] [ALRT] X. :
|
||
K. QWK setup : ZIP Y. Start Menu:
|
||
|
||
1. Call records- TC:2 TT:13 CT:1 TL:76 TB:0
|
||
2. Mail records- PB:0 PV:0 FB:1 WT:0
|
||
3. File records- DL:0-0k UL:0-0k DT:0-0k
|
||
4. Pref records- EM:Auto CS:Yes PS:Yes CL:Yes ED:F/S
|
||
5. Subs records- CR:0 DB:0 BL:0 ED:Never ET:
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
From : THE NIGHTSTALKER (#147)
|
||
Date : 03/27/93 12:01:07 AM
|
||
|
||
Ah, yes. Asmodeus Rex. What an asshole! He spent hours and hours plaguing
|
||
this old, somewhat crippled woman who was running a BBS on her C=128.
|
||
And when he'd get caught, he'd get all upset. What a luser!
|
||
|
||
(of course, I'm assuming that it's Rex who's the one carrying on and
|
||
dissing my good name. For what it's worth, I was indeed voted into this
|
||
august band of ne'er do wells, malcontents, and genial perverts some years
|
||
ago, and have had several of my t-files included in various cDc releases.)
|
||
|
||
But I guess that's not good enough for some of these |<ewl deweds from RI,
|
||
that hotbed of the Computer Underground. Argh!
|
||
|
||
In any event, I'm SURE you can tell how broken up I am over all this.
|
||
|
||
Don't apologise for incoherant messages, I rather like them, myself. I can
|
||
always use the intellectual stimulation of, "What the FUCK is going on
|
||
about?" (life is pretty dull and boring here in the vermin infested
|
||
crotch of New England.)
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
WHY I HATE FIDONET by VisioKnight
|
||
Written 10/21/94
|
||
|
||
Let's examine the rotting pinnacle of modern day computer mail society;
|
||
no, not Usenet; no, not RIME; that aging fat dinosaur of a system known
|
||
as FIDONET.
|
||
|
||
Right now, you may be thinking, "Hey! Shut the fuck up, I LIKE Fidonet!".
|
||
You may also be thinking about molesting aborted babies. The two activities
|
||
are about on the same level of thinking.
|
||
|
||
Enough with my ranting; let's do an in-depth examination of what Fidonet
|
||
is, and why YOU should hate it too.
|
||
|
||
1) Fidonet is designed to be free. It isn't.
|
||
|
||
Let's see. Free mail, free communications, free speech. No. None of the
|
||
above. Unless you a) Own Telco, b) Own a Satellite Dish, or c) are
|
||
independently wealthy, you will need to either call long-distance (usually
|
||
the case) to a hub, or pay a local person to call there for you.
|
||
This is a big needle up the ass. I've seen people charge as much as
|
||
$5 per message area per month. Yea. Blow me.
|
||
|
||
Free speech. Uh-uh. Almost every single damn fidonet echo is moderated
|
||
by this idiot designated as the moderator by a bunch of voting pricks. The
|
||
moderator's sole purpose is to negate any pleasurable conversation you may
|
||
be expecting to have in his godlike domain. Stray 001 degree from his
|
||
set guidelines, and you can get your whole system banned from the echo, or
|
||
from Fidonet. Fun, right.
|
||
|
||
2) Fidonet is designed to be fun. It isn't.
|
||
|
||
Ever met a person who posts 7 messages in the STARWARS echo wanting to know
|
||
what the hell Star Trek is and why everyone in the Star Trek echo talks
|
||
about it? Ever met a person who thinks TEEN is a child-porn echo? Ever
|
||
met the most foolish person in the world? Join fidonet.
|
||
|
||
And lastly;
|
||
|
||
3) Fidonet is supposed to be modern. Infer this sentence.
|
||
|
||
Theoretically, Fidonet shouldn't work. Systems all over the world tossing
|
||
mail to hubs. Hmm.
|
||
|
||
Fidonet also takes up an extremely large amount of disk space.
|
||
|
||
Fidonet is full of trendy people.
|
||
|
||
So, if you're a sysop, do your users a favor and become a member of, say,
|
||
an interesting network. Leave fidonet to my anus.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: 9:58 pm Sat Dec 4, 1993 Number : 126 of 135
|
||
From: Darwin Base : The Rathskellar
|
||
To : Grim Reaper Refer #: 125
|
||
Subj: Being elite. Replies: 3
|
||
Stat: Normal Origin : Local
|
||
|
||
GR> I think i was allways under the impression it meant:"Supah, above all..
|
||
GR> Highy prized" That sorta thing. Am i wrong?
|
||
|
||
You know what being elite in RI means? Being elite in RI means that you
|
||
kiss a few certain peoples asses. Being elite means pretending that
|
||
netwars actually mean something. Being elite means pretending that wares
|
||
are actually worth something more than getting games. Being elite means
|
||
that even if you don't *READ* OR *PRODUCE* text, if you have a lot of it,
|
||
then you're cool. Being elite means commiting telephone fraud for no real
|
||
reason except to talk to other people in other cities because for some
|
||
reason or the other you are incapable of finding people to relate to in
|
||
your world. Being elite means thinking that you are *BETTER* than people
|
||
simply because you happen to be a bit more mature or a bit more seasoned,
|
||
or a bit more experienced. Any moron with enough time on his hands can
|
||
hack. Any moron with enough time on his hands can phreak. Any moron who
|
||
can act like the powers that be can be ELITE.
|
||
|
||
Is that what you want to be? Someone who lies about how he truly feels
|
||
because he doesn't want to be rejected by the powers that be?
|
||
|
||
Here's what it comes to : I just plain don't give a fuck anymore.
|
||
|
||
If Soth thinks that he's elite, fine. That's not something to aspire to.
|
||
|
||
-dWi
|
||
how can you judge me, if you've never taken a walk in my shoes?
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Msg #: [32/33] Base: The Breeding Ground
|
||
Date : Wed 09 Feb 1994 5:46p Stat: Public
|
||
From : The Disciple Of The Seventh Sabbath #6
|
||
To : All
|
||
Title: ...
|
||
|
||
My apologies to Identity Crisis, who has already heard of what I am
|
||
about to tell you on the Cyber Cafe BBS. I think it's worth the repition.
|
||
|
||
I have just heard of the most horrendous offense I have ever come
|
||
across, and let me tell you that I have looked into many. Perhaps it's so
|
||
horrible because it's so "close to home," so to speak. Not in distance,
|
||
but in worlds. And I am making so reference to Earth.
|
||
|
||
To begin.
|
||
|
||
About two years ago, in the United Staes - I can't for the life of me
|
||
remember where it took place even though I just heard of it not ten minutes
|
||
ago - four young girls - 15, 16, 16, and 17 - lured another young girl,
|
||
12, with a name sounding similar with "Shanda," into an abandoned house
|
||
near her home. They tortured her. Brutally. Please believe me when I
|
||
say "brutally"; it was BRUTAL. As an example... They sodomized her with
|
||
a jagged metal bar. For those of you who do not know what that is, it's
|
||
defined as either anal sex with a member of the same gender, or "anal
|
||
copulation with instruments of animals," a definition taken almost
|
||
directly from the dictionary.
|
||
|
||
For SEVEN FUCKING HOURS they kept her there, torturing her, all four
|
||
taking their turns.
|
||
|
||
They through her in the trunk of their car and drove to another, more
|
||
secluded site in the "boonies," where they proceded to drench her in
|
||
gasoline and set fire to her. As they drove off, they realized that the
|
||
fire was beginning to die, so they drove back and made sure they got the
|
||
job done. Then they went to McDonald's for breakfast.
|
||
|
||
[Shanda] died of smoke inhalation. Meaning she lived for quite awhile
|
||
while afire before she actually died.
|
||
|
||
An obvious complete lack of regard for human life.
|
||
|
||
For two years these people insisted on blaming it on a mental disorder,
|
||
though all four who were questioned by the prison's psycholist were
|
||
completely rational, calm, and uncaring.
|
||
|
||
One of the mothers of the killers admitted that two of the four had
|
||
just recently had excorcists performed on them for demon possession. Now
|
||
either these people are just stupid, or they're not making mention of it
|
||
for a reason.
|
||
|
||
EVERY one of these acts of the killers are taken WORD FOR WORD out of
|
||
the Satanic Bible, coming from one who has read it and knows of the shit
|
||
he has in its pages.
|
||
|
||
In a word.
|
||
|
||
Satanism. I'm almost convinced of it.
|
||
|
||
To anyone who has any more information on what happened, please leave
|
||
me email. I have to wonder if I'm right or not. It seems too... Easy to
|
||
blame a disorder for it.
|
||
|
||
And why, after all this shit, do I still feel sorrow for these four
|
||
girls and hope that the judgement put on them is as mercyful as the LACK
|
||
of mercy that they displayed on [Shanda].
|
||
|
||
Sometimes I wonder how the fuck my mind works.
|
||
Thank you for your time.
|
||
Return to your own worlds, please.
|
||
|
||
-Sorrow.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Sun, 03 Sep 2000 20:52:22 EDT
|
||
From: "Meg Dean" <dayglo_faerie@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
|
||
How have I changed in the past six years? I'll tell you how...I've
|
||
gotten pissed off at the fact that just ANY moron can come onto the net
|
||
and fucking set up a website worshipping miss britney spears or that god
|
||
awful 'nsuck. Not to mention the fact that they turn up their noses at
|
||
something as brilliant as Hoe, deeming it 'unhip, and outdated'.
|
||
Bah to all of them!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Fri, 8 Sep 2000 02:32:16
|
||
From: lastboss@gay.com (scared and white)
|
||
To: mogel@hoe.nu
|
||
Subject: HOE MEDIA BREAKING NEWS
|
||
|
||
CHECK IT: http://www.enteract.com/~ryan/madcap
|
||
|
||
i am HUYRBERY OF MAD|CAP| so SHOW MUCH PORPS TO THIS BUTTA
|
||
check those DATES mythafucka yo fucking Up my fables: GORGE ORWELL wroth
|
||
1984 to proohpecie the begini of MAD***CAP****** thheres a moral to the
|
||
story its your MOM so fucking GAY mshe made corobera comander take off his
|
||
mask you bitches put the ARG in GARGOYLE
|
||
|
||
fuck you fuck you yuor portraits are on the POISIN BOTTLES you HAVE ONe
|
||
thiingn me and chuck never did and thats GIRLS how you do tha t theres a
|
||
sale in the phillipins?
|
||
|
||
make you checks payabo FOO
|
||
madCAP started your shit and yo u bitches tryed ti steal Pelle and Dr.
|
||
Carlos and Rafalano
|
||
nazi-boto gona send .ARJs with babd huffman to you with whale VIRUS
|
||
cumgobblin your atari 2600 icon collcetion selling isos to highschools
|
||
your family is on shareware.com they got downloaded intho the new BTTF
|
||
(BACK TO T HE FUTUR) Delorian i ntheh GARBAGE
|
||
|
||
I FUCKT YOUR ARMY
|
||
| Logon -[12:35 am Fri Nov 19, 1993]- (2400 baud)
|
||
BLOOD WIZZ GON sen you back to reagen years
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
RAMBLINGS ABOUT THE LIFE OF A STUPID COMPUTER NERD WHO FAILS AT EVERYTHING
|
||
or HI I'M ROB THE MORON
|
||
|
||
Well, my full name is Robert William Alexander Pascual.
|
||
|
||
I am 16 years old.
|
||
|
||
I have long brown hair and brown eyes (subjects me to screams of
|
||
faggot and pussy around all the retards my age).
|
||
|
||
I stare at a computer for the majority of the day, don't fall
|
||
asleep until 5 AM and wake up around 4PM. I cheated out of highschool
|
||
with the CHSPE and now am a bum. Whatever the fuck all that means anyways.
|
||
|
||
On random Bulletin boards and some of the shittier parts of the
|
||
internet I have had many shitty aliases: Rob (isn't that one brilliant?),
|
||
Catman (retarded name I got in elementary school because I liked cats),
|
||
Lostcat, Kalacus, and probably like tens of others that I forgot about.
|
||
|
||
Anyone in 408 remember The Vortex? (hey zerosouls if you are
|
||
reading this e-mail me) Bulletin boards officially died here when that
|
||
board went out. Where I first read hoe a few years back as a matter of
|
||
fact...Reading text files was probably when my brain realized that the
|
||
world isn't a happy place where bunnies hop around and people love each
|
||
other.... consequently, I ended up become athiest and pissing off my
|
||
parents... I later become wiccan and pissed them off more. I finally am
|
||
where I am now which is that religion is fucking obnoxious and it just
|
||
causes many people to get killed and tortured and that all religions
|
||
suck ass.
|
||
|
||
God damn it no one understands me.
|
||
|
||
my parents think I'm a fucking bum... god damn it but the only
|
||
place that I could get a fucking job is the 7-11 and I don't want to work
|
||
somewhere stupid like that. I'm not going to learn shit from that except
|
||
that people like to smoke their lungs out until they die of cancer, and
|
||
that people for some reason enjoy getting totally wasted on alcohol.
|
||
|
||
I hate relationships... I totally love this chick but like the
|
||
relationship part sucks, I wish she would like spend more time with me and
|
||
I wish she would stop getting jealous over girls I don't even like.
|
||
|
||
what was I rambling about? I dunno. oh well... I'm gonna talk
|
||
about my trenchcoat... my trenchcoat is so sexy...I love how people don't
|
||
fuck with me or call me pussy or anything after that whole columbine
|
||
thing...way I see if someone is retarded enough to think I'm going to
|
||
shoot them up then they can believe it.
|
||
|
||
Speaking of columbine, who the fuck cares? what like 10 people or
|
||
something died? I wonder how many retarded middle eastern people kill
|
||
each other in stupid jihads and shit like that. I wonder how many die
|
||
of starvation. but no, this was different. these were your perfect
|
||
little rich white boys that don't do things like that... whatever
|
||
|
||
by the way I'm not rich... my dad is a fucking cheapass. my first
|
||
computer was a C64 and 2400 baud modem. it stayed that way until like
|
||
about three years ago when I got a 386... ooh wow. 2400's are so
|
||
fucking horrid. You can watch the text scroll on to the screen. and damn
|
||
that C64 didn't even have 80 columns, so it faked it with a fucking
|
||
4x8 font that burned my eyes out and made the ANSI suck.
|
||
|
||
It saddens me to hear that hoe is going to die... I loved it...
|
||
and still do...to all you fags, child molesters, porn stars (i dunno),
|
||
k-rad hacker types, and other freakass people that wrote for HOE:
|
||
I love you. hehe, my favorite was the poetic terrorist... anyways!
|
||
|
||
WHERE THE FUCK DID ANSI GO???? STUPID NUTSCRAPE AND INTERNET...god
|
||
I liked online when it was just the BBS's and the freaks... my mom and
|
||
some old lady down the street weren't online being dumb like they are
|
||
now... and shit whats up with .com this e-that? hey zerosouls...no
|
||
disrespect but get your ass back from college or wherever and start the
|
||
scene up again... it died when you left.
|
||
|
||
GOODBYE HOE...MAY YOU REST IN BLOODY PIECES FOR ALL OF ETERNITY
|
||
|
||
- Rob pascual (rob_the_insomniac@yahoo.com)
|
||
|
||
P.S. - Seriously, though, zerosouls if you're reading this please bug me,
|
||
and anyone else out there is welcome to say hi.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
To answer your question about THE HISTORY OF ANSI GRAPHICS, we've decided
|
||
to ask RaDMaN of ACiD PRODUCTIONS about it.
|
||
|
||
Interview conducted in '94. Here goes.
|
||
|
||
Radman: "I saw some ansis by the <AAA> artist Chips Ahoy, the first guy who
|
||
actually gave me the idea that ANSI could be used as a medium for
|
||
visual arts. At the time ('88) I was just another lamer with their
|
||
own h/p/a group, and I drew up an ansi logo combining like two
|
||
colors with the shading blocks, a logo for "HEaT", this stumbled
|
||
into the right hands (the president of <AAA>), and I was quickly
|
||
accepted."
|
||
|
||
"Back then there was no ansi-art scene, and I didn't really see any
|
||
difference between warez and p/h/a, except that you needed a
|
||
bigger hard drive to be a major warez affiliated board, and you
|
||
didn't need to carry text files. Other than that, I felt they
|
||
all went hand in hand."
|
||
|
||
"Well, after a while in <AAA> the group was growing stagnant minus
|
||
the two other most active artists that were "recruited" into AAA.
|
||
It was a unanimous decision that a newer more structured group was
|
||
needed by myself."
|
||
|
||
"I don't feel pressure, or allow any pressure to be put upon me. Of
|
||
course tho I see the competition, and I thrive upon it. It is
|
||
healthy for groups and practically necessary for their existence
|
||
and growth to have competition. When I see the little alternative
|
||
groups, I see pluses and minuses. The pluses are such that they
|
||
bring out new up-and-coming artists that many people may have never
|
||
seen other wise, that they help expand the ever growing art scene,
|
||
and I also think some of them remind us where most of us came from.
|
||
The downsides are that some people get too carried away, a lot of
|
||
them are built upon hype and propaganda, many never get to or past
|
||
pack one, some of them can tear apart what could have or should
|
||
have been potentially good groups. I could really go on forever
|
||
arguing for both sides."
|
||
|
||
"I've learned that alot of people can ruin the scene for themselves
|
||
by taking it too far or too seriously. I've seen alot of good
|
||
friends and acquaintances quit the scene over silly reasons. The
|
||
worst I see are people with their scene pessimism, that spend their
|
||
free time complaining about how much the scene sucks. If you are
|
||
that deep into the scene, that it actually DEPRESSES you, REALLY,
|
||
then you need to go outside and take a break."
|
||
|
||
"There are tons of great ansi mags still in production, some of the
|
||
greatest (in my opinion of course) are Continuum, Bitchslap, and
|
||
for the light-hearted Emigre is very cool ansi mag, and has a great
|
||
interface. The worst ansi mags out there are the review mags that
|
||
proclaim they have figured out the CORRECT and right way to review
|
||
and they are so high up on themselves they believe they are the
|
||
bottom line and last word of all that can be said on critiquing
|
||
artwork, and in turn these usually turn out to be the shoddiest
|
||
mags."
|
||
|
||
"The scene is great, the only thing I would like to see is the
|
||
mental separation of different underground scenes and the negative
|
||
connotations some may hold, and the preconceptions help between
|
||
different ignoramuses in various scenes. I figure if you give
|
||
respect, you will get respect."
|
||
|
||
I can't believe you read that, you fucking gimp.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Wed, 16 Aug 2000 00:53:14 +1200
|
||
From: "Andrew Calder" <viggen@zfree.co.nz>
|
||
To: mogel@hoe.nu
|
||
|
||
Wow, damn pity about the breakup thing... I only found your site
|
||
yesterday, too. Here's a file. Expect more later.
|
||
|
||
"Fun with Shopping carts"
|
||
by Viggen
|
||
|
||
Most of you will have seen at least one shopping cart in a place
|
||
where it probably shouldn't be--on top of someones car, upside down in
|
||
the middle of a road, in several pieces underneath a bridge, or even on
|
||
top of playground equipment which has lots of fresh graffiti all over it.
|
||
You've probably also had races using them. Shopping carts have many
|
||
more potential uses than just as mere racing vehicles though. They can be
|
||
an excellent source of fun if you can't afford a can of gasoline, some
|
||
matches and a copy of your neighbour's house key.
|
||
|
||
Shopping carts are kinda heavy, which means they'll cause a lot of
|
||
damage when dropped off the side of your local mall's rooftop carpark onto
|
||
a red honda prelude below. Shitting on the bonnet afterwards can make for
|
||
a few laughs, too, as can stealing the car's stereo and selling it so you
|
||
can buy more drugs.
|
||
|
||
They will also cause a bit of damage if you leave them upside down
|
||
(so they don't slide away so easily) in the middle of the road, just round
|
||
a blind corner that people have a habit of speeding round, though they'll
|
||
usually only cause minor bumper damage. Depends on the car.
|
||
|
||
When dropped from the highest points of bridges onto hard surfaces,
|
||
the basket bits will sometimes break off, and occasionally the wheels will
|
||
break, too.
|
||
|
||
If you have a few stolen ones sitting around at your place, another
|
||
thing you can do is to get drunk, take them to the primary school (that's
|
||
elementary school for all you Americans) down the road from you and put
|
||
them upside down on big wooden poles which are on the top of the school
|
||
play-fort-thingy. Take marker pens with you, too, and write shit like
|
||
"Show your dick to the girls" and "Put carrots in your ass and do it in
|
||
class" everywhere, as well as drawing pictures of naked people.
|
||
|
||
There you have it!
|
||
|
||
Shopping carts can be a lot of fun if you're bored.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Mon, 14 Aug 2000 05:48:12
|
||
From: "GrAnD1ZeR" <grand1zer43@mediaone.net>
|
||
To: mogel@hoe.nu
|
||
|
||
a few months ago me and some dudes were trading posts at egroups.com
|
||
under the group BigProblems where you can find a whole bevy of pornographic
|
||
stories about music theory!
|
||
|
||
------
|
||
|
||
So today I'm walking around the red line, the braintree station,
|
||
and I'm blitzed. You heard me right, Puff Daddy, I was pissa stoned, and
|
||
ruminative. It's like this. A friend of mine, whose name happens to
|
||
be 'neurotic lesbian telephone morissette' is making a game based on
|
||
several precepts.
|
||
|
||
1. the map is built first, by the players, out of hexagons (6 sided
|
||
polygons) and each polygon can have, on each of its six sides either an
|
||
arrow pointing out, one pointing in, or blank. The polygons can be held
|
||
together in a tesselated fashion, but in order for a piece place to be
|
||
legal one of its own arrows must have positive polarity i.e. must point in
|
||
the same direction.
|
||
|
||
2. once the map is done being placed, and scored (scoring not yet
|
||
determined), the pieces come out. The pieces are either positive, or
|
||
negative (indicating whether they go with, or against the current).
|
||
|
||
So I propose a computer model which will run (roughly) as follows:
|
||
|
||
1. pray to god 'alanis morissette pampers dildo lesbian'
|
||
2. make a structure of 'piece' including: sides[6] and neighbor states
|
||
[x][y]
|
||
3. make a structure called map. the map structure array ought to
|
||
contain a char array. the char array will be linear as follows:
|
||
given (x, y) a whole bunch of these to describe a grid, make a list
|
||
of characters that stands for every x,y, saving space. make the map
|
||
64X64 because there is a multiplication that allows the x and y in
|
||
question to morph into the number value of what we want accessed in
|
||
the list.
|
||
4. tough enough? aight. there is only one function needed to access
|
||
any given piece via the char pointers through the multiplication bit
|
||
shift thing. you take x and y. they are zero. now we make a list
|
||
|
||
map[x-1][y]//1
|
||
map[x-1][y+1]//2
|
||
map[x][y+]//3
|
||
map[x][y]//4
|
||
map[x][y+1]//5
|
||
map[x+1][y]//6
|
||
map[x+1][y+1]//7
|
||
|
||
all you have to do is put the x and the y of the pointed to piece
|
||
into each following transformations. in order, you'll get:
|
||
|
||
1,2
|
||
3,4,5
|
||
6,7
|
||
|
||
now, i'm telling you THAT so's i can tell you this.
|
||
|
||
I am ripshit wasted. At the T. I'm looking at the bricks.
|
||
thinking of how a hexagonal map is rows and cols where
|
||
|
||
1 2 3 4 5
|
||
1 2 3 4 5
|
||
|
||
the numbers are a little crooked. I look at the bricks. Guess what
|
||
the bricks were doing. Yup. Exactly what I was thinking about. I scan over
|
||
the bricks. That's the map. Freely accessible. I make a 'node' from one
|
||
brick. My brain kicks for a second as I gather its neighbors into a
|
||
pattern. I start walking around with my power, casting nodes here and
|
||
thar. New England architecture is terrible. There is an invariable point
|
||
where the weight of the train, a leak and frost heaves have combined to
|
||
ruin one specific part of bricks. Understanding that I am in one of my
|
||
'states' and probably under light self hypnosis, I proceed toward the
|
||
broken bricks, because that is a lot more like the way that my personal
|
||
talent as a programmer works- broken, unprofessional, plus historically
|
||
I know that a self-hypnotized state aided by a psychotropic chemical like
|
||
marijuana, it is important to break out of the bricks while being of the
|
||
bricks, cause there's one more thing to see. One brick, split down the
|
||
middle, perfectly bisects the up and down neighbors. So I double the grid.
|
||
|
||
I hope that I have just successfully proven the might and authority
|
||
of 'janice morissette pampers lesbian' and 'new york port terminal
|
||
bus station authority'
|
||
|
||
JESES, JUSES, LIE DOWN UPON THE WOOD AND BE PIERCED
|
||
yoyo look at the mesh matrix!
|
||
who dat?
|
||
Dokta shepagon
|
||
|
||
starring:
|
||
|
||
1 2
|
||
3 4 5 as HEXAGONAL NODE
|
||
6 7
|
||
|
||
and x,y as MAP COORDINATES
|
||
and STATICCHARPTR as the wacky list referencee to
|
||
MAP AND PIECE INFO.
|
||
also HIDDEN MATRIX FRIEND
|
||
|
||
and reintroducing THE MAJOR ROOT NOTE
|
||
and HIS BAND, THE MODETTES!
|
||
LYJIN
|
||
CHRISTIAN
|
||
BLACK-SABBATH
|
||
MILES DAVIS
|
||
MAJOR PENTATONIC
|
||
MIXO-LYJIN
|
||
'OUTSIDE' JAZZ IDEAS
|
||
|
||
so every two points (DWORDs) 7 groups- root,2,3,4,5,6,7 ending before
|
||
octave. so each piece can have up to six sides, each side containing
|
||
1-3 pieces of information. let ANY THREE LEGAL WHITE MAN'S NOTES IN
|
||
THE WESTERN 12 TONE SYSTEM be these pieces. Generate them randomly.
|
||
Then forget exactly how this idea went.
|
||
|
||
DOCTOR SHEPTAGON wants you to see his friends
|
||
HIDDEN MATRIX FRIEND: YOU CAN TRANSFORM UP TO 64 NOTES FROM A HIGHLY
|
||
HACKABLE RANDOM INTEGER GENERATOR, EACH GENERATING A PIECE, WHICH
|
||
PIECE IS FED TO THE ACCESSOR RANDOMLY. I WANT TO PUT LYDIAN CHROMATIC
|
||
CONCEPTFRIEND IN IT
|
||
|
||
well, testicle buttplug alanis morissette vagina queen insect!
|
||
|
||
why didn't you just say so? here is one piece...
|
||
piece[randompiecenumber]
|
||
has
|
||
6 sides
|
||
sound[1]the sound can either be no movement or movement right or left
|
||
along one point of the 12 tone scale.
|
||
sounds[...nsounds] ditto!!
|
||
|
||
each sound is predetermined by the composer
|
||
|
||
typedef struct alanis_morisette_chicken_faggot
|
||
{
|
||
sides[6]//info on sides
|
||
neighborstates[6] each side on the map
|
||
}piece, *piece_ptr;
|
||
|
||
char *MAP[64]
|
||
|
||
and map[x][y] etc etc the whole x+1 y-1 y+1 shit is tricky
|
||
|
||
so we 'build' pieces.
|
||
|
||
if pieces are both blank, musical transport is between them is not
|
||
moving along a pre-chosen point on a string of consecutive integers. if
|
||
they are blocked to one another, they are moving in opposite relative
|
||
direction along a twelve-tone list. if consonant, they move along the
|
||
same direction.
|
||
|
||
WHAT THE COMPOSER CONTROLS: every single piece and every single
|
||
rest, just as in classical, pre digital composition anal alanis morisette
|
||
testicle stuffing
|
||
|
||
WHAT HE DOES NOT CONTROL: what order of any piece will be accessed
|
||
within his node. He has reasonable certainty that notes in the same
|
||
piece will be more likely to be played within six iterations of one
|
||
another.
|
||
|
||
WHAT THE PROGRAMMER HAS NOT FIGURED OUT YET:
|
||
a lot of picky C linguistics
|
||
why the POPEDEVIL will not allow magnetic resonance of ALANIS
|
||
MORISETTE chicken laxatives.
|
||
how it will play. I see node walking.
|
||
|
||
AND NOW...
|
||
|
||
for my next trick and before I commence work on my soon-to-be
|
||
epic 'WHY AOL HOMOSEXUALITY IS NOT THE SAME THING AS REALLY BEING GAY' I
|
||
will stop going online for more than twelve hours at a time while
|
||
incapacitated and have, tomorrow, a refreshing day on no computer,
|
||
television, console games on the dreamcast or n64 or the computer, and
|
||
relaxing while reading GRAVITY'S RAINBOW for the vagina mutant fatt
|
||
roseanna BARR not arnold chicken lesbian.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
AN IMPORTANT & CLIMATIC RHEA FILE TO SERVE AS A PUNCTUATION TO HOE'S DEATH
|
||
by Rhea
|
||
|
||
----- -----
|
||
"there are way too many people who write today who should really be,
|
||
like, accountants or something."
|
||
----- -----
|
||
|
||
you see, when you become Part of Something, (something BIG, man, like,
|
||
BIG big) you give a Part of yourself to that Something and then, like,
|
||
both you and the Something are forever changed because of it, -- like,
|
||
for the better. you know?
|
||
|
||
it's one of those things that gives your life meaning.like wearing the
|
||
yellow ribbon during the Gulf War, remember? It was more than a piece
|
||
of cheap yellow cloth folded a certain way, and when you wore it you
|
||
KNEW you were a vessel for a !Higher Cause!, a plea for peace and
|
||
victory and oil and pie. All this was wrapped up in one piece of cheap
|
||
yellow cloth and it was amazing! It was symbolism!
|
||
|
||
But wait...
|
||
|
||
My only regret is that I never progressed enough in
|
||
my t-file writing to produce text-based drawings.
|
||
|
||
|
||
But
|
||
it isn't over for me, is it? Is this the end? No more
|
||
t-file writing for Rhea? Yes, maybe, oh well.
|
||
|
||
~~~~~~~~~~~~~~~ Hahaha!
|
||
[ ]
|
||
[ ] /
|
||
[ 0 0 ] /
|
||
[ ] /
|
||
[ ^ ] /
|
||
(hell we all gotta [ (_ _) ] start somewhere)
|
||
[ ------- ]
|
||
[ ]
|
||
~~~~~~~~~~~~~~~
|
||
|
||
still i never
|
||
knew it would
|
||
end like this
|
||
.
|
||
|
||
I don't remember what the first HOE file I read ever was. I know,
|
||
though, that my first impressions of HOE ever were set by whichever
|
||
"Reflecks" file i read first, a tale of karaoke, Quarex's thing about
|
||
falling in love with a girl on a bench, and, um, some file I forget
|
||
all about except something about realizing that people feared nuclear
|
||
death in the 80's? If I could remember then find then read (see how
|
||
these chains of events work) the file then I'd be able to describe it
|
||
less vaguely. But some things will just be LOST FOREVER. (like
|
||
Paradise, man. Like Paradise.)
|
||
|
||
And then there was Gnosis. And then what? These HOE-memory-Chains are
|
||
tangled but I guess I eventually started reading everything, not just
|
||
random things, and then,
|
||
THEN
|
||
THEN
|
||
THEN
|
||
THEN
|
||
THEN
|
||
THEN
|
||
THEN
|
||
|
||
well, then I thought about actually Writing For HOE myself!
|
||
|
||
And then I did.
|
||
ohhhhhhhhhhhhhhhhh, I did.
|
||
And the Rest Is History -- because it's all history now.
|
||
|
||
ooooooooooooooooo
|
||
o o
|
||
o Now That's o00
|
||
o A Sobering o 00
|
||
o Thought!!! o 00
|
||
o o 0
|
||
o (Works o 0
|
||
o Like o 0
|
||
o Coffee!) o 00
|
||
o o 00
|
||
o o00
|
||
o00000000000000000o
|
||
00000000000000000 (
|
||
thisiscalled
|
||
com-e-dy
|
||
right?
|
||
)
|
||
|
||
What does it MEAN to be "HOE 4 LIPHE," anyway?
|
||
Is it like when you cut your forearm with a big
|
||
hunting knife and then have your best buddy cut his
|
||
too and then clasp arms together tightly over a
|
||
campfire, while you watch your co-mingled blood drip
|
||
into the flames? Is it like that?
|
||
|
||
Cause that's, like, SYMBOLISM, man. And symbolism
|
||
is powerful stuff, you know; it bonds people together
|
||
more tightly than chains. It's like the yellow ribbon!
|
||
God Bless America!
|
||
|
||
I'm sorry, it just makes me a little sad, that's all. So Much To
|
||
Learn, So Little Time. But I am changed forever, you see, because I
|
||
never used random capital letters for Sarcastic Emphasis before, and
|
||
now I do. I don't know how it happened, but it did. Say I was starving
|
||
for a style. I didn't know it, but deep down inside me I was saying to
|
||
myself, "Gee! My writing is sure boring! Gee! I sure am boring! Gee!
|
||
I sure am hungry for a style!"
|
||
|
||
So when I come across HOE my FATE was SEALED. I was Influenced.
|
||
It's kind of funny how it worked out -- and god knows I don't want to keep
|
||
this style I'm using now, oh no. But hell, it's something. I am Glad.
|
||
No regrets, baby. No regrets.
|
||
|
||
Sooooooooooooooooooooooo
|
||
So I gotta protect my oil reserves now, gotta watch my co-mingled blood
|
||
run into the sand and --
|
||
|
||
OH FUCK OH GOD WHAT IF YOUR BLOOD IS
|
||
CONTAMINATED! OH SHIT OH GOD WHAT IF
|
||
IT WAS CONTAMINATED WITH AIDS! OH MY
|
||
FUCKING GOD JESUS SHIT WHAT IF I GET
|
||
GET AIDS AND DIE!!!! SHIT SHIT SHIT!
|
||
FUCK WHY DID I MAKE THAT CUT OH THIS
|
||
IS THE END I KNOW I HAVE AIDS OH GOD
|
||
OH FUCK OH GOD FUCK OH YES I'M DEAD.
|
||
|
||
I think I have matured greatly as a writer because of HOE.
|
||
|
||
(i don't want to die!! Mom i don't
|
||
want to die i just joined the army
|
||
cause i didnt want to go to school
|
||
and now they done stuck me in this
|
||
desert and Ma i miss your pie lots
|
||
and sadam hussein is gonna get his
|
||
towel-heads to kill me!! help!!!!)
|
||
|
||
I will press HOE deep to my breast and treasure it always, always always.
|
||
|
||
At least I will have died for my country, for ma's apple pie and
|
||
for freedom from that commie bastard sadam hussein, and whenever
|
||
I look at my forearm and see the scar I'll know and remember our
|
||
friendship forever, and how our blood dripped into the fire...
|
||
|
||
...drip drip drip into the fire below
|
||
the dancing fire below, the beautiful
|
||
entrancing dancing fire below, drip--
|
||
|
||
-- MmMMmm!!@! Let's make s'mores!@!#!
|
||
|
||
Hehehehe I get to shoot a cool gun!!@
|
||
Bang bang bang die sadam die!@ hehe!!
|
||
|
||
--------------------o
|
||
+ O BanG!!@!#
|
||
+ ----------------o
|
||
+ /
|
||
+ +
|
||
+ + \
|
||
+ + !
|
||
+ +/
|
||
____
|
||
|
||
...So maybe not everything in HOE was good, Good, or "Good."
|
||
That's okay. I learned from all the good files, but I also learned from
|
||
the crappy ones, especially my own. Yes, I will miss HOE. I only knew it
|
||
for a very short time, but no regrets, baby. No regrets. If we part,
|
||
we part with a smile and we don't look back, okay, honey? You may not
|
||
miss me but I will miss you and maybe someday we'll both look back on
|
||
these days and laugh at ourselves and maybe we'll shed a tear or two.
|
||
|
||
Or maybe not.
|
||
|
||
But no matter what, man, I promise to wear my yellow ribbon with
|
||
pride. The Gulf War was just a war and there's always Georgie JR now
|
||
to keep the pride goin', so SO SO SO SO sew your buttons and good luck
|
||
in life and love and when you die, chop me up and spit me out and
|
||
WHOAHHHHHH that's a little strange there don't you think heh!@# Ow!
|
||
|
||
"A gentleman ought at all times to exercise a great control over that
|
||
itch for writing which sometimes attacks us, and should keep a tight
|
||
rein over the strong propensity which one has to display such
|
||
amusements; in the frequent anxiety to show their productions, people
|
||
are frequently exposed to act a very foolish part."
|
||
|
||
Well. That about sums it up, eh? Let the end be the end already.
|
||
|
||
__________
|
||
|**======|
|
||
|**======| and i had such talent,
|
||
|========| too! what a pity.
|
||
----------
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
||
Siyanara, Sadaam! All Dead People Die. Just like All Good Things Must
|
||
Come To An End. Like this T-FIlE! And Like HOE.
|
||
|
||
goodbye HOE>
|
||
I could have said just said bye
|
||
before, instead of
|
||
everything else. too late.
|
||
|
||
my life?
|
||
the same, let bygones be bygones
|
||
the same, let the good times roll
|
||
the same ol shit? don't forget your blood
|
||
HOE? is in me and may god's
|
||
you KNOW? love be with you! mwah!
|
||
|
||
|
||
|
||
IF WE DIE WE DIE 2-GETHER, RIGHT?
|
||
|
||
|
||
still I never
|
||
knew it would
|
||
end like this
|
||
.
|
||
|
||
(good bye, good bye! and don't forget to write!
|
||
love always X0X0X0Xxxx000x0x0x0x0x0x0x@!#!!#!!@!@!@ Friends 4ever!@!)
|
||
|
||
Your chum,
|
||
Rhea
|
||
|
||
P.S. Maybe I will tell people I got the scar from a motercycle accident.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 18 Jul 2000 03:40:08 EDT
|
||
From: Jym Sylvia <jym@ns.anti-network.com>
|
||
To: mogel@hoe.nu
|
||
|
||
Everyone always says, "Oh! Come on! Write something! It's fun! It's
|
||
creative! I like what you write, honest!" Well, I think I should let you
|
||
in on a little secret.
|
||
|
||
I used to try to be deep, but I decided it isn't worth it. It's a lot more
|
||
fun to care about nothing but video games and wrestling and Pokemon. I
|
||
don't really care about your pressing social issues. I don't care about
|
||
your moral philosophies, or your political babble. I just think it's all
|
||
a big joke.
|
||
|
||
Anything I write is just to watch all the art fags analyze it. I like to
|
||
watch them say, "Oh! This poem means he can't express his feelings to the
|
||
girl he loves! This angsty little piece of prose shows his feelings of
|
||
alienation from his peers!" None of it is really true. I just write total
|
||
babble, to watch you try to find meaning in it. It means about as much as
|
||
trying to find patterns in the poop a monkey throws at the wall.
|
||
|
||
"You're just full of angst! Even this pathetic piece of commentary is
|
||
just you trying to overcome your feelings of inferiority, because you
|
||
can't be a REAL writer, like the rest of us!" Nothing is funnier than
|
||
people who take themselves too seriously. Thanks for the laughs.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
QUESTION TO PONDER AT THIS JUNCTURE:
|
||
|
||
Are "random thoughts" really random?
|
||
Can ideas and feelings be expressed beyond our control?
|
||
|
||
If you answered YES to these questions, you deserve a snack. Run
|
||
to the kitchen and get a snack. Go on... this file will be here when you
|
||
get back, I promise!
|
||
|
||
.........................waiting for snack.................................
|
||
|
||
.......................why not put on some music?..........................
|
||
|
||
..........................have you given mogel any sex or money?...........
|
||
|
||
|
||
Okay, well, so you're a cynic. You don't like this ART FAG stuff,
|
||
and that's obviously why you're reading HOE, right? You transcend.
|
||
|
||
That time old issue of poetry in 'ZINES has been mocked and
|
||
attempted forever, and we thought we'd give it one last jab. So, here's
|
||
some god damn Hoetry.
|
||
|
||
MAGNAMIOUS POETRY by Quarex
|
||
|
||
You can all imagine the scene already; there I was, laying
|
||
face-down in the dirt, replaying the events of my recent break-up over
|
||
and over again in my head, with the single question "Why?" pervading my
|
||
thoughts.
|
||
|
||
And, of course, that has nothing to do with anything, and certainly
|
||
nothing to do with these poems, that I wrote as a complete joke in 8th
|
||
grade. At this point in my life, all poetry sounded to me like a
|
||
collection of completely fucking meaningless whining about the various
|
||
unhappy events in an unhappy person's life. I always thought to
|
||
myself, "if these people are so unhappy, why not do something about it,
|
||
instead of wasting their time writing about it?"
|
||
|
||
Now, of course, as I approach the final semester towards my
|
||
attainment of a bachelor's degree in English Literature, I understand
|
||
poetry more fully. It is a collection of completely fucking meaningful
|
||
whining about the various unhappy events in an unhappy person's life.
|
||
|
||
-------------
|
||
|
||
Thine eyes like candy
|
||
Thine kisses like Handy Andy
|
||
But that smelly cat of yours
|
||
makes me wish I was the floor
|
||
If only you smelled as bad as that cat
|
||
'Cuz then I could take you and make you a mat
|
||
For you, my dearest, are ugly and grey
|
||
While your little cat is nearly okay
|
||
And forgive me for sounding a little remorse
|
||
but frankly my dear, you can go fuck a horse
|
||
|
||
-------------
|
||
|
||
How happy I am
|
||
when you are like them
|
||
And not like others
|
||
because you are my brothers
|
||
I've known you since birth
|
||
you've given me mirth
|
||
you stupid mother fucker
|
||
I'm going to kill you
|
||
Look out for the clown
|
||
Look out for the clown
|
||
He's coming to town
|
||
Look out for the clown
|
||
|
||
-------------
|
||
|
||
Your Eyes
|
||
like a stream of steam
|
||
or like a pool of gruel
|
||
In any case, you're fucked
|
||
Go away
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Sent: Thursday, November 16, 2000 8:03 PM
|
||
From: Bear's Den <BearDen@crosslink.net>
|
||
To: mogel@hoe.nu
|
||
|
||
I would like to submit the following for possible publication in your zine:
|
||
|
||
MY BOYFRIEND IS HISTORY
|
||
|
||
My ex showed up at my door
|
||
He doesn<73>t do this as a rule
|
||
It was the 15th of February
|
||
past a holiday so cruel
|
||
|
||
He was looking pretty good
|
||
but didn<64>t have much to say
|
||
He was returning my bike
|
||
He can sometimes be OK
|
||
|
||
I had left it at his house
|
||
and should have had the guts to get it
|
||
I apologized for his trouble
|
||
He shrugged and said, "Don't sweat it"
|
||
|
||
I invited him in for coffee
|
||
and for a bite to eat
|
||
He sat down at my table
|
||
He was so polite and sweet
|
||
|
||
He took off his denim jacket
|
||
and was wearing a tight tee
|
||
He smiled across the table
|
||
and I screwed him 1, 2, 3
|
||
|
||
I know I said I hated him
|
||
and he's out of my life
|
||
I know I said he broke my heart
|
||
...stabbed it with a knife
|
||
|
||
But what's past is past
|
||
Que sera sera is my crusade
|
||
It's a bit of a contrast
|
||
(I once wanted him spayed)
|
||
|
||
Do you find my behavior strange?
|
||
It's really no mystery
|
||
There's been no big change
|
||
You never flunked History?
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
SCOTT BAIO DIED FOR YOUR SINS by Mutter
|
||
|
||
L O V E
|
||
These are the letters that spell calzone.
|
||
C A L Z O N E
|
||
These are the letters that spell ... love?
|
||
|
||
I've always loved you, Jeremy Pivan
|
||
But why did you eat the ham?
|
||
You are a dove
|
||
Love sent from above
|
||
But I've always been saddened
|
||
By your severe obesity.
|
||
You remind me of Bruce.
|
||
Bruce, you are my mother.
|
||
If wishes were fishes,
|
||
We all would eat tonight.
|
||
|
||
the cow masturbates by drinking milk
|
||
the teacher masturbates by teaching himself
|
||
|
||
ZANZIBAR
|
||
In a world where dancing was forbidden
|
||
One man had the courage to take a stand
|
||
In a land where romancing was not permitted
|
||
Omar, take my hand
|
||
|
||
Zanzibar
|
||
We are one
|
||
Zanzibar
|
||
Under the sun
|
||
Zanzibar
|
||
Sweet like pie
|
||
Zanzibar
|
||
Never tell a lie ...
|
||
|
||
You're a liar and a louse
|
||
Smaller than a mouse
|
||
There's a fire in your house
|
||
The wind wrinkles your blouse
|
||
My father thinks I'm a famous Japanese actor.
|
||
(Oh, father. Where did I go wrong?!)
|
||
|
||
the president masturbates by passing laws
|
||
the cow masturbates by drinking milk
|
||
i masturbate by manipulating my genitals
|
||
derivatives are fun.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THe SLauGHTeRHouSe
|
||
By KReiD
|
||
|
||
BLooD iS DRiPPiNG FRoM My TeeTH,
|
||
SWeaT DRiPS FRoM My BRoW.
|
||
i JuST WeNT To THe SLauGHTeRHouSe
|
||
aND RiPPeD aPaRT a CoW.
|
||
i KNoW THaT MoST You PeoPLe uSe
|
||
a CHaiNSaW oR a GuN,
|
||
BuT WHaT My PRoBLeM iS WiTH THaT:
|
||
iT'S JuST NoT aNy FuN!
|
||
FiRST i LiKe To MaNGLe iT,
|
||
THeN i LiKe To MaiM.
|
||
THeN i SHaTTeR aLL iTS BoNeS,
|
||
aND MaKe THe Moo-CoW LaMe.
|
||
i TaKe THe SCiSSoRS FRoM My BaG
|
||
aND THeN THe CoW DoTH SHuDDeR,
|
||
FoR WHaT i aM aBouT To Do
|
||
iS RiP aPaRT iTS uDDeR!
|
||
By NoW, i HoPe, THe CoW iS DeaD,
|
||
My ViCToRY So SWeeT,
|
||
BuT WHaT i NeeD aT THaT PoiNT
|
||
iS a QuaRTeR PouND oF MeaT!
|
||
i Do NoT uSe a KNiFe oR FoRK,
|
||
i JuST BeGiN To CHeW.
|
||
i Do HoPe THaT THiS GeNTLe BeaST
|
||
HaS MooeD iTS FiNaL Moo.
|
||
|
||
---(KReiD)-----------------------------------------------------------------
|
||
|
||
aND So eNDS aNoTHeR DaRK PieCe oF KReiD'S LiT. GReeTS Go ouT To
|
||
aLL My CRoNieZ: MoGeL, kAiA, _33, AiDS, aND aLL THe #eZiNeS KReW. FoR a
|
||
CuSToM LiT By KiLLeR KReiD, SeND $5 To Me (FiND Me oN iRC FoR KoNTaCT
|
||
iNFoeZ). aLL RiGHT - PeaCe ouT - KeeP THe WaReZ + THa SCaReZ FR33!!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Ken Cooney's Bizarre Abstract Expressionistic Poems
|
||
|
||
Deja Vu
|
||
=======
|
||
|
||
Deja vu
|
||
Is when you've seen
|
||
Something before
|
||
Which is deja vu,
|
||
When you saw something
|
||
You could have sworn
|
||
You've seen somewhere else
|
||
Which is deja vu
|
||
|
||
I'm Dead
|
||
========
|
||
|
||
Hey, what's this bullet doing in my head?
|
||
|
||
I'm Dead Again
|
||
==============
|
||
|
||
Hey, I'm still alive!
|
||
What's this other bullet doing in my head?
|
||
|
||
Drinking
|
||
========
|
||
|
||
Buuuuurrrrrpppppppp!
|
||
|
||
Drinking: the Following Day
|
||
===========================
|
||
|
||
H a n g o v e r ! ! ! !
|
||
|
||
Old McDonald's
|
||
==============
|
||
|
||
Old McDonalds had a farm
|
||
EI-EI-O
|
||
And on this farm he had a cow
|
||
EI-EI-O
|
||
With a slice slice here
|
||
And a slice slice there
|
||
Here a slice, there a slice
|
||
Everywhere a slice slice
|
||
Old McDonald had a burger
|
||
EI-EI-O
|
||
(And on this burger he had lettuce, tomato, pickles, mayo, hold the
|
||
onions)
|
||
|
||
Paper Airplanes
|
||
===============
|
||
|
||
I threw a paper airplane in class
|
||
Later that day it was thrown back at me
|
||
It had an a+ written on it
|
||
|
||
Killing with Guns
|
||
=================
|
||
|
||
I hated this geek's guts
|
||
So I shot his A+ brains all over the place.
|
||
I blasted out my D- brains on his.
|
||
We averaged a C.
|
||
|
||
Infinity
|
||
========
|
||
|
||
Infinity
|
||
Is a .... v e r y ...... b i g ........ n u m b e r.
|
||
|
||
Afraid of the Dark
|
||
==================
|
||
|
||
I'm afraid of the dark.
|
||
So I sleep with my eyes open.
|
||
|
||
Life in the Fast Lane
|
||
=====================
|
||
|
||
Cars
|
||
Women
|
||
Cheap booze
|
||
More cheap booze
|
||
*CRASH!*
|
||
You're dead.
|
||
|
||
Ode to "Sixty Minutes"
|
||
======================
|
||
|
||
tick tick tick tick tick tick tick tick tick tick tick tick tick tick
|
||
tick tick tick tick tick tick tick tick tick tick tick tick tick tick
|
||
|
||
Ode to a Mime
|
||
=============
|
||
|
||
|
||
Taking Drugs
|
||
============
|
||
|
||
I'm not taking drugs
|
||
Because if I take drugs
|
||
I have to fry eggs.
|
||
|
||
Humanities
|
||
==========
|
||
|
||
Humanities
|
||
Is a hard course
|
||
In how to be human.
|
||
It is especially hard for me
|
||
Because I come from another planet.
|
||
|
||
People
|
||
======
|
||
|
||
There are people in front of me
|
||
And people behind.
|
||
These people are smelly, but
|
||
Hey, I don't mind.
|
||
There are people to the left of me
|
||
There are people to the right.
|
||
I can only wish they took
|
||
A shower last night.
|
||
There are people above me
|
||
There are people below me.
|
||
There are so many people
|
||
That I barely have enough room to stand up and say
|
||
"I'm a people".
|
||
|
||
June 1999
|
||
=========
|
||
|
||
It was june 1999.
|
||
The birds were singing,
|
||
The flowers were blossoming,
|
||
The people were walking.
|
||
Say, what's that funny looking rocket doing in the air?
|
||
|
||
F O O O O O O O O O O O M
|
||
|
||
It was june 1999
|
||
The birds were fried,
|
||
The flowers disintergrated,
|
||
The people were dust.
|
||
Say, what's that funny looking mushroom cloud doing in the air?
|
||
|
||
Graveyards
|
||
==========
|
||
|
||
Graveyards
|
||
Are kind of like resorts
|
||
Where corpses lie six feet under
|
||
Waiting for george romero to do a movie about them.
|
||
|
||
Why me?
|
||
=======
|
||
|
||
I don't know.
|
||
|
||
A Tired Programmer
|
||
==================
|
||
|
||
=yawn=
|
||
vrtszdoxrthuijkm bgr
|
||
Oops, sorry ... my head fell on the keyboard.
|
||
|
||
Ode to Word Perfect 5.0 Errors
|
||
==============================
|
||
|
||
Error: file not found -- altf.wpm
|
||
Error: file not found -- altj.wpm
|
||
Error: file not found -- altu.wpm
|
||
|
||
Sleep Walking
|
||
=============
|
||
|
||
Sleep walking
|
||
Is very dangerous
|
||
Especially if
|
||
You live near a cliff
|
||
|
||
I'm An Animal
|
||
=============
|
||
|
||
I live in a cage.
|
||
People look at me
|
||
And throw peanuts.
|
||
|
||
Ode to a Stuck Horn
|
||
===================
|
||
|
||
Beeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
|
||
|
||
Going Crazy
|
||
===========
|
||
|
||
Am I going crazy?
|
||
People say that I'm insane.
|
||
I'm afraid of what would happen
|
||
If I only had half a brain.
|
||
|
||
Running
|
||
=======
|
||
|
||
I used to be a runner
|
||
And I'd go on this treadmill
|
||
And run every day,
|
||
But I gave it up
|
||
Because I was going nowhere.
|
||
|
||
Laughing
|
||
========
|
||
|
||
I just died laughing.
|
||
I wasn't a good enough comedian,
|
||
So someone shot my head off.
|
||
|
||
Jogging
|
||
=======
|
||
|
||
If you're going to jog around the block,
|
||
Don't bother.
|
||
You're already there!
|
||
|
||
A Very Long Poem Name With an Incredibly Short Poem
|
||
===================================================
|
||
|
||
End.
|
||
|
||
I Tripped Over a Stale Doughnut, Broke My Neck and Died
|
||
=======================================================
|
||
|
||
I tripped
|
||
Over a stale doughnut,
|
||
Broke my neck
|
||
And died
|
||
|
||
A Narrow Minded Conclusion
|
||
==========================
|
||
|
||
Life sucks.
|
||
A straw sucks.
|
||
I must be a straw!
|
||
|
||
Falling Down Stairs
|
||
===================
|
||
|
||
ouch
|
||
.......ouch
|
||
..........ouch
|
||
...............ouch
|
||
......................ouch
|
||
..........................ouch
|
||
|
||
Being Dragged Up Stairs By Your Legs and Banging Your Head
|
||
==========================================================
|
||
..........................ouch
|
||
......................ouch
|
||
...............ouch
|
||
..........ouch
|
||
.......ouch
|
||
ouch
|
||
|
||
Being Eaten Alive By a Lion
|
||
===========================
|
||
|
||
ARRRRGH!
|
||
|
||
I'm Falling
|
||
===========
|
||
|
||
I
|
||
'
|
||
m
|
||
|
||
F
|
||
a
|
||
l
|
||
l
|
||
i
|
||
n
|
||
g
|
||
!
|
||
|
||
*Splat!*
|
||
|
||
Mr Ed. Is Dead
|
||
==============
|
||
|
||
I went to a burger joint
|
||
And I bought a burger
|
||
And it talked to me.
|
||
|
||
Walking Barefoot On a Floor Covered By Tacks
|
||
============================================
|
||
|
||
OW! That hurts!
|
||
YEOW! Damn! What the heck is that!?
|
||
OW! What the hell?!!
|
||
Who's the jerk that put these damn tacks on the floor?!!
|
||
|
||
Walking Through A Sound Sensitive Mine Field
|
||
============================================
|
||
|
||
Creak... creak... creak.... creeeaaakkk.. step step creeeeak
|
||
Creak... creak... step step creeeeaaaakkkk step step step
|
||
Pant pant
|
||
ACHOO!
|
||
***FOOOOOOM!***
|
||
|
||
Lies Told On First Dates
|
||
========================
|
||
|
||
No, I'm interested in your mind.
|
||
I'm not staring at your chest; it's your -er shirt.
|
||
|
||
Ode to an 8:30 Class
|
||
====================
|
||
|
||
Damn!
|
||
It's too freaking cold to be up this early!
|
||
Look, the damn birds aren't even up this early!
|
||
|
||
Ode to a Teacher Not Showing Up For an 8:30 Class
|
||
=================================================
|
||
|
||
Damn it!
|
||
The teacher didn't even show up!
|
||
I told you that it was too damn early!
|
||
What do you mean "daylight saving's time"?
|
||
|
||
Ode to a Schitzophrenic
|
||
=======================
|
||
|
||
I've got a split personality
|
||
And so do i.
|
||
|
||
Ode to Writer's Block
|
||
=====================
|
||
|
||
.
|
||
|
||
Holidays
|
||
========
|
||
|
||
On boxing day.
|
||
I drove to canada
|
||
And went to a supplies store
|
||
So I could get boxes real cheap.
|
||
|
||
My mom says that I'm a saint
|
||
So on All Saints Day
|
||
I took the day off
|
||
Which is why I'm unemployed.
|
||
|
||
On civic day
|
||
I went to the honda dealer
|
||
To ask if they had a sale.
|
||
They looked at me like I was crazy.
|
||
|
||
Hide and Seek
|
||
=============
|
||
|
||
My friends and I were playing hide and seek.
|
||
So to make sure that I wouldn't be found
|
||
I wore some camoflauged clothes.
|
||
|
||
Hot Chick
|
||
=========
|
||
|
||
Some people say that she's a hot chick
|
||
But I know that she's a hot chick
|
||
Because I've seen her up close
|
||
And set her on fire.
|
||
|
||
Skipping Record
|
||
===============
|
||
I put on my favorite record
|
||
which had my favorite record
|
||
which had my favorite it skipped!
|
||
Sometimes it would play the same thing over and
|
||
it would play the same thing over and
|
||
it would play the same thing and sometimes it would just skip I was
|
||
pissed!
|
||
Who the hell scratched my parts all together.
|
||
I was pissed!
|
||
Who the hell favorite song and it skipped!
|
||
Sometimes it would play the same thing
|
||
So I played the next song
|
||
Which wasn't my favorite song
|
||
But I liked it anyway.
|
||
And sat down to relax to listen to wasn't my favorite song
|
||
But I liked it anyway.
|
||
Who the hell scratched my record?!
|
||
Sometimes it would play the same thing
|
||
ARGGGGG!
|
||
|
||
Velcro
|
||
======
|
||
|
||
I wear velcro
|
||
On the bottom of my sneakers
|
||
Because I am afraid
|
||
One day
|
||
The world will suddenly stop
|
||
And toss me hurling into space.
|
||
|
||
A Subtle Way to Ask Out Girls If You're Horny
|
||
=======================================
|
||
|
||
"I've got a very big shoe size."
|
||
|
||
A Not-So-Subtle Way For Girls To Turn Down Horny Guys
|
||
==================================================
|
||
|
||
"So do clowns."
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
GRANDMA'S HOUSE by Kreid
|
||
|
||
there was teary mumbling everywhere inside her den,
|
||
among life machines still plugged in and operating,
|
||
ancient newspaper clippings of obituaries and advice columns,
|
||
teary mumbling all of love or grace.
|
||
|
||
dad searching a jungle of useless documents and newspapers
|
||
for something of redeemable value -- life insurance papers, perhaps.
|
||
i looked for stray jewelry that i could pocket.
|
||
|
||
people kept showing me old photographs of myself found in the rubble.
|
||
there was a can of yams in the refrigerator,
|
||
which incidentally was the worst-smelling part of the whole apartment.
|
||
|
||
i found a soiled pair of panties stashed behind the radiator
|
||
and an indian-head penny buried at the bottom of a final mound of
|
||
cigarettes in a cracked-glass ashtray.
|
||
|
||
there were pills everywhere,
|
||
diuretics and dietary supplements.
|
||
i couldn't find her morphine.
|
||
she took it all with her in her final, most horrible hours.
|
||
|
||
i smelled like sweat and death from the moment i entered that house,
|
||
the heat inside was even more repulsive than the heat outside on the
|
||
sidewalk at noon. the landlord yelled at me because grandma's trash was
|
||
starting to crowd his dumpster.
|
||
|
||
"you're talking to the wrong guy," i told him. he looked at me like i was
|
||
an asshole or something, then he looked like he'd like to break my legs
|
||
over it.
|
||
|
||
"go ahead, do it." vacant stare. "i'm an asshole! Break my fucking legs!"
|
||
he turned his back on me and went inside to yell at my family.
|
||
maybe i got the wrong idea about that guy.
|
||
|
||
"nobody does sadness like the irish," my father said.
|
||
i didn't change my shirt for a week after that.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
SUCKER by Kreid
|
||
|
||
Your town was raided
|
||
By injuns and
|
||
You were impregnated
|
||
In your colonic womb
|
||
And gave Birth
|
||
7 Months Later
|
||
The fetus clawed its
|
||
Way through
|
||
Your ass-fro
|
||
And was born
|
||
With his brain
|
||
On the outside
|
||
Of his body
|
||
Sucks to be you
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
BELTS by Effy
|
||
|
||
Oh, if I had a belt, what would I do, I ask you? Do you know what
|
||
I would do? Would I wear it on my head? Would I lend it to my friends,
|
||
and start a new trend? Would I tie together my feet and walk down the
|
||
street? Would I use it as a belt, and hold up my pants to keep out the
|
||
ants?
|
||
|
||
Oh! But what if I wanted to *kill* you!? I could wrap it around
|
||
your neck like an early Christmas present. Would I buy a red belt? Or a
|
||
green one? Or could I fashion a belt of pine needles and prick your
|
||
prickly skin? I wish I were Santa Claus.
|
||
|
||
Baby, baby, baby, what would you do if I gave you a belt? Would you
|
||
belt me with it? Would you twist my heart in two with it? Would you lash
|
||
out at me in a rage? Or would you smile and thank me if it were me belting
|
||
you? Baby?! Should my belt be baby blue? Should my belt be you so true?
|
||
I wanna be oh oh I wanna be a rock star. With a belt.
|
||
|
||
Everyone would wanna be like me, man. Just call me Beltor. I got
|
||
belts to hold up my gym socks. Belts to hold up my head. Belts, belts,
|
||
everywhere. Flyin' through the air with wings, singin' a song only a real
|
||
belt sings. I aint talkin' about no cheap shit. $59.99, unless they're
|
||
on clearance at Wal-Mart.
|
||
|
||
That's right.
|
||
|
||
Date: Wed, 13 Sep 2000 22:44:29 EDT
|
||
From: PatSoho@aol.com
|
||
To: hoe@hoe.nu
|
||
|
||
My miniscule tribute to our degenerating society.
|
||
|
||
I just got home and I put on music. In class today, the teacher
|
||
took away my CD player. I asked her when I'd get it back, and she said in
|
||
the most impossibly nasal voice I've ever heard in a way that gets on your
|
||
nerves the first time you hear them speak, "When I decide to give it back
|
||
to you." I shrugged and sat down. The loss of my music in school was like
|
||
a kick to the chest, knocking the breath from my lungs, leaving me shocked
|
||
and feeling a sudden wave of fright. Of course, being so different from the
|
||
rest of the class, I couldn't hang my head or show my true feelings.
|
||
Music is my solace: my escape, my release, and yet the key to open the
|
||
door to the only world that matters to me. The note, the time signature,
|
||
these are my best friends. I listen to music all hours of the day, and go
|
||
to shows quite frequently. I am becoming deaf... my hearing has depleted
|
||
5%, and will continue to do so until i give up my music. But I will not.
|
||
I refuse turn my back on the best friends I have ever known. Just as I
|
||
refuse to become a conformist and do as the heard does. I have learned
|
||
to think for myself. I have developed a sense of right and wrong, and I
|
||
believe my faith in my music is all too right. I am not self-righteous,
|
||
for I acknolwedge and even accept the opinions of others. Even the ones
|
||
who tell me my music sucks, which is a personal insult.
|
||
|
||
"What do you listen to?" I ask.
|
||
|
||
"Mainstream, faggot."
|
||
|
||
"Pop? The only thing they play on the radio? You mean you didn't
|
||
go out and discover a source of music that really means something to you?
|
||
Something you can feel, can relate to, interact with on some level, and
|
||
even be made to think by just listening to it? Why am I not surprised?
|
||
Oh that's right, you're a piece of shit."
|
||
|
||
I don't write about music because I'm trying to be cool. I'm being
|
||
a realist. I have been segragated through music over and then again,
|
||
solely because people feel a perverse need to fit in. Who gives a fuck?
|
||
Be yourself, and the other shit will happen.
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
PUBLIC SERVICE ANNOUNCEMENT FROM ARTISTS AGAINST COMPUTER PIRACY
|
||
by Terror Eyz
|
||
|
||
i was talking to my friend about a band i just started liking. i
|
||
told him to go get it off napster, the music sharing program. i didn't
|
||
think anything weird of it at the time. that was always my natural
|
||
response. any time i heard something new, i would say "hey, i'll get it
|
||
off napster!" and i always did. to tell you the truth, i haven't bought
|
||
an album in like six months, and that was with a gift certificate. i
|
||
get any album i want off napster, usually before it comes out, too.
|
||
so, i realized something.
|
||
|
||
"you know, it's funny... i like this band so much, i spend all
|
||
night downloading their music off of napster. i will never buy the album
|
||
since i have the mp3s, so they will probably not make another album
|
||
since they got no money off their other. heh, that's kinda funny."
|
||
|
||
but then i started thinking to my self, "is it really funny?" all
|
||
of these albums im downloading and burning and even sometime burning for
|
||
other people. is it funny? these bands are never gonna make it. i sit
|
||
back and look at my collection of over 1000 mp3s that i used to think was
|
||
pretty cool. now i think it's pretty sad. how can i call them my favorite
|
||
band when i dont even buy their music? i just pirate it. am i really a
|
||
fan? fans support their favorite bands. buy their albums. tell their
|
||
friends to buy the album. what do i do? i download the album and then
|
||
burn copies for my friends.
|
||
|
||
and you know what? this isn't just happening with me. you are
|
||
probably doing it right now. everybody is. that's the whole problem.
|
||
how are any bands going to stay around with everybody mass pirating their
|
||
music?
|
||
|
||
well, what the fuck do i know anyway? i'm downloading Anti-Flag
|
||
right now. i guess i'm just trying to make sense of what's going on, even
|
||
though i know it wont stop, basicly because of people like myself who
|
||
don't wanna fork out the 15 bucks for an album when they spend it on gas.
|
||
|
||
who knows, though, right? maybe i'm wrong.
|
||
|
||
happy downloading =)
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
COMMENTARY by Trimmerhead
|
||
|
||
Would the real slim shady please stand up.
|
||
|
||
Would the real slim shady please SHUT THE FUCK UP!
|
||
|
||
Soon to become the _definition_ of over-played, Eminem's song,
|
||
"Real Slim Shady" has invaded the minds and the ears of many, some of
|
||
whom, like mine, are ready to combust with the sound of one more "please
|
||
stand up". As if being played constantly isn't enough, but on every
|
||
radio station, yes, I have even heard it on a country station (god knows
|
||
why) just is too much and adds to the madness it created. At first a well
|
||
written song with a good beat and sharp lyrics with a purpose, has now
|
||
turned your attention to the moron spinnin circles screamin "i don't give
|
||
a fuck". A simple beat that sticks in your ear drums with a whining
|
||
sample that would be considered a type of torture in some places, the
|
||
song has gotten way past the point of annoying and far beyond overplayed.
|
||
|
||
lets take a look at the lyrics. *note: i was very impressed with
|
||
this song when if first came out, the lyrics were well written and held
|
||
a purpose, but not the purpose has turned to "top 40" and not by Eminems
|
||
choice.
|
||
|
||
yes. you have my atteniton. and thank you for asking so nicely. no
|
||
problem. yes. i have seen a white person before..many of them. the only
|
||
time my jaw is on the floor is when i saw pammy lee's cavernous crotch in
|
||
there vaca. video. and good for tommy. Dr Dre. dead? is elvis, is biggie
|
||
smalls, is tupac? next.
|
||
|
||
i'm sure the femimist's love you, they wish they could grab your
|
||
you know what and flip to you know who. cute, don't flatter yourself. no
|
||
shit you got a few screws loose, but hey so do I. i don't want to know
|
||
what's goin on in my parents bedroom, thats why i knock first. why don't
|
||
you dress a tv up like a moose then kiss its ass like Tom Green, now that
|
||
would really blow a nut. i always knew what a clitoruis is. just never
|
||
admited it. hey...discovery channel is good lions and elephants mating
|
||
(no not with each other). dalmer? if you have to hump dead animals, you
|
||
should have been in the same cell as dalmer. i do have a reason why a man
|
||
and another man shouldn't elope. *lisp* whose gonna where the dress?
|
||
(normal) women wave those pantyhose, and the bra and the thong, shit,
|
||
shake that ass!
|
||
|
||
ok good...you are the real slim shady. good. i get it. yes, a lot
|
||
of cheap imitation, but hey..this is the 21st century.
|
||
|
||
will smith is still workin off of "fresh prince" (tape/cd you must
|
||
hear...fresh prince and dj jazzy jeff, good shit) why fuck him, more
|
||
importantly WHY FUCK ME? i don't care about the grammy either. yes.
|
||
weird. no. no i really wanna know who she gave head to first and why
|
||
wasn't i there to get a turn? sure...i got the mp3. deleted it like a
|
||
good citizen (ha) actually deleted it cause her music sucks my sweaty ass
|
||
(man is it hot in here) I'm with Em. on the whole Boy/Girl groups
|
||
teeny-fuckin-trendy-assed-plastic-seal-skin-wearin-bopper. shit. i cuss
|
||
like i don't give a fuck like you. but i find other means of venting my
|
||
fustration. to each his own....definately your own. and no. nothing like
|
||
you.
|
||
|
||
ok good...you are the real slim shady. good. i get it. yes, a lot
|
||
of cheap imitation, but hey..this is the 21st century.
|
||
|
||
yeah...a head trip and a half to listen to. i do have the balls to
|
||
say it and right at my friends in my living room. i'm no rapper. but hey,
|
||
i'm white.
|
||
|
||
nursing home at 30? my kinda guy...(self ambition: a dirty old man.)
|
||
jergens? no no no...lubriderm, its right in the name lube! come on get
|
||
with it man. you don't need viagra....just get some good strong coffee.
|
||
if one of you cheap imitation slim shady motherfuckers spit in my burger
|
||
i will jump over the counter so fast and shove that burger and the shitty
|
||
wax paper i came in so far up your ass you will be picking wax out of your
|
||
ears for a week. then i will proceed to dunk you in the fry-a-lator and
|
||
then cover you in "special sauce" (its just mayo/mustard/catsup/relish/cat
|
||
urine mix) i already know a lot of wacko's who circle in the parking lot
|
||
with their systems up. what else is new? i'm out of control! you're out
|
||
of control! i'll show you how it goes!
|
||
|
||
once again ok good...you are the real slim shady. good. i get it.
|
||
yes, a lot of cheap imitation, but hey..this is the 21st century.
|
||
now..at this point i am ready to kill...everyone around singing it,
|
||
pretending that they are a fake rapper...yes thats right.
|
||
|
||
i already fed my slim shady how about you?
|
||
|
||
now. if you were at all smart you bought the Marshall Mathers album
|
||
and realized that "the real slim shady" nothing compared to the other
|
||
songs and have moved passed the repeatative overplayed "please stand up"
|
||
I give Eminem alot of credit, an excelent lyricist and an amazing rhymer,
|
||
i like his style, but its the goddamned little teen boppers who have the
|
||
britney speares and mandy moore albums sitting on top of their trendy pink
|
||
cd players while they chant "please stand up" as the real slim shady plays
|
||
on every radio station across the country. they'll all grow up to either
|
||
be vegelesbians, sluts or decent woman but the question is how many of
|
||
each and how hard would you laugh to see Eminem wave his dick at
|
||
Christina Aguilera when he wins his first grammy?
|
||
|
||
now. please sit down. please sit down.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 18 Jul 2000 06:12:24 EDT
|
||
From: Jym Sylvia <jym@ns.anti-network.com>
|
||
To: mogel@hoe.nu
|
||
|
||
Hey man, you got any headphones? I wanna listen to my tapes here, but I
|
||
ain't got nuthin' to play 'em on. Kenny Rogers, Bon Jovi, and Madonna.
|
||
Gawddamn, ain't that Madonna a piece of ass? And she ain't shy about
|
||
givin' it up, either! Hell, I'd bet she'd even do a smaller person like
|
||
myself.
|
||
|
||
Heh, 29 years old, and I'm only four feet. Ain't been too easy, bein'
|
||
small. But my mama, well, my mama always told me that respect ain't given.
|
||
No sir. Respect is earned! And I think I've tried to be decent and earn
|
||
some respect in my life.
|
||
|
||
I'm going to visit my brother, back in Oklahoma. That's where we was born.
|
||
See, I've got two brothers and a sister. Well, I had two brothers... See,
|
||
I was livin' with my brother up in O-hi-o. He died though, God rest his
|
||
soul. So I'm gunna go visit my younger brother, he's 26. I'm gunna ask,
|
||
get down on my knees if I hafta, to take me in. Even though I ain't seen
|
||
him in 2 years, he should take me in, right? I'm his brother! He can't
|
||
turn his own bro away. What brother would turn away his own flesh and
|
||
blood, on his knees beggin'!
|
||
|
||
Hey man, you gotta candy bar? I'm a diabetic. I just looooove candy.
|
||
Heh. Do you smoke? I smoke Marloboro. I also collect those Marlboro Miles.
|
||
I'm gunna save me up enough to get the duffle bag!
|
||
|
||
What's the matter, you don't like me, do you?
|
||
|
||
Heh! Just messin' with ya! But seriously man, I need a candy bar. You don't
|
||
have anything? Sheeit man, that does suck. Ah well. Heh, I'm cussin' far
|
||
too much. My sister, she's got two young boys, and two girls. Can't cuss
|
||
in front of them! Heh, I love those kids, man. I love kids. You like kids?
|
||
They so damn cute! Coochie coochie coo! Coochie coochie coo! You gotta
|
||
discipline children, though. Can't have 'em runnin' wild. They's gotta
|
||
earn respect. That's my mama used to say... you gotta earn respect, it
|
||
ain't given freely.
|
||
|
||
I remember, when I was just a kid, even smaller than I am now. We went on
|
||
a trip to Florida, my mama, and my two brothers, and my sister. See, I
|
||
never knew my dad. They actually only my half brothers and sister. But
|
||
anyways, so we went to Florida to visit an aunt. I couldn't have been more
|
||
than 10, but I went to a bar. Gave me a Long Island Iced Tea, they did!
|
||
Gawddamn! After that, boy did I ever acquire a taste for that stuff.
|
||
|
||
Hey, anybody have any headphones? I'd really like to listen to my tapes.
|
||
Awww, you'se all just not givin' 'em to me because I'm a MIDGET. That's it,
|
||
ain't it? HA! Just messin' with ya. Can you buy me a candy bar?
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
NATIONALISM by Soybean
|
||
|
||
i am proud to be an american when:
|
||
|
||
1. i listen to george w. bush's republican nomination speech and
|
||
he says: "etc etc <former president> thomas jefferson abe
|
||
lincoln etc and george washington, you know, WINK WINK, his
|
||
friends called him george w., WINK" (i note here that those
|
||
winks were not verbalized as one might be led to believe from
|
||
the above sentence. i'm quite sure he did not say "etc etc"
|
||
either, but to be honest, nothing he said registered clearly
|
||
enough for me to be able to say that definitively.
|
||
|
||
there was also a point at which, toward the end of his speech,
|
||
i was brimming over with certainty that his sentence, which
|
||
began "my friend, the artist formerly..." was going to end with
|
||
"known as prince," and for all i know, it did. i was focused on
|
||
establishing myself a psychic nexus with this prince of power,
|
||
son of sam, coked-up carouser, and all-around nice guy (ref:
|
||
salon article... hell, it's not up on the front page anymore,
|
||
and i'm not hunting. front page now reads "can drugs bring us
|
||
closer to god?")... george w. 'shrub' 'shrubdub' 'dubya' bush.
|
||
|
||
if i wrote down george w. bush's acceptance speech down from
|
||
memory, it would read:
|
||
|
||
"hey guys, i proudly accept this nomination to be president of
|
||
the united states. some other presidents have been thomas
|
||
jefferson, some other guy, abe lincoln, and george washington,
|
||
you know, WINK WINK, his friends called him george w., WINK."
|
||
|
||
[crowd cheers enthusiastically; patriotically twirls their
|
||
redwhiteandblue cowboy hats]
|
||
|
||
"also, by the way, i eat babies!"
|
||
|
||
[close-up face shots of women in the audience, tears in their
|
||
eyes, while the men continue to cheer enthusiastically and twirl
|
||
their americahats]
|
||
|
||
"by the way, my friend, the artist formerly known as prince, has
|
||
an uncanny ability to illustrate the gentle, casual, endearing
|
||
rays of sunlight cast over the hills of texas during the sunset,
|
||
the things that made me fall in love with my creepy demonbride
|
||
laura. thank you america."
|
||
|
||
[crown continues to thrash about wildly, hats in hand, flailing
|
||
those strange phallic objects in the air while shouting "BUSH!
|
||
BUSH! BUSH!"]
|
||
|
||
meanwhile, i like to imagine that ralph nader is still trying to
|
||
coerce a young airline employee into letting him into the vip
|
||
cubicle, to little avail (ref: http://www.washingtonpost.com/
|
||
wp-dyn/articles/A30740-2000Aug3.html).
|
||
|
||
ladies and gentleman, to the average viewer, ralph nader may
|
||
seen like a common turkey. to the astute observer, however,
|
||
he is one smooth son of a bitch.
|
||
|
||
i am proud to be an american when:
|
||
|
||
2. a few years ago i was watching a rented video with my mother.
|
||
i'm not going to lie and say that i remember what it was, or
|
||
whether i liked it. i will say that i'm going to pretend like
|
||
it was "schindler's list," which i have rented on four occasions
|
||
but never seen more than three minutes of. i know that is not
|
||
what we were watching because my mother saw it in the theatre
|
||
and only on rare occasions will rent a movie for a second
|
||
go-round unless she was completely blown away. this is all
|
||
incidental, by the way.
|
||
|
||
in the midst of schindler's list my brother wandered into the
|
||
room. he was staring blankly at the fireplace mantel ten feet
|
||
in front of him. out of his mouth came his immortal words:
|
||
"you know this big sub sandwiches? like, the ones that are
|
||
six feet long? how much do you think one of those weighs?
|
||
|
||
"i have no idea."
|
||
|
||
"no, really. how much do you think one of those things weighs?
|
||
they're pretty big."
|
||
|
||
"i don't know."
|
||
|
||
"i'm serious about this."
|
||
|
||
"then i guess it would depend on what was on the sandwich."
|
||
|
||
"just a standard sub sandwich."
|
||
|
||
"i really don't know."
|
||
|
||
"how much do you think a foot-long weighs? just multiply that
|
||
by six."
|
||
|
||
"go away."
|
||
|
||
"what about a six-inch? you could multiply that by twelve."
|
||
|
||
"i'm serious, go away."
|
||
|
||
"fine."
|
||
|
||
i am proud to be an american when:
|
||
|
||
i should say that i _will_ be proud to be an american when i can
|
||
get a kitten and name it 'mogel.' i offered this naming suggestion up to
|
||
jamesy but due to the unfortunate circumstances of his current apartment,
|
||
he was not able to obtain the kitten, so if by some means i get a kitten
|
||
before he does, i've got fucking dibs, man. if jamesy manages to get a
|
||
kitten first and is still interested in naming his kitten 'mogel,' by all
|
||
means, he should do so. in that event i will name the kitten 'taco.'
|
||
|
||
trick!!
|
||
|
||
i am proud to be an american when:
|
||
|
||
this too has nothing to do with being an american. i sent an email
|
||
this afternoon to mark borchardt, he who was featured in the documentary
|
||
"american movie" and maker of "coven." he replied. his reply was rather
|
||
anticlimactic, but i've been having a good time pretending like this is
|
||
going to be the highlight of my life.
|
||
|
||
i am proud to be an american when:
|
||
|
||
last friday, july 28, i played this trivia game at a bar here in
|
||
kansas city, davey's uptown ramblers club. it's apparently a weekly
|
||
event, though this was the first time that i had been free when my
|
||
friend, a trivia regular, had invited me along. sample answers to
|
||
trivia questions included:
|
||
|
||
kraftwerk
|
||
terraform
|
||
captain beefheart
|
||
robert goddard
|
||
einstuerzende neubauten
|
||
|
||
and then after trivia was over, a woman announced she was getting
|
||
married to the trivia organizer. this came as a great surprise to
|
||
everyone, perhaps even the trivia organizer. but it's happening
|
||
this weekend -- saturday in fact.
|
||
|
||
going to the ocean tomorrow.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Wed, 30 Aug 2000 11:36:38
|
||
From: budzekkj@notes.udayton.edu
|
||
To: mogel@hoe.nu
|
||
|
||
....{why you are not unique, even though you are.}
|
||
|
||
....a dramatic political essay neither dramatic nor political, blurted out
|
||
uncontrollably by liberty. er, jnana. trying to change my name and all.
|
||
|
||
recently i've realized that the majority of people tend to walk around with
|
||
a big stupid happy inner grin because they, in fact ARE UNIQUE. And they've
|
||
been told this time and time again by feel-good hippie parents and teachers
|
||
and sunday school pastors and that guy on the corner who smells kind of
|
||
funny but is always really nice to everyone except when he's hungry, which
|
||
is always.
|
||
|
||
The problem inherent in this nationwide "i'm ok, you're ok" phenomenon is
|
||
not that it is incorrect in its presuppostion that everyone is different
|
||
and unique, but that people see this simple fact as an achievement, as
|
||
something they have consciously done. I AM UNIQUE, write it on my forehead,
|
||
give me a t-shirt, give my parents a bumper sticker, scream it from the
|
||
rooftops until my lungs are blackened from spending so much time on
|
||
rooftops because there's so much smoke and smog, didn't you know that was
|
||
where the chimney-sweeps hung out and sang songs, didn't you watch Mary
|
||
Poppins, don't you know anything?
|
||
|
||
Every single thing that you have done, that has happened to you, that
|
||
you've heard, or overheard, or didn't hear, or ignored, has changed and
|
||
shaped you. THAT has made you unique. THAT is why no two people are the
|
||
same. Two identical twins, who haven't left the same room all their lives,
|
||
are different people. They may have read the same books, but one of them
|
||
got a paper cut once. And that does make all the difference. We are unique
|
||
individuals because of our paper cuts, not because our inner fucking
|
||
"souls" are inherently different.
|
||
|
||
When two people look at a stop sign, one might think "red" first, and the
|
||
other might think "octagon" and another might think "stop" and another
|
||
might think "sign" and another might think "fucking stop signs are
|
||
everywhere and everyone's always telling me to stop more than they're
|
||
telling me to go, fuck them all, i'm not going to stop, i'm going to drive
|
||
down to the local fucking pawn shop or gun and knife show and get a fucking
|
||
Uzi withOUT the damn Brady Bill waiting period and take it to school
|
||
because YOU motherfuckers keep telling me to STOP instead of GO."
|
||
|
||
So, please, stop pretending you're unique. Stop being proud of it at least.
|
||
And all of you eighth grade goth pagan rebellious little girls, shut up
|
||
already and learn about life and the world and common sense before you
|
||
immediately give up christianity for the next, most hip current religion
|
||
without thinking about what it means first.
|
||
|
||
we're all unique. being unique means you're just like everyone else. ooh,
|
||
conformity, better make a stand.
|
||
|
||
i'm right, you're wrong. you could disagree with me and think for yourself,
|
||
but that would be too hard.
|
||
|
||
-jnana (not liberty, although she's still in here sometimes)
|
||
|
||
{oh, and jnana is a hindu word meaning knowledge.. jnana yoga is the path
|
||
of enlightenment through knowledge. however, without the J, jnana is nana
|
||
which is a interesting little bit of doowop, from such classic hits as
|
||
"Na Na Na Shoop Boop Deet Dot" which, loosely translated, means "I forgot
|
||
the lyrics because of all this cocaine cause all great musical artists do
|
||
drugs and I'm trying to fit in."}
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
"the mullet burden" by alek
|
||
|
||
he parked his car in a handicap parking spot in front of the liquor
|
||
store. all he wanted was a gallon jug of port wine anyhow. the kind with
|
||
the screw off cap. he wouldnt be long. the bottles with corks piss him
|
||
off. corks are fucking messy. annoying. fall in. ugh. he went down
|
||
aisle 13 and got the cheapest one. quantity over quality. the girl at
|
||
the register had a labret piercing. he thought that was weird but she
|
||
seemed nice enough. she even had all her teeth. amazing. the port came
|
||
out to 5.43 and he gave her 5.50. she put the port in a brown paper bag
|
||
and gave him his change. he pocketed it then walked out the door. a cop
|
||
was writing him a ticket for parking in a handicap parking spot. then, he
|
||
dropped his bag and his bottle of wine broke and wine splashed all over
|
||
his new shoes. cops are stupid.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
----------[Taken from Gop.Org]----------
|
||
|
||
this hack has not been sanctioned by a political party or candidate.
|
||
welcome to one of the former main webpages of the gop.
|
||
take a minute to read:
|
||
|
||
As my dear friend Thomas Paine once said, these *are* the times
|
||
that try mens' souls. We're faced with the realization that the united
|
||
states government was never meant to scale to the level at which it
|
||
currently sits. It seems hard to believe that those distinguished
|
||
gentlemen, sitting back in that dusty hall in Philadelphia, ever imagined
|
||
a nation as large and as populous as our own. Indeed, Jefferson himself
|
||
faced the first indicator of this woeful inability to scale when faced
|
||
with the Louisiana Purchase. It came down to this great man, who had
|
||
crafted so much, that for all their wisdom and caring and structure, they
|
||
had made a country in which there were no rules set for expansion. And
|
||
ever since, this maxim, this lack of foresight in men so far sighted, has
|
||
throttled and crushed this nation in so many different ways.
|
||
|
||
George W. Bush would make a great president for those states which
|
||
traffic not so much in deceny but bigotry. Not acceptance but hate. Not
|
||
love but fear. There is no sense of human camaraderie amongst those who
|
||
live south of the Mason-Dixon line. At least, no camaraderie for those
|
||
whose appearance is not completely and utterly similar to one's own self.
|
||
|
||
So gays, blacks, latinos, and even women, (once they've been
|
||
knocked up and sent into a nine month hibernation until they can produce a
|
||
male heir,) are treated as less than human. They're not even given the
|
||
3/5ths that slaves once were. Their manifest destiny is serving that great
|
||
tyrant, the straight white male.
|
||
|
||
And don't presume that I'm unaware of how cliche that may sound.
|
||
But sometimes, lord, sometimes cliches prove to be a great truth. And
|
||
there is no greater truth in American than the straight white male's
|
||
dominance and his Aesopian desire to keep it. I myself seem to be the very
|
||
same thing as all the other swine who run this country. For a guy like me,
|
||
a vote for Bush is like a vote for continued prosperity.
|
||
|
||
But as the scum also rises, so the sun also sets.
|
||
|
||
I can not conscience vote for Bush. A vote for Bush is a vote
|
||
for myself. A vote for Bush is a vote for myself at the expense of
|
||
everyone else living in this strange and savage land. For whatever reason,
|
||
be it upbringing, my parents, or perhaps even brain damage, I reject the
|
||
idea of voting simply for myself. A vote should be cast not simply on
|
||
personal issues, but on one's feeling on how your vote will affect the
|
||
whole country.
|
||
|
||
Voting for Bush would be voting for myself and voting against
|
||
anyone not like me. We don't need to talk about the supreme court, or Al
|
||
Gore's endless babbling about that tax cut for the top 1%, because like
|
||
your fuzzy mathed lockboxes, it's seared into the American consciousness.
|
||
I don't need give you reasons. If you can not see them yourself, then
|
||
nothing will ever remove the blinders.
|
||
|
||
Gore isn't the best of men, but I refuse to be stuck in the same
|
||
arrested adolesence as all of America's luxury classed celebrities, who
|
||
presume that you can only vote for a candidate if his views tally 100%
|
||
with your own. That is the folly of the spoiled. Nor can I pretend that
|
||
the differences between Gore & Bush are unpronounced. If you believe that,
|
||
then Bush has played you as he wanted to play you. He's run as a moderate
|
||
Democrat on Democrat issues. It amazes me that all you woeful cynics of
|
||
the political process who don't buy the hype have bought the hype so
|
||
deeply.
|
||
|
||
Bush is a man whose entire life has been spent in the shadow of a
|
||
superior father, and remembering back to those awful days of 1988-1992,
|
||
it's hard to imagine Sr. being very superior to anyone, but Dubbya has
|
||
used the Senior as his prototype. He's the classic Oedipal, even if that
|
||
does mean we must consider the horrific possibility of School Marm Barb
|
||
having sex with either George. He's spent his entire life trying to please
|
||
his dorky father, and once he gets in office, do you think that's going to
|
||
change? He'll mirror Papa's policies as quickly as hate crimes legislation
|
||
can be shot down.
|
||
|
||
Again, Gore ain't the best of men, but he's a good man, and he's a
|
||
smart man. He may very well be smarter than any man who has ever been
|
||
President. He's a fascinating intellect, and while he's a little to the
|
||
right of where I wish he'd be, at least he truly understands governmental
|
||
compassion, rather than giving it the thin lipped service of W.
|
||
|
||
This election won't affect me in any way. Either way, I'm going to
|
||
float to the top. However, I comprehend the effects of my vote on the rest
|
||
of the populace, and can not be irresponsible with it. I must vote, as
|
||
dear self-aggrandizing Ralph Nader & his chorus of increasingly irrelevant
|
||
celebrities have said, "my conscience". My conscience tells me that I
|
||
shouldn't fuck over people over for my own self, nor should I maintain some
|
||
lofty ideal of a true progressive movement when that self-same progressive
|
||
movement can't attract any minorities or gays, and serves as the political
|
||
equivalent of a country club for the spoiled and overpriviledged.
|
||
|
||
As such, I must vote Gore, and I urge you to do so.
|
||
|
||
Want more? here's more.
|
||
|
||
If you want more dry, shiny, dead republican drivel, go to
|
||
http://www.gop.com or http://www.gop.net, or turn on your nearest
|
||
television.
|
||
|
||
----------[Taken from http://www.msnbc.com/news/486630.asp]----------
|
||
|
||
MSNBC Technology
|
||
|
||
GOP.org Web site hacked
|
||
|
||
Attacker placed pro-Gore note on Republican party page
|
||
A screenshot of the defaced GOP.org home page.
|
||
|
||
By Bob Sullivan
|
||
MSNBC
|
||
|
||
Nov. 7 -- Just hours before the polls opened on Tuesday, a
|
||
computer intruder defaced the Republican National
|
||
Committee's Web site with a pro-Al Gore message,
|
||
MSNBC.com has learned. Along with a 1,000-word
|
||
diatribe imploring readers to vote for the Democratic
|
||
candidate, the attacker altered GOP.org to include a
|
||
link to Gore<72>s Web site. Links to other Republican
|
||
sites were also included.
|
||
|
||
AT 4 A.M. ET, the GOP.org site was down and it
|
||
remained down past 5 a.m. ET. But the content which
|
||
had been placed on the site was archived at
|
||
attrition.org, which regularly saves content from
|
||
hacked Web pages.
|
||
|
||
"Gore ain't the best of men, but he's a good man, and
|
||
he's a smart man. He may very well be smarter than
|
||
any man who has ever been President," the attacker
|
||
wrote. "He's a fascinating intellect, and while
|
||
he's a little to the right of where I wish he'd be,
|
||
at least he truly understands governmental compassion,
|
||
rather than giving it the thin lipped service of W."
|
||
|
||
An operator who answered the phone at the Web site's
|
||
Internet hosting firm, Chattanooga, Tenn.-based
|
||
NextLEC LLC, confirmed the hack.
|
||
|
||
"We had people call us saying they were trying to
|
||
look at the Web site, then saying "Hey do you know
|
||
about this?" the operator said. She said a
|
||
representative from the Republican National Committee
|
||
called in the first report of the hack before
|
||
11 p.m. ET on Monday.
|
||
|
||
'ARTICULATE' ATTACK
|
||
|
||
The attacker did not choose identify himself or leave
|
||
a typical calling card. In fact, one security analyst
|
||
said it was a bit more sophisticated than the usual
|
||
Web page defacement.
|
||
|
||
"This is another example -- much more effective than
|
||
previous ones -- of something that has been labeled
|
||
by the press as hacktivism," said Joel de la Garza,
|
||
an analyst with Securify.com. "The defacement is
|
||
rather articulate, much more so than the rantings of
|
||
most of the script kiddies I see, and seems to be
|
||
well thought out. It is also very well timed."
|
||
|
||
Security experts call young computer attackers who
|
||
deface Web sites using automated tools "script
|
||
kiddies."
|
||
|
||
The Republican party uses several domain names for
|
||
its site, including GOP.com and GOP.net. Those sites
|
||
were both still functional and did not appear to be
|
||
affected.
|
||
|
||
"We're disturbed by the pattern of dirty tricks in
|
||
this campaign," said Tom Yu, spokesman for the
|
||
Republican National Committee, suggesting the
|
||
Democratic Party may have been behind the attack.
|
||
He said the GOP was still investigating how the
|
||
break-in occurred. "We hope the Democratic party join
|
||
us in denouncing the attack."
|
||
|
||
-[Taken from http://www.pcworld.com/partners/avantgo/article.asp?aid=34290]-
|
||
|
||
PCWorld.Com
|
||
Bushwhacked! Hacker Defaces GOP Site
|
||
Republican spokesperson considers it 'badge of honor.'
|
||
George A. Chidi Jr., IDG News Service
|
||
Tuesday, November 07, 2000
|
||
|
||
Quoting Thomas Paine, a hacker defaced a Web site of
|
||
the Republican National Committee on Monday night,
|
||
replacing it with a harangue attacking the Republican
|
||
presidential candidate, Texas Governor George W. Bush,
|
||
and "that great tyrant, the straight white male."
|
||
|
||
The defacement replaced the front page of GOP.org with
|
||
the hacker's monologue around midnight Monday, the
|
||
night before the election, says Larry Purpuro, deputy
|
||
chief of staff for the Republican National Committee.
|
||
"We actually spotted the incident almost
|
||
instantaneously," he says. "We took it down and would
|
||
have fixed it immediately, but given the timing we
|
||
were, frankly, doubly concerned about doing things
|
||
right."
|
||
|
||
The hacker disavowed a connection to a political
|
||
party or group and identified himself only
|
||
tangentially, implying he was a white male who
|
||
"seem(s) to be the very same thing as all the other
|
||
swine who run this country."
|
||
|
||
"Gore isn't the best of men, but I refuse to be stuck
|
||
in the same arrested adolesence [sic] as all of
|
||
America's luxury classed celebrities, who presume
|
||
that you can only vote for a candidate if his views
|
||
tally 100% with your own," he wrote. "That is the
|
||
folly of the spoiled." He went on to attack Bush as
|
||
an elitist who "would make a great president for
|
||
those states which traffic not so much in deceny
|
||
[sic] but bigotry."
|
||
|
||
With references to Jefferson's acquisition of the
|
||
Louisiana Purchase and the "Aesopian desire" for
|
||
white men to keep power, the writing seems to point
|
||
to an older, better educated (if grammatically
|
||
uninspired) class of hacker than the "script-kiddies"
|
||
using prefabricated tools to break into Web sites to
|
||
leave virtual graffiti.
|
||
|
||
Purpuro puts the incident in the same category as
|
||
other recent events of "hacktivism"--the use of
|
||
computer hacking to spread a political message.
|
||
"Given the hack attacks at the Israeli Defense
|
||
Force's site, and Yahoo, and the Pentagon, we
|
||
expected to be the subject of Net terrorism," he says.
|
||
"It's the important sites that are getting attacked.
|
||
We actually consider it a badge of honor. We hope,
|
||
with some of the major [news] sites raising this
|
||
issue, we actually hope to improve our viewership.
|
||
In the end this could work for us." A mirror site to
|
||
the Republican National Committee's with the hacker's
|
||
text is preserved here.
|
||
|
||
------[Taken from http://www.theregister.co.uk/content/1/14552.html]------
|
||
|
||
The Register
|
||
George Dubya ridiculed on hacked RNC page
|
||
By: Thomas C Greene in Washington
|
||
7 November 2000
|
||
|
||
The Republican National Committee (RNC) Web site was
|
||
defaced on election day with a lengthy essay
|
||
impugning George Dubya's fitness for the office he
|
||
seeks.
|
||
|
||
"George W. Bush would make a great president for
|
||
those states which traffic not so much in decency
|
||
but bigotry. Not acceptance but hate. Not love but
|
||
fear. There is no sense of human camaraderie amongst
|
||
those who live south of the Mason-Dixon line," the
|
||
author says.
|
||
|
||
One might detect a few personal 'issues' of White
|
||
guilt as he goes on, "gays, Blacks, Latinos, and
|
||
even women, (once they've been knocked up and sent
|
||
into a nine month hibernation until they can produce
|
||
a male heir,) are treated as less than human. They're
|
||
not even given the 3/5ths [legal recognition] that
|
||
slaves once were. Their manifest destiny is serving
|
||
that great tyrant, the straight white male."
|
||
|
||
"Voting for Bush would be voting for myself and
|
||
voting against anyone not like me," he observes.
|
||
|
||
After detailing Al Gore's numerous assets in
|
||
comparison with his opponent, the author concludes
|
||
that he is, if not quite attractive, the lesser of
|
||
two evils, and that "as such, I must vote Gore, and
|
||
urge you to do so."
|
||
|
||
The RNC has made a characteristically paranoid
|
||
statement in response to the attack.
|
||
|
||
"It's obviously a dirty trick late in the campaign by
|
||
the Democrats," RNC spokesman Tom Yu told the Reuters
|
||
wire service during an interview. "We're disappointed
|
||
at the large amount of dirty tricks being played this
|
||
late in the campaign by the Democrats," he added.
|
||
|
||
We're not all that confident in this assertion, but
|
||
the paranoia is familiar, as we recall from an
|
||
earlier story where the Reps interpreted a spam
|
||
campaign as a Dem dirty trick. Indeed, the Democratic
|
||
National Committee (DNC) Web site came under attack
|
||
yesterday as well. A notable difference here is that
|
||
the Dems didn't rush to blame their opponents.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
COPY WITHOUT AN ORIGINAL by Sad Jester
|
||
|
||
We are based on the system. We are inseparable from it. Everyday
|
||
we depend on electricity, cars, gasoline, maintained roads, grocery
|
||
stores, police, telephones and computers. The list could go on and on.
|
||
We've become dependent upon these things for our very survival. If all
|
||
the grocery stores closed, tens of thousands of people would starve to
|
||
death unless someone fed them. The world would go into total chaos and
|
||
society as we know it would end. We are, as a result, slaves of the
|
||
system. We are cattle waiting to be enslaved, herded, and slaughtered.
|
||
This, I believe, is the central concern of the Wachowski Brother's movie,
|
||
The Matrix.
|
||
|
||
Early in the movie, Thomas Anderson (who assumes the hacker name
|
||
Neo) opens a copy of Baudrillard's Simulacra and Simulation to a chapter
|
||
entitled "On Nihilism." The book has a hollowed out inside. This case
|
||
serves as Neo's hiding place for "hacked" information he sells
|
||
on the black market. Although the movie contains widely divergent themes
|
||
such as Christ imagery, eastern philosophy, and Greek mythology with all
|
||
giving myth and substance to the characters, Baudrillard's Simulacra and
|
||
Simulation is probably the best starting point for a philosophical
|
||
approach to the movie's content.
|
||
|
||
In The Matrix, computer technology has developed to the point of
|
||
producing artificial intelligence - thinking, free willed computer. These
|
||
computers continued to grow and learn, eventually gaining total control
|
||
over the human society. Human resistance takes the form of a mass
|
||
cataclysm intended to block sunlight from the surface of the earth and
|
||
shut down the solar-powered computers. The computer realized that they
|
||
needed a new energy source. The most abundant energy source on the planet
|
||
was now the human being. Humans give off body heat, which could be
|
||
converted into electricity. The computers then started to breed humans
|
||
for use as a power source. They were born and grown within gel-filled
|
||
pods. Nutrients were fed intravenously while their body heat and
|
||
electro-chemical impulses were tapped to power the computer.
|
||
|
||
To keep people happy in their mind and healthy in their body so
|
||
that they would live as long as possible, the computer created a program
|
||
called "the matrix." The matrix was a virtual world serving as an exact
|
||
sensory duplicate of late twentieth century earth. Humans in the pods were
|
||
plugged directly into the computer network through implants at the base
|
||
of their skulls. Individuals within the matrix perceived themselves as
|
||
living out a normal life somewhere on 20th century earth, while in reality
|
||
their lives were spent within a pod.
|
||
|
||
In Baudrillard, a simulacra is "a copy without an original." This is
|
||
the exact nature of the matrix. In the film, twentieth century earth is
|
||
gone. The real world is a nuclear wasteland. Cities are left charred and
|
||
empty. Life on earth is only possible beneath the surface where it is
|
||
still warm after the humans scorched the sky in resistance. But an exact
|
||
copy exists in the form of a computer program. People are living life in a
|
||
simulacra, a copy which is its own reality. According to Baudrillard,
|
||
exploring this type of pseudo-reality is the next step for modern science
|
||
fiction. Early science fiction projected the pioneer impulse onto outer
|
||
space. A brief survey of science fiction literature from Buck Rogers to
|
||
Star Trek reveals that older forms of science fiction are nothing more than
|
||
pioneers fighting Indians to conquer new territory. Nothing is changed in
|
||
their world but the clothing, weaponry and the enemy. While our planet
|
||
still carried with it some element of mystery, so long as there was a
|
||
frontier, the human imagination could project it.
|
||
|
||
In the past, the new frontier has been outer space. This frontier is
|
||
now over saturated and gone, and with it the older forms of science
|
||
fiction. Baudrillard says that science fiction will take a new direction,
|
||
"it will be to put decentered situations, models of simulation in place and
|
||
to contrive to give them the feeling of the real, of the banal, of lived
|
||
experience, to reinvent the real as fiction, precisely because it has
|
||
disappeared from our life. Hallucination of the real, of lived experience,
|
||
of the quotidian, but reconstituted, sometimes down to disquietingly
|
||
strange details. The very world of the matrix was a "model of
|
||
simulation" giving the feeling of the real, done so for the sake of
|
||
maintaining control and reducing human beings to slave energy sources
|
||
feeding the system upon which they are dependent for their survival.
|
||
|
||
This is the world in which we live. We work to earn money. We
|
||
spend the money in grocery and clothing stores; paying our mortgages;
|
||
living as model citizens for the sake of our survival. We take money from
|
||
the system and feed it back into the system, like cattle fertilizing the
|
||
ground upon which they graze. The film assumed that reducing a human being
|
||
to a slave was an intolerable, dehumanizing condition. Neo is the Christ
|
||
figure. He has miraculous powers within the matrix. He was betrayed by
|
||
the Judas figure, Cipher, and he dies and returns to life. He is "the One"
|
||
who is destined to take control of the matrix and end it, freeing humanity
|
||
from its servile condition. Morpheus (the god of the dream world in Greek
|
||
mythology) plays a John the Baptist figure. He serves as a herald
|
||
declaring the arrival of Neo the savior. Most importantly, he shows Neo
|
||
that he is "the One" come to free humanity from the world of the matrix.
|
||
|
||
Within the film, the central opposition was between truth and
|
||
comfort. Cipher chose to betray his friends in order to be reinserted into
|
||
the matrix and live an enjoyable life with no memory of his past betrayals.
|
||
However false his reality, he preferred it to the harsh "real world"
|
||
outside the matrix. Morpheus, Neo, and those who followed them chose
|
||
reality regardless of the cost and fought the matrix whenever possible.
|
||
|
||
These are the decisions we must face in our real world environment.
|
||
|
||
Recognizing that we are enslaved by a system is the first step. In
|
||
The Matrix, we as a human race identify with the copy - the matrix world.
|
||
What does this mean? It means that we must realize just as Neo did that
|
||
it is not the real world. Once we come to this realization, we will be
|
||
able to break free of our shackles.
|
||
|
||
The next step involves a willingness to sacrifice safety for
|
||
freedom. All of the film's protagonists took both these steps. Is there
|
||
something beyond them? The chapter of Simulacra and Simulation entitled
|
||
"On Nihilism" advocates terrorism as the means of "checking in broad
|
||
daylight" the mechanisms of control. But it observes that the system is
|
||
itself nihilistic and can even absorb violence into its indifference, as
|
||
does the human world. Thus, to Baudrillard, the problem seems insoluble.
|
||
|
||
This advocacy of terrorism explains the violence permeating the
|
||
film. Does the film point to a solution? In the end, Neo has realized his
|
||
identity and power within the matrix and has achieved supremacy over it.
|
||
But what then? Within the world there are billions of people are in pods,
|
||
unaware of their true condition and not ready for the real world as it is.
|
||
What would happen to these billions should the system suddenly shut down?
|
||
The world is not capable of feeding this many people all at once nor is it
|
||
capable of giving them shelter or a life to live. Should Morpheus and Neo
|
||
shut down the program and condemn millions to death? Is such an
|
||
insurrection justified in the service of humanity, especially when the only
|
||
alternative is to allow the system to continue, which is also unacceptable?
|
||
What needs to happen is that the mind of the system has to be controlled by
|
||
humans again. The malevolent computer needs to be lobotomized and then
|
||
controlled. It needs to be stopped from breeding more human beings, and
|
||
those in pods need to be awakened, as they are able. Those unable to adapt
|
||
could be allowed to live out their lives to their virtual state. When they
|
||
die, they won't be replaced. Within a generation the computer could be shut
|
||
down.
|
||
|
||
In our world, however, can human beings ever control the system?
|
||
Do they really want to control the system? Reality has a tendency to blur
|
||
the lines between what is wanted and what is needed. What is wanted can be
|
||
symbolized by Neo's hollowed out book, something familiar and
|
||
comforting but false. What is needed is symbolized by the contents (hacked
|
||
material), dangerous, unsettling but true.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
STORY by Raindog151 aka THE MIGHTY DAN NAGY
|
||
|
||
have you even seen a bare tennis ball? an old dunlop ball, fuzzless
|
||
and hard from the weather and a thousand overhead serves? it's grace left
|
||
long ago, the minute it left it's oddly futuristic plastic casing. slowly
|
||
rolling in lazy circles no larger than one inch in diameter along side the
|
||
empty sports drink bottle and highly salt based chip wrapper. rolling
|
||
lazily without a care in the world, never worried about either being lobbed
|
||
or bounced by a lonely child. me? i get the raving fantods about it.
|
||
|
||
fantods tends to be the word i use as an adjective lately, as
|
||
everything seems to give me that feeling. i'd pretty much given that one
|
||
my own set of definitions, never mind the britannica loons, sitting in
|
||
their posh offices all day arguing about the Alan Read origin of OK or
|
||
Okay or O.K., depending on your academics. I can imagine them fiercly
|
||
debating the proliferations of Orl Korrect and Old Kinderhook, Martin Van
|
||
Buren's handle back during the 1840's presidential race.
|
||
|
||
but back to the fantods. i walk down the street and see teachers
|
||
outside a school conversing with students and i get a crawl up the nape of
|
||
my neck. i watch three minutes of the six o'clock news and start squirming
|
||
in the comfort of my own home. everything is amiss. the sugary
|
||
confectioneries at supermarket bakeries make me run to the opposite end of
|
||
the store, pretending to look at frozen food items, fighting off the
|
||
shivers that are just amplified by the cold air that permeates the entire
|
||
area.
|
||
|
||
due to all this, all my dinners tend to be frozen foods. a entirely
|
||
macabre assortment of fish and beef dinners, turkey croquettes, assorted
|
||
vegetables, microwavable foods of an entirely underestimated tex-mex
|
||
variety and of course one obligatory frozen bowl of campbell's cream of
|
||
mushroom soup, never intended as edible, merely the cornucopia of my
|
||
neverending supply of perishable foods.
|
||
|
||
did i also mention how the oven gives me the fear? gas hissing
|
||
silently until ignited by an ohio blue tip match. it has to be manually
|
||
turned on and off every time it's used. exempting making the occasional
|
||
plate of eggs, i use the microwave. i know one of these days i'll forget
|
||
to turn the little blue valve behind the stove to the off position, which
|
||
i can never remember if it's up or down, so i have to try to light the
|
||
stove on both settings until i'm pleased with its actions.
|
||
|
||
the microwave at work has paid it's homage to my frozen meals, just
|
||
as i've paid my apologies to the people at work for it. i can't really
|
||
help the fact that these meals take 20 minutes or so inside the water
|
||
heating radiation. i've tried letting them thaw overnight in a thermal bag
|
||
in order to cut down on microwave time, but i just woke up to salisbury
|
||
steak and cherry cobbler weakly trying to fight its way out of the plastic
|
||
covering. now i mostly microwave it until it's just warm enough to eat and
|
||
usually it's fine except if the meal contains mashed potatoes.
|
||
|
||
have you ever looked closely at mashed potatoes in a frozen meal?
|
||
they give the word potato flakes new meaning. if you look closely enough
|
||
you can see unique snow crystal shaped design in each individual flake. if
|
||
you looked long enough and hard enough, you could probably isolate the
|
||
potato flake atom, mastering the universe in the way that people did before
|
||
the electron microscope and periodical tables. if my lunch hour allowed
|
||
me, i bet i could change the entire face of theoretical science all in
|
||
thanks to the people of the Swanson Co. in Camden, NJ.
|
||
|
||
my bathroom schedule has gotten quite regular due to my food intake.
|
||
i fall into an odd catagory of people, aged 21-34, who look behind the
|
||
shower curtain every time i enter the bathroom. i suppose i could just
|
||
leave it open all the time, but what if i have company? the fantods will
|
||
appear again, wondering if they're appalled by the state of my shower.
|
||
even if i did leave it open, you can only push so much to either side of
|
||
the rod, and i would still be compelled to peek around the corner. i find
|
||
myself reading newsweek in the bathroom, trying to add normalcy to my
|
||
life, happily find i fit into the 84 percent of americans that pours
|
||
shampoo onto their hand, rather than on their head in the shower.
|
||
|
||
finding meaning in the world has never really been my specialty, but
|
||
always my largest need. i get the fantods on those nights, and you know
|
||
those nights. the nights where it's much too early to sleep, but you're
|
||
too tired to watch another rerun of some sitcom you never even watched
|
||
when it was first on. those nights, staring at the ceiling or out the
|
||
window, with that one impossible metaphysical question in your head. even
|
||
if you do fathom an answer, another one instantly pops up, both just
|
||
turning into more questions. infinite loop. the rott- en tennis ball,
|
||
swirling idly in its one inch circle in the corner of the expanse the court
|
||
offers, it sits there. infinitely rolling on its exposed seams, never going
|
||
anywhere and that gives me the worst set of all.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Taken from The Obloid Sphere BBS
|
||
|
||
DATE: August 7, 2000
|
||
BY: Anakin
|
||
SUBJECT: Greatest movie of all time
|
||
|
||
Okay so this is probably no surprise because of my handle but I
|
||
think hands down star wars episode 1 the phantom menace is the GREATEST
|
||
MOVIE OF ALL TIME. It is AMAZING how it parallels the bible, though I
|
||
don't know why I'm making an intelligent reference on THIS place because
|
||
you are all so dumb ha ha just kidding but seriously, this movie is GREAT.
|
||
It blows the first three jokes away.
|
||
|
||
The first three movies get so much acclaim, and most people think
|
||
because my name is Anakin that I like them too, but I DO NOT, I THINK
|
||
THEY SUCK. Phantom Menace kicked ALL of their asses - I mean come on
|
||
just look at the special effects. They are so much better, and they
|
||
totally make you feel THERE, unlike the first ones that make you feel
|
||
like you're in a theater watching a crappy experiment or something.
|
||
|
||
What I hate most about the first movies were stupid characters
|
||
like EWOKS and CHEWBACCA both just made so that dolls could be sold.
|
||
The Phantom Menace made it so that every character was integral into
|
||
the main story line - which was classic good vs. evil. In the first
|
||
movies there is doubt which is good and which is evil, and I think they
|
||
did that to be all smart and artsy and shit, but when you blur those
|
||
lines you blur the likeability of your film. In Phantom Menace you KNEW
|
||
who was the bad guy right away, and then you were happy when they got
|
||
mostly destroyed at the end. And I like how they made the bad guys those
|
||
robots that all looked alike, so you wouldn't get personal with them.
|
||
|
||
Need I say more? The special effects people... just think about
|
||
those in your head when you think of this movie. Do you know how many
|
||
people were actually in the movie? I think like two real humans, the
|
||
rest special effects! Just kidding! But you see what I mean, right?
|
||
|
||
Anyway, I know a lot of what I said will only make sense to film
|
||
people, but I know this is a board so I should express my views like
|
||
anyone else, whether or not they can fully understand them.
|
||
|
||
HERE COMES MY SIG! (That's a light sabre, assholes!)
|
||
|
||
Anakin
|
||
[))))))]==============
|
||
The LightSabre
|
||
www.starwars.com
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
REALLY GOTHIC TEXT FILE by Effy
|
||
|
||
BbBBB
|
||
b lB
|
||
B_ob
|
||
B ob ***
|
||
b DB ll [^/^]
|
||
BbBBb LL (O) \
|
||
lu AAAAA \
|
||
<------ sL------ AN AA------------> -----------
|
||
Lt AAGAA CCCCCC \
|
||
LLLLLL AA SA CaCcc ---- \-666->
|
||
AA AT Cc KK LK \
|
||
CtCcc Kk LL \
|
||
CCsCCC KKiI / \
|
||
Kk LL / \
|
||
KK LK - -
|
||
NN \ /
|
||
NN @ @
|
||
NNNNN OoOoO 111111
|
||
NN NN o O 11
|
||
NN NN O O 11--->. . .
|
||
NN NN O o 11
|
||
NN NN OoOoO 111111
|
||
|
||
Monday, July 1:59:29 AM
|
||
|
||
<effy> irc is worse than death.
|
||
<thext> death is nothing. death is only a marker, a beacon.
|
||
<effy> death is but a door.
|
||
<kraft> death smells like playdoh.
|
||
<effy> deeeeeeeeeath
|
||
|
||
\ /
|
||
\ /
|
||
@a@a@a@ heY!!! i see you've found me!!!
|
||
@a@a@a@a@ i want to tell you all about
|
||
a@ ~ ~ @a o how GOTH i am, yEAH! ehehehe
|
||
@a * * a@ O i am so evil evvvv im an eeev
|
||
a@ / @a o eeeveeevillian heheheeeheee!
|
||
@a _o_ a@ angst, death, ahhhheeeheh!@##
|
||
I
|
||
I
|
||
<------->
|
||
I
|
||
I
|
||
______________^___________
|
||
\
|
||
r.I.P!$@!#! \
|
||
\
|
||
/////////////////////////////
|
||
|
||
WAAAAAAHH!!!
|
||
O MAMAAAWAAA@!
|
||
oOo o GLURGUHHH... *HEY, LooKie!. I like
|
||
/..\ O to STAB BABIES & then
|
||
- o EAT THEM, HAHAHAHAHA!*
|
||
/ \
|
||
/ <--\---
|
||
( . )
|
||
/ \
|
||
|
||
|
||
~ ~ ~~~
|
||
~ ~~~ ~~~ ~ ~
|
||
_-_~~ ~~~ ~ ~~
|
||
/ / ~ ~~ ~~ ~ ~
|
||
/ / ~~~ ~ ~ ~~ ~ ~
|
||
/ / ~ ~~~~ ~~~~ ~ ~~
|
||
/ m/ ~~~ ~~ ~ ~ ~~ ~~~ ~~~ ~
|
||
/ u/ <---------------------- I will burn out your
|
||
/ r/ ~~~~~~ ~ ~~~ ~~ <--FUCKING EYES@!-->
|
||
/ a/ ~ ~~ ~ ~~ ~ ~ ~~~
|
||
/ j/ ~ ~~ ~~ ~ ~~
|
||
/ d/ ~~ ~ ~~
|
||
--- ~~~ ~
|
||
|
||
I dig up witches' graves &
|
||
steal their fingernails! =) \ /
|
||
\ /
|
||
@a@a@a@
|
||
I_I @a@a@a@a@
|
||
I a@ ~ ~ @a
|
||
I @a * * a@
|
||
/-----------------------\ I a@ / @a
|
||
/ *burn* \ I @a _o_ a@
|
||
/ in HELL \ ---- I
|
||
/ *WITCH* \ / / I
|
||
///////////////////////////////////////////// ---- ////////////////////
|
||
|
||
EXISTENCE: THE REFLECTION OF MAN'S ETERNAL MISERY
|
||
by Kreid
|
||
|
||
As I sit here, rotting in my own despair, I am confused about many
|
||
things. But one thing always remains clear: we are all doomed to die in
|
||
the worlds of torment and misery that we have created for ourselves!
|
||
|
||
Why must man suffer? The answer is simple: because suffering is
|
||
all, all is suffering. There is no release, no escape, no alternative...
|
||
to the agony we must feel. Suffering is the very substance from which
|
||
our lives are made. It is the flesh and bones of our very existence!
|
||
|
||
Some think that salvation will come with death, but they are
|
||
wrong, oh! they are so very wrong. Death is an escape, but no
|
||
salvation lies past it. It will only bring darkness, eternal
|
||
darkness -- a kind of suffering that is equivalent to the agony of
|
||
life... darkness! Alive or dead, it is a world which offers no relief
|
||
from the worthlessness of our dark, miserable existence.
|
||
|
||
No, there is no light at the end of the tunnel! The end may
|
||
appear to be light, but it is really dark. So dark, in fact, that
|
||
it becomes light. Like the apple that rots and is eaten by the worm,
|
||
like rotting flesh, the darkest dark is that which is light.
|
||
|
||
Yes, my friend, we are utterly fucked. Fucked by our own
|
||
hope. So fuck it.
|
||
|
||
Peace.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Msg#2600 Conf: Perversions
|
||
From: Speedy Gonzales Date: Fri Dec 03 20:19:55 1993
|
||
To : Squinky Type: Public
|
||
Subject: War on Drugs...Prizon space
|
||
|
||
WHO CARES IF THEY DIE?!?! WHO CARES?! These people... HUMAN BEINGS are
|
||
just like you and me... they have mothers and fathers and brothers and
|
||
sister. All of these people as well as all of their friends and other
|
||
relatives care as well as many others, like me, so please, DO NOT TELL ME
|
||
THAT NOBODY CARES AND THEIR DEATH MEANS NOTHING.
|
||
|
||
Area 'Perversions' (#5)
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
BLACK FRANCIS VERSUS Y-WINDOZE
|
||
Taken from the Sysop Chat logs of Goat Blowers Anonymous
|
||
|
||
3:07 am Mon Apr 3, 1995
|
||
Recorded with user: Nobody
|
||
Chat reason: None
|
||
------------------------------------
|
||
|
||
a who the fuck iack.. who is this?
|
||
|
||
this is y
|
||
I WAS RMED!@#!@#
|
||
I HAD PCR TECHNIQUE@#
|
||
|
||
no you didn't
|
||
|
||
yhea like Id id
|
||
I rno00led.
|
||
|
||
no, because, i have no pcr, which means - in effect - you can't have a pcr
|
||
technique
|
||
|
||
Like I was posting a lot to get the warez n stuph and the kids erdrrrr
|
||
PCITURES OF LITTLE KIDS
|
||
|
||
you posted crap
|
||
|
||
Yhea well uh hate to tell you but uhhhhhhhhhhhhhhhhhh I think can figure it
|
||
out
|
||
|
||
uhm. whatever you say,man. i deleted you.
|
||
|
||
Fine I will just busy out your board forever then
|
||
haovre turfunn your line off
|
||
and your power
|
||
and kill your mother
|
||
|
||
1) i have no phone
|
||
2) i have no power
|
||
3) i have no mother
|
||
|
||
3 IS A LIE I KNOW YOU DO
|
||
ADMIT IT
|
||
|
||
nope. don't got one.
|
||
|
||
Lies lies lies I was validated!@#!@# I posted good things!@#
|
||
|
||
no, you did not.
|
||
|
||
Uh they were at least as good as what was posted.
|
||
|
||
not really. they were all extremely asinine and everyone on the conference
|
||
voted you had no purpose on this bbs.
|
||
|
||
I can do ascii art.
|
||
|
||
who can't?
|
||
|
||
Uh you have no clue who I am
|
||
I should smite you
|
||
|
||
have fun
|
||
|
||
mogul loves me
|
||
|
||
well, i don't know a mogul, but i do know a mogel
|
||
|
||
Same difference, like, your nothing but a bunch of idiot no talent having
|
||
writing geeks, I MEAN LOOK DRUNKFUX CALLS HERE THAT FAT NON SHOWERING
|
||
BASTARD
|
||
|
||
well, then why do you even bother calling?
|
||
|
||
I love you all.
|
||
|
||
that's great and all, but, that's no reason to call if you truely think
|
||
we're no-talent geeks. judging by your lack of grasping the english
|
||
language, i can tell you're a very un-talented writer as well.
|
||
|
||
Ok mister run-on sentence but like you ahve to admit asking to trade
|
||
baseball cards was elite JUST PLAIN ELITE
|
||
|
||
that was pretty funny, and, uhm, that's not a run-on sentence. that was.
|
||
but the one before was not.
|
||
|
||
and moding candy phones rocked too, and I had good poetry, I KIST FEEL er
|
||
damn I AM STILL DRUNX but I still think there isnt enoufh love here. I
|
||
care for you and you are just tossing me away like I am nothing to you.
|
||
|
||
this is true. the candy phone thing was fairly dull and the poetry was
|
||
just flat out unoriginal. you really have no place on this board. you're
|
||
2400, for crissakes (outdial, yes, but still..)
|
||
|
||
uh baeheheahheaheahea your uhm whats the word, do you like get on your
|
||
board a kit when you come home from your job at MickeyDs?
|
||
|
||
uh. huh? le
|
||
t me YOUbrR A LOSER
|
||
OlNe At BmeB S
|
||
m
|
||
BBS
|
||
WHO LOOKS AT THE KEYBOARD TO TYPE
|
||
|
||
uhm no
|
||
|
||
uhm yhea
|
||
|
||
great comeback
|
||
|
||
Uhm oh yhea?
|
||
|
||
oh please.
|
||
|
||
Uhmmmmmmm oh yhea?!@?#!@# <-- dramatic pause
|
||
|
||
until you learn to post intelligently, you have no place on this bbs
|
||
|
||
Until like this outdial dies I will try and convey my love.
|
||
uh. yeah.
|
||
|
||
Uh yhea, your just mad cuz I like mogel more.
|
||
|
||
hmm.. if you say so.
|
||
|
||
Yhea well I did, pretty rdundant of you. so I was wondering about the PEz
|
||
thing
|
||
IS IT ANOTwHhER LAME TFILE?
|
||
|
||
er.. basically
|
||
|
||
Oh sad. I used to write one long ago but then even I grew up.
|
||
|
||
really? wow. that's pretty weird since you're barely literate.
|
||
|
||
TRUE YOU GOT ME THEERE but back in my phrack days I was god.
|
||
|
||
oh really. well, uh, yeah. warez rule.
|
||
|
||
yhea like are you a BoW nigger?
|
||
|
||
do you like soup?
|
||
|
||
What kind?
|
||
|
||
any kind. soup in general.
|
||
|
||
Hot soup or cold soup?
|
||
|
||
any kind of fucking soup.
|
||
|
||
With or without condiments?
|
||
|
||
it was funny for about a second. blah to you.
|
||
|
||
big long and hairy?
|
||
|
||
no. blah.
|
||
|
||
NO I MEANT THE TFILE U MORON
|
||
iW HkAnTow AREyou i diotYOU
|
||
12
|
||
?
|
||
ARE YOU 12?
|
||
|
||
no. i'm 18.
|
||
|
||
Oh. er.
|
||
|
||
i know what blah is, but i meant it in the sense of the word/sound "blah"
|
||
|
||
Your like just a tad to anal, do you ever enjoy life?
|
||
|
||
not really.
|
||
|
||
Oh are you an art-fag?
|
||
|
||
nope.
|
||
|
||
Hmmm wear lots of black?
|
||
|
||
no way.
|
||
|
||
I bet you watch EmptV
|
||
|
||
nope. don't watch tv.
|
||
|
||
Damn. Cuz like I love brenda on tv.
|
||
|
||
yeah. i bet you do.
|
||
|
||
Well only in a kill her and have her naked body mounted on my mantle wau
|
||
but not in a sexual way.
|
||
|
||
hey. i bet you think you're funny.
|
||
|
||
Uh I bet you think your c00l, you graduate yet?
|
||
|
||
nope nope. taking a haitus.
|
||
|
||
GEDS are c00l huhuuhuhuhuhuh
|
||
|
||
nope. starting again next september. geds don't get you shit.
|
||
|
||
"dropping out from school, guess it wasnt so cool" So like you should
|
||
love me I deserve it.
|
||
|
||
urge overkill sucks and, no, i _temporarily_ dropped out. i do not
|
||
love you. you make my nipples erect, but that is not a true sign of love.
|
||
why are you pestering me?
|
||
|
||
Well it all started when I was 3. And my doh sparku died, I loved hima lot
|
||
but he
|
||
hot hehyit by a
|
||
car.
|
||
heyyes.?
|
||
|
||
psst.. you're not funny. pass it on.
|
||
|
||
OH THAT WAS WITTY
|
||
JESUS YOUR AN IDIOT
|
||
I WILL TURN UR PHONEZ OFF NOW
|
||
U HAVE NO CL)000000 HOO I AM
|
||
U WILL BE SMITED
|
||
|
||
that was an intelligent paragraph
|
||
|
||
yhea anyways hang up on me so I can start having fun
|
||
ok
|
||
|
||
=> User disconnected
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
The fight of the century: Cerkit vs. Preceptor
|
||
by Hooch [5/96]
|
||
|
||
the following is a transcript of a scheduled verbal battle that took place
|
||
at the raritan computer festival between cerkit and preceptor. some of you
|
||
may have been following their fight(s) on irc and on y0lknet. that's nice.
|
||
|
||
rules:
|
||
|
||
- no physical fighting
|
||
- cerkit may not expose himself to anybody, for fear of excessive laughing
|
||
leading to hospitilization of the exposees.
|
||
|
||
-- start --
|
||
|
||
cerkit; dude, you're a LAMER. not only that, but you live in NEW JERSEY.
|
||
do you know what that means? you live in the SUBURBS. go mow your
|
||
lawn.
|
||
|
||
preceptor; umm.. have you ever kissed a girl?
|
||
|
||
cerkit; if you look at that from a transgressive progression, then you
|
||
could see the entire properties of that proclusive but yet
|
||
provokative question. if you see it from the Berhiem angle,
|
||
developed by the late, but terribly ingraciating, Dr. Arnold
|
||
Berhiem, you could see the immediate jocoseness of the question,
|
||
and subliminally induce yourself to varied forms of lactose.
|
||
|
||
preceptor; *laughing hysterically* hahahaha. you're a dork. anybody have a
|
||
bottle opener?
|
||
|
||
cerkit; <crying> please don't hurt me! my friends told me you were smaller
|
||
than you are! i didn't mean to hurt your feelings, dude! i'm from
|
||
philly, man, my mommie taught me to talk tough! what could i do?!
|
||
i'm sorry, please don't hurt me, please don't hurt me, please
|
||
don't--
|
||
|
||
preceptor; just go away, or i'll beat you into a pulp you 5'7"/120 lb.
|
||
pansy.
|
||
|
||
--- end ---
|
||
|
||
as you can see, it was a very entertaining (and at times, horrifying)
|
||
affair that ended in cerkit showing his true colors. sure, he may talk
|
||
tough on irc (which is VERY manly and becoming, in my opinion), but he
|
||
doesn't have shit in real life. remember that.
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
Date: Thu, 13 Apr 2000 11:44:45 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: erik@oldmanmurray.com
|
||
Subject: hehehe
|
||
|
||
jehhehehe lyke u no u r pretty kewl my bf rilly lykes u'r gaming reviws n
|
||
got me hooked on u'r sight but u did somethin pretty bad u no i don't
|
||
rilly mine cuz its aobut daikatana but lyke hehehe u no u r sinken to
|
||
there level if u no wut i meen hehe u do :) hehhe i m talken bout u'r
|
||
quote from daikatana reviw hehehehe u r a bad boy! :) heheheh u didn't put
|
||
the quote in hehhe context u freekie ;) hehehe the arthur is just dissen
|
||
on wut he sees as a poor port n does not think it representative of PC
|
||
hehehehehehe so u sort of maken things seem lyke they r not ;) hehehehe
|
||
but hehehehe it's fucken john romero so .... hhehehehe
|
||
hehehehheheehehehheheeh n e way rite bak!
|
||
|
||
From: "Erik" <erik@oldmanmurray.com>
|
||
To: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
Date: Thu, 13 Apr 2000 11:48:54 -0400
|
||
Subject: Re: hehehe
|
||
|
||
Thanks, man. Glad you enjoyed your visit. I totally agree that
|
||
Daikatana will probably stink as much as the reviewer said it
|
||
would, so no need to point it out to me.
|
||
|
||
-Erik
|
||
|
||
Date: Thu, 13 Apr 2000 12:42:17 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: Erik <erik@oldmanmurray.com>
|
||
Subject: Re: hehehe
|
||
|
||
hehehehe no u r missen my point completely hehehehehe ;) 1st i m not a man
|
||
i m a girl 16/yr frm CA hehehe i liv in LA silly ;) secondly hhehehe i m
|
||
pointen out that u did sum bad things u bad boy hehehhe ;) becuz u didn't
|
||
use context when u quoted heheheh ;0 if you were in my history class u
|
||
would get failed cuz my teecher Mr. Diponio is tuff ;) but u can't do wut
|
||
u did which wuz assume that the daikatana review of n64 is representative
|
||
of PC version when the reviewr hehehe he sez himself that u can not use it
|
||
as a reviwer of PC version which is wht u implied u bad boy eheheh u see
|
||
wut i meen? ;)
|
||
|
||
From: "Erik" <erik@oldmanmurray.com>
|
||
To: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
Date: Thu, 13 Apr 2000 12:58:42 -0400
|
||
Subject: Re: hehehe
|
||
|
||
Thanks for clearing that up. I think you may have inferred more
|
||
than I implied. Seriously. I'm absolutely, completely content to
|
||
report that the nintendo version stinks. I mean, christ, that's
|
||
enough. Look at the box - it's still John Romero's Daikatana. In
|
||
fact, the n64 version will cost people *more* money than the still
|
||
potentially excellent PC version.
|
||
|
||
Date: Thu, 13 Apr 2000 21:04:46 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: Erik <erik@oldmanmurray.com>
|
||
Subject: Re: hehehe
|
||
|
||
heheheh u no the worst thin bout john romero is how uglie he is he is lyke
|
||
the sk8r tony hawk who is not hot at all u no sk8r boys who kin rilly sk8
|
||
r very uglie but the 1s that kin not r cute like my bf he is very cute but
|
||
kin n0t sk8 for the world hehehehe whenever i see him i am lyke "oh my god
|
||
sex ;)" hehehehe u no wut i mean? wut is it lyke to run a site lyke old
|
||
man murray? i wanted to run a sight 2 but i du not think i have n e thing
|
||
2 say u guyz r the best cuz u stick it to da man n u say games suck not
|
||
lyke that asian thresh who sux cuz he jus sux up 2 every 1 hehehe u no i
|
||
bet he was picked on in skewl i m pretty unpopular in my skewl cuz they o
|
||
not lyke girls with dyed hair who dress in all blak and date sk8rs hehehe
|
||
;) but it is good cuz all the guys who lyke popular girls are jus date
|
||
rapists anyone this one kid justin raped my friend krystal but she is a
|
||
dumb cunt cuz i told her it would happen hehehehehhe wut is u'r favorite
|
||
game? i lyke old skewl ones like out of this world and maybe new quake 3
|
||
buit it kinda sucked 2 i saw u'r logo in it! rite bak, k?
|
||
|
||
Date: Fri, 14 Apr 2000 13:21:33 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: erik@oldmanmurray.com
|
||
Subject: UO: renissince
|
||
|
||
hehehehehehhe u sure stuck it origin eheheh ;) i don' lyke that company
|
||
ever since wing commander started having luke from star warz in it instead
|
||
of that blue hair heheheh he wuz my favorite u no? yeah u no hehehe did
|
||
you not get my last piece of mail? u did not respond! :( n e way i wanna
|
||
ask u wut do u think is wrong with game cumpanies that they think they kin
|
||
do that to us? i don't lyke how they mistreat me n u n every 1 else it sux
|
||
:) wut the fuck is reniissince n e way? some bullshit bout italians and
|
||
fuckin court jesters hehehe i lyked that jester in ultima v when he said
|
||
rhymes hehehe that rox hehehehe n e way! rite bax!!!! ;)
|
||
|
||
From: "Erik" <erik@oldmanmurray.com>
|
||
To: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
Date: Fri, 14 Apr 2000 13:21:10 -0400
|
||
Subject: Re: UO: renissince
|
||
|
||
You may be the only sixteen year old girl on the planet who played
|
||
Ultima 5. Could you adopt a new persona who says the same
|
||
things, but in a more readable format?
|
||
|
||
Your pal,
|
||
Erik
|
||
|
||
Date: Fri, 14 Apr 2000 13:47:01 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: Erik <erik@oldmanmurray.com>
|
||
Subject: Re: UO: renissince
|
||
|
||
heheheh i played ultima v cuz my ol' bro had hehe the nes port of it heheh
|
||
u no or mebbie his sega master system hehehe i dunno but i remember the
|
||
port hehehe i played it lthen n then i got the heeh the WARE hehehehe ;)
|
||
:) hehehehehheheeh the WARE hehehehe n e way it sux of course but it is
|
||
still fun memories u no? yeh u no... y don't u believe me? y do u say get
|
||
a new persona when i m the only persona i no how to be heheheh eme!!!
|
||
ninrox!!! heheheheh ;) heheheh r u saying that i m not readable my bf is
|
||
reedz my files n all of hoe lyked my file that i wrote about sk8rs hehehe
|
||
u no they r cute hehehehe n e way how is u'r day? how r u doin'?
|
||
hehehe!!!!! rite bax!!!!
|
||
|
||
Date: Sat, 15 Apr 2000 13:39:04 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: erik@oldmanmurray.com
|
||
Subject: hehehehheh spam positive thought
|
||
|
||
hehehehehehhe u silly ;) heheheheh u said we lost the cold war to mother
|
||
russia hehehehehehehhe ;) i git the joke heheheh the inversion of the
|
||
"truth" jejejejejjejehehehe u no how 2 make us all lauf wit the jokes but
|
||
hehehehhe u no that joke presunes that every 1 belives that we won the
|
||
cold war heheheheh but wit the rise of a former career KGB man can u
|
||
really say the cold war is over? in addition to hehehehehe the election of
|
||
Putin hehehehe u cod argew that the cold war heheheh did not end but was
|
||
minorly put on hiatus due only to the incompetence of Yelstin hehehehe
|
||
also u might bring up the recently signed Status II treaty hehehehe but
|
||
then u would have to realize that hehehehehhe there are still 3000-3500
|
||
missles on both sides heheheheh how r u? right bax!
|
||
|
||
Date: Wed, 26 Apr 2000 22:04:58 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: erik@oldmanmurray.com
|
||
Subject: fucken crates :(
|
||
|
||
hehehe u shure showed them bout u'r fuckin' crates all over tha fucken
|
||
place u no that shit pisses me off hehehe cuz lyke u no i hate fps but it
|
||
is awl i kin play now u no u guys were rite thief 2 sux cuz like they
|
||
reuse levels form thief 1 in it and they reususe soem levels from thief 2
|
||
twice in the game and the last level is just u goin' around 2 make parts
|
||
lyke a fucken autowerker in detroit hahehehhe u guys daikatana SUCKED
|
||
hehehe the demo i meen that shit is fucken unbeeleavably bad hehehe u no i
|
||
never played nothin so bad b4 hehehehe well not true but u no lots of that
|
||
shit sucks but not so bad as fucken hjohn fucken remero daikatana shit
|
||
that shit sux
|
||
hehehehehee rite bax u silly b0y!
|
||
|
||
Date: Fri, 28 Apr 2000 12:41:48 -0400 (EDT)
|
||
From: "NIN RULEZ!#!@" <nin@entropy.tmok.com>
|
||
To: erik@oldmanmurray.com
|
||
Subject: hehehe u rox
|
||
|
||
heheheh u rox hehehe i lyke how u ook pix of john romero n put them over
|
||
that elian shit hehehhehehehehehe i hate that lil fuk (hehehe both of 'em)
|
||
hehehe yeh they r shit hehehhe yo dakiatana demo sux heheheh did u see
|
||
that shit? it suxckd so fucken bad it makes me want to cry hehehehe u no i
|
||
don't know if fps is even good n e more heheheh that shit is getting lame
|
||
and wack hehehehe u no it is suxy hehehehehe u should rant about that shit
|
||
heheheh cuz lyke somethin needs to happen heheheh good thing i pir8
|
||
everything heheheh or else i'd have to pay for all this shit heheheheheh u
|
||
no gamen sux for a long time now heheheh it sucked b4 2 but now it really
|
||
sux hehehehehe u no romero is a fucken shit head hehehehe that shit is
|
||
wack hehehe flying lions is lyke the receipe heheheh for queer hehehe yeah
|
||
hehehe u no fucken shit u have not write bax!!! :( u r making me sad!!!!
|
||
rite bax!!!!!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Fri, 18 Aug 2000 00:52:51 EDT
|
||
From: AphexTwin23@aol.com
|
||
To: mogel@hoe.nu
|
||
Subject: HOE SUBMISSION
|
||
|
||
"A Trip Through Life"
|
||
|
||
It's crazy how we meet different people through others every day of
|
||
our lives and although we probably won't see the person ever again...we
|
||
just take it for granted. And then if we ever do see the person again we
|
||
just recognize them by appearance but just walk on by them because you're
|
||
only acquaintences. It's weird. You never really see who they really are
|
||
as a person. We just skim by on what we know.
|
||
I like to be observant. Study a person. Really see who they are...
|
||
what kind of person they are. I like to become aware of my surroundings
|
||
because when you think about it...you're only going to have THIS moment
|
||
once in your lifetime. So why not savor it's every bite?
|
||
It's crazy how you can meet someone and only talk to them for a few
|
||
mintues but never think of them again. But then some day you might become
|
||
good friends, or have a relationship together, or really get to know each
|
||
other. You would have never guessed it'd happen, but it does.
|
||
Like today...I met some Jon guy at Perkins. Didn't really talk to
|
||
him but just by listening to him, looking at him, I figured out who he
|
||
might be. I confuse myself. haha. He was kind of fucked up. Hyper,
|
||
nervous, paranoid, but yet he was one of those people that you could never
|
||
hate.
|
||
I sometimes feel that I know more about a person than they know.
|
||
Just because I guess I think too much. Way too much. I sometimes just
|
||
zone off into my own little world because I get to thinking. Thinking
|
||
about What If. That messes you up.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Sun, 13 Aug 2000 01:31:34 -0700
|
||
From: "mdawg666" <mdawg666@email.msn.com>
|
||
To: mogel@hoe.nu
|
||
Subject: FAG DAD
|
||
|
||
"Hey, son, how's school?" Sez dad, walking into the kitchen wearing
|
||
sandals, track shorts, and a mesh tanktop, with all of his body hair shaved
|
||
off. "Fine, Dad," says the son, while he thinks inwardly "dad sucks dicks.
|
||
think about it. i come from a man, i mean from a woman, and the rest one
|
||
little semen that outlived all the others in its burst node, but the guy
|
||
likes a big dick! in his mouth!" then the son pretends to eat, having
|
||
finished thinking for the moment. "hey son," says the dad, "is something
|
||
weird? something you don't want to discuss?" Says dad, doing some balletic
|
||
hamstring stretches... "because if there's something you don't want to talk
|
||
about... geez, i need to shower right about now!"
|
||
|
||
"kay dad" says the son. "Faggot" he thinks.
|
||
|
||
Fag dad in the bathroom. Undresses slowly in front of a steaming
|
||
mirror. Is nude. Traces a steam heart of mirror image curves around his
|
||
head. Looks down and seed his new dragon tattoo high up on his inner
|
||
thigh. Gets in the shower. Considers playing with his asshole. Gives in
|
||
to the feeling beneath the steaming water. The son is not welcome at
|
||
school. Since the last 2 years since his father had acknowledged
|
||
homosexuality, and his hippie mother forgave the father, so they stayed
|
||
together to raise the kid while seeing other people and being divorced,
|
||
except men would not approach his mother. They would, however approach his
|
||
father. just as the kid is going upstairs for his football fag dad opens
|
||
the door of the bathroom. Steam goes into the air and he feels the
|
||
temparature of the room as being a lot colder than it is. Fag Dad's skin
|
||
tightens, at most points on his body. The kid looks at him, it being kind
|
||
of hard to get away from dad issues, fag or no. Dad has a thin smile.
|
||
His skin is flushed and rosy from the shower.
|
||
|
||
"do you want a ride to school, kid?" hisses Fag Dad.
|
||
|
||
"uh, not really dad. I'm ready to leave except for my football, and
|
||
you're, you know..."
|
||
|
||
"I could go like this right now," retorts fag dad, "they would just
|
||
think i wasn't wearing a SHIRT!" and winks.
|
||
|
||
"bye, dad," says the KID, and runs.
|
||
|
||
Fag Dad stops for a moment. alone, in the house, he lets a lot of
|
||
his straightness fall. Makes a skirt out of the towel. Prances a little
|
||
on his thin toes. Plays with his tits as he walks, ruminatively. Gets a
|
||
belt and starts pulling it out tight and hard as he walks. Meanwhile the
|
||
KID sits on the bench, the kid awaits the bus with an empty, convict's
|
||
face. He see the bus coming from the left. Sees faces in the bus as it
|
||
approaches. By the time the kid had boarded the bus and been beaten all
|
||
the way to school, fag dad fought his impulse to have hot cock rubbing
|
||
musk smelling homosexual sex right now. Gives in to urge. Gets out the
|
||
phone, beep(7)... who's he on the line with? Why, none other than THE
|
||
BOYFRIEND! And it turns out that THE BOYFRIEND has been doing the exact
|
||
same thing in his apartment, in the 21st century anno-deadjesus. Right in
|
||
the middle of Salt Lake City Utah, both of them not only excited about
|
||
porkin one or 'tother but also about the pretty, oscars and hammerstein
|
||
vibe of the ACTUAL OLYMPICS which now anchors THE KID, FAG DAD and THE
|
||
BOYFRIEND to an event in actual time.
|
||
|
||
Fag Dad lies on the bed, face down among the satin pillows. Thinks
|
||
about this: spending 10AM to 5:15 PM in vigorous ass sex? Tiring. But,
|
||
The Kid and Ex Wife are due home soon. He dresses. doesn't shower.
|
||
Figures hey, he's got some rut smell. Some other guy's cock smell. Who
|
||
doesn't? The Kid was so severely abused at school today he took to
|
||
sitting in the Janitor's Mop closet all day, calculating through the
|
||
pass-fail math to see how much longer until they fail him out of school.
|
||
The kid listens intently. He hears the classes let out. Walking, talking.
|
||
Next class. Repeat. Between classes footsteps are rarer, usually adults
|
||
or people on their way to the toilets. The Ex Wife is happy about this
|
||
family situation because she has thought everything through logically.
|
||
Everything being done here is for the benefit of the Kid. Why make Fag Dad
|
||
suppress his impulses? He is good enough to keep Boyfriend away from
|
||
The Kid and her. Better that the Kid have a father and a mother who live
|
||
in the same house, and better still that he is learning something else
|
||
too: that Fag Dad is his real dad. Likes penis better than Vagina? So
|
||
does the Ex Wife! Ex Wife sez aight, I ain't stress over Tha Kid
|
||
knowhatumsayin?
|
||
|
||
But now peep dis: how the fuck is this kid gonna get home?
|
||
He duckin up and down avenues, tryin an see who around. He gets to this
|
||
street. Scary street. Bad street to be on? Sure. But there is something
|
||
working to the Kid's advantage here. These kids? They SCARED of this here
|
||
street. Why? Cause they know the people on dis street would str8 fuck
|
||
dem up an shit. Kid gets to the busstop.
|
||
|
||
Ex Wife and Fag Dad sit together. They talk about business a lot,
|
||
personal matters, fashion, popular psychology and home care. Fag Dad is
|
||
wearing designer blue jeans, a five hundred dollar plaid button down and
|
||
the same sandals he was wearing before. Sometimes Fag Dad will reach
|
||
forward with his index finger and touch the top of the knee of the wife in
|
||
a way that is removed of sexuality. Waitin for the kid, mostly. They didn't
|
||
have to wait much longer.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
KEVIN SMITH MOVIES FOR DUMMIES by Linear
|
||
|
||
Wait! Before you read this file, although I reccomend you avoid
|
||
reading it at all, you should go out and rent/buy the four Kevin Smith
|
||
movies - the four movies which were written/directed/acted in by Kevin
|
||
Smith - unless you have already seen these four movies, and remember them
|
||
pretty well. Be sure to watch these movies in the order they were made,
|
||
simply for nostalgic purposes. By the way, the four movies, and the order
|
||
in which they were made, are as follows:
|
||
|
||
Clerks
|
||
Mallsrats
|
||
Chasing Amy
|
||
Dogma
|
||
|
||
Now that you've seen the movies and have obtained an appreciation
|
||
for the beauty they are, let's go over the subtle things you might have
|
||
missed. I can obviously not go over all these things, as I myself have
|
||
certainly missed a lot of them as well. I'll only be going over the ones
|
||
I know of. And of course, none of the conclusions I draw have not been
|
||
officially verified by Kevin Smith or anything, they're just my different
|
||
theories and such.
|
||
|
||
Now, they don't make it obvious and spell it out for you, but it
|
||
doesn't take all that much brain power for one to figure out that all four
|
||
movies connect in a small way. And with these small connections in between
|
||
films is how I managed to come up with these theories.
|
||
|
||
As was already stated, the movies came out in the order of Clerks,
|
||
Mallrats Chasing Amy, and then Dogma. But, much like the Star Wars movies
|
||
weren't released in the propper order according to when they happned in
|
||
time, it is my belief that the KS movies were also released out of order,
|
||
according to when the actual events where to have actually happened,
|
||
relating to each other (still with me?).
|
||
|
||
Although not released in this order, I think the movies actually
|
||
took place (fictionally took place, of course) in the following order -
|
||
Mallrats, Clerks, Dogma, and then Chasing Amy. Why? Allow me to
|
||
elaborate!
|
||
|
||
In Clerks, Dante and Randal go to Julie Dwyers' wake. In Mallrats,
|
||
Julie Dwyer had just died in the pool the night before. Now, a wake
|
||
couldn't possibly be set up over night (ruling out the possibility that
|
||
Mallrats and Clerks happened at the same time). It takes at least a couple
|
||
of days to get a wake together! You have to make reservations with place
|
||
that the wake will be held, you have to send out reservations to the family
|
||
and loved ones of the deceased, and any other planning that might have to
|
||
do with wake. So therefore, if Julie died only a day before Mallrats took
|
||
place, and the wake was already set up for the same day that Clerks took
|
||
place, then Clerks must have taken place, say, a week after Mallrats.
|
||
|
||
And that explains that. The next conclusion of Dogma coming after
|
||
Mallrats is a little more complicated to explain. First, to understand why
|
||
Dogma had to have happened after Mallrats, and not after Chasing Amy, we
|
||
must understand that bot Mallrats and Dogma actually never truly took
|
||
place, even in the world of fiction. They themselves were both works of
|
||
fiction created by works of fiction... Now I know you must be lost.
|
||
|
||
Explaination: Mallrats was a comic book written by the guys in
|
||
Chasing Amy (Holden and Banky). Thereby making it a work of fiction made
|
||
by works of fiction (Holden and Banky!). There is evidence supporting this
|
||
theory given in Chasing Amy. First of all, the Comic Book written by Holden
|
||
and Banky in entitled "Bluntman and Chronic" features Jay and Silent Bob as
|
||
the superheros. In Mallrats, they act as somewhat of superheros - trying
|
||
to destroy the stage with various methods, saving TS and Broadie from the
|
||
cops, escaping from the cops with super-human like speed, hiding from the
|
||
cops using superhero like methods, and finally, playing the video tape at
|
||
the end of the movie for Broadie, alowing him to avoid arrest and win back
|
||
the love of Rene! Throughout the movie, Jay says such things as "Snoochie
|
||
Boochies". Now, all this stuff alone is not enough evidence to say that
|
||
Mallrats was actually a "Bluntman and Chronic" issue, but Jay's statement
|
||
in Chasing Amy of "But that aint like us at all, all slap-sticky and
|
||
running around and shit. And what's that shit you got us saying......
|
||
Snoochie Boochies? Who the fuck talks like that? That's fucking baby
|
||
talk!" gives us more than enough to believe that Mallrats was in fact, a
|
||
comic book!
|
||
|
||
Now, where that proves that Mallrats was a comic book, it doesn't
|
||
explain why Dogma was as well. In Dogma, there is really only one line in
|
||
the movie that links it to all the other movies (besides the fact that Jay
|
||
and Silent Bob are in all four movies). This line takes place as Bethany
|
||
walks into the same train car that Jay and Silent Bob are on. You can hear
|
||
Jay saying in the background something along the lines of "yeah, one time
|
||
we tied this tubby bitch to the ceiling of a mall...". This is the only
|
||
evidence we have of Dogma being a comic (because they never really tied
|
||
Silent Bob to the roof of a mall, that scene was in Mallrats, which was a
|
||
comic book!), besides the fact that Dogma was all about saving the world
|
||
and what not.
|
||
|
||
Okay, this explains why Mallrats and Dogma are comic books created
|
||
by the guys in Chasing Amy, but it doesn't explain why Dogma took place
|
||
after Mallrats. To explain this, we must take a look at the events that
|
||
happened at the end of Chasin Amy.... they kill off Chronic (Jay)! Thereby
|
||
ending the comic. Well, as we see in the Dogma comic, Jay is alive and
|
||
well, therefore the comic had to have been written BEFORE Chronic died,
|
||
thereby BEFORE Chasing Amy! See? It all makes sense now!
|
||
|
||
Chasing Amy probaby happened anywhere from 5 to ten years after
|
||
Mallrats, simply because they speak of the Julie Dwyer incident as if it
|
||
had happened quite a while ago.
|
||
|
||
And so concludes my Kevin Smith timescale theory. Here's a few
|
||
other things worth mentioning - In Mallrats, after being chased by LaFours,
|
||
Jay says something close to "The bitch runs faster than Walt Flanigan's
|
||
dog!". This is in reference to a comic book that Kevin Smith once wrote
|
||
staring Jay and Silent Bob as they are chased around by a dog. Walt
|
||
Flannigan's dog, to be exact. Also, when the break Willam's concentration
|
||
from the Sailboat Magic Eye picture, he mutters "Boobytrap!" all
|
||
frightened. This is the same phrased muttered by Chris Rock (Rufus) in
|
||
Dogma when he awakes on the train. I have no idea what the significance
|
||
of this phrase is, but perhaps we'll learn in time.
|
||
|
||
I told you that you should have avoided reading it.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Thu, 12 Oct 2000 22:23:00 -0700
|
||
From: aymorejunior@uol.com.br (AYMORE C TOLEDO JR)
|
||
To: mogel@hoe.nu
|
||
|
||
DEARS SIRS,
|
||
|
||
I AM A BRAZILIAN MAN, A PHYSICIAN, AND I LOVE CINEMA.
|
||
I AM BEGINNING TO LEARN ABOUT FILLMAKERS.
|
||
SO I AM INTERESTING IN THEIR SUBJECTS.
|
||
|
||
SINCERELY,
|
||
AYMOR JUNIOR
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
How to Watch Chow Lee Yun Fat Chung Movies
|
||
by Water Biscuit
|
||
|
||
there are many cheesy kung fu movies that have been made over the years,
|
||
and sometimes people watch them. let's pretend that you have some
|
||
friends who do. you force them to watch a movie you like a lot, say
|
||
_pcu_ or _ernest is important_, and they decide to force you to watch
|
||
one of their movies.
|
||
|
||
it's a loud explosive thriller from asia.
|
||
|
||
it stars chun lee fat yung hu kee ran.
|
||
|
||
prepare for fun!
|
||
|
||
the television on which you will watch the movie is old and dead. your
|
||
asian-movie-loving friends are poor college students. "bright red" is
|
||
the only color visible any time during the movie. this color does not
|
||
include "blood". so to heighten the enjoyment, perhaps you should bring
|
||
along a kaleidoscope.
|
||
|
||
you will suffer from dehydration while watching the film. your poor
|
||
college student friends with the bad TV and taste for asian films also
|
||
have no beverages. do not think you will drink water. their apartment
|
||
is very grimy, slimy, and slummy. the water comes from pipes internally
|
||
coated with a sort of rusty, sooty, foul ooze. so before you head
|
||
over to watch the movie, you will need a drink to bring along. as a side
|
||
note, be sure to pretend as if you have a communicable disease while at
|
||
your friends' apartment, otherwise they will all drink your beverage.
|
||
|
||
now you are prepared to watch. sit back, read the subtitles. in order
|
||
to understand the plot, imagine that there is one. change your concept
|
||
of the plot frequently, in order to explain each scene. by the time
|
||
the movie is over, you will have something neat to think about and you
|
||
may have fun hallucinatory dreams that night. or you'll be really
|
||
confused and ask yourself, "what's up with them asians?"
|
||
|
||
the next step to sitting through a chow lee chung how sun lee movie is
|
||
very basic and is almost human nature. it is known as "suspension of
|
||
disbelief", or "ignore the profundity of the wild gunfights." yes, it's
|
||
probably true that when someone gets shot, their leg muscles probably
|
||
don't react in a jump, causing the person to fly over a railing and fall
|
||
30 feet. and sure, reloading doesn't happen often. but if it did, the
|
||
movie would waste even more of your precious time.
|
||
|
||
for fun, you can conform to your friends by playing this neat little
|
||
game. every time a character in the movie says something in english,
|
||
repeat it! and if you wish, test out your chinese or japanese accent
|
||
while repeating! oh, and if you are with a bunch of men, be sure to
|
||
comment on every single gun and every extraordinary explosion. if there
|
||
are babies in the film, joke about the babies getting killed or thrown
|
||
like footballs.
|
||
|
||
ok, so now you're a third of the way through the film. you are asleep.
|
||
the trick now is to have brought a pillow so that your neck won't be
|
||
cramped when you wake up. be sure that your awakening happens after the
|
||
movie is over, or 15 minutes before it is over. that way, you can
|
||
either avoid the whole dumb mess, or you can catch the climax. the
|
||
climax consists of explosions and death in gargantuan proportions.
|
||
|
||
congratulations. and my condolences.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
CAST FOR #EZINES THE MOVIE
|
||
(Inside joke humor from Lachyrmite)
|
||
|
||
Mogel Kevin Bacon
|
||
AIDS Christopher Walken
|
||
Caitlin Britney Spears
|
||
Quarex Andre the Giant
|
||
Rhea Alicia Silverstone
|
||
AnonGirl Jeannine Garoffalo
|
||
Trilobyte Jim Carrey
|
||
Kreid Carrot Top
|
||
Effy Thora Birch
|
||
TanAdept Brad Pitt
|
||
Seaya Ellen Degeneres
|
||
AltRocks John Candy
|
||
Amycore Gwyneth Paltrow
|
||
Anjee Fionna Apple
|
||
Aster Mary Kate and Ashley Olsen
|
||
Basehead David Hasselhoff
|
||
Big Daddy Bill Keanu Reeves
|
||
Phairgirl Gillian Anderson
|
||
Droo Don Knotts
|
||
Hardcore Danny Devito
|
||
Jamesy Ralph Nader
|
||
Jubjub Billy Corgan
|
||
Metalchic Angelina Jolie
|
||
Nybar Eminem
|
||
Oregano John Goodman
|
||
SnuffyXI James Earl Jones
|
||
Soybean Meg Ryan
|
||
Styx Ewan McGregor
|
||
Swiss Pope Dan Akroyd
|
||
Zooey Sam Waterson
|
||
Tasha Gerard Depardieu
|
||
Uberfizzgig John Travolta
|
||
Cerkit Puff Daddy
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 11 Jul 2000 15:13:07 +0800
|
||
From: dinkee <sky@skytao.com>
|
||
To: mogel@hoe.nu
|
||
|
||
hong kong - wish you were here, weather is nice.
|
||
|
||
welcome to hong kong, no hong kong is not japan. and yes it is a
|
||
part of china since june 1st 1997 but no we are not communist. hong kong
|
||
is now known as the SAR (special administrative region) and will remain
|
||
under independant law for another 50 years whilst chinese law will be
|
||
enforced slowly and steadily. has anything changed? of course, ever since
|
||
the handover local chinese people have a slow growing grudge against the
|
||
goverment (mr. tung chee wah) due to the fact that the economy has dropped
|
||
and the property market has dropped rapidly.
|
||
|
||
theres an old saying that "the ways of england are the ways of the
|
||
world" as much as the local chinese would hate to admit to trusting
|
||
"gweilos" (white ghosts in direct translation into english), the english
|
||
did bring hong kong into being one of the top cities in the world. at the
|
||
present moment, hong kong has the world's largest suspension bridge (yes
|
||
even bigger than the san francisco golden gate bridge) although, this does
|
||
not stop a local chinese from being proud of this bridge. its just another
|
||
long straight road for "fay ge-is" (local chinese boys who drive toyotas,
|
||
mazdas and have the engine changed so it sounds like a harley) to speed on.
|
||
our airport here is supposedly also the biggest in the world, but rumours
|
||
have it that germany and malaysia are trying to beat that one.
|
||
|
||
now hong kong is split up in three parts, think of hong kong as
|
||
three different personalities. you have hong kong island - the fun,
|
||
sometimes arrogant but always trendy character. kowloon - the more darker
|
||
side of hong kong and new territories - the naive, slow pacing and
|
||
innocent side of hong kong. hong kong island itself is made up of a few
|
||
residential areas but in part mostly large skyscrapers bearing large neon
|
||
signs of big companies who are struggling in this evil economic depression.
|
||
kowloon is well known for its famous "walled city" back in the 1950's where
|
||
a catholic Jackie Pullinger came on a mission sent by God. she helped many
|
||
"huck sar woi" (triad) members quit their opium/heroin addiction and turn
|
||
their faith to god instead of their triad leader.
|
||
|
||
now new territories on the other hand, since it is fairly close to
|
||
the border of china, many "II" (illegal immigrants) hide here. there are
|
||
certain villages here that are named after a surname, and back in the 50's
|
||
all the people that lived in this village had the same last name. all types
|
||
of vegetables, fruits and rice were grown here, but ever since the new
|
||
airport has been built on a nearby island, the new territories has become
|
||
more and more of a residential area.
|
||
|
||
now to the interesting bits, no matter what you read about hong
|
||
kong, it may sound all glamorous, but life here really depends on how you
|
||
live it. the current population here is 7.4 million, thats alot of damn
|
||
people for hong kong seeing as it is only a tiny dot on the map. money
|
||
really does do the talking here, and if you drive, so does the make of
|
||
your car. like many other famous cities, there are red light districts
|
||
here (oddly though the red light district in kowloon looks more green due
|
||
to neon green signs) and unfortunately alot of drugs.
|
||
|
||
growing up here is quite difficult if you are a local chinese and
|
||
go to a local school. 5 out of ten children will be traid members by the
|
||
age of 13, some girls will be used by triad members as prostitutes or
|
||
"hostesses" in karaoke bars. about 2 out of ten will become drug addicts
|
||
or drug pushers, 1 out of ten will die before they reach 16 by commiting
|
||
suicide. rarely do children go on to universities overseas either because
|
||
their family would rather they start work as soon as they finish school to
|
||
support the family or the family dont agree with the western way of living.
|
||
|
||
superstition is also a way of living here, old hong kong was very
|
||
superstitious but since hong kong has turned more and more international,
|
||
only the older generation carry on the tradition in some chinese customs.
|
||
the dead are highly respected here, and most prefer to cremate their
|
||
deceased than bury them, this can be of course due to the costs of a space
|
||
in the graveyard.
|
||
|
||
but on a lighter note, the night life in hong kong again varies on
|
||
how you grew up, many westerners or chinese that are westernized go to
|
||
"lang kwai" which is on hong kong island. local chinese go to "rave
|
||
parties", but the meaning of a rave party has slowly gone off track. now
|
||
police go to them as well to keep the peace from rival triad members. and
|
||
every so often the US navy pop into hong kong and pick up a bunch of local
|
||
chinese girls who find the masculine defined tone of their bodies highly
|
||
exciting and go get drunk with them on the streets of "wan chai".
|
||
|
||
personally, i have lived here from childhood to me teenage years.
|
||
i'm considered local chinese but also considered westernized due to the
|
||
fact that i did not attend a local school here. i do however get bullied
|
||
by "fay ge-is" quite often, most of the time on the road. but to the local
|
||
chinese i also look incredibly japanese (this might have to do with the
|
||
fact that i have japanese blood) so for a few months i didnt get bullied
|
||
as hong kong started to adore the every entrepernuership skills that japan
|
||
had. so instead of being picked on i got "macked" on, though i never took
|
||
up any of the offers of "dating" a local chinese boy. dont get me wrong its
|
||
not that i dont find them attractive in anyway, but to date a local
|
||
chinese...you actually date them. meaning, for the first 4 months you go
|
||
watch movies, shopping, dinner, lunch whatever pleases you but no hand
|
||
holding, no kissing. hand holding comes in the 6th month, kissing much
|
||
later. and sex? forget about it, well forget about it for the first year
|
||
you're together at least because you definately won't get any sex from a
|
||
local chinese relationship from the first year of dating.
|
||
|
||
so if you do decide to come, please do because you're most likely a
|
||
westerner and won't see any "huck sar woi" or have any "fay ge-is" bullying
|
||
you, instead you'll get to pick your choice of 40 different varieties of
|
||
international food, drink foreign beer and shop like a mad person on
|
||
cocaine. the only expensive part of your stay is accomodation, but then
|
||
again all you have to do is smile at me and i'm sure i could find a nice
|
||
cheap place which is not "chung king manshions"...
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
TWELVE LESSONS IN BRAVERY by Trilobyte
|
||
|
||
lesson no.1 : just because someone isn't talking about something
|
||
doesn't mean it's not on their mind.
|
||
|
||
lesson no.2 : the less someone talks about something on their mind,
|
||
the more significant it must be.
|
||
|
||
lesson no.5 : attempting to pick peoples' minds for hidden or
|
||
missing information is potentially dangerous.
|
||
|
||
lesson no.6 : people who seem open about everything are anxious
|
||
about something else.
|
||
|
||
lesson no.7 : the lost cities of gold are missing for a reason.
|
||
|
||
lesson no.8 : don't ride with drivers who welcome death.
|
||
|
||
lesson no.9 : if you lend a helping hand, wear a metal gauntlet.
|
||
|
||
lesson no.10: if a loved one gives you stickers,
|
||
|
||
sentiment is a ghost seen only in mirrors. you can't touch a ghost
|
||
unless it becomes tangible, but then it's no longer a ghost. you can't
|
||
pet a dog who's running away. a parrot in panama doesn't want your
|
||
cracker. your grandmother's cookies were bought at a store. an
|
||
investment in love will negate your balance. a kid without toys is
|
||
killing someone right now. you can't swim if there's not enough water.
|
||
don't jumpstart the car if you don't know how to drive.
|
||
|
||
a sarcastic smile is a sadistic's technique. throw 'em the bait
|
||
and they eat the whole pole. you can piss in the river but they'll swim
|
||
away.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE GROCERY STORE by Rhea
|
||
|
||
Jezebelle was a girl. She had brown hair and green eyes. She liked
|
||
ice cream.
|
||
|
||
Yes, she liked ice cream, and that was why she was waiting in line
|
||
at the grocery store on this mellow Tuesday afternoon, with a carton of
|
||
vanilla cold in her hand.
|
||
|
||
The person in front of her was a woman. The woman was wearing a
|
||
brown sweater, and her hair was blonde. Jezebelle couldn't see what color
|
||
the woman's eyes were.
|
||
|
||
The woman was buying eggs, a pineapple, and a box of men's beard
|
||
and mustache dye, in dark blonde.
|
||
|
||
Jezebelle was buying ice cream.
|
||
|
||
The woman had blonde hair.
|
||
|
||
Jezebelle had brown.
|
||
|
||
The woman was taking out a handful of bills from her purse and
|
||
handing them to the man behind the register. He counted them and put them
|
||
in the register, and gave the woman back a few coins.
|
||
|
||
"Thank you, come again," said the man.
|
||
|
||
The woman moved over to put her things in a plastic grocery bag,
|
||
and Jezebelle moved over to pay for her vanilla ice cream.
|
||
|
||
The man ran a scanner over the bottom of her cold carton. The
|
||
scanner made a small beeping noise. A number appeared on the register
|
||
screen.
|
||
|
||
The man looked at the number and said to Jezebelle, "Your total
|
||
comes to $546,232.50."
|
||
|
||
Jezebelle blinked.
|
||
|
||
The woman, who was still arranging her pineapple in a plastic bag,
|
||
looked up.
|
||
|
||
"I'm sorry. Could you repeat that?" asked Jezebelle.
|
||
|
||
The man yawned, looked at the screen again, and said, "Your total
|
||
comes to $546,232.50, miss."
|
||
|
||
Jezebelle blinked again. The woman watched in silence.
|
||
|
||
"Will that be cash or check?" asked the man dully.
|
||
|
||
"Uh... well... yeah," began Jezebelle slowly, pointing to the ice
|
||
cream. "I uh... thought it... was on sale?"
|
||
|
||
The man behind the register yawned again. "That was last week, miss."
|
||
|
||
"Oh." An orange candy bar wrapper caught her eye from the aisle. For
|
||
a second everything was blank.
|
||
|
||
For a second the world was just Jezebelle and the glint of light on
|
||
the shiny orange plastic wrapper.
|
||
|
||
"Cash or check?"
|
||
|
||
"Uh... well... yeah," began Jezebelle even more slowly. "I don't
|
||
have that much cash."
|
||
|
||
"Check?" yawned the man.
|
||
|
||
"Uh... well... yeah," began Jezebelle, slower still. "I don't have a
|
||
check book."
|
||
|
||
"You don't?"
|
||
|
||
"No."
|
||
|
||
"Then I'm sorry, miss, but I'm afraid you can't get this ice cream,"
|
||
said the man.
|
||
|
||
Jezebelle sighed, "Okay." She began to walk away.
|
||
|
||
"Wait!" cried the blonde woman. She reached into her purse and
|
||
pulled out a large wad of bills and handed them to Jezebelle. "Here, use
|
||
these," she said.
|
||
|
||
Jezebelle looked down at the bills. They said "Monopoly" on them.
|
||
|
||
"I can't use these!" she said to the woman.
|
||
|
||
"Why not?" asked the woman impatiently.
|
||
|
||
"Because - well - because this isn't a game!" exclaimed Jezebelle,
|
||
waving the wad of play money emphatically.
|
||
|
||
Both the woman and the man behind the counter burst into laugher
|
||
simultaneously. "Sure it is!" they chimed in unison.
|
||
|
||
"What?" asked Jezebelle. "No it isn't!"
|
||
|
||
The woman, still laughing, reached into her newly backed grocery
|
||
bag and pulled out the box of dark blonde men's beard and mustache dye.
|
||
"Just look!" she said, holding the box out to Jezebelle.
|
||
|
||
There was a picture of a smiling man with a thick dark blonde beard
|
||
and mustache. Jezebelle thought he looked rather uncannily like the
|
||
man behind the register.
|
||
|
||
Above the picture of the smiling man were the words, "This Is A
|
||
Game."
|
||
|
||
"See?" asked the woman.
|
||
|
||
"But that's just a brand name!" said Jezebelle. "It doesn't mean
|
||
anything."
|
||
|
||
Both the woman and the man behind the counter burst into laughter
|
||
simultaneously. They laughed and laughed.
|
||
|
||
Jezebelle was getting angry!
|
||
|
||
"I'm getting angry!" she said.
|
||
|
||
"She's getting angry!" said the man behind the register.
|
||
|
||
"Just use the bills!" cried the blonde-haired woman.
|
||
|
||
Jezebelle looked down at them. They were still in her hand. They
|
||
still said, "Monopoly."
|
||
|
||
"But -"
|
||
|
||
"JUST USE THEM!" yelled the woman and the man in unison.
|
||
|
||
Jezebelle slowly lifted her hand, which was shaking violently, and
|
||
gave the bills to the man behind the register. He counted them and put
|
||
them in the register, and gave her back a few coins.
|
||
|
||
"Do you want a candy bar too?" asked the woman, laughing almost
|
||
nastily. She pointed to the orange-wrapped one Jezebelle had noticed
|
||
earlier.
|
||
|
||
Jezebelle looked closer this time, past the glint of light from the
|
||
shiny wrapper. She realized there were words written on it, in a color
|
||
that almost blended in with the orange shade of the wrapper itself. They
|
||
read, "The World Is Painful And Absurd: a caramel-chocolate treat."
|
||
|
||
Jezebelle was suddenly very, very tired.
|
||
|
||
"No, just the ice cream will do," she said.
|
||
|
||
The man gave her the carton of ice cream. It was wet with cold
|
||
condensation, and some of the condensation dripped off and started running
|
||
down her hand. She felt the cold, trickling water well enough. It was
|
||
real. She felt it.
|
||
|
||
She felt it. It was real.
|
||
|
||
"This is real," she said triumphantly, turning to face the woman.
|
||
|
||
But the woman was gone. Jezebelle looked around wildly, glimpsing a
|
||
flash of brown and blonde exiting the door. "Wait!" cried Jezebelle,
|
||
running after her.
|
||
|
||
"Thank you, come again," said the man as she ran off.
|
||
|
||
Everything was so bright when Jezebelle got outside. The sunlight
|
||
was so strong she couldn't see. "Wait!" she cried again desperately,
|
||
shielding her eyes from the blinding sun with her arm. She could vaguely
|
||
make out a dark shape standing a little bit ahead of her: the woman. The
|
||
woman had two clear grocery bags in her arms; one had the pineapple in it,
|
||
and the other had the eggs and the box of dark blonde men's beard and
|
||
mustache dye.
|
||
|
||
"Yes?" asked the woman testily.
|
||
|
||
For a second Jezebelle forgot what she wanted to say. The sun was so
|
||
bright! It was all she could think about. The bright sun, and the orange
|
||
candy bar wrapper, and --
|
||
|
||
Then she remembered. She held up the carton of ice cream, still
|
||
dripping with condensation, and cried, "This is real!"
|
||
|
||
The woman rolled her eyes and laughed. "Look inside, silly!" she
|
||
said, shaking her head. She turned and walked away.
|
||
|
||
Jezebelle blinked.
|
||
|
||
Jezebelle opened the carton.
|
||
|
||
It was empty.
|
||
|
||
Absolutely empty.
|
||
|
||
A bead of cold condensation ran down her arm.
|
||
|
||
Jezebelle yelled in anger and threw the empty carton in the
|
||
direction the woman had gone. It rolled a few feet away, then rolled right
|
||
back and stopped at her feet.
|
||
|
||
Above her, the fluorescent grocery store sign blinked:
|
||
|
||
Open 24 Hours
|
||
Open 24 Hours
|
||
Open 24 Hours
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
From the lost pages of The Anarchists Cookbook or something like it comes...
|
||
|
||
WORDS, ALWAYS A HANDY WEAPON
|
||
by Voyd (c) 1986
|
||
|
||
Words without feeling carry little meaning to me. People tie words
|
||
and emotion together all the time when they should be seperate most of the
|
||
time. Most peoples minds are very impressionable also, so words have the
|
||
ability to cause emotional stress. Intelligent people have become
|
||
somewhat jaded. They see little value or wisdom in the words of most, and
|
||
are somewhat immune to a verbal assault. Not always the case, some are
|
||
touchy. When I say words I dont mean "fuck", although a simple "goddamn"
|
||
is still like dropping a piano on the average christians state of
|
||
well-being. If god is so all-powerful, why is he such a pussy about
|
||
name-calling? geez!
|
||
|
||
Anyways, story on that was I was at a party with a friend. We were
|
||
drinking heavily and started talking to a couple of girls. We found out
|
||
they were christian, and being agnostic as we were, decided to have some
|
||
fun. They hadn't escaped the years of brainwash and were gripped by the
|
||
fear of god. No basis for their beliefs whatsoever. I was browbeat for
|
||
20 minutes for saying "goddamn". It was funny watching them get all
|
||
flustered. "You have no weapon you can use against me". I said. "Your
|
||
words don't affect me, and have no meaning!" They got frustrated at that.
|
||
The whole point is words can affect people deeply, yes, but I think you
|
||
have just scratched the surface my friends. Visual images may cause the
|
||
most uproar, but words come in a close second.
|
||
|
||
CASE #1: The Audible Bomb
|
||
TOOLS NEEDED: Your mouth, a language to communicate in.
|
||
|
||
I hate idle chatter. Why do people feel they have to talk about
|
||
stupid shit when they feel the least bit uncomfortable? Places this
|
||
happens: the doctors waiting room, in line at the grocery store, in an
|
||
elevator, on a bus etc. You get the picture. If I dont know you, chances
|
||
are I dont want to talk to you unless I initiate it. The following may
|
||
sound a little juvenile, but trust me, the results can be hilarious.
|
||
Keep a straight face, never show emotion in this case. Seem distant, it
|
||
will make people think you are psycho after the audible bomb is dropped
|
||
(added damage: the realization that some people really are crazy.)
|
||
|
||
Scenario: On the bus, crowded, had to sit next to a smelly lonely
|
||
guy. His shirt identifies him as "Bill".
|
||
|
||
Bill: "So...ya headed to work?"
|
||
You: "Yeah."
|
||
Bill: "Sure is a nice day. I'd love to be outside."
|
||
Bill: "Playin' ball would beat workin' any day, huh?" <*lame chuckle*>
|
||
You: "Yeah...I'd rather fuck my DEAD GRANDMOTHER'S CORPSE than have to go
|
||
to work today." <pause> "Up the ass, no less..."
|
||
<stranger turns his head, stares out the window>
|
||
|
||
Things that make you go "hmmmm". It's all about timing. The
|
||
audible bomb causes mixed emotions in people, some get angry, some are
|
||
shocked, and some get scared. This has lead to many "you're going to hell"
|
||
conversations. Hey...at least they aren't making idle bullshit chat now,
|
||
huh?! At least there is some conviction in their words!
|
||
|
||
It's all about the total shock value of your statement in this
|
||
scenario.
|
||
|
||
Other examples (pre-assembled bombs):
|
||
|
||
- "Man...I'd kill a homeless person for a smoke about now."
|
||
- "I'd rather fuck an aborted fetus than eat at this place again!"
|
||
- "It makes me want to kill my father and piss on his dead corpse."
|
||
|
||
These are Great for tele-marketer calls and annoying store clerks
|
||
that will not leave you alone. Assembly of the bomb is simple. Pick some
|
||
words from the included material and string them together with some nouns
|
||
and adjectives. (i.e., eat, fuck, shit, mother, dog, father, fetus, piss,
|
||
mouth, anus, kill, lsd, dead, baby, god, fag, bloody, sodomize...)
|
||
|
||
Set one off and watch the face of the next stranger that dared talk
|
||
to you. Hell, if you have big horsey balls set one off at work. Just
|
||
because you work with me doesnt mean I want to talk to you either.
|
||
Bitches.
|
||
|
||
THE AUDIBLE VIRUS
|
||
|
||
People will believe almost anything. They work similar to
|
||
computers. Farmilar with the term "GIGO"? It stands for "garbage in,
|
||
garbage out". We can take advantage of this to create a sort-of virus
|
||
that will propogate itself similar to a worm. Anyone, with enough
|
||
conviction and a straight face, can be an expert on anything. Pick a
|
||
subject you know nothing about and strike up a chat. Or jump in on a
|
||
conversation you feel all parties engaged in conversation aren't really
|
||
educated about. This is your chance to inject your virus into the wild.
|
||
You will be amazed at how little the loudest persons talking actually
|
||
knows about what they are talking about. Our virus is made up of
|
||
disinformation, subtle lies, and useless made-up facts.
|
||
|
||
CASE #1: The Workplace (Petri-dish Experiment)
|
||
TOOLS NEEDED: Your mouth, a language to communicate in and at least one
|
||
human to infect.
|
||
|
||
This is a great place to spread a virus because you can actually
|
||
watch it propogate itself. Sometimes it even makes its way back to you.
|
||
Just smile and say, "Yeah, I read that somewhere."
|
||
|
||
Co-Worker: "So, what's for lunch today?"
|
||
You: "Plain noodles...I'm scared to eat a lot nowadays..."
|
||
Co-Worker: "Why?"
|
||
You: "Well, I read in California 20 people died from vegtables that
|
||
had soaked up some chemical they treat them with."
|
||
Co-Worker: "Oh man... are you kidding?!"
|
||
You: "No...and those veggies were shipped all over the U.S., there
|
||
is no way they can find and destroy all of them now."
|
||
|
||
- Conclusion: He will tell at least 4 people. Each of those 4 will tell
|
||
several - and on and on. Just *maybe* one person will
|
||
actually research it.
|
||
- Result: Many paranoid people at the dinner table. A live disinformation
|
||
word virus.
|
||
|
||
Creativity is a must when creating a word-virus. The more
|
||
hard-to-believe it sounds the more people will spread it. Make it
|
||
something hard to research factual backing also, this ensures a longer
|
||
life. Believe me though...people will believe about anything. From
|
||
useless factoids that just waste someones brain space, to full-blown
|
||
interruption of thought every 5 minutes thinking about it, to outright
|
||
fear and paranoia.
|
||
|
||
Examples (live virii). Do not run these on your own brain!#%! I
|
||
take no responsibility.
|
||
|
||
- "Hey, in South Africa they found a species of lizard that lives
|
||
over 140 years!"
|
||
- "Headaches are caused by gravitational pull from the moon."
|
||
- "Al Gore accepted money from the KKK to fund his campaign."
|
||
- "If you take a whole bottle of asprin you will trip balls!"
|
||
(this only works on druggies...may kill people)
|
||
- "They found a group of terrorists not long ago, that had
|
||
stockpiled chemical weapons in four major u.s. states."
|
||
- "It's possible to stay underwater for up to 20+ minutes through
|
||
meditation. The ancient chinese did it all the time."
|
||
- "i heard [insert name] has testicular cancer."
|
||
|
||
Now that you have this knowledge go out and cause some chaos, punx.
|
||
Remember, as long as you are able to communicate, you are always armed
|
||
with bombs and biological weapons.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
RIMJOB MY SORE ASSHOLE AHAHAHA by CUNT SHIT FUCK AHAHAH
|
||
|
||
AHAHA so, like i was eating some guys asshole straight out of the ass hole
|
||
and all this blood started pourin' out and he was havin' all this diarehea
|
||
too but i kept on eatin' it was so yummy!! god i love the consistancy of
|
||
shit when it squishes inbetween my teeth and sticks to the roof of my mouth
|
||
and holy shit it's so warm coming down OH GOD I LOVE IT!!!!!
|
||
|
||
once i raped this girl but i didn't just rape her, i used a sharp knife and
|
||
i stuck it into her mouth and turned it sharply and there was all this
|
||
blood which i wiped on her cute little stomache, she was 11 years old, and
|
||
then i stuck it into her vagina and rolled it around in an "eight" shape
|
||
until she started screaming and then i stomped on her fucking face!!! ahahah
|
||
ahahaha that was so awesome
|
||
|
||
eating dead bodies and having your penis slammed in a car door while
|
||
hundreds of ants crawl all over your bodily orifices rules.
|
||
|
||
sometimes i open up my penis hole when an ant is crawling on me and i let
|
||
it hop right in! ehehe
|
||
|
||
i hope you didn't find this file disturbing!!! eheheheh
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
HOLY SHIT GRANDMA!
|
||
|
||
This is a story about how my dad had the shits, and i was at my
|
||
grandmothers house one day, and i accidentaly saw her tits...
|
||
|
||
kuzak: Mom, what time are we going to grandma's?
|
||
mom: 4:30
|
||
kuzak: ok, ill be back then...
|
||
|
||
So, I went out to the store and got a hotdog and some gum, and the cashier
|
||
was this chick, and she was like really hot, so i thought i would open
|
||
with a smoooove line like, "Hey babe, what's your baud?"
|
||
|
||
She turned and said, "hey shweeet child, 28.8--what's it to you?" i said,
|
||
"wow! too much woman for me, and then walked out, so i got home, and it
|
||
was time to go to grandma's, so i packed up my cd player, and some cd's
|
||
and it is like 30 minutes to grandma's house, so i'm in the car and i'm
|
||
listening to my cd player, and then i smelt something,
|
||
|
||
kuzak: what the hell is that smell?
|
||
dad: i donno!
|
||
kuzak: jesus christ, dad! open the fukkin windows you fukkin pig!
|
||
dad: why? what's wrong?
|
||
kuzak: you fat bastard! what did you eat today? beans and saurkraut?!
|
||
what the fuk is wrong with you? imma suffacate from the butane
|
||
your ass is putting out!
|
||
dad: well, then i'm not gunna open no damn windows for you and your
|
||
wiseass mouth!
|
||
kuzak: you asshole!
|
||
dad: just go to sleep, it'll pass.
|
||
kuzak: yeah, right.... why don't you sniff it all up for me?
|
||
mom: god dammit! both of you shut up right now... jesus honey, what
|
||
did you eat today?
|
||
dad: beans and saurkraut...
|
||
|
||
Now, have you ever tried to sleep, and there is a horid smell
|
||
around? well it gives you nitemares! so I'm trying to sleep, listening
|
||
to a little _rage against the machine_ to ease my mind of the terrible
|
||
smell... meanwhile, we pull into my grandmothers drive way...
|
||
|
||
grandma: oh, you're here! dinner's in the oven!
|
||
kuzak: wow, what are we having gradma?
|
||
grandma: spagetti! what do you always have when you come here?!
|
||
kuzak: oh yeah, that's right...
|
||
kuzak: hey grandma, i hope the bathrooms free, daddy's got the trots!
|
||
dad: didnt i tell you to shut the hell up?
|
||
mom: <to dad> stop it right now... leave him alone! you should be
|
||
ashamed for what you did in the car!
|
||
|
||
<kuzak sticking tounge out at dad, when mom isn't looking!>
|
||
|
||
grandma: you better not stink up my house!
|
||
dad: ok, ma, calm down!
|
||
grandma: well, sit down at the table, it'll be ready in a few minutes...
|
||
kuzak: did you make some more of that great sauce, gradma?
|
||
grandma: yes, of course...
|
||
kuzak: ok, then, i'll be putting butter on mine, thanks.
|
||
grandma: come over here and help me with the pots, will ya?
|
||
kuzak: ok!
|
||
|
||
Now, as I walk over there, this brillo pad falls on the floor, so
|
||
as I was about to pick it up, my grandmother had already bent over, but I
|
||
was halfway bent over to pick it up in the first place, so all of a
|
||
sudden... WHOOPESH! i was looking down my grandmothers shirt! that had
|
||
to be one of the worst sights i'd ever seen in my life! jesus christ, i
|
||
never seen the wrinkled up, shriveld titties in my life!, i mean, it was
|
||
horrible... it was clear that i wasnt having a good day...
|
||
|
||
kuzak: oh, uhh, grandma, you should've let me get that for you...
|
||
grandma: it's ok, i need all the exercise i can get!
|
||
|
||
Meanwhile, I'm like tramatized... you have no idea what that can do
|
||
to a kid going through puberty! (btw: i was 14 when this happend!)
|
||
|
||
kuzak: ok, grandma... i'm gunna go sit down now...
|
||
grandma: ok, it'll be ready in a few minutes, deary!
|
||
mom: did you help grandma?
|
||
|
||
helped her? jesus christ, she sure didn't help me any... i could've
|
||
done without seeing that, it was just as bad as seeing a fat person in
|
||
spandex! good gawd!
|
||
|
||
dad: i have to use the bathroom... ill be right back!
|
||
|
||
Uh-oh... this cud take years and possible fire hazard if someone
|
||
lights a match. All of a sudden, you hear "plop, drip, plopasdljkasdfklsdf
|
||
klfasdlkf, drip drip". i was like, "Oh man...!"
|
||
|
||
kuzak: JESUS FUKKIN CHRIST DAD!
|
||
dad: (yelling from bathroom) what?
|
||
kuzak: you know damn well what!
|
||
kuzak: i'm going for a walk... don't expect me back until this house
|
||
stops smelling like shit-stained underwear!
|
||
mom: ok, well don't wander off too far... dinner will be ready in a
|
||
minute or five.
|
||
|
||
ok, well i come back, and you hear "FLUSHHHHHHHHHHHHHHHHHHHHHHHHH,
|
||
clog clog... blup blup blup.."
|
||
|
||
kuzak: grandma, i hope you have a plunger and a gas tank!
|
||
grandma: what would i need the gas tank for?
|
||
kuzak: walk over to the bathroom door...
|
||
|
||
i have never seen an old lady run so fast... holy shit, she
|
||
practically fainted.
|
||
|
||
kuzak: hey dad, do ya think it is all out? or is the shit gunna dribble
|
||
out your pant leg at the dinner table?
|
||
dad: shut up!
|
||
mom: yes dear, that would be rather disgusting if we had to see that
|
||
at the dinner table. after all, we are at your mother's house
|
||
and you dont want that to happen again...
|
||
|
||
Well, it is pretty much all over now. Dad's trots are gone, and I
|
||
didnt look at my grandmother for 6 years after that.. and hear we are
|
||
today!.. well until next time... cya..
|
||
|
||
OH! I almost forgot to thank Ilsundal for the "hey, babe, what's
|
||
your baud?" line. heh! he almost used it at IHOP one time on our
|
||
waitress!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
A SPECIAL MESSAGE FROM NEKO
|
||
WRITTEN IN MAY, 1995
|
||
|
||
i was about to start this rant off with a blurb about conformity and
|
||
the like but then after writing about three lines, i realized that i wasn't
|
||
saying anything new and if you hadn't taken the dangers of conformity to
|
||
heart by now, you never would. so, instead, i will take you on a personal
|
||
journey, an odyssey if you will.
|
||
|
||
let me give you a quick background on some stupid information. i am
|
||
in the gifted program at school. it shares a building with the
|
||
creative/performing arts program, so most of my friends are in one of these
|
||
two programs. over the last school year, i have really become close to
|
||
most of my friends. i have done this through something not at all unlike
|
||
the computer/modem/messaging world. we passed a little notebook around in
|
||
which we could anonymously (well, with handles, the same anonymity given to
|
||
we the computer geeks) converse with each other. the topics when from sex
|
||
to music back to sex again. the net result of this was me getting
|
||
completely different views on a lot of different people who i had known for
|
||
years. this group of people decided that we should all still meet and see
|
||
each other over the summer. so, like the computer geeks, we had a con.
|
||
the first one was apparently a success, because there were 5 or 6 more
|
||
throughout the summer, each held at an area park.
|
||
|
||
my friends are probably some of the most boring people i know. in
|
||
many cases, they really aren't often 'fun' to be around. they are always
|
||
depressed about one thing or another. many of them are always talking
|
||
about nine inch nails (something i despise and have made it known) and how
|
||
their parents are restricting them too much. all of the bullshit makes me
|
||
sick. and if they aren't doing that, they're off smoking weed or thinking
|
||
how cool it would be if they were smoking weed. many of my friends smoke
|
||
cigarretes. many of them say how they're trying to quit and then proceed
|
||
to smoke three cigarretes in the time i spend with them. how can the
|
||
people i call friends make me so upset? probably because i do not indulge
|
||
in the 'sex and drugs' atmosphere that they do. and you know what, i
|
||
think i have a better time than they do.
|
||
|
||
outside of never having smoked a cigarrete, pot, drank a beer, had
|
||
sex, something that seperates me from my friends is that i know how to say
|
||
'no'. now i know you thought this was complete bullshit when you were in
|
||
the second grade and your teachers told you to say no to drugs, but i am
|
||
serious. the most important word in the english language is no. when
|
||
someone offers you pot, you don't have to say 'yEaH d00D! h0oK mE uP'.
|
||
the choice is always open to say no. if it's your friend who is doing the
|
||
offering, you shouldn't be ashamed to say no, they should accept you.
|
||
|
||
why am i saying this? i am saying this because i don't exactly
|
||
enjoy the company of my friends anymore. not only can we not agree on the
|
||
music to listen to, but too many of them have stopped thinking about what
|
||
they're doing. too many of them want to smoke weed just because other
|
||
people are doing it. too many of them are turning into the conformists
|
||
they claim to dislike so much.
|
||
|
||
and now the cheesy finale.
|
||
|
||
look: you are you. it doesn't matter what you do in life, because
|
||
you are still you. the only person whose opinion on the way you are truly
|
||
matters is your own. if you want to smoke weed, or do something else that
|
||
i have called stupid, be my guest. i cannot stop you. but please, think
|
||
about what you're doing and make sure that it is what you want to be doing.
|
||
make sure that whatever you do is what you want yourself to do and not what
|
||
someone else wants you to do. make sure you're doing it because you want
|
||
to and not because someone else wants you to.
|
||
|
||
please. i have seen too many people's lives get fucked up. and to
|
||
think, it's all because they were afraid to say no.
|
||
|
||
THE ABOVE WAS WRITTEN AROUND THE SAME TIME AS THE TEXT FILE CLASSIC,
|
||
"WHY DRUGS ARE QUEER" by ART OLIVER
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
WHAT I SAID TO ABE THE COP by Alek
|
||
|
||
smile! you have coffee! your gun is so large and SHINY and I can
|
||
see my reflection in your awesome mirror shades. you have a blue suit on
|
||
and a MOUSTACHE. I really like your clean, SHINEY cruiser. and your
|
||
MOUSTACHE. your badge number is 213 and your badge is very SHINEY, you
|
||
must shine it a lot. everyone makes fun of you because you don't like
|
||
donuts. you dont like getting the crumbs in your MOUSTACHE. but, you
|
||
like coffee. I fear your nightstick because it is so black, huge, and
|
||
SHINEY. please don't handcuff me to the railing and beat me with your
|
||
nightstick of forgiveness! did I mention that I like your MOUSTACHE?
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Post: 16 of 16 Date: Wed, 28 Jul 93 18:59:46 EDT
|
||
From: motley (Motley/G*P)
|
||
Organization: The KungFu Theatre BBS - 401.351.5345
|
||
Subject: DRUGS!
|
||
|
||
Alcohol is safer, if you take it in small amounts... I don't like to
|
||
Drink real Booze I prefer Beer, every Friday... Not other days...
|
||
Friday's the PARTY Day...
|
||
Hasch is also as dangerous as alcohol...
|
||
I wouldn't touch LSD,COCAINE,HEROIN,CRACK,EXTACY,AMFETAMIN etc etc etc
|
||
the list is long...
|
||
LSD is the worst, you can get really nasty FLASHBACKs.... Some fall into
|
||
coma other don'T...
|
||
EXTACY, nasty, use extacy, be on a rave, with full clothing including
|
||
some kind of body clothing and mask or a hat... Too much Body heat, the
|
||
usual cause of Extacy Death...
|
||
|
||
Of coz if all the Drugs around would be 100% pure, then the problems would
|
||
be less (maybe)... but they are so filled with garbage... Filthy Drugs!
|
||
|
||
Last Friday I wanted to get some LSD, I was really Drunk... L8r on I
|
||
changed my mind... gehehe... Never tried a DRUG... If I'm gonna try,
|
||
it'll be Haschis, it's not so Dangerous, just to try, but years and years
|
||
of use will crack you...
|
||
|
||
I like to drunk... Liked to get Highg, Dream: Being High on some unharmful
|
||
Drug in CYBERSPACE!! WOW! would kick ass...
|
||
|
||
Actually Techno Music itself is a stimulating Drug... Nice...
|
||
|
||
L8r...
|
||
|
||
PS. W8ing for reactions...
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Melissa Gruppuso
|
||
ENG 020-04
|
||
03/06/00
|
||
Writing Assignment 2
|
||
|
||
How to Break A Bad Drug Habit
|
||
|
||
If you are an addict of any drug you must take steps to change your
|
||
life. First, you must be able to admit that you have a problem. This is
|
||
the hardest step for most users because they are usually in denial about
|
||
their drug habit. Once you've realized that you do need help the first
|
||
thing you want to do is sign yourself into a drug rehabilitation center.
|
||
There you can get counseling and the full individual attention and
|
||
encouragement that you'll need to recover. Next, you might want to join a
|
||
support group such as Narcotics Anonymous. They can help you learn how to
|
||
manage and enjoy your own life, teach you the twelve steps, and always be
|
||
there if you ever need them. Also it is always healthy to have friends
|
||
and family members who will be there to support you and motivate you on
|
||
your way to serenity. Another good idea is to keep yourself occupied.
|
||
You should look into schools, get a full time job or pick up a hobby such
|
||
as, painting, sports, horseback riding or whatever you like doing. During
|
||
all this there are certain things you need to avoid like the people you
|
||
hung out with when you have used, the places you used to go when you would
|
||
use, or anything you associate with using drugs. Following these three
|
||
simple suggestions will make it easier for you not to relapse. Finally
|
||
the best thing for you to do is to keep at it one day at a time. For
|
||
instance, don't think about a month from now or two weeks ago, just keep
|
||
your thoughts in today and what is going on right now. Just remember that
|
||
you have already hurt yourself enough. Is there any good reason to hurt
|
||
yourself anymore?
|
||
|
||
|
||
EXCUSE ME, BUT LUMPY'S GOT SOMETHING TO SAY.
|
||
|
||
-====\_/ BONG LITERATURE DEPT. \_/====-
|
||
....PRESENTS...
|
||
-----------------------------------------
|
||
"The Trip Club"
|
||
By: Z<><5A><EFBFBD><EFBFBD>
|
||
Written 03/94
|
||
-----------------------------------------
|
||
|
||
Josh was a regulare teenager... He was into the regular things like
|
||
cars, drugs, and women. Josh was about 5 feet, 9 inches tall, and he had
|
||
his own clique. They would hang out, and talk. Every once in a while, a
|
||
friend would be stonned when they met at the Caffeteria, which was usually
|
||
where they all saw each other. It would be real fun... they would always
|
||
play some sorta trick on the member who was messed up. For instance, once,
|
||
Mark, one of Josh's best buds came in totally out of it. He looked and
|
||
smelled it. It was finally the time everyone had been waiting for... the
|
||
ultimate trick. Mark fell fast asleep on the dirty caffeteria, with
|
||
dribble coming out of his mouth. He must have really been hitting on the
|
||
pills for that sort of effect.
|
||
|
||
The group, that numbered 4, pulled Mark into the theater in their
|
||
school. They had been planning this for some time, do they had some props
|
||
hidden backstage. They one by one went back and retrieved the uniforms,
|
||
swords, dry ice, and other essentials for the trick. They had a coffin in
|
||
the middle of the stage. It had no lid, and they placed Marks semi-Cold
|
||
body into it. They turned off all of the lights except the stage ones,
|
||
and put out the buckets of dry-ice. The stole the speakers platform and
|
||
quickly go to work spray painting it black. The stage was set. All that
|
||
needed to be done, was for Mark to wake up.
|
||
|
||
They waited over an hour for Mark's body to re-awaken.. when they
|
||
began to get scared. "What if he is dead?", they group thought
|
||
collectively. Well, they waited and waited, and finally, Mark began to
|
||
wake up.
|
||
|
||
---------------------------------
|
||
The Scene [From Mark's View]:
|
||
Mark in the center of a lightened
|
||
misty, cloudy area, surrounded by
|
||
dark nothingness, with a man sta-
|
||
nding at a desk, reading from a
|
||
book.
|
||
---------------------------------
|
||
|
||
Mark looked up, and figeted. Then he suddenly got really red and
|
||
started to move. He raised himself slowly and looked around. He snapped
|
||
his neck back to free his joints, and then started to realize that he was
|
||
dead. He went over to the man and said, "So, am I dead?". The man
|
||
replied slowly but sternly, "Yes". Mark quickly replied with, "So which
|
||
is is boss, up or down?". The man replied, "What do you think?". Mark
|
||
then looked pale... and muttered, "Shit!". Marks life then shot across his
|
||
mind like O.J.Simpson on drugs... He saw every moment of his life, from
|
||
his first shoot up when he was 1, to his fist sample of crack, and acid...
|
||
[Hi smiles], the cocaine [He grinns.. bad trip], and then finally, the
|
||
pills that he had taken not long ago.
|
||
Mark thought fast, knowing that hell was'nt the place for him. He
|
||
pointed to the man's rear and said "Look, its O.J.Simpson's ex!", and the
|
||
guardian turned. He flashed up the stairs to heaven to live an eternal
|
||
pure life.
|
||
Back at the school, the Trip club was still waiting for Mark to
|
||
wake up.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
COCAINE by pl0nk
|
||
|
||
KEEP OFF
|
||
THE GRASS
|
||
KEEP OFF THE GRASS
|
||
KEEP OFF THE
|
||
GRASS
|
||
|
||
MYsTERY FILE-0=\//\/
|
||
issue # ??????
|
||
" the name was never included "
|
||
*hint* CHECK THE BACK OF THE BOX
|
||
-----
|
||
|
||
in a shoe box somewhere out there
|
||
cold and windy the terrian but yet in that shoe box
|
||
there lived a rebel named fast eddie.
|
||
and this is his tale.
|
||
|
||
parents galore, hide your children from the reaper that is fast eddie.
|
||
he spends his days in a shoe box, moving rapidly day to day
|
||
he will never die, just infect those around him until they slowly pass
|
||
because of him, your now a fiend and fiends alike, keep them in denile
|
||
your skiiing constantly down those sloapes, clocked 420 miles an hour
|
||
your family looks down at you, nothings ever thought... they just turn
|
||
away and cower
|
||
|
||
your nothing but a player
|
||
and players fuck alot
|
||
homey don't play that game
|
||
but when the rules are set
|
||
there can be nothing broken
|
||
cast the iron
|
||
cast the iron
|
||
|
||
in closing we will now take a few words from friends and family who wish
|
||
to bid to fast eddie as he makes his journey into the kingdom of heaven
|
||
where he will live forever in peace and harmony. AMEN.
|
||
|
||
FATHER: Hey DAD!, its my birthday and drunk and im in JAIL put mom on the
|
||
phone
|
||
MOTHER: MOM, im in JAIL.. put dad back on the phone
|
||
FATHER: Hey Pop! Im in JAIL
|
||
|
||
SON GETTING YOU DOWN?
|
||
TRY REACHIN' FOR THAT _KIT-KAT_ BAR...
|
||
FOR WHEN YOU NEED A BREAK FROM THE EVERY DAY!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
ARE YOU JUST ACCEPTING TEXT? by iNSaNE GiRL
|
||
|
||
The task: write a short story whereby all characters are no more
|
||
than their material realities.
|
||
|
||
The response is: FUCCCCCCCCCCCCCCCCCCCCCK.
|
||
|
||
haha... material realities folks...
|
||
|
||
how the fucking donkey-mother-fucker-fucking hell do you write
|
||
anything other than goddamn MATERIAL REALITIES?! you tell me that and
|
||
i'll give you a quarter in American dollars, coz we don't have those where
|
||
i live fuck oath.
|
||
|
||
We ARE nothing but material realities.
|
||
|
||
to our little heads we can pretend to be three-dimensional and
|
||
fantastic, but pretense is pretense, and why don't you all just lay down
|
||
and fucking do stuff about it?
|
||
|
||
Don't be so fucking crass and crude and bluddy plain rude, you
|
||
asshole... how did I end up like this is what I'd like to know?
|
||
|
||
One minute I'm flying, goddammit, and the world is a haze all
|
||
around me--I don't give a shit--i just don't care, coz you can't stop me
|
||
from dancing, you can't pull my wings off--even if you keep tugging at my
|
||
legs like a whining child. Fuck life, just screw it all, coz i'm on some
|
||
kind of natural high and my head is like way up there where all the smoke
|
||
and fumes from all the shit you say is just spinning round contaminating
|
||
my brain with nervous energy i'd normally sublimate to happy vibes.
|
||
|
||
all you wanna do is watch me free fall into nothingness, coz
|
||
happiness is just a word that people without problems like to use to
|
||
pretend they don't have problems.
|
||
|
||
It's perverted.
|
||
|
||
Even if you can forget, it all kicks you in the head early next
|
||
morning.
|
||
|
||
Do you want to fly with meeeeeeeeeeeeeeeeeeeeeee to a land where
|
||
love is freeeeeeeeeeeeeeeeeeeeeeeeee... man i could make love to music
|
||
all night long, coz in love you lose yourself and it's no big deal when
|
||
you never had a self in the fucking first place.
|
||
|
||
i got a head full of nothing and a pocket full of glass, so don't
|
||
you go trying to tell me that you understand anything about me--i am way
|
||
too simple... i cannot be understood! like the genes in my dna, i am
|
||
unicelled and ignorant. I am nothing but a reflection of a reflection of a
|
||
material fucking reality.
|
||
|
||
Let's all just forget about ever wanting to be anything. Because,
|
||
my friend, in a world where everything is outside, you ain't nothing....
|
||
you ain't nothing But.
|
||
|
||
I hope that watever you people think you're gonna do with my
|
||
heart... you know that it ain't even beating no more... coz i dropped it
|
||
over a bridge on my way here and it kinda broke on impact... hollow things
|
||
don't hold up so strong when you throw them hard over long distances... i
|
||
proved it through careful testing. The results bored me.
|
||
|
||
You can't stop the tears that ain't falling... fuck eh.
|
||
Profounddddddddddddddddd.... i woke up one day and everything was clear
|
||
and thats what happened man, can you fucking believe it or what??????????
|
||
|
||
My mummy and daddy decided when I was born they'd teach me manners
|
||
and they cut out my vocal cords cause a smile is more polite than a
|
||
screaming child. i pretended to go along with the mutilation right up
|
||
until one day i found the severed cord, reconnected and turned the volume
|
||
THE FUCK UP...
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
TOP TEN KEYWORD STRINGS THAT BROUGHT GOOGLE.COM PEOPLE TO HOE IN 2000:
|
||
|
||
#10 - "click on the hoe"
|
||
#9 - "jon katz child molest"
|
||
#8 - "interacial forced sex fantasy"
|
||
#7 - "kill fuck wack homie grass weed"
|
||
#6 - "butt naked arab hoes"
|
||
#5 - "how to make a bomb"
|
||
#4 - "jessica rabbit fucking"
|
||
#3 - "penis girth"
|
||
#2 - "cures for aids"
|
||
#1 - "thora birch naked"
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
TURNERS FILES by Trilobyte
|
||
|
||
[to the tune of "national anthem," baseball games]
|
||
|
||
(not the canadian one)
|
||
|
||
(and heard underneath a whole lot of noise of people eating hot dogs
|
||
and yelling at their children and at the players and at the vendors to "get
|
||
more beer! get me more beer! more beer here!" and the like, and since i
|
||
can't really hear the tune right n ow, it's like, i can't sing a long, so i
|
||
just have to ask:
|
||
|
||
"is it the denim or the mornings that contitute your thread of
|
||
thought?"
|
||
|
||
then that "tightness of the sweater", that old "jersey-rudie" type
|
||
of nut,
|
||
|
||
(diggers of this fake table take fake fable note, sell only to bidders
|
||
of the highest, most smiley and bold),
|
||
|
||
yells,
|
||
|
||
"i see t-shirts, all clad whitely, standing in a row, hair parted,
|
||
pants _undaunted_, waivering hith'r and fro!". and that really
|
||
gets your attention,
|
||
so i can't ask about the denim, dear heart-o-mine.
|
||
|
||
and then one of the baseball players replies, "to the tailor go the
|
||
players when they hat has broke, order quickly at the Bixley's (where the
|
||
playerrs go.) the 'owner's daughters' all have "problems" with her buttons,
|
||
hear, they come right open for the basemen soon as they come near."
|
||
|
||
well i guess it's true, cos i've seen brochures for that region and
|
||
other,
|
||
|
||
** author casually sleeps in chair **
|
||
** author casually sleeps in chair **
|
||
** author casually sleeps in chair **
|
||
** author casually sleeps in chair **
|
||
** author casually sleeps in chair **
|
||
|
||
...
|
||
|
||
buy-
|
||
it-
|
||
you're-
|
||
into-
|
||
it
|
||
|
||
stores 'n
|
||
sells 'em
|
||
|
||
...at the school fun fair.
|
||
|
||
(the kids say they're "ballin'" when they're "brawlin'" at the
|
||
playground there, the lisps just still persist even with therepy. ("oooh-
|
||
bah-yeh," one said to me one time. i didn't quite understand him. and
|
||
still don't, to this day.)
|
||
|
||
(no middle-eastern or balswabish would e'er be heard round here,
|
||
no south pacific, nothin' "gimmick", nothin' "trendy" here, but --),.
|
||
|
||
"AT THE MOMENT
|
||
|
||
PORK-TOMATOES
|
||
|
||
ARE NOT
|
||
|
||
TO BE THROWN
|
||
AT THE TEACHER.
|
||
|
||
(dot, dot, dot, )
|
||
|
||
OHHHH-BBBWBWBB_KAY.
|
||
|
||
now, please, persist with your torturous ways.
|
||
|
||
thank you,"
|
||
principal mercury says, no grin on his chin, no
|
||
"penny for your thoughts," nothing. he was kind of shrinking actually, his
|
||
hands clutching invisible objects in front of him as he cowered back to his
|
||
chair.
|
||
|
||
viewing that her husband was "perturbed", dotty mercury stood up
|
||
from her cake-walk chair, put her hands on her hips, and, looking around,
|
||
her fat red lips _pulsated_ as she substituted speaking (honking, more like
|
||
it) for loud, loud, LOUD gum chewing.
|
||
|
||
[finger-pointing begins.]
|
||
|
||
"who is the bastard who sinned??" she asks, to no one in particular,
|
||
while waving her finger at the tomato on her husband's head.
|
||
|
||
[gum-chewing begins.]
|
||
|
||
a nondescript kid in the audience, who only seems to be absorbing
|
||
the most darkness, raises his right sleeve and says,
|
||
|
||
"me."
|
||
|
||
[gum-chewing ends.]
|
||
|
||
[finger points at mangled boy.]
|
||
|
||
"well what did you expect from the whole ordeal, little one? any
|
||
thing less than to have lost your right arm in such a FREAKISH ATTEMPT AT
|
||
RIDICULOUSNESS???!?," mrs. mercury continued, her eyes almost completely
|
||
out of their sockets, staring at little tommy's severed arm.
|
||
|
||
[gum-chewing begins.]
|
||
|
||
tommy just smiled an evil little grin, eyes and all, shook his
|
||
shoulder, and replied,
|
||
|
||
"tasted them termayters, ma'am, and they was ain't no good, i
|
||
can't blame that little statesman or the stage or crew," he waves his arm
|
||
billowingly.
|
||
|
||
[gum chewing continues.]
|
||
|
||
"they pilot shipping's been all flippant since the dailey screw,
|
||
the missing tailor and a jailor who look-a lots like you... bingo, dorothy
|
||
friends come some willing by, when they's old shrews, they spark toward
|
||
long walk," he asks suspiciously,
|
||
|
||
WOW, mrs. mercury looked bewildered --
|
||
|
||
"that's to say the least," she interrupts me,
|
||
|
||
"but to say the most, i look very, very exhuberant, too," she
|
||
**CONTINUED**, " -- chek tem legs, foo. wwwrrraa-hhww. i'm purrin'. --"
|
||
|
||
i smile,
|
||
|
||
just give up, mrs. whoozits, i'm giving up too, this news is so old
|
||
as the days be new, it doesn't take a cynic to believe in a clinic, but it
|
||
(ha-ha) seems pathetic (ha-ha) to (ha-ha-ha),
|
||
|
||
and silence begins to invade,
|
||
"can you believe? eau clair? (ha-ha)"
|
||
she
|
||
|
||
"it's like a funnier version of Cher! (ha-ha)",
|
||
|
||
i faint
|
||
|
||
[she and i are in love. don't tell her husband now, since he must
|
||
have figured it out as his wife,
|
||
my love,
|
||
began to just
|
||
bobble,
|
||
left-
|
||
and-right
|
||
on her axis and titter little
|
||
"sweet-hearts," like the
|
||
(*tweet-tweet*)
|
||
of the humming-bird she is, (*twee-ta-
|
||
tweet* =) ) ], and, riding the waves,
|
||
i am just going to try to finish the story:
|
||
|
||
"tweet-tweet!
|
||
i'm a birdie on my feet,
|
||
tweet_tweet, i say
|
||
tweet--ta-tweet, my life
|
||
is such a treat, hip-hop!
|
||
sha-bop,
|
||
sha-boodahboo bang,
|
||
i'm bounding on my feet,
|
||
tweet-tweet, sha beedle-boo-bang,
|
||
i'm a birdie with a fang"
|
||
[A big sharp tooth pops out of her nose.]
|
||
|
||
"and i've got a big gang."
|
||
[Her friends jump from their nests to be by her side.]
|
||
|
||
she'ss singing on the stage-us, but the gene is not
|
||
contagious, er,
|
||
so,
|
||
anyway,
|
||
without a
|
||
contagious gene of,
|
||
bird-dom,
|
||
and singing,
|
||
and tweeting,
|
||
i stood my ground
|
||
like a sailor and saluted all of woman-kind:
|
||
|
||
"boo-yeah,
|
||
uhh-huhh,
|
||
say boo-yeah,
|
||
uh-huh,
|
||
say uh-huh uh
|
||
-huh-uh uh,
|
||
say uh-huh,
|
||
huh-huh huhuhu uh
|
||
uhuhuh..."
|
||
|
||
into an obscurity of odd body movements and strange tremors.
|
||
head to feet.
|
||
|
||
can you feel-it, yeah, uh?
|
||
uh-huh uh-huh oh yeah?
|
||
feel it, yeah,
|
||
uh-boo-yeah, um-do-yeah, woo-woo-uhh, uhhhjj
|
||
|
||
*** AUTHOR, FRIGHTENED, WAKES UP ***
|
||
*** AUTHOR, FRIGHTENED, WAKES UP ***
|
||
*** AUTHOR, FRIGHTENED, WAKES UP ***
|
||
|
||
...
|
||
|
||
OK, that's enough of that, I forgot, I haven't got the gene either,
|
||
for i am not related to mrs. mercury _or_ little tommy, i am but a simply
|
||
INNOCENT BYSTANDER
|
||
at this fun fair, i just saw the sign
|
||
on my way to my house,
|
||
i was driving
|
||
home from church
|
||
and i just saw
|
||
the sign,
|
||
and decided to go.
|
||
*
|
||
*
|
||
*
|
||
*
|
||
|
||
[Because they had ice cream, and any little place that says has ice
|
||
cream i go to, so this isn't just the only fun fair i'd ever been to,
|
||
right, so... what are you looking at? i'm still dancing? fuck it, i'll
|
||
stop it...]
|
||
|
||
"what the fuck you looking at," little tommy asked me.
|
||
|
||
[i'm still dancing.]
|
||
|
||
"i'm looking at you, and i'm dancing," i told the boy with the
|
||
severed arm.
|
||
|
||
[uh oh, he just tapped me on the arm. he says:]
|
||
|
||
"this is when things get ugly."
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Mon, 03 Jul 2000 08:21:13 GMT
|
||
From: "unre lated" <unrelatedhoe@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: yesyesnomaybenoyesyes part 1
|
||
|
||
I HATE YOU
|
||
I HATE WRITING
|
||
I HATE ME
|
||
I HATE MEN
|
||
I HATE WOMEN
|
||
I HATE DONKEY'S
|
||
I HATE BANANA'S
|
||
I HATE FOOD
|
||
I HATE BEING HUNGRY
|
||
I HATE SMOKING
|
||
I HATE DRINKING
|
||
I HATE THEM
|
||
I HATE THIS FILE
|
||
I HATE LIFE
|
||
I HATE DEATH
|
||
I HATE BOOKS
|
||
I HATE T.V.
|
||
I HATE GOATS
|
||
I HATE GOD
|
||
I HATE BUHDA
|
||
I HATE SATAN
|
||
I HATE CHURCH
|
||
I HATE HATE
|
||
I HATE LOVE
|
||
I HATE SARCASM
|
||
I HATE FRUIT
|
||
I HATE VEGETABLES
|
||
I KATE CATS
|
||
I HATE DOGS
|
||
I HATE COLOR
|
||
I HATE VISION
|
||
I HATE LIBRARIES
|
||
I HATE TIME
|
||
I HATE THIS GUY STARING AT ME AND LOOKING AT HIS WATCH
|
||
I HATE CREDIT CARDS
|
||
I HATE MONEY
|
||
I HATE BEING BROKE
|
||
I HATE THIS DAMN COMPUTER
|
||
I HATE NICE PEOPLE
|
||
I HATE POLICE
|
||
I HATE DICKHEADS
|
||
I HATE THE F.B.I.
|
||
I HATE THE WHITE HOUSE
|
||
I HATE THE GOVNERMENT
|
||
I HATE NOT KNOWING WHERE I AM
|
||
I HATE BEING HERE
|
||
I HATE OPLIN #2
|
||
I HATE CROMACLEAR
|
||
I HATE LOST SAUSAGES
|
||
I HATE RINGS
|
||
I HATE TATTOOS
|
||
I HATE PIERCINGS
|
||
I HATE ELEPHANTS
|
||
I LOVE FIGHT CLUB
|
||
I HATE JEWS
|
||
I HATE REABSORPTION
|
||
I HATE NAZIS
|
||
I HATE WHITE PEOPLE
|
||
I HATE BLACK PEOPLE
|
||
I HATE PEOPLE
|
||
I HATE CHILDREN
|
||
I HATE NOSTRILS
|
||
I HATE AMPHIBIOUS CREATURES
|
||
I HATE POOP SHUTES
|
||
I HATE BUD LIGHT
|
||
I HATE BEER
|
||
I HATE NOTHING
|
||
I HATE EVERYTHING
|
||
I HATE COPULOUS INTERUPT
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
GOOD SUBSTITUTE FOR ROADKILL is Effy OOPS I MEAN by Effy HEHEHE
|
||
|
||
It was the Amish that pissed me off the most. Or perhaps it was the
|
||
farmers with their tractors and their large hauls of hay or shit. They
|
||
stunk up the highways as well. Old people were positively infuriating,
|
||
because they didn't even notice you tailing them because they couldn't see,
|
||
or they couldn't hear you honking and cursing because they were deaf. Old
|
||
people can get away with murder, and not even realize it. They're
|
||
oblivious of their own evil as well as other people.
|
||
|
||
(You know, I don't really know why I'm so impatient while operating
|
||
motor vehicles. I get incurbable road rage at times. I despise people who
|
||
have the audacity to be such a pain in the ass. I want to get where I'm
|
||
fucking going SOMETIME THIS YEAR, BASTARD. And if I have to MAKE YOU A
|
||
ROADSIDE PANCAKE to do that, SO FUCKING BE IT.)
|
||
|
||
That was my first "urge" upon getting mad. Actually, it was the
|
||
exact second that I became mad, or perhaps it *was* what made me mad. Not
|
||
only was I angered, but I was mad, you see I was crazy mad, not just
|
||
angered, but crazy, insane, loony, MAD, get it? So, doing what mad people
|
||
often like to do, I began to think about killing people. Of taking the
|
||
life of a helpless, poor, screaming, bloody, mangled human body of
|
||
disgusting flesh. Killing. Murder. Homicide. I decided that it was not
|
||
going to be any of the latter three. Genocide was the best word for my
|
||
developing plan. Roadside Genocide. It would be a rebellious, nation-wide
|
||
killing tour. Would they assume there were three rebellion parties; one
|
||
that killed the Amish, one that killed the farmers, and one that killed
|
||
senior citizens? Or would they figure it was one solid movement, or at
|
||
least 3 movements linked together by one larger, more solid movement?
|
||
Regardless, there would be a movement, and a large one at that. I rented
|
||
a huge blue bus and put ad signs on it for Roadside Genocide. The reason
|
||
I needed a bus was for body collecting purposes. I had full intentions of
|
||
taking the mutilated bodies I had slain and burn them in a sacrifice to my
|
||
inspiration, Satan.
|
||
|
||
"Oh dear lord Satan," I would sing aloud as I pranced around my
|
||
first victim, an old old lady. She was so old, her skin looked like gray
|
||
paper. I wonder if she would burn up if I put a match to her. She went
|
||
up in flames like a tikki torch. I decided to leave this one for the press
|
||
and skirted off after dumping a few gallons of gasoline on the crispy old
|
||
bag.
|
||
|
||
The next day, the story was in the newspaper, you know. 'Horrible
|
||
Roadside Homicide' and 'Homicide of Local Nun Leaves Police Searching'...
|
||
needless to say, I was pissed. It wasn't just murder. It was genocide.
|
||
They weren't getting it, the dumb fucks. Don't you see? I tore up the
|
||
articles in a drunken stupor and carved in my arm with a drug needle.
|
||
|
||
Needless to say, a day later I was pulled over by the police. I
|
||
guess some locals had seen the bus I was driving around with the word
|
||
"GENOCIDE" in huge red letters on the side of the bus. They were concerned
|
||
for their children's safety. Rubbish, I said. As long as they weren't
|
||
old, or farmers, or Amish, and were on the highway, I wouldn't touch them.
|
||
So thus, I got my message across, while trying not to scare everyone. But
|
||
they were scared anyway, because everyone was an old Amish farmer, and
|
||
after a couple more killings of those 60 year old pig bastards that pulled
|
||
me over, I was arrested by a couple of hot shot criminal investigators and
|
||
interrogated.
|
||
|
||
"Why do you kill people?" they would ask me.
|
||
|
||
"Satan gives me the strength," I would respond politely. My bodily
|
||
carvings gave enough evidence of that.
|
||
|
||
Now I'm old, still in a hospital, but glad that I can't drive and
|
||
am not forced to be a hypocrite.
|
||
|
||
I guess that I never really thought about *WHY* it was good to be
|
||
strong enough to kill people, but when you have a talent for something like
|
||
that, it seems pretty remarkable. And it feels good to do something that
|
||
almost nobody else has the balls to do. So fuck you. Go back to smacking
|
||
skunks and plowing possums, you lame ass pansy pushing mother fucker.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE BIG BAD by Haradrim
|
||
|
||
Which is a more terrifying and empowering option?
|
||
|
||
1. We die and are ended. This would mean that our conscience
|
||
ceases to exist, our "soul" if such a thing exists, dissipates,
|
||
and our body rots. The being that we are is no more for all time.
|
||
This is rather frightening, because it means we are finite, and
|
||
the only time we have to be alive in any way or form is our time
|
||
on Earth, which can be ended at any moment, and is often
|
||
confusing and unhappy. The upside to this is that we don't have
|
||
to worry much, since we are essentially dead people walking.
|
||
We can look forward if you will, to a peaceful sleep for all
|
||
eternity. It all depends on whether one can stomach the idea of
|
||
disappearing forever sometime in the next 100 years or so.
|
||
|
||
2. There is an afterlife, in some form. This means that death is
|
||
merely a change of scenery, as we are either transported to
|
||
whatever halls the dead walk, or we appear into the world again,
|
||
via reincarnation. The former option, suggests that after death
|
||
we will wake up more or less, and be self-aware. Most likely, we
|
||
will have memories of our life, and realize more or less what has
|
||
happened. This would just be like living on Earth again, in my
|
||
opinion, even if all the secrets of the universe were revealed to
|
||
us and we were charged with a complete ecstasy for eternity,
|
||
what would be the point? Even ecstasy gets old after a few
|
||
millenia, and even if we could travel to any corner of the
|
||
universe at any point in time, we still wouldn't achieve piece
|
||
in my mind, at best, we could have a sort of forgetful and happy
|
||
go lucky insanity that would never fully allow us to realize our
|
||
predicament. The other option, reincarnation, seems slightly
|
||
better, since we would be reborn over and over again, with very
|
||
slight if any memories of our past lives, and could live and die
|
||
in semi ignorance. That would be a bit more exciting, I reckon.
|
||
|
||
The thing about these two options is that we are living in some
|
||
form, and that death justs shifts us, if we can manage it at all, sort of
|
||
like Groundhog Day.
|
||
|
||
After deliberating for the last several days, or more cloudily,
|
||
several years, I've decided that option 1 must be the answer because 2
|
||
makes no sense. We have to end. If I come back after death, that means I
|
||
never die. In some form, I will always exist - There isn't a reason to
|
||
not go throw myself out the nearest window, smiling merrily to the ground.
|
||
The fact that we actually die and never return in any way, elicits a
|
||
certain calm in me. I'm dead, essentially, and my destiny is inescapably
|
||
this: I will live my life, in whatever manner I choose, and then I will
|
||
perish, and never again know any emotion, thought, or sensation. Either
|
||
that, or I live forever im some manner. Therefore, I do not fear death.
|
||
I fear nothing. There is no reason not to do whatever I feel like, save
|
||
physical or emotional discomfort. The fact that I share the streets in
|
||
front of my home with people who are thrice my age and never wrote this
|
||
exact same paper, reveals that for the most part, I should rely on my own
|
||
observations mostly, all in all, its rather invigorating.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Fri, 28 Jul 2000 07:53:37 EDT
|
||
From: Jym Sylvia <jym@ns.anti-network.com>
|
||
To: mogel@hoe.nu
|
||
Subject: About Satan
|
||
|
||
Even the Devil needs a little revitalizing recreation now and then.
|
||
Anton LaVey here applies his kaleidoscopic vision to conjure forth occult
|
||
musical treasures, sending them into the ethers, to haunt and delight us.
|
||
With his background in classical, burlesque, circus, and roadhouse styles
|
||
of playing, LaVey uses modern synthesizer technology for illegal purposes
|
||
--to evoke feelings. Every number LaVey plays - from Sousa march to
|
||
child's lullaby - is carefully chosen as a potent brew of major and minor
|
||
chords, lyricism and prosody, then supercharged to its most lusty
|
||
interpretation. All of the instruments on this recording are played by
|
||
LaVey on his keyboards, performed without the benefit of computer
|
||
sequencing. SATAN HAS LITTLE USE FOR DIGITALIZED DOWNLOADS OR PIXILATED
|
||
PROCESSING. The murky, deathless halls of Tartarus resound with songs of
|
||
suicide, strained gaiety, and unreserved romance. Dim the lights, settle
|
||
back, and let His Infernal Majesty take you on a holiday tour of His
|
||
world...
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Tue, 12 Sep 2000 16:57:30 GMT
|
||
From: Unrelated <phreaksaddress@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: sad sad me
|
||
|
||
The final stage of the evaporation of a black hole would proceed
|
||
so rapidly that it would end in a tremendous explosion (sort of like my
|
||
sex life). How powerful this explosion would be would depend on how many
|
||
different species of elementary partcicles there are (about 6 people).
|
||
If as is now widely believed, all particles are made up of perhaps six
|
||
different varieties, the final explosion would have an energy equivalent
|
||
to about ten million one-megaton hydrogen bombs (I think I broke myself,
|
||
things just don't work like they used to). As a black hole got smaller
|
||
and hotter, it would emit a larger and larger number of different species
|
||
of particles and produce an explosion perhaps 100,00 times more pwerful
|
||
than the previous explanation (god damn scientists make up your minds heh
|
||
heh black hole). I was always very interested in how things operated and
|
||
used to take them apart to see how they worked, but I was not so good at
|
||
putting them back together again (should have been a doctor).
|
||
|
||
Suppose h(x)=f(x)g(x), lim h(x) = 1/pi, and lim f(x)=3.
|
||
evaluate g(x) d/du cos u = -sin u ---> d cos u = -sin u du
|
||
|
||
Dionysius was not the kind of man to let himself be cowed by some
|
||
pholosophic nob who was trying to cadge a job at his court. "You speak like
|
||
a geriatric fool," exclaimed Dionysius in disgust. "And you speak like a
|
||
tyrant," replied Plato. Plato's Academy was to flourish in Athens until
|
||
it was finally closed by the Emperor Justinian in 529 A.D., in his attempt
|
||
to suppress pagan Hellenistic culture in favor of Christianity (god damn
|
||
Christians are always fucking things up). Historians mark this date as the
|
||
end of Greco-Roman culture and the start of the Dark Ages (stupid
|
||
Christians, blood thirsty child raping tyrants, all of 'em! Let's crucify
|
||
them all!). The frenzied and orgiastic behavior asscociated with the
|
||
worshipers of Dionysius; the dark asspects of character and ritual that
|
||
persisted into Greek tradgedy; the terrors and superstitions of everyday
|
||
life-these are the shadowy side of the ealry classical era (Hail Eres)
|
||
(All Hail Discordia) (Hail Dionysius) (All have large dunken fests where
|
||
everybody gets naked and has wild untamed out of control sex!).
|
||
|
||
Uniform Crime Reports:1998
|
||
|
||
Murder: 12,335
|
||
Rape: 21,922
|
||
Arson: 12,144
|
||
Prostitution: 68,536
|
||
Drug Abuses: 1,108,788
|
||
Drunkeness: 510,318
|
||
Vagrancy: 270
|
||
Runaways: 117,089
|
||
|
||
Biased Motivated Offenses:
|
||
|
||
Ehtnicity: 10%
|
||
Sexual Orientation: 15.6%
|
||
Religion: 16%
|
||
Race: 58%
|
||
Disability: .3%
|
||
Multiple Bias: .2%
|
||
|
||
Number of Incidents:
|
||
|
||
Religion:
|
||
Anti-Jewish ->1,081
|
||
Anti-Catholic ->61
|
||
Anti-Protestant ->59
|
||
Anti Atheism/Agnosticism/etc. ->2
|
||
|
||
that's all for now.
|
||
|
||
fucking with my sex life meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
|
||
woof woof woof woof woof woof woof woof woof woof woof woof woof woof woof
|
||
woof woof woof woof woof woof woof woof woof woof woof woof woof woof woof
|
||
woof woof woof woof woof woof woof woof woof woof woof woof woof woof woof
|
||
woof woof woof woof woof woof woof woof woof woof woof woof woof woof woof
|
||
woof woof woof woof woof woof woof woof animals having sex Send Save Draft
|
||
Cancel Save Outgoing Message Tired of paying for it.....then join the
|
||
21,922 Americans previously mentioned above. Word of Mouse Check out phones
|
||
at circultaion desk.
|
||
|
||
______ was _____ home from work one afternoon when ________ _________
|
||
________ and then began to ________ until _______.
|
||
|
||
Heaven = I am. Hell = I will be. The Bible, in it's most simple form.
|
||
|
||
Old Testament = Be good to God
|
||
New Testament = Be good to Mankind
|
||
|
||
milt = fish sperm
|
||
|
||
I once was lost but now have a road map and a gps and a cell phone, and a
|
||
pager, and loose baggy jeans, and a tube top. The end, fin, adios, bye bye.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE SOCRATIC METHOD GAME by Linear
|
||
|
||
A New stupid trend that I'm somewhat responsible for has been
|
||
hitting the streets! That old dead philosopher guy Socrates used to
|
||
answer questions he had been asked with another question. Or he would
|
||
ask a question and then answer it himself. This is the basis for what is
|
||
known as Socratic Method.
|
||
|
||
The Socratic Method Game started innocently enough one day when I
|
||
asked my friend,
|
||
|
||
"Socratic Method is cool, don't you think?"
|
||
|
||
To which he replied: "Why would I think that?"
|
||
|
||
Aha! See, he used Socratic Method to answer my question on his
|
||
opinion of Socratic Method. Now, it could have been left at that, but I
|
||
answered with yet another question, throwing us further into a web of
|
||
Socratic Method. We continued on in this manner until one of us could no
|
||
longer answer with a question, thereby losing. This happens when one
|
||
person is too bored or stupid or both.
|
||
|
||
After testing this out and having it get out of control, rules
|
||
were made. These must be followed at all times.
|
||
|
||
- The first question of the game must have something to do
|
||
with Socratic method in order to let your opponent know
|
||
you are challenging his improvisational skills with a
|
||
healthy game of SMG. If the opponent does not wish to
|
||
accept your challenge, he must state so immediately,
|
||
otherwise he must answer you with a question of his own
|
||
to accept your challenge. If the opponent does not
|
||
clearly state he is not interested in playing, or does
|
||
not answer you with a question, he loses.
|
||
|
||
Examples:
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: You mean that stupid game?
|
||
GAME BEGINS.
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: I don't want to play that stupid game.
|
||
NO GAME.
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: That game's dumb.
|
||
JOE LOSES.
|
||
|
||
- The first person who fails to reply to their opponent's
|
||
question with a question of his own loses. This reply
|
||
can only be one sentence, and must make sense, fitting
|
||
in with the conversation that is going on.
|
||
|
||
Examples:
|
||
- YOU: Do you want to play Socratic Method?
|
||
JOE: Okay!
|
||
JOE LOSES.
|
||
|
||
- YOU: Do you want to play Socratic Method?
|
||
JOE: Of course I want to. Why wouldn't I?
|
||
JOE LOSES.
|
||
|
||
- YOU: Do you want to play Socratic Method?
|
||
JOE: Do you like hotdogs?
|
||
JOE LOSES.
|
||
|
||
- YOU: Do you want to play Socratic Method?
|
||
JOE: Why not?
|
||
GAME CONTINUES.
|
||
|
||
- You can not just repeat your previous question, or the
|
||
question that your opponent just asked you. That would
|
||
avoiding the whole point of the game; being creative and
|
||
challenging you to think quickly. It's like saying "I'm
|
||
not creative enough to answer the clever question you
|
||
just asked me, so I'll throw it back at you, and force
|
||
you to be DOUBLY clever! Wahaha, I'm sooo good!"
|
||
|
||
Examples:
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: Do YOU like Socratic Method?
|
||
JOE LOSES.
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: Why wouldn't I?
|
||
YOU: Do you want to play?
|
||
JOE: Why wouldn't I?
|
||
JOE LOSES.
|
||
|
||
- Your reply should be as quick as possible! If one waits
|
||
forever to reply, then the point of the game is once
|
||
again lost. Quick improvisational skills are a neccesity
|
||
here, and the point of this game is to challenge these
|
||
skills. If the reply is not on the spot, then it greatly
|
||
reduces the challenging factor of the game. So, quick
|
||
responses!
|
||
|
||
Example:
|
||
|
||
- YOU: Do you like Socratic Method?
|
||
JOE: Uh.....uh......uh.....Why wouldn't I??
|
||
JOE LOSES.
|
||
|
||
Well, that's that. Now you know the basics. With some practice,
|
||
you'll impress all your friends! But just remember, although this game is
|
||
quite entertaining to play, it's annoying as hell to have to listen to
|
||
or watch others play it. BYE!@#$%
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
HOW TO PUNCH AN ANNOYING PERSON IN THE FACE by Lachyrmite
|
||
|
||
If you are anything like me, chances are, at some point in your
|
||
life, you've been heavily annoyed by someone and have had the urge to punch
|
||
them in the face. However, you may have been held back by a number of
|
||
factors. Perhaps you were afraid to due to social programming, that
|
||
punching someone else in the face is generally a bad idea. Perhaps you
|
||
feared possible reprimand from law enforcement agents. Or, perhaps you
|
||
just aren't really sure how to deliver an effective punch which will make
|
||
sure your opponent does not have the physical capability to counter attack
|
||
you.
|
||
|
||
If that last reason is what has been holding you back from punching
|
||
every idiot you see, fear not! I will now instruct you, a novice in the
|
||
ways of hand to hand combat, how to effectively punch an annoying person
|
||
in the face, in such a way that you won't have to worry about them ever
|
||
again... until they come after you with four friends and baseball bats.
|
||
|
||
The first step in hitting someone with impact is to make sure they
|
||
don't know it's coming. Don't drop into some silly martial arts looking
|
||
stance or anything, don't even put up your fists. Just stand like you
|
||
normally do, and don't give away any hints that you will be knocking
|
||
several teeth out in a few moments. Try to remain calm looking, and
|
||
somewhat disinterested.
|
||
|
||
Next, you need to be able to make a good fist. The most important
|
||
thing to remember, for those of you who don't know anything at all about
|
||
fighting, is to never punch with your thumb on the inside of your fist,
|
||
with fingers wrapped around it. This admittedly will make your punch
|
||
stronger... however, it will also most likely break your thumb. One of
|
||
the greatest things about being human is the wonderous merit of our
|
||
opposable digits. I suggest you don't ruin yours to break some guy's nose.
|
||
|
||
That being said, the standard fist is made by curling your fingers
|
||
inward to your palm, and placing the thumb resting on the middle finger
|
||
segment, rather than resting against the curl of the pointer finger. While
|
||
punching with a standard fist, it is extremely important to remember to
|
||
keep your wrist completely straight, locked out, so that your knuckles and
|
||
the back of your hand line up evenly with the back of your forearm.
|
||
|
||
There are alternatives to the basic fist, for those of you who are
|
||
already comfortable with this. You can try the variant where you only bend
|
||
the outmost two finger joints, and the joint connecting fingers to actual
|
||
hand, the knuckle, is kept straight. In this case, you would strike with
|
||
the middle segments of your fingers. You must keep your hand perfectly
|
||
straight, having the back of your knuckles and your finger up to the middle
|
||
joint in perfect alignment with the back of your hand and forearm. This
|
||
method has more potential damage, but I suggest you punch a few inanimate
|
||
objects before you try hitting any people with it... the potential for
|
||
injuring yourself with this fist is rather high. There are other
|
||
alternatives, such as striking with the palm, or the finger tips, or
|
||
various other parts, but for pure nose-breaking power, these two should be
|
||
sufficient.
|
||
|
||
The third step, and most complicated part, is following the four
|
||
rules of generating extra force in your punches. These four rules are
|
||
linear movement, marriage of gravity, torque, and body pivot. By following
|
||
these four rules, you can easily double the power of your punch.
|
||
|
||
First, you need to follow the rule of linear motion. A lot of
|
||
times, when you see someone punch someone, they swing their fist from the
|
||
outside inwards towards the opponent. This is a bad idea. Not only do you
|
||
lose power with this technique, it is slower, more easily blocked, and
|
||
makes it harder to defend yourself from incoming attacks. The best method
|
||
is to move your fist in as much of a direct line as possible, from where
|
||
it is now to the face of the opponent. Connect straight on, without
|
||
wasting any time and energy with a roundhouse swing from the outside. A
|
||
direct punch is a lot more difficult to roll with, because instead of
|
||
simply needing to turn your face to the side to deflect a large amount of
|
||
the impact, you need to roll your head backwards, which can send you
|
||
flying back if you are hit hard enough, and it will also open you to
|
||
further attacks.
|
||
|
||
The second principle of powerful punching, is marriage of gravity.
|
||
This is actually a very simple concept to apply. As you are punching, have
|
||
your entire body drop slightly through a minor bending at the knees. The
|
||
slight downward motion helps you add more force to your punch. Trust me,
|
||
it works.
|
||
|
||
Third, is the torque applied to the fist. When you begin your punch,
|
||
begin with your fist "sideways," so that it is vertical rather than
|
||
horizontal, with your thumb near the top. Then, while you are in the
|
||
process of moving your fist through the air and towards the opponent,
|
||
begin to rotate it so that when it connects, it connects in a horizontal
|
||
position. It's pretty easy to do with a little practice, and the extra
|
||
spin definitely hurts more, and the twisting has a higher chance to break
|
||
a nose.
|
||
|
||
The final principle you need to remember for the actual punch, is
|
||
to pivot your entire body when you punch. Don't just jab; if you followed
|
||
the first rule well, the other guy doesn't know it's coming. A jab will
|
||
just disorient him for a second, and then he will know you want to fight.
|
||
The trick is to put everything you have into that first strong hit, so
|
||
that he won't be able to counter. To do this, shift your shoulders and,
|
||
to a lesser degree, the trunk of your body, so that the shoulder of the
|
||
arm you are punching with ends up pivoted out towards the opponent when
|
||
the arm is fully extended. Try to put some of your weight behind this
|
||
pivot, but not too much, because you want to increase the power of the
|
||
hit but not knock yourself off balance.
|
||
|
||
Now, at this point, you've probably done some damage. If you aimed
|
||
for the nose, theres a good chance you broke it. You might even cause the
|
||
collapse of a cheekbone, though that might bruise your knuckles. Stay away
|
||
from hitting the forehead area, the skull is very thick and can hurt your
|
||
knuckles a lot. A hit to the eye will probably blacken it. If the guy
|
||
turned his head to try to avoid the brunt of the hit, you might hit him
|
||
in the ear... this is good, being hit in the ear hurts a whole lot, plus
|
||
it can cause deafness and knock the opponent off balance. If the opponent
|
||
was being annoying and talking while you hit him, and you hit him in the
|
||
jaw, you might even punch his mouth closed, making him bite the tip of his
|
||
tongue off in the process. That will definitely end delusions he had of
|
||
fighting back.
|
||
|
||
In the case that you aren't sure he's down for good, remember;
|
||
honorable fighters usually lose. As soon as you see he isn't a whimpering
|
||
little ball on the floor, start hitting him some more. If you let him get
|
||
up, you'll just have to defend yourself in a real fight, and you might
|
||
actually get hurt... nobody wants that. So, if your hit didn't knock him
|
||
down, punch him again. Try the stomach this time, or aim a little below
|
||
the stomach but above the groin if he's drunk... this will make him piss
|
||
himself. Kicking out his legs work pretty well too. I won't explain in
|
||
detail how to kick, he's messed up enough right now that you don't really
|
||
need to know what you're doing and you should be able to take him out.
|
||
Once he's down, if he's trying to get up, kick him in the face or stomach
|
||
very hard. Or stomp on him. Just don't let him take you in an even fight.
|
||
|
||
In the case you are too soft-hearted or stupid to follow the above
|
||
advice, just remember that 99% of fights are resolved in less than ten
|
||
seconds. Also, the vast majority tend to follow the same routine, unless
|
||
there are trained fighters involved; the two people immediately begin
|
||
grappling, and use any free limbs to perform strikes. Try not to get
|
||
sucked into this routine. A much more effective technique is to just
|
||
strike the opponent very hard in the face whenever he tries to close in
|
||
on you to grapple. If you do it hard enough, he will just keep being
|
||
driven off. Capitalize on this time to begin fighting dirty if you can.
|
||
Avoid grappling at all costs, unless you are a lot bigger than the other
|
||
guy. Just keep hitting him in the face. This will let you win the fight.
|
||
|
||
So just remember, next time an annoying person says something
|
||
stupid, just follow these simple rules and punch him in the face. You'll
|
||
be happy you did, and so will everyone around you. Violence is good like
|
||
that.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Scott Zibble's Masturbation Experiences Issue #001
|
||
[Ascii art coming soon!]
|
||
|
||
[ Disclaimer: Clearly, Scott Zibble must have lost a really awful bet to
|
||
have this posted on the internet for everyone who has ever known him
|
||
to see. A very awful bet indeed. --Editor ]
|
||
|
||
---------
|
||
|
||
MY FIRST TIME by Scott Zibble
|
||
|
||
i AM sCOTT zIBBLE AND OOPS EHEHE KEYBOARD MESSUP!
|
||
|
||
*Squirt*
|
||
|
||
And that was my first masturbation experience.
|
||
|
||
Wait, just kidding.
|
||
|
||
mY FIRST. .. EHEHE DAMMIT IT HAPPENED AGAIN
|
||
|
||
This laptop keyboard does not like me getting near the As.
|
||
|
||
Anyway, here is the tale of my first masturbation experience. Me,
|
||
Scott Zibble. My middle name surely must be something elaborately
|
||
fantastic, like Horatio, Xavier, or perhaps Jason. I am pretty sure my
|
||
middle name is Jason. This will come into play later, as you will all
|
||
undero?
|
||
|
||
Okay. All my life, I suffered from a decided lack of sexuality. My
|
||
parents asked doctors if I needed hormone therapy to treat my lack of
|
||
sexual development, but the doctors assured me that it was just not yet my
|
||
time to flower and join the beautiful sexual world all around me.
|
||
|
||
By the time I was 20, my lack of secondary sex characteristics began
|
||
to seriously worry doctors. Ha ha, just kidding! I might have developed
|
||
slowly, but not THAT slowly. CDS NUTS? EHEHE! Sorry. Just a little
|
||
funny joke there.
|
||
|
||
Around the time I was 15, and going to Point High School, I was
|
||
quite thoroughly confused about my own budding sexuality. I had played
|
||
doctor a few times, usually with girls, and I liked what I saw. That was
|
||
for sure, I definitely liked naked girls somewhat. THE THE THE THE
|
||
JENNIFER LOVE HEWITT BREASTS BREASTS ASIAN ASIAN TONYA HARDING WEDDING
|
||
NIGHT
|
||
|
||
heehehe! No, but I was 15, and all eyes were on me. Why? . . .
|
||
|
||
I was 156, shit.
|
||
|
||
I was 15, and in love with the world. All these new sexual
|
||
experiences were opening up doors of opportunity in hallways of livelihood
|
||
inside complexes of sensation in my neighborhood. Each person I stared at
|
||
was a doorway to a new fetish I tried on like a new pair of shoes. The
|
||
smoke from my cigarette wafted upwards, forming a smoky halo above the
|
||
saloon in which we sat. "Anything Goes," I said, striding confidently out
|
||
the double doors, the deafening echo of the blast reawakening me to the
|
||
real world.
|
||
|
||
Everyone I knew talked about it. They dreamt about it. They even
|
||
had hand gestures for it. Masturbation--the cause of, and solution to all
|
||
life's problems. But, what was it? I was a mere 15, as sexually
|
||
inexperienced as a newborn babe. Every woman that passed me brought about
|
||
thoughts of rampant, raving, riotously rigorous romps through the sexual
|
||
wonderlands of her nude body. Sometimes I could barely contain myself--I
|
||
could scarcely believe my own self-control. My hands always stopped just
|
||
inches from tube-tops, tank-tops, capri pants, cargo shorts, hot pants,
|
||
wifebeaters, bomber jackets, anything that held the sweaty potential of a
|
||
night of unrequited lust beneath it. MASTURBATION. MASTURBATION. The
|
||
thought BURNED into my thoughts. What was it? How could I do it? Where
|
||
could I find it? I had to know.
|
||
|
||
On the eve of my 16th birthday, perhaps the most important singular
|
||
event in my young life, I realized I could in no way consider myself a man
|
||
without first experiencing masturbation. I had often tried to do it
|
||
myself, only to realize I had no idea what to do. I rubbed up against
|
||
doors, cars, ovens, beds, doors, washers, dryers, doors, anything I could
|
||
rub against, all to no avail. But I was positive that rubbing was the
|
||
answer. So, that night, October 29th, I realized it was now or never.
|
||
|
||
Deep in the heart of my closet, there lay a copy of _Tit Commandos_,
|
||
unread for quite some time. I slowly unraveled the cardboard folder of
|
||
sorts I had fashioned for its careful, discreet storage, and gazed at the
|
||
magazine in all its glory. Big Tits. Huge Tits. Monstrous Tits.
|
||
Beefy Tits. Horrific, Nightmarish Tits of Legend. They were all there
|
||
within my reach, ready to take me to new heights of yet unknown pleasure.
|
||
|
||
Slowly, I opened the magazine. The first page took me by surprise;
|
||
it contained a picture of a completely nude, gargantuanly-breasted woman,
|
||
causing me to immediately snap to attention. Thinking quickly, I carefully
|
||
unzipped my pants. I tossed them aside without a care in the world, and
|
||
began rubbing up against things. My bed, my lamp, my door, my dresser, my
|
||
toys, everything in sight. But nothing was working. My desperation was
|
||
incredible. It was already almost 11:30, with a mere half hour left before
|
||
I had wasted my childhood. Out of pure luck, my hand grazed against my
|
||
manhood, and a sensation unlike that I had ever experienced before
|
||
rocketed through my entire body. I knew I had found my new messiah.
|
||
Wasting no time, I clawed and pawed at my unit in every way I could, some
|
||
things feeling good, some things feeling positively horrible, until I
|
||
settled on a method I could live with--left thumb in urethra, left fingers
|
||
on testicles, right hand fully encompassing penis. I tossed, I turned, I
|
||
struggled, I cried out to God for mercy. 11:50, and no luck. I ripped, I
|
||
tore, I screamed, 11:55, I floundered, I pounded, 11:58, I rotated,
|
||
rotated, rotated, rotated, ROTATED, ROTATED, ROTATED, 11:59, ROTATED,
|
||
ROTATED!! ROTATED! AHAHAH! SUCCESS! SUCCESS! WE HAVE SUCCEEDED!
|
||
11:59, ONE MINUTE BEFORE MY 16th BIRTHDAY, AND I AM A MAN! AHAHA!
|
||
|
||
Exhausted, I collapsed onto my bed, still clutching my twitching
|
||
penis in my hand. That, of course, was how my mother discovered me the
|
||
next morning. I have been here in jail ever since. Write me at
|
||
sjzibble58@aol.com.
|
||
|
||
---------
|
||
|
||
"Oops, I did it again!" by Scott Zibble
|
||
|
||
In high school, I fancied myself an actor. I would perform in all
|
||
the little retarded school plays, hang out with all the retarded thespians,
|
||
and just generally be retarded. One night after a particularly retarded
|
||
semi-improv, mostly badly scripted student show, I found myself at my pal
|
||
Steven Gadlin's house. His parents, for whatever reason, weren't home, and
|
||
it was about 8 of us there. I really have no recollection of what happened
|
||
as pretense for this story, so it's a little hard to bring up a fancy
|
||
narrative. In any case, there was this girl there, for now we'll just call
|
||
her J. to hide her true identity. J. was an odd sort, and characteristic
|
||
of odd sorts, she had an odd sense of humor. This particular night J.
|
||
and myself found it particularly funny to play out "performance art
|
||
pieces" by uhh pretending to be static on televisions, or mirroring each
|
||
other spasming, among other things. Well, at some point while we were all
|
||
sitting around, J. and I continued up the "performance art." We were
|
||
tigers, and played tiger games. One of us would lurch at the other, and
|
||
the other would fly backwards, then lurch out at the other, and so on,
|
||
and so on. This went on for a really long time, and everyone else in the
|
||
room was disgusted by our form of flirtation, and left for Steve's bedroom.
|
||
(We were in the front room).
|
||
|
||
It is important to mention that sometime either around now, or
|
||
shortly before, "The Doors" greatest hits came on. This was the beginning
|
||
of the end. As "artists", see, the music certainly started to affect our
|
||
"performance." The scene became much more sexual, as the lurches followed
|
||
with eye contact. At some point, the lurching ended up in physical
|
||
contact, and we started, uhm, rubbing each other. Not really in a sexual
|
||
way, but it definitely had sexual overtones. Well, ONE THING LEAD TO
|
||
ANOTHER (HAHAHAHA), and we were pretty much on top of each other, turning
|
||
over and over. I figured out a way to shove my penis as hard as I could
|
||
into a girl's ass before I ever even kissed her! I think I was living
|
||
most men's dream come true! Except, of course, most people would be
|
||
dreaming about a girl much different than J..
|
||
|
||
So, I had my penis between two jeaned ass cheeks, and at this point
|
||
I had a brilliant idea. "Hey, we're obviously dry humping. Maybe I should
|
||
try to kiss this girl!" However, this was probably a bad idea, since she
|
||
did not react to this too well. I think it made her wake up from her
|
||
"artist" trance, and she realised, "Oh, shit, Scott Zibble is trying to
|
||
shove his tongue into my mouth. FUCK, I'm a lesbian. SHIT." At this
|
||
point, she went to school in Saint Louis and shaved her head. No, that was
|
||
later. At this point, I Think she sort of let me shove my tongue in her
|
||
mouth. I'm not really sure why, because I know now that she was a lot more
|
||
attracted to my soon-to-be girlfriend than me, but maybe it was the fact
|
||
that our bodies were completely stuck together by our sweat-ooze and she
|
||
wouldn't be able to escape me if she tried. That's not to say I'm a
|
||
rapist, but I probably get the wrong idea after I dry hump a girl for 45
|
||
minutes.
|
||
|
||
Where was I? Oh, ok. At some point the doors CD ended, and we
|
||
found ourselves completely exhausted. So we thought to ourselves, "oh, uh,
|
||
we're at Steve's house" and we went back into the other room and proceeded
|
||
to drink a gallon of orange juice between us. The tension in the room was
|
||
pretty thick, as people did not know how to respond to the fact that they
|
||
had walked in and saw us dry humping earlier, and we didn't react at all.
|
||
But now we were completely drenched in sweat, and J.'s knees and feet were
|
||
entirely black and blue. It was cool. Girls who are beat up by my massive
|
||
humping attacks are cool.
|
||
|
||
Oh well. I don't really know where else to go with this story,
|
||
since the end of it is completely anti-climatic. I went on to date another
|
||
girl for 5 years a week after this event, so I didn't have any sexual
|
||
experiences with J. after this point. But I will always remember fondly
|
||
the girl who I TURNED INTO A LESBIAN by dry humping at Steve Gadlin's
|
||
house.
|
||
|
||
---------
|
||
|
||
"Why Scott Zibble has a problem with Grammar"
|
||
(Or, "What really happened...")
|
||
by, uh, Scott Zibble
|
||
|
||
Ok. So I'm in this play. But it's not really a play, it's kinda
|
||
like this improv comedy / sketch comedy thingy... which basically changed
|
||
my life, etc. etc. etc. But that's my story. This is Scott's story. So
|
||
here goes.
|
||
|
||
My folks were out of town. They were somewhere gambling. My
|
||
mother loves to gamble. My father hates to gamble, but he's submissive.
|
||
So they gamble a LOT. They go to the boats, they go to Vegas... and it
|
||
pisses my Dad off. But that's my Dad's story. This is Scott's.
|
||
|
||
So we're hanging out in the living room. Then we move to the
|
||
kitchen. Then Scott and J. put on the Doors and start dancing all silly.
|
||
We ignore them. There is no place in the world for sexy silliness. But
|
||
that is the World's story. This is Scott's.
|
||
|
||
All of us who weren't Scott or J. head to the back room... my
|
||
sister's old bedroom. It had been converted into a rumpus room. What the
|
||
FUCK is a rumpus room? I dunno. But a lot of rumpus happened that night.
|
||
Debby Paul pretended that her crotch was glued to mine, and Yael Levit sat
|
||
in a corner and emoted. But that's Yael's story. This is Scott's.
|
||
|
||
I was getting a little bored... I pried Debby Paul off of my crotch
|
||
and walked into the kitchen to see what was up. Scott's PENIS was. HA!
|
||
Him and J. had escalated their performance art into DRY HUMPING. (I
|
||
really didn't know this was dry humping... I didn't hear the phrase dry
|
||
humping until weeks later when J. told me HER side of the story. At the
|
||
time, I just called it 'making out.'") But that's a parenthetical story.
|
||
This is Scott's.
|
||
|
||
"Wooo!" I said. Ribald ribald ribald. Ribald McDibald. Over 6
|
||
Billion served. Master and Servant. But that's Depeche Mode's story.
|
||
This is Scott's.
|
||
|
||
I snuck back to my sister's old bedroom, and said in my loudest
|
||
whisper... "HOLY FUCKING SHIT, SCOTT AND J. ARE FUCKING MAKING OUT!!"
|
||
Then, one by one, we snuck down the hallway to peek in the kitchen. This
|
||
went on.. and on... and on.... (Dude... this is f'n crazy. If I was dry
|
||
humping J. my senior year of High School, I would have lasted about 30
|
||
seconds. DAMN! Scott had endurance man! He dry humped the FUCK out of
|
||
this girl. If dry humping was an institution like sex is, Scott would be
|
||
the fucking Rico fucking Suave of DRY HUMPING!!!!!!!!) But that's dry
|
||
humping's story. This is Scott's.
|
||
|
||
Rrrrrrrrrrico! Suuuuuuuuaaaaaave. That was for Katie. But that's
|
||
Katie's story. This is Scott's.
|
||
|
||
About an hour later, Scott finished up. To this day, I don't know
|
||
if "finishing up" meant he shot a wad of spunk in his jeans, or he just
|
||
got tired of the rug burns. Same dif. So they come back into the room.
|
||
Let me lapse into a story here:
|
||
|
||
There is a face people make when they are hiding something. It is a
|
||
labored face. They are trying their DAMNDEST to keep their face from
|
||
letting on that they KNOW something. That they've SEEN something. This
|
||
face is not a fun face for anyone involved. Every single muscle of the
|
||
face is CONTROLLED. Every brain cell is spent on making these muscles
|
||
LIE. Making these muscles pretend that they have not just seen Scott
|
||
Zibble dry humping J. on their fucking KITCHEN FLOOOOOOOOR!!! HOLY
|
||
FUCKING SHIT, SCOTT! THESE MUSCLES STILL HURT FROM THE MOMENT YOU WALKED
|
||
INTO THAT BEDROOM WITH J. AND A GALLON OF FUCKING ORANGE JUICE. We saw
|
||
you, Scott. We all fucking saw you. We saw you, J. Well. We saw the
|
||
pieces of you that were sticking out from under Scott's DRY HUMPING BODY.
|
||
Arms. Wiggling around. Legs kinda kicking... kinda saying, "Holy shit,
|
||
this goth-dude is ramming his manhood into my... my thighs. Doesn't he
|
||
know where the fucking vagina is?!@#@!?"
|
||
|
||
This story can only end with a rhyming couplet.
|
||
|
||
When the Doors said, "Come on baby light my fire,"
|
||
They didn't mean dry humping J.
|
||
Bitch.
|
||
|
||
---------
|
||
|
||
":)"
|
||
by Scott Zibble
|
||
|
||
:)
|
||
|
||
[1]: I never had an orgasm. In fact, I don't know if I'm able to have
|
||
an orgasm outside of unprotected vaginal sex. But that's another
|
||
story. This is my dry humping story.
|
||
|
||
[2]: I always knew that you had seen it, since I heard you whisper at
|
||
some point. I bet J. had heard it, too, because that made the part
|
||
where we sit there and drank all your orange juice a lot more funny.
|
||
|
||
[3]: It could have been worse. It could have been Tamara Newberger.
|
||
This is a reference only one person will find funny.
|
||
|
||
---------
|
||
|
||
"Soybean's First Masturbation Experience" by Scott Zibble
|
||
|
||
Actually, this is not about Katie's first masturbation experience.
|
||
This is about the first time Katie caught Drew Hunt masturbating.
|
||
|
||
I don't know any details about this story at all. But that
|
||
introduction sure is funny!
|
||
|
||
---------
|
||
|
||
"..." by J.
|
||
|
||
:D :D :D
|
||
|
||
---------
|
||
|
||
"I Don't Get It" by Scott Zibble
|
||
|
||
"She's fondling remembering the time Scott Zibble dry humped you on
|
||
my kitchen floor," Steven Gadlin explained to me.
|
||
|
||
---------
|
||
|
||
"The Rally" by Scott Zibble, clearly
|
||
|
||
Well, I know there's a bunch of rumors going around out about my
|
||
"first time," (hehehe) but I thought I'd finally set the record straight.
|
||
It'll help me clear the air.
|
||
|
||
I know a lot of people's "first time"s are usually awkward, private
|
||
moments which they often do not like to share with others, but really, why
|
||
all the fuss? We should be more open about our private lives and personal
|
||
details! It's all in good fun!
|
||
|
||
Anyway, when I was 17, I went to my first rally. We were
|
||
protesting capitalism. Or, a capitalist society, more specifically. It
|
||
was in front of Wall Street and there were 211 other people, including the
|
||
most interesting creature I've ever met, Ayn Rand.
|
||
|
||
Now, I know some people say this ol' bird ain't no looker, but
|
||
there's so much you can really talk about. The way she uses words and
|
||
laughs with her friends! The way she smiles... the way her lips curve....
|
||
oh, I could go on forever about it. But rather than overload you with all
|
||
these gushing details, I'll just tell you this: I was completely captured.
|
||
Beyond her looks, her personality was so defined. So objective. And her
|
||
wild beauty was merely the signature on the check that was my love.
|
||
|
||
But I couldn't talk to her! I was so embarassed... she was such a
|
||
better protester, always sayin' just the right chant at the right time.
|
||
All night I stared at her--I stared into her beautiful eyes, but she didn't
|
||
even notice me. She pretended like I didn't exist. Eventually, when she
|
||
was alone for a few minutes, I approached her: "hey," I said, "I'm a
|
||
Zibble. Private property sucks!" I was trying to be funny. Did it work?
|
||
She said "hey," back.
|
||
|
||
I'll spare you the details, but when I got home after our long talk
|
||
that night, I felt something I never had felt before. My body had a
|
||
certain tingle. I kept imagining her smiling, telling me about her silly
|
||
theories, over and over and over again, and she had so much to say! She
|
||
brought so much of herself out, that it awoken something inside of me.
|
||
|
||
Now, my parent raised me right. I was a decent, American kid. I
|
||
had my morals. I didn't think about dirty things like that... but this
|
||
time, I couldn't contain myself--literally! Before I knew it, after
|
||
thinking about her for so long, I made a little surprise mess in my pants.
|
||
That was weird!
|
||
|
||
---------
|
||
|
||
"My Last Time" by Scott Zibble
|
||
|
||
I scarcely have time to even scrawl this down on paper, this, the
|
||
last will and testament of Scott Zibble. The ruined shopping mall is still
|
||
raining down slowly upon me, even as I frantically stuff my last remaining
|
||
cartridge into my modified AK-47. I take slow, determined breaths,
|
||
careful not to give any excessive notification of my presence. Even in
|
||
this hellish, wasted landscape in which I now sit, thoughts of happier
|
||
times float through my visage. I see J., I see _Tit Commandos_, I see
|
||
every joyous sexual moment of my entire life. And I see my own end
|
||
approaching. How is this possible? How is it I have been so defeated?
|
||
Head so full of wonder, visions of the past, with this decadent reality
|
||
slowly swallowing my every action. Oh, god, let it all be over soon.
|
||
|
||
Was it really yesterday? Was it so long ago, so far away, yet so
|
||
crystal clear? Sitting quietly, undiscovered, stashed away behind piles
|
||
and piles of canned food, I partook in the final sexual experience of my
|
||
all too brief life. A quite rotted banana in the corner of the shelter
|
||
had a faded Chiquita sticker on its pungent shell, with the lewdly winking
|
||
image of the whorish Carmen Miranda. She wanted me. There was no doubt.
|
||
She wanted her final rot-free fling to be with a real man like Scott Jason
|
||
Zibble. I quietly undid my pants, allowed everything to fall into place,
|
||
and quickly and silently performed the joyous deed. There was no real joy,
|
||
merely the blissful first relaxation I had experienced since this whole
|
||
horrible mess got started.
|
||
|
||
I know they are close now. I do not have much time left. If this
|
||
is the last thing I ever write, so be it. I will make my stand. Now.
|
||
|
||
---------
|
||
|
||
"Top 10 Masturbation Singles" by Scott Zibble
|
||
|
||
I have found it is not always easy to find good music to furiously
|
||
masturbate to. So, I have kept a good log of great music to masturate to.
|
||
Here is my top 10.
|
||
|
||
10. "I wanna sex you up" by Color Me Badd -- Although this song is
|
||
typically frowned upon by current youth, The message is clear:
|
||
unshaven rough boys singing about sex is always great masturbation
|
||
music.
|
||
|
||
9. "Hey Jude" by The Beatles -- This may not seen like a very sexual
|
||
song, but the crescendo at the end when they go "na na na na
|
||
nanananana" is the perfect climax to the song. GET IT? CLIMAX? WHEN
|
||
YOU HAVE AN ORGASM SOMETIMES YOU CALL IT A CLIMAX?
|
||
|
||
8. "2 B The Master" by the Pokemon People -- What can I say? Whenever
|
||
I think of the ice queen Jesse, my turgid cock jumps to attention.
|
||
|
||
This isn't funny at all, so I will just jump to #1.
|
||
|
||
1. "Freedom '90" by George Michaels -- I'm gay.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
TAKING A PUNCH TO THE FACE WHEN BEING ANNOYING by Lachrymite
|
||
|
||
At some point in your life, you've been an annoying little bitch.
|
||
It's true for all of us. Someone, somewhere, sometime, has wanted to hit
|
||
you as hard as they can with their fist, right in your nose, in order to
|
||
cause blood to squirt and bone to break. Don't get upset by it, it's
|
||
just a part of being human. Luckily for you, not many people have read,
|
||
"How to Punch an Annoying Person in the Face." Thus, you most likely
|
||
haven't been punched in the face while being annoying, and that's usually
|
||
a good thing because you probably aren't that good looking to begin with,
|
||
a broken nose could very well make you downright hideous.
|
||
|
||
Fear not, though! I will once again be your tutor in the ways of
|
||
hand to hand combat, and will give you simple instructions on how not to
|
||
get your nose broken when being annoying.
|
||
|
||
First off, the best way to avoid this is by simply not being
|
||
annoying. For most people, unfortunately, this step simply isn't feasible.
|
||
Since you can't control your urges to be annoying, I suppose we must move
|
||
on to the next step, even though prevention really is the best defense.
|
||
|
||
If you actually do find yourself being annoying, remember to always
|
||
be paranoid. No matter who you are with, whether they are a little old
|
||
lady or a seven foot tall escaped convict named Bubba, the person may just
|
||
decide to hit you in the face for some stupid comment you made. Never
|
||
trust anyone, and be on guard at all times. Also, watch everyone's
|
||
shoulders. This may seem odd to you at first, but the earliest sign that
|
||
you are about to get punched is that the shoulders will begin to shift.
|
||
Don't listen to those people who say, "Always watch the eyes of your
|
||
enemy!" They are stupid. Anyone who has a good amount of training won't
|
||
give away in their eyes when they are about to smash your face in.
|
||
|
||
So now you see the shoulders of your enemy starting to shift, and
|
||
his arm is beginning to rise, like he's going to punch you in the face.
|
||
Now, the best way to take a punch is to get out the way. There are several
|
||
ways to do this, depending on the type of punch being thrown.
|
||
|
||
First, if the person hasn't read, "How to Punch an Annoying Person,"
|
||
they probably have no idea what they are doing, and are swinging wildly.
|
||
If the person is literally swinging at you, with his fist going from the
|
||
outside in a circular motion inwards towards your body, the best way to
|
||
avoid it is to step into his punch. Get in close enough that his fist goes
|
||
somewhere behind you, and his forearm or elbow joint hits your arm. This
|
||
will do absolutely no damage to you, and you are in a great position to
|
||
counter the punch. From this close up position, you can punch him
|
||
yourself, you can knee him in the testicles, you can even pull a Three
|
||
Stooges move and poke him in the eyes if you just want to be even more
|
||
annoying. You can also parry his attack by grabbing his arm and doing
|
||
various nasty twisty things to it, but we won't get into that. If you want
|
||
to be really mean, you should be close to smooch him on the lips.
|
||
|
||
If the punch gets through, you must immediately turn your head with
|
||
the force of the punch, so that if the blow hits on the right side of your
|
||
head, turn your face to the left, to help deflect some of the impact. It
|
||
will also help lessen damage to your neck if you roll with the punch.
|
||
Whatever you do, don't tense up your neck before you are hit, that is much
|
||
more likely to cause all sorts of icky spinal damage. You wouldn't want to
|
||
end up like Christopher Reeves, would you?
|
||
|
||
Also, try not to actually move your head until the fist is
|
||
connecting. Moving your head too early will result in you getting punched
|
||
in the ear, which is a very uncomfortable experience.
|
||
|
||
If the person has indeed read, "How to Punch an Annoying Person,"
|
||
they are probably going to be coming at you in a much more direct manner.
|
||
There are two ways to deal with this. Your decision should be based on how
|
||
strong your opponent seems to be, and how thick you believe your skull to
|
||
be. For example, our friend Quarex should most definitely stick to method
|
||
two, while those of us with significantly less armored craniums should
|
||
stick to method one.
|
||
|
||
First, if you think your skull isn't very thick, your opponent looks
|
||
very strong, and you can probably move faster than him, you should get the
|
||
hell out of the way. The most effective way to do this is to simply shift
|
||
your body, in a short dodge. If your opponent is striking with his right
|
||
hand, step back with your left foot, placing it behind your right foot, and
|
||
pivot your body so you are now no longer facing him. With practice, you
|
||
can become amazingly fast at this, it's quite impressive. When the attack
|
||
comes from the opposite arm, repeat with reverse foot. This technique also
|
||
works well against weapons, so if he pulls a knife and tries to stab you,
|
||
this is probably your safest bet. Once his fist is where your face was a
|
||
few moments earlier, you should grab it and use it to your advantage in
|
||
countering.
|
||
|
||
One especially gruesome thing to do is to place your leg underneath
|
||
the armpit of the enemy's extended arm, and while holding the arm, jump
|
||
up with your grounded leg and use the leg that is on the enemy to shove.
|
||
Yank the arm as hard as you can while you do this. You will end up on the
|
||
ground, but if you have any luck or weight, the enemy will have something
|
||
popped out of a socket, most likely a wrist if you grabbed the hand. This
|
||
is guaranteed to end a fight. If it doesn't just get up, and start hitting
|
||
whatever part of his body has been ripped from the socket. He will most
|
||
likely start crying. Optionally, you can use this grabbed arm to pull him
|
||
into one of your own punches with more force.
|
||
|
||
If you have a lot of room on either side, you may wish to simply
|
||
sidestep the attack by shifting your entire body towards the opponent and
|
||
to the right or left, by means of shuffling the feet in a quick one step
|
||
move with each foot. This is actually safer, but it is more effective for
|
||
running away, as you are now somewhat behind your opponent.
|
||
|
||
If you are like our mighty friend Quarex, and your skull has natural
|
||
armor, you may instead opt to take the punch. Yes, that's right, actually
|
||
get hit. Although this sounds silly at first, the trick is getting to
|
||
choose where your enemy hits you; your skull. Lower your head slightly,
|
||
so that his fist collides with the area just above your forehead. This is
|
||
pretty much the thickest and strongest bone in your body. Hopefully, the
|
||
knuckles of the person punching will slam into your forehead. You will get
|
||
a bruise most likely, but if he has a lot of force, he will break his
|
||
knuckles. If he keeps throwing punches, you can keep blocking like this.
|
||
If at any time you feel like you are going to pass out, then you should
|
||
stop trying to break his knuckles with your head, and start dodging
|
||
instead.
|
||
|
||
Honestly though, it's stupid not to dodge after the first punch,
|
||
and you probably deserve to have your brain knocked around a bit. You
|
||
can't actually build up an offensive while just bashing your skull into
|
||
the knuckles of the enemy, so I suggest this as a technique to mainly
|
||
unsettle the opponent. After all, most people won't want to keep fighting
|
||
a guy who happily mashes his head into your fist. You can use this
|
||
intimidation advantage to help you beat him, but make sure you aren't a
|
||
retard and just keep getting hit, unless you have Fight Club delusions or
|
||
something equally dumb.
|
||
|
||
Also note, that if the person uses an alternative to the standard
|
||
fist, this will be far less effective. You probably won't break anything,
|
||
you'll be lucky to give them a bruise. In this case, you should still use
|
||
the forehead block technique if you absolutely have to, but it's far more
|
||
intelligent to just dodge.
|
||
|
||
If you follow all of these strategies, you will be able to
|
||
effectively defend yourself from anyone who may have the sudden urge to
|
||
punch you in the face. This is an invaluable skill, because you are
|
||
probably an annoying piece of shit, and people most likely often want to
|
||
punch you.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THINGS I GOT IN TROUBLE FOR IN JUNIOR HIGH by Haradrim
|
||
|
||
1. Punching an australian kid in the head.
|
||
|
||
This was on a wednesday if I remember correctly. The night before
|
||
I had gotten a rather sub-standard haircut, an offset bowl cut that made
|
||
me look a cross between the beatles and spock, since my hair was died
|
||
jet black. I was already rather sensitive about this, (having gotten a
|
||
comment from everyone I saw that I knew) and while engaging a kid who had
|
||
just moved to our little shit hole from Australia in conversation during
|
||
first period art class, he made the comment, in a thick aussie accent that
|
||
"It looks lawk ya got ya hair cut wif a lawnmower!". Now, this kid had,
|
||
admittedly, already seen some rough times, for being such an Aussie
|
||
immigrant to Iowa and whatnot, but he had also made friends with some of
|
||
my enemies, and had made the remark about my hair. Not that I stopped to
|
||
consider these factors. About two seconds after he said it, my fist
|
||
zoomed with maximum force into the side of his face, knocking him over a
|
||
chair. The next few seconds were a wolverine-like berseker rage,
|
||
everything blurred and time slowed to a crawl, as I searched my scopes for
|
||
my opponent. Then the rather massive art teacher screamed, put me in a
|
||
bear hug and carried me out of the room. After a brief visit to the
|
||
principles office and some various witness reports we were both suspended
|
||
for 3 days. This caused me to be home earlier than expected and
|
||
consequently, to begin my newspaper delivering earlier than normal, at
|
||
about 11AM instead of 3pm. This deviation from normal schedule caused me
|
||
to run into a group of people who normally wouldn't have crossed my path,
|
||
who ended up chasing me around with a gun for about 20 minutes. All in all
|
||
a bad day.
|
||
|
||
2. Wearing a bullet proof vest.
|
||
|
||
The day after the Jonesboro shooting, I wore a bulletproof vest to
|
||
school. "Twisted bid for attention" and "brilliant socio-political
|
||
commentary" topped the lists of theories people gave for my doing this
|
||
(I did it mainly because it occured to me that I could). My art teacher
|
||
decided it was the same as walking into school with a gun, and sent me to
|
||
the office, where he presumed I would be expelled. The principle, and the
|
||
assistant principle, and the other office staff, after staring at me and
|
||
whispering from the doorway of the principle's office for about five
|
||
minutes, kindly asked me to put it in my locker and return to class.
|
||
|
||
3. The latex breastplate.
|
||
|
||
I like halloween. I overindulge myself on halloween most years.
|
||
One of my more interesting costume relics was a latex plate that strapped
|
||
to my chest and made it appear that my innards were falling out, and a
|
||
goblin was in my stomach, chewing on them. Because the idea popped into
|
||
my head, i wore it under my shirt to school and randomly showed it to
|
||
people throughout the day, mainly out of the blue while they were talking
|
||
to me. I got all the way to 2nd period before i got sent up to the office
|
||
and it got confiscated. My parents did not get it out of confiscation for
|
||
me.
|
||
|
||
4. Gang related activities.
|
||
|
||
The assignment was to illustrate the 2nd amendment......my
|
||
brilliant drawing included 4 handguns on fire arranged to make a swastika,
|
||
a design i stole from Juxtapoz art magazine (Hitler was for gun control...
|
||
America has freedom to bear) among revolutionary war soldiers, and floating
|
||
molotov cocktails. They couldn't tell me what gang this indicated I
|
||
belonged to exactly, but I got suspended for 3 days. My parents thought
|
||
this was stupid and appealed it with the local school board. The
|
||
suspension was overturned, we won.
|
||
|
||
5. Deliverance
|
||
|
||
The assignment had something to do with "mountain men" and
|
||
illustrating them. The mention of "mountain men" in my mind brings forth
|
||
the two inbreds from the classic movie Deliverance, who end up raping the
|
||
canoers in one of the best scenes in movie history ("Squeal like a
|
||
piggy!")......so i incorporated this fairly overtly into my poster, and
|
||
got another trip to the office.
|
||
|
||
6. Being Nuts.
|
||
|
||
My 8th grade english teacher was an old and crotchety woman who
|
||
didn't particularly like me. It was mutual. Apparently, some of the
|
||
drawings in my notebook (which she photocopied when I was out of the room)
|
||
some of my shirts, some of my facial expressions, etc, disturbed her, and
|
||
she recommended me for psychological counseling. My parents and I were
|
||
not notified or asked, but I was summoned to the office and a rather
|
||
skeptical young black man interrogated me for an hour or so, wanting to
|
||
know if I was satanic, if my parents beat me up, if I ate small children,
|
||
if I burned crosses, and if I listened to _Nine Inch Nails_. He had me go
|
||
back to class after getting nothing but "no", "yes", and an unchanging
|
||
scowl from me. I still had no idea what the hell was going on til my
|
||
parents called the school that night and got me taken out of the psych
|
||
program.
|
||
|
||
7. Coming to class.
|
||
|
||
I talked. I got sent out of the room. After waiting about half
|
||
an hour for the teacher to come yell at me, I simply re-entered the room
|
||
and sat at my desk. 30 seconds later, I was on my way to the office.
|
||
|
||
8. Wearing naughty things.
|
||
|
||
I have probably over 100 t-shirts, most of them black, and sporting
|
||
some kind of offensive slogan or picture. I wore many of these to school,
|
||
where I ended up having to wear them inside out. The all-time favorite
|
||
was from the Church of Euthanasia, who used to reside over at paranoia.com,
|
||
which read "Save The Planet - Kill Yourself" on the front and
|
||
"Suicide * Abortion * Cannibalism * Sodomy" on the back.
|
||
|
||
9. Talking.
|
||
|
||
I talk. Loudly and at times I shoudln't. This causes many
|
||
detentions.
|
||
|
||
10. Throwing things.
|
||
|
||
I throw things. Heavy things at times I shouldnt. This causes many
|
||
trips to the office.
|
||
|
||
11. Screaming
|
||
|
||
Often times, our cafeteria was forced to be completely silent,
|
||
because being kids at lunch, we talked a lot. The noise got to our
|
||
overseers. So, in a completely silent room filled with a couple hundred
|
||
kids I HAD to do something. The first something was to fall over
|
||
backwards grabbing my foot and screaming. foot cramp I said. They didnt
|
||
buy it. A couple weeks later, I just screamed "fuck me in the ass" at
|
||
the top of my lungs, then completely denied it. They didnt really buy
|
||
that either, but they didnt know what to do about it.
|
||
|
||
12. Miscellaneous.
|
||
|
||
There was a bunch of other crap, but I cant recall at the moment.
|
||
I think I got in trouble for mummifying myself with tape, too.
|
||
|
||
Epilogue: I have gotten into 0 trouble in 2 years of high school.
|
||
I attribute this to a different school district where the teachers aren't
|
||
all cruel and poor.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE WIZARD by pl0nk
|
||
|
||
see this hand,
|
||
it makes $100,000 a day
|
||
and this hand,
|
||
this hand makes another $100,000 a day,
|
||
king of this game'n shit since NES came out
|
||
motha fuckaz know when they come bring the ruccus to the motha fuckn
|
||
wizard, ain't gonna be nuttin but straight up torcher an shit, bitch.
|
||
|
||
yo yo yo
|
||
|
||
i'll fuckin tie you to a bed post with your ass cheeks all spread
|
||
out an shit put a hanga on a stove and let that shit sit on the
|
||
stove for like a half an hour and than stick it up your ass all
|
||
slow like
|
||
|
||
yo i'll fuckn i'll fuckin lay ya nuts up on a dresser, just ya nuts
|
||
layin on the dresser and bang them shits with a spiked bat, whasa
|
||
( BLAOW )
|
||
|
||
yo i'll fuckn i'll fuckn pull your tongue out ya fuckn mouth and
|
||
stick a rusty ass screw driver
|
||
|
||
-----
|
||
|
||
thus we ended the power trip of THE WIZARD and began the disassembly
|
||
of his brain. three hours later we had the wizards brian and the vast
|
||
knowledge which was contained inside. we had the codes and the plans, we
|
||
had the fingering techniques and the game genie. who was this game genie,
|
||
an alternate personality? perhaps it was the key to the wizards success.
|
||
none the less we were going to be rich and famous.
|
||
|
||
the plastic sugery was a success, granted i pay a load of money for
|
||
this operation. i don't think to many people realise how much it costs to
|
||
get a total make over to look like the wizard, aside from those who only
|
||
dreampt it up in hollywood.
|
||
|
||
i took the money and fled to amsterdam, where else would you go if
|
||
you were rich? everythings legal, underaged prostitution, drugs, beatings,
|
||
killings, burned cds, mp3s you name it and it'll probably be legal.
|
||
|
||
a year after aquiring the brain we had fully analyzed the game genie
|
||
and were able to encrypt it into a program and designed an attachment to
|
||
games. this is what everyone was after, the key to winning all games. We
|
||
called it, " Game Genie. " and sold it in stores for 80$ a pop, gave 1
|
||
booklet with 100 game titles and than sold seperate books for 25$ to make
|
||
back pay so that we were able to afford all the cars, the boats, the
|
||
houses and the hookers.
|
||
|
||
three years later, nintendo died. super nintendo arose. there has
|
||
never been a new wizard to date and if there is, they will never show
|
||
their face because the wizard found out!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
ANONYMOUS T-SHIRT SUGGESTIONS FOR THINKGEEK.COM
|
||
PROVIDED BY THE USERS OF SLASHDOT.COM
|
||
|
||
"I WANT TO RAPE NATALIE PORTMAN"
|
||
|
||
"I LIKE THE GIRL IN HACKERS THE MOVIE"
|
||
|
||
"I'D CRUSH YOU IN LASER TAG"
|
||
|
||
"#!/usr/bin/FUCK YOU"
|
||
|
||
"I GOT MY JOB FROM EFNET"
|
||
|
||
"I WRITE SHITTY KDE APPS"
|
||
|
||
"I BRAKE FOR PERL! :-O"
|
||
|
||
"O'REILLY IS MY COLLEGE EDUCATION"
|
||
|
||
"I REFUSE TO VACATE MY APARTMENT AS IT WOULD RUIN MY UPTIME"
|
||
|
||
"I'M WITH NOBODY --->"
|
||
|
||
"I'M WITH 0x00000000"
|
||
|
||
"THIS T-SHIRT IS #FFFFFF"
|
||
|
||
"THERE'S A NULL POINTER IN MY PANTS"
|
||
|
||
"IF I LEFT THE HOUSE YOU'D BE ABLE TO READ THIS"
|
||
|
||
"TSHIRT NOT FOUND"
|
||
|
||
"I DON'T NEED WOMEN WHEN I CAN SIT AROUND FOR A HALF AN HOUR
|
||
WAITING FOR A BOAT IN EVERQUEST"
|
||
|
||
"IRQ CONFLICT"
|
||
|
||
"GOD NEVER SEGFAULTS"
|
||
|
||
"JESUS DIED FOR YOUR SIMMS"
|
||
|
||
"THE BIBLE HAS NO SECURITY HOLES"
|
||
|
||
"I AM AROUSED BY GIRLS OF THE CAM PERSAUSION"
|
||
|
||
"TRAPPED IN A JAVASCRIPT PORN LABYRINTH"
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
/* redbox.c */
|
||
/* Written by Javaman */
|
||
#include <sys/types.h> /* yes, this code compiles */
|
||
#include <sys/stat.h> /* gcc -o redbox redbox.c -lm */
|
||
#include <fcntl.h> /* don't forget to link in the math library */
|
||
#include <stdlib.h> /* this code requires linux and sound support */
|
||
#include <unistd.h>
|
||
#include <sys/ioctl.h>
|
||
#include <linux/soundcard.h>
|
||
#include <stdio.h>
|
||
#include <math.h>
|
||
|
||
#define QUANTIZE 16
|
||
#define CHANNELS 1
|
||
|
||
int main(void)
|
||
{
|
||
int n; /* were things really better back in the day? i seem to */
|
||
unsigned long int i; /* not be able to let go of the past, tend */
|
||
int sound_fd, status; /* to revel on previous experiences, just */
|
||
unsigned long int bufsize, arg; /* because it is ... comfortable. */
|
||
unsigned short int *buf; /* .. as pathetic as a middle-aged corporate */
|
||
unsigned int samplerate = 32000; /* drone watching tapes of his old */
|
||
unsigned long int samples = samplerate * .330; /* football games */
|
||
sound_fd = open("/dev/dsp", O_RDWR); /* from back in the day, when */
|
||
if (sound_fd < 0) { /* "your mother and I were dating". but the */
|
||
perror("/dev/dsp"); exit(1); /* warm fuzzy of nostalgia, */
|
||
} /* knowing that yes, you accomplished something, makes the world */
|
||
bufsize = samples * sizeof(unsigned short int); /* feel a bit */
|
||
buf = (unsigned short int *) malloc(bufsize); /* easier to deal with, */
|
||
arg = QUANTIZE; /* and accept eventual death, almost as though we */
|
||
status = ioctl(sound_fd, SOUND_PCM_WRITE_BITS, &arg); /* have made */
|
||
if (status == -1) { /* indellable marks upon the history of */
|
||
perror("SOUND_PCM_WRITE_BITS ioctl failed"); /* whatever. */
|
||
exit(1); /* but a sigh usually caps off the standard */
|
||
} /* cock-stroking session of the BBS-dayz bullshit, of when we only */
|
||
if (arg != QUANTIZE) { /* had 32 baud modems. Maybe it is that */
|
||
perror("unable to set quantize rate"); /* i need to know */
|
||
exit(1); /* how little i knew, how young i was to re- */
|
||
} /* assure myself of the growth that i have (?) experienced, */
|
||
arg = samplerate; /* magic marker lines with my handle and the */
|
||
status = ioctl(sound_fd, SOUND_PCM_WRITE_RATE, &arg); /* date, maybe */
|
||
if (status == -1) { /* a dial-in or two on some sort of collective */
|
||
perror("SOUND_PCM_WRITE_RATE ioctl failed"); /* parental */
|
||
exit(1); /* doorjam belonging to history herself. it could */
|
||
} /* be a quest for immortality, for power, all expressions of sex-*/
|
||
arg = CHANNELS; /* ual drives, or maybe my inner child for a hug. */
|
||
status = ioctl(sound_fd, SOUND_PCM_WRITE_CHANNELS, &arg); /* but i */
|
||
if (status == -1) { /* am not by any means someone who has any clue */
|
||
perror("SOUND_PCM_WRITE_CHANNELS ioctl failed"); /* about */
|
||
exit(1); /* anything, other than distilled problems which */
|
||
} /* can be expressed in purely logical situations, which is */
|
||
printf("Bufsize: %i\n", bufsize); /* almost a moot point when deal- */
|
||
for (i = 0; i < samples; i++) { /* ing with complex systems such */
|
||
buf[i] = 0; /* as human interaction. feeling.. like a jazz */
|
||
} /* note on life, thoughts from the crowds, interacting, loving? */
|
||
for (n = 0; n < 5; n++) { /* each one special in it's own way. */
|
||
for (i = (n * .066 * samplerate); i < (samplerate * (.033 + .066*n)); i++) { /* it has been said that empathy is what sets us apart from the */
|
||
/* animals, but */ buf[i] = (unsigned short int) ((cos(2*M_PI*1700*i/samplerate) + cos(2*M_PI*2200*i/samplerate)) * 10000); /* does anyone give a rat's */
|
||
} /* ass about other people when their own lives are at a */
|
||
} /* crossroads? nihilism. the opposite of hippiedom? the cyclic- */
|
||
printf("Generating tones...\n"); /* al nature of the thread, which */
|
||
status = write(sound_fd, buf, bufsize); /* should just be trashed, */
|
||
if (status != bufsize) { /* but that is okay. vibes can be re- */
|
||
perror("wrote wrong number of bytes"); /* corded, saved, */
|
||
} /* reflected upon, cherished, possibly, forgotten, probably. */
|
||
status = ioctl(sound_fd, SOUND_PCM_SYNC, 0); /* but it can be hoped */
|
||
if (status == -1) { /* that someone, years from now, reads this, */
|
||
perror("SOUND_PCM_SYNC ioctl failed"); /* and imagines the */
|
||
} /* the writer, back in the day, reminiscing on when the sounds */
|
||
return 0; /* and the medium actually meant freedom of thought, and, */
|
||
} /* possibly, a shot and eternal life. */
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
FRANKIE AND SPARKS by Puck
|
||
|
||
Frankie and Sparks, it turns out, were both waiting for the same moment
|
||
their entire lives. This coincidence only became apparent after it
|
||
happened - after reality slipped up and exposed its seams. After all
|
||
that was real and true unbecame. After one very existential,
|
||
soul-twisting hiccup.
|
||
|
||
"Ohhhhhhhhhhh," said Frankie.
|
||
"Ohhhhhhhhhhh," said Sparks.
|
||
|
||
And then, together, "I knew it."
|
||
|
||
Ever since Frankie could remember, he had felt there was something wrong
|
||
with the world. He knew that one day, reality would come undone, and
|
||
everything would finally make sense. It was all somebody else's game.
|
||
He was just a piece. As he grew older, this feeling built up inside of
|
||
him like a pressure. Love, hate, loneliness, the Ethiopians, none of
|
||
these things were real. They would be exposed as mere punch lines to some
|
||
grand joke. And all would be right as he let out his sigh.
|
||
|
||
"Ohhhhhhhhhhh," said Frankie.
|
||
"Ohhhhhhhhhhh," said Sparks.
|
||
|
||
And then, together, "I knew it."
|
||
|
||
When Sparks was in college, there was one drug-induced false alarm. She
|
||
had been coaxed into dropping acid by her roommate. As zebras began
|
||
climbing out of their dorm room walls, Sparks lapsed into frenzied
|
||
laughter.
|
||
|
||
"I knew it," she said. "None of this was real. There are zebras
|
||
leaping out of the walls. Reality was wrong." Later, she wore her
|
||
disappointment like a thick overcoat that had been left out in the rain,
|
||
and snarled.
|
||
|
||
"Ohhhhhhhhhhh," said Frankie.
|
||
"Ohhhhhhhhhhh," said Sparks.
|
||
|
||
And then, together, "I knew it."
|
||
|
||
And this time, they did. There was no mistake. Frankie and Sparks both
|
||
bore witness to reality's undoing. Frankie sighed. He felt an enormous
|
||
rush of relief. Weights were lifted off of his shoulders that he never
|
||
even knew were there. There was no laughing this time for Sparks. A tear
|
||
welled up in each eye and hung weightless on her cheeks. This was all
|
||
expected. These were all feelings they had been waiting for. All except
|
||
one.
|
||
|
||
Sparks turned to Frankie, put her lips on his, and all the while purple
|
||
hand grenades, thousands of millions of purple hand grenades, reflected
|
||
in the teardrops on her cheeks.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Wed, 5 Jul 2000 14:18:36 PDT
|
||
From: Mooer <suekimrocks@yahoo.com>
|
||
To: Mogel <mogel@hoe.nu>
|
||
Subject: final issue of hoe
|
||
|
||
why did i ever trust you, peanut butter?
|
||
did you not like what was in the future for you?
|
||
questions have answers that may indeed be found within the imaginary
|
||
number "i".
|
||
|
||
"i" = square root of one.
|
||
|
||
there are lots and tons of things that have "i " in it. things such as
|
||
paintings, especially those of a cubist nature, and other such things
|
||
as peanut butter. but why "i" never trusted that you would pull through
|
||
is because you have no faith in the power of "you". always blaming the
|
||
tragic circumstances, always lamenting your plight. oh just FUCK OFF
|
||
will "you". and now you return to me, oh-god-dammned peanut butter and
|
||
claim that you are only made of peanuts and butter churned in aunt
|
||
charlemagne's barn. that cow set chicago on fire for a reason, you
|
||
know. free will and killer whales have never been a better combination.
|
||
|
||
so now that you have realized the power of "i", please retract all your
|
||
statements and even your questions for a better imaginary world which
|
||
can never be proven as calculus or honey. the combination on a sandwich
|
||
is a permutation which can only make sense to those who know the
|
||
language. those who are literate can feed the hungry. those who are
|
||
poor can feed the rich. talentless, or otherwise said the bible -- the
|
||
stinger bee attitudes.
|
||
|
||
you have tasted other honeys, you have sinned. you have nibbled on
|
||
other ears, corny or not, it's true. juxtaposed metaphors is now the
|
||
only calculus that i can express myself to you. confused calculations,
|
||
commandments broken will always be commandments broken. blue kraut
|
||
remains blue kraut, wedding dresses remain wedding dresses, as the
|
||
tongue-tied germans might say.
|
||
|
||
"i" has fallen from the grace. "i" has loved too many. "i" has now
|
||
learned to never base responsibility on that which is real.
|
||
|
||
"i" loved "you".
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
IN REGARDS TO QUAREX'S PENIS by Soybean
|
||
|
||
I first spoke with the viking known as Quarex on the evening of
|
||
December 13, 1997, as well as the illustrious bunch of his friends from
|
||
Bloomington/Normal. While there was a sizable group I spoke with that
|
||
night, Quarex stood out, as he was much more forthcoming with information
|
||
about himself, coupled with everyone else being completely shameless in
|
||
reporting details about him before themselves. Among other things I
|
||
learned that night, I discovered that Quarex was unable, in spite of his
|
||
most valiant efforts, to get girls; I discovered that he was the renowned
|
||
leader of Aethelwulf's Utopia BBS; and that he had a giant head. What
|
||
stood out above all, however (aside from the giant head), was his repeated
|
||
insistence that he was a man who had evolved beyond the need for
|
||
masturbation -- that it was an activity he never engaged in.
|
||
|
||
A number of months later, PezMonkey and I ended up in Litchfield,
|
||
IL, at her uncle's house, with Quarex, Jamesy, MadPony, and RJ (I have
|
||
lost track of his handle). An odd weekend overall, most notable was that
|
||
I ended up dating Quarex shortly after, due in large part to a bet he had
|
||
made with his friends years earlier. This New Relationship with Quarex
|
||
enabled me to learn more about him and observe habits which were
|
||
previously unknown to me. As such I was unable to unravel parts of the
|
||
enigma that is Quarex [aka BunnyMustard]. Since then, he has himself
|
||
admitted to being a liar, though no directly, in HOE #1101, "The First
|
||
Time," a file detailing his first masturbation experience. (I add that
|
||
this file was also written due to a bet made with Mogel some time ago).
|
||
|
||
In my time with Quarex, I uncovered a great deal of evidence
|
||
indicating that he was lying in his incessant insistant that he was above
|
||
masturbating. This evidence is detailed below.
|
||
|
||
1. He is male. I suspected this previous to dating him,
|
||
incidentally.
|
||
|
||
2. He takes hour long showers daily. Take from this what you will.
|
||
|
||
3. Umm. I believe I witnessed said activity at his house in
|
||
May of 1998.
|
||
|
||
4. A person who so vehemently denies doing such a thing is
|
||
obviously very much a practicer of said activity.
|
||
|
||
I think that actually covers it fairly succinctly. While I have
|
||
suspected Drew was a fervent masturbator for the last 2.5 years, his
|
||
admission of it at this time confirms the hesitance I felt toward our
|
||
continuing friendship. Quarex, you have destroyed our trust, and in turn,
|
||
our friendship. I bid you farewell, Masturbator.
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
WORTHLESS EX-GIRLFRIEND by Quarex
|
||
|
||
My ex-girlfriend Jennifer is the kind of person you more or less
|
||
want to forget about after dating. You will remember the lessons you
|
||
learned from dating the person (in other words, "Do not date girls who
|
||
talk about shopping constantly, or refer to themselves as fat though also
|
||
admit they are anorexic"), but you try to forget everything else.
|
||
|
||
Well, I knew I wanted to make some kind of text file about her,
|
||
since that is what I do with most everything in my life. I also knew it
|
||
had to be something disturbing and/or funny. I threw away the notes she
|
||
gave me, so I cannot use those for fodder (I assure you she misspelled
|
||
"You're" as "Your" every chance she got), and I deleted most of her
|
||
e-mail, but one untapped resource is still available to me: ICQ Messages.
|
||
|
||
Unfortunately, the new version of ICQ I have has somehow removed
|
||
the most useful feature, which is exporting the message history to a
|
||
text file. So, in lieu of that, I just figured searching my messages to
|
||
and from her for the word "cum" would prove most entertaining.
|
||
|
||
Thus, here is a very brief chronological history between my
|
||
month-and-a-half girlfriend, Jennifer, and me. And no, I am not adding
|
||
random spaces and pauses in her text, that is actually how she types, as
|
||
bizarre as it may be. And I also apologize in advance for anyone feeling
|
||
physically ill when they think about me doing something sexual with a girl,
|
||
but if it is any consolation, you will find essentially we did none of the
|
||
things she went on and on about, even if primarily because I did not really
|
||
want to touch a SKELETON in that "special way."
|
||
|
||
JUNE 23: ABOUT A WEEK AFTER WE START DATING
|
||
|
||
J: "god, I am cumming everywhere just thinking about you"
|
||
|
||
Q, in retrospect, sez: Now, I already knew this was not the
|
||
kind of thing you generally say to your boyfriend
|
||
after you had been dating for a week. Especially
|
||
when the most sexual thing you had done is (not very
|
||
much) kissing.
|
||
|
||
JUNE 30: A WEEK AND A HALF AFTER WE START DATING
|
||
|
||
J: "Well I feel that way (referring to the note she left me)
|
||
and honestly I think that the more time we spend together
|
||
the more i think about us having sex"
|
||
|
||
(a little later)
|
||
|
||
J: "you want to suck me don't you
|
||
your making me so horney
|
||
that i just want to get on top of you and ride you
|
||
and ride you and rub your dick and making you squirt all over me
|
||
you getting me all wet
|
||
so wet i stick my finger in me and i am cumming everhwhere"
|
||
|
||
Q, in retrospect, sez: Keep in mind, by this point, and indeed
|
||
throughout the course of our relationship, nothing detailed
|
||
in these two messages even happened. She did not "ride me"
|
||
and "rub my dick" and "make me squirt all over her," and I
|
||
certainly did not "suck her," whatever the hell she exactly
|
||
meant by that.
|
||
|
||
(about 20 hours later, but the same day)
|
||
|
||
J: "This is some cyber
|
||
for your viewing pleasure tonight.
|
||
I slowly
|
||
get on top of you
|
||
slowly slide your dick up inside of me
|
||
thrusting back and forth
|
||
making you groan and moan and your grabbing my nipples and
|
||
making them harder and i
|
||
go back and forth"
|
||
|
||
Q, in retrospect, sez: Christ, of all the things she sent me
|
||
that made me say "Oh god, she really is nuts," this is one
|
||
of the biggest ones. Well, that, and the one where she
|
||
said "Promise me you wouldn't believe it if Jeremy (the guy
|
||
I was pretty sure she would cheat on me with the whole time
|
||
we dated, who she dated once we broke up) made up some fake
|
||
chat logs with my name on them where I said how much I cared
|
||
about him and missed him."
|
||
|
||
Okay, Jennifer, gee whiz, I would not get mad about those OBVIOUSLY
|
||
FORGED chat logs. Why, that would be silly.
|
||
|
||
Unfortunately, "cum" does not appear again until July 18th.
|
||
|
||
J: "i want your cum
|
||
and i want you
|
||
and i want your dick
|
||
and damn it
|
||
damn i want you"
|
||
|
||
Q, in retrospect, sez: I was already in full-scale "How the
|
||
hell do I break up with her?" mode by this point, so this
|
||
message was just more or less funny.
|
||
|
||
Then, a while later, I broke up with her, citing that it was for
|
||
the best that we broke up before I moved to Urbana and we had to deal with
|
||
the "pain" of a long distance relationship. Ha ha ha. That is the only
|
||
time I have felt good about, or even really gone through with, lying to
|
||
a girl.
|
||
|
||
Then, here is the last message I sent her before making this text
|
||
file, putting her on ignore, and deleting her from my "contact list:"
|
||
|
||
Oh no. My goodness. I certainly will. Oh goodness, I am sorry
|
||
to have ever harassed you. Remind me again, who was the one who called
|
||
the other one 10 times a day while we were dating? Who was the one doing
|
||
the harassing? Oh yeah, you. And your boyfriend's webpage
|
||
(www.geocities.com/bleak_omen) tells anyone with a brain all they need to
|
||
know about him: scum.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
/<ingdom of Shit BBS
|
||
Post#: 48/50
|
||
Name: Zippy #447
|
||
Date: 1:10 am Mon Jan 02, 1995
|
||
|
||
Love with humans is the problem, muh boys. Humans are impossible to
|
||
deal with. They are tempermental and generally bitchy, especially the
|
||
female variety. Not to mention that you actually have to talk to them in
|
||
many circumstances, even the ones who can barely utter coherent syllables.
|
||
Well, 'Bah on Humans, ' I say. Actually, I would rather say,
|
||
"Baaa-aaaa-aaaaaaaa." You see, Young Confused Ones, you must find an
|
||
attractive animal of any sort. As long as it turns you on, my brothers,
|
||
I say that you should find the 'proper' type of beastie that will fulfil
|
||
every wanton craving you have ever had. And get this: as long as you barely
|
||
keep these new best friends alive, you have a partner whom you may shower
|
||
your affections in bizarre and EXCITINGLY NEW FOR '95! way that will
|
||
having you thanking God Above for all the critters in the fields.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Thu, 26 Oct 2000 16:29:44 GMT
|
||
From: haphazard@cringe.co.uk
|
||
To: mogel@hoe.nu
|
||
Subject: FINAL HOE
|
||
|
||
Here's a submission. Ne'er done this before and therefore it
|
||
WILL suck. But I s'pose that's the point.
|
||
|
||
"I Have Standards" by JaneX
|
||
|
||
I Have Standards. I am a Non-Conformist. I am too Cool for Pop-Culture.
|
||
I wake up every morning in some Unmentionably-Big-City-on-the-East-Coast-
|
||
-of-America-which-is-Conspicuously-Covered-more-and-more-With-Advertising-
|
||
-but-shall-not-herein-be-Named and throw off my _Land's End_ Blanket only
|
||
to put together yet another one of my STYLISHLY SNAZZY _Old Navy_
|
||
Ensembles (19.95$ this week for a pair of their Special Boot Cut Chino
|
||
Ultra Deluxe Pant) and throw on my _Nike_ sneakers. As I lace them up, I
|
||
like to nibble on my _Post_ Raisin Bran, which is heartily flavored with
|
||
_Silk_ brand SoyMilk (Plain, not Vanilla or Chocolate). I use my _Gap_
|
||
messenger bag to help push myself past the throng of people standing
|
||
outside Hip Spots that I choose not to frequent because, well, you won't
|
||
believe this, but... I HAVE STANDARDS.
|
||
|
||
In the middle of the day, I might decide to go downstairs to the
|
||
_McDonald's_ next door and get a McVeggie Burger (You see this is what we
|
||
Non-Conformists call Activism). And later, I might decide I want to be
|
||
extra-posh and slip out of my _Nike's_ and into a nice pair of _Doc
|
||
Marten's_ which go better with my dogged vegetarianism anyhow. On my way
|
||
to a couple classes, I might read a copy of _Cosmopolitan_ or
|
||
_Mademoiselle_ and wonder to myself why anyone pays 3.95$ for an issue of
|
||
each when my subscription averages each copy out to only 3.74$! After
|
||
class, I might finally decide to take a shower in which I might scrub my
|
||
scalp with _Herbal Essences_ because I Believe in the Importance of using
|
||
products which are 99% natural. Why? BECAUSE I HAVE STANDARDS!!!
|
||
|
||
I live in a big city. I have no fashion sense! NO FASHION SENSE!
|
||
I wear clothes made in sweatshops, wear doc marten's though I'm a
|
||
vegetarian, and pretty much everything I consume in some way or another
|
||
has a price-tag and a name brand sewn onto it (including my last
|
||
boyfriend), yet I command you to understand that I DO HAVE STANDARDS!!!!
|
||
|
||
I have standards because everyday I am forced to pass at least one
|
||
of the six _Starbucks_ within the one block radius of my home and everyday
|
||
I am forced to shudder at least once thinking of the poor witless souls who
|
||
shamelessly believe that sipping an overpriced Latte that is about as
|
||
homebrewed as a BigMac is straight from the cow makes them a part of some
|
||
sort of Hip Underbelly of the Big City that sits around reading French
|
||
poetry and kissing their friends once on each cheek.
|
||
|
||
So what's the moral of the story? Nothing really. Except I HAVE
|
||
STANDARDS!! And you probably don't because you're probably sitting there
|
||
drinking a MOCHACCINO RIGHT NOW!!! HAHAHAHAHAHAAHAHAHAH!!!!!!
|
||
|
||
I am The Only Non-Conformist with Standards Left In the WHOLE
|
||
WIDE WORLD!!!!
|
||
|
||
MUAHAHAAHAHAHAAHHH!!!!!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
SOYBEAN FROWNS by Phairgirl
|
||
|
||
<jamesy> I am a character straight out of a teenage romantic comedy
|
||
<jamesy> I am the scruffy guy the girl will use to make her boyfriend mad,
|
||
but then fall in love with
|
||
<soybean> DUCKY
|
||
<jamesy> NO, NOT DUCKY.
|
||
<jamesy> SHUT THE FUCK UP.
|
||
<soybean> :(
|
||
|
||
<soybean> i am so tired of mosquitos
|
||
<soybean> :(
|
||
|
||
<mogel> i hate girls
|
||
<soybean> :(
|
||
|
||
<RottenZ> my tool itches
|
||
<soybean> :(
|
||
|
||
<jamesy> hey fuckers
|
||
<soybean> :(
|
||
|
||
<RottenZ> hi katie
|
||
<RottenZ> you never talk to me
|
||
<RottenZ> :( :( :(
|
||
<soybean> :(
|
||
|
||
<soybean> are you falling out of love with me, uberfizzgig?
|
||
<Uberfizz> of course not
|
||
<soybean> okay, cool
|
||
<oregano> boy katie has abandonmnet issues big time
|
||
<soybean> :(
|
||
|
||
<Uberfizz> you don't love me!
|
||
<Uberfizz> this has all been a SHAM!
|
||
<soybean> :(
|
||
|
||
<Jamesy> shut up
|
||
<Jamesy> just shut up now
|
||
<Jamesy> cars suck
|
||
<Jamesy> you suck
|
||
<Jamesy> die
|
||
<soybean> :(
|
||
|
||
<swissphil> you guys are all followers
|
||
<swissphil> FOLLOWERS I SAY
|
||
<soybean> :(
|
||
|
||
<Quarex> Katie? :(
|
||
<soybean> :(
|
||
<Quarex> :(
|
||
<jamesy> :(
|
||
<soybean> :(
|
||
<jamesy> :(
|
||
<alek> :)
|
||
<soybean> :(!
|
||
<alek> <{:)
|
||
|
||
<RottenZ> I might not be able to come visit you, Katie. :(
|
||
<soybean> why?
|
||
<RottenZ> There might be a TEKKEN tournament that day.
|
||
<soybean> :(
|
||
|
||
<jamesy> knock knock
|
||
<Uberfizz> who's there?
|
||
<jamesy> A FIST UP YOUR ASS
|
||
<soybean> :(
|
||
|
||
<soybean> we have six different HBOs
|
||
<soybean> what a nightmare
|
||
<AIDS> hahaha
|
||
<AIDS> You're a nightmare
|
||
<soybean> :(
|
||
|
||
<soybean> i have water in my ears
|
||
<drooplug> i can put something else in your ear if you'd like
|
||
<soybean> :(
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE RED SCHOOL BUS by aster
|
||
|
||
[21:34] <hardk0re> WRITE ABOUT ME ASTER
|
||
[21:34] <aster> WHAT ABOUT YOU?
|
||
[21:34] <hardk0re> I AM FUCKING INTERESTING
|
||
[21:35] <hardk0re> Write about me finding a g/f
|
||
[21:35] <hardk0re> and falling in love
|
||
[21:35] <hardk0re> and having a family
|
||
[21:35] <hardk0re> and me growing old
|
||
[21:36] <hardk0re> rest is up to you
|
||
[21:36] <hardk0re> your imagination
|
||
|
||
and so began a dynasty. people did stuff. people died.
|
||
|
||
[21:38] <hardk0re> Aids, mogel's thoughts
|
||
[21:39] <hardk0re> really didn't seem clear
|
||
[21:39] <aster> of course not, mogel sent me his brains in an envelope.
|
||
[21:39] <hardk0re> Give them back.
|
||
[21:39] <hardk0re> Share.
|
||
[21:40] <aster> NO!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
PENS by aster
|
||
|
||
I have three colors of pens, yellow, red, and blue but not in that
|
||
order at all. they say words on them but i cant read. i think my favorite
|
||
one is the red one, even though when you write with it it is rather light
|
||
and not bright. but the yellow is too bright and blinding and the blue is
|
||
too light-turquoise.
|
||
|
||
i also have a black one, and brown, and dark/bright orange and
|
||
light orange and light greena nd dark green and light blue and purple and
|
||
purple pink magenta.
|
||
|
||
they have hexagonal tops.
|
||
|
||
but the rest is round.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
HOME by Effy
|
||
|
||
The first thing I remembered was the chaotic organization, as if
|
||
they had predicted and had been fully expecting such an occurance as the
|
||
end of the world. There was a place for us on the moon, where we would
|
||
all be safe. As for the earth, it was finished, ready to blow up. We
|
||
packed what we could carry and piled onto a school bus. We drove down the
|
||
deserted city streets. The empty, dark, fast food drive though. Past the
|
||
movie theater with all its framed posters in front of the box office.
|
||
No families would see the new Disney movie. No couples would drown
|
||
pathetically in the latest gooey romance. No critics for the latest
|
||
Tarantino movie. And the popcorn was surely stale.
|
||
|
||
Nearby, a yellow and grey van drove in circles by the bank.
|
||
Nothing, not even Armageddon, would take them from their home. They
|
||
seemed indecisive though, as if they were torn between the pride to die
|
||
for the earth that created them as evolution willed and the desire to
|
||
prove the superiority of mankind by fleeing to another planet. I gave a
|
||
silent plea for them to save themselves, though I wondered why I even
|
||
cared. Perhaps it's looking at someone and knowing they are going to die.
|
||
Maybe it's because I thought if the bus would stop for one second, I could
|
||
say something to give them the desire to join us in our journey to our new
|
||
home. Instead, I helplessly gazed out at the van through the dusty bus
|
||
window and said a silent goodbye.
|
||
|
||
No spaceships for us; at least not that I recall. Buses waiting for
|
||
us at the moon as we transferred at the port. The sky was incredibly dark
|
||
with a reddish orange tint. We hung our heads out the windows of the bus
|
||
and cheered as the distant earth blew up before our eyes. At last the
|
||
anticipation was over.
|
||
|
||
The new world seemed to be a large building. My friends and I
|
||
wandered around, playing with the change in gravity. I wandered around
|
||
what seemed like a department store. With a startled glance upward, I
|
||
saw eight feet tall mutations of human beings standing above me and
|
||
chatting nonchalantly. They didn't notice me, but I was afraid of them.
|
||
They all had long, stringy black hair and piercing green eyes; they were
|
||
like large gothic aliens. I floated away as quietly as I could, and
|
||
joined my friends in a movie theater. Everyone stood up when the movie
|
||
began. More incredibly tall people stood in front of me, and I decided
|
||
to continue exploring and skip the movie.
|
||
|
||
I found myself in a room with various pianos and keyboards. Most
|
||
were being played elegantly by random talented musicians. I looked for
|
||
my own piano to play. Some were missing keys, others only had black ones
|
||
in the major key, no minor key reversed in white... some keys did not work
|
||
on some, and some merely had buttons to push that made different sound
|
||
effects that I could not begin to vary.
|
||
|
||
I floated along in discouraged confusion, and silently wished for
|
||
my home.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
SILVER AND GOLD by Oregano
|
||
|
||
When Julia and Farago were in the car and out in traffic, Farago
|
||
turned on the radio. "Counting Crowes, you like them, right?" Asked
|
||
Farago.
|
||
|
||
"I like some of their stuff, you know the song I like," Julia
|
||
replied, "otherwise I really don't care for them that much."
|
||
|
||
"The one song with 'One for silver, two for gold...'."
|
||
|
||
"Yes"
|
||
|
||
Farago listened to the song. "I think that part is coming up.
|
||
Here it comes."
|
||
|
||
Out of the radio came, "Are you happy where you're sleeping? Does
|
||
he keep you safe and warm?"
|
||
|
||
"Eww! No! This is not the song," said Julia, "Change the station,
|
||
this is one of their songs that I emphatically do NOT like."
|
||
|
||
Farago was negotiating traffic and it was about 15 seconds before he
|
||
could bring his concentration back to the radio and as he did, as his
|
||
fingers were about to press the next preset, out of the radio came, "One
|
||
for silver, two for gold..."
|
||
|
||
"Wait! This is it, Farago, don't change it, this is the one
|
||
I like."
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
MY PREVIOUS LIFE IN A PRINGLES CAN!
|
||
by _clyde_ <clyde@zork.net>
|
||
|
||
yawn! what a great day! even though i just woke up, i'm ready for a nap!
|
||
napping is what i do best! it's been a fun time ever since i got to
|
||
california! a nice peaceful nap on th...
|
||
|
||
(#!&#@%KJDSGKN%UDSG*SB&CX#**#@$##@#)
|
||
|
||
holy fuck! what was that! i've fallen! i hit my head! hello! what the
|
||
fuck is going on here! shit! god damn it! i'm cracked! i'm actually
|
||
cracked! fuuuuuuccckkkkk! i can't see anything! everything is blurry!
|
||
what the hell happened! why did i fall over! this sucks! my head is
|
||
cracked! owwwwwwwwwwwwwwwww! shit! i am so fucking pissed off!
|
||
what th...
|
||
|
||
(fwoosh)
|
||
|
||
wait! someone has saved me! that's terrific! ahh much better! it's so
|
||
nice up here, where i am! i have a terrific view of the popcorn! i smell
|
||
fresh salsa, too! uh oh, there's cheese dip down there, splattered
|
||
everywhere! how the hell did that happen! if that cheese thinks he's
|
||
going to crawl up here where i am, he's fucking wrong! he's so fucking
|
||
wrong!
|
||
|
||
well! now it's time to take another peaceful nap while i'm sti...
|
||
|
||
(snatch)
|
||
|
||
huh! what the fuck! you're choking me! please, oh please god let me
|
||
breathe! i'm fucking choking here, man! what the fuck are you doing to
|
||
me! shit put me the fuck down! god damn it! why are you torturing me!
|
||
i've done nothing wrong!
|
||
|
||
(plunk)
|
||
|
||
ahh! now this is nice! they're taking me for a ride in some sort of cage!
|
||
and hey! here's some of my friends! diet coke! italian sausage! mild
|
||
salsa! tortilla crisps! sour cream! chocolate chip cookies! and this
|
||
new guy pepcid!
|
||
|
||
well, gee guys! this is fun, isn't it! i love the feeling of the air
|
||
rushing past my head! i just wish the damn driver wouldn't keep stopping
|
||
so often! and...hey, what's this! who's the new guy! it's...it's...
|
||
it's...noooooooo! it's a freezing cold box of ice cream bars! brrrrr!
|
||
sir, can't you sit over there with the salsa! you're freezing me to death
|
||
here! aggghhhh! this is so terrible! achoo! achoo! achoo! ach...
|
||
|
||
(swish)
|
||
|
||
(thud)
|
||
|
||
well, so much for that! looks like i lost him! but the car ride is over!
|
||
oh well! maybe there will be another one soon! that was such fun! but i
|
||
wish they'd take me back to my home so i could have a nice peaceful nap
|
||
because i'm kinda sl...
|
||
|
||
(whisk)
|
||
|
||
(beep)
|
||
|
||
what the hell was that! something was just staring at my ass! i hate
|
||
that! grrr, where is it! i'll find you and kick your balls! you can't
|
||
play that shit with me, got it! i'll get revenge on you! i'll put you in
|
||
your pla...
|
||
|
||
(plop)
|
||
|
||
hey! it's dark! what the hell happened! and why am i freezing cold
|
||
again! achoo! achoo! achoo! achoo!
|
||
|
||
wait, i'm getting another ride! this is terrific! this is so great!
|
||
hey, i can't see anything but we're rolling along now! this is...wow!
|
||
much faster than before! wheeeee! fun! hey, what's your problem, guy!
|
||
shut up! you can't keep me down!
|
||
|
||
(click)
|
||
|
||
it's bright again! wait! i can see everything! there's that damned ice
|
||
cream! makes me so fucking cold! aha! but the ice cream just disappeared
|
||
behind a wall of ice! that's great! now i just need to find a place to
|
||
wander off and take a nice peaceful na...
|
||
|
||
(grab)
|
||
|
||
(slide)
|
||
|
||
(clunk)
|
||
|
||
aggghh! no! not here! what am i doing in here! it's so damned dark!
|
||
and i can't see anything, and i can't hear anything! there were voices!
|
||
where the fuck did those voices go! bring back the voices, oh please!
|
||
don't just leave me here! i'm scared of the dark! why are you treating
|
||
me like this!
|
||
|
||
this sucks so much! i can't believe this bullshit! why does my life have
|
||
to be so chaotic! i just get dragged around and plopped down at any old
|
||
random place! this is bullshit!
|
||
|
||
ok! i guess i lose this round! but i can at least get some sleep now!
|
||
ahh! this is a terrific place to sleep! nobody can stare at me in here!
|
||
|
||
(thud)
|
||
|
||
(grab)
|
||
|
||
aagghhhhh! would you fucking let go of me! i can't breathe! you're
|
||
cutting off my oxygen, man! what the hell! oh, you're not a man at all!
|
||
heh heh! do forgive me! and...oh! you're quite a lot of woman, too!
|
||
that's...um! heh! you're going to...hey! shit! you bitch! you fucking
|
||
bitch!
|
||
|
||
put my hat back on!
|
||
|
||
i said, put my hat back on!
|
||
|
||
put my fucking hat back on before i k...
|
||
|
||
(@#O%YEOJTHDKGDKJSDGJIO#*#@*#&@$&*!@@!%JDGJ)
|
||
|
||
aagggggggggghhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh! pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain
|
||
pain pain pain pain pain pain pain pain pain pain pain pain pain pain pain!
|
||
you just fucking cut me open! you split me open! i hate you, bitch! you
|
||
ripped off my hat, then you peeled back my fucking scalp! aagghhh! hello!
|
||
i'm dying over here! yes, me! you fucking...hey! you don't even give a
|
||
shit! you're just shoving your god damn face! i hate you! i fucking hate
|
||
you! what are you...hey! oh, so you're done with me, and you're putting
|
||
me back where i belong! that works for me, because i need a fucking nap!
|
||
it's been a really shitty life for me thus far, and i intend to remedy
|
||
this with a nice peaceful na...
|
||
|
||
no!
|
||
|
||
ajherwuhecnrejhbgouii! what the fuck did you do that for! get me out of
|
||
here! this place stinks! i can't deal with this! this fucking blows!
|
||
you fucking bitch! i want to injure you! i want to cause you harm! i'm
|
||
going to ruin your life! agghhh! what the hell is this piece of
|
||
half-eaten donut doing in here! god damn it! i'm getting all dirty!
|
||
|
||
hey!
|
||
|
||
it's dark in here now! what the fuck! i can't deal with this! this
|
||
sucks so bad! please! i can't breathe in here! let me out! let me the
|
||
fuck out!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
My THOUGHTS and FEELINGS on the DEAD OF HOE by Guy_SJS
|
||
WRITTEN ON JULY 31, 2000 7:51PM
|
||
|
||
I started out reading HOE about 6 months ago when I got a link from
|
||
some textfiles site. Since then I've been reading it religiously. I told
|
||
myself, "I need to write for them." The next day, I got the letter about
|
||
them closing. Now here's my final thoughts and whats going through
|
||
my head right now as I think of HOE.
|
||
|
||
Wait a second, I'm not allowed to think. The techno-babbleing
|
||
geektrons took my brain... Damn... Well, here's a hearty thanks to the
|
||
HOE crew, and a good luck to them in the future. Mogel, you made a wise
|
||
chost to end the legacy here rather than let it sink into a hole...
|
||
|
||
---------------
|
||
|
||
This Year: A Social Waste / The Things Not Said
|
||
A tribute to Karie, by Guy_SJS
|
||
|
||
This school year has been a total waste to me. I have spent most
|
||
of my time studying for classes and on the computer, thus shutting out all
|
||
forms of life except those people I have met online. Sad.
|
||
|
||
The one person I care about most is leaving for college in August.
|
||
It came as a shock to me when I heard the news. I can't imagine her going
|
||
off to college. Just isn't right. She knows how I feel about her, I know
|
||
she feels the same way. We never really acted on our actions--too little
|
||
too late. I am taking her out for lunch Saturday. I plan to tell her how
|
||
I feel then and who knows, maybe something will happen. Her college IS
|
||
only an hour away... if she ever gets this file, I want her to know I
|
||
love her. Karie, I dedicate this file to you.
|
||
|
||
Now, on to the others in my life. My mother. Wonderful woman. We
|
||
seldom argue and it is never really that bad anyways. She is quite good
|
||
with computers for her age (mid-50s). I was surprised she picked up so
|
||
quick. Then again, she IS smart. She had me. :-) Next up, Kate. We
|
||
worked together on a team for Science Olimpiad. She was smart, very smart.
|
||
Wish I had gotten to know her better. I guess I still have time for this
|
||
though. She will be around for awhile anyways. Good thing, she's nice to
|
||
have around. Always good for a cheer-up. Ben and Nick. Best guys on
|
||
earth. Very capable of getting something done. Good with computers.
|
||
Smart. They will be there for awhile at least. Next to Shauna. Average
|
||
girl, good looking, smart, dating a total prick (It's true!). She and I
|
||
were good friends when we were young. It filtered off.. I wish it hadn't.
|
||
I know she does now too. Too bad, her boyfriend is a prick and I won't
|
||
talk to her with him around. Sad. Oh well.
|
||
|
||
Now on to teachers. Who was cool, who is a prick. Mr. Kalada: No
|
||
comment. Mr. Zurlo: Great guy. Mrs. Napoli: Cool. Mr. Hutchins: Best
|
||
teacher! Woohoo! This man knew how to teach. And if you didn't
|
||
understand it, he would take the time and sit down and help you understand
|
||
it better. He deserves a good human award. Mr. Boje: cool teacher.
|
||
Mrs. Perricciny: Good. Mrs. Chambers: Up with Mr. Hutchins.
|
||
Mr. Carpino: LAME.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
NO FAT CHICKS by Kreid
|
||
|
||
Every morning, Adam Burnself ate a pop tart, and drank a coke and a
|
||
pint of motor oil on his way to school. If he got there early, he would
|
||
sleep until the first bell rang. The other kids in the 7th grade liked to
|
||
kick him in the gut, as he slept on the floor, and as they romped through
|
||
the halls before school started.
|
||
|
||
Adam had chemistry first period Monday through Friday, except
|
||
for Wednesday, when the class was dropped. Unlike the other kids in the
|
||
class, Adam tried to sit in a different seat every morning. Without fail,
|
||
Adam would strike up a conversation with whomever he sat next to.
|
||
|
||
"Hey." Adam was usually ignored until he violently asserted
|
||
himself. "HEY!" he would repeat, and punch the boy or girl whom he sat
|
||
next to.
|
||
|
||
Here is an example of the conversation that would typically follow:
|
||
|
||
"What do you want?!"
|
||
|
||
"Hey. I've been drinking a pint of motor oil every day."
|
||
|
||
"Uh... okay... why...?"
|
||
|
||
"It's called self-immoliation. At the end of the year, I'm going to
|
||
swallow a match and burst into flames."
|
||
|
||
"What? Why?"
|
||
|
||
"Because nobody loves me, and I have nothing to live for."
|
||
|
||
"Well, you've got a point there. Loser."
|
||
|
||
"You'll be sorry when I'm dead."
|
||
|
||
"No I won't!"
|
||
|
||
"Yes you will."
|
||
|
||
"No, I won't."
|
||
|
||
After Adam died, it was suggested that he had been crying for help,
|
||
and trying to reach out for a long time. The school psychologist even
|
||
claimed that Adam never really wanted to die. But unfortunately, everyone
|
||
else did want Adam to die. Some even prayed for it -- Adam's parents, for
|
||
example, prayed for his death countless times, ever since they accidentally
|
||
conceived him on spring break in Acapulco, 1985.
|
||
|
||
One afternoon, Sidney, the 7th grade's token punk, made a mockery
|
||
of Adam's cry for help. "Hey Burnself! I've been drinking half a bottle
|
||
of vodka every morning! It's called self-inebriation and at the end of the
|
||
day I'm gonna puke on your shoes!" Bystanders scoffed at both Sidney and
|
||
Adam. The 7th grade considered both of these outsiders pathetic.
|
||
|
||
In fact, Sidney was the only kid around whose death was prayed for
|
||
more often than Adam's. Sidney was kicked out of school in his freshman
|
||
year, and then he overdosed the next summer. Incidentally, he got laid
|
||
more before he was 16 than most of his classmates did in their entire
|
||
lives.
|
||
|
||
On the last day of school, Adam swallowed a match, but he didn't
|
||
burst into flames. Instead, he just burned his mouth and throat. The
|
||
class watched in disappointment as Adam failed in his first attempt at
|
||
suicide.
|
||
|
||
"That's okay, Adam," said the school psychologist. "90% of suicide
|
||
cases screw up on the first try."
|
||
|
||
"This is horrible!" wailed Adam. "All I want is for someone to love
|
||
me!" Wendy Dorklove watched with a tear in her eye; she had a crush on
|
||
Adam since the 6th grade.
|
||
|
||
"I love you, Adam!" screamed Wendy.
|
||
|
||
The crowd was silenced by this shocking display of emotion. There
|
||
was a long, silent pause.
|
||
|
||
"Uh," spoke Adam, "let me rephrase that. All I want is for someone
|
||
to love me -- and no fat chicks!"
|
||
|
||
The scene erupted with laughter. For the rest of the school year
|
||
(which was only a few hours), Adam was the funniest, and thereby most
|
||
popular kid in the 7th grade. At the end of the day, Wendy Dorklove went
|
||
home and ate herself to death.
|
||
|
||
Adam relished in his popularity. For once, he felt loved. He was
|
||
part of the 'in' crowd. His life was only beginning, he had a great future
|
||
ahead of him. Tragically, he killed himself with a bottle of bleach after
|
||
his mom sentenced him to clean the kitchen that summer, as punishment for
|
||
getting caught in the garage fucking future prom queen, Alice Mankiller.
|
||
|
||
Currently, Adam Burnself's grave holds the state record in Alabama
|
||
for being pissed on. His gravestone speaks a tale of a tragic, confused
|
||
life. It reads:
|
||
|
||
ADAM BURNSELF
|
||
BORN OCT 11 1986
|
||
DIED JULY 3 2000
|
||
A FUCK-UP FROM DAY 1
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
WHORES OF THE UKRAINE by AIDS
|
||
|
||
they asked me to write a fuckign story about the fuckign whroes out
|
||
of the ukraine so I foucking agreed here's the deal these bitches all are
|
||
the greatest fucking atrocity of their nation's awful civil war they'll
|
||
do anything for money having undergone the awful atrocity of systemd
|
||
national rape camps delivered to us by the communist the communists would
|
||
tkae them and rape them and they drqank a special exliir developed with
|
||
cosmonaut scietnsits who fucking figured out how to make sperm super
|
||
acidic and toxic once expsoed to the open air and so when the sperm goes
|
||
intt the ukriane girls mfucking repodurciton system it eets their god
|
||
damned ovaries and valves until they're nothing but ufcking empty fuckinc
|
||
ghslels incapalbe of spreading their god damned capitalism to a new fucking
|
||
generation of worhtless ukraines who love the all persvaisve guck the
|
||
assosciation of money with theri sex comes like this:
|
||
|
||
being raped by communists with acidic sperm they have become
|
||
insanely vcraven fro hard cash, these god damned capitalist imperalists
|
||
will do anything you ask them for money they piss in buckets and wash your
|
||
feet with the result they transubstantiate their own shit in black masses
|
||
they do wahtever the fuck is called for and they do it willingly with
|
||
ophalic grins on their god damned snaggled teeth because they love cash as
|
||
much as they love dick and now their inability to get pregnant from the
|
||
acid of the communist dick has made them very happy to fucking fly against
|
||
the world of std and rpeoductioon therapy and now all they do is fuck for
|
||
money they'll do anyhting they date ninteen thousand men at the same time
|
||
and call all of them henry even if they are willies or sams yes henry and
|
||
then they do whatever henry asks henry saysd urkaine whre put dock in ass
|
||
and the ukrainea whore pulls into pier and puts cock in ass and wriggles
|
||
around till her asshole is just as bloodied as her pussy was so many long
|
||
years ago un those fivicous rape campst he communists set up during the
|
||
civilwar to lobotomized and genitalize the ukrainea capitalists don't
|
||
forget what lenin wsaid or what brezhnev did in '68 don't forget don't
|
||
forgert don't fdorget MAy '68 they don't even care about workers and
|
||
students uprising they just want cash and they'll do waht you ask them to
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Sun, 17 Dec 2000 21:35:01 GMT
|
||
From: David Putin <david02840@intercosmos.com>
|
||
To: aids@hoe.nu
|
||
Subject: Im a R.I. guy, 29 seeking one woman, to travel with & have fun...
|
||
|
||
Heya,
|
||
|
||
im David from Rhode Island. Do you wanna hook up with a guy?
|
||
|
||
im 29, 5'11" brn/grn 200#lbs - GermanRussian-American; and i love
|
||
to smoke herb in Amsterdam. im a Social Engineering Analyst, and part time
|
||
investor.
|
||
|
||
im slightly antisocial, philosophical. im well travelled but poorly
|
||
read. i cant dance. ive done alot of crazy things like drive to Arizona
|
||
and back for no apparent reason, once i was arrested and my pc seized for
|
||
hacking - good thing my boss is the mayor, they let me go. i want only
|
||
female friends :) whatever was meant, or was NOT meant to be is what life
|
||
brings me,, and im looking and waiting. luck follows me, im clever and
|
||
resourceful. very protective. i dont know what else to type right now ~
|
||
|
||
Write Back! i get tons of email so if its ********100 words or
|
||
more, i will open the letter. i hope you understand. life is too short
|
||
for games either, so please write alot about you!
|
||
|
||
Holiday wishes,
|
||
David
|
||
|
||
BTW: I got your address on ICQ.com's whitepages
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Msg#73 Conf: Doorman's Party Place
|
||
From: The Doorman Date: Thu Jan 13 23:35:52 1994
|
||
To : All Type: Public
|
||
Subject: bbs
|
||
|
||
Well I know for a fact after I post this message it will get responses.
|
||
|
||
I think most of you are a bunch of no-life , alternative , freaks who just
|
||
couldn't fit in with normal people , so now you all live your lives and
|
||
say ohh yes.. we aren't freaks, we just don't want to conform to society.
|
||
Well this is what I say.. TOO bad.. Society is always going to push aside
|
||
outcasts and freaks like most of you.. if you can't learn to be socially
|
||
acceptable you aren't going to make it anywhere. You could be smarter,
|
||
quicker.. whatever.. but I bet you the person who is normal who society
|
||
accepts will get what you want.. and you will be left behind untill you
|
||
conform.. there is no way around it eveyone eventully conforms to
|
||
something. So learn to live with criticism against yourselves. It's not
|
||
like I hate any of you it's just that you are all stuck up in your little
|
||
bbs ways..and when someone fitting the norm comes about you attack.. and
|
||
try to scare them off.. well it might benifit a bunch of no-lifes modem
|
||
geeks to listen to others once in awhile even if it is against your
|
||
alternitive ways.
|
||
|
||
The Doorman --=> "Making Enemies is fun"
|
||
|
||
Area 'Doorman's Party Place' (#17)
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: 09-27-93 (17:01) Number: 20 of 30 (Refer# NONE)
|
||
To: ALL
|
||
From: ART/SPIRIT
|
||
Subj: yo...
|
||
Read: (N/A) Status: PUBLIC MESSAGE
|
||
Conf: Main Board (0) Read Type: GENERAL (A) (+)
|
||
|
||
heh.. tiz is my 2nd call on here .. not bad.. but fuck i commn from the
|
||
64.. eh.. oh well. much to learn.. l8er..
|
||
|
||
(192 min left), (H)elp, End of Message Command?
|
||
|
||
Date: 09-27-93 (17:08) Number: 21 of 30 (Refer# NONE)
|
||
To: RUNAWAY TRAIN
|
||
From: ART/SPIRIT
|
||
Subj: SYSOP COMMENT
|
||
Read: 09-27-93 (19:15) Status: RECEIVER ONLY
|
||
Conf: Main Board (0) Read Type: GENERAL (A) (+)
|
||
|
||
hy.. what a shit.. fuck i need a new modem.. heh coz i see u have dos 6
|
||
&shit.. i need a new dos version coz my old dos version has some shitty
|
||
bugs.. well.. if u allow me to leech my ass of the version. please told
|
||
me how much files the shit takes.. i hope i'll get a 9600 modem .. but
|
||
the time comes. & goes.. so i hope to catch u in chat mod.. heh
|
||
|
||
l8er.. Andreas.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE REAL WORLD, LIFE FULL OF IDIOTS by Kaotik
|
||
|
||
All my life I have spent alot of time pondering about everything,
|
||
the world and our strange minds. What makes us tick? If we look back at
|
||
what has been happening in our personal lives lately it will all look
|
||
strange. I stopped in at Macs (corner store) the other day to buy a
|
||
slushy cause all I had was 75cents. As I get out of my car I noticed a
|
||
few kids from the elementary school across the road approching me,
|
||
"Excuse me sir, can you buy us smokes?". Most people would say no,
|
||
seeing that these kids were about 8 years old, but me being a corrupt
|
||
individual, I figured oh well, I might as well spoil the next generation,
|
||
maybe they'll all die before they become 20 or something. I went into the
|
||
store, bought the smokes and behold, the guy in the store is telling me
|
||
that the price of the slushy is 1.50$! When I was a kid they were 25
|
||
cents. Who the hell pays 1.50$ for ice and flavor. So I just left gave
|
||
the kid his smokes and went home. Sometimes also when i drive by these
|
||
schools and I see all the innocent kids playing during recess, My mind
|
||
kinda wonders off. They are having all sorts of fun now, but the sad
|
||
part is that they don't realize how fucked up the world is till they get
|
||
older. I kinda feel sorry for them in a way.
|
||
|
||
The next day my car stops working. I figured it was the tranny and
|
||
took it to a place called "AAMCO" a transmission specialist or so they say!
|
||
The stupid assholes charged me 150$ to take apart my tranny to tell me what
|
||
I told them, it was broken. To add insult to injury they wanted 1100$ to
|
||
fix it, they guy said the parts were about 850$, when I called Honda, they
|
||
said the parts would be 325$. Obviously these idiots at "AAMCO" were
|
||
trying to rip me off. I told them to fuck off and gimmie my car back,
|
||
they put my tranny in the trunk and I got it towed to another shop and it
|
||
should be ready in a few days. The moral of this bit is, don't take your
|
||
car to AAMCO unless you have too much money you don't know what to do with.
|
||
|
||
Toronto, the big city of dreams. The Canadian version of New York,
|
||
better roads, cleaner, less dead people, just a nice place to be, ok, well
|
||
kind of. Toronto is getting stranger and stranger. The Provice of
|
||
Ontario in which Toronto is located in, is now topless! You can go around
|
||
topless (women of course) on beaches and rollerblading and shit without
|
||
getting busted. Good idea, in a way. Who wants to see old chicks and fat
|
||
chicks walking around topless. I think that fat and ugly chicks should
|
||
have to get a permit for leaving the house. Another thing is that the
|
||
people whose jobs are to provide us with education want to strike over a
|
||
really stupid restructure of the Ontario Education System. Bill 160 will
|
||
have students be at school longer, start earlier and will have almost no
|
||
summer. I don't care cause I am not in school, but still kids will just
|
||
rebel and start dropping out and there will be more whinos downtown asking
|
||
for change.
|
||
|
||
My parents often wondered about the people that I hang out with and
|
||
now I can see why. This guy Steve we know, got kicked the fuck outta his
|
||
house a while back and was staying with Pimpdaddy Leroy, our local pimp
|
||
hero for a while. Steve wanted Leroy to cut his hair and knowing Leroy,
|
||
you wouldn't want him near you with a shaver but nope, Steve didn't think
|
||
first. To get to the point, Steve ended up walking around town with his
|
||
girlfriends initials in big ol' letters shaved into his fucking head. We
|
||
laughed, they laughed, everybody laughed. We tried to get a picture to
|
||
attach to the mag but after a week or so he ended up shaving it. doh!
|
||
|
||
Before I decide to end this, just a few things that I often
|
||
wonder. Why does everyone want to become a refugee and move to Canada?
|
||
We have enough fucking taxis, who needs 7-11 anymore, does it suprise me
|
||
that I have to pay taxes to pay welfare for all these wack-offs that can't
|
||
speak english but like wearing my curtains and getting free money? We
|
||
don't care if you get killed here either, go home. Also why do those
|
||
women liberation broads always want to be equal? I never see them sitting
|
||
at home watching the football game and talking about getting laid. Women
|
||
liberation is one big fucking joke, we have the penis, we rock, you can't
|
||
drive, give it up.
|
||
|
||
Well anywayz, there is some shit off my mind. Hope it was good
|
||
for you aswell.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
PRESENTING NYBAR'S SISTER
|
||
|
||
Date: Thu, 20 Jul 2000 14:02:49 EDT
|
||
From: AnGeLdUsT995@aol.com
|
||
To: mogel@hoe.nu
|
||
Subject: Story for HOE
|
||
|
||
"Julz and Her Constant Rambling"
|
||
|
||
Earlier today, I strolled into a nearby Toys 'r' Us, to find a
|
||
rather funny display. It was a big sign that said "Get Your Hand on a
|
||
Hot Flash Barbie TODAY" Then below were the details...brace yourselves;
|
||
Press Barbie's bellybutton and watch her face turn beet red while tiny
|
||
drops of perspiration magicallyappear on her forehead. Comes with
|
||
hand-held fan and tiny tissues.
|
||
|
||
And then, don't forget "Facial Hair Barbie"; As Barbie's hormone
|
||
levels shift, watch her whiskers grow! Availble with teensy tweezers and
|
||
magnifying mirror). Also, my personal favorite out of all of them,
|
||
"Recovery Barbie". Too many Discos and what not have finally caught up
|
||
with the ultimate party girl. Now she does Twelve Steps instead of dance
|
||
steps. All cleaned up and ober, she's going to meetings religiously.
|
||
Comes with a little copy of The Big Book and a six-pack of Diet Coke.
|
||
|
||
Just before I was about to leave the store...in a fit of...i don't
|
||
know quite what...I see "Blow-Job Barbie". I think I should stop before I
|
||
blow some chunks....no, I'll control it...she comes with a hand held dildo,
|
||
and her mouth is in the shape of an "o" for convient sucking. She has the
|
||
ability to spit or swallow---your decision. Watch out girls, if you're not
|
||
careful, imitating Barbie may end up in a trip to the ol' stomach pumper.
|
||
|
||
And that's all i have to say folks........goodnight!!!!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE RETURN OF SATAN's CHILD by Effy
|
||
|
||
Author's Note: To experience the full intensity of this sequel, I
|
||
suggest you first read the prequel, which can be found in HOE #598.
|
||
|
||
!_Part One_!
|
||
|
||
Well, what happened with Tim seemed to put an end to Sara's insane
|
||
rampage of men for awhile...but when she was released from the mental
|
||
institution, it was only a treacherous beginning for her.
|
||
|
||
You may be wondering why she was released. She was after all,
|
||
_insane_, and talked only in devil tongue. Well, I was part of the reason
|
||
she got out so easily. I helped make her speak English again, and start
|
||
to act like her old, normal, self. I always sensed though that the demons
|
||
in her were not truly silent. God, was I was right about that too.
|
||
|
||
It wasn't easy to get Sara to act even half way human again. In
|
||
fact, it took months of stressful visits that took up all of my free time.
|
||
In fact, Sara and I both worked so damn hard that when she finally got
|
||
out of that padded room, we hadn't shaved our legs in three months or
|
||
done our laundry, and Sara just stunk to high heaven because she wouldn't
|
||
bathe; she'd just sit there practicing her English. Her white room had
|
||
turned a strange yellow-greenish color. I honestly suspect that the
|
||
doctors let her go because she just left such a mess and smelled too damn
|
||
bad...
|
||
|
||
Anyway, when I got Sara back home, the first thing I did was send
|
||
her straight upstairs to take a bath. As I sat downstairs waiting for
|
||
her, I thought it would be a good idea for us to get out of the house and
|
||
have some fun; I mean we hadn't had any in months, like since we abducted
|
||
Tim (who at this time was across the street locked up in his room mumbling
|
||
strange things about Fang, the dog in Sara's yard).
|
||
|
||
Sara yelled for me to come upstairs suddenly. I ran upstairs,
|
||
seeing her brushing her hair in the bathroom. One glance into the bathtub
|
||
was enough to make me wanna puke. I'd never seen so much leg hair
|
||
before...
|
||
|
||
Anyway, that is irrelevant to the material of the story. "Sara," I
|
||
began, "don't you think we should go do something, you know, have a little
|
||
fun?"
|
||
|
||
Sara looked at me and raised her thin, arching eyebrow. It looked
|
||
like a scraggly, thin cat arching it's crooked, oily back. "What do you
|
||
wanna do?" she asked, tossing out a dozen hair-filled razors.
|
||
|
||
"Well," I began, "there's a basketball game tonight that we could
|
||
go to. It's at least something to do..."
|
||
|
||
To my surprise, Sara looked delighted. It was decided. We would
|
||
go to the game.
|
||
|
||
!_Part Two_!
|
||
|
||
When we arrived at the school, the game was already half way into
|
||
the first quarter. We talked to a few friends (who were astonished at
|
||
Sara's presence), and headed into the gym to find a place to sit.
|
||
|
||
It wasn't long before I noticed Sara eyeing someone. All I could
|
||
think to myself was "Who?" and "Oh no."
|
||
|
||
Finally, curiosity got the better of me. "Who the hell are you
|
||
staring at?" I asked her. She was looking at a big group of 8th graders
|
||
and a few freshmen.
|
||
|
||
"What a cutie," Sara murmured to herself, her hands gnarling into
|
||
small fists and her face filling with blushing delight. Her blue eyes
|
||
grew large and lit up like two blue Christmas bulbs that had short
|
||
circuited and were blazing on fire.
|
||
|
||
"Where?" I asked, wanting to know who the poor guy was.
|
||
|
||
"There," she rasped, pointing a long, skinny finger at someone.
|
||
|
||
"Him?!?!" I asked, looking at the short, scrawny, greasy-haired,
|
||
blonde kid with glasses. "Charlie?"
|
||
|
||
"That's his name?" Sara said, grinning evilly. "How CUTE."
|
||
|
||
I _tried_ to see things from her point of view, I honestly did.
|
||
But I didn't see the cuteness in the grease ball on top of his neck, the
|
||
big glasses perched on his skinny nose, the scrawny body, and the thin
|
||
legs that looked like they belonged to a chicken.
|
||
|
||
That look in her eyes was no stranger to me. It was the same look
|
||
she had when she was in love with Tim, but it was before she planned to
|
||
desecrate Tim. Poor Charlie, I thought. He was in for deep fruity cacka
|
||
if he did anything wrong or even got involved with her.
|
||
|
||
At this time, Jill, an eighth grader that was the sister of one of
|
||
Sara's ex-boyfriends, Jared (who the cops thought the charred remains in
|
||
Sara's basement belonged to) came and sat by us. She wasn't angry with
|
||
Sara for possibly killing her brother. In fact, no one was. Everyone was
|
||
overjoyed.
|
||
|
||
Anyway, she glanced in the direction Sara was gaping at. "Do you
|
||
want Charlie?" she asked in surprise. She looked at the freshmen chicken
|
||
and then back at Sara.
|
||
|
||
Sara didn't answer. She was just staring in awe at the bony piece
|
||
of white meat sitting on the bleachers across the gym. I answered for her.
|
||
"Yeah," I said, secretly pitying poor Charlie.
|
||
|
||
Jill looked amused. "Let's go talk to him," she said, grabbing our
|
||
hands and pulling us in the direction of the group. I followed
|
||
reluctantly. Sara was all flushed with excitement as she fluffed her hair
|
||
and straightened her shirt and picked her wedgie.
|
||
|
||
Jill introduced Sara and Charlie. It was all she needed to do.
|
||
Sara flirted madly like a crazy lil' woman, and Charlie took the bait like
|
||
a hungry little fish.
|
||
|
||
Three days later, they were going out.
|
||
|
||
That's where the hell began.
|
||
|
||
!_Part Three_!
|
||
|
||
Now when Sara gets a new boyfriend, she goes through phases. First
|
||
is the gushing part about how cute he is, and how much she is in love with
|
||
him, how they were meant for each other...that phase lasts about seven to
|
||
ten days. I put up with that OK. It kept her in a just peachy (not
|
||
fruity, mind you) mood, even though all the talk about the skinny little
|
||
chicken Charlie got kind of annoying and I found myself avoiding the house
|
||
whenever we had chicken for supper.
|
||
|
||
A couple weeks after they started going out, Sara began to complain.
|
||
It all started when I was at her house Wednesday night and she was gabbing
|
||
on the phone with Charlie.
|
||
|
||
"Do you love me?" she asked him, twirling the phone cord around her
|
||
finger, like talons gripping prey. Her eyes were wide and staring at the
|
||
floor as she tapped the ashes off her cigarette. She'd started the habit
|
||
again after she got out of the mental institution.
|
||
|
||
A machine gun giggle came rattling out of the phone. Sara's eyes
|
||
narrowed and she breathed into the phone. The giggle came again. I hoped
|
||
that Charlie never joined the army and got stuck in combat because his
|
||
troop would all dive for cover if he began laughing in the middle of
|
||
battle, and their side would lose on the attack. Maybe if he showed up at
|
||
a recruiter's office, they'd kick him out the door the minute they heard
|
||
him laugh and the United States wouldn't have to worry about losing a
|
||
major war.
|
||
|
||
Sara looked a little less peachy; the fruit was drying out of her.
|
||
She gripped the phone tighter and her bony knuckles turned white. "Well?"
|
||
she rasped. "Are you going to answer me?"
|
||
|
||
There came silence from the phone. Perhaps Charlie was thinking.
|
||
Or laughing in his head. Who knows?
|
||
|
||
Sara was losing her patience. I couldn't hear anything else from
|
||
Charlie's end of the phone after that, but apparently it was a lot of
|
||
machine gun giggles and somewhat Tim-like talking, because Charlie really
|
||
didn't say a lot. Only Charlie made more noises and grunts than Tim, who
|
||
just used several repetitive phrases.
|
||
|
||
When the conversation was over, Sara hung up the phone in
|
||
frustration. "What a dumbass." She shook her head back and forth, her
|
||
hair shagging out to the sides and a frown on her face and her eyes
|
||
closed. A sinister grin slowly crept up her mouth though. I knew that
|
||
grin. I hoped Charlie started talking, _fast_
|
||
|
||
!_Part Four_!
|
||
|
||
A week and two days later, on that Friday, Sara had a few friends
|
||
over. It was her, Charlie, Kenny, and me. We all hung out in her room
|
||
upstairs and listened to music while the guys made idiots of themselves,
|
||
and Sara and I watched them in amusement. That went on for the rest of
|
||
the night.
|
||
|
||
The next morning, while Charlie was still asleep, Sara and Kenny
|
||
stole Charlie's clothes except for his boxers.
|
||
|
||
We were all giggling madly when Charlie poked his disheveled,
|
||
greasy head out of the blankets on the floor. His sleepy eyes contained
|
||
little intelligence. Suddenly he realized he was almost naked and his
|
||
eyes grew wide.
|
||
|
||
"Where's my clothes?" he grunted, covering himself and his Green Bay
|
||
Packers boxers better.
|
||
|
||
We just smiled. "I don't know," Kenny said.
|
||
|
||
"Me neither," I said.
|
||
|
||
"I have no idea," Sara added, smiling innocently.
|
||
|
||
Charlie wanted to look for his clothes. He began sliding across
|
||
the wooden floor, slipping and sliding his way wrapped up in his blanket,
|
||
slithering in an invisible trail of mucus.
|
||
|
||
"He looks like a slug," Kenny commented, and Sara, him, and I burst
|
||
into laughter madly.
|
||
|
||
"Slug," Sara said. "It's your new nickname." She grinned hugely.
|
||
|
||
Poor Slug. Later on his nickname would contribute to his fate.
|
||
|
||
!_Part Five_!
|
||
|
||
Slug was starved for ciggies. It seemed that all he wanted to do
|
||
was smoke when he was around Sara. He was like a chimney. If he had been
|
||
big, he would've had to watch out for Santa Claus come Christmas time
|
||
because Santa da man could see that chimney all the way from the North
|
||
Pole smoking up a storm. I never understood how they said Santa could go
|
||
down chimneys in December. Wouldn't there be a fire burning in them?
|
||
Santa would be smokin' up man, and I don't mean a joint. That could be a
|
||
new worldly source of energy. Burn Santa's fat. Anyway, I am so off the
|
||
subject that I'm going to have to forfeit Christmas to get back into the
|
||
story.
|
||
|
||
Anyway, Slug's constant asking for cigarettes began to grate on
|
||
Sara's touchy nerves. In fact, touchy isn't the word for her nerves. You
|
||
upset her nerves and she becomes Satan's little girl. I mean, we already
|
||
heard about Tim. Who's to say it couldn't happen again?
|
||
|
||
Sara and I were sitting in her room. Slug had just left, satisfied
|
||
with his cigarette.
|
||
|
||
Sara looked like her thoughts were further away than the North Pole.
|
||
"Hand me my cigarettes," she behest.
|
||
|
||
I picked up the pack of Marbs and tossed em to her. "Here," I
|
||
said. I got a strange sense of deja vu.
|
||
|
||
"My lighter too," she said, not touching the pack yet.
|
||
|
||
"Here," I said, giving her the lighter. The feeling grew stronger,
|
||
like Santa getting fatter as he eats his Christmas feast. I began to have
|
||
a sense of unreality. I was like a broken Christmas record. I knew what
|
||
had happened last time that I had kept saying "here" to her...she went off
|
||
her rocker minutes later.
|
||
|
||
Sara looked at the ceiling absently and fingered around her for her
|
||
pack of ciggies. She found them and tried to empty one into her hand.
|
||
Nothing came out. She shook the box. Nothing came out. She shook it
|
||
harder and finally madly, up and down, up and down, till the pack was a
|
||
reddish-white blur. I looked at her in alarm, but she didn't even know I
|
||
was in the room. Her eyes were huge and looming; they reminded me of Icy
|
||
Hot. Cool blue smoldering flames.
|
||
|
||
"That fuckhead," she said, crumpling the pack in her fist tightly.
|
||
"He took my last smoke." Her knuckles were white.
|
||
|
||
"Oh come on, it's not that big of a deal..." I began.
|
||
|
||
"Yes it is!" Sara screamed, throwing the pack at me. I dodged it
|
||
and stared at her until I thought my eyes were going to pop out so she
|
||
could gleefully squish them between her gnarled fingers.
|
||
|
||
Sara carried on, her face becoming a pasty white with red splotches
|
||
on her cheeks. "He just steals my cigarettes, he hardly ever talks, he
|
||
never says he loves me, and that LAUGH, oh my fuck, it's SO annoying...it
|
||
sounds like a machine gun...eh eh eh eh eh eh eh..." she said, doing a
|
||
perfect imitation of Slug's giggle. Her eyes grew wider until she looked
|
||
like a bug, the eyes consuming the whole face, but yet a thousand eyes.
|
||
Sara was like a big pile of eyes...it's all I could see. Everything else
|
||
seemed to disappear and all I could see were two huge, blue eyes that
|
||
seemed to grow redder and redder...soon they were red, and just like when
|
||
she had gone off about Tim.
|
||
|
||
I shrunk back towards the wall in fear. I didn't want to become
|
||
her victim before Slug did...
|
||
|
||
Sara stood up slowly. She stood over me, seemed to tower...she
|
||
spoke to me then...her voice was quiet and a bit raspy. "Slug has picked
|
||
the wrong person to fuck with," she began, in a strangely serene voice.
|
||
She absently toyed with her lighter. "He needs to learn a lesson."
|
||
|
||
"Wh-wh-what kind of lesson?" I stuttered, shivering.
|
||
|
||
Sara ignored me. "You helped me last time," she said, grinning
|
||
madly. "You helped me with Tim!" She looked at the wall as if she could
|
||
see through it to Tim's house, where he surely was up in his room, rocking
|
||
back and forth insanely, still clasping Fang's fur, which by this time
|
||
would be turning gray with age.
|
||
|
||
Sara went on. "You are going to help me again. Slug is going to
|
||
PAYYYYY..."
|
||
|
||
I had to listen to her. It was the end for me if I didn't. I
|
||
slowly nodded.
|
||
|
||
She grinned even bigger, her teeth becoming huge and luminous, all
|
||
I could see were those two huge eyes and a gargantuous grinning mouth full
|
||
of teeth, an insane combination Satan had prepared for her...oh my god,
|
||
I thought, Satan's child is back.
|
||
|
||
!_Part Six_!
|
||
|
||
Yes indeed, Satan's Child was back, and she was worse than ever.
|
||
She was back to desecrate Slug of all people for not talking to her, using
|
||
her, you name it...Sara spent most of her time before we carried out the
|
||
new plan at home, smoking pack after pack of Marlboros, and giggling madly
|
||
at her master plan to bring Slug down. Whenever I went over to her house,
|
||
she just sat Indian style with a cigarette in her shaky hand, a big toothy
|
||
grin on her face, and her eyes wide and unblinking. Every now and then
|
||
little giggles escaped from her pulsating lips. She didn't say much to me
|
||
except what I had to do and what would happen to me if I didn't do it,
|
||
but I won't go into that for the sake of your stomach.
|
||
|
||
After Satan repossesed his daughter's body (Sara's body), Sara and I
|
||
planned to carry out our plan a week later. I was to report to her house
|
||
a couple hours ahead of time so we could call Charlie and get him to come
|
||
over.
|
||
|
||
When I arrived, I didn't find Sara in her room surprisingly. I
|
||
looked around and finally found her in the backyard, picking weeds.
|
||
|
||
"What are you doing?" I asked her, as casually as I could sound.
|
||
|
||
Sara looked up at me, her brown hair disheveled and greasy, her
|
||
teeth peering out of her little grin, her blue eyes evil and empty. She
|
||
let out a low growl. "Cumma poot dah mokita Creeping Charlie!" she said
|
||
happily.
|
||
|
||
"Oh, you're picking Creeping Charlie plants," I said, smiling.
|
||
Like I said at the beginning of the story, I could understand her devil
|
||
tongue, which she had begun talking in again. I noted that the dress she
|
||
was wearing was weaved out of Creeping Charlie. I could see little slugs
|
||
plopping off of the dress, and as they did, Sara crushed them beneath her
|
||
bare heel with a satisfied "plop" and an evil laugh.
|
||
|
||
"What do we need them for?" I asked, not wishing to converse
|
||
in devil tongue.
|
||
|
||
This time Sara spoke in English. "Tie up Slug." She grinned
|
||
hideously, her teeth like candy corn again, only some were missing from
|
||
her banging her head repeatedly against the wall.
|
||
|
||
"Don't we have rope for that?" I inquired, holding out the
|
||
length of rope.
|
||
|
||
"Bung monny toophoo cocka venovelim! Zoowingtowa!" she rasped,
|
||
her tongue slipping in and out of her mouth as she lisped the words out
|
||
like a snake. She meant that it was more concurring with the plan to use
|
||
Creeping Charlie to tie up Slug.
|
||
|
||
Sara looked away, absorbed in her thoughts. She picked slugs
|
||
absently off the Creeping Charlie plants and popped them into her mouth
|
||
and chewed slowly. She offered me the plant delightfully, but I resisted.
|
||
As evil as I could be sane, I still couldn't bring myself to eat slugs.
|
||
|
||
Sara dropped some more slugs onto the pavement and crushed them
|
||
and smashed them all over the concrete. She got down on her hands and
|
||
knees and began licking them up with her forked tongue. Her eyes gleamed
|
||
delightfully. I noticed a neighbor staring at her from his window next
|
||
door. His face was stark white. Sara slowly turned her head to stare at
|
||
the man, slugs dripping from her lips. The man stared back in raw terror.
|
||
Sara opened her mouth and screamed directly at the man, and he fled from
|
||
the window screaming bloody murder. Sara began to laugh insanely. "Plop
|
||
plop plop," as slugs dripped from her mouth. I'd never seen so many slugs
|
||
before at one time. Perhaps it was some workings of the devil.
|
||
|
||
When Sara was satisfied with her dinner, she grabbed the
|
||
Creeping Charlie plants she had picked and put them by the shed. Fang
|
||
sniffed at them curiously, and then the little white dog, barely bigger
|
||
than a rat, growled and barked at Sara. She had purposely not fed him in
|
||
days. Fang began to gnaw on the slugs on the Creeping Charlie.
|
||
|
||
We went inside to call Slug. Sara picked up the phone and
|
||
dialed the number, and I could tell when he answered because her eyes
|
||
darkened mercilessly and a devilish little smile spread on her face like
|
||
Move Over Butter on toast.
|
||
|
||
"Charlie," she said in a smooth, yet raspy voice, "what are you
|
||
doing tonight?"
|
||
|
||
Mumbles came out of the phone and a machine gun giggle or two.
|
||
|
||
"Well ask her," Sara growled, saliva dripping onto the carpet. I
|
||
removed my socks; I didn't want to get them soaked, as the puddle of drool
|
||
inched closer. I jumped onto the couch to avoid it.
|
||
|
||
Sara appeared to be waiting for a response. Then she spoke
|
||
seductively. "I'll give you a cigarette or two," she whispered, like she
|
||
was promising to lay him or something. Slug probably would've preferred
|
||
the cigarettes anyway though.
|
||
|
||
Suddenly her face filled with delight. "Ok," she said, almost
|
||
sounding normal. "Bye honey," she said, hanging up the phone. She slowly
|
||
turned toward me. A feeling of deja vu came over me, which was not an
|
||
unfamiliar feeling I'd been having lately.
|
||
|
||
"Let's get this show on the road," she said lightly, lighting
|
||
pieces of her hair on fire. She growled in delight as her hair sizzled
|
||
between her fingers. I felt as I had felt a long time before, when Tim
|
||
came a'knocking at the door...
|
||
|
||
!_Part Seven_!
|
||
|
||
Slug sat happily on the couch, pufffing on his cigarette and
|
||
gazing off into space with a "duh" expression on his face. Sara gazed at
|
||
him as though he were all that existed in the world.
|
||
|
||
"Do you like my dress?" she asked him, twisting a strand of
|
||
Creeping Charlie around her long, skinny finger.
|
||
|
||
Slug looked at Sara's dress. He didn't say anything at first,
|
||
but then a slight machine-gun giggle escaped from his mouth. He mumbled
|
||
something unintelligible.
|
||
|
||
Sara's eyes narrowed in anger and despise. "You don't like it,"
|
||
she growled. "Zoowingtowa!" she rasped.
|
||
|
||
Slug's sleepy eyes widened at her rasping devil voice, but he
|
||
continued not to say anything. Another rattling giggle slipped out of his
|
||
mouth, like a slug out of the ground.
|
||
|
||
A low growl came from the bottom of Sara's throat. I could see
|
||
her fists gnarling into tight, white balls, like two cabbages sitting in
|
||
her lap on the ends of her wrists. Her face became a firey red, and her
|
||
blue eyes began to turn purple, then maroon. I looked at her in warning.
|
||
She looked back at me as though I were made of glass, and then seemed to
|
||
control her anger, and relaxed.
|
||
|
||
"Would you like another cigarette?" she asked Slug.
|
||
|
||
Slug's face lit up like a candle. And if he was a candle, his
|
||
brain must've melted a long time ago and all that was there was the tiny
|
||
wick, his brain stem. No intelligence. Just the stem, enough to get by.
|
||
No wonder he liked smoking so much. He needed fire to light the wick, the
|
||
brain stem, the source of his entire being.
|
||
|
||
"Uh huh," he said, holding out his hand eagerly.
|
||
|
||
"Come outside and I'll give it to you," she urged, taking Slug's
|
||
tiny hand gently. I wondered if what they said about hand size was true
|
||
because if it was, Sara would have to be careful not to snap that thing
|
||
off if she nudged it. And I know more than nudging would become of it...
|
||
|
||
Slug looked confused. "Why outside?" he asked.
|
||
|
||
Sara smiled, her candy corn teeth popping out at him like two
|
||
rows of tombstones yellowed with age. "Just because," she whispered. Her
|
||
voice seemed to be a million miles away. She got up and pulled Slug behind
|
||
her out the door. I followed, my hands in my pockets, and whistled
|
||
cheerfully.
|
||
|
||
Once outside, Sara guided us down the walk towards the shed
|
||
where Fang was kept. Slug's giggles rattled at the small, white, ratty
|
||
dog. I deftly reached for the pile of Creeping Charlie, still dripping
|
||
with slugs.
|
||
|
||
Sara gave Slug his cigarette, lit it for him, and backed away a
|
||
few feet. Slug puffed away happily, his eyes closed.
|
||
|
||
Sara looked at me.
|
||
|
||
I grabbed Slug's wrists and began to bind them behind his back.
|
||
Sara grabbed his ankles and did the same. Slug dropped his cigarette and
|
||
struggled, but soon we had him on the ground tied up. He tried to reach
|
||
for his cigarette on the sidewalk a few feet away; I couldn't believe it!
|
||
But soon he began to scream. Sara silenced him when she stuffed some
|
||
Creeping Charlie plants in his mouth, the weeds full of slugs. She also
|
||
stuffed a shitload of the weeds down the front of his jeans. He gagged and
|
||
moaned but was no match for us. We dumped him in the shed, locked Fang in
|
||
there with him, and we were overcome with glory at having brought for the
|
||
second time, someone's demise due to Fang. Fang's hungry drool seeped out
|
||
from underneath the door.
|
||
|
||
!_Part Eight_!
|
||
|
||
Yes indeed, it seems that we had done something quite as well as
|
||
we had done it before, with slight alterations in the plan. Needless to
|
||
say, Fang had a small feast...he began gnawing at the slugs down Slug's
|
||
pants and bit something off that he probably shouldn't have...well, that
|
||
little piece of meat didn't satisfy Fang, so he began to work on various
|
||
parts of Slug's body, which included his nose, ears, and mouth. Poor Slug,
|
||
he was incredibly deformed.
|
||
|
||
But what happened to everyone? Well, Fang broke out of the shed a
|
||
couple days later and dragged poor Slug down to Riverside Park and
|
||
continued to gnaw at him, where the cops found him and Fang that night.
|
||
They didn't know what had really happened to Slug, but Fang was sentenced
|
||
to death and was given a lethal injection for distemperment. Poor Fang.
|
||
That was the end of his adventures with Sara and me.
|
||
|
||
And Slug? Well, he was taken to the hospital and stayed there
|
||
for a couple weeks, recovering from shock and nic fits. He was given
|
||
plastic surgery big time and now looks really fucked up. Unfortunately,
|
||
they weren't able to replace his missing "organ," because they didn't
|
||
exactly have a donor, and they didn't want to attach one molded of plastic.
|
||
Poor Slug now resides in Boscobel's psych ward, but he should be getting
|
||
out soon. He gets to go visit friends every now and then, but runs
|
||
screaming whenever they offer him a cigarette. If anything, Sara and I
|
||
helped him kick that habit.
|
||
|
||
And what happened to Sara? She is living happily at home, her
|
||
anger replaced with giddy happiness. The demons have not left her, but
|
||
no one has pissed her off yet. She still talks in devil tongue and hears
|
||
strange voices, but it seems to be fading a little. We go out and do
|
||
things and have fun, and she now has a new boyfriend named Mike; he's from
|
||
Boscobel. She seems to be crazy about him...for now. I thought if Mike
|
||
knew what he could be getting into. You can never be too careful after
|
||
all, especially when you're dealing with THE DEVIL.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Mon, 4 Sep 2000 12:25:23 +1200
|
||
From: "Andrew Calder" <viggen@zfree.co.nz>
|
||
To: mogel@hoe.nu
|
||
Subject: Fun ways to make some money
|
||
|
||
About a two months ago I needed a lot of money but didn't want to
|
||
work for it... so I sat down and thought about easy ways to get it. Here
|
||
are some of the least boring ways I came up with. Some if this stuff is
|
||
illegal, I'm not encouraging it, etc, so if you try it and get caught,
|
||
don't blame me.
|
||
|
||
1. Steal stuff
|
||
|
||
Pretty obvious really, but it depends on what you steal and how you steal
|
||
it. Wait til around 2 in the morning, go into a gas station (preferably
|
||
not one you usually go to) when they are selling pokemon cards, wait until
|
||
the sole attendant is distracted, grab the boxes of cards they have on the
|
||
counter and get the fuck out of there. Pull some shelving over as you
|
||
are making your exit so the attendant will be distracted. Sell the card
|
||
packs to little kids later on.
|
||
|
||
2. Steal more stuff
|
||
|
||
Look round the place for empty houses, break into them, steal any stuff
|
||
(furniture, washing machines, TVs etc) you find and sell it. Relatively
|
||
low risk as long as you can break windows quietly. Use glass cutters or
|
||
do it during a storm.
|
||
|
||
3. Sell fake drugs
|
||
|
||
Go to teenage raves with heaps of caffeine pills and sell them as speed or
|
||
ecstasy to 14 year olds. Good profit and probably not illegal. By the
|
||
time they work out your scam you're probably long gone, and if they do
|
||
what the fuck are they gonna do about it? You could also sell dried lawn
|
||
clippings as marijuana but most kids that age just aren't
|
||
stupid/inexperienced enough to fall for it.
|
||
|
||
Of these three methods, the last is by far the easiest and carries the
|
||
lowest risk. Its certainly the most profitable ;)
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
GANGSTA STORY by Big Daddy Bill
|
||
|
||
The breeze seemed cautious in Dubuque that day. It whistled calmly
|
||
through Scott's hair, as he lay motionless on the barron cement playground
|
||
that children had played a competitive game of basketball on only hours
|
||
before. The ant population could care less, and they crawled anonymously
|
||
over Scott's blood-streaked face, a line of the black warriors forming
|
||
over the gaping hole that was put in his skull only moments ago. Yes,
|
||
Scott was dead, very dead. And the bastard deserved it.
|
||
Scott was meandering down the street, looking for trouble, as all
|
||
little shits named Scott will do at one point or another, when he
|
||
discovered a group of milato, latino, and caucasion teenage boys playing a
|
||
hard game of b-ball in the Audubon School parking lot. Scott said to
|
||
himself "straight pimpin'" and started to venture towards the teens.
|
||
Scott threw up the 'dub as he approached, double checking to make
|
||
sure his NYC black ball cap was cocked 30' degrees to the right. One of the
|
||
latino boys took a glance at Scott, then another glance, before tapping his
|
||
friends arm at the obese, be-bopping whiteboy limping towards them. "Que to
|
||
infierno..?" the young mexican pondered, starring in disbelief.
|
||
"Ay yo trip, I be bout it up in this real, got a bill ona count I
|
||
can broady all ya'll mothafuckaz" Scott spouted out arrogantly, flashing
|
||
some greenback he had stuffed in his front jean pocket. Scott slid his
|
||
hands down to his balls and gave them a squeeze, snorting some air in
|
||
through his nose like he just got done doing a line.
|
||
The shirtless, obviously very fit milato's mouth fell open at the
|
||
fat man's lingo, and all six of the men followed suit. "Yo, I saw ya'll
|
||
cold hoopin' it, so cut a nigga some cheese." Scott finished, once again
|
||
'dubbin' the six teens.
|
||
The spanish teen spoke first, "'cuz, that ducat ain't biz in D-town,
|
||
shit-talkin' get yo cap peeled." And with that spoken word, Scott heard to
|
||
his left the *shik-shak* of a nine being prepped. Scott knew he was out of
|
||
his league, and wished to god that he could geese the fuck outta there.
|
||
"Spread those ends, dun." the bulky milato spoke up, as his homeboy
|
||
approached from the sidelines, gat in hand and cocked for action. Suddenly,
|
||
the milato's face got very serious. "Busta's that fake jack's get laid on
|
||
they backs." he ended the conversation with that, snatching the wad of
|
||
bills that Scott extended towards him, almost as if in peace.
|
||
"This playa be G'd up, gaffled in this game now ain't cha." the
|
||
caucasion spoke stupidly, misinterpreting some of the things the more
|
||
fortunate had to say. The milato simply turned, and laid the back of his
|
||
hand against the little bitch's dome.
|
||
"Shut the fuck up, cracka." the milato angrily retorted, and turned
|
||
in time just to see fat man Scott make a dash for the farside.
|
||
"We was highside, 'cuz, now that cracka made a dash for the
|
||
mothafucka Five-O!" the mexican spat out, snagging the piece that the
|
||
black man held idely in his hand.
|
||
Coldly but smoothly, the latino gangster took careful aim and
|
||
squeezed a shot off, then a second one, before turning and scattering
|
||
away with the other hardcore teens like roaches do when you turn the
|
||
lights on in an black man's apartment in the ghetto.
|
||
Scott never got the chance to alert the police, nor did he ever
|
||
get the chance to breath again, reproduce, eat vegetables, drink beer, or
|
||
masterbate.
|
||
Moral of the story: A nicker newjack can boost phat up in D-town,
|
||
but that O.P.P shit'll get that oowop ratatatating 'fo a nigga can
|
||
represent n roll up in a saggin duece, stackin that double nine-nine, an'
|
||
snack up some scrilla.
|
||
One.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
PRINCE NAMOR IN THE LAND OF LaLaLa by The BMC
|
||
|
||
The people of the Grand Duchy of Atlantis thought Namor had fled the
|
||
city of night, but they were wrong. He was kidnapped by the Mind
|
||
Creatures. "Where are you taking me?" said a confused Namor as they
|
||
hoisted him upon their dozens of little pink shoulders. They just giggled
|
||
in response. Namor realized the futility of attempting escape, shrugged
|
||
his shoulders, and let himself fall asleep as he was carried into another
|
||
world.
|
||
|
||
When he woke up he saw a sign that said, "Welcome to the Land of
|
||
LaLaLa, pop. 0." Population zero? Well then who was it that brought him
|
||
here? He didn't know. They were gone and he was laying on a cloud with
|
||
a golden cape covering his naked paralyzed body. Namor quaffed a potion
|
||
that allowed him to be free from his paralysis, stood up, folded the cape,
|
||
and put it in his pocket. "This will be worth a pretty penny at the Great
|
||
Sea Bazaar," he believed to himself. He didn't need money, though. He
|
||
was the King of Atlantis, or so he said.
|
||
|
||
That was the last thing he remembered. Proteus launched a siege
|
||
attack on Atlantis, Namor was declared King by the dying Poseidon, and
|
||
then a bunch of little furry red guys carried him away. "What does it all
|
||
mean?" thought Namor as he kicked his feet up on the desk. He didn't know.
|
||
He didn't even know where to start.
|
||
|
||
Namor continued to walk until he found a babbling brook. He looked
|
||
down at and said, "So, brook, what is it that you do for a living?" The
|
||
brook said nothing, because it was inanimate. For some reason, this made
|
||
Namor even more furious and he began kicking and punching the water until
|
||
all his hands were wet and sore. It was actually just one kick and one
|
||
punch, but Namor was not really all that strong. To his satisfaction he
|
||
had defeated the babbling brook, and now onward he went to the mysterious
|
||
destination that he had been questing for since a week earlier.
|
||
|
||
He walked through a large red archway made of gelatin, and on the
|
||
other side was a grassy meadow. Namor ran out into the middle of the field
|
||
and gazed around at all of the tall trees made of oak and maple. "I've
|
||
never been in a coniferous forest before," thought Namor, and he was right.
|
||
When he got out of the brook he went onward through a large archway that
|
||
was made of red gelatin.
|
||
|
||
"Oh my sweet gelatinous cube," dreamed Namor, "I remember the
|
||
tender love you gave me on our first date." Now it was time for Namor to
|
||
choose the path that would guide his direction for the rest of his life.
|
||
One of them would lead to certain death, and the other would lead to
|
||
uncertain death. Namor noted this and decided to stay still and follow
|
||
neither path in hopes of avoiding death altogether. It didn't work,
|
||
though. All of a sudden the music sped up and a message popped up on the
|
||
screen that said "Hurry Up!"
|
||
|
||
Oh so this was how it was going to be, was it? Was all of life just
|
||
a game? If so, Namor wanted to make sure he had lots of quarters so he
|
||
could continue over and over again. He thought about the silver cape in
|
||
his jacket pocket and thought, "I'm going to trade this in for ALLLLLLLLL
|
||
quarters!
|
||
|
||
He didn't actually get all quarters with it though. he got some
|
||
bubble gum and a ceramic parachuting clown and some stick-on tattoos. He
|
||
did keep three or four quarters, though. He figured he would just get more
|
||
change when life was about to end. This is just like how people expect to
|
||
change into a better person later in life. Later is always in the future,
|
||
even when death is in the present. Namor knew all about Death. Death was
|
||
no stranger to Atlantis. In fact, Namor had dined with Death on a few
|
||
occasions, and he even had a ceramic mug that was given to him by Death.
|
||
It said "Government of Atlantis, Department of Death." That Death had a
|
||
really weird sense of humour. He wasn't the grim reaper or the specter of
|
||
death, but just a non-magical cod whose parents happened to give him a
|
||
weird name. Namor still liked him, though. Death Death Death Death Death
|
||
Death.
|
||
|
||
So he headed down one of the roads (I forget which, so let's hope
|
||
it isn't important to the story) in search of some kind of death, and not
|
||
his friend Death, either. On the way down the road, he did see his friend
|
||
Death, and he was hitchhiking on the side of the road. Namor pulled over
|
||
and asked Death where he was going. Death shrugged his shoulders and asked
|
||
where Namor was going. "I'm going to die," answered Namor. "Aren't we
|
||
all?" replied Death, and they giggled like little schoolboys. The sense
|
||
of humour of Atlantis was terrible in those olden days, and that's why
|
||
Namor was so prepared to kill himself by following the trail to a certain
|
||
or an uncertain death. He asked Death if he wanted a lift, but the hairy
|
||
little guy was already passed out and in the process of soiling himself!
|
||
|
||
Now that was a wonderful and unprecedented show of loyalty and
|
||
respect that didn't become widespread in the City of Night until years
|
||
later, but Namor had momentarily forgotten. He wasn't in Atlantis anymore,
|
||
he was in The Land of LaLaLa!
|
||
|
||
The Land of LaLaLa was a magical world, too beautiful to describe
|
||
in mere words and too vast to be calculated with numbers! The only way
|
||
knowledge of it could be passed on was through the brilliant sculptures of
|
||
the period and the detailed battle tales as chronicled by the legendary
|
||
scribes of Atlantis.
|
||
|
||
That didn't count, though. It just didn't count to Namor. As he
|
||
sped toward his end, the road pulled him faster and faster with increasing
|
||
gravity. He flew faster, and the finale drew closer. Closer, closer, he
|
||
could see the end now. He flew through the finish line and like the
|
||
snapping of a rubber band he was in another place.
|
||
|
||
A bucket. Namor was a bucket. The felt the tough hand of the
|
||
pretty young milkmaid grab his handle and carry him somewhere unknown.
|
||
The way she clutched him and swung him by his handle was very attractive
|
||
to him. Then she sat him down in a pile of stuff (he could not determine
|
||
what it was), and she filled him with the fresh milk of the cow. "I love
|
||
you," he thought to her, but being a milk pail he was unable to speak. She
|
||
loved him too, though. She loved him just fine. She took care of him,
|
||
washing him every day, scrubbing him with her naked hands. He served his
|
||
purpose in serving her too. He held all of the milk that she could not
|
||
bear by herself. Their relationship flourished, and Namor was happy for
|
||
the first time in his new life.
|
||
|
||
Then one day he got a hole in him, so the maid didn't love him
|
||
anymore. She threw him in the scrap yard to rust and decay until the end
|
||
of time.
|
||
|
||
You might be feeling a bit sorry for Namor, but he met a really
|
||
nice shovel and they fell in love. She had a broken handle, but he still
|
||
loved her, and as they decayed together for the next several thousand years
|
||
they were happy that they were not biodegradable and that they could love
|
||
for nearly ever.
|
||
|
||
Then one day someone cleaned up the yard and threw everything in
|
||
another yard. Namor never saw the shovel again. You might be a bit sorry
|
||
for him, but he decided that he didn't need love anyway and was happy just
|
||
to be alive. Then he realized that he wasn't alive and spent the rest of
|
||
his existence in solitude. After he decomposed there was another rubber
|
||
band snap and he was back in Atlantis. The only problem was that it was
|
||
several thousand years later and the world was way too different. He
|
||
couldn't handle it so he killed himself.
|
||
|
||
Some of the people of the day found Namor's body, and the way they
|
||
got rid of dead bodies at this time was to teleport them to different time
|
||
periods. They transported Namor back to his own time, a week after the
|
||
pink guys carried him off, and the Healers nursed him back to health. Then
|
||
he returned to the capital and told everyone of his amazing voyage.
|
||
|
||
We didn't believe it, though. We may be fictional, but we're not
|
||
stupid.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE ATTENTION, THE CAR, AND ME by dinkee
|
||
|
||
before i ever got my license, i knew nothing about cars. i knew
|
||
nothing about the horse power, the stick shift, the gear box, the
|
||
coolant... absolutely nothing. i found it utterly ridiculous too how a
|
||
boy could fall so in love with a car and would rather spend hours waxing
|
||
it, watering it and polishing it than doing those things to me. for a long
|
||
while, i thought, "okay, its YOU, it may well be that you give the
|
||
appearance of someone who doesn't need all that smothering, unlike a car
|
||
who constantly craves the human touch." so i went on my utterly confused
|
||
teenage years panting over a boy who had a car, trying all different ways
|
||
for him to pay attention to ME than HER. i thought, "maybe if i had better
|
||
curves than her", "maybe if i smelt like leather". and trust me on this
|
||
one, there is nothing worse than having to don on tight leather pants in
|
||
the middle of summer to impress a guy... and STILL no attention.
|
||
|
||
so okay, that didn't work, since he loved to polish that thing, i'll
|
||
make it look like i need a good polishing. so off i went into a spree of
|
||
grunge clothes, greasy hair, clothes that needed a good wash and the
|
||
response was "you look tired and drained out, you should take a long bath
|
||
and take a rest for a few days." what to do i pondered? mind you, this
|
||
was when i was quite the young girl, impressing a guy was the main focus of
|
||
the week. if it wasn't the boy with the car, it was the boy with the
|
||
skateboard, the boy with the guitar, the boy with the beer, the boy with
|
||
biology books, etc, etc. as years went by i got so fed up with impressing
|
||
"the boy", i decided a rather "mature" approach, and to forget that boys
|
||
ever existed in this world.
|
||
|
||
i viewed men with a dangling thing as a distraction to the real
|
||
meaning of life. "poo to boys!" i would say whenever a girlfriend would
|
||
coo over mr-oh-so-damn-fit, why bother? you'll just end up in this never
|
||
ending "pay attention to me! i can be your toy!" and will you ever get his
|
||
attention? no. well, i say that with utter confidence only because i'm
|
||
just incredibly lucky to have never gotten attention when i wanted it.
|
||
but then it all depends on the individual as my mum puts it. sometimes,
|
||
some girls just go for the boys who are complete pricks, and boy are there
|
||
many in the world.
|
||
|
||
so time has passed, and i do have my license, and i polish my car,
|
||
i wax it, water it... everything that "the boy" did, and it hit me. it had
|
||
nothing to do with the fact that i was not interesting enough, or that i
|
||
didn't smell of leather, or any of that silly stuff. it was the mere fact
|
||
that "the boy" didn't have much to say to a girl who wanted to get to know
|
||
him. now that i'm much older to understand cars, i don't find it all too
|
||
ridiculous to love your car so much to want to spend every energy and
|
||
affection into it, because to be perfectly honest with you, if i could,
|
||
i would shag my car every day and every night.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
OLD UNPUBLISHED ARTICLE INTENED FOR "RICUS" by Squinky
|
||
|
||
Hey there, my name is Steve.
|
||
|
||
I've got a pretty average life, I'm mid 30s, unmarried, heterosexual,
|
||
have a dog, have my own apartment, and I'm an invalid.
|
||
|
||
Yeah, I'm an invalid, so fuckin' what? If I could do something, I'd shove
|
||
my cane right up your fuckin' ass.
|
||
|
||
Anyways, I'm not here to threaten you, but I'm hear to tell you about my
|
||
great life.
|
||
|
||
In the beginning, my parents concieved me in a barn. You see, I'm a
|
||
first-generation human, evolved from cows. Yeah, I know what you are
|
||
thinking, cows? I thought humans evolved from Apes, well guess what, we
|
||
didn't. I'm living proof of this. Science *hAS* been wrong Before. Anyways,
|
||
the labor was very tramatic, and my Mom died. So, I never really knew her,
|
||
other than her insides. Of course, I was to young to understand what was
|
||
happening at the time, but good ol' Dad was not pleased with me at all.
|
||
Apparently, he didn't like me being the reason of his Mate's death.
|
||
|
||
I killed my mom. I admit it. Now, some might say "Actually your
|
||
mom's animal desires killed her", which in effect is true, unless you
|
||
really brake it down. If she still had sex, but just didn't get knocked up,
|
||
she wouldn't be dead. So, Dad blamed me for Mom's death, and so Do/did I.
|
||
|
||
Dad didn't like the idea of having a first generation human in the
|
||
family. Not one bit. I swear he tried to kill me on 30, or so, different
|
||
occasions. But hell, I still love the bastard. Why? I guess our blood link
|
||
must be it. After all, his reaction is understandable, if I had a damn
|
||
freak for a son, I'd be the first to rip his head off.
|
||
|
||
Damn, I hate freaks. I see them all the time, here in my little
|
||
room of horrors. That is what I call my bedroom, because that is what it
|
||
is. The government provides a nurse for me, but she only comes once a week,
|
||
so by the time she is here, I'm in a pile of shit and piss. And TeleVision
|
||
is my only real friend. Of course, I can't change the channel, but that's
|
||
ok, cause I have my VCR preprogrammed to do it. Had the nurse do it, let
|
||
her spend her time doing something useful, and let the shit pile up. Yeah,
|
||
it piled the hell up that 2 weeks. Disgusting as hell, but who cares, I'm
|
||
going to die soon anyways.
|
||
|
||
TeleVision however, is really what keeps me alive. Sally Jessy
|
||
Raphel, Phil Donahue, Oprah, Montel Williams, all of 'em, they're my best
|
||
friends in the entire fuckin' world. I just love they way they get all the
|
||
mutants, like me, on. I saw a lady with a Beard yesterday, and I thought to
|
||
myself, "Wow. I'm lucky". I actually fuckin' thought that. I'd rather be
|
||
dead, except for brain activity, and excreting, than be female and have a
|
||
beard.
|
||
|
||
What the fuck is wrong with me? I'm not part of society, I'm not
|
||
even fuckin' accepted by it, yet I follow its standards, its believes, its
|
||
values. Why? God damned, I hate bearded ladies, though.
|
||
|
||
Talk shows are the only thing I watch though, I like Science
|
||
Fiction, and I watch it almost all the time. I really like Dark Shadows,
|
||
though.
|
||
|
||
Why Dark Shadows? Probably because of the women. I have an
|
||
attraction to woman who are probably 90 at the time of my viewing whatever
|
||
I am watching. Like in old movies, I'm constantly finding myself enjoying
|
||
the females more than the actual movie.
|
||
|
||
Maybe I like these women, because I feel they are close to death,
|
||
like myself, and in this I find comfort. I mean, they are probably dead, or
|
||
on their way out, at the time of the viewing, and I'm dead, except for
|
||
brain activity, and waste disposal. Like those fuckin' bitches would pay
|
||
me any attention, if I was truly dead, though.
|
||
|
||
Bitches don't like me. Gee, I can't imagine why, maybe it's because
|
||
they don't want to fuck a guy who can even talk, sits around in a pile of
|
||
shit, and watches TeleVision. I've had sex though, I wasn't always this
|
||
way. But, the Chicks don't like me, and won't. My Nurse is the only
|
||
female who has even acknowledge my existance as person for quite sometime.
|
||
It's usually, "Oh my gawd! How can you live with having that thing for a
|
||
son?" to my dad. And of course, it dosen't help Dad's view of my
|
||
existance. I wish dad would just get it over with, and kill me.
|
||
|
||
I'd kill myself, if I could.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
SUN by aster
|
||
|
||
flash-flash polka dots and rainy spots. things are white and grey,
|
||
except for the close tree, and the inside. easy on the eyes until you
|
||
reach the inside. easy on the eyes until you get to something warm and
|
||
hot and over heated with bright WARMTH.
|
||
|
||
rotating WHITE socks making patterns in the sky, but it is WHITE,
|
||
and the house next door is off-WHITE. and the screen is WHITE and the
|
||
paper is WHITE and the frosting and the walls and the bread machine with
|
||
WHITE bread cooking inside. below the WHITE, or the black, more
|
||
distractions of red or blue or yellow appear, but only for the brief
|
||
moment before you look up again.
|
||
|
||
the end.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
CRITIQUE OF SOME E'ZINE BOYS
|
||
by PezMonkey and Soybean (MoonBagel at the time)
|
||
11/05/97
|
||
|
||
Jamesy
|
||
------
|
||
|
||
PezMonkey: "jamesy is gorgeous."
|
||
MoonBagel: "he really, really is."
|
||
PezMonkey: "yes."
|
||
MoonBagel: "he is the type of guy who, if I saw him in a public place, I
|
||
would blatantly and conspicuously stare. and then if he
|
||
noticed, my eyes would get really big, and I would fling my
|
||
head in the other direction. hopefully not into traffic. and
|
||
if it is an eating establishment, hopefully not onto someone
|
||
else's food."
|
||
PezMonkey: "yes, i think you're right."
|
||
MoonBagel: "seeing Jamesy would result in me making weird guttaral noises."
|
||
|
||
Mogel
|
||
-----
|
||
|
||
MoonBagel: "mogel is astoundingly adorable. I've said this before, but he
|
||
is everything I wanted two years ago. seeing Mogel would
|
||
result in me giggling."
|
||
PezMonkey: "yes."
|
||
|
||
Murmur
|
||
------
|
||
|
||
MoonBagel: "Seeing murmur would result in me saying, 'He's reasonably cute,
|
||
but damn, he's weird.'"
|
||
PezMonkey: "HAHA: can i paste that into the channel?"
|
||
MoonBagel: "Sure! This is fun. :)"
|
||
|
||
Quarex
|
||
------
|
||
|
||
PezMonkey: "Drew should not pelvic thrust with anyone. Ever."
|
||
|
||
<break>
|
||
"I like making these observations."
|
||
"i enjoy them as well."
|
||
"I need to think about other dto-type boys."
|
||
<break>
|
||
|
||
Styx
|
||
----
|
||
|
||
MoonBagel: "If I saw him I would think 'Oh, he looks like a gas station
|
||
employee.'"
|
||
PezMonkey: "He looks like Jesus in the pictures on his webpage."
|
||
|
||
SwissPope
|
||
---------
|
||
|
||
PezMonkey: "i think that swisspope is adorable."
|
||
MoonBagel: "Yes, he is."
|
||
|
||
Eerie
|
||
-----
|
||
|
||
MoonBagel: "he's physically good looking in a crass way."
|
||
PezMonkey: "I'm too prejudiced to make an accurate comment."
|
||
|
||
ShadowTao
|
||
---------
|
||
|
||
PezMonkey: "RJ looks very thoughtful, like he would talk philosophically
|
||
during sex."
|
||
MoonBagel: "YES!"
|
||
|
||
SkinHorse
|
||
---------
|
||
|
||
MoonBagel: "Rob is a Big Blond Aryan ;)"
|
||
PezMonkey: "He looks like he would break things. But is he sexy? That, I
|
||
think, is the ultimate question."
|
||
MoonBagel: "He is sexy in the sense that I would dig him if I saw him play
|
||
piano. and I would say I wanted to lick him until presented
|
||
with the opportunity."
|
||
|
||
Puck
|
||
----
|
||
|
||
PezMonkey: "Steev, I think, wins the most lickable award."
|
||
MoonBagel: "Yes. I would lick him in a very few seconds."
|
||
PezMonkey: "The green hair makes me think of a smurf when I see him,
|
||
though."
|
||
MoonBagel: "Smurfs are cute!"
|
||
PezMonkey: "And so is Steev! But I think that if I watched him drink
|
||
anything, it would come out of his piercings, just like a
|
||
cartoon!"
|
||
MoonBagel: "He's a sprinkler! A sexy sprinkler."
|
||
PezMonkey: "With a cool hat."
|
||
|
||
Sweeney Erect
|
||
-------------
|
||
|
||
PezMonkey: "I think Ron pretends to be mean, and I would lick him, just
|
||
because of that."
|
||
MoonBagel: "Ron is lickable in an "I don't want him to die, and he has
|
||
great taste in men and socks" way. He's squishy-cheeks
|
||
adorably sexy."
|
||
PezMonkey: "Awww..=)"
|
||
|
||
Kraftwerk
|
||
---------
|
||
|
||
MoonBagel: "Art is cute in a "I want to smack him and kick him" sense."
|
||
PezMonkey: "I think he's too into this whole 'My Bitches' thing. He
|
||
worries me."
|
||
MoonBagel: "yes, he really is. and 'gay warez'"
|
||
PezMonkey: "He's gay."
|
||
MoonBagel: "Art is Gay Warez."
|
||
|
||
Juke
|
||
----
|
||
|
||
PezMonkey: "I think juke is adorable. I want to lick his nose."
|
||
MoonBagel: "Yes, that is Juke :)"
|
||
PezMonkey: "Apparently everyone wants to, though, because 'Owen is God.'"
|
||
|
||
Trilobyte
|
||
---------
|
||
|
||
PezMonkey: "Trilobyte just looks weird. He looks like a bug."
|
||
MoonBagel: "he looks like a 'nerd nostalgia' writer. he looks like the
|
||
academic squad from my school. :)"
|
||
PezMonkey: "heh, he's every generic high school academic bowl person all
|
||
rolled into one. he also looks kind of like that kid from
|
||
Sixteen Candles."
|
||
MoonBagel: "Yes, he does!"
|
||
|
||
Black Francis
|
||
-------------
|
||
|
||
MoonBagel: "Frannie is skinny and hot."
|
||
PezMonkey: "He's hot in that 'I shot up too much smack today, want to
|
||
fuck?' kind of way, sure."
|
||
|
||
Creed
|
||
-----
|
||
|
||
MoonBagel: "creed, however, is hot in a kind of gross sort of way."
|
||
PezMonkey: "hmm...creed looks like he wipes his snot on his sleeve."
|
||
MoonBagel: "yes, he does."
|
||
PezMonkey: "But he's kind of cute in that 'i'm a slob' kind of way."
|
||
MoonBagel: "yes, in a vaguely unattractive, but cute, way."
|
||
|
||
JubJub
|
||
------
|
||
|
||
PezMonkey: "Jubjub looks like a gangsta' wannabe....or Tyler, Matt's
|
||
friend. But I suppose he looks better in orange than most
|
||
people."
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Thu, 9 Nov 2000 11:24:10 EST
|
||
From: P0pstarkil@aol.com
|
||
To: mogel@hoe.nu
|
||
Subject: HOE SUBMISSION
|
||
|
||
"a frequent reply in the land of the tiny brained folk"
|
||
by killthegirl or kate...ya know, whichever.
|
||
|
||
she was this girl. this amazing girl. that girl that everyone
|
||
knows and thinks is cool and wants to just be able to talk to. the girl
|
||
you stare at in class but embarrassed if someone catches you because what
|
||
if they think you are a lesbian or something. god forbid. something about
|
||
her made you just want to watch how her mouth moves when she talks how she
|
||
never takes notes during lectures how she manages to crack her knuckes
|
||
gracefully. you were never sure if it was just you that was so enamored
|
||
with this being or if she cast this spell over others. you wished you
|
||
could be just like her. or she made you wish you were at such ease with
|
||
yourself. and one day you complimented her on her hair or shirt or
|
||
bracelet and she smiled and thanked you and you blushed. and someone must
|
||
have seen your cherry red face and told someone else because pretty soon
|
||
you were standing in the hallway with three people standing around you
|
||
wanting to know what was up. and you were afraid if you tired to explain
|
||
your fascination it would get all skewed and misunderstood. so you just
|
||
stood there. and it got very surreal and like something you had read in a
|
||
judy blume book when you were twelve. and you just really wanted to go home
|
||
and reread the book so you could see what the character did that made
|
||
everything back to normal and catch the hot older guy by the end of the
|
||
two hundred pages. but you just say you dont know what the fuck they are
|
||
talking about. and they roll their eyes. and you walk away.
|
||
|
||
the end.
|
||
|
||
yeah well, i just thought i'd submit something since i've read every
|
||
goddamn text file at good ol hoe.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Maybe It's Better That Way
|
||
by Cap'n Sparky
|
||
|
||
August, 2000:
|
||
|
||
I finally managed to get up the needed courage tonight, and I
|
||
called Meg. Technically, it shouldn't be so difficult to call up and
|
||
ex-coworker and ask for the number to the place we used to work, but of
|
||
course, ex-coworker isn't her only "ex" designation. I would have had a
|
||
job a few weeks ago, if it wasn't for the fact my old boss moved and Meg
|
||
is the only person I know who would know the new number. The Yellow Pages
|
||
don't have it. Even if they did, I suspect I would have called Meg anyway.
|
||
For the life of me, I can't figure out why.
|
||
|
||
December, 1999:
|
||
|
||
Something had been bugging her during the whole conversation. When
|
||
you've known somebody for close to six years, when you've worked with them,
|
||
and been intimate with them for so long, it's painfully obvious when
|
||
they're holding something back. I told her to spit it out. Some things are
|
||
better left unsaid. The worry dropped from her voice, "I don't know how to
|
||
tell you this... I mean, I don't want you to take this the wrong way...
|
||
but I've been screwed up, you know, my dad, other guys... I don't trust...
|
||
I mean, I don't trust people easily. With you, though, it was different.
|
||
I learned how to trust people, and this guy I'm with... I'd marry him in
|
||
a minute and... well, I wouldn't trust him as much if it wasn't for you.
|
||
I mean, you were a very special person..." She went on for a little while
|
||
longer. The gist was that my relationship with her had been a sort of
|
||
primer. She had already told me, about two months before, that she felt we
|
||
were too "different" to see each other ever again. More recently, she had
|
||
told me she was seeing someone new.
|
||
|
||
There was a long, extremely uncomfortable silence.
|
||
|
||
November, 1999:
|
||
|
||
"Look, Meg," I said, "I've always told you that I wouldn't be able
|
||
to keep talking to you if this happened. I meant it then, and I mean it
|
||
now. I just can't be friends with you. I've never made that a secret. As
|
||
it stands, we're simply going to drift apart as friends anyway. I'll call
|
||
you once every few months, and then maybe once a year, and then... The
|
||
truth is that it'll be too painful for me to talk to you like this. I'll
|
||
be, 'How are you?' 'I'm fine' 'How about you?' 'I'm pretty good'. I can't
|
||
do that. Please don't ask me to."
|
||
|
||
Her response?
|
||
|
||
"Well, who knows, it could all be over in a month or two."
|
||
|
||
The sad thing is, she didn't even know that she was being
|
||
manipulative. It could all be over in a month or two, indeed. What the
|
||
fuck? Was I supposed to sit by the table and beg for scraps? No thanks.
|
||
Unfortunately, she didn't even know that that's what she was asking. She
|
||
too used to getting her way. Her way, in this case, was to keep me on in
|
||
an advisorial capacity. "Oh, boo hoo," she wanted to be able to say, "me
|
||
and my new guy are having problems. What should I do?"
|
||
|
||
I tend to observe people. I watch them. I keep quiet. In my life,
|
||
I've observed enough people, and I have a good enough memory and a quick
|
||
enough mind to make connections. In addition, I'm stubborn. I'm insistent
|
||
enough that I'm not easily brushed off when I confront people with hard
|
||
truths about themselves. In short, some people think that I give good
|
||
advice. I don't know about that. In an age when everybody tells everyone
|
||
else what they want to hear, nice little lies, I guess that becomes an
|
||
asset.
|
||
|
||
At least she thought so.
|
||
|
||
Incidentally, that's how we broke up. I told her really harsh truths
|
||
which she didn't want to hear. Even in my worst moments, I end up giving
|
||
good advice.
|
||
|
||
September, 1997:
|
||
|
||
I yelled into the phone. I knew she hated it when anybody yelled. As
|
||
a result, I never really yelled at her, I was always quiet when I was mad.
|
||
But this time, I knew that it would hurt her, so I yelled.
|
||
|
||
"You're always fucking thinking about yourself, goddammit! I
|
||
fucking hope you meet somebody one day... someone exactly fucking like
|
||
you... fucking SELFISH so you can see the type of shit that you fucking
|
||
put people through. Everything's got to be about you, it's fucking always
|
||
about you, you can't fucking compromise. Well fuck you, fuck this shit.
|
||
Goodbye."
|
||
|
||
<click>
|
||
|
||
I hung up on her.
|
||
|
||
I rarely hang up on people, and I usually only do it when I'm really
|
||
pissed. It's the best way to ensure that the other person won't get a word
|
||
in. They sit there, in the silence, realizing that the responses they were
|
||
formulating, no matter how persuasive, were all for naught. In this case, I
|
||
didn't even give her the respect of defending herself.
|
||
|
||
In a way, it was a beautiful feeling, knowing that I had simply
|
||
struck her dumb with the motion of my finger. Godlike. It was refreshing,
|
||
and although it was a little harsh, I felt it was entirely justified. It
|
||
was all the truth, after all. She was selfish. Everything in our
|
||
relationship really was about her. To tell the truth, she really was
|
||
unable to compromise. She wanted people at her beck and call. She only
|
||
had time for people if she wanted to have time for people.
|
||
|
||
The truth is that I wanted to go out to dinner, or to a movie, or
|
||
just go outside maybe once or twice a week. She preferred to watch VH1, or
|
||
E!, or shitty true-story, made-for-TV-movies on Lifetime. She was incapable
|
||
of seeing people as... well... people. She just wanted to get off work and
|
||
watch TV.
|
||
|
||
In a sense, it was about her inability to trust people. She wanted
|
||
to be in control, so that she didn't have to trust. As long as she kept me
|
||
coming back to her place, to her world, everything was easy and
|
||
comfortable. She didn't have to work at trusting me. She didn't have to
|
||
worry about me slipping away on her watch. She wouldn't have to get
|
||
jealous if I looked at a cute waitress, or if we hung out with my friends
|
||
and I talked to Juliana, Melissa or someone else.
|
||
|
||
You see, her dad had walked out on her mom. It had cut her pretty
|
||
deep, and it left a wide scar. As a result, she had a hard time trusting
|
||
guys. Unfortunately, or maybe appropriately, she was attracted to the kind
|
||
of guys who she couldn't have trusted even if she was capable of such a
|
||
leap of faith. Of course, since she wasn't capable of trusting her
|
||
boyfriends, she wasn't capable of loving them.
|
||
|
||
She was the dictionary definition of the jealous type.
|
||
|
||
As a result, she had a succession of guys walk into and out of her
|
||
life.
|
||
|
||
Then I came along.
|
||
|
||
There were never two people who were more mismatched for each other.
|
||
I was a working class kid from the intersection of Kensington, Fishtown
|
||
and Port Richmond. She was the daughter of a CEO of a major company. I
|
||
managed to glide through some of the best local schools because I was
|
||
bright. She managed to glide through life because of her dad's money. I
|
||
was angsty, cynical, and really fucking surly. All the time. I thrived on
|
||
argument and conflict. She was mellow to the point of absurdity, everything
|
||
was okay to her, at all times. Any outward display of anger or
|
||
disappointment, and you could walk all over her.
|
||
|
||
I was then, and still am, manipulative. Even so, there are depths to
|
||
which I will not sink. If I care for somebody, I will be straight and
|
||
honest with them. I will respect their decisions. Despite the fact that
|
||
she caved when faced with loud conflict, I refused to manipulate her in
|
||
such a fashion.
|
||
|
||
For whatever it was worth, I guess I could be trusted. I did put up
|
||
with her for a long time. Maybe I put up with her longer than I should
|
||
have. I don't know.
|
||
|
||
The only time I ever manipulated her was that last night we were
|
||
still "together", when I yelled at her. I wanted to burn that bridge
|
||
between us, and I did.
|
||
|
||
What was worse was that my logic was twisted enough that I thought
|
||
that it was for her good.
|
||
|
||
I really did.
|
||
|
||
Crazy. I know.
|
||
|
||
Spring, 1997:
|
||
|
||
The light outside filtered through the blinds. There were
|
||
alternating portions of light and dark on her body, under the thin cover.
|
||
I got a kick out of watching her sleep. I could watch her for hours. I
|
||
could study every part of her body. If I tried that when she was awake,
|
||
she would get nervous and self-conscious, despite the fact that I
|
||
frequently told her how beautiful she was.
|
||
|
||
I meant it, too. Her eyes, her lips, her hair, her tummy, the swell
|
||
of her breasts, her legs, other parts. Physically, she was the most
|
||
appealing woman I had ever met.
|
||
|
||
I watched her as she slept. I watched her eyes. They darted back and
|
||
forth under her eyelids like... bugs.
|
||
|
||
I remembered a time when I was younger. I waged war on the bugs in
|
||
my backyard. I used chemical weapons, in the form of No Frills bug spray,
|
||
to kill legions of bugs. Ants, pillbugs, beetles. No hiding place in my
|
||
yard was safe haven. When the chemicals cleared, I felt hollow. I had
|
||
learned, in a very direct sense, about mortality. I also learned that the
|
||
deaths I had caused were utterly pointless. I had thought that my killing
|
||
spree would be fun, but it really wasn't. It was disgusting, and I felt
|
||
dirty.
|
||
|
||
Strangely, Meg had been the first, and only, person I ever told that
|
||
story to. I had always felt that it was so stupid and petty that I never
|
||
wanted to tell anyone about it.
|
||
|
||
That caused me to remember the time my cousin and I had burned a
|
||
grasshopper alive in an empty lot. Once I went home and told my parents
|
||
what I had done, they were angry. Over the rest of the day, it slowly
|
||
dawned on me that I had done something very, very wrong. Not only had I
|
||
killed something, I had caused it to suffer beyond imagining. I learned
|
||
about suffering that day in a direct and very real sense. The incredible
|
||
suffering I had caused was for my own gratification. I simply wanted to
|
||
see what would happen. I had thoughtlessly done something so cruel that I
|
||
am genuinely ashamed to admit that I did it.
|
||
|
||
Her eyelids were undulating like... caterpillars.
|
||
|
||
I remembered a time, down the shore, my brother called me other to
|
||
look at a magnificent, fat caterpillar. As I watched in wonder, he let go
|
||
of a big flat rock he had propped up. For him, it was a perfect shot. The
|
||
caterpillar was squished, and its innards flew forward landing on my lips
|
||
and in my mouth. I realized what was in my mouth, the life of that
|
||
caterpillar, and I realized that the taste was the taste of death.
|
||
|
||
How many bugs have been murdered for the thoughtless, pointless
|
||
self-gratification of children? Was I doing the same thing here, without
|
||
realizing it?
|
||
|
||
I kept watching her. She was breathing, quietly. She was vulnerable,
|
||
not just because she was sleeping, but because she was in love with me. I
|
||
mouthed the words, "I love you," and I suddenly felt hollow inside. I
|
||
realized that she was alive. Really, really alive. She was dreaming. She
|
||
was breathing. She had hopes, fears and secrets. She had feelings. I
|
||
realized that it was possible that I might hurt her someday.
|
||
|
||
Whenever she said that she loved me, I knew that she really meant
|
||
it. I knew that she cared for me. That made her vulnerable. What if I was
|
||
simply playing along? What if she loved me, and I didn't love her? One day
|
||
I might meet someone who I would fall in love with. I would leave her
|
||
behind, and I would hurt her, like I had hurt that caterpillar. I could
|
||
cause her incredible pain.
|
||
|
||
If I was going along with it, why? For the softness of her mouth
|
||
when I kissed her? The pleasant, easy feeling that I would get when I
|
||
would tell my friends I was going to my girlfriend's house?
|
||
|
||
I slid out of bed. I kicked my jeans, jingling the change and keys
|
||
in my pockets. I quickly stifled the sound. I lifted them slowly and
|
||
quietly. I fumbled for my shoes and my socks in the darkness. I stood on
|
||
the balls of my feet and tried to silently work my way toward the door. I
|
||
whacked my shin against the corner of the matress, which shook her a bit
|
||
and caused my jeans to jingle. Meg stirred. I held my breath.
|
||
|
||
She continued to sleep. I snuck out. In her living room, I slid on
|
||
my pants in the darkness. I put on my socks and my shoes. I walked to her
|
||
kitchen table and settled on a chair like a bird or a gargoyle. I lit a
|
||
cigarette and watched the smoke in the dim light from the window.
|
||
|
||
I thought about leaving.
|
||
|
||
I thought about getting up, going to the door, opening it, and
|
||
walking to the train station. I could wait for a few hours, and then be on
|
||
my way home. I could call up work and quit. It would be as simple as that.
|
||
Nobody would have to know. It would confuse Meg, I'm sure. She'd call to
|
||
see what happened... I could avoid her.
|
||
|
||
If I wasn't sure that I loved her, I wouldn't want to be with her.
|
||
|
||
Eventually, I decided to think about it some more instead of
|
||
leaving. Maybe I did love her. I went back to her bedroom, took off my
|
||
shoes, socks and jeans and fell asleep.
|
||
|
||
I did say "I love you," after that. Quite a few times, but not
|
||
nearly as frequently as before. I wasn't always sure.
|
||
|
||
September, 1997:
|
||
|
||
After I hung the phone up, I realized I had made a huge mistake. I
|
||
felt so hollow inside I wouldn't have been surprised if I crumbled and
|
||
blew away.
|
||
|
||
I had hurt her beyond comprehension.
|
||
|
||
My plan, carefully crafted to make our parting as quick and complete
|
||
as possible had backfired because at that point, I realized that I really
|
||
did love her.
|
||
|
||
I realized then that I had blown it.
|
||
|
||
November, 1999:
|
||
|
||
"I want to tell you all about this guy I met, he's so sweet to
|
||
me..."
|
||
|
||
"I don't want to hear about him, because I'll hate him, and he
|
||
probably doesn't deserve that."
|
||
|
||
December, 1999:
|
||
|
||
She had just told me that I had taught her how to love.
|
||
|
||
I briefly considered pointing out that she had taught me how to love
|
||
as well. I didn't, and I don't think that it really would have been the
|
||
right time.
|
||
|
||
Instead, after a few moments of uncomfortable silence, I said, "To
|
||
tell you the truth... um... I really don't know how to take that." That was
|
||
the truth. I didn't know how to take that. In fact, it took a few weeks
|
||
before I really got pissed off that she had told me that I had made her
|
||
happy by allowing her to fall in love with this new guy. What the fuck?
|
||
Why tell me? Did she even think about how incredibly cruel that comment
|
||
would be?
|
||
|
||
"Sure, you didn't get what you wanted, but I'm so happy you helped
|
||
me get what I wanted!"
|
||
|
||
After that, she tried to rope me into giving her advice about her
|
||
relationship. I did, and then politely told her I never wanted to talk to
|
||
her again.
|
||
|
||
I called her up to bitch her out a few weeks later, to tell her how
|
||
much she had hurt me. I walked around in a dazed state for weeks. I
|
||
couldn't concentrate on anything. I got her answering machine. It took her
|
||
a few months to call me back. When she did, we exchanged pleasantries. It
|
||
was a brief conversation, an it was obvious we were both holding something
|
||
back.
|
||
|
||
I suspect that she wanted advice on her relationship, but I refused
|
||
to talk about anything other than how our mutual friend, my old boss, was
|
||
doing. I have too much respect for myself, and I refuse to be the advice
|
||
guy anymore.
|
||
|
||
We're no longer lovers, we're no longer friends, we're hardly
|
||
acquaintances.
|
||
|
||
August, 2000:
|
||
|
||
Tonight, I got the answering machine. Meg's answering machine has
|
||
always had pretty much the exact same message. It has always been a simple
|
||
message. I think she changed it once, but it was pretty much exactly the
|
||
same. The one thing that never changed about calling Meg was her boring,
|
||
simple answering machine message.
|
||
|
||
But... It was different this time. At first, it was a subtle
|
||
difference, the volume of her voice... but then...
|
||
|
||
When I was younger, I used to run around and play in this forested
|
||
swamp down the shore. One year, instead of that forested swamp, there was
|
||
a brand new house. I remember being extremely confused, and as a result,
|
||
extremely pissed, in part because the place I used to play had been
|
||
destroyed, but in part because familiar surroundings which I had known
|
||
my whole life had changed.
|
||
|
||
I felt the same kind of feeling. My heart sank. "You've reached Meg
|
||
and Mike..."
|
||
|
||
I wanted to hang up, but I knew she had caller ID. She would see my
|
||
number there, and whether I left a message or not, she might call. I fought
|
||
off a sudden panic attack, and left my message. I don't know whether I
|
||
sounded calm and casual or in a state of utter panic.
|
||
|
||
Whatever. I guess it really doesn't matter.
|
||
|
||
Now, I get to wait for her to call back. When she calls back, I
|
||
probably won't really talk to her. We'll most likely chat a bit, but we
|
||
won't really say anything to each other. As I said, we're not even really
|
||
friends. In a way, that's comforting.
|
||
|
||
Still, the answering machine message hammered home a finality I
|
||
hadn't really expected. I hadn't prepared for it, because Meg's answering
|
||
machine message never changed. I had feared getting her, and having to go
|
||
through the motions: talking while leaving so many things unsaid. For
|
||
some reason, that takes a lot out of me.
|
||
|
||
I never expected that I'd get a kick in the teeth from her answering
|
||
machine.
|
||
|
||
Oh well, now I get to wait for her to call back. I managed to track
|
||
down my old boss' home number, so I don't even need to talk to Meg anymore.
|
||
Maybe it's better that way.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
LEGEND OF THE BLINK TAG by Juliet
|
||
|
||
The World Wide Web, or w3 (god damn soul sucking buzzwords/acronyms)
|
||
as some call it, was invented by CERN in 1991. HTML started out as
|
||
HTML 1.0, it was pure and virgin back then. No crappy tables, no
|
||
browser-proprietary junk. Frames were something you hung on a wall,
|
||
and JAVA still a concept.
|
||
|
||
Mosaic was released by NCSA in 1993. At this time, the Internet was
|
||
still just something geeks used. There were all types of geeks. One special
|
||
type of geek who helped create the w3 was a physics geek. We shall call him
|
||
The Physics Geek. Everyone just figured to be a normal guy with a new
|
||
idea, but they didn't know that he had been on a Vision-quest (TM).
|
||
|
||
Oh yes, The Physics Geek had found a portal to a plane that had all
|
||
the answers. On this plane, they informed him of "The Blink". "The Blink"
|
||
was a very powerful, yet wonderful thing. It cures cancer, restores family
|
||
values, and will help you save on your income tax.
|
||
|
||
The Physics Geek knew he would be laughed at, and dis-credited if he
|
||
revealed this information, but he couldn't just keep it to himself. He
|
||
decided that he would slowly integrate "The Blink" into society, and what a
|
||
better place to do it than a tiny intellecutual community. So thats what he
|
||
did. He decided to create a switch for "The Blink" in his new mark-up
|
||
language called Hyper Text Mark-up Language. It was an easy way to control
|
||
"The Blink".
|
||
|
||
Unfortunatly he misjudged the geek community. He forgot these were
|
||
the people were book smart, yet some were very close-minded. They didn't
|
||
even give "The Blink" a chance. They damned it. They ridiculed it. Then
|
||
they banished it. By the time Mosaic was passe, and Netscape 1.21b (used
|
||
colors, didn't eat memory, wasn't that bloated - yum!) was released, using
|
||
"The Blink" was worse than declaring that the Windows 95 original alpha
|
||
release was bug free. The Physics Geek was crushed, but then he became
|
||
angry. He decided to punish the world by never revealing "The Blink's"
|
||
powers. And to this very day, we are in a blink-free world, and we are
|
||
all a little worse off for it.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE LADY BUG THAT LOST IT'S HEAD by LatinMan
|
||
|
||
The clouds slowly moved to engulf the pale light of the full moon
|
||
but only served to give it's light a bit more splender. I laid there
|
||
staring for what seemed like hours observing every single movement of
|
||
each cloud hoping that the whole scene wouldn't stop. If I looked closely
|
||
it almost looked like waves washing over a greenish beach but this isn't
|
||
the time for descriptions, no its a time for relaxation and observation.
|
||
Someone just said something but I'm lost in the moon, with all its power
|
||
to make the waves in the oceans and to give women a reason to be bitchy
|
||
once a month. I guess its proper that the word lunatic came from the Latin
|
||
word luna, seems anyone could go crazy just watching it like I am. I could
|
||
sit here for hours with people yelling out my name beside me and I would
|
||
still have this dazed look in my eyes that any "normal" person would
|
||
consider crazed. But I lose myself, its time to focus on other things.
|
||
|
||
I turn my head slowly watching the walls in the room seem to move
|
||
with the slow turn of my head and body. I finally see what that Someone
|
||
was asking me to look at, It's watching Fantasia. What a wonderfull movie
|
||
the people at Disney have put together. They have taken the wonders of
|
||
classical music and put it to absolutely fantastic animation. Just look
|
||
as each color flows into another, I can just here It make soft sounds like
|
||
"Ooh" and "Ahh" as each scene flows into the one after. I wonder if I
|
||
open my mouth would I make those same sounds, my train of thought breaks as
|
||
a the music gets louder and thousands of brooms burst into the scene. Oh
|
||
god, what the fuck are they going to do to Mickey. It looks like some
|
||
gigantic gang bang and poor gay Mickey is in the middle of it. I think of
|
||
screaming out, "MICKEY YOU A BLACK BROTHER, EVEN THOUGH YOU BE TYPE GAY,
|
||
YOU STILL CAN PULL A GAK OUT ON THEM!," but I realize that would be kind of
|
||
stupid since It will probably just stare at me like It always does
|
||
wondering why the hell am I not quiet. It seems as if it read my mind and
|
||
starts staring at me intently. I try to look at the TV noticing that
|
||
theres a shitload of water on the screen and Mickey's riding some book but
|
||
I feel It's eyes on me so I turn back.
|
||
|
||
I'm not going to let It win this fight, I will stare just as hard
|
||
back at him. It shifts positions moving slightly making me realize how
|
||
beautiful It is. My hand goes out just to feel it, but my hand is quickly
|
||
met with even larger movements than before. I doubt Its very happy right
|
||
now. I'm not sure why It just hasn't left by now, but its now up to me to
|
||
deal with. I realize suddenly how It got here, what It is, and why the
|
||
hell It got here...
|
||
|
||
* * *
|
||
|
||
It must have been about 3 hours ago when I first found It outside.
|
||
It was caught in some fake webs I put up as decoration outside. I was just
|
||
playing with the webbing between my fingers and suddenly came upon Its
|
||
little body. I knew if I wanted to continue playing with the web I had to
|
||
release this poor thing. I grabbed It as best I could but there was no
|
||
budging, I pulled a little harder and sudeenly RIIIIIIIIIIIIIIIIIIP He was
|
||
free. I was happy that I had saved Him from the web but I soon realized
|
||
that He wasn't fully intact. I decapitated this poor thing. I heard once
|
||
that it was bad luck to kill one of them so I took Him into the house to
|
||
see if He was ok. Yes I knew that wondering after the fact was futile, but
|
||
I was very happy to see that He had survived and His headless body was
|
||
still trying to fly.
|
||
|
||
Needless to say I was EXTREMELY happy to see Him and in some ways
|
||
sorta weirded out about the whole thing. How the fuck was this lil thing
|
||
still alive and at that still trying to fly with all its might. I looked
|
||
at each of its wings and was pulled in by its vibrant colors. I counted
|
||
its spots and realized how old it was, christ this bastard was older than
|
||
me. I sat him beside me and popped Fantasia in just for the hell of it.
|
||
|
||
* * *
|
||
|
||
I guess that brings you up to date on my little friend. He's cool
|
||
I guess, doesn't say much or move much, but he's pretty cool I guess.
|
||
Shit, I forgot there was people over my house. I look over and see Chris
|
||
and Jen both focused on their own lil things intently. Jen staring at the
|
||
Wonderful World of Disney and Chris seems to be enthralled by the Lava
|
||
Lamp in the corner. I scoot closer to the Lava Lamp to see how "special"
|
||
it actually is and I immediately realized how "special" it was. A big
|
||
bubble of, whatever the fuck that is, formed in the bottom and slowly
|
||
oozed its way up until it got to big at the top and broke off. It did
|
||
this over and over again, and damnit I could not get enough of it. It
|
||
almost looked like real lava so I decided to see if it was just as hot. I
|
||
grabbed the Lava Lamp and held it, it wasn't as hot as real lava but it
|
||
was pretty damn hot.
|
||
|
||
Chris suddenly said, "Dude don't hog the lava."
|
||
|
||
I smiled and said, "Don't worry it wont waste, I wanted to feel it."
|
||
|
||
"Let me hold it for a bit then," he said as he grabbed it out of
|
||
my hand.
|
||
|
||
I stared at it still flowing in his hand and wondered what the fuck
|
||
was in it that made it look so cool. Chris must have been reading my
|
||
mind because he said, "Its made from wax and oil dude. I had one and it
|
||
broke in my basement, all the oil fell out and the wax kinda just plopped
|
||
down. It was fucking cool as..."
|
||
|
||
I think my kitty Tanks just moved. It was sitting on the table
|
||
right on the corner now its suddenly...SHIT it moved again. I slowly move
|
||
a bit closer to it not sure what the fuck its going to do and put my hand
|
||
on its tail. I sigh as I hear him meow softly. I guess it was just the
|
||
shadows the T.V. made as it played Fantasia. I look down and realize I
|
||
have a fucking glowstick in my hand and think hard about how the hell it
|
||
got there. I stare at it a lil and the memory slowly floats back...
|
||
|
||
* * *
|
||
|
||
We were all smoking in the dining room wondering what to do next.
|
||
As I held my cigarette I suddenly see from the corner of my eye that Chris
|
||
swiped at it. I look over at the cigarette and then at him. "Dude did you
|
||
just try to grab my smoke?"
|
||
|
||
He quickly asked, "What the fuck you talking about Rich?"
|
||
|
||
"Dude, I could have sworn you just tried to grab it, I saw it from
|
||
the corner of my eye."
|
||
|
||
He laughed, "Hah YOU GOT IT MAN. I can see it in your eyes, you
|
||
got it." He flicked his lighter in front of my eyes and the blinding
|
||
flash made me blink a few times.
|
||
|
||
"Why the fuck you do that?" I said as I rubbed my eyes trying to
|
||
get the flickering flame from my vision.
|
||
|
||
"Lets go to the bedroom," Jen said suddenly.
|
||
|
||
We went in out of boredom I guess and Jen decided to turn off the
|
||
lights so we could see the kickass glow in the dark stickers that we have
|
||
on our ceiling and walls. Chris suddenly started flicking his lighter at
|
||
me again but instead of shrinking away from it I noticed that it almost
|
||
created a strobe effect and I told him to continue doing it. I just
|
||
"Ahhh" and "Whoa'ed" as his lil light show continued. It seemed almost
|
||
like a dance floor so I had the sudden urge to do a lil beat boxing. I
|
||
was suddenly taken back to the late 1980's back when I rode a cheese bus
|
||
to school and got picked on because I was the palest latino kid anyone on
|
||
the bus ever saw. I remembered all of the moved they did, the phat ass
|
||
beats they would create during their lil beat boxing matches. I didn't
|
||
think and just let out a rhthym that actually sounded good, so I started
|
||
putting in scracthing sounds and a few "Fat Boys" signature laughs, it was
|
||
the shit. After about 5 minutes of it, my lips got tired and I decided to
|
||
stop.
|
||
|
||
Chris came out of no where and said, "Dude, we should get a
|
||
glowstick, that would be fucking awesome right now."
|
||
|
||
I thought to myself and realized that I saw one inside my
|
||
girlfriend's roomate's draw the other day. I ran over to her room and
|
||
accidently knocked over her ashtray while looking for the glowstick. I
|
||
finally found it but was forced to pass it to Chris as I cleaned up. Jen
|
||
came in to help me while Chris just happily walked around with my fucking
|
||
glow stick.
|
||
|
||
* * *
|
||
|
||
Anyways thats how I got the glowstick, I stole it back from Chris
|
||
and just kept it in my hand. I put it under Tank's paw as I sat back to
|
||
watch a lil more Fantasia and I was already focused on Fantasia as I heard
|
||
Tank's meow in the backround. I took a sip of my orange juice and gave a
|
||
lil sigh because it tasted sooooooo good. I stretched my back a lil and
|
||
laid back enjoying Aladdin and Jasmine sing, "A Whole New World." I
|
||
couldn't help but smile as I saw the Sun slowly creep its way across the
|
||
sky because I knew it was gonna be a groovy ass day.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
A VANDAL'S REVENGE by Viggen
|
||
|
||
Andrew was walking along the road one day, holding hands with his
|
||
girlfriend.
|
||
|
||
He was tired from selling ecstasy to 14 year olds the night before
|
||
and in no mood to be fucked with. As he was strolling along, a rugbyhead
|
||
(the New Zealand version of a jock) leaned out the passenger side of a
|
||
passing car and called him several nasty names. The driver also made
|
||
several nasty hand gestures at him.
|
||
|
||
Andrew was quite annoyed at this and yelled stuff back but this
|
||
did not fully appease his anger, though the events that followed soon
|
||
after would. The car turned about five houses after the occupants of the
|
||
very expensive car had insulted Andrew. Andrew didn't think much of this
|
||
until he walked past the point where the car had turned. You see, Andrew
|
||
at first thought the car had turned into another street, but no! When he
|
||
looked down a driveway he saw the same car driving into a garage.
|
||
|
||
Andrew experienced a sudden mood change upon seeing this. You see,
|
||
he now had the address of the driver of the silver car. Later on in the
|
||
month, the occupants of the house discovered several rather expensive
|
||
calls on their phone bill. Some of their mail went missing and two months
|
||
after the incident, one of them found a large overdue amount on their
|
||
credit card bill. Andrew now has a 20 gigabyte hard drive.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Hi. Mogel here. Below is possibly one of the most incoherent submissions
|
||
ever sent into our humble over-six-years 'zine, which is actually saying a
|
||
lot. For your highest entertainment value, drink some vodka and then
|
||
read it.
|
||
|
||
Date: Wed, 30 Aug 2000 09:05:07 GMT
|
||
From: "omega boy" <omega_boy9@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: HOE SUBMISSION
|
||
|
||
i hate to see such a great sight that i just found go away but i guess i
|
||
will contribute to help you out i wish you wouldnt end it but you prolly
|
||
have alot of reasons why here are some things ive written i would like to
|
||
go by simon the sickly if possible
|
||
|
||
-------------
|
||
|
||
as a child my favorie game was god except instead of playing the the all
|
||
riteous all knowing all vengefulgod i would be the one to praise the lord
|
||
of creation to bow we he is before me to kiss his feet at his leasure to
|
||
bath his decrpid unused body to do his bidding as he sat waiting to give
|
||
me his next task waiting and as he did he began to get fagt his only job
|
||
was to sit night and ay telling me what he wanted done he did nothing
|
||
never actually doing anything just sitting until i didnt even need him to
|
||
tell me what to do i mearly knew what he wanted and did that he couldnt
|
||
complain cause i did it to make him happy and to save his precious time i
|
||
did this until the point to where he did nothing at all all day all night
|
||
nothing he was wondering that maube he should get rid of me he had
|
||
forgotten how to do things he had forgotten how he felt about things he
|
||
didnt know what to do except that if if it wasnt for meit wouldnt have
|
||
happened and if i was the cause i would be the solution but by the time he
|
||
had realized that i had replaced in the people's eyes as their ruler i had
|
||
become and to them i was the all riteous all knowing the all vengeful he
|
||
had become nothingmore than a symbol a relic and representative of what
|
||
had been replaced but the only thing that had been replaced was him by me
|
||
and i expected that one day that this time would come when retaliation
|
||
would come not from the peasants as befor but from the man i once seved the
|
||
one that i was a willing slave the one who through his own ignorance and
|
||
sinning blood line had built an empire and was to lose it to who his very
|
||
servant the one he spat and desecrated for so many years the one he made
|
||
drink his urine and eat his shit because he was too lazy to go to the
|
||
restroom so what do i do when this one decrepid desgusting thing trys to
|
||
destroy me i will kill him i will take my knife and crisin it in his blood
|
||
he will be powerlessto the fate i have planned i dont feel as strong as i
|
||
have but enough to do what needs to be done so i walk to him giving him the
|
||
slightest smirk as i brandished the blade and with his squinting eyes one
|
||
was small while the other had no color large as if it were glass and gave
|
||
me a just as guile smirk back to me this gave me wonder to why he was
|
||
smilling this caused such a great pain that was growing insde of me
|
||
wrenching my insides but i could not think about that now with this job at
|
||
hand i ran ran but my i fell to the floor my insides were twisted inside
|
||
them selves my mind throbbing so i could listen to it speed up only to
|
||
cover up the soundof my fading heart beat i watched there as he got up as
|
||
he had never done in so many years come to me spit on me and then in my
|
||
last glimpse drop a glass vile as it shattered into my eyes and i lost i
|
||
never won cause if i did i wouldnt be able to go to lunch in time
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THIS FILE WAS REALLY WRITTEN BY NYBAR by Trilobyte
|
||
|
||
I picked up the phone and dialed a random number. A bored-sounding
|
||
receptionist asked who I wanted to talk to. Making up a name, I said
|
||
"John Dick" then giggled. She said there was no John Dick there, and maybe
|
||
I'd like to provide one 'cause I've gots a sexy voice..." and I said
|
||
"Nahh.. too many bitches already.. umm.. whatabout Nate Cooper?" She said
|
||
yeah, and put me on with him. I said "Howzabout frosty, where do I find
|
||
frosty the elf." He said "In the sinsearch.. umm.. get naked." Complying,
|
||
I realized I was a goat from the waist down!! So I peed goat style.
|
||
Awwwww yeahh. So anyway, I was deep dicking a bunch of gnomish land gnomes
|
||
and there was a land mine in my belly button. And then, the fifth
|
||
revelation (after "Afghanastan Banana Stand"): I was an outy. I was going
|
||
to kill my self but a bunch of french faggots with girly T-Rex arms
|
||
started attacking me like girls..... so I devoured them.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
GREEN EYED LADY OF THE NIGHT by Teletype
|
||
|
||
as we lay in your bed, kissing with a passion never known before,
|
||
the vodka slowly inching its tendrils into our bodies, wearing away
|
||
inhibitions and pride, intoxicating, i am enraptured. i lay next to you
|
||
but i am not there. this is not real. my reality is far away, on a rickety
|
||
apartment balcony overlooking a run down old school yard. i watch over the
|
||
broken railing as young children, eager to fit the mold of society, play
|
||
amongst broken bottles, and the long since extinguished butts of
|
||
cigarettes previously enjoyed by the faculty. is this my reality? i watch
|
||
with numbed emotion, failing to see the horror as the faces of the
|
||
children melt and twist into forms incongruous with any human visage.
|
||
the school building itself is crawling with hordes of maggots, eager to
|
||
infest the minds and bodies of the pupils within. horror slowly sets in,
|
||
and i turn away from this macabre scene, fleeing to the sanctuary of the
|
||
apartment. inside, with a friend once again, i slide an old, well played
|
||
compact disc into the player, press a button, and i am greeted with a
|
||
flurry of music from the past, recorded by artists who have since died or
|
||
gone insane. my friend stares into the television set, lost, as a worn out
|
||
tape of twin peaks drones on and on about laura palmer. i ignore the
|
||
television, and soon ignore the music itself, content to enjoy the surreal
|
||
conglomeration of the several stimuli in the room. the odour of stale
|
||
incense, cigarette smoke, and marijuana permeates the air. i drift into
|
||
what seems to be a deep, refreshing sleep, only to later realise that i
|
||
was actually in a sort of mindless trance. my reality shifts as i find
|
||
myself back in your arms again. i want nothing more than to love you with
|
||
all my heart. then, i realise of course, that this is only a fleeting
|
||
reality. i let out an ephemerial sigh as i realise that i am driving.
|
||
with a new found freedom, i speed down the interstate, the citisen's band
|
||
transceiver fighting with the blaring stereo and the headlights of
|
||
oncoming cars for my waning attention. behind me lies a past of crime, and
|
||
hate, love and lust, dear friends, spiteful enemies, family,
|
||
responsibility. all has been cast off as i hurtle toward my destiny. still,
|
||
when i reach it, i find myself returning to you, to be in your arms again.
|
||
are we real yet? i love you. i can't lose you. i hold you in my arms, as
|
||
i see the final, desolate answer -- this will never be a reality. i shed
|
||
a single tear as i let you go for the last time, and seek the stability
|
||
that comes when one is in touch with that which is real. i say a last
|
||
goodbye, with a promise of return, to the friend with the balcony, visit
|
||
my lonely hovel that i used to call home, milking it of anything useful
|
||
that may still be there. i stop ever so briefly to feed lies to loved
|
||
ones, and again, i set out on the road to my fate. good morning, dear. i
|
||
hate you.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
ARCHAEOLOGISTS by Teerts
|
||
|
||
what will future arachaeologists find?
|
||
eroded toilets and faucets?
|
||
in my limited experience i've not heard
|
||
of ancient human waste-disposal units.
|
||
heh, plastic will be around forever.
|
||
|
||
farewell hoe, your faux-angsty existence has come to an end.
|
||
enjoy it while you can.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Mon, 20 Nov 2000 23:35:24 -0600 CST
|
||
From: quarex@hoe.nu
|
||
To: mogel@hoe.nu
|
||
Subject: Funnies
|
||
|
||
I have no idea if this is in any way appropriate for Hoe #2000. But
|
||
this sure is stupid.
|
||
|
||
---------
|
||
|
||
The <20>thelwulf's Utopia Purity Test
|
||
|
||
A) General Activities
|
||
B) Drew's Basement
|
||
C) Drew's Car
|
||
D) Aethelwulf's Utopia BBS / Drew's Computer
|
||
E) In-jokes
|
||
F) Clique History
|
||
G) Insulting
|
||
H) Misogyny
|
||
I) Grill
|
||
J) Goat-Spiel
|
||
K) This Test Overall
|
||
|
||
HAVE YOU EVER:
|
||
|
||
A. General Activities
|
||
|
||
x) Ate muddy buddies?
|
||
x) Coerced Erik into making chicken fajitas?
|
||
x) Played the Mister T boardgame while a duped Erik prepared chicken
|
||
fajitas?
|
||
x) Been to Mr. Quik?
|
||
x) Ordered a Ghoulie?
|
||
x) Ordered a Ghoulie and found that Mr. Quik was out of them?
|
||
x) Been photographed by a Mr. Quik employee?
|
||
x) Listened to 'The Chorus Tape'
|
||
x) Proposed the idea of 'The Chorus Tape'
|
||
x) Been to Six Flags with the Crew(tm)?
|
||
x) Used a (tm) after anything you said(tm)?
|
||
x) Designed a computer game and never completed it?
|
||
x) Had a suggestion rejected while writing this purity test?
|
||
|
||
B. Drew's Basement
|
||
|
||
x) Been to Drew's basement?
|
||
x) Stayed in Drew's basement for more than 4 hours?
|
||
x) Slept in Drew's basement?
|
||
x) Guarded Drew's basement when he hasn't been around?
|
||
x) Beat a nintendo game in Drew's basement?
|
||
x) Discovered a toy that Drew didn't know about?
|
||
x) Petted B.C. without getting bitten?
|
||
x) Made a phone call from Dr. Hunt's office?
|
||
x) Gotten bored while making the phone call and browsed through
|
||
Dr. Hunt's national geographic magazines looking at pictures
|
||
of nepal?
|
||
x) Cut out a strip from an Archie digest and put it on the wall?
|
||
x) Played any RPG in Drew's Basement?
|
||
x) Played Ghosts in Drew's Basement?
|
||
x) Seen Drew's CD Collection when it fit in a shoebox?
|
||
x) Remember the Ping Pong Table being here?
|
||
x) Wondered where the Tire(tm) came from?
|
||
x) Flirted with Laura Kurtenbach *SPIT* in the dark?
|
||
x) Wondered why Drew has four Gregorian Chant CDs?
|
||
x) Done anything sexual in Drew's basement?
|
||
x) Waited in Drew's basement without Drew being there?
|
||
x) Waited in Drew's basement for more than an hour without Drew
|
||
being there?
|
||
x) Been singled out as being the sole cause of the downfall of
|
||
Drew's basement as a world power?
|
||
|
||
C. Drew's Car
|
||
|
||
x) Been in Drew's Car?
|
||
x) Rode Shotgun in Drew's Car?
|
||
x) Driven Drew's car? (holding the steering wheel counts)
|
||
x) Heard "Sailor's Farewell" in Drew's Car?
|
||
x) Watched Drew scrape the ice off his car to the beat of death
|
||
metal?
|
||
x) Been trapped in Towanda with Drew's car in a corn field?
|
||
x) Passed by Barb's house in Drew's car?
|
||
x) Been on the interstate with Drew driving?
|
||
x) Been told to get out of Drew's car and open the garage door?
|
||
x) Taken the bear head off the gearshift?
|
||
x) Seen Drew bitch at Owen for messing with the radio?
|
||
x) Played rock/scissors/paper for Shotgun?
|
||
x) Thrown a plush snowman out of Drew's car?
|
||
x) Had Drew go back to pick up the plush snowman?
|
||
x) Done anything sexual in Drew's car?
|
||
x) Wanted to do anything sexual in Drew's car?
|
||
x) Wanted to do anything sexual in Drew's car with Drew?
|
||
|
||
D. Aethelwulf's Utopia BBS / Drew's Computer
|
||
|
||
x) Logged on locally?
|
||
x) Broken into chat with someone and tried to sell them drugs?
|
||
x) Deleted an old post?
|
||
x) Had sex using any of his computer components?
|
||
x) Edited a 'zine on his computer?
|
||
x) Personally typed in the command to play a .Mod on his computer?
|
||
x) Know the difference between phre.btm, phrea.btm and phreak.btm?
|
||
x) Wondered where Drew gets all of his samples?
|
||
x) Wondered why Erik still has my FUCKING MICROPHONE!!?
|
||
x) Wondered how AU has had over 24,500 calls?
|
||
x) Wished Drew would write more Mods?
|
||
x) Wonder what sort of Mystical Force makes Drew's computers fuck
|
||
up all the time?
|
||
x) Sloth?
|
||
x) Been in ASBiDiA?
|
||
x) Tried to write an .mtm on Drew's computer?
|
||
x) Come to Drew's house on your lunch break to see why AU was down?
|
||
x) Tried to fix Drew's computer but failed?
|
||
|
||
E. In-jokes
|
||
|
||
x) Snorted binaca?
|
||
x) Snapped when someone has said Cornucopia? *snap*
|
||
x) Shaken your fist upon hearing "Rakshasha Rock"?
|
||
x) Hit your hand against the roof of a car when someone has said
|
||
'My hand is a Compass'?
|
||
x) Laughed hysterically at the mere mention of the words "Sega
|
||
Dilbird"?
|
||
x) Won a girl?
|
||
x) Made an "Aptiva" joke (ie, "Warning, Aptiva"?)
|
||
x) Said "Yes, have some" and not been Angela Lathem?
|
||
x) Wanted to make a "Silent Knight" homepage?
|
||
|
||
F. Clique history
|
||
|
||
x) Played Magic: The Gathering at Garcia's on a monday night?
|
||
x) Played any sort of game at Tori's house before 1995?
|
||
x) Played Tetris at Garcia's?
|
||
x) Been to an SCA meeting at Garcia's?
|
||
x) Been made fun of by a drunken Striker?
|
||
x) Been made fun of by a non-drunken Striker?
|
||
x) Stolen Magic Cards?
|
||
x) Remember the days when Drew wrote Beherit mods?
|
||
x) Remember all of Tranzik Toffee's first releases?
|
||
x) Remember when Drew placed the final pattern of Tornado.mtm,
|
||
reaching the MultiTracker limit?
|
||
x) Played Blox?
|
||
x) Played Blox two player?
|
||
x) Thought Blox two player was better than Tetris two player?
|
||
x) Been oppressed by Garth Bock, Scott Kuntzelman or Jesus?
|
||
x) Played "Move the Ogre"?
|
||
x( Wondered why that parenthesis was the wrong direction?
|
||
x() OH GOD! UNHAPPY DRUNK GUY
|
||
x) Kissed (or been kissed by) Amanda
|
||
x) Ate pudding naked while listening to a U4ia mod?
|
||
x) Masturbated with General Tso's chicken?
|
||
x) Thought about Bob Kalmbach once or twice a month?
|
||
x) Shaved your dick?
|
||
x) Participated in an infamous "Rubber band fight" at Tori's house?
|
||
x) Bought any CDs at Appletree?
|
||
|
||
G. Insulting
|
||
|
||
x) Told Jon to shut the fuck up?
|
||
x) Told Erik that the Lion King is stupid?
|
||
x) Told Drew to shut the fuck up and get over it?
|
||
x) Told Mike that he is a spineless jellyfish?
|
||
x) Told Jake that he has a gay haircut?
|
||
x) Told Ghort that his girlfriend had taken it up the ass from Erik?
|
||
x) Told Vanir that he has a crank on his head?
|
||
x) Told Jessica that she is an elf?
|
||
x) Told Cohen that he's driving too slowly?
|
||
x) Told Rick that he is asian?
|
||
x) Told Jamesy that he is not funny?
|
||
x) Told Becky she is stupid and naive?
|
||
x) Told Phil to quit spitting on you?
|
||
x) Told Talan that he was a fucking idiot for some woman-related
|
||
problem?
|
||
x) Told Murmur that no-one cares what label has "Mr. One-Eye Food
|
||
Head"?
|
||
x) Talked to RJ?
|
||
x) Told Dr. One that he looks sober?
|
||
x) Told Tori to "take it like a man"?
|
||
x) Gotten anywhere near Rich?
|
||
|
||
H. Misogyny
|
||
|
||
x) Known what misogyny means?
|
||
x) Felt hate towards a woman because she was a woman?
|
||
x) Marked a date after which you would never speak to women again?
|
||
x) Wielded the skull ring?
|
||
x) Beheld the power of the skull ring?
|
||
x) Given someone mono with the skull ring?
|
||
x) Received mono from someone with the skull ring?
|
||
x) Taken the skull ring from Springfield?
|
||
x) Been looked down on by Drew for having a girlfriend?
|
||
x) Dated someone Drew's been in love with?
|
||
x) Been wanted by a girl who Drew's been in love with?
|
||
x) Been attacked by Drew upon publishment of feelings of said
|
||
woman?
|
||
x) Wondered what these questions have to do with misogyny?
|
||
x) Been destroyed by a woman and hated women for it?
|
||
x) Wondered why there are no questions about Brett on this list?
|
||
x) Understood that that last question contradicted itself?
|
||
x) Fucked with, fucked over with, or been fucked over with Megan
|
||
Geigner?
|
||
x) Been fucked over by Philosophiclezuehrfzdkuhssjdf?
|
||
x) Know who Timo Veepaaala is?
|
||
x) Correlated Mod-Ripping with Misogyny?
|
||
x) Added questions gratuitiously?
|
||
|
||
I. Grill E'zine
|
||
|
||
x) Read Grill?
|
||
x) Read more than Three issues of Grill?
|
||
x) Written an article for Grill?
|
||
x) Been mentioned in Grill?
|
||
x) Been the main subject of an article in Grill?
|
||
x) Been made fun of in Grill?
|
||
x) Had sex with other Grill writers (OOPS, we're not DTO! HA!!!)?
|
||
x) Had a Grill writer fondle your breasts? Or been a Grill writer
|
||
and fondled someone's breasts who reads Grill?
|
||
x) Submitted something for Grill that was refused?
|
||
x) Counted less than five spelling errors in one of Jon's articles?
|
||
x) Been able to read anything Erik has ever written?
|
||
x) Suggested a topic for the next issue?
|
||
x) Been laughed at when you suggested a topic?
|
||
x) Suggested a topic that is ALWAYS used? (women)
|
||
x) Come up with the idea for Grill?
|
||
x) Argued that Jon stole your idea?
|
||
x) Argued that Phil stole your idea?
|
||
x) Been plageurized by Jon?
|
||
x) Been Jon?
|
||
x) Thought that plageurized with a U is a pretenshus frenche
|
||
spelinge?
|
||
x) Wished that everything were spelled with extra "e"s at the end?
|
||
|
||
J. Goat-Spiel
|
||
|
||
x) Listened to Goat-Spiel?
|
||
x) Attended Goat-Spiel?
|
||
x) Taped Goat-Spiel?
|
||
x) Made a pirate joke on Goat-Spiel?
|
||
x) Stayed in the studio during a Kroger Run to hit on chicks?
|
||
x) Stayed in the studio during a Kroger Run by force?
|
||
x) Programmed anything in the WESN studio?
|
||
x) Wanted to kill Jamesy?
|
||
x) Been the subject of an on-air discussion on Goat-Spiel?
|
||
x) Had a song dedicated to you?
|
||
x) Been dedicated to in a song?
|
||
x) Had to find a FUCKING FAITH NO MORE CART
|
||
x) Had a girl request Faith No More every week for months?
|
||
x) Wished Inna-Gadda-Da-Vidda would last forever?
|
||
x) Suggested a song that Phil H. threw you on the floor for?
|
||
x) Suggested he play Michael Jackson?
|
||
x) Been a dickhead and stopped the Kroger Run song while alone?
|
||
x) Been a dickhead and played CHAIR HOG?
|
||
x) Played footsie with Carrie Ames?
|
||
x) Licked Carrie Ames' clit on the air?
|
||
x) Been a microphone hog?
|
||
x) Hated the microphone hogs but not had the balls to do anything
|
||
about it?
|
||
x) Wondered why nobody likes the song "Millenium" by Killing Joke
|
||
anymore?
|
||
x) Wondered why Jon still likes that song?
|
||
x) Wondered who the P.E. Teacher who requested the Killing Joke
|
||
song "Millenium" was?
|
||
x) Wondered why there were so many questions about "Millenium" by
|
||
Killing Joke are on the test?
|
||
x) Thought Jon was in love with you because he was looking at you?
|
||
x) Attempted to kill someone during Drew & Jessica's "Love Hour"?
|
||
x) Been accosted by security while outside Goat-Spiel?
|
||
x) Stopped going to Goat-Spiel permanently?
|
||
x) Stopped going to Goat-Spiel permanently because of this test?
|
||
|
||
K. This Test Overall
|
||
|
||
x) Felt dirty while taking this test?
|
||
x) Wondered why these questions are all geared towards Drew, Jon,
|
||
and Phil?
|
||
x) Taken this test while on a boat over 3000 pounds, while having
|
||
your penis sucked by Crank?
|
||
x) Listened to springar.mod?
|
||
x) Sneezed a lot while editing this text file?
|
||
x) Wondered why you bothered taking this test?
|
||
x) Had Brett call you while you finished up the test?
|
||
|
||
EL SCORING
|
||
|
||
Scoring is simple. There are 200 questions on this test. Take the
|
||
number you answered "Yes" to, divide it by 2, and you have your
|
||
percentage.
|
||
|
||
Then, compare your scores here:
|
||
|
||
PERCENTAGE SCORE||CLIQUE NOTORIETY POSITION
|
||
----------------||-------------------------
|
||
||
|
||
100||Striker
|
||
95-99||Quarex
|
||
90-94||Swiss Pope
|
||
85-89||Kreeg
|
||
80-84||Spirit
|
||
75-79||Ghort
|
||
70-74||Hrothgar
|
||
65-69||Ogre
|
||
60-64||Hate-Ball
|
||
55-59||Captain Rat
|
||
50-54||Vanir
|
||
45-49||Dr. One
|
||
40-44||Ranger Rick
|
||
35-39||Kurt
|
||
30-34||Brett (either one?)
|
||
25-29||Owen
|
||
20-24||RJ
|
||
15-19||Murmur
|
||
10-14||Angela Lathem
|
||
05-09||Glynis
|
||
00-04||Any other woman
|
||
|
||
This chart is about as exact as charts get.
|
||
|
||
Well, not at all. But, it does indicate in general how familiar you are
|
||
with our clique, and how many times you can expect to be beaten
|
||
personally by Satan when we all go to hell together.
|
||
|
||
And if you are on the chart, and score differently than the score I have
|
||
listed for you, then YOU TOOK THE TEST WRONG. DO IT AGAIN.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
ask clyde! for the last fucking time!
|
||
by clyde <clyde@zork.net>
|
||
|
||
welcome to "ask clyde!" for the last fucking time, ask clyde is
|
||
an anonymous, free advice service! do you need free advice! i will
|
||
answer your fucking questions! i also give advice on how to fight crime!
|
||
i am a crime-fighting superhero when i'm not sitting at my computer
|
||
answering your fucking questions! remember folks -- crime does not pay!
|
||
don't you agree!
|
||
|
||
clyde is on the world wide web! please visit
|
||
http://www.clydecrimefighter.com/ ! if you don't find anything exciting
|
||
there, then check back in two months!
|
||
|
||
in this issue, blas kindly requests that we chop his head off,
|
||
jill offers me the world and more, tom thinks about chocolate cake and
|
||
says something else, paul talks chemistry, bart does laundry and has a
|
||
ball, and jay ventures into e-business!
|
||
|
||
for the last fucking time, folks, i am happy to answer your
|
||
questions! let's go for it!
|
||
|
||
[+++]
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> I live in Florida. On election day, I attempted to write you in on my
|
||
> ballot, but since it was all so confusing, I have no idea if I did it
|
||
> correctly. How many votes did you get, in the end?
|
||
>
|
||
> Blas
|
||
|
||
dear blas!
|
||
|
||
haha! american election jokes! bwahahah!
|
||
|
||
i'm going to say this just once, so listen carefully!
|
||
|
||
fuck off!
|
||
|
||
fuck off!
|
||
|
||
so what! i went back on my word and said it twice! now listen!
|
||
don't dare expose your nose in my town, or you'll find it to be broken!
|
||
|
||
clyde
|
||
|
||
[+++]
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> If you were stranded on an island, what three things would you want to
|
||
> have with you?
|
||
>
|
||
> Jill
|
||
|
||
jill!
|
||
|
||
i like your name, but i don't know why!
|
||
|
||
here are three things i would like to have with me!
|
||
|
||
1) i would like a fully e-commerce enabled desktop computer with a
|
||
network operating system! lately, i find the power and flexibility of the
|
||
linux operating system to be both promising and rewarding! i can "click"
|
||
on the "pager" to switch "virtual desktops" so i can run applications like
|
||
a web browser, an x terminal for email, and yet another web browser!
|
||
perhaps i can also have a session of irc! sometimes i like to talk to
|
||
people! i can perform e-commerce transactions at my leisure! and since
|
||
most e-business shops prefer visa, i'm all set with my $500 limit, $0
|
||
annual fee, 14.9% introductory apr visa card from the fine folks at
|
||
nextcard dot com!
|
||
|
||
2) i would need to have with me a shopping center that includes such
|
||
facilities as: a 24-hour grocery store! a fast-food restaurant! a post
|
||
office! a deli sandwich shop! an ice cream shop! a film-processing
|
||
operation! a store that sells cheap blue jeans! lots of parking!
|
||
obviosly, as i visit such establishments several times a week, i would
|
||
need to continue doing this! if you don't mind, throw in a radio shack
|
||
or a circuit city too! this way, i can also watch a bit of television! i
|
||
watch tv for the great commercials!
|
||
|
||
3) finally, i would require a red, convertible, fuel-efficient,
|
||
cd-player-equipped, automatic-transmission sports car! why do i want this,
|
||
you ask! because certainly whoever is going to supply me with these items
|
||
of my dreams would never give me just the car! they would give me an
|
||
entire freeway system! it would be the fastest road in the world! only i
|
||
would drive on it! it would be immaculately maintained! the yellow lines
|
||
would be boldly yellow! the white lines would be strikingly white! the
|
||
road would be one lane wide and not be one-way! i could do a u-turn and
|
||
still be in the same lane! i wouldn't even have to flip anyone off! no
|
||
more danger from staring at oncoming headlights! no more tricky lane
|
||
changes or risky passing maneuvers! no more getting pulled over by an
|
||
aging, balding, overweight american citizen in a gas-guzzling television
|
||
show on wheels! the lane lines on this freeway would also be marked with
|
||
evenly-spaced reflective bumps! this makes driving at night easy, safe,
|
||
and pleasurable! the crosswalks would be wherever i wanted to park the
|
||
car and walk across the pristine, black tar roadway! the gas stations
|
||
would be airborne refueling crafts, designed to fulfill my needs anywhere,
|
||
at a moment's notice! the roadway would be high in the sky and offer
|
||
stunning views of the surrounding terrain! perhaps there would be an
|
||
extensive bridgeway out across the water! of course, there would be
|
||
hundreds and hundreds of garages along the way, so i could park my car
|
||
anywhere i wanted to! i would just stop driving, roll the baby into the
|
||
nearest garage, and keep it out of the harmful effects of weather!
|
||
|
||
please call me before you swing by to take me to the island! i'll
|
||
have to send a few email messages, and find someone to take care of my
|
||
plants!
|
||
|
||
clyde
|
||
|
||
[+++]
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> I'm hopelessly addicted to my electric piano! You see, I used to be a
|
||
> work-at-home contractor, and well, sometimes I was able to get the work
|
||
> done much sooner than anyone expected. So obviously I had to do
|
||
> something else to fill the day! But now that I sit around in a dank
|
||
> basement office all day, I can't sneak away to stroke the keys. What
|
||
> should I do!?
|
||
>
|
||
> Tom
|
||
|
||
dear tom!
|
||
|
||
i'm sensing some kind of deeper meaning here than you are willing
|
||
to share! perhaps this is some kind of story about your fear of chocolate
|
||
cake! after all, it is proven that one out of every sixty seven thousand
|
||
adult men are afraid of chocolate cake! the most common method of
|
||
self-treatment is repression! by filling one's mind with other thoughts,
|
||
chocolate cake is forced out of your mind! is this what you are doing
|
||
here!
|
||
|
||
if not, tom, then for god's sake, consider taking long lunch breaks
|
||
so you can pluck a few notes! hell, i love music too! music is not a
|
||
crime! skateboarding -- now there's a crime!
|
||
|
||
clyde
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> All of a sudden, my friends have turned into mad scientists! They're
|
||
> always inviting me to their homes in order to participate in hideous
|
||
> chemical experiments. One acquaintance of mine is trying to figure
|
||
> out -- get this -- how to bring dead pets back to life. Another friend
|
||
> wants to grow cocktail umbrellas from his scalp, and he's been mixing
|
||
> toxins with Miracle Gro. Should I forget these freaks and find new
|
||
> friends?
|
||
>
|
||
> Paul
|
||
|
||
dear paul!
|
||
|
||
i am very amused! please have your friends email me! i would like
|
||
to discuss with them, for example, some of the methods i have devised for
|
||
categorically storing and later recovering animal parts in the earth! as
|
||
you know, earth storage of animal remains is a very effective process that
|
||
encourages rapid decomposition along with promoting regional plant growth!
|
||
there's this whole food chain thing taking place, and frankly, i'm linked!
|
||
so please, tell me more about your friends! do they like vanilla cream
|
||
soda! do they enjoy "trance" music! do they like exotic cocktails! what
|
||
books do they enjoy reading! do they like outdoor adventures! bike
|
||
riding! hiking! road trips! an afternoon at the beach! a picnic! a
|
||
stroll through the park! a trip to the aquarium supply store!
|
||
|
||
you know! one time, i was at this aquarium supply store with some
|
||
friends! i stared at this salt-water tank for a long time! there were
|
||
these two pretty large fish inside! one of them kept swimming around and
|
||
turning to stare at me! and i just watched and watched and watched and
|
||
watched in fascination! it was a very surreal moment! and then right
|
||
about when i was going to leave -- now, you'll have to believe me on
|
||
this -- the fish winked at me!
|
||
|
||
clyde
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> For the past month or so, I've been using the wondrous Downy Ball to add
|
||
> fabric softener to my laundry at just the right time! (Don't tell
|
||
> anyone, but I've actually been filling it with Snuggle.) Now, I
|
||
> understand how the contraption works and all, but it is kind of
|
||
> mysterious to empty my washed clothes, and find the Downy Ball, now with
|
||
> its plug open, but filled with water, *exactly* to the fill line! It
|
||
> does this *every* fucking time! How does this happen?!
|
||
>
|
||
> Bart
|
||
|
||
dear bart!
|
||
|
||
let me tell you a story! this story is chock full of clyde fun!
|
||
|
||
about three years ago, i started getting serious about fighting
|
||
crime! i sought out crime in all its forms, in hopes to eliminate it! do
|
||
you know what i found!
|
||
|
||
lots and lots of crime! everywhere!
|
||
|
||
i went to the grocery store and stole some notebooks and pens! i
|
||
took careful notes of all the crimes i observed around me! people boarding
|
||
the bus without paying the fare! random street people walking in to
|
||
restaurants to use the bathrooms without buying anything! people trying
|
||
to sell stolen merchandise! successful attempts of automobile
|
||
vandalization! banner advertising on the web! novels with no plot!
|
||
toilets that don't flush! rough toilet paper! head cheese! flammable
|
||
bedding! uneven sidewalks! spoiled milk! thin paper plates! fatty
|
||
snacks! fatboy slim! long waiting lines at nice restaurants! overpaid
|
||
slackers! dirty pants! buses that are thirty minutes late! rice candy
|
||
that tastes so good but lasts for only a few seconds! grocery stores that
|
||
close at night! fake buddha statues! my gay friend who is in love with
|
||
savage garden!
|
||
|
||
then, of course, with my notebooks full of carefully compiled cases
|
||
of crime, i set out to eliminate these crimes! i started to develop an
|
||
anti-crime web site! you can visit it too! just go to
|
||
www.clydecrimefighter.com with your internet web browser!
|
||
|
||
crime fighting is never easy! people always want to prevent me
|
||
from doing my work! some of them want to eliminate me! but it is my hope
|
||
that even if i am eliminated, my crime-fighting web site will live on!
|
||
|
||
so, in conclusion, i think your downy ball is working just fine!
|
||
the water levels inside the opened downy ball upon completion of your most
|
||
excellent laundry procedures is merely a coincidence! please do not be
|
||
embarrassed to share stories like this one in the future! we're all here
|
||
to help you! clean, soft, static-free, fresh-smelling clothes are never a
|
||
crime! enjoy the results of your most excellent work!
|
||
|
||
clyde
|
||
|
||
> Dear Clyde:
|
||
>
|
||
> Can you help me with my new problem? I just released version 1.0 of my
|
||
> new e-commerce site, www.dc5.org, on the WEB. But I am not getting many
|
||
> customers! Yo what's the deal? I have banners and everything. Is it
|
||
> because I am not a dot.com? What can I do to attract buyers and get $$?
|
||
>
|
||
> Jay
|
||
|
||
dear jay!
|
||
|
||
i have visited your site, and i must say: bzzzt! first of all!
|
||
have you considered trying to sell something! you of course realize that
|
||
the dot-org space is not where you want to be! although! for example!
|
||
tourian.org is trying to revamp the dot org scene! there is a slight
|
||
chance that you can turn your joke of a business into a successful online
|
||
venture! but i'm talking slight! you know how you put your thumb and
|
||
pointer finger together as if you're about to pinch someone! that's the
|
||
kind of chance i'm talking about! the chance as indicated by the slim
|
||
amount of space in between these two fingers!
|
||
|
||
however, i do have to offer my sincere appreciation for your fine
|
||
multimedia products! i had no idea that quickbasic could do such
|
||
magnificent things on my pentium-class computer!
|
||
|
||
[+++]
|
||
|
||
well folks! they tell me this is the end! i have to pack up the
|
||
shit from my office and get the hell out! working out of a cardboard box
|
||
is always difficult, but i'll find a new job soon! fear not! i will
|
||
continue sharing my thoughts in another online forum! remember --
|
||
http://www.clydecrimefighter.com/ is where you want to be!
|
||
|
||
for the last fucking time, please send me your questions! email
|
||
me at clyde@zork.net if you so please!
|
||
|
||
have a great day!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Date: Thu, 05 Oct 2000 21:50:22 GMT
|
||
From: Unrelated <unrelatedhoe@hotmail.com>
|
||
To: mogel@hoe.nu
|
||
Subject: My wasted summer
|
||
|
||
For the past 5 months I've been stuck in small town fucking Iowa
|
||
for one reason, and the reason sucks. I would like not to mention the
|
||
reason however for this file to make sense you must all know the reason.
|
||
the reason is this, I still care about people too much.
|
||
|
||
One of my best friends is haveing a marital crisis. He's 22 years
|
||
old, he's on his second marriage/divorce and there is a 18 month child
|
||
involved in what might turn out to be a very messy custoduy battle. Now I
|
||
haven't left yet because my friend has needed moral support from anybody
|
||
and it seems the rest of our friends just kind of ditched out.
|
||
|
||
For these past five months i've been doing almost nothing but
|
||
getting drunk, going hungry and hanging out in nudy bars. Hell, one frisky
|
||
night back in July one of my friends, Danny, decided to come up and visit
|
||
Rick and I for a couple of days, well, lucky for us he had just gotten
|
||
paid that day. i had been dropped off at my mother's house in Waterloo, IA
|
||
to go to sleep.
|
||
|
||
wait a sec. here's one for ya' my mother owns a house in Waterloo,
|
||
after my parents had gotten a divorce and all the moeny was split up, my
|
||
mother decided to go and buy a house in waterloo, however, she currently is
|
||
borderline broke and is living in Chicago with some friends. My brothers
|
||
were going to live in the house during the summer and pay the bills.
|
||
Neither one of them ended up getting jobs or paying any bills. Instead
|
||
they decided to sit in the basement with their friends and get high and
|
||
drunk every night, waking up in the morning, going out and playing frisbee
|
||
golf, then later getting high and drunk.
|
||
|
||
right after the divorce my father and I went on a road trip to
|
||
chicago and then on to detroit(ugly city that needs to be napalmed) during
|
||
the trip my dad said to me, "Son, I need to find a woman with a bar and a
|
||
jeep." Right now my dad is probably serving beer to middle aged men and
|
||
women in the bar that his girlfriend owns.
|
||
|
||
anyways, after I had just gotten to sleep not 4 hours later my
|
||
brother somes knocking at my room door telling me to wake up. My friends
|
||
had shown up and had decided to drive down to Des Moines to go to Big Earls
|
||
Gold Mine, the only nudy bar within 100 miles that Dan could get into.
|
||
Apparently at this "juice bar" if you got a private dance you weren't just
|
||
getting a lap dance you were getting a hooker who worked cheap. Well, I
|
||
only had a set amount of cash flow so I just sat back and got dollar dances
|
||
all night. The radio was broke so on the ride home the three of us did our
|
||
best to remember words to songs and did our damndest to sing the words
|
||
that we could remember. All of this, on a doughnut.
|
||
|
||
Did I forget to mention that during these last five months i've
|
||
done more roleplaying than any human should be submitted to. Ad&d, Vampire,
|
||
Aberant, WereWolf.....the list ends there unless you count Magic:The Crack
|
||
Addiction in which case please shoot me for I have committed a sin against
|
||
myself and against my faith that a card game, no matter what card game it
|
||
is can and shall never be considered an RPG.
|
||
|
||
Help me.....god someone, please help me, all of my dreams and hopes
|
||
for the year have been flushed down the toilet, and none of my goals have
|
||
yet been met, I have but one left, one goal that I still hold true to
|
||
myself, and that is to be in New Orleans for new years eve 2001, i pray
|
||
that at least this one simple task may be accomplished or forevermore i
|
||
will be sorry that i didn't make it and probably grow up with some twisted
|
||
mental disability that makes me eat hotdogs on friday.
|
||
|
||
So basically this last 5 months has been wasted on nothing but
|
||
alcohol and nudy bars. What a life.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
ASCII GENRE? by Phorce
|
||
|
||
hi guys. mogel tells me i should write something for the last HOE.
|
||
i guess i'll try. the problem is, i'm still stuck deciding whether or not
|
||
i should use uppercase letters. there was a while when no one used
|
||
uppercase (god, DTO was so pretentious, don't you think?), and the effect
|
||
was to lend an appearance of higher artistic worth to what you'd in any
|
||
other context simply label "really crappy short stories by the excessively
|
||
angsty."
|
||
|
||
in any case, the rule was, use all lowercase EXCEPT when want to add
|
||
extra stress to a word, or when you want to highten the contrast of an
|
||
unexpected added clause to a sentence, YOU DIRTY BITCH. you see how it
|
||
works? i'm not sure, but i think this style arose from a desire to "stick
|
||
it to the man" and his traditional notions of uppercase. you know? FUCK
|
||
THE SYSTEM, MAN!#!#!# AN4RCHY F0R3V3R!#!#$#! sorry.
|
||
|
||
i find the "ASCII zine style" very interesting; i feel it's rather
|
||
underrated and too easily dismissed by highbrow types. it's more than
|
||
just tYPiNG LiKe THiS -- you see, we were taking a cue from, uhm, the
|
||
style of modern poetry, especially that of e.e. cummings, the first
|
||
founder of an e-text "style" with his unconventional use of the
|
||
typewriter's idiosyncracies. where cummings took the typewriter's
|
||
parentheses and other symbols and used them as an essential part of his
|
||
poetry's style, we e-zine kids have similarly taken ASCII -- which, like
|
||
the typewriter, was created not for stylistic reasons but rather as a tool
|
||
to aid communication and construction of the written word -- and liberated
|
||
it from its humdrum trappings into a form of high art!
|
||
|
||
--( you're ridiculous. )-------------------------------------------------
|
||
|
||
perhaps i am, mr. divider man, but you're providing a perfect example of
|
||
the idiomatic uses of ASCII text i'm talking about!@##!# you see what i
|
||
mean?
|
||
|
||
i guess so. but it still seems like
|
||
@!@@ like a bit of a stretch to me. most
|
||
| 0o of the e-zines i've read don't
|
||
d s contain high art, it's more like the ___ ___
|
||
| o -- ramblings of a few angsty kids. what / __\!@@!@!#/__ \
|
||
|| do you think, mr. elephant man? | |__>| O O |<__| |
|
||
\___/| | | |\___/
|
||
yeah, last time i checked, your __\| |/
|
||
so-called "high art" was some |_____|
|
||
midwestern teen whining about how /
|
||
much life sucks when you spend all
|
||
your spare time in front of a
|
||
computer chatting with your "real
|
||
friends" who also know what it's
|
||
like when you don't "fit in." i
|
||
@!@@ mean, wtf? get a life! brb.
|
||
| Oo
|
||
d s LOL! ROTFL!!@#!! you're funny but cruel,
|
||
| o -- mr. elephant man! still, i think maybe just
|
||
|| a few of those kids are actually very smart,
|
||
creative people who, had it not been for
|
||
the computer, wouldn't have found an outlet
|
||
for their creative energies? perhaps they
|
||
were drawn to computers for precisely this
|
||
reason -- to produce new and exciting art?
|
||
for example, take kreid, probably one of the
|
||
best writers of the ASCII zine scene, who
|
||
started out as just another ANSI art kiddie,
|
||
but formed an e-zine, and soon discovered his
|
||
immense talent for creative writing?
|
||
|
||
@!@@ ... -- (elephant: afk)
|
||
| 0o
|
||
d s
|
||
| o -- you there, mr. elephant man?
|
||
||
|
||
sorry, back. i guess that's
|
||
possible, but most literature is ___ ___
|
||
written on computers anyway these / __\!@@!@!#/__ \
|
||
days, right? it's only the | |__>| O O |<__| |
|
||
biggest nerds that start wr1t1ng \___/| | | |\___/
|
||
3l33t e-t3xt l1k3 th1s. ASCII zine __\| |/
|
||
style wasn't created by real -- |_____|
|
||
writers -- it was created by k-rAD
|
||
h4x0r geeks and computer nerds.
|
||
their idea of funny are those
|
||
asinine "BOFH" stories.
|
||
@!@@
|
||
| 0o yes, but computers are so widely used nowadays
|
||
d s that it's not just the supergeeks who are
|
||
| o -- finding out how they can get published in e-zines.
|
||
|| you could even call e-zines a precursor to the
|
||
world wide web and the "self-publishing revolution"
|
||
that futurists are always proclaiming will end
|
||
the publishing and recording industries. right?
|
||
|
||
--( stop! stop already! )-----------------------------------------------
|
||
|
||
sorry. those two could go on arguing forever. the point i think
|
||
i'm trying to make is that although ASCII style and the first e-zines arose
|
||
from the realm of the BBS and the "misunderstood, lone nerd teen"
|
||
stereotype, it has come a long way since then and established itself as a
|
||
real expressive medium.
|
||
|
||
one of the best examples of this was the selection of several
|
||
e-zines (including "y0lk" and Jonas) for display at an exhibit called
|
||
"alt.youth.media" at the New Museum for Contemporary Art, New York City in
|
||
fall 1996. i attended the exhibit's opening as a writer for y0lk -- i was
|
||
at the tender age of sixteen then -- and couldn't get over the way they
|
||
triumphed the e-zine as a valid art form. we were up to y0lk #99 then,
|
||
and if you've read any of those issues, you'll probably understand my awe
|
||
that *anyone* would consider that stuff museum-worthy.
|
||
|
||
the rest of the e-zines in the exhibit were mostly webzines -- which
|
||
brings us to the subject of the internet and the "world wide web." you
|
||
will agree that ASCII zines were not born of the era of hypertext and
|
||
flashy graphics. my era's e-zines were designed for viewing on a 80x25
|
||
console screen: anything else still just doesn't look right to me.
|
||
viewing ASCII text files in a web browser is in my opinion the worst form
|
||
of heresy, like selling "virtual museum" CD-ROM's featuring digitized,
|
||
pixelated images of paintings -- you're not seeing the real detail, how
|
||
the author intended it to look.
|
||
|
||
[an aside: i've recently been working on a web frontend to an
|
||
"ASCII to GIF" program and have been applying it to everyone's favorite
|
||
e-zine, y0lk. you'll see my attempts as a curator of sorts at
|
||
www.y0lk.org.]
|
||
|
||
but not like it matters anymore. now, with the world wide web, you
|
||
can lay out text and images unlike anyone in the old text BBS scene
|
||
would've ever imagined -- in fact, our little ASCII 'toons would today
|
||
simply become inlined images on a webpage!
|
||
|
||
xxxxx
|
||
|o.o| -- you mean i'm OBSOLETE?
|
||
\O/
|
||
\|/
|
||
|
||
yup. sorry.
|
||
|
||
xxxxx
|
||
|o.o| -- shit.
|
||
\-/
|
||
\|/
|
||
|
||
\ | /
|
||
- poof! -
|
||
/ | \
|
||
|
||
so that's the problem. the era of ASCII zines seems to be drawing
|
||
to a close. and now, with this, the "last HOE" (though we've all heard
|
||
that claim before in HOE #90), we come one step closer to the end.
|
||
interest in ASCII zines now seems to be mostly nostalgic -- textfiles.com
|
||
and etext.org serve as archives, not as publishing centers. new ASCII
|
||
zines are still being produced, but the "web" is slowly taking over --
|
||
after all, ASCII e-zines have to be published via the web now (rather than
|
||
BBS's, IRC transfers, or FTP), so it's no a great hurdle to convert them
|
||
to pretty-looking web documents. hell, even the cDc started formatting
|
||
their textfile releases as webpages. modern ASCII zines are quickly
|
||
becoming what new ANSI art releases have become -- a "retro" nostalgic
|
||
look back at the days of "old school."
|
||
|
||
and that's too bad. because i sure did like the ASCII zine style.
|
||
there was always something very exciting about it to me; something about
|
||
how each letter seemed trapped inside the console font's 8x16 pixel block,
|
||
and how ASCII art and zine layout seemed to defeat that confinement and
|
||
exploit those shapes for new purposes.
|
||
|
||
and, although i was only involved in the "e-zine scene" for a
|
||
relatively short period of time, i sometimes still wax nostalgic about
|
||
those days -- of going on BBS's to download new zines, reading new posts
|
||
on y0lknet and net-spiel; hanging out in #zines; starting "confs," giving
|
||
out the konf infos, and talking to everyone until the guys from #hack got
|
||
the inf0ez and started "toning" the conf; spending all day editing a new
|
||
release of RAD, or packaging up new y0lks and publishing them; printing
|
||
out copies of DTO or Jonas on so many pages of that dot-matrix paper with
|
||
the holes on the side that i needed a new printer ribbon.
|
||
|
||
goodbye, and thank you HOE. and while i'm at it, goodbye and thank
|
||
you, ASCII! it was fun to read and write for ASCII zines when i was a
|
||
teenager. now i am doing new and different things and slightly older now.
|
||
so bye!
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
@@@@@@@@@@@@@@@
|
||
@@@@@@@@@@@@@
|
||
@@@@@@@@@@@
|
||
@@@@@@@@@ .,o0o,. ,o0o,
|
||
@@@@@@@ X 0 0 0 /--------------\
|
||
@@@@@ XX 00 00 00 | Elite HOE |
|
||
@@@ XX 00o o00 00 | ASCII ART |
|
||
@ XX 000000 00 | by |
|
||
XX 00""00 00 | Phractal |
|
||
XX 00 00 00 \--------------/
|
||
X _______0 0______0
|
||
|
||
|
||
o0$$$$$$$$$$$0o
|
||
XX XX
|
||
XX XX
|
||
XX /------\ XX
|
||
XX | | XX
|
||
XX \------/ XX
|
||
XX XX
|
||
XX XX
|
||
XX_______________XX cDc
|
||
|
||
|
||
o0$$$$$$$$$$$$$$$0o,
|
||
XX 00\
|
||
XX ------------\ 0|
|
||
XXX /_____$ \00/
|
||
XXX _____$$
|
||
XXX \ $
|
||
XX ------------/00\
|
||
XX 0|
|
||
Xoooooooooooooooo00/
|
||
|
||
I felt I needed to express myself, but I didn't know to who.
|
||
Well, since HOE has always been open to thought and expression, and since
|
||
this is the last issue, I thought why not? Hey, by the way, like my
|
||
ascii? Enjoy the lameness.
|
||
|
||
I consider myself to be an active person in the hacker community.
|
||
I have contributed to several magazines with articles of lameness. One
|
||
thing I've learned, and anyone who has been in the scene for at least two
|
||
years knows, the deeper you get into the scene, the more you find out you
|
||
don't know shit.
|
||
|
||
I joined the scene sometime in late '97 early '98. You know what I
|
||
was doing for a long time? I was searching for the PERFECT TEXT FILE. What
|
||
you ask? Yes, that's right, THE PERFECT TEXT FILE. Yeah, you see, I
|
||
remember reading my first textfile, which was written by elite Legion of
|
||
Doom member The Mentor: "A Novice's Guide to Hacking: 1989 Edition".
|
||
1989? Well, I suppose I could learn something from this text. I tried to
|
||
follow the methods in that file to attempt my first hack, but unfortunatly,
|
||
the methods were too dated, and a little thing called the internet was now
|
||
the prime source of hacking fun in this day and age.
|
||
|
||
I searched for another 'Complete Guide to Hacking' text. No, I
|
||
didn't want a text about blueboxing! No! I didn't want a text about Novell
|
||
Netware! No! I didn't want a text about hacking webpages! I wanted the
|
||
whole thing! The big enchalada! I wanted to be a hacker overnight! The
|
||
first real step I took was war dialing my local prefix to look for
|
||
interesting numbers. OK, I found some carriers! OK, now what?
|
||
|
||
I couldn't do anything. Why? Cuz I didn't know shit! That's right!
|
||
I opened the door myself to the world of hacking, and it was once I opened
|
||
that door, I had a whole new set of doors to walk through.
|
||
|
||
One thing that clearly became evident over the years in my quest for
|
||
eleetness was the fact that if I was to excell in the hacker world, or be
|
||
an expert in computers, I would have to learn UNIX. I had looked through
|
||
PHUN, Phrack and cDc issues, and I see UNIX mentioned as far back as the
|
||
mid-eighties. I saw the word UNIX everywhere. I didn't know what UNIX was,
|
||
it was just another thing I thought I could never master.
|
||
|
||
UNIX was everywhere. I tried to avoid UNIX becuase it seemed too
|
||
complex for my understanding. So, I went looking for other stuff. IP
|
||
Spoofing, hmm, that's an interesting idea, I'll try that. The article I
|
||
read about IP spoffing mentions 'I expect you to know generally how TCP/IP
|
||
and UNIX work'. Damn I thought! Can't IP spoof! Damn UNIX! OK, how about
|
||
hacking webpages? Well, I needed to get the UNIX password file to do that,
|
||
damn UNIX! OK, what about running some of these expoits I see here? Damn,
|
||
it requires UNIX! arg!
|
||
|
||
I turned to phones for a while giving up hacking entirely for the
|
||
better part of a year. Phreaking was a cool hobby. I got to tinker with my
|
||
home phones and do things with them, I would have previously thought
|
||
impossible. I made free calls. Whoop de do! I got some voicemails. I
|
||
scanned some more. Eventually I turned back to hacking.
|
||
|
||
I finally broke down and got UNIX on my computer (Slackware Linux).
|
||
I have since enjoyed it greatly over windows. Once I had UNIX, again, I
|
||
was like, OK, What's next? I Don't know shit again!
|
||
|
||
The point of this article, as I said before was, that the deeper
|
||
you get, the more you find out that you don't know shit. But you should
|
||
always keep active. Currently, I am making my linux box into a shell and
|
||
web server to see what it would be like administering something like that.
|
||
|
||
Don't give up in the hacker world. It can be trying, but I think
|
||
that in the end, you will be very well educated in the field of computers,
|
||
and hopefully you will also have a whole bunch of 'undergound friends'.
|
||
|
||
After time, you change your overall goals of hacking. Why did you
|
||
become interested in hacking in the first place? Well, quite honestly, I
|
||
wanted to rip off companies and get money in to my bank account all by
|
||
hacking! Wouldn' that be cool!!
|
||
|
||
Well, now I think that is not cool. I almost don't even want to
|
||
'hack' anymore by anyones standards. I just like learning and administering
|
||
my computer and how it works. I really am not interested anymore in taking
|
||
over anyone else's computer. Unless, I fell like it of course :)
|
||
|
||
I've had my ups and downs in the hacker world, and I after
|
||
everything I've learned, I know that I am still ignorant of too much shit,
|
||
and I don't know anything.
|
||
|
||
But at least I try!
|
||
|
||
[---------------------------------------------------------- --- -- -
|
||
|
||
DEAD PLASTIC DREAM by Cap'n Sparky
|
||
|
||
I
|
||
|
||
Live jackal sky smoke expensive marijuana porking cooly bubblegum trellis
|
||
tennis courts steaming turd screwdrivers kill squamose Shub-Niggurath
|
||
backwards dullards "clockers" 4.532 gate ghetto-blaster fireflies.
|
||
|
||
II
|
||
|
||
bugger Captain Kirk Sally the Pig incinerate "fuckalamedoo" Harvey Keitel
|
||
anus leprechaun
|
||
|
||
III
|
||
|
||
The silly electric pig screamed upside down. The round kissing car barked
|
||
too loud. The excited polka-dot boy barked at night. The round candy clown
|
||
smiled very fast. The striped polka-dot girl screamed at once. The round
|
||
invisible girl flew sideways. The tiny electric girl flew too loud.
|
||
|
||
IV
|
||
|
||
The far useless soul broken
|
||
The dead plastic dream
|
||
All jumbled living careening
|
||
Going to soul ruin
|
||
Asphyxiate things after aimless careening life
|
||
Fuck new embrace
|
||
All thought broken
|
||
Dead useless dream come inside
|
||
Sweet godless choke
|
||
|
||
V
|
||
|
||
color of eyes y eyes?
|
||
her head, hair, floral
|
||
way i wanted way she
|
||
i wanted to wax she
|
||
fuck up, fucked up, kissed, lips tongue
|
||
|
||
VI
|
||
|
||
He sat at a train station, and thought about love, and about a woman
|
||
he had just met. Half of half a billion dreams. "I am not the hand of God,
|
||
merely his eyes." There's this key inside my head. Large buildings,
|
||
brightly lit, futuristic-looking. New York. Dream concerned tornados,
|
||
and a flood.
|
||
|
||
The way she wished.
|
||
|
||
Like a razorblade.
|
||
|
||
Paranoid, careening. The skeleton is on a faded, padded bench next
|
||
to the gate in the fence. Infinite birthright. Middle of nowhere. Dead
|
||
plastic dream. Knowing I'm loved gives me courage, knowing I'm hated gives
|
||
me strength. Choose groups at random, read, and then record results in
|
||
journal. If you are an artist of any sort, your help would be appreciated
|
||
as well. So what if I did, anyway?
|
||
|
||
Words on paper in various forms, groups of words, possibly segments
|
||
of text.
|
||
|
||
The tail-end was still green. The excited candy boy flew upside
|
||
down. Optimistic. I unlocked it, it was so easy.
|
||
|
||
Dead plastic dream. He says, "I am Magnum Iron!" I want to be
|
||
perfect, ebony, marble, smooth, timeworn. Forgotten feelings erupt. All
|
||
the times I wished I'd died. Universe into void. Here it comes again.
|
||
|
||
I want you to see me. In the middle of nowhere. However, the lawyer
|
||
will show up at his normal lunch-hour and curse, because the restaurant is
|
||
closed. He will end up with chinese food. I heard you laugh today. I can
|
||
turn the fresh air stale.
|
||
|
||
It is a sawtooth-soundwave. Your madness seethes within me. I point
|
||
at him and scream, "YOU!", he turns to run and bumps into a black security
|
||
guard. His wife will be overcome with grief and attempt suicide three
|
||
times, finally succeeding on the fourth. One into zero. I ran into a
|
||
playful solifugid (or at least that's what I called it). The giant kissing
|
||
car smiled upside down. He got to the corner and three young teenagers
|
||
robbed him, and then killed him.
|
||
|
||
The trolley tracks are where they found him. Lexington Avenue.
|
||
Tight.
|
||
|
||
Also in this same room, in some sort of alcove, there were two
|
||
preying mantises.
|
||
|
||
You turn the lead into gold. New York, NY.
|
||
|
||
VII
|
||
|
||
Between the Devil, Tetris, and a Little Girl.
|
||
|
||
Make people you like into glamorous supermen, people that go against
|
||
you into vicious subhumans. Who could picture "Alice in Wonderland" as a
|
||
compressed string of ones and zeroes, "theres" and "not theres"? So, how's
|
||
the black-leath bitch of life been treating you?
|
||
|
||
"We ought never to do wrong when people are looking." - Mark Twain
|
||
|
||
Notes:
|
||
|
||
Section I contains the answers from a single "Mad Libs" game played
|
||
by myself and a good friend, in delirious wee hours of the morning, back in
|
||
1994 or so. Section II contains single answers from several "Mad Libs" games
|
||
from the same night, selected at random.
|
||
|
||
The sentences in Section III were spit out by a children's toy,
|
||
designed by Tomy (I think). The toy contained several plastic tiles with
|
||
words on them. When flipped upside down, the tiles would form sentences.
|
||
|
||
The poem in Section IV is made up of words, selected at random, from
|
||
my journal. The year of composition was perhaps 1995 or 1996. The fragment
|
||
in Section V comes from a page of dense text which I cut into strips and
|
||
tossed back together.
|
||
|
||
For section VI, I selected sentences at random from the journal I
|
||
kept between about 1994 and 1996 or so. I ended a paragraph whenever my
|
||
finger fell on a blank area on a page. The sentences in Section VII come
|
||
from a journal I kept back when I was a junior in high school.
|
||
|
||
The title was selected randomly from the text of this t-file. It's
|
||
strangely appropriate, given the fact that the phrase "Dead Plastic Dream"
|
||
appears three times in the body of the text.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
FINAL THOUGHTS by Quarex
|
||
|
||
So, it is all over. Sure, I should say "about fucking time," but
|
||
I have no desire whatsoever to do that. I fucking love H0E, and I always
|
||
will. I fucking love the fact that Mogel kept something going for so long
|
||
that kept me in the habit of writing for fun. I honestly think I owe at
|
||
least some small part of my success as a writer (even if just at a
|
||
college-classroom level. . . SO FAR) to this fucking ludicrous little
|
||
e-zine. Hell, H0E and the resulting "scene" that collected around it over
|
||
the years introduced me to a lot of fucking awesome people, and helped me
|
||
get to know others a lot better. Mogel, Tasha, PezMonkey, Miasma, Caitlin,
|
||
Drooplug, AnonGirl, Hardkore, Anjee, Thexter, Trilobyte, Styx, Art,
|
||
CannibalButterfly, Six, AIDS, Phairgirl, the list can just keep going. I
|
||
even got to meet most of them in person! H0E even in a roundabout way
|
||
aided me in meeting my first girlfriend, and one of the best friends I
|
||
have ever had, Soybean. I refuse to discount the end of this zine as
|
||
something completely stupid and meaningless, and disregard everyone
|
||
involved in its long history, just because I am supposed to have thought
|
||
the entire thing was stupid.
|
||
|
||
Every single piece of fan mail I got for my writings made my
|
||
fucking day for weeks on end. I have to thank Avenger, Cap'n Sparky,
|
||
Dan Nagy, Pat Cosgrove, Larry LaCost Jr., and everybody else lost in the
|
||
mists of time who ever wrote me with kind words about my writings. For
|
||
them, and for everyone else involved with H0E who has ever told me I had
|
||
some shred of talent, I simply must say "Thank you."
|
||
|
||
In possibly the most appropriate ending imaginable to this text, I
|
||
will now relay exactly what happened to me as I sat in my Descriptive
|
||
English Grammar class, hastily scrawling out this GOODBYE. I briefly
|
||
glanced over to the two gorgeous girls near me, and one of them had
|
||
written the word "hoe" on a sheet of paper and handed it to the other.
|
||
While I guarantee there is no way they were referring to anything they
|
||
saw me writing, I believe it suffices to say that the spirit of H0E has
|
||
been transferred to the unwitting minds of all those around me, and shall
|
||
live forever.
|
||
|
||
So, that is about it. Fuck off, and die. The End.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
THE DEATH OF TPP by TPP
|
||
|
||
Why am I bothering to even write this? It doesn't seem like this
|
||
final issue of HOE will ever be released, and if it is, no one will bother
|
||
reading through a meg of this shit. Fuck it..
|
||
|
||
For me, the death of HoE represents the end of an era. The final
|
||
remnant of the old hax0r scene I was a part of has finally cashed its
|
||
check. Before any of you newbies say anything about ezines and hacking,
|
||
you have to realize that before the web came around, the two scenes were
|
||
inseparable. Textfiles were to hacking as ansi was to warez... But if you
|
||
were questioning me, you probably have no idea what ansi is anyway.
|
||
|
||
Everyone else is gone. I originally left years ago, but that foul
|
||
year of the bastard 1999 brought me back. When my life fell apart and all
|
||
the blood started gushing out of the countless, open wounds in my back, I
|
||
returned to this scene because it was the only other world I knew. What
|
||
happened during that 365 day shitrain is unimportant. No one hangs around
|
||
this long unless they have personal demons.
|
||
|
||
I have wasted too much of my life over shit that belongs in the
|
||
past and is better off forgotten. It is time to throw out the bottle,
|
||
get the fuck off IRC and put my life back together. As HoE dies, so dies
|
||
TPP. forever.
|
||
|
||
Mogel, J arett, Kreid... Perhaps some day we'll get together and
|
||
make a movie..
|
||
|
||
And to all those fools on IRC that didn't understand the
|
||
occasional drunken parody of myself, fuck off...
|
||
|
||
You know, HOE can never truly die so long as IRC dorks wait for hours
|
||
on end, desperately hoping for a flash of Metalchick's underwear...
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Contrast & Compare
|
||
|
||
The Fall of...
|
||
|
||
THE ROMAN EMPIRE [] HOGS OF ENTROPY
|
||
||
|
||
POLITICAL CORRUPTION: || EDITOR CORRUPTION:
|
||
The emperor's throne would ==== Mogel traditionally made
|
||
be sold to the highest bidder. || other's do the work for him
|
||
|| (Phairgirl, AIDS, Meenk)
|
||
CHRISTIANITY: ||
|
||
Constantly in state of debate || CHRISTIANITY:
|
||
over state versus moral values. || Kreid was born again.
|
||
||
|
||
||
|
||
VANDALS INVADED: || LIFE INVADED:
|
||
0000000000000
|
||
Several outsider 0000000000000000000 Several HOE writers
|
||
"barbarian" groups 0000000000000000000000000 realized there were
|
||
breached the 00000000000 00000000000 several other
|
||
weakened Roman 0000000000000 HOE 00000000000000 "barbariac"
|
||
defences. 000000000000000 0000000000000000 things to do.
|
||
000000000000000000000000O00000000000000000
|
||
|
||
We won't get into the lead cups.
|
||
|
||
When I watch the learning channel sometimes I get real sad. You know,
|
||
that show had so much potential back when they were doin' the good ol'
|
||
"SAFE" thing with animals. Not that that gets the ratings, of course,
|
||
but every now and then some druggie kid would tell me they watched that
|
||
thing and it brought a tear to my eye.
|
||
|
||
Remember before you got a job and started sucking?
|
||
|
||
Now they've got these UFO specials on there and you can *hear* the
|
||
awkward silences of pure irony and distain in their voices. Betcha
|
||
those guys remember the good ol' days. A few years ago.
|
||
|
||
I think the good ol' days are actually only worth lamenting if you're
|
||
using it to fuel something new. In case you're on the same page here,
|
||
text files are the same way. Use the style to evolve, or get lost.
|
||
|
||
My grandpa used to say THESE TEXT FILES TODAY UGHHAA I CAN'T READ 'EM
|
||
YA KNOW WHAT THE PROBLEM IS IS THAT THESE 'ZINE WRITERS AIN'T GOT NO
|
||
SENSE OF HISTORY IT'S LIKE, YOU SAY "CDC" TO THEM AND THEY'RE LIKE
|
||
"WHO?" AND I'M LIKE "CDC ARE LEGENDS!!!" IT'S JUST FAST FOOD AND
|
||
QUINTINA TARANTINO TO THEM but he's wrong. All you need is HOE.
|
||
|
||
That's right. Re-read our entire archive of 1,111 text files.
|
||
They're a part our history, preserved, in all it's insanity and
|
||
embarassing glory. Each word, ESPECIALLY in this final issue has
|
||
some clever little irony and meaning behind it. IF YOU DON'T GET IT,
|
||
READ IT AGAIN. IT'S ALL IN HERE LIKE SOME MYSTERY PUZZLE JUST WAITING
|
||
FOR YOU TO DISCOVER ALL IT'S INTRICATE PARTS WOVEN TOGETHER LIKE
|
||
A FANTASTIC ASCII TAPESTRY.
|
||
|
||
And if any of you assholes try to start this thing up again, I'll
|
||
kill you with my bare hands.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
-- ---------------------- C U T H E R E ---------------------- --
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
This is the exclusive offer those lucky few of you who have both:
|
||
|
||
(A) actually read through this entire issue (or skipped to the end), and
|
||
(B) have _3_ or more single HOE text file released in HOE's history.
|
||
|
||
If the above applies, just e-mail in this coupon (copy and paste it into
|
||
your mail reader) to mogel@hoe.nu with the following info: your handle,
|
||
your full name, your best email address, your snail mail address, and a
|
||
rating from 1-10 on how much you love Mogel.
|
||
|
||
What's this a coupon for? Why, it's a special "Mogel Owes You A Cinema
|
||
Favor" pass, good for a lifetime. If you're one of the lucky few that
|
||
get one of these passes, one day in the far future you'll be able to
|
||
collect a cinematic favor from Mogel when he's rich and famous. This
|
||
will be a fantastic way to annoy him.
|
||
|
||
This is serious.
|
||
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
-- ---------------------- C U T H E R E ---------------------- --
|
||
:: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::
|
||
|
||
Presenting joy and cleverness through understood bullshit.
|
||
|
||
The E-ziner's E-zine, Where Piggies Frolic
|
||
______
|
||
6/ ^..^ Be sincere. Persevere.
|
||
@ @ @ @ @ \ ___ (oo) @ @ @ @ @ @ @ @
|
||
\|/ \|/ \|/ \|/ \|/ WW WW \|/ \|/ \|/ \|/ \|/ \|/ \|/ \|/
|
||
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
(c) HOE E'ZINE -- http://www.hoe.nu, contact: hoe@hoe.nu -> 12/25/00
|