396 lines
20 KiB
Plaintext
396 lines
20 KiB
Plaintext
,...
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$$$$
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$$$$T""P$$$ba, ,gd&P""T&bg. ,gd&P""T&bg.
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gggggggggg $$$$ $$$$$b d$$$$ $$$$b d$$$$ $$$$$b ggggggggggg
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"""""""""" $$$$ $$$$$$ $$$$$ $$$$$ $$$$$bxxP&$$&P """""""""""
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$$$$ $$$$$$ T$$$$ $$$$P T$$$$
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$$$""""" " """" $$$$$$ "T&$bxxd$&P" "T&$bxx$$$$$' " """""$$$
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""" """""" """
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ggg "LET'S MURDER THE MOONSHINE" ggg
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$$$ by -> AIDS $$$
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$$$ $$$
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$$$ (* HOE E'ZINE RELEASE #901 -- 11/29/99 *) .,$$$
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`""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""`
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Guzam guzm glug lug gollum, and kaia slept with a cat last night.
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When you woke up in your world was it a Copernicean one? Or were you
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still living like Ptolemic orbits? Would it mean anything to you if you
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lived in one or the other? When Copernicus published his infamous work,
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did the world change or was it the same as it always was? Does the
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knowing of unknown knowledge make things different? Such an egotistical
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idea... Hard to tell.
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COME DOWN FROM YOUR CLOUD I AM LIVING HERE IN THE VALLEY OF
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SADNESS.
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I remember when you were my dog. Woof woof. We are the sensation
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seeks of the lost generation of the post modern post erotic epic that has
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yet to be written. But I have read it, because I have the key to the
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library of Alexandria, but not the old library, nay, the new one, I took
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my planetary voyage there. Don't know what I mean? Perhaps you should
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consult the works of AUGUST DERLETH. While working in the guise of
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"fiction" he was actually documenting the genuine reality of our life,
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the dark seeming chaos underbelly of reality. You can NEVER KNOW. never
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never never.
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No long will you be a slave, SPartacus. You'll be elevated from
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slavery by your own madness, your insane craving for power. You can bring
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an empire to its knees, but what good is supplicating an empire which
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spends most of its time sucking off young boys, anyway? I don't know I
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don't know, I'm hidden in the masterpiece unpainted.
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All of my children are here... Today the women in Paris are
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stained with blood it was and I would prefer not to remember it was
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during beauty's decline
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A CATALOG OF DAUGHTERS OF THE HEART:
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#1. SHEA'LA FINCH
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#2. ABBEY KERRINS
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#3. OLIVIA
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#4. KRISTINA J. WILSON
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#5. DANIELLE ROUSEAU
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#6. PAULE THEVENIN
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All of my children all my daughters... I drew Paule's lips but
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then I erased them into a smudge... My children I have created you but
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your orgasms murder me, each orgasm brings about a further disintegration
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of my being and this shit sucking god which you worship does not help me.
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ITSO ITSO He pants in my ear, but you still worship him, regardless of
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consequence for me. Whores all of you. All of you. Yet you still live.
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All the minority children come to me, they want me be their
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father, but I can not, my racism will not let me. They offer me coins and
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stolen cameras, but I throw them stuffed camel toys and they leave me.
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Their tooth-less mouths perfect for prostitution but I can not be their
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pimp. It is as implausible as if I were their father.
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Is my catalog like Homer's?
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A million Japanese women vomiting on each other in their Roman
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baths... Their ONSEN violent geshia... Hot springs... Noise rock... Glenn
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Danzig is there and he asks me if I want to slurp his cum from his palm,
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I decline, thinking of my friend Jenny who sucked face with him
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backstage... "Black hair, red lips, white skin, I like..."
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Fucking beatniks all of you with your pop music no hope kyra elite
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coming down like rain on my head, golden rain disguised as Zeus... One of
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the lesser daughters of the heart, one not worth cataloging, she looked
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like a flesh reproduction of Klimt's DANAE, and for that I could have
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loved her, if she hadn't been a completely repugnant piece of shit. Ah,
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such is life. SUCH IS LIFE BOYS.
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Down on the farm we didn't know about things like lesbianism or
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crack smoking. I'm never known to smoke crack, but I'm the crack master.
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ASS CRACK. I seen the JIGGA the NIGGA can't you FIGGA? LOOKING DOWN THE
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BARREL OF A GUN SON OF A GUN SON OF A BITCH GETTING PAID GETTING RICH
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ULTRA-VIOLENCE BE RUNNING THROUGH MY HEAD
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oh oh oh yeah I'm gonna show the magic of
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yesterday
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Where was I then? Perhaps it was Hampton Beach, one our of summer
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vacations, on our of yearly RETURNS to that old shack. I had always meant
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to go back in later years with her, but things never worked out, so what
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can you do? Sometimes relationships get ill
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HOME BOY YOU'RE IN THE TOWER
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YOUR GIRL GOT DICKED BY RIDER STRONG
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MAKE ME A REAL MAN, DADDY
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and ain't I a woman? AIN'T I
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PLOWED THESE FIELDS WITH MY ARMSMMSMSMMSMS??? AIN'T I A WOMAN?
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make me a tomorrow out of today, slut
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"But sir," says the corporal from Rhode Island, a tumescent blob
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known as teletype, "I CAN'T DO THAT! You can't construct physical
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actualities of theoritecal time structures!" I court marshall his
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Doctor Who acting ass and send him to the brig where he fucks Meenk
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again, this time her ass can't take the strain, and he pulls out her
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entails, still clasped around his dick in a lustful embrace like a vice,
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He runs in horror but they stay attached and he pulls them far far far
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and wide, soon the whole room is covered in her innards... I wrap them
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around my stomach and use them as a life preserver, I abandon ship...
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Go down go down, lay down lay down, sleep now Moses, sleep in your
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own basket, so I do so I do... I float away from it all from this
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horrible modern world which you have entrapped me in... I float towards
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something better, and I learn that hope is useless, but there's always
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forbearance... Yes, I am Kenzaburo "Kyra" Oe I am I am coming forth to
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carry me home Way down Harriet Tubman narrowly avoided the same fate as
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John Brown (b.1800-d.1859) but I made love to Nat Turner before, I felt
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his ass gyrate under mine slave rebellion was rebelling against the
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ultimate social vice: heterosexuality
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I couldn't see how you could know me but you said you knew me and
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I believed you did. There's pussy to be fucking there's pussy to be
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fucking you don't know you can't understand but there's pussy to be
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fucking up down left right put your legs on my shoulders all night pussy
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to be fucking pussy to be fucking pussy to be fucking I wrote a HOE I
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wrote a HOE but it weren't for DTO I ain't gonna work on Maggie's farm no
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more. "Ah, mister Kobek," he, so-called fat boy said," can you please
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tell me the difference between the nature of the character of Stephan
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Dedalus in the first three chapters of ULYSSES, A Portrait of The Artist
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as Young Man, and that first draft called STEPHEN HERO?"
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"No, I can't," I said. "I don't think there is a difference. I
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think that was the true brilliance of Joyce in writing that character.
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There is nothing inherently contradictory in any of the texts. They are
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the same character. Joyce managed to retain a purity of vision regarding
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this thinly veiled vision of his own self through 20 years of writing. I
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can't even retain my bowels for ten minutes. I am nothing in his shadow."
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Tell me a tale of shaun or shem
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She was fast asleep.
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Gabriel, leaning on his elbow, looked for a few moments
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unresentfully on her tangled hair and half-open mouth, listening to her
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deep-drawn breath. So she had had that romance in her life: a man had
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died for her sake. It hardly pained him now to think how poor a part he,
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her husband, had played in her life. He watched her while she slept as
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though he and she had never lived together as man and wife. His curious
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eyes rested long upon her face and on her hair: and, as he thought of
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what she must have been then, in that time of her first girlish beauty, a
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strange friendly pity for her entered his soul. He did not like to say
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even to himself that her face was no longer beautiful but he knew that it
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was no longer the face for which Michael Furey had braved death.
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Perhaps she had not told him all the story. His eyes moved to
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the chair over which she had thrown some of her clothes. A petticoat
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string dangled to the floor. One boot stood upright, its limp upper
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fallen down: the fellow of it lay upon its side. He wondered at his riot
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of emotions of an hour before. From what had it proceeded? From his
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aunt's supper, from his own foolish speech, from the wine and dancing,
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the merry-making when saying good- night in the hall, the pleasure of the
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walk along the river in the snow. Poor Aunt Julia! She, too, would soon
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be a shade with the shade of Patrick Morkan and his horse. He had caught
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that haggard look upon her face for a moment when she was singing
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Arrayed for the Bridal. Soon, perhaps, he would be sitting in that same
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drawing-room, dressed in black, his silk hat on his knees. The blinds
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would be drawn down and Aunt Kate would be sitting beside him, crying and
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blowing her nose and telling him how Julia had died. He would cast about
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in his mind for some words that might console her, and would find only
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lame and useless ones. Yes, yes: that would happen very soon.
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The air of the room chilled his shoulders. He stretched
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himself cautiously along under the sheets and lay down beside his wife.
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One by one they were all becoming shades. Better pass boldly into
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that other world, in the full glory of some passion, than fade and wither
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dismally with age. He thought of how she who lay beside him had locked in
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her heart for so many years that image of her lover's eyes when he had
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told her that he did not wish to live.
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Generous tears filled Gabriel's eyes. He had never felt like
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that himself towards any woman but he knew that such a feeling must be
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love. The tears gathered more thickly in his eyes and in the partial
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darkness he imagined he saw the form of a young man standing under a
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dripping tree. Other forms were near. His soul had approached that region
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where dwell the vast hosts of the dead. He was conscious of, but could
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not apprehend, their wayward and flickering existence. His own identity
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was fading out into a grey impalpable world: the solid world itself which
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these dead had one time reared and lived in was dissolving and dwindling.
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A few light taps upon the pane made him turn to the window.
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It had begun to snow again. He watched sleepily the flakes, silver and
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dark, falling obliquely against the lamplight. The time had come for him
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to set out on his journey westward. Yes, the newspapers were right: snow
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was general all over Ireland. it was falling on every part of the dark
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central plain, on the treeless hills, falling softly upon the Bog of
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Allen and, farther westward, softly falling into the dark mutinous
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Shannon waves. It was falling, too, upon every part of the lonely
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churchyard on the hill where Michael Furey lay buried. It lay thickly
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drifted on the crooked crosses and headstones, on the spears of the
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little gate, on the barren thorns. His soul swooned slowly as he heard
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the snow falling faintly through the universe and faintly falling, like
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the descent of their last end, upon all the living and the dead.
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Sickness is a multi-hued splendor. Am I exicted or am I paranoid?
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The fat that congeals to the sides of your player piano is the same that
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torments my cat, Dean, who visits me in dream land; perhaps my brain has
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maladroitly assimilated all those Sandman graphic novels from back in
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the day? Back in the day when I owned a horse who ate only hay.
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IT IS I, JARETT, WHOM THOU PERSECUTEST. IT /IS/ HARD FOR THEE TO
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KICK AGAINST THE PRICKS.
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HIP HOP is like my bitch. And when the bitch fucks another nigga,
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I want to kill the bitch, and I want to kill the nigga. Hip HOP true HIP
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HOP represent Trinidad Island REPRESENT tumescent tomorrow REPRESENT
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Warwick REPRESENT Union Square REPRESENT East 12th Street REPRESENT
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Galway REPRESENT East 7th Street REPRESENT Thompson Street REPRESENT
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Thinbark REPRESENT
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Can we sing you a song? A song to make you warm? SOooooweeeeeee
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I'm calling the pigs out they killed my brother they killed my mother
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they killed my sister they killed my father,, I'm calling the PIGS OUT
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I'm going out for a little drive, it could be the last time you'll see me
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alive... Hidden in the eye of the beholder (I,II,III) there is beauty but
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you'll not find it without the key of sadness is this show live is this
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show live or is this a 4-track demo? Drunken as hell on life itself we
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didn't need any alcohol to make us regret what we had already done before
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you were born, but you keep acting like it was all done to hurt you. How
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could we hurt you before you were born? And beisedes, did we really do
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anything so wrong? Did we, really?
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No, probably not, at least not in this INCARNATIOn, but in the
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past, oh my god, it wasn't just a betrayal of the flesh but a betrayal of
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a sense of ethics that you STILL can't jettison, you sorry motherfuckers,
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but the very person who taught you your ethics couldn't live up to
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them. IS the lesson equal to the teacher?
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And after all the ruckus is done, we both know the real truth,
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which isn't an ethical one, or even a jealous one, but really just a
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gigantic fear of getting hurt again, like you were that day, like you
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were for all those months, so much you had to flee to the borderlands of
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civilization, can't you follow the road map of my thought? The fluctuating
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you isn't even my own, of course not, you stole it from Guilliame,
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Guilliame, they chanted his name they day he died, but they chanted not
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for him, but for Wilhem, daz KAISER, but allow Guilliame his moments of
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egotism, we all should be so lucky...
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I WISH IWWISH I WISH THAT SOMETHING WOULD HAPPEN not just this
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suckadickalickalog bullshit modern world life that I'm trapped in, your
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telephone poles are like erect fishing rods of misery piercing my flesh,
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injecting me with subcutaneous fat I'm caught I'm Caught I'm caught I'm
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missing from the world you have slayed me you have made me.
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BY NOW YOU SHOULD HAVE REALIZED WHAT YOU'VE GOT TO DO
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I DON"T BELIEVE THAT ANYBODY FEELS THE WAY I DO ABOUT YOU NOW
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SAIIIIIIID MAYBE
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YOU"RE GONNA BE THE ONE THAT SAVES ME
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YOU'RE MY WONDERWALL
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HOE #1000 represent HOE #1000 represent gonna come down on all
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y'all text file writing motherfuckers like a ton of bricks, you think
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you're T-FILE ELITE, but you aren't. here's why: I like when girls stop
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by for the summer. Abercrombie and Fitch, she said, but I misheard her, I
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thought she was talking about smoking some crack cocaine and PCP angel
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dust magic
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Square soft hadn't yet released Final Fantasy 41: The Venegence of
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Kobek upon all the living all the dead, but we all knew it was coming
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abdy that time there would be a million different pixellated doctors
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moaning as I shattered your proletariat brains with fancies of forever
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and sweet little waltz's as if my named HAD BEEN Elliott Smith but it
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never could be and never was that and here's some more fun:
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(The couples fall aside. Stephen whirls giddily. Room whirls back. Eyes
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closed, he totters. Red rails fly spacewards. Stars all around suns turn
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roundabout. Bright midges dance on wall. He stops dead.)
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STEPHEN Ho!
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(Stephen's mother, emaciated, rises stark through the floor in leper grey
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with a wreath of faded orange blossoms and a torn bridal veil, her face
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worn and noseless, green with grave mould. Her hair is scant and lank.
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She fixes her bluecircled hollow eye sockets on Stephen and opens her
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tooth-less mouth uttering a silent word. A choir of virgins and
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confessors sing voicelessly.)
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THE CHOIR
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Liliata rutilantium te confessorum...
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Iubilantium te virginum...
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(From the top of a tower Buck Mulligan, in particoloured jester's dress
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of puce and yellow and clown's cap with curling bell, stands gaping at
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her, a smoking buttered split scone in his hand.)
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BUCK MULLIGAN She's beastly dead. The pity of it! Mulligan meets the
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afflicted mother. (He upturns his eyes.) Mercurial Malachi.
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THE MOTHER (With the subtle smile of death's madness.) I was once the
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beautiful May Goulding. I am dead.
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STEPHEN (Horrorstruck.) Lemur, who are you? What bogey man's trick is
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this?
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BUCK MULLIGAN (Shakes his curling capbell.) The mockery of it! Kinch
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killed her dogsbody bitchbody. She kicked the bucket. (Tears of molten
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butter fall from his eyes into the scone.) Our great sweet mother! Epi
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oinopa ponton.
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THE MOTHER (Comes nearer, breathing upon him softly her breath of wetted
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ashes.) All must go through it, Stephen. More women than men in the
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world. You too. Time will come.
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STEPHEN (Choking with fright, remorse and horror.) They said I killed
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you, mother. He offended your memory. Cancer did it, not I. Destiny.
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THE MOTHER (A green rill of bile trickling from a side of her mouth.) You
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sang that song to me. Love's bitter mystery.
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STEPHEN (Eagerly.) Tell me the word, mother, if you know now. The word
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known to all men.
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THE MOTHER Who saved you the night you jumped into the train at Dalkey
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with Paddy Lee? Who had pity for you when you were sad among the
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strangers? Prayer is all powerful. Prayer for the suffering souls in the
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Ursuline manual, and forty days' indulgence. Repent, Stephen.
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STEPHEN The ghoul! Hyena!
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THE MOTHER I pray for you in my other world. Get Dilly to make you that
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boiled rice every night after your brain work. Years and years I loved
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you, O my son, my first born, when you lay in my womb.
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ZOE (Fanning herself with the grate fan.) I'm melting!
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FLORRY (Points to Stephen) Look! He's white.
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BLOOM (Goes to the window to open it more.) Giddy.
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THE MOTHER (With smouldering eyes.) Repent! O, the fire of hell!
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STEPHEN (Panting.) The corpsechewer! Raw head and bloody bones!
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THE MOTHER (Her face drawing near and nearer, sending out an ashen
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breath.) Beware! (She raises her blackened, withered right arm slowly
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towards Stephen's breast with outstretched fingers.) Beware! God's hand!
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(A green crab with malignant red eyes sticks deep its grinning claws in
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Stephen's heart.)
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STEPHEN (Strangled with rage.) Shite! (His features grow drawn and grey
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and old.)
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BLOOM (At the window.) What?
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STEPHEN Ah non, par exemple! The intellectual imagination! With me all
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or not at all. Non serviam!
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FLORRY Give him some cold water. Wait. (She rushes out.)
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THE MOTHER (Wrings her hands slowly, moaning desperately.) O Sacred Heart
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of Jesus, have mercy on him! Save him from hell, O divine Sacred Heart!
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STEPHEN No! No! No! Break my spirit all of you if you can! I'll bring
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you all to heel!
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THE MOTHER (In the agony of her deathrattle.) Have mercy on Stephen,
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Lord, for my sake! Inexpressible was my anguish when expiring with love,
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grief and agony on Mount Calvary.
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STEPHEN Nothung!
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(He hits his ashplant high with both hands and smashes the chandelier.
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Time's livid final flame leaps and, in the following darkness, ruin of
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all space, shattered glass and toppling masonry.)
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THE GASJET Pwfungg!
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BLOOM Stop!
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LYNCH (Rushes forward and seizes Stephen's hand.) Here! Hold on! Don't
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run amok!
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BELLA Police!
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(Stephen, abandoning his ashplant, his head and arms thrown back stark,
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beats the ground and flees from the room past the whores at the door.)
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May Goulding, rise from your grave. The earth is a sad and
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miserable place for one as beautiful as you, but now your beauty is
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scarred and tarnished. But those who loved you will still love you, won't
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they? Will I? When you are old and decrepit, will my vegetable love grow
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and grow? This syncretic effort that I call a life, does it have a place
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for the eldery in it? I can't say, how long can I go on? I liken it to
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driving on empty, but never noticing the lack of gas. Is it the
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knowledge that stalls the car or the reality of your gasless tank? I
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don't know, and I Can't say, truly. All I can do is drive an hope that my
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car doesn't stall. It's the same thing with life, really, the same thing
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as ever it was and ever it will be. You you you you are there and I am
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here but I wish you were here with me. In my arms, choking beneath my
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hands...
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[--------------------------------------------------------------------------]
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[ (c) !LA HOE REVOLUCION PRESS! HOE #901 - WRITTEN BY: AIDS - 11/29/99 ]
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