346 lines
20 KiB
Plaintext
346 lines
20 KiB
Plaintext
[--------------------------------------------------------------------------]
|
|
ooooo ooooo .oooooo. oooooooooooo HOE E'ZINE RELEASE #538
|
|
`888' `888' d8P' `Y8b `888' `8
|
|
888 888 888 888 888 "For Kelly 3-6"
|
|
888ooooo888 888 888 888oooo8
|
|
888 888 888 888 888 " by Isaac
|
|
888 888 `88b d88' 888 o 3/27/99
|
|
o888o o888o `Y8bood8P' o888ooooood8
|
|
[--------------------------------------------------------------------------]
|
|
|
|
(#3)
|
|
|
|
I am not sure but if there was any misunderstanding or a very
|
|
wrong picture being painted in any of the letters I have written you. If
|
|
there was it was probably me not making that clear or setting the correct
|
|
tone of the letter. So, after reading over the letters, I thought I should
|
|
add a couple of objective comments, especially if you are a 'rationalistic'
|
|
person (I want to stress that I really do not know you and any time I
|
|
allude to opinions of you or acting like I do know you they are pure
|
|
conjecture).
|
|
|
|
Read them not like I am talking to you but like I am talking to
|
|
myself or like you are listening to my thoughts. (I say the word "you"
|
|
many times and I do not always mean the objective "you" the reader. I may
|
|
be talking to myself.
|
|
|
|
Look out for symbolism. Also keep in mind that if I refer to the
|
|
ego like in the last letter it is just like I am referring to 'me' in the
|
|
third person. I am not referring to 'my ego' as 'my self-validity' or
|
|
'self-esteem' (as in the term 'inflated ego'). Now that I look at this
|
|
letter, though, I never really even use the word ego, but in the last
|
|
letter, I think I said something like 'feeling my ego grow'. Perhaps, a
|
|
better word to use there instead of 'ego' is 'persona'.
|
|
|
|
Also, I think few notes on basic psychology would not hurt.
|
|
|
|
The psyche is the whole of the mind in the subjective sense and is
|
|
made of many components, personalities or functional things that are often
|
|
felt or seen in dreams or in psychological texts are personified objects
|
|
which are called 'archetypes'.
|
|
|
|
The unconscious is the 'non-ego' part of the psyche and the ego is
|
|
the one usually conscious or 'active' in the conscious state of being or
|
|
awareness.
|
|
|
|
Perhaps Jung can explain the unconscious better:
|
|
|
|
"Even though dreams refer to a definite attitude of consciousness
|
|
and a definite psychic situation, their roots lie deep in the unfathomable
|
|
dark recesses of the conscious mind. For want of a more descriptive term
|
|
we call this unknown background the unconscious. We do not know its nature
|
|
in and for itself, but we observe certain effects from whose qualities we
|
|
venture certain conclusions in regard to the nature of the unconscious
|
|
psyche."
|
|
|
|
-- C.G.Jung,"On the Nature of Dreams"
|
|
|
|
This letter is now flying off course into a stiff, lifeless, almost
|
|
scientific, objective text. I almost thought about numbering my paragraphs
|
|
and getting serious into concisely explanation of more paradigms and
|
|
concepts in psychoanalytical theory. Which I doubt you really care about
|
|
and it was not my first objective, which was to paint a real picture of my
|
|
mind set and my psychic situation. I felt the best way to do that is with
|
|
symbolism and emotion as in the second letter.
|
|
|
|
Also, I do welcome feedback. I welcome anything that lets me have
|
|
a more real picture of your persona. To me you are basically just
|
|
projections. (That I can consciously guess are false).
|
|
|
|
I am guessing that if you actually give me feedback it will be in
|
|
the form of inquiry. Just understand that the questions I will have a
|
|
hard time answering are 'why I would write this?' and 'why I would you
|
|
write this for me?'. I feel the answer lies in the letters themselves.
|
|
This is something I was worried you did not understand. But, I guess I
|
|
can understand now how you would think it was a test or something. Believe
|
|
me when I say that I am always honest to you. I am not trying to test you
|
|
or play some stupid game. You probably already know this but I thought I
|
|
should still include it to act like a formal disclaimer.
|
|
|
|
Also understand that some of the reasons I write to you instead of
|
|
try to talk to you is because my speech is a lot like my hand writing in
|
|
that it is very messy and unpracticed. Sometimes I will say things in a
|
|
sarcastic or mocking tone when I mean them to be sincere or a compliment,
|
|
and for this reason, misunderstanding and miscommunication often occurs,
|
|
especially when it has to do with affecting ones ego-validity or matters
|
|
of the emotional realm, which is why I hate to talk to people who have
|
|
tendencies to be in one of those mind sets (it is usually one or the
|
|
other). Though there is something to be said for the emotional realm. For
|
|
the driver or root of all action can be said to be the emotion, as we see
|
|
in men or women who are skilled in a men's ways. A man can also be skilled
|
|
in the 'ways of woman'. For in that emotional realm he can find that
|
|
there lies, perhaps not 'greater understanding' as one would think of it,
|
|
but a FEELING of greater understanding and definitely a greater ability to
|
|
relate to people and have an understanding of them and there motifs.
|
|
Perhaps it is my inability to play on those functions of people's minds
|
|
that obstructs my speech and action from conveying the idea I meant to
|
|
convey successfully.
|
|
|
|
(#4)
|
|
|
|
Perhaps, my objective is to know you. I am not trying to pursue
|
|
you in any kind of erotic way. My objective is NOT to start some kind of
|
|
romantic relationship. I may find what I am looking for wholly through my
|
|
own actions and you will show me something completely indirectly and
|
|
passively.
|
|
|
|
A child turns over a heavy rock to see what is underneath it. The
|
|
child may imagine to find a treasure but instead find a world of bugs.
|
|
Though perhaps, that world of bugs is the treasure the child was looking.
|
|
In this way the child finds the treasure but he also learns what treasure
|
|
is.
|
|
|
|
Why does the child choose one rock of another? Is it because he
|
|
thinks that rock is the 'prettiest', or the lightest, or the smoothest?
|
|
Is it true that only children turn over rocks? Perhaps they are children
|
|
in the sense of those who still require growth or to learn something
|
|
subjectively 'basic' about their world. Perhaps, I too need to grow up,
|
|
and learn something basic about my world, and the only method of doing
|
|
that seems to be an extroverted one.
|
|
|
|
You are the rock I wish to turn over. What methods do I have to
|
|
discover the object called 'Kelly'? More importantly what methods will
|
|
work? Kelly is no rock, though. She is not a static, unchanging object.
|
|
She is an autonomous object that one can communicate with and the majority
|
|
of her behavior can be predicted to be 'reasonable' or 'human-like'.
|
|
|
|
What is it I want from her? To know her psychic contents and her
|
|
ego thoughts. Which, for the most part, is not something that she can
|
|
hand to be, or tell me. Thus it would be futile and stupid to approach her
|
|
ego and ask for her mind. Not only is it improbably that she will want to
|
|
give it to me but from the position of the ego it is an impossibility.
|
|
|
|
To turn a rock over it must be touched.
|
|
|
|
I now understand why I ask her "if she 'minds' such and such" for I
|
|
do not want to be seen as an aggressor, touching her in a psychic place she
|
|
does not want to be touched. Her ego probably feels to be the dominate
|
|
psychic force, though, and to admit she would mind getting letters or being
|
|
stared at is like admitting she is not the 'master of her fate' or the one
|
|
sitting in the captains chair of her own mind. Or perhaps her mind sets up
|
|
the illusion she is when in fact she is only steering the wheel while
|
|
being directed by the primal forces that command her to live, grow, and
|
|
process basic objectives that people usually do in their lives before they
|
|
die. But the human ego is a strange thing. As it becomes more and more
|
|
conscious it desires to assert its 'worth' or its 'validity' more and
|
|
more. At an early stage it is still very unconscious of the why's, who's
|
|
and whence's of the internal self for it still has no desire to know them
|
|
and will go to great lengths to not see them to keep the illusion it is the
|
|
all powerful psychic force when it comes to controlling itself. This is
|
|
perhaps why dreams seem so confusing as to why they happen to many people,
|
|
and many may spend their whole lives never paying them any attention, or
|
|
asserting that they do not have dreams or do, but never really remember
|
|
them. This is one aspect of an inflated ego or a narcissist. This type of
|
|
ego will 'run away from itself' to its society, its family, or a lover to
|
|
'validate its existence'. These types of egos are very stupid and will
|
|
feel that all good things come from outside itself. In my opinion they
|
|
live a very empty life. Also, to me, this represent America as a
|
|
personified object. A society like this is very auto-erotic and values
|
|
strange things like pride, glory, and glamour or looking 'attractive' (in
|
|
the auto-erotic sense). This is why so many boys want to be football
|
|
players and why many girls feel the worst thing imaginable is to be ugly
|
|
or 'unsuccessful' (usually one or the other) and why it seems so taboo not
|
|
to mow your lawn, which some could argue is a very irrational thing to do.
|
|
|
|
Perhaps this is why I had become so fond of my own death for
|
|
awhile. For my ego, on its attempt to climb back up to the 'lost-world'
|
|
of society, was really slipping back into a the dull world I grow out of,
|
|
where there are so many definitions of self-worth that I seem to be
|
|
invalid to the majority of them. I slip back into a new mode of behavior
|
|
I had as a child when in order to 'stay on top' of that social mind set I
|
|
had to transcend it and the best method I had at the time was to amuse
|
|
people. For when I can make a person go into fits of laugher or pee in
|
|
their pants it is like I am in control of them and I transcend them and
|
|
there social standards and I no longer need to work so hard to fit into
|
|
them. One is no longer manipulated by things that one can manipulate.
|
|
|
|
Now I have regained my balance on that small rock of real
|
|
consciousness, and I can keep my head above the ocean of those
|
|
ego-threatening unconscious forces and images that seem to enslave the
|
|
people around me. Trying to show them this is like trying to teach colors
|
|
to a congenially blind child. This is also how I feel when writing theses
|
|
letters, which are perhaps a liberating-opus, showing me the true source
|
|
of my disdain for people, the sick feelings I have been getting deep in my
|
|
chest, and my behavior to past couple of months, which include: writing
|
|
these letters, calling everyone "stupid", and singing the "Ms. Suzy had a
|
|
steamboat" song (though that one is a very personal issue).
|
|
|
|
(#5) "The Psychology of Games"
|
|
|
|
Dream segment:
|
|
|
|
I am in a strange concrete structure, which I sense is a couple of
|
|
stories below the surface. I walk into a classroom. The teacher is about
|
|
forty years of age, a little fat, and a little short. Somehow we get into
|
|
an argument about whether I should be here or about my validity in
|
|
general. The argument ends when she says something like "You just play
|
|
games and could/do not make your own" and I respond "I do not play games
|
|
and I could/do make my own". She gets upset, stops talking to me, and
|
|
walks away into a hall. I follow her asking "hello?". She ignores me so
|
|
I give up and leave.
|
|
|
|
There are many questions to be answered here to bring the dream
|
|
into the realm of 'rational' thought. First, I identify the major
|
|
objects: The class room, the students, the teacher, myself. Then, the
|
|
events: I enter the class room, the teacher argues with me, I argue back,
|
|
the teacher stops and walks out of the class room, I follow her in vane,
|
|
the dream segment ends. And last, which I feel may be most important in
|
|
this dream is the concepts in the discussion of these mind forms: "You
|
|
just play games", "I could make my own".
|
|
|
|
What is "game"? I feel this is the most important question that
|
|
should be answered.
|
|
|
|
The word game is akin to the French word gaman, amusement.
|
|
Webster's base definition is an activity engaged in for diversion or
|
|
amusement. Words that relate to it are play, fun, sport, tactic, lose,
|
|
win, act, do, move, compete. A game can be said to be anything that is
|
|
'played'. In my opinion it is really a term used to describe something
|
|
that is done consciously but the true motif for which is directly
|
|
unconscious. For example we will describe "life" as a "game", the "game
|
|
of life", or we will describe a situation were one is "playing" with
|
|
another's ego or emotions when we say we are "playing games with people"
|
|
or "playing games with there minds". Children play very social games
|
|
which many interpret as a practicing task for preparing for their future
|
|
tasks as adults in a very social world. In a stage above childhood,
|
|
adolescents play 'competitive sports' in which the ego and its validity or
|
|
worth seems to be where the direct motif comes from. The ego which at
|
|
this stage is very social oriented seems more to be trying to assert or
|
|
enforce its dominance over the psyche with manipulation of the truly
|
|
outside autonomous objects 'opinions' or realities. Though, an outside
|
|
object of this type does not have to be a real person it can also be
|
|
computer simulation or for that matter an ego will work at any pointless
|
|
objective to assert itself, such as putting a ball in a hole or solving a
|
|
pointless puzzle.
|
|
|
|
Timothy Leary, Ph.D, seems to have developed a very interesting
|
|
concept of "game" in his manual "The Psychedelic Experience" based on the
|
|
Tibetan Book of the Dead. I have picked out two passages where he alludes
|
|
to his meaning of game.
|
|
|
|
Passage 1:
|
|
|
|
Different explorers draw different maps. Other manuals are to be
|
|
written based on different models - scientific, aesthetic, therapeutic.
|
|
The Tibetan model, on which this manual is based, is designed to teach
|
|
the person to direct and control awareness in such a way as to reach that
|
|
level of understanding variously called liberation, illumination, or
|
|
enlightenment. If the manual is read several times before a session is
|
|
attempted, and if a trusted person is there to remind and refresh the
|
|
memory of the voyager during the experience, the consciousness will be
|
|
freed from the games which comprise "personality" and from
|
|
positive-negative hallucinations which often accompany states of expanded
|
|
awareness. The Tibetan Book of the Dead was called in its own language
|
|
the Bardo Thodol, which means "Liberation by Hearing on the After-Death
|
|
Plane." The book stresses over and over that the free consciousness has
|
|
only to hear and remember the teachings in order to be liberated.
|
|
|
|
Passage 2:
|
|
|
|
Following the Tibetan model then, we distinguish three phases of
|
|
the psychedelic experience. The first period (Chikhai Bardo) is that of
|
|
complete transcendence - beyond words, beyond space-time, beyond self.
|
|
There are no visions, no sense of self, no thoughts. There are only pure
|
|
awareness and ecstatic freedom from all game (and biological)
|
|
involvements. ["Games" are behavioral sequences defined by roles, rules,
|
|
rituals, goals, strategies, values, language, characteristic space-time
|
|
locations and characteristic patterns of movement. Any behavior not
|
|
having these nine features is non-game: this includes physiological
|
|
reflexes, spontaneous play, and transcendent awareness.] The second
|
|
lengthy period involves self, or external game reality (Chonyid Bardo) -
|
|
in sharp exquisite clarity or in the form of hallucinations (karmic
|
|
apparitions). The final period (Sidpa Bardo) involves the return to
|
|
routine game reality and the self. For most persons the second (aesthetic
|
|
or hallucinatory) stage is the longest. For the initiated the first
|
|
stage of illumination lasts longer. For the unprepared, the heavy game
|
|
players, those who anxiously cling to their egos, and for those who take
|
|
the drug in a non-supportive setting, the struggle to regain reality
|
|
begins early and usually lasts to the end of their session.
|
|
|
|
The word "game" comes up many times in the manual and he will use
|
|
it in very interesting ways as when he says "the ego-games" or "a tranquil
|
|
state of non-game awareness". But, in passage two we do seem to get a
|
|
very clear picture of what he means: "Games" are behavioral sequences
|
|
defined by roles, rules, rituals, goals, strategies, values, language,
|
|
characteristic space-time locations and characteristic patterns of
|
|
movement.
|
|
|
|
A hypothesis is now formed. When the female teacher says that I
|
|
play games see is referring to me 'playing but the rules I should have
|
|
learned as a child that one needs money to live, basic manners and socially
|
|
compatible mentalities and so on. So asserts that I could or do not make
|
|
my own game and I protest saying the exact opposite that "I do not play
|
|
games and that I could/do make my own games". Using what we have just
|
|
learned from Dr. Leary, one makes his own game but setting his own "roles,
|
|
rules, rituals, goals, strategies, values, language, characteristic
|
|
space-time locations and characteristic patterns of movement".
|
|
|
|
Now, is the dream telling me something and if so what? In my
|
|
experience of dreams it seems to me that dreams are many times more of a
|
|
type of mirror showing the ego the/a situation of the psyche as whole
|
|
which includes both ego and non-ego contents. The intellect is also
|
|
described or symbolized as a "mirror", as an instrument for showing the
|
|
ego an objective view of itself. I already 'feel' like I know what the
|
|
dream was 'mirroring' in myself and, it would be hard to describe
|
|
completely because the contents of the dream and all the trailing
|
|
allusions or associations are personal material. I feel like stopping
|
|
here.
|
|
|
|
(#6)
|
|
|
|
I have always wished that people had the ability to just push aside
|
|
their egos and share their thoughts, and, perhaps more importantly, be
|
|
ably to listen to peoples thoughts. A 'normal' person might ask "but
|
|
don't we already do that?". This type of person does not understand the
|
|
psychology of the ego. A conversation of people who are not interesting
|
|
in their childish illusionary validity would be very 'matter of fact' and
|
|
the subject matter would be less about themselves or how it affects them,
|
|
etc. Perhaps, all of the concepts, notions and points of view I am
|
|
alluding to here is very hard to understand or relate to.
|
|
|
|
Perhaps another reason I write theses letters is because I don't
|
|
want to be a hypocrite and keep all of my thoughts and feels to myself.
|
|
This is also a personal experiment. Perhaps I am not testing you but I am
|
|
testing a new method of communication, a kind of one-sided casual
|
|
conversion. Which I can already sense is doomed to fail, but I might as
|
|
well still give you these letters for the sake of doing something social
|
|
in my life.
|
|
|
|
I am beginning to realize that I was really only writing these
|
|
letters for myself, and it would be almost pointless to give them to
|
|
Kelly or someone, and it might even be ego-damaging or it would be like
|
|
handing my ego to someone, and if they wanted to they could just smash it
|
|
or hurt it really bad. So, even though that fear exists I still feel like
|
|
giving these letters to Kelly, because it will be ok if she can not relate
|
|
to them or understand them, in which case I just wasted a little time and
|
|
a little paper, and it was still good to write down my thoughts for myself.
|
|
|
|
I have given at least five reasons scattered throughout these
|
|
letters and I still don't feel like I know why I am giving you these, and
|
|
I am guessing you don't know either, so whatever. If you ask me I am just
|
|
going to laugh or something and have no answer for you. I guess I am just
|
|
an irrational, foolish person.
|
|
|
|
[--------------------------------------------------------------------------]
|
|
[ (c) !LA HOE REVOLUCION PRESS! HOE #538 - WRITTEN BY: ISAAC - 3/27/99 ]
|