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/ / / /__ __________ / /___/ / / / / /__ _______ _ / /___/ /
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/_/ /_/\__,_/_/ \____/_/\__,_/ /_/ /_/\___/_/ \__,_/_/\__,_/
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All the News About Hal that Hal Deems Fit to Print
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========================================================================
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May 1994 ~ Ite in Orcum Directe ~ Volume 3, Issue 3
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________________________________________________________________________
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||
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Publisher: Harold Gardner Phillips, III
|
||
Editor-in-Chief: Hal Phillips
|
||
Virtual Editor: Dr. David M. Rose, Ph.D.
|
||
Managing Editor: Formletter McKinley
|
||
Associate Editor: Throatwarbler Mangrove
|
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Production Manager: Quinn Martin
|
||
Circulation Manager: Dr. Margaret Bean-Bayog
|
||
Weapons Consultant: Michael Fay
|
||
Drug Tsar: Lou's "Man"
|
||
Spiritual Consultant: Massasoit
|
||
Bamboo Advisor: Lee Kwan Yoo, Prime Minister Emeritus
|
||
Motivational Consultant: Danny Gibbons, Speak, Inc.
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||
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Editorial Offices: The Harold Herald
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30 Deering St.
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||
Portland, ME 04101
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Satellite Office: c/o Golf Course News
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38 Lafayette St.
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P.O. Box 997
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Yarmouth, ME 04096
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ARCHIVE SITES:
|
||
|
||
world.std.com (obi/Zines/Harold.Herald)
|
||
fir.cic.net (pub/Zines/Harold.Herald)
|
||
etext.archive.umich.edu (pub/Zines/Harold.Herald)
|
||
|
||
Subscription requests to drose@husc.harvard.edu
|
||
|
||
Submissions welcome
|
||
|
||
LOGO CONTEST: Look, I admit it, I suck at ASCII art. Send us a
|
||
new logo for the Harold Herald. We might use it and it's not like
|
||
you're going to discover a cure for cancer or somethiing, I mean
|
||
time is not exactly precious. OK? - V.Ed.
|
||
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
||
A VIRTUAL HERALD! HAPPY, AL?
|
||
|
||
BY DAVID M. ROSE, PH.D.
|
||
|
||
{Editor's Note: The following piece serves as an introduction to the
|
||
electronic Herald for the Herald's stalwart paper readership. As such,
|
||
it has limited relevance to those already enamored of the charms of the
|
||
internet. Use your own best judgment.)
|
||
|
||
If you've lived on earth during the last year or so, you've heard a lot
|
||
about the Information Superhighway (IS), the massive data network which
|
||
will bring all manner of things - from the Congressional Record to
|
||
interactive professional wrestling - rocketing into your living room at
|
||
the speed of light with the touch of a button. The IS is tremendously
|
||
popular amongst the media, not least of all for the unprecedented number
|
||
of metaphors that can be employed in its description. Neophytes are
|
||
described as "just starting up the on ramp"; potential pitfalls become
|
||
"speed bumps" or "traffic jams"; technological advances invite
|
||
comparisons to "the fast lane." It's been endless and, to the more
|
||
sensitive among us, quite nauseating. Well, steel yourself, because I'm
|
||
about to dredge the whole sorry mess (sans metaphors) up again: the
|
||
Harold Herald has gone electronic.
|
||
|
||
Well, semi-electronic. The Herald that many of you have come to know
|
||
and love, that reassuring, homey bundle of murdered tree flesh, crudely
|
||
joined by a bent, razor sharp, and potentially tetanus-bearing piece of
|
||
stainless steel. and conveyed (at great expense to the American taxpayer
|
||
and to Our Editor) by an army of kindly but lethargic drones in Bermuda
|
||
shorts and support hose - in short, the stone-age, pathetic, papery
|
||
Herald - will still arrive semi-regularly at your doorstep. But,
|
||
starting this month, the Herald will also be available electronically,
|
||
via the Information Superhighway, or, more precisely, via it's current
|
||
incarnation, the internet.
|
||
|
||
If you don't know anything about the internet, there are three things
|
||
you need to appreciate: everything is on it, no one's in charge of it,
|
||
and it's free.
|
||
|
||
EVERYTHING'S ON IT. As I understand it (and our internet readers are not
|
||
invited to correct me if I'm wrong), the internet began with a thing
|
||
called ARPANET, which was a network of computers put together by the
|
||
Department of Defense to help them kill people more efficiently.
|
||
ARPANET established a standard way for computers to talk to each other,
|
||
and others adopted that standard. Other networks formed, and they all
|
||
hooked to each other, and that was the internet. Today, the internet is
|
||
basically the only game in town: if you are a company or a university,
|
||
and you have a big computer that you want to talk to other computers,
|
||
you hook up to the internet. This extends worldwide; from the point of
|
||
view of the Harold Herald, the important point is that the HH is now as
|
||
readily accessible at Chulalongkorn University (which, as you know, is
|
||
in Bangkok) as it is in Boston.
|
||
|
||
NO ONE'S IN CHARGE OF IT. After a certain point, the internet became a
|
||
sort of organic entity. At first, the designers of ARPANET had control,
|
||
but after a while there were just too many computers on-line for anyone
|
||
to keep track of them in a meaningful way, and it grew and continues to
|
||
grow. As a result, the whole internet is pretty anarchic. The advantage
|
||
of the organic nature of the internet is that there are very few
|
||
barriers to the flow of information. Since everything is hooked to
|
||
everything, everyone has access to everything. Again, from the point of
|
||
view of the HH, the important point is that if we can get the Herald on
|
||
one computer, it is available to virtually all the computers - and we've
|
||
got it on THREE computers.
|
||
|
||
IT'S FREE. OK, it's not free. Unless you're affiliated with a
|
||
university (ahem) or a fairly large corporation, it will cost you money
|
||
to get on the internet. There are lots of on-line services that will
|
||
hook you up for $10-$20/month; basically it runs about the same as
|
||
cable. BUT, once you're on, almost all the services are free. What
|
||
kind of services? Well, it's a pretty wide range. Send e-mail to
|
||
anyone in the world with internet access, free. Get National Weather
|
||
Service forecasts for anywhere in the country instantly, free. Get Moby
|
||
Dick or Romeo and Juliet, free. Get all the words to the first Boston
|
||
Album, free (it's worth it just to hear how many times they use the word
|
||
"mama"). Listen (as I did tonight) to people from all over the world,
|
||
in real time, commiserate over the suicide of Kurt Cobain, free (I got
|
||
kicked off after about 30 seconds when someone asked me if I was
|
||
"bummed." I was kind about it, but I couldn't lie). Get naked pictures
|
||
of Demi Moore, free. (OK, it's not her body but it is her head and,
|
||
after all, it's free.) Here, the payoff for the HH is twofold. First,
|
||
we get to put the Herald on many computers all over the world at no
|
||
charge (these are archives sites that think they are preserving
|
||
important literary works!); second, anyone with reasonably complete
|
||
internet access can get the Herald (need I say it) for free.
|
||
|
||
THE DOWN SIDE. There is only one small problem, and that has to do with
|
||
the issue of compatibility. In order to bring the ray of sunshine that
|
||
is the Harold Herald into the lives of as many people as possible, we
|
||
have to put it into a format that can be read by as many computers as
|
||
possible. Sad to say, the only format that meets our stringent
|
||
requirements at this time is TEXT. That means: no graphs, no charts, no
|
||
pictures, no columns, no italics, no underlines, no boldface, no large
|
||
type. Just the bare bones. To give you an impression of how stark this
|
||
can be, take a gander at the Harold Herald (electronic version) logo.
|
||
Even this took me the better part of The Lost 45's to accomplish. The
|
||
network is capable of carrying virtually any kind of data, even voice or
|
||
video, but if we want universal accessibility, we need to adopt the
|
||
lowest common denominator. This will change over time, as better
|
||
denominators become more common; even now we are looking into formats
|
||
that will give the electronic version a more Heraldesque look and feel.
|
||
|
||
In the meantime, download the Herald's electronic cousin and give it a
|
||
try.
|
||
|
||
***
|
||
|
||
THE HERALD WEIGHS IN ON SINGAPORE: LET THE FLESH FLY!
|
||
|
||
By Hal Phillips
|
||
|
||
I was in Singapore when the news of Michael Fay's celebrated caning hit
|
||
the United States. Curiously, I learned about it on Larry King Live,
|
||
which is broadcast all around the world these days on CNN International.
|
||
The Suspendered One was unusually tough with Fay's dad and the American
|
||
lawyer representing both father and son. Could the softball King have
|
||
been reacting to the outpouring of American support for Singapore's laws
|
||
on corporal punishment? Apparently, 75 percent of Americans not only
|
||
support the idea of whipping petty criminals, but think we should adopt
|
||
similar measures.
|
||
|
||
Don't get me wrong: Singapore is one helluva an impressive place:
|
||
Wealthy, multi-cultural, orderly. After World War II, it ranked 35th out
|
||
of 35 in the ASEAN region in terms of per capita income. Now it's #1.Yet
|
||
Singaporeans achieved this unprecedented growth and stability by
|
||
sacrificing things like a free press, gum chewing, a political
|
||
opposition, casual drug use, personal privacy, etc. It's a highly
|
||
controlled atmosphere, which strikes you the minute you get off the
|
||
plane.
|
||
|
||
This is why I have little sympathy for young Mr. Fay. After two days in
|
||
Singapore, I was afraid to J-walk, much less spray-paint someone else's
|
||
Jaguar. Anyone who has lived in Singapore as long as he did (two years)
|
||
should know the score. Further, he plead guilty, hoping for leniency and
|
||
eventual deportment. Where was his lawyer then?
|
||
|
||
For those who think the Singaporeans are beastly, I've got news for you:
|
||
They've been silencing dissidents and whacking petty criminals with
|
||
bamboo sticks for some time now. Just because some U.S. citizen has been
|
||
caught in the corporal cavalcade should make no difference at all.
|
||
|
||
On Larry King Live, the Singaporean ambassador to the U.S. was asked,
|
||
"If the situation were reversed, would Singapore protest?" No, he
|
||
answered. "Would a Singaporean be granted asylum in his embassy?"
|
||
Absolutely not, the ambassador said.
|
||
|
||
When in Rome...
|
||
|
||
As I said, the most interesting thing about the entire episode is
|
||
American's broad-based yearning for order. A large number of us seem to
|
||
admire Singapore for its tough statutory stance and envy its low crime
|
||
rate. I ask, "Why can't we admire and seek to emulate more democratic
|
||
countries with low crime rates, like Denmark or the Netherlands?" Their
|
||
crimes rates are just as low as Singapore's, and they don't resort to
|
||
caning teenage vandals or hanging drug dealers.
|
||
|
||
Thing is, these enlightened countries have done the hard things. They've
|
||
made it nearly impossible to buy guns. They've decriminalized drug use,
|
||
thereby removing the crime associated with it.
|
||
|
||
And lest we forget, we're Americans. Though we're citizens of arguably
|
||
the greatest country mankind has produced, we're always looking for the
|
||
easy way out. We would rather turn up the degree of punishment and hope
|
||
for deterrence than deal with a problem forthrightly.
|
||
|
||
***
|
||
|
||
(Virtual Editor's Note: the following article appeared in a pre-
|
||
electronic issue of the Herald. It is included here to allow the reader
|
||
to make reasonable sense of a response that appears in the Letters
|
||
section.)
|
||
|
||
GET ME TO THE CHURCH ON TIME!
|
||
|
||
By HAL PHILLIPS
|
||
|
||
PORTLAND, Maine <20> Oh! The pressure!
|
||
|
||
Trees continue to fall in the Bachelor Forest Primeval, as word has been
|
||
received here that Tim Dibble and David Kett have both sold their
|
||
independence down the river. Yes, two more compatriots have opted out of
|
||
the single lifestyle, leaving myself and a mere handful of
|
||
contemporaries to perform the requisite debauchery expected of an entire
|
||
generation.
|
||
|
||
A pair of summer weddings have been planned, one in the Twin Cities and
|
||
the other in Greater Boston. Herr Dibble will wed once-and-future
|
||
companion Maureen Holland in a Tennysonian ceremony in Hingham, while
|
||
Kettle (aka Captain Dum-Dum) will take the hand of one Beth Jordan in
|
||
her native St. Paul.
|
||
|
||
I am proud to say that, at different times in life, I have lived with
|
||
both of these fine gentlemen. So, while they both display the breeding
|
||
and intellect derived from noble background and sound education, I<>ve
|
||
seen them at their most foul.
|
||
|
||
Drinking to excess. Booting that excess. Womanizing (oftentimes without
|
||
the aid of any women). Gorging and belching (smoke & less savory items).
|
||
I<EFBFBD>ve seen it all.
|
||
|
||
I feel it<69>s important to air a bit of this dirty laundry so both grooms
|
||
might begin the long road of matrimony unfettered by saddlebags of shame
|
||
and degradation. Kettle, Dibs: This is for your own good.
|
||
|
||
***
|
||
|
||
With Dibble, the idea of pinning down one or two embarrassing moments is
|
||
laughably limiting. Technically, I never shared rent with Dibble. But
|
||
between 8 Warren St., and the Boston apartments on Marlboro and Joy
|
||
streets, I feel like we<77>ve achieved honorary roommate status. How else
|
||
would I know that Dibble, with one dump, can sully a bathroom for 72
|
||
hours? Have you ever noticed that every Dibble abode has a pack of
|
||
matches in the WC? It ain<69>t for incense, lemme tellya...
|
||
|
||
I taught Dibble how to puke. That<61>s right. It was July 4, 1985, on
|
||
Marlboro Street, and Dibble was too drunk to speak, stand or <20> most
|
||
important <20> continue drinking with me.
|
||
|
||
At first, the idea of a self-induced wretch so scared him that he took
|
||
cover under a large, polystyrene <20>sculpture<72> my dad had salvaged when an
|
||
extruder that went haywire at his meat tray factory. Anyway, the sight
|
||
of Dibble lying underneath this pink, foam thing <20> moaning from
|
||
discomfort but unwilling to purge himself <20> is an image I will take to
|
||
my grave.
|
||
|
||
Two more: Dibble contracted mononucleosis our senior year at Wesleyan
|
||
and couldn<64>t drink for six weeks or so. The only responsible thing for
|
||
Dibble to do was... Mushrooms! About twice a week, if I remember
|
||
correctly. One of his first fungal excursions took place at a Psi
|
||
Upsilon party. He and then-girlfriend Betsy were terrified of the crowd
|
||
but, after some coaching from their mushroom mentor/vendor <20> me <20> they
|
||
would venture off into the fray, only to return after 15 minutes,
|
||
giggling uncontrollably and eager to relay their insights to one who
|
||
understood their shroom-induced state of mind.
|
||
|
||
<EFBFBD>There<EFBFBD>s a guy over there,<2C> said Dibble, practically incontinent with
|
||
giddy
|
||
excitement, <20>who spilled his beer all over the floor!<21>
|
||
|
||
***
|
||
|
||
|
||
David Kett grew up in Swellesley with my brother, Matthew, and I. The
|
||
three of us shared an apartment in Newton, Mass. from Sept. 1990 through
|
||
Aug. 1991, when all manner of ill-conceived, ill-advised plots were
|
||
hatched <20> including my own engagement.
|
||
|
||
The ultimate Kettle story <20> excluding numerous <20>By definition<6F> and
|
||
variations on the Stroh<6F>s 30-pack theme <20> require a further look back in
|
||
time.
|
||
|
||
At the first high school dance his senior year, Kett got legless after
|
||
playing dimes (vodka) with Uli, a Swiss exchange student <20> David has
|
||
always been a keen student of European culture. Apparently, in a drunken
|
||
rage quite untypical of him, Kett punched an underclassmen at said
|
||
dance. Alas, he was suspended from school for three days and grounded
|
||
for the ensuing weekend.
|
||
|
||
[The disciplinary action was futile, however, as Kettle climbed out his
|
||
second story window, slid down a tree and partied heavily at the
|
||
Phillips household that Saturday night.]
|
||
|
||
Kettle remembers nothing of the alleged fight, including the identity of
|
||
the victim. Indeed, he doesn<73>t fully believe he ever punched anyone. It
|
||
is amusing to imagine, however, that some underclassmen lived in fear of
|
||
Kettle, who might have blithely passed him in the halls on myriad
|
||
occasions.
|
||
|
||
***
|
||
|
||
LETTER FROM BRITAIN
|
||
|
||
And You Wonder Why They're So Pasty?
|
||
|
||
By TREVOR LEDGER
|
||
|
||
CRAWLEY, Sussex, England <20> "Oh to be in England now that spring is
|
||
here..." Oh, how hollow those words do ring!
|
||
|
||
Rain. Rain. RAIN! More bloody rain!
|
||
|
||
Rain. Rain. Rain. Poxy, bloody rain! I hate stuff. It's wet. It's
|
||
vertical. It's totally bloody total. It's RAINING!
|
||
|
||
It's been raining now for five months. Hard to imagine, eh?! If you
|
||
can, you're probably from the tropics, where you probably associate rain
|
||
with warmth... a blinkered and pathetically parochial standpoint, and I
|
||
hate you. British rain is ever-so cold. It should really be snow, but
|
||
snow has too much potential for enjoyment: skiing, snowmen, snowball
|
||
fights, etc.We officially entered the delightfully monikered "Summer
|
||
Time" a fortnight ago and since the I have endured sub-zero temperatures
|
||
with substantial wind chills. Why? Because the climate has been screwed.
|
||
How? The Americans did it. Provocative? Oh no, it's an unquestionable
|
||
fact.
|
||
|
||
Before the last war (that is, the last one the Americans dragged their
|
||
heels over), the weather was infinitely better in Britain than it is
|
||
today. In the summer of 1940, our gallant boys sold out the French (who
|
||
better to shit on?) whilst legging it out of Dunkirk, and they did it
|
||
under blazing sunshine out of a brilliant azure sky. When "The Few"
|
||
risked their lives over the Channel to protect civilization from the
|
||
Hun, they did so in glorious summer sun. July and August of '41 were
|
||
pretty good too, but then it happened: The Japs failed at Pearl Harbour
|
||
and the die was cast. We would win, but at the cost of our climate.
|
||
|
||
So how did they do it? Well, it was very simple really. No sooner had
|
||
the Nakajima Kates performed the ultimate expression of optimism (their
|
||
victory rolls), than several thousand well hung G.I.'s honed into view
|
||
at Southampton Water.
|
||
|
||
"Super!" thought the girlies who were the wrong sex to save the country.
|
||
|
||
"Bugger!" thought the boys too lily-livered to do their bit.
|
||
|
||
The horde of cocky bastards Uncle Sam saw fit to send us shagged their
|
||
way through this sceptred isle with gay abandon and had the unmitigated
|
||
gall to complain about the beer on the way!
|
||
|
||
When the war was done, the Americans went looking for another one (and,
|
||
by Jove, they latched onto a couple of real cockers, too!)), leaving
|
||
behind them a conquered continent and scores of heartbroken young
|
||
mothers.What to do with the territorial spoils? The American ideal was
|
||
to have a demoralised puppet state offering no resistance, yet still
|
||
strong enough to act as executor in Europe. The dastardly plot was
|
||
hatched: Rain on the average Brit for a week and he'll melt into
|
||
miserable submission with only the gentlest of persuasion.
|
||
|
||
True enough, it worked. Here we are, at the beck and call of Brother
|
||
Bluecoat. And it's still fucking raining!
|
||
|
||
"Beware the Ides of March." Too right: It's bound to be pissing down.
|
||
|
||
Trevor Ledger delivers his letter each month from the south of England.
|
||
Anyone who follows Ledger's logic in the above column <20> or the meaning
|
||
of Nakajima Kates, for that matter <20> please contact the Herald editorial
|
||
department with all due haste.
|
||
|
||
***
|
||
|
||
JOINT JAUNTS
|
||
|
||
(Ed's Note: A series of occasional reviews of watering holes in and
|
||
around Portland ME. We particularly welcome submissions from our
|
||
internet friends for this feature, so that we will know where to get a
|
||
Black Label draught in any town in which we might find ourselves...)
|
||
|
||
POPEYE'S ICE HOUSE
|
||
|
||
|
||
By HAL PHILLIPS &
|
||
PETER MACDONALD
|
||
|
||
SUMMARY:
|
||
|
||
Credit Cards: No
|
||
Wheelchair Accessible: No
|
||
Bathroom Graffiti: None; quite clean (well, the men's room was, which is
|
||
usually a good indicator)
|
||
Juke Box: Seger, Orbison, JT, Van, REO Speedwagon (honestly), Seger,
|
||
Clapton, Petty,
|
||
Aerosmith, Seger
|
||
Harley's Parked Outside: None
|
||
Tattoos: Perhaps, but no ostentatious display
|
||
Valet Parking: No
|
||
Smoking: Nearly universal
|
||
|
||
PORTLAND, Maine <20> There are places our mothers warned us not to go.
|
||
Unfortunately, most of us don't live with mom anymore, thus denying us
|
||
this perfect divining rod for cheap, trashy bars and generally
|
||
stimulating nightlife. Mom's advice worked in reverse, of course. We aim
|
||
to be more direct, telling you about dives that serve up tasty
|
||
diversions to the Old Port's not-so-seamy, ever-present exterior.
|
||
|
||
Superficial, Popeye's Ice House is not. Popeye's (231 York St.) feels
|
||
like a surfer bar gone to seed. It's the place with an airplane crashing
|
||
through the roof, though don't be disappointed when you venture inside
|
||
and see nothing but dusty rafters with a blow-up doll of questionable
|
||
gender hanging from them.
|
||
|
||
We arrived the eve of St. Patrick's Day, so a life-size Kathy Ireland
|
||
greeted us at the door and a goodly amount of Miller Lite shamrocks
|
||
dotted the tidy, one-room establishment, replete with hardwood bar lined
|
||
by chrome-and-black-leather bar stools. Popeye's will remind the
|
||
inveterate Old Porter of a beach-front bar on Nantucket, in winter...
|
||
all year.
|
||
|
||
It seems any self-respecting Portland watering hole isn't complete
|
||
without a pool table, and Popeye's obliges with a single table smack dab
|
||
in the bar's center. It's flat and the sticks are straight, giving Pop's
|
||
a leg up on all too many of its counterparts. The bill-taking CD juke
|
||
box (is there a box laying vinyl anywhere in Portland?) offered an
|
||
enjoyably nostalgic, albeit head-scratching array of titles. However, if
|
||
you like Bob Seger, this the greatest juke box ever.
|
||
|
||
Despite its prime location overlooking traffic on the Million Dollar
|
||
Bridge, Popeye's Ice House is a bar of regulars who like their Bud and
|
||
patrons who shows respect, for them and their Bud. No Newcastle Brown
|
||
Ale on tap here <20> hell, there isn't anything on tap here!
|
||
|
||
Snickering Old Port refugees with an attitude will not do well here.
|
||
Popeye's is a place kick back, shoot stick and get loud <20> as long as
|
||
everyone, regulars included, share in the bluster.
|
||
|
||
***
|
||
|
||
FREE COCKTAIL FOR YOU, SIR?
|
||
|
||
By HAL PHILLIPS
|
||
CALAIS, Maine <20> Careful reading of Cotton Mather<65>s personal letters and
|
||
diary reveals the first Thanksgiving gathering was not, as historic
|
||
canon would have us believe, the first New World meeting of the Rainbow
|
||
Coalition. It was actually an excuse to shoot some craps, an opportunity
|
||
for North America<63>s original lady luck, Sacajaweya, to ply her wares of
|
||
chance on unwitting Old Worlders.
|
||
|
||
This sleepy Downeast town (pronounced callous) will soon be home to
|
||
casino, despite majority votes to the contrary cast in the Maine House
|
||
of Representatives and Senate. Gaming is illegal here, but the
|
||
Pasamaquoddy Indians <20> who plan to erect the betting parlor on tribal
|
||
land <20> will surely appeal to ever higher courts, where the right of
|
||
Aboriginal Americans to operate casinos on federal reservations has been
|
||
established elsewhere.Connecticut. New Mexico. Nevada... There is
|
||
precedent.
|
||
|
||
Mather, the first governor of Massachusetts Bay Colony, has proved
|
||
extraordinarly clairvoyant, as the past 20 years have seen the
|
||
proliferation of ever more gaming institutions on federally designated
|
||
tribal lands. Massasoit, perhaps the Steve Wynn of his time, would have
|
||
been proud.But let<65>s be honest: The casino-mania now gripping Aboriginal
|
||
Americans nationwide is the most cynical exploitation of white guilt to
|
||
come down the pike since the founding of Liberia. Some might argue the
|
||
trend is proof that Pequots and Pasamaquoddys have finally given
|
||
Westerners a taste of their own medicine. Rather it<69>s an example of what
|
||
happens when misplaced conscience attempt the impossible <20> namely,
|
||
righting the wrongs
|
||
of centuries-old aggression.
|
||
|
||
Let me understand: Reservations, created by a guilty U.S. government to
|
||
provide cultural haven for tribes not interested in assimilation, are
|
||
supposed to be places where Aboriginal-American culture stands apart
|
||
from its Western counterpart which values things unseemly, diametrically
|
||
opposed to the Indian way of life <20> the accumulation of material wealth,
|
||
the desecration of a cosmically imbued landscape through mall
|
||
development, and MTV. Now tribes seek to erect gaming institutions on
|
||
these reservations in hopes of attracting millions of Western visitors
|
||
eager to drop cash on green felt.
|
||
|
||
Tribal leaders argue that jobs will be created on reservations where
|
||
unemployment figures top 20 percent. Jobs? I had no idea that dealing
|
||
blackjack and doling out free drinks in skimpy outfits were such time-
|
||
honored vocations in Pasamaquoddy culture.
|
||
|
||
Do you see the inherent contradiction here? Aboriginal Americans were
|
||
granted autonomy on tribal land to shield themselves from an unsavory
|
||
people intent on doing away with their way of life. Now they seek to use
|
||
this exemption to get rich. Is there anything more Western than managing
|
||
a casino?
|
||
|
||
The entire reservation system is a sham, and you can<61>t have it both
|
||
ways. Join the capitalist fray on equal terms or stick to the basics
|
||
upon which you<6F>ve insisted.
|
||
|
||
***
|
||
|
||
PEJORATIVE CORNER
|
||
|
||
(Eds. Note: a regular feature in which our editor (and other
|
||
correspondents) shares his insights into the cultures of foreign lands)
|
||
|
||
Passing through San Francisco in late March on the way home from
|
||
Singapore, I spent a few days with the newly betrothed Tim Dibble.
|
||
Though we had every intention of sampling some of the City's fine
|
||
cuisine, somehow we got hung up in a drinking establishment down near
|
||
the waterfront, the Marina Lounge. Myriad beers later I experienced an
|
||
oddly indicative slice of West Coast culture, especially in
|
||
juxtaposition my own Bostonian heritage.
|
||
|
||
We were playing doubles pool with two couples <20> the odd pair out
|
||
indulging in a fascinating spin on liar's dice peculiar to San Francisco
|
||
bars, I was told. In any case, I ran out of cigarettes and popped $3 in
|
||
a machine near the bathrooms. My Marlboro's secure <20> alas, no Players...
|
||
no surprise <20> I returned to shoot more stick.
|
||
|
||
About 10 minutes later, a young guy came around the corner from the
|
||
facilities. He was, if you'll pardon the stereotyping, very West Coast:
|
||
Long, curly, black hair falling over the shoulders of a beat-up leather
|
||
car coat; three-day goatee growth; jeans, tee shirt underneath an open
|
||
flannel shirt, and well-worn moccasins.
|
||
|
||
"Anybody leave their wallet on the cigarette machine?" he
|
||
queried.Immediately, I realized it was mine. In my drunken stupor <20> and
|
||
because cigarette machines now accept bills <20> I had left it atop the
|
||
automated vendor. I thanked him profusely.
|
||
|
||
After he had turned away, I quickly looked to see if anything was taken.
|
||
I did it quickly, feeling guilty for suspecting someone who had been so
|
||
kind.But 20 bucks were missing.
|
||
|
||
What to do? I was drunk and, by all rights, deserved to lose the wallet
|
||
completely after spacing out during my Marlboro purchase... The guy did
|
||
sort of the right thing, leaving me $60 and all my credit cards... I was
|
||
torn, but I quickly decided to let it slide <20> I felt lucky to have my
|
||
wallet back after being so stupid.
|
||
|
||
About 20 minutes later, the guy again stood before me. I wasn't paying
|
||
attention and he had walked right up to my stool <20> I turned my head and
|
||
there he was.
|
||
|
||
"Man, I'm really sorry but I lifted a 20 from you just now," he said,
|
||
dropping a crumpled Jackson in my lap. "I never do things like that,
|
||
man. I don't know what I was thinking..."
|
||
|
||
He wasn't crying, but he was drunk and the experience had clearly shaken
|
||
him. After accepting advice from that little devil on his shoulder, he
|
||
agonized for 20 minutes and hoped to ease his conscience.
|
||
|
||
"Don't worry about it," I said, quite stunned.
|
||
|
||
Everyone in our group of six hailed from eastern cities, and Dibble
|
||
spoke for us all when the guy cleared earshot.
|
||
|
||
"That would never happen in the East," he said.
|
||
|
||
***
|
||
|
||
LETTERS>>>>>
|
||
|
||
Dear Mr. Phillips:
|
||
|
||
While I enjoyed your last edition's article in which some of my supposed
|
||
past deeds were discussed, and quite flattered that a publication the
|
||
caliber of the Herald would announce my engagement (beating to the punch
|
||
none other than a publication the stature of the Wellesley Townsman), I
|
||
must voice my disappointment over the use of an alias to which I was
|
||
referred in that piece.
|
||
|
||
I take some offense that following my name was written "a.k.a. Captain
|
||
Dum-Dum." If the truth be known, as I'm sure your astute readers demand,
|
||
the origin of the captain nickname to which I have at times been
|
||
referred was the product of the intellect of one Tripp Mutrie. He has
|
||
been known to call me as "Kaptain Kool" in reference to the character in
|
||
the Kaptain Kool and the Kongs skit from the "Kroft Supershow," a 1970's
|
||
Saturday morning television creation that will likely stand out as one
|
||
of that medium's crowning achievements.
|
||
|
||
As for the "dum-dum" part, while I have at times been called something
|
||
like that, this name came, no doubt , as the result of some less-than-
|
||
thought-provoking utterance I must once have made. At the very least,
|
||
that thought was one which lacked the benefit of screening by the higher
|
||
"faculties" and, therefore, would be best forgotten.
|
||
|
||
Sincerely,
|
||
David Kett
|
||
St. Paul, MN
|
||
Ed: We stand corrected and forever in debt: Never in our wildest dreams
|
||
did we anticipate the Kroft Supershow would warrant a mention in these
|
||
pages. Perhaps "Land of the Lost", but not "the Supershow", to which it
|
||
was referred colloquially among us eight-year-olds (Fast Fact: When you
|
||
run the word "Supershow" through the spell-check, the only suggested
|
||
corrections is "suppression". At any rate, Kett has always been a
|
||
magnet for nicknames - so many, in fact, it's hard to pin one down.
|
||
"Kettle" always sufficed, and "numb nut" was bandied about. Further I
|
||
distinctly remember brother Matthew calling him "Dingy" when he had said
|
||
or done something out of character, i.e. stupid or incomprehensible....
|
||
|
||
***
|
||
|
||
|
||
|
||
An open letter to Milliard S. Drexler.
|
||
|
||
|
||
Milliard S. Drexler
|
||
President, The Gap, Inc.
|
||
San Francisco, CA
|
||
|
||
Dear Millard:
|
||
|
||
The first thing you need to know about me is that I don't buy your
|
||
pants. I don't buy your shirts, your socks, or anything else in your
|
||
store. I have three or four pairs of Gap pants (given to me my friends
|
||
or family members who lost or gained weight and couldn't wear them
|
||
anymore) and a couple Gap shirts (more or less the same story), but I
|
||
didn't pay for a bit of it, and I wasn't about to come into the Gap and
|
||
drop a pile of cash. It's not that I have a long-standing grudge
|
||
against the Gap; truth be told, I have spent less than $100 per year on
|
||
clothes for the last five years, because I'm not much of a clothes
|
||
horse, and because I'm cheap. So, from a financial perspective, the
|
||
fact that your organization has offended me is of absolutely no
|
||
consequence.
|
||
|
||
That notwithstanding, I am writing to express my dismay at your "So and
|
||
so wore khakis" ad campaign. The campaign, in case you haven't seen it,
|
||
features black and white photographs of notable and almost exclusively
|
||
dead people wearing khaki pants. The ads are meant to suggest, I
|
||
suppose, that one can become notable by the simple expedient of
|
||
purchasing a pair of Gap khakis. This sort of chicanery is the bread
|
||
and butter of advertising, and I have no qualms with it.
|
||
|
||
What bothers me is that these ads have the further effect of making the
|
||
dead people in question posthumous, de facto agents of The Gap, Inc.
|
||
For example, the first ad I saw featured the dead writer Jack Kerouac.
|
||
While I have no doubt that Kerouac wore khakis (the photographic record
|
||
suggests strongly that he did), I question whether the living, breathing
|
||
Kerouac (the one who wrote the books, thereby becoming notable) would
|
||
have agreed to appear in the ads; he was not much of a capitalist, and
|
||
preferred buy clothing in second-hand stores. Clearly this presents a
|
||
problem for your advertising people: here is a notable individual, and
|
||
yet he refuses to put that notability to use in the noble struggle to
|
||
sell trousers! Happily, a solution is found. Wait until he dies, and
|
||
then buy him from his relatives, who are not notable and will therefore
|
||
sell cheap. I have no doubt that this strategy is completely legal. It
|
||
is, however, the moral equivalent of necrophilia.
|
||
|
||
Turnabout is fair play. I hereby express my intention to wait
|
||
patiently, saving my money, until the time of your demise. I shall then
|
||
purchase the rights to your corpse from your family, sever your head,
|
||
scoop out the insides, and use the resulting vessel to hold paper clips
|
||
or little mints. Surely you don't mind; you'll be dead, after all, and
|
||
your family will be well compensated; another triumph of commerce over
|
||
human dignity.
|
||
|
||
Sincerely,
|
||
David M. Rose
|
||
|
||
***
|
||
|
||
|
||
Speaking of dead heroes, in late March Henry Charles Bukowski died of
|
||
leukemia in Los Angeles at the age of 73. A widely regarded poet,
|
||
Pulitzer prize nominee, and author of some 40 books of both prose and
|
||
poetry, Bukowski was a controversial figure. To his detractors (among
|
||
them the Herald's editor in chief), he was a self-indulgent drunken
|
||
nihilist, by turns racist, sexist, and misanthropic, a sort of literary
|
||
Howard Stern. His supporters know all this, of course, but also detect
|
||
a humanity, humor, and intelligence in Bukowski's work that, in my
|
||
opinion, ranks his among the greatest voices in modern American fiction.
|
||
I suspect the problem many people have with Bukowski is that they've
|
||
read the wrong books. Let's face it, if you're drunk all the time (as
|
||
he undeniably was), you are going to write some shit. I like Bukowski's
|
||
shit, because I have a real affection for him. But when I'm reading,
|
||
say, Notes of a Dirty Old Man (a collection of columns he whipped off
|
||
for an LA underground paper called Open City), I think, "Boy, if this
|
||
was all you knew about Charles Bukowski, you'd think he was a real
|
||
asshole." If you've read Bukowski and hated him, give him another
|
||
chance. I suggest you read either Ham on Rye, an autobiographical
|
||
novel focusing on his childhood, or Hollywood, the story of the making
|
||
of the movie Barfly. They're great books, and if you read them and
|
||
still don't like Bukowski then you're tragically misguided, but at least
|
||
you gave it a shot.
|
||
|
||
Incidentally, one of the tragic consequences of Bukowski's death was
|
||
that I read TWICE that his most fervent admirers included (god help us)
|
||
that diminutive bug-eyed professional nuisance Bono (properly pronounced
|
||
with a long o and a strong note of distaste). The Nasal One, who
|
||
frequently takes time away from his primary occupation (ego farming) to
|
||
indulge his penchant for Dead American Worship, has previously sullied
|
||
the memories of Jack Kerouac and Elvis Presley. Aren't there any
|
||
deceased Irish luminaries whose visions he could co-opt? Why's he
|
||
always picking on our boys?
|
||
|
||
|
||
copyright 1994 the harold herald all rights reserved for what it's worth
|