1157 lines
63 KiB
Plaintext
1157 lines
63 KiB
Plaintext
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
= F.U.C.K. - Fucked Up College Kids - Born Jan. 24th, 1993 - F.U.C.K. =
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
Identity
|
||
--------
|
||
|
||
1 : The Becoming
|
||
|
||
The man arrived at his destination.
|
||
|
||
He watched the stream of light escaping the crack from the building.
|
||
He heard the low bass of hushed voices.
|
||
He felt the comforting steel in his palms.
|
||
He smelled the acrid burning of drugs.
|
||
He tasted the cool night air.
|
||
|
||
Stepping in the snow, he watched his breath curl up into fog, a
|
||
light mist laced with frost, that dissipated into the air, curling into
|
||
ribbons. The stark whiteness of the falling snow appeared almost like
|
||
headlights pointed at his face against the night sky backdrop. The man
|
||
edged closer to the warehouse, and then pressed up against it, the
|
||
comforting feel of brick against his flesh reminding him of the mission
|
||
at hand. He pulled the hammers back on each of his pistols, the clack
|
||
silenced by the covering of his gloved hands. Sliding a clip into the
|
||
weapon, he savored the click that told him it had been successfully loaded.
|
||
He lowered his eyes, kissing the nozzle of each gun, blessing them with his
|
||
death-giving touch. Flattening up against the wall, he turned, for one
|
||
brief, tranquil moment, feeling the winter's air rush across his face in
|
||
a blur, caressing his face with it's icy kiss, and then he spun, kicking
|
||
out his leg and shattering the glass that held him out of that faded
|
||
warehouse.
|
||
|
||
He felt all attention on him, as he turned, facing the first
|
||
obstacle that would try to keep him from surmounting his ultimate goal.
|
||
This obstacle, the man already noticed, had the devil's powder running
|
||
in his system, slits of adrenaline flashing in his eyes, spit sliding out
|
||
of one of his eyes as he spat ravings at the man in uncontrolled bursts.
|
||
The man raised the pistols, already firing the second he had broken the
|
||
window. Time was being elongated and manipulated, as the obstacle took two
|
||
shells of lead in it's heart, and the man vaulted through the window even
|
||
as the obstacle fell back, already in his death throes.
|
||
The second obstacle was allowing the devil's powder to possess him
|
||
already, the man was watching him let it into his system, sliding up his
|
||
left nostril and flowing into his mind, already he could see the grim
|
||
effects as the obstacle tripped, falling back and bringing a rifle into
|
||
the current situation. His aim was off, his mind was being ravaged by the
|
||
drug, and still did not have time to shoot as the man squeezed the triggers
|
||
simultaneously, bringing salvation to the tortured soul, quickly and loudly.
|
||
He fell back. The drug slid across the floor, resting by the cracked wall.
|
||
Two obstacle overcome. The man leaped over one table. A table, he noticed,
|
||
that had packages of the devil's powder resting on it, tightly wrapped up
|
||
in bundles, undoubtedly worth large amounts of money. The man noticed all
|
||
of this in flight, and landed on the soles of his feet, feeling the shock
|
||
of the concrete revert in his legs but already crouching in a stance and
|
||
firing at the legs he had seen when at level with the cold, gritty floor.
|
||
|
||
There was a cry, and then the obstacle fell, dropping the pistol
|
||
with him. The man slid under the second table, via the powdered-littered
|
||
ground, passing by the third obstacle and pulling the trigger, delivering
|
||
him to a quick exit from his sin-ridden world. The man stood, whirling
|
||
around and glancing for any other circumstances that might come in between
|
||
him. The man was, for once, too late. Already, a bullet was streaking
|
||
through the air at him. The man saw it, saw his reflection off the object,
|
||
saw it pass over table and table with startling speed. He had never been on
|
||
this end of death, he realized. And then it struck his neck, and he fell
|
||
back onto another table littered with mind-altering powder. He saw his
|
||
blood rise, spraying upward like a crimson rain.
|
||
|
||
He heard the splintering of wood underneath his shoulder blades.
|
||
He felt a numbness overtake his body.
|
||
He smelled the scent of fresh gunpowder, mixed with gasoline.
|
||
He tasted his blood within his mouth, shutting his eyes, he falls
|
||
into infinite blackness, screaming all the way down...
|
||
|
||
Down...
|
||
Down...
|
||
|
||
It is at this moment in which the man emerges from this state of
|
||
mind, the spectre's illusions tormenting his mind ceasing, although only
|
||
temporary. He is aware of his surroundings sharply, as he feels the bonds
|
||
the place has put on him, as the straightjacket is entwined with him. Feels
|
||
himself cowering in the corner of the cell, feels too much...
|
||
"It is a very interesting case, ladies and gentlemen. The fact of
|
||
the matter is, this man in Cell 576 here is victim of sudden flashbacks of
|
||
when he was ridden with anger against a small drug trading operation that
|
||
was near his apartment, and, in fits of delusion, killed everyone within
|
||
the trade and burnt the area to the ground. He was found in the snow,
|
||
outside the building, as it was burning. Within his belt he had two
|
||
revolvers, and numerous matches. Empty jugs of gasoline were located in
|
||
the wreckage." The Professor spoke to the crown of analysts, as they
|
||
scribbled down the doctor's words.
|
||
One female doctor spoke up. "What mental problem is there? Is he
|
||
angry still?" The Professor shook his head. "No. Instead, he states the he
|
||
died while fighting, and is constantly a host of flashbacks of his 'death'.
|
||
Right now, we assume that he is caught by the fact that he thinks he is
|
||
dead, while still on earth. We are, frankly, baffled by this case, which
|
||
is why it is one of out more interesting subjects. If you will, ladies and
|
||
gentlemen, walk this way..."
|
||
The man still cowered in his cell. He still heard. He still
|
||
understood. Partially. But he was not like all the rest of them. They only
|
||
knew part of the story...if only they could understand that he -finish the
|
||
job- was sane...the man paused in mid-thought. There...that voice...the man
|
||
concentrated fiercely upon hearing it again. For hours he sat there,
|
||
listening intently. No avail. Nothing was revealed. No more voices...for
|
||
now. For now. The man sat in the cell, glancing around.
|
||
All of a sudden, he felt the taste of gunpowder wash into his mouth.
|
||
He spat, trying to expel it...his vision began to swirl, his senses taken
|
||
over by the flashbacks...the man screamed. No...he thought. Not now...not
|
||
again... It was the night again. The man was back again. So it goes. It was,
|
||
of course, always the same scenario. The same area, the same mindless
|
||
actions still drilling a monotonous indention in his consciousness...
|
||
|
||
|
||
|
||
2 : The Drawing Of The Two
|
||
|
||
Julie Reynolds heard the annoying buzz of her doorbell, getting up
|
||
lazily from her couch, striding to the door. She was in the process of
|
||
reading a good news headline and sipping some tea when her doorbell so
|
||
rudely awakened her from her contentment. Looking through the rusted
|
||
peephole, she glanced at the warped image of a man, dressed in a long
|
||
trenchcoat, with black sunglasses that hid his expressions. Julie stared
|
||
quizzically at the man, twisting the doorknob. As she opened the door, she
|
||
was greeted with a sincere smile, and a mouth full of gleaming white teeth.
|
||
|
||
"Hi," the man said. His breath smelled of an acrid pungency, but
|
||
Julie could not put her finger on it..."Could I step in for a moment? I have
|
||
to discuss something with you...it's urgent." The man's fingers were laced
|
||
nervously in front of him, his foot tapping. Julie opened the door further,
|
||
allowing him to enter her apartment. She shut the door behind her, crossing
|
||
her arms. She was mildly perturbed by this entry, and yet intrigued by what
|
||
news he supposedly had. The man turned, flicking the blade out from the
|
||
switchblade's black sheath, whipping around, his trenchcoat flailing behind
|
||
him. He ramming into Julie, pressing her up against the doorway. The man
|
||
pressed his face close to hers, the glasses showing no emotion.
|
||
"I've had my eye on your for some time, Julie," He hissed. His mouth
|
||
was contorted to something between a frown and a grimace. "You seem to be
|
||
fairly wealthy. I'm sure when you die, you won't need that money." He
|
||
laughed, and little bits of spittle hit Julie's face. Julie finally
|
||
recognized what that smell on his breath was. Cocaine. Julie rammed a fist
|
||
into the man's stomach, as he fell, gasping. Julie grabbed his arm that held
|
||
the knife, twisting it behind his back. The switchblade clattered out of his
|
||
hand, as he growled. Julie kneed him in the temple, and he let out a
|
||
steadily decreasing groan as he slumped to the floor, his body falling slowly
|
||
over Julie's knee and meeting the tile. Julie glared angrily at the man,
|
||
brushing a hand through her dark, brown hair. Men. Still think they're on
|
||
top.
|
||
She checked him for identification, and then hefted him up. Although
|
||
fairly small, Julie was muscular due to her...profession. As she hoisted the
|
||
man up, her eye fell upon her wedding ring on her finger. She smiled. Her
|
||
husband was probably "working" right now. Her eyes traveled up to the watch
|
||
on her wrist. The digital readout said 9:45. Enough time to drop this man
|
||
off at the police station, and then..."pick up" her husband.
|
||
|
||
Frank Reynolds fingers busily tapped on the keyboard, as his eyes
|
||
scanned the steadily scrolling text and binary code across the computer
|
||
screen. Finding the necessary information, he jammed a disk into the drive,
|
||
loading the data onto it. He glimpsed the security camera he had tapped.
|
||
His man, Simon Holton, was winding his way up the staircase, briefcase in
|
||
hand, on the black and white monitor. Frank cursed slightly. Working late?
|
||
Frank would have to speed his job up quickly...
|
||
Finally getting the disk, Frank ejected it, ramming it into his
|
||
black backpack, erasing all evidence of him being there, and also uploading
|
||
a virus that he had put into the system. A fairly homegrown virii, it could
|
||
narrow down whatever he wanted, and pinpoint a file, exactly, within a very
|
||
short amount of time. Any conflicting programs that tried to stop it, such
|
||
as ICE, were destroyed. He worriedly looked at the monitor again, sweat
|
||
trickling down his brow. Simon was completely off camera now, which meant
|
||
one thing. He was in the main hallway, on his way to his office, which Frank
|
||
was currently occupying. Frank switched off the computer, getting up and
|
||
waiting by the oaken door. He was not sure what else to do with such little
|
||
time, but it sure was better than sitting there, with his back to Simon as
|
||
he walked in, copying illegal data files from his computer, and making a
|
||
perfect target for Simon to pump his body with round after round of bullets,
|
||
until his bloody body jerked as the bullets sprayed...
|
||
|
||
Frank came back to attention, as the door swung open. The oaken
|
||
surface came closer, closer, until the cold wood was actually pressing up
|
||
against Frank's nose. He grimaced, his muscles tense. The door stopped, as
|
||
Simon strode in. He sat down at the computer, already eager to view his
|
||
material. Frank slipped out from behind the door, his nerves tingling, as
|
||
he silently tried to slip out. And knocked over a tin of pencils.
|
||
Frank's body shot into a run, as he heard the squeak of Simon's
|
||
chair as he turned, and then: "YOU! STOP!" Frank knew that Simon was already
|
||
rapidly tapping the Alarm button under his desk, summoning the security
|
||
guards to intercept him on the staircase or elevator, whichever he took.
|
||
It was a good thing that Frank wasn't taking any of those ways. Frank decided
|
||
all was haywire as it could be right now, so he pulled out the long, evilly
|
||
grappled rapelling hook he had, digging it into the side of the office
|
||
hallway, digging a large gouge in the flaking plaster. Rearing back and
|
||
kicking the window, it shattered into a million pieces, the shards raining
|
||
down 13 stories down onto the black parking lot, shattering. Frank grabbed
|
||
the rope that was attached to the hook, twisting and rappeling down the side
|
||
of the building.
|
||
The cool night air hit him, as he gasped, his eyes watering, and
|
||
almost flew down the side of the building. Finally touching ground, he
|
||
jerked the rope, gathering it and stuffing it into his backpack. Looking
|
||
around frantically, he saw, with relief, the dark blue van he was looking
|
||
for. The door slid open as Frank sprinted to it, as Julie gunned the engine.
|
||
Frank leapt in, glancing at the broken window to see the dark silhouette of
|
||
the guards looking down his escape route. Julie turned to face him while
|
||
speeding out of the parking lot.
|
||
|
||
"Did you get the files?"
|
||
|
||
"Yeah." breathed Frank, still slightly winded from his sprint
|
||
across the parking lot.
|
||
|
||
The horizon dipped and swayed through the van's windshield, as the
|
||
duo sped out of the parking lot, hitting a curb and skidding onto the
|
||
highway. It was a good thing it was late out; any earlier and the highway
|
||
would be filled with cars. Now, however, the peaceful line pavement was
|
||
black and dark, vacant of all automobiles. Julie and Frank sighed in relief,
|
||
smiling. Another "job" well done. Now for their favorite part. The payoff.
|
||
|
||
|
||
|
||
3 : Confrontation
|
||
|
||
Sweat dripped from the man's brow, as he blinked rapidly to rid his
|
||
eyes of the sting. The moonlight was creeping through the main hallway of
|
||
the asylum, resting on the marble in the hallway and making a mirror image
|
||
of the asylum's dark hallways in the floor. All the man could hear, for now,
|
||
was the occasional heavy footfall of a guard, the click of heels echoing
|
||
along the dark hallways. The man slowly reached under his mattress,
|
||
constantly glancing out his cell, as he gripped the small, metallic prong
|
||
in-between his fingers. It was his only way out.
|
||
Sliding the lockpick into the cell's lock, he silently worked the
|
||
metal until there was an audible click. The man put the lockpick into his
|
||
shirt pocket, and tentavily opened the door. There was no sound. He stowed
|
||
out into the hall, feverishly glancing left and right. Nothing. Creeping
|
||
left, he made sure to remain in shadows, and rounded the corner. There was
|
||
a guard, but the man was far from surprised. He had planned this for months,
|
||
and knew the guard would be there. The guards back was to him, as he silently
|
||
crept behind him, then swiftly and silently, deftly leaped and wrapped his
|
||
arms around the guard's neck, muffling his mouth. The man jerked his arms.
|
||
|
||
Amidst mouthfuls of coffee, the two guards discussed various topics
|
||
while peering through the dim haze of cigarette smoke wafting in the lounge
|
||
at their playing cards.
|
||
|
||
"Three Aces. Beat that, Sheffler."
|
||
|
||
"Eh...ya won again. Lucky punk."
|
||
|
||
They both laughed, hacking a little, as they took sips of coffee
|
||
between conversation. All of a sudden, the larger of the two guards waved
|
||
his hand, dismissing any noise from his partner.
|
||
|
||
"Sh. Wait...didja hear sumthin'?"
|
||
|
||
The other guard listened cautiously, then shook his head.
|
||
|
||
"Nope. Whadya hear?"
|
||
|
||
"Eh, sounded like, like a crack. A little bump, too. Ah, prolly
|
||
another inmate tryin ta destroy his room, heh."
|
||
|
||
The other nodded, laughing, and they dealt out the cards again.
|
||
|
||
The man dragged the guard into the closet, after he had taken the
|
||
gun and his nightstick. He was full of apprehension, his veins seemed to be
|
||
pouring liquid fire into his body; he felt so tense; coiled even. He gazed
|
||
out the window silently, the moon rich and full over the asylum's crowned
|
||
peaks of rooftops. He clicked the revolver back, hearing a satisfying snap
|
||
as the gun loaded. He switched the safety off, glancing left and right
|
||
through the halls. The man stumbled down the stairs, regarding the light
|
||
from the exit sign to illuminate his way.
|
||
Suddenly, his mind picked up the dim shadow of a guard crossing over
|
||
the walkway above him. His mind reacted suddenly, as the man whipped the
|
||
revolver upwards, squeezing the trigger rapidly. Bullets spinged and spanged
|
||
among showers of sparks, and the guard clattered onto the walkway. The man
|
||
looked around, sure that more guards would rush out any moment. He had no
|
||
doubt that they would. Finally seeing an exit, he ran over to the glass
|
||
doors. Grabbing the door, he struggled with the handle. Locked! All of a
|
||
sudden, a guard ran from the corner, almost running into the man. Once
|
||
again, his mind reacted. Grabbing the guard, he heaved him through the
|
||
window. Glass splayed outward in a spider's web of cracks, and then
|
||
shattered, the moon illuminating the shards as they skittered across the
|
||
concrete walkway. The man reached over, outside and around the window,
|
||
grabbing the door and turning the handle. The door creaked open, and the
|
||
cool night air rushed into his face, as he sprinted outside, away from his
|
||
house of deceptions...
|
||
|
||
Julie and Frank were now fully relaxed, as they drove steadily. All
|
||
of a sudden, there was a sillowhete from the moon, and a man was in front of
|
||
the car. Julie cursed out loud, as Frank turned to look out the window.
|
||
Julie slammed on the brakes, the car skidding in a wild flurry of squeals
|
||
and burning rubber, but there was a dull thud as they impacted with the
|
||
person. The interior of the car rocked and swayed, as the car finally came
|
||
to a stop. Frank opened the sliding door, hurriedly leaping out and over to
|
||
the body.
|
||
The man was not in too bad of shape, there was a stream of blood
|
||
running from his forehead, and a gash in one of his arms. Frank checked for
|
||
possible things that might result in fatal comas if left unnoticed, then
|
||
rested his fingers on the man's neck. "There's a pulse." Frank yelled to
|
||
Julie. "He's alive!" Julie looked to the van, then to Frank. "...we have
|
||
room." Frank looked at the man. He looked at Julie. He looked at the van.
|
||
|
||
The man slowly regained his vision, glancing around the interior of a
|
||
metal shell he was enclosed within. The skyline was scrolling above him like
|
||
a spectre screaming toward a destination, and he was instantly aware of his
|
||
surroundings. The floor was vibrating, and the hum of an engine was whirring
|
||
nearby. A worried woman looked at him suddenly, and yelled out to the front
|
||
of the room, "Frank! He's alive!" The man sat up, and his vision swam. The
|
||
room tilted crazily, then swirled together in a mess of color and pallets
|
||
of chaos.
|
||
|
||
Julie and Frank sipped tea, watching the steam curl and rise, as
|
||
they anxiously paced back and forth in Julie's apartment, the man on the
|
||
couch not moving since he had passed out in the van. Frank was muttering
|
||
under his breath.
|
||
|
||
"It's all my fault. Damn. Watch the road, always watch the road.
|
||
Oh God, he's gonna die..."
|
||
|
||
Julie interrupted him.
|
||
|
||
"Frank...Frank, stop it."
|
||
|
||
"It was all me, I know it was, it-"
|
||
|
||
"Frank, it wasn't your fault. This guy was probably just a bit
|
||
drunk, happened to be on the road at the wrong time, ah, you know."
|
||
|
||
"Right, Julie. I don't think so. Oh god...what if this guy has a
|
||
lawyer? What if he sues? We don't have the money! I mean, if we even get
|
||
one good lawyer on us-"
|
||
|
||
"Frank, that's far enough. Relax. He'll be alright, and I'm sure
|
||
we can resolve this with him once he..ah..once he wakes up." Frank looked
|
||
at her. She was right..no problem at all.
|
||
|
||
|
||
|
||
4 : The Pursuit
|
||
|
||
The car swerved, the men in the back loading the automatic
|
||
weapons hurriedly, the clips slamming into place, turning the entire back
|
||
of the van into an orchestra of "click"s. The men looked at each other, and
|
||
passed around a picture of the Escaped Prisoner. Too valuable to have
|
||
wandering around. Jobs like these were a little messy, but always effective.
|
||
The lead man, Dr. Jacobs, leaned over, the pale light from the computer
|
||
illuminating his face, and glanced at the onboard map. The screen was a mess
|
||
of lines, with labels such as "22nd" and "SouthGlenn". It was a map of
|
||
streets, and the blinking dot that had circulating spheres coming from it
|
||
was the location of their little prisoner. They were going to...help him.
|
||
Yes. The man kept repeating that in his mind, as the van swerved again.
|
||
|
||
Groggily, the man looked around the room he was in. Was he back
|
||
within his cell, at the asylum? No, he realized, the bed he was in was too
|
||
soft, the lighting too dim. He sat up, and his head swam. He regained his
|
||
senses, looking around a bit more slowly. As he focused, the dim outline of
|
||
another couch and a lamp emerged from the darkness. He swung his legs over
|
||
the side of his bed, looking around. Then, he noticed a man on the couch
|
||
across from him, in a jumble of blankets. He was snoring lightly, the
|
||
blankets rising and falling. The man stood up, walking over to the sleeping
|
||
figure. He moved him gently, and the man groggily muttered, then sat up with
|
||
a start, the blankets falling away. The man looked to the left, as a woman
|
||
ran from the outside hall to the same room. The man looked back at the
|
||
recently-awakened figure. In the raspiest of voices, he spoke. "Where am I?"
|
||
|
||
After a few long and confused discussions and conversations, Julie
|
||
and Frank hadn't learned very much about this figure. He had no wallet or
|
||
name, so they could not justify who he was. The man didn't know his own
|
||
name. They were stuck at an impasse. Julie and Frank had talked privately,
|
||
and had decided that this man seemed nice, and a bit confused. He had no
|
||
family, and the only recollection of memory was when he was in an
|
||
"As-eye-lem," as he called it. Julie and Frank were a bit precautionary,
|
||
however. An asylum? They didn't want a nut in their house, they knew that
|
||
much. They were about to talk to the man about this matter, when he promptly
|
||
jumped out the window.
|
||
|
||
|
||
|
||
5 : flip
|
||
|
||
Speed. Velocity. Coming fast. Must move. Twist. Dive. Use instincts.
|
||
The man caught the banister of the outside stairwell very well, flipping
|
||
over, his feet clomping on the grate. Looking above him, he saw the sky,
|
||
grey, clouds rolling, and above that, his hunters. He leapt into the
|
||
burnt-out husk of the tower he was by, shutting the window behind him. He
|
||
looked around. There were a few beeping lights, flickering in the darkness
|
||
like specters, some meters flickering, and torn cloth, flapping in the dark
|
||
room from some unseen breeze.
|
||
The man reached to his right and left holsters, feeling the
|
||
comforting feel of steel. He drew his weapons, aiming them around the room
|
||
in sync with each other. Glancing left and right, he hurriedly found a place
|
||
to hide, behind a splintered doorway. Kneeling in the darkened alcove of
|
||
wood, he glared out the window. The moon was full, a pale sphere glowing in
|
||
the heavens.
|
||
Movement. A shadow...? The glass broke, shattering into a dozen
|
||
shards as the window blew inward. The man shielded his eyes from the
|
||
incoming glass, simultaneously drawing the hammers back on his guns. He
|
||
waited. There. A person, dressed in black, leaping into the pitch blackness.
|
||
And another. The man kissed the muzzles of his guns quickly. Father...
|
||
protect me.
|
||
He stood, running for another shelter, swiveling his waist and
|
||
squeezing the triggers three times each, the roaring blast sparking chaos
|
||
and fear to the ensuing hunters. Through the bright glares from his guns,
|
||
he could see one of them fall, thrown backwards, hitting the wall and
|
||
leaving a crimson mark that seeped down. Ducking behind a large, metal
|
||
plate, he narrowly missed dying, as a few bullets panged off of the plate.
|
||
He stood, emptying both chambers into the area of the second hunter.
|
||
He/she/it screamed, falling back onto a table that gave beneath
|
||
him/her/it. A crackling of wood. A moan. The man watched the smoke waft
|
||
off of his pistols, sliding in front of the pale moon like twin transparent
|
||
strands of silk, weaving their way toward the sky.
|
||
|
||
Wind. Coldness. World swimming.
|
||
Fade. Fade.
|
||
Darkness.
|
||
|
||
Julie and Frank frantically ran down the fire escape, rushing down
|
||
the steps. Seeing an open window, they glanced in. An empty room, a broken
|
||
table, and a pair of feet visible from the bed. Jumping in, Frank landed on
|
||
the plush carpeting, walked past the TV, and saw the man. Curled on his side,
|
||
trembling violently. Frank's blood ran cold. There were two twin pistols
|
||
lying by the man's form. For a freakish moment, Frank swore that the man
|
||
had committed suicide. It was changed when the man sat up screaming.
|
||
|
||
Dead? DEAD? No...gunsmoke. Smelt. Tasted.
|
||
Person in front of him. Name Frank.
|
||
Time to go now.
|
||
|
||
|
||
|
||
6 : flip
|
||
|
||
Frank jumped back, his lower back ramming into the closet. He
|
||
cursed, looking at the man. After one staccato burst from him, he seemed to
|
||
be ok, if not a bit flustered. His knees a bit weak, the man stood, using
|
||
the bed for support. He saw Frank's face, the jaw hanging, as he looked
|
||
around. He hurriedly grabbed his pistols, looked around nervously.
|
||
|
||
"Where...how did I get here?"
|
||
|
||
Julie stepped in the room, as Frank looked at her in desperation,
|
||
then back at the man.
|
||
|
||
"I wish I knew."
|
||
|
||
"Let's, ah...get back to the apartment, awright?"
|
||
|
||
Beep. Beep. Like a heartbeat in his little machine, the doctor
|
||
smiled. Soon now. Very soon. The spheres escalating from the monitor were
|
||
lessening in radius. Very, very close. There. steady beep.
|
||
|
||
They had found him.
|
||
|
||
Frank and Julie had reached a conclusion. "You need an identity.
|
||
You can't get anywhere without one, much less in a condition you are in.
|
||
Some things are going on inside you that even we don't know about." He gave
|
||
a glance at Julie. His mouth was dry.
|
||
|
||
"We..ah, we've decided to get you your identity..." The man cocked
|
||
his head. What sort of curios talk was this? An identify was not a tangible
|
||
thing. "It's backed up on a...a machine. A really big machine." Frank and
|
||
Julie looked at each other, quietly contemplating what they were about to do.
|
||
|
||
"Ten-Five, I got that." Officer DeGoye looked at his partner,
|
||
Emmerson. "Seems like that computer whiz, whazzhisname, Simon, Simon Holten,
|
||
got a lead on those people that robbed his computer or something...seems
|
||
that they're a couple. Wanted big."
|
||
|
||
Emmerson sighed. "Where have the days gone where the crooked folks
|
||
just stole from a house? I can't imagine someone tryin' ta steal from a
|
||
computer."
|
||
|
||
"Strange times we in, pal." DeGoye radioed into dispatch. "Can we
|
||
have a repeat on that address?"
|
||
|
||
The scientists pulled up, already loading a few weapons they had
|
||
brought with them, guaranteeing the secure capture of their experiment. As
|
||
the apartment came into view, there were two police cars outside the
|
||
vinicity. "Interesting", one of the scientists stated. Perhaps the police
|
||
had beat them to the man?
|
||
|
||
|
||
|
||
7 : Collision
|
||
|
||
The policemen looked at the record that the suspects had. Mostly
|
||
computer hacking, divulging into information unlawfully, nothing gigantic.
|
||
As they got out, they noticed a faint whiff of gunpowder. They glanced at
|
||
each other.
|
||
|
||
"These...records aren't up to date? They could do arms smuggling,
|
||
right?"
|
||
|
||
"Not that I know of...ahm..." They opened the trunk, removing their
|
||
shotguns. People with a record this long could be very dangerous. Walking
|
||
up the steps, they made their trek up the stairs to room 113.
|
||
|
||
Julie and Frank finally agreed on an idea so ludicrous that they
|
||
could only pull it off with extreme planning. The man, having no real
|
||
knowledge of computers, nevertheless decided that it was a good idea. They
|
||
were both in the middle of making the main outline when they saw a white van
|
||
pull up behind two police cars. Julie and Frank were immediately nervous
|
||
about the recently-spotted police. The man, however, had yet to see the
|
||
van.
|
||
The policemen huddled outside the final interior-stairwell to room
|
||
113. They armed themselves, and glanced down the hallway at the door. No
|
||
movement. No indication that they knew they were there. DeGoye decided that
|
||
it was time to crack down on the criminals, as he slowly loaded the shotgun.
|
||
The scientists, rather, four of them, decided for themselves that a
|
||
pistol would be good enough for the capture of the man. Four pistols against
|
||
one man. Simple. As they rounded the final stairwell, they were faced with
|
||
the backs of two policemen.
|
||
Frank and Julie rushed around the apartment, gathering their things
|
||
and stuffing them into their backpacks, apparently for their final leave.
|
||
The man looked at each of his pistols, regarding their beauty, as he also
|
||
prepared. Then, they heard a faint noise a the top of their stairway.
|
||
|
||
"What are you all doing here?," the scientist hissed angrily
|
||
at the police.
|
||
|
||
"What are you doing here?" the policeman said, just as sharp.
|
||
|
||
"We happened to be in the process of tryin' ta get a few perps in
|
||
that room, and I'll be damned if you lab-boys are gonna screw this one up.
|
||
We gotta couple of real criminals in there," DeGoye said.
|
||
|
||
The scientist was puzzeled. "Room 113? We happen to be, ah, getting
|
||
someone there, too...now, in fact." The scientist took the policeman off
|
||
guard, shoving his way past him and running to the door, throwing it open.
|
||
|
||
The blast shook the walls, flaking bits of plaster around the hall.
|
||
|
||
Julie, the man, and Frank covered their ears as a figure stormed
|
||
into the room, stumbled onto the wire they had set, and triggered the bomb
|
||
that was lodged onto the upper doorway frame. They were temporarily blinded
|
||
by the rain of plaster and smoke that bombarded them, and then a barrage of
|
||
gunshots were fired from the hallway. The man judged them to be pistols, but
|
||
there was a blast with much more bass, maybe a shotgun. They were safe to
|
||
the left of the door, behind the kitchen counter, but what if the cops were
|
||
to storm in? Now that Julie thought about it, the shots fired sounded like
|
||
much more than one cop. A lot more. She waved some of the smoke away,
|
||
glancing down the building. Still two cars, and a few panicked citizens of
|
||
the apartment complex running into the street. But still, two cop cars. What
|
||
was going on?
|
||
The scientists gaped at the blast, light streaming through the broken
|
||
door, sparkling through the thick layer of smoke dominating the hallway.
|
||
Both the scientist and the policeman were taken back, and they all fired at
|
||
the doorway, practically in unity, but with no visible results. They backed
|
||
down. One of the policeman glared at the scientist. "Nice job there, pal.
|
||
You guys have a clue as to whatcha all are doing?" One of the scientists
|
||
muttered under his breath. "A lot more that you, officer. A lot more that
|
||
you."
|
||
The man smelt the air. Gunpowder. He could feel the alternate part
|
||
of him sliding around, washing his insides with its black fluid, growling
|
||
like an animal. Wanting to get out. The man contained it, sweating. Then,
|
||
he saw the van. Gunpower... Taste it..
|
||
|
||
|
||
|
||
8 : flip
|
||
|
||
The man felt a storm rush through his veins. The bad men were here.
|
||
Here now. And in his hands he held the death-giving steel, two metallic
|
||
weapons, that delivered the gift of death to all that opposed him. Rising
|
||
from behind the couch, he simultaneously loaded both pistols, leaping in
|
||
front of the door. In a roll, he fired off both clips of the pistol, pumping
|
||
bullets into the hallway. He heard screams. Return fire. But not enough to
|
||
catch him. He hid in the trench of the fireplace, awaiting the next barrage.
|
||
Frank and Julie watched, gaping, at the quiet man they previously
|
||
knew fired madly at the pursuers. What the hell were lab-boys doing there?
|
||
As far as Frank and Julie knew, they didn't want them..Julie and Frank both
|
||
saw the open window, and they motioned to the man, who acknowledged their
|
||
signs. The window. An escape. As Frank ran to the window, he tried to look
|
||
brave for Julie. Only he knew that, in fact, he was about to faint from fear.
|
||
The man poked both nozzles of the pistols into the hallway, squeezing
|
||
off another round at the Hunters and Bad Men. He heard more screams, and saw
|
||
the escape route. He knew that he must protect the lives of Julie and Frank.
|
||
He did, after all, owe them gratitude. Firing again, he ran backwards,
|
||
leaping out the window, twisting his body in midair, spinning before he
|
||
twisted his body and landed, on his feet, on the outside fire escape.
|
||
|
||
Julie was stammering. "What..where do we.." The man spoke quickly.
|
||
|
||
"The car. We don't have much time." Together, the threesome ran down
|
||
the stairwell, just as the upper floor blew up in a rosy fireball.
|
||
|
||
The scientist watched as his partner loaded his weapon. "Where
|
||
did the prototype get weapons?", of them spat angrily. He was about to turn
|
||
around to his partner, and give him a good lecture, when a bullet passed
|
||
through his head, interrupting his thoughts and passing on whatever
|
||
information he was just going to say right onto the wall, in a pulpy,
|
||
crimson mess. He slid down to the floor, as the other scientist, shocked,
|
||
loaded his pistol and fired a few shots into the room. Not hitting anything,
|
||
he nevertheless felt better. A yell interrupted his thought, as two policemen
|
||
fell, thrown backwards, spurting blood. "Fire in the hull!" The scientist
|
||
ducked, just before he remembered that a policeman had snuck into the
|
||
apartment. The rocket flew past him, down the hall, to room 113.
|
||
The policeman perked his ears up. What was that noise? Sounded like
|
||
a lit fuse...it got closer. His eyes involuntarily trailed across the rocket
|
||
as it flew past him and into the wall two feet from him.
|
||
The entire hallway was flooded with fire, as the policeman and labmen
|
||
huddled into the stairway. The acrid smell of smoke, both fire and gunfire,
|
||
filled the hallway. As the smoke wafted away, they saw the open window, the
|
||
drapes, although burnt, were flapping in the open breeze. The policeman
|
||
commenced to running down the stairs as fast as they could, while the two
|
||
scientists stood in a daze. They expected a minor gunfight. Minor. As they
|
||
looked at the blackened hallway, and bullet holes riddling the woodwork,
|
||
they glanced at each other. Then followed the policeman.
|
||
|
||
Julie and Frank watched the cop run out of the building, followed
|
||
by a few more, as they sped away in one of their cars. The others, they
|
||
would find, had the tires slashed. Just then, the SWAT van pulled up,
|
||
screeching to a halt. The policemen jammed themselves inside, and, after
|
||
waving their arms dramatically, and yelling a few unheard obscenities, they
|
||
sped after the police car holding the threesome.
|
||
|
||
|
||
|
||
9 : Countdown
|
||
|
||
As the car drove along, they noticed that the man still had not
|
||
regained his...his sense. Loading the pistols, he looked at the sunroof.
|
||
Frank, still a bit shaken, looked at the man. His voice was carried a bit
|
||
by the wind.
|
||
|
||
"What??...what are you looking for? You crazy nut, you almost
|
||
got us killed, we just wasted about half a squad of policeman!" Frank
|
||
turned himself in his seat, facing the man.
|
||
|
||
"What are you thinking, huh?? Think we can just kill off cops,
|
||
and drive off into the sunset??" Frank was practically screaming. "Death
|
||
isn't like that! You can't sit there and kill humans like this! No matter
|
||
what they do!" The man's voice was a bit faint, but still hardened.
|
||
|
||
"Right now, we cannot be bothered with such trivial matters. As you
|
||
will see momentarily, the Hunters have located us and are following us in
|
||
some method of transportation, apparently with more Hunters, and a rather
|
||
large quantity of ammunition. You may give that moving speech later. Right
|
||
now I suggest you open the sunroof." Frank looked in horror as the SWAT van
|
||
weaved out of traffic, following them. Frank looked to Julie.
|
||
|
||
"Where are we going?" Julie shook her head.
|
||
|
||
"I don't know...I suggest the CIA. It's only a small ways away."
|
||
Frank looked at her. They had about 20 cops on their tail, and they were
|
||
going to hack the CIA computers? Frank looked at the plans they had made,
|
||
jammed in the glove compartment. He glanced at Julie in disbelief.
|
||
|
||
"No. Absolutely not. Forget it."
|
||
|
||
Julie looked at him. "Right now, we don't have many options left."
|
||
They looked at each other. "Frank!"
|
||
|
||
Frank jumped, turning to the man. The man looked at him. "Open
|
||
the sunroof.", he growled. Frank fumbled with the release, and finally
|
||
opened it. Julie and Frank, weaving in and out of traffic, discussing the
|
||
plans, almost didn't notice the man climb on top of the car, and crouch on
|
||
the trunk.
|
||
|
||
The cop driving stared in disbelief as the man emerged from the top
|
||
of the car, his wild hair flying in the wind, and pushed himself out,
|
||
climbing down the car and crouching on the trunk. The cop was even more in
|
||
denial when the man pointed two pistols at the truck. Squeezing both
|
||
triggers, the glass spiderwebbed into pieces, but did not break. The
|
||
policeman yelled to the back. "The show's on! Get 'im!" The side doors
|
||
opened, and the SWAT team leaned out. Their rifles were pointed at the man.
|
||
Team Leader Rick Lowes grinned at this man that had supposedly
|
||
killed a squad of policemen. No bulletproof vest, even. He laughed. This was
|
||
going to be easier than he thought. He changed his mind when the pistols
|
||
that the man had flared, spitting out bullets and, one by one, taking down
|
||
all the other SWAT members before they could aim. They screamed, their blood
|
||
splattering the wall of the van. At least two fell out and were crushed
|
||
underneath following cars. Rick looked at the nozzle of the man's pistol,
|
||
a half-smile still on his face. His attitude faded. Reacting quick, he
|
||
whipped up the rifle he had. Crack. Rick Lowes fell before he could even
|
||
put his finger on the trigger.
|
||
Frank glanced at the man in disbelief. He had actually stood up on
|
||
the trunk of the moving car, firing round after round at the SWAT van. Shells
|
||
flying, he would reload in the blink of an eye, firing again and again. It
|
||
was almost as if he were possessed. Then, he did something even more
|
||
outrageous. As Frank drove, he leapt off the trunk, landing on the hood of
|
||
the speeding van, pumping round after round into the interior of the van.
|
||
The man felt free, as he leapt through the air, his feet pounding
|
||
on the hood, as he noticed several other shapes in the interior. Firing off
|
||
his weapons, he felt the wind in his hair as he shot round after round into
|
||
the cab. Sliding through the now- broken windshield, he finished off any
|
||
other Hunters that would be in this carriage of death. The walls were made
|
||
of bone, he noticed, as the blood of the guilty flooded the floor. He looked
|
||
around, noting that the driver was slumped over, spilling blood from his
|
||
mouth. The man quickly moved, grabbing the wheel and driving behind Julie
|
||
and Frank, shoving the corpse aside. They must get to this information
|
||
palace. This "See-eye-aye".
|
||
As the car sped, Julie and Frank worked out what they were going to
|
||
do. It was crazy. And extremely risky. Just the way they liked it. Frank
|
||
looked in the rearview mirror. The man had taken control of the truck, and
|
||
was driving behind them. They looked on the map. 23 miles to go, and they
|
||
would be there. Frank wiped a hand across his sweaty brow. Good God. How
|
||
did they get into this?
|
||
|
||
|
||
|
||
10 : Flip
|
||
|
||
The car and the SWAT van swerved into a small diner, as Frank and
|
||
Julie got out. They jogged over to the side of the van, as the bewildered
|
||
man stepped out. The threesome went into the diner, selecting a secluded
|
||
booth to discuss their intentions. Julie leaned to Frank. Her hands were
|
||
shaking.
|
||
|
||
"Frank...I don't know if we can do this. The possibility of failure
|
||
is too great. I mean..the CIA? THE CIA? What were we thinking in the first
|
||
place to even believe that we could hack it? We just do small jobs, that was
|
||
our promise, we just do minor hacks, that's it..." Julie was babbling, and
|
||
Frank touched her hand.
|
||
|
||
"Julie, whatever this man is going through is not natural. The man
|
||
seems to have...I don't know...multiple personalities. Or something. I'm no
|
||
psychologist, but I'd say that this guy, whoever he is, is in desperate need
|
||
of some identification."
|
||
|
||
Julie looked around the diner. The people here seemed so peaceful...
|
||
so oblivion to what was going on. "We have probably the whole state's police
|
||
on our trail. We have nothing left to do. We've gotten this far. Let's keep
|
||
going."
|
||
|
||
No one ever thinks they will do what they do later on in life.
|
||
They find it far too ludicrous to comprehend.
|
||
But people's wills are made to surprise.
|
||
Three people found that statement very true.
|
||
|
||
Waiting outside the massive complex of the CIA, the moon a full,
|
||
white orb hovering in the sky, Frank sat with his CB, ready for Julie to
|
||
signal. She was supposed to be wired into the communications bracket of the
|
||
CIA's mainframe, from a remote location on a CIA outlet near the building,
|
||
high up, via satellite and modem uplinks. Their plan was, supposedly, to
|
||
enter the CIA's computer mainframe, and get this man's identification. It
|
||
was insane. But Frank went with it, even as his shaking fingers activated
|
||
the laptop. The man was by him, looking around for any guards. Between a
|
||
slight hiss of static, he heard Julie's voice.
|
||
|
||
"I've got the upl...k, but it's going t...ake some time." Frank
|
||
acknowledged, as he feverishly looked around the complex. Then, he looked
|
||
behind him. The man was gone.
|
||
|
||
|
||
|
||
11 : flip
|
||
|
||
Fog drifted across the landscape, as the towering monstrosity
|
||
that was called the "see-eye-aye". He glared at it through bloodshot eyes.
|
||
The name was obviously of some forgien tongue, and he hated it even more
|
||
for that. Flicking the hammers back on the pistol, he approached the gate.
|
||
|
||
Julie, through her perch, suddenly saw the man running across the
|
||
moonlit yard, approaching the CIA sub-building. "Oh hell..." Julie muttered,
|
||
quickly entering the mainframe database again, desperately looking for the
|
||
console that would let her disarm security.
|
||
|
||
________________________________
|
||
| |
|
||
| CIA SECURITY DATABASE |
|
||
| WARNING: Any unauthorized |
|
||
| access to this database is |
|
||
|______________________________|
|
||
|
||
Julie pressed a key, bypassing the drivel that she had read thousand
|
||
times over, hopelessly pushing the icons, trying to find a grid image, a
|
||
prompt, anything to allow the man to gain access to the CIA endurance
|
||
without him being shot first. She subliminally noticed the sound of an
|
||
airplane flying over her, high up in the sky, overshadowing the moon for an
|
||
instant and leaving a trail. Analyzing the monitor, she noticed a button.
|
||
|
||
MainFrame .34.35.677-a
|
||
|
||
Julie selected it, clicking on it. The HD whirred a few times, and
|
||
then the images flowed upon the screen:
|
||
|
||
MainFrame Control Sequences and Options -.34.35.677-b Main
|
||
|
||
There were rows of symbols. One caught Julie's eye. It was an
|
||
image of a lighting bolt, with a triangle around it. Julie selected it.
|
||
|
||
MainFrame Control Sequences and Options -.34.35.677-b Main
|
||
|_MainElec Control -.34.35.678-a
|
||
[Select Grid]
|
||
|
||
It was self-explanatory. Julie roamed the images until she identified
|
||
a grid called [Grid: Front Sector Alarm (Constat B)]. Two Icons were below,
|
||
"Arm" and "Disarm", and Arm was currently highlighted.
|
||
The man rushed further. The entrance was in sight. He noticed a
|
||
blinking red light outside the door; apparently the Hunters had gained
|
||
electronic information. No matter. Nothing could stand his death-giving
|
||
twin barrels. He aimed.
|
||
|
||
Julie highlighted "Disarm".
|
||
|
||
He fired.
|
||
|
||
Julie clicked. There was a noticeable hum.
|
||
|
||
The man watched the console disappear in a blaze of sparks and
|
||
spurts of fire. He huffed. Systems were nothing these days.
|
||
Julie breathed a sigh of release as she saw the security system
|
||
blow up, with no flashing lights or sirens. She was just in time. Then, she
|
||
heard the distant barking of dogs, and saw that 5 or 6 security men were
|
||
running around the corner. And the man was wide out in the open.
|
||
Frank watched in awe as the man shot the door, and shut his eyes
|
||
as he prepared to hear the wild flurry of sub-machine guns. Surprisingly,
|
||
there was none. Then, as the watched the man jog across the lawn, the
|
||
distant sound of dogs barking caught his ears. He looked back at the man.
|
||
In the few seconds Frank had turned his head, he was gone.
|
||
Julie saw the man from high up, and watched as he retreated to
|
||
the shadows of the building. The security men with the dogs rounded the
|
||
corner, yelling orders and looking around.
|
||
|
||
*crackcrack*
|
||
|
||
*crackcrack*
|
||
|
||
Julie winced. She saw four of the men fall, crimson rising from
|
||
their chests, apparently their vests of no avail to them. The dogs, yapping
|
||
wildly, turned tail and fled. The last man, standing still, dropped the gun,
|
||
as his dog ran away, as well. He didn't notice the absence of the animal.
|
||
His eyes were transfixed on a darkened corner, as a man emerged, with two
|
||
smoking pistols. The an strode up to him, grabbing his collar, the security
|
||
man making no objections. From where Julie was, there were harsh words
|
||
delivered by the man, very hushed, but peaked in some seemingly urgent
|
||
parts of his voice, as parts of it carried over to Julie. The guard was
|
||
released, took a step back, and apparently was instructed to sit, and stay
|
||
there. The security guard began to sit, then whipped out his radio, speaking
|
||
rapidly into it. The man's eyes went wide, as he aimed his pistol with a
|
||
fluid motion.
|
||
|
||
*crack*
|
||
|
||
The guard fell onto his back from where he was sitting, flung to
|
||
the ground, already dead but still bleeding. Now the man acted faster.
|
||
Reaching down, he snapped an access card from the guard's body, looking
|
||
back at Frank. Frank understood. They had to move.
|
||
Julie gasped, realizing that the man had probably called for
|
||
reinforcements, and they were in a very precarious position. The man looked
|
||
up at Julie, gesturing for her to stay there. Julie understood, but
|
||
something disagreed inside of her. Their plans were going haywire, and
|
||
something bad was bound to happen.
|
||
Frank ran across the lawn, arriving with the man inside the
|
||
shadowed doorway, as the man, wordless, pulled out the card he had stolen
|
||
from the guard. He entered it into the glowing slot, as a distant clicking
|
||
was heard, then a sharp snap on the door. The man took the card, taking it,
|
||
and then gripped the doorknob. It turned. Frank and the man entered into
|
||
the depths.
|
||
|
||
The first thing that came to Frank's mind when he entered was
|
||
hallways. There were so many of them...Frank brushed it off. His friend,
|
||
Simon, was a disgruntled, fired CIA employee, and more than happy to provide
|
||
Frank and Julie with maps to the interior of the building, at least
|
||
everywhere that he had been. Frank unfolded the map, looking at the broad
|
||
pictures and identifying where he had entered. He looked up. "Left here. We
|
||
keep going, and there should be an acceptable database or console we can
|
||
use in the 5th room." The man nodded, reloaded the pistols, and sprinted
|
||
down the hall. Frank wiped the sweat from his brow, and held the map with
|
||
trembling hands. This would be rather difficult.
|
||
|
||
After reaching the room, a sigh was plastered to the front. It was
|
||
concerning access to the room, and when Frank arrived behind the man, the
|
||
man's expression was troubled as he read the sign. Frank swallowed.
|
||
|
||
"What? What is it?" The man extended the ID card, and ran his finger
|
||
across the barcode on it, then gestured to the door.
|
||
|
||
|SCIENTIST AND COMPUTER TECHNICIAN ACCESS ONLY|
|
||
|
||
Damn. The access they currently had was too low. Frank suddenly
|
||
heard footsteps echo around the hallway, and felt the man grab at his
|
||
collar, moving him to another doorway, in front of it, facing the sound.
|
||
The man wordlessly slipped into a doorway in front of him. Frank's mind
|
||
raced with a plan. It found one. Frank only hoped that the man knew what
|
||
he was going to do.
|
||
|
||
Timothy McBride walked down the hall, taking a right at the hallway,
|
||
mainly to fetch some papers and pick up some coffee from the machine. As he
|
||
walked, shifting through papers he was carrying, he looked out of the corner
|
||
of his eye, and saw a rather nervous, average-dressed man. He stood there,
|
||
smiled weakly. Timothy gave a slight glare.
|
||
|
||
"Excuse me. Are you authorized in this area?"
|
||
|
||
"Ah...I didn't know where to go, really. I'm supposed to fix the
|
||
ventilation here? Someone had called yesterday saying that they would let
|
||
me in here to fix it. I was just escorted by 2 men in here, and, ah, but
|
||
they left."
|
||
|
||
Timothy's face suggested disbelief. "What? Where's your suit? Your
|
||
identification?" Frank eyed the card on Timothys shirt. "Oh! Ah, it's right
|
||
here, let me get my card out..." Timothy walked closer in order to see
|
||
proper identification. As he came beside the man, he saw a movement in one
|
||
of the dark doorways. What the...?
|
||
"Uhf!" Timothy McBride dropped as a pistol butt made contact with
|
||
the back of his head. The man came out of the shadows, ripped the access
|
||
card from the man's shirt, and strode to the aligning doorway, sliding the
|
||
card through it.
|
||
|
||
*crack*
|
||
|
||
The door became unlocked. They entered.
|
||
|
||
The room was somewhat bare, with no one in it, thank god. Dragging
|
||
Timothy McBride into the room, the man shut the door silently behind them.
|
||
The room was flooded with a dim glow of a monitor, as Frank turned on the
|
||
lights. A desk with papers strewn about, a pencil tin, the computer, and a
|
||
lamp and a bookcase decorated the mediocre room. Frank clicked the CB on.
|
||
|
||
"Julie, we're in." He heard a sigh of relief through the CB, crackly
|
||
and distorted. "-nk god, Frank. I-ght you were gone. Ne-structions?"
|
||
Frank agreed, and the man watched as Julie's crackly voice guided him to
|
||
the keyboard, and he typed a flurry of characters in the password prompt.
|
||
The CIA logo flashed on the screen, and then millions of lines of text
|
||
appeared on the screen, scrolling down fast. "We're in", Frank breathed
|
||
hoarsely.
|
||
|
||
Julie felt warm despite the cool night air. "OK, take out the PhotoCD
|
||
you have, with the man's picture on it. The computers should be fast enough
|
||
that you can match a face with a name in a matter of minutes. If he's not
|
||
in the base, he doesn't exist." Julie heard a muffled "OK", and a CD drive
|
||
whirring in the background. "OK, load the picture from the CD-ROM drive."
|
||
|
||
"Got it"
|
||
|
||
"OK, now there should be a set of parameters that you can mark.
|
||
For now, just put Male. That's all we know."
|
||
|
||
"Awright. Done. Now scan?"
|
||
|
||
"Yes."
|
||
|
||
"...it's scanning."
|
||
|
||
Frank watched the lines of text disappear, scrolling over and out
|
||
on the screen, the hard disk clicking. The CD-ROM light flashed a few times,
|
||
and then the line narrowed down to one line. The silence in the room was
|
||
awkward, as the cursor blinked steadily on one line. They had found it. Frank
|
||
looked at the man as his finger rested on the Enter key. "Want me to...?" The
|
||
man nodded quickly. Frank pressed enter, and Jeffrey Adams McGuire's entire
|
||
life poured over the screen.
|
||
|
||
Julie heard Frank breath "We got it. It's his info-ion. All-f it."
|
||
Julie grinned. They had done it. Just then, sirens shrieked all over the
|
||
complex.
|
||
|
||
Frank leapt up, looking around. Timothy McBride had accessed his
|
||
CB, painstakingly slow, and hoarsely yelled. "Broken into...Code 5!" The
|
||
man whipped out the pistol. "No!" Frank yelled. McBride's head splattered
|
||
out upon the door. The hand still clutched the Transmit button on the CB.
|
||
Whoever was listening had heard everything.
|
||
|
||
Sirens broke out upon the CIA complex. Frank jammed a disk into
|
||
the drive, copying Jeffrey's information. They were cutting it close. The
|
||
man stood by the door, sweating, both pistols armed, two fresh clips loaded
|
||
in them. Sirens shrieked as the info transferred from the CIA databases to
|
||
the disk. Frank tapped his fingers impatiently upon the desk. "Come on,
|
||
come on..." Julie's voice broke over the CB. "Frank, get the hell out of
|
||
there!"
|
||
|
||
"I'm getting the information!" Frank snapped back, watching the
|
||
data transmit. Then, his blood ran cold.
|
||
|
||
|ILLEGAL DATABASE TRANSFER/ACCESS. THIS SESSION IS TERMINATED|
|
||
|
||
The data status bar jumped suddenly, and Frank ejected the disk
|
||
out of the drive quickly, leaving the A drive clicking and searching for a
|
||
disk. They snagged the PhotoCD, and opened the door, running into the
|
||
hallway. Sprinting left, they headed toward the way they entered. Frank
|
||
heard the sound of heavy boots clomping on the hallway, much too close for
|
||
comfort. Jeffrey armed the pistols, twisting while running and firing back
|
||
at the impending armada. Frank heard screams, as well as returned gunfire.
|
||
A bullet ricocheted near his left leg, and he cried out and ran faster. Too
|
||
close. Almost there. Jeffrey turned the corner before him, pressing against
|
||
the wall and peeking the barrels of the pistols own the hallway, the muzzles
|
||
erupting fire. Shells clattered on the floor, as Frank ran past him, the
|
||
door in sight. Almost there. The man was running alongside him now.
|
||
|
||
A bullet caught Frank just below the shoulderblades, driving
|
||
through his back and coming out the front of him, his blood spraying. Frank
|
||
dropped, pitching to the floor, landing on his back. Jeffrey stopped,
|
||
(notnowpleaseno) mouth agape, then ran a step in front of Frank, firing
|
||
off the remaining rounds at the guards. The last few remaining fell. Jeffrey
|
||
sprinted back to Frank. Frank was looking at Jeffrey with weak eye contact
|
||
and a trickle of blood running from the corner of his mouth. Jeffrey bend
|
||
closer, looking at Frank's wound. Definitely terminal. Frank coughed.
|
||
|
||
"Jeffrey...gotta go with...Julie. Find the..." Frank paused, coughing
|
||
up a slight amount of blood. "...the truth." A tear slid out of the corner
|
||
of his eye, as he weakly whispered out a few more words. "Make sure...Julie
|
||
knows that I...love her." Jeffrey nodded quickly, still in shock. He stirred
|
||
slightly, and then Frank Reynolds died.
|
||
|
||
After getting the disk and the PhotoCD, the man shut his eyes,
|
||
already hearing more people coming, and decided he should leave the building.
|
||
But not yet. The man seemed to have something bothering him that made him,
|
||
he found, very, very angry. He loaded both pistols again, standing over
|
||
Frank's body. The guards came. The man reacted. The guards died.
|
||
|
||
Julie was nervous. No action except gunfire. Suddenly, light poured
|
||
across the lawn, as the man ran across the lawn. Julie quickly dismounted
|
||
where she was, heading toward the same van that the man was, putting the CB
|
||
away and disconnecting the laptop. Where was Frank?
|
||
|
||
The man leapt in the van, sliding to the driver's seat, gunning
|
||
the engine. Julie entered the back, slamming the door. The tires squealed as
|
||
the van sped away from the building, bullets punching holes in the side of
|
||
the van. One window shattered. Julie dropped to the floor of the van, hugging
|
||
the floor. She looked up, screaming over the bullets. "Where's Frank?!?" The
|
||
man clenched his jaw, speeding from the building. He was leaving part of
|
||
him behind.
|
||
|
||
|
||
|
||
12 : flip
|
||
|
||
The sun slowly rose over the road, barren and grey, no one driving
|
||
yet. The van was still speeding, Julie now driving. Her eyes were wet, tears
|
||
glistening. Suddenly, the van stopped, and pulled over to the side of the
|
||
road. Julie Reynolds leaned her head against the wheel, and cried for a long
|
||
while. The man shut his eyes, a lock of hair drifting over his eyes, as he
|
||
listened to Julie sob. This was all wrong. It shouldn't have to be like
|
||
this, he thought. He shook his head. Standing, he moved to the driver's
|
||
side, putting an arm around Julie's shaking frame. They stayed like that
|
||
for almost the whole morning.
|
||
|
||
The laptop booted. Julie and Jeffrey had eaten lunch at a roadside
|
||
cafe, and now were by the side of the road. Jeffrey gave Julie the disk.
|
||
There were spots of blood on it, and Julie quickly put the disk into the
|
||
drive, shutting her eyes. Accessing it, the man got up and paced, looking
|
||
at the skyline. It was too much. It was his life. He bowed his head, waiting
|
||
for the disk to finish loading.
|
||
|
||
Julie swallowed. "Jeffrey..." Jeffrey turned when he noticed the
|
||
waver in Julie's voice. She looked up at him with wet eyes. "It...it didn't
|
||
finish." Jeffrey's brow furrowed, as he looked at the data. Halfway through
|
||
the file, the text turned into jumble signals.
|
||
|
||
...is currently enrolled at an asylum under ground
|
||
tha_<61>- + <20>_<EFBFBD>|hj[%<25>j&.
|
||
|
||
It continued like that for almost 6 pages. Jeffrey smiled. This
|
||
is what it was. This was his search, his dream, only to be stopped by a
|
||
death and an interrupted transfer. The irony of it all. He let a tear come
|
||
out of his eye. What now...Jeffrey looked at the monitor.
|
||
|
||
"Go up. My address, we could..." Julie scrolled up. It was there.
|
||
Julie looked up at Jeffrey. There was a silence as they both contemplated
|
||
what the stakes would be if they continued the mission. Julie thought.
|
||
|
||
"Well...we'll need more gas."
|
||
|
||
After nerve-wracking announcements on the radio of the recent CIA
|
||
break-in resulting in 23 deaths, including one suspect, the van arrived in
|
||
Arizona, in front of a house. The man nodded. "This is it." The paint was
|
||
cracking, the lumber rotting slightly, and it was a rather small home. They
|
||
tromped up the porch, their footsteps echoing hollowley, as they entered the
|
||
house. The door was unlocked. The man seemed to know where he was going.
|
||
The inside of the house was mediocre, with a couch, a small kitchen,
|
||
and a few other little things. Jeffrey went up the stairs. Julie followed,
|
||
and finally found Jeffrey in a room that faced the back of the house. He
|
||
was kneeling. Julie went next to him, a lock of brown hair falling over her
|
||
left eye as she knelt, looking at what the man was looking at. A gasoline
|
||
jug, still full. Julie was confused. The man looked up, his eyes brimming
|
||
with tears. He stood, looked out the window, and then dropped his head.
|
||
The area in back of his house was rather normal, except for one
|
||
thing. There was a small pile of lumber, charred, blackened, and a few gas
|
||
jugs beside it, melted. The ground was scorched. The man had come to terms.
|
||
|
||
It was all true.
|
||
|
||
He clenched his teeth. There were no hunters. The drug dealers
|
||
were all true. He had killed them. He had killed guards. He was living in
|
||
two different worlds. Julie's eyes looked up at him.
|
||
|
||
"Jeffrey?...Jeffrey?? Jeffrey, look at me. Please." He looked at
|
||
her. Her eyes were blue, he realized. He had never noticed that at all. She
|
||
smiled.
|
||
|
||
"It's time for your medication."
|
||
|
||
Jeffrey clenched his eyes, looking again at her. They weren't in
|
||
his house anymore. Clean white walls surrounded them. Julie began shimmering.
|
||
Jeffrey reached out to touch her; found that he couldn't. A straightjacket
|
||
surrounded him. He cried as she slipped away, her image giving way to a
|
||
nurse. She held a syringe. "Come on now."
|
||
The man kicked out, thrashing as she injected him. He cried, cried
|
||
for everyone, cried for himself, cried for everything, cried for all the
|
||
unborn souls that would have to live. The nurse stood by him, as the doctor
|
||
and the crowd of spectators looked in. "It's a sad state. The man really
|
||
knows no literary skills, except for what is shown here." He gestured to
|
||
the walls of the room the man was in.
|
||
|
||
From six feet all the way to the floor, in black ink, were the
|
||
words FRANK and JULIE scrawled over and over. The crowd ooh'd and ahh'd.
|
||
The doctor spoke through the intercom. "Nurse." He looked back at the crowd.
|
||
|
||
"That isn't all." The nurse lifted the slightly-sedated man's
|
||
straightjacket up a bit, and his shirt lifted to show his bare midsection.
|
||
The words WHO AM I were scarred into his chest. The audience was shocked,
|
||
drawing back a bit, madly taking notes. The crowd advanced as the nurse
|
||
exited, closing the door. The crowd moved forward except for one person.
|
||
A blue-eyes, brown-haired woman looked through the window, at the man. She
|
||
touched the glass. The man's dark eyes, almost shut, made contact with
|
||
the womans gaze. He saw her smile, and the corners of his mouth tugged up,
|
||
as well, smiling back, accepting as his world slowly closed, a tear
|
||
trickling out of his eye as his body accepted his world for what it was.
|
||
|
||
Sunlight streamed through the windows of the asylum, as it
|
||
illuminated the marble floor. The willow tree's branches wistfully flowed
|
||
in the breeze, sending a rustling sound through the windows. The sun rose
|
||
up higher, almost high enough to touch the heavens, as rays shone own upon
|
||
the earth, as it tilted on it's axis and continued to rotate, sending people
|
||
through day after day.
|
||
|
||
|
||
The End
|
||
|
||
|
||
|
||
|
||
Epilogue
|
||
|
||
I was thinking of quite a few different endings. One would be that they
|
||
would gain the information from the CIA, and find that the man was actually
|
||
a key role in something. It could be good, it could be bad. Or that they
|
||
would actually have to rely on the information of a drug lord. Jeffrey
|
||
would naturally be in a rage about that, and after they had all they needed
|
||
from the drug lord, Jeffrey would kill him in rage. In any way, this story
|
||
balances on the borderline of reality, sanity, and what is true and what's
|
||
not. I hope you enjoyed it.
|
||
|
||
--Flood '96
|
||
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
= Questions, Comments, Bitches, Ideas, Rants, Death Threats, Submissions =
|
||
= Mail: jericho@dimensional.com (Mail is welcomed) =
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
= To receive new issues through mail, mail jericho@dimensional.com with =
|
||
= "subscribe fuck". If you do not have FTP access and would like back =
|
||
= issues, send a list of any missing issues and they will be mailed. =
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
= AnonFTP FTP.DIMENSIONAL.COM/users/jericho/FUCK =
|
||
= FTP.SEKURITY.ORG/pub/zines/fucked.up.college.kids =
|
||
= FTP.GIGA.OR.AT/pub/hackers/zines/FUCK =
|
||
= FTP.ETEXT.ORG/pub/Zines/FUCK =
|
||
= WWW http://www.dimensional.com/~jericho =
|
||
= http://www.reps.net/~krypt/fuck.html =
|
||
= http://www.interlog.com/~lisa/f.u.c.k =
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
= (c) Copyright. All files copyright by the original author. =
|
||
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
|
||
|