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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 15
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 3
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 5/13/2002
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Volume 15, Number 3 Circulation: 701
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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A Matter of Faith 1 Nicholas Wansbutter Mertz, 1009
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William Zeneca's Bad Day Dan Toler Melrin, 1017
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Spirit of a Woman 1 Rena Deutsch Mertz 994
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondence to <dargon@dargonzine.org> or visit
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us on the World Wide Web at http://www.dargonzine.org/, or our FTP site
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at ftp://users.primushost.com/members/d/a/dargon/. Issues and public
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discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 15-3, ISSN 1080-9910, (C) Copyright May, 2002 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@rcn.com>,
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Assistant Editor: Jon Evans <godling@covad.net>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@rcn.com>
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What would you do if I asked you to allow a complete stranger to
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control your thoughts, senses, and emotions? Just for a little while, of
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course. Would that be okay? I hope so...
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Because that's exactly what you're doing every time you open a
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book. Fiction is, at heart, just such a subversive little beast.
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Most fantasy and science fiction readers will immediately recognize
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Samuel Taylor Coleridge's catchphrase "the willing suspension of
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disbelief", which describes the recipient's intentional receptiveness to
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storytelling of any sort, be it written (novel, short story, poetry) or
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performed (theater, movie, music, television program). In all these
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cases, the recipient seeks out these experiences for the pleasure of
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leaving their own lives and being immersed in someone else's dream,
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created for their pleasure.
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Therefore one of a writer's primary goals is to create something
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that readers find pleasurable. Of course, if fiction were all
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friendliness and goodness, people would soon find it tedious. Like yin
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and yang, goodness only exists in the presence of evil, and triumph can
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only occur where there is a real likelihood of loss. That's why authors
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must concern themselves so much with negative things like the various
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types of conflict, foreshadowing, plot complications, and dramatic
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tension. In order to make you feel good, a good writer must first make
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you feel bad. But both of these depend on one thing: that you give the
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author the power to make you feel what he or she wants you to feel.
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This conspiracy between reader and writer seems, on the surface,
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very one-sided. You give the author the freedom to control what you see
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in your mind's eye, so that you can vicariously experience the sights,
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sounds, smells, and other sensory images that he or she creates.
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Furthermore, you allow the author some ability to manipulate your
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emotions when you become engaged with a work of fiction. The author's
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first concern is to get you to care about the characters in his or her
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work, and then use that leverage to take you on an emotional ride
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through the events of the story. The writer can also expose you to new
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ideas or ways of thinking that you might otherwise avoid or not
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consider.
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Yes, as a reader, you let the author get away with a lot, expecting
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only that the writer entertain or amuse you in return. But what happens
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when the reader's pleasure isn't the author's only (or even primary)
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motive? What if the author wants to make you consider a new idea or
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convert you to their way of thinking on some controversial topic of the
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day? One doesn't have to look very far to see this in action; the
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world's greatest literature is filled with examples of stories that were
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specifically written in order to manipulate the readers' opinions --
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some subtly, some less so. Any story with a clear theme, rather than one
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written simply to entertain, has some element of this.
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Of course, no writer can force you to see or think or feel
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something you don't want to; you can always put a book down if you don't
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like it. But if you are indeed willing to suspend your disbelief, that's
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our opportunity to connect with you. While it'd be unfair to say that
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all writers want to manipulate the hearts and minds of their readers,
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it's true that every story requires you to be open to the images and
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concepts that the author chooses to depict.
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One of the biggest challenges for DargonZine's writers is to learn
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how to show you what we want you to see, tell you what we want you to
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think, and compel you to feel how we want you to feel, in a package
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that's delightfully pleasing and enjoyable to read. As our contributors
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develop into really good writers, we hope that we can exercise that
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control proficiently and with subtlety, while providing you with
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entertainment that is second to none.
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In this issue we begin two new series and introduce you to our
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newest writer.
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Nicholas Wansbutter returns to DargonZine with the first half of "A
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Matter of Faith", which follows one of the two protagonists he
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introduced in his first story, "A Matter of Honour".
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It's always a particular pleasure to print the first story from a
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new writer, and our second debut of the year is New Jersey resident Dan
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Toler with "William Zeneca's Bad Day".
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Finally, after a year's hiatus, Rena Deutsch returns to the pages
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of DargonZine to begin a new series entitled "Spirit of a Woman" which I
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hope you'll enjoy.
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Our next issue will be a little delayed by this year's Dargon
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Writers' Summit, but we'll get it to you as quickly as possible, along
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with Summit photos and a debrief.
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========================================================================
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A Matter of Faith
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Part 1
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by Nicholas Wansbutter
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<ice_czar@hotmail.com>
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Mertz, 1009
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Lev had smelled the sea all morning, leading up to when the group
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of Cyruzhian monks he travelled with reached Dargon. It was nearing
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mid-afternoon and pouring rain when the brothers came within sight of
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the ducal seat. Water smote Lev on the head like pebbles dropped from a
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tree and dripped down his hood in front of his face. Despite the
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thickness of the black cloak he wore, he was soaked to his very bones;
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such was the intensity of the downpour. He shivered. His feet, covered
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almost completely in thick mud, felt like two blocks of solid ice. Ever
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since he had received a blow on the head some years ago trying to rescue
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Zhilinda Fennell from her kidnappers, his left side had never worked
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well. Now it was all he could do to keep up with his fellow Cyruzhians.
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As the group crested the last hill that would put them within
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eyeshot of the city, Lev could hear a loud rumbling like thunder. He
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guessed that was from the water crashing against the shoreline. He
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peered through the rain, trying to get a good look at the city.
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Obscured by mist, Dargon Keep was a darker shadow on a dim
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background, perched like a magnificent bird on a rocky outcropping. Lev
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could only imagine what it looked like in sunlight, without sheets of a
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pelting deluge to obscure the view.
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Lev could make out detail on only the closest buildings, but even
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so, he could see the roofs of more houses than he could begin to count,
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intermixed with soaring church spires -- the smallest of which would
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rival the bell tower at Heart's Hope Monastery in Fennell. He felt sure
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that the city could very well have gone on forever, except that the deep
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rumble of the sea could be heard to the northwest despite the din caused
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by the pounding rain.
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Lev slowed to a stop when he noticed that his brothers were some
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distance behind him. What were they waiting for? Lev wanted to get to
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the city as soon as possible, if for no other reason than to get out of
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the rain. He hobbled back to the group.
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"In this light we can see Dargon for what it really is, if what I
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have heard of it is true," one of the brothers said. "A dark pit of evil
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and faithlessness."
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"What are you talking about?" Lev could hardly believe his ears.
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"I've never seen something so grand in my life!"
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"What do you know, novice?" the other monk scowled. "You're just a
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dumb farm boy, easily mystified by --"
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Lev felt his face heat and his muscles tremble with tension. "And I
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suppose you know everything there is to know about the world because
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you've been all the way to the outer cloister, brother!" Lev filled the
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last word with scorn, spitting it like it was a swearword.
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"Brothers!" Prior Yaroslav stepped in between Lev and the other
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monk. "Hold your tongues! You should be ashamed of yourselves! If you
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cannot keep a civil tongue with one another, how are you supposed teach
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the Stevene's Light to strangers?"
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Lev swallowed, and backed away from the prior. His body felt
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suddenly weak. He stared at the ground and shuffled his feet as Yaroslav
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reprimanded him. He felt foolish for his hasty words. He had never had a
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bad temper, but just a few moments ago he had felt enough anger to do
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violence.
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"We are not here to condemn," Yaroslav continued. "We are here to
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give Stevene's Light and what help we may to all in need -- no matter
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who that may be. Know that the healthy person does not need a physician,
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but the sick person does. Even at that, Dargon is certainly not the
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rats' nest you would have us believe it is, brother."
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"Yes, reverend sir," the brother who had spoken murmured, his eyes
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downcast.
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There was silence for the next few menes. Lev could feel the
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tension in the air and his chest tightened. Desperately, he sought for
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something to say that would break the mood. "I don't know about you,
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brothers, but I think the sooner we are indoors, the better."
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The monks mumbled approval, and the group began to trudge down the
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hill towards Dargon. It took the better part of the afternoon to
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navigate the muddy highway that was nearly a creek, with runoff from
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higher ground sweeping over their feet. By the time they reached the
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outskirts of the city, the relentless deluge had slowed to a steady
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shower, and a mist had rolled in from the sea. Though clouds had covered
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the sun all day, it was apparent that it was setting, as darkness
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descended even more oppressively over the city. Lev could see only a few
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cubits in front of him, making all but the closest buildings invisible.
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They took to the Street of Travellers, having approached Dargon
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from the southwest, and moved east along the road. Lev noticed that the
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buildings were much taller than those in Fennell Keep. The group did not
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encounter any of the people of Dargon, as they were presumably all
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huddled inside away from the cold and wet. The rain had put out most of
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the streetlamps, so the streets were very dark. Here the buildings
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muffled the sound of the sea, so that it was almost totally quiet, save
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for the gentle patter of the rain.
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As the monks approached the western end of town nearer the ocean,
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more life began to show itself in the unlit streets. A hand grabbed at
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Lev as he walked past a darkened alleyway.
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"Please, good sir," a voice croaked. "Have you any alms to spare?"
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Lev jumped at the touch. His cloak fell out of the man's grasp, and
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Lev steadied himself. He looked at the shape huddled in between two
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houses: it was a man who wore only rags on his body, and his skin looked
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as if it were rotting from his bones. Lev recognised him as a leper, and
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felt ashamed at his initial reaction of fear. He knew the despair and
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helplessness that came with having parts of his body paralysed. Lev
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looked up to Yaroslav for guidance.
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The prior lowered himself to a knee, and produced a flask from
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within his robes. "Unfortunately we did not bring a healer with us, but
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this should help a little." He spread the oil on the man's skin,
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unafraid of the leprosy that ate at it. Lev was impressed by the prior's
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lack of fear. As Lev looked at the leper, he could imagine the pain that
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the disease inflicted on the man, but was not sure he would be so
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willing to touch him. Lev felt a pang of guilt.
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Yaroslav placed a hand on the beggar's head, and said a prayer. "We
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can take you with us, to the Cyruzhian monastery if you wish."
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"No," the man said. "It is too late. I would be there now if I
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could, but the guards at the abbey don't let anyone in after dark. Not
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since the shadow boys sought refuge there but a fortnight ago and nearly
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stripped it bare!"
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"Stripped it?" one of the young brothers behind Yaroslav gasped in
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horror.
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"Aye," the leper said. "And tried to burn it to the ground as
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well." He glanced about nervously before he continued on. "I hear tell
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that Liriss paid them to do it -- the monks haven't been doing him any
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favours you know."
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"Liriss?" Lev asked.
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"Shush!" the leper scolded. "Not so loud, young sir. Liriss is a
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great and terrible man. Do not trifle with him."
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"What is this Liriss' interest in the Cyruzhian brothers?" Yaroslav
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asked quietly.
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"Liriss is the lord of all crime in this city. He dislikes the
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Cyruzhians because they spread their teachings in his territory! Not the
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least of which, they hurt his 'fishmongering' business by chastising
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those who would hire such services, and even of a night they've hired
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the girls themselves to keep them safe in the abbey for a little while."
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"Tell me, friend," Yaroslav prodded. "Is there a certain place
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where this Liriss practices his trade of 'fishmongering' most?"
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"Oh, yes," the diseased man said. "The Shattered Spear is certainly
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one place, since the owner asks no questions. It is not too far from
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here, nor from the abbey."
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"Then that is where we shall spend the night." Yaroslav stood, and
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gestured for the others to follow.
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Once the monks were a ways down the street and out of earshot of
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the beggar, Brother Gregory said, "Reverend sir, is it wise for us to
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stay at such a place?"
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"Yes, I think so," Yaroslav replied. "For one thing, it is
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certainly a place where our help will be needed most. For another, it is
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close to the monastery. Finally, I think that if this crime lord Liriss
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really wanted our brothers out of the city, they would be. That said, I
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do not know what his intent might have been for robbing the brothers,
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but I think we should be as safe at the Shattered Spear as anywhere
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else."
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Lev nodded to himself. He was not overly anxious to be locked up
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inside of a monastery again, so soon after leaving the confines of one.
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After only spending a short time in Dargon he had seen a lot, and he was
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sure there was more still. The other brothers only murmured quietly in
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agreement.
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"A hymn," Yaroslav suggested, "to keep our spirits high and our
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feet moving."
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He chose a cheerful song that served to take away some of the gloom
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of the cold and wet, and drew curious looks from windows and any
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townsfolk who happened to be on the streets. By the time the song was
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ended, the crash of waves upon the shore was noticeably louder, and the
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area of town certainly poorer. Here the air no longer smelled of salt.
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Instead it was stale and smelled like the latrines in Heart's Hope. The
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alleyways were so narrow that two people could not pass down them side
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by side.
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The group travelled single file down one such alley where drunkards
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slept, who had to be stepped over carefully. Near the end of the street,
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torchlight flickered, emanating through the open windows of a very noisy
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tavern. They rounded the corner and emerged onto another relatively wide
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street, and almost knocked over a man who was leaning up against a wall
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and vomiting the contents of his stomach onto the muddy road.
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A bout of raucous laughter filled the street as the front door to
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the building was flung open, and a man fell through it face-first in the
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mud. All of the monks could read, but it made little difference, as
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there was no written sign by which to identify the place. There was,
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however, a sign depicting a spear that had been broken into several
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pieces hanging above the door.
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"I would say we have found the 'Shattered Spear'," Yaroslav said.
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The prior led the way into the boisterous tavern. Inside, a raging
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fire in the hearth threw modest light and warmth. The inn stank of
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unwashed bodies crammed together, and the smoke of a poorly vented
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fireplace. But Lev was so thankful of the warmth that he was happy to
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put up with it. Lev was certain he and his fellow monks made little
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positive contribution to the smell themselves, having travelled for
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several days without washing, and being soaked and mud-bespattered as
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they were. For now, Lev craved only to sit near the fire and warm
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himself.
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The monks pushed their way through the crowd until they were in
|
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front of the fire, where they took seats on the stone hearth. No one was
|
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sitting there, presumably, because it was quite warm in the crowded inn
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already. The Cyruzhians were chilled from their long journey through the
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rain, however, so they were glad of the added heat.
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Lev looked over at Brother Gregory next to him and noticed that
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steam rose from his cloak as the warmth of the fire forced the water out
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of it. Lev then looked around the room. The place was not especially
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large, and probably as a result seemed to contain more people than it
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really did. Wooden tables were scattered throughout, but there were no
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seats empty. In one darkened corner, two men with hoods pulled over
|
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their heads sat huddled close together over a table in quiet discussion.
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In the middle of the room, a muscular bald man with a scar running down
|
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his right cheek was challenging a sailor to a drinking contest, while a
|
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young barmaid placed half-sloshed mugs on the table. At the bar, beside
|
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a fat farmer who fell half-off his stool every time he broke out in
|
|
peals of laughter, a barmaid half-out of her bodice was sitting on the
|
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lap of a man with tattoos covering both arms. No one appeared to have
|
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taken much notice of the monks, concerned as they were with their own
|
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drink and company.
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Lev had to cast his eyes away from the women in the tavern
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forcibly, for he was shocked by the reaction he had to seeing them.
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Lev's heart leapt when they moved in such a way as to reveal some of a
|
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smooth leg, or their hair swished about. He could feel fire in his
|
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loins, and a light-headedness. He knew that many changes were occurring
|
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in his body, despite his prayers; the full realisation of it hit him
|
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only now as he was faced with close proximity to attractive young women.
|
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"We don't have tables for beggars. You either buy something or
|
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leave," a man, presumably the owner, said gruffly as he approached the
|
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group of monks huddled on the fireplace hearth.
|
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Yaroslav stood and fixed the man with an engaging smile. "My good
|
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fellow, we are not beggars, though I must admit we have little with
|
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which to pay. We are but humble brothers come from the monastery in
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Fennell --"
|
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"If you're monks, why aren't you at the abbey?"
|
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"If you please, good sir," the prior held up a placating hand. "The
|
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guards do not let anyone in at this time of night. We seek only to warm
|
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ourselves by your fire, and spend the night. How much would we have to
|
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pay for a piece of the floor?"
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The barkeeper mumbled a sum into his bushy moustache, which Lev
|
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could not make out, but was sure the amount was outrageous. Prior
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Yaroslav seemed unperturbed, however.
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"I will give you all that we have," the prior said as he pulled a
|
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few coins from a pouch.
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"You'll need more than that! Forget it -- get out now or I'll have
|
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you thrown out!"
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|
The smile disappeared from Yaroslav's face, and he took a step
|
|
towards the barkeep. The prior was nearly a full hand taller than the
|
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other man. He placed a hand on the bartender's shoulder. "We haven't any
|
|
more, but we can return in the morrow to repay you ..."
|
|
"No ... that won't be necessary," the barkeep's voice was shaky as
|
|
he took the coins from Yaroslav and made as if to move away.
|
|
"But I insist!" Yaroslav said, clapping the man on the shoulder and
|
|
making him jump. "Indeed, we shall even provide some entertainment for
|
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the inconvenience. A hymn, a story perhaps?"
|
|
"I said that won't be necessary."
|
|
"It is, though," Yaroslav continued. Lev could see the prior's grip
|
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tightening on the barkeeper's shoulder. "I'll bring more money with me
|
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tomorrow, and make a public donation on behalf of the Cyruzhians --"
|
|
"Curse you!" the barman bellowed, "I said no! Stay here the night
|
|
if you will, but leave my customers alone, and don't come back!" He then
|
|
nearly ran back to the bar.
|
|
The exchange had gone unnoticed in the cramped and noisy tavern,
|
|
and Yaroslav returned to his place at the hearth without so much as a
|
|
person glancing his way. He let out a low chuckle as he resumed his
|
|
place.
|
|
"I figured he'd think it bad for his business if we took to
|
|
preaching in this little establishment of his ..."
|
|
"We will come back, reverend sir, won't we?" Lev asked.
|
|
"Of course! There is still much work to be done, and I did not tell
|
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the man that we would not return." He gave the brothers a knowing wink.
|
|
"You are wise in the ways of the world, reverend sir," Brother
|
|
Gregory said.
|
|
"A prior must be, I'm afraid."
|
|
For over a bell the monks sat warming themselves by the fire, and
|
|
presently the inn became a little quieter and a little less crowded.
|
|
Some of the folk tottered out the doorway, having had their fill of
|
|
drink and frivolity. Others passed out on or beneath tables, or dozed at
|
|
the monks' feet amidst the thoroughly soiled rushes. By the time another
|
|
bell had passed, it was almost quiet in the room, such that one could
|
|
talk without having to raise their voice to be heard. Yaroslav raised
|
|
his voice nevertheless.
|
|
"Gentles!" he clapped his hands together to gain the attention of
|
|
those clients who still hunkered over tankards of ale and cider. "What
|
|
say you to a tale before the night is ended?"
|
|
There were some murmurings of approval, but no one spoke aloud. The
|
|
bar owner was nowhere to be seen, and most of his employees had
|
|
disappeared into the rooms above with more lustful customers.
|
|
Yaroslav began his tale with a dramatic battle scene, the famed
|
|
knights of Barony Fennell making their ultimately fateful charge against
|
|
the overwhelming Northfield army at Balkura, during the Great Houses
|
|
War. Many of the patrons leaned forward in their seats, taken up in the
|
|
story, as Yaroslav recounted Baroness Fennell's last stand in which she
|
|
hacked down two score rebel troops before finally being overwhelmed.
|
|
Yaroslav was a wonderful storyteller, waving his arms in dramatic
|
|
fashion and describing the grand scenes of knights, ladies and magical
|
|
creatures. Part way through, the innkeeper returned, and stared in
|
|
horror when he saw the prior preaching. However, when he tried to speak,
|
|
several of the customers shushed him. By now, most of them were hanging
|
|
on Yaroslav's every word. It was at this point that the prior's tale
|
|
began to take on a serious tone. It culminated in another battle,
|
|
followed by a gripping scene of loss and sorrow.
|
|
As Yaroslav finished, he sat down once again. The remaining patrons
|
|
of the bar stared at him for several menes, then began clapping and
|
|
pounding the tables. A serving girl appeared with a tray carrying bowls
|
|
of soup for each of the monks. Lev glanced over at the barkeeper as she
|
|
handed out the dishes, and saw that he was nodding his head approvingly.
|
|
Yaroslav took his bowl with a word of thanks to the girl, and smiled
|
|
appreciatively at the Shattered Spear's owner.
|
|
Lev took his bowl from the girl, making a conscious effort all the
|
|
while not to look at the cleavage she displayed when she bent over. He
|
|
set to eating the soup. It was hot, and contained onions and leeks. He
|
|
had not eaten since mid-morning, and devoured the meagre meal hastily.
|
|
When all of the monks had finished and set their bowls on the hearth,
|
|
Yaroslav stretched and yawned mightily.
|
|
"Well, brothers," he said. "I'd say we have done enough for one
|
|
day. You may say your prayers in silence before sleeping."
|
|
With that, the monks all found open spaces on the floor on which to
|
|
curl up, wrapped in their black cloaks. Lev found a place near one of
|
|
the windows and huddled up against the hearth, which was warm from the
|
|
fire. He closed his eyes and recited the vespers prayers to himself,
|
|
quietly. Today had been a good day, he thought to himself. This was
|
|
where he belonged, out among the people of Dargon, rather than locked
|
|
away in the monastery scriptorium.
|
|
|
|
Lev woke up some time later when water dripped on his face from a
|
|
hole in the roof. He was not sure what had woken him up, and for several
|
|
menes did not even know where he was. Slowly, his mind cleared of the
|
|
initial grogginess from being roused from deep sleep and he sat up. The
|
|
inn was quiet, save for the snores of the many people that lay strewn
|
|
about the tables and the wooden floor. The light by which he could see
|
|
was cast by the fire, which had petered to glowing embers. He wriggled
|
|
about amid the floor rushes to avoid the water dripping down from above
|
|
and lay back down. It was then that he heard the soft sound of someone
|
|
sobbing.
|
|
At first he could not place where the crying was coming from, but
|
|
after several menes of listening in silence, he determined that the sobs
|
|
were coming from outside the inn, probably directly outside the window
|
|
by which he lay.
|
|
Now fully awake, Lev gripped his walking stick and pulled himself
|
|
to his feet, intent on discovering the source of the weeping. Someone
|
|
was in pain, he felt quite sure. He hoped that he could help. He missed
|
|
his old self, who had been so enthusiastic about doing God's work and
|
|
being a member of the Cyruzhians. Cloistered deep in the monastery
|
|
scriptorium, Lev had felt that enthusiasm wan as both faith and devotion
|
|
became the daily norm. In the short time he had been in Dargon, Lev had
|
|
found that it was not so much a lack of faith as a lack of adventure
|
|
that had made him feel thus. He had been doubting his choice to be a
|
|
Cyruzhian monk for some time. He felt restless locked up inside the
|
|
cloisters of Heart's Hope Monastery. In Dargon, he had felt renewed
|
|
happiness with his life. Here was a test for him: someone in need for
|
|
him to help.
|
|
He carefully picked his way through the bodies that littered the
|
|
floor -- a task made doubly hard by his lame left foot and reliance on
|
|
the wooden staff he carried. Eventually he made it to the door and
|
|
pushed it open. Outside it was as dark as the inside of the inn and
|
|
still raining. For a moment Lev paused in the doorway, not wanting to
|
|
get wet again -- it felt so good to be dry after being soaked all of the
|
|
previous day. He sighed, both in admonishment towards his own
|
|
self-centredness, and at the prospect of the cold water, and moved out
|
|
onto the dark street. The door swung shut behind him, and he felt his
|
|
way around the side of the tavern.
|
|
He felt his way around the corner and was met by the sound of
|
|
retching, rather than the crying he had heard before. As his eyes became
|
|
accustomed to the dark, he was able to make out a form leaning up
|
|
against the wall, vomiting onto the muddy street. Lev moved closer and
|
|
noticed the form to be that of a woman. His heart jumped inside his
|
|
chest and he stopped again. He closed his eyes and listened to his heart
|
|
pound for a moment.
|
|
"Cephas give me strength," he whispered to himself.
|
|
Ahead, he could hear the sobs renewing with the end of the bout of
|
|
sickness. Lev wondered if she was drunk, and remained motionless, but
|
|
the girl's lamentation bore into his heart. He opened his eyes, a sense
|
|
of duty overtaking his doubts, and moved forward once again.
|
|
"What ails you, my lady?" he called softly.
|
|
Abruptly the weeping stopped, but the girl's voice was shaky when
|
|
she replied. "Who's there?"
|
|
"A friend," Lev said, thinking to himself all the while how
|
|
beautiful the girl's voice was -- like soft notes played on a flute. "I
|
|
hope. I mean you no harm. I heard you crying ..."
|
|
"There's nothing you can do," she moaned. "Leave me be!"
|
|
Lev halted his approach only a couple of cubits away from the girl
|
|
and reached out a hand tentatively. "You have not told me what is wrong.
|
|
How can you be so sure?"
|
|
The girl replied with an odd mixture of laughter and weeping.
|
|
"What's the use?"
|
|
Lev placed his hand on her shoulder. He wished with all his heart
|
|
that Yaroslav were with him that moment. Not only did he not know what
|
|
to do, but he was afraid of the girl because she excited him in a way he
|
|
hadn't felt before, and made him ashamed when he remembered his vow of
|
|
celibacy. Even in the rain and darkness, he could make out her feminine
|
|
figure. He could feel his knees tremble as he stood there with his hand
|
|
touching even just her shoulder. She lowered her head in what appeared
|
|
to be shame, and suddenly Lev thought he knew at least part of what
|
|
ailed her.
|
|
"You work here, don't you?" he said. "As a ... a ..." the word
|
|
caught in his throat.
|
|
"As a whore?"
|
|
Embarrassed, Lev withdrew his hand. "No, that's not what I meant
|
|
... I ..."
|
|
"Well that's what I am!" she snapped. "There's no need for you to
|
|
be ashamed of it! I'm a strumpet, nothing more!"
|
|
"I should be ashamed," Lev said, "since it is others like me --
|
|
men, I mean -- who have made you thus. You are the one who should not
|
|
feel guilt, for you are innocent. Only those who violate you will burn."
|
|
"Thank you," the girl said. "No one's ever said anything like that
|
|
to me before." She took Lev's hand in hers, and he felt flames of shock
|
|
and excitement surge through his arm. "But that is not my only problem
|
|
..."
|
|
"Oh?" was all Lev could manage.
|
|
"No, it is much worse ... for I have not had my flux for several
|
|
moons, and I have been sick quite often." Lev looked at her in
|
|
puzzlement. She took his silence as an invitation to carry on, but when
|
|
she did, she had to bite back tears. "I think the child of one of those
|
|
... men grows within me!"
|
|
She clung to Lev desperately and fell into violent weeping. Lev
|
|
froze in panic when she came so close and clutched him. Despite the
|
|
rain, he could feel her body warm against his, and he did not know what
|
|
to do about the sensation. At a loss for anything better to do, he
|
|
cautiously wrapped his free arm around her and patted her back gently.
|
|
For several menes they stood like that, Lev paralysed with fear, and the
|
|
girl clinging to him.
|
|
After a while she pulled herself away and a thin shaft of light
|
|
from between the shutters of the nearby window caught her face. Lev was
|
|
sure she was one of the most beautiful creatures he had ever seen, even
|
|
though he glimpsed her for but a moment. The image seemed burned into
|
|
his mind: soft, pale skin, golden hair, large watery eyes and small lips
|
|
like rose petals.
|
|
"I, uh ..." Lev stammered, and said the first thing that came to
|
|
mind to cover his discomfort. "I don't know your name."
|
|
"I am Samara," she replied. "What is your name?"
|
|
"Lev."
|
|
"You've been kind to me, which is uncommon," Samara said. "Let me
|
|
thank you --"
|
|
"Not like that!" Lev backed away from her quickly when he felt her
|
|
hands touch him. "I'm sorry, but ..."
|
|
"No, I was stupid," Samara said. "Who would want a pregnant whore?"
|
|
"No, it's not that," Lev was trembling now, with both excitement
|
|
and fear. "Uh ... I just shouldn't, that's all. I mean, I'd like to ..."
|
|
Lev winced. Cephas' boot, did he really just say that? What type of
|
|
fish-tongued idiot was he turning into?
|
|
"I understand," Lev could hear a smile in Samara's voice. Without
|
|
warning, she approached again and placed a kiss on Lev's cheek. "Thank
|
|
you for talking with me. I should probably get some sleep."
|
|
Lev felt dizzy, and had to lean heavily on his staff to keep from
|
|
falling down. He mumbled feebly, "Yes, good night ..."
|
|
Samara left, and after a few moments, Lev's head cleared. He now
|
|
felt like jumping and shouting for joy. That one kiss had been one of
|
|
the most wondrous things he had experienced in his lifetime. Full of
|
|
energy, he went to stride from the alley but staggered as his lame leg
|
|
refused to cooperate. Lev paused, reality returning to him. This was no
|
|
way for a Cyruzhian monk to be thinking and behaving. He had sworn an
|
|
oath of chastity when he had joined the order. He should not be taking
|
|
such pleasure in the touch of a woman ... and yet what an experience it
|
|
was.
|
|
Lev shook his head and hobbled back to the front of the inn and
|
|
went back inside. The Cyruzhians were by far the most strict sect within
|
|
the diverse Stevenic religion. In fact, they prided themselves in their
|
|
different ways. Lev realised that most Stevenics would wonder what Lev
|
|
was worrying about. Many of them would probably have jumped at Samara's
|
|
offer with great glee. But Lev had been raised in the Cyruzhian
|
|
tradition and he believed in it. He had sworn his life to live that
|
|
tradition.
|
|
He sat back down on the piece of floor where he had been sleeping
|
|
and tried to compose himself. He began reciting prayers to himself. He
|
|
repeated in his mind stories from the Stevene's life that he had
|
|
committed to memory. As he prayed, he came to a tale about the Stevene
|
|
travelling through a field of ripe wheat. Beautiful golden wheat, like
|
|
the colour of Samara's hair. He had seen it for only a moment, but it
|
|
was etched into his mind ... smooth, flowing locks ...
|
|
Lev took a deep breath and resumed his prayers. He silently
|
|
rehearsed a canticle that told of the Stevene's death. At his execution,
|
|
some of his followers had brought roses. Pink roses with soft, perfect
|
|
petals, dampened by the morning dew, like Samara's lips. Cephas' boot!
|
|
What was wrong with him? He couldn't even say a simple prayer. How could
|
|
Lev be a proper follower of the Stevene's Light, a proper Cyruzhian
|
|
follower if he couldn't even think? What was wrong with him? In Heart's
|
|
Hope Monastery he had never had problems concentrating on his prayers.
|
|
Lev wrapped himself in his cloak and laid down heavily on the
|
|
rush-strewn floor. He could hear the waves crashing against the shore
|
|
far away. He tried to concentrate on that sound to lull him to sleep. He
|
|
had seen the sea once before, a deep, comforting blue. Like Samara's
|
|
eyes ...
|
|
|
|
========================================================================
|
|
|
|
William Zeneca's Bad Day
|
|
by Dan Toler
|
|
<Jdauthors@yahoo.com>
|
|
Melrin, 1017
|
|
|
|
"I don't like it, William," muttered Tam Ward, shaking his round
|
|
head disapprovingly. "I just don't like it. You can yell and scream at
|
|
me all you want, but it'll still be the same. I just don't like it." He
|
|
swung his pudgy arms in a gesture that allowed no objections. Tam was a
|
|
short, round fellow who made an odd partner for his taller, slimmer
|
|
companion.
|
|
The grass under their feet was brown and beaten into the muddy
|
|
ground of the field north of Traders Avenue. In contrast, the sky
|
|
overhead was a merry blue with a few white puffy clouds for variety. The
|
|
two men were standing next to their wagon, which was one of many that
|
|
the Grand Players of Baranur owned. It was set up as a house, with waxed
|
|
paper in the window frames and a door in the back. The yellow paint was
|
|
peeling off, but that was the least of the show's worries.
|
|
"Are you joking?" asked William Zeneca in his showman's voice.
|
|
"This show was a great buy."
|
|
"What do you mean 'buy'? The owners *gave* it to us, William. They
|
|
gave it to us, and we inherited their debts. Does that sound like a good
|
|
idea to you?"
|
|
William shrugged. The original owners were fools, convinced that
|
|
since their best act -- a strange creature indeed by all descriptions
|
|
-- had escaped, they would never be able to succeed in life. As far as
|
|
William was concerned, they were fools. Other shows survived without
|
|
fantastic beasts. Why not the Grand Players? "It sounds like a way to
|
|
make quick money."
|
|
"Quick!? William, that means we've got to pay off the debts before
|
|
we can start making money, not after. And besides the debts, there's the
|
|
price of running the show, paying the performers. Oh, believe me,
|
|
William, I wouldn't be too sure about those fellows once you start
|
|
making money, even if they're happy now. They'll start asking for
|
|
double, even triple what you're paying them today."
|
|
"Now calm down, Tam." William wiped his oddly crooked nose with the
|
|
back of a bony hand and sighed. The two of them had held this
|
|
conversation before. "There's no reason to think that. The Grand Players
|
|
of Baranur have been around quite awhile, and there's no reason to
|
|
suspect --"
|
|
"William, none of these performers were with the original show. Not
|
|
one! All the original performers quit along the road. Who wants to work
|
|
for a show that's in debt except a bunch of half-wits? And that's what
|
|
we're working with, William: halfwits. And if you take my advice, you'll
|
|
sell the show off for the amount of money we owe, pay back the people we
|
|
owe it to, and break even."
|
|
William could not understand how Tam had so little faith in him. It
|
|
was William's fortune-telling idea that had brought the two together in
|
|
the first place. Tam had thought him a great genius for cooking up that
|
|
one. Ever since then, he had refused to believe in William for no
|
|
apparent reason.
|
|
"All right, Tam, will you shut up! Just stop whining. The show's
|
|
ours, and that's that."
|
|
"Well, I still don't like it --" Tam muttered, and toddled off to
|
|
pretend that he was making himself useful. William wished he would
|
|
actually do something. After all, there was plenty that needed to be
|
|
done. The Grand Players of Baranur were putting on their opening
|
|
performance that evening, and the entire company was putting in their
|
|
best efforts to set up the tent that housed their show.
|
|
"It'll fit nearly a hundred audience members," William thought.
|
|
"Two Commons apiece -- we'll be able to pay back our debts after seven
|
|
or eight shows." He whistled merrily to himself, and set about examining
|
|
the show's setup. The poles were already pounded into the ground, and
|
|
various aerialists and acrobats were arguing over how to stretch the
|
|
large canvas piece across the tops of them correctly. It amused him how
|
|
much these people argued. If they spent half as much time working as
|
|
they did bickering amongst themselves, the tent would be completely
|
|
ready by now. Maybe the problem was the constant rivalry between the
|
|
acrobats and the aerialists. The two groups never seemed to stop
|
|
fighting. To make matters worse, the aerialists and acrobats made up the
|
|
entire show; all except for Paitr, the strong man, who sat on a crate
|
|
off to the side, busily painting a large wooden anchor to look like
|
|
iron. Zeneca chuckled. At least one member of the troupe could not
|
|
complain about his salary. He was too replaceable.
|
|
On the other hand, he was also the only one who kept his mind to
|
|
himself. Sometimes, William wondered if this was because Paitr lacked a
|
|
mind to voice. Well, of course he had one. Everyone had a mind. Even
|
|
foolish, weak strong men.
|
|
This field was a good place to attract customers. Drunks and
|
|
merchants' guards frequented that part of Dargon, and they were just the
|
|
sort to pay a couple of Commons to watch cheap trapeze artists and a
|
|
fake strong man. It would be interesting to see just how many customers
|
|
did come. William did not doubt that the show would recover. He was
|
|
simply curious to see how the many people he could draw. It would be
|
|
quite interesting. Quite --
|
|
A hand tapped William lightly on the shoulder, interrupting his
|
|
thoughts. He turned around and found himself facing a dirty-faced young
|
|
woman with a wild, frantic look in her eyes.
|
|
"Yes?" he said.
|
|
Her cold blue eyes darted left and right, like those of a deer
|
|
surrounded by hunters. "Please," she whispered frantically. "Please,
|
|
will you hide me?"
|
|
"Well what -- what --?"
|
|
The woman tried to push past him, and he grabbed her by the arm.
|
|
Who did she think he was, coming into the area of the show, asking him
|
|
to hide her, and then trying to force her way past him?
|
|
"I can't explain now, just -- please! I can talk later, but please
|
|
-- please -- my father!" She flung out her free arm, frantically
|
|
pointing out into the throng of purchasers and sellers who frequented
|
|
the marketplace.
|
|
William let go of her arm at the sight of a tall man on horseback
|
|
wearing a huge broadsword. He was dressed in a bright red shirt with
|
|
gold buttons and a flaring gold cape, and was shooting his eyes into the
|
|
crowd on either side of his horse. The man stood out in the crowd
|
|
because of his height and elevation, besides the fact that those around
|
|
him seemed to sense that he was in a hurry and was in a foul mood.
|
|
William agreed. This was no one to be ignored or brushed off.
|
|
"Is that your father?" he asked, terrified that the answer might be
|
|
in the affirmative.
|
|
There was a pause, and it soon became clear that there was no
|
|
answer, which was even worse.
|
|
William turned to see why exactly the young woman was not
|
|
answering. He was planning to tell her to leave, and in no uncertain
|
|
terms. Instead, he caught sight of her; she was just disappearing into
|
|
the wagon that served as his and Tam's house. He tried to run after her,
|
|
but a man's booming voice stopped him.
|
|
"You there!"
|
|
Cringing in terrified anticipation, Zeneca turned to face the
|
|
voice. Sure enough, it belonged to the tall man on horseback, presumably
|
|
the girl's father. The man was still many yards away, but he had
|
|
obviously seen the show and had headed towards it. "Me?" Zeneca motioned
|
|
to himself, and flashed his most charming grin. He had to admit, he had
|
|
thought the man would take a little longer to arrive.
|
|
"Of course you," the man bellowed. "Who did you think I meant?"
|
|
William tried to recover. "Well I --"
|
|
"Who was that running into your wagon?"
|
|
"Wagon?" He could do no better. This man made him nervous to no
|
|
end.
|
|
"Yes, wagon. The thing right there, behind you. Who was running
|
|
into it?" By now, the fellow's horse was towering over William, and he
|
|
was still shouting..
|
|
"Someone was running into it?" Maybe, with luck, the merchant would
|
|
give up.
|
|
"Yes," the man on horseback shifted impatiently. "Someone just
|
|
slammed that door."
|
|
"They did?"
|
|
"Yes, they did. Didn't you hear them? Or are you deaf?"
|
|
William thought he might be, if the merchant did not stop roaring
|
|
at him. "Now --"
|
|
The man eased his sword in his scabbard. "You're making me
|
|
impatient, young man."
|
|
Young man? Really! "Young man? You're only a few years older than
|
|
--"
|
|
"Who was running into that wagon?"
|
|
"Oh, the wagon." William wiped his nose with his first finger,
|
|
trying to act casual. "Well, I really don't know. You see I, well, I
|
|
only work here."
|
|
"Then I suggest you see who is in the wagon."
|
|
"It's really none of my --"
|
|
"None of your business. Yes, I see. Well," the man leaned forward
|
|
confidentially, "if you should happen to meet a young runaway woman,
|
|
would you mind very much taking her to the guards? I have had an artist
|
|
send a sketch of her out to most officials in the city, so they can take
|
|
charge of her. You will be rewarded handsomely."
|
|
"Of course." Zeneca said, putting on his most sincere face.
|
|
"Excuse me, William," Tam's voice said behind him. "Paitr wants to
|
|
know if he should put lard on his anchor to make it more convincing."
|
|
"What is this?!" the tall man roared indignantly.
|
|
"Wonderful!", Zeneca thought. "He knows I lied to him." He
|
|
scrambled desperately for a way to cover up. "Of course, Tam. That's
|
|
what Mr. Zeneca always has him do."
|
|
"What?" Tam pursed his lips confusedly.
|
|
"Mr. Zeneca. Our boss."
|
|
"Oh." Tam grinned. "Well, I'll go tell Paitr about the lard." He
|
|
headed back towards the fake strong man, whistling a pleasant tune.
|
|
"If you'll excuse me," William said. "I'm going to get about my
|
|
work now, if you don't mind."
|
|
"Please," the man on the horse said softly. "Please. She is my
|
|
daughter." Abruptly, he stiffened his spine, looked Zeneca up and down,
|
|
and left.
|
|
With a feeling of intense relief, William waited for the man to
|
|
leave the field. It did not take long, but it seemed to stretch on for
|
|
an eternity. "A reward," William thought. "I really should remember
|
|
that."
|
|
As soon as the man was gone, Zeneca ran up the rickety wooden steps
|
|
into the wagon.
|
|
"I need your help!" she cried the moment he opened the door.
|
|
He was paying her very little attention, now he had gotten his
|
|
first good look at her. Well, he was paying attention, just not to what
|
|
she was saying. Facially, she was not unattractive, if a little dirty at
|
|
the moment. But her figure was perfect. He'd never seen a better pair of
|
|
hips. Not even on an aerialist! Well, perhaps a little more size up top
|
|
...
|
|
He tried to bring himself back to what he should be thinking about.
|
|
"All right," he said. "What's going on here?"
|
|
Shaking nervously, the girl sat down at the small table that rested
|
|
against one wall. "I've run away."
|
|
This was simply too much. "What!? I've heard of being direct, but
|
|
could you please try and be a little clearer?"
|
|
"I ran away from home, and he's looking for me."
|
|
"And you've gone off to join the circus? Well not mine! I don't
|
|
want that guy after me. I'm not anxious to get my head lopped off by his
|
|
broadsword. Not that I think he'd go that far, but still, he might get
|
|
my show shut down for that. Do you want to do that to me?
|
|
"Don't answer that. I don't care what you want to do. Look, you can
|
|
stay here for a few bells, until he gets far enough away for you to
|
|
leave, but after that, as far as I'm concerned, you're just another face
|
|
in the crowd."
|
|
"Can I just stay for a few days?"
|
|
"Why?" William leaned forward, leaning his hands on the table the
|
|
table suspiciously.
|
|
"It's hard to explain --"
|
|
William started for the door. "If you'd rather leave --" He had no
|
|
patience for this kind of thing.
|
|
"No. No." The young woman shook her head. "There's a ship coming
|
|
into port the day after tomorrow. I've booked passage on it, and I
|
|
wasn't planning to leave until then, only, father had business out of
|
|
town, and he wanted me to come with him, down south. I had to leave home
|
|
right away, or I'd have to go with father and miss the ship."
|
|
"And why are you leaving? On the ship, I mean."
|
|
"My father won't let me marry."
|
|
How odd. William's eyebrows rose. "He won't?"
|
|
"Well, he wants me to marry, but not anyone I love. It's happened
|
|
three times now. I meet a nice man, well set-up, intelligent,
|
|
attractive, and father rejects him. I don't know how long it's going to
|
|
take, but I'm going to end it now."
|
|
"If you're going to stay here," William decided. "You can work."
|
|
"You can't --"
|
|
"Yes I can, unless you'd rather have me return you. There are rags
|
|
with the performers. Take a few and start cleaning out the wagons." He
|
|
started to leave, then turned back. "And what's your name?"
|
|
"Sera."
|
|
"Sera," he muttered. "Hmmm --" Pursing his lips, he closed the door
|
|
behind himself.
|
|
|
|
Opening night had arrived, and Tam was drinking in the Lucky Lady,
|
|
a tavern in the northwestern part of Dargon. The common room was dimly
|
|
lit by a large beeswax candle at each table and a couple of even larger
|
|
ones in wall sconces. The little light provided was obscured by the
|
|
thick smoke given off by the patrons' pipes. The smell of the smoke
|
|
mingled with the fresh scent of second-rate brandy, yet Tam could still
|
|
vaguely catch the scent of ducks and chickens roasting in the kitchen.
|
|
Around Tam's table sat a group of four roughly-dressed men. The
|
|
only women in the Lucky Lady were courtesans, and none of the men with
|
|
Tam could afford the services of such. So they sat and drank, and
|
|
gambled, hoping to win enough to buy a little more enjoyment that
|
|
evening. Most went home broke, but that did not stop them from trying
|
|
again soon.
|
|
"And then," Tam continued, his words barely comprehensible and the
|
|
smell of one too many drinks reeking on his breath. "Then William landed
|
|
us with this. We now own the Grand Players of Baranur, one of the
|
|
cheapest acts *in* Baranur. Still, it's better than picking pockets,
|
|
which is what I used to do."
|
|
"You mean," asked another patron, somewhat less drunk. "You mean
|
|
you're part owner of that show over there?" He motioned vaguely toward
|
|
the west.
|
|
"Yeah."
|
|
The man narrowed his eyes. "Then what are you doing out of the
|
|
show?"
|
|
"I'm in charge of the technical stuff; the performers, the tent,
|
|
you know. During the show, I'm off." Tam waved his hand in the air.
|
|
"William handles them, and also the money. Well, actually, he hires
|
|
someone to do that, but he takes care of creditors, you know."
|
|
"Straight?"
|
|
"Straight."
|
|
"Prove it."
|
|
Tam pursed his lips. "I can getcha in behind the scenes."
|
|
Chuckles erupted around the table. "I'd like to see that," the
|
|
other man said. The others nodded in agreement. One snorted.
|
|
"Well," said Tam, scowling at the one who snorted. "As a matter of
|
|
fact you can all come. All of you."
|
|
"Let's go!" All four men piled out of the tavern, Tam struggling
|
|
vainly to get ahead of them.
|
|
|
|
"And now!" William announced loudly over the crowd that packed his
|
|
tent. "I would like to introduce to you the finest balancing act in
|
|
Baranur. Ladies and gentlemen, I give you, the Great Dargonian
|
|
Tumblers!" The crowd erupted in cheers as twelve scantily-clad men and
|
|
women rushed in through a gap in the back of the tent, and proceeded to
|
|
begin a tumbling routine that could be called mediocre at best. But the
|
|
crowd did not care. They were too full of ale.
|
|
"Good," thought Zeneca. "They're loving it!" It was all part of the
|
|
theory that made him buy the show in the first place: cater to the right
|
|
clientele, and you succeed. These people might not have the most class,
|
|
standing around in tattered rags and with dirty faces. They might not
|
|
have the best breeding; at least one small fight had broken out at the
|
|
back of the tent, but a guard had broken it up before it turned into
|
|
real trouble. Nonetheless, as long as they paid, the patrons were
|
|
welcome.
|
|
The duke had sent guards to this event. They certainly did not like
|
|
the show, from the looks on their faces, but they liked disorder less.
|
|
There would be no trouble tonight.
|
|
Whatever the guards thought, William's theory about the right
|
|
clientele was true. They would gawk and stare at anything. One man did a
|
|
forward flip and landed on his back instead of his feet. The patrons
|
|
laughed hysterically, and William could catch the stench of stale rum
|
|
and ale. He hoped Tam was enjoying himself. He also hoped the man he had
|
|
hired to take the money was honest. Well, he ought to be. He cost
|
|
enough.
|
|
The six women stood on their partners' shoulders. Two of them fell,
|
|
and the crowd's reaction was mixed. Some were laughing. Others were
|
|
gaping at the four who managed to stay on top. Still others -- no doubt
|
|
the ones with a bit less stupidity -- were laughing at those who gaped.
|
|
Zeneca, on the other hand, was trying not to laugh at the audience.
|
|
|
|
"Wait just a moment," said a heavily-built, specially-hired bouncer
|
|
who was guarding the flaps of the tent. "Who are you?"
|
|
"It's me," Tam replied, stepping into the light that poured out
|
|
from the massive tent's ante-chamber. "Tam."
|
|
"Go right in!" The guard held the tent flap open, and Tam led his
|
|
confederates through into a small, separate part of the tent that served
|
|
as a dressing room and staging area for the performers ready to go
|
|
onstage. Crates and costumes littered the floor, lying in the straw with
|
|
props and even the tools that had been used to put up the tent. Tam
|
|
wished he could get it through the performers' heads that they simply
|
|
must pick up their tools before beginning rehearsals. Paitr, the strong
|
|
man, stood ready at another opening in the tent, this one leading into
|
|
the show. For a moment, Tam wondered if he should have Paitr clean up.
|
|
"No," he told himself mentally. "Paitr only used a paintbrush and some
|
|
paint, and he cleaned that up."
|
|
"Well," Tam said to the others. "Do you believe me now, Torquil?"
|
|
"Of course I do," he replied softly, then leaned closer. "Is there
|
|
any chance you might get us in the front for free?"
|
|
Tam really did not know if he ought to. "Well --"
|
|
"What's this stuff?" one of the thugs asked, feeling the fake
|
|
anchor Paitr would use. It glistened with lard.
|
|
"It's a trade secret." And it was true. There was no point in
|
|
telling everyone how you did things. Next thing you know, one of these
|
|
fellows might have told one of his friends, and within the month there
|
|
would have been no customers. People would be talking of it in the
|
|
streets. He could just see it now. "Did you hear about that show up off
|
|
Traders Avenue?" one would ask. "You mean the Grand Players of Baranur?
|
|
Yeah, I hear they're fun to watch." Then the first man would say: "Don't
|
|
bother. I hear their strong man lifts a wooden anchor!" "Ha!" the second
|
|
guy would snort. "Thanks for warning me. I'll make sure not to go
|
|
there." That kind of thing would just go on and on.
|
|
There was a chorus of dissatisfaction from the men at Tam's reply.
|
|
Well, how much harm could a few people do? "All right," he said
|
|
reluctantly. "But you can't tell anyone." He took a deep breath. "It's
|
|
lard. It makes them look like iron. Now let's get out of here."
|
|
"Not yet," Torquil said.
|
|
"What do you mean 'not yet'?"
|
|
Torquil turned left and right to look at the others as he talked.
|
|
"How'd you like to play a little joke, fellas?"
|
|
There was a mutter from the others in the affirmative. He motioned
|
|
them to come closer, and whispered something as they huddled together.
|
|
"Hey," Tam said. "Hey, what are you guys planning?"
|
|
Torquil held a finger to his lips. "Shhhhhh." Then he whispered:
|
|
"Just a little practical joke. Watch!" He grabbed the torch that sat in
|
|
a small stand in the floor.
|
|
Then, all the men stood aside as the "tumblers" ran past Paitr and
|
|
out the door towards their wagons. Apparently, they were not performing
|
|
again that evening.
|
|
Paitr knew his cue was coming, so he reached behind himself and
|
|
picked up the anchor. It was funny, the way he carried it into the main
|
|
tent, holding it in both hands and leaning it on his shoulders as if it
|
|
were a difficult feat. Indeed, it *was* quite interesting to see him do
|
|
this, when you knew it was covered with lard.
|
|
There was a chuckle from the other men as Torquil reached out the
|
|
torch and held it under the end of the anchor that hung over Paitr's
|
|
shoulder.
|
|
"No," Tam said. "Don't do that."
|
|
One of the men motioned for him to be silent. "*No*," he said more
|
|
loudly. "*Don't do that*." Apparently, this was too much for the man who
|
|
had told him to be quiet. He stepped away from the other men and struck
|
|
Tam a hard blow to the side of the head. As he fell into
|
|
unconsciousness, he could not help but wonder what William would do to
|
|
him when he came to.
|
|
|
|
"Thank you all!" William shouted to the crowd as the tumblers ran
|
|
off through the back exit. "Thank you very much!" The crowd's cheers
|
|
shrank to the usual murmur, but he paused for several moments to
|
|
increase the effect of his words. "And now my friends, I must sadly
|
|
introduce this evening's last act. I'm sure you all have to get up early
|
|
tomorrow," the crowd roared with laughter, and some fellow in the front
|
|
row snorted loudly. "Because I'm sure you all have a lot of work to do."
|
|
More laughter from the audience. "So without further ado, I present you
|
|
with Paitr, the strongest man in the world!"
|
|
Amidst hoots and cheers from the crowd, the man himself appeared at
|
|
the back of the tent. The strong man did not appear to notice that one
|
|
end of the anchor was burning, but the audience laughed hysterically at
|
|
the sight of this. It was just a very small flame, and even if it did
|
|
give off a good deal of smoke for its size, it certainly did not provide
|
|
enough heat for the strong man to feel, given that it was a good arm's
|
|
length behind his head. Trying to ignore his audience, Paitr set the
|
|
"anchor" down on the ground, and by this time, the flame was burning on
|
|
a section of anchor about as long as his thumb. Seeing this, he screamed
|
|
loudly.
|
|
William, of course, saw none of this. The first thing he saw was
|
|
when he turned around, only to see Paitr throw the anchor into the side
|
|
of the tent in terror, as a group of five or six rowdy drunks suddenly
|
|
appeared through the performers entrance, guffawing. And the crowd was
|
|
going wild. Until the flame from the anchor began crawling up the
|
|
canvas. "No!" Zeneca cried, and dashed past the drunks, making for the
|
|
performers' section of the tent. Inside, Tam lay unconscious, and, more
|
|
importantly, the bucket of water kept for such emergencies was empty.
|
|
Half-witted performers! He remembered specifically that Tam had told
|
|
them specifically to fill it up.
|
|
"Does anyone have water?" William tried to shout to the audience,
|
|
but it was too late. They were in a state of panic. One man tackled the
|
|
one behind him, clambered over him, pulled out a long knife, and sliced
|
|
a hole in the side of the tent. Seeing this new plan, another fellow
|
|
tried it. Within mere moments, people had cut holes it the tent in
|
|
several places, and were rushing through them like water through a
|
|
sieve.
|
|
William struggled to hold himself upright as flame consumed one
|
|
side of the tent, and guards were struggling through the audience
|
|
towards the drunks, who could not seem to stop laughing in spite of the
|
|
fact that their malicious practical joke had turned into something that
|
|
threatened many lives, including their own.
|
|
"I'd better get out of here," William muttered. No one could hear
|
|
him, but saying something just made him feel better. Quickly, he stepped
|
|
out through the performers' section of the tent, bending and picking up
|
|
Tam on his way out. Of course, the bouncer was no longer guarding the
|
|
back flaps. "Good thing for him, too. If he was here, I'd bloody kill
|
|
him!"
|
|
|
|
At the sound of the terrified crowds, Sera stood up from her
|
|
cleaning work in William's wagon, and crept out through the door to see
|
|
what was the matter. People were running in every direction to get away
|
|
from the blazing tent, although a few were actually standing outside and
|
|
laughing at their few comrades still inside. The city guards were trying
|
|
their hardest to pull these people away. The show seemed to have
|
|
attracted quite a number of guards, and was gathering many more from
|
|
Traders Avenue. This was only natural, considering that anyone on that
|
|
road would see the tent like it was a signal beacon. Guards would come
|
|
to that kind of thing, usually.
|
|
Meanwhile, out back of the tent, several more guards were talking
|
|
with -- or interrogating -- a small group of ruffians who seemed to be
|
|
torn between laughing and cringing. Another seemed to be asking William
|
|
questions, while yet another was bent over the prostrate form of Tam
|
|
Ward, trying to get him to come to.
|
|
"Just stay that way, Tam," Sera thought. "If you don't, you'll get
|
|
questioned, too." She liked Tam. He had struck her as a very nice man
|
|
when she met him earlier. Of course that was only for a few moments when
|
|
she was cleaning the performers' wagons, and he had seemed to be more
|
|
interested in talking to the aerialists than to her. Still, he was
|
|
polite enough. Even if he had not been, Sera would not have wished
|
|
interrogation by the guards on anyone.
|
|
As for the tent, she calmly went back inside, closed the door, bent
|
|
over, and began scrubbing the floor again. It was William Zeneca's
|
|
problem, not hers.
|
|
|
|
"I just don't understand how it happened, Tam," William sighed,
|
|
leaning against his and Tam's wagon. It was the next morning, a few
|
|
menes after dawn, and the sacks under his eyes told the tale of a
|
|
sleepless night. He could still strongly smell the charred remains of
|
|
the tent on the fresh breeze that blew over he and Tam -- and over
|
|
anyone else who happened to be about on that morning. That particular
|
|
fact might have made William think great philosophical thoughts, if he
|
|
were that kind of person. Well, he was not that kind of person, and he
|
|
had other worries at the moment. "I just don't see how it could have --
|
|
Tam?"
|
|
Tam looked drowsily up from where his eyes were fixed on the ground
|
|
next to their wagon. "Huh?"
|
|
"Tam, tell me your story again, from the beginning."
|
|
"Well, William, it's like I said. Those guys snuck past the guard.
|
|
Then they just ran in and punched me out. I don't know what happened
|
|
after that."
|
|
"In the name of all the gods!" William stamped his foot on the
|
|
ground. After all the questioning last night, the guards had concluded
|
|
that the only ones to blame were the babbling drunks. That would keep
|
|
the duke's men off him. "And now, what do we do? What about our
|
|
creditors?" That was his main concern. Without a tent, how was the show
|
|
to continue operating? They certainly could not afford to buy a new one!
|
|
A hand tapped William on the shoulder, and he swiveled around.
|
|
"What!?" he cried, and the young aerialist who stood there jumped a few
|
|
inches.
|
|
"The rest of the troupe," she said shakily. Then she seemed to
|
|
compose herself somewhat. "The rest of the troupe elected me to come
|
|
tell you --"
|
|
"Yes!?"
|
|
She picked up a little more nerve, straightened more. "They said to
|
|
come say, 'we quit'."
|
|
William was sure he had misheard her. "What? Why?"
|
|
By now, she had a lot of nerve, and was angry. "After last night,
|
|
we wouldn't even consider working for a bumbling fool like you." She
|
|
leaned forward, into his face, and spoke very slowly. "*We* *quit*."
|
|
Without another word, she turned her back to him and walked off towards
|
|
Traders Avenue, following her comrades, who were already nearly at the
|
|
road, carrying small bundles of their personal effects at their sides.
|
|
Paitr was the last to go, moping sullenly away from the show. William
|
|
shook his fist at the man in anger. "You can't fire! I quit you!" The
|
|
former strong man let out a loud, deep laugh and went on his way.
|
|
"Great," William said. "Now we lost our workers *and* our tent."
|
|
"What now, William?" Tam asked. "Do we reform?"
|
|
"You mean get jobs?"
|
|
"Yeah. I was figuring, we've both got pretty good backs. I figure,
|
|
you could teach me to work on a farm."
|
|
"Tam, are you feeling all right?"
|
|
"Yeah, why?"
|
|
William sat down on the wagon wheel. "Well, I mean, getting jobs,
|
|
Tam. Do you know what that means?"
|
|
"Yeah."
|
|
"Tam, it means *work*!" William bent his head over and dug his
|
|
nails into his head.
|
|
"And --?"
|
|
Zeneca had a better idea. "Suppose you teach me how to pick
|
|
pockets?"
|
|
"Yeah," Tam said. "Yeah, I guess I could."
|
|
"Wait!" William pointed to their wagon. "I've got a better idea."
|
|
Tam leaned forward suspiciously. "Yeah?"
|
|
William jerked his head to the interior of the wagon, where Sera
|
|
still slept. "What do you suppose the reward is for taking that girl
|
|
back to her father?"
|
|
"I don't know, she seems pretty nice, and from what you told me,
|
|
which isn't very much, I'd hate to send her back to him."
|
|
That was not what William had in mind at all. "No! I've got a way
|
|
to make everyone happy, except her father."
|
|
|
|
========================================================================
|
|
|
|
Spirit of a Woman
|
|
Part 1
|
|
by Rena Deutsch
|
|
<Rena3@hotmail.com>
|
|
Mertz 994
|
|
|
|
Cool morning air touched the young woman's face as she stepped
|
|
outside to start her tasks for the day. "It is going to be a wonderful
|
|
day today," Anna thought and took a few moments to listen to the
|
|
twittering birds.
|
|
"Don't dawdle, Anna!" a voice called from inside the house.
|
|
"Straight, Zarit," Anna replied, "I was just going to feed the
|
|
goats."
|
|
"Hurry up! You have to make the bread!"
|
|
Dutifully, Anna complied. It was her handfasting day and tradition
|
|
required that she prepare the bread, which was to be shared at the
|
|
ceremony. Anna smiled inwardly as she thought of her beloved, Sarim. He
|
|
was a traveling merchant, who had passed through her village six times
|
|
during the course of the year, stopping each time for a sennight.
|
|
Riverrun, as they called the village, was about halfway between Tench,
|
|
Sarim's hometown, and Dargon, and provided an ideal place to interrupt
|
|
the long journey. He had brought beautiful cloth from Dargon, as well as
|
|
kettles, knives, and other household items, which he sold and traded for
|
|
local goods such as baskets and grain. Anna was sure her romance had not
|
|
gone unnoticed. Jerel and Zarit hadn't mentioned it once, but
|
|
increasingly sent her to trade with the merchants.
|
|
A deep feeling of love rose in Anna every time she thought of Zarit
|
|
and Jerel who had taken her in when her guardian, Tobias, had passed
|
|
away. The couple had treated her as if she were their own child, not
|
|
like an orphan who should be grateful to have a place to sleep. Over the
|
|
years, Zarit and Jerel had buried five infants; none of the babies had
|
|
lived for more than a sennight. Anna could see grief and sorrow in
|
|
Zarit's face every time she aired the little blankets and clothing so
|
|
the moths would not make a feast of them.
|
|
"Sarim, when will you come back to me?" This question had haunted
|
|
Anna since the day they had bid their farewells last autumn and he
|
|
returned to Tench. He had promised to be back when the roads were free
|
|
of ice again. Winter had never seemed so long. Finally, the ice had
|
|
thawed more than a fortnight ago. Anna's heart ached to see Sarim again.
|
|
Every time she had closed her eyes and thought of him, her body
|
|
remembered his embrace and her lips his soft kiss good-bye.
|
|
|
|
"Anna! It's time!" Zarit called out, "Come inside and make the
|
|
bread!"
|
|
"Coming!" Quickly, Anna finished feeding the goats and opened a
|
|
gate, which would allow them to enter a small enclosure behind the
|
|
house.
|
|
"Daydreaming again, aren't you?" Jerel laughed, when she entered
|
|
the house. He was sitting at the table, sipping from his mug. Anna
|
|
blushed.
|
|
"Straight!" he grinned, "I better go outside and set up the altar
|
|
and clear the site."
|
|
"Make sure the altar's facing east, Jerel" Zarit reminded him.
|
|
"As if I would forget," Jerel mumbled and left.
|
|
"Anna! The bread!" Zarit spoke up again.
|
|
"I'm working on it, Zarit," Anna said as she gathered the
|
|
ingredients for her handfasting bread.
|
|
"You need flour, salt, honey, --"
|
|
"I know, Zarit," Anna interrupted, "I have it memorized. You made
|
|
me!"
|
|
"Straight! And you better get it right!"
|
|
"I will!" Anna measured the ingredients for the unleavened bread
|
|
and mixed them in a bowl. Her thoughts drifted again to Sarim. She had
|
|
just finished doing laundry the day he had finally returned.
|
|
"Sarim! Where did you come from? I didn't hear you coming."
|
|
Overjoyed, Anna had wrapped her arms around his neck.
|
|
Gently, Sarim had taken Anna's face in his hands and kissed her. "I
|
|
missed you! And to answer your question, I arrived early this morning
|
|
and took care of some business." He had picked up her laundry basket.
|
|
"Come, I have something to show you and much to tell."
|
|
"Where are we going?
|
|
"Let me surprise you," Sarim had answered, smiling at her, "You'll
|
|
like it!"
|
|
"I love surprises!" She had cried joyfully and followed his lead
|
|
towards an unplowed field with an easy spring in her step.
|
|
"This morning I arrived with my brother's caravan. I bought this
|
|
field plus some of the adjacent forest. I had spoken to old Marten last
|
|
fall about buying part of his land and he'd agreed. By summer, I will
|
|
have a house of my own here and a harvest to look forward to." He had
|
|
turned around and looked directly at her, a broad smile on his face. And
|
|
then his expression had changed. Anna had noticed the longing in his
|
|
face as he reached out for her, drawing her close.
|
|
"All winter long, I have been thinking about you, dreaming about
|
|
holding you, making you mine. I couldn't wait for the roads to clear. My
|
|
father noticed my restlessness and finally I confided in him. We talked
|
|
for a long time and reached an agreement; my younger brother will take
|
|
over the trips to Dargon and I will settle down here, eventually
|
|
establishing a trading post. That way my brother won't have to stay here
|
|
and trade; he'll just pick up and drop off wares to exchange. My father
|
|
is too old to travel, so he asked that I bring the woman I love to meet
|
|
him." Sarim had slowly let go of his embrace, taken her hands in his and
|
|
looked straight into her eyes, "I am very much in love with you. Will
|
|
you be my wife, Anna?"
|
|
Anna had held his gaze and nodded. Inwardly, she had wanted to
|
|
scream for joy and cry at the same time. It had taken all her strength
|
|
to express her feelings and give him an answer. "I too have been waiting
|
|
for the roads to clear, hoping you would come back to me soon. Winter
|
|
seemed too long, and spring so far away. At night, I dreamed you were
|
|
there, holding me, keeping me warm. My heart longed for your return. And
|
|
now you are here, making my dream come true. I love you, Sarim, and
|
|
shall be your wife." She had put her arms around his neck and kissed him
|
|
passionately.
|
|
|
|
"Anna! There is no need to beat the dough. You kneaded it enough."
|
|
Zarit shook her head and began to place items for the altar in a basket.
|
|
"Yes, Zarit," Anna replied, formed a round loaf, and placed it on a
|
|
row of stones above the fire to bake.
|
|
"I've laid out your dress. It's time to put the final stitches on."
|
|
"Isn't it a bit early? The ceremony won't be until this afternoon."
|
|
"It is not too early!" Zarit insisted. Anna sighed inwardly. She
|
|
would have rather waited until it was time to actually put the dress on
|
|
and leave. Anna reached for a wooden box, which contained her sewing
|
|
needle and thread. Skillfully, she applied the finishing touches to her
|
|
dress, then spread it out on her bed and admired her work. The dress was
|
|
dark green with puffy sleeves and a triple-layered skirt. A light-grey
|
|
collar and a belt of the same color completed the dress nicely. Anna had
|
|
used the rest of the grey fabric to sew an underskirt and make a few
|
|
ribbons for her headpiece. Originally, Anna had wanted a different color
|
|
for her handfasting dress, but Zarit would not hear it. She had reminded
|
|
her that it was a tradition among her family to wear a green dress on
|
|
their handfasting day. "You're my only daughter, Anna," she had told
|
|
her, "Who is going to uphold the family tradition if you're not doing
|
|
it?" And Anna had given in.
|
|
"Anna! Don't forget your bread!" Zarit called, sounding
|
|
exasperated.
|
|
"I'm coming, Zarit." Tearing herself away from looking at the
|
|
dress, Anna left her room. A sweet smell enveloped her almost
|
|
immediately. She took a deep breath in, then went to check on the bread.
|
|
"It's done, Zarit! It's done!" she called out excitedly.
|
|
"Then take it out and put it next to the window so it can cool
|
|
off."
|
|
Careful not to burn herself, Anna removed the bread, placed it on a
|
|
platter, and set it next to the window.
|
|
"Done, Zarit. Is there anything else I need to do? Anything I can
|
|
help you with? I cannot remember if there was something else."
|
|
"No, Anna, you're all done. Go and wash up and then rest."
|
|
"As if I could rest," Anna mumbled as she walked to her room. A
|
|
washbasin was already set up for her on a small table. "Zarit thinks of
|
|
everything!" she thought and methodically reached for a cloth and towel.
|
|
|
|
"Are you ready, Anna?" Jerel asked a few bells later, knocking on
|
|
her door.
|
|
"I'm ready." She replied from within. Anna opened the door smiling
|
|
at him. "Time to leave?"
|
|
"Straight!" Jerel held out his hand and led Anna outside. Holding
|
|
her head up high, she followed Jerel. Torches arranged in a circle
|
|
lighted the area for her ceremony. The altar was set at the east border
|
|
of the circle underneath a rising Nochturon. As Anna approached the
|
|
altar, she quickly glanced over the items laid out. A small sigh of
|
|
relief escaped her. Everything was there: the bread she had prepared, a
|
|
chalice with wine, a bowl of water and one with salt, a red candle, a
|
|
censer with herbs to burn, and two garlands. Anna barely noticed the
|
|
people who had gathered to share her ceremony; she only had eyes for
|
|
Sarim, who already stood next to the altar, waiting.
|
|
"Friends," Jerel called out. "I present tonight my daughter Anna
|
|
and Sarim Molag from Tench. Both have expressed their desire to be
|
|
handfasted tonight. They will be partners, friends, and lovers for the
|
|
duration of thirteen cycles of Nochturon. If they feel that after
|
|
thirteen cycles each other's company is no longer desired, they will
|
|
part ways, honoring the other's choice. However, parting is not the
|
|
intention of this couple. So let us proceed with the handfasting of Anna
|
|
and Sarim!"
|
|
Zarit stepped forward and lit the red candle. She turned and faced
|
|
Sarim.
|
|
"Sarim, do you join us here of your own free will, to acknowledge
|
|
before the people of this village the bond that is shared between
|
|
yourself and Anna?"
|
|
Sarim looked at Anna and smiled. "I do," he answered.
|
|
Zarit nodded and continued, "Then answer this challenge: Will you,
|
|
Sarim Molag, care for this woman, working to meet all her needs? Will
|
|
you forbear her in her weakness, care for her in sickness, and be kind
|
|
to her always?"
|
|
"I will," Sarim said loudly.
|
|
Zarit reached for the chalice, holding it up high for all to see,
|
|
then addressed Anna. "Anna, do you join us here of your own free will,
|
|
to acknowledge before the people of this village the bond that is shared
|
|
between yourself and Sarim?"
|
|
"I do," Anna replied.
|
|
"Then answer this challenge: Will you, Anna, care for this man,
|
|
working to meet all his needs? Will you forbear him in his weakness,
|
|
care for him in sickness, and be kind to him always?"
|
|
"I will," she answered, blushing.
|
|
"Then share this wine ..." Zarit handed the chalice to Sarim. He
|
|
took a sip and passed it on to Anna, who followed his example.
|
|
"... and share this bread." Zarit picked up the loaf and gave it to
|
|
Anna in exchange for the chalice. Anna broke a piece off and held it up
|
|
so Sarim could take a bite. Then Sarim took the bread from Anna, broke
|
|
off a piece and held it so Anna could take a bite.
|
|
"Now that you have shared bread and wine, take these garlands as a
|
|
sign of your union," Zarit continued and handed each a garland. Sarim
|
|
took the garland and placed it around Anna's neck.
|
|
"Take this garland as a sign of my love," Sarim said, his hand
|
|
brushing against Anna's cheek. Anna smiled and hung the garland she was
|
|
holding on Sarim's neck.
|
|
"With this garland I pledge my life and love to you," Anna
|
|
responded. Sarim took her face in his hands and kissed her. Anna felt
|
|
his gentle touch and kiss vibrate through her entire body. All she
|
|
wanted now was to be alone with him.
|
|
Cheers accompanied the young couple as Sarim led Anna away from the
|
|
altar. As they walked towards their new home, Sarim spoke softly. "I
|
|
cannot wait for you to meet my parents. We'll be leaving day after
|
|
tomorrow with Ezra's caravan."
|
|
"So soon?" Anna said, surprised, and stopped for a moment.
|
|
"I've talked it over with Jerel," Sarim answered. "That way, we'll
|
|
be back before the harvest."
|
|
"Straight," Anna replied, "But ..."
|
|
"But," Sarim interrupted her. "Tonight I have something else in
|
|
mind." He picked her up and carried her into their house.
|
|
|
|
The journey to Tench had been slow. It had taken them almost two
|
|
months to reach their destination, stopping to trade with villagers
|
|
along the way. When they finally reached Sarim's family, they received
|
|
an overwhelming welcome. Friends and neighbors alike arrived to
|
|
celebrate Sarim's and Ezra's safe return. Within a bell of their
|
|
arrival, Anna had been introduced to everyone. Soon she was looking for
|
|
a place to rest, exhaustion displayed on her face.
|
|
Sarim noticed her distress and intervened. "Mother, father, it has
|
|
been a long trip for us and Anna hasn't been feeling well the last few
|
|
days. I think she could use some rest. We both could use some rest. Our
|
|
friends will understand. I'm sure Ezra has business to discuss with you,
|
|
father."
|
|
Thankful for his assistance, Anna followed Sarim's lead into the
|
|
house. She noticed the rather spacious room had a large fireplace with a
|
|
kettle hanging over it. An odd smell emanated from it. She placed a hand
|
|
over her nose.
|
|
"You'll get used to it. My mother keeps a brew going at all times.
|
|
We'll have some in the morning," Sarim chuckled, noticing her gesture.
|
|
"My parents' room is to the right; next to it is the room in which my
|
|
father keeps his scrolls." He pointed to a small space partially hidden
|
|
by a curtain. "Ezra and I shared a room. Tonight, he's going to stay
|
|
with the wagon. Now the room is ours," Sarim said as he opened the door
|
|
to a small room. Anna took a look around. It had a small window, a bed
|
|
with clean linen, a chair, a large trunk, and a table with a few scrolls
|
|
on top.
|
|
"And tomorrow I'll have a surprise for you," Sarim whispered in her
|
|
ear, barely containing his excitement.
|
|
"What is it?" Anna inquired, her curiosity spiked. Sarim just
|
|
smiled, helped her out of her dress, picked her up, and laid her gently
|
|
on the bed.
|
|
"Tomorrow!" He pulled the covers over her and kissed her good
|
|
night.
|
|
|
|
The next morning, Anna woke up feeling sick. She had slept well
|
|
enough, yet the moment she sat up to get out of bed a wave of nausea hit
|
|
her. She took in a deep breath and fought the urge to vomit.
|
|
Concentrating hard not to heave, she dressed and left the room to step
|
|
outside, hoping some fresh air would help.
|
|
"Good morning, Anna. You're up early. Did you sleep well?"
|
|
Anna turned and saw her father-in-law sitting at a table covered
|
|
with scrolls.
|
|
"Yes, thank you," she replied. "I was just about to step outside
|
|
for a moment."
|
|
"May I accompany you?" he asked, getting up.
|
|
Anna managed a smile. "Yes, please." She waited until her
|
|
father-in-law reached her. He walked slowly, using a walking stick to
|
|
support his weight. His right leg seemed to hurt.
|
|
"I injured my leg in a hunting accident," he said before Anna could
|
|
ask. She acknowledged his comment with a nod, fighting another wave of
|
|
queasiness. It seemed like an eternity until he opened the door and the
|
|
two stepped outside.
|
|
"This is the best time of the day," he said without looking at
|
|
Anna. "I like to see the sun come up over these trees." He pointed in
|
|
the direction of a group of a dozen tall birch trees and several
|
|
saplings. "There is a tree for every girl and woman in the family.
|
|
Something one of my ancestors started."
|
|
"What a lovely tradition," Anna remarked. "But why only for the
|
|
women?"
|
|
"Did Sarim tell you about the curse on the women in our family?"
|
|
"He might have," Anna responded slowly, not remembering having
|
|
heard about a curse, but not wanting to appear ignorant. "I don't
|
|
remember. Would you tell me about it?"
|
|
"I will tell you the story, but first, would you go inside and get
|
|
us each a mug with brew from the kettle over the fire? My wife makes
|
|
this brew for breakfast every day. It's quite sustaining."
|
|
Anna did as she was asked. The smell of the brew sent another wave
|
|
of nausea. Returning with two mugs of brew, she handed one to her
|
|
father-in-law and followed his invitation to sit next to him on a bench
|
|
next to the house. "Drink! It will bring some color to your cheeks."
|
|
Obediently, Anna took a sip then another. The brew tasted somewhat
|
|
bitter yet was sweet. Much to her surprise, her nausea subsided.
|
|
"The curse is an old one, that is, if it is even a curse and not
|
|
just circumstances and coincidences. If I were to believe my brother
|
|
Drew, our entire family is affected." He took a sip from his mug.
|
|
"What happened?" Anna wanted to know.
|
|
"This all happened about five or six generations ago. Zenia, the
|
|
sister of a direct ancestor of mine, drew the wrath of a mage when she
|
|
married another man. The mage put a curse on her that supposedly
|
|
followed her descendants. As far as I remember, only the women were
|
|
affected."
|
|
"What kind of curse did the mage put on Zenia?"
|
|
"Hold on, child. It has been so long and my memory is not the best
|
|
anymore." He turned and looked directly at Anna. "It is best you learn
|
|
everything. Do you know how to read?"
|
|
"I do not read well. My lessons ended when my guardian died many
|
|
years ago."
|
|
"You had a guardian? What happened to your parents?"
|
|
"I never knew my father," Anna admitted. "And I don't remember much
|
|
of my mother. She died when I was little. Tobias, he was my guardian,
|
|
took me in after my mother's death and made sure I was well. He died
|
|
many years ago. His friends Zarit and Jerel took me in afterwards. They
|
|
are the parents I remember and love."
|
|
"What do you remember of your mother?"
|
|
"Not much. She had hair the same color as mine. She was very pretty
|
|
and loved me."
|
|
"How old were you when she died?"
|
|
"I don't know. I was little then. We traveled a lot. My mother died
|
|
not long after we moved into a small village somewhere near the
|
|
northwest end of the Darst Range." Anna shuttered briefly. More memories
|
|
surfaced than she cared to remember and was willing to share. She closed
|
|
her eyes for a moment trying to forget the last image of her mother.
|
|
"What else do you remember?" His voice was harsh and forceful. Anna
|
|
felt his questions were more an inquisition than general interest and
|
|
hesitated.
|
|
"Talk child! I need to know!" He grabbed her arm and held it tight.
|
|
Anna winced.
|
|
"Please," she pleaded. "Let go of my arm. I will tell you, but let
|
|
go. You are hurting me!"
|
|
He let go of her arm. Anna rubbed the sore site and then blurted
|
|
out. "I was only a little girl." Tears welling up in her eyes, she
|
|
continued. "Mother was in stocks. I don't know why. She sent me to our
|
|
house and told me to wait there, but she never came. And then men came
|
|
and burned the house and I ran." Anna's voice had gotten softer. As she
|
|
spoke the whole array of memories long buried resurfaced. Suddenly, she
|
|
remembered every detail. That night her mother had picked her up and ran
|
|
to try and save them. They had sought shelter under a tree and her
|
|
mother had left her there. Anna remembered she had managed to find her
|
|
way back to the village. She had discovered her mother in stocks and
|
|
attempted to cut her loose. In the end, her mother had sent her away
|
|
with the warning to hide from the villagers.
|
|
All the pain and agony over her inability to save her mother and
|
|
the subsequent loss resurfaced in Anna. Crying, she ran towards the
|
|
birch trees. Not knowing where to go from there, she stopped and leaned
|
|
against one of the trees, sobbing.
|
|
"Anna," Sarim called softly. She felt his hand on her shoulder.
|
|
Anna turned and placed her head on his shoulder, calming herself in his
|
|
presence.
|
|
"What happened?" Sarim inquired as he helped her dry her tears.
|
|
"Please, can we talk about it later? I don't feel good." Anna felt
|
|
the blood drain from her face. Suddenly, the day's light turned into
|
|
darkness.
|
|
|
|
Anna woke and found herself in Sarim's room, a cold cloth on her
|
|
forehead. His mother was sitting by her side.
|
|
"Feeling any better?" she asked and Anna nodded.
|
|
"How did I get here?" Anna asked confused to be inside.
|
|
"Sarim carried you. He caught you just in time. I will let him know
|
|
you are awake again." She got up and walked to the door. Turning, she
|
|
looked at Anna. "Do not try to get up."
|
|
"But --" Anna began, but was interrupted.
|
|
"No arguing. I will bring you some soup."
|
|
Anna watched her disappear through the doorway and tried to sit up.
|
|
Darkness encompassed her again.
|
|
Anna woke to the sound of loud, angry voices outside. It took her a
|
|
few moments to realize that she heard Sarim and his father arguing.
|
|
"Father, this cannot be," she heard Sarim say. "She cannot be Meg's
|
|
daughter. You said yourself that she ran away and no one heard from her
|
|
again. For all we know she may have gone to Magnus or even further away
|
|
and is happily married with lots of children."
|
|
"Do not be blinded by love, my son! You just read through the
|
|
scroll yourself. Every time you returned from Dargon the past few years
|
|
you complained that Drew was not letting up, insisting that Meg had been
|
|
survived by a daughter named Anna, and that the girl was being raised by
|
|
a man."
|
|
"What makes you think that Anna is who *you* think she is?"
|
|
"Do you not see it? The resemblance to Zenia in the painting, the
|
|
painting you keep wrapped up in your room? The red hair and green eyes?
|
|
And remember I knew Meg when she was young. My parents raised her after
|
|
her mother died. Anna looks quite a bit like Meg and she lost her
|
|
mother, too, when she was young! Drew said he had found out that Meg was
|
|
killed."
|
|
"Drew also said that he thought her daughter had died."
|
|
"But that is where you are wrong. Drew said he had talked to her
|
|
guardian and told him the story of our family."
|
|
"Then Anna should know the family history. Before you spoke to her,
|
|
she probably never heard the name Zenia."
|
|
"Son, do you realize the chance you are taking by marrying her? If
|
|
there is anything to this curse then ..."
|
|
"*If* there is anything to this curse," Sarim interrupted his
|
|
father. "You said it yourself. If! I for one do not believe in it."
|
|
Sarim's voice sounded bitter. "If there is anything to this curse,
|
|
father, then it will end with Anna and me. She will die, I will die, and
|
|
if we have a daughter she will not survive either. The curse will be
|
|
broken! That should make everyone very happy."
|
|
Anna had heard enough. She pulled the blanket over her head and
|
|
curled up. Her father-in-law was right. She was Meg's daughter and there
|
|
was a curse on her. Little bits of memory fell into place as she
|
|
remembered the day men came to Tobias' cabin and took her forcefully.
|
|
The man who had rescued her called himself Drew Molag. Until this day,
|
|
Anna had not put any thought to the fact that her last name was now
|
|
Molag as well. Slowly, she put all the pieces together and understood
|
|
the consequences.
|
|
"Oh Stevene, is there anything I can do?" Anna prayed silently.
|
|
"Give me strength to do the right thing." She forced herself out of bed,
|
|
straightened her dress, and was about to leave the room when Sarim
|
|
entered.
|
|
"What are you doing up, my love?" He sounded concerned.
|
|
"I am fine now. I ..." Anna stopped uncertain if she should
|
|
continue.
|
|
"Yes? What is it?"
|
|
"I ..." She swallowed hard. "I heard you and your father arguing.
|
|
Sarim, what if there is a curse on me? I ..."
|
|
"Anna," he pulled her close. "I do not believe in this curse. It is
|
|
just an old family tale. I am sure my uncle greatly exaggerated and my
|
|
father is beginning to believe it in his old age."
|
|
"Would you show me the picture your father was talking about?" Anna
|
|
asked, suppressing tears welling up in her eyes. Sarim opened the trunk
|
|
and pulled out a well-wrapped package. Carefully he took the cloth away
|
|
and held up a picture. The paint was old and peeling off in several
|
|
places. It was a portrait of a young woman with red hair and green eyes.
|
|
"Who is she?" Anna wanted to know.
|
|
"That is Zenia, one of my ancestor's sisters. She is the one said
|
|
to be cursed when she refused to marry a mage. I never believed that
|
|
story, but one of my uncles thinks she is the reason why none of the
|
|
girls in our family lived."
|
|
"Did you have a sister?"
|
|
"I had a younger sister. When we were little we would climb trees
|
|
and my sister insisted she could climb higher than anyone else. One day
|
|
she slipped and fell off the tree. It was an accident."
|
|
Anna noticed the sadness in his eyes and kissed him softly. "I am
|
|
sorry. Did your uncle have any daughters?"
|
|
"He had several daughters. None of them are alive though. Some died
|
|
in accidents and two of them died of illnesses."
|
|
"What a tragedy." Anna spoke softly. "What happened to Zenia?"
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|
"According to my uncle, she had a daughter. It's all written in a
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scroll my father keeps. He knows the story and can tell it much better
|
|
than I ever could." Sarim paused for a moment, looked from the painting
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to Anna and back to the painting. "You know, you look a little like
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|
her." He placed a kiss on each of her eyes. "Same green eyes and red
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|
hair."
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|
"But Sarim, speaking with your father made me remember. And you
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|
should know this." Anna pulled away from Sarim and gestured for him to
|
|
sit down. He pulled the chair up to sit down and Anna seated herself on
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|
the bed. Without being interrupted she told him all she remembered of
|
|
her mother, her childhood, and how she came to live with Zarit and
|
|
Jerel. "Do you still think there is no curse?"
|
|
"What you have been through is more than anyone should have to
|
|
endure. But I still do not believe in a curse and neither should you."
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|
He got up and left the room.
|
|
Anna could not shake the feeling that there was something he had
|
|
not told her. She felt confused and sad. Her mother-in-law brought a
|
|
bowl of soup and left the room without saying a word. Anna's mood didn't
|
|
improve. Feeling like an outcast, she lay on the bed and brooded over
|
|
her situation. Thinking about her nausea, she counted back the days
|
|
since she last had to deny Sarim his right as a husband. With a smile on
|
|
her face, she placed one hand on her abdomen. "I will keep you safe
|
|
little one."
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|
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========================================================================
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