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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 15
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 2
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 4/7/2002
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Volume 15, Number 2 Circulation: 734
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Sy Burns P. Atchley Sy 4, 1017
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Jakob Sings of Monstrous
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Things 2 Victor M. Cardoso Ober 4, 1018
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondence to <dargon@dargonzine.org> or visit
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us on the World Wide Web at http://www.dargonzine.org/, or our FTP site
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at ftp://users.primushost.com/members/d/a/dargon/. Issues and public
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discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 15-2, ISSN 1080-9910, (C) Copyright April, 2002 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@rcn.com>,
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Assistant Editor: Jon Evans <godling@covad.net>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@rcn.com>
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Although DargonZine gets a lot of email of various kinds, one of
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the most interesting classes of correspondence we receive often begins
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something like this: "I'd like to know how you happened to pick the name
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'Dargon', because it's my surname!" Over the years, we've received a
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handful of email from people who share names with characters, places,
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and things that we've written about.
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Most often, the inquiry has been about the surname "Dargon", which
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is so rare (as a last name) that it doesn't even appear in a list of the
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89,000 most common surnames compiled from a sample of 6.3 million
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respondents to the 1990 US Census. I also recently received an inquiry
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from someone with the last name "Asbridge". Asbridge is the 41,447th
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most common surname in the US, according to the Census Bureau, but it's
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also a rarely-referenced Dargon place name. Of course, now that it's
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appeared as a topic in a DargonZine Editorial, the chances are even
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higher that a random search for "Asbridge" will bring up a link to our
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site!
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Generally, the people who contact us in this manner are interested
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in one or both of two simple questions: how we came up with the name,
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and whether we have any genealogical or contact information about other
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people who share the surname.
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Much of the time, there's not much we can say about how the names
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we use have been chosen. Picking names for characters and places is
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often a very personal thing for most writers, and that's something our
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writers haven't discussed very often. Furthermore, since the names most
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likely to appear at the top of search engine listings are those that
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we've used the longest, it's very likely that any inquiries we receive
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about them could only be answered by writers who have long since left
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the project. And "Dargon", in particular, is one name we don't have a
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good answer for; it just happened.
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As for putting people in touch with others who share their surname,
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that's pretty far outside our area of expertise. Most of the names you
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see in Dargon aren't derived from the names of people we know; we
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consider that a dubious practice at best. So it's very unlikely that we
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can offer any assistance to folks who put their surnames into a search
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engine and wonder why a DargonZine story appears in their search
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results.
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Given the thousands of names that Dargon stories have generated
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over the years, it's not surprising that there are "collisions" between
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real surnames and the names we've created to populate the world of
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Dargon. I wish we could offer a better response to those folks who see
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their names and wonder how the link from one to the other happened. But
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I also wonder how often this kind of thing must happen to other writers,
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as well. Do you think anyone named "Beren" ever wrote J.R.R. Tolkien, or
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anyone named "Garion" wrote to David Eddings, inquiring about their use
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of the name?
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It's a small world -- or set of worlds -- indeed!
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In this issue, P. Atchley resumes the impressive run of great
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stories she began 18 months ago. The original outline for this month's
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"Sy Burns" was actually written two years ago, but the story ran into
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numerous roadblocks along the way to publication. Expect to continue to
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see lots of work from her this year, as she has become one of our most
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active writers.
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This issue also features the conclusion to Victor Cardoso's "Jakob
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Sings of Monstrous Things", which began in DargonZine 14-9. If you
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enjoyed this story, please drop Victor a note to encourage him to keep
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up the good work!
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After delivering on my promise that you wouldn't have to wait three
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months for this issue to arrive, now I have even better news. After our
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pipeline of submissions ran dry last year, our veteran writers have
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gotten back on track, and we've had a number of new writers come on
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board who have also begun cranking out stories. We have more than a
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dozen tales nearing completion, and that will keep us in business for
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the foreseeable future. As you can see on our recently-updated
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Publication Schedule page, we've planned out the contents and dates for
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our next six issues, and should easily be able to stick to our goal of
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distributing a new issue every four to six weeks.
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Thanks for bearing with us during the somewhat irregular schedule
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we had for the past six months; however, we've got plenty more stories
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to share, containing names both familiar and new, and we will have a
|
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regular and predictable presence in your inbox for the rest of the year.
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========================================================================
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Sy Burns
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by P. Atchley
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<dpartha@usa.net>
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Sy 4, 1017
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"Stop, thief! Help!"
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My partner, Aolani, sprinted after the miscreant before the cry
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stopped. The robber twisted and turned, apparently hoping to lose us in
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the dusk. But Aolani had been born and raised in Dargon, and she knew
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the streets very well indeed. A fast runner, she had helped run messages
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during the war and, in fact, had received a commendation for her feats
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of running endurance. I knew that the thief did not have a chance.
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By this time the culprit had reached a small alley that turned away
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from the main street. At the corner, he glanced back for a moment before
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tucking the little purse inside his tunic. He grabbed something shiny
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from his belt and rushed into the alley. We were close behind, and as I
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reached the turning moments after Aolani, I saw her throw herself at him
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with a flying tackle; they both fell in a tangled mess of feet and arms.
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The two of them rolled on the ground, and then my partner groaned. The
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thief dragged himself up, gasping for breath, and staggered away in a
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quick shuffle just before I reached them. It did not even occur to me to
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follow the robber when my partner was lying wounded. The young cutpurse
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had already gone half-way down the street, and although I felt a twinge
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of guilt for letting him get away, my attention was on Aolani.
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Breathing heavily, I knelt next to her. She was lying on the ground
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with her eyes closed as rivulets of blood flowed down her body. I lifted
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her up into my lap, my stomach tightening at the sight of so much blood,
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something inside of me freezing as I recognized the severity of her
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wound.
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"Aolani!" I could not even draw breath to curse.
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"Bleeding mongrel got away, eh?" she said in a half-question,
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exhaling and closing her eyes.
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I looked down at her in pained silence, my heart thundering fit to
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be heard at the keep on the other side of the river. When I did not
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reply, she opened her eyes and managed a smile that ended in a grimace.
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"Don't, for the sake of the Stevene, lose that control ... I'll
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come back to haunt you if you do ..."
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The words trailed away and then her eyes stared up blindly. In that
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single moment, I could feel all the sorcerous restraints she had helped
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me exert over my emotions begin to erode. The walls within my mind
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trembled and I keened as I realized for the first time how alone I was
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against the beast inside.
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Ilona Milnor, a lieutenant in the Dargon town guard, was awakened
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by a shrill whistle outside her home.
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"What? Not another fire," groaned her husband, Kalen Darklen, also
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a lieutenant in the town guard. Over the past two sennights, two of the
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warehouses down by the docks had been burned. Luckily, they had been
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empty, and the fires had been quenched easily enough because the
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warehouses were close to the river.
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"I'll be back soon. Go to sleep." She dressed in a hurry, pulling
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her shoulder-length brown hair into a rough ponytail secured by a
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ribbon, and was on her way out within a mene. A tall woman, she had
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pretty features, although endless time spent outside had resulted in
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crow's feet around her eyes.
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As Ilona reached the docks, she saw that this time it was the very
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last warehouse on the riverbanks near the marshlands north of the
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causeway. Her heart sank as she realized the building was not empty. Her
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team of ten guards, all volunteers of the fire guard, was already there.
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The water cart had been left near the half-burned warehouse the previous
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sennight, and someone had filled it and brought it along.
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One of the guards, Coressa DaVrice, shouted as she saw Milnor,
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"Lieutenant, the building has corn and barley in it." A recent volunteer
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in the fire guard, DaVrice was a woman who took her work seriously.
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Flinging water at the base of the fire, she continued, "I don't know how
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much of it we're going to be able to save."
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Milnor grabbed the final bucket and began to help her, noting that
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the other guards were engaged in the same activity at different
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locations around the building. "We must save it, Coressa," she answered
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between buckets of water. "We must save as much as we can."
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The building was not large, and the lookout she had posted had done
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a good job and raised the alarm at the first sign of smoke. Milnor
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sighed and hoped that DaVrice had overestimated the danger.
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"The cart's almost empty, sir," DaVrice shouted.
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Sergeant Cepero, an older man, came running from the other side of
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the building. In spite of the lateness of the bell, he was still in
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uniform. He addressed Milnor between gasps, "Garay and Tarb are using
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sackcloths to beat down the flames on the other side. Some of the
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townspeople are out there on that side -- it's where we need the most
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help." The two guards he referred to had been a part of the fire guard
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from the day Milnor had created it and were experienced in quenching
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fires. She knew that the two of them would guide the civilians' efforts
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in the right direction.
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Without waiting for her to reply, Cepero bent and lifted the front
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of the cart. "Come on, DaVrice, let's go, let's go," he shouted.
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The front of the cart had two poles extending outward from each
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side, and a third pole that connected the two extensions; in effect,
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creating a handle. Before Milnor had appropriated the cart, it had been
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used for moving horse dung from the stables. She watched as Cepero
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dragged the cart behind him and DaVrice pushed it. They ran down the
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street past two or three warehouses to the docks where they could get
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water from the Coldwell. Milnor dimly saw another guard walking away on
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the other side and her eyebrows contracted in perplexity. It looked like
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Streed, a town guard, and he was not a volunteer in the fire guard,
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unless Cepero had brought him along. Then Espen, another fire guard,
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came running from the other side, gasping her name and she returned her
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attention to fighting the fire. He threw two sopping-wet sackcloths in
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front of her and took off behind the disappearing cart to help them haul
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water.
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Milnor began to beat the flames with the damp sacks. The warehouse
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was a one-story affair, and roughly rectangular in shape, built from a
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combination of wood and brick. The southwest corner of the building
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appeared to be where the fire had started. It still burned, although it
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was not spreading; Garay and Tarb, along with the help of the
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townspeople, had managed to contain the flames from moving further
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toward the docks.
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Those who had gone to get more water in the cart returned. DaVrice
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came up to her and flung a bucket of water at the base of the fire. The
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area Milnor had been working on let out a huge belch of smoke, but the
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fire died. She threw down the sackcloths and grabbed a bucket.
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"Cepero, get the others," she gasped, wanting everyone to hit the
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area with water at the same time. He understood her intentions
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immediately. Moments later, two guards came running from the west side
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of the building. They grabbed a bucket each and began to work.
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After what seemed like a long time, perhaps a bell, perhaps two,
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Milnor drew in a deep breath, and promptly coughed. The fire itself was
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out, but there was smoke everywhere.
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"It's done, Lieutenant," Tarb said, trudging up to her. Garay
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followed. Slowly, one by one all the guards came up to her, most of them
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coughing. The townspeople had left already, exhausted from their
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efforts. The fire guard stood around her, the discipline of reporting
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after an assignment carrying over even to this, a volunteer task.
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"Excellent work," she murmured, almost swaying with fatigue. "Thank
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you all for helping. Now, go get some rest. Cepero, I want to talk to
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you. We need to find out who's behind this. It's by Lord Dargon's own
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luck that no one has been seriously hurt so far."
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The others dispersed, grim looks on their faces as they
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contemplated what she had just said.
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She and Cepero began walking towards their lodgings, which were
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located close together. "Sergeant, you do realize we have someone who is
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deliberately setting fire to these warehouses, don't you?" she began.
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"Of course, Lieutenant. One might have been an accident, but this
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is the third. We have to double the night shift guard, and have them
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walk down the Street of Travellers more often," he responded.
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"Make sure the lookout stays alert. You know as well as I do that
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sometimes fires can start again from the embers. And send a page to ask
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him to come see me tomorrow after he's rested."
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"Straight. Get some rest, Lieutenant; you're asleep on your feet."
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It was said with paternal solicitude and Ilona smiled her thanks. They
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had worked closely together for many years and, while he maintained a
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respectful distance before the other guards, in private he treated her
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like a daughter.
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"What have you done with it, you flea-bitten cur? This is one Round
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short!"
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I looked down at my wife, Fidelia. About a hand shorter than me,
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she had blond hair that fell in long ringlets past her shoulders, light
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blue eyes, a pert nose and rosebud lips with teeth like chips of gray
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marble. Everything about her combined to make an almost perfect picture,
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marred only by her strident voice and her speech, which was interlaced
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with oaths and slang used by the roughest of men.
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"I used it to pay for Aolani's funeral," I said shortly. "The
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cremation was a sennight ago." I sat down before the small table and
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began to take off my boots.
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"You used our money to pay for her funeral? And a cremation at
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that? Kale, a whole Round! Why, is she too good for an ordinary funeral
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like the rest of us that you had to go and pay extra for a cremation?"
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The town bell tolled the time, and the sound echoed in the small
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room. I sighed. "Aolani was a Stevenic Theosayer and you know they
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cremate their dead." While most Stevenics believed that the Stevene had
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been hanged, a small group who called themselves the Stevenic Theosayers
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believed that Cephas Stevene was killed by fire; therefore they cremated
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their dead as a mark of respect.
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"Whatever. They can believe whatever they want. What I want to know
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is this: why should you pay for the funeral? I wanted that money, Kale.
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I had my eye on this beautiful fabric that Leana Mudge agreed to make
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into a dress for me. I was going to use it for that dress, you -- you
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pus-ridden worm!" She was breathing hard, glaring at me with her
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beautiful blue eyes.
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"Aolani was my partner, Fidelia; I owe her at least this much," I
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said wearily.
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"Oho! What the fark did you owe her for? You roll with her?"
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I winced. "Fidelia! Mind your tongue. Aolani was a good woman. She
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was a guard and my partner; that's all." I rose and put my boots away
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tidily near the door. She had been more than just my partner; she had
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been the one who had first realized what was inside me -- her magic had
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recognized mine. Another wave of sorrow at Aolani's death joined the
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living grief that lived inside of me, a being that kept company with the
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monster that already lived within.
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"That queenie! You should have gotten a man as a partner. She stole
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my husband, my --"
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I interrupted, "Rubbish, Fidelia. Do be sensible. Aolani was my
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partner, nothing more." Partners in the guard and partners in the magic,
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we had been friends, a friendship based on years of growing up together,
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playing pranks together, and then, as we grew older, searching for
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understanding of the magic that lived inside her, and inside me. We had
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never been interested in each other that way; she had been my friend,
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not a woman I had wanted to have a relationship with.
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"Ha! Partner, my foot! Do I look like a foolish virgin to you, that
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you can tell me all these stories? I know you were rolling with her. And
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what happened to the dress you bought her? I know you bought her one --
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Leana Mudge told me she saw you at Della's shop. You were rolling with
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Aolani and I hate you!"
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My breath was in rhythm, synchronized to the incantation I was
|
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muttering under my breath, so holding the fire back was easy. But the
|
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sheer anger that ran through me at Fidelia's uncouth and vulgar words
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swept past my control; my hand rose. As if I were watching from outside
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of myself, I saw it rise and slap her. There was blissful silence at
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last.
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Fidelia was looking at me with tears in her eyes, a hand cradling
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her undoubtedly sore cheek. Her lower lip trembled, and I felt guilt
|
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overwhelm me. I should have stopped; I should have reined in the anger;
|
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I should have ... I sighed at my own useless regrets and stretched out a
|
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hand to Fidelia, almost in supplication. She stepped back with a teary
|
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hiccup, the momentary spell broken, and turned to exit the room leaving
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me a parting gift of more hateful words. "Scum! I curse the day I
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married you! If I were to tell my uncle Roman about you, he would --"
|
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she gave a sob and left.
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I sighed. I agreed with Fidelia in that at least. I wondered why I
|
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had married her: my beautiful wife, Fidelia. More to the point, I
|
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wondered why she had married me. I had, at least, had the excuse of
|
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thinking that the beauty outside reflected what was inside. Now, four
|
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years later, I had yet to discover what I had got from this marriage
|
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other than a shrewish fishwife and days full of acerbic torment.
|
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"Dada, Mama angry?"
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|
My little girl, not quite two years old, stood by my leg, tugging
|
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at my trousers for attention.
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"Charity, honey." I bent, lifted up the tow-headed moppet into my
|
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arms and kissed her. "How are you?"
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"Me hungry, Dada," she replied, her lower lip trembling just this
|
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side of a pout.
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I sighed. She was so like her mother in looks that sometimes I
|
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couldn't bear it. "C'mon honey, let's get you something to eat."
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The following afternoon Milnor walked briskly back to the
|
|
guardhouse, wanting to reach the guardhouse before Cepero left.
|
|
"Lieutenant, what are you doing back here?" he asked, his voice
|
|
rising in surprise as he saw her in the corridor leading to the outer
|
|
door of the guardhouse. "I was just leaving."
|
|
"I had a talk with Urs," she said. "Come with me, Cepero, I want to
|
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discuss the fires with you." Urs was a young orphan whom Milnor was
|
|
trying to recruit into the guard, but with little success thus far. He
|
|
did, however, make a great lookout. As they walked down the dim
|
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corridor, she continued, "Urs told me that he saw a guard outside the
|
|
warehouse just before it had started to burn."
|
|
"That's impossible. I don't believe it."
|
|
Milnor sighed. "At first, I couldn't believe it either; yet I've
|
|
known the boy for five years and I've never known him to lie. Besides,
|
|
why would he lie, and that too about a guard?"
|
|
They had arrived at Cepero's office by then, and Milnor entered the
|
|
dark office while Cepero continued down the corridor to where it turned
|
|
off abruptly.
|
|
He yelled, "Page! Torch!" and then returned to enter the office,
|
|
which was a rather large room with a window overlooking the front
|
|
entrance to the building. At the moment a bright moon cast its light
|
|
through the window. Three large desks sat in the center of the room;
|
|
Cepero shared his office with two others. Soon they heard the sound of
|
|
running. A young boy came in and handed a torch to Cepero, who reached
|
|
up and lit the two wall sconces.
|
|
"Thank you, boy," he murmured. The boy nodded and left.
|
|
Cepero picked up the conversation where they had left it. "Well,
|
|
Urs keeps away from guards; you're the only one he talks to. If I need
|
|
him to do something, I have to send a page."
|
|
"That doesn't mean that he lies. Roman, I would know if he lied. He
|
|
said that the guard he saw outside the warehouse was a man taller than
|
|
me, with fair hair, well-built and muscular."
|
|
"What if he was mistaken? Perhaps in the light he mistook the
|
|
uniform. Maybe the guard had been on walk-duty or simply had been going
|
|
home after his shift. There could be any number of innocent
|
|
explanations. Did Urs recognize the guard?" Cepero's tone was
|
|
reasonable.
|
|
"No. He said that the guard was taller than me, with fair hair, and
|
|
was well-built. Urs seemed to think that he had seen him before on
|
|
walk-duty, probably within the past month."
|
|
Cepero walked around the desk to open a large book, the duty
|
|
roster, and began to mutter to himself. "Let's see, someone who came off
|
|
walk-duty within the past month. Shall we start from the first of Yuli?
|
|
Wait; there was no duty change between the first and tenth of Yuli. I
|
|
think we may need to go further back."
|
|
"Let's say the twentieth of Yule," Milnor offered.
|
|
He nodded. "Straight. DaVrice and Espen changed on the eighteenth
|
|
of Yuli. Mayandi and Kanchani are still on. Aolani and Streed changed
|
|
from walk-duty to guard-duty at the keep on the twenty-eighth of Yule.
|
|
They were patrolling with Quot and Westerly, who are still on walk-duty.
|
|
I took Streed off when Aolani was killed. Streed was supposed to go back
|
|
to patrol on the first of Sy, but ..." his voice trailed off as he
|
|
continued to pore over the roster.
|
|
"We haven't found a partner for him yet, have we?" Milnor asked,
|
|
tapping her boot against the side of the desk.
|
|
"Not yet. He's going to be on guard duty in the marketplace for a
|
|
while. Who's left? Garay and Tarb. They rolled off on the thirtieth of
|
|
Yule and went back on, on the second of Sy," Cepero murmured.
|
|
"Streed, Mayandi, Garay and Tarb are the only male guards who came
|
|
off walk-duty within the past month. Mayandi has dark hair, and Garay is
|
|
barely taller than me. My guess would be Streed or Tarb -- they're both
|
|
a good finger taller than me; they're both well-built, and they both
|
|
have light hair," Ilona said, staring out of the window at the tallest
|
|
of the keep's towers, the one visible from the guardhouse. Between the
|
|
moon's gray light and the thin fog that was rising from the Coldwell, it
|
|
appeared shrouded in mystery.
|
|
"I don't think we can go on a hunt within the guard, Ilona." Cepero
|
|
frowned, his forehead creasing. Ilona looked back at him and realized
|
|
that he was upset by the idea; his forehead always creased like that
|
|
when he worried.
|
|
"We may not have to." Ilona met his eyes, knowing that she owed him
|
|
the truth. "I saw Streed at the corn warehouse last night." Seeing him
|
|
frown, she added, as if throwing a lifeline to someone in a swamp, "You
|
|
didn't bring him to fight the fire, did you?" If he had, then Streed had
|
|
been there to help the fire guard -- an innocent explanation for his
|
|
presence at the warehouse.
|
|
He shook his head slowly, absorbing the implications of what she
|
|
had said. "Do you think it's him? How can you be sure?"
|
|
"I can't be sure; I'm not sure. He's your niece's husband and he's
|
|
worked under you for some time. You tell me: do you think he could have
|
|
done it?"
|
|
"But why? Why would anyone do such a thing? It's pointless."
|
|
Ilona sighed. "That's what I can't stop thinking about, that I
|
|
don't understand why."
|
|
"Actually, I have a suggestion for you," Cepero paused for a moment
|
|
to close the duty roster. "I think we have to understand how this
|
|
happened before we can understand why. For that, I think you should
|
|
examine the burned warehouses to see what you can find. Westerly -- you
|
|
remember him, don't you? He's a fine tracker. Why don't you take him and
|
|
see what you can find?"
|
|
"That's an excellent idea, Roman. Where is Westerly? Have him meet
|
|
me outside --"
|
|
Cepero interrupted her. "Ilona, you need to get some rest. We
|
|
didn't finish with the fire until almost the ninth bell of night, and
|
|
here you were at the guardhouse by the second bell this morning. Why
|
|
don't you go home, and I'll leave a message for Westerly to meet you
|
|
outside your lodgings at, say, the third bell in the morning? What do
|
|
you say?" he asked persuasively.
|
|
"Oh, straight, look who's talking," she said, letting out a small
|
|
smile. He grinned and opened his mouth to rebut, but she cut in, going
|
|
back to the more serious topic. "But, just in case, I think we need to
|
|
have someone follow Streed."
|
|
Cepero looked troubled, obviously unwilling to accept the idea.
|
|
Ilona wondered if he were against the idea because of his protective
|
|
attitude toward Streed, who happened to be his niece's husband, or his
|
|
feelings about wrongdoing within the guard.
|
|
He objected, "But he knows almost all the town guards. I'd have to
|
|
get someone from the ducal guard to do it, and even then, who knows?
|
|
Streed may recognize the guard and realize what's happening."
|
|
"Don't worry about it," she said. "I have an idea." She decided she
|
|
would get Urs to follow Streed. That would take care of the annoying
|
|
detail of Streed potentially recognizing another guard.
|
|
She slid off the side of the desk and as she reached the door,
|
|
threw over her shoulder, "I'll see you later, Roman."
|
|
|
|
I walked along the Street of Travellers at a rapid pace, turned
|
|
into Ramit Street and made another right turn down a small alley,
|
|
praying that my salvation would be available. Stopping at a door on the
|
|
left, I raised my hand to knock, when it opened and a figure stood
|
|
revealed. The man was clean-shaven and neatly dressed, but his dirty
|
|
beard, flecked with blood and spittle, struck a discordant note in his
|
|
appearance. As soon as he saw me, he turned and led the way upstairs,
|
|
coughing all the while. He was Jak Ylman, a strange man who peddled
|
|
herbs and little magical charms to gullible souls. The efficacy of his
|
|
charms was questionable; the potency of his herbs was not, herbs which
|
|
gave me blessed peace from the monster in my mind.
|
|
The room we entered was small and square, the lone window closed
|
|
tightly against the sun. A small desk in a corner, a shelf against one
|
|
wall and a bed against another wall were the only pieces of furniture in
|
|
the dingy room filled with mephitic odors. I took short breaths, trying
|
|
not to gag as my mind identified each smell: sweat, vomit, excretion,
|
|
blood, and pungent herbs. Two mortars, a pestle, and a burner sat on the
|
|
desk.
|
|
"Jak?" I enquired.
|
|
"Yes. You have money?" Jak Ylman's voice was gravelly, as if he
|
|
spoke but rarely.
|
|
"Here." I handed over a fistful of Bits.
|
|
He grabbed it, breathing hard, carefully counted the coins and even
|
|
more carefully put them away in the desk, an item that boasted a drawer
|
|
with a lock. Then, from a shelf that stood against the far wall, he
|
|
pulled a small pouch and handed it to me. I took it thankfully and left
|
|
the room.
|
|
As soon as I reached the outside, I breathed in, leaning against
|
|
the side of the building. I swallowed the herbs and waited. The fresh,
|
|
damp-scented air filled my lungs as I strove to get the noisome stench
|
|
of the room out of my nose and out of my mind. Now that I was in the
|
|
open, the restraints against the monster wavered dangerously, and each
|
|
fetid smell took on a color in my mind; the sweat became stale yellow,
|
|
the vomit a rank orange, the blood a putrid brown and the herbs a musty
|
|
green. My breathing slowed to the beat that Aolani had taught me as I
|
|
strove to contain the images in my mind. The sound of the air through my
|
|
throat grew louder and louder in my mind, crowding out everything, until
|
|
I could see nothing else and then abruptly the white wall appeared. At
|
|
last the herbs started working and the white took on the gentle hues of
|
|
the colors of the rainbow; my control grew correspondingly until I
|
|
sighed in relief.
|
|
|
|
Milnor approached the guardhouse thinking of her activities during
|
|
the past two bells. First thing that morning, she had examined the
|
|
warehouses with Westerly's help for anything that would point to the
|
|
identity of the culprit. While he had measured the boot prints at the
|
|
warehouses, she had taken a sieve and sifted through the mounds of ash
|
|
at the warehouses. They had searched for anything to indicate how the
|
|
fires had been set, but all their efforts had given rise to nothing save
|
|
the satisfaction that their examination had been thorough in the
|
|
extreme.
|
|
There appeared to be no other avenue except to investigate Urs'
|
|
description of Streed's activities during the time he had followed the
|
|
guard. Milnor quickened her step, wanting to share the new information
|
|
with Cepero.
|
|
He was in his office talking to Streed, and when he saw her at the
|
|
doorway, he beckoned her in. At that bell of the day, the other two
|
|
sergeants who shared Cepero's office were out patrolling.
|
|
"Come in, Lieutenant," he said formally. "You know Streed? He's
|
|
been reported for falling asleep on duty."
|
|
"What? Are we that short-staffed that we're putting people with
|
|
insufficient sleep on duty?" she asked sharply.
|
|
"No, ma'am," Cepero answered at once. "Streed has been working
|
|
single shifts on compassionate grounds because he lost his partner about
|
|
three sennights ago. I have Quot and Westerly and a couple others doing
|
|
double shifts, and DaVrice even pulled a triple shift last sennight."
|
|
He sounded indignant, Milnor thought, momentarily amused. Cepero
|
|
believed that proper rest was the key to good work.
|
|
Cepero turned to the other guard and continued, "Streed, I can't
|
|
condone this simply because I'm Fidelia's uncle. A rule is a rule for
|
|
everybody. I'm going to put you on report. You're losing all your
|
|
off-duty for the next month and --"
|
|
"Wait, Sergeant," Milnor interrupted, wanting to stop Cepero before
|
|
he ordered Streed to work every day for the next thirty days. Also, this
|
|
seemed to be the right opportunity to address the doubt in her mind
|
|
about Streed's presence at the warehouse that night. She decided to take
|
|
a circuitous route to the question. "Why did you fall asleep on duty,
|
|
Streed?"
|
|
"I was tired, Lieutenant."
|
|
Milnor looked at him, taking the time to really see the man behind
|
|
the anonymous face of the guard. He was tall, taller than both Cepero
|
|
and she, and despite his light hair and blue eyes, his face was more
|
|
homely than good-looking. A wide forehead gave onto a nose that had been
|
|
broken at some point and had healed with a sharp curve, giving it a
|
|
rather beakish look. His eyes were rimmed with red, with dark bags
|
|
underneath, while his voice was pleasant. Yet she was conscious of
|
|
something about him which appealed to her femininity on a certain level.
|
|
She squashed the thought mercilessly, angry with herself for
|
|
allowing it to surface at her place of work.
|
|
"Why are you tired? You have been going off-duty, haven't you?" The
|
|
guards worked on a rotation of five days on and two days off. Sometimes,
|
|
when some guards were sick or injured, other guards had to forego their
|
|
two days off, but Cepero had already confirmed that this was not the
|
|
case with Streed. Milnor wanted Streed to acknowledge that, despite
|
|
being short-staffed, they had treated him with sympathy, allowing him
|
|
the time to grieve for his lost partner.
|
|
"Yes, ma'am."
|
|
"Streed, I'm trying to help you. It might be easier if you talk to
|
|
me," she said, trying not to show her impatience at his monosyllabic
|
|
responses.
|
|
"There's nothing to say, ma'am. My daughter has been ill, and it's
|
|
been a hard few days," he said.
|
|
Cepero broke in angrily, "What? Charity is ill? Why didn't you tell
|
|
me?" Milnor could understand his concern; she knew that the older guard
|
|
was fond of children and especially of his niece's daughter, who was a
|
|
charming little girl. Milnor found it amazing that such an ill-tempered
|
|
woman as Fidelia could have birthed such a sweet-tempered child.
|
|
For the first time, Streed moved from his stiff posture. His eyes
|
|
moved away as well, to the window. "She's fine now, sir."
|
|
Milnor could not shake a feeling of unease when he failed to meet
|
|
her eyes. He was rubbing his palms against the side of his tunic, and he
|
|
twisted one foot in the direction of the door. It was certain that he
|
|
was lying about his daughter.
|
|
She approached the issue directly. "What were you doing at the corn
|
|
warehouse the night before last, Streed?"
|
|
"Me? I wasn't there, Lieutenant!"
|
|
"Are you sure?"
|
|
Cepero looked at her, a small crease on his forehead, a sign of his
|
|
worry. She didn't know what he saw in her eyes, but when he next spoke,
|
|
it was to follow the line of questioning she had started.
|
|
He said grimly, "Don't lie, lad, or it will go the worse for you.
|
|
Don't think that just because you've married my niece Fidelia, I'll make
|
|
it easy on you. Tell us: what do you remember about the night the third
|
|
warehouse burned down?"
|
|
Milnor wondered whether Cepero was merely following her lead, or
|
|
whether he truly believed that Streed was lying. Then she realized it
|
|
didn't matter; one glance at Streed was enough for any experienced
|
|
questioner to conclude that he was indeed lying. Small beads of
|
|
perspiration dotted his forehead even though the office was not that
|
|
warm. The previous day's fog had not dissipated completely, and there
|
|
was a damp chill to the air, despite the sunlight that streamed in
|
|
through the open window.
|
|
"Nothing, sir." He still did not meet either of their eyes.
|
|
"Streed," Milnor said, letting a note of implacability enter her
|
|
voice. "Start from the morning. What did you do?"
|
|
"I was on guard duty here at the guardhouse. When I went home, I
|
|
had another fight with Fidelia and then I went to sleep."
|
|
"You lie." Milnor moved, quick as a cheetar, from her usual
|
|
position perching against the side of the desk to face Streed. Even
|
|
though he was taller than she was, he cowered before her at the sight of
|
|
the fury on her face. "You lie. Tell me the truth, or I will have you
|
|
thrown into the dungeons." The lower levels had devices, presently
|
|
unused, that were the stuff of nightmares.
|
|
"It wasn't me, I swear, by the Stevene," he began to yell, his eyes
|
|
wild.
|
|
"Then tell me the truth!" she shouted.
|
|
As Milnor stared at him, his eyes began to darken and he was
|
|
trembling. He seemed to be taking her dungeon threat seriously. She
|
|
opened her mouth to disabuse him of the notion when there was a
|
|
clattering sound near the door. As she turned toward the door, the wall
|
|
sconce blazed up. A boy entered the office. "Lieutenant, the Cap'n wants
|
|
you in his office."
|
|
"The sconce ..." Milnor looked back at the sconce and stared, mouth
|
|
open. It was unlit, and quite dead. Had she imagined it? She closed her
|
|
open mouth and turned back to stare at Streed, who still trembled; but
|
|
his eyes were quite normal.
|
|
"What about the sconce?" Cepero asked, glancing at the sconce and
|
|
then at her.
|
|
She checked it again, but it remained unlit, making her wonder if
|
|
she had imagined it all. "Nothing. Nothing at all," she said, deciding
|
|
that she had imagined the whole thing. She had fire on the mind, that
|
|
was all. That, combined with seeing the page who usually brought the
|
|
torch for light had been why she'd thought the sconce was lit. Turning
|
|
to the boy, she continued, "I'll be right there. You can go." She
|
|
watched him salute and trot away.
|
|
"I didn't do anything. Let me go, sir," Streed said, his voice
|
|
trembling.
|
|
Milnor stared at him, debating whether to hold him or let him go.
|
|
She did not look forward to endless repetitions of the same
|
|
questions to be met with the same denials. While she suspected him, she
|
|
had no proof, no witnesses and no idea of why, and his denials were
|
|
strong.
|
|
She had to make a decision at once; Koren was waiting for her and
|
|
no doubt wished to know the progress on this investigation. He would not
|
|
be pleased with her if she jailed a man without any proof at all. Urs
|
|
was following Streed, so if the latter did do anything that seemed even
|
|
remotely suspicious, Urs would let her know. Quelling her instinctive
|
|
reaction to put Streed in one of the cells, she said to Cepero, "Send
|
|
him home. Get some rest, Streed."
|
|
After he left, she turned to Cepero and said quickly, "Urs told me
|
|
that Streed goes to a boarding house off Ramit Street often, to visit a
|
|
Jak Ylman. I'm going to see him after I speak with the captain."
|
|
|
|
As I entered my home, Fidelia was teaching Charity to eat on her
|
|
own. I stopped silently and watched them, smiling as my beautiful
|
|
daughter slopped stew all over her face.
|
|
Fidelia laughed and said, "Honeypear, not like that. Slowly. Mmmm.
|
|
You like that don't you?"
|
|
Mother and daughter laughed at each other and I laughed too.
|
|
Fidelia looked up and her smile faded. She turned back to the child
|
|
and said, "That's enough for today, dearie. Come on." She hefted the
|
|
child into her arms and stepped into the next room.
|
|
It was more than a bell later that she returned to the front room,
|
|
and later still before she spoke a word to me. "So where were you last
|
|
night?" Her voice was soft, and she was folding a tunic and making a
|
|
huge task of it.
|
|
I looked at her warily as I spooned stew into my mouth, wondering
|
|
what kind of mood she was in. "Right here," I muttered. I'd begun
|
|
needing more of Ylman's herbs than before simply to quieten the sound of
|
|
the monster as it pounded against the restraints I built. The truth was
|
|
that Aolani's incantations no longer had the same strength that they'd
|
|
had when she had been alive.
|
|
"Don't lie," she said. "You weren't here for three bells. You think
|
|
I don't notice, but I do. What do you think I am, an idiot?" She rose
|
|
and put the tunic away on a shelf against the wall and then, without
|
|
waiting for my response, continued, "Aolani's dead, so who is she? Tell
|
|
me if there's someone else, please, Kale." Her voice trembled.
|
|
"Fidelia, please. There is no one else." I sighed. I felt tired of
|
|
trying to convince her that I cared for no other woman save her. I
|
|
wondered if that were true any longer, although it had undoubtedly been
|
|
true when we had married. The exhaustion in my limbs from lack of sleep
|
|
seemed to absorb all conscious thought, leaving me defenseless against
|
|
the fire in my mind. It glowed evilly, the banked embers beginning to
|
|
spark and flame here and there.
|
|
"I followed you yesterday," she said, standing motionless before
|
|
the shelf. "I saw you go down the Street of Travellers. You went to that
|
|
whorehouse, the Shattered Spear, I know it."
|
|
I looked at her back and wondered if she was crying. "Did you see
|
|
me walk into the Shattered Spear? No," I answered my own question,
|
|
"because I didn't. There's more than one place on the Street of
|
|
Travellers." The flames in my mind began to leap at my indignation and I
|
|
scrambled for control. Fidelia's accusal was an obscenity to one such as
|
|
I, who believed strictly in the sanctity of marriage as advocated by the
|
|
Stevene.
|
|
"Oh, so there's another whorehouse that you go to? Tell me, Kale, I
|
|
want to know. If I were to tell my uncle Roman --"
|
|
I interrupted her, "I am sick of hearing you talk about your uncle
|
|
Roman. No more, Fidelia. Why your mouth can't be as sweet as your face,
|
|
I will never know. I was fooled by your pretty face when I married you."
|
|
I rose and began to pace the small room, the anger inside me demanding
|
|
an outlet other than the fire that threatened to overcome my control. I
|
|
began to breathe slowly, muttering the incantations under my breath,
|
|
desperately hoping that they would work.
|
|
"What are you saying? That I'm not good enough for you? That only
|
|
Aolani was good enough for you?" Fidelia's voice began to rise. She
|
|
turned to face me and I knew I had been mistaken in thinking she was
|
|
crying.
|
|
I snapped, "She was my partner, for Stevene's sake! Can't you at
|
|
least be respectful of a dead person?" Dead, dead, dead. Because of me,
|
|
me, me. The flames mocked. The colors wavered. The monster beckoned,
|
|
grinning at me evilly through the holes in the colored wall.
|
|
"I'll say whatever the fark I want in my own house. Who're you to
|
|
stop me? You can have as many women as you want and I'm supposed to stay
|
|
at home, chaste? Well, I have news for you, you shitty excuse for a man,
|
|
I take my pleasures outside the home just like you. And if you think
|
|
Charity's your child, you're more of a fool than I thought you were."
|
|
There was a sudden silence before the sound of a slap filled the
|
|
air. The holes in my control were larger! I patched them hurriedly and
|
|
painted over and over, but the colors ran, bleeding into the white.
|
|
"That's it! That's the last time you hit me. I'll tell my uncle
|
|
Roman -- Ah!" Her voice rose as the hem of her gown caught fire. "Kale,
|
|
stop it, stop it!" She began to beat at her dress. "No!" She screamed.
|
|
I gasped and blinked. Horror ran through me as I realized my
|
|
control had failed, and in that one instant, the monster escaped. I
|
|
needed to protect Fidelia from the beast within, and my breath came in
|
|
quick gasps as I struggled to put away the waves of shame and guilt that
|
|
threatened. Whispering the incantation, I slowed my breathing to its
|
|
rhythm, building up the wall against the beast. I painted quickly, with
|
|
thick strokes, darkening each color twice before proceeding to the next
|
|
one, but the flames had already diminished and soon there was nothing
|
|
but smoke.
|
|
|
|
Later that afternoon, Milnor entered Cepero's office deep in
|
|
thought. The duty roster lay on his desk, but Cepero himself wore a
|
|
strained look, the crease on his forehead back in evidence.
|
|
"Lieutenant," Cepero's voice was formal.
|
|
"Sergeant," she replied just as formally and approached his desk.
|
|
He said, "Westerly stopped by and told me that he looked at each
|
|
and every boot print that he found in all three of the warehouses. He
|
|
measured them and he drew out the boot prints on sand, and got everyone
|
|
from the fire guard to lend a boot for his exercise."
|
|
Milnor nodded, remembering when Westerly had asked for her own
|
|
boot.
|
|
"Well, he found Streed's boot print in every warehouse."
|
|
Milnor perched on his desk and said, "I have some news for you too.
|
|
I found out that Streed visits someone at a boarding house off Ramit
|
|
Street."
|
|
Cepero frowned and opened his mouth to speak but Milnor beat him to
|
|
it. "The boarding house that Streed goes to is owned by an old woman and
|
|
when I talked to her, she told me that this Ylman is very odd.
|
|
Apparently he goes out at all bells, sometimes returning from the docks
|
|
smelling of fish, and sometimes returning looking like he had lost a
|
|
fight with more than one person. Anyway, she told me that she has seen
|
|
Streed buying herbs from this Ylman. Who knows what these herbs are
|
|
doing to him? I think Streed's our man, don't you?"
|
|
"I hate to say it, but I think you're right," Cepero said
|
|
unhappily.
|
|
She smiled. "You hate to say that I'm right?"
|
|
"You know that's not what I meant." The sergeant chuckled. "Did you
|
|
meet this Ylman?"
|
|
Milnor nodded. "Yes, I did. He seemed ordinary, but like the old
|
|
woman said, there was something that wasn't quite right about him. He
|
|
was clean and neatly dressed, yet there were bruises all down one side
|
|
of his face, and from the way he walked, it certainly looked like
|
|
someone had given him a good drubbing. And every time he coughed, he
|
|
coughed blood.
|
|
"But, about Streed, do you want to go to his house and bring him
|
|
in?" Milnor swung a booted foot against the side of Cepero's desk.
|
|
"Straight, I do." He put his feet down with a stomp and rose to put
|
|
away the duty roster in the chest that stood against the side wall.
|
|
Cepero reached up on the wall behind him to quench the flame in the
|
|
wall sconce. The two of them walked companionably through the darkened
|
|
corridors and out the side doors. The moon, Nochturon, was out but its
|
|
light was dim in the twilight. It was a pleasant evening, and Milnor
|
|
took a deep breath of the air, enjoying the smell of the river and the
|
|
few summer roses that had bloomed in the front courtyard of the
|
|
guardhouse.
|
|
"How are you and Kalen doing? Baby soon?" Cepero asked paternally.
|
|
Milnor made a sound that was a part-gasp and part-laugh. "Roman!"
|
|
she chided, surprise reverberating through her voice.
|
|
"Well, you've been married --"
|
|
"It'll happen when it does. If it does," she said firmly. "What
|
|
about you? Who're you seeing now? How about that pretty cook, Mayda?"
|
|
He laughed. "Oh, no. She's devoted to that captain. Besides, I'm
|
|
scared of her."
|
|
It was Ilona's turn to laugh.
|
|
Cepero said severely, "It's been a long time since you laughed.
|
|
You've let this whole situation with the firebug tie you up in knots.
|
|
You've been a guard for a long time, Ilona. How can you function if you
|
|
let something worry you like this?"
|
|
"You're right. I won't," she promised. "Back to the firebug: what I
|
|
want to know is how Streed burned up the warehouses."
|
|
"You're convinced it was him?" Cepero's voice made the statement a
|
|
question.
|
|
She understood why he asked her again; it was better to be sure.
|
|
"Aren't you? We didn't find any boot prints that didn't belong to either
|
|
the fire guard or any children who may have wandered in. The only
|
|
unaccounted boot print was Streed's. Then Urs told me he saw him at the
|
|
warehouse before the fire. I myself saw him during the fire. He's been
|
|
falling asleep on duty, which means he's not getting enough sleep at
|
|
night. Both Urs and the old woman at the boarding house say that he's
|
|
been going there to buy herbs from a man who's crazier than anyone I've
|
|
ever met -- who knows what he sold Streed?"
|
|
"Hold on a mene here," Cepero objected. "I grant you that we can
|
|
place Streed at the warehouses and at the boarding house because Urs saw
|
|
him there. Does that mean we know for certain that he bought bad herbs
|
|
from that man in the boarding house? Or that Streed set fire to the
|
|
warehouse?"
|
|
"Roman, I spoke to Jak Ylman and he said that a guard had been
|
|
buying an herbal mixture from him, herbs that he says are innocuous that
|
|
he blends himself. When I asked him for the mixture, he said he was out
|
|
of them and he would have to go searching for the herbs again. We can go
|
|
back and check into it tomorrow, but for now, let's talk to Streed. Who
|
|
knows, it may simply have been an accident."
|
|
|
|
I walked down Ramit Street, brooding upon the injustice of life.
|
|
Aolani had been my stability and my mainstay amongst the pillars of
|
|
flame that marked my soul. She had helped me control that which gave
|
|
rise to the heat and fire. When she had died, those ties had started to
|
|
loosen, until now, when they were finally free.
|
|
The monster laughed at me I crouched in the shadows within my own
|
|
mind. Sometimes, the creature wore Aolani's face, and at those times, I
|
|
wept tears of fire. Sometimes it took on Fidelia's face and beckoned me
|
|
into its embrace, leading me to an ecstasy that I had never known and a
|
|
peace that I had never felt before. The only thing that helped was
|
|
Ylman's herbs, which gave me sanctuary from the being that dwelt within,
|
|
and even that relief was fugacious, temporary. I dared not think what I
|
|
would do when the herbs became useless.
|
|
When at last I reached home after my little detour to the boarding
|
|
house on an alley off Ramit Street, Fidelia was waiting for me.
|
|
"Well, look who's here," she marveled.
|
|
"What's the matter with you?" I asked shortly. "I came home early
|
|
to spend some time with you, and is this the reception I get?"
|
|
"What, didn't the Spear have a woman for you today?"
|
|
"Fidelia ..." What was there to say? Lately she seemed more on edge
|
|
than usual. She saw other women in every shadow, and a waste in my every
|
|
expense. I did not understand where such thoughts came from. "You know I
|
|
don't have any other women," I began in a placating voice. "You're my
|
|
wife and Charity is my child."
|
|
"Ha. You remembered that I'm your wife. What's happening to you,
|
|
Kale? Why won't you talk to me?"
|
|
There were tears in her voice and I could not bear it, remembering
|
|
the tenderness in our life before Aolani had become my partner. Fidelia
|
|
had suspected that we had a secret; unfortunately, I could hardly tell
|
|
my wife that my partner was a magician who helped me control my monster.
|
|
When I had refused to talk about Aolani, Fidelia had assumed that
|
|
we were having an affair.
|
|
"Don't cry, Fidelia," I murmured, approaching her. "Charity -- is
|
|
she my child?" I could not even begin to accept that she was not mine.
|
|
The very thought wounded something deep inside of me that was
|
|
already fragile; the landscape shook, the tremors starting from the
|
|
foundation deep underneath the colored cage that restrained the monster.
|
|
She sighed. "You want to know if I was unfaithful. What about you?
|
|
Until Aolani died, at least it was just her. After she died, you've
|
|
become a rutting animal." Slowly her voice changed until by the end of
|
|
her sentence, her tone had become a weapon.
|
|
"Fidelia, you know that's not true. You take that back, this
|
|
instant, or, Ol help me, I will hit you," I threatened, the mention of
|
|
Aolani making a mess of any control that I had. The wall would crumble
|
|
if I could not shore up the foundation.
|
|
She laughed and it was a brittle sound. "Yes. That's what you will
|
|
do. What else are you capable of?" Her voice changed again and there was
|
|
a tear at the corner of her eye. "Kale, what's happening to us?"
|
|
I was too angry to respond to the entreaty in her voice. "You told
|
|
me that Charity is not my child. Is she or not? Tell me." The vibrations
|
|
spread through the wall, cracks going through each level, and the colors
|
|
began to bleed into one another.
|
|
"Kale, stop it! Your hands are hot. Stop it!" She began to cry.
|
|
I sensed the real panic within her and took a deep breath to
|
|
control my anger. I paced around the small front room, from the table to
|
|
the door and back again. "Straight. I'm calm now. Tell me: is Charity my
|
|
child?"
|
|
Loud knocking at the door interrupted; we both ignored it.
|
|
"What do you care whether Charity is your child or not? You're a
|
|
monster and I hate you and you hate me," wept Fidelia. "I'm pregnant,
|
|
and this is what I'm going to tell my second child: your father is
|
|
unfaithful, so he isn't really your father."
|
|
"Fidelia, that is the silliest thing you've said in a long time," I
|
|
said in a long-suffering voice. I lied without any compunction. "I don't
|
|
have any magic and I'm no monster." Her words sank in and I stared at
|
|
her. "What? You're preg--"
|
|
The knocks sounded again.
|
|
"I'm coming, I'm coming," Fidelia snapped. She wiped away her tears
|
|
with the back of her hand and walked across the room to open the door.
|
|
"Uncle Roman! Lieutenant! This is a surprise. Come in."
|
|
"No," I said under my breath. "Not now!" I knew they were here to
|
|
arrest me; I knew it as surely as I knew that Charity was my own child.
|
|
I felt a hysterical laugh struggling in my throat. If I let it through,
|
|
the fire would come with it.
|
|
The lieutenant and the sergeant entered the small room, staring at
|
|
me. Each pair of eyes bored into me with accusation. I was guilty; I had
|
|
allowed the fire to rise from inside of me; I had permitted the fire to
|
|
destroy the warehouses.
|
|
"Kale, no. Kale, stop it! Kale!"
|
|
It was all my fault; I knew that now. I had failed to save my
|
|
partner. Aolani, the fastest runner in the guard, was dead because of
|
|
me. And Fidelia had said Charity was not mine! Each little guilt piled
|
|
up until it swept away my wall of control.
|
|
"No! Kale! Kale!"
|
|
Faintly, I heard someone calling my name; dimly, I felt someone
|
|
shake me. But guilt held me in its grip and my doubt tightened the
|
|
chains. I heard the rattle of Aolani's last few breaths and I saw the
|
|
blood flowing out of her body; I heard Fidelia say Charity was not my
|
|
child and I saw Charity smiling at me. I smelled fire and then --
|
|
Fidelia screamed, her arms on fire from where she gripped me. The
|
|
long sleeves of her gown were burning, with a bright orange flame.
|
|
"Stevene! No!" I screamed with her, beating at her arms.
|
|
Someone pulled her away. I tried to see who it was, but the flames
|
|
rose high, blocking my view. Each flame formed itself into a face, the
|
|
same face: Aolani's face, mocking me. My failure to save her stared at
|
|
me from the fire, the heat first singeing, then scorching my body. I
|
|
embraced it gladly, peace enveloping me even as the thing inside me grew
|
|
and grew. It burst through all of my restraints; the control that was a
|
|
living wall composed of all the colors of a rainbow bleeding into a
|
|
bright yellow, then orange, and red, and then the color of true flame.
|
|
My eyes burned with the effort of seeing it and I closed them; but
|
|
the images were imprinted on my eyelids and I could see the thing grow,
|
|
consuming what lay in its path.
|
|
"-- not breathing!"
|
|
Someone was talking, but I was past hearing, past listening. It
|
|
owned me now, wholly, entirely, completely. I relished being under its
|
|
power, having it absolve me of my decisions, my guilt. I was its
|
|
faithful devotee, its slave, and it was my master, my owner. It writhed;
|
|
my whole body shook with the energy. It consumed me from the inside out,
|
|
growing until there was no separate me and no separate it, until the two
|
|
of us were united, were one being. It needed more -- I needed more. I
|
|
struggled to give it more, to get more. The body was fuel, and we, it
|
|
and I, consumed the body eagerly, with relish. The fire was delightful
|
|
and the flames were wondrous ... we consumed and were consumed until
|
|
only gray ash remained.
|
|
|
|
Milnor stared at the pile of ash on the floor. "Is it really him?"
|
|
she wondered aloud.
|
|
Fidelia was crying, loud, ugly sobs that were better wept in
|
|
private, but her husband had just ... died. Milnor felt her thoughts
|
|
stumble over that idea. Cepero had held Fidelia back from going to
|
|
Streed, and he had also put out the fire on the sleeves of her dress,
|
|
while she, Ilona Milnor, lieutenant of the guard, had just watched the
|
|
spectacle before her.
|
|
She crept forward and touched the ashes that remained. They were
|
|
warm. Milnor swallowed as it hit her: the investigation was over, and
|
|
there was no need to go and question anyone again. She swore. How in the
|
|
name of Ol was she going to explain this case to the captain?
|
|
|
|
========================================================================
|
|
|
|
Jakob Sings of Monstrous Things
|
|
Part 2
|
|
by Victor Cardoso
|
|
<viktor@mac.com>
|
|
Ober 4, 1018
|
|
|
|
Part 1 of this story was printed in DargonZine 14-9
|
|
|
|
A sickening feeling grew in the pit of Graham Walker's stomach as
|
|
his battered feet catapulted him beyond the edge of the cliff. As he
|
|
launched himself into the air, out into the empty space of wind, a
|
|
strange sensation of freedom and terror overwhelmed him. He felt his
|
|
body tip agonizingly forward and his hands came up, futilely trying to
|
|
reestablish balance. Before him spread the autumn grandeur of the Darst
|
|
forest and mountain range, the chill wind of its embrace blowing off the
|
|
Coldwell River far below and enveloping his body in a thrilling but
|
|
deadly kiss. He heard the soft, flapping sound of cloth rippling about
|
|
his arms and legs.
|
|
"Graham!"
|
|
He barely heard Feddoran, one of the men from Kenna who had pursued
|
|
him, shouting his name. In what could only be a moment, but what
|
|
stretched before him like a thousand years, visions of his past
|
|
bombarded him: the Hall of Warriors in Magnus, with its larger than life
|
|
heroes carved out of solid rock; Port Sevlyn, its docks and streets
|
|
still reeking of char from the inferno loosed upon them during the war
|
|
with Beinison; the kindly woodsman Wolcott, offering him a job in the
|
|
small but prosperous village of Kenna; the angry, jealous stare of the
|
|
man Hylan as his girlfriend Naris paid more attention to Graham ...
|
|
Naris!
|
|
His feet broke the surface of the water first, a sharp, stinging
|
|
pain slapping his legs. He felt himself plunge like a fist into a barrel
|
|
of rainwater, a torrent of air bubbles rushing up the sides of his neck
|
|
and tickling the back of his head. A sudden impact halted his descent.
|
|
His left arm caught on some debris that tore away from him. Graham felt
|
|
the bones break somewhere between his wrist and elbow and the pain that
|
|
exploded through his body caused him to cry out. The river swallowed his
|
|
scream.
|
|
He very nearly passed out, but as he choked on river water, the
|
|
panic mounting in his chest demanded his attention. The current wrestled
|
|
his body into submission, tumbling him head over heels, sometimes
|
|
pushing him into and around submerged rocks that formed a rapids in this
|
|
shoulder of the broad Coldwell. He lost his sense of direction in the
|
|
tumult.
|
|
Furiously, Graham kicked out with his feet, fighting for his life
|
|
in whatever direction the river held him. He vaguely made out light
|
|
somewhere above. He kicked further, the lack of air in his lungs burning
|
|
his chest.
|
|
As if the hand of the Coldwell uncurled its cold fist, his body
|
|
moved upwards, and his face broke the surface of the water. Graham
|
|
gasped for air, another slosh of water entering his desperate mouth. The
|
|
world disappeared as he submerged again. He felt a hard object brush
|
|
against his body and he reached out for it. It was a tree trunk, thick
|
|
and solid, and it allowed him to get an anchor to push his head further
|
|
out of the water.
|
|
He gulped the air greedily, trying his hardest not to cry out. He
|
|
could not scream. He could *not*. The men from Kenna would hear him.
|
|
They would hear him. But the pain in his broken bones swelled, and as he
|
|
slipped in the water and became more entangled in the branches of the
|
|
driftwood, the world shook itself in his head and he blacked out.
|
|
He slipped in and out of consciousness several times on his journey
|
|
down the Coldwell, the tree branch serving as his cradle. With each
|
|
successive wake he saw the sky darken. So severe was his pain that at
|
|
times he wondered if he was truly awake or simply dreaming the stars
|
|
glittering white and pure far above him.
|
|
The stars. He remembered looking upon them many times in his
|
|
journeys across Baranur. Some nights he would pray to them, asking them
|
|
for guidance, for they were the only evidence of beauty in this world.
|
|
He did not believe in any god. There could be no god for what he had
|
|
seen and done in this land. Deeper memories surfaced: he recalled the
|
|
painted face of a whore in Shark's Cove, the look of surprise in her
|
|
eyes frozen for eternity ... But Naris had been different. She had been
|
|
innocent...
|
|
The memories stirred feelings of revulsion within him, but he was
|
|
too weak to push them away. He passed out once again, plagued by dreams
|
|
of Naris' beautiful eyes.
|
|
|
|
When Graham came to, his muddled conscious realized that the trunk
|
|
was not moving. The gnarled wood's tendrils must have grabbed hold of
|
|
the river's bank sometime during the night. Graham heard his own humming
|
|
barely audible above the sound of the water rushing below and around
|
|
him. This time he couldn't find enough strength in him to care. He
|
|
finally didn't care who could hear his song or if anyone should ever
|
|
come across him again.
|
|
"Hail, stranger!" a voice called.
|
|
A silhouette blocked his vision, backlit by the rising sun.
|
|
"Rose," it said, but its voice sounded deeper than it had in
|
|
greeting. "The man's hurt."
|
|
Another silhouette appeared beside the first, a tinge of red in
|
|
long hair that spilled about its shoulders. It was smaller and softer
|
|
about the edges than its companion. "Imagine that," it remarked. "We go
|
|
out looking for my cat and he looks like something Old Carrot might've
|
|
dragged back. Is he alive?"
|
|
The first silhouette moved closer to touch Graham's face and brush
|
|
the hair away from his forehead.
|
|
"He lives," it declared, "but barely. His arm looks broken and his
|
|
legs are more scratched up than our blankets."
|
|
"I wonder where he comes from?" the second shadow, Rose, asked.
|
|
"Dargon," Graham murmured, unsure if he had even spoken aloud.
|
|
"Well the Coldwell doesn't run backwards, stranger," the first
|
|
shadow replied. What was its name? "If you're from Dargon, you either
|
|
lost your ship or you fell off the mountain trying to get home."
|
|
"He's probably a new hunter out with his friends," Rose chided.
|
|
"Got drunk and went to pee at night and fell into the Coldwell. Happened
|
|
to Jarrod last Melrin."
|
|
The first shadow chuckled. "I remember that," it answered. "But
|
|
what should we do with him?"
|
|
"If we leave him out here, I doubt he'll survive the day. Let's
|
|
take him home. Maybe later you can make the ride into town to find out
|
|
whom he belongs to. Stranger," she addressed him. "What is your name?"
|
|
"Graham," he replied painfully. "Men call me Graham."
|
|
|
|
Wolcott Thyle pulled the rough, homespun shirt over his wet body,
|
|
watching the other two men from Kenna who continued the search in the
|
|
shallows of the Coldwell. The cold had begun to gnaw on the old hunter's
|
|
bones and so he withdrew, leaving the task to the younger men. There was
|
|
one from their small group, however, who didn't seem up to the task at
|
|
hand. One who sat a little ways up on the bank, watching listlessly.
|
|
Feddoran had been withdrawn since they had caught up with Graham on
|
|
the mountaintop yesterday afternoon. The men from Kenna had searched for
|
|
the fugitive's body as long as the light held out, but eventually they
|
|
had to break at nightfall and resume at dawn. This part of the Coldwell
|
|
was littered with fallen trees and meandering shallows. It was taking
|
|
time to search the crevices where a body might have gotten trapped.
|
|
Feddoran had helped them scour the banks at first but gradually quieted
|
|
when some of the others had entered the river to look for the
|
|
Dargonian's remains.
|
|
Wolcott approached the boy -- man, he corrected himself. If there
|
|
was anything to make a boy into a man, it was what they were doing now.
|
|
Feddoran looked up as he approached, the youth's stubbled face
|
|
expressionless under a mop of curly brown hair.
|
|
"What's the matter?" Wolcott asked.
|
|
The young man shook his head. "Nothing," he muttered.
|
|
With a grunt the woodsman set himself down, taking the opportunity
|
|
to lace his boots. "I dunnit think it's nothing that has you sitting
|
|
over here under a dark cloud. There's something you're not telling me,
|
|
so speak up."
|
|
Feddoran shrugged.
|
|
He usually wasn't a quiet youth, at least around the hunter. There
|
|
were times Wolcott feared that Feddoran held himself back in the
|
|
presence of others. Most viewed him as the younger, more inexperienced
|
|
man of the village. It was true that the others like Hylan and Willit
|
|
got the attention, if not for their looks then for their loud mouths.
|
|
While the events of the last few days had shaken everyone up, Wolcott
|
|
sensed there was more.
|
|
The hunter leaned back on his elbows and let out a sigh. "Feddoran,
|
|
did Graham say anything to you on the mountain? When you found him?"
|
|
Feddoran's shoulders tensed.
|
|
So there had been words spoken. Wolcott was intrigued. He hadn't
|
|
poised the question last night while Hylan was present. Better to find
|
|
the body and be on their way back rather than continue to rub salt in
|
|
old wounds. "What did he say, Feddoran? Did he offer any explanation?"
|
|
"No," the young man whispered harshly. "He said nothing." He looked
|
|
up from his feet and into the old man's eyes. "I came upon him at the
|
|
cliffside and he simply looked at me, Wolcott. This look ... I dunnit
|
|
know if it was regret or sorrow ... He didn't breathe a word but just
|
|
looked at me."
|
|
"Did you say anything to him?"
|
|
Feddoran turned back to the river. "What could I have said?" he
|
|
asked. "It was only for a few moments. He jumped before I could do
|
|
anything else."
|
|
The two of them fell silent and let the sounds of the world fill
|
|
the void. Before them, the Coldwell stretched out wide and peaceful, as
|
|
if it were oblivious to the drama that had unfolded along its banks just
|
|
the other day. Crows echoed in the groves of multi-colored trees behind
|
|
them. As if in response, the wind picked up and shook the branches of a
|
|
few stately elms, dislodging some of the leaves that had grown too weak
|
|
to cling any longer.
|
|
In an effort to soothe his friend, Wolcott reached out a hand and
|
|
laid it on the young man's shoulder, but the other winced at the
|
|
contact, as if stung.
|
|
"Your shoulder," the woodsman commented. "You've hurt yourself."
|
|
Feddoran shook off the grasp and stood up. "I hurt it during the
|
|
chase. We climbed so many farking rocks it's a good thing none of *us*
|
|
fell into the river."
|
|
Their conversation was interrupted as one of the other men from
|
|
Kenna made his way over to them from the riverbank. It was Hylan, his
|
|
blonde hair plastered to his forehead and rivulets of water tracing
|
|
their way down his chest. River dredge clung to his arms and waist, as
|
|
if the Coldwell refused to cleanse him.
|
|
"There's still no sign of the body," he stated coldly.
|
|
"We'll keep looking," Wolcott sighed. "If we can't find it, we'll
|
|
go back to Kenna and get one of the midwives to dowse for it."
|
|
Hylan crossed his arms, immovable. "He could still be alive," he
|
|
said. "If we go back home this early we could lose him."
|
|
Feddoran stared in amazement. "Hylan, he couldn't have survived
|
|
that fall!"
|
|
Hylan barely glanced at the youth. "I won't have Naris' murderer
|
|
slip my grasp twice. The rest of you can go back to Kenna if you like,
|
|
but I'll stay here to look for him. Unlike some others, I won't let him
|
|
get away."
|
|
Feddoran's back straightened in indignity. Wolcott started to
|
|
reprimand Hylan, but Feddoran turned and stalked away into the woods. It
|
|
had been an uncomfortable night when they had set camp. Hylan had
|
|
disappeared once or twice into the dark of the forest. The hunter
|
|
guessed the man had gone down to the river to listen -- to make sure no
|
|
one was sneaking along its shores.
|
|
"So you want to stay behind," Wolcott said, getting to his feet. He
|
|
walked forward until he stood uncomfortably close to the other man.
|
|
Hylan didn't give ground, river water dripping into his dark, inset
|
|
eyes. The two men's noses were about a hand's length apart, the old
|
|
man's gray eyes piercing a younger man's brown. "What will you do,
|
|
Hylan? Will you search these woods alone?"
|
|
Hylan said nothing, his gaze unflinching.
|
|
Wolcott had bested larger men in his time. No matter the grief,
|
|
Hylan had been nothing short of obsessive since they started this trip,
|
|
and nothing but cruel to Feddoran. "You listen carefully," the hunter
|
|
said, lowly. "You can not force any of us to stay with you, so if you're
|
|
planning on going on a bloody manhunt, you better be prepared to do it
|
|
alone."
|
|
Hylan continued his glare for a moment or two longer, then took in
|
|
a deep breath and staggered back, a hand coming up to clench the space
|
|
between his eyes. His breath shook for a moment, as he fought to gain
|
|
control of himself.
|
|
Wolcott felt a pang in his heart. The old Hylan still existed under
|
|
the stone mask and harsh words. The hunter came up to the man who had
|
|
brutally lost his love, and put a comforting hand on the back of his
|
|
neck.
|
|
"Easy, lad. It will be all right. We'll find him," the hunter
|
|
soothed. "We will continue to look around here for a bell. If we can't
|
|
find him, we'll go on down the river. Regardless of whether Graham lived
|
|
or no, he wouldn't have been in any shape to swim upstream. More likely
|
|
we'll find his body further down. And if not there, Kenna won't be able
|
|
to miss him if he drifts by."
|
|
Hylan nodded, his hand still covering his eyes, wiping away a few
|
|
grudgingly shed tears. Without uttering a response, however, he turned
|
|
back to the river, his shoulders knotted in grief.
|
|
|
|
Rose watched her husband Herrit lay the stranger gingerly onto
|
|
their sleeping pallet. The hearth wasn't far removed, a pot of last
|
|
night's stew still sitting over the cold embers. Nothing in their small,
|
|
wood-planked home was far removed from anything else. The pallet by the
|
|
hearth lay on one side, a pantry of dried herbs and other stores taking
|
|
up an adjacent wall. A small table and two chairs, carved by Herrit
|
|
himself, stood near the door. The shack was nestled in some of the
|
|
steeper climbs of the Darst Range, overlooking the Coldwell far below.
|
|
It wasn't fancy, but it served to keep them sheltered from the elements,
|
|
provided they closed the door tight.
|
|
"We better not make a habit of bringing people home every time we
|
|
go looking for that stupid cat," Herrit said, stretching his shoulder
|
|
after carrying the man up the hill.
|
|
The stranger's eyes opened briefly, a glassy, far-off look in their
|
|
depths.
|
|
"Pussy-shy, pussy-shy,
|
|
Where have you gone?
|
|
Your master's a-worried
|
|
And home all alone."
|
|
Herrit looked down at the man and snorted. "He's a poet."
|
|
The man named Graham came in and out of consciousness throughout
|
|
the entire trip up the mount. At times he had seemed on the verge of
|
|
tears, mumbling about the stars or this or that. Rose squatted down to
|
|
put her hand on his forehead and found it warm.
|
|
"He has a fever," she declared.
|
|
Herrit nodded. "It's a good thing we found him when we did. It
|
|
coulda' been a lot worse. Do you have the herbs for it?"
|
|
Rose went to the corner where two small racks stood, their shelves
|
|
crowded with earthen jars of various shapes and sizes. She fished out
|
|
the one she was looking for: a squat, blue-tinged clay pot. She undid
|
|
the twine around its cloth top and had to look away as the pungent odor
|
|
of skunkweed stung her eyes.
|
|
Herrit wrinkled his nose from where he sat. "I guess we do," he
|
|
said.
|
|
"We had better get him out of those clothes, though," Rose
|
|
answered, pulling out a few straggly roots. "We have some extra blankets
|
|
in the chest."
|
|
Her husband leaned over and pulled some old quilts out of their
|
|
cedar chest, then started to carefully pull off Graham's shirt. He
|
|
treated the broken arm with care, then grabbed a board by the hearth to
|
|
use as a splint. But as Herrit lay it by the hearthside, he paused.
|
|
"Rose, come look at this."
|
|
"What is it?" she asked, wrapping up the jar in her hands.
|
|
"The man has a mark on him."
|
|
She saw Herrit looking puzzled at the man's waist. Setting the jar
|
|
back on its rack, she walked over, placing the skunkweed roots in the
|
|
stewpot as she did. On the stranger's waist there was a tattoo about the
|
|
size of a man's hand in the semblance of a rose, its colored petals
|
|
encircling a decorative initial at the center. Rose grew excited.
|
|
"He's no mercenary," she muttered. "He's a bard. That's the mark of
|
|
Gesalde, one of the elite houses in Magnus." She reached out to trace
|
|
the delicate pattern of vines. Once, in a time that seemed long past,
|
|
she had studied to be a bard, leaving when her father had been killed in
|
|
the war with Beinison and all available hands were needed back here,
|
|
near Kenna. The mark that the stranger bore was something that she and
|
|
all of her studying friends had yearned for: the sigil of a secret
|
|
collective who only chose among the best singers to invite into their
|
|
group. Whoever this man was, he was recognized as an outstanding
|
|
storyteller.
|
|
"Should've figured as much," Herrit said, "the way he's humming all
|
|
the time."
|
|
Rose sat back on her heels, quieting her excitement. Examining the
|
|
mark more carefully, she realized that there was something wrong here.
|
|
"We're not going to have enough to feed him and us tonight," she
|
|
said, trying to sound sincere.
|
|
"We can eat the stew you made yesterday," Herrit replied, gesturing
|
|
at the pot. He used his hunting knife to cut up some strands of cloth
|
|
and lashed the man's broken arm to the splint.
|
|
"That won't be enough," she answered, reaching over to make sure he
|
|
lined it up straight. Graham cried out as they touched it but Rose put a
|
|
hand on his chest and tried to quiet him. At least the stranger would
|
|
likely forget this whole ordeal when he got better. After the arm was
|
|
set, she continued her argument. "You should go out and catch us
|
|
something so one of us won't have to go hungry."
|
|
Her husband stopped what he was doing and stared at her. "What, you
|
|
want me to leave you alone with him?"
|
|
She rolled her eyes at him, pretending that he hadn't figured out
|
|
what she was trying to do. They had been married for too long. But she
|
|
felt it was in Herrit's best interests. "I want you to get us some food
|
|
so that your belly won't keep us up all night."
|
|
Herrit didn't move.
|
|
"What's he going to do?" she finally exclaimed, pointing at the
|
|
stranger in exasperation. "Look at him. Broken arm and he had to lean on
|
|
the both of us just to get up the mount. Just go and fetch us something
|
|
out of the river. You're always bragging about your fishing. Should take
|
|
you no time at all."
|
|
Her husband sighed in disgust. She knew he was only trying to
|
|
protect her, but he needn't be so damned possessive. He acted as if she
|
|
were going to jump on the man the moment he walked out the door. Herrit
|
|
grabbed his net and pole from beside the entrance and stomped out, not
|
|
bothering to say goodbye.
|
|
Rose was relieved, even though she felt a twinge of guilt at having
|
|
lied to her husband. She needed some time to talk to this stranger --
|
|
bard to, well, almost-bard. Herrit got upset whenever she mentioned
|
|
anything from that part of her life. Maybe he was afraid she missed it,
|
|
which, from time to time, she did.
|
|
If anything, maybe the stranger had news from Magnus to share with
|
|
her. The feeling of excitement welled in her again as she struck some
|
|
flint against the hearth, making sparks to ignite the kindling. She
|
|
wondered if anyone she knew was still in the city.
|
|
"I had a cat once."
|
|
Rose turned. Graham's eyes were narrow slivers of blue in the pale
|
|
lump of his face. His breathing was returning to normal. The blanket
|
|
that Herrit had wrapped him in was bunched around his shoulders and
|
|
neck; he looked small and frail in its embrace.
|
|
The fire caught. She fanned it until it was a little stronger, so
|
|
that the flames grew steadier. "What was its name?" she asked, grabbing
|
|
some more kindling. When Graham didn't answer, she looked back and saw
|
|
that his eyes were closed again. Was he thinking or had he just passed
|
|
out? No matter. Herrit wasn't as good a fisher as he bragged. He'd
|
|
probably be out for a bell trying to catch something.
|
|
The fire was established. She let it burn on its own while she
|
|
stirred the pot to get the skunkweed mixed in with the broth.
|
|
"Horatio."
|
|
Rose heard the answer faintly. Giving the stew one last stir, she
|
|
moved away from the pot and went to sit next to him. She realized he was
|
|
humming under his breath, a faint tune she didn't recognize. Graham
|
|
opened his eyes as she set herself beside him.
|
|
"Did you have your cat during your time in Magnus?" she asked
|
|
tentatively.
|
|
The man's head tilted in confusion, but there was a glint of
|
|
recognition in his eyes. Maybe he was becoming more lucid?
|
|
"My husband and I saw your mark," she explained, wringing her hands
|
|
a little nervously. "Herrit didn't know what it meant -- he thought you
|
|
were a mercenary," she laughed. "But I know what it means. I studied in
|
|
Magnus for a time. You're a very talented bard if it's genuine."
|
|
Graham tried to look away, but winced as he moved his splinted arm.
|
|
"That was a long time ago ..." he croaked.
|
|
She put a hand on his forearm, feeling that now would be a good a
|
|
time as any to broach the topic. "You told us your name is Graham," she
|
|
said softly, "but that isn't the letter on your mark." Herrit couldn't
|
|
read -- nor would he have understood it if he could. But she knew
|
|
better. The letter in the mark of Gesalde was supposed to be that of the
|
|
first initial of the bard. And it was not a 'G'. "Is Graham your real
|
|
name?" she asked.
|
|
His humming grew more strained, but he didn't answer her question.
|
|
"Stranger," she said, trying to sound soothing. "I sent my husband
|
|
off. As I said, I studied in Magnus for a while and so owe some fealty
|
|
to other bards. I will help you if I can, but only if you're honest with
|
|
me. What kind of trouble are you in?"
|
|
Graham's eyes met hers, pools of deep blue filled with a sadness
|
|
she couldn't understand. "Let me show you," he whispered, and his hand
|
|
reached out from under the blanket to grab her wrist.
|
|
|
|
Wolcott and the troupe from Kenna had been walking for a bell along
|
|
the banks of the Coldwell, searching its nooks and inlets carefully as
|
|
they made their way north. All morning they had continued to look for
|
|
evidence of the stranger's demise or his passing, looking for torn bits
|
|
of clothing, of places where a body could have been caught. But nothing
|
|
was found. In something akin to paranoia, Hylan had insisted on swimming
|
|
over to the other side of the Coldwell, to make sure they didn't lose
|
|
Graham that way, but Wolcott wasn't going to let the boy out of his
|
|
sight. In an effort to appease the lad, the hunter sent Willit over.
|
|
Feddoran returned to the group prior to their departure. Maybe he
|
|
had watched them from the forest or on one of the small mounts that
|
|
seemed to grow plentiful in this area. The youth made no mention of
|
|
Hylan's comment, nor seemed interested in talking further. He kept away
|
|
from them, sullen, but occasionally paused to investigate some debris
|
|
along the waterside.
|
|
Wolcott wondered what would have happened had they caught Graham.
|
|
What would he have said if he had been the one to corner the man at the
|
|
cliffside? For an instant he imagined himself up on the mount with the
|
|
Dargonian, the wind whipping along its edge. What would a murderer say
|
|
to someone who had befriended him? Would Wolcott have recognized the man
|
|
who had asked for a job in Kenna, or would he have looked altogether
|
|
different?
|
|
He remembered Graham's words: "I have no worldly wisdom to share
|
|
... I have stories; stories of men's cruelties, wives' infidelities, and
|
|
the world's ideas of justice ..."
|
|
How much of the cruelty had been Graham's doing? How much justice
|
|
had the man escaped in other cities? Was Naris his only victim? It
|
|
seemed unlikely. But somewhere, the woodsman wondered, somewhere there
|
|
is always a first victim. Wolcott recalled Feddoran's enthusiasm only a
|
|
sennight ago: "My father says that maybe, at some point soon, Kenna will
|
|
be larger than Dargon!"
|
|
The little town on the edge of the Coldwell had crossed a threshold
|
|
with this event.
|
|
It's better that the man had jumped.
|
|
"Wolcott," Feddoran called out. "There's someone up ahead."
|
|
Thigh deep in the banks of the Coldwell, a thinly built woodsman
|
|
held a pole in his hand and looked to be fishing. On the shore behind
|
|
him lay a pile of small fish, glinting in the morning sun. He was
|
|
dressed in simple breeches and a tunic, worn with the look of a local.
|
|
"Do you know him?" Hylan asked.
|
|
"I think so ..." Wolcott replied, squinting his eyes. "He lives in
|
|
these parts with his wife. I think his name is Herrit."
|
|
|
|
As the stranger grabbed her arm, Rose's vision shifted
|
|
dramatically. She felt yanked out of her body, the room spinning at wild
|
|
angles. Graham's song filled her ears -- she wanted to stomp it out but
|
|
found she had no way to do so. It was a horrible, deep tune that turned
|
|
her stomach foul -- harmonies full of bloodshed, melodies of pure
|
|
murder. But as much as she detested it, however much she wanted to shut
|
|
it out, it formed an anchor for her bodiless self. Using it as a beacon,
|
|
the room straightened itself and she could make out the fire in the
|
|
hearth, lapping greedily at its kindling.
|
|
Sunlight appeared to have been yanked out of the world, replaced by
|
|
shadows that ruled the corners and crevices. There was a breathing about
|
|
them -- soft and raspy, as if waiting for a moment to come forward.
|
|
Graham's tune caressed them in their hiding places, caused them to
|
|
shiver in delight. As his song penetrated the dark corners of the room,
|
|
it urged the shadows to come to him. A small one in the corner, lithe
|
|
and delicate, pranced forward, the excitement of its summons evident in
|
|
its trembling limbs. It paused for only a moment, as if recognizing her,
|
|
then dashed out of the house. Rose found herself helpless to do anything
|
|
but follow, a shadow of a shadow.
|
|
There was light outside, but it was harsh and unyielding -- a
|
|
guardian who rapped her on the knuckles for any disobedience and barely
|
|
tolerated her presence. In the glare that bleached anything in its
|
|
grasp, the light hurt her eyes. She trailed low on the tail of the
|
|
smaller shadow, darting from boulder-nook to tree-hollow, under piles of
|
|
leaves gone brittle with the coming winter. She heard the wind but could
|
|
not feel it as it kicked up small dustclouds and whirlwinds of pebbles.
|
|
It was only as she and her shadow-guide leapt across the path leading
|
|
down the mountain that she realized they were following tracks.
|
|
Small, feline treads were embedded in the dirt. As they entered
|
|
fields the tracks disappeared, but grass stalks were pushed aside with
|
|
the passing of a small body.
|
|
She wanted to turn around and look more at the surroundings, to try
|
|
and get her bearings, but her vision blurred at the edges. It was as if
|
|
the shadow-guide refused to let her notice anything but the path they
|
|
followed.
|
|
Through more fields she pounced, down scrags and lees to the
|
|
river's edge. The smaller shadow stopped at the water and picked its way
|
|
along its edge. Rose felt chills go up her back to not see her
|
|
reflection in the pools that gathered there -- as if the world knew
|
|
nothing of her existence or that it didn't bother to notice. Perhaps
|
|
this was the life of a shadow: to be unnoticed and uncared for, to have
|
|
no identity but that of your caster.
|
|
The two of them left the water's edge and headed back into a field
|
|
of tall heather, browning in the cooling weather. There was movement
|
|
somewhere within -- cautious, tentative movement that seemed to know of
|
|
their presence. Rose caught a glimpse of a white tail and furred back
|
|
before it bolted further infield. Her shadow-guide gave chase, bounding
|
|
in the hare's wake with a fury as if it could possibly catch it.
|
|
But as they moved further inward, away from sheltering brush or
|
|
bush, a terrible sound frightened her. Her guide wheeled about in place,
|
|
another shadow descending. She saw an opened beak as it came at her,
|
|
then a terrible, slashing feeling crossed her chest.
|
|
|
|
Rose fell back from the stranger, almost into the hearth,
|
|
scattering pots and kindling across the floor between them.
|
|
"Wizard!" she hissed, taking the stew pot off its stand and holding
|
|
it like a weapon before her, its broth sizzling inside.
|
|
Graham regarded her through half-lidded eyes. His face was flushed
|
|
and sweaty; moisture beaded on his forehead.
|
|
"No," he breathed with some difficulty. "Not wizard."
|
|
She took a moment to calm her beating chest. The house had returned
|
|
to its normal state: sunlight streaming in through the open door,
|
|
although it entered the house at a lower angle than she remembered. How
|
|
long had the vision held her? She licked her lips and tried clearing her
|
|
head. The shadows in the room frightened her, although they were nothing
|
|
more than shadows now, not living things that breathed or moved.
|
|
"What did I see?" she demanded, raising her voice. "What was that?"
|
|
Graham appeared to try a smile but ended up grimacing. "You tell
|
|
me," he replied. "The song is over and I've given it no words. The
|
|
vision has to do with you."
|
|
She remembered the small shadow -- its delicate appearance and
|
|
single-minded existence. While she didn't glimpse it, she could almost
|
|
imagine a tail in its wake. It was a cat she had followed. Carrot? A
|
|
lump developed in her throat. Had she followed her pet to its death?
|
|
"I don't understand," she said. "If it wasn't magic -- how did I --
|
|
how did you -- " she stuttered.
|
|
"I don't know," he replied simply, closing his eyes. He looked
|
|
deceptively peaceful lying there. Graham's wan face and stringy neck
|
|
didn't look capable of singing the tune she had heard. "I've done it for
|
|
a long time and never known what to make of it," he continued. "Gods,"
|
|
he took a sharp intake of breath. "I haven't sung this much in so long."
|
|
He raised his trembling, good hand to his face. "I try not to sing," he
|
|
continued. "At least I tried for a very long time. And yet it comes back
|
|
to me always, to seduce me ..."
|
|
Rose lowered the pot slowly. Graham seemed to be truly in pain, and
|
|
he hadn't lifted a finger to harm her. Somehow he had shown her
|
|
something that had frightened her, but he hadn't hurt her. She was no
|
|
mage, but she was a good judge of character. This man was telling her
|
|
the truth.
|
|
"So you don't sing anymore?" she asked.
|
|
Graham shook his head.
|
|
"And Graham isn't your real name?" she pushed, wanting the answer
|
|
to her original question. She put the pot back over the hearth. The fire
|
|
had nearly died again.
|
|
He paused for a moment, as if deliberating on whether or not to
|
|
tell her the truth. Finally, he whispered: "Jakob."
|
|
She couldn't understand his reluctance until the significance of
|
|
the name dawned on her. Then she very nearly fell to the floor,
|
|
incredulous.
|
|
*The* Jakob. "The one they sing about?" she asked, still unwilling
|
|
to believe. The story came back to her across the years. The story of a
|
|
bard banished from the College of Bards for his curse. For his ability
|
|
to sing dark songs that came true. "But that's just legend," she
|
|
countered. "There's no truth to that. It's a story to scare adepts ..."
|
|
But she remembered the feel of the vision, and the 'J' on the stranger's
|
|
tattoo. Jakob was supposed to have been a top-rate bard, worthy of the
|
|
king's audience, and knew it all too well. Until the day the gods cursed
|
|
him with a dark prescience.
|
|
"Why were you in the Coldwell?" she demanded, his words worrying
|
|
her. "How did you get there?"
|
|
"I was chased," he said thickly. "By men from Kenna. They think I
|
|
killed a girl because of one of my songs."
|
|
She took a moment to digest what he said. He hadn't hurt her. And
|
|
she knew the legend of Jakob. But could this man be telling her the
|
|
truth? She sat down where she stood, still keeping a good distance away
|
|
from him. "Why don't you sing them away?" Rose asked. "If you're really
|
|
the Jakob they tell of in the songs ... you have the power. You can sing
|
|
anything you want to be true."
|
|
"No!" he replied violently at first, then clutched his broken arm.
|
|
"No," he repeated, less heatedly. "I can't do that! You better than
|
|
anyone else should know that songs are never complete and utter truths.
|
|
My songs don't even work like that. They ... they're there, inside of
|
|
me. If I let them go they sing themselves. I have no choice in what they
|
|
say."
|
|
"Do you know who did kill the girl?" she asked. The vision of the
|
|
winged shadow was strong in her memory, but she couldn't recall any
|
|
details. Were all of his visions like that?
|
|
Jakob swallowed heavily. "I-I think so," he said.
|
|
"Then why dunnit you tell them!" she pressed.
|
|
"Because they won't listen to me!" he managed to shout. "Stupid
|
|
woman, you don't think I've been through this a hundred times before?
|
|
You don't think I've nearly lost my head in situations like this in
|
|
Shark's Cove or Port Sevlyn?" Jakob lay his head back on the pallet,
|
|
chewing his lip. "There was a time," he said, more softly, "that I
|
|
thought I could use the songs to my aid. But now, after years of running
|
|
from them and of singing them ... Now I don't know if I see things and
|
|
sing of them or if I sing of things and cause them to happen. I just
|
|
don't know anymore."
|
|
"But Carrot had been gone for days," she replied, "before Herrit
|
|
and I even found you!"
|
|
"And I sang of the girl's death before she died," Jakob finished,
|
|
resolute. "I heard her cry out that night ..."
|
|
"Rose!"
|
|
Herrit's voice came shouting from down the mountain, frantic. There
|
|
were scrambling feet behind it, too many to be her husband alone.
|
|
There was a group of men running up the mountain.
|
|
"They're here," Jakob said.
|
|
|
|
Wolcott pushed past Herrit as they approached the house. Hylan was
|
|
behind him, running with all the strength he had. It was a combination
|
|
of sheer will and the narrow path for Wolcott to keep ahead. Willit had
|
|
joined them from across the river and Wolcott had warned him to keep an
|
|
eye out. It was likely they were going to have another murder on their
|
|
hands if they weren't careful.
|
|
The woodsman ran into the house and found objects strewn across the
|
|
floor as if a struggle had occurred. But in the center of the one-roomed
|
|
dwelling stood an adamant Rose, just as he remembered her: red-haired
|
|
and resolute. She held her head raised high and a pot in her hand like a
|
|
weapon.
|
|
Graham lay back in a corner of the room, a blanket clutched around
|
|
his pale form, but he was obviously alive and awake, a look of cold
|
|
dread on his face.
|
|
Hylan and Herrit pushed their way in, the others crowding outside
|
|
the door. As soon as the blonde youth caught sight of Graham, his face
|
|
turned an angrier shade of red.
|
|
"You!" Hylan shouted.
|
|
"Stay back!" Rose yelled, her weapon at the ready. "The first man
|
|
to come near him will have to get through me first!"
|
|
"Rose!" Herrit spluttered. "What the hell are you about? These men
|
|
are from Kenna and are after that man! He's a murderer!"
|
|
"These men think he's a murderer, Herrit," she responded fiercely.
|
|
"But I know the truth. Jakob did nothing to that girl!"
|
|
Wolcott stood dumbfounded. Jakob? What stories had the Dargonian
|
|
been telling this woman? "His name is Graham, Rose. If he's told you
|
|
otherwise, it's a lie."
|
|
Feddoran had stuck his head in, squeezing next to the woodsman. "I
|
|
can rush her, Wolcott," the boy said to him earnestly. "I can hold her
|
|
down while Hylan goes after Graham."
|
|
"Hold on," Wolcott answered, confused. Since when had Feddoran
|
|
become so violent?
|
|
Hylan let out a growl and shot forward towards Rose but Herrit
|
|
grabbed his shirt as he passed and took him down to the floor, falling
|
|
over a table in the process. Hylan got entangled in some netting and
|
|
Herrit stood up, taking a place by his wife. "Dunnit think about
|
|
touching my woman!" he shouted.
|
|
Now there were two of them protecting the fugitive. Wolcott stepped
|
|
forward, trying to take control of the situation. Hylan had disentangled
|
|
himself but sat where he had fallen, his chest rising heavily.
|
|
"What has he told you, Rose?" Wolcott asked.
|
|
"That you're here because of a song," she responded, shifting her
|
|
grip on the pot. "A song! You're ready to kill a man over something he
|
|
sang to you!"
|
|
"We're here to take him back to Kenna!" Wolcott said. "No one will
|
|
be killed, but he will have to answer for his actions." He shot an angry
|
|
glance at Hylan.
|
|
"Then why did he describe her death so well?" Hylan countered,
|
|
throwing the netting off him. "Why did he run away? If he didn't kill
|
|
Naris, why did he run like a felon?"
|
|
"He told me!" Feddoran shouted, interjecting himself into the
|
|
conversation. "Graham admitted to killing Naris when we were up on the
|
|
mountain!"
|
|
Wolcott rounded on the youth in disbelief. What was Feddoran
|
|
saying?
|
|
Hylan sprang from his perch but Herrit met him halfway, taking the
|
|
brunt of the attack. The scrawny woodsman was no match for the burly
|
|
youth. They both fell to the ground in a pile. "Willit!" Wolcott
|
|
shouted. "Get Hylan off of him!"
|
|
Willit scrambled forward through the door and jumped onto the forms
|
|
of Herrit and Hylan, helping wrestle the latter into submission.
|
|
Rose lost some of her resolve. She was looking at Graham
|
|
questioningly, but the blanket-wrapped stranger's eyes never left
|
|
Feddoran. Wolcott turned to the boy.
|
|
"You never said anything about this before!" the woodsman hissed.
|
|
"Because I didn't think it mattered!" Feddoran exclaimed, his own
|
|
face gone red. "We thought he was dead! He's a murderer! Let Hylan have
|
|
his revenge!
|
|
"Wolcott, let me go by!" Feddoran pushed past the woodsman,
|
|
reaching for Herrit's wife. Wolcott caught hold of the youngster's shirt
|
|
at the collar, and as he strove to yank him back, the cloth tore. His
|
|
shirt split down the front and across the young man's chest and up his
|
|
shoulder were bloody scars ... four to five-fingered marks raking across
|
|
his flesh.
|
|
For a moment the woodsman saw a flash of Naris' fingernails, bloody
|
|
...
|
|
Wolcottt held the boy in his grasp, a knot of cloth in one hand,
|
|
looking into Feddoran's eyes with horror and grief.
|
|
"Feddoran ..." he choked. The boy had stopped in his grasp, a look
|
|
of shock and surprise in his face. The others were behind him, they had
|
|
not yet seen his chest beneath the ruined shirt.
|
|
Wolcott grabbed the youth's head between his hands in a fierce
|
|
grip. No wonder the boy avoided the river that morning. They had all
|
|
removed their clothes to search for Graham's corpse in the waters of the
|
|
Coldwell. But Feddoran had refused to enter the river ... and now the
|
|
boy seemed strangely intent on Hylan getting his hands on the Dargonian.
|
|
"Oh, Feddoran," Wolcott said, his voice cracking.
|
|
"Wolcott ..." Feddoran started, his face falling. He stepped back
|
|
out of the woodsman's grasp, his shirt falling and the others in the
|
|
room seeing the marks on his back and sides which could not have been
|
|
made by any chase in the woods.
|
|
Feddoran had killed Naris.
|
|
The boy, now alone by the door, turned and ran. Hylan let out an
|
|
anguished shout and rolled Willit off of him. He was out the door before
|
|
anyone could stop him. Willit recovered and looked shocked at Wolcott.
|
|
The woodsman settled to the floor, a feeling of numb shock growing in
|
|
his chest.
|
|
Graham quietly pulled the blanket over himself in the corner.
|
|
"No wonder he's so farking calm," the woodsman thought. "He knows
|
|
how this ends."
|
|
|
|
Cold, bitter wind sailed off the Coldwell, rushing into the
|
|
leafless trees huddled at its bank. Wolcott stood among the rocks, down
|
|
the mountain from where Herrit and Rose lived. A month had passed since
|
|
the troupe from Kenna had come down this way. Willit had been unable to
|
|
catch Hylan, as narrow and dangerous as the path had been down the
|
|
mountain. Wolcott never saw fit to ask the blonde man whether Feddoran
|
|
had jumped or been pushed, although if they were to believe the bard's
|
|
tale, it had been Feddoran's own doing. Elijah Kenna and the whole
|
|
village was beside itself, unsure how to treat Hylan when he returned.
|
|
The man had likely driven another man to suicide, but could he be
|
|
blamed, especially given Feddoran's deceit?
|
|
Rose was standing beside the woodsman, kissing Jakob on the cheek.
|
|
The bard looked better than when he had been lying in the cabin, and he
|
|
had gained some much-needed weight. His legs had also healed, but his
|
|
broken arm was still injured, albeit out of its splint and in a sling.
|
|
"You don't have to go," Rose said, repeating the offer Wolcott had
|
|
heard at least a dozen times that morning. "You can wait until next
|
|
spring if you need to."
|
|
Jakob shook his dark-locked head. "I have to go," he replied
|
|
gently. "There are too many who know about me here. There's too much
|
|
pain I've caused. Believe me, Rose, it's best if I seclude myself from
|
|
others."
|
|
"Are you sure about that?" Wolcott asked, spitting out a twig that
|
|
he'd been chewing on. "Maybe it's better to stay around those who know
|
|
what you're capable of."
|
|
Jakob smiled thoughtfully. "Perhaps," he replied. "I can't say I've
|
|
ever been given that choice before. But I'd put all of you in too much
|
|
danger by remaining here, Wolcott."
|
|
There was no argument to that. What would they do when the man came
|
|
down with a fever? Bind and gag him?
|
|
"Where will you go?" Herrit asked, putting an arm around Rose's
|
|
waist.
|
|
"Lederia, perhaps," Jakob said, turning to the east where the sun
|
|
was poking its head over the Darst Range. "Or maybe I'll find my own
|
|
mountain along the way. A place far away from anyone."
|
|
"Take care, Jakob," Rose said, managing a smile despite her obvious
|
|
worry. "And know that you'll always be welcome here if you should ever
|
|
find your way back."
|
|
Jakob smiled, his blue eyes tearing. With a wave of his hand he
|
|
turned, a bag slung over his back. He started going upstream along the
|
|
banks of the Coldwell, following directions Wolcott had provided him,
|
|
taking along a map and advice on the best passes to follow to get
|
|
through the mountains before the really cold weather came. The three of
|
|
them watched the bard go for a while, and Wolcott wondered what would
|
|
become of the man.
|
|
"I wish him peace," Herrit finally said, hugging Rose tightly. She
|
|
nodded in agreement.
|
|
"I wish him silence," Wolcott finished.
|
|
|
|
========================================================================
|