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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 14
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 1
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 2/4/2001
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Volume 14, Number 1 Circulation: 771
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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The Target that Eludes Me R. F. Niro Naia 1016
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A Woman's Fear P. Atchley Naia 1017
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Talisman Seven 3 Dafydd Cyhoeddwr Yuli 9-11, 1013
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondence to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.dargonzine.org/. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 14-1, ISSN 1080-9910, (C) Copyright February, 2001 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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In my previous Editorial, I described some of our major
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accomplishments and events in 2000, our sixteenth year on the Internet.
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We put out a record number of issues containing more fiction than ever
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before, improved our feedback loop by giving you the ability to rate
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each story you read, and more. In this Editorial we'll look forward, and
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I'll give you an idea what we're planning for 2001, our seventeenth
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year.
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So what can you look forward to in coming months? We plan on giving
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our Web site, which was introduced back in 1995, a substantial overhaul
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in the latter half of the year, and prior to that point we'll be
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soliciting lots of input from you, our audience. That will be a major
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focus this year, and you can expect to hear more regarding that in
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forthcoming Editorials.
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We're also working on several enhancements that will make
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DargonZine's huge body of fiction more accessible to everyone, and
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especially to new readers. Toward that end, we're developing a summary
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|
of Dargon's history in the form of a timeline, to help you more easily
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understand the background of our stories. We're also just finishing up
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adding lots of context to the "references" section of our Online
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Glossary, which will make it easier for you to follow the threads of
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connection between stories. And this year we will be publishing the
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results of our immense effort at mapping the city of Dargon, and that
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should give you a much more detailed image of the town we write about.
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In recent years we haven't spent much time helping our readers get up to
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speed on the extensive setting we've built, and in 2001 we hope to
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reverse that trend.
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In addition to those efforts, we'll continue doing a lot of
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additional work behind the scenes to better serve our contributing
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writers. Our push toward incorporation will continue, and we'll once
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again gather for our annual Dargon Writers' Summit, this year in San
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Jose, California. We're building up a reference library of lessons
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learned and revising our FAQs for writers, as well as enhancing the
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systems that allow us to keep cranking out fiction for you. And although
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DargonZine itself is strictly noncommercial in nature, some of our
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authors aspire to commercial success, and they've initiated a
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"publishing challenge" amongst the group to see who can be the first to
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get paid publishing credits.
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This is going to be a pivotal year for us. As you can see, we've
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identified a number of very ambitious goals, and are more focused than
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ever on improving what we do, both for you, our readers, as well as for
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the aspiring authors who are at the heart of this magazine's mission. I
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hope you continue to stay with us and enjoy the work we put forth for
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you.
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This issue is a great snapshot of three representative Dargon
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writers, and three different types of stories, all at different points
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in their evolution.
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Our first story is a standalone tale from a brand-new writer, R. F.
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Niro. He joined the group last May, and I hope you'll enjoy his first
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effort for DargonZine. It's not uncommon for stories to take nine to
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twelve months to go from concept to publication, and "The Target that
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Eludes Me" is typical. Although the first draft was essentially done in
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July, the story went through five major revisions before it was ready to
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print. During that time it was commented on and critiqued dozens of
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times, and I'm sure the author would agree that although the process was
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lengthy and sometimes frustrating, it has improved both this particular
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story and his skills as a writer. Mr. Niro's experience is typical of a
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writer who has recently joined the group.
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Our second story is the first chapter in a short series. It comes
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from a writer who has been with us over a year now: P. Atchley. After
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having her first story printed last year, she began working with another
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Dargon writer on a joint collaboration. In addition to writing, she has
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volunteered for projects that help us better serve our readers and
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writers. Ms. Atchley will be using her co-authoring experience as the
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basis for assembling a document full of lessons learned that could be
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shared with other writers who might be embarking on a collaborative
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effort. Like most writers who have been with the project a year or two,
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Ms. Atchley isn't just benefiting from the project, but is also thinking
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about how she can give back to the group and make it work better for
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everyone. DargonZine couldn't work without this kind of "above and
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beyond" contribution from our participating writers.
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The issue is rounded out with another installment of Dafydd's
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"Talisman" series. In contrast to Mr. Niro's standalone tale and Ms.
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Atchley's short series, "Talisman" is more like a serialized novel, with
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this chapter being the 26th installment. Dafydd also represents our
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veterans. He's approaching his fifteenth anniversary with us and has
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printed an astonishing 45 stories. His role on the project has changed
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over time, including running the show for several years. His knowledge
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of the world of Dargon is unsurpassed, and his opinions respected. When
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you've been with the project for five or ten years, DargonZine seems
|
|
like an integral part of your life, and its community of writers will
|
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include lifelong friendships.
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So that's both an introduction to this issue, an overview of some
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different types of stories, and a look at the different phases that
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Dargon writers go through over time. I hope you enjoy the results of
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these writers' hard work, and as always, thanks for your continuing
|
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interest in DargonZine!
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========================================================================
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The Target that Eludes Me
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by R. F. Niro
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<OrionFarr@aol.com>
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Naia 1016
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This is the story of my failure.
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Why couldn't it have been a simple test? A contest like archery,
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where if I get the most arrows in the center of the target, I win? In
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archery the lines are apparent, giving rise to little dispute over who
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the winner is. In the case of a tie the archers can always shoot another
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quiver of arrows to settle the contest.
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I have always been skilled with a bow.
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I am getting ahead of myself, though. I am no bard, but I do know
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that I should start from the beginning.
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It was early Naia and I was in Dargon city for the first time. In
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my sixteen winters, I had never been to a city before; my first
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experience with any human collection of such magnitude had been viewing
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Kenna from the opposite bank of the Coldwell, nearly five days back. Yet
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Kenna was a minnow to Dargon's barracuda, so much smaller in size and
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sensation as to almost defy comparison of the two. In truth, even Kenna
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was significantly larger than Dawnsmist, the valley hamlet that I called
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home.
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I entered Dargon with the late-morning sun over my right shoulder.
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I traveled a stone's throw from the northeast bank of the Coldwell,
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walking a dusty track between riverside fields being prepared for
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planting. I continued until I reached the point where the river causeway
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signaled the southeastern end of the city. As I passed, the farmers and
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hands stopped their work for a few moments to gaze at me across the
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fields with what I assumed was interest. I was uncomfortable under their
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gazes, feeling distinctly alone in a foreign place. Yet, with the
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relaxation of their gazes, the tension growing in my chest only seemed
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to further increase. I would have expected a man armed with a bow on his
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back and a sword at his side to elicit more concern.
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I took two deep breaths to control my anxiety. I felt the weight of
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responsibility pressing upon my shoulders. This burden was rooted in the
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knowledge that there was a void in my village: a void created by the
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prolonged absence of the trained and experienced fighters of my clan.
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Only the very young and very old remained to defend Dawnsmist. There
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were many dangers that threatened a village amid the wilds of the deep
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duchy woods and I was determined not to let my people down in any time
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of need.
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As I walked, my thoughts became dominated by Oyrault's Bald, a
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rocky hill a few leagues from our village. The hill held a one-room
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shack nestled amid a small grass clearing. My grandfather had built the
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shack and because of his labor the hill bore his name. My favorite times
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were when I could journey to the bald and practice my target shooting as
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wispy clouds passed through the deep azure sky above me.
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Attempting to focus on the task at hand I followed the directions
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Sybator, my teacher, had given me, soon reaching the edge of the city
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proper. As I approached the city, I climbed the side of a small hill,
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which offered an elevated perspective for my first glimpse of Dargon. I
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paused, breaking the stride that had carried me the sennight's walk from
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my home, to gaze at the city in wonder.
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Splayed before me to the northwest, the city was a patchwork of
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buildings separated by meandering streets that gave the impression of
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roots grown by an ancient tree, whimsically choosing their paths through
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time. Tall stone spires and steeples paying reverence to the blue sky
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marked what I took to be the temple district. Closer, to the west, where
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the causeway spanned the Coldwell River, the water sparkled in the early
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morning sunlight as it sought its destiny in the Valenfaer Ocean.
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The most majestic feature of the city, though, was a stone castle,
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set atop a rocky crag on the far side of the river. From what Sybator
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had told me, that would be Dargon Keep, seat of Duke Clifton, the ruler
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of our lands. I could not believe the power displayed in a building of
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that sort. I had to stop and reflect on the labor, time, and the
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all-defying might necessary to raise stone to such heights, and then
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hold it there against its nature.
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I started on my way again, down the gently sloped rocky trail
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before me, shortening my usually long stride to a slow shuffle, as I
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tried to digest the sight laid before me.
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I continued towards the riot of stone and timber dwellings before
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me. Part of me began to wonder what necessity would drive the
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construction of an unnatural structure like Dargon Keep: an artificial
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mountain, yet without the true majesty of the Darst range, only a pale
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imitation of the real thing.
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With that realization, I quickened my pace again. I was able to put
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Dargon city in perspective. Who would want to live in the squalor I saw
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before me? People scurried about at a hurried pace, their feet sticking
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in the street muddied by the previous day's spring rains. I began to
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hear a sickening drone, like that of a swarm of bees, coming from the
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marketplace directly in my path. The sticky and unpleasant tang in the
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air borne inland from the Valenfaer Ocean assaulted my senses. I could
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see filth, like sores on a diseased animal, lining the banks of the
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Coldwell. All of that led to one conclusion: this was not my home.
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Again, thoughts of Oyrault's Bald crawled into my head and settled,
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unbidden. This time I saw my father, pulling back on his bow with power
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and grace, and remaining completely still before the subtle movement
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that signaled release. He had always seemed so sure when he fired; I had
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spent the past two years trying to mimic, from memory, the instinct with
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which he shot.
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I shook my head to clear the scar-filled reverie. I stopped at the
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side of the first road that I came upon and pulled out the map Sybator
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had given me. It was a rough sketch of Dargon, with streets depicted as
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lines and words scrawled next to them. Underneath I held Sybator's
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letter of introduction, cradled against my sweaty palm like the blanket
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my young sister favored.
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As I stood there on the street's margin, I tried to avoid acting
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like an outsider. Yet, it seemed to me that many amid the hordes of
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people that passed stared longer than would be normal or altered their
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pace to gape at me. I surmised that few of them had ever seen a woodsman
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in person, but later I was to realize that more likely they were just
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surprised that I could read at all.
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Woodsmen have never been known for literacy. I was among the first
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generation of our clan to be able to read and write. In our village,
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though, Father Tannuay, a Stevenic priest, had made sure that every
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child was taught his letters. Some would have called him a religious
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zealot, trapped in his passion about reading and writing, an ability
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that few elders in our town saw there being much use for, but this
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account is a testament to his success.
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I found myself standing on the Street of Travellers, glancing
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quickly back and forth between the map and the landmarks around me.
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Peering once more at the map for good measure, I tried to memorize where
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I was. I then proceeded to roll the map and the letter together with
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shaking hands and carefully enclose them in the metal carrying tube
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Sybator had given me. Placing the tube back amongst the jars and small
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pots stowed in my pack, I headed into the city. I found my lungs
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laboring, as apprehension constricted my chest.
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I passed the edge of the marketplace and walked slowly past dozens
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of shops and small houses crammed together like rotted logs in a
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blowdown. As I headed down Traders Avenue, I felt long gazes following
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me. The attention only heightened my anxiety, adding to the pressure of
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attempting to not gawk around me like some kind of country lout.
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I finally halted my travel at a shop with a merchant's symbol
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underscored by elegant scrawl that read "Abaleen's Traders." Seeing the
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door open to the street, I entered the cramped, low-ceilinged shop.
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Behind the counter was an old, thin, gray-haired and bearded man peering
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squint-eyed at a ledger placed on a pitted and sliced hardwood bench.
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Sybator had told me that Abaleen was an old acquaintance. The past
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was something that Sybator talked about infrequently. However, his
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silence wasn't enough to prevent rumors of his true origins from
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circulating within the village. His prowess with the sword and written
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word suggested a noble upbringing, but his knowledge of the wilderness
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and the bow demonstrated ample time in the wilds. Some said he was a
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fallen noble, torn from his lands for a crime he did not commit. Others
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said he had served the current duke's father -- his skill with weapons
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and tactics lending some credence -- as a general. Some even said he had
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walked away from his holdings and title, living on his wits alone in the
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wilds for decades before reaching our village fifteen years past, not
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long after the end of the Shadow Wars.
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No matter what the story, he said Abaleen was one of the few honest
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men in a trade of thieves, and that he was the man to whom I should
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trade my wares. "May I help you?" the man behind the counter questioned,
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without looking up from his reading.
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"Errr ... Abaleen?" I began, flustered by his inattention.
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As I moved towards the counter, I quickly tried to review what I
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should say. I had hoped he would look at the letter before asking too
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many questions. His glancing up from his work, prompted by my
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noncommittal response, saved me. "Yes, I'm sorry," he answered, looking
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at my rough garb, ieonem bow, and laden pack, "You must be another one
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of Sybator's students; I wasn't expecting one again, so soon."
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"Yes," I responded, handing him the letter that I had pulled out of
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its metal case. My older brother Dynhault had undertaken the same
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challenge less than a month previous and had come home with little to
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report about his journey, but he was Dynhault: the born leader, heir to
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the title of Clannac, head of our family. Although only a year older
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than I, he had always been the best at everything. He was the fastest in
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a foot race, the most skilled swordsman, the quickest with his letters.
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Only in skill with the bow, for which he had little interest, was I
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better than him. And I had little doubt that if he put his mind to it he
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would be the best archer in our village.
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Abaleen skimmed quickly through the note and looked up at me with a
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friendly smile. "I understand, then, that you have some more goods for
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me."
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I nodded in agreement, unslinging my pack and placing it on the
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dusty floor against the counter. He came around to the front and we
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began pulling the poultices and jars of salve out of my pack.
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"So, what do you think of our city?" he asked as we set to work.
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"Uh ... I'm finding it ... different," I stammered out a reply.
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"Yes, I guess you would." He laughed heartily. I only shrugged,
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slightly embarrassed by his mirth. I could find no words to really
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describe what I felt and even Abaleen's easy manner could not ease my
|
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anxiety.
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How could I describe to him the wonder that I felt? I can remember
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the two distinct emotions tugging at my body: awe and fear. Both were
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twisting and curling together in some kind of hypnotic and sickening
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dance inside my gut. It was good that I had eaten little when I had
|
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broken fast that morning. Yet words like wonder and awe are limited in
|
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their scope, and my emotions at that first moment when I had seen the
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city spread out before me had been boundless. I had never seen anything
|
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of such magnitude and majesty as the city and it both terrified and
|
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elated me in the same instant.
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"Here are the iechyd poultices, foxglove, ieonem blossoms ... " I
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had begun pulling the various herbal restoratives and remedies out of my
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pack, looking to change the subject back to the task at hand.
|
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Once all of the wares were out, Abaleen went into the back room and
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returned shortly with a cloth bundle. He unwrapped it to show the goods
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that Sybator had requested. Inside the oil cloth lay two medium-sized
|
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books, bound with leather, the letters on the cover beginning to fade
|
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with age. One of them read "Memoirs of Istabalt, Alchemist to Kings" and
|
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the other "Tales of Magnus." Books were the one luxury that Sybator
|
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seemed to allow himself. He supplied and maintained a small library in
|
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our village.
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After we had rewrapped the books, Abaleen reached under the
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counter, pulled out a small sack, counted out a half-dozen coins and
|
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placed them into another, smaller sack.
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"The last batch sold well; here's some of the extra coin I earned.
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Why don't you use it, son, to experience city life? You could stay in an
|
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inn -- possibly the Spirit's Haven -- for the night?"
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"Thank you for your generosity," I concluded, reslinging my pack
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upon my shoulders. My time with Abaleen had been short, yet seemed long,
|
|
perhaps because of the novelty involved. Again, I yearned to be on
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Oyrault's Bald, straining against the controlled power of my bow as the
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springtime sun warmed my back.
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"Take care, son. Give my friend Sybator my best wishes and tell him
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he's been away from Dargon too long. Remind him that memories are
|
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shorter than the tides," he said by way of leave-taking. I nodded in
|
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response.
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As I exited the shop, I turned to the left and stopped. Looking
|
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back the way that I had come, I saw the edge of the bustle that
|
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surrounded the marketplace. In the other direction, I knew, lay the
|
|
docks and seashore, although any chance of seeing them from that spot
|
|
was lost in the labyrinth of the city streets. Then, I made what seemed
|
|
a simple decision, yet one with unexpected ramifications, like ripples
|
|
formed from a stone thrown into a pond.
|
|
In the end, I chose to head down towards the wharf, my decision
|
|
prompted by two factors: the mystery of the sea drawing me towards the
|
|
shore and the press of people pushing me away.
|
|
As I walked along Traders Avenue, I wondered what to do with my
|
|
extra coin. Should I save it and bring it to Sybator? Should I use it to
|
|
sample the life offered by the city, during my first experience in one?
|
|
Should I give it away to one of the churches, possibly a Stevenic one,
|
|
in honor of Father Tannuay? I could hear my father's advice in my head:
|
|
"Trust in yourself, son. Your aim is true." I wished, not for the first
|
|
time, for his companionship rather than just his memories.
|
|
In truth, I wanted, with all of my being, to leave the city and
|
|
return to Dawnsmist as soon as possible, but I felt that I was expected
|
|
to spend more time in the city and to learn something more of its ways.
|
|
Sybator had given me this task, this journey into town, as one of his
|
|
practical tests, probably to challenge my skills at adapting to a new
|
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situation, a strange place. Sybator spent very little time standing,
|
|
talking to us of our lessons, as Father Tannuay did. A man of few words,
|
|
Sybator much preferred to show us, teach us through experience.
|
|
Sometimes these kinds of lessons, I had found, were hardest. My fear was
|
|
caused by my desire to not fail him ... and my village.
|
|
Again, my thoughts flitted to Oyrault's Bald, calling to mind my
|
|
waiting target and the jay that liked to sit on the roof of the shack,
|
|
moving his head in jerky motions as he scanned the clearing for food. I
|
|
would have much preferred his company to the foreignness I found on the
|
|
street around me.
|
|
Approaching the wharves on Traders Avenue, I got a better view of
|
|
the bustle of the harbor, marveling at a large ship, probably some kind
|
|
of merchant vessel, which was entering the harbor under sail. Nearer to
|
|
the docks, I could see sailors loading and unloading various cargoes
|
|
onto the quays that lined the shore. As I continued, the crashing of the
|
|
waves and the salty taste to the air were new, yet not altogether
|
|
unpleasant, sensations.
|
|
Lost in my wonder, my attention was yanked back to my surroundings
|
|
by a yell from further down the street. On the other side of the lane, a
|
|
young boy sprinted out of a shop, clutching a bundle to his chest. A
|
|
little middle-aged man followed, waving a large pair of shears and
|
|
yelling "Thief! Thief!" A sign depicting a scrawled representation of
|
|
the shears hung above the shop doorway.
|
|
At first, the chaos exhibited in this display kept me rooted in
|
|
place as the child raced past me and entered a narrow alley two shops
|
|
away. I quickly broke into a lope, my pack pulling taut against my
|
|
shoulders and slowing my arm glide. I dared not leave it, though, so I
|
|
strode on. Running with a full pack was very similar to some of the
|
|
exercises we did for Sybator. As I rounded the corner, the child was
|
|
only five cubits away. At the far end of the alley I could see people
|
|
walking on another street running roughly parallel to Traders Avenue.
|
|
Even hindered, I ate up ground pursuing the short-legged child. He
|
|
seemed to be about ten years of age.
|
|
The boy looked behind him and shock came over his face. I do not
|
|
think he expected the soft-looking tailor to have been able to keep up
|
|
with him and judging by the faces I had already seen on many of the
|
|
other people on the street, apathy was the way of the city.
|
|
In response to the sight of me, the boy quickened his pace just a
|
|
little more, his bare feet slapping on the mud, and he turned into
|
|
another side-alley, this one seeming to run behind the houses on Traders
|
|
Avenue. I turned the corner less than three strides behind and in five
|
|
steps was able to close the distance to him. Without slowing my running,
|
|
I reached out and grabbed the back of his neck as he began to scale a
|
|
rickety wooden fence that ended the alley ten cubits in. He seemed
|
|
limber enough to scale it easily, but the package in his arms was
|
|
awkward and forced him to climb with only one hand. That was all the aid
|
|
I needed to catch him.
|
|
"What are you doing, boy?" I growled. I placed him back on the
|
|
ground against a wooden wall, where there was no place to run, except
|
|
past me. He squirmed in my grasp.
|
|
Letting him go, I said, "Very well, we'll have it your way. You can
|
|
run, but I'm just going to catch you again, like I did last time. I'm no
|
|
soft tailor you can out-run and out-climb." His eyes darted back and
|
|
forth looking for an opening to escape through.
|
|
Finding none in my wary stance, he appraised me. "Who are you? What
|
|
do you want?"
|
|
"I'm a woodsman, from the deep forests to the southeast," I
|
|
answered. "And what I want is that item you stole."
|
|
"Oh, I thought you looked strange," he responded. The diversity of
|
|
the city left him less disturbed than I would have expected. He did
|
|
realize who had the control over the situation, though, and power was
|
|
something he seemed to understand. "What will you do if I give it back?"
|
|
"I'll let you go on your way, as long as you promise not to steal
|
|
again."
|
|
"Straight?" he said.
|
|
Not entirely understanding his slang, I said: "Yes, if you mean: am
|
|
I telling the truth."
|
|
"Why?"
|
|
"Because I trust your word and think that getting caught will teach
|
|
you a lesson about stealing."
|
|
He looked at me in shock, but measured me in a surprisingly shrewd
|
|
manner for one so young.
|
|
"Straight." He said, handing me the bundle he had held clutched to
|
|
his chest throughout the exchange. "I'll be leaving now," he continued,
|
|
starting to walk past me.
|
|
"*There* he is!" a voice yelled at the entrance to the cul-de-sac.
|
|
I looked over to see the tailor standing, pointing accusingly at us.
|
|
Behind him came four men in armor, swords at their sides.
|
|
Again, I grabbed the boy's arm as he took the first step towards
|
|
scaling the fence.
|
|
The five men came down the alley and approached the struggling boy
|
|
and me. "Who are you?" the tailor asked brusquely.
|
|
"My name is Oyreen of clan Deshiels. And I have your cloth." I
|
|
answered, not understanding why his voice held such a tone of
|
|
accusation. I offered it to him.
|
|
"It is not just any cloth," he responded in a starchy tone,
|
|
grabbing the bundle out of my outstretched hand. "That dress was
|
|
commissioned for Lauren Dargon, the duke's wife, and is very valuable,
|
|
bumpkin." He spat out the last word and held out the gown, looking for
|
|
some sign of damage. I clenched my jaw in simmering anger. I could not
|
|
tell if the boy's touch or mine worried him more. The boy had calmed
|
|
down and was standing warily in my grip.
|
|
"You are a woodsman?" one of the soldiers said, more as a statement
|
|
than a question. He was in the fore of the group and an insignia on his
|
|
tunic seemed to indicate he was their leader. "My name is Lieutenant
|
|
Kalen Darklen of the Dargon city guard. Did you get the dress from this
|
|
boy?"
|
|
"Yes to both, lieutenant," I responded. The lieutenant seemed at
|
|
ease, but the three guardsmen behind him seemed more wary of my
|
|
appearance, shifting their weight back and forth between their feet, as
|
|
those ready for immediate action do. None of them bordered on the
|
|
outright hostility of the tailor, though.
|
|
"How did you come by it?" he then asked. I told him my part of the
|
|
story, including my journey into the city on Sybator's errand.
|
|
As I finished telling of my covenant with the boy, the tailor burst
|
|
in: "Lieutenant, you can't just let that little thief go, on this ...
|
|
man's word." He spat the last two words as if they were distasteful in
|
|
some way.
|
|
At that point, my anger flared. "What did I ever do to deserve this
|
|
treatment?" I fumed at the tailor. Sybator had told me many times that
|
|
my temper would get me into trouble if I did not control it. But at that
|
|
moment, I could not take any more of the man's abuse. "I am as much a
|
|
man as you. Just because I don't live in Dargon city, it does not make
|
|
me any less of a member of the duchy or the kingdom. My father, uncles,
|
|
and cousins still have not returned from the war with Beinison. Do you
|
|
think just because the war is over here that the king in Magnus has let
|
|
all men return home? You in your safe homes have returned to normal, but
|
|
my clan may be involved in fighting every day -- hundreds of leagues
|
|
from our home." I stopped to pant in anger, looking down at the muddy
|
|
street for focus. Emotion poured out of me like spring runoff
|
|
overflowing a river's banks. What I had said was true. My people had
|
|
long been employed in the armies of king and dukes alike as scouts and
|
|
archers. Skilled soldiers like that were the last to return home.
|
|
All around me the city dwellers, guards, tailor, and boy gaped in
|
|
shock. The eloquence of my attack seemed to produce most of the response
|
|
as opposed to the truths of my statements. I had already seen that few
|
|
city dwellers considered woodsmen, wearing rough leathers and simple
|
|
clothing, to be completely civilized. I had Father Tannuay to thank for
|
|
my ability to orate. For the first time I was thankful for his long
|
|
bells of lessons on letters, grammar and discourse.
|
|
"Well, I ... are you in league with this boy?" the tailor began. "I
|
|
don't care what the king owes your family, the boy is a thief and should
|
|
be thrown in the dungeon. Those are the laws of the city -- and of the
|
|
kingdom."
|
|
"You'll have to excuse Goodman Mudge. While a good tailor, he has
|
|
had a difficult day today," Lieutenant Darklen interrupted the beginning
|
|
of the tirade. "Ealun, why don't you return home with the dress and see
|
|
what you can do with it? I'm sure your amazing talents will have it
|
|
repaired even better than it was for the duke's wife."
|
|
"He's only a boy," I finished, glaring darkly at the tailor.
|
|
"No, he's a thief," Mudge contradicted, "Lieutenant, you are right,
|
|
my talents are better served back in my shop. I *trust* you will handle
|
|
this matter appropriately." With that the tailor stormed off, back down
|
|
the alleyway towards Traders Avenue.
|
|
As my attention wandered with the statements of the tailor, the boy
|
|
made a sudden move at my side. My grip had relaxed, allowing him to drop
|
|
to the ground, breaking my hold with his weight and unbalancing me so
|
|
that I fell to the ground as he scuttled out of my way. Before I could
|
|
recover my feet or the guards could act, he had climbed the fence and
|
|
could be heard running deeper into the alley.
|
|
The lieutenant was the first to reach the fence, but as he dropped
|
|
to the other side and I reached the top, the boy turned another corner
|
|
and was lost from sight heading back towards the wharves.
|
|
"We'll never catch him now, and maybe that's for the better," the
|
|
lieutenant stated, seemingly disgusted at the situation. "He was too
|
|
young for the dungeon, likely has no family, and there is little we can
|
|
do for ones that start so early."
|
|
At that moment, I felt the worst defeat. Jumping down to stand next
|
|
to the lieutenant, I noticed a change in the heft of my equipment.
|
|
Reaching up into the side sash of my pack, I realized that two strands
|
|
were all that remained of the purse containing the extra coins Abaleen
|
|
had given me. "He stole my money!" I said in shock.
|
|
The lieutenant turned and looked at me for a moment and said: "Yes,
|
|
he probably did." I stood there, jaw agape and wondered how I could have
|
|
misread the boy so badly. I had defended him, preventing the judgmental
|
|
tailor from getting a hold of him and he had repaid me, by robbing me.
|
|
"Where are you staying tonight?" Lieutenant Darklen asked.
|
|
"I was to stay at the Spirit's Haven, but I have no coin left, and
|
|
think I should be on my way. I'm not sure I care to spend a night in
|
|
this city."
|
|
"That is probably for the best; Dargon doesn't seem to be your kind
|
|
of place," the lieutenant said. "We can help you out by walking you to
|
|
the edge of town." He did not seem to be offering a choice. In truth, I
|
|
was not sure if he wanted to stay with me in order to protect me, or
|
|
more likely, to keep me out of any more trouble. At the time, it did not
|
|
matter.
|
|
I had already failed.
|
|
|
|
That night I slept in a copse of trees near the Coldwell and the
|
|
next morning was on my way home. In just over a sennight I was home in
|
|
our village reporting on my journey to Sybator.
|
|
He said nothing upon hearing my story, which seemed right. I did
|
|
not feel worth the time or effort after my failure in the city. Instead,
|
|
he took me out to the clearing on the edge of the village where we
|
|
practiced our archery. Suspended from trees at the far end were straw
|
|
targets with an innermost bullseye and a much larger outer circle.
|
|
"Get yourself set, but do not draw an arrow," he said in his
|
|
traditional no-nonsense tone. Once I had gotten in my stance, he came
|
|
behind me and blindfolded me with a dark rag he had taken from inside
|
|
his tunic. "Now shoot," he said once he was sufficiently assured that I
|
|
could not see.
|
|
"But, master, I can't see the target."
|
|
"True ... Shoot anyway."
|
|
My frustration quickly gave way to acceptance, though. I nocked an
|
|
arrow from the quiver by my left knee; an easy feat, even blindfolded,
|
|
for someone who had done it thousands of times before. I then followed
|
|
the steps I had been taught to take before shooting: the canon all
|
|
archers lived by. Sybator and my father had drilled these lessons into
|
|
me since I first hefted a bow. I placed my lead arm forward, made sure
|
|
my fingers were positioned evenly on the string, pulled back on the bow
|
|
until I could anchor my hand against my chin, and aimed where I thought
|
|
the target should be. I waited for that feeling of complete rightness I
|
|
knew signaled the moment I should release. Even blindfolded I felt
|
|
confidence in my technique, if not my aim. I let the arrow slide free.
|
|
I heard the dull thunk of it embedding in the straw.
|
|
"What did you hit?"
|
|
"The target, I think. I heard it hit." I responded with relative
|
|
confidence.
|
|
"Where on the target?" he continued.
|
|
"I don't know, I can't see it."
|
|
"Where do you think?"
|
|
"High right?" I asked. Every archer has his favorite spot to miss.
|
|
"Do you really think so?"
|
|
"How could I know where it hit? I can't see it." I answered in
|
|
frustration.
|
|
"Was it a good shot?" he asked.
|
|
"Uh ... I guess so. My form felt good. The shot felt right."
|
|
"Good. That is how a great archer shoots: by feel. Pull off your
|
|
blindfold," he commanded. I did, finding the arrow lodged in the target
|
|
near the outer edge of the smaller circle.
|
|
"Could your shot have been better?"
|
|
"Yes, I could have hit the center."
|
|
"Could you have?"
|
|
"Maybe? ... I don't know!?" I became flustered, not really sure
|
|
what we were even talking about anymore.
|
|
Then, abruptly, without ever a direct word on my trip to the city,
|
|
he took my bow and sent me to Oyrault's shack on the bald. He gave me
|
|
simple directions: sit alone, write down this story, and return for
|
|
archery practice tomorrow morning.
|
|
|
|
========================================================================
|
|
|
|
A Woman's Fear
|
|
by P. Atchley
|
|
<dpartha@usa.net>
|
|
Naia 1017
|
|
|
|
Oriel was running up the stairs as Rasine came back from the
|
|
market. She stared down at the blonde ten-year old in surprise. "What
|
|
are you doing, Oriel? I thought I told you to make bread while I was at
|
|
the market." Rasine followed her daughter into their tiny rooms,
|
|
clutching the two bags she had brought back with her.
|
|
"Oh, turdation!" the ten year-old snapped, under her breath. "I
|
|
wanted to be back before you. I put the dough in the oven, Mama. I was
|
|
playing with Briam, and then I just went down the street to see if there
|
|
were any mushrooms in that little patch of soil near the --"
|
|
"What did you say, young lady?"
|
|
"Nothing, Mama, just that I wanted to see if there were any
|
|
mushrooms ..." The girl's voice trailed off, her smile dimming as she
|
|
caught sight of the expression on Rasine's face.
|
|
"I should wash your mouth out with verjuice, using such language.
|
|
Where you learn these things, I'll never know." Rasine shook her head as
|
|
she took two carrots from one of the bags. "And as punishment for what
|
|
you said, you're not to make jelly for another sennight." She took a
|
|
small knife and began to cut the carrots.
|
|
"But Mama, I love jelly. And you never let me eat any sweets at
|
|
all," Oriel objected, bending to take a small cloth-wrapped bundle from
|
|
the live coals.
|
|
"Be careful, Oriel. How many times have I told you --"
|
|
"To use a cloth when you take the bread from the fire," Oriel
|
|
finished the sentence for her mother.
|
|
"You are becoming very rude. I should punish you." Rasine hid a
|
|
smile at the indignant look her daughter gave her. "But, since you're
|
|
not making jelly for the next sennight," Rasine chuckled as her daughter
|
|
glared daggers at her, "I'll consider that sufficient punishment.
|
|
"Tell me, how is that young man, Briam?"
|
|
"He's not a young man, Mama. He's just a boy," Oriel said and
|
|
snatched a small piece of carrot from her mother's hands. "And he's
|
|
fine."
|
|
Rasine laughed and batted away the little girl's grasping fingers
|
|
as she set some water to boil. "Did you play find-the-rat again?" Her
|
|
daughter nodded, mouth full of carrots. Rasine continued, "Can you
|
|
recite what I taught you the other day?" She carefully dropped the
|
|
remaining pieces of carrot into the water.
|
|
"Of course," the little girl said scornfully. "Listen.
|
|
|
|
"An Herbal Concoction
|
|
Verjuice and white pepper for a jelly of fish,
|
|
Thyme and mint for a form of tart;
|
|
Chamomile for tea, parsley for looks,
|
|
Sage for stew, cayenne from the east,
|
|
Mustard for sauce, anise for sweets,
|
|
Saffron for them dukes, salt for you and me!"
|
|
|
|
Oriel took a deep breath. "But what does it mean, Mama? And how
|
|
come it says verjuice and white pepper for jelly? We use seaweed and
|
|
milk for carrageen jelly."
|
|
Rasine said, "That's a very good question. Tell me how you make
|
|
jelly."
|
|
|
|
"Boil seaweed and milk.
|
|
Stir the side of the pot.
|
|
Drink when it's not so hot."
|
|
|
|
"Straight. And how does it taste? Sweet. But this isn't a sweet
|
|
jelly. It's a jelly made with fish. The poem gives you the herbs so that
|
|
you can always remember what to put in it. Remember when I taught you
|
|
how to make jelly? That's a poem too."
|
|
"Oooh, that's easy. Do you know any more, Mama?"
|
|
The woman laughed. "Of course I do, and I'll teach them all to you.
|
|
There's one about spice powder that I'm going to teach you next, but not
|
|
today. It's time to eat now, and then time for you to go to bed."
|
|
|
|
Rasine tucked Oriel into bed and sat down to wait for Gunnar, a
|
|
ducal guard with whom she had a bargain. In exchange for getting Oriel
|
|
an apprenticeship with the keep cook, Rasine had agreed to oblige Gunnar
|
|
with favors. He usually stopped by every other day, and she expected he
|
|
would stop by that night. She stared into the glowing embers of the
|
|
coals, letting her mind wander aimlessly. Life had a sameness about it
|
|
lately that made even thinking a chore.
|
|
She remembered when her husband Lars had been alive. Things had
|
|
been different then. He had been a good man, with his own boat and he
|
|
used to go fishing almost every day. One day, he never returned. There
|
|
had been a sudden squall, and everyone had told her that he must have
|
|
drowned. Oriel had been four years old at the time. Lars had made her
|
|
laugh, and after he was gone, there was no one to make her laugh.
|
|
Rasine could not accept the fact that he was gone. She had borrowed
|
|
a lot of money from Jahlena, part-owner of the Shattered Spear, and paid
|
|
the other fishermen in Dargon to go and look for him. Of course, when
|
|
Jahlena had asked for repayment, Rasine had nothing to return. She had
|
|
ended up at the Spear as a general dogsbody in order to pay the debt. To
|
|
make matters worse, Jahlena, who was the bouncer at the inn, had rather
|
|
forcibly persuaded her to double occasionally as an entertainer of the
|
|
more tawdry sort.
|
|
But even that did not bother her now. Actually, nothing much
|
|
bothered her right now. She couldn't bring herself to believe that
|
|
anything mattered. So what if she was an entertainer? She didn't care a
|
|
whole lot about that. The only thing which mattered, just a little, was
|
|
Oriel. A distant corner of her mind was always aware of her
|
|
responsibility to her child. If it hadn't been for Oriel, she would have
|
|
gone searching for Lars herself and perhaps, like Lars, never returned
|
|
...
|
|
Bells sounded faintly in the distance, breaking Rasine's reverie.
|
|
The only important thing right now was to make sure Oriel learned a
|
|
trade. Rasine had come up with the idea about a month prior. It had been
|
|
the early part of Firil when she had made the bargain with Gunnar. But
|
|
he hadn't made any progress on meeting the cook, the lazy scum that he
|
|
was.
|
|
Now it was already five bells after sunset, and that rat hadn't
|
|
come yet. Well, she would refuse him and -- a knock sounded at the door.
|
|
She jumped, startled, and then rose slowly to open it, gearing herself
|
|
to scold him for procrastinating on meeting with the cook. The door
|
|
creaked as she opened it, and Gunnar entered without waiting for an
|
|
invitation. He smiled down at her and handed her a flower.
|
|
"Did you talk to the keep cook about getting Oriel a place there?"
|
|
she asked sternly, ignoring his offering. "It's been a month since I
|
|
asked you to talk to the cook. I've obliged you every time you come
|
|
here, and what have I got in return? Nothing, that's what."
|
|
"Rasine, I told you, I'm trying," he began, his smile gone. When
|
|
she did not respond but simply stared at him, he started again, "I
|
|
tried, but I -- I'll try again tomorrow, I promise."
|
|
He touched her shoulder, and offered her the rose again. She glared
|
|
up at him. He towered over her, his thin frame reminding her of the
|
|
scarecrow farmer Benson used to set in his cornfields. His pale blue
|
|
eyes pleaded with her. They glinted in the firelight and she sighed
|
|
loudly.
|
|
He seemed to realize her displeasure because he said, "Please,
|
|
Rasine?"
|
|
Finally she nodded, and accepted the rose. A corner of her mind
|
|
wondered where he had picked it. She led him to the tiny room that was
|
|
hers. It was a long time before he left.
|
|
|
|
Gunnar stepped lightly down the stairs, whistling under his breath.
|
|
He looked up at the sky. Nochturon was in fine fettle that night. It
|
|
took him awhile to reach the guards' quarters because Rasine lived in a
|
|
house that was near the oceanfront northeast of Dargon city, a good
|
|
distance away.
|
|
"Ho, Gunnar, been with a woman?" a voice asked as soon as he
|
|
entered the barracks. It was Rudy, his partner, and he smiled at Gunnar
|
|
nastily. "I know that song. You whistle that every time you've been with
|
|
a woman. How much did you pay?"
|
|
"Ho, ho, Rudy, some of us actually get what we want without having
|
|
to pay," Gunnar retorted. "Only screegull scum like you have to pay."
|
|
Rudy laughed at the insult. "And you, you actually think a woman
|
|
would give it to you for free?"
|
|
"Oh yes. I just got it, didn't I?"
|
|
"Who's the mystery woman who doesn't make you pay, eh?" Rudy
|
|
mocked.
|
|
Gunnar stared at him. "You don't believe me? You think a woman
|
|
won't roll with me without getting paid for it? You don't know what
|
|
you're talking about. Look at me, man: I wash up, and wear clean clothes
|
|
before I go to her. Women like these things, you know. Today I even took
|
|
her a flower. Look at you, you ugly mug ..."
|
|
"Never mind me," Rudy interrupted. "So who's the woman?"
|
|
Gunnar thought for a few moments. Why should he tell Rudy? This was
|
|
his secret, his cushy berth. If he told Rudy, would Rudy get it for free
|
|
too? Gunnar frowned, unable to think of an answer to that question.
|
|
Meanwhile, Rudy was tapping his foot on the floor, staring at him with
|
|
that nasty grin that he always got whenever Gunnar tried to think things
|
|
through. The grin annoyed him no end. Rudy always said he was stupid
|
|
whenever he was thinking about things. He frowned at that.
|
|
"Well, stupid, if you've finished thinking about what you're going
|
|
to do for the next twenty bells, I'd like to know who the woman is."
|
|
"Oh yeah, says who I'm stupid? And what's it to you who the woman
|
|
is?"
|
|
"Because if you don't tell me, I'll pound you to a pulp."
|
|
Gunnar laughed. "You can try."
|
|
In a flash, Rudy vaulted over the cot between them, and shoved the
|
|
other man to the floor with the force of his momentum, holding him by
|
|
the throat.
|
|
"Gotcha," he said with satisfaction.
|
|
"Not really." Gunnar reached up, and holding Rudy's left elbow with
|
|
both hands, pushed it upwards and out in the wrong direction.
|
|
With a shout of pain, Rudy released him. Gunnar threw a punch, but
|
|
Rudy shoved his wrist aside and attacked furiously. With no space to
|
|
maneuver in a room full of cots, Gunnar found himself hard-pressed. And
|
|
then Rudy hooked a foot behind his ankle, and down he went again.
|
|
"What is going on here?"
|
|
Both men looked up guiltily. It was Sergeant Cepero of the town
|
|
guard, who had a grudge against Rudy because he had caught the latter
|
|
flirting with his niece, Fidelia. Unfortunately for Rudy, Fidelia was
|
|
supposed to have been walking out with a town guard at the time.
|
|
Needless to say, in Cepero's mind, his niece was the innocent victim,
|
|
and Rudy the aggressor. Cepero's temporary assignment to the ducal guard
|
|
had given him plenty of opportunities to punish Rudy, which he seized
|
|
gladly.
|
|
"Nothing," both answered simultaneously.
|
|
"Gunnar, your nose is bleeding. Go and have it seen to," Cepero
|
|
said sharply. "Rudy, I should have known. This time, I am definitely
|
|
going to report you. This is the third time this sennight, and I've
|
|
already warned you about the consequences, more than once." He glared at
|
|
both miscreants impartially. "What punishment would be fitting for this?
|
|
Fighting inside the barracks: serious charges." A faint smile of
|
|
satisfaction appeared on his lips. "I shall ask for you to be flogged at
|
|
noon inside the keep, in front of all the guards. Next sennight, I
|
|
think."
|
|
Gunnar looked from the retreating back of the sergeant to the
|
|
dismayed look on Rudy's face.
|
|
"It's all your fault," Rudy said venomously. "I'm already on
|
|
report. And that Cepero is an idiot. He's going to have the lieutenant
|
|
flog me; you heard him. And for what? Damn you, Gunnar."
|
|
"I'm sorry, Rudy. Never mind, I'll tell you who the woman is,"
|
|
Gunnar said, hoping to cajole the other man into a better mood. Seeing
|
|
Rudy's expression change, Gunnar continued, "It's Rasine. She works at
|
|
the Shattered Spear."
|
|
Rudy's bitter mood seemed to lift after Gunnar revealed the name of
|
|
the mystery woman, and Gunnar's anxiety eased. Rudy was apt to hit him
|
|
simply because he was annoyed, and Gunnar was tired of being the other
|
|
man's punching bag.
|
|
|
|
"Why do we have to put garlic in the soup, and not in the bread,
|
|
Mama?" Oriel asked.
|
|
Rasine smiled down at her daughter. "Because we're making plain
|
|
bread today, not spice bread." She checked the live coals, and poked at
|
|
the bread. It hadn't risen fully yet, so she left it to bake a little
|
|
longer. "Put the soup on, child."
|
|
"Mama, you promised me you'd teach me a poem about spice powder,"
|
|
Oriel said, her tone rising. She propped the saucepan on top of the
|
|
small stove rather carelessly. The water inside slopped against the
|
|
sides and a few drops fell on the coals underneath, sizzling.
|
|
"Careful, Oriel," Rasine admonished. She poured the small amount of
|
|
barley she had bought that day into the saucepan. The water which had
|
|
been boiling merrily, subsided. "You want to learn the poem about spice
|
|
powder, eh? Well, this one's easy. Ready?" When the little girl nodded
|
|
vigorously, Rasine continued, "It's called Spice Powder.
|
|
|
|
Pepper as black as night without Nochturon,
|
|
Cannell as beautiful as a willow bark tree,
|
|
Ginger as harsh as the north wind,
|
|
Saffron that comes from across the high seas,
|
|
And cloves like little black dames of doom!"
|
|
|
|
"Doom, doom, doom!" Oriel repeated with relish.
|
|
Rasine laughed. "Straight. You powder them all together. Don't
|
|
twist your hair like that, Oriel; it will get all tangled up."
|
|
The barley was boiling now, and Rasine stirred it.
|
|
"How come my hair is so long and yours is so short, Mama? I want to
|
|
cut my hair too. I want to have short hair."
|
|
"No, Oriel, we are not cutting your hair, because we want your hair
|
|
to grow long and beautiful," Rasine said patiently, lifting the saucepan
|
|
off the fire with a teacloth. She carefully dropped into the soup the
|
|
two basil leaves she had begged from the cook at the Spear. "I've told
|
|
you before, we --"
|
|
"Are not cutting my hair," the girl repeated, grinning. "But Mama,
|
|
does that mean people with short hair aren't beautiful?" When Rasine
|
|
looked up with her mouth open, somewhat taken aback at her daughter's
|
|
logic, the little girl giggled and continued, "Never mind, Mama, I think
|
|
you're beautiful even though you have short hair. My mama is beautiful,
|
|
and my papa is ... Are men beautiful, Mama?" Oriel took the bread out
|
|
from under the little mud oven, and began to tear it off into pieces.
|
|
Rasine swallowed a laugh. "No, men are handsome. Like your father."
|
|
"Tell me about my father, Mama. What was he like? You never tell me
|
|
anything about him," Oriel pouted.
|
|
This time Rasine did laugh. "Enough with the questions, Oriel. Sit
|
|
down and eat your dinner."
|
|
"But Mama --"
|
|
"Your father was tall and handsome. He had hair just like yours, my
|
|
little golden girl. Whenever I brush your hair, I think of him." Rasine
|
|
sighed, swallowing a mouthful of soup.
|
|
She had grown up in Magnus. When she had met Lars, the two of them
|
|
had fallen in love with each other instantly. They had married within a
|
|
sennight. Whenever she thought about that time, she wondered how
|
|
happiness could make people forget about everything. She could never
|
|
remember where they had gotten money to pay for a place to stay, or for
|
|
food. They had lived in each others' arms, with a smile and a laugh.
|
|
Would she ever be able to feel like that again? Would she ever laugh
|
|
again? Would she ever again be so happy that she could forget where the
|
|
next meal was coming from? Forgetting seemed very attractive these days.
|
|
"-- call me golden girl?"
|
|
"Hm? Why do I call you golden girl?" Rasine asked. Seeing Oriel
|
|
nod, she answered, "Because you have golden hair. That's why I named you
|
|
Oriel; it means 'golden'. Now, off to bed." She followed the little girl
|
|
into the small bedroom area and tucked her into the stack of hay,
|
|
heather and blankets that did duty as a bed. Then she returned to clean
|
|
up the little kitchen area. By the time she was done, Oriel was fast
|
|
asleep.
|
|
Rasine made sure the little girl hadn't kicked off the blankets.
|
|
After a last check that the kitchen fire had been totally stamped out,
|
|
she slipped out of their rooms and carefully locked the door from the
|
|
outside. She stood near the railing and stared out toward the ocean,
|
|
breathing in the salty air. It was a clear night and looking at the
|
|
ocean, she found herself thinking of Lars again. She savored the
|
|
memories for a moment before slipping down the stairs.
|
|
She rented the upstairs of the ramshackle house from a man named
|
|
Coragen, one of Jahlena's friends. It was near the oceanfront, northeast
|
|
of Dargon city past the junction of Traders Avenue and Commercial
|
|
Street. There were a few cottages on either side but they had been
|
|
rendered unlivable during the Beinison invasion. One lacked a roof;
|
|
another was missing one wall and yet another had gaping holes where
|
|
there should have been windows and doors. As a result, they remained
|
|
empty.
|
|
Rasine walked briskly along the ocean front until she reached
|
|
Commercial Street; then continued onward down the Street of Travellers
|
|
to the Shattered Spear. The inn was located in a rougher section of town
|
|
than her lodgings. She sometimes thought it was silly to be so afraid
|
|
when she walked to the inn at night, but a few of the customers at the
|
|
inn would murder as lightly for a word as for a Round. She knew no one
|
|
would grieve if she died the next day, but she had to arrange for Oriel
|
|
to be safe and to learn a trade that would keep her in good stead. Until
|
|
then she knew it behooved her to be careful.
|
|
The roads seemed darker than usual that night, she reflected. She
|
|
had almost reached the inn when she realized that someone was walking
|
|
towards her. The man must have been waiting for her to arrive because he
|
|
approached her swiftly and barred her way.
|
|
"Rasine?"
|
|
"She's not answering," she said rudely, and tried to brush past him
|
|
into the inn through the back door.
|
|
"I hear you roll with Gunnar for free," he said, grabbing hold of
|
|
her upper arm.
|
|
Startled, she froze and stared up at him, fear instantly cramping
|
|
her belly. His eyes glinted with menace in the moonlight. The man's salt
|
|
and pepper hair was shorn close to his head, and he wore rough clothing
|
|
so dark in color as to seem almost, but not quite, black in the light of
|
|
Nochturon. She shivered as she met his sooty eyes again.
|
|
"Nothing of the sort," she tried to bluster, feeling her mouth dry.
|
|
"Who are you, anyway? And let me go," she struggled against his
|
|
restraining arm, her heart beginning to pound. He casually backhanded
|
|
her. She let out a screech, and stopped abruptly when he slapped her
|
|
again.
|
|
"Quiet! What you give Gunnar for free, you will give me for free as
|
|
well."
|
|
"What? Who are you?"
|
|
"Rudy," he replied laconically. "Ducal guard."
|
|
"If you don't let me go this mene, I'll scream; Jahlena will come
|
|
out, and she *will* hurt you," Rasine said, making a huge effort to have
|
|
her words come out in a calm voice, despite the fact that her breath was
|
|
coming very fast. She had no idea if Jahlena would come out or not; she
|
|
also doubted very much if the woman would protect her, but it was worth
|
|
a try to get free of this toad. Hopefully he didn't know Jahlena well
|
|
enough to call Rasine's bluff. She struggled uselessly again, but
|
|
stopped when he immobilized her by the simple expedient of twisting her
|
|
arm the wrong way. She whimpered, the sound dragged out of her.
|
|
He stared down at her silently for a moment. "I could tell Jahlena
|
|
that you gave it to Gunnar for free, and then she'll have your hide," he
|
|
responded, smiling nastily at her.
|
|
Her eyes widened at the threat, and she moved involuntarily, the
|
|
thought of having to face Jahlena in a temper scaring her witless. Her
|
|
breath caught in her throat.
|
|
"I see that frightens you," he said, his smile widening to reveal a
|
|
crooked tooth. "I thought it might. I know Jahlena." He paused, letting
|
|
the threat linger in the air, as if he wanted her to think about what
|
|
Jahlena would do to her. "All right, I'll give you some time to think
|
|
about it. If you don't give me what I want, I'll tell her." He paused
|
|
again, this time for what seemed like a very long moment, and then
|
|
grinned expansively. "Have you thought about it? Ready to give me what I
|
|
want?"
|
|
"No!" She began to struggle again, with no thought of the
|
|
consequences of denying him -- no thought at all except to get away from
|
|
him.
|
|
Abruptly he released her arm, and Rasine stumbled away, falling to
|
|
the ground with a thump.
|
|
"Jahlena, here I come," he said softly in a sing-song voice.
|
|
"Jahlena, listen to me. Jahlena, hear what Rasine did. Jahlena --"
|
|
"Stop! Stop!" She covered her ears, cringing away from him, still
|
|
sitting on the ground. Jahlena would half-kill her if she ever found out
|
|
she had been cheated on money.
|
|
The sound of voices carried over to them on the night air, and they
|
|
both turned. Three figures had just turned into the street and were
|
|
headed in their direction.
|
|
"Until tomorrow, Rasine. Mind, you give me what I want," he said
|
|
softly, smiling down at her, the crooked tooth giving him an ominous
|
|
look.
|
|
She scrambled up, and moved toward the inn. He began to laugh, and
|
|
the sound of his laughter followed her as she slammed the inn's back
|
|
door behind her.
|
|
|
|
The inn was full, the patrons loud and noisy. Rasine peered through
|
|
the smoke looking for Jahlena, who worked there as the bouncer, among
|
|
other things. They both saw each other at the same time.
|
|
"There you are, I've been waiting for you," Jahlena said, scowling.
|
|
She was a huge woman, with each arm as wide as a haunch of venison, and
|
|
legs the size of small trees. She towered over Rasine, making her feel
|
|
very small and very scared. Jahlena's short hair was bright orange
|
|
today, and it gleamed like flame in the firelight. A corner of Rasine's
|
|
mind noted that Jahlena probably used henna in her hair. That wretched
|
|
woman! She took money from others and used it to buy henna for her hair.
|
|
Stevene! Rasine cursed mentally, staring blankly up at the other woman.
|
|
What she could do if she had money! Why, she would buy a new dress for
|
|
Oriel, and then she would -- Abruptly she focused. Jahlena was gripping
|
|
her upper arms, and Rasine felt a slight tingle from the metal rings on
|
|
the bigger woman's fingers.
|
|
"Rasine! You're late. Here, see that man, he's been waiting for
|
|
you. Go to the front room upstairs. The keys are at the corner of the
|
|
bar, in the soup bowl on the bottom shelf."
|
|
Jahlena went away to attend the customers waiting at the bar.
|
|
Rasine sighed with relief that the other woman hadn't realized her own
|
|
attention was elsewhere. Although Rasine knew that Jahlena wouldn't hit
|
|
her in the presence of customers, it was hard not to be scared of her.
|
|
Sometimes, Rasine thought that Jahlena liked to hit people. Not that she
|
|
ever smiled when she hit Rasine, but she just seemed more quiet, more
|
|
calm somehow. Lars had told her that there were people like that: people
|
|
who liked to hit others and liked to see them bleed. Jahlena always hit
|
|
to draw blood. Rasine's upper arms were a mess of scars, because of the
|
|
metal rings with tiny spikes that Jahlena wore. She would wear them and
|
|
grip Rasine by the arms to make her bleed. It was Jahlena's favorite way
|
|
of punishing people. Rasine knew that the little chimney boy and the
|
|
downstairs maid at the Spear bore similar scars.
|
|
Rasine walked over behind the bar. While the common room was
|
|
well-lit from the fire in the huge fireplace, the area behind the bar
|
|
was dark since the counter blocked most of the firelight. The mugs on
|
|
the counter threw shadows on the wall and the floor behind the bar. She
|
|
bent and pulled a key from the soup bowl Jahlena had mentioned. She had
|
|
stepped around the bar before she realized that she had picked up the
|
|
wrong key. It was the key to Jahlena's strong box. Rasine wondered what
|
|
it had been doing in the soup bowl, but returned it to its spot rather
|
|
absently and picked out the correct key this time.
|
|
Her customer was having a conversation with another man sitting
|
|
next to him at the bar. One was a round man with a large paunch and was
|
|
headed toward baldness while the other was thin and dark-haired and had
|
|
a pot-belly only slightly smaller than his companion's. Rasine thought
|
|
rather scornfully that it was doubtless the result of all the ale they
|
|
drank.
|
|
"-- and there I was, in Heahun, after ridin' all day, ready for
|
|
some good hot food and the man tells me he can't offer me nothin'
|
|
because his cook died. And so I says to him, you bugger, I don' care if
|
|
your cook died. You give me food, or I'll hurt you, I'll hurt you real
|
|
bad."
|
|
The two men laughed raucously. Rasine saw her customer's elbow move
|
|
and realized he had made an obscene gesture. The men continued to talk.
|
|
"He says to me, he got no rooms on account of the merchant's wagon, and
|
|
the woman that did the cooking and cleaning had gone off into the forest
|
|
that's south of Heahun, and just upped and died. Seems there's a ghost
|
|
there."
|
|
"Sure, if you believe in them things. There ain't nothin' like
|
|
ghosts," the other man said knowledgeably, and belched loudly.
|
|
"See, there's this real big tree there, in a clearing near the
|
|
forest. He says that the ghost hangs 'em. All the women, I mean. Says
|
|
this is the third housekeeper in a year. Now no one will come to work
|
|
for him. Went on and on about how the merchant was going to come to stay
|
|
on his way back in a sennight, and what was he going to do without a
|
|
housekeeper. Said the merchant was his biggest customer every year. Gah!
|
|
The man talked and talked until I gave him whatsit." The man thumped the
|
|
table in emphasis.
|
|
Rasine's wandering eyes met Jahlena's. The big woman glared at her
|
|
and pointed to the customer. Grimacing, Rasine interrupted the
|
|
conversation and invited the man upstairs.
|
|
|
|
The following day, Rasine went searching for Gunnar. She took Oriel
|
|
with her to the market, and gave her some instructions before going on
|
|
toward the keep.
|
|
"Oriel, I want you to go to that stall over there. The fishmonger
|
|
said that he had some eels he would share with us if I cooked it for
|
|
him. Pick up the eels, and also all the spices for the eels. Do you
|
|
remember what they are?"
|
|
"Of course, Mama," Oriel responded scornfully. "Verjuice, a pat of
|
|
butter and some tarragon. This money won't be enough, Mama."
|
|
"You don't have to pay for the eels. Tell the spice merchant that
|
|
if he'll give you the spices for this price, and also throw in some
|
|
garlic, I'll make him some spice bread tomorrow. It's his favorite, so
|
|
he'll let you have the spices for free. He might even give you the
|
|
verjuice free, too. You can use the money for the butter. When you have
|
|
the ingredients, go straight home, peel and chop the eels and boil them
|
|
in water with a pinch of salt."
|
|
"Yes, Mama. Can I go to search for mushrooms before cooking the
|
|
eels?"
|
|
Rasine smiled at this. Since she had punished Oriel the last time
|
|
she had gone to look for mushrooms, the little girl was being rather
|
|
careful.
|
|
"Well, well, well, who is this pretty little thing?" A new voice
|
|
entered the conversation.
|
|
"Jahlena," Rasine pushed Oriel behind her. "What are you doing
|
|
here?" Rasine looked nervously at the bigger woman. She could never
|
|
decide whether Jahlena looked scarier at night, or during the day. Now,
|
|
she wore a bright red tunic with exquisite embroidered panels down the
|
|
front, with matching black trousers. She looked like a nobleman's wife,
|
|
except for her eyes. In spite of being a beautiful silver color, her
|
|
eyes never smiled. It was as if the eyes looked through Rasine, never at
|
|
her, and they always made Rasine shiver.
|
|
"It's the market place, Rasine. What do people do at markets? They
|
|
shop," Jahlena said, smiling genially at the girl peeking out from
|
|
behind Rasine.
|
|
"Aren't you going to introduce me, Rasine?" she asked again.
|
|
"I'm Oriel, and this is my mother," the girl stepped out.
|
|
"Oriel, go. Now!" Rasine watched Oriel glance at her doubtfully
|
|
before leaving. For some reason, she felt very uneasy at the thought of
|
|
Jahlena knowing about Oriel.
|
|
"You have a beautiful daughter," Jahlena said, her gaze following
|
|
the girl.
|
|
"Yes, unfortunately," Rasine retorted.
|
|
"Why unfortunately?"
|
|
"Because -- because -- I don't know why. Just because. I must go,
|
|
Jahlena," Rasine said hurriedly.
|
|
"Yes, of course," came the absent-minded answer.
|
|
Rasine looked back at Jahlena after going a few steps and saw her
|
|
gaze still upon Oriel, who was just entering the spice merchant's tent.
|
|
She stopped and decided to wait until Jahlena left. Why was Jahlena so
|
|
interested in Oriel? Rasine was almost afraid to think about the answer
|
|
to that question as she made her way toward the keep's main gate.
|
|
The road that led to the keep was steep, winding and narrow, but it
|
|
did widen just a bit near the outer gates. She looked around curiously
|
|
as she stepped through. One side of the huge courtyard was empty and
|
|
bare, except for two men who were sparring with one another. She turned
|
|
to the other side with interest. Here were row after row of rose bushes,
|
|
most of them bright and green with healthy leaves, except for the last
|
|
plant in the first bed. She gave the tired-looking plant a cursory look
|
|
before approaching the castle itself.
|
|
This was an imposing edifice, with three towers that could be seen
|
|
from the town itself. For a moment, her feet slowed of their own
|
|
volition as her eyes took in the grandeur of the structure. She halted,
|
|
craning her neck to see as much of the castle as she could. The stone
|
|
walls had small windows evenly spaced. A bright spot of color was barely
|
|
visible at the top of the tower. It was the pennant. The remaining two
|
|
towers were on the other side of the first one. She could hear distant
|
|
voices, and realized the wooden door at the base of the tower she was
|
|
approaching was half open. She stepped right in. The voices grew louder,
|
|
and seemed to be coming from one end of the corridor. A stocky,
|
|
broad-shouldered guard came down from the other end. He was an older
|
|
man, his hair beginning to silver at the temples, wrinkles beneath his
|
|
gray eyes.
|
|
"Who are you, and what do you want?" he asked her.
|
|
"I'm here to meet Gunnar. Can you help me, captain?" she asked.
|
|
"It's sergeant, mistress, Sergeant Cepero. You want to see Gunnar?
|
|
He should be getting off-duty right about now. Just go down this
|
|
corridor until you come to the second junction, take a left, past the
|
|
lieutenant's office and --" he paused, seeing the blank look on her
|
|
face. "Straight, mistress, let me take you. I was headed up there
|
|
anyway.
|
|
"So, you're the reason Gunnar cleans up every evening, eh?" the
|
|
sergeant asked jovially. He continued without waiting for an answer,
|
|
"Are you two walking out together? Well, Gunnar is a good soldier; he
|
|
follows orders. It's good that he's walking out with you. I think a
|
|
guard needs a woman in his life; keeps him ship-shape. I've never seen
|
|
you here before," he looked down questioningly at her.
|
|
"No, I've never been here before," she replied.
|
|
"In that case, you probably haven't met any of the ducal guards.
|
|
Have you met Gunnar's partner Rudy?" He seemed not to notice her
|
|
involuntary shudder, for he kept talking. "Now there's a guard always in
|
|
trouble. If ever a guard needed a someone to keep him in line, it's
|
|
Rudy," he said, a slight frown in his voice as he mentioned Rudy. "Here
|
|
we are. And here's Gunnar."
|
|
Gunnar was coming toward them, and looked none too pleased to see
|
|
her. "What are you doing here?"
|
|
"Is that any way to talk to a lady, Gunnar?" Sergeant Cepero said
|
|
sternly. "When she's taken the trouble to come to the keep to see you,
|
|
the least you can do is be polite."
|
|
"Sorry, sir. Sorry, Rasine," Gunnar apologized shamefacedly.
|
|
"That's better. Well, lady, it's always a pleasure to see beautiful
|
|
women in the castle. Good day." The sergeant nodded to her and walked
|
|
away in the opposite direction.
|
|
"I need to talk to you," Rasine began.
|
|
"Shh! Not here, not now. Go away, Rasine, do. I'll meet you
|
|
tonight," he said sharply.
|
|
"No. Now, Gunnar." Rasine glared at him, opening her mouth to begin
|
|
a tirade.
|
|
"Straight, fine. What do you want to talk about that couldn't wait
|
|
until tonight?" he asked grumpily.
|
|
"If you don't get Oriel a job with the cook, I won't ever meet you
|
|
again," she snapped. "It's been a month, and what have I got from you?
|
|
Nothing. Well, this is it, Gunnar, no more. And one more thing. Did you
|
|
tell your friend Rudy about our arrangement?" Seeing the sheepish look
|
|
on his face, she slapped him.
|
|
"Ow! Rasine!"
|
|
"That's for telling your friend about our arrangement. You tell him
|
|
to stay away from me, do you understand?" He nodded, a hand rubbing his
|
|
cheek. She continued, "If he comes near me, I'll tell Jahlena that you
|
|
are refusing to pay for services. And we'll see what she'll do to you!"
|
|
"But, Rasine --"
|
|
"No buts. Jahlena has ways of dealing with people who don't pay, so
|
|
you better do what I ask, Gunnar." With that she turned and stalked off.
|
|
|
|
The following day Rasine made her way to the spice merchant's stall
|
|
to deliver the promised bread, and the cooked eels to the fishmonger. As
|
|
she was returning from her errand, Jahlena stepped out in front of her.
|
|
Today, Jahlena's hair was a sort of blue-black color, and Rasine
|
|
wondered absently if the other woman had used blueberry extract to color
|
|
it. Dressed in a gray tunic that was surely new, because it looked so
|
|
fresh and clean, Jahlena looked the picture of prosperity. Rasine
|
|
narrowed her eyes as she realized that the high collar of the tunic was
|
|
embroidered with a real pearl.
|
|
"Rasine, I want to talk to you."
|
|
"This is not the place, Jahlena. Why don't we talk at the Spear?"
|
|
Rasine asked anxiously, heart thudding, all thoughts of embroidery far
|
|
removed from her mind. She edged away as Jahlena stepped closer to her.
|
|
"You didn't charge Gunnar," Jahlena slapped her, hard.
|
|
Rasine's legs buckled and she fell to her knees, tears starting
|
|
involuntarily. "Don't hit me, please," she begged. "What do you want?"
|
|
"You cheated me of my money," Jahlena said fiercely. "I ought to
|
|
kill you for that." She slipped something on her hands and pulled Rasine
|
|
up.
|
|
Rasine swallowed a whimper as the skin on her arms tore. A few
|
|
drops of blood rolled down, pooled in her palm and then dripped slowly
|
|
to the ground. Her flesh burned, as if splashed with boiling water.
|
|
"Let me go, Jahlena, it hurts," Rasine said, struggling.
|
|
A crafty look entered Jahlena's eyes as she watched the smaller
|
|
woman. "There is a way you can pay me back," she offered, releasing her.
|
|
When Rasine took a step back, Jahlena grabbed her shoulder. Now Rasine
|
|
could feel the skin on her shoulders crack and begin to bleed through
|
|
the thin blouse she wore.
|
|
"Let me go," she shouted.
|
|
"You owe me, Rasine, and if I don't get my money, I will kill you!"
|
|
Jahlena twisted her fingers, and more rivulets of blood ran down her
|
|
arm.
|
|
"So be it. Kill me then," Rasine cried. "I don't owe you anything,
|
|
Jahlena. You forced me to do this, and I won't, not any more."
|
|
"Fine, you don't have to come to the Spear any more," Jahlena
|
|
offered, loosening her fingers and looking down at Rasine without
|
|
expression. "We can do without you."
|
|
Rasine stared at her breathlessly and slowly took a step backwards.
|
|
"What? Straight, I won't come any more."
|
|
"No, just send along that pretty daughter of yours; what's her
|
|
name, Oriel?"
|
|
What the fear and the pain had not done, Jahlena's words did.
|
|
Rasine drew in a long breath, and let the anger consume her.
|
|
"No! You just crossed the line, Jahlena. Oriel is not going
|
|
anywhere near the Spear, not while there's life in my body," she raged.
|
|
"Well then, I'll just have to make sure there isn't, won't I?"
|
|
Jahlena smiled quite beautifully at her. "Such a little thing stopping
|
|
Oriel from working for me, Rasine. Don't make me do something you won't
|
|
live to regret." She laughed, with real delight in her voice. "I'm
|
|
looking forward to seeing Oriel work at the Spear. She's going to make a
|
|
very beautiful, very expensive entertainer."
|
|
Rasine stared as the other woman walked away, and then immediately
|
|
buried her face in her hands. She sniffed, trying to swallow her tears.
|
|
The debt that she owed Jahlena was not paltry, a sum of some fifty
|
|
Rounds incurred when she was searching for Lars. She could not possibly
|
|
let Oriel entertain at the Spear. Her daughter! Her baby, her child!
|
|
Rasine's mind revolted at the thought. The fog she had lived in for far
|
|
too long lifted. She vowed in grim determination that Jahlena would
|
|
never get her hands on Oriel. She would do something to prevent it; the
|
|
only question was what.
|
|
|
|
========================================================================
|
|
|
|
Talisman Seven
|
|
Part 3
|
|
by Dafydd Cyhoeddwr
|
|
<John.White@Drexel.Edu>
|
|
Yuli 9-11, 1013
|
|
|
|
Part 1 of this story was printed in DargonZine 13-11
|
|
|
|
Baron Chak Bindrmon stormed through the halls of his own keep. His
|
|
jaw was clenched so tightly that his lips were as white as his hair, and
|
|
his hands were balled into fists so hard that he could feel his short
|
|
nails digging into his palms. He was walking fury, and he was headed
|
|
toward his only child's room to teach the boy some sense.
|
|
Chak had recently returned from his journey to Fremlow City, the
|
|
ducal seat of Welspeare. Every three years, the Duchess of Welspeare
|
|
required that all of her barons travel to her castle to deliver their
|
|
taxes in person; the other two years, traveling tax collectors handled
|
|
those duties. Chak had put his time in Fremlow City to good use: he had
|
|
secured a promise of marriage between the only daughter of Baron Groon
|
|
Durening, Millicet, and his son, Aldan. The union would benefit Bindrmon
|
|
greatly, since Baron Durening had been eager to secure the marriage of
|
|
his daughter, who was almost thirty.
|
|
The only hitch in the plan was Aldan himself. Chak had just told
|
|
his son of the wedding plans, whereupon Aldan had defied his father and
|
|
declared that he loved another and would not honor Chak's hard-won
|
|
agreement.
|
|
Chak intended to do something about that.
|
|
He reached the door of his son's room and slammed his open hand
|
|
into it with all of the strength of his fury behind it. It wasn't
|
|
barred, and the latch snapped like a twig, letting the door swing open
|
|
and crash against the wall behind it. Baron Bindrmon stomped into
|
|
Aldan's room to find his son standing by the fireplace, staring at a
|
|
simple, metal candlestick on the mantelpiece. Aldan's only visible
|
|
reaction to his father's entrance was the tension in his shoulders; he
|
|
didn't turn around or verbally acknowledge the baron.
|
|
Chak stood silently for a moment, waiting for Aldan to turn around.
|
|
He almost didn't recognize the candlestick at first, but even when he
|
|
realized what it was he refused to let himself be deflected from his
|
|
purpose. He recalled giving a pair of candlesticks like that to his
|
|
wife, Cyorsa, shortly after their marriage. They had enjoyed pride of
|
|
place on their dinner table every evening until the fever claimed her
|
|
life a dozen years previously. He had ordered them removed from his
|
|
sight and had ceased to think about them.
|
|
It didn't surprise him that Aldan had rescued one from wherever
|
|
they had been stored. Chak knew that the boy was too soft by far to be a
|
|
fit heir. He was going to have to take further measures to toughen his
|
|
son up. Maybe the marriage would help.
|
|
Aldan still had not turned, so Chak said, "I may be your father,
|
|
but I am also the baron. Turn around and show me some respect, son!"
|
|
Aldan shuffled himself around to face his father, reluctance in
|
|
every motion he made. The sullen look on his face was more suited to a
|
|
thwarted child than someone of his score-and-two years.
|
|
"Sit!" Chak commanded. Aldan flinched, almost complying, but he
|
|
steeled himself and remained standing. Narrowing his eyes, Chak
|
|
continued, "Your choice, son. Now, what was that all about downstairs?
|
|
Did I hear right: are you rejecting the marriage I've arranged for you?"
|
|
Aldan only nodded. The baron thundered on, "You cannot be serious,
|
|
Aldan. This marriage is in your best interest. Millicet's dowry will
|
|
enrich our coffers by a handsome sum, and Baron Durening has agreed to
|
|
cede a portion of his territory along the Renev River to us, which means
|
|
increased trade. It is not possible for you to refuse this match after
|
|
the negotiations Groon and I have gone through!"
|
|
Silence stretched in response to Chak's statement, finally broken
|
|
by Aldan's voice, faint but filled with resolve. "I love another,
|
|
father."
|
|
"What does that matter, eh, boy? Love? All that is good for is
|
|
deluding the peasants that their old age won't be spent alone. You're
|
|
the son of a baron, Aldan, and that means that marriage has nothing to
|
|
do with love for you. Marriage is a tool to the nobility. It cements
|
|
alliances, it conjoins bloodlines and inheritances, it is negotiated and
|
|
agreed upon, not granted will-ye-nill-ye when the emotion strikes."
|
|
"I love another, father," Aldan repeated in a stronger voice. The
|
|
sullen expression he wore was deepening into anger, but Chak wasn't
|
|
paying attention.
|
|
"So, who is it that you love, boy? One of the nobles of our court?
|
|
Maybe Northfield's daughter has caught your eye? Or perhaps a foreign
|
|
princess has been traveling through our lands and plighted troth with
|
|
you?"
|
|
"I love a barmaid, father, and Tillna is her name. And it is better
|
|
I love her than all the well-bred women you could bring before me. I
|
|
have her heart, father, and she mine," said Aldan Bindrmon with some of
|
|
the conviction that his father used.
|
|
Silence again, but this time it was the baron who was rendered
|
|
speechless. Finally, he gasped, "A barmaid? A common bawd? You would
|
|
throw away the riches that Durening offers for a tavern wench? How could
|
|
you shame me so, Aldan? How could you think that this is acceptable?"
|
|
Passion joined growing conviction as Aldan replied, "Father, how
|
|
could I not love her? Her hair, it shines like gold, and her eyes are
|
|
the blue of crystal stones, Father. Her beauty shines as bright as the
|
|
moon, no, bright as the sun! I love her, and will not have another,
|
|
father!"
|
|
"You are not being given a choice!" shouted Baron Bindrmon. "You
|
|
*will* marry Millicet, and bring her dowry to our barony. Face up to
|
|
your responsibility. You are not a child. Stop acting like one. Do what
|
|
you have to, what you know is right. Stop defying me!"
|
|
Aldan took a step toward his father, his face screwed up with
|
|
suddenly released rage. "Stop ignoring me!" he yelled. "Stop treating me
|
|
like a marionette! You've told me what to do ever since mother died,
|
|
taking away my friends, taking away my very enjoyment of life. You will
|
|
not take Tillna away from me. I will not marry Millicet, and I do not
|
|
intend to change my mind!"
|
|
Aldan raced out of his own room. Chak watched him go, his son's
|
|
outburst ringing in his ears. He reached out to try to grab Aldan's arm
|
|
but failed because he couldn't unclench his fist fast enough, so tightly
|
|
had it been held.
|
|
Baron Bindrmon stood reflecting on his son's words for quite a
|
|
while. Eventually he came to the realization that Aldan didn't know what
|
|
he was talking about. Chak had guided his son gently, tutoring him for
|
|
the job he would someday have. It wasn't easy being baron; Aldan would
|
|
see that some day, and he would thank his father for the lessons he had
|
|
learned.
|
|
And as far as his son's final declaration went, Chak intended to
|
|
make sure that Aldan turned out to be wrong.
|
|
|
|
Several bells later, two stablehands arrived at the door to Baron
|
|
Bindrmon's private chambers. Talss, the tall thin one, knocked
|
|
tentatively. Lhewin, the tall stocky one, fidgeted. Neither of them knew
|
|
what the baron wanted, but it wasn't normal for servants to be summoned
|
|
like this, and they were both very nervous.
|
|
The door opened, and the baron himself beckoned them inside, and
|
|
then motioned them to sit at the table in the center of the outer room
|
|
of the suite. Chak sat down opposite them and said, "I have a task for
|
|
the two of you, along the lines of the service you performed for me back
|
|
in Fremlow City, concerning Brerk Shaddir."
|
|
Talss remembered. He and four other stablehands, Lhewin included,
|
|
had convinced Brerk, the second son of Baron Shaddir, that he didn't
|
|
want to marry Millicet, thus opening the way for Baron Bindrmon's
|
|
arrangement. Talss wasn't proud of it, but he had done his duty to his
|
|
baron and his barony, and had received a Round as payment. He wondered
|
|
who the baron needed frightened away this time.
|
|
"My son fancies himself in love with one of the tavern girls over
|
|
at the Boar-Ring Inn. Her name is Tillna. Do you know her?"
|
|
The two stablehands shook their heads. Chak shrugged and continued,
|
|
"He seems very attached to her, or at least the idea of her. He has
|
|
utterly rejected what I want, what you helped me get: his betrothal to
|
|
Durening's daughter. He will not be swayed by words, and he's my son, so
|
|
rough handling is out of the question. But I've thought of something
|
|
else.
|
|
"Tillna. If she leaves town, and tells no one where she is going,
|
|
then Aldan won't be able to use her as an excuse to refuse Millicet. I
|
|
want you two to make sure that Tillna leaves. One way or another, she
|
|
should be out of this barony as soon as possible, preferably out of the
|
|
duchy entirely. I'm asking this of only the two of you as I don't think
|
|
it would take five to scare off one little barmaid.
|
|
"I know that this is an unusual thing to ask of you, and I
|
|
understand that you may not feel it is a worthy thing to be doing. I ask
|
|
that you remember two things. First, you are once again aiding your
|
|
barony, as Millicet's dowry will benefit Bindrmon greatly. Second, to
|
|
salve your consciences, I will pay you each a Crown now, and a Crown
|
|
when she is gone.
|
|
"So, will you do it?"
|
|
Talss had done some very questionable things in the service of
|
|
Bindrmon, including taking care of Flitchin, the stablehand who had
|
|
tried to flee the baron's service on the way to Fremlow City. But for
|
|
some reason, Talss found this request to be much more shocking. He
|
|
didn't know why, unless it had to do with the fact that he was being
|
|
asked to intimidate a woman. Shaddir's son Brerk had at least stood a
|
|
chance against the five sent to persuade him to break off his betrothal.
|
|
How could a barmaid defend herself against even two grown men?
|
|
"Two Crowns?" Talss heard Lhewin ask. He looked over, and saw the
|
|
wide eyes of avarice on his friend's face.
|
|
The baron placed two large gold coins on the table, and said, "And
|
|
another for each of you when she is gone."
|
|
A Crown was a great deal of money, and Talss was sorely tempted.
|
|
When Lhewin's hand started to stretch out across the table toward the
|
|
coins, Talss said, "We'll do it, your excellency. Count on us."
|
|
He grabbed his coin and held it tightly in his hand. The cold
|
|
weight soon warmed up, so that all he could feel were its edges against
|
|
his palm. As its presence seemed to diminish the longer he held it, he
|
|
wondered whether two Crowns were really enough to salve his conscience.
|
|
|
|
Aldan walked into the Boar-Ring Inn and went right to the bar.
|
|
"Oablar, my usual room," he said, throwing coins down.
|
|
The proprietor of the inn handed him a key, and scooped up the
|
|
coins. "I'll let her know when she arrives that you're here, my lord,"
|
|
he said, the hint of a leer in his voice.
|
|
"No, thank you, Oablar. I'll come back down in a few bells and tell
|
|
her myself. Could you send up some food and a tankard of ale?"
|
|
Aldan didn't see Oablar nod as he climbed the stairs. He spent the
|
|
next several bells thinking, even though he knew the answer to his
|
|
problems. There was only one thing he could do, and he needed to do it
|
|
as soon as possible. He didn't want anything to happen to his one chance
|
|
to make his own decision. He might be destined to be baron, with all the
|
|
responsibility that entailed, but he didn't have to be saddled with a
|
|
wife he didn't know or love. His father would come to understand
|
|
eventually; understand or, at least, accept.
|
|
Third bell after dark had already rung when Aldan went back down
|
|
the stairs. The taproom of the Boar-Ring was bustling with activity, and
|
|
both Aivney and Tillna were busily crossing the room taking orders and
|
|
delivering drinks. Aldan just watched Tillna work for a bit, knowing
|
|
that soon she wouldn't have to earn her own way any longer.
|
|
Everything was perfect, except for one thing: the Menagerie, that
|
|
group of young lords who hated him for abandoning their company, sat at
|
|
their usual table laughing and shouting and leering at both barmaids.
|
|
Aldan didn't particularly want to do this in front of them, but he knew
|
|
that they wouldn't be leaving until well after derk, and he didn't want
|
|
to wait that long.
|
|
He stepped off the stairs and over to the edge of the bar. Fox
|
|
glowered at him from the Menagerie's table, but Aldan ignored him.
|
|
Tillna saw him and hurried over. They hugged, and when Aldan kissed her
|
|
he made sure that he kissed her lips.
|
|
Tillna frowned at his presumption, but only until he started to
|
|
speak. "Tillna, my darling, we've been seeing each other for more than a
|
|
year now, and I think I am finally sure of what I feel about you. You
|
|
have my heart, Tillna, and I hope I have yours. Will you be my wife?"
|
|
Tillna's response was immediate. "Yes, yes, oh yes!" She hugged him
|
|
and kissed him hard on the mouth, while the patrons at nearby tables
|
|
applauded, except for the Menagerie of course. She backed a step from
|
|
him then, and said, "Oh, Aldan, I'm so glad you finally asked me. I've
|
|
been ready to say yes for so long now. But, what about your father?"
|
|
Aldan laughed a mirthless laugh, and said, "The baron will not be
|
|
pleased, but I no longer care. I want to marry you, and his wishes can
|
|
feed the crows."
|
|
Tillna said, with a calculating look in her eye, "But, does not the
|
|
baron have to sanction our marriage? You are noble, after all."
|
|
"Yes, I am noble." Aldan had an answer ready. "Which means that I
|
|
can also appeal to the one my father owes fealty to for sanction as
|
|
well. You've always wanted to see Fremlow City. We can be there in two
|
|
days. The sooner we leave, the sooner we will be married."
|
|
"Oh, Aldan ... I have to pack, to prepare. I couldn't leave before
|
|
day after tomorrow, will that be all right? Oh, I wish Yawrab were back
|
|
from her trip to the ducal seat. Perhaps we will meet her there? There
|
|
are so many details to take care of! I'm so, so happy, Aldan!"
|
|
|
|
The sixth bell of night was close to ringing when Talss and Lhewin
|
|
entered the Boar-Ring Inn. The taproom was almost deserted, with only
|
|
the four young men of the Menagerie occupying their table in one corner
|
|
of the room, near the bar. They were quiet, seriously studying the
|
|
tankards in front of them with the intensity of the very drunk. Both
|
|
barmaids were gone; Aivney to her home, Tillna upstairs with Aldan.
|
|
Oablar stood behind the bar polishing leather mugs.
|
|
The two baronial stablehands walked over to the bar, frowning and
|
|
stumbling slightly. They had spent a great deal of time arguing back and
|
|
forth back at the keep about whether they should really do as the baron
|
|
asked, and what kind of tactics they should employ. Ale had been
|
|
consumed during their conversations, but not enough to make them drunk.
|
|
Not very, anyway.
|
|
Eventually, they had decided that they wanted to see Tillna in
|
|
person. Unaware of the number of bells that had already passed, they
|
|
left the keep and strolled through the deserted town only to find that
|
|
there were no women at all in the Boar-Ring.
|
|
Talss said, "Two alesh, barman."
|
|
Oablar drew their drinks and said, "Don't settle in, straight? I'm
|
|
wantin' to close soon." Talss and Lhewin lifted their tankards in
|
|
acknowledgment, and staggered to the nearest table.
|
|
Lhewin took a long draw of the fresh ale and said, "Not here."
|
|
Talss shook his head in agreement, and drank more slowly. "I wonder
|
|
if the baron ... ah ... knew what he thought he ... knew?"
|
|
Talss was talking more loudly than he intended, and he was
|
|
overheard. Fox's head lifted at the mention of 'baron' and he paid a
|
|
fuzzy attention to the two men dressed in the livery of the Bindrmons at
|
|
the next table.
|
|
"Don't know," replied Lhewin. "Maybe there ish no Tillna."
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"Easy money, then," laughed Talss. "Easy money if she's a fig ... a
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figm ... a dream, huh?"
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|
"Easy money, Talsh," agreed Lhewin.
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Unnoticed by the stablehands, Weasel's head had also risen from its
|
|
drunkard's droop, and he listened in on the conversation too, drawn by
|
|
the name of the barmaid. Owl was asleep over his drink, and Bear ...
|
|
well, Bear was giggling into his hands again.
|
|
"I shtill don' like this, Llll-hewin," complained Talss. "We
|
|
stopped that Brerk guy from marryin' so the baron could get Aldan
|
|
married. But Aldan's already got a sweetheart. So why don't we just go
|
|
tell Brerk that he can have his wifey back, and let the kid marry this
|
|
'magin'ry barmaid?"
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|
"Baron says. That'sh why," intoned Lhewin. "Get rid of barmaid, and
|
|
Aldan has to marry who baron wants. 'Nless Till-nah isn't real."
|
|
"She's real," said Talss morosely. "We don' have that kinda luck.
|
|
Wish we hadn't agreed to do this, though."
|
|
Fox took Bear's full tankard of ale and threw it in his own face.
|
|
The jolt sobered him up somewhat, and he dried himself off a bit with
|
|
Owl's cloak.
|
|
"Greetings!" Both Talss and Lhewin started when the red-haired
|
|
young man appeared across the table from them and spoke. Neither really
|
|
noticed the wet hair or the heavy odor of ale coming from him.
|
|
Fox continued, "I couldn't help but overhear, and pardon for
|
|
eavesdropping. You say you are here looking for Tillna the barmaid?"
|
|
The stablehands nodded somewhat stupidly, and Fox continued, "Did I
|
|
catch it right that you want to ... get rid of her?"
|
|
Talss nodded again. The drink had drowned his sense and loosened
|
|
his tongue and he said, "Baron's orders, so his shon will marry someone
|
|
else, someone he doesn't want to."
|
|
Fox's grin had nothing merry about it. "I think that I and my
|
|
friends over there can help you. Please, let us take this burden onto
|
|
our shoulders. We'll gladly ensure that Tillna is gotten rid of, and the
|
|
marriage plans of Aldan Bindrmon are altered permanently.
|
|
"Here," he said, fumbling at his belt. He laid a Crown on the
|
|
table, and continued, "For the privilege of completing this task for
|
|
you. Trust me, your baron will be well pleased with the results."
|
|
Talss looked at the Crown on the table, and then at the young man
|
|
across the table. The answer was obvious. He snatched the coin before
|
|
Lhewin had even stopped blinking in surprise, and said, "Thank you for
|
|
yer offer, mi'lord. The baron was in some hurry about the matter ..."
|
|
"We shall be about your business as soon as the sun lifts himself
|
|
from his slumber." When Talss and Lhewin just stared, Fox said,
|
|
"Tomorrow, my friends. We will begin tomorrow. Fare well."
|
|
The stablehands rose, shook Fox's hand, and left, even though he
|
|
had come to their table. Fox looked over at Weasel, who grinned a wicked
|
|
grin back.
|
|
|
|
Fox was walking through Beeikar's marketplace the next morning. He
|
|
was happy to finally have an excuse to deal with Tillna, and so strike a
|
|
blow against Aldan the Rat. He didn't think it would be difficult for
|
|
the Menagerie to frighten one woman enough to get her to run away. It
|
|
would be even better if she proved stubborn about it; he owed her a slap
|
|
or two -- at least -- for the way she had been treating him recently.
|
|
At the edge of the market, Fox noticed that a gypsy had occupied
|
|
one of the stalls set up there. His colorful clothing was very
|
|
distinctive, but Fox thought he would have known the man's origins even
|
|
without the patchwork raiments; the swarthy features and full, black
|
|
beard were equally distinctive, he thought.
|
|
Fox looked over the wares for sale. At one end of the counter were
|
|
some poorly-made daggers and short swords, meant for flashy display and
|
|
not for use. Next to the weapons was what seemed to be half of a stone
|
|
sculpture of some kind. It had been circular when whole, and the inner
|
|
two-thirds of the flat upper surface was covered by intertwining bands
|
|
of silver, gold, and glass. Around the rim were carved two birds of prey
|
|
next to each other and a cat.
|
|
Fox touched the sculpture, setting a finger to one of the carved
|
|
birds. He jerked his hand back as if he had been bitten, but after
|
|
shaking his finger and looking for a mark he seemed to forget all about
|
|
the strange sensation and the sculpture at the same time.
|
|
Fox's attention shifted to the carved wooden figures and boxes
|
|
arrayed next to the stone fragment. Figurines of people and animals, and
|
|
animals dressed as people, were all of the highest craftsmanship, with
|
|
crisp, clear detail. Fox looked for carvings that represented him or his
|
|
friends, but there were no foxes or fox people, or any of the other
|
|
Menagerie animals at all. The closest he came was a rat-woman dressed
|
|
like a ship's captain, but that only made him frown, and he moved on.
|
|
Then, he saw the box. It was about eight hands square, and on the
|
|
lid was carved a stylized representation of a falcon. The bird looked
|
|
just like the ones on ... on ... no, he hadn't ever seen falcons carved
|
|
like that before. The sides of the box were carved with wavy lines --
|
|
no, they were woven loops, like hair, or braided bread or ... or bread,
|
|
straight.
|
|
The falcon was carved so that to view it properly, the box had to
|
|
be resting so that it looked like a diamond, not a square. Fox worked
|
|
the tightly friction-fit lid off and discovered that the inside of the
|
|
box was round.
|
|
Those three things came together and, with a flash of interwoven
|
|
bands, falcons, and a cat behind his eyes, Fox got an idea. A wicked --
|
|
no, an evil idea. He liked it. He knew that the Menagerie would like it
|
|
too. He paid for the box, and went to tell his friends about the change
|
|
in plans.
|
|
|
|
Later that evening, Aldan stopped at the Boar-Ring Inn. "Have you
|
|
seen Tillna today, Aivney?"
|
|
"No, love, she ain't been in," Aivney said distractedly as she
|
|
served ales to a table full of bargemen while dodging their pinching
|
|
fingers.
|
|
"Thank you. See you later."
|
|
|
|
In the depths of the night, four figures, completely muffled in
|
|
robes and hoods, carried a long, narrow bundle between them to the banks
|
|
of the Renev River. Faint chanting could be heard as the bundle began to
|
|
sway between them, and suddenly it was flung into the rushing water. It
|
|
bobbed for a moment, the dark stain in the center seeming to fade as the
|
|
bundle absorbed water. Then it vanished from sight.
|
|
The anonymous figures stood staring after the vanished bundle. One
|
|
staggered for a moment, as if on the rolling deck of a ship. Another,
|
|
the largest, lifted its arms to its hood, and giggled.
|
|
Presently, the four turned and walked back into the darkness.
|
|
|
|
The next afternoon Aldan went to Tillna's boarding house. He was
|
|
beginning to get worried, as she hadn't been seen by anyone in over a
|
|
day. Had she run away? But she had seemed so happy when he proposed ...
|
|
Aldan climbed the single flight of stairs to the upper floor and
|
|
walked to the back of the hall. He knocked on her door, and it swung
|
|
open. Suddenly apprehensive, Aldan walked in.
|
|
He half expected to find the room bare, but it wasn't. Tillna's
|
|
belongings filled it, making it hers. Only one thing seemed out of
|
|
place: on the narrow table next to the door was a large package, wrapped
|
|
in cloth. Hanging from the cord that tied the cloth together was a small
|
|
piece of parchment on which was painted the badge of Bindrmon.
|
|
Aldan took the package and stepped further into the room. He sat
|
|
down and untied the cord, letting the white cloth fall away from what it
|
|
wrapped. This revealed a carved wood box with a falcon on the lid. It
|
|
was heavy and well constructed, and he examined the carvings around the
|
|
edges and on the top. He turned the box so that the falcon was upright,
|
|
so that it sat on its corner and looked like a diamond. The box was
|
|
beautiful, and the falcon was just perfect, but something was making him
|
|
uneasy about this. Was it some kind of farewell gift from Tillna? If
|
|
not, who had left it? The falcon might indicate some kind of connection
|
|
to the Menagerie, but they only called him Rat now.
|
|
Nervously, he, tried to lift the lid from the box, but it wouldn't
|
|
budge. He tried harder, finding indentations at each corner that allowed
|
|
him to get a grip on it. He felt it start to move finally, its
|
|
friction-fit ceasing to resist. As the lid lifted, the first thing he
|
|
noticed was the smell. He had hunted enough to know that iron tang:
|
|
blood. He moved the lid aside, and was confronted with contents so
|
|
bizarre that he had no idea what he was looking at. Hair, blond hair was
|
|
all he could see at first, golden hair coiling around and filling the
|
|
round insides of the box. Except in the middle, where a lump of
|
|
reddish-brown and slightly grey meat rested, roughly oval, slightly
|
|
thicker at the bottom than the top.
|
|
He was dumbfounded. What was this? What did it mean? By chance, he
|
|
noticed that there was something inside the lid. He glanced at it, and
|
|
saw that it was a parchment with very neat, precise writing on it.
|
|
Lifting the lid, he read the writing and learned all he needed to
|
|
know, and much more than he had feared.
|
|
|
|
When you proposed, you said you hoped you had my heart. Well,
|
|
dearest, I hope that this reassures you.
|
|
|
|
You have my heart, Aldan Bindrmon.
|
|
|
|
My love and my life,
|
|
Tillna
|
|
|
|
========================================================================
|
|
|