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1247 lines
60 KiB
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# #
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# BTN: Birmingham Telecommunications News #
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# #
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################################################################
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----------------------------------------------------------------
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COPYRIGHT 1993 ISSN 1055-4548
|
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----------------------------------------------------------------
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Volume 7, Issue 2 Issue #66 February 1994
|
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----------------------------------------------------------------
|
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|
||
|
||
TABLE OF CONTENTS
|
||
-----------------
|
||
|
||
article title author
|
||
----------------------------------------------------------------
|
||
Disclaimer/Statement of Policy.............................Staff
|
||
From The Editor.................................Scott Hollifield
|
||
Submission Guidelines......................................Staff
|
||
Notes From the Trenches............................Dean Costello
|
||
Protecting Your Investment............................David Moss
|
||
Mark's Toy Box: Kai's Power Tools for Windows........Mark Maisel
|
||
Life on the Lines..............................Bernie Starchaser
|
||
Review: CMPQWK v1.31....................................Tim Hoff
|
||
Local Music in February.............................Judy Ranelli
|
||
Special Interest Groups (SIGs).........................Eric Hunt
|
||
Known BBS Numbers..........................................Staff
|
||
----------------------------------------------------------------
|
||
|
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|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
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|
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################################################################
|
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DISCLAIMER
|
||
AND STATEMENT OF POLICY
|
||
FOR BTN
|
||
################################################################
|
||
|
||
|
||
We at BTN try our best to assure the accuracy of articles and
|
||
information in our publication. We assume no responsibility for damage
|
||
due to errors, omissions, etc. The liability, if any for BTN, its
|
||
*editors and writers, for damages relating to any errors or omissions,
|
||
etc., shall be limited to the cost of a one year subscription to BTN,
|
||
even if BTN, its editors or writers have been advised of the likelihood
|
||
of such damages occurring.
|
||
|
||
With the conclusion of that nasty business, we can get on with our
|
||
policy for publication and reproduction of BTN articles. We publish
|
||
monthly with a deadline of the fifteenth of the month prior to
|
||
publication. If you wish to submit an article, you may do so at any time
|
||
but bear in mind the deadline if you wish for your work to appear in a
|
||
particular issue. It is not our purpose to slander or otherwise harm a
|
||
person or reputation and we accept no responsibility for the content of
|
||
the articles prepared by our writers. Our writers own their work and it
|
||
is protected by copyright. We allow reprinting of articles from BTN
|
||
with only a few restrictions. The author may object to a reprint, in
|
||
which case he will specify in the content of his article. Otherwise,
|
||
please feel free to reproduce any article from BTN as long as the
|
||
source, BTN, is specified, and as long as the author's name and the
|
||
article's original title are retained. If you use one of our articles,
|
||
please forward a copy of your publication to:
|
||
|
||
|
||
Mark Maisel
|
||
Publisher, BTN
|
||
606 Twin Branch Terrace
|
||
Birmingham, AL 35216
|
||
(205) 823-3956
|
||
|
||
|
||
We thank you for taking the time to read our offering and we hope that
|
||
you like it. We also reserve the right to have a good time while doing
|
||
all of this and not get too serious about it.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
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################################################################
|
||
FREEBIE!!!
|
||
GET IT WHILE IT'S HOT! Systems That Offer Free BTN
|
||
################################################################
|
||
|
||
The following boards allow BTN to be downloaded freely, that is
|
||
with no charge to any existing upload/download ratios.
|
||
|
||
ADAnet One Alter-Ego Baudville
|
||
Bloom County Bone Yard Bus System
|
||
The Castle Channel 8250 C.A.B.
|
||
The Comfy Chair! Crunchy Frog DC Info Exchange
|
||
Final Frontier The Guardian Hardware Hotline
|
||
Homewood's Hell Hole Joker's Castle Leaping's Lounge
|
||
Lion's Den Martyrdom Again?! The MATRIX
|
||
Milliways BBS The Outer Limits Owl's Nest
|
||
Playground Safe Harbor Southern Stallion
|
||
Starbase 12 Thy Master's Dungeon Torch Song
|
||
Weekends BBS
|
||
|
||
|
||
(This list includes some systems which are not local to Birmingham and
|
||
therefore not included on our BBS Numbers list.)
|
||
|
||
If you are a sysop and you allow BTN to be downloaded freely, please let
|
||
me know via The Matrix or Crunchy Frog so that I can post your board as
|
||
a free BTN distributor. Thanks.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
NEWSFLASH!
|
||
NEWSFLASH!
|
||
NEWSFLASH!
|
||
################################################################
|
||
|
||
|
||
*** *** SYSOPS! *** ***
|
||
|
||
Be sure and check your listing in the
|
||
Known BBS Numbers List to make
|
||
sure it's accurate.
|
||
Corrections should be sent to SCOTT HOLLIFIELD
|
||
on Channel 8250, The Matrix, or Crunchy Frog.
|
||
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
FROM
|
||
THE EDITOR Scott Hollifield
|
||
################################################################
|
||
|
||
|
||
Well, another late issue, but who cares?
|
||
|
||
I've come to the conclusion that virtually all the worlds' problems
|
||
are, in some way, the fault of a deadline. Or, put another way, that
|
||
people could get along much more easily if they'd just relax and try to
|
||
deal with their situation without being hung up on where it's taking them
|
||
and how long before they get there.
|
||
|
||
So, in cognizance of this, BTN proudly bides its time, sleeps till
|
||
noon, and decides not to show its face until the fifth of the month.
|
||
Maybe we'll be on time next month, maybe not. I'm not going to waste
|
||
energy worrying about it.
|
||
|
||
We also have a somewhat short issue this month, which is something else
|
||
I'm determined not to worry about. A glimpse at the table contents (and,
|
||
preferably, an intense study of the rest of the issue) will reveal a
|
||
smattering of the usual suspects as well as a couple of new faces. We have
|
||
two software reviews this month, one from newcomer Tim Hoff and one from
|
||
our esteemed publisher, Mark Maisel. Mark's new column receives its
|
||
official grand opening this month, as he promises to share a peek into that
|
||
fabulous, glamorous world of nifty software which, somehow, only he can
|
||
afford to allow. Dean Costello is back with what is becoming an alarmingly
|
||
regular series of columns. David Moss will help you protect your most
|
||
prized possession from those who would take it from you; Bernie Starchaser
|
||
pulls back the windowshades to gaze out over the ocean of history to a
|
||
more innocent time in the annals of local BBSing; and once again, Judy
|
||
Ranelli is back to forge the cosmic link between telecommunications and
|
||
the local music scene, two great tastes that go great together.
|
||
|
||
Thanks to everyone who wrote me asking about the Known BBS Numbers List
|
||
position. I've tentatively selected a candidate who seems the most
|
||
qualified, and he's due to start next month. Hopefully, the intense
|
||
barrage of media scrutiny won't scare him away, and we have the utmost
|
||
faith in his performance for the upcoming Senate confirmation hearings.
|
||
Again, thanks to you if you showed interest.
|
||
|
||
That's all. See you next month, and have a happy and safe Presidents
|
||
Day.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
SUBMISSION GUIDELINES
|
||
|
||
################################################################
|
||
|
||
|
||
I. ARTICLE LENGTH
|
||
|
||
Right now, there's no strict enforcement of a length restriction,
|
||
but if your submission is somewhat short, I may request that you make it
|
||
longer. Anyone can sit down and type out a screen's worth of stuff. I
|
||
have yet to encounter an article that was too *long*, so don't worry
|
||
about that.
|
||
|
||
|
||
II. SUBJECT MATTER
|
||
|
||
Again, there's no hard-and-fast rules about subject matter. I'm
|
||
interested in seeing material on a wide variety of topics. That
|
||
includes BBSs, politics, music, books, or better yet, something that
|
||
doesn't neatly fall into any one category. Next to that, my favorite
|
||
articles are the ones that have something to do with BBSing, since that
|
||
is supposedly what we're sort of about. Technical reviews are also
|
||
good. I tend to kind of frown on fiction, but I'm willing to take a
|
||
look at anything you've got. If it's interesting enough, your chances
|
||
are good.
|
||
Politics is fine, but try not to rant--and make whatever you have to
|
||
say original. I can go out and find ten Rush Limbaughs if I want.
|
||
Also refrain from "This Is What Happened To Me Today" slice-of-life
|
||
articles unless it's leading somewhere good.
|
||
Reviews should be both informative and opinionated. Don't be too
|
||
objective, but still tell us about what you're reviewing.
|
||
|
||
|
||
III. FILE FORMAT
|
||
|
||
Plain and simple ASCII is preferred, but we can convert WordPerfect
|
||
files if need be.
|
||
|
||
|
||
IV. STYLE GUIDELINES
|
||
|
||
1. Use a right margin of 72 columns.
|
||
2. Indent paragraphs at the fifth column.
|
||
3. Put two spaces after each sentence.
|
||
4. Skip a line after each paragraph.
|
||
5. Refrain from using BBS-specific devices like "<grin>" and ":-)".
|
||
6. Be sure to give your article a title.
|
||
7. Try to use correct grammar, spelling and capitalization! My staff
|
||
proofread as best as we can, but a well-typed article makes our job
|
||
easier.
|
||
8. The dash is correctly typed as two hyphens, like "--". Use it to
|
||
set apart phrases and clauses--as with this sentence.
|
||
9. To emphasize a word, place a pair of asterisks around it, like
|
||
*this*. This takes the place of italics (except for titles; see
|
||
12).
|
||
10. If you have to emphasize a group of words, use capitals, AS IN THIS
|
||
EXAMPLE. I generally don't like the way that looks, so use it
|
||
sparingly, if at all.
|
||
11. If you're unsure whether to spell out a number or not, leave it in
|
||
numeral form.
|
||
12. Titles of books, films, plays, albums and works of art are
|
||
surrounded by underlines, like: U2's _The Joshua Tree_. This takes
|
||
the place of italics in this regard; I call it "title-cizing".
|
||
On the other hand, television shows, songs, poems, article titles
|
||
and short stories are surrounded by quotation marks.
|
||
|
||
|
||
V. HOW DO I SUBMIT AN ARTICLE?
|
||
|
||
The easiest way is to upload it as a private file on one of two
|
||
systems: The Matrix and the Crunchy Frog. (Their phone numbers are
|
||
listed at the end of this feature.) To upload a file privately, begin
|
||
your file description with a slash ("/"). Then leave me (SCOTT
|
||
HOLLIFIELD) a private message telling me what the file name is, so that
|
||
I can have the sysop make it available for me.
|
||
Another way is to leave me the article as a private message, or a
|
||
series of private messages.
|
||
If you become a regular contributor to BTN, you can get access to
|
||
the private BTNWA conference, which is for BTN writers. There we
|
||
discuss articles, policy, ideas, etc. The BTNWA conference also
|
||
contains a private file directory which I can access more easily than a
|
||
private file outside BTNWA.
|
||
|
||
That's it!
|
||
|
||
Get to work!
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
||
|
||
|
||
################################################################
|
||
NOTES FROM
|
||
THE TRENCHES Dean Costello
|
||
################################################################
|
||
|
||
|
||
I Don't Think That This Is Necessarily A Good Idea...
|
||
|
||
|
||
I had an interesting chat with one of my colleagues at the office
|
||
this evening. First we were talking about capital punishment, then we
|
||
segued into the representativeness of Congress, then moved onto the
|
||
possible information superhighway. All and all, a pretty far-reaching
|
||
conversation.
|
||
|
||
We began on a curious note. I had been in Orlando working on a
|
||
Navy base that is being shut down, and I got to talking with the site
|
||
manager about capital punishment one day during lunch. Well, it didn't
|
||
really start with capital punishment, but with a discussion of whether
|
||
or not parents are abrogating their responsibility in protecting their
|
||
children from violent, well, anything, by making manufacturers be the
|
||
ones to limit their products. We basically came to the conclusion that
|
||
people are getting zealous about violence because it offends their
|
||
sensibilities, and are using children as an excuse for their zealotry.
|
||
|
||
I'm sure that there are those that are sincere about their lessening
|
||
the amount of violence to which their youngsters are exposed. But I
|
||
cannot help but think that maybe their ideals aren't so pure, and that
|
||
children are a convenient excuse. As a result, I went out and bought
|
||
about twenty copies of Mortal Kombat for the Sega, even though I think
|
||
that owning a video game system is somewhat silly. Someone has to
|
||
support it. Scott Hollifield had the idea that due to the increase in
|
||
technological standards, the people that are being pummelled look real,
|
||
as opposed to something vaguely person-shaped. As a result, the
|
||
parent-types came to the conclusion that enough was enough, and
|
||
accordingly Toys 'R Us caved in to the threat of pressure. Fah, if this
|
||
country actually didn't like violence, why are movies with eviscerations
|
||
always rated 'R', and movies that have people screwing rated 'X' (or
|
||
sometimes NC-17, but that's another story).
|
||
|
||
So we were talking capital punishment. Bob thought that capital
|
||
punishment was a pretty good idea. I replied why. He said it was
|
||
basically the revenge point of view. I stated that I cannot see that
|
||
position, and he felt that that may be because I don't have a close
|
||
family. For example, he has the wife and three kids, and his position
|
||
is that if an individual were to kill one (I assume with malice
|
||
aforethought), he would want to get revenge. I guess I can see that
|
||
position, but I cannot accept it. You see, my grandfather was beaten
|
||
to death in a bar robbery back in 1973. Even so, I just cannot fathom
|
||
this overwhelming desire to get revenge. Bob said that he couldn't
|
||
believe what a pacifist I was.
|
||
|
||
As far as I am concerned, capital punishment is silly and
|
||
deliberately nasty. It doesn't reduce the crime rate (in fact when an
|
||
individual is put to death the rate of the crime that they are being
|
||
executed for goes up), its expensive ($3,000,000 to kill a prisoner, as
|
||
opposed to $30,000/year/prisoner for maximum security), the idea behind
|
||
the rule of law is to allow the central government to control policing
|
||
and punishment, and on top of that, its very hard to say you're sorry to
|
||
a dead person. So, the only reason for capital punishment? Well, I
|
||
heard an explanation by a sociologist a couple of years back: "Sometimes
|
||
a crime occurs that is so personally heinous that you, as a member of
|
||
the society, demand blood. Revenge, pure and simple." Revenge strikes
|
||
me as a poor reason for killing a person.
|
||
|
||
Bob's statement confused me, so I sought out Andrew. He has a
|
||
political science background, he went to a peace college, and he is
|
||
working in computers. This was a good combination, since I also
|
||
graduated from a peace college (e.g. a school that is affiliated with a
|
||
religious sect that is traditionally associated with peace studies, i.e.
|
||
Quakers, Church of the Brethren), and I had questions about the other
|
||
subjects. I asked him about the pacifist comment. He thought about it
|
||
for a moment, and said, "Well, it's kind of hard to say. You see, you
|
||
have to look at the individual versus the society. In other words, an
|
||
individual action that is judged 'moral' may not be 'moral' when
|
||
examined from the point of view of an entire society. Think about it
|
||
for a minute: It may be appropriate for an individual to say, "Well, I
|
||
think it is a moral action to put Gerry Adams to death because he is a
|
||
terrorist". However, it isn't appropriate for the U.S. Government to
|
||
say, "We should put Gerry Adams to death for terrorist activities."
|
||
(FYI: Gerry Adams is the president of Sinn Fein, the political side of
|
||
the Irish Republican Army.)
|
||
|
||
Andrew continued: "This does not mean that I would not choose the
|
||
death of an individual trying to kill my family versus the death of a
|
||
member of my family." I then went for the payoff: "Well, what would be
|
||
your position in case of..." He began nodding, "Yes, I see where you
|
||
are going. I don't think that I can answer that at this time. I would
|
||
suspect that I would want that justice system to continue on, and that I
|
||
wouldn't want to kill the person of my own volition, but it is
|
||
impossible to say what I would actually do in that case."
|
||
|
||
Logical enough, I suppose. We move onto Congress. I asked Andrew
|
||
about a theory that Brett Thorn was bandying around a couple of years
|
||
ago. The theory goes like this: Many people are bitching and moaning
|
||
about how unresponsive Congress is to the average American, with a lot
|
||
of representative term limits being the result. However, the people in
|
||
the area have the freedom to vote against the incumbant. So, in
|
||
essence, the state's residents are voting against themselves. Therefore,
|
||
the problem apparently is that the Congressional representative must be
|
||
too representative of the districts: "My representative mirrors the
|
||
feelings of my district. Yours is a scoundrel, however, and needs to be
|
||
thrown out of office."
|
||
|
||
Confusing, isn't it?
|
||
|
||
Well, Andrew came through in the clutch again. "I am sure that what
|
||
you say [Thorn Theory of Unrepresentative Representativeness] if
|
||
probably true at one level. Take a look at the 1980 election. Reagan,
|
||
et al, promised that defense spending would be increased and taxes cut.
|
||
Now, what does that lead to? Higher deficits, but the defense/tax cut
|
||
is what the public wanted, and the government came through for the
|
||
public." Now, crime apparently is the problem, and I see that Clinton
|
||
(and presumedly Congress) is ready to spend a LOT of money on cops and
|
||
prisons. But that's another question. Andrew again: "I would say that
|
||
more likely the representatives are doing what they think are in their
|
||
own best interests, and when it coincides with the public, so much the
|
||
better."
|
||
|
||
His statements got me to thinking about the proposed information
|
||
superhighway, and the possibility of more-or-less true interactive
|
||
government. Andrew: "I think the concept is interesting, since it would
|
||
show what the individuals in the crowd really think about subjects, and
|
||
to find out what they feel are important issues of the day." My problem
|
||
with the concept is that I hold the average individual in the highest of
|
||
contempt since they are, well, more stupid than myself and probably
|
||
unable to dredge up the important concepts. In essence, I am concerned
|
||
that a truly interactive government would lead to individuals voting for
|
||
bread and circuses. Andrew disagreed with me: "I don't think that it is
|
||
likely to happen the way you say. At the best of times, a minority of
|
||
individuals are interested in political issues. As a result,
|
||
bread-and-circuses is unlikely. Also remember from whom the power in
|
||
interactive government is coming from. Congress and various lobbying
|
||
organizations are the ones that make the decisions, relatively speaking.
|
||
How likely is it that they would voluntarily ditch their own
|
||
perogatives? I believe that there will be some form of interactive
|
||
representativeness, but the actually power will be limited. Remember
|
||
that the magic of their media is not the decision-making power, which I
|
||
feel is not going to be there, but the ability for government to find
|
||
out how the public truly feels, without the filters of special-interest
|
||
groups and lobbies."
|
||
|
||
I put more credence in the bread-and-circuses position, as well as
|
||
the Thorn Theory, than in what Andrew says, but he makes good points.
|
||
Think about them, and decide which you think is more accurate. Remember
|
||
what Adlai Stevcenson said: "America gets the government it deserves."
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
PROTECTING YOUR
|
||
INVESTMENT David Moss
|
||
################################################################
|
||
|
||
|
||
How many of you ever think about your computer equipment being
|
||
stolen? Yeah, hate to even think about it, don't you? With an average
|
||
setup, you could be out of a very sizable investment. How many of you
|
||
are prepared for the loss of your equipment? There isn't a whole lot
|
||
you can do to prevent the theft, working with the old adage "if they
|
||
want it they'll get it". However, there are some precautions you can
|
||
take to aid in the retrieval of your system, and some tips to help
|
||
render your system useless for the unsuspecting person that ends up
|
||
with it.
|
||
|
||
Register all of your software promptly. The software you buy today
|
||
comes with registration numbers. Record these numbers. If your
|
||
computer is stolen, you should report the loss of the software to the
|
||
author. Also, read the fine print that comes with your software. Find
|
||
out what the company's policy is towards theft, or loss of the software.
|
||
Keep back-up copies of the original diskettes in a safe place. If your
|
||
computer is stolen, the thieves may just as well take a couple of boxes
|
||
of diskettes in the process. A couple of boxes of diskettes are the
|
||
least of your worries, right? Not if they contain the original
|
||
installation diskettes. You could be out a hefty chunk of money if the
|
||
software is not replaceable by the manufacturer.
|
||
|
||
While you're at it, make sure you write down the telephone numbers
|
||
of the manufacturers. Also on this same list be sure to include the
|
||
telephone number of your local police department. I've been vandalized
|
||
before, and believe me, you aren't thinking very clearly when you come
|
||
home to find half of your belongings gone. It would help expedite
|
||
matters if you had one list to get. This list should contain
|
||
descriptions, as well as serial numbers, date of purchase,
|
||
manufacturer, the phone numbers, cost of each item, and anything else
|
||
you can think of to aid in the identification of your equipment.
|
||
|
||
The computers you buy today come with a key lock on the front of the
|
||
machine. Use it! This lock can be overcome, but it will hinder the
|
||
user who ends up with it. All this lock does is lock the keyboard. If
|
||
you are running a program like Windows, the user will still have access
|
||
to it.
|
||
|
||
Be sure to I.D. your equipment. One of the best ways to do this is
|
||
to remove the cover and write an I.D. number on the inside of the
|
||
machine. You can even write your name and address. If the bandits ever
|
||
have to have the machine serviced, an honest technician may report it
|
||
stolen. While you're at it, write down the phrase "THIS MACHINE IS
|
||
STOLEN." This will catch a technician's eye pretty quick. There are
|
||
other ways to I.D. your equipment such as branding irons, but I don't
|
||
recommend these as you may damage your own equipment in the process.
|
||
|
||
Let's look at some ways to render the computer useless to the
|
||
individual who ends up with it. If this person knows the computer is
|
||
stolen, he may attempt to format the hard drive. This will eliminate
|
||
some hidden files you may have installed that contain the serial numbers
|
||
of the programs. Well, if you're like me, you buy all your floppies
|
||
pre-formatted. So why do you need to keep the Format command on your
|
||
hard drive? Remove the Format command from the hard drive and keep it
|
||
on a floppy in a safe place. This will only hinder the user slightly,
|
||
but he will be forced to hunt another Format command to re-install,
|
||
just so he can eliminate the evidence. And if you ever need it, you can
|
||
quickly copy it back to the hard drive, or even run it from the floppy.
|
||
|
||
The last line in your autoexec.bat determines what program is
|
||
launched. Most folks that use Windows have the word "win" typed there.
|
||
All this does is launch Windows at boot up. Here is a neat trick to
|
||
confuse the thief who gets your machine. Refer to your DOS manual if
|
||
you attempt this. Remove the path statement in autoexec.bat; this will
|
||
keep any program from being launched from the root directory. Next,
|
||
remove the "win" statement from autoexec.bat as well. This prevents
|
||
Windows from being launched at boot up. Next, enter the prompt as:
|
||
"prompt=$e[30;40m$p$g$e[30;40m " Be sure to leave the space at the end
|
||
of the prompt. And be sure that ANSI.SYS is loaded in config.sys.
|
||
Finally, write a batch file that restores your original path statement,
|
||
and the original prompt file. What all of this does is: when the user
|
||
boots up your computer he will be staring at a blank screen. The
|
||
commands will still work, but they will be invisible. You removed the
|
||
path statement to prevent the thief from simply typing "win" to start
|
||
Windows. The batch file you write should be named something short, like
|
||
RED. When you boot up, simply type RED at the blank screen to restore
|
||
you to normal usage. Don't attempt this without referring to the DOS
|
||
manual. Also, be sure to keep the batch file in the root directory.
|
||
Remember, with no active path statement, DOS will look no further to
|
||
find it.
|
||
|
||
If the thief is a complete novice, he may type HELP at the command
|
||
line. Since this command is an external command, and located in the DOS
|
||
directory, you may want to consider removing it. There are several
|
||
other external commands that you rarely use. Take a look at these
|
||
commands and determine if they are needed in the first place. One
|
||
benefit to removing unwanted commands is it will free up some badly
|
||
needed disk space, as well as making it difficult for the crook who gets
|
||
your machine.
|
||
|
||
Feeling brave? You can always install a virus. Name it HELP and
|
||
you can rest easy knowing the crook will have a nightmare attempting to
|
||
rearrange the sectors that have been scrambled by the virus. This is a
|
||
little bit out in left field, but so is someone breaking into your home.
|
||
|
||
There are literally hundreds of methods available to render a
|
||
machine useless, too many to cover in this article alone. There's
|
||
everything from password protection schemes to live virus protection. I
|
||
would like to say a word about password protection. If you choose a
|
||
program that forces you to enter your password, select one that will not
|
||
allow a floppy boot-up. These types are useless if you can simply boot
|
||
from drive A or B.
|
||
|
||
If the way you choose is to install a virus, be extremely careful,
|
||
and select the type virus that will render the machine completely
|
||
useless. What you are seeking here is that the thief will take the
|
||
machine to a technician for repair. Remember your I.D. message on the
|
||
inside of the machine? Did you write one inside the monitor as well?
|
||
|
||
What I hope you have gotten out of this is that you have started
|
||
thinking about the theft of your property. There are some new businesses
|
||
popping up that will come to your house, for a fee, and video tape your
|
||
entire house. This tape is very useful for insurance purposes. Your
|
||
computer is insured, isn't it? It is covered under household, isn't it?
|
||
For what amount?
|
||
|
||
The questions are endless. Are you really protected? A quick look
|
||
at your policy can answer this. If you have any questions, don't
|
||
hesitate to call your insurance agent. Ask specifics. Ask point blank,
|
||
"Is my computer equipment covered?"
|
||
|
||
All the slick tricks in the world won't prevent your equipment from
|
||
being stolen. There are, however, some very useful predetermined
|
||
strategies you can invoke to make it a little less painful. If
|
||
rendering your machine useless to the thief will make you rest a little
|
||
more comfortably, do so. It does me. If you take it from me, good
|
||
luck. I have a nasty sense of humor anyway. If you have some favorite
|
||
tips you would like to share on this subject, I would love to hear them.
|
||
|
||
A good common sense approach, and a lot of thinking on this
|
||
subject may pay off if your machine is ever stolen.
|
||
|
||
I can be e-mailed at The Crunchy Frog, The Matrix, or at Weekends.
|
||
My Internet address is; dmoss@weekends.com. I would love to hear from
|
||
you.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
MARK'S
|
||
TOY BOX Mark Maisel
|
||
################################################################
|
||
|
||
|
||
Product: Kai's Power Tools for Windows
|
||
|
||
Publisher: HSC Software
|
||
|
||
Requires: Intel 386 or 486 processor, MS-DOS 5.0 or higher, MS-Windows
|
||
3.1 or higher, 4 megs memory, color VGA display adapter, color
|
||
monitor, mouse or equivalent, Adobe Photoshop 2.5 or other
|
||
"Adobe Standard" plug-in compatible software
|
||
|
||
Recommended: Intel 486DX processor, 8 or more megs memory, 24 bit
|
||
color display adapter
|
||
|
||
Expect to pay: $89-99
|
||
|
||
Are you amazed at some of the computer graphics you see on BBS's and
|
||
elsewhere? Have you wondered how some of the effects and designs were
|
||
created? While Kai's Power Tools doesn't do everything, you'll start to
|
||
wonder what it can't do after a few hours with it! This is an amazing
|
||
piece of software.
|
||
|
||
KPT is a set of fantastic filters for use with Adobe Photoshop 2.5,
|
||
Fractal Design Painter 2.0, Aldus Photostyler 2.0, Picture Publisher 4.0
|
||
and other comparable programs, provided they support the "Adobe
|
||
Standard" for plug-in filters. KPT has been available for Macintosh
|
||
users for a few years. I've envied them for some time. When they
|
||
announced they were coming out with a version for IBM compatible
|
||
machines, I called to reserve a copy. It showed up a few weeks ago and
|
||
I've played with it during every free minute. I've used plug-in filters
|
||
before and while they are very good, I've never seen anything like KPT.
|
||
|
||
I cannot begin to do justice to this package within the confines of
|
||
a review. However, the main features will be described. First, there
|
||
is the Gradient Designer. This tool allows you to create a virtually
|
||
unlimited variety of gradients to use in fills. Every aspect of
|
||
gradients is under your control; up to 500 shades and with transparency.
|
||
Next is the Texture Explorer. Currently, this is my favorite. The way
|
||
it works is that it brings up a window with initial textures. In the
|
||
middle is a larger block of texture, the current pick. It is surrounded
|
||
by twelve smaller blocks of slightly differing textures. Clicking on
|
||
one of these smaller blocks will make it the current texture. To the
|
||
left is a tree. Balls on the tree determine the rate of mutation in the
|
||
texture blocks. The closer to the base of the tree, the less mutation
|
||
and the closer to the top, the more mutation that will occur. Between
|
||
the base of the tree and the window is a multicolored ball. Clicking on
|
||
it will change the colors within your textures. Experimentation is easy
|
||
and lots of fun. Since there are so many possibilities, there is an
|
||
ability to save a texture so it may be called up for later use. There
|
||
is a set of fractal exploration tools. These may be used to create
|
||
beautiful backgrounds or free standing art work. They offer, along with
|
||
the previously named tools, incredible flexibility. The remainder of
|
||
the tools are excellent filters. My favorites among them at present are
|
||
the glass lenses. These will take your image or active portion thereof
|
||
and create the effect of looking through a lens at the image. I made a
|
||
gorgeous series of crystal balls using these filters.
|
||
|
||
The interface is not standard Windows. I've never seen anything
|
||
quite like it but it resides comfortably in Windows. After using it for
|
||
a while, I prefer it to Windows.
|
||
|
||
Now for the potentially bad news. I've been using this package with
|
||
Adobe Photoshop. Both Photoshop and KPT require lots of processing
|
||
power and memory to work best. I did my testing on a 486DX2-66 with 16
|
||
megs of memory. Even with this, there were a few times when I waited a
|
||
minute or two. On a slower machine with less memory, this could
|
||
translate into possibly intolerably long waits. If you are looking for
|
||
an excellent set of tools for enhancing your graphics, look no further
|
||
than KPT. I'm not terribly talented when it comes to creating original
|
||
art work with a computer but KPT will help anyone unleash creative ideas
|
||
regardless of talent. If you can use a mouse, you can use KPT. One of
|
||
my first samples is available on Crunchy Frog if you are interested.
|
||
The name of the file is KATHY_M2.GIF. There is some loss going from 24
|
||
bit color to 8 bit, but it is still an interesting alteration.
|
||
|
||
I hope you've enjoyed this piece on Kai's Power Tools. If you have
|
||
questions about it, or any other computer/software related topics, feel
|
||
free to send me a message via EZNet, The MATRIX, or Crunchy Frog. Next
|
||
month, I'll be talking about Photoshop 2.5 for Windows.
|
||
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
LIFE ON
|
||
THE LINES Bernie Starchaser
|
||
################################################################
|
||
|
||
This Month: Oh Where Oh Where Have The BREEZERS Gone?
|
||
|
||
So, is my mail reader having a spasm, or have there been no
|
||
messages whatsoever on Channel 8250's BREEZIN' Conference for MONTHS AND
|
||
MONTHS??? What gives? Did all the Breezers die except for me and
|
||
Scott? Don't any of you remember those happy, carefree days of Fred
|
||
Chateau and RCP/M? Has my mail addiction actually reached the point
|
||
where I *long* for a flame from my age-old arch-enemy, GT The Anarchist?
|
||
|
||
BREEZIN' was always a laid-back, low-stress atmosphere. Even our
|
||
arguments were in fun. No serious and pedantic debates about current
|
||
events. We generally Breezed about music, mostly. Sometimes someone
|
||
would start up a friendly flame-war just for funzies, but most of the
|
||
time we were above that. Well, the world turns and times change, it's
|
||
true. But can there really be no more Breezers? Lets test that.
|
||
|
||
{OFFICIAL<?> BREEZER TEST}
|
||
|
||
Answer each question with a yes or no. Record your answers.
|
||
|
||
1. Do you enjoy good, unstructured, free-flowing conversation, such as
|
||
often springs up spontaneously at parties and such?
|
||
2. Can you quote the lyrics of your favorite songs from memory?
|
||
3. Do you enjoy giving a little good-natured ribbing?
|
||
4. Do you have no objections to receiving a little good-natured
|
||
ribbing?
|
||
5. Can you follow, simultaneously, five or six message threads in the
|
||
same conference at once without getting a headache?
|
||
|
||
Score yourself 1 point for each YES answer and 0 points for each NO answer.
|
||
Then answer this...
|
||
|
||
-*<SPECIAL BONUS QUESTION>*-
|
||
|
||
6. Don't you REALLY want to be a Breezer, deep down inside?
|
||
|
||
Add 5 points for a YES answer to question 6. Subtract 5 for a no.
|
||
|
||
Now, add up your scores, I'll wait....
|
||
|
||
....Hmmmmmmmmm <Humming somewhat unmelodiously>....
|
||
|
||
...all done? Good, now, compare your results to this table:
|
||
|
||
SCORE RESULT
|
||
10 Die Hard Breezer, Drop me a note on 8250!
|
||
6 - 9 There's hope for you, come to 8250 and we'll talk
|
||
about it.
|
||
5 Your heart's in the right place. We'll teach you
|
||
the rest.
|
||
-10 - 4 Never mind.
|
||
|
||
Now, any of you who scored 5 or more, call Channel 8250 RIGHT NOW,
|
||
join the Breezin' Conference and leave me a message telling me about it.
|
||
I KNOW YOU'RE OUT THERE SOMEWHERE! <Echoes fading into the distance...>
|
||
|
||
"He's old enough to know what's right,
|
||
But young enough not to choose it,
|
||
He's noble enough to win the world,
|
||
But weak enough to lose it,
|
||
He's a New World Man..."
|
||
|
||
-RUSH - NEW WORLD MAN - From Album: SIGNALS-
|
||
|
||
BCNU!
|
||
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
REVIEW:
|
||
CMPQWK v1.31 OFF-LINE MAIL READER Tim Hoff
|
||
################################################################
|
||
|
||
Although most experienced BBSers and message posters find that
|
||
change is a difficult thing when one is accustomed to one particular
|
||
piece of software, change can be good sometimes. I myself am no
|
||
exception to the rule, so when someone asked me to try CMPQwk I cringed
|
||
and thought, "No, not another one! I'm happy with my old reliable
|
||
OLX!"; but after 30 minutes of drivel, I broke down and said "okay".
|
||
Boy was I surprised.
|
||
|
||
CMPQwk is one of the nicer off-line mail readers that I have ever
|
||
used. It is a Windows-based application that allows its user to point
|
||
and click on a variety of options. With all the options that CMPQwk
|
||
has, a person could get lost using it. Never fear though; a nice icon
|
||
menu bar is available, though some of the icons on the bar are not very
|
||
self-explanatory. As is typical though, the Windows Help option is
|
||
always there. There are a few problems with CMPQwk that need to be
|
||
addressed before they make it a fully marketable program.
|
||
|
||
One of the problems I encountered was that if I closed the program
|
||
without closing the current mail packet, when I went to restart the
|
||
program, I was often locked out, and had to completely restart the
|
||
machine. I had to then manually go into the directory and delete the
|
||
un-closed mail packet to regain usage of the program. Another problem
|
||
that I encountered was that if there was any type of problem compressing
|
||
the packet or downloading it, CMPQwk gave me a runtime error and
|
||
stopped, instead of displaying some type of message to that effect of
|
||
the error. Something that may not be a problem once the software is
|
||
registered is taglines. The unregistered copy of version 1.31 that I am
|
||
evaluating displays a choice of taglines on setup, but when reviewing a
|
||
reply I have found only a line stating that this CMPQwk is an
|
||
unregistered version. No tagline in sight. Oh well, are taglines that
|
||
important with such a quality off-line reader? I'd have to say yes, but
|
||
that's just me.
|
||
|
||
CMPQwk, with it's Windows format, allows its users to switch from
|
||
conference to conference without having to exit a conference to gain
|
||
access to another. For those of you who don't have a spell-checker
|
||
handy, CMPQwk has one built in. Though the dictionary is not that
|
||
extensive, it has an option for adding words to a personal one. CMPQwk
|
||
can be configured to your personal touch. A variety of lists and even a
|
||
rubber stamp is available; my favorite, though, is the twit list. A
|
||
person or subject can be added to the twit list and CMPQwk will not
|
||
display them when a packet from that specific BBS is loaded. The rubber
|
||
stamps are nice: a stamp can be configured with a particular phase or
|
||
signature that can then be placed anywhere in a reply. Multiple stamps
|
||
can be configured. Packet management is another feature that I have
|
||
found invaluable. You can configure it so that mail packets are
|
||
auto-renumbered and can be deleted after x amount of days. For those
|
||
of you that don't have a photographic memory, CMPQwk has one for you.
|
||
Messages can be copied to topic folders and reviewed, usable at a later
|
||
date even after the packet holding the message has been deleted.
|
||
|
||
Other nice options include changeable fonts and colors, text
|
||
search, export options, and read and write window setups. Many of these
|
||
options can be found on other mail readers, but the ease of operation
|
||
just can't be beat. I have thoroughly enjoyed using this reader, and am
|
||
looking forward to being a registered user of it. Anyone looking for a
|
||
copy of CMPQwk version 1.31 can find it on The Matrix BBS, The Drawing
|
||
Room BBS, and many more. This review is nothing more than one man's
|
||
observations and opinions. For more information on purchasing a copy of
|
||
CMPQwk version 1.31 offline mail reader, contact Derek Backus via ASA
|
||
CompuHelp BBS at (604) 476-4058. Sysops can get discounts for their
|
||
users by registering 10 or more people at a time. All of this
|
||
information can be found in files when you download CMPQwk.
|
||
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
LOCAL MUSIC
|
||
IN FEBRUARY Judy Ranelli
|
||
################################################################
|
||
|
||
Well, it's almost the 4th, during which I am finally turning 21. I
|
||
shall be in New Orleans while you folks remain here, but that's just
|
||
fine, because there's lots of music going on. Therefore, get out of
|
||
your houses and fry your eardrums on the following:
|
||
|
||
Fri. 2/4
|
||
DASH RIP ROCK/AUTUMN LORDS at The Nick
|
||
Loud and laughable, I am sure those of you reminiscing of your Greek
|
||
days will find this show a pleasure. I have also confirmed that the
|
||
Autumn Lords' singer's stage name is "D.D. Starshaker", so go call him
|
||
Chris instead.
|
||
|
||
Fri. 2/4
|
||
GEORGIA SATELLITES at Louie Louie
|
||
Strange to type that one. This will probably be a packed house but
|
||
I cannot tell what form or version of the group will perform. IF you
|
||
liked them in the old days, you might like them now. Also appearing on
|
||
the 5th at the Ivory Tusk in youknowwhere. [Ed.: Tuscaloosa, in case
|
||
youdon'tknowwhere.]
|
||
|
||
Sat. 2/5
|
||
MARDI GRAS FUNDRAISER at the Alabama Theatre
|
||
This event to fund the renovations of the Alabama Theatre is
|
||
featuring the Louisiana Sunspots and the we're-broke-up-but-not-and
|
||
Carol's-left-but-she-hasn't Sugar La La's. Tickets are 35 bucks and
|
||
it's a black tie affair (which ensures that I wouldn't be able to go if
|
||
I were in town). Sounds like fun.
|
||
|
||
Mon. 2/7
|
||
SCRAWL/CLUBBER LANG at The Nick
|
||
Scrawl is a partly female band who have been recommended to me but
|
||
whom I've never heard. I may appear briefly before work. Clubber Lang
|
||
is an eclectic group of people with a dread-headed guitarist and a woman
|
||
playing violin. Some interesting melodies; I hate the name, but they
|
||
sound different from most groups. This adds up to: show with potential.
|
||
Risk factor 30%.
|
||
|
||
Tue. 2/8
|
||
JOE CHRIST at The Chukker in Tuscaloosa
|
||
I have no idea what this is, except a movie is involved (?) and the
|
||
flyer by itself was enough for me to include Mr. Christ in this column.
|
||
|
||
Wed. 2/9
|
||
CRACKER/COUNTING CROWS at Zydeco
|
||
Whooie, I like Cracker, and know nothing of Crow thing, but call
|
||
ahead of time, tickets rumored to be at least $10.
|
||
|
||
Thu. 2/10
|
||
TOPPER PRICE AND THE UPSETTERS at Zydeco
|
||
Yes, he plays harmonica on the Brother Cane single and he will
|
||
surely drink you under the table if you're buying, and they is good.
|
||
|
||
Fri. 2/11
|
||
I don't recommend anything other than making your own music, or
|
||
making some money, or both, or making other things. Besides, you'll
|
||
need your beauty rest for tomorrow night, which is:
|
||
|
||
Sat. 2/12
|
||
FIVE EIGHT/FUZZY SUNS at The Nick
|
||
Fuzzy Suns feature anal expulsive little Mike Portero and
|
||
frighteningly weird Davey Williams doing things to guitars that will
|
||
make your inner child blush. Combine this assault with Five Eight and I
|
||
think you will find some theraputic benefits after the hangover goes
|
||
away. As this should take a week, why don't we jump over the mundane
|
||
to:
|
||
|
||
Fri. 2/18
|
||
SHALLOW/SUBDUING MARA/MARILYN'S NEIGHBORS at The Nick
|
||
Shallow is getting better at getting to me, which is not an easy
|
||
feat considering, and the other bands are a mystery. Remember, though:
|
||
mysteries can be treats.
|
||
|
||
Sat. 2/19
|
||
THE RADIATORS at Louie Louie
|
||
Louisiana blues/Subdudes thing from a very established band. Should
|
||
be a big show party kind of thing.
|
||
|
||
Sun. 2/20
|
||
SWINGING NECKBREAKERS at The Nick
|
||
Kind of cool name, supposed to be retro basic guitar, I think I
|
||
shall go and see.
|
||
|
||
Tues. 2/22
|
||
JONATHAN RICHMAN at Zydeco
|
||
He's just so wonderful. Top recommendation from me this month.
|
||
Rides the Trailways or Greyhound everywhere he plays. Writes songs I
|
||
would amputate organs to create.
|
||
|
||
Sat. 2/26
|
||
STRUTTER at Louie Louie
|
||
Maybe I'll finally cough up the money to see this because they have
|
||
gotten positive reviews from everyone I know that's also into seeing a
|
||
Kiss cover band with acoutrements and blood. Or is blood an
|
||
acoutrement?
|
||
|
||
Tues. 3/1
|
||
SWERVEDRIVER at The Nick
|
||
A sort of Soundgardenish thing whose tape has been incessantly
|
||
played at the Nick. Not that that *means* anything, mind you, but
|
||
sometimes loud walls of sound and growling guitars are the only things
|
||
that jiggle my brains back into cohesiveness.
|
||
|
||
Tentative Sat. 3/5
|
||
THE TICKS at The Nick
|
||
Dammit, we're buttkicking so I'll slam this in here. Consider it my
|
||
birthday present.
|
||
|
||
|
||
Other stuff: Saw FLOP at the Chukker last night, so good I bought a
|
||
t-shirt, wish they'd played longer. Those of you with taste might also
|
||
want to sample the new Redd Kross. Also: New Shaggs CD is shudderingly
|
||
perfect. The new club on 20th where the old Piggly Wiggley used to be
|
||
is a project of Tony Ruffino's of New Era Productions (he's the guy
|
||
that books Oak Mountain and the Civic Center, capiche?). This large
|
||
music hall is rumored to be a showcase arena. For the uninformed, a
|
||
showcase is a performance specifically for record producers/A&R persons
|
||
visiting town to see a local act. Tony used to be part owner of
|
||
Brother's Music Hall with Dan Nolen (of the Nick). Let's hope this
|
||
music hall improves the visibility of Birmingham as a musical market
|
||
nationwide. Gotta go now; anyone has comments, send them to da editor.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
SPECIAL INTEREST
|
||
GROUPS (SIG's)
|
||
[COMPUTER RELATED] compiled by Eric Hunt
|
||
################################################################
|
||
|
||
|
||
BIPUG Alabama UniForum
|
||
Birmingham IBM-PC Users Group Homewood Public Library
|
||
UAB Nutrition Science Blg 1st Tuesday
|
||
RM 535/541 Shawn Cleary 870-6130
|
||
1st Sunday (delayed one week
|
||
if meeting is a holiday)
|
||
Marty Schulman 967-5883
|
||
|
||
Birmingham Apple Core
|
||
Informal breakfast meeting every Saturday, 9am - 11am
|
||
@ Kopper Kettle, lower level Brookwood Village Mall
|
||
Formal meeting held second Saturday of each month, location
|
||
variable (to be announced at breakfast meetings and in the
|
||
user group's newsletter "The PEEL".)
|
||
President: Sam Johnston - 322-5379
|
||
Vice-Prez: Marie Prater - 822-8135
|
||
|
||
The SIG listing is being re-verified. If you know of an active
|
||
Computer Related user's group, please let me know.
|
||
|
||
I can be reached via Internet email at
|
||
eric.hunt@the-matrix.com or drop me a note directly on the
|
||
MATRIX.
|
||
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
|
||
################################################################
|
||
KNOWN BBS NUMBERS
|
||
FOR THE
|
||
BIRMINGHAM AREA
|
||
################################################################
|
||
|
||
Sysops, PLEASE check your listing to make sure everything is
|
||
correct, especially the networks. Corrections should be mailed on
|
||
the Matrix or Crunchy Frog to Scott Hollifield or Mark Maisel.
|
||
|
||
|
||
ADAnet One (Nodes 1-3) 250-0013 1200-2400 PCBoard 14.5
|
||
[ez, fi, ad]
|
||
ADAnet One (Node 4) 254-6050 2400-14400 USR DS PCBoard 14.5
|
||
[ez, fi, ad]
|
||
Alcatraz BBS 608-0880 300-9600 PCBoard 15.0
|
||
[he, vi]
|
||
Alter-Ego BBS 925-5099 1200-9600 USR HST PCBoard 14.5
|
||
[ez, mn]
|
||
Baudville (Nodes 1-7) 995-0013 300-2400 Major BBS 6.12
|
||
[none]
|
||
Bloom County 985-4335 300-9600 USR DS PCBoard 15.1
|
||
[in]
|
||
Bus System 987-5419 300-2400 PCBoard 14.2
|
||
[none]
|
||
Byte Me! 979-BYTE! 2400-14400 USR HST WWIV 4.12
|
||
[none]
|
||
Castle, The 841-7618 300-2400 Image 1.2
|
||
[none]
|
||
Channel 8250 (Node 1) 744-8546 300-14400 USR DS PCBoard 14.5
|
||
[ez, un]
|
||
Channel 8250 (Node 2) 744-5166 300-14400 USR DS PCBoard 14.5
|
||
[ez, un]
|
||
Cherry Tree 681-1710 1200-14400 TriBBS 4.01
|
||
[wm, ca]
|
||
Christian Apologetic 808-0763 1200-14400 V.32bis Wildcat! 3.90
|
||
[ez, cp]
|
||
Crocodile Country BBS 477-6283 1200-16800 USR DS Searchlight 3.5 *RIP*
|
||
[sl, fi]
|
||
Crunchy Frog (Node 1) 823-3957 300-14400 USR DS PCBoard 14.5
|
||
[ez, mn, lu, ll]
|
||
Crunchy Frog (Node 2) 823-3958 300-14400 USR DS PCBoard 14.5
|
||
[ez, mn, lu, ll]
|
||
Crystal Village 856-3749 1200-2400 VBBS 6.10
|
||
[cr, cs, al, ho, co, fn, vi]
|
||
Den, The 933-8744 300-9600 USR HST PCBoard 15.1
|
||
[ez, mn, il]
|
||
Digital Publishing 854-1660 300-9600 V.32 Wildcat! 3.60
|
||
[pl]
|
||
Electro-BBS 491-8402 300-14400 V.32/42 Maximus 2.01
|
||
[fi]
|
||
Family Smorgas-Board 744-0943 300-2400 PCBoard 14.5
|
||
[ez, fi, mj, bc, fa, ic, cf, cd, ve, ad, wg, pt, ed, gn]
|
||
Final Frontier 838-5634 300-14400 VBBS 6.11 *RIP*
|
||
[al, he, re, fn]
|
||
Free Enterprise 856-9809 300-2400
|
||
[fi, sz]
|
||
Genesis Online(Nodes 1-6) 620-4150 300-14400 V.32bis Major BBS 6.11
|
||
[mr]
|
||
Gone Fishin' 733-0860 1200-14000 Searchlight 3.5a *RIP*
|
||
|
||
Guardian, The (Node 1) 425-1951 1200-14400 V.42bis VBBS 6.11
|
||
[vi]
|
||
Guardian, The (Node 2) 425-1956 1200-14400 V.42bis VBBS 6.11
|
||
[vi]
|
||
Hardeman's BBS 640-6436 1200-14400 Wildcat! 3.51
|
||
[wi, di, bc]
|
||
Homewood's Hell Hole 987-7823 2400-14440 V.32bis VBBS 6.10
|
||
[he, bi]
|
||
Joker's Castle 664-5589 300-14400 USR DS PCBoard 14.5
|
||
[ez, mn, un]
|
||
KickAxis BBS (Node 1) 733-0253 1200-14400 USR DS PCBoard 15.0
|
||
[he]
|
||
KickAxis BBS (Node 2) 733-0299 1200-14400 USR DS PCBoard 15.0
|
||
[he]
|
||
Leaping's Lounge 856-2521 1200-14400 GTPower 18.00
|
||
[gt, ez, mn, wm, di]
|
||
Lions Den 871-9688 300-14400 USR DS Wildcat! 3.90
|
||
[wi, fi]
|
||
Lumby's Palace 520-0041 300-14400 VBBS 6.0
|
||
[he]
|
||
Magic City (Node 1) 664-9883 300-14400 USR DS Wildcat! 3.90
|
||
[di, wm, wi, ca, cm, pe]
|
||
Magic City (Node 2) 664-0435 300-2400 Wildcat! 3.90
|
||
[di, wm, wi, ca, cm, pe]
|
||
Magnolia BBS 854-6407 300-14400 USR HST PCBoard 14.5
|
||
[ez, mn]
|
||
MATRIX, The (Nodes 1-14) 323-2016 300-2400 PCBoard 15.0 *RIP*
|
||
[ez, mn, th, il, in, us, al, sh, sc, gl, ic, ri, fr]
|
||
MATRIX, The (Nodes 20-23) 323-6016 9600-14400 USR DS PCBoard 15.0 *RIP*
|
||
[ez, mn, th, il, in, us, al, sh, sc, gl, ic, ri, fr]
|
||
MATRIX, The (Node 25-26) 458-3449 9600-14400 V.32bis PCBoard 15.0 *RIP*
|
||
[ez, mn, th, il, in, us, al, sh, sc, gl, ic, ri, fr]
|
||
MetaBoard 854-4814 300-14400 USR DS Opus CBCS 1.73
|
||
[fi, ad]
|
||
MetroMac BBS (Node 1) 323-6306 1200-14400 V.32bis TeleFinder 3.1
|
||
[none]
|
||
MetroMac BBS (Node 2) 252-0582 1200-14400 V.32bis TeleFinder 3.1
|
||
[none]
|
||
Milliways BBS (Node 1) 956-3177 1200-2400 Major BBS 6.11 *RIP*
|
||
[none]
|
||
Milliways BBS(Nodes 2-6)956-2731 1200-2400 Major BBS 6.11 *RIP*
|
||
[none]
|
||
Missing Link 853-1257 300-16800 USR DS C-Net Amiga 2.63
|
||
[cl, cn]
|
||
Neon Moon 477-5894 300-14400 TriBBS 4.0
|
||
[none]
|
||
Outer Limits (Node 1) 426-5611 1200-16800 ZyXEL Wildcat! 3.90 *RIP*
|
||
[fi, do, ec, er, pn]
|
||
Outer Limits (Node 2) 425-5871 1200-16800 ZyXEL Wildcat! 3.90 *RIP*
|
||
[fi, do, ec, er, pn]
|
||
Outer Limits (Node 3) 426-2939 1200-16800 ZyXEL Wildcat! 3.90 *RIP*
|
||
[fi, do, ec, er, pn]
|
||
Party Line 856-1336 300-14000 V.32bis TriBBS 4.0
|
||
[cc, wm, di]
|
||
Penny Arcade 699-4625 300-2400 Running Force! 3.75
|
||
[none]
|
||
Playground 681-5070 1200-14000 V.32 TriBBS 5.0
|
||
[wm, di, al, ez]
|
||
Posys BBS 854-5131 300-9600 V.32 PCBoard
|
||
[none]
|
||
Programmer's Shack 988-4695 2400-14400 HST DS Renegade
|
||
[ws, fi, it]
|
||
Quiet Zone 833-2066 300-2400 ExpressNet
|
||
[none]
|
||
Safe Harbor (Node 1) 665-4332 300-2400 GTPower 18.00
|
||
[gt, ez, mn, lg, ae, fr]
|
||
Safe Harbor (Node 2) 665-4355 300-14400 USR DS GTPower 18.00
|
||
[gt, ez, mn, lg, ae, fr]
|
||
Sam's Domain 956-2757 1200-14400 SL. 3.50
|
||
[da, he]
|
||
Safety BBS 581-2866 300-2400 RBBS-PC 17.4
|
||
[none]
|
||
Southern Stallion 322-3816 300-16800 ZyXEL PCBoard 15.1
|
||
[ez, lu, th, rs, ss, it]
|
||
Sperry BBS 853-6144 300-2400 V.32/42b PCBoard 15.0
|
||
[none]
|
||
ST BBS 836-9311 300-2400 PCBoard 14.2
|
||
[ez]
|
||
StarBase 12 647-7184 1200-14000 TriBBS 4.0
|
||
[ez, mn, wm]
|
||
The Light 979-0368 300-14400 V.32bis PCBoard 15.0
|
||
[ch, nl]
|
||
Thy Master's Dungeon 940-2116 300-57600 V.32/42b PCBoard 14.5
|
||
[fr]
|
||
Torch Song 328-1517 1200-14000 V.32/42b Wildcat 3.6
|
||
[pr, st, gn]
|
||
Travelog BBS 491-3898 300-2400 TriBBS
|
||
[none]
|
||
Weekends BBS 841-8583 2400-16800 USR DS Wildcat! 3.9
|
||
[ca]
|
||
Willie's DYM (Node 1) 664-9902 300-2400 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 2) 664-9903 300-2400 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 3) 664-9895 300-2400 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 4) 664-9896 300-2400 Oracomm Plus
|
||
[or]
|
||
Ziggy Unix BBS 991-5696 300-1200 UNaXess
|
||
[none]
|
||
|
||
*RIP* = BBS Software is RIP Graphics capable. You must be using a RIP
|
||
compatible term software to view them. RIPTerm or QmodemPro v1.50 are
|
||
the only two I know of that support it at this time. RIPTerm is shareware
|
||
and can be downloaded from most BBS's. QmodemPro is a commercial product.
|
||
|
||
The two-letter abbreviations you see on the line below the names of
|
||
many of the bbs' in the list signify that they are members of one or
|
||
more networks that exchange or echo mail to each other in some organized
|
||
fashion.
|
||
|
||
|
||
ad = ADAnet, an international network dedicated to the handicapped
|
||
ae = Arts & Entertainment, a national network, multi-topic
|
||
ag = AgapeNet, a national Christian network, multi-topic
|
||
al = AlaNet, a local network, multi-topic
|
||
an = AnnexNet, an international network, multi-topic
|
||
at = AdultNet, a national network, adult-oriented
|
||
bc = BCBNet, a local network, religion-oriented
|
||
bh = BhamTalk, a local network, multi-topic
|
||
bi = BitchNet, uncertain at press time
|
||
ca = CafeNet, a local network, restaurant/dining, recipes, etc.
|
||
cc = Coast2Coast, a national network, multi-topic
|
||
cd = CDN, a national Christian network for file distribution
|
||
cf = CFN, a national Christian network, multi-topic
|
||
ch = ChristNet, a national Christian network
|
||
cl = CLink, uncertain at press time
|
||
cm = CompuLink, a national network, multi-topic
|
||
cn = CNet, multi-topic
|
||
co = ComicNet, a local net for comic book readers
|
||
cp = CAPNet, a national Christian network, multi-topic
|
||
cr = CrystalNet, uncertain at press time
|
||
cs = ChaosNet, uncertain at press time
|
||
cy = Cybernet, uncertain at press time
|
||
da = DateNet, uncertain at press time
|
||
de = DevNet, an international network for programmers and developers
|
||
di = Dixie Net, a regional network, multi-topic geared toward the south
|
||
eastern United States
|
||
do = DoorNet, a national network for the distribution of BBS doors
|
||
ec = EchoNet, an international network, multi-topic
|
||
ed = EduNet, a national network devoted to homeschooling and Christian
|
||
education
|
||
er = ErosNet, an international network, adult oriented, files & messages
|
||
ez = EzNet, a local IBM compatible network
|
||
fa = FamilyNet, an international network, multi-topic
|
||
fi = FidoNet, an international network, multi-topic
|
||
fn = FrontierNet, a local network, multi-topic
|
||
fr = FredNet, a regional network, political discussion
|
||
fs = FSNet, uncertain at press time
|
||
ga = GameNet, a local network, uncertain at press time
|
||
gl = GlobalLink, an international network, multi-topic
|
||
gn = GlobeNet, an international network, multi-topic
|
||
gt = GTNet, an international network, multi-topic
|
||
gy = GayNet, a national network, homosexually oriented
|
||
he = HellNet, a local network, multi-topic
|
||
ho = HobbyNet, a local network for hobbyists
|
||
ic = ICDM, an international Christian network, multi-topic
|
||
ie = Intelec, a national network, multi-topic
|
||
il = ILink, an international network, multi-topic
|
||
in = InterNet, an international network of mail, linking businesses,
|
||
universities, and bbs', multi-topic
|
||
it = ITCNet, a national network, multi-topic
|
||
lg = Local GT Net, a local network, connecting GT Power systems
|
||
ll = LlamaNet, a national network, freeform correspondence
|
||
lo = LocalNet, uncertain at press time
|
||
lu = LuciferNet, an international network, adult oriented
|
||
ma = MAXnet, a local network, connecting WWIV and VBBS systems
|
||
mj = MJCN, an international network for Messianic Jews
|
||
mn = Metronet, an international network which echoes RIME, multi-topic
|
||
mr = MajorNet, an international network, multi-topic
|
||
nl = NewLife, uncertain at press time
|
||
np = NPN, a national network for new parents
|
||
or = OraNet, a national E-mail network
|
||
pe = Planet Earth Network, a national network, multi-topic
|
||
pl = PlanoNet, a national network, multi-topic
|
||
pn = PoliceNet, an international network, law-enforcement only
|
||
pr = PrideNet, a national homosexually oriented network
|
||
pt = PRNet, a national network devoted to 2nd amendment rights
|
||
rf = RF Net, a national network for ham radio users and hobbyists
|
||
ri = RIME, an international network, multi-topic
|
||
rb = RoboLink, a national network, multi-topic
|
||
re = RealityNet, uncertain at press time
|
||
rp = RPGnet, a local network for role-playing games
|
||
rs = RoseNet, a national network, technically orient*ed
|
||
ru = RushNet, a national network for Rush Limbaugh fans
|
||
sc = Science Factor Net, a national network, science and technology
|
||
oriented
|
||
se = SEC, a regional network, homosexually oriented geared toward the
|
||
southeastern United States
|
||
sh = Shades N Shadows Net, a national network for role-playing games
|
||
sl = SearchlightNet, a national network, multi-topic
|
||
sm = SmartNet, a national network, multi-topic
|
||
sn = ShadowNet, a national network for role-playing games
|
||
ss = SexSations!, a national network, adult-oriented
|
||
st = StudsNet, a national network, homosexually oriented
|
||
sz = SCN-Net, uncertain at press time
|
||
te = TECHnet, a local network, hardware and utility oriented
|
||
th = ThrobNet, an international network, adult oriented
|
||
un = U'NI-Net, an international network, multi-topic
|
||
us = Usenet, an international network existing on the Internet, multi-
|
||
topic
|
||
ve = VETLink, a national network for military veterans
|
||
vi = VirtualNet, an international network, multi-topic
|
||
wg = WGA, an international network devoted to genealogy research
|
||
wi = WildNet, a national network, multi-topic
|
||
wm = World Message Exchange, an international network, multi-topic
|
||
ws = WishNet, uncertain at press time
|
||
ww = WWIV-Net, an international network, multi-topic
|
||
|
||
|