1222 lines
56 KiB
Plaintext
1222 lines
56 KiB
Plaintext
BTN: Birmingham Telecommunications News
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COPYRIGHT 1990
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September 1990 Volume 3, Issue 8
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Table Of Contents
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-----------------
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Article Title Author
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Policy Statement and Disclaimer................Staff
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Editorial Column...............................Mark Maisel
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Late BTN Party Review..........................Steven Wheeler
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MarkMail v1.51.................................Ricky Morgan
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BASIC Programming: part 2.....................Stephen Davis
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Music Reviews..................................Tyros
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A Shareware Review: Intext v1.2...............Henry Barfoot
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Fractint ver. 10: part 2......................Eric Hunt
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Profile: Chris Hilliard.......................Chris Mohney
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Known BBS Numbers..............................Staff
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-----------------------------------------------------------------------
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Disclaimer and Statement of Policy for BTN
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We at BTN try our best to assure the accuracy of articles and
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information in our publication. We assume no responsibility for
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damage due to errors, omissions, etc. The liability,if any for BTN, its
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editors and writers, for damages relating to any errors or omissions,
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etc., shall be limited to the cost of a one year subscription to BTN,
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even if BTN, its editors or writers have been advised of the likelihood
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of such damages occurring.
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With the conclusion of that nasty business, we can get on with our
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policy for publication and reproduction of BTN articles. We publish
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monthly with a deadline of the fifteenth of the month prior to
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publication. If you wish to submit an article, you may do so at any
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time but bear in mind the deadline if you wish for your work to appear
|
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in a particular issue. It is not our purpose to slander or otherwise
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harm a person or reputation and we accept no responsibility for the
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content of the articles prepared by our writers. Our writers own their
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work and it is protected by copyright. We allow reprinting of articles
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from BTN with only a few restrictions. The author may object to a
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reprint, in which case he will specify in the content of his article.
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Otherwise, please feel free to reproduce any article from BTN as long as
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the source, BTN, is specified, and as long as the author's name and the
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article's original title are retained. If you use one of our articles,
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please forward a copy of your publication to:
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Mark Maisel
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Editor, BTN
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221 Chestnut St.
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BHM, AL 35210-3219
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We thank you for taking the time to read our offering and we hope that
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you like it. We also reserve the right to have a good time while doing
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all of this and not get too serious about it.
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-----------------------------------------------------------------------
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N E W S F L A S H
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We are going to have another party!!! This past summer, for the good
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parties we got to have, it just wasn't enough! We are going to invade
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Rocky's again for another Halloween Masquarade Party!!!
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The following is a map to his place from the main streets in downtown
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Birmingham near UAB. Rocky and I both will gladly offer more directions
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over the phone for any who need them. Please be advised of Rocky's
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house rules in the invitation/map before you arrive so you know what to
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expect.
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Rocky's Rules
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1. Bring your own whatever so long as it is legal.
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2. If you are a minor, then stick to soft drinks.
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3. Costumes are mandatory.
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<--- Downtown 20th Street Homewood --->
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
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<20> <20>
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<20> <20> MAP TO BTN HALLOWEEN PARTY
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<20> <20> ROCKY'S HOUSE
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UAB <20> <20>11th HOME OF The MATRIX BBS
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CAMPUS <20> <20>Ave.
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AREA <20> <20> Rocky Rawlins (205) 323-6608
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<20> <20> Mark Maisel (205) 956-0176
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<20><><EFBFBD>Ŀ <20> <20>
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Business <20> <20> <20> <20> <20><> (Next to the <20> <20>
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& <20> <20> <20> <20> <20><> last house <20> <20>
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Engineering<6E> <20> <20> <20> <20><> on the right) <20> <20>16th
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School <20><><EFBFBD><EFBFBD><EFBFBD> <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20>Ave
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(3 story brick) <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ<EFBFBD><C4BF><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>X<EFBFBD><58><EFBFBD>Ŀ <20>
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<20> <20> 11th <20><> 1426 <20><> <20>۳ <20>
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<20> <20> St S. <20><> 11th <20> <20>
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<20> <20> <20><> St. S <20> <20>
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-----------------------------------------------------------------------
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F R E E B I E : G E T I T W H I L E I T S H O T !
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The following boards allow BTN to be downloaded freely, that is with no
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charge to any existing upload/download ratios.
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The Connection LZ Birmingham Alter-Ego
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Channel 8250 Bus System Joker's Castle
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Crow's Nest Myth Drannor Posys BBS
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If you are a sysop and you allow BTN to be downloaded freely, please let
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me know via EzNet so that I can post your board as a free BTN
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distributor. Thanks.
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MM
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-----------------------------------------------------------------------
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Special News: Dark Knight, sysop of Electric Requim, is now the WWIV
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Network Hub for Alabama
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-----------------------------------------------------------------------
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Editorial
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by Mark Maisel
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It has been a looooong summer to be sure. I have never traveled so
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much in such a short time. It had its good moments but I believe if I
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had it to do again, I would give it a miss. The travel is the reason
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that this issue is coming to you somewhat late. I think that this issue
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is worth the wait, and why shouldn't I?
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For those of you who have not seen them, the BTN GIFs are out.
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They are available on The Matrix and Channel 8250 here in Birmingham. I
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attempted to place them on the Front Porch over in Georgia, which is our
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Metronet regional hub, and was confronted with an insufficient disk
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space, at long distance, aaaarrrrgggghhh. I also intend to send them to
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the D.C. Information Exchange, the Metronet international hub. We're
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gonna be famous, or is that infamous? Many thanks to Jeff Freeman and
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his friend at Dalton College with all the great equipment that I
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covet. I will be attempting to generate more of these beauties but
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don't rush me, these have only taken 2.5 years.
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This summer has seen the revival of off-line mail reading, and with
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a vengeance. This being the case, it is only appropriate that we have a
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review of the door that makes all this possible from one of the worst
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bbs junkies in Birmingham. I hope that a review of the mail reader
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programs for the MS-DOS and Amiga folks will follow in an upcoming
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issue. It is all dependent upon my cornering the reviewers in question
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long enough to type out the review instead of running back for more
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messages. Only two months late, we have a first timer's view of the
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last BTN party. I hope that it will inspire those of you who have never
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made the adventure to do so soon. Those of you who have been before,
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don't scare away the new folks. You were new too... once. Stephen
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Davis is back again with more of his tutorial on BASIC programming. If
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you have been scared to try, I am sure that Stephen's advice will be
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quite helpful in getting you to take those first experimental steps that
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will soon have you running that computer like an old-timer. Henry
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Barfoot is back with another review. This time out he has been looking
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at a word processor that is multilingual. Check it out if you have ever
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needed to correspond in languages other than English. I do realize that
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for some of you, English is a foreign language, but that is another
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matter. Eric Hunt is still playing games with math that most of us
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slept through and getting some entertaining results. The second part of
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his review of a fractal generator deserves your attention if you
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appreciate math and/or pretty images. Both are attended to by him this
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go round. What is it like to be the wife Lord Sysop Randy? We get to
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find out as Chris Hilliard is this month's victim in the ProFile.
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Actually, she does not elaborate too much as is wise. He might have to
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cut her access if she were to say too much. Just kidding Randy, that
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level -1 access is just a joke, right??? Uh oh.
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There is one more thing I would like to bring to your attention before I
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end this business. I have finally gotten some music reviews, YAY!!!
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Tyros, who was going to write a companion to Steven's party article,
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shot a long requested review of some music to me and it will serve as
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our first dip into a music column. I expect you all to be appalled,
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offended, agreeable, and everything in between. The result of this is
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to be articles from you regarding the music you listen to, like,
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dislike, think should be deified, or burned. Please don't hesitate.
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Let those little fingers twitch no more. Let them go to that keyboard
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right now and spit out that review you have always wanted to write.
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Enjoy the issue and be sure to post your comments PUBLICLY on EzNet or
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The Matrix so that we can find you, heh heh.
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-----------------------------------------------------------------------
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Late BTN Party Review
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(or: So That's What You Look Like)
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by Steven Wheeler
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This review was to have appeared in the issue of BTN immediately
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following the party. However, since it took so long for everything to
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return to normal, mainly my sanity or lack of, it will hopefully make
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the 28th issue. My apologies to the editor.
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Anticipation ran rampant at our home as the date for the party drew
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near. Ever since reading all the messages concerning the previous
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party, my wife and I had been waiting for the next one. Then it appeared
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like a bolt from the blue. A message: Party at Maisel's. Be still my
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beating heart. At long last we would meet some of the people we had
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been swapping messages with for so long.
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Would we measure up to these people? I know I'm off the beaten
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track but some of these people sound plain damned strange. Could it be
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that at last I had stumbled across a group that I could spout
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absurdities with and not seem too unusual?
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We loaded up and followed the map Mark had so painstakingly
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composed. The neighborhood seemed normal enough, perhaps too normal.
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Were we lost? No way! Suddenly it loomed before us. A sign from
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above. Actually it was attached to a post or something, I can't
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remember now. "Party Here", it read. Was this an omen? It sure was.
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We were met first by a diminutive person that I swear must be in
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actuality a 40 year old midget. She introduced herself as Sarah. "No
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way", I thought, "you can't be Sarah." Then we were greeted by a
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barefoot man that I instantly knew must be Mark. We had already been
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told that he never wears shoes, so it was dead give-away. Of course, we
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didn't realize that Lee and Maggie would be standing there waiting. I
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finally paid up on my bet as to who would recognize the other first.
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And there I was looking for a bald-headed female Sumo wrestler.
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Naughty, naughty.
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But before I completely forget why I started this perhaps I should
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get to the meat of the subject, the PARTY.
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A fine time was had by one and all. Judging from the squeals, some
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had more fun than others. Someone was in the hall teaching a new dance,
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the Bathroom Hop, I believe. It consisted of crossing your legs and
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hopping about on one foot until someone opened the door. Then make a mad
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dash before you lost your place. Which brings up the matter of Dean's
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GIF which should be in distribution soon. I was privy to a sneak
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preview and rate it half a star.
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We were joined later by visitors from the East. Jeff, Martin and
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Kevin (8, count'em, 8) came from Georgia for the event. Who drove home,
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guys?
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There was a rumor that someone was imbibing in ice-water from an
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unusual receptacle, but I don't have first-hand knowledge of this event.
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That would be worse than a refrigerated rubber glove.
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Of course, the highlight for me was to see Crunchy Frog from the
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other side. It seemed as if several people migrated to the back room
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before the evening was over.
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The best part was finally meeting many of the people that I had
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only met through their messages. Now if I could only remember. But
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that will probably come later. Next time I won't have to go through the
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initial shock and can focus on putting names with faces.
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But to conclude this ranting, I guess after meeting everyone I can
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now understand how some messages are left without the local homicide
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rate increasing. These modem junkies are really a tight-knit group.
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Maybe it's for the best. Who else would take us?
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Looking forward to the next party, but not the next article.
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P.S. I finally dug all the bamboo slivers from under my nails and got
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this typed, Mark. And no, Qedit wasn't hard to configure and set-up.
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Now if I can only find time to read the docs and figure out exactly what
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the hell I'm doing.
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-----------------------------------------------------------------------
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M a r k M a i l
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v1.51
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Review By: Ricky Morgan
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Ever log on to your favorite board only to be greeted with this
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intimidating sight?
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Scan Message Base Since 'Last Read' (Enter)=yes?
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(Ctrl-K) or (Ctrl-X) Aborts, (Ctrl-S) Suspends.
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Scanning Main (0) .............................
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Msgs For You: 10
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Msgs From You: 0
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# Msgs Found: 178314
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Perhaps I exaggerated a bit, but at times logging on to a new board
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or even accessing a busy conference can be a chore in itself when there
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is a lot of message traffic.
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So what is a person to do if they want to 'stay abreast' of the
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current goings on in and around the local boards?
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As PCBoard exists you have three options.
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1.) Wade through the messages one at a time, attempting to read the
|
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messages and reply to the ones you find worthy.
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2.) Run with your capture log open, capturing all the messages for
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reading after you log off.
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3.) Or use ZIPMail to zip all the new messages, download them and
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read them at your leisure.
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All three of these methods have their draw backs. Method 1 relies on
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you having enough spare time (not to mention system time) to read all
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the messages while on-line. Method 2 is okay but again you waste
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valuable on-line time reading all the messages into the buffer then you
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must log off, read the messages, frame replies, log back on and reply,
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either directly or via ASCII uploads. Tedious to say the least. Method
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3 is the best as far as getting the messages to you. It's a short
|
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procedure to ZIPMail, download it and then log off. You're still faced
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with the dire task of, once unzipped, reading through the vast
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quantities of messages, framing replies and then back to ASCII uploads
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or responding on-line.
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"Gosh," you may ask yourself, "how can I ever compete for the 'Dean
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Costello Lifetime Message Award'?" Well friends and neighbors, gather
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'round. There IS a better way!"
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It's called MarkMail and I'm going to attempt to tell you a little
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about its features. Features that, should you desire, will help you
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leave the likes of Dean Costello covered in dust, far behind you, in the
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message bases.
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All you need to know about MarkMail is this. It collects new
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messages for you, zips them up into a file for downloading. You will
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need an off-line reader, such as EZReader to manipulate the message file
|
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once you receive it. I'll discuss that later. Mainly, MarkMail is the
|
||
system that lets you send and recieve mail for off-line reading.
|
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This type of automated mail system is great for getting your messages
|
||
to you and from you, ZIPMail does that also. So what is so special
|
||
about that. You still have to read the darn things and then reply to
|
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them and MarkMail won't help there. Enter EZReader, an off-line mail
|
||
reader that will make your mouth water. But I'm getting ahead of
|
||
myself.
|
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|
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MarkMail:
|
||
|
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This is the primary data gathering portion of the system. It is
|
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accessed, generally, via a DOOR on the host BBS. Once entering the
|
||
MarkMail DOOR you will need to configure it to meet your individual
|
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needs. Let's look at the configuration setup. After the DOOR loads you
|
||
will be greeted with the opening screen and then the Main prompt.
|
||
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(68 min. left) MarkMail Command?
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||
Enter C at the prompt to pull up the configuration menu, which will look
|
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something like this:
|
||
|
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Configuration Menu
|
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1. Select Transfer Protocol. Currently: Zmodem (DSZ Forsberg)
|
||
2. Toggle Receiving Bulletins. Currently: On
|
||
3. Toggle Receiving Your Own Messages. Currently: On
|
||
4. Include Mail to ALL in [Y]our Scan Currently: On
|
||
5. Toggle New Files Scan. Currently: On
|
||
6. Toggle QMail Deluxe Reader Menu. Currently: On
|
||
7. Set Maximum Size of MESSAGES.DAT. Currently: Unlimited
|
||
8. Set Conferences, Message Pointers.
|
||
9. Set All Pointers to the High Message.
|
||
|
||
|
||
Enter your Selection or [Enter] to Return:
|
||
|
||
You won't have to answer each option, the defaults will be all
|
||
you need. The important ones that you must customize are number 1.
|
||
Transfer Protocol AND number 8. Set Conferences, Message pointers.
|
||
Setting these two to match your needs will, generally, be enough to get
|
||
you started receiving mail.
|
||
|
||
Let's look at the choices one at a time. Beginning with the first.
|
||
Your protocol. The available choices are as follows:
|
||
|
||
1. Zmodem (DSZ Forsberg)
|
||
2. 1K-Xmodem-G (Full Flow) <--- requires an MNP modem on each end
|
||
3. Ymodem Batch
|
||
4. 1K-Xmodem (Old Ymodem)
|
||
5. Xmodem-CRC
|
||
|
||
Make sure at this point that your terminal protocol matches what you
|
||
choose; otherwise it won't work.
|
||
|
||
Options 2 through 6 are simple on - off type setups.
|
||
|
||
2. Toggle Receiving Bulletins. Currently: On
|
||
|
||
This allows you to receive updated bulletins in with the mail packet.
|
||
You may enable or disable it as you see fit.
|
||
|
||
3. Toggle Receiving Your Own Messages. Currently: On
|
||
|
||
This will allow you to receive copies of messages you leave on the
|
||
system in the packet you download. It's sort of redundant if you ask me
|
||
but it's there and it does come in handy at times.
|
||
|
||
4. Include Mail to ALL in [Y]our Scan
|
||
|
||
This allows you to include messages addressed to ALL in with Your
|
||
messages. This is for conferences that you select to only scan for your
|
||
mail.
|
||
|
||
5. Toggle New Files Scan. Currently: On
|
||
|
||
This is supposed to do a search for new files that have been uploaded
|
||
since your last log-on. It may or may not be enabled depending on the
|
||
SysOp.
|
||
|
||
6. Toggle QMail Deluxe Reader Menu. Currently: On
|
||
|
||
This option is only valid if you are using the Qmail Deluxe reader;
|
||
another off-line style reader.
|
||
|
||
Now we start getting into the heart of this operation.
|
||
|
||
7. Set Maximum Size of MESSAGES.DAT. Currently: Unlimited
|
||
|
||
This tells MarkMail how big the packet should be. In other words, if
|
||
you were new on the system you wouldn't want to have to zip up,
|
||
and then attempt to download 100,000 messages. Note: this "Unlimited"
|
||
is still limited by how the SysOp has his system configured. On Channel
|
||
8250 the size of the messages per conference, per packet, is limited
|
||
by the baud rate of your modem.
|
||
|
||
Baud rate: Max Messages per Conference: Max. Messages per Pack:
|
||
---------- ---------------------------- -----------------------
|
||
1200 200 400
|
||
2400 200 800
|
||
9600 200 1000
|
||
19200 200 1000
|
||
38400 200 1000
|
||
|
||
8. Set Conferences, Message Pointers.
|
||
|
||
This option allows you to set the message pointers for each
|
||
conference that you want to scan. Picking this option will get you a
|
||
conference listing.
|
||
|
||
Channel 8250 Conference Listing
|
||
|
||
* = All Mail # = Your Mail Sort: Numerical
|
||
|
||
0 *Main Board 10 *TELIX 20 *NETCHAT
|
||
1 *EZNET 11 *AMIGA
|
||
2 BREEZIN 12 *CURRENT
|
||
3 IBM 13 *ATARI-ST
|
||
4 #PROGRAMM 14 FEDUP
|
||
5 *AGNOSTIC 15 MEDICAL
|
||
6 *SPORTS 16 #HARDWARE
|
||
7 *STUDENTS 17 *C-ASM
|
||
8 REVIEWS 18 DATABASE
|
||
9 *SCI-TECH 19 *FIREARMS
|
||
|
||
Enter Your Choice or [L]ist, [S]ort?
|
||
|
||
Choose the number of the Conference you wish to receive mail from.
|
||
You will then be asked if you wish to receive A)ll, Y)ours or N)one.
|
||
Remember the Y)our can include messages addressed to ALL as well as
|
||
Yours via option number 4.
|
||
|
||
If you make a conference selection you will be asked if you wish to
|
||
reset the conference pointer. The system will list, Last message read
|
||
and High message for your approval; you may accept the current
|
||
selection or enter a new pointer number. If you make a mistake,
|
||
simply select the conference again and then answer the question again.
|
||
|
||
Finally you have the option of,
|
||
|
||
9. Set All Pointers to the High Message.
|
||
|
||
This scans through ALL the selected conferences and resets the
|
||
pointers to the high message value. Convenient if you are new on the
|
||
system and wish to start fresh.
|
||
|
||
Once the configuration is complete, you can return to the main prompt
|
||
by hitting <Enter>. To recieve a mail packet just enter 'D' for
|
||
Download. The system will scan the message bases and collect the data.
|
||
|
||
(66 min. left) MarkMail Command? D
|
||
|
||
User Name: RICKY MORGAN
|
||
Last Date on: 08/12/90 Messages per Conference: 200
|
||
Last Time on: 05:16 Maximum this Session: 800
|
||
|
||
Collecting New Bulletins...
|
||
Scanning New Files...
|
||
Scanning Messages, Ctrl-K to Abort...
|
||
|
||
High Last Your Total
|
||
Conf Name Msg Read Msgs Msgs
|
||
-----------------------------------------------------------------
|
||
0 Main Board 3420 3413 0 7
|
||
1 EZNET 4465 4464 0 1
|
||
2 BREEZIN 2163 2163 N/A N/A
|
||
3 IBM 2943 2942 N/A N/A
|
||
4 PROGRAMM 1782 1782 0 13
|
||
5 AGNOSTIC 3933 3933 4 4
|
||
6 SPORTS 233 231 0 2
|
||
7 STUDENTS 1598 1598 0 0
|
||
8 REVIEWS 690 690 N/A N/A
|
||
9 SCI-TECH 562 562 0 24
|
||
10 TELIX 1358 1358 1 10
|
||
11 AMIGA 5622 5621 0 1
|
||
12 CURRENT 11490 11480 0 10
|
||
13 ATARI-ST 1055 1054 0 1
|
||
14 FEDUP 1340 1340 N/A N/A
|
||
15 MEDICAL 1837 1837 N/A N/A
|
||
16 HARDWARE 3634 3634 3 8
|
||
17 C-ASM 1182 1182 0 0
|
||
18 DATABASE 113 113 N/A N/A
|
||
19 FIREARMS 559 559 0 1
|
||
20 NETCHAT 3999 3996 2 3
|
||
|
||
Total Messages: 85
|
||
Personal Messages: 10
|
||
Bulletins Found: 0
|
||
New Files Found: 0
|
||
|
||
Do You Want to Receive this Packet,
|
||
[Y]es, [N]o, [G]oodbye When Done?
|
||
|
||
If you answer with 'Y' the system will ZIP the messages up and begin
|
||
the download sequence. You will, in turn, initiate your download
|
||
sequence from your terminal program. Viola! You now have a Mail
|
||
packet. Later, once you've read and replied as you saw fit, you will
|
||
want to upload your replies to the system. Again, after opening the
|
||
Mail DOOR, enter 'U' at the Main prompt. The system will wait for you
|
||
to begin your upload sequence and the upload begins. After completion
|
||
you will see the system post your messages. All messages will be
|
||
seperated and posted in the proper conference with the security you
|
||
selected for each, intact.
|
||
|
||
(64 min. left) MarkMail Command? u
|
||
|
||
Protocol Type: Zmodem (DSZ Forsberg)
|
||
Packet Name: 8250.REP
|
||
(Ctrl-X) Aborts Transfer
|
||
|
||
Packet Received Successfully...
|
||
Processing, Please Wait...
|
||
Un-Zip'ing Packet...
|
||
|
||
Conf To Subject
|
||
Main Board CHRIS HILLIARD Just a question
|
||
Main Board SYSOP My Head!
|
||
Main Board SYSOP SURVEY STUFF
|
||
Main Board AARON DEES Greased lightning
|
||
EZNET DEAN COSTELLO MY PARTY
|
||
IBM MIKE TYNER PROBLEMS
|
||
|
||
Total of 6 Messages Uploaded
|
||
|
||
(62 min. left) MarkMail Command? Quit
|
||
|
||
Q or Quit returns you to the Main Board. And that boys and girls is
|
||
how simple it is to enter the world of off-line mail reading.
|
||
|
||
"Wait a minute," you may say. "Now that I've got the mail packet,
|
||
what the Hell do I do with it?"
|
||
|
||
A very good question. In it's zipped format there is not much you
|
||
can do with it. That is where a good off-line reader such as EZReader
|
||
comes in. And I'll tell you all about it . . . next month.
|
||
|
||
At this publication, only two boards in the Birmingham area support
|
||
MarkMail. They are Channel 8250 and Alter-Ego. Bulletin number 5 on
|
||
Channel 8250 can give you even more information on MarkMail.
|
||
|
||
If you frequent other boards and see the need for a mail DOOR,
|
||
contact the SysOp and let them know.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
BASIC Programming
|
||
Part 2
|
||
by Stephen Davis
|
||
|
||
Part 1 of 2
|
||
|
||
Have you ever wanted someone to talk to but no one wanted to
|
||
listen? The computer will. In this lesson if you ever get tired of
|
||
BASIC programming because you have trouble with something, run this
|
||
program. By the way, in this program there are some variables that we
|
||
learned last week to use. Type this in.
|
||
|
||
10 CLS
|
||
20 PRINT"Hi. I am your computer therapist!!"
|
||
30 PRINT"What is your name?"
|
||
40 INPUT N$
|
||
50 PRINT"What is on your mind, ";n$;"?"
|
||
60 INPUT n$
|
||
70 PRINT"Very Interesting. . . Tell me more."
|
||
80 goto 60
|
||
|
||
Now type RUN.
|
||
|
||
Go ahead and tell the computer what is on your mind. When you are
|
||
finished, hit the BREAK key to end the program. Using this program,
|
||
lets learn something. It is annoying to have to hit the BREAK key to
|
||
end the program. There should be a better way. Take a look at the
|
||
following line.
|
||
|
||
IF N$="Thats all" THEN END
|
||
|
||
What do you think this line will do? Well let's find out. Line 10
|
||
clears the computer screen. If you are using an Apple, then you need
|
||
to use HOME. Line 20 is just an easy PRINT statement that we learned
|
||
last month. If you need to review, you may. Line 30 Is also an easy
|
||
PRINT statement. Line 40 is an variable. Last month we learned about
|
||
variables and how they work. Let me go over it again. The INPUT tells
|
||
the computer to remember someting. The N$ tells the computer what to
|
||
remember. You do not have to use N. You can use any letter. Line 50 is
|
||
also an easy PRINT statement until you get to the end of the line.
|
||
First there is the question, "What is on your mind?". We should already
|
||
know how to do that. Then (") show up. They tell the computer that
|
||
that is the end of the line. The next thing is the (;). They tell the
|
||
computer that something else needs to be printted out on the same line.
|
||
The N$ gets the information that you stored in memory and displays it.
|
||
The other (;) tells the computer that is all you need from memory and
|
||
the (") tell the computer that you are about to print something else
|
||
out. That is followed by another (") to end the line. The next line is
|
||
the same as line 40. Line 70 is another PRINT statement and line 80 is
|
||
the GOTO statement that tells the computer to goto whatever line you
|
||
want, in this case line 60. The last line is a big problem. As you can
|
||
see the program will keep going over and over. If we look at the line,
|
||
it says GOTO line 60. Line 60 is INPUT N$ which is the line before is
|
||
your name. Line 70 asks the question "Very Interesting. . . Tell me
|
||
more?". What if you told the computer all you had to say? That is were
|
||
the If N$="That's all" Then END comes end. First let me tell you where
|
||
we put it in the program. Since we are going back to line 60 you do not
|
||
want to put it anywhere in front of line 60. And you also do not want
|
||
to put it after line 80 because it would not ever make it to that line
|
||
because line 80 says GOTO line 60. You really do not want to put it
|
||
between line 60 and 70 because it wouldn't ask the question in line 70.
|
||
So the only place it would make since it line 75. But there is no line
|
||
75. Right! You have to make one. So put line 75 and type:
|
||
|
||
75 IF N$="That's All" THEN END
|
||
|
||
I do need to tell you how it works. But first I must tell you why
|
||
line 80 says GOTO 60 and not 70. The reason for that is because if it
|
||
went to line 70 the program would not stop and it would keep printing
|
||
out line 70. Now let me tell you about line 75. First the IF N$ just
|
||
tells that If N$ equaled "That's All", then the program would end.
|
||
|
||
Part 2 of 2
|
||
|
||
"< " and ">"
|
||
|
||
The greater than and less than signs are really very easy to use
|
||
once you learn. Let's get right to learning this. In the program above
|
||
we said If N$="That's All" Then end. The greater than and less than
|
||
signs are used in the same way. Look at this program:
|
||
|
||
10 CLS (HOME for Apple)
|
||
20 PRINT"Let's play a math game."
|
||
30 PRINT"You type in a number I will tell you if it is less or greater
|
||
than 50."
|
||
40 PRINT"Type in a number"
|
||
50 INPUT N
|
||
60 IF N > 50 THEN PRINT"That is more than 50"
|
||
70 IF N < 50 THEN PRINT"That is less than 50"
|
||
80 END
|
||
|
||
First let me tell you why there is just N and not N$. Because when
|
||
you are using numbers you just use plain letters. If you are using
|
||
letters or words you use a letter and then $. Let's get to the program.
|
||
The first 5 lines you should know. Line 60 is just like the other
|
||
program. Line 60 tells if N (or the number that line 50 remembered from
|
||
line 40)Is greater than print it is more. For line 70, it is just the
|
||
opposite. If it is less than 50 then print that is is less. And line
|
||
80 ends the program
|
||
|
||
That will be all for this issue. I think this is a little harder
|
||
than the last time and I do not want to teach you hard stuff all at
|
||
once. See you next issue.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Music Reviews
|
||
by Tyros
|
||
|
||
Alphaville *** The Singles Collection
|
||
A "best of" collection from one of England's original '80s
|
||
synth pop bands. Hint - there's only four real songs here.
|
||
It's more of a maxi-maxi-single, with remixes and extended
|
||
versions rounding out the B-side. Pretty good stuff among its
|
||
own breed.
|
||
|
||
|
||
Asia *** Asia
|
||
Asia ** 1/2 Alpha
|
||
Asia ** Astra
|
||
Very pompous-sounding synthesizer rock. Like you'd expect, the
|
||
earlier stuff sounds better than the latter. The good stuff is
|
||
catchy, the bad stuff just sort of sits there. I used to love
|
||
these guys because I thought Asia typified the quality of music
|
||
that came out in the early 1980s. Now I don't like it so much
|
||
because I realize that Asia typified the quality of music that
|
||
came out in the early 1980s.
|
||
|
||
|
||
B-52's **** Wild Planet
|
||
Warning! You probably won't enjoy this one unless you play it
|
||
really loud. It's an excellent collection of dance tunes that
|
||
still manage to sound somewhat eclectic - not to say zany and
|
||
just all-around fun. It's from 1980, so be prepared to look
|
||
around a bit for it.
|
||
|
||
|
||
Bangles *** 1/2 Bangles
|
||
Bangles **** All Over The Place
|
||
Bangles *** 1/2 Different Light
|
||
Bangles *** Everything
|
||
No kidding! This stuff is actually good! And I'll tell you
|
||
why the Bangles have such a silly press image - it's because of
|
||
that ditsy Susanna Hoffs. Not only did she embarass the band,
|
||
and was probably the cause of the break-up, but she also writes
|
||
some of the group's lamest material, i.e. the stuff that you
|
||
hear on the radio. Ignore the "Eternal Flame"s, and listen hard
|
||
to the rest - well-written punchy California pop-rock that was
|
||
meant for better things than "Walk Like An Egyptian".
|
||
|
||
|
||
Benatar, Pat ** 1/2 Tropico
|
||
Benatar, Pat *** Seven The Hard Way
|
||
More misses than hits here. When she tries to be catchy and
|
||
engaging, it works, but the forays into "serious rock and
|
||
roll" end up sounding silly and/or dull. Joan Jett she ain't.
|
||
|
||
|
||
Blondie *** 1/2 The Best of Blondie
|
||
Okay, so some early-80's music is okay. Blondie, the band,
|
||
shines best when it's being guitar-heavy and lyric-strange, as
|
||
in the earlier songs. This being a best-of collection, you get
|
||
most of the good stuff.
|
||
|
||
|
||
Blow Monkeys ** Animal Magic
|
||
I remember seeing these guys in MTV. Their lead singer is
|
||
about the most unattractive human being I've ever seen, and he
|
||
manages to preen and make jazz-faces along with the worst of
|
||
them. The horns and cocktail-arrangements notwithstanding,
|
||
this is just another one of Those British Groups, circa 1984 or
|
||
so. This happens to be a best-of compilation, for what it's
|
||
worth.
|
||
|
||
|
||
BoDeans, The *** 1/2 Outside Looking In
|
||
I don't care where these guys grew up or went to school, it
|
||
still sounds bluesy to me, at least in places. About 35%
|
||
gritty bar rock, courtesy of Sammy BoDean's gravely vocals, the
|
||
rest is standard college rootsy-sounding fare. That 35% makes
|
||
it worth it, though, and the rest isn't so bad.
|
||
|
||
|
||
Boston **** Boston
|
||
Boston *** 1/2 Don't Look Back
|
||
Boston **** Third Stage
|
||
Boston's studio-polished redefinition of guitar rock doesn't
|
||
age as well as it ought to, but it's still the penultimate of
|
||
anything in its class. Third Stage, despite what the critics
|
||
said, was as good as anything Boston ever did - the added 1980s
|
||
sheen makes it sparkle in ways earlier albums never did or
|
||
could.
|
||
|
||
|
||
Bourgeous Tagg ** Yoyo
|
||
Pretty much a Squeeze clone with some Beatles sprinkled in for
|
||
good measure, courtesy of producer Todd Rundgren. There are a
|
||
couple of nice tracks, but the rest is emminently forgettable.
|
||
|
||
|
||
Bowie, David *** Never Let Me Down
|
||
Held up to overly high expectations, this album - Bowie's last
|
||
solo effort - didn't please critics at all. Nonetheless, it's
|
||
got some good stuff, and while dieheard Bowie fans may curl
|
||
their lips, the rest of you should pick it up if you see it in
|
||
the bargain bin.
|
||
|
||
|
||
Brickell, Edie & New Bohemians Shooting Rubberbands at the Stars
|
||
****
|
||
This one has gotten some undeservedly bad press for being so
|
||
gosh-darn trendy, and is exactly the sort of music that Dean
|
||
Costello loves to hate. What it really is is a collection of
|
||
finely written, finely produced guitar-pop tunes with hints of
|
||
Rickie Lee Jones. Nary a miss in the bunch.
|
||
|
||
|
||
Bush, Kate *** 1/2 The Whole Story
|
||
Bush, Kate *** The Sensual World
|
||
Music that is sorta good, but you can't really put your finger
|
||
on why. A lot of the later stuff is ethereal and whispery,
|
||
but on The Whole Story, a lot more eclecticity (is that a
|
||
word?) shines, stuff that you can play and have mom walk in and
|
||
ask who the hell it is.
|
||
|
||
|
||
Camper Van Beethoven **** Our Beloved Revolutionary Sweetheart
|
||
Camper Van Beethoven *** Key Lime Pie
|
||
Quirky catchy pop around which revolves nearly anything
|
||
American and progressive. The former's title (and song
|
||
"Tania") is a cute tribute to Patty Hearst; the latter, a
|
||
little mopier, features an engaging cover of Status Quo's
|
||
"Pictures of Matchstick Men."
|
||
|
||
|
||
Cervenka, Exene *** Old Wives' Tales
|
||
After listening to this one, it's a wonder that Exene didn't
|
||
turn into that month's Alternative Female Icon - this album is
|
||
full of folksy, introspective tunes that speak a far cry from
|
||
her days with the LA post-punk band X. Not bad for what it is.
|
||
|
||
|
||
Church, The *** Starfish
|
||
U2 with their chins in the gutter, Simple Minds with a
|
||
different pop sensibility. Some of the songs are neat until
|
||
the fourth or fifth listen; I still like the minor radio-hit
|
||
"Under The Milky Way".
|
||
|
||
|
||
Chicago ** Chicago IX
|
||
Chicago ** If You Leave Me Now
|
||
Chicago * 1/2 Chicago 16
|
||
Ten years ago, I thought they were gods. Not only have I
|
||
wised up, but I've also successfully passed through that stage
|
||
where you disown the new stuff but still try to claim that they
|
||
were "progressive pop" in the early 70s. "25 or 6 to 4"
|
||
doesn't sound nearly as good as it did in junior high, and
|
||
everyone had long hair until 1975.
|
||
|
||
|
||
Cockburn, Bruce *** Stealing Fire
|
||
It took me forever to realize this guy was a Jackson Browne
|
||
clone. Nonetheless, it's worth picking up for a couple of
|
||
bucks if you still remember "If I Had A Rocket Launcher".
|
||
Sparse Canadian AOR from the trendier side of the tracks.
|
||
|
||
|
||
Costello, Elvis *** 1/2 The Best of Elvis Costello
|
||
and the Attractions
|
||
My first introduction to the King. On the whole, what I
|
||
expected, pretty much; sophisticated sofa pop tunes from a guy
|
||
who coulda used a different voice a long time ago, but it
|
||
doesn't matter now.
|
||
|
||
|
||
Crowded House **** Crowded House
|
||
Crowded House **** Temple of Low Men
|
||
<Sigh>... It seems I use the term "pop" too much, and in too
|
||
pleasant an inflection. No matter - despite all the
|
||
intelligent, well-written, exquisitely produced, non-
|
||
commercial, non-comformist er, "pop" music out there, this is
|
||
the cream of the crop. Neil Finn used to be in Splint Enz -
|
||
now he's writing some of the best music of the last ten years.
|
||
Catchy sustenance from a barely tortured soul.
|
||
|
||
|
||
Cult, The *** 1/2 Electric
|
||
This is the pre-MTV Cult. It's likely to sound all the same
|
||
to you if you haven't kept up, but Electric presents some
|
||
choice meaty slices of hard rock that you won't be ashamed to
|
||
listen to.
|
||
|
||
|
||
Cure, The *** 1/2 Staring at the Sea: The Singles
|
||
A decade's worth of selections from England's most
|
||
depressed-but-not-really outfit. This is the sort of stuff
|
||
taken from albums that all made it big in the UK, but went
|
||
nowhere here except the floorboard behind the back seat of the
|
||
rusty Impala owned by that strange skateboarding kid friend of
|
||
your brother's. The catchy stuff is fine; the mopey stuff is,
|
||
well, okay if you go in for that kind of thing.
|
||
|
||
|
||
Danny Wilson *** 1/2 Meet Danny Wilson
|
||
Give me another month or so and I'll have this one pegged with
|
||
four stars. Danny Wilson is not a person, it's a band, and one
|
||
quite adept at lifting the more jazzy inflections of Katy Lied
|
||
era Steely Dan. Leader Gary Clark always seems to sound a
|
||
little happier than Donald Fagan, though, and the music shows
|
||
it.
|
||
|
||
|
||
David + David **** Boomtown
|
||
Heartfelt but intense tales from the wrong side of the street
|
||
in southern California. The first David, David Baerwald, has
|
||
just released a solo album that may be even better. One the
|
||
most underrated albums of the '80s.
|
||
|
||
|
||
Depeche Mode *** Music for the Masses
|
||
Depeche Mode ** 1/2 Violator
|
||
Another one in the category of "it's great if you like that
|
||
kind of thing." Most radio listeners are more apt to remember
|
||
Alan Wilder's melancholy vocals over Martin Gore's
|
||
mire-goop-synth songwriting, but there IS something here, I
|
||
know there is. I'll be damned if I know WHAT, though.
|
||
|
||
|
||
Dream Academy *** 1/2 Dream Academy
|
||
Dream Academy *** Remembrance Days
|
||
Beware of British bands with the word "Dream" in their names
|
||
and the sound of crashing waves superimposed in the music. A
|
||
minor chapter in Great Reagan/Thatcher Era Music, of course,
|
||
but still potent guitar pop with leanings toward what I
|
||
consider the British equivalent of "folk" but still haven't
|
||
come up with a name for. The former LP is produced by Dave
|
||
Gilmour; the latter by Lindsay Buckingham.
|
||
|
||
|
||
Echo & The Bunnymen *** Porcupine
|
||
There is ONE song on here, one song that I like a lot - it's
|
||
called "The Cutter", and it's a wild brash arnarchic pop song
|
||
that you can dance to while cleaning house. The rest is
|
||
regrettably pale imitations of "The Cutter". Frankly, if you
|
||
really WANT an Echo & The Bunnymen album (and I know you do), I
|
||
recommend either the experimental Ocean Rain or the compilation
|
||
Songs To Learn and Sing. I just picked the wrong one.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
A Shareware Review
|
||
by Henry Barfoot
|
||
|
||
INTEXT12.ZIP . . . . . .178,254 05-01-90
|
||
|
||
Name: INTEXT Multilingual Word Processor
|
||
|
||
Purpose: Multilingual Word Processing
|
||
|
||
System requirements: Although not much was said about requirements
|
||
INTEXT can be run on a single floppy (360K) system, dual floppies or
|
||
hard drive. INTEXT supports CGA or Hercules displays. A variety
|
||
of printers are supported.
|
||
|
||
Features:
|
||
Editing; Printing; File Utilities(copy, merge, delete, rename)
|
||
Many W/P functions such as: search/replace string, find string,
|
||
global string replace, justify, etc..
|
||
Editing in English, and at least one other language at the same
|
||
time.
|
||
Enhanced printing codes (underline/bold).
|
||
|
||
SOME of the languages supported are:
|
||
Arabic Russian Spanish
|
||
Greek Turkish Polish
|
||
Hebrew Urdu European (British, French, Italian...)
|
||
Farsi Yugoslavian
|
||
Gaelic German
|
||
|
||
Intext uses many of the ASCII characters in the editor. Of course
|
||
for some languages like Arabic it has to create a whole new set of
|
||
fonts for the screen and printer. You can toggle between English and
|
||
another language to edit a single document and have both languages in
|
||
the same document. The other languages (English is always a base
|
||
lang.) are loaded as modules and you can only have one module loaded
|
||
at a time. When you load a new language module some of its files
|
||
will overwrite the previous module's files.
|
||
*Text files created with INTEXT may only be viewed while you are
|
||
using INTEXT or if you print them while inside the INTEXT editor.
|
||
|
||
Also, there is information available through INTEXT about many other
|
||
"third-party" software applications.
|
||
I.e.: MS-DOS in Arabic, Chinese, etc.
|
||
Multilingual Spelling Checkers/Dictionaries
|
||
"""""""""""" Thesauruses
|
||
"""""""""""" Desktop Publishing
|
||
"""""""""""" Translation Software
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Fractint: Part 2
|
||
a review by Eric Hunt
|
||
|
||
This month, I delved deeper into the features of Fractint and found
|
||
several interesting things. First, there are LOTS more fractal types to
|
||
choose from other than the Mandelbrot and Julia sets. One of the most
|
||
interesting fractal types is the Barnsley IFS "fern." This is a fractal
|
||
that is quite different from the rest: it looks just like a fern, a very
|
||
beautiful rendition of one, also. Another fractal type available that is
|
||
more widely heard of is the Newton's domain of attraction, which
|
||
visualizes the Newton method for solving equations higher than the
|
||
second power. One of the most interesting fractal types is the Plasma
|
||
cloud. Quoted from the manual (I couldn't do any better): "'Plasma
|
||
Clouds' are generated by a recursive algorithm that randomly picks
|
||
colors of the corner of a rectangle, and then continues recursively
|
||
quartering previous rectangles. Random colors are averaged with those of
|
||
the outer rectangles in such a way that small neighborhoods do not show
|
||
much change, resulting in th e effect of clouds." The image itself is
|
||
rather uninteresting until it is color cycled! The color cycling will
|
||
totally mesmerize you! It also makes wonderful 3-D transformations, but
|
||
more on that later. There are many more fractal types available, but I
|
||
have not had the time, nor inclination to generate them, for the
|
||
Mandelbrot and Julia sets are enough to keep me busy for a while.
|
||
|
||
Another exciting feature of Fractint is the ability to take plain
|
||
2-D fractal images and turn them into exciting 3-D plots. When I
|
||
selected the 3-D transformation option by pressing '3,' it asked me for
|
||
a startup filename. I used the filename for one of the plasma clouds.
|
||
Many MANY questions are asked, and all of them control a certain aspect
|
||
of the 3-D transformation. Questions range from the X, Y, and Z rotation
|
||
in space of the fractal, to mapping it on a globe, to how high the
|
||
"water" should be. the responses are better off being left with the
|
||
default values. A note on the sphere option: don't select it unless you
|
||
plan to take a good long trip and are leaving the computer on. When the
|
||
plasma cloud transformation was complete, I was overwhelmed again! It
|
||
looked like an alien landscape done in 256 glorious shades of Red,
|
||
Green, and Blue. The colors can be changed back in the Fractint program
|
||
to suit your taste.
|
||
|
||
Fractint also supports generating fractals in a 16bit TARGA format.
|
||
It will also take the TARGA file and make a very good 3-D transformation
|
||
from it. Watch out, though, using the TARGA option, you need AT LEAST
|
||
1/2 a meg of disk space for the file that will be generated.
|
||
|
||
This part of the review was short - many of the advanced functions
|
||
I have not fully explored, due to the fact that they can take DAYS to
|
||
finish - DAYS I couldn't be modeming around - my favorite hobby, besides
|
||
watching fractals "grow."
|
||
|
||
For more reading on Fractals, and the parent subject to Fractals,
|
||
Chaos theory, here are a few books available:
|
||
|
||
CHAOS: MAKING A NEW SCIENCE by James Gleick. ISBN 0-14-009250-1. Paperback $11.95
|
||
|
||
THE FRACTAL GEOMETRY OF NATURE by Benoit Mandelbrot
|
||
Bristol: Adam Hilger 1984
|
||
|
||
THE BEAUTY OF FRACTALS by Heinz-Otto Peitgen and Peter H. Richter
|
||
Berlin: Springer - Verlag 1986
|
||
|
||
NONLINEAR DYNAMICS AND CHAOS by H. Bruce Stewart and J. M. Thompson
|
||
Chichester: Weiley 1986
|
||
|
||
And finally, the August 1990 issue of SCIENTIFIC AMERICAN has a good
|
||
article on Fractals. It might still be on the newsstand, but I doubt it.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
ProFile
|
||
by Chris Mohney
|
||
|
||
ProFile is a short, half-serious biographical sketch given to
|
||
various computer telecommunications personalities around Birmingham.
|
||
Victims are selected randomly from a group of names put into the
|
||
notorious Hat. Anyone who thinks himself brave or witty enough may
|
||
petition for admittance to the Hat by leaving E-Mail to me (Chris
|
||
Mohney, most boards around town) to that effect. Anyone who wishes to
|
||
suggest more questions or sneakily nominate someone without their
|
||
knowledge may take the same route....
|
||
|
||
---------
|
||
|
||
Pro File on CHRIS HILLIARD
|
||
|
||
---------
|
||
|
||
Age: 40
|
||
|
||
Birthplace: Franklin, Virginia
|
||
|
||
Occupation: Secretary
|
||
|
||
My hobbies include: Randy, Reading, Cross Stitch, Genealogy, BBSing
|
||
|
||
Years telecomputing: 2
|
||
|
||
Sysop, past/present/future of: Hopefully, I'm immune to this virus.
|
||
|
||
My oddest habit is: None of them seem odd to me.
|
||
|
||
My greatest unfulfilled ambition is: to be unknown and wealthy (gotten
|
||
half way there)
|
||
|
||
The single accomplishment of which I am most proud is:
|
||
to remain unchanged in spite of the company I have been keeping
|
||
lately
|
||
|
||
My favorite performers are: Traveling Wilburys, Jackson Browne,
|
||
Harrison Ford
|
||
|
||
The last good movie I saw was: Steel Magnolias
|
||
|
||
The last good book I read was: Presumed Innocent, Pillars of the
|
||
Earth
|
||
|
||
If they were making a movie of my life, I'd like to see my part played by:
|
||
Whoopie Goldberg
|
||
|
||
My pet peeves are: Cruelty
|
||
|
||
When nobody's looking, I like to: None of your business.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Known BBS Numbers For The Birmingham Area
|
||
|
||
NAME NUMBER BAUD RATES MODEM BBS SOFTWARE
|
||
SUPPORTED TYPE
|
||
|
||
* Alter-Ego BBS 925-0707 300-2400 ProBBS/ProDoor
|
||
* American BBS 674-1851 300-2400 PC Board 14.5
|
||
* Bus System BBS 595-1627 300-2400 PC Board 14.2
|
||
* Byte Me! ???-???? 9600 HST/V.42 WWIV 4.07
|
||
Camelot BBS 856-0679 300-2400 Teleguard 2.5
|
||
-* Channel 8250 Node 1 744-8546 300-9600 HST/V.32 PC Board 14.5
|
||
-* Channel 8250 Node 2 744-5166 300-9600 HST PC Board 14.5
|
||
* Crunchy Frog 956-1755 300-2400 PC Board 14.0
|
||
D3 Systems BBS 663-2759 300-9600 HST/V.32 Quick BBS 2.04
|
||
+ Duck Pond BBS 822-0956 300-9600 HST/V.32 Opus-CBCS 1.03c
|
||
^ Eazy's Playhouse 870-0434 1200-4800 MNP4 WWIV 4.11
|
||
^ Electric Reqium 680-9753 1200-2400 WWIV 4.11
|
||
EzNet Central 785-7417 1200-9600 HST PC Board 14.2
|
||
Graphics Zone Node 1 870-5306 300-9600 V.42 TBBS 2.1(16)
|
||
Graphics Zone Node 2 870-5329 300-9600 V.42 TBBS 2.1(16)
|
||
Hacker's Corner 674-5449 300-2400 MNP4 PC Board 14.5
|
||
+ I.S.A. BBS 995-6590 300-9600 HST TCOMM
|
||
* Joker's Castle 744-6120 300-2400 PC Board 14.0
|
||
^* Lands Of Brittania 791-0421 1200-2400 WWIV 4.11
|
||
* Little Kingdom Node 1 969-0007 300-9600 HST/V.42 PC Board 14.5
|
||
* Little Kingdom Node 2 969-0008 300-2400 MNP4 PC Board 14.5
|
||
LZ Birmingham 870-7770 300-2400 PC Board 14.5
|
||
* Magnolia BBS 854-6407 300-9600 HST PC Board 14.2
|
||
@ Missing Link 853-1257 300-2400 Image 1.2
|
||
^ Myth Drannor 699-5811 1200-2400 MNP4 WWIV 4.11
|
||
Owl's Nest 680-0851 300-2400 PC Board 14.2
|
||
@ Pirate's Cove 942-7429 300-1200 Image 1.2
|
||
Posys BBS 854-5131 1200-2400 RBBS CPC17.3
|
||
* Radio Free Troad 979-6183 300-9600 HST/V.42 PC Board 14.2
|
||
Safe Harbor 665-4355 300-2400 GT Power 15.00
|
||
Shadetree BBS 787-6723 300-2400 Phoenix 1.36
|
||
Sperry BBS 853-6144 300-9600 Hayes PC Board 14.5
|
||
* ST BBS 836-9311 300-2400 PC Board 14.2
|
||
@ The Commodore Zone 856-3783 300-2400 Image 1.2
|
||
The Connection 854-9074 1200-2400 PC Board 14.1
|
||
The Dog House 425-9255 300-1200 Image 1.2
|
||
The Islands BBS 870-7776 300-2400 PC Board 14.0
|
||
The Kingdom Of Teletech 674-0852 300-2400 WWIV 4.11
|
||
- The Matrix Nodes 1-4 323-2016 300-2400 PC Board 14.5
|
||
- The Matrix Node 5 251-2344 300-9600 HST PC Board 14.5
|
||
VCM(ee) BBS Node 1 655-4059 300-2400 Oracomm Plus
|
||
VCM(ee) BBS Node 2 655-4065 300-1200 Oracomm Plus
|
||
Victory Express 425-0821 300-1200 Image 1.2
|
||
Willie's DYM Node 1 979-1629 300-2400 Oracomm Plus
|
||
Willie's DYM Node 2 979-7739 300-2400 Oracomm Plus
|
||
Willie's DYM Node 3 979-7743 300-1200 Oracomm Plus
|
||
Willie's DYM Node 4 979-8156 300-1200 Oracomm Plus
|
||
|
||
Boards with a "*" before their name are members of our local network,
|
||
EzNet, and public messages left in the EzNet Conferences of any of these
|
||
boards will be echoed to all members.
|
||
|
||
Boards with a "@" before their name are members of our local Commodore
|
||
network, Image Network, and e-mail left on any member board may be
|
||
directed to any other member board.
|
||
|
||
Boards with a "+" before their name are members of FidoNet, an
|
||
international network that provides a variety of public forums as well
|
||
as private mail services all over the world.
|
||
|
||
Boards with a "-" before their name are members of MetroNet, an
|
||
international network that provides a variety of public forums as well
|
||
as private mail services all over the world.
|
||
|
||
Boards with a "^" before their name are members of WWIV-Net, an
|
||
international network that provides a variety of public forums as well
|
||
as private mail services all over the world.
|
||
|
||
If you have any corrections, additions, deletions, etc., please let us
|
||
know via EzNet.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
EzNet Multiple Echo List
|
||
|
||
EzNet now supports multiple conference echoing but there are a few
|
||
things you should be aware of regarding private mail.
|
||
|
||
A. You have one 'address' for private mail. If you are registered for
|
||
private mail on Channel 8250 and someone sends you a private
|
||
message in the MS-DOS conference from Crunchy Frog it will wind
|
||
up in the Hardware conference on Channel 8250 as it should.
|
||
|
||
However, if you were registered for private mail on Magnolia and
|
||
someone sends you a private message in a conference that Magnolia
|
||
does not support (echo) then the message will wind up in the
|
||
twilight zone.
|
||
|
||
B. If you go by a handle on one BBS and your real name on another even
|
||
if the private message goes where it is supposed to, you will not
|
||
be able to read it because it is addressed to someone else as far
|
||
as PC Board is concerned. PC Board has no way of knowing that Red
|
||
Foxx and John Doe are the same person. No tickee, no washee.
|
||
|
||
Advice on sending private mail: If you don't know if the person you
|
||
are sending private mail to is registered for private mail then keep a
|
||
copy of the message in case you have to find an alternate route. EzNet
|
||
Central will delete your private, undelivered message and inform you
|
||
that the user you attempted to reach is not registered for private mail
|
||
on any EzNet Node.
|
||
|
||
This is a list of the current echoes that I am aware of. More are
|
||
in the making and will be posted in future issues. If you are a sysop
|
||
and are running an echo not listed for your board, please make us aware
|
||
of it so we may correct it next issue.
|
||
|
||
|
||
Eznet Program IBM Adult Scitech BTNWA
|
||
|
||
Alter-Ego ........... * ..... ..... ..... ..... ..... ..
|
||
American BBS ........ * ..... ..... ..... ..... ..... ..
|
||
Bus System BBS ...... * ..... * ..... * ..... ..... * ..... * ..
|
||
Byte Me! ............ * ..... * ..... * ..... * ..... ..... ..
|
||
Channel 8250 ........ * ..... * ..... * ..... ..... * ..... ..
|
||
Crunchy Frog ........ * ..... ..... * ..... * ..... ..... * ..
|
||
Joker's Castle ...... * ..... ..... * ..... ..... ..... ..
|
||
Lands Of Brittania .. * ..... * ..... * ..... ..... ..... ..
|
||
Little Kingdom ...... * ..... * ..... * ..... * ..... * ..... ..
|
||
Magnolia BBS ........ * ..... ..... ..... ..... ..... ..
|
||
Radio Free Troad .... * ..... ..... ..... ..... ..... ..
|
||
ST BBS .............. * ..... ..... ..... * ..... ..... ..
|